BackStage - Community Players of Concord

BackStage
85th Season - Third Issue - February 2013
with the Community Players of Concord, N.H., Inc.
HIGH-FLYING COMEDY BOEING BOEING LANDS AT THE
AUDI FEB 15,16,17!
Celebrating the 85th Award-Winning season of the Community Players of Concord, The international comedy hit
BOEING BOEING takes off on the Audi stage on Valentine’s weekend! Written by Marc Camoletti in 1960, and listed as
“the most performed French play throughout the world” in the Guinness Book of Records, this hilarious English language
translation by Beverly Cross and Francis Evans scored two Tony Awards on Broadway in 2008, including “Best Revival.”
Set in the Swinging Sixties, American Bachelor-in-Paris, Bernard, has three fiances who are all international airline
hostesses for three different airlines. These girls have never met each other and Bernard and his long-suffering maid,
Berthe do their best to make sure they never will! All is well until the arrival of Bernard’s college chum Robert (from
Wisconsin), who gets stuck managing the mixups when all three girls land in Bernard’s apartment at the same time.
Director Jim Webber (THE PHILADELPHIA STORY) has lined up a supersonic cast with Chris Demers as “Robert,”
Steve Lajoie as “Bernard” and Paula Demers as “Berthe,” the maid. The three lovely ladies of the skies are played by
Kathy Aiello (as “Gretchen” from Germany), Cheri Birch (as “Gloria” from Texas), and Katherine Proulx (as “Gabriella”
from Italy). 33 very talented actors auditioned for the six available roles-- so many we could have cast five companies of
BOEING, BOEING. Thank You All for Auditioning.
Co-producers Allwynne Fine, David Preece and Kevin Belval have assembled a top-notch flight crew all the way with:
Costumes by Joan Vick, assisted by Jeanne Landry and Carol Neveux; Lighting by Wallace Pineault, assisted by Steven
Meier; Stage Management by Barbara Woodman and Sally Kelly; Props and Set Dressing by Kendra West-Senor, E.J.
Cohen and Joey Murphy; Master Builder by Rick Silverberg with the all-important doors by Steve Lajoie; Tech Support
by Charles Mitchell; Set Painters Bert De Waters, Maryellen House, Lacy Long and Joy Steinberg have been hard at work
detailing the Paris apartment set designed by Jim Webber—even painting a backdrop based on an original illustration by
Disney Animator Ken Cullota—created just for this production! Dance guru Beth Fenske will be Choreographing the
surprise “go-go” finale curtain call.
Don’t miss this uproaring comedy that Entertainment Weekly called “Jet-Powered Hilarity!” BOEING BOEING
performs at the Concord City Auditorium, 2 Prince St., Concord, NH on February 15 and 16 at 8pm and February 17 at
2:00pm. Tickets are now available online. Audi Box Office opens February 13 at 4:30pm (603)228-2793.
Manchester-Boston Airport is the show sponsor for this production.
BackStage
with the Community Players of Concord, N.H., Inc.
PRESIDENT’S MESSAGE
It’s hard to believe that the year is half-gone already.
PAJAMA GAME was successfully received by the audience, bringing back
memories of time-gone by. The cast shared their talents, bringing to life this old
favorite. BOEING BOEING is busy. The team has assembled an exciting cast and
the building started back in December. The Manchester Boston Airport has stepped
up as a show sponsor for BOEING…how appropriate!
DOUBT is preparing for auditions and pulling their staffing together. There is still
time to get involved in the final two productions of our Award Winning Season.
The Board has been working hard on updating all Policies and Procedures, sorting
through those that are obsolete, those that are still in effect and those that just need
updating. Thanks go to Vice President Kevin Belval for spearheading this effort.
Kathryn, with daughter Tess, during
INHERIT THE WIND, 2006
Sound Chair, Erik Hodges, pulled together a sound equipment package for
PAJAMA GAME audiences’ favorable comments. The bulk of the submitted
proposal was accepted and he was given the go-ahead to purchase. It is anticipated
that the new equipment will have arrived and have been set up and ready to go for
BOEING, BOEING. If you recall, sound equipment has been the focus of the last
two annual fund raising events. It is very exciting to have reached this point.
