Boston Symphony Orchestra concert programs, Season

PARSONS THEATRE
,.
.
Monday Evening, November
.
HARTFORD
27, at 8.15
.-#
BOSTON
SYMPHONY
ORCHCSTRS
INC.
FORTY-SECOND
SEASON
J922-J923
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PRSGRsnnc
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LOCAL MANAGEMENT, SEDGWICK & CASEY
Steinway
&
Sons
STEINERT
JEWETT
WOODBURY
«.
PIANOS
w
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AND
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VICTROLAS
VICTOR RECORDS
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183
CHURCH STREET
NEW HAVEN
HARTFORD
PARSONS THEATRE
FORTY-SECOND SEASON
1922-1923
INC.
PIERRE MONTEUX,
Conductor
MONDAY EVENING, NOVEMBER
at 8.15
27,
WITH HISTORICAL AND DESCRIPTIVE
NOTES BY PHILIP HALE
COPYRIGHT,
1922,
BY BOSTON SYMPHONY ORCHESTRA,
INC.
THE OFFICERS AND TRUSTEES OF THE
BOSTON SYMPHONY ORCHESTRA, Inc.
FREDERICK P. CABOT
GALEN L. STONE
ERNEST B. DANE
ALFRED L. AIKEN
FREDERICK P. CABOT
ERNEST B. DANE
M. A. DE WOLFE HOWE
JOHN ELLERTON LODGE
W. H. BRENNAN, Manager
President
Vice-President
Treasurer
ARTHUR LYMAN
HENRY B. SAWYER
GALEN L. STONE
BENTLEY W. WARREN
E. SOHIER WELCH
G. E.
JUDD,
Assistant
Manager
*UHE INSTRUMENT OF THE IMMORTALS
QOMETIMES people who
a Steinway think
cal
to
buy
a
it
want
economi-
cheaper piano in
the beginning and
wait for
Steinway. Usually this
is
a
because
they do not realize with what ease
Franz Liszt
at his Steinway
and convenience a Steinway can
be bought.
the great
come
to
This
is
evidenced by
number of people who
exchange some
other
piano in partial payment for a
Steinway, and say: "If
known about your
I
had only
terms
I
would
have had a Steinway long ago!"
You may
purchase a
new Steinway piano
with a cash deposit of 10%, and the balance will be extended over a period of
two
years.
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Forty-second Season, 1922-1923
PIERRE MONTEUX,
Burgin. R.
Hoffmann,
Mahn,
Concert-master.
Theodorowicz,
J.
F.
Hamilton, V.
Gerardi, A.
Krafft. W.
Sauvlet,
Fiedler, B.
Leveen, P.
Siegl, F.
Mariotti, V.
Kurth, R.
Bryant, M.
Murray, J.
Knudsen, C.
Erkelens, H.
Del Sordo, R.
Messina,
H.
J.
C
Gundersen, R.
Pinfield,
Kassman, N.
Barozzi, S.
Thillois, F.
Berger, H.
Gorodetzky, L.
Goldstein, S.
Stonestreet, L.
Riedlinger,
Diamond,
Tapley, R.
S.
Conductor
H.
Seiniger, S.
S.
Violas.
Werner, H.
Fourel, G.
Artieres, L.
Van Wynbergen,
Gerhardt,
Grover, H.
Shirley, P.
C.
Fiedler, A.
Mullaly, J.
Kluge, M.
Zahn, F.
3.
Deane, C.
Violoncellos.
M.
Bedetti, J.
Keller. J.
Belinski,
Schroeder, A.
Barth, C.
Stockbridge, C.
Warnke,
Langendoen, J
J.
Fabrizio, E.
Marjollet, L.
Kelley, A.
Demetrides, L.
Girard,
Basses.
Kunze,
M.
Seydel, T.
Ludwig, 0.
Keller,
K.
Gerhardt, G.
Frankel,
Flutes.
Oboes.
Laurent, G.
Brooke, A.
Amerena, P.
Longy, G.
Lenom, C.
Stanislaus,
English Horns.
Piccolo.
Battles, A.
Horns.
Horns.
M.
Van Den
Lorbeer,
H.
Tuba.
Adam, E.
Organ.
Snow, A.
W.
Bassoons.
