portfolio - Stuttgart

Transcription

SASCHA DANIEL BAUER February 2014
PORTFOLIO - SELECTION OF PROJECTS FROM THE PERIOD OF STUDY
PORTFOLIO
Sascha Daniel Bauer - Selection of projects from the period of study
CURRICULUM VITAE
CV, Student Representative, Teaching Assistance, Internships,
Scholarships, Prices, Exhibitions, Skills, Interests, Contact
PROJECTS / WORK SAMPLES
ARCHITECTURE AND URBAN SPACE
OBJECT AND SPACE
REALIZED SPACES
1
MissingCorner - Venice
European Pavilion for La Biennale di Venezia - 2010
2
LivingCloud - Hamburg
Creative outdoor spaces and creative spaces, Hamburg Oberhafen - 2011
3
72 HourUrbanAction - Stuttgart
Real-Time Architecture Competition in Stuttgart - 2012
4
TheTiger - La Biennale di Venezia
Building the 1:1 model and impressions of the Biennale in Venice - 2010
5
TextileHome - impromptu draft
Mobile habitation for homeless people - 2014
6
BarockReloaded - documenta Kassel
Intercontextuality of the baroque garden in the 21st century - 2011
7
UrbanResearch - KreativQuartier
Creative Spaces - Between Culture-Production and Art-Consumption - 2012-2013
8
ProgrammaticDiversity - Bad Gastein
New identity for a vacancy-plagued city center - Final Master Exam 2014
9
AK10 - Catalogue
Student Projects of the Academy of Fine Arts Stuttgart - 2010
10
KnittedTextileColumn - Exhibition
„Knit and resinate“ an interdisciplinary project of study programs - 2012
11
Silhouetter - Versatile Chair
Five in One - versatile chair with seating convenience - 2012
12
CadLab - Premium WorkSpace
Redesign of a computer room with a cooperated design - 2011
13
Voilá - Staatsgalerie Stuttgart
Anniversary Exhibition, Sterling-Hall, 250th anniversary of the Academy - 2011
14
SkyCage - RooftopTerrace
Rooftop Terrace, Department of Architecture - Annual Exhibition 2013
15
GuidanceSystem - SAdBK Stuttgart
Exhibition and guidance system, Department of Architecture - Annual Exhibition 2013
CONTENT
Selection of projects from the period of study
Curriculum Vitae
Sascha Daniel Bauer - February 2014
Curriculum Vitae
Internships | Scholarships | Prices
Exhibitions (selection)
Skills | Interests | Contact
Born 21st January 1985
Stuttgart, Germany
Dipl.-Designer Harald Schnur – 2000
balneo design, Stuttgart
“Der Tiger von Venedig”, La Biennale di Venezia
2011, Austrian Pavillion, 2,5 m Modell, M 1:87
2004 Abitur (according to A-Levels)
Max-Eyth-Gymnasium, Stuttgart
inorek&grey worldwide – 2004
Tallinn, Estonia
2004 – 2007 Training as Carpenter/Joiner
Holzfachschule, Feuerbach
Schreinerei Kopf GmbH – 2004 – 2007
Stuttgart
Voilá – AKA intervention at the National Gallery
Stuttgart, artistic positions of academy professors for the 250-year celebration, exhibition
concept, manufacturing and construction
Languages
German (native language)
Englisch (fluently)
French, Spanish (basic knowledge)
2007 – 2008 Robinson Marine Interiors Inc.,
Auckland, New Zealand
Robinson Marine Interiors Inc. – 2007 – 2008
Auckland, New Zealand
2008 – 2011 Bachelor of Arts in Architecture
State Academy of Fine Arts and Design
Stuttgart (SAdBK Stuttgart)
Work&Travel – 2008
Australia
2011 – 2014 Master of Arts in Architecture
State Academy of Fine Arts and Design
Stuttgart (SAdBK Stuttgart)
Atelier Brückner GmbH – 2010 – 2013
Stuttgart
Engelsmann Peters engineering – 2012
Stuttgart
Student representative
Scholarships and Prices
2009 – 2011 Expert Committee
2012 – 2013 Study Commission
1. Price – Die Gute Form – 2007
Baden-Württembergischer Landeswettbewerb
2. Price – Leistungswettbewerb – 2007
Baden-Württembergischer Landeswettbewerb
Teaching Assistance
2. Price – Sustainability-Award – 2012
sculpture competition, Stuttgart Airport
2012 – 2013 Prof. Dr.-Ing. Stefan Engelsmann
Class for Construction and structural
engineering, SAdBK Stuttgart
Bad Gastein Travel Grant – 2013
Bad Gastein, Austria
2013 – 2014 Prof. Dipl.-Ing. Matthias Rudolph
Class for climate-oriented design and building
technology, SAdBK Stuttgart
1. Price – Goldender Würfel – Nov. 2013
Wettbewerb “Möbel zum Träumen”
Landesfachverband der Schreiner, Stuttgart
2. Price – Silberner Würfel – Okt. 2013
Competition “Möbel zum Träumen”
Landesfachverband der Schreiner, Stuttgart
Kunstbezirk-Galerie at the Gustav-Siegle-Haus
Stuttgart, 2011, Sculpture contest for the Foundation Day 2011, “the three-pillar model”
Overall exhibition of the Academy at Wilhelms
Palais Stuttgart, “show me yours, I show you
mine” 2012 documentary, “Hamburg Oberhafen –
eine Bestandsaufnahme”
“no place to hide — Ort, Kontrolle, Produktion”,
Exhibition at the Employment Agency and
Regional Directorate Stuttgart, panoramic
photography, 2013, Curator: Prof. Felix Ensslin
ifa-Galerie Stuttgart, November 2012, [temp]
openSPACE, Project: stadtFILTER vol. III
Computer
rhinoceros 3d
vectorworks, autocad, archicad
adobe photoshop,
adobe illustrator,
adobe indesign,
adobe premiere pro
and others
Interests
photography, art, architecture,
modelling, go-karting,
sports, travelling
Contact
72 Hour Urban Action, Int. architecture-festival
Stuttgart 2012, (Student orga. team)
with interventions at the Nordbahnhofviertel
Sascha Daniel Bauer
Ulmer Str. 319
70327 Stuttgart
“Möbel zum Träumen”, Competition and
Exhibition of the best Masterpieces 2013,
Haus der Wirtschaft, Stuttgart
Mobil: +49 (0) 172 98 28 027
(until march 2014)
Annual Exhibition of the Academy at Weißenhof
Stuttgart: 2009, 2010, 2011, 2012, 2013
Blickfang Exhibition Stuttgart:
2009, 2011, 2012, 2014
Licher Photo Award 2009 “Mensch und Natur”
exhibition: City Palace Fulda, City Hall Herborn,
Leica Gallery FRA, castle Butzbach, etc.