The Friends of the Audi, who has been organizing the Page to Stage for the past
several years, has asked if any Friends’ group would like to take over this event. If you are interested in coordinating the
production of original works, either as staged readings or in other ways, please contact me.
Again, we are still looking for committee chairs, or co-chairs, for the Nominating, Annual Meeting and Publicity
committees. Please contact me at 753-6653. Or, otherwise, please say “yes” if I call you and ask for your help.
See you at the theatre!
Kathryn Hodges
BackStage
Staff
Editor ..................................... Phyllis Stuart
Assistant.................................... Lacy Long
Assistant.............................. Esther Crowley
Design and Layout ............ Tess Hodges
P. O. Box 681, Concord, NH 033020681
(603) 224-4905
www.communityplayersofconcord.org
The staff wishes to thank all who contributed to BackStage.
Produced by the Community Players of Concord, N.H., Inc. and distributed to its
members free of charge. A one-year nonmember subscription is $2.50.
Membership Chair:
Wayland Bunnell, 199 Tarrytown Road, Manchester, NH
03103
(603) 668-5466
The Players’ Mission: “... to encourage, foster and promote the participation
by amateurs in all phases of the theatrical arts ...”
page 2
BackStage has dedicated this year’s
issues to Bob Burns
February 2013
www.communityplayersofconcord.org
DOUBT
A PARABLE
By John Patrick Shanley
Directed by Pat Karpen
Produced by Allwynne Fine & Barbara Woodman
AUDITIONS
From 6-7:30 PM on Tuesday, February 19 and Wednesday, February 20
(Callbacks if needed: Friday, February 22)
The Players Studio at 435 Josiah Bartlett Road
Synopsis
The Characters
The play takes place in 1964 at St. Nicholas, a Catholic
church and school in the Bronx, New York. The school’s
principal, Sister Aloysius Beauvier, has concerns regarding
the relationship between Father Brendan Flynn, the parish
priest, and one of the eighth grade boys. She confers with
the young man’s teacher, Sister James, and with his mother.
She confronts Father Flynn. An emotional, intellectual and
spiritual tug of war ensues.
Mrs. Muller is written as an African American. The other
characters are written as White Americans. We will cast all
actors without regard to race or ethnicity.
The Playwright uses the enormity of the abuse and cover
up scandal of the Roman Catholic Church as a springboard
as he asks us to examine the nature, texture and power of
doubt versus mortal surety.
Mrs. Muller – needs to read 30s
While this is a painfully serious topic and the characters
are exquisitely complex. There is great humor in this show
including some rather snappy one liners.
Father Brendan Flynn – needs to read 30s
Sister Alysius Beauvier – needs to read 50s-early 70s
Sister James – needs to read 20s
The Process
It is highly recommended that you read the play before you
audition. A copy may be purchased from Dramatists Play
Service, Ind., 212-683-8960.
You’ll fill out an audition sheet. On it, you’ll be asked to
list all of your conflicts for the rehearsal period (MarchApril with run dates of May 3, 4 & 5) Please bring your
calendars and please be accurate. We can schedule around
known conflicts. We understand true emergencies. It is the
“oops” element that will cause issues.
You’ll be asked to read from the show. Copies of pertinent
scenes will be provided for you. You’ll be offered a
selection or each character and you’ll be asked to choose
one of those scenes for your audition.
You’ll be reading opposite a “neutral reader,” someone who
is not auditioning for the show.
The Studio will be open by 5:30 PM. You’re invited to
peruse the scenes. Copies of the Play will be available at
that time for people who would like to attempt a “quick
read.”
Thank you for your interest. We look forward to seeing
you at auditions. If you have any questions, please contact
Pat Karpen, 529-3236.
February 2013
page 3
BackStage
with the Community Players of Concord, N.H., Inc.
CHILDREN’S THEATRE CAMP
The Community Players is pleased to offer our 17th annual WINTER VACATION THEATRE CAMP
What? A one-week intensive musical theatre experience, offering young actors the opportunity to rehearse and perform
MTI’s BUGSY MALONE, JR.
