selected bibliography

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selected bibliography
selected bibliography
312 / eye on europe
Compiled by Deborah Wye and Wendy Weitman
with the assistance of Anjuli Lebowitz
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General
Included in this selected bibliography are general
references for art and specific references on prints, books,
and multiples for the period considered in this volume.
Journal articles referring to these topics, and catalogues
for recurring regional and international exhibitions, are not
included. Monographs on artists and publishers appear
in the Notes on the Artists (pp. xxx–xxx) and Notes on the
Publishers (pp. xxx–xxx).
Armstrong, Elizabeth, and Joan Rothfuss. In the Spirit of
Fluxus. Minneapolis: Walker Art Center, 1993.
Babias, Marius. Das neue Europa: Kultur des Vermischens
und Politik der Repräsentation/The New Europe:
Culture of Mixing and Politics of Representation.
Vienna: Generali Foundation; Cologne: Walther König,
2005.
Blistène, Bernard, et al. Poésure et Peintrie: D’un Art,
l’autre. Marseille: Musées de Marseille; Paris:
Réunion des Musées Nationaux, 1993.
Bonito Oliva, Achille. Europe/America: The Different
Avant-Gardes. Milan: Deco, 1976.
Brand, Jan, Nicolette Gast, and Robert-Jan Muller, eds.
De woorden en de beelden: tekst en beeld in de kunst
van de twintigste eeuw/The Words and the Images: Text
and Image in the Art of the Twentieth Century. Utrecht,
The Netherlands: Centraal Museum, 1991.
Buchloh, Benjamin H. D. Formalism and Historicity:
Essays on American and European Art Since 1945.
Cambridge, Mass.: The MIT Press, 1999.
———. Neo-Avantgarde and Culture Industry: Essays
on European and American Art from 1955 to 1975.
Cambridge, Mass.: The MIT Press, 2000.
Bussmann, Georg. Kunst und Politik. Karlsruhe, Germany:
C. F. Müller, 1970.
Camnitzer, Luis, Jane Farver, Rachel Weiss, et al. Global
Conceptualism: Points of Origin, 1950s–1980s.
New York: Queens Museum of Art, 1999.
Celant, Germano. The European Iceberg: Creativity in
Germany and Italy Today. Toronto: Art Gallery of
Ontario; Milan: Mazzota, 1985.
Collings, Matthew. Blimey! From Bohemia to Britpop:
The London Artworld from Francis Bacon to Damien
Hirst. Cambridge, England: 21 Publishing, 1997.
Contensou, Bernadette, et al. 1960: Les Nouveaux
réalistes. Paris: Paris-Musées and La Société des Amis
du Musée d’Art Moderne de la Ville de Paris, 1986.
Cowart, Jack, ed. Expressions: New Art from Germany,
Georg Baselitz, Jörg Immendorff, Anselm Kiefer, Markus
Lüpertz, A. R. Penck. Munich: Prestel in association
with the Saint Louis Art Museum, 1983.
Crow, Thomas E. The Rise of the Sixties: American and
European Art in the Era of Dissent. New York: Harry N.
Abrams, 1996.
Djurić, Dubravka, and Miško Šuvaković, eds. Impossible
Histories: Historical Avant-Gardes, Neo-Avant-Gardes,
and Post-Avant-Gardes in Yugoslavia, 1918–1991.
Cambridge, Mass.: The MIT Press, 2003.
Fluxus Virus, 1962–1992. Cologne: Galerie
Schüppenhauer, 1992.
Fogle, Douglas. The Last Picture Show: Artists Using
Photography, 1960–1982. Minneapolis: Walker Art
Center, 2003.
Garrels, Gary. Photography in Contemporary German Art:
1960 to the Present. Minneapolis: Walker Art Center,
1992.
Gintz, Claude, et al. L’Art conceptuel: Une perspective.
Paris: Musée d’Art Moderne de la Ville de Paris, 1989.
Glasmeier, Michael. Buchstäblich wörtlich, wörtlich
buchstäblich: Eine Sammlung konkreter und visueller
Poesie der sechziger Jahre in der Nationalgalerie Berlin.
Berlin: Staatliche Museen, Preussischer Kulturbesitz,
1987.
