Press Dossier - Induo Teatro
INDUOTEATRO PRODUCTIONS born in late 2009 of the encounter three theater professionals
Andaluz, José Manuel Sánchez “Andreu”, director of scene (producer) who has in his curriculum more
than thirty theatrical directed spectacles. Pilar Jiménez, actress and set designer, co-founder with
Andreu of the companies “Amaranta Teatro” and “D’accion Merx”, which for 15 years developed the
theatrical labor in multitude of andalusian scenes obtaining the consideration of company revelation at
the end of the 90s, and Chico Garcia, actor and licentiate in dramatic art for the High School of
Dramatic Art of Malaga.
From the foundation has established clearly his principal objective inside the theatrical activity
attending to the most important and essential aspect of any representation: the interpretation of the
actors in the theatre of text. His shows range from comedy to drama of the great classics.
INDUOTEATRO PRODUCTIONS has come to consolidate within the Spanish theater sector in just a
few years, as a theater company specializing in Greco-Roman Theatre and Spanish classical theater,
with a unique style and distinctive theatrical language in continuing research. This exponential growth
in their productions is due to the development of a corporate structure seated on two pillars, the
management apparatus whose business ethics pursues theatrical consolidation as a cultural product
adaptable and responsive to social and economic reality around us, and artistic department is firmly
committed to bring to the stage where THEATRE productions poses to the viewer a cultural
experience that reflects in the interest of this by approaching again to the theatrical.
A sample of this business growth is participation in the last two editions in the INTERNATIONAL
FESTIVAL OF CLASSICAL THEATRE OF MERIDA, with its shows, MEDEA (2011) and FEDRA
(2012) as well as an increase in the number of performances by different national Roman theaters.
Also in 2013 INDUOTEATRO PRODUCTIONS has been invited by INTERNATIONAL THEATRE
INSTITUTE (ITI) to participate in the 17th INTERNATIONAL FESTIVAL OF ANCIENT GREEK
DRAMA of Cyprus, thus beginning a new business career in the export of the Spanish theater beyond
our country. In this business development INDUOTEATRO PRODUCTIONS has carried out in August
2013 and 2014 the production, management and direction of the CLASSIC THEATRE FESTIVAL OF
ESTEPONA and the FESTIVAL THEATRE OF BENALMADENA.
Through these years of work INDUOTEATRO PRODUCTIONS has taken to scene eight
spectacles, TENORIO’S SHADOW (december 2009) by Jose Luis Alonso de Santos, interpreted by
Chico Garcia and where the critique has emphasized his interpretive work.
At the beginning of 2011 INDUOTEATRO release MEDEA of Euripides under the direction of
Andreu and with Pilar Jimenez to the front as protagonist. In this new spectacle the company
submerges in the mythical classic tragedy of Euripides, to take to scene an assembly where classic
tragedy and flamenco join in a scenic perfect balance between both kinds.
It is also in March 2011, and coinciding with the world day of the Theatre, when INDUOTEATRO
releases his third spectacle I.OEDIPUS, contemporary tragedy based on the myth of Oedipus, with
Chico Garcia’s original texts from the works of Sophocles and Seneca, and led by Chico Garcia and
At 2012 INDUOTEATRO PRODUCTIONS produces HIPPOLYTUS for the 16th European GrecoRoman Theatre Festival of Mérida and PHAEDRA, premieres at the 58th International Festival of
Classical Theatre, the roman theater of Regina. Andreu is the director and the actors, again, Chico
Garcia and Pilar Jiménez.
For 2013 INDUOTEATRO PRODUCTIONS has settled a score to settle with the Spanish Classical
Theatre of the Golden Age, with its new production NO TEASING WITH CALDERON a show created
from the comedy "No teasing with love" and mummery "Visions of Death "by Calderon de la Barca.