Who?
Young actors ages 8-14 years old
When? Sunday February 24, 2013 1:00 – 4:00 PM First Meeting/read through auditions
Monday – Thursday February 25-28, 2013 8;30 AM – 3:30 PM
Where? At the Players’ Studio, Concord, NH
Friday March 1, 2013 8:30 AM – 8:30 PM Pembroke Academy Theatre
Evening Performance for Family and Friends at 6:00 PM
The Story
A cast of young people plays all the
parts in BUGSY MALONE JUNIOR,
a musical Comedy spoof of 1920s
gangster movies. The story centers
on Fat Sam, who runs a “speakeasy”
(a club) that is in danger of being
closed down by his “business rival”
Dandy Dan. Enter Bugsy Malone,
popular with the ladies and Fat Sam’s
hire hand. Unfortunately, Bugsy has
caught the eye of Sam’s girlfriend
Tallulah, although he’s set his sights
on the new showgirl in town, Blousey
Brown…..
THE ELLA & HAROLD BREHM
ARTS SCHOLARSHIP
The Community Players of Concord is proud to announce a new arts
scholarship for High School seniors.
The Ella & Harold Brehm Arts Scholarship is open to all graduating
seniors (traditional students and home school students alike) who have
participated in some capacity with the Children’s Theatre Project and
intend on either majoring or minoring in some form of arts.
If you are interested in this scholarship, please write an essay describing
your involvement with CTP, why you should be considered for this
scholarship and your academic plans for the future.
Please e-mail the essay in a PDF format to the director of the Children’s
Theatre Project; Karen Braz at [email protected] or by mail at 732
Concord Stage Rd. #15, Weare, NH 03281.
page 4
Like the 1970’s film starring Jodie
Foster and Scott Baio, this is a young
actor’s dream come true: lots of
singing and dancing, a large cast of
characters (Fat Sam and his gang,
Dandy Dan and his gang, Tallulah
and her showgirls, plus many others),
and a non-violent “war” fought with
“splurge guns” that blast out silly
string) .
ORIGINALLY WRITTEN FOR
CHILDREN, Bugsy Malone Junior
is a wonderful showcase for talented
young performers, with a catchy,
swinging score by Paul Williams, the
composer of the MUPPET MOVIE.
It’s also an entertaining way to
explore the themes of Prohibition and
the Roaring Twenties. A fun time for
all!
Registration is limited to 40 campers!
Register early!
February 2013
www.communityplayersofconcord.org
REGISTRATION FORM
Winter Vaction Theatre Camp 2013
Camper’s Name____________________________________________B/D______
Parents’ Names_____________________________________________________
Address__________________________________________________________
Email____________________________________________________________
Phone (H)__________________(C)_________________
Emergency Contact
Name___________________________________________________________
Relationship_________________________Phone_________________________
Camper’s Allergies/Medical Concerns____________________________________
Doctor’s Name_______________________ Phone________________________
Please indicate payment for Players’ member/non-member below.
Tuition: Member - $175.00_______Non-Member - $190.00
Make check payable to: Community Players of Concord, NH
Mail to: Karen Braz, 732 Concord Stage Rd ., Weare, NH 03281
Deadline for registration is January 26, 2013
THRU THE STAGE DOOR
We have lost two more members!
Beverly Page died on December 25 at the age of 73. She was active in the Players in the 80s
and 90s performing in many of Irene Deschesnes’ musical shows and attended many of our
annual meetings. Our condolences to her family.
Condolences also to Patricia Paire’s family who died this past monthw. Pat was a member
from 1956 through 1984. She appeared in SABRINA FAIR, STRANGE BED- FELLOWS,
ARSENIC AND OLD LACE, MORNINGS AT SEVEN and worked on many other show on
the Costume Committee.
February 2013
page 5
BackStage
with the Community Players of Concord, N.H., Inc.