———. 50 Jahre documenta 1955–2005, Band 1: Diskrete
Energien/50 Years documenta 1955–2005, Vol. 1:
Discrete Energies. Göttingen, Germany: Steidl, 2005.
Gohr, Siegfried, and Rafael Jablonka, eds. Europa/
Amerika: Die Geschichte einer künstlerischen
Faszination seit 1940. Cologne: Museum Ludwig,
1986.
Goldstein, Ann, and Anne Rorimer. Reconsidering the
Object of Art: 1965–1975. Los Angeles: Museum of
Contemporary Art, 1995.
Gould, Claudia, and Sarah Rogers-Lafferty.
Breakthroughs: Avant-Garde Artists in Europe and
America, 1950–1990. New York: Rizzoli in association
with the Wexner Center for Arts, The Ohio State
University, 1991.
Hegyi, Lóránd, et al. Aspects/Positions: 50 Years of Art
in Central Europe 1949–1999. Vienna: Museum
moderner Kunst Stiftung Ludwig Wien, 1999.
Hendricks, Jon, ed. O que é Fluxus? O que não é! O
porque/What’s Fluxus? What’s not! Why. Brasília
and Rio de Janeiro: Centro Cultural Banco do Brasil;
Detroit: The Gilbert and Lila Silverman Fluxus
Collection Foundation, 2002.
Hoptman, Laura J., and Tomáš Pospiszyl, eds. Primary
Documents: A Sourcebook for Eastern and Central
European Art Since the 1950s. New York: The Museum
of Modern Art, 2002.
Lippard, Lucy R., ed. Six Years: The Dematerialization of
the Art Object from 1966 to 1972; A Cross-Reference
Book of Information on Some Esthetic Boundaries.
New York: Praeger, 1973.
Livingstone, Marco. Pop Art: A Continuing History.
London: Thames & Hudson, 1990.
———, and Walter Guadagnini. Pop Art UK: British Pop Art
1956–1972. Milan: Silvana, 2004.
McShine, Kynaston, ed. Information. New York: The
313
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selected bibliography
Museum of Modern Art, 1970.
———. Berlinart, 1961–1987. New York: The Museum of
Modern Art; Munich: Prestel, 1987.
Mellor, David. The Sixties Art Scene in London. London:
Phaidon, 1993.
———, and Laurent Gervereau, eds. Sixties: Britain and
France, 1962–1973, The Utopian Years. London:
Philip Wilson, 1997.
IRWIN, ed. East Art Map: Contemporary Art and Eastern
Europe. London: Afterall, 2006.
Pejić, Bojana, and David Elliott, eds. After the Wall:
Art and Culture in Post-Communist Europe.
Stockholm: Moderna Museet, 1999.
Reichardt, Jasia. Between Poetry and Painting. London:
Institute of Contemporary Arts, 1965.
Rosenfeld, Alla, and Norton T. Dodge, eds. Art of the
Baltics: The Struggle for Freedom of Artistic Expression
Under the Soviets, 1945–1991. New Brunswick, N.J.:
Rutgers University Press, 2002.
Rorimer, Anne. New Art in the 60s and 70s: Redefining
Reality. London: Thames & Hudson, 2001.
Sackner, Ruth and Marvin A. The Sackner Archive of
Visual and Concrete Poetry. Miami Beach, Florida.
http://www.rediscov.com/sacknerarchives/.
Schaffner, Ingrid, and Matthias Winzen, eds. Deep
Storage: Collecting, Storing and Archiving in Art.
Munich and New York: Prestel, 1998.
Schenk-Weininger, Isabell. Krieg Medien Kunst:
Positionen deutscher Künstler seit den sechziger
Jahren. Nuremberg, Germany: Moderne Kunst
Nuremberg, 2004.
Solt, Mary Ellen, and Willis Barnstone, eds.
Concrete Poetry: A World View. Bloomington:
Indiana University, 1969.
Speyer, A. James, and Anne Rorimer, eds. Europe in the
Seventies: Aspects of Recent Art. Chicago:
Art Institute of Chicago, 1977.
Stiles, Kristine, and Peter Selz, eds. Theories and
Documents of Contemporary Art: A Sourcebook of
Artists’ Writings. Berkeley and Los Angeles:
University of California, 1996.
Stipančić, Branka, ed. Riječi i slike/Words & Images.
Zagreb: Soros Center for Contemporary Arts, 1995.
