magazine - Geffen Playhouse



magazine - Geffen Playhouse
welcome to the geffen playhouse
Photo by Andrew Southam
From the artistic Director
Welcome to the world premiere of Build by Michael Golamco,
a wonderfully contemporary and complex piece to open our 2012/2013 season
in the Audrey Skirball Kenis Theater.
In Build, Michael tackles an incredibly topical subject: the difficulty of maintaining
human connection amidst our current age of pervasive technology and social
media. With a keen insider perspective, he uses humor and pathos to sensitively
explore the basic challenge of finding ways to stay connected to those we love.
The result is a new topic confronted in a new way.
With Build, we are delighted to introduce several artists who are new to our
Geffen stages. The first, of course, is Michael, a playwright with a fast growing
national reputation, yet a man so local to us that he literally walks to the theater.
Joining Michael to helm the production is Will Frears, a director we have sought
to collaborate with for many years. The happy coincidence that Michael and
Will successfully teamed on Michael’s earlier play Year Zero seems a perfect
confluence of artists coming together for the right play at the right time.
Also deeply rewarding has been watching Will and Michael assemble an amazing
cast and an incredible design team. As one, this artistic team has brought Build
to life, uniting cutting-edge technology with basic human desire and, ultimately,
creating a thrilling evening of theater.
I hope you enjoy the show.
Randall Arney
Artistic Director
letter from the chaiRman
Frank G. Mancuso
Patricia Kiernan Applegate
Randall Arney
dr. Gene d. Block
Harold A. Brown
Gil Cates jr.
Mary Ann Cloyd
Dennis Doty
John Ebey
Mark Fleischer
Herbert M. Gelfand
Chairman Emeritus
I am delighted to welcome you back to the Audrey Skirball
Kenis Theater at the Geffen Playhouse as we launch our 2012/2013 season, which
promises to be an exciting and wonderful experience. We at the Geffen are
thrilled to have you be a part of it.
It is our particular pleasure to inaugurate the season with Build — a world premiere
written by Michael Golamco and directed by Will Frears. We are proud that this
show is a recipient of the Edgerton Foundation New American Play Award, and as
always, thank Dr. and Mrs. Edgerton for their support.
I would like to take a moment to update you about our work in the community,
a facet of the Geffen of which I am exceedingly proud. As you may know, our
education and outreach programs, which serve more than 22,500 each season,
include not only underserved students, but also low-income seniors and
veterans from our community. We are committed to the mission of bringing
theater into the lives of people who might otherwise not have access to it and
believe it is our responsibility and privilege to afford the experience of live
theater to all segments of our city’s population. For many, these programs have
been a life altering experience.
Without our donors we would not be able to continue and extend these vital
programs. The Geffen Board of Directors joins me in thanking them for their
generous support.
If you are interested in supporting our community involvement, please contact
Chief Development Officer Regina Miller at 310.208.6500, ext. 112.
Thank you again for joining us here at the Geffen Playhouse. Now sit back, relax
and enjoy Build.
Respectfully yours,
Frank G. Mancuso
Chairman, Geffen Playhouse
Patricia L. Glaser
Adi Greenberg
Arthur Greenberg
Martha Henderson
Pamela Robinson Hollander
Joan Kaloustian
Glorya Kaufman
Dr. Gerald S. Levey
carla malden
Susan Mallory
Ginny Mancini
Susanna Midnight
Ken Novice
Steven A. Olsen
Loren Rothschild
Linda Bernstein Rubin
Teri Schwartz
Richard Sherman
Andy Spahn
Fred Specktor
deeanna staats
Cynthia P. Stafford
Howard Tenenbaum
michael walsh
Suzanne Deal Booth
Kirsten Combs
Robert A. Daly
David Geffen
Quincy Jones
Jeffrey Katzenberg
Ron Meyer
Leslie Moonves
Jerry Moss
Jerry Perenchio
Bruce M. Ramer
Founding Chairman
Victoria Mann Simms
Steven Spielberg
Steve Tisch
Dr. Charles E. Young
Chairman Emeritus
gilbert cates
marcia israel-curley
audrey skirball kenis
charles kenis
Karl Malden
Edie wasserman
lew wasserman
Peter rosen
latham & watkins LLP
by amy levinson
“There has been no other invention of the
human mind that simultaneously brings
two people together, whilst reminding
them how far apart they are.”
— Salvador Dali
The above quote is said to have been Salvador
Dali’s response when asked why the telephone played such
a prominent role in his work. Just imagine what the artist
would have had to say about Facebook, Skype, email, and
the numerous ways that technology has advanced with the
goal of bringing people closer together. And yet, with all of
these developments designed to connect us, what Michael
Golamco questions in his play Build, is their very ability to do
so. As a result of increasingly more modern technology, has
society begun to retreat into solitude, presenting an online
version of themselves? Have we somehow traded in a human
connection for a wireless connection?
The examples of this are countless: emails versus lunch
meetings; electronic birthday wishes versus a phone call,
chats via skype versus chats over dinner, etc. One specific
example of this disconnect is in the arena of online dating.
A friend, who had ventured into this heavily utilized way of
meeting new people summed-up the shortcomings of this
strange process. He noted that while he might be a 98% match
with someone due to algorithms based on a list of questions,
that the numbers are worthless if chemistry is absent. To draw
out his argument further, wouldn’t this mathematical matching
also overlook the old adage that opposites attract? Certainly
James Carville and Mary Matalin would have never been
paired on
And once that chemistry is found, one of the greatest
ironies of online communication is the belief that we are
somehow closer to each other because of technology. We
may be in touch with people far more often and tend to know
details about their lives based on status updates or photos,
but none of these things create a feeling of closeness to those
with whom we wish to stay connected. It is a constant stream
of information, without the space for unplanned reaction.
We edit and re-edit ourselves online, we portray ourselves
as we wish the world to view us, and in that way, we become
artificial versions of ourselves. This telecommunication also
requires a constant exchange of information so that the
most intimate aspects of our relationships: human contact,
intonation and the comfortable silences that exist with those
we love, are never available to us.
The A.I. (artificial intelligence) created in the mind of Michael
Golamco for the world of Build is a perfect representation of
all these ideas. She encompasses the search for an ideal mate
through technological means, but at what cost? And while
technology is an extraordinary thing that does in fact simplify
our lives in many ways, where is the tipping point at which our
lives are in fact made more complicated by the very thing we
purchased for ‘convenience’?
