August 29th 2010 International Master

Transcription

August 29th 2010 International Master
International Master-Class
for Classical Saxophone
Laubach
Retrospective 2009
5. International Master-Class
for Classical Saxophone
August 23th - August 30th 2009
Preview 2010
6. International Master-Class
for Classical Saxophone
August 22nd - August 29th 2010
www. saxophon-meisterklasse.de www. paucker-konzerte.de
Retrospective 2009
5th International Master-Class
for Classical Saxophone
Laubach / Germany
August 23th - August 30th 2009
“In music the passions enjoy themselves.”
(Friedrich Nietzsche)
I.
The Master-Class of 2009
Six years ago we, a group of friends of chamber music, had the idea of a Master-Class for Classical
Saxophone. And now we see that this Master-Class apparently is needed; We never had so many
applicants for active participation and unfortunately had to say “no” to many interested students. And
we never had such a large audience. This motivates us to continue with the task of giving a special
professional education to young musicians in an international atmosphere. And it motivates us to
continue to propel the interest in music with the classical saxophone by offering something very
special to our audience in the form of four classical saxophone concerts.
II.
The Faculty
Three teachers, three artists, three approaches, three philosophies.
A convincing team. “Never change a winning team”, a team of some of the worlds best players and
teachers for the classical saxophone:
Arno Bornkamp,
Professor at the “Sweelinck Conservatorium van Amsterdam”
Vincent David, Professor at the “CNR de Versailles “ and
Jan Schulte-Bunert, tutor at the “Universität der Künste”, Berlin.
Furthermore we had with us,
Peter Weniger, Wolfgang Köhler,
Professor for Jazz at the “Universität der Künste” (UdK), Berlin
Professor for Jazz - Piano at the UdK, Berlin.
They presented to the class a most stimulating introduction into improvisation for classical saxophone
players. And they enthused the audience at a jazz-concert.
Such a Master-Class stands and falls also with the
piano accompanists.
This year we were successful in having again
Florian von Radowitz, Berlin and
Stanislav Boianov, Detmold.
III.
The Class
24 highly talented musicians from 12 countries participated in this
“5th International Master-Class for Classical Saxophone”.
Austria
Mrs. Charlotte Zoerner
Mr. Michael Amann
Mrs. Martina Stückler
Mr. Michael Krenn
[email protected]
[email protected]
[email protected]
[email protected]
Belgium
Mr. Kurt Bartels
Mr. Jonas Vanhove
Mr. Wesley Capiau
[email protected]
[email protected] (also 2008)
[email protected]
Denmark
Mr. Christian Fallesen
[email protected]
Germany
Mrs. Sarah Wünsche
[email protected]
Japan
Mr. Tsuyoshi Honjo
Mrs. Seno Hiroko
Mrs. Iwata Yukiko
[email protected]
[email protected]
[email protected]
Lithuania
Mr. Arvydas Kazlauskas
[email protected] (also 2006)
Nederlande
Mr. Stefan de Wijs
Mrs. Joke van Loon
Mr. Christian van der Weij [email protected]
[email protected]
(also 2008)
[email protected]
Poland
Mrs. Paulina Kulesza
Mr. Piotr Wysocki
Mr. Daniel Chwaszczewski Mr. Bartlomiej Dus
[email protected]
[email protected] (also 2008)
[email protected]
[email protected]
Portugal
Mrs. Ana Irene Rodrigues
[email protected]
Spain
Mr. Jose Ramón Olmo Fernándes [email protected]
UK
Mr. Jonathan Radford
[email protected] (also 2008)
USA
Mr. Joel Diegert
[email protected] (also 2008)
IV.
Master-Class Schedule
Arrival: Sunday,
Arrival:
23.08.
Sunday,
2009
23.08. 2009
Tutors Concert:
Tutors18:00
Concert: 18:00
Monday, 24.08.
Monday, Tuesday,
24.08. 25.08
Tuesday,Wednesday,26.08
25.08
Wednesday,26.08
Thursday, 27.08
Thursday,
Friday,
27.0828.08.