E-Mail: [email protected]
Please contact me via e-mail or
via skype: Sascha Daniel Bauer
ARCHITECTURE AND URBAN SPACE
Selection of projects from the viewpoint of architecture and urban design
1
European Pavilion for La Biennale di Venezia – 2010
MissingCorner – Venice
1
An extension of the urban space of Venice, which was constructed on piles. At the site near
the Biennale grounds, the coastline is closed by the new extension. With walkways,ferry
routes, the position of sacred buildings, green spaces and others you can recognise a
labyrinth structure in Venice. This issue was considered directly inside of this urban expan
sion.
The extension is divided into themed rooms, exhibition halls, function rooms and a courtyard. The European landscapes are reinterpret inside the structure and are represented abstractly in these interior spaces. The visitor always changes between different rooms
and introverted spaces when passing through the pavilion which provides specific outlooks into the Venice lagoon.
The labyrinthine structure in the rear part is designed as a pathway into the third dimension and represents the pathways of the city of Venice and other town-like structures.
The choreography of architectural space is described as follows: in, out, go to light, up,
down, lose, find yourself again.
45° 25‘36.34“ N
12° 21‘32.52“ O
WALK- AND PATHWAYS
FERRY ROUTES
SACRED BUILDING
GREEN AND OPEN SPACES
BIENNALE SPACES
CULTURAL SPACES
BUILDING FOUNDATION
INDUSTRIAL BUILDINGS
1
MissingCorner – Venice
tower
showroom
showroom
21 m
showroom
space of the
forest
showroom
labyrinth
showroom
0,00 m a.s.l.
sea floor
DESIRE – OUTLOOK
LABYRINTHINE STRUCTURE
SPACE OF THE FOREST
WATER TOWER SPACE
INTROVERTED SPACE
1
European Pavilion for La Biennale di Venezia - 2010
2
LivingCloud – Hamburg
Creative outdoor spaces and creative spaces – Hamburg Oberhafen 2011
2
LivingCloud - Hamburg
Creative outdoor spaces and creative spaces - Hamburg Oberhafen 2011
The stairways up to the “Living Cloud” are long escalators, symbolic sky stairs which symbolise
the abandonment of an old city structure. The system of paths, escalators and elevators connect the new HafenCity with the upper harbour area and the 2030 vacant and evolving wholesale
market on the opposite side of the river. The “Living Cloud” rises above the existing urban system
of the upper harbour area and tries primarily to implement the functions in its program, which
the “beneath city“ cannot provide or which is only accessible with a tremendous distance to be
walk.
The mega structure of the “Living Cloud” consists primarily of single room modules, with 25
square meters each. The single room modules enables sequencing and stacking. Depending on
the requirement of the user, the function of space can be provided. The stacking cannot take
place without rules, thus partially apartments should be trained two floors to allow the connection to the internal technical infrastructure. Here, the variability of each spatial cell is preserved,
so that the structure can react to changes in short term and may affiliate or replace more space
cells. The edges of the entire urban spatial system are constantly changing and based partially
on the needs of the inhabitant and on the other side to the architectural theory approaches in
urban planning sense (see list). The five approaches questioned the formulation of the edges or
borders in common. The urbanise problems of peripheralisation are not to be answered for reasons of physical compactness.
Stocktaking video:
https://www.youtube.com/watch?v=6VQyMXHMwcs
“Clouds have their own boundaries, which give
them form. Close up these boundaries become
blurred, losing their meaning as borders, only
presenting clear contours when viewed from
a certain distance. Is it possible to design a
building using this approach to chang boundaries, changing according to scale?“
Junya Ishigami, Another Scale of Architecture a
2
Theoretical Approaches to the Living Cloud
1) The “theory of density” is one of the central themes in Delirious New York, which has
been developed from the detailed analysis of the Manhattan grid.
2) The text “The Generic City” is about ‘featureless’ city or the ‘general’ city , as one
might call them. From their example, all problems of loss of identity and the seemingly
uncontrollable growth process become clear.
3) Mega Structures: Ralph Wilcoxon defined the mega-structure in 1968 as a city
that (1) can be expanded (2) a structural framework with a longer life than (3) small
plugged-in units which (4) should be prefabricated.
4) With the contribution “Blur Building“ to the Swiss Expo 2002 Diller & Scofidio provide
a first approach to an architecture in which the envelope, so to speak, the border and
its architectural formulation are called into question. It‘s about indeterminacy, antispectacle.
5) In his book “Another Scale of Architecture” Junya Ishigami describes and analyses
the edges and boundaries of architecture and uses, among others, the phenomenon of
the cloud.
vor 1700
zentrale Märkte
vor 1700
zentrale Märkte
Wohnen
Beletage
Beletage
Wohnen
Wohnen
Arbeiten
Arbeiten
Freizeit
Freizeit
Arbeiten
Arbeiten
Markt
Markt
Transitebene
Beletage
Beletage
Wohn./Arbeiten
Wohn./Arbeiten
Markt
Markt
Markt
Markt
Markt
Markt
Markt
Markt
Beletage
Anfang 20. Jhd. Anfang 20. Jhd.
vor 1900
vor 1900
Ende 19. Jhd.