Sand, A.
Arcieri, E.
Vannini, A.
Laus, A.
Trumpets.
Mager, G.
Hess,
Mann,
Berg, C.
J.
Perret, G.
Kloepfel, L.
.
Harps.
H.
Clarinets.
Allard, R.
Bettoney, F.
Bass Clarinet.
Mimart, P.
Mueller, F.
Speyer, L.
Wendler, G.
Hain, F.
Gebhardt,
H.
I.
Timpani.
Contra-Bassoon.
Piller,
B.
Trombones.
Hampe, C.
Adam, E.
Mausebach, A.
Kenfield, L.
Percussion.
Holy, A.
Ritter, A.
Ludwig, C.
Delcourt, L.
Kandler, F.
Sternburg, S.
Zahn, F.
Celesta.
Librarian.
Fiedler, A.
Rogers, L.
3
J.
-
Boston
Symphony Orchestra
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HARTFORD
PARSONS THEATRE
Forty-second Season, 1922-1923
PIERRE MONTEUX,
Conductor
FIRST CONCERT
MONDAY EVENING, NOVEMBER
AT
27
8.15
PROGRAMME
Beethoven
II.
III.
IV.
....
Debussy
Liszt
Symphony No.
.
.
3 in E-flat major, "Eroica,"
Op. 55
Allegro con brio.
Marcia funebre: Adagio assai.
Scherzo: Allegro vivace; Trio.
Finale: Allegro molto.
I.
.
Glazounoff
Concerto in
.
.
.
.
A
"Prelude a l'Apres-Midi d'un Faune
(Eglogue de S. Mallarme)"
("Prelude to the Afternoon of a Faun
[Eclogue by S. Mallarme]")
major No.
2 for
Pianoforte and Orchestra
"Stenka Razin," Symphonic Poem, Op. 13
SOLOIST
ERWIN NYIREGYHAZI
KNABE PIANO USED
There
will
be an intermission of ten minutes after the
5
symphony
S. S.
"Resolute" Jan.
S. S.
9.
"Volendam" Jan.
16.
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suming our popular tours to MexWe suggest that you include a
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connection with the famous
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ico.
to the Southwest, the Pacific Coast
this season re-
California this winter.
and Hawaii, we are
On your
request
we
ivill
gladly send you the Booklet descriptive of the particular Cruise or Tour that
appeals to you most.
F. Irvin Davis, 82 Pearl St.
Elliott
17
Ward W. Jacobs &
& Pearl,
Temple
54
Church
Place, Boston
St.
Co., 750
Main
St.
Symphony No.
3,
in E-flat major, "Eroica,7 Op. 55
Ludwig van Beethoven
(Born at Bonn, December 16
Anton Schindler wrote
"First in the
much
(?),
in his
26, 1827.)
Beethoven (Munster, 1840):
[Beethoven's] mental condition so
life
1802 was his
fall of
March
1770; died at Vienna,
of
bettered that he could take hold afresh of his long-formulated
pay homage with a great instrumental work to the hero of the time, Napoleon. Yet not until 1803
did he set himself seriously to this gigantic work, which we now know
make some
plan and
progress: to
'Sinphonia Eroica': on account of many interrupfinished
until the following year.
The first idea of
not
was
this symphony is said to have come from General Bernadotte, who
was then French Ambassador at Vienna, and highly treasured Beet-
under the
tions
title of
it
.
.
.
heard this from many friends of Beethoven. Count Moritz
Lichnowsky, who was often with Beethoven in the company of Berna-
hoven.
dotte,
I
.
.
.
told
me
the same story."
Schindler also wrote, with refer-
"The correspondence of the King of Sweden
led Beethoven's memory back to the time when the King, then General
Bernadotte, Ambassador of the French Republic, was at Vienna, and
Beethoven had a lively recollection of the fact that Bernadotte indeed first awakened in him the idea of the 'Sinphonia Eroica.' "
ence to the year 1823:
These statements are
direct.
Unfortunately, Schindler, in the third
Steinway has been the
chosen piano of the masters
from Liszt and Rubinstein
to Paderewski, Rachmaninoff
and Hofmann.
It
is
the
which all
measured.