Friday, 28.08.
Saturday, 29.08.
Saturday,
Sunday,
29.08.30.08.
Sunday, 30.08.
Vinc
Jan
9:00
Arno
9:00
P8
P 17 P Quartet
8
PP
1717 Quartet
P 11 P Quartet
17 P P
117 Quartet
P 18 P P
71 PP
1824 P P
1 12 P ITL
24 P P
1216 ITL
P4 PP
167 P 4
P7
9:30
9:30
P9
P 16 P 9 A P P
1616
P 17
10:00
10:00
P 10
P 15 P Quartet
10 P P
1515 Quartet
P 9 P ITL
15 P P
9 9 ITL
P 16 P P
93 PP
1622 P P
3 10 P Quartet
22 P P
1014 Quartet
P2 PP
1419 P 2
10:30
10:30
Audition
11:00
11:00
P 12
P 13 P Quartet
12 P P
1313 Quartet
P 24 P Quartet
13 P P
2411 Quartet
P 14 P P
115 P P
1420 P P
5 8 P 20
11:30
11:30
P 24
P 1 P 24
C
12:00
12:00
P 23
12:30
12:30
P 22
P 2 P ITL*
23 P P
2 2 ITL*
P 12 P ITL
2
P 12
ITL
ITL
P 3 P 22 P 3
ITL
13:00
13:00
-
-
15:00
15:00
15:00
16:00
15:00
Meeting
at
Meeting
Group
at lesson
Group lesson
Group lesson
Group lesson
Workshop Workshop
Group lesson
Group lesson
16:00
Concert-Hall
Concert-Hall
16:00
P16:00
1 P 24 P 1
P 8 PP24
21 PP 84 P ITL
21 P P
4 3 ITL
P 22 P RR*
3
P Quartet
22 RR*
Quartet
Quartet
P 20 Quartet
QuartetP Quartet
20 Quartet
RR Quartet Concert
RR
16:30
P16:30
2 P 23 P P
2 9 PP23
20 PP 95 P ITL
20 P P
5 4 ITL
P 21 P low
4
P 21
B
17:00
P17:00
3 P 22 PP310 PP22
19 PP10
6 P ITL
19 P P
65
17:30
P17:30
4 P 21 PP411 PP21
18 PP11
7 P ITL
18 P P
76
18:00
P18:00
5 P 20 PP512 P 20
18:30
P18:30
6 P 19 PP613 P 19Ensemble
P 13
Ensemble
Quartet Ensem
Quartet Ensem
19:00
P19:00
7 P 18 PP714 P 18 P 14
19:30
Vinc Arno
Jan
Break
Vinc
Arno Jan
Vinc Arno
Jan
Vinc
Arno Jan
Vinc Arno
Jan
A
P 10 P 16
B
Vinc
Arno Jan
Vinc Arno
Jan
PP
108
Vinc
Arno Jan
Vinc Arno
Jan
Vinc
Arno Jan
Vinc Arno
Jan
BP 17 P P
82 PP
1723 P P
2 11 P ITL
23 P P
1115 ITL
P3 PP
1517 P 3
Concert
P 19
Concert
Audition
P 11 P 14 P 11B P P
1414 B
P 8 P ITL
14 P P
8 10 ITL
P 15 P P
104 P P
1521 P P
4 9 P 21
A PP
9 13 AP 1 P P
1318 P 1
Break Break
PP
11
CP 23 P 1C
Break Break
PP
2312 CP 13 P P
126 P P
1319 P P
6 7 P RR
19 P 7
ITL
P 23
P 18 P P
236 P high
18 P 6
ITL
P 24
P 17 P P
245 P 17
Break Break
P 18
-
P 8Ensemble Ensemble
Q. C
Analyse
Q. C
RR
Q. B
Q. B
high
Q. A
Q. A
Analyse
P5
Break Break
Break Break
Break
14:00-16:00
14:00-16:00
-
19:30
Dinner
Peter Weniger
Peter Weniger
Concert
Quartets
low
Quartets
ITL
P 20 P RR
5
P 20 RR
Quartet P 22 Quartet P 22
&
&
ITL
P 19 P high
6
P Ensem
19 high
C Ensem C Ensemble Ensemble
Ensembles
Ensembles
P 12
Dinner Dinner
ble
A
ble
A
Dinner Dinner
lowA
BP 21 A C
P 21
B
Clow
B
ble
Dinner
Dinner Snack
Snack
ble
Dinner
Jazz & Klassik
Jazz & Klassik
Concert ConcertDinner
Dinner
Solo & Duos
Solo & Duos
Dinner
Dinner
*ITL: Individual
*ITL: Individual
technical lesson
technical
(Vibrato/Breathing/Staccato/Slap-Tounging/Special
lesson (Vibrato/Breathing/Staccato/Slap-Tounging/Special
Effects...) Effects...)