Ende 19. Jhd.
beginnende Verstädterung
beginnende Verstädterungtechnischen Infrastruktur
technischen Infrastruktur erste vertikale Städteerste vertikale Städte
Wohn./Arbeiten
Beletage
Wohn./Arbeiten
ab 1950
ab 1950
Suburbanisierung Suburbanisierung
Einkaufen
Wohnen
Beletage
Stadtgarten
Einkaufen
Arbeiten
Einkaufen
Beletage
Stadtgarten
Arbeiten
Wohnen
Arbeiten
Einkaufen
+x
Beletage
Arbeiten
Wohnen
+x
Beletage
Arbeit/Kunst
Transitebene
Wohnen
Markt/Prod.
vs.
Wohnen Wohnen
Markt/Prod. Markt/Prod.
Beletage
Wohnen Wohnen
Markt/Prod. Markt
Beletage
Wohnen
Markt
Beletage
Wohnen
Markt
Beletage
Wohnen
Freizeit
Schule
Produktion Markt
Produktion
Arbeit/Kunst
Oberhafen ca. 2030 Oberhafen ca. 2030
kombiniertes Stadtsystem
Beletage
Schule
Wohnen
Markt
Produktion
vor 1900
vor 1900
ab 1950
ab 1950
Suburbanisierung Suburbanisierung
Beletage
Wohnen
Transitebene
Freizeit
Markt
Produktion
Arbeiten
vor 1700
vor 1700
Märkte auf Einfallstraßen
Märkte auf Einfallstraßen
Beletage
Wohnen
Transitebene
Freizeit
Markt
Beletage
Wohnen
Freizeit
Markt
Schule
Arbeiten
Kunst
SchuleKunst
Schule
Oberhafen ca. 2030 Oberhafen ca. 2030
Schule
2
Brandshof
Elbbrücken (HC)
Hammerbrook
Baakehafen (HC)
Großmarkt
Oberhafen
Am Lohsepark (HC)
Stadtdeichareal
Elbtorquartier (HC)
Grasbrook (HC)
Brooktorkai
Überseequartier (HC)
Speicherstadt
Hamburg Altstadt
3
3
Stuttgart is an ideal incubator for the 72 Hour Urban Action, a guerilla architecture and design festival that
wraps up today. During the event, ten teams of architects, artists, designers and students from around the world
compete in a race to construct, from start to finish, public-scale projects in just three days and nights. The hope
is that their vision may give a new tilt to the city’s design direction. The competing teams was selected on the
basis of their members’ portfolios, so what they have up their sleeves remained a mystery until game day.
All 122 contestants ate, slept and brainstormed in an elementary school near the project’s construction site.
During the action, construction and safety engineers offered support to the teams, which were given a budget of
$2,500 for materials. They also had two trucks and a tractor at their disposal, along with a pair of bright orange
overalls for everyone.
The winning team was awarded $3,800 as cash prize. As Halbrecht explains it: “We live in a world where more
and more elements are becoming privatised, meaning that they belong to someone. I am looking to find ways
to work within this reality and to allow for privately owned and publicly accessible places and services where
everybody gains.”
Organisation: Kunstverein Wagenhallen (Art Club)
(Markus Nießner, Lukas Lendszinski, David Baur, Peter Weigand, Alexander Koch)
Initiative: Kerem Halbrecht and Gilly Karjevsky from Israel
Academic Partner: Academy of Fine Arts Stuttgart, University of Stuttgart
3
4
TheTiger - Venice
TheTiger - La Biennale di Venezia
4
TheTiger - Venice
„The Tiger of Venice“ is a large-scale multi-functional building with areas for sports, leisure,
culture and education, event spaces, sales floors, offices and apartments. The hybrid building
denies any question of meaning and function and their causal relationship with form. The building
has the shape of an three-dimensional extruded outline of a tiger. The animal‘s body becomes a
colossal figure, constituting an easily readable symbol of itself in a time of media over-stimmulation,
frenetic pace and information overload. The traditional opposition of structure and decoration,
abstraction and concreteness, figure and ground, form and function can be resolved if architecture
gets to be understood as an intermediate discipline between engineering, sculpture, painting and
new media. The appearance of „The Tiger of Venice“ is mainly defined as a seven-axial armoured
concrete structure, in form of an extruded skin pattern of a tiger and as glass-marqueteries of
birds of paradise flying in a fish-formation. The site is marked by a collage of important buildings
of the architectural history, arranged into a huge artificial ruin.
Task force: Simon Bär, Sascha Daniel Bauer, Mark Blaschitz, Julian Fahrenkamp, Carlo Fischer,
Armin Hartmann, Julian Herzberger, Iva Ivanova, Marcel Heller, Oliver Kärtkemeyer, Ho Kim, Edgar
Konrad, Norbert Kull, Carolin Lahode, Enno Lehmann, Kara Lemke, Christoph von Mach, Ina Nikolova,
Hannes Nokel, Manuel Rausch, Janis Rozkalns, Boris Rüther, Irene Schweizer, Felix Stammler, Mark
Tomka, Philipp Untersteiner, Philip Knauf
designed at the: Bachelor Studio of Basics, Design and Housing; ; Department of Architecture;
Stuttgart State Academy of Art and Design in Germany
powered by: BASF – The Chemical Company; Kremer Pigmente GmbH & Co. KG
location: La Biennale di Venezia, Austrian Pavilion, Giardini della Biennale, Venezia 2010
4
TheTiger - Venice
5
I take this impromptu draft as an occasion to reflect on the wishes of
homeless people. Maybe, under the circumstances of their own choice
to live on the streets, they don’t want an accommodation in a form of
architecture. Rather, this habitation has to offer qualities that you miss
on whereabouts of homeless people, but does not allow an architectural
comparability among themselves.
