l~"~h~""~~~~~~t~~~~"~hi~`~dl had at it`s centTol 8Il enif}lllltic

Transcription

l~"~h~""~~~~~~t~~~~"~hi~`~dl had at it`s centTol 8Il enif}lllltic
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The dreams ...ordeals... triumphstold by the people who lived them.
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2 aLL M3ml£Rs & friendz:
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The Board of Ilirectorn lOOt on I'IJgust 13 to discuss the pun::twlsing of new
equiporent and the Soard elections <XIIIing up at the Septerrber Il'e<!ting. NJ, we s-.id
in the July iss,-"" . sevenal rrcrrt>crs of the present board will not be looking to
serve a seoond te m, and we are seeking new rrembers to be a part of the new board .
~ int erested should send a note to t he office here , we'll me ntion this ~n
in the Sept~r issue , and look fo....aJXI to a big turnouI: in Septerrber for sru.d
elections . As this is basically a thankless job , we've added SCftIe peru t o get
people interested. 1f you an. a rned:>er of the Board , yo.> will new n!oei ve an
aut:anatic rull ~l'Ship in UrT for the <lumtia'l of ~ service, as well as
$300 . 00 in
theoretical """"'y to be used ag.Ur.st equi""",nt "",ntal.$ . But let
un
me warn ..."." you are definitdy going to earn trIOSe un bucks if yoo get on the
Board . There ' s lots of houl:'s involved - the prescnt rrent>ers II'W!et about once every
l"-Q weeks for two or three 1lOJrS , not tIl ~ntlOll t or.!: of halrs en your illdiviOJ.al projects .
hi far as the new equi~nt goes. r..ith JlJnnett is busy pricing various
equ.iprent t hat we should be buying within the next .-;rlth including a shat&'Jl mike ,
0iImI!rn. filters , an O' COIII'OOt' SO trip.:><! and head , another Nagnl , and other bits and
pieces . As well, the Natioml Film Board is g:oing to lend us , for an indefinite
long t enn, sorre nore li!:hts and lllikes , an Eclair camera, ... couple o f splicers , and
... reel-to-rnll tapenKX>rder . Keith also wants to purdlase a Mag 'I'mnsfer machine .
\ole did ha"" a l<'!ad on ene, the person has sinO!! vanished off the f _ of the earth,
so if you knew of any good, used IMdlines , give Keith ... call \I a~~ -6389 . Keith is
&l6o 0«l00ng on getting us $10,000 . 00 fran Wint ......io . If sUCO!!ssfull , this m::ney
will be used to buy e """ lIVre lip and sarr III.>re post_production equiP'"'nt.
HeM I MAlE IlBARABA"
~lvill<'!' B short s tory ''The S<:rivner" intrig\le<lllll the no:;IlWlnt I read it .
There was w:nething rnique about it ' s handling o f chllI\1.cters and thellll5 which seerred
quite advanced for it ' s tiJoo (as it prndated Kafl(a by about ~o years). 1 1/[.'1 taken
HenMn
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~"~h~""~~~~~~t~~~~"~hi~'~dl
l
had
8Il
~tc:r
that he is quite adept at saying "I would prefer rot to . ~
to ac:'t as at
a ~
bringing
QJt c:.¥lNc:teristic:s
in
it's of
centTol
enif}lllltic:
whom
and narrator, especially when the p::wer s'truggle
and conventional authoritatiYe measures . At alOI!
and sitmbing.
piqwnt delig/'lt. In ot her words, I had to make
into ... lIIO'Iie.
I wrote a screenplay, BARABII, (whidl wen the ~ Epstein €n!ative Writi ng
!\.Jan! and egged me <JIWard) I!Ddemized the characters.rod made i t:a o:>nteupmllry
54ved up t hree thousand <bllars. cas t =d crewed Up and beg<W'l
at Hart 1b.Jse, Ioilidl ac:ted lIS my main )ocaJe.
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All the time "",:'le lI\OIkiflg the film! wall c;Onscious that I wanted to do setrething
different, t o 4-oid natuNlllstic acting, conve reatioo !IIld ligj>ting, to av:>id
the easy WIlyB out . Also to be avoided W<lS tile conwnticnal ending lotIich explains
e".,rything and ~aves the audieoce satisfied, in it ' s pl""'" was a ~ te ly
open ending ..nich e><plains nothing (which I think is IIOP! m>e to ure anyt.::wl.