WALLACE J. PINEAULT; THEATRE RENAISSANCE MAN
By Lacy Long
In early January, Phyllis Stuart sent out the assignments for articles
for Backstage and I was surprised and excited to see that she
wanted me to do an article on Wally. To prepare, I asked her to
send me his official service record and as I gazed down the list on
4 PAGES!. I realized that Wally had played a very important part
of me becoming a member of The Players. He had directed the
first Players’ show that I ever saw, Man Of La Mancha, in 1979,
and had played the MC in Cabaret in 1980 which I had gone to
see because my newly made friend, Jim Webber, was in the show.
Wally also directed one of my favorite Players’ productions - The
Shadowbox - in 1983.
Wally joined The Players in 1975 in the role of John Adams in the
musical, 1776, a role that he had played the previous year with a
theatre group that he had helped to start at St. Anselm College in
Manchester. He met Bob Stuart when the group was in desperate
need of a director for the musical and a fellow colleague had
recommended Bob. The two met and with a mutual respect for
each other’s abilities, Bob took on the project. A few short weeks
into rehearsal, Bob called Wally to bow out of the show due to the
fact that his oldest son, Phillip, had been in a car accident. After
finding out that Phillip was fine and that it was more an issue of
transportation, Wally volunteered to drive from Manchester to
Concord four nights a week to pick up Bob for rehearsals. It was during these drive times that Wally basically became the
fourth Stuart son.
After viewing Wally’s first directing stint of Lion In Winter at Saint A’s by a
contingent from The Players consisting of Bob, Harriet Strong and Winnie
Lethbridge, to name a few, he was invited to become a main stage director for
the Players. He directed The Miracle Worker at the Audi in May of 1978 and has
directed thirteen other main stage shows since then.
Over his tenure, Wally has learned a lot about directing and theatre from having
the opportunities to work closely with Bob, Harriet and Winnie. Some of his most
important lessons were on casting, making changes and paying attention to detail.
These are lessons that he still applies in his work today.
The title of this article refers to Wally as a Renaissance Man. That’s because he acts
and directs, designs scenery and lighting, teaches workshops, serves on committees
and has been a member of the Board of Directors and has even served as president.
He’s been blessed with the opportunities to work with established playwrights like
Tad Mosel while directing The Players’ production of the Pulitzer Prize winning All
The Way Home in 2000 and, indirectly through Mindy Wolfe, he was encouraged
by John Caraini to incorporate some original ideas into directing Caraini’s play,
Almost Maine in 2011 and, of course, there is the Osy Strong award bestowed on
him by the organization in 1989.
Throughout his 38 years with The Players, Wally has seen a lot of changes in the
organization. When he first began, The Players were a family AND they were the
only game in town. There was a feeling of allegiance and loyalty that rarely exists
now. Most actors are “gypsies” and travel from show to show, group to group.
The true sense of Community Theatre today is lost and maybe gone forever. It’s
technical people who mainly hold theatre organizations in place today.
page 6
February 2013
www.communityplayersofconcord.org
Wally is in demand as a director and lighting designer and works
for other groups around the state but is always happy to come
“home” to The Players. Why? Because The Players biggest asset
is the support that is received on every production - not just verbal
support but actual hands on support and all of the opportunities
that the group offers to allow it’s interested members to expand,
learn and grow in all aspects of the theatre arts.
He hopes to get back on stage again soon so that he can hone his
skills as an actor. As for the future of The Players, he would like
to see them continue to be the “Best Community Theatre In The
State” and hope that they never lose sight of who they are - a
vibrant, top quality organization. “Never sacrifice the quality! Not
just the production quality but the quality of the people involved.”
MOVED AND SECONDED
2012-2013 DATES To
REMEMBER
October Board Meeting – It was reported the
15-17 BOEING, BOEING Performance
Audi
19-20
DOUBT TryoutsStudio
25 – 28CTP Vacation Camp
Studio
dehumidifier for the Props room had been installed.
President, Kathy Hodges reported that an ad for NHTA
must be listed in any program for shows that will be
adjudicated. Kevin Belval reported that only four people
showed up for the fall cleanup of the driveway! We can do
better than that, members!