A textile habitation would be adequately in most cases. A stretchable
waterproof skin can be strung between different objects of the city:
street lamps, bridge piers, tree trunks,... It provides protection against
external influences and it is also an aesthetic envelope, which in
combination gives a qualitative intermediate space. The previously
disesteemed passer-by will be part of the interspace and the inhabitant
feels no longer as an outcast. A sociable community leads to mutually
acceptance.
inhabitant
urban perception
disregard
introvert
ignorance
extrovert
ignored
distance
reevaluated
sociable
acceptance
shack
urban habitat
architecture
Today different qualitative, economical and social orientations of urban
spaces are drifting further apart. Not economically exploitable places
of a city are progressively not in the social focus. Homeless people are
increasingly inhabitants of such places, whether they are repudiated
from society or under their own will to achieve personal freedom. We
must learn that homeless people are part of our society, even more,
they are sometimes a result of our own lifestyle.
I AM
A
MON
UME
NT
proposal
5
6
BarockReloaded – documenta center of information, Kassel – Bachelor-Finals
Intercontextuality of the baroque garden in the 21st century – 2011
BarockReloaded – documenta center of information, Kassel
Situating the “documenta centre of information and communication“ allows upgrading the
encountered urban situation. Thesis: The reconstruction of the city of Kassel after the 2nd World
War was determined by traffic planning maxim. The preservation and a contemporary development
was sat back significantly.
My bachelor final thesis shows an attempt to establish the baroque principle of 1786 in a
changed context of the city again: The Friedrichsplatz has repeatedly changed significantly. After
the completion of the underground car park until 1993 the urban space was re-approximated
according to Simon Louis du Ry’s drawing in 1786. However, the partially disruptive and destructive
elements of reconstruction (Frankfurter Straße, State Theatre) were inconceivable. By pulling up
the space edging towards King Street, additional qualities for the urban space can be offered.
The result is a forecourt to the King‘s Road. Due to the low height of the pavilion, the view from
the stairs plateau on to the „bosquet“ of my intervention and the Friedrichsplatz towards the
“Aue” landscape park will be obtained. If you find yourself at a certain point below the staircase
(Viewpoint), you will have the possibility to see the historical square with the completed building
line in the 19th Century. This is possible due to a perspective pigment print on the external walls
of the man-made “hedge”.
The forecourt at the “Viewpoint“ serves as a distributor to the buildings as a focal point for
incoming and outgoing visitors and also as a guide with assistance of the axes to the main
exhibitions of the documenta.
Friedrichsplatz Kassel - Veränderung von 1786 bis heute
19
18
54
15
18
-1
96
1
60
19
17
17
?
79
19
95
19
69
70
21
?
18
17
65
?
25
17
77
19
19
18
09
+1
87
6
19
9
2
59
24
82
17
6
19
60
1786, Plan von Simon Louis du Ry
18. Jahrhundert
19. Jahrhundert
1909 bis1935
1936 - 1943
19
597
um 1960
um 1995
documenta 2012
2101 - Sascha Daniel Bauer - Staatliche Akademie der Bildenden Künste Stuttgart
A
Grundriss
M 1 : 200
Fr
ie
de
ric
ia
n
um
2
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5
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1
tra d1
gs 3
ra Ar
3D um tike
Gä / Th l Sh
st ea op
eb te
uc r
h
4
6
5
Vo
r
6
Kasse
Gastronomie
Info / WC
documenta-halle
View Point
Servicepoint
Garderobe
Kinderbereich
-/
VIP
p
ho
-S um
ch ntr afé
Bu -Ze etc
se rn
es te
Pr In
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13
9
10
15
12
zu
ue
rA
üb
14
er
e
di
e
le
Al
16
A
Schnitt A-A in M 1:100, im Hintergrund Blick Richtung Königsstraße
Foyer, Kasse und Ticketverkauf 56,25 qm
Ausstellung documenta-history 62,5 qm
Shop für documentaartikel mit Tresen 100 qm
Sozialraum/Umkleide/Pausenraum 18,75 qm
Raum für Vorlesungen und Bühne 162,5 qm
Vorbereitungsraum für Künstler 18,75 qm
Raum für Besuchereindrücke 93,75 qm
Buchladen mit Tresen und Lager 118,75 qm
Internetcafe mit Barbereich 56,25 qm
VIP-Lounge mit Anschluss zur Bar 56,25 qm
Internationales Pressezentrum 112,25 qm
Garderobe mit Tresen und Vorbereich 175 qm
Schließfächer 25 qm (ohne Personal)
Service-Point mit Tresen 6,25 qm + 6,25 qm
Kinderbetreuung mit Vorbereich 37,25 qm
6
Fusspunkt mit Integralverbinder
Überplattung zur Lastübertragung
Dachaufbau mit Integralverbinder und
wasserführender Schicht
Kedersystem aus Aluminium
20 x 40 mm
bei Hoch- und Tiefpunkten
wie Außenwand als Hülle
verstellbarer Gewinde-Abspanner
Befestigung auf Dämmung
spannbare Kederschiene
aus Aluminium 20 x 40 mm
Stahl-Integralverbinder-Dach kreuzförmig
mit Abstandsdorn zur Stütze
Dachbalken Fichte Vollholz 200 x 120 mm
Aufnahme Vorspannung und Winddruck
wasserführende Schicht
mit Teichfolie ausgelegt
Stahl-Integralverbinder-Dach T-förmig
mit Abstandsdorn zur Stütze
Dämmung mit 2-3% Gefälle
mit Keder im Randbereich
OSB-Deckplatten, innen geweißt
2500 x 1250 x 22 mm
Rahmen aus Stahl 2380 x 2500 x 30 mm
mit seilförmiger Aussteifung
Beplankung mit OSB-Deckplatten
2376 x 1250 x 18 mm
Stütze Fichte Konstruktionsvollholz
2500 x 120 x 120 mm
OSB-Deckplatten, geweißt
2500 x 1250 x 22 mm
Balkenkonstruktion Fichte
Konstruktionsvollholz 120 x 120 mm
Stahl-Integralverbinder-Fußpunkt
identisch mit Stahl-Integralverbinder-Dach
spannbare Kederschiene im Fußbereich
aus Aluminium 20 x 40 mm
vorhandene Wasser-Ablaufrinne
der Rasenumgrenzung am Friedrichsplatz
aus Stahl 12 mm
7
UrbanResearch / KreativQuartier
UrbanResearch - KreativQuartier
7
The work shows a comparison of four creative spaces. Including the Museumsquartier Vienna, the NDSM
shipyard in Amsterdam, the Wagenhallen in Stuttgart and Binz in Zurich.