The intf:ntion ~ing 'that the ..,mence would be throm bad< on -.hat pr<:>eeded
""d attempt to disoerTI for thcmsel""" 150m:! e>:planation. ~ther I Mve s.lCOe<!ded
in my at'teflllt ~ I don't I;nc;w .
ma.. is there is a prioe to be paid (or being uneonv.,,'tiooal. If you are
going to de fine y<:w' o.m style yoo mly have to walk t his rood for ./I while.
-~'. eYen get your fingel"l burned . I bumed JIO['8 tlwm my fi~r"II, I ,,"""" burned
Illy big t oe . Bu1: the flesh h ..... ~ - <!Ventually .
All I
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- --Aaron V . S'\\lSter
(P,S . J'Iaral wi ll be '~";"1,;BARA8A a t the ~eting an PoJgust 25 , and
i f I'e ' Ie lucky, M ~
sh:;<.! US his toes . )
B ~ THERE'
RE O RBEWARE '"
We showed four films
f'ilJrmlkers' O:>-op
~~~ ':
'_.
OIl
Neil St. Cl.4i:- for
We alSO
picke4
"\:"" WIJKLIJ Pm1n:1U:
t he lab
half- hour
'00
go< ;- .~;" reaction. tvryways •••
pi,o,,;. for the
..,.,ting on Aug 2Sm •.•
II.
NEW HOT SHORTS
Itlnthly Meeting/Scn:ening: ttm. , August 25 , 7 :00 Shar?
@ the LIFT space , 34 5 Adelaide St . West , 11505 ...
Sone rerently OOIJllleted shorts by LI FT rrerrber5 . The
f il.zrmakers will be :(:resent to discuss 'their films .
28 minutes , by Bruce /tIff i t t and
al:out four people who tell stories
i n a h ighly
.
format . The story t'ley tell
is about a stage ~r \./ho house - sits for peopl e
while they are awClj , and who -takes on :the pen;Cna1.ities
of the ~rs of the houses .
A STRPNG:R IN H'f am llIND, 11 minutes , by Michelle
s i rol.s , i s a <:JOOJIDentary al:out a Salvadorean re fugee
and the events th"' ~ force hi!;; f amily t o flee fran n
- Salvador. Produced in co-op wlWCmen ' s Workshop imFB.
. 26 minutes , by Aara\ Shuster (see article) .
Mangaard will aiSo be screening a short this
night , and, as always , there wi ll be beer , beer , beer.
GeNZO SCREEH1HGS
e
lHE fESTI VAl.
or
f ESTIVAI..S
: Did 'JO'U &C't yom' fil. run..-d <bin by th!! r""ti.""l Qf Ic:;ti""ls thin Y"'.')J'? 1'10
~l c.tin ....... t to r./lo.l it .~t U... IlomtlVoll?
I1lOfr (Ol in "t t"'" of
"u<l rind
out ilboo.lt \l~ CUIW ~OllJJIIJC';, 1\ooj,::\llly wI~lt ",",',,,, COing to <10 is sl.:w 00.,,'
fib... (:to U... ~i~'l"..s "nd ",tI"("'t" ne"r thlG yea"'s YI!'lU!!5 for U", rc~tiYilI.
..
II <:ubo- v,... set .... ",ith a se.cen "" one lIid!! of th.. st ,,,,,,t," won wHh" , oof-n:td<
.:f.~ lind llond.l go:!fl"nl t ..,,· Oil tI", oU",r (lioo . st",'t tl~ 1;"'OjC<' tor , a nd p't'sm! we ' , .. 1",1:
t::!
of the rl!~tiv.,I! We dc:tl ' t w,~nt to "PIlenr to I,... h.U<;>r or UJlG"t U",t om' lillm
t.:~r
,'<'j"",,,,1 (., l<>t ... r l.ltT f;I ... ' ." .. "ffir;.,lly I~"t of U ..... IM't Ihir. Y".,r) , ....
.~~:
j.~,t ",,"t QU" ri. l ...... :;1"""" 1",,·;,,1, ill~1 U""-"l (' .. ,m ~<.:,,..,.1tillJ:" "'t' .,
"';"1 "I
;;: v
doing it, 11,;<) """ do'.., by 11"""" li,cI;ta",ld .,,,,1 0\1,...,,, r...,. '.!I'r n f"",
t~,do; , (llld from .111 accour ,lr, it w,,~
~<'l r.\"""'~r..