Syring, Marie Luise. Um 1968: Konkrete Utopien in Kunst
und Gesellschaft. Cologne: DuMont, 1990.
Wedewer, Rolf, and Konrad Fischer. Konzeption:
Dokumentation einer heutigen Kunstrichtung/
Conception: Documentation of a To-day’s Art
Tendency. Opladen, Germany: Westdeutscher, 1969.
314 / eye on europe
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Prints
Ackley, Clifford S., Thomas Krens, and Deborah Menaker
Rothschild. The Modern Art of the Print: Selections from
the Collection of Lois and Michael Torf. Williamstown,
Mass.: Williams College Museum of Art; Boston:
Museum of Fine Arts, 1984.
———. PhotoImage: Printmaking 60s to 90s. Boston:
Museum of Fine Arts, 1998.
Armstrong, Elizabeth, et al. Images and Impressions:
Painters who Print. Minneapolis: Walker Art Center,
1984.
Arnold, Ulrich, and Gunther Thiem. Amerikanische und
englische Graphik der Gegenwart aus der Graphische
Sammlung der Staatsgalerie Stuttgart. Stuttgart:
Graphische Sammlung der Staatsgalerie Stuttgart,
1973.
Bachler, Karl. Serigraphie: Geschichte des KünstlerSiebdrucks. Lübeck, Germany: “Der Siebdruck”,
Graphische Werkstätten, 1977.
Besset, Maurice. L’Italie & l’Allemagne: Nouvelles
sensibilités, nouveaux marchés. Geneva: Cabinet des
Estampes, Musée d’Art et d’Historie, 1983.
Block, René, ed. Grafik des kapitalistischen Realismus.
Berlin: René Block, 1971.
———. KP Brehmer, KH Hödicke, Sigmar Polke, Gerhard
Richter, Wolf Vostell. Druckgrafik 71–76. Berlin:
René Block, 1976.
Box, Rowland. In-print: Evolution in Contemporary
Printmaking. Kingston upon Hull, England:
Hull Museums & Art Gallery, 2001.
Butin, Hubertus. Grafik des Kapitalistischen Realismus/
Graphics of the Capitalistic Realism: Klaus Peter
Brehmer, Karl Horst Hödicke, Konrad Lueg, Wolf
Vostell, Sigmar Polke, Gerhard Richter. Frankfurt:
Galerie Bernd Slutzky, 1992.
Carey, Frances. Modern Scandinavian Prints. London:
British Museum Press, 1997.
Castleman, Riva. Printed Art: A View of Two Decades.
New York: The Museum of Modern Art, 1980.
———. Prints of the Twentieth Century. London:
Thames & Hudson, 1988.
Catálogo general de la calcografía nacional. Madrid:
Real Academia de Bellas Artes de San Fernando, 1987.
Chahroudi, Martha. New Art on Paper 2: Acquired with
Funds from the Hunt Manufacturing Co., 1989–1995.
Philadelphia: Philadelphia Museum of Art, 1996.
Davies, Hanlyn, and Hiroshi Murata. Art & Technology:
Offset Prints. Bethlehem, Pa.: Lehigh University Art
Galleries, 1983.
De Marchi, Giulia. Il Palazzo della calcografia: La storia
attraverso i documenti. Rome: De Luca, 2002.
Döring, Jürgen. Künstlerplakate: Picasso, Warhol, Beuys.
Heidelberg: Braus, 1998.
———. Neue Ansichten vom Ich: Graphische
Selbstbildnisse des 20. und 21. Jahrhunderts. Munich:
Hirmer, 2004.
Dückers, Alexander. Druckgraphik der Gegenwart 1960–
1975 im Berliner Kupferstichkabinett. Berlin: Mann,
1975.
———. Druckgraphik: Wandlungen eines Mediums seit
1945. Berlin: Kupferstichkabinett, Staatliche Museen
Preussischer Kulturbesitz, 1981.
———. Erste Konzentration. Munich: Sabine Knust•
Maximilian Verlag, 1982.
———. Von Beuys bis Stella: Internationale Graphik des
letzten Jahrzehnts im Berliner Kupferstichkabinett.
Berlin: Kupferstichkabinett, Staatliche Museen
Preussischer Kulturbesitz, 1986.