The comparison takes place at different levels and is complemented by a typological investigation. It raises the question whether the phenomenon ‘Creative Quarter’ is a typology or whether this method can be
considered as an architectural tool. The comparison is held on topographical, on programmatic and tectonic level. For better comparability, the investigated results are reduced to a graphical analysis to allow a
form of description on the second level.
The content concentrates on the city and its conversion process, based on a creative quarter and the residents. The residents are introduced into a multicultural urban fabric, which provides cheap rental spaces
to work as artist or in another creative and/or cultural profession.
Task force: Sascha Daniel Bauer, Franziska Glöckler, Daniel Springer
Lecturer: Prof. Andreas Quednau, AM Dipl.-Ing. Kai Beck
MQ
Vienna
WH
Stuttgart
NDSM
Amsterdam
BINZ
Zurich
7
1917
Tektonik
1894
23 % abgerissen
5
Werkstätte
4
Werkstätte
3
4
Halle VI
Königliche Lokomotivstation
a. d. Prag
MQ
3
Halle VI
2
2
Vienna
Wagen-Werkstätte
Halle II
WH
Stuttgart
NDSM
Amsterdam
BINZ
Zurich
Halle II
Halle I
Halle I
Schiebebühne
19 % Anund Einbau
1925
1936
5
Werkstätte
3
4
Halle VI
3
Urbaner Kontext
Werkstätte
4
Halle VI
2
2
Ausbesserungswerk
Halle II
Halle II
Ga
en
rag
Bahnbetriebs-Wagenwerk
Halle I
om
str er
ark ag
St offl
st
Halle I
Überdachte Lackierfläche
1963
2012
35 % Ein- und Umbau
Werkstätte
4
3
3
Halle VI
2
Kraftwagenhalle
2
Wagenhallen
Halle II
om
str er
ark ag
St offl
st
Halle I
Einbauten/Umbauten der Kreativen
Überdachte Freifläche
p.85
Überdachte Lackierfläche
Gebäude
Dachhaut
Fachwerk mit Oberlicht
Konstruktion unter Decke
Dachkonstruktioin
(2. Obergeschoss)
potenzielle Erweiterung
Skatepark (bis 2014)
Erschließung OG
Treppen- und Wegesystem mit
zentralem Aufzugskern
1. Obergeschoss
hauptsächlich Büroflächen,
Ateliers, div. Medien
Erdgeschoss
hauptsächlich Werkstätten
und Lagerfläche, auch Ateliers
konstruktives Raster
Einbauraster Kunststad
freie Atelier-/Aktionsfläche
p.255
7
8
ProgrammaticDiversity – Bad Gastein – Master-Finals
New identity for a vacancy-plagued city centre – Final Master Exam 2014
ProgrammaticDiversity – Bad Gastein
8
Again, to bring things together which once formed a whole, opposites must be
united. For this purpose, the higher and popular culture, commercial and public
space, external and internal must form a programmatic unity again, whose
intrinsic value lies in diversity. Such a continuum forms the conceptual guideline
and strives for complexity. Thus the encountered programmatic repetition of the
same is counteracted in the centre of Bad Gastein today.
The language of the location is recoursed and found objects (retail, casino,
hotel) designed by an additional new programmatic diversity that their urban
character is enhanced. Here, the intermediate urban space has a special role,
because it is the centre of a circulation system to experience sequences and
creates diversity. With the help of infrastructural penetration of the building,
additionally the boundaries between urban planning, architecture and nature get
blurred.
In addition, expected high numbers of visitors in Bad Gastein create
opportunities at the site. The programmatic elements form a magnet and can
attract visitors back into the centre, which creates a public activity as a whole,
which can constantly change and enters into a dialogue with an ever-changing
audience.
To implement this plan, the forces of the location are taken up and community
experiences are spatialised. Parallel with a complex programmatic composition
of individual elements (pedestrian area, lift access to the centre with
programmatic rededication of the parking garage, expansion of the city and
swelling parks, demand-oriented hotel reclassification with reopening step-bystep, rededication of the convention centre into a cultural centre), it becomes
the custom event. The specific programmatic implementation will be developed
comparative with the help of several competitions. Through the acquired sense
of community among visitors not only a silent partner remains, but the visitor
becomes a player of the whole. The programmatic difference is the new unity
and resolves to a new identity.
8
Kristalliene Hülle
ermöglicht Einblicke von außen
und macht die Programmatik
und Funktion des Gebäudes
sichtbar. Durch die Liftstation
wird der Blick im Tal ins
Zentrum gerichtet.