241
ASYLUM STREET
Sole Steinway Agents
instrument by
other pianos are
edition of his book, mentioned Beethoven as a visitor at the house
Bernadotte in 1798, repeated the statement that Bernadotte inspired the idea of the symphony, and added: "Not long afterward
the idea blossomed into a deed"; he also laid stress on the fact that
Beethoven was a stanch republican, and cited, in support of his admiration of Napoleon, passages from Beethoven's own copy of Schleiermacher's translation of Plato.
of
Thayer admits that the thought of Napoleon may have influenced
the form and the contents of the symphony; that the composer may
have based a system of politics on Plato; "but," he adds, "Bernadotte
had been long absent from Vienna before the Consular form of government was adopted at Paris, and before Schleiermacher's Plato
was published in Berlin."
The symphony was composed in 1803-04. The story is that the
title-page of the manuscript bore the. word "Buonaparte" and at the
bottom of the page "Luigi van Beethoven"; "and not a word more,"
said Ries, who saw the manuscript.
"I was the first," also said Ries,
"who brought him the news that Bonaparte had had himself declared
Emperor, whereat he broke out angrily: 'Then he's nothing but an
ordinary man! Now he'll trample on all the rights of men to serve
his own ambition; he will put himself higher than all others and turn
out a tyrant!' "
Furthermore, there is the story that, when the death of Napoleon
at St. Helena was announced, Beethoven exclaimed, "Did I not fore-
when
M. Vincent dTndy in
see the catastrophe
wrote the funeral march in the 'Eroica'?"
his remarkable Life of Beethoven argues
I
against Schindler's theory that Beethoven wished to celebrate the
French Revolution en bloc. "C'etait Vhomme de Brumaire" that Beethoven honored by his dedication (pp. 79-82).
The original score of the symphony was bought in 1827 by Joseph
Dessauer for three florins, ten kreuzers, at auction in Vienna. On
the title-page stands "Sinfonia grande." Two words that should
follow immediately were erased.
One of these words is plainly "Bona-
Sarhrarfj
Portraits
for
Their
appreciated
quality
Make
69
CHRISTMAS
and prestige are known and
everywhere.
To
properly
will
finish
be
them
requires time and care.
an appointment for a sitting now.
PRATT STREET
-
-
-
HARTFORD
JX.ew evidence of the
superior tonal qualities of
is
provided by the decision or
THE CHICAGO OPERA COMPANY
to
make
it
tneir official piano
Sh^^aldumtptmuk (&>«
CINCINNATI
INDIANAPOLIS
DENVER
CHICAGO
ST.
LOUIS
DALLAS
NEW YORK
LOUISVILLE
SAN FRANCISCO
and under his own name the composer wrote in large characters
with a lead-pencil: ''Written on Bonaparte."
The first performance of the symphony was at a private concert
at Prince Lobkowitz's in December, 1804.
The composer conducted,
and in the second half of the first allegro he brought the orchestra
to grief, so that a fresh start was made.
The first performance in
public was at a concert given by Clement at the Theatre an der Wien,
April 7, 1805. The symphony was announced as "A new grand Symphony in D-sharp by Herr Ludwig van Beethoven, dedicated to
his Excellence Prince von Lobkowitz."
Beethoven conducted. Czerny
remembered that some one shouted from the gallery: "Fd give another kreuzer if they would stop." Beethoven's friends declared the
work a masterpiece. Some said it would gain if it were shortened,
if there were more "light, clearness, and unity."
Others found it a
mixture of the good, the grotesque, the tiresome.
The symphony was published in October, 1806. The title in Italian
stated that it was to celebrate the memory of a great man. And
there was this note: "Since this symphony is longer than an ordinary
symphony, it should be performed at the beginning rather than at the
end of a concert, either after an overture or an aria, or after a concerto.
If it be performed too late, there is the danger that it will not produce
on the audience, whose attention will be already wearied by preceding pieces, the effect which the composer purposed in his own mind to
parte/'
attain."
WEBER
STERLING
VOSE
HUNTINGTON
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PIANOLA PIANOS
10
Prelude to "The Afternoon of a Faun (after the Eclogue of
Achille Claude Debussy
Stephane Mallarme)"
(Born at
St.