Fine, Ruth, ed. The 1980s: Prints from the Collection of
Joshua P. Smith. Washington, D.C.: National Gallery
of Art, 1989.
Frank, James. Contemporary British Printmaking.
Purchase, N.Y.: Brownson Gallery, Manhattanville
College, 2005.
Gilmour, Pat. Hockney to Hodgkin: British Master Prints
1960–1980. New Orleans: New Orleans Museum of
Art, 1997.
———. Kelpra Studio: An Exhibition to Commemorate the
Rose and Chris Prater Gift. London: Tate Gallery, 1980.
———. The Mechanised Image: An Historical Perspective
on 20th-Century Prints. London: Arts Council of Great
Britain, 1978.
———. Modern Prints. London: Studio Vista, 1970.
Gimenez, Carmen, and Everett Rice. Contemporary
Spanish Prints. Madrid: Grupo Quince, 1979.
Goedl, Monika. Der Galerie-Verein München, 1965–1990.
Munich: Der Verein, 1990.
Goldman, Judith. The Pop Image: Prints and Multiples.
New York: Marlborough Graphics, 1994.
Grafik der 60er Jahre: Bundesrepublik Deutschland/
Graphics of the 60s: Federal Republic of Germany.
Stuttgart: Institut für Auslandsbeziehungen, 1987.
Heller, Reinhold, and Anja Chávez, eds. Two and One:
Printmaking in Germany, 1945–1990. Wellesley,
Mass.: Davis Museum and Cultural Center, Wellesley
College, 2003.
Hohl, Hanna, and Günther Gercken. Ein Jahrhundert des
Holzschnitts. Hamburg: Hamburger Kunsthalle, 1993.
Jacobowitz, Ellen S., and Ann Percy. New Art on Paper:
Acquired with Funds from the Hunt Manufacturing Co.
Philadelphia: Philadelphia Museum of Art, 1988.
Jensen, Jens Christian. Druckgraphische Mappenwerke
nach 1945 im Besitz der Kunsthalle zu Kiel:
Graphische Sammlung. Kiel: Kunsthalle Kiel, 1986.
Joselow, Beth. The Moscow Studio, 1991–1996:
A Five Year Printmaking Retrospective. Alexandria, Va.:
Hand Print Workshop, 1996.
Jule, Walter, ed. Sightlines: Printmaking and Image
Culture, A Collection of Essays and Images. Edmonton:
University of Alberta, 1997.
Junge-Gent, Henrike. Wohlfeile Kunst: Die Verbreitung
von Künstlergraphik seit 1870 und die GriffelkunstVereinigung Hamburg-Langenhorn. Mainz, Germany:
Philipp von Zabern, 1989.
Korazija-Magnaguagno, Eva, and Bernadette Walter.
Schweizerische Künstlergraphik im 20. Jahrhundert.
Basel: Schwabe, 2005.
Lang, Lothar. Malerei und Graphik in der DDR, 1945–
1983. Leipzig: P. Reclam, 1986.
Leahy, Cathy. BritPrint. Victoria, Canada: Council of
Trustees of the National Gallery of Victoria, 2005.
Marchi, Giulia De. Il Palazzo Della Calcografia. Rome:
De Luca, 2002.
Mason, Rainer Michael. At the Louvre and at Present:
Contemporary Prints for the Chalcographie du Louvre.
Paris: Réunion des Musées Nationaux, 2001.
McKenna, George L. Repeated Exposure: Photographic
Imagery in the Print Media. Kansas City, Mo.:
Williams Rockhill Nelson Gallery of Art, 1982.
Meneguzzo, Giobatta. Invito Alla Grafica. Bergamo, Italy:
Pierluigi Lubrina, 1989.
Newton, Charles. Photography in Printmaking. London:
Victoria & Albert Museum; Tisbury, England:
Compton; London: Pitman, 1979.
Noyce, Richard. Contemporary Graphic Art in Poland.
North Ryde, Australia: Craftsman House, 1997.
Oberhuber, Konrad, Peter Pokay, and Paula Grund.
Polnische Graphik in der Albertina: Arbeiten aus den
Jahren 1957 bis 1990. Vienna: Graphische Sammlung
Albertina, 1993.
Osten, Gert von der, et al. Ars Multiplicata: Vervielfältigte
Kunst seit 1945. Cologne: Wallraf-Richartz-Museum,
1968.