Rest assured, I am not criticizing one’s dependence on
their mobile devices or on the internet in all its rabbit-hole
glory. I am able to see both the benefits and drawbacks of
technological advances because I am a slave to them. As
a dramaturg, my research used to involve microfiche and
books that no one had touched in thirty years. Now I spend
hours online culling the research of others. The research
is easily accessible and therefore amassed in a far more
timely way. The upside of this is that I have more time to
cover more material — the downside is my source material
is often three degrees removed from the original, and I am
far less likely to find that precious footnote that can change
the entire meaning of a Shakespearean soliloquy. I am also
less inclined to interview subjects for information on a
given topic, opting for a retelling of their stories.
Unlike many other forms of entertainment, theater still
requires live interaction — it is one of the most appealing
aspects of the art. It changes form in every performance
because it is ephemeral and the audience — a living, breathing
entity — creates a different impact every night. As a playwright,
Michael Golamco knows this, and specifically chose this
collaborative, social medium to tell his tale of technology and
its extraordinary impact on our culture, both good and bad.
But just as in life, it is the human connection — the relationship
between two old friends — that gives Golamco’s play its
profound impact. No technology can replace the simplicity
and complexities that exist between two people together in a
room — and that is a good, good thing.
Written by
Michael Golamco
Set Designer
Sibyl Wickersheimer
Lighting Designer
Young Ji
E. B. Brooks
Sound Designer
Daniel Ionazzi
Production Stage Manager
Costume Designer
Vincent Olivieri
Casting by
Phyllis Schuringa
Amy Levinson
Directed by
Will Frears
Recipient of the Edgerton Foundation New American Play Award
Build was originally commissioned by Daniel Dae Kim and Joel De La Fuente.
Opening Night: Wednesday, October 24, 2012
cast of characters
(In order of appearance)
The A.I. (Artificial Intelligence)�������������������������������������������������������������������������������������������Laura Heisler
Will..................................................................................................................................................Peter Katona
Kip............................................................................................................................................. Thomas Sadoski
The A.I. (Artificial Intelligence)������������������������������������������������������������������������������������������ Sasha Higgins
Will / Kip........................................................................................................................ Scott Victor Nelson
September 21 — September 28, 20xx
and one month later
The kitchen of a single-level ranch home in Palo Alto, California
running time
90 minutes
There will be no intermission
The Geffen Playhouse is supported, in part, by the Los Angeles County Board of Supervisors
through the Los Angeles County Arts Commission.
This project was also funded in part by the Department of Cultural Affairs, City of Los Angeles.
The Geffen Playhouse, a non-profit theater company, is proudly affiliated with the University of California at Los Angeles.
production biographies
producer: Ashton Kutcher). Awards:
Oliver Thorndike Acting Award (Yale),
Helen Hayes Nomination, Twelfth Night
(The Shakespeare Theatre DC), Fox
Foundation Fellowship (Ancient Italian
Rapier Fencing/Peking Opera Martial
Arts Sword Dancing/Acrobatics). MFA
Acting (Yale School of Drama).
(The A.I.)
Laura Heisler is delighted to make
her Geffen Playhouse debut with this
production. She recently received
Lucille Lortel and Drama League
Award nominations for her work in
Bathsheba Doran’s Kin at Playwrights
Horizons, where she also previously
appeared in Doris to Darlene and
People Be Heard. Other theater
credits include Broadway: Coram
Boy (Imperial Theatre); The Mistakes
Madeline Made (Naked Angels);
Everything Will Be Different (Soho Rep);
Top Girls, Bus Stop (Williamstown);
The Language Archive (South Coast
Rep); Stunning, Rocket to the Moon
(Woolly Mammoth); A Seagull in
the Hamptons (McCarter); title role
in the world premiere of Eurydice
(Madison Rep); Humana Festival; The
Old Globe; The Shakespeare Theatre;
Pacific Playwrights Festival and many
others. TV and film credits include:
Bones, The Defenders, Numb3rs, Ugly
Betty, recurring role on The Middle,
YellowBrickRoad, Coach, Cold Souls
and Forged.
Peter Katona is honored to be making
his Geffen Playhouse debut. Peter
last appeared as Joseph Percival in
G.B. Shaw’s Misalliance (South Coast
Rep). Theatrical credits: Twelfth
Night (NYSF/Public Theater); Cyrano
De Bergerac with Placido Domingo
(Metropolitan Opera). Off Broadway:
Big Trouble in Little Hazzard! (coproducer and co-writer, NYC Fringe
Festival). Regional: A Feminine Ending
(South Coast Rep); Hamlet, Twelfth
Night (The Shakespeare Theatre
DC); Our Town (Dallas Theater
Center); The Imaginary Invalid, The
Birds (Yale Rep); Hamlet in Hamlet
and numerous other productions
(YSD). Television: The Wedding Band
(premieres November 10), Castle, How
I Met Your Mother, Numb3rs, Deadly
Honeymoon, Mama Flora’s Family
and host of Pop Fiction (E! Network,
Theater: Broadway and off-Broadway
productions of both Other Desert
Cities (Obie and Lucille Lortel Awards)
and reasons to be pretty (Tony, Drama
Desk Outer Critics Circle and Drama
League Award nominations), The
House of Blue Leaves, Reckless, Sam
Mendes’s Bridge Project productions
of As You Like It and The Tempest,
Becky Shaw (Lucille Lortel Award
nomination), This is Our Youth, Gemini,
Where We’re Born, Stay, The Mistakes
Madeline Made, Jump/Cut, The
Waverly Gallery and David Sedaris’s
Santaland Diaries at the Long Wharf
Theatre. Television: currently stars on
HBO’s The Newsroom, Law & Order:
Special Victims Unit, Ugly Betty,
Law & Order: Criminal Intent, and
Law & Order. Film: The New Twenty,
Circledrawers, Loser, Happy Hour and
Winter Solstice. A graduate of Circle in
the Square Theater School in New York
City, Sadoski has worked extensively
in helping to develop new theatrical
works at New Dramatists, The Lark, The
Eugene O’Neill Theatre Center and the
Sundance Institute.