MARCH
November Board Meeting – The budget for BOEING
FEBRUARY
1
CTP Vacation Camp
Studio
14
Board Meeting
Studio
18
BackStage Deadline
APRIL
11
Board MeetingStudio
19
BackStage Mailing
26
DOUBT Move-inAudi
MAY
3-5
DOUBT PerformanceAudi
9Board MeetingStudio
December Board Meeting – It was voted to fund and
JUNE
6Board MeetingStudio
8
Spring Studio Clean-up
Studio
14
Annual Meeting
Studio
JULY
11
18
Board Meeting- Nuts & bolts
Board Meeting- Regular
February 2013
BOEING was approved. It was announced that Allwynne
Fine and Barbara Woodman will be producers of DOUBT.
The following Policies were discussed and passed
unanimously: to accept NHTA group policy; the Players
can create a restricted endowment fund; all donations to
the organization shall be acknowledged with a thank you
letter and receipt; to remove the energy policy of Sep.
1966; to accept the Playwrights Committee; all first time
main stage play directors will have an experienced main
stage director liaison and support to be appointed by the
Board.
Studio
Studio
maintain a permit account with the Manchester Post
Office for $800 for bulk mailing. It was also voted to
buy the sound equipment except for the Peavey speakers
and stage monitors and 2 PZM apron mics. The Vacation
Camp Budget was accepted as written. It was voted to
partner with NHCTA for use of our nonprofit status for
2013 theatre festival with the condition that they use our
cleaning service.
page 7
BackStage
with the Community Players of Concord, N.H., Inc.
VOLUNTEERS FOR BOX OFFICE
David Murdo, Chairman
I would like to thank Ellen Burger and Allwyne Fine for assisting with the
PAJAMA GAME Box Office. You both did a great job.
Volunteers are needed to help staff the box office for BOEING BOEING. If
you would be willing to help during one of the following shifts, please contact
Box Office Chair David Murdo at 225-7474.
Wednesday - February 13
4:30 – 6:30
Thursday
- February 14
4:30 – 6:30
Friday
- February 15
4:30 - 6:00 or 6:00 – 8:00 pm (two per shift)
Saturday
- February 16
6:00 – 8:00 pm (two per shift)
Sunday
- February 17
12 Noon – 2:00 pm (two per shift)
Have you been wanting to volunteer? Why not consider it with this show.
The Vendini system is very easy, and with a short training, you will up and
running. If the computer scares you, I do look for a volunteer to help greet the
patrons and pass out the already reserved tickets. A great way to be involved
and interact with the Patrons. Thanks for your consideration and I look
forward to working with again this season with the new and improved system.
SOUND
Erik Hodges, Chairman
The Producer’s Committee of
THE PAJAMA GAME would
like to apologize to Allwynne
Fine for omitting her name in the
article on THE PAJAMA GAME
in the last issue of BackStage.
She was indeed a producer!
Sorry, Allwyne!
After two years of fundraising, the Board gave the Sound Committee permission
to purchase the sound equipment that will help the Players’ shows be heard in the
Audi. While the current Audi sound-system, the Bose, is an adequate system for
most performances in the Audi space, it has never met the needs of a stage show,
such as what the Players provide. Consequently, we have always struggled getting
our performances heard, and understood, by the audiences. We have high hopes
that this new equipment that has been chosen with the Players’ needs specifically
in mind, will solve our past sound problems.
We would like to encourage the membership to attend as many rehearsal and/
or performances at the auditorium as possible, to listen and help assess the new
equipment.
Future workshops will be held to train all interested engineers on the new system.
We’ll be in touch.
ROAD SHOW
Kathy Hodges, Chairman
In December, Kathryn Hodges represented the Road Show Troupe during the Christmas at Canterbury event at Shaker
Village. She portrayed June, a music treacher, in a skit wioth Pat Karpen (Director of DOUBT), that looped for 5 hours
each on two different Saturdays. It was exhausting, but fun, as most road show events are.