Pakesch, Peter, ed. Druckgraphik, 1970–85. Graz, Austria:
Grazer Kunstverein and Akademische Druck- und
Verlagsanstalt, 1986.
Pernoud, Emmanuel. En Filigrane: Un regard sur l’estampe
contemporaine. Paris: Bibliothèque Nationale de
France, 1996.
Peters, Louis-Ferdinand, and Patrick Chauvel. Kunst und
Revolte: Das politische Plakat und der Aufstand der
französischen Studenten. Cologne: DuMont, 1968.
Platzker, David, and Elizabeth Wyckoff. Hard Pressed:
600 Years of Prints and Process. New York:
Hudson Hill Press, 2000.
Primus, Zdenek, ed. Much Pop, More Art: Kunst der
60er Jahre in Grafiken, Multiples und Publikationen.
Stuttgart: Amerika Haus and Mercedes-Benz, 1992.
Riley, Richard. As Is When: A Boom in British Printmaking
1961–1972. London: British Council, 2003.
———. Out of Print: British Printmaking 1946–1976.
London: British Council, 1994.
Robert, Adrian X., Gerry Ammann, and Gottfried Bechtold.
L’Art est inutile: Avantgardekunst 1960–1980.
Werke aus Sammlung Meneguzzo. Bregenz, Austria:
Bregenzer Kunstverein; Bozen, Italy: AR/GE Kunst,
1992.
Roh, Juliane. Deutsche Kunst der 60er Jahre: Malerei,
Collage, Op-Art, Graphik. Munich: Bruckmann, 1971.
———. German Graphics of the Sixties. Austin:
University of Texas, 1974.
Saunders, Gill, and Rosie Miles. Prints Now: Directions
and Definitions. London: Victoria & Albert Museum,
2006.
Scotti, Roland. Pop: Kunst der 60er Jahre: Druckgraphik
und Tassen, Sammlung Beck. Ludwigshafen am Rhein,
Germany: Wilhelm-Hack-Museum, 1991.
Spencer, Charles, ed. A Decade of Printmaking. London:
Academy; New York: St. Martin’s, 1973.
Sperling, Louise, and Richard S. Field. Offset Lithography.
Middletown, Conn.: The Davison Art Center, Wesleyan
University, 1973.
Storck, Gerhard. Artist’s Proof: Künstlerisch erprobt;
grafische/fotografische Arbeiten aus den letzten
dreissig Jahren. Cologne: Oktagon, 1998.
Stubbe, Wolf. Graphik der Welt: Internationale
Druckgraphik der letzten 25 Jahre. St. Gallen,
Switzerland: Erker, 1971.
Tallman, Susan. The Contemporary Print: From Pre-pop to
Postmodern. New York: Thames & Hudson, 1996.
Tanner, Paul, and Eva Korazija, et al. Im Auftrag:
Druckgraphik 1918 bis 1998 für die Schweizerische
Graphische Gesellschaft. Zurich: Graphische
Sammlung der Eidgenössische Technische
Hochschule Zürich, 1998.
Thurow, Beate. Der Holzschnitt im 20. Jahrhundert:
99 Meisterwerke aus der Sammlung des Städtischen
Kunstmuseums Spendhaus Reutlingen. Tübingen,
Germany: Wasmuth, 1999.
Timmers, Margaret, ed. Impressions of the 20th Century:
Fine Art Prints from the V & A Collection. London:
Victoria & Albert Museum, 2001.
Vernon, Kay. British Prints of the 1960s and 1970s.
Sydney: Art Gallery of New South Wales, 1990.
Villena Cortés, Elvira. Spanish Art: Spanish Prints in the
Eighties. Madrid: Ministerio de Asuntos Exteriores de
España, 1991.
Vogel, Carl. Zeitgenössische Druckgrafik: Künstler,
Techniken, Einschätzungen. Munich: Keyser, 1982.
Wallenberg, Hans, et al. Grafische Techniken: Eine
Ausstellung. Berlin: Neuer Berliner Kunstverein, 1973.
Weitman, Wendy. Pop Impressions: Europe/USA, Prints
and Multiples from The Museum of Modern Art.
New York: The Museum of Modern Art, 1999.
Wember, Paul. Blattkünste: Internationale Druckgraphik
seit 1945. Krefeld, Germany: Scherpe, 1973.