Film: Coach, All Saints Day (Winner,
Best Narrative Short, Savannah Film
Festival) Beloved. Off Broadway: Year
Zero (Second Stage Uptown); Still
Life (MCC); Rainbow Kiss (The Play
Company); The Water’s Edge (Second
Stage); Pen (Playwrights Horizons);
Terrorism (The New Group/The Play
Company); Omnium Gatherum (Variety
Arts); Where We’re Born and God
Hates the Irish (both at Rattlestick
Playwrights Theatre); Get What You
Need (Atlantic 453) and Kid-Simple
(Summer Play Festival). Regional: Some
Lovers at the Old Globe Theater,
Romeo & Juliet, Bus Stop, The Water’s
Edge and A Servant of Two Masters
at the Williamstown Theatre Festival;
The Pillowman at George Street
Playhouse; Hay Fever and The Price
at Baltimore CenterStage; Sleuth at
the Bay Street Theatre; Our Lady of
121st Street (Steppenwolf Theatre);
Omnium Gatherum (Actor’s Theatre
of Louisville). Artistic Director, Yale
Cabaret, 1999-2000. He is a recipient
of the Boris Sagal and Bill Foeller
directing fellowships and a contributor
to The Paris Review, New York
Magazine, Harper’s and The London
Review of Books. He is a graduate of
Sarah Lawrence College and the Yale
School of Drama and serves on the
faculty at Sarah Lawrence College.
Michael Golamco is an Los Angeles
based screenwriter and playwright. His
critically-acclaimed play Year Zero has
been produced at the Colony Theatre
in Los Angeles, Second Stage Uptown
in New York and Victory Gardens in
Chicago, where it was the Grand Prize
Winner of Chicago Dramatists’ Many
Voices Project, as well as nominated
for a Jeff Award - Best New Work. His
play Cowboy Versus Samurai has had
several productions since its premiere
in NYC, including in Canada and Hong
Kong. Michael is the recipient of the
Helen Merrill Award and is a member
of New Dramatists. He is currently
working on new play commissions for
South Coast Repertory and Second
Stage Theatre.
(Scenic Designer)
Regional theaters: Oregon Shakespeare
Festival, Lookingglass Theatre,
Portland Center Stage, Berkeley
Repertory, South Coast Repertory,
Center Theatre Group/Kirk Douglas
Theatre, Geffen Playhouse, Utah
Musical Theatre. International: The
Actors’ Gang productions of 1984
directed by Tim Robbins, and The Trial
of the Catonsville 9. Los Angeles Area
Theaters: The Actors’ Gang, Boston
Court, Circle X, EST, Los Angeles
Theatre Center, Inside the Ford,
Open Fist, CalRep. Opera: Crescent
City, a hyperopera, INDUSTRY LA.
Dance: Transit Space, Diavolo Dance
Theatre. Other: What About Dick? at
The Orpheum Theatre starring Eric
Idle, Eddie Izzard, Tracy Ullman, Russell
Brand and Tim Curry, Encounters stage
for Natural History Museum of Los
Angeles County, Toy Story, the musical,
Disney Creative Entertainment for
Disney Cruise Lines. Art exhibitions:
RAID Projects, Hi-Lite, Weekend, The
New Chinatown Barber Shop, Gallery
825, Shoshane Wayne Gallery, Andrew
Shire Gallery, Hatch Gallery, Latch and
the Pacific Asia Museum. Education:
BA, Washington University in St. Louis,
MFA, UCLA School of Theatre, Film,
and Television. Sibyl is also an Assistant
Professor in the USC School of
Dramatic Arts.
(Costume Designer)
Geffen Playhouse: Good People
(costume designer) and The Exorcist
(associate costume designer).
Black Dahlia Theater: Hey Morgan!,
Forgiveness, Finally, Secrets of the Trade
and The Last Days of Judas Iscariot
directed by Matt Shakman. Center for
New Performance/ RedCat: Brewsie and
Willie directed by Travis Preston (2010
LA Weekly Award for Best Production
Design), What to Wear directed by
Richard Foreman. A Noise Within: Blithe
Spirit directed by Damaso Rodriguez
(2010 Ticketholder Award Best Costume
Design). East West Players: The
Language Archive directed by Jessica
Kubzansky. Celebration Theater: Take
Me Out directed by Michael Matthews.
Uncanny Valley by Hand2Mouth at the
ART in Portland, Oregon. Her costumes
have been on exhibit at the Hammer
Museum and Machine Project alongside
the film Fly Amanita directed by David
Fenster. Other films include Three
Nights in the Desert, Sawdust City, and
The Murder of Hi Good. She received
her MFA from California Institute of the
Arts and currently designs and lectures
at California Institute of Technology.
(Lighting Designer)
Daniel Ionazzi is Production Manager
for the Geffen Playhouse. He is also
a member of the faculty of the UCLA
School of Theater, Film and Television
and Director of Production for the
Department of Theater. Mr. Ionazzi is
the author of The Stage Management
Handbook and The Stagecraft
Handbook. Design credits include:
WWII — Beyond all Boundaries for the
National World War II Museum. For
Arena Stage: Red Hot Patriot: The KickAss Wit of Molly Ivins. For Steppenwolf
Theatre Company: The Seafarer. For
South Coast Repertory Theater: In The
Next Room. For the Wallis Annenberg
Center for the Performing Arts: Teatro
alla Moda. For the Geffen Playhouse:
The Jacksonian, Red Hot Patriot: The
Kick-Ass Wit of Molly Ivins, Radiance:
The Passion of Marie Curie, Superior
Donuts, A Step In Time; Nightmare
Alley, The Female of the Species, The
Seafarer, Atlanta, Speed-the-Plow,
A Picasso, Wishful Drinking, All My
Sons (Ovation nomination), Cat On
A Hot Tin Roof, Paint Your Wagon,
Take Me Out, I Just Stopped By To
See The Man, Boy Gets Girl (Ovation
nomination), Under The Blue Sky,
Oscar & Felix, God’s Man in Texas, The
Unexpected Man, The Weir, Defiled,
Merton of the Movies and All in the
Timing (Ovation nomination). For the
Dance Company Diavolo: Catapult and
Traajectorie. For the Denver Center
Theatre Company: Henry IV Part I, The
Three Sisters, The Night of the Iguana,
Antigone. Additional design credits:
The Ahkmatova Project, Amelia Lives,
Telling Time, Othello, Trojan Women,
Misalliance and Jenufa with Josef
(Sound Designer)
Broadway: High. Off-Broadway: The
Water’s Edge, Omnium-Gatherum and
Fatal Attraction: A Greek Tragedy.