Skigebiet Stubnerkogel
l
koge
Grau
+ 22 Ebene
SkyLounge
+ 21 Ebene
Skigebiet Graukogel
SkyBar
ue
llv
+ 18 bis + 20 Ebene
Liftstation
Betriebsräume
l
ge
ko
m
Al
er
bn
u
St
+ 15 bis + 17 Ebene
e
/B
Gastronomie
+ 12 bis + 14 Ebene
+ 12 bis + 17 Ebene
Sportgeschäft
Kletterwand
Anschluß Sportgeschäft
+ 7 bis + 11 Ebene
+ 8 bis + 11 Ebene
Tourismusinfo
Tourismusverband
Bad Gastein Museum
+ 1 bis + 7 Ebene
+ 5 bis + 7 Ebene
Büro und Verwaltung
Foyer, Vortragssaal
0 Ebene
+ 1 bis + 4 Ebene
Backstagebereich
Bar, Kleingastronomie
Sagway-Verleihstation
e
rzon
nge
+ 62,5
gä
Fuß
0 Ebene
Lager
Kulturzentrum
+ 59,7
+ 1 Ebene
Freifläche
Liegewiese
+ 56,9
0 Ebene
Veranstaltungs-Platz
Geschäftsebene
Empfang Bibliothek
- 1 Ebene
Freihandbibliothek
Galleriegeschoss
- 2 Ebene
Präsenzbibliothek
Archivverwaltung
- 3 Ebene
Bad Gastein Archiv
Lagerräume
+ 50,4
+ 48,6
+ 45,8
+ 43,0
+ 40,2
+ 37,4
+ 34,6
+ 31,8
+ 29,0
Bahnhof
+ 26,2
+ 23,4
+ 20,6
+ 15,0
+ 12,2
+ 9,4
+ 6,6
+ 3,8
rzo
n
e
+ 0,0
11
Fu
ßg
än
ge
15
12
10
13
4,7
6
4,4
13,2
4,4
9
8
14
4
7
1
2
3
Hotel Sanotel
Häuser hinter Kirche
Hotel Residenz
Hotel Mirabelle
Hotel Straubinger
Badeschloss
Altes Kraftwerk
Alte K.u.K Post
9
10
11
12
13
14
15
Hotel Sponfelder
Hotel Austria
Hotel Elisabethpark
Hotel Weismayer
Grand Hotel de l‘Europe
Haus Solitude
Hotel Kurpark
Kulturzen
trum
2,0
16,7
5
1
2
3
4
5
6
7
8
4,7
Fußgängerzone
Stadtpark
Quellpark
Fahrweg
Fußweg
Abrissgebäude
Höhenlinie 1 m
8
+ 9,4
Trinkhalle
+ 4,2
1. OG
Freifläche, Café
Liegewiese
Fußgängerzone
+ 0,0
EG
Kulturzentrum Foyer
Veranstaltungs-Platz
- 5,8
1. UG
Technikgeschoss
Hotel Austria
- 10,1
2. UG
Anmeldung Bibliothek
Freihandbibliothek
Mediathek
- 13,9
3. UG
Archiv-Ausgabe
Präsenzbibliothek
- 18,3
4. UG
Bad Gastein Archiv
- 26,2
5. UG
Archiv Lager
Stadtpark + Quellpark
Wintertourismus
300.000
Eröff nu ng L i f t st at i o n
L i f t st at i o n u n d A n b au
260.000
Da s Pa r k h au s w i rd m i t Hi l fe
e i n e s We t t b e we r bve r fa h re n s
u mge w i d m e t u n d p rog ra m m at i s ch
e rgä n z t . Es b e h e r b e rg t a n s c h l i e ß e n d d i e Tou r i s mu s i n fo,
d a s B a d G a st e i n Mu s e u m , e i n e n
Ko n ze r t- / Vor t ra g s s a a l , s ow i e
e i n S p or t ge s ch ä f t m i t Kl e t t e rw a n d , Re st au ra nt u n d S ky B a r.
Immob il ieninvesto r Du val
Fe r t ig ste l l u ng Fu s sgä nge rzo n e
Im Erd ge s ch os s b e re i ch e nt st e ht
e i n e Fu s s gä n ge rzon e m i t v i e l fä l t i ge m
Ei n ze l h a n d e l , B ou t i q u e n , C a fé s e t c .
S om i t w i rd d a s Ze nt r u m e i n e rs e i t s a n
d i e Bu n d e s st ra s s e u n d a n d e re rs e i t s
a n d i e Ka i s e r Wi l h e l m Prom e n a d e
a n ge s ch l os s e n .
180.000
220.000
Unt er d em Vo r w an d , d a s ge s a mt e
Zent r um neu zu ge st a l t e n , e r w i r b t
d ie Fam . Duval 2 00 4 + 20 0 6 d i e f ü n f
Ge b äud e um d e n Wa s s e r fa l l . S e i t h e r
s ind d iese ve r l as s e n . Fra n z Du va l
st ir b t im Okt . 2 01 3 . Wa s d i e Fa mi l i e
m it d en Ge b äud e n vo r h at , i st offe n .
Da s e h e m . Pa r k h au s s ch a fft
e i n e Ve r b i n d u n g d e r b e i d e n
S k i ge b i e t e G rau koge l u n d
S t u b n e r koge l u n d b i l d e t m i t
s e i n e r p rog ra m m at i s ch e n Au sr i cht u n g d e n n e u e Mi t t e l p u n k t .
Sommertourismus
140.000
Umw i d mu ng Ko ng re s sze nt r u m
Ei n n e u e s Ku l t u rze nt r u m mi t
Me d i at h e k , B i b l i o t h e k u n d d e m
B a d G a st e i n A rc h i v s o l l d u rc h
e i n e n ge me i n s c h a f t l i c h e n
Pl a nu n gs p roze s s e nt st e h e n .
Ab riss G aste i n e r h of
100.000
hint er d e r Pre i ms Ki rc h e
Das Ze nt r u m w i rd
sukze s s i ve ve r k l e i n e r t
60.000
Eröff nu ng Ku l t u rze nt r u m
Ab riss Gra b enb ä ckerqu el l e
+
20.000
unt e r hal b d es Wasser fal l s ,
eine s d e r e rst e n
Gast st ät t en B ad Gast eins .