Woimant, Françoise, Marie Cécile Miessner, and Anne
Moeglin-Delcroix. De Bonnard à Baselitz: Estampes et
livres d’artistes. Dix ans d’enrichissements du Cabinet
des estampes, 1978–1988. Paris: Bibliothèque
Nationale de France, 1992.
Woimant, Françoise, and Marie-Cécile Miessner.
L’estampe aujourd’hui, 1973–78: Cinq années
d’enrichissements du Département des estampes et
de la photographie. Paris: Bibliothèque Nationale de
France, 1978.
Wye, Deborah. Artists & Prints: Masterworks from The
Museum of Modern Art. New York: The Museum of
Modern art, 2004.
———. Thinking Print: Books to Billboards, 1980–95.
New York: The Museum of Modern Art, 1996.
Zürcher, Emil Theodor Heinrich. Kupfer Druck. Baden,
Germany: Lars Müller, 1990.
315
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Books
The Artist Publisher. London: Coracle Press and Crafts
Council Gallery, 1986.
Attwood, Martin, and Clive Phillpot. Artists’ Bookworks:
A Travelling Exhibition of Recent Books, Booklets,
Pamphlets, Catalogues, Periodicals, Anthologies, and
Magazines. London: British Council, 1975.
Berns, Jörg Jochen. Daumenkino: The Flip Book Show.
Düsseldorf: Kunsthalle Düsseldorf; Cologne:
Snoeck, 2005.
Blamey, David. Work & Turn: Artists’ Bookworks from the
United Kingdom. London: Open Editions, 1992.
Bury, Stephen. Artists’ Books: The Book as a Work of Art,
1963–1995. Brookfield, Vt.: Scolar, 1995.
Castleman, Riva. A Century of Artists Books. New York:
The Museum of Modern Art, 1994.
Celant, Germano. Book as Artwork, 1960–72. London:
Nigel Greenwood, 1972.
Damsch-Wiehager, Renate, Knut Nievers, and Helgard
Sauer. Non kon form: Künstlerbücher, Text-GrafikMappen und autonome Zeitschriften der DDR
1979—1989 aus der Sammlung der Sächsischen
Landesbibliothek Dresden. Kiel, Germany: Kulturamt
der Landeshauptstadt Kiel/Stadtgalerie, 1992.
Dematteis, Liliana, and Giorgio Maffei. Libri d’artista in
Italia: 1960–1998. Turin: Regione Piemonte, 1998.
Drucker, Johanna. The Century of Artists’ Books.
New York: Granary Books, 2004.
Fusco, Maria, and Ian Hunt, eds. Put About: A Critical
Anthology on Independent Publishing. London:
Book Works, 2004.
Glasmeier, Michael. Die Bücher der Künstler:
Publikationen und Editionen seit den sechziger
Jahren in Deutschland. Stuttgart: Institut für
Auslandsbeziehungen and Edition Hansjörg Mayer,
1994.
Guest, Tim, and Germano Celant. Books by Artists.
Toronto: Art Metropole, 1981.
Hellion, Martha. Ulises Carrión: ¿mundos personales o
estrategias culturales?/Personal Worlds or Cultural
Strategies? Madrid: Turner, 2003.
Henkel, Jens, and Sabine Russ. DDR 1980–1989:
Künstlerbücher und Originalgrafische Zeitschriften im
Eigenverlag. Mainz, Germany: Merlin, 1991.
Hernad, Béatrice, and Karin von Maur. Papiergesänge:
Buchkunst im zwanzigsten Jahrhundert;
Künstlerbücher, Malerbücher und Pressendrucke aus
den Sammlungen der Bayerischen Staatsbibliothek,
München. Munich: Prestel, 1992.
316 / eye on europe
Hubert, Renée Riese, and Judd D. Hubert. The Cutting
Edge of Reading: Artists’ Books. New York:
Granary Books, 1999.
Karasik, Mikhail. The Book Garden: Contemporary Russian
Artists’ Books. Bristol, England: Off-Centre Gallery,
1995.
Klima, Stefan. Artists’ Books: A Critical Survey of the
Literature. New York: Granary Books, 1998.
Lauf, Cornelia, and Clive Phillpot. Artist/Author:
Contemporary Artists’ Books. New York: Distributed
Art Publishers and The American Federation of Arts,
1998.