Southern California work includes In a
Garden, Emilie, Noises Off, The Heiress
and A Feminine Ending at South
Coast Repertory, Jitney at Pasadena
Playhouse and Clownzilla: A Holiday
Extravaganza at Rude Guerrilla. New
production biographies
(Production Stage Manager)
Geffen Playhouse: The Exorcist, The
Jacksonian, Radiance: The Passion of
Marie Curie, The Elaborate Entrance of
Chad Deity, Extraordinary Chambers,
In Mother Words, Love Loss & What
I Wore, Ricky Jay: A Rogue’s Gallery;
Louis & Keely: Live at the Sahara. Other
Los Angeles: Center Theatre Group:
The Cherry Orchard (Taper); Wrecks,
Trial of the Catonsville Nine, Pyrenees,
A Very Old Man with Enormous Wings
(Kirk Douglas Theatre). Antaeus
Company: Cousin Bette, King Lear,
The Autumn Garden (Producer); La
Ronde, The Glass Menagerie (Director);
Tonight at 8:30, Phaedra (Getty Villa),
Mother Courage and Her Children,
Pera Palas, Chekhov X 4.
Phyllis is in her tenth season as Casting
Director at the Geffen Playhouse.
Recent plays include: Good People,
Superior Donuts, The Escort, Ruined
(LA Casting), Equivocation, Matthew
Modine Saves the Alpacas, Farragut
North, Time Stands Still and By the
Waters of Babylon. Prior to the Geffen,
Phyllis served as casting director for
the Steppenwolf Theatre in Chicago.
Her favorites include Frank Galati’s
adaptation of The Grapes of Wrath
(also La Jolla Playhouse, National
Theatre in London, and Broadway,
where it received the Tony Award for
Best Play), the original production of
Steve Martin’s Picasso at the Lapin
Agile (and subsequent productions
including Westwood Playhouse and
Briar Street Theater in Chicago),
Austin Pendleton’s Orson’s Shadow
and Charles L. Mee’s Time to Burn.
Broadway transfers include One Flew
Over the Cuckoo’s Nest (Tony for Best
Revival) and The Song of Jacob Zulu.
She teaches auditioning at Steppenwolf
West and is a proud member of the
Casting Society of America.
Amy Levinson is the Artistic Associate and
Literary Director at the Geffen Playhouse.
As dramaturg, Amy has overseen over 40
productions including the commissions
and world premieres of Donald Margulies’
Time Stands Still and Jane Anderson’s
The Quality of Life. She has also had the
privilege of working with numerous writers
on premiere productions including Neil
Simon, Neil LaBute, Bill Cain, Joanna
Murray-Smith and David Weiner, among
others. Production dramaturgy credits
include: The Weir, Boy Gets Girl, Cat on
a Hot Tin Roof, Extraordinary Chambers,
The Escort and Equivocation. As Artistic
Associate and Literary Director, she has
helped to build programs for new play
development including the commissioning
and development of emerging and
established playwrights. Also a translator
of Yiddish drama, she holds an MFA
in dramaturgy from the University of
Massachusetts, Amherst.
(Artistic Director)
Randall Arney has been a theater
professional for over 30 years, and has
served as Artistic Director of the Geffen
Playhouse since 1999. In addition to his
artistic programming and oversight at
the Geffen, Arney has helmed more
than 10 productions for the theater, most
recently Superior Donuts, The Female of
the Species, The Seafarer, Speed-the-Plow
and All My Sons. Arney is an ensemble
member and former Artistic Director of
Chicago’s Steppenwolf Theatre where his
directing credits include: The Seafarer,
The Beauty Queen of Leenane, Death and
the Maiden, Curse of the Starving Class,
Killers and The Geography of Luck, among
others. Arney also directed Steppenwolf’s
world premiere of Steve Martin’s
Picasso at the Lapin Agile, as well as the
subsequent national and international
acclaimed productions. Mr. Arney’s acting
credits with Steppenwolf include Born
Yesterday, Ghost in the Machine, The
Homecoming, Frank’s Wild Years, You
Can’t Take it with You, Fool for Love, True
West, Balm in Gilead and Coyote Ugly.
As the Artistic Director for Steppenwolf
from 1987 to 1995, he oversaw the, creation
of a new state-of-the-art theater which is
Steppenwolf’s current home. Broadway
transfers under his leadership include The
Rise and Fall of Little Voice, The Song of
Jacob Zulu (six Tony Award nominations)
and The Grapes of Wrath (1990 Tony
Award, Best Play). Mr. Arney has an
MFA degree in Acting from Illinois State
University and has taught master classes
and workshops at UCLA, Steppenwolf,
around the U.S. and in Tokyo.
FBS Management where she acted as
Director of Accounting, overseeing the
finances of more than 25 non-profit
organizations. Behnaz continued her
work with non-profits as an auditor
for Trump and Van Sloten CPA and
then returned to the for-profit sector
at Ultratech, before ultimately landing
at the Geffen Playhouse. Behnaz has
a Master’s degree from Pepperdine
(Managing Director)
Ken Novice’s career in the professional
theatre spans 25 years and over 250
productions. Prior to joining Geffen
Playhouse, he served as Managing
Director and Director of External
Affairs at Pasadena Playhouse where
his credits include the revival of
Fences starring Lauren ce Fishburne
and Angela Basset and the world
premieres of Sister Act the Musical,
Ray Charles Live, Stormy Weather
starring Lesley Uggams and many
others. He was Director of Marketing
and Public Relations for San Diego’s
Tony Award-winning Old Globe Theatre
where his credits include Jack O’Brien’s
acclaimed revival of Damn Yankees,
the Tony Award-nominated musical
The Full Monty, Henry IV starring
John Goodman and Sheldon Epp’s
Tony-nominated hit Play On! among
many others. His credits also include
marketing and public relations for the
Tony Award-winning Denver Center
Theater Company and New York’s
Circle Repertory Company. As Director
of Programming for YouthStream
Media Networks he developed
national marketing and public relations
programs for most of Hollywood’s
major motion picture studios. Novice
also served as Head of the Theatre
Management MFA/MBA program
at California State University, Long
Beach and has been a guest lecturer
at San Diego State University and the
University of California, San Diego. He
holds a BA from the Pennsylvania State
University and an MBA from San Diego
State University.
(Chief Development Officer)
Regina has been a development
professional for over 18 years,
working with non-profit institutions,
foundations and corporations on
strategy, analysis and fundraising. She
has worked for Simon Wiesenthal
Center, The Clinton Foundation, Ben
Affleck’s Eastern Congo Initiative,
Hank Azaria’s Determined to Succeed,
The Millan Foundation and Whole
Child International, among others.