1l",y ~;~>ly o"t up., r.~""~ 1l
'-,'_~ '~~ nnd pr'Q:jcctor in f.ont of u".. 1~ ' iYl!''lity 'Ihe,)tro lind <, ttmcl<:d tl .... n tte ll lio" of
•• .• nbc.,t 50 people , ~ i,~,t.. Lh;""''lity
1MI~'II'':lr, "",,1 two poli~,r.". ,;1,..,
, ... \tI<'\ .... Uv 1~1(1 to (13k 11'\1<-"" ' ·0 :;lout <.b,.n, . 'lI",y "~,, I1't .1 Hl "'"u\" " I,>t Oil
I ~
Cl1Y_1V ,.,1(I an illto, v icw with • . •J!:NtW: !lUQ(I:R!! !!!! I+> 0"'" til""" """,,0 h., t
~p we hIlve an insider who " ' C"", .nyllC. 1 Glould', ' t ellC" ..,ntil.Xl thio 1''\I't .• ,\'"' '
who ,>Ot"f(s for the T'cst , or ",ith ~lc lit UIIl l'est, or all of too abo::>YI! o r IlOfItl
.!'l :a o f the allow (I don't want to g!!t thill p;!l'tI(:tl in troublel wllO is going to ..':Ik!!
t.~" su,,,, that (Ill o f the invite<! pI"C59 "tle'Klinr. the r=t g"ts the Conm p''''z.s
!l r;" rcl'J<'lSO lIS .... n il5 an the e Kciti,,& rICW9 about the JI\()( UHQI fillo pI"""ie " jng
~:.~ the'e this yw r. togain I W,lIlt to c.t1 "'"3 that this is not a pl.~tronn rOl' {plitici,,&
o r whining , but a ligJlt-hea rte<l 100 Ilt the rest , and it shot'l 'l be (I lot of hu .
S ... o...r honol'\'\I'I p.~t.'G"I saints for this !!"",n t nre St . GruJd", Ilia"") nnd St . Ihiller
( S . TIlCft\lSoo) . If you arc inter=ted in t aking part or helping Or sl."...ing your
~ fil/Qr., g.iYl'! .., ;, Cil11 at the office .
&,(5 ~
---UlI ;n O,u.to"
?,' " FESTIVAL
FESTIVAlS UPDATE
In nd<liuon to lltom f:S"'I"n ' !1 lU.J : II I'i\SS-
no-
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"~ni1'?,1;t" YtlYW'!.R~,hi4rm,\n'il~'W;" ~~ ;
lit the l,., ot p,>!wih]e minute" nunber of 1..1 n
th;~ YCIIC"G resti ....,l or restiv,1l: Jcl't!ll>/ Po,"'...., · .• lIIetl ]11 1111: (WlAAl.T It.; 111 VITII ,
rollith 111n<ly ' ~' TIn:.,; IS II PAI.I.Y, !'.~ I ... jci" llm'.ctn(l ' C lJ/mN! GPMTIT1 , ",1<1 " ",.,." \"
Hall£(lard ' o IICR SOIL IS row. This fillo ,,;;on origin<)Uy shot On Super-f:i!:h t, U",,,
.
""wlIltte optioolly printe<J it OIlto 16"", film, nnd will be shewn at tI ", (\Jntl"rL1I1<1 3
Sept....o,r 1U@7 :oop .... It fe"tunm "n original OOUldtnrl by TIll: PIIINX liT
.~ ~
roJR II .H. mnettte , dcp>nding OIl the a·o'Jil...1bility o.f pri n ts, "",y b rine <II..:! of her
elrlier filao; to. the ~tinr. C6!' Iblday . a:...gr"t:uL:l~i~ to. "n U IT """,*",r::;
.. wi", <V"C I1QJ " p.'\I't of the rest.",,} this yc..'U'. . . . . .. .
,. ... .. . .. . . . . . ....... . ... ... . .... .