Lyons, Joan, ed. Artists’ Books: A Critical Anthology
and Sourcebook. Rochester, N.Y.: Visual Studies
Workshop, 1985.
Maffei, Giorgio. Il libro d’artista. Milan: Sylvestre Bonnard,
2003.
Mathieu, Didier. La Collection du centre des livres
d’artistes, Pays–Paysage. Saint-Yrieix-la-Perche,
France: Centre des Livres d’Artistes, Pays–Paysage,
2001.
Melby, Julie, et al. Splendid Pages: The Molly and Walter
Bareiss Collection of Modern Illustrated Books.
New York: Hudson Hills; Toledo: Toledo Museum of
Art, 2003.
Moeglin-Delcroix, Anne. Esthétique du livre d’artiste,
1960–1980. Paris: Jean-Michel Place and
Bibliothèque Nationale de France, 1997.
———. Guardare, raccontare, pensare, conservare: Quattro
percorsi del libro d’artista dagli anni ’60 ad oggi/
Looking, Telling, Thinking, Collecting: Four Directions
of the Artist’s Book from the Sixties to the Present.
Mantua, Italy: Casa del Mantegna and Corraini, 2004.
———. Livres d’artistes. Paris: Bibliothèque Publique
d’Information, Centre Georges Pompidou and
Herscher, 1985.
Morgan, Robert C. Commentaries on the New Media
Arts: Fluxus and Conceptual Art, Artists’ Books,
Correspondence Art, Audio & Video Art. Pasadena,
Calif.: Umbrella Associates, 1992.
The Open & Closed Book: Contemporary Book Arts.
London: Victoria & Albert Museum, 1979.
Pauzat, Monique. Collection Pays-Paysage: Livres
d’artistes contemporains. Paris: Arts & Métiers du
Livre, 1996.
Perneczky, Géza. The Magazine Network: The Trends
of Alternative Art in the Light of Their Periodicals,
1968–1988. Cologne: Edition Soft Geometry, 1993.
Perrée, Rob. Cover to Cover: The Artist’s Book in
Perspective. Rotterdam: NAi, 2002.
Phillpot, Clive, and Brandon Taylor. Artists’ Books,
Booklets, Pamphlets, Catalogues, Periodicals,
Anthologies and Magazines Almost All Published Since
1970. London: The Arts Council of Great Britain, 1976.
Phillpot, Clive, and Sune Nordgren, eds. Outside of a Dog:
Paperbacks and Other Books by Artists. Gateshead,
England: Baltic, The Centre for Contemporary Art,
2004.
Röder, Sabine, ed. Sand in der Vaseline: Künstlerbücher II,
1980–2002. Cologne: Walther König, 2002.
Rypson, Piotr. Books and Pages: Polish Avant-garde
and Artists’ Books in the 20th Century. Warsaw:
Center for Contemporary Art, 2000.
-----. Der Raum der Worte: Polnische Avantgarde und
Künstlerbücher, 1919–1990. Wolfenbüttel, Germany:
Herzog August Bibliothek, 1991.
Schade, Sigrid, and Anne Thurmann-Jajes, eds.
Buch–Medium–Fotografie. Cologne: Salon, 2004.
Schraenen, Guy. Out of Print: An Archive as Artistic
Concept. Bremen, Germany: Neues Museum
Weserburg Bremen, 2001.
———. D’une oeuvre l’autre: Le Livre d’artiste dans l’art
contemporain. Morlanwelz, Belgium: Musée Royal de
Mariemont, 1996.
Stein, Donna. Contemporary Illustrated Books: Word and
Image, 1967–1988. New York: Independent Curators,
1989.
Thurmann-Jajes, Anne, et al. Malerbücher, Kunstlerbücher:
die Vielseitigkeit eines Mediums in der Kunst des 20.
Jahrhunderts. Bremen, Germany: Neues Museum
Weserburg Bremen; Cologne: Salon, 2001.
———. Printed in Spain: Künstlerpublikationen der 60er bis
80er Jahre. Cologne: Salon; Bremen, Germany:
Neues Museum Weserburg Bremen, 2002.
Tryzno, Jadwiga, ed. Correspondance des Arts: Polish Art
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Multiples and Ephemera
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