Prior to the Geffen, Regina served
as the Director of Partnerships for
Big Brothers Big Sisters of Greater
Los Angeles and the Inland Empire
where she led strategic planning and
development while executing policies
that advanced the organization’s
visibility and growth. Regina also has
a strong passion for teaching. After
graduating from University of North
Carolina School of the Arts, she taught
in preschools and kindergartens in New
York. From the age of 13, Regina worked
as a professional dancer on Broadway
as well as with a number of prominent
modern dance ensembles. Fusing two
of her interests, she created a highly
successful program which incorporated
dance therapy and creative movement
into an early childhood curriculum as
well as wrote and produced a television
show based on this concept. In addition
to being a published author and
photographer with Tallfellow Press and
Prometheus Books, Regina has taught
and lectured at numerous schools in
New York, Los Angeles and abroad.
Behnaz Ataee
(General Manager)
Behnaz Ataee is a financial professional
with more than 25 years of experience
in for-profit and nonprofit financial
management and auditing. Behnaz
joined the Geffen Playhouse in 1999
and this marks her ninth season as the
theater’s General Manager. She began
her career in the Bay Area as a partner
in a small family start-up before joining
York and regional: Actors Theatre of
Louisville, Barrington Stage Company,
Center Stage (Baltimore), Cincinnati
Playhouse in the Park, The Juilliard
School, Pittsburgh Public Theatre,
Portland Center Stage, The Public (New
York), South Coast Repertory, Syracuse
Stage, Theatre Novi Most (Minneapolis),
Woolly Mammoth, Virginia Stage
Company and Yale Repertory Theatre.
Mr. Olivieri has created designs and
music for world-premiere productions
by Roberto Aguirre-Sacasa, Kirsten
Greenidge, Lauren Gunderson, Howard
Korder, Matthew Lombardo, Charles
L. Mee, Adam Rapp, Theresa Rebeck,
Sarah Treem and August Wilson. For
three seasons, he was the Resident
Sound Designer at Actors Theatre of
Louisville, where he designed for the
Humana Festival of New American
Plays. International work includes
productions in Romania, Italy, China,
South Korea and the Czech Republic.
Mr. Olivieri is a graduate of the Yale
School of Drama and serves on the
faculty at University of California-Irvine.
Properties Master Rich Gilles
Properties Artisan Devin Lennon-Davey
Sound Master Michael Gunderson
Assistant Sound Designer Stephen Swift
Wardrobe Supervisor Holly Victoria
Production Electrician Dan Tuttle
Production Assistant Leia Crawford
Assistant Costume Designer Morgan DeGroff
Set provided by Scenic Highlights
Lighting Equipment provided by Entertainment Lighting Services
Sound Equipment provided by Jon Sound Inc.
UCLA School of Theater, Film and Television Scene Prop, Sound and Costume
Shops; London Cleaners; Peet’s Coffee & Tea
The Geffen Playhouse is affiliated with the University of California at
Los Angeles, specifically the UCLA School of Theater, Film and Television.
The Geffen Playhouse values its role as an important educational resource
by providing students with master classes, workshops and internships.
Students are also able to work and learn from distinguished visiting Geffen
artists such as Alan Ayckbourn, Jon Robin Baitz, Annette Bening, Ed Harris,
David Ives, Neil LaBute, David Mamet, Donald Margulies, Terrence McNally,
John Rando and Kathleen Turner in areas of directing, playwriting, acting,
design, dramaturgy, management and production. The Geffen Playhouse
also draws upon the distinguished experts in the university to enhance the
theater’s programs and research.
The actors and stage managers employed in this production are members
of Actors’ Equity Association; The Union of Professional Actors and Stage
Managers in the United States.
The director is a member of the society of Stage Directors and Choreographers,
Inc., an independent national labor union.
Geffen Playhouse
10886 Le Conte Avenue
Los Angeles, CA 90024
Administrative Offices.......... 310.208.6500
Weekdays.........................10:00 am — 6:00 pm
Box Office Phone Line........... 310.208.5454
Daily......................................7:00 am — 6:00 pm
Subscriber Hotline.................. 310.208.2028
Weekdays.........................10:00 am — 6:00 pm
Weekends........................ 12:00 pm — 6:00 pm
Please visit for
hours, parking and more information
Box Office Window
When shows are not in performance,
the box office window is open:
Weekdays.........................10:00 am — 6:00 pm
Weekends........................ 12:00 pm — 6:00 pm
During the run of a show, the window will
be open until curtain. Please note: the
box office is unable to process exchanges
and future sales one hour prior to curtain
time on any performance day.
Accessible Accommodation
The Geffen Playhouse is
fully committed to ensuring a
satisfying theater experience
for our patrons with special
needs or disabilities. Please
contact the box office or an
usher to discuss your needs.
Late Seating
Should you arrive late to the theater or
vacate your seat during the performance,
please expect to be held in the lobby until
an appropriate pause in the action on-stage.
To minimize disturbance to other patrons,
you may be sat into the first available
location by the house staff even if different
from your assigned seat. Be advised that
some productions or circumstances may not
allow for late or return seating.
A Jewish Christmas show for the whole family
from Pulitzer Prize winner Donald Margulies
coney island christmas
Written by
Donald Margulies
Based on the short story The Loudest Voice by
grace paley
Directed by
Bart DeLorenzo
begins thanksgiving week
Holiday and weekend performances are filling fast.
Book tickets for friends and family now!
Enhance your experience
while giving back
Education Advocate
Bring 150 students from a Title 1 school to a
show at the Geffen Playhouse (includes pre and
post-show workshops and free transportation)
All Education Advocate
benefits plus…
• Two (2) house seats to the five-play season
in the Gil Cates Theater
• A unique behind-the-scenes experience
for one show in the season — possibilities
include attending a rehearsal, design
presentation, set tour or meeting with the
casting director
• A signed copy of a Geffen Playhouse script
from the current season
Bring 60 students from a Title 1 school to a show
at the Geffen Playhouse (includes pre and postshow workshops and free transportation)
All Artistic Advocate
benefits plus…
• Access to the Marcia Israel Curley
Founders Room, featuring complimentary
drinks, snacks and private restrooms
• Access to our VIP theatrical concierge
who can help book house seats at
theaters nationwide
• Recognition on a glass panel in our lobby
• Personalized assistance with renewing
your subscription from someone in our
development office
• Ability to exchange your subscription seats
into house seats (Subject to availability)
• An invitation to attend the winter
cocktail party (Date and location TBD.)