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~ rioo inclucled so far in \:hoe (nrztJ 5CRJl)HlCl inclto&
:;,~.g
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I·" e l'
O:>li n' .. 1I11t1P MaJID (lIKE
OfThR]O, !lob Show ' s II WOW! Nil) IIr.R roc., l>l..,k I'bg<l r ~ Mf PDMlf, Bruoo H::lffitt's
TIfC $'fOR'l'TI:W:RS. and tlido<:'ll" Siro.is ' II S'OWO:;R III
<lim 1
The OIlly criter;(l for being involY(.'d io that you ,n 'C a
~r (o frll1ite, """"""i.,te or f"ll ) of un, 1>(IVC
l,..en twncd <Jo..r, for the fcr.t in the lost two year::; ,
yo"r film <lO'!5n ' t <:OfIL1in too!TOJch fou l "~ngu..1C" , ;.",1 ycu
1~1 "" a ~1ifht lrooe of subvc'-siYl'!/,u",rd'tist lpn-it. i.n ycu .
.
"";"l~ "
""''''''
'II pl e " . lH US k""" ..hen euctly you pia"
~o . t.~e
your
scrun'~~ .
·~ .n10·
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,', p.e.K>
_ " - " ...
are In th ..
~e
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;
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"huge If ... _up • ~"d h~ckl" '(.. 11
" ' . •whe n tI \e go~ng gets weird . the weird turn pro."
- Dr. Hunter S . Thompson .
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. HO.4 I 11ilJ:E
When" p.>nk rock
and i t
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'SOLD THE lAST POGO ~
WiI.S
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HAVE A NICE TRIP
FALL
Patricia R:>zema's featW'(! at, THE: 'DUNGS I'VE: SUN is going ahead as planned.
With Alexandre. P.o.fre pn:><b:ing, this five week shoot aIlould be stM1:ing OIl
Septerrt>er 27 , with !:bug "Beware of thl! <b.!g" Kodl lensing .•. ~ter I1ottMr' s
feat"Ur'e TIlE TOP or HIS 1I1J\l) "ill new shoot in the spring of ' 87 instead of
this fall, and Peter will busy him;elf t~ the winter shooting II
v....iety of projects including" new J _ Sibo!rry video, IIClr:>iOthing Cor Kay
""",,tap, and Atea !:goy",,'s feature rAliI1X VIDatt; . AtQoI' s fea tun! is going
N\ead as ~hcedu1ed with " ~nbel' start illte for three ~ •.• Cl.arl<:e K3.d<sy ' s
featW'e TAKInG CAP,[ will begin shoot ing this Cdl as well (a real busy fall) .
Cl.arke will be shooting OIl Supe .... l6mn. the better for JS .... blo.l-~ and tr$ISferT'ing to video-tape. D:rl twg is 'the associate pl'01Ioer. Clarke spent this
Smrrer directing a o::up1e of itt!: K1[8 or ~GPASSI SIRLL! sho::>.>s •. , l)lroel< Fogers'
soort dnlllln fAT MI\'1/lIUN MIW will shoot in early OctoOOr , l.4te Scptent>er • . .
Colin Bt""rton plans to start shooting tHE M'(STIlUOOS I10CtI MEN or CNJM:A in
14t e OctOOer ... I\mette Hangaard is shooting" " hour ~ this fall as well
and is still looking for OMeN., ~ting . and 8OU>d pe....:nell. Interested
parties should contact Anette @~6S-~5~2 , 466- 2818 . The stills photographer
00 her shoot , Joanna ",*es, is looking for '-'<JI1( on other films , very roasonable
nl.tes , phone ~61-9670 evcnings ... Ross Turnbull is getting set to shoot his
half- hour cr..... 'illER!: Bf.NJlY !.lVES IN !fl1ORY in Octcber ••• !tl6s is 80;ill :l<;ddng
for sane crow JMIIt)ers, phone hi. at the 01iDC (593- 1808) •.• JIUlis l....m..n is
gett ing roady to shoot a dt'8lM
called 1,000 YI:AI!S or AIJlICC TO W(KJ< • ••
Bruce MacD:::nald i5 writing.,. rock ' II' roll feat ure film tentatively entit led
Bl..OO'D af BUlc)( , and hopes to roll in the 5lI11l'Cr of ' 87 . Thi5 film will
featun! the 5tar of Bn= ' s epic 1:lfOO(! J<N()Q(!, !)mid Brooks , and a soon to
be ~d local punklnew wave b.rod ••• Ron I1.lnn l.S still plcwing ahead 00
his new do<:un"entary featun! , wort:ing title -nn; cnnc BCQ( n Ul, and has captured scmc pre tty inte~sting people on film for i t so far ... FDsaru'1d ewell
will be shooting the last sa.nes for her short dnlmi1 JI:CD'TIVI: PASSHll thLs
fall, ilIld lilly have it cut by the winter. It was shot by Gem.1d Packer who
will al1IO be shoQting Derek It:lgers' film ••• !t:>b Shoub's II W(JW! mIl HI:R 00::; ,
Colin B"..-,t cn's II 'TRIP AR<UID lA'<E MARIO , and Keith Hlady ' s shol"t doc
n!I:RE IS A RAUX will 00 soon transferred t o It ind! video tape with !Fl eye
to selling it to various video storos in Toronto. About 3 out of 3 stores
~ Queen Stre<!t West haVI!! 1I.lred<tJ e~sed an interost in buying copies ,
and lf it turns out to be a sucx:ess, we 11 pM' on our oonnectiQf\3 to anyone
else who
w1lllt to do this ... l!nmn, what ellle is happening? The Chicage
ri1m
~d it ' s deadline to
1. There ' s a copy of
the
o f fiCI!!