If you know of an event for which we could offer a Road Show entertainment, please contact me at 753-6653.
page 8
February 2013
www.communityplayersofconcord.org
LIBRARY COMMITTEE
Esther Crowley & Bob Pearson, Chairs
The work on the studio library is practically finished. New shelves, thanks to Rick Silverberg and Stu Russell, have been
added, a rug has been laid down and all the books have been catalogued. We are beginning to put information on the new
computer, donated by Kevin Belval, and this will take awhile, but eventually everything you need to know (about the
library, that is) will be there at your fingertips.
Here’s an informal guide to the collection:
STRAIGHT PLAYS: These are shelved alphabetically by title, with up to five copies of each play. You can reread
old favorites like OUR TOWN or explore lesser known plays like MOOSE MURDERS or AARON SLICK FROM
PUMPKIN CRICK.
ANTHOLOGIES: If you can’t find the play you are looking for on the shelf, try the play collections, also arranged by
title. The card catalog near the desk will help you find which book the play is in.
MUSICALS: Arranged by title, these scripts sometimes have the score, sometimes not, but they will at least have the
lyrics. If you’re looking for that elusive lyric you can’t remember such as “I feel pretty, Oh so---“, check these out.
CLASSICAL DRAMA : One high shelf is dedicated to early Greek and Roman plays and two shelves contain
Shakespeare’s plays and other books on the author. There are multiple copies of the plays, so you can get together with
some friends and read OTHELLO together,
BIOGRAPHIES: These are arranged alphabetically by subject. Many of these concern actors, but you can also dance with
Jerome Robbins and suffer with Eugene O’Neill. Lots of good reads here.
FILMS & FILMMAKING: These don’t really fit in our collection, but we have them and some members will find them
useful.
GENERAL THEATRE: Books about aspects of theatre have been sorted into specific genre. Aspiring directors can find
lots of helpful suggestions in the large collection on directing; set designers might find inspiration in books designed for
them; stage mangers, playwrights, costumers and others will find books on their craft. Books on Broadway productions,
both text and pictures can be found here and may be helpful when mounting a show.
For those who need ideas for Directors’ workshops, there are books of short scenes from well-known plays. And for the
unsure, there are book on how to audition as well as monologues and dialogues. In short, there are books for all theatre
purposes.
We urge you to take advantage of all this great
theater material. You need only to sign them out on
our handy clipboard hanging by the door and return
them in a timely manner (we suggest within three
months). The returns can be placed in the tray, also
near the door. We gladly welcome donations also,
but ask that they pertain chiefly to theater (no Nora
Roberts or James Michener) and we probably have
enough CAT ON A HOT TIN ROOF and SOUND
OF MUSIC.
Enjoy your library!
February 2013
page 9
BackStage
with the Community Players of Concord, N.H., Inc.
PROPS
Kendra West-Senor, Chair
Thanks are long overdue to the Board of Directors for agreeing to allocate funds for the new dehumidifier that has turned
our “prop-pit” into a much more pleasant place to store and gather.The basement is by far a healthier space to spend time.
As pieces are cleaned, marked as belonging to “CPC’, and more organized, they will stay neater.
Also, I want to say thank you to Peggy Lancaster and R B Productions for a recent large donation of prop items they
needed to relocate. I am in the process of going through the boxes they gave to the Players, and we are pleased to have
great looking items.
We continue to lend pieces to various groups, including a new borrower, Red River Theaters, who have been one of our
faithful season sponsors for many years. It is wonderful to have our interests come full circle to help them out with some
of their promotions.
If you use an item for a show, rehearsal, etc., please return said item to the approximate location from whence it came. I’m
working on setting up a system similar to our costume lending services to help keep track of where pieces are or are not.
Thanks for your assistance with this!!
And…for those who aren’t sure what a prop is; a hand carried object small enough to be lost by an actor 30 seconds before
it is needed on the other side of the stage. Alas…..
I plan on being at the Studio most Wednesday afternoons to do prop cleaning and organizing. If groups need to borrow
items that is the best time for me to meet with them. Otherwise please have them contact me via email. kdubbs@
mcttelecom.com.
BY-LAWS CHANGE FOR ANNUAL MEETING DISCUSSION
Greetings Members,
This is the first notice that the Board of Directors has voted to remove the “Junior” category from membership, which
will be discussed and voted on at our Annual Meeting in June, as it is a change in the by-laws.