*RR: Register
*RR:Rehearsal
Register Rehearsal
for the Ensemble
for the Ensemble
P = Participant
P = Participant
V.
The four Concerts of the Master-Class
The four public concerts are part of the teaching and learning experience of the students. And they
are part of our chamber-music series, demonstrating convincingly that the saxophone is a wonderful
instrument for classical music. During the 2009 season, there were - besides the four classical
saxophone concerts - concerts of piano solo, a quartet for clarinet, violin, cello and piano, a concert
with viola d´amore flute, cello and cembalo and a concert for cello and piano.
At the beginning of the saxophone concert series and of the Master-Class - there was the concert of
the tutors in dialogue with the violin and the piano. What a great start for the students to experience
their teachers in concert. And what a great chance for the audience to listen to some of the best
classical saxophone players of the world.
Then followed “Jazz and Classic” , a concert to
enjoy the difference in technique, approach and
philosophy of the Jazz- Saxophone music vis-a vis
the Classical Saxophone music.
The last two concerts were the concerts of the master-class students. At first selected students played
pieces for saxophone solo, saxophone duo or saxophone and piano. Then, on the last day of the MasterClass, the students played chamber-music in the form of quartets and ensembles. Energetic and devine
music, as if two organs were playing.
Sunday, August 23th 2009, 18:00 hours
Concert of the Tutors
The Tutors in Dialogue with Violin and Piano
J. S. Bach
1685-1750)
Partitia für Sopran-Saxophon (orig. für Traversflöte)
Allemande - Courante - Sarabande - Bourrée Anglaise
Arno Bornkamp
Sopran-Saxophon
Jacob ter Veldhuis
(*1951)
„The Graden of Love“ (2002)
für Sopran-Saxophon und Bombox
nach dem Gedicht „The Garden of Love“ von William Blake
Arno Bornkamp
Sopran-Saxophon
“The Garden of Love” von William Blake (1757 - 1827)
I went to the Garden of Love,
And saw what I never had seen;
A Chapel was built in the midst,
Where I used to play on the green.
And the gates of this Chapel were shut
And „Thou shalt not,“ writ over the door;
So I turned to the Garden of Love
That so many sweet flowers bore.
And I saw it was filled with graves,
And tombstones where flowers should be;
And priests in black gowns were walking their rounds,
And binding with briars my joys and desires.