to '"'tocopy i f you want to
II. !.lrr "-"'r can use the
~.i;',f~:~
tilres , and III!Ike sure
that yoo..'re root
g
l'-'t up littLl signs in
t he hallway about the
~laint last ~ wOOn we
fur tk:l6e of you who have
far in the newsletter (I'm
gett ing hard up for tMngs
abwtl if you can tell Ire who
guy t o the right is, I ' ll
a beer at the next meeting.
he is not a I!elN;!er of urr,
at the tilre this picture wns
taken he Mel just turned
10~ ,..,ar, ?ld .......... '.
;';;h;;;.i,
, ,when the going gets tough
the weak get screwed ."
a character in HEAD OmCI:~._~_ _==",,===,,-,
.- .
o
HOti' I MPJ<E II}(1PPER BREAlCFA'3T"
I 'm glad (blln askea "'" to write this artiCle en KIPf'ER
BRE:AKrl'ST because it forced rrc to sit d:::Mn and ponder what
this fil.!n is really ahcA.Jt. Entering my f<lill'th y<!1lr of the
Rjr<lreon film pI'Og1'\'lJn , I face 'the dilellfrU of pro<)Jcing the
epic thesis film . This film is being made primarily to prove
to my parents ba& in Vancwver that the $150 a m:nth they s.md
rre is not all going to buy drugs .
rot' the 1001:"5'10 titre I wanted to rMke a dnoma.
f<>Ur"lh
y~= ~
I .....
~hould
M.VOO
be~n
But rrost of the other
,...ti"",d to sound f'ill , ""d ;lin=. I
finally realized that I <laS no rrore talented than any other student fil.Jlm1ker , I
deciOOd that II driJJrl1 """"ld be a bi1d iooa . Then fot" the longest titre I ",,,rrted to
l'Mke a ~ntary . But <bcuroontaries aren ' t very exciting . TI'at leaves animation,
rot I can ' t drew very well. The obvioos thing was t o carbine all tlwee : KlPPEf
BREAYJ'AST was born .
Since a script d<:;:.esn ' t exist yet I can ooly guess il1: what KIPPER BREA,!(FflST will
be . Roughly, it will consist of several short documentaries on silly events ,
cc:nneC'te<\ by a ~dy naI'l"ative centered en a boy who trevels to these events .
August saw the filming of 1;\o.Q "silly events" ; the first event being the International
rr.:>g JUJl'Ping Contest in Wiarton , the other the Fergus Highland Gums . An anecdote :
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My ~ alI<OSt ...,tinied on TOO .men it was disooV!.':red the Wiarton hotels had no
vacancies and we ended up sleeping in the cat' a't a dJsk to 00"" dr'ivc - in . The OPP
officer..no =ke us up was very understanding . The 1l<l:M'il'tive portion o f KB will
be filmld this fall.
Of SOI"I"e in'tel:'eS't to the ted"ties ou't there is l<13 ' s poGt production . Shot on 16nn
filIn, the negatiV!.' is being 'transfc~d to tape and KIPPER BREAKrAST will then be
edited <:Cfll'letely CfI video tape . On the downside , the film will never be seen 00
the big SCl:'een, but the versatility of video post will allo<> TOO ine,..::ensive
effects ilIId the ability to fiddle extensively with colour and speed .
c:::::------:,
KlP!'ER BRI:AKrAST will be 00ft{>1eted by the spring or 198·, .
ttc very least , it willlMke "'1 parents happy .