Gifts of $5,000 or more
Gifts of $3,000 or more
Artistic Advocate
Bring 30 students from a Title 1 school to a show
at the Geffen Playhouse (includes pre and postshow workshops and free transportation)
All Associate level benefits
• VIP parking directly across the street
from the Geffen Playhouse
Bring 15 students from a Title 1 school to a show
at the Geffen Playhouse (includes pre and
post-show workshops and free transportation)
All Affiliate level benfits plus…
• Recognition in program
• Season-long coffee card good for unlimited
coffee and tea at the Geffen Playhouse bar
• Four (4) tickets to see Story Pirates: The
Flagship Show and a chance for your child
or grandchild to be a featured author at
the show (Subject to timing and availability)
• Two (2) complimentary glasses of wine at
Tanino Ristorante
Bring 10 students from a Title 1 school to a show
at the Geffen Playhouse (includes pre and postshow workshops and free transportation)
• Two (2) complimentary drinks at our Geffen
Playhouse bar
• A voucher for a complimentary treat or
snack at the Geffen Playhouse
Bring 300 students from a Title 1 school to a
show at the Geffen Playhouse (includes pre and
post-show workshops and free transportation)
All Sponsor benefits plus…
• Two (2) tickets to a five-play season of
Geffen Playhouse Opening Nights, which
are by invitation only and include valet
parking, a pre-show cocktail reception and
a post-show cast party
• Access to our VIP Concierge Service,
which will assist you with everything from
dinner reservations to parking assistance
when you attend a show
• Two (2) house seats to all shows in the
Audrey Skirball Kenis Theater at the
Geffen Playhouse
• Ability to have the Geffen Playhouse donate
a pair of tickets for one show in the Gil
Cates Theater to the charity of your choice
Gifts of $500 or more
Gifts of $250 or more
Gifts of $1,000 or more
Gifts of $150 or more
to donate or for more information
Please call development 310.208.6500 ext. 128
education and outreach
STORY PIRATES rehearsal space
thank you to our generous
partners at westfield group
Help bring
the power of
theater and
arts education
to thousands
of students and
families this year.
Please call development
310.208.6500 ext. 141
Schools and non-profit
organizations served
through Geffen Playhouse
education and outreach
programs in 2011-2012.
strategic community partners
in-school programs
Title 1, low-performing elementary schools
served by the Geffen Playhouse Story Pirates
hemet high school
annual donors
The Geffen Playhouse recognizes the following individuals and organizations for their generous support of our Annual Fund and
Backstage at the Geffen. Donors are listed at the Associate level and higher for gifts made between April 1, 2011 and August 15, 2012.
In appreciation, donors enjoy a host of special benefits including house seats, complimentary drinks, receptions and much more.
For more information, please call Jamie Sherman at 310.208.6500 ext. 128.
Patricia Kiernan Applegate
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& Robert Hollander
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& Hon. Frances Rothschild
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Tanino Ristorante
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$5,000 — $9,999
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Four Seasons Lana’i at Manele Bay
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Hachette Book Group
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& Dr. Myrna Herscher
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Lost Iguana Resort & Spa
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Popland Studios
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Mayor Richard Riordan
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St. Regis Princeville Resort
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Tanaz Assil Jewelry
Thomas L. Safran & Associates
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The Travel Company
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$3,000 — $4,999
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$1,000 — $2,999
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23rd Street Jewelers
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Charitable Foundation
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Amgen Foundation
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& Mrs. Carol Block
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Lisa, Michael & Rachel Chalfin
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In Loving Memory of Ed Cypert
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annual donors
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& Beach Resort
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Andrew & Laura Mintzer
G2 Graphic Service, Inc.
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Eric G.C. Mark
Lesia & William Maxwell
John McCrite & Juan Lopez
Janis B. McEldowney
Sue McHugh & Herb Seese
annual donors
Ms. Gerry Sinclair
Martin & Leah Sklar
Diane Good & Frank Smith
Dr. Jerry & Marci Smith
Marcia L. & Mark J. Smith
Karen Smits
Michael & Millie Sondermann
Debra & Bruce Spector
Roberta Spero
Ms. Rita Spiegel
Staples Center Foundation
Ron & Elaine Stein
Cori Steinberg
Mr. & Mrs. Tom Stempel
William Stringer
Robert & Barbara Sugar
Jerry & Diana Swartz
Lance & Maureen Tan
David & Patricia Tann
Joyce & Josh Trabulus
Brigitta Troy
Pia & Steve Vai
Deborah Valdez
Daniel & Shauna Valenzuela
Carole Wagner-Vallianos
& Peter Vallianos
Annette Weil
Marsha & Steven Weiss
Fred & Marlene Weissman
Linda Wenglikowski
Richard & Joyce Wickline
Rae Jeane Williams
Winnick Family Foundation
Herb Wise
Elaine & Donald Wolf
Rowie & Jeffrey Wolf
Cherie Wrigley
Karen & Frank Wurtzel
You Rock Guitar
Ben & Anne Youngblood
Barbara & Stanley Zax
$250 — $499
Anonymous (9)
Herbert Ehrmann & Constance Abell
Norman & Toshka Abrams
Terry & Richard Abrams
Academy of Motion Picture
Arts & Sciences
Drs. Helen & Marvin Adelberg
Irwin & Helene Adler
Elaine & Michael Agran
In Memory of Malena Shladovsky
Sylvia Almstadt
Arthur Alper
Jan Altemus
Suzanne Altfeld
Clayton Anderson
Irving Anderson
Elise Andrews
Philip Angerhofer and Stephen A. Jones
Eloise Appel
Steven D. Arias
Bert & Ruth Arons
Charles & Kayatana Axelrod
Marc & Betsy Axelrod
L Mccoy Bacigalupo
Deborah Baine
Billie Baron & Edward Marcinko
Anne Barry
Patricia Barry
James W. Baugh
Arnold & Susan Becker
Joanne Benickes
Carole A. & Charles Bennett
Barbara Bereny
Richard N. Berger
Ellen Bergeron & Gary Ottoson
Karen Berko-Gibson
James & Diane Berliner
Paula Bernstein
Beverly Bierer
Joe Blackstone & Jamie Mohn
Ronald & Jamie Blackstone
Marjorie Blatt
Toby Bornstein
Mary Boulware
Frances & Les Boxer
Helen Breitwieser & James Jacks
Shelli & Bill Broder
Dennis & Bobbi Brown
Lionel Brown
Gerald Buckberg
Suzanne Budd & Vicki Dellaverson
Allen & Carola Bundy
Marcia Burnam
Arden Burstein & Todd Griffiths
The Schifino Family
Laura D. Campbell
Andrew Carlberg
Cindy Carlin & Jeff Rousso
Jill Carmona
Marlies & Oved Chalabi
Barry Charles
Marjore Chronister
Wilma Chung
Judy & Mike Fantasia
Robert Cochran
Ken Coelho
Heather Cohen
Dr. Judy Cohn
David Conney, M.D.