Since we have so few junior memberships, we thought it advisable to encourage Household Memberships. This way,
the parents or household members of our younger participants will no longer have to purchase separate memberships to
work on a show, especially for Children’s Theatre Project activities.
No other changes in membership are proposed.
page 10
February 2013
www.communityplayersofconcord.org
HAPPY BIRTHDAY!!!
MARCH
We send our apologies for the birthday typo in the last
issue of BackStage.
DECEMBER
2 Debra Buckley
18 Josh Brehm
3 Pat Gagne
18 Robert A. Smith
3 Christine Weeden
21 Beth Fenske
6 Rev. Harold Beliveau
21 Norene Freeman
9 Joyce Webber
22 Pat Delzel
9 Ariel Cohen
22 Joanne Morin
1 Paula Demers
19 David Lent
12 Sara M. Stuart
25 Doris Ballard
2 Maggie Burgess Murphy
13 Barbara Webb
13 Charles Mitchell
29 Linda Lambert
3 Bianca Bird
17 Nicolina Akraboff
14 Bob Sanders
29 Rylie Ray
4 Joel Sadler
19 Kendra West-Senor
15 Glenn Stuart
29 Phyllis Stuart
6 Kevin Barrett
19 Paula Bird
17 Allan McPerson
30 Rosie Sanders-Zakre
7 Kevin Belval
24 Lacy Long
7 Julie Strong Gill
25 E. J. Cohen
9 Anne Yankopoulos
26 Anne Ruemenapp
9 Anne Orio
31 Clara Brogan
JANUARY
APRIL
1 Libby Parker
20 Caitlin Cimikoski
2 Jack Duncan
20 Terri Tedeschi
5 Verrith Wilson
21 Eugene Shear
7 Alivia Cotton
23 Mary Morris
3 Hannah Julian
20 Susan Sartorelli
7 Sally Kelly
25 Justin Scheils
3 Leo Lajoie
22 Douglas Schwarz
7 Robert B. Lethbridge
26 John Alex Duncan
3 Ina Nakuci
23 Hector Emond
10 Sarah Dickinson
28 Jerald Smith
5 Bill Peterson
23 Guy Freeman
11 Carla Barton
28 Mary Case
14 Esther Crowley
24 Kathryn Hodges
13 Erik Hodges
29 Jay Lambert
14 Cheryl Giffen
25 Merwyn Bagan
17 Mary Reilly
30 Stephen Lajoie
15 Scott Horner
28 Roz Golding
18 Ron Bourque
30 Betty Chambers
20 Dale Gregory
29 Holly Julian
18 Sarah May Schultz
FEBRUARY
MAY
2 Mary Corsetti
14 Kevin Guimond
2 Katherine Demers
12 Edna Walker
3 Matt Kasnetz
14 Ellen Burger
3 Caitlin Ray
13 Katie Proulx
5 Eric Halter
17 Tim Benner
4 Susan Schott
6 Justin Buckley
18 George Yankopoulos
4 Lynn Madore
15 Rev. Robert T.
Goodwin
6 Neal Blaiklock
19 Fred Gagne
5 Judy Rogato
8 Ray Dudley
19 Zachary Spiegel
6 Barbara Foster
10 Harper Hodges
21 Pat Karpen
6 Betty Thomson
11 Dana Sackos
24 Michael McCarthy
8 Jemi Broussard
11 Griffin Stuart
27 Cynthia Reichelson
9 Tristan Buckley
February 2013
18 Andrew Sokol
20 Alexander Stuart
20 Emily Friedrich
22 Jeannemarie Colgan
27 Christopher Flaherty
page 11
February 2013
Community Players of Concord
P. O. Box 681
Concord, NH 03302-0681
CHANGE SERVICE REQUESTED
page 12
NON-PROFIT ORG.
U.S.POSTAGE
PAID
MANCHESTER, NH
PERMIT NO. 413
The Players’ Mission: “... to encourage, foster and promote the participation by amateurs in all phases of the theatrical arts ...”
BackStage
with the Community Players of Concord, N.H., Inc.