At
·A JOKE BY PATRICIA ROZEt-lA:
"HCW MANY SURREAUSTS
. DOES IT TAKE 'IO CHANGE
A UGITBUlB?"
"A FISH . " ·
"""
"'~ of anyplaces ,
knew
the big Mur:1Cilll creo/S
been
eh?":~~:~~
them athere
call,:irst,
or leave
a,ge at L..I.F . T. , 1he
Independent filnllnket"'S of
___Neil S't . Clair
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'mE FOUR'IH DAY) Part 1
It ca:oes lIS no surprise to en ir.oe",md.mt tor dependent?)
filmMker the f\ll\Iber of difficulties which .:oris<! in making II film.
Pu1:ting together II crew, O'l5t ing, food, etc:. , are all prd>~ which ~
often difficult to re801~. due usually to budgort limitations.
Nevertheless , one WflY Or another we IOMAge to dIT'ive at that fr.:rltic:
stage of "shooting th!! film". At thi9 otage we m-.e ccnfront ed by new
problems, or rrore = c t l y put , by the abovf:-rrentioned problerM, along
with the <leW ones .
(h Cl.II'
fourth day of rilaing (Ctia:
em:
Sl.H1EJl, luis' first
featun! film) severol nM&-.le """nts occurred ""'iett have sruc:k in my .uoo
and seeJred wortly of sharing. f<:r e~le, wto woold have droMIe<I that
after plaming the shoot for Janu.uy . the heart of winter, that the landscape
would be ~letdy (\eyoid of snow? ThU i$ "lCIOCtly what happened to us
when we f ilJrod II series of exterior socnes, particularly those we shot on
the fourtll day . Of COOI'Se , theoretically one <X>U1d post~ the shoot Or
decide to do the interior scenes , but in our eM(! we had alrnudy postponed
and changed plaM 00 often that ~ldo Guhen'Cz . the oo-proO.K:t!l"'.
pn:r>CllTICe(I that we should film with l.ihe.tever .... ather we vere f8C(!d with .
And so it Wo'1S decided, since t he p.:t;m"l'nt of the rented equi~nt _
oot
dependent on the lrr!teQrological o:;nditior>$ of southerTl Ctlt.v-io.
So "it!> a mdiant SUIl shining dcwn, we ...:Ide our way to m
abandcned and desolate area in the east part o f the city. It BeeIMd like the
perfect spot, net just for it ' s aesthetic cI\aract..ristics , but ~ bec.:JUS<!
it WOlld al.J.cM the crew to skwly, and with a cert"':" ~t of privacy, again
begin the fill1\i.ng , which had 00c1l internlpted a IlllIIth before .
Keith Hlady,
too
cine""'toi\f'n~r,
picked me up eo.rly that rrom ing .
We wc", relaxed cmd fully confident, since every detail of the shooting had
been meticulously pl!rLIJed. When we arrived at the location, the actor and crew
_re all there, with the e""""ption of John Biggar, t he gMfer. Ib::h to our
surprise , tho!re was a OOstle of activity by peq>le and police cl'\I~re . We
quickly diso:>vered that this site had been chosen by saueaue to camtit suicide ,
and he had been fOl.nd hanging f Ta:l a tree. This affected each .;roe of us
deeply . I peroooally tried to imolgine the causes or rrotiV1ltions tha1: had led
this ?Orson, o.wW\oWn to !!C, tb take his (Ml life. (buld i1: have been loYe
problem;? Oid he h«'le hu,ge debts? Or was he one of the thous~ of people
wh.> W«II<le.. the stl'OOt&
ot
TOronto wit:n no place to sleep and who pre fer to
sacrifice them$clves rather
Ho.ybe I wi ll newr knew his
that maybe it is wortlMlile
hero . This event theref<>l"e
purpose critiCally.
than continuing to live their lives in the cold .
ooti""s , but nevertheless t his evellt made:re think
to shew , thrw.at'l film, the auOO roality that exists
forooed Ire to o::nsider my (Ml worit and to evaluate it's
At ab;Jut l~, 30 John illrived and we heanl
about the reasool for his delayed arrival. These
reaoons, along with <Alat had ah..ady 0QClIrT<e<.I and
what would a;nti."1Ue to happen <Xli"Istituted a day of
shooting that wo.ll.d be difficult to fOf'&'lt. "!he res t
of the s t ory wilt appear as "Part 2" in the next issue .