Germain
(Seine
and
Oise), August 22, 1862;
26, 1918.)
died at Paris,
March
"Prelude a FApres-Midi d'un Faune (Bglogue de S. Mallarme)" was
played for the first time at a concert of the National Society of Music,
Paris, December 23, 1894.
The conductor was Gustave Doret.
The first performance in Boston it was also the first in the United
States was at a concert of the Boston Orchestral Club, Mr. Longy
conductor, April 1, 1902.
Let us read Mr. Gosse's explanation of the poem that suggested music
to Debussy: "It appears in the florilege which he has just published,
and I have now read it again, as I have often read it before. To say
that I understand it bit by bit, phrase by phrase, would be excessive.
But, if I am asked whether this famous miracle of unintelligibility gives
me pleasure, I answer, cordially, Yes. I even fancy that I obtain from
it as definite and as solid an impression as M. Mallarme desires to produce. This what I read in it: A faun a simple, sensuous, passionate
being wakens in the forest at daybreak and tries to recall his experience
of the previous afternoon.
Was he the fortunate recipient of an actual
visit from nymphs, white and golden goddesses, divinely tender and indulgent? Or is the memory he seems to retain nothing but the shadow
of a vision, no more substantial than the 'arid rain' of notes from his
own flute? He cannot tell. Yet surely there was, surely there is, an
animal whiteness among the brown reeds of the lake that shines out
yonder? Were they, are they, swans? No! But Naiads plunging?
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12
PARSONS THEATRE
•
MONDAY EVENING, JANUARY
PIERRE MONTEUX,
SOLOIST
'Cello
13
HARTFORD
•
8,
1923, at 8.15
Conductor
Perhaps
Vaguer and vaguer grows the impression of this delicious exresign his woodland godship to retain it.
A garden
!
He would
perience.
golden-headed, white-stalked, behind the trellis of red roses?
Ah the effort is too great for his poor brain. Perhaps if he selects one
lily from the garth of lilies, one benign and beneficent yielder of her cup
to thirsty lips, the memory, the ever-receding memory, may be forced
back. So when he has glutted upon a bunch of grapes, he is wont to
toss the empty skins into the air and blow them out in a visionary greediness.
But no, the delicious hour grows vaguer; experience or dream,
he will never know which it was. The sun is warm, the grasses yielding; and he curls himself up again, after worshipping the efficacious star
of wine, that he may pursue the dubious ecstasy into the more hopeful
boskages of sleep.
of
lilies,
!
Concerto for Pianoforte, No.
2,
in
A
major
(Born at Raiding, near Odenburg, Hungary, October
Franz Liszt
22, 1811; died at
Bayreuth,
July 31, 1886.)
This concerto was sketched in 1839. It was completed and scored
The concerto is dedicated to Hans von Bronsart, by whom it
in 1849.
was played from manuscript for the first time at a concert for the benefit
of the Orchestral Pension Fund in the Grand Ducal Court Theatre,
Weimar, January 7, 1857. Liszt conducted. His symphonic poem
"Ce qu'on entend sur la montagne" was also performed for the first
time at this concert. The second performance of the concerto was at
Berlin, January 14, 1858, in the Sing-Akademie, when Karl Tausig was
the pianist and von Billow conducted.
The first performance in Boston was at a concert of Theodore Thomas's
Orchestra, October 5, 1870, when Anna Mehlig was the pianist, and this
performance is said to have been the first in the United States.
The autograph manuscript of this concerto bore the title "Concert
symphonique," and, as Mr. Ap thorp once remarked, the work might
be called a symphonic poem for pianoforte and orchestra, with the
title "The Life and Adventures of a Melody."
The concerto is in one movement. The first and chief theme binds
the various episodes into an organic whole. But let us use the words
of Mr. Apthorp rather than a dry analytical sketch: "From this point
onward the concerto is one unbroken series of kaleidoscopic effects of the
INCORPORATED
Thirty-third season, 1922-1923
BOARD OF MANAGERS
----.-
a
a
,„ci ru
Mr. A.
A. WELCH
*„
Mrs. T. B. BEACH
Miss M. H. WILLIAMS
Mrs. J. P.
Miss K. E. ANDREWS
Mrs. A. S. COOK
Mrs. JULIUS CAY
Mrs. S. B. ST. JOHN
,.