C. Franck
Pause
Sonata für Sopran und Klavier in A-Dur
(orig. für Violine und Klavier)
Allegretto ben moderato - Allegro Recitatiovo, Fantasia - Allegretto poco mosso
Vincent David
Sopran-Saxophon
Stan Boianow
Klavier
Adolf Busch
(1891-1952)
Suite für Violine und Saxophon
Präludium - Sarabande
Jan Schulte-Bunert Annette von Hehn
Yoshifumi Tanaka
*1986
Duo für Saxophon und Violine
1. Satz
Adolf Busch
Suite für Violine und Saxophon
Gavotte
Yoshifumi Tanaka
Duo für Saxophon und Violine
2. Satz
Adolf Busch
Suite für Violine und Saxophon
Gigue
Mauricio Kagel
(1931-2008)
Rrrrrrrr.................! Fünf Jazzstrücke
Racket - Rrrrrrrr-Bop - Reeds - Rrrrrrrr Old/New - Riff
Annette von Hehn
Violine
Jan Schulte-Bunert Alt-Saxophon
Florian von Radowitz
Klavier
L. v. Beethoven
(1770-1827)
Trio op. 87 in C-Dur für 2 Sopran-Saxophone und Alt-Saxophon
(Orig. für 2 Oboen und Englisch Horn)
1. Satz: Allegro
Arno Bornkamp und Vincent David Sopran-Saxophon
Jan Schulte-Bunert, Alt-Sxophon
Alt-Saxophon
Violine
Thursday, August 27th, 19:30 hours
Jazz and Classic
This concert is dedicated to the saxophone as an instrument of jazz. At the same time we want to show
to our guests the contrast and positive tension between the saxophone as a classical instrument and an
instrument of jazz.
At first the three classical tutors will play a short piece of
Gustav Bumcke
(1876-1963)
„Kleines Trio“ op. 96
Arno Bornkamp, Alt-Saxophon
Vincent David, Alt-Saxophon
Jan Schulte-Bunert, Tenor-Sxophon
then
Peter Weniger at the Tenor- Saxophone and
Wolfgang Köhler at the piano
will play their own jazz compositions.
Friday, August 28th, 19:30 hours
Final Concert I
Concert of the Participants, Solos and Duos
T. Escaich
(*1965)
Lutte
A.Kazlauskas, Lettland
Alt-Saxophon
E.Schulhoff
(1894-1942)
Hot Sonate, 3. Satz
Ch. van der Weij, Niederlande
Florian von Radowitz
Alt-Saxophon
Klavier
J. Ibert
(1890-1962)
Concertino da Camera
B. Dus, Polen
Florian von Radowitz
Alt-Saxophon
Klavier
L. Berio
(1925-2003)
Sequenza VII b
M.Krenn, Östereich
Sopran-Saxophon
J.S. Bach
(1685-1750)
Cello-Suite I, 1. Satz
P.Kuleza, Polen
Alt-Saxophon
E. Denisov
(1929-1996)
Sonate, 1. Satz
J. Diegert, USA
Florian von Radowitz
Alt-Saxophon
Klavier
H.Badings
(1907-1987)
Malinconia
S. Wünsche, Deutschland
Stan Boianow
Alt-Saxophon
Klavier
C. Frank
(1822-1890)
Sonate IV. Satz
J.Radford, England
Stan Boianow
Alt-Saxophon
Klavier
C.Debussy
(1862-1918)
Rhapsodie
S. Hiroko, Japan
Stan Boianow
Alt-Saxophon
Klavier
R. Muczinsky
(*1929)
Sonate, 2. Satz
P. Wysocki, Polen
Florian von Radowitz
Alt-Saxophon
Klavier
Pause
Saturday, August 29th, 16:00 hours
(at the Cinema “Traumstern” in Lich)
Final Concert II
quartets and ensembles
Darius Milhaud
(1892-1974)
Scaramouche (1936)
Gespielt vom Saxophon Ensemble
der Meisterklasse
Astor Piazolla
(1921-1992)
1. Libertango
4. Le grand tango
5. Tango suite
J. W. von Goethe
(1749-1832)
„Der Zauberlehrling“
vorgetragen von Moritz Pliquet
Examenskandidat Schauspiel an der
Hochschule für Musik und Darstellende
Kunst, Frankfurt
Paul Dukas
(1865-1935)
L´apprenti sorcier (Der Zauberlehrling)
Gespielt vom Saxophon Ensemble
der Meisterklasse
2. Adios minos
3. La muerte del angel
gespielt von drei Saxophon Quartetts
V.
Impressions beyond the
musical tasks and goals
VI.