---!JJis Garcia
TORDNTO·WOMEN ' S WORKSHOP
The Torcnto Werre!l ' " 'oIlorkSllCp <>as fonred to provide a JOOanS for
~" in film to
their i1"'lui:red stills . It was observed
"that many waren
assistant capacities such as assistant
editor, caJOON or
often had difficulty moving out of the
assistant
the job of editor, cinematographer and
director .
set
to alla.i warren the oppol"tunit:y to
their skills, gain
their dxlsen a>:'eaS of .
and add to their screen cred" s in
and e><pel"'tise .
The WOrKslnp requires that \QTen have SOle kinct of bdckground in film as it
cannot , and does not , act as a film sdx>o1. reI' WCfmn wh::> are inte:rested i"
pwticipating in the Workshop and q:>en rreeting to get acquainted with -rhe
r<ent>er'S and a screening of past films "ill be held on :
Wecr..sday , Septerrber 3r<1 at 7:30 p.m.
al: the Nre _ 6S MeLaide St. E.
HOP!: TO SEE YOU TIlER!:! ! !
.'
-- -Janis lundtl3n
has over 180
will play at
festivals,
am:ng many
.~
revoluticnary so"",mment of Newfoundland ,
mental insanity, and
bladatuil. I t stars
Mike, his brother Andy,
Fobert Joy, Mary Walsh ,
Tamty Sexton , Greg Malone,
Brian
~Y.
Maisie
~;,~;.:"";~rs
mmy others
of
,i.
i
Pigtlt
;~;L~O:~
dam to
=<0
everycne
'
sl'Lan>s in the
Sa go see it!!
9
•
(which, by
1;O<n ) on the Olnforth. I went <bm ill
the film ag,ain ..tUl.<! plyi ng Ire with instMt c:offH and donuts . TIley
m:::ney ...natsoever, but they wanted ,,'C,.:C';,
;~~,:,theY
get
8_ th"t I looked" bit
intervi<'!WCd
them do.m , 4ld
real deal .
called them a few
Jon liicrn..lson ' & new play,
rYI::lS
AND
rflQl'l'S
---C.B .
WlnIIN, opens ""'g. 26
~than O:hen Studio at YPT . «ld .,.,y LIfT
it 0iJIl get in for It priCl! . I ' ll give Jon a
hilo Ih::> you~ . '!he play is set in East
and is a dmIIra. utilirlng serre fila proje«icn
3(1 scenes , Ih:ne 86~ 9732 for reservations
info",..tion. Prod.oa!d by the HeI'<:Wy
The 29th
"'-'-
,After a ll , they
ca n o nl y s hoot
for animated
~
2;;:~rJ~~
:f;=J~r~
with ftthe~,
~
me.'
- Anne Jones on taking.
.
oller the hotseat liS head and SOOrt
of the Ontario Film and' ~oor 60
,Vid ~ evlew B..Q!Ld-".' come
the
list
~""~ii!:~~'
A JOKE BY AlEXANDRA RAFFE:
"HCW MANY FDiINISTS
IllES IT TAKE TO (}lANGE
"'" - .
infonmtion
~.!;~;;:i:i~~;1~:#r~:~~in,
you
We'
how
Y<JJ KWII! ywr
"~~:~""'~"
on and
and
i<,on
~_on.
00
to
C(FI""ntm~
~'i,~:~:~C~~'{:;~ G~;:;';';: CA'lAJ)\,as
.
t tendanoi! at
going to be
l~:;&.lItart
,
.
.
,
.
,
"
,
"
,
'
r=
get
art .... , .....",...
'. ,_ .....,.It" ""toW
, It ... _
Md
aren ' t going to
t:"l
here , SO we
StooD. So i f you 'rJ"'""'
of the boar<.I , drop US a written letter
in the Septen'Der newsl etter. We ' re
~ extre..,lY busy this fall , and so
two or tltree t~s .. IIQ'lth, is not
stu.. up WO OJt of three t:iJms. and
to
and helping cut, we should be able to
Iohen things ge .... rally dow~.'~•. ·
think have really gone"
but it'5 time to p;IS8
ard cattinue building
•• • and I' .... just heard
the prestigious OIic..co " I'/I:~ir,
. .... festivl has been e~d even
the
AAh • n· ..... ",....