Qu e l l - u n d St a d t p a r k
h i nt e r de m B a d e s ch l oß
Da s Üb e ra n ge b ot k a n n d u rch
fe h l e n d e n Ku r b e t r i e b n i cht
me h r ge d e ck t we rd e n .
Unt e r h a l b d e s a l t e n Kon g re s sze nt r u m s s ol l e i n S t a d t p a r k m i t d e m
Wa s s e r fa l l a l s Mi t t e l p u n k t e nt st e h e n .
Einwohner
Du rch d a s n e u e Ku l t u rze nt r u m u n d
d e r öffe nt l i ch e n Me d i at h e k , B i b l i ot h e k
u n d B a d G a st e i n A rch i v e r h ä l l t
d a s We r k G e r h a rd G a rst e n au e rs e n d l i ch
e i n e ge m e i n s ch a f t l i ch e Ve ra n ke r u n g
i m Or t sze nt r u m u n d z u r Id e nt i t ät d e s
Or t e s p os i t i v b e i t ra ge n
A b r i s s Ne u b au B a d e s c h l os s
0
8
Beginn der gesamtheitlichen Projektierung
*
sukzessive
Stockwerkaktivierung
Leerstand
Projektierungsphase
15
10
11
teilweise belegt
mehr als 50 % belegt *
ausgelastet
14
7
4
9
Stadtpark
Quellpark
6
13
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
5
12
2
0 Jahre
8
5 Jahre
10 Jahre
Hotel Sanotel
Häuser hinter Kirche
Hotel Residenz
Hotel Mirabelle
Hotel Straubinger
Badeschloss
Altes Kraftwerk
Alte K.u.K Post
Hotel Sponfelder
Hotel Austria
Hotel Elisabethpark
Hotel Weismayer
Grand Hotel Europe
Haus Solitude
Hotel Kurpark
OBJECT AND SPACE
Selection of projects from the viewpoint of realized objects and space
9
AK10 - Catalogue
AK10 - Catalogue
9
AK10 - Catalogue
The catalogue was created by an interdisciplinary team of students
from the fields of architecture and communication design. Student
work and the content of the teaching institutes have space to
create a coherent picture as free flow but neither binds semester of
classes. The close cooperation of students and professors, which in
the family circle of the Art Academy is an important understanding
between each other, is once again highlighted as the quality
of education at the academy and is reflected in the work of this
catalogue. A continuous leporello, which was transformed into a
book, lines the examples after each other. This continuous strip of
images illustrates the flow of creativity and ideas that arise every
day at the academy.
Task force: Benjamin Albrecht, Sascha Bauer, Julian Blümle, Winston
Hampel, Lara Salzmann, Lukas Stopczynski, Andreas Zuhr
Design: Philipp Staege, Michael Allocca
10
KnittedTextileColumn - Blickfang Exhibition
KnittedTextileColumn - Exhibition
10
KnittedTextileColumn - Blickfang Exhibition
Under the theme „Harzen und Stricken“ architecture and textile
design students have come together in an exemplary way to
practice a multidisciplinary collaboration. In a communal design
process architectural space structures and design objects were
developed by the link „textiles with resin“ to self-supporting
elements. These fascinating, experimental objects were shown
to public on the Blickfang-Exhibition 2011 in Stuttgart for the
first time.
Knitted, crocheted and wrinkles throwing the sculptures extend
to 3,50 meter high expansive „architecture“. The courage to
experimentation stays in the foreground.
You can see a part of the exhibition with the knitted columns,
which was developed by my team together with industrial design,
textile design and architecture students.
Basis of the columns-production was a self-constructed knitting
machine made of wood, which was created together with the
students Sascha Daniel Bauer (architecture), Stefan Kettner
(industrial design) and Michael Bulling (industrial design).
The project was implemented in the Academy workshops for
wood, metal, textiles and plastics.
Lecturer : Prof. Peter Litzlbauer, AM Dipl.-Ing. Felix Mack
11
11
In terms of an ergonomic seating position the project „silhouetter“ offers numerous variations.
Silhouetter is applicable on two sides. In a few minutes the bars are repositioned to a new seating
position. Depending on the body shape and body weight, ash rods fit themselves around the seated
person.
PHILOSOPHY OF VERSATILITY
Due to the removable rods, silhouetter can be converted into a new seat in a few steps. The possibility
to turn “silhouetter” in 90 ° allows two additional seating positions. Thus silhouetter provides five
variants: table_on, bar_stool, snooze, chill, read
FLEXIBILITY AND HARMONY
The uniform colour of all parts enables a fast assignment of the function. Geometrically adapted to the
plastic insert sleeves the stainless steel screw heads with the two-point system give an optical unit
of the side view and provides stability. The black oiled MDF surface has a very intense colour and an
elegant effect, whereby other materials are contrasted. Consistent dimensions throughout the system
allows the reduction to a very compact packing size. The ash-rods and the stainless steel fasteners
can be combined side by side. The superposition of the three layers yields a very small packing size of
just 120 cm x 80 cm x 6 cm and can thus be transported in any small car.
„silhouetter“
by sascha daniel bauer
read
chill
snooze
bar_stool
table_on
REALIZED SPACES
Selection of projects from the viewpoint of planning and execution
12
12
The 56 square meters small „cad_lab“ is dominated by clear
white and the interior design reflects the laboratory adhere and
experimental character. The complete space is divided into two
interlocking parts. On the one side the floor, wall and ceiling which
have been edited only slightly, on the other side, the counterrotating, round-flowing and highly decorated elements of the
walls, which ultimately will prevail to the outside of the room:
a wall plate with two recessed displays is notifying about the
latest seminars, a second showing resulting works. In the centre
of the cad_lab are two large long tables with workstations and
additional slots for laptops. The existing structure of the room
led to the formation of two niches: A panel was integrated and
remodelled, in a second niche, a bank was established with a
counter for working with laptops. A retractable projection screen
can be used for the speaker, who has two connecting ports at the
counter and at the workplace.