Repertoire of pieces the participants
wanted to practice on
5th International Master-Class for Classical Saxophone
Austria
Mrs. Charlotte Zoerner
Denisov
Ibert
Glazunov
Mr. Michael Amann
Creston
Sonata
Hindemith
Sonate
Bernhard Heiden
Sonata
Denisov
Deux pieces
Mrs. Martina Stückler
Francois Borne
Fantaisie Brillante sur des
airs de Carmen
Ibert
Concertino da camera
Ryo Noda
Mai
Glasunov and Petiot
Concerto
Mr. Michael Krenn
Berio
Sequenza 7b
Berio
Sequenza 9b (alto)
Pierre Sancan
Lamento et Rondo
Ibert
Concertino da camera
Belgium
Mr. Kurt Bartels
Mr. Jonas Vanhove
Tanada
mysterious morning III
F. Ericksson
concerto
E. Grieg
sonata
Mr. Wesley Capiau
Bozza
Etudes
Bonneau
Piece concertante (sans l´esprit Jazz)
Dubois
Concerto
Creston
Sonate
Boutry
Divertimento
Denmark
Mr. Christian Fallesen
Muczynski
Sonata
Milhaud
Scaramouche
Hindemith
sonata
Desenclos
prelude, cadence et finale
Germany
Mrs. Sarah Wünsche
Henk Badings
La Malinconia
Ibert
Concertino da camara
Japan
Mr. Tsuyoshi Honjo
Boulez
Berio
Stockhausen
Lauba
Mrs. Seno Hiroko
Debussy
Glazunov
Denisov
Schubert
Mrs. Iwata Yukiko
L.E. Larsson
Lithuania
Arvydas Kazlauskas
Rapsodie
Concerto
Sonate
Sonate a-moll für arpeggione
und Klavier
Concert for saxophone and orchester Desenclos Prelude; Cadence et finale
Denison
Villa lobos
Sonate
Fantasia for sopran sax
Denisov
Escaich
H. Sauget
Sonate
lutte (solo)
Sonatine bucolique
Nederlande
Mr. Stefan de Wijs
Larsson
Noda
Brahms
Mrs. Joke van Loon
Desenclos
Creston
Poulenc
Mr. Christian van der Weij Dialogue de l´ombre
sequenza 7b
Edentia
Hard
Debussy
H. de Jong
E. Schulhoff
Creston
Concerto for saxophone and strings
Mai
2nd clarinet sonata
prelude, cadance et finale
Sonata op. 19
Sonata for Oboe and piano
Rapsodie
La reve et la folie
Hot Sonate
Sonate
Poland
Mrs. Paulina Kulesza
Benson
J.S. Bach
C. Pascal
Massenet
Aeolian song
Sonata g-moll
Sonatine
Meditation from „Thais“
Mr. Piotr Wysocki
J. Charpentier
Ibert
R. Muczynski
Roy Noda
Mr. Daniel Chwaszczewski
Ida Gotkovsky
Koechlin
Gavambodi 2
Concertino da camera
Sonate op. 29
Mai
Mr. Barlomiej Dus
F. Schmitt
Stockhausen
Henri Sauguet
Denisov
Legende
In Freundschaft
Sonatine Bucolique
Sonata
Portugal
Mrs. Ana Irene Rodrigues
Tomasi
Noda
Schulhoff
Charpentier
Balade
May
Hot sonata
Gavambodi
Variation pathetique
Etudes
Spain
Mr. Jose Ramón Olmo Fernándes Dubois
Concierto
Debussy
Rapsodia
Stockhausen
In Freundschaft
UK
Mr. Jonathan Radford
Berio
Sequenza Ixb
Frank
sonata
USA
Mr. Joel Diegert
Denisov
Glazunov
Lars Eric-Larson
Debussy
Piet Swerts
Mantovani
Sonata
Concerto
Concerto
Rapsodie
Klonos
L´incadecsence de la Bruine
VII.
Preview 2010
The “6th International Master-Class for Classical Saxophone”
will take place at the Hessenbrückenmühle
from Sunday August 22nd until Sunday August 29th 2010.
Arno Bornkamp, Amsterdam,
Vincent David
Versailles and
Jan Schulte-Bunert Berlin.