Secretary
Treasurer
ANDREWS
RALPH
WALDO
L.
S.
FACULTY
BALDWIN, Classes
.
,
p
Piano
.
-
-
-
-
-
-
-
-
.........
oiccn t
LILLIAN L. BlbbLLL
FLORENCE A. ATKINS
ELLIOT STANLEY FOOTE
-
„,.„.
DrwAD
EVELYN
BONAR
ROSA DUNNE
in
Theory
MARGUERITE FOSTER
ALFRED TROEMEL (New
r
Rn V M VI/ACURITRM
WASHBURN
CAROLYN
ARTHUR PRIEST
.
PRATT.
WM. L. WHITNEY
..
rmDM (New
M v
AURELIO GIORNI
York)
.
-j
d
President
Musical History
(Boston and New York). Voic e
14
York)
,
-
-
-
Violin
-
Organ
brilliant and ever-changing description; of musical form, of musical
coherence even, there is less and less. It is as if some magician in some
huge cave, the walls of which were covered with glistening stalactites
and flashing jewels, were revealing his fill of all the wonders of color,
Never has
brilliancy, and dazzling light his wand could command.
even Liszt rioted more unreservedly in fitful orgies of flashing color.
It is monstrous, formless, whimsical, and fantastic, if you will; but it
It
is also magical and gorgeous as anything in the 'Arabian Nights.'
And ever and anon the
is its very daring and audacity that save it.
first wailing melody, with its unearthly chromatic harmony, returns in
one shape or another, as if it were the dazzled neophyte to whom the
magician Liszt were showing all these splendors, while initiating it into
the mysteries of the world of magic, until it, too, becomes magical, and
possessed of the power of working wonders by black art."
most
*
This concerto is scored for solo pianoforte, three flutes (one interchangeable with piccolo), two oboes, two clarinets, two bassoons, horns,
two trumpets, three trombones, bass tuba, kettledrums, cymbals,
strings.
"Stenka Razin," Symphonic Poem for Full Orchestra, Op. 13
Alexander Glazounov
(Born at Petrograd, July 29, 1865; now living at Petrograd.)
"Stenka Razin" was composed at Petrograd in 1885.
Dedicated
"to the memory of Alexander Borodin," it is scored for three flutes (one
interchangeable with piccolo), two oboes, two clarinets, two bassoons,
four horns, two trumpets, three trombones, bass tuba, four kettledrums,
bass drum, cymbals, tam-tam, harp, and strings. The composer conducted the symphonic poem at a concert of Russian music at the
Trocadero, Paris, on June 22, 1889, the year of a World's Exposition
—
there.
..
CONCERT "DIRECTION
PIERGE BUILDING
-
-
..
BOSTON
-
As heretofore, Mr. Richmond continues his policy of featuring artists
Appearing under his direction this season:
of distinction.
RICHARD BURG IN, Violinist — FELIX FOX, Pianist —
LAURA LITTLEFIELD, Soprano (lyric)— MARIA CONDE,
Soprano
(coloratura)— JEAN
TRIO — Henry Gideon
MENTS" -and
BEDETTI, Cellist— FIEDLER
in
"CONCERTS
with
BOSTON SYMPHONY ENSEMBLE
"A
Miniature Symphony Orchestra"
AUGUSTO VANNINI,
15
Conductor
COM-
—
—
—
"Stenka Razin" is built on three themes: the first is the melancholy song of the barge-men of the Volga; the second theme, short,
savage, bizarre, typifies the hero who gives his name to the piece; and
the third, a seductive melody, pictures in tones the captive Persian
princess.
The chant of the barge-men is that which vitalizes the orchestral piece. It is forever appearing, transformed in a thousand ways.
The
river
is
personified.
This Razin was a Cossack, who long ago ruled the Volga, led an insurrection, took Astrakan, devastated provinces; at last, a prisoner, he
was broken on the wheel in the reign of the Tsar Alexis, 1672.
"The Volga immense and placid! For many years those along its
banks had dwelt in peace when suddenly appeared the terrible hetman
Stenka, who at the head of his savage band ran up and down the Volga
devastating and pillaging the villages and towns along its shores. As
the folk-song has it
:
"Forth swiftly swam the light canoe,
The light canoe of the Ataman,
Of the Ataman, Stenka Razin.