At 2014 INDUOTEATRO PRODUCTIONS has released two new spectacles, the comedy “ARS
AMANDY” where Chico García returns to appear as a soloist actor following the technique of
“jongleur” to bring the public the play of the great universal poet, OVID. And the espectacle
“PROMETHEUS”, the most risky production and provocative for the time being. Again included at the
60th International Festival of Classical Theatre, the roman theater of Regina.
See Ovid Ars Amandi a simple manual conquest of Women is to be, for at least, an
shortsighted intellectual. Ovid is - do not say was se the work of a poet inevitably makes
immortal forever- a poet endlessly, an acute talent, ironical and in subtle psychological
penetration, and his work ARS AMANDI the poet of Sulmona is deployed in all its
splendor. In the words of writer and journalist Miguel Amela, author of the novel, Love
against Roma (2014), ARS AMANDI the work of Ovid “It is the first treaty on Gender
equality of History, written over 2,000 years ago”. Ovid in this work questions and puts
into question the behavior of man as to conjugal relationships and marital refers to the
Rome of emperor Augustus, training them ironically in the art of loving women. A
woman, the roman, which until then lived under the dictates of Man in all their extension
simply being considered by him, as a mere instrument to breed and ensure the
continuity of the Roman Empire. Ovid, in his greatness of universal poet, makes use of
the word to submit among its verses to the WOMAN such an extraordinary being, that
freedom of thought is able to reach the supreme pleasure thus overcoming any moral
convention, ideological or religious. That's the Woman we presented Ovid. The
WOMAN that Augustus wanted to avoid at all costs. The WOMAN that in this 21st
Century, many still want to reject by imbecility illustrated.
This show contains one of the most reflected upon and spoken history mysteries. A
mystery that despite centuries still by instigating the public incomprehensibly, because
so much technology and so much knowledge nothing has helped us to seek an
explanation that pleases us all. Because this mystery as alive and as sitting is
paradoxically different in each of us. Ovidi one of the most prominent poets of universal
literature, back in the year II A.D., he felt the need to warn of this mystery to his
compatriots, warn, prevent or inform, at any rate in his Ars Amatorie, the genius of the
poet shows its light to describe the sweet or bitter path that every human being must
traverse, like it or not, to win the heart of your loved one or loved.
After so many centuries this work has fallen into my hands, giving the undersigned a
little light (missing ago blackness so these days) and forcing me, as a servant of the
word, to bring the audience by the hand, to meet light of this genial and rogue Roman
poet. Be disclosed to you, if you allow me, this mystery we call Love!
Let the light Ovid enlighten us all!
CREATIVE AND TECHNICAL CREW
Original play by
on the work of Ovid
SETTING AND LIGHTING DESIGN
Pilar Jiménez y A. Dïaz
LIGHTING AND SOUND TECHNICIAN
José M. Sánchez
ANDREU y CHICO GARCÍA
Bachelor of Dramatic Art in the Acting &
Performance Specialty, by ESAD Malaga. He
practices and training, simultaneously in the
field of Theatre and Broadcasting. Co-founder
of Productions INDUOTEATRO within this
company combines the work of artist,
consultant and art director responsible for the
distribution and production departments.
Among the latest work in productions played
INDUOTEATRO also work as an actor in
producing Pentación, FEDRA under the
direction of José Carlos Plaza and sharing the
stage with performers such as Alícia Hermida,
Ana Belén. Chema Muñoz, Fran Perea.
In the year 2011, acts as actor in the series
THE TIME BETWEEN COUTURE, in 2013
starring the film rewarded for the public in the
Spanish Film Festival of Málaga “321 DAYS
IN MICHIGAN”, and a brief intervention in film of the director Daniel Monzon “THE
BOY”. Since the year 2014, participates as protagonist in the famous TV series
THE SECRET OF PUENTE VIEJO.
ARS AMANDI by Chico García on texts of Ovid. Dir. Andreu & Chico García.
PROMETHEUS by Chico García on texts of Aeschilos. Dir. Andreu & Chico García
NO HAY BURLAS CON CALDERÓN by Chico García on texts of Calderón. Dir. Andreu.