, - ' .,,,,...
lettll of """te~r.
FOrm!; at
. , ... , ... ,,..
~I'
JUMBO\ _,,",.",'.7.:'.....
. .
....... - ,
.... -
10
'
I said
and
I
~
10
STOIDl GooI:6
aJLLED FROM VARIOUS
l'Il1-1
MAGAZINES
Do~ oM donn for aspiri'lJl
jilmmakus from
(J
director
.."0 .ho..ld know ... /Hlltr.
"",,-.
I'or ""'" ."~bIt
Ill< ..ioni
·U~ e..... ..... " .;at"" tIwI ~
_ . , be ",",.""",, fof SolO mill.,....,.
"" . . . .. bpIoOo "'" ....
rall',... .......
...,. of 1o<1:rys ................. ,... _..,.
. ........ 10 ,110 hi:Jh IiI<. ToJl ........... '
, 11<11 ,od< ....... ,
""<hi,,,)<IO' 'k>r)'•
• ,~_"';' 10 ' ,",,0" ,," , '*< .... '
w,..,
""!
• ft'" pb«. If _1'f"ioocI" __.."
_"" _ _ r<tr ..,4"'_0, by • .,..-
,_
... .."..._IO .. ".""", .........
. .... . . , _ ..... ~ ....... Io ....
IIi. "'" ........ ,"'" oUt """, ......",..; "" ~iII· .
, i", n<'O'bono i"r.."... <1<"", 1>< ~ .. . "onor:
_bl._ . . . . . . . . . .
~I",'",~ ' ';",'''' ''''' dc..:.oo...and _
...... _ .... o.c.,.. ... .... _1opMtoI
...... .....,.,.. .... _
__ l\000i.
..".., <tfIm.
" , 1111 Do ,"'" oJ", I """, UI>o
fi", .. "'" ~."" Ill< dorckn .......
PIll' ""'" _
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........ _ _ _ ... ck<l dlrit
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,"">«<>
S..,. .., ""n,,, _ I". _
"'rip<". """010)'> mal<)'OII do .... ,ita"
)'OU
<tn .... 1".." .. 'f """" ,.... ond "-....
...... bit ............. "'iol:
_ _ ........,ooIl'l.lIIInw;,.. _ . " . .
f""' .. d;~
by '<>elli.. )he 'k ....... od 1"""...... '" ....
priet.
[)o ~ _
.... -
..-mI
.........
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,.". ............ of.
'-Y ,.., ro. _
,..,....... ... tIooJ ......... <WI ..... ..".
day".
~
)'>\I' . . rip<
-",,_d"";,~
1'1<>1«. ... 'irP .. ". ,11<"
AI.. _ . I _
)1000 - . "'"' .....
I. "')' lUI _ _ odri«
•
. . . when the gc..img gets tough;
:he tough get going" - - - anon .
....
'.,. ..
:~r :-" ' :'
11
..
Atan Egoyan
~d
-me
office the other day and asked me what 1
~ "Profess icnal Negative Services" .... ant .
PHS is one of UIT ' s neigN:o .... ,
!In<! At "" wondered if it was the Jcind of
<XIU1d
i f ,,_
t oo happy
or
by
:=
future
end
re.ised the
I
•
I
;,
,
, ,
...
•
•
, .,
....
...:-'-
.
,
:'
•,• '
,
,, ." ,
,
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G()~ZO
&CI\£ENI IiGS 1\ 1l1E Tf.STJVAL
or
n5TI VA/l;
~I
...
...'«""'"P'
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, .. . . .
..~
,.,
'
. . - . . . . ft . ' ' ' ' ' ' ' ' .,...
",~'
p""... ... . ro
..... " ................ u .
v. 'lI
" .. •when the
h'
"'t
t ho
I.
.,..... ".
.... .
-
~"/'
~
. . . . ..
(
l
"J""",.~"" "'ord
.... 110,
.,,,.., 0." .. ,
going gets weii'd ,
v..e
we i rd tum pro."
_ Dr. llunt er S . ThonopGon .