The craft was everywhere adorned;
Seats it had for the Kazaki;
The sails were wove of silken cloth;
The sweeps were tipt with solid gold.
Amid the boat was a brocaded tent,
And in that brocaded tent there lay
Great barrels stuft with golden hoards.
On the treasure sat a beauteous maiden,
The
mistress of the Ataman. ...
Persian princess, taken captive by Stenka Razin.
A
"One day she grew
pensive,
and addressing
them
a dream she had once dreamt
of her master, she told
of
comrades
herself to the
:
" 'Listen to me, ye gallant braves;
When
was young,
I
my
sleep
was
light;
My sleep was light,
but much I dreamed.
To me my dream seemed far from good:
I dreamed our chief was shot to death;
The Kazak oarsmen sat chained in prison;
And I—
I
"The dream
was drowned
in
of the Princess
Mother
came
Volga.'
true.
Stenka was surrounded by
the soldiers of the Tsar. Seeing his ruin at hand, Stenka cried out:
" 'Never, during all the thirty years of my going up and down Mother
Volga, have I made her a gift. To-day I shall give her what is in my
eyes the most precious of earthly treasures.' Saying this, he threw the
Princess into the Volga. The savage band began to sing the praise of
their leader, and they all rushed upon the soldiers of the Tsar."
SEVENTY YEARS' REPUTATION
An
old
form.
:8
and
reliable
remedy
Sold only in boxes
K
for
Free from opiates in any
throat troubles caused by cold or use of the voice.
Prices. 15c, 35c, 75c. $1.25. at druggists or by mail
in bulk.
— never
OWN S
Will keep the teeth and
Ma°creaotue d
s
'
gums
in
JOHN
I.
BROWN &
D IE N T F R C E
I
I
Price. 30c at druggists or
healthy condition.
SON. BOSTON. MASS.
16
by
mail.
INSTRUCTION
MUSICAL
A
!
'
I
I
i
,
(
AW
TEACHER OF THE HARP
Address, 236
BAY STATE ROAD, BOSTON
Tel.
Copley 5294-M
Available for a limited
HARP VIRTUOSO
and Interpreter of classical music, ancient and
modern whose artistry has been
likened to that of Paderewski
—
Address. 3
ORGAN,
STEINERT HALL
1
BOYLSTON STREET
.
.
BOSTON
.
Now
Home
647
RECITALS
Address
CRANSTON STREET
-
PROVIDENCE.
the
Boston
Boston, Mass.
and
Qualified to develop male and female voice
References: Miss ROSE STEWART. PHILIP
Tel Copley 1 1 1 3 -M
1 75 Hemenway St .. Boston
HALE
CIRCULAR ON REQUEST
for advertising
space
Symphony Orchestra
programme book should be made
to
L. S. B. Jefferds, Advertising Manager,
Symphony
COACHING
(Trinity Court)
Copley 341 4-R
. .
R.I.
All applications
in
and
Dartmouth St.
TEACHER OF ARTISTIC SINGING
Booking
OPERA
CONCERTS
75
PIANO
HARMONY
VOICE SPECIALIST
DRAMATIC SOPRANO
New
AVE., AUBURNDALE
West Newton 1404
Teacher of
TEACHER OF SINGING
62
of
SOUTH
Tel.
1
number
England engagements. Wide experience in
giving and arranging Musicale programs.
Order your de luxe copy of original tone
poems now. for your holiday gifts, and
hear them rendered by the composer.
Hall, Boston, Mass.
BOSTON'S GREAT ART PRODUCT
Pianos
impossible to convey in words an adequate idea
surpassing
tonal quality of the Mason & Hamlin
of the
Piano.
It
is
And yet, that which baffles verbal expression is a very real
thing. If you should play the Mason & Hamlin Piano you would
know; listening to it would tell more than a thousand words, as a
Woman Weighing Pearls" tells more of Vermeer's
than page after page of description.
glance at the
artistry
We
invite
you
to play
MASON
BOSTON
and hear
&
this extraordinary piano.
HAMLIN
CO.
NEW YORK
Hartford Representatives
GALLUP
& ALFRED,
201 Asylum Street
Inc.