FEDRA on texts Eurípides, Séneca, Teócrito, Ovidio. Dir. Andreu.
MEDEA by Eurípides. Dir. Andreu.
YO.EDIPO by Chico García on texts of Sófocles. Dir. Andreu.
FEDRA. Dir. José Carlos Plaza.
LA SOMBRA DEL TENORIO. Dir. Andreu.
EL AMOR O LA MUERTE. Dir. Almudena Jiménez.
ÁFRICA EN VERSOS MOJADOS. Dir. Blanca Vega.
EDIPO REY. Dir. Andreu.
LAS BACANTES. Dir. Andreu.
ELECTRA. Dir. Andreu.
MALDITA SEAN CORONADA Y SUS HIJAS. Dir. P. Mesa.
FANGO NEGRO. Dir. Norberto Rizzo.
FAUSTO. Dir. Paul Emile Faurny.
DOÑA FRANCISQUITA. Dir. Horacio R. Aragón
EL HUÉSPED DEL SEVILLANO. Dir. Gustavo Tambascio.
FANDO Y LIS. Dir. Salvi García.
EL NIÑO. Dir. Daniel Monzón
321 DÍAS EN MICHIGAN. Dir. Enrique García.
TRES RAZONES. Dir. Enrique García.
PLACER. Dir. Jota Linares.
VIGILADOS. Dir. Alberto Goméz.
YA CHI CHU. Dir. Fernando Ruiz.
UN CUENTO DE HADAS. Dir. Jota Linares.
JULIA. Dir. Fernando G. Sarazá.
¿A QUIÉN TE LLEVARÍAS A UNA ISLA DESIERTA? Dir. Jota Linares.
CRISTALES HABITADOS. Dir. Gabi Beneroso.
PERSONAS MAYORES. Dir. Suda Sanchez.
TU VIDA EN BLANCO Y NEGRO. Dir. Jota Linares.
SOBREEXPUESTOS. Dir. Fernando G. Sarazá.
EL SECRETO DE PUENTE VIEJO. Boomeran
EL TIEMPO ENTRE COSTURAS. Ignacio Mercero, Iñaki Peñafiel, Norberto López Amado
DESÁTATE. TV movie. Dir. Jesus Font.
SPOT. Dir. Enrique Urdánoz.
DOCUMENTAL, REVISTA LITORAL. Dir. Gabi Beneroso.
Director of Scene and actor.
Degree in Dramatic Art by ESAD
of Malaga in 1988. With a career
of thirty years and directed more
than 60 shows, is one of the
founder members of theater
Amaranta Theatre. The latter
company since its inception opts
for a non-commercial theater
aimed at research in the field of
theater and speech movement,
which is in keeping with the avantgarde of the '80s and '90s,
becoming one of the pioneers in such demonstrations within the
Andalusian theater scene.
Formed with directors of renowned national and international including
Miguel Narros, Antonio Diaz Zamora, Lluis Masgrau, Nicolás Núñez
(director of UNAM of Mexico and member of ISTA), Torgeil Wethal (actor
and stage director of Odin Teatret), Konrad Zschiedrich (director of the
Berliner Ensemble) and researchers as Patrice Pavis theater or José
Since joining the faculty of the School of Dramatic Art in Malaga in
1988, is responsible for a Extralectivo Workshop, which is aimed to the
study and practice of interpretation through the different styles of
productions, performing the duties of actors coach (coach) and stage
With the Company D'ation Merx, initiates a new way of working in a
theater research communication, direct and with a greater reliance on the
floor, in a concern for the viewer to zoom in on text through close and
identifiable characters for all audiences.
Interpretation Specialist in Ancient Greek Tragedy and tragic choral
direction, research texts and dramatic forms of ritual performance,
adapting some of the tragedies of the theater classic. Directs and
coordinates the Classical Greek Theatre Workshop in ESAD of Malaga,
whose scenic works are presented in the various festivals celebrated
Teatro Greco-Latin in Spain and Europe. Among the activities organized
around the 56th edition of the International Festival of Mérida 2010,
presents Sophocles' tragedy, Oedipus Rex, in the Roman Theatre of
ARS AMANDI de Chico García según Ovidio. Dir. Andreu & Chico García.