Dino Conte
Susan Georgine Craig
Valerie & Donald Cravitz
Whitney Cummings
Diana Cusumano
Randall & Diane Daniel
Sarah Daniels
Hedva & Dudley Danoff
Jaye T. Darby & David Foster
Steven & Linda Darling
Joel Davidman & Cheryl David
Ruth B. Davis & Pearl Schultz
Gregory Dawley
Hal & Roberta Delevie
Alan & Debbie
Dr. Udayakumar Devaskar
Susan Devlin
Virginia DiBona
Suzi Dietz
Suzanne & Bruce Dodds
Steven & Beverly Dorfman
Drs. Don & Donna Dorsey
Ms. Susan Downey
Louise Earn
Mr. Chris Easley
Roni & Ethan Eller
Pat & Marvin Elliot
Mauricio & Lidia Epelbaum
Allan Erdy
Lisa Erspamer
Norma Lorene Evans
Phyllis Factor
Alan & Barbara Faiola
Justice & Mrs. Robert Feinerman
AnonyMoose Foundation
Earl I. Feldhorn
Marc Feldman
Mimi Feldman
Arnold Anderson & Conchata Ferrell
Mrs. Eva Field
Lila & Fred Fink
William & Elisabet Fleischman
Edward Flores
Janet Fourticq
Lorraine Frankel
Nadia & Ray Freed
Norman Friedmann
L.T. Friesen
Ms. Laurelle Frome
Yury & Yelena Furman
Sandy Gage
Ms. Kathy Garmezy
Pamela Gerken EBS
GGW Direct, LLC
Karen Berko Gibson
Laura Gibson
Willie R. Gibson
Allison Gingold
Glaceau Water
William & Charlene Glikbarg
Ann M. Goldberg
David & Denise Goldberg
Sy Goldberg
Patricia Goldman
Dr. Peter Goldman
Ellie Goodman
Mrs. Mae Goodson
L. Newton Goodwell
In Memory of Eugene S. Goodwin
Jo-Ann Gordon
Mark Gordon
Roger Gordon
Ruth & Alison Grabell
In Memory of Jack Green
Tiki Greenberg
Alan Greenstadt
Zelda & Bob Gregg
Pam Grissom
Marcy & Edgar Gross
Jez Guito
Lance Hagenbuch
Ross & Lindsey Avner
Mary & Alan Halkett
Peter E. Hall
Carolyn & Bernard Hamilton
Cindy & Jason Harlem
Ms. Tess Harper
Sheila Hasday
Lois Haytin
Irene Hazon-Argamany
Scott Shagrin & Dr. Jacqueline Heller
Carla & Alan A. Herd
Gunter Herman
Robert Herman
Neal Hersh & Lynda Klein
Jackie & Dr. Irwin Hoffman
Dr. Sharron Holman
Dale & John Hopmans
Susan Hull
Harold & Evelyn Igdaloff
Sarah Isaac & Mary Hooper
Craig Jacobson
In Memory of Roger Javor
Marcia Jindal
Daniel & Carolyn Jordan
Nancy Josephson
Joyce Kaiserman
Trudy & Albert Kallis
Joyce Kaplan
Anita Karbelnig
Harris Katleman
Owen Kato
Eleanor K. Kaufman
William & Renee Kendall
Kevork & Cecile Keshishian
Nam Kim & Jeff Kateman
Stuart Kessler
Donna & Jeffrey Klein
Phyllis Klein
In honor of Leni Jane Knapp
Judy Knapp
Charles Kolstad
Joan & Walter Kornbluh
Richard Kraft
Howard & Vivian Krepack
Janice White & Eugene Krieger
Seth Krugliak
Christina Kummer Hardt
Frumeh Labow
Doctors Mark & Lena Labowe
Manette LaChance
Joan & Christopher Larkin
Larry Layne & Sheelagh Boyd
Dr. & Mrs. Eric Leibovitch
Betty & Ron Leiter
Gail J. Levine
Jeff & Joyce Levine
Marla E. Levine
Sheldon & Marion Levy
Nan Lewis
David & Diane Licht
Mr. Warren Lincoln
Lee & Therese Linden
Irma & Allen Lipin
Donald Lipschutz
Mrs. Monte E. Livingston
Geri Loe
Ann & Bill Lucas
Dianne Lum
Vincent Lupo
Liz Lytle
Teresa L. Maguire
Guillaume Maillet
Mike & Millie Maloney
Jeannette & Mervyn Mandelbaum
Michelle Margules
Lynn Marks
Connie & Leslie Martinson
Don & Terry Maxwell
Stewart Mayeda
Georgianna McBurney
Cheryl McCormick
Deborah & Stephen McGovern
William E. & Marcela H. McKenna
Betty & Estelle Mednick
Dr. & Mrs. King M. Mendelsohn
Kimberly Meye
Bettina Michaels
The Miles Family
Barbara & Fred Miller
Teddie J. Milner
Pamela & Mark Mischel
Jean Miyamoto
Andrew Molasky
Susan & Robert Morse
Deborah Myman
Catherine Nameth
Bonnie Nash
Drs. Ronald & Ariane Natale
Dr. Deborah Natoli & Justin Natoli
Mark & Diane Neubauer
Lillian & Joseph Nizinski
Nothing Bundt Cakes
Elad Offer
Adrienne & Arthur Omansky
Martin Ordman
Mr. & Mrs. David Ostrove
Donald Ott
Michael Pannullo
Bob Paris
Council Member Bernard C.
