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The
Microphone
Finder
M 147 Tube
M 149 Tube
M 150 Tube
TLM 49
TLM 50
TLM 67
TLM 103 (D)
TLM 102
TLM 170 R
TLM 193
U 87 Ai
U 89 i
BCM 104
BCM 705
KK 104 S
KMS 104 (D)
KMS 104 plus
KK 105 S
KMS 105 (D)
KM 120,
KM 120 A/D
KM 130, KM 183
KM 183 A /D
KM 131
KM 131 A/D
KM 133 A/D
KM 140, KM 184,
KM 184 A/D
KM 143,
KM 143 A/D
KM 145,
KM 145 A/D
KM 150, KM 185
KM 185 A/D
KMR 81 i
KMR 81 D
GFM 132
KMR 82 i
KU 100
RSM 191
USM 69 i
Capsule
Large diaphragm,
K 07
Large diaphragm,
K 47
Large diaphragm,
K 47/49
Small diaph., in
sphere, K 33 Titanium
Large diaphragm,
K 47
Small diaph., in
sphere, K 33 Titanium
Large diaphragm,
K 67/870
Large diaphragm,
K 103
Large diaphragm,
K 102
Large diaphragm,
K 89
Large diaphragm,
K 89
Large diaphragm,
K 67/870
Large diaphragm,
K 89
Large diaphragm,
K 04 · Dynamic
Small diaphragm,
K 104
Small diaphragm,
K 104
Small diaphragm,
K 105
Small diaphragm,
AK 20
Small diaphragm,
AK 30 · K 30 · KK 183
Small diaphragm,
AK 31 · KK 131
Small diaphragm,
AK 31 · KK 133
Small diaphragm,
AK 40 · K 40 · KK 184
Small diaphragm,
AK 43 · KK 143
Small diaphragm,
AK 45 · KK 145
Small diaphragm,
AK 50 · K 50 · KK 185
Small diaphragm,
K 32
Small diaphragm,
KK 81
Small diaphragm,
KK 82
Small diaphragm,
2 KK 83
Small diaphragm,
KK 190 MS
Large diaphragm,
2 K 67/870
Polar Pattern
Remote (15)
Cardioid
Switchable (9)
Omni
Cardioid
Omni
Switchable (3)
Cardioid
Cardioid
Switchable
(5/Remote)
Cardioid
Switchable (3)
Switchable (5)
Cardioid ·
Hypercardioid
Cardioid
Cardioid
Supercardioid
Figure-8
Omni diffuse field
equalized
Omni free field
equalized
Omni free field
equalized
Cardioid
Cardioid wide
angle
Cardioid with low
frequency roll-off
Hypercardioid
Hemispherical
Lobe/Shotgun
Lobe/Shotgun
Ear
Lobe+8/Shotgun
Switchable (5)
Type
Digital
Tube, TLM
Tube, TLM
Tube, TLM
fet, TLM
fet, TLM
fet, TLM
fet, TLM (Digital)
fet, TLM
fet, TLM
fet, TLM
fet, Transformer
fet, Transformer
fet, TLM · Dynamic
fet, TLM (Digital)
fet, TLM
fet, TLM (Digital)
fet, TLM
fet, TLM /Digital
fet, TLM /Digital
fet, TLM /Digital
fet, TLM /Digital
fet, TLM /Digital
fet, TLM /Digital
fet, TLM /Digital
fet, TLM
fet, Transformer
(Digital)
fet, Transformer
fet, TLM
fet, TLM
fet, Transformer
Vocals (Rock+Pop+Jazz) Studio
Vocals (Rock+Pop+Jazz) PA
Vocals (Classic) Studio
Vocals (Classic) PA
Choir Studio
Choir PA
Spoken Voice Studio
Spoken Voice PA
Acoustic Guitar Studio
Acoustic Guitar PA
Double Bass Studio
Double Bass PA
Strings Studio
Strings PA
Wind Instruments (Low) Studio
Wind Instruments (Low) PA
Wind Instruments (High) Studio
Wind Instruments (High) PA
Amps
Guitar / Bass / Leslie
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Drums (Complete Set)
Drums
SN / HH / TT / FT / Kick / OH
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Percussion
Piano Studio
Piano PA
Organ
Extended Sources
Extreme Sounds High SPL
Extreme Sounds Low SPL
Spot Mic
Ambience Mic
Stereo
AB/ORTF/XY/Blumlein
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Stereo Decca Tree (Omni)
Stereo MS mid system
Stereo MS side system
Special ENG
Special Dubbing+Voice-Over
Special Measurement
Polar patterns
Legend
Typical application
Capsule
Large diaphragm
Small diaphragm
Tube microphone
Field effect transistor (fet)
Transformer output
Transformerless output (TLM)
Preattenuation (pad)
– Transducer element which converts acoustical to electrical signal
– Large diameter capsules (~30mm) emphasize character and sensitivity
– Small diameter capsules (~22mm) provide less coloration and widely frequency independent directivity
– Amplified by a vacuum tube, associated with “classic” sound
– Amplified by transistor circuitry
– Output circuitry with a transformer, for galvanic isolation and optimum balancing
– Output circuitry without a transformer, for higher maximum sound pressure levels
– Reduces the transducer sensitivity and thus the output level, shifts the dynamic range to higher sound pressure levels
Roll-off (high pass filter)
Directional characteristic (polar pattern)
Remote
Switchable
– Allows only frequencies above a limit frequency to pass; reduces pops, wind & handling noise; compensates proximity effect for close miking
– Describes the angle dependant sensitivity
– Microphone with remotely switchable multiple polar patterns
– Microphone with switchable multiple polar patterns
Omni
Wide Cardioid
Cardioid
Supercardioid
Hypercardioid
Figure Eight (Bidirectional)
Shotgun (Lobe)
– Picks up sound equally from all directions
Diffuse-field equalized: With flat response in the diffuse field, for distant recording
Free-field equalized: With flat on-axis response, for close miking
– Slight directivity towards the front half-space
– Directive, with minimum sensitivity from the rear
– More directive, with highest front-to-rear half-space sensitivity ratio
– Still more directive, for maximum isolation between neighboring sound sources
– Bidirectional sensitivity, shaped like a figure 8
– Highest directivity, through interference tube (shotgun) design
NEUMANN.BERLIN
OLLENHAUERSTR. 98
13403 BERLIN
+49 (30) 417724-0
www.neumann.com
Errors excepted, subject to changes • Printed in Germany • Publ. 02/2008 514740 • R Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.
D-01
Model
Neumann – A sound decision.
An ambitious audio studio without Neumann? That is hard
to imagine. With good reason, audio engineers worldwide
consider Neumann microphones the benchmark for professional audio technology. Over the decades, many products
in the history of the company have become classics in the
development of this field. While other electronics companies
struggle with imitations from the Far East, for Neumann,
Asia is a dynamic growth market.
The subtle differences, which in the end can be decisive, are
appreciated not only by audio engineers. Among the great
musicians of recent decades it is difficult to find any artists
who have not used Neumann microphones. The significance of
Neumann in the music scene makes it impossible to provide
a comprehensive ABC of users here. Bryan Adams? American
Idol? The Beatles? Beyoncé?
Natalie Cole? Celine Dion? Tokio Hotel? No matter what style
or epoch you prefer, to find users of these high-end products
from Berlin the best approach is to begin simply by listing
your own favorite musicians.
www.neumann.com
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