The several-month enduring renovation begun during the
semester break and pulled up into the regular semester. From
the very beginning it became clear that the limited budget posed
a challenge. The students solved this problem by using cheaper
materials and an elaborate treatment. The creative drive of
designing and executing students was not limited in their work
only on tables and cupboards, it went on to the self-designed
ceiling lights and to mouse pads with the new logo of the cad_labs.
Task force: Oliver Kärtkemeyer, Manuel Rausch, Boris Rüther,
Rüdiger Weiss, Sascha Daniel Bauer, Carolin Lahode, Kara Lemke
Lecturer : Prof. Tobias Wallisser, Prof. Peter Litzlbauer
Video: http://www.youtube.com/watch?v=0gjgtZ_84y0
13
Voilá - GuestPerformance - Staatsgalerie Stuttgart (National Gallery)
Voilá - Staatsgalerie Stuttgart
13
Voilá - GuestPerformance - Staatsgalerie Stuttgart (National Gallery)
In the 250th Anniversary year of the SAdBK the Stuttgart State Gallery
celebrated the common bond over 150 years. The exhibition at the
Sterling Hall of the State Gallery showed works by artists who teach
and taught as professors at the academy.
The 35 diverse works of art and artistic positions should be connected
by the grand gesture of a three-dimensional space sculpture. The
spatial structure itself dissociates itself from the surrounding walls
and thus the exhibit offers an ideal presentation platform.
A list of requirements of the individual exhibits in terms of arrangement,
angle and distance from the viewer to the object enabled the
parametrization of the exhibition architecture. This could be adapted on
the basis of the exhibition composition. The geometry of the exhibition
can be changed quickly according to the parametrized requirements
of individual works of art. Three thematic clusters, which are formed
by the size and nature of the objects and its conceptual association,
divides the space on the one hand. On the other hand the exhibition
architecture combines the three thematic clusters by consistently
visible cardboard tubes into one unit. The interplay between the trustee
and the project team an overall geometry of three curved segments are
originated. The numerous iterations between requirements, design and
production were the key to this successful project.
Facts and Figures: 3500 individual tubes, 2000 angle connections, 4200
bevel cuts, 2800 straight cuts, 7578 items, 12 days of construction, up
to 18 people per day
Lecturer/Curator: Prof. Dipl.-Ing. Tobias Wallisser / Andreas Bauer
Video:
http://www.youtube.com/watch?v=407ZbZrZNNk
14
SkyCage RooftopTerrace – SAdBK Stuttgart
Department of Architecture – Annual Exhibition 2013
14
The contribution of the Department for Architecture in the Annual Exhibition
2013 is divided into three parts: In the so-called “Architektenbau” at the
Academy class exhibitions can be seen in the individual studios. The
exhibition reaches into the public space of the building and is provides
by a guidance systems. In addition, the student meeting point “SkyCage”
was installed on the rooftop terrace of the building. Through funds and
material sponsorship (see video) the project budget of 8400 Euro could
be observed. More than that a surplus of 2080 Euro is available for the
Annual Exhibition in 2014 as a starting budget.
As main project the permanent installation of the so-called “SkyCage”
on the rooftop terrace could be executed and performances, discos and
concerts were presented during the Annual Exhibition 2013. The sensitive
roofskin and the too low railing proved so far as an obstacle for the
implementation of projects of this type. With a 3.6 meter high fence that
was pulled up to the building top, weatherproof seating and a robust
wooden flooring the initiators of the “SkyCage” succeeded, to transform
the new terrace into an interdisciplinary space. The organizers around
Sascha Daniel Bauer from the Department of Architecture opened up the
terrace which was closed the last 30 years. Now the “SkyCage” can be
used permanently by students and lecturers, including a stunning view of
the Stuttgart basin.
Idea, design and conception: Sascha Daniel Bauer (2013), Andreas Zuhr
(2014) // Team: 26 students, 10 teaching assistants, 10 professors, 5
workshop teacher, 2 graphic designers, 7 administrative staff, etc.
Video: http://www.youtube.com/watch?v=xZsLzNsWA0E
15
15
The contribution of the Department for Architecture in the Annual Exhibition
2013 is divided into three parts: In the so-called “Architektenbau” at the
Academy class exhibitions can be seen in the individual studios. The
exhibition reaches into the public space of the building and is provides
by a guidance systems. In addition, the student meeting point “SkyCage”
was installed on the rooftop terrace of the building. Through funds and
material sponsorship (see video) the project budget of 8400 Euro could
be observed. More than that a surplus of 2080 Euro is available for the
Annual Exhibition in 2014 as a starting budget.
The ‚open‘ staircase and mezzanine floors cluttered with platforms was
a challenge to create an overall concept of a clear exhibition in this
building. Thanks to the use of the colors neon red, silver and black/
white the staircase could be labeled on the facade inside, and with a
fabric installation in the stairwell and new information boards in the first
mezzanine floor a clear guiding system could be implemented. With the
consistently applied red-white tapes on the ground, which also served as
control and escape system, the students developed an inviting concept
that led visitors to the third floor. By an adaptation of the “SkyCage”-motif
with the help of empty gabion baskets the mezzanine platforms retort of
the previously prevailing emptiness. These gabion baskets are used as a
seat in the lobby and on the rooftop terrace and thus became a recurring
motif.
Idea, design and conception: Sascha Daniel Bauer (2013), Andreas Zuhr
(2014) // Team: 26 students, 10 teaching assistants, 10 professors, 5
workshop teacher, 2 graphic designers, 7 administrative staff, etc.
Video: http://www.youtube.com/watch?v=xZsLzNsWA0E
www.jfdi-architecture.com

portfolio - Stuttgart

Transcription

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