The tutors will be again
The piano accompanists will be again
Stanislav Boianov, Detmold and
Florian von Radowitz, Berlin
We will start on Sunday at 18:00 hours with the „Concert of the Tutors in Dialogue with the organ”.
This concert will take place in the old church in Laubach with the completely restaurated baroque
organ from 1753.
On Monday morning, August 23rd, there will be the mandatory audition. The participants are asked to
play a solo piece of their choice (absolute max. 5 minutes).
The concerts of the Master-Class to be performed will be the following:
Sunday, August 22nd, 18:00 hours
“Concert of the Tutors in dialogue with the organ”
(in the Laubach church)
Thursday, August 26th, 19:30 hours
“Jazz and Classic”
Friday, August 27th, 19:30 hours
Final Concert I of the participants
Solos and Duos
Saturday, August 28th, 18:00 hours
Final Concert II of the participants
Quartets and ensembles in dialogue with the organ
(in the Laubach church)
VIII.
Tasks and Objectives
The tasks and objectives of the non profit organisation
“Musik und Sprache Hessenbrückenmühle e.V.” are
(a) to support gifted young artists by giving chamber-music concerts (presently six concerts)
and thus creating income for them and
(b) to enhance their professional levels, among others through Master-Classes, such as the
“International Master-Class for Classical Saxophone”.
Furthermore pupils from secondary schools and from music schools are invited
to attend the concerts free of charge in order to induce interest and joy for “our”
music in the younger generation.
The chamber music concerts are given since six years. Their main features are:
- High level of professionalism of young artists.
- A balanced program between classical and contemporary pieces.
- Introductory remarks for contemporary pieces.
- One evening per season (May to September) is mainly dedicated to using the language
to comment on music, musicians, composers and the music perception of audiences.
IX.
The place of the Master-Class
The Hessenbrückenmühle in Laubach, a national historical monument, is an old restored water-mill
originally from 1698 at the banks of the river Wetter some 60 km north-east of Frankfurt/Main.
Four old buildings are assembled around a beautiful courtyard. The tutors are teaching in one large
and two smaller concert-rooms. There are eight practice rooms available and many lovely corners in
the park, next to the river or close to the forest. The central hospitality area is in the hall of the old
stone-barn.
Accommodation for the faculty is arranged at the water-mill. Students either live in a little county inn
in walking distance of the mill or in the private homes of many Laubach citizens who welcome guests
with great hospitality.
X.
The Organisation
The Master-Class is organised by Ute and Dr. Holger von Paucker, a former banker in New York
and London and now owner of the Hessenbrückenmühle. They founded the non profit organisation
“Musik und Sprache Hessenbrückenmühle e.V.” together with friends of chamber music.
XI.
Thank you
Such a master-class is the joint undertaking of many giving active support as well as backing the ideas
behind the Master-Class. We are thankful for this support and backing, among others
by our sponsors:
Yamaha
Sparkasse Laubach-Hungen, Laubach
Allianz Generalagentur Hartmut Schmidt, Laubach
Giessener Allgemeine, Giessen
by our 35 supporters who helped with generous donations to finance this Master-Class,
by our 75 members of the non-profit organisation who gave us financial and practical support as well as
kept us on track of reaching our objectives,
by our 85 season ticket holders,
by the press, p
articularily by the “Giessener Allgemeine” and the “Giessener Anzeiger” as well as HR 2,
by the hospitality of many Laubach families, who opened their private homes to our students,
by the paying audience from the Frankfurt/Giessen region, being interested in listening to the music of
classical saxophone.
XII.
Auf Wiedersehen
It has been our objective to give this years group of talented young masters further impulses, which
should improve their chances of a successful professional career. The feedback received gave us the
confidence that this objective has been achieved.
We wish all participants a successful continuation of their career in the wonderful world of Classical
Saxophone.
And perhaps we will see you again at one of the next “Master-Classes for Classical Saxophone” at the
Hessenbrückenmühle in Laubach/Germany.
Auf Wiedersehen,
so long,
au revoir,
hasta la vista,
do widzenia
Ute and Holger von Paucker