PROMETEO de Chico García sobre el texto de Esquilo. Dir. Andreu & Chico García
NO HAY BURLAS CON CALDERÓN de Chico García sobre textos de Calderón. Dir. Andreu.
FEDRA sobre textos de Séneca, Eurípides, Ovidio, Teócrito. Dir. Andreu.
MEDEA de Eurípides. Dir. Andreu.
YO.EDIPO de Chico García sobre textos de Sófocles. Dir. Andreu.
COMEDIA SIN TÍTULO de Federico García Lorca.
EL RETABLO DE LA AVARICIA LA LUJURIA Y LA MUERTE de Ramón Mª del Valle Inclán.
LA ASAMBLEA DE LAS MUJERES de Arístofanes.
LA SOMBRA DEL TENORIO de J. L. Alonso de Santos.
EDIPO REY de Sófocles.
LAS BACANTES de Eurípides.
ELECTRA de Sófocles.
UN POETA EN NUEVA YORK de Federico García Lorca.
DESCRIPCIÓN DE UN CUADRO de Heïner Müller.
LOS BOSQUES DE NYX de Javier Tomeo.
ILÍADA. BASADO en el poema de Homero.
A TRAVÉS DEL ESPEJO de Lewis Carroll.
EL PÚBLICO de Federico García Lorca.
HAMLET de William Shakespeare.
DIVINA COMEDIA. de Dante.
EL LABERINTO DEL MINOTAURO. Creación.
ÑAQUE O DE PIOJOS Y ACTORES de José Sanchis Sinisterra.
MEDEAMATERIAL de Heïner Müller.
CARA DE PLATA de Valle-Inclán.
ÁGUILA DE BLASÓN de Valle-Inclán.
TREN DESTINO: PARAÍSO de Antonio León.
LAS BACANTES de Eurípides.
SEÑAS DE IDENTIDAD. Colectiva.
MAQUINAHAMLET de Heïner Müller.
SEMBRADORES DE SUEÑOS de Rafael Alfaro.
ASÍ QUE PASEN CINCO AÑOS de F. García Lorca.
LOS LOCOS DE VALENCIA de Lope de Vega.
EL SUEÑO DE UNA NOCHE DE VERANO de Shakespeare.
LAS TROYANAS de Eurípides.
EL AMARGO de Federico García Lorca.
PELO DE TORMENTA de Francisco Nieva.
TRÍPTICO PARA MEDEA de Pilar Jiménez y Andreu.
15 ESCALONES, 1 CANDELABRO Y... Creación.
TENGO UN BICHO EN EL BOLSILLO. Creación.
BODAS DE SANGRE de Federico García Lorca.
LA ORESTÍADA de Esquilo.
ÁTROPOS de Pilar Jiménez y Andreu.
NOISES OFF de Michael Frayn.
EL VENENO DEL TEATRO de Rodolfo Sirera.
SINRAZÓN DE LA MUERTE. Creación.
LOS DOS GEMELOS VENECIANOS de C. Goldoni.
PROCESO A CUATRO MONJAS de Vladimiro Cajoli.
LA TRAGEDIA. Monográfico. Varios Autores.
FUERA DE QUICIO de J. L. Alonso de Santos.
ELECTRA de Pilar Jiménez y Andreu.
JUAN SIN MIEDO. Cuento popular.
LA CENA DEL REY BALTASAR de Calderón de la Barca.
DON BOSCO. Musical de J. Faner y A. Gil.
MEDEA de Eurípides. Trabajo final de Carrera.
ORFEO de Ángelo Poliziani.
EL MAGO DE OZ. adaptación del Texto de L. Frank Baun.
Más información en la web de la compañía