& Bobbie Parks
Mr. & Mrs. Herman Pass
David Paymer
Kathy & Jeff Perkins
Michael & Leslee Perlstein
Naidu & Jane Permaul
Beverly Pine
Gloria Pink
Frank Piontek
Dr. Ronald & Alyson Podell
Ms. Kim Pompey
Zazi Pope
Nancy Porter
Mr. David Posner
Susan Poulson
Drs. Laurence & Isabell Purdy
Lisa Quateman
Edward B. Rasch
Mildred Reid
Vicki Reiss
Holly Rice & Vince Gilligan
Linda & Steve Richman
William Ridgeway
Ellen Riley
David Robbins
Jill Schary Robinson
Barbara & David Rognlien
Mr. & Mrs. Avi Rojany
Marie Rolf
Barry Rosen & Neil Bokal
Ruth & Larry Rosen
Janet & Lenny Rosenblatt
Kathleen & Dale Rosenbloom
Dr. & Mrs. James Rosenblum
Linda & Marvin Rosenfeld
Adrienne Rosenthal
Brendan & Jill Ross
Lawrence Ross & Linda Nussbaum
Ms. Francoise Rozzell
Joyce Hokin Sachs
June & Melvin Sattler
Clifford Schaffer
Carole Scherzer
Mr. Bernard Schiffer
Steven & JoAnna Schilling
Nancy & Steve Schneider
Elaine Carey & Vincent J. Schodolski
Stacy Schrier
Mr. Charles Schwartz
& Mrs. Carol Schwartz
Elizabeth & Justin Schwartz
Mary & Paul Shane
Annette & Leonard Shapiro
Thom & Judy Sharp
Jill Shear
Dorothy Shepherd
Jeff Sherman
Muriel F. Sherman
Pearl Shultz
Steven Siegel & Lily Carey
Chuck Simon
In Memory of Ross Hunter
& Jacque Mapes
Don & Marie Sirney
Satori Communications
Julie & Don Davis
Fanya & Sidney Soll
Kalee St. Clair
Carol & Paul Stager
Ms. M.L. Stearns
Dorothy Steiner
Arthur Stern
Chambers Stevens
Sally Stevens
Edith L. Stoell & Linda Gach Ray
Sybil Stoller
Holly Strom
Kayser & Renee Sume
Katherine Sung
John & Eva Sutton
Robin & David Swartz
Keith & Judy Swayne
The Tauber Family
Troy Thompson
Cheryl Tiano & Frank Gerechter
Mr. & Mrs. Art Tompkins
Judith Toscano
Joan Townsend
Jean & Hal Trifon
Beryl Turner
Anthony Vasek
Rita Vennari Studstill
Andrew Kevin Walker
William Walsh
Ann W. Wang
Berna Lynn Warner
Marie Washington
Marcia & Dr. Charles Wasserman
Seymour Waterman
Dr. George & Pat Watson
Elisa & Brad Wayne
Louise Weber & Sean Lavery
Julie & Peter Weil
Brian Weinstock
Jackie & Fred Weintraub
Donna & Jason Weiss
Jacqueline Weitz
Elayne & Walter Wentz
The Wexler Family
Dara & Greg Payne
Linda A. Wilson
David Wintroub
Barry & Florence Wise
George Wolfberg
Kenneth & Teresa Worley
Pam & Leo Wyler
Thelma & Sam Yellen
Mark Young & Patty Everett
Arnold Zane
Lynn & Meir Ziv
Dayle & Abram Zukor
Sandy Zwirn
*In Memoriam
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Development Department at 310.208.6500 ext. 128
Coming up at the geffen playhouse
audrey skirball kenis theater at the geffen playhouse
saturday, oct. 13 & 27, Nov. 10
gil cates theater at the geffen playhouse
meet vera
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
the way,
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
by the way,
meet vera stark
gil cates theater at the geffen playhouse
coney island
coney island
talk back
wine down
Please visit for more event details.
geffen playhouse staff
Randall Arney
Artistic Director
Ken Novice
Managing Director
Behnaz Ataee
General Manager
Regina Miller
Chief Development Officer
Mary Garrett
Amy Levinson
Phyllis Schuringa
Shannon Noel
Kristina Leach
Artistic Manager
Artistic Associate / Literary Director
Artistic Associate / Casting Director
Artistic Coordinator
Literary Associate
Ellen Catania Director of Major Gifts &
Corporate/Foundation Partnerships
Jessica Brusilow Rollins
Associate Director of Donor Relations
& Strategic Partnerships
Jamie Sherman
Associate Director of Individual Giving
Development Associate &
Scott Kriloff
Database Manager
Adam Carr Donor Annual Fund Support
Donor Annual Fund Support
David Gerhardt Jessie Sherman
Donor Annual Fund Support
Connor White
Resident Teaching Artist &
Education Associate
Benjamin Salka
Story Pirates CEO
Duke Doyle
Story Pirates Producing Director
Lee Overtree
Story Pirates Artistic Director
Quinton Johnson
Story Pirates Education Director
Gabe Jewell
Story Pirates Producer
Frankie Ocasio
Executive Assistant to
the Managing Director
Maryam Meehan
Staff Accountant
Staff Accountant
Janet Huynh
Marguerite Harris
Miguel del Castillo
Victor Cueva De Loera
Mario Santillan-Perez
Facility Manager
Daniel Ionazzi
Jill Barnes
Matthew Carleton Rich Gilles James Grabowski
Darren Rezowalli
Leah A. Lewis
Production Manager
Associate Production Manager
Technical Director
Properties Master
Sound Master
Master Electrician
Wardrobe Supervisor
Allison Rawlings Chelsey Rosetter Director of Communications
Communications Coordinator
Joseph Yoshitomi
Marketing Director
Karen Gutierrez
Associate Marketing Director
Mark San Filippo
Ticket Services Director &
Database Administrator
Stephanie Strand
Audience Services Manager
Brian Dunning
Graphics / Production Artist
Jodi Feigenbaum
Advertising & Promotions Assistant
L.J. Stevens
Group Sales
Janice Bernal
Associate Box Office Manager
Bryan Martin
Associate Box Office Manager
Assistant Box Office Manager
Janet Huynh
Korie Benavidez, Audrey Cain, Zack Hamra,
Richard Martinez, Lilach Mendelovich,
Martin Wurst
Box Office Staff
Jeni Pearsons Events Coordinator
David Gerhardt Supervising House Manager
Michelle Cantrell, Adam Carr, Amy Farkas,
Tommy French, Kimberly Legg, Julianne Tveten,
Zack Schultz
House Managers
Abdoulaye N’Gom
Head Usher
Caroline Harrison, Sean Jones, Matt Jones, Lyndsi Larose,
Rebecca Leigh, Nathaniel Meek, Katie Mitchell,
Leah Munson, Lindsay Nyman, Erik Odom,
Jonathan Schwartz
Bar Manager
Rob Mersola
Manuel Mayorga
Weekend Bar Manager
Adam Carr, Jared White, Kimberly Legg,
Lyndsi LaRose
This theater operates under agreement between the League of Resident Theaters and Actors Equity Association,
the union of professional actors and stage managers in the United States.
The scenic, costume, lighting and sound designers in LORT theaters are represented by United Scenic Artists Local USA-829, IATSE.