Web Rewards Levels 1-10 Answer Key and Checklists

Transcription

Web Rewards Levels 1-10 Answer Key and Checklists
Web Rewards Levels 1-10
Answer Key and Checklists
Thank you for your purchase of Web Rewards Levels 1-10 Answer Key and Checklists.
To help your students make the most out of this resources, I recommend the following:
• To access Web Rewards, simply type www.ComposeCreate.com/web-rewards.
Students and teachers can access this freely from any computer with internet access.
• Print the answer key (pgs 1-40) for your own records and the checklists for your
student’s notebooks and your records. This will allow both you and them to keep track
of their progress and see what activities need more work. Be sure to save this file in a
safe place on your computer so that you can access it at any time.
• Assign a “Web Reward” activity to your student every week. Have them record their
score and/or bring back their activities each week to the lesson. I require my students
to score a 90% or higher or the activity will be assigned again. You might even
periodically surprise them with a real reward for completing their assigned activity.
• Please note that other websites to which ComposeCreate may link can frequently
change their location within their domain name. Additionally, all websites go through
maintainence and updates. Because of this, I make no guarantees that you will be
able to always access other sites to play their games. Some students’ computers may
not be able to access certain sites at all. Please notify me of any broken links so that I
may fix what I can. I reserve the right to change or revise any activity on the site at
any time.
This resource may not be copied or distributed in print or electronic form in any way.
Additional copies may be purchased at www.ComposeCreate.com.
I wish you and your students the best as you prepare for your music exams.
Sincerely,
Wendy Stevens, M.M., NCTM
© 2012 by Wendy Stevens
All Rights Reserved
Table of Contents
Level A Answers ...................................................................3
Level 1 Answers ...................................................................5
Level 2 Answers ...................................................................7
Level 3 Answers .................................................................10
Level 4 Answers .................................................................12
Level 5 Answers .................................................................15
Level 6 Answers .................................................................18
Level 7 Answers .................................................................23
Level 8 Answers .................................................................28
Level 9 Answers .................................................................33
Level 10 Answers ...............................................................37
Level 10 Hymn Analyses ....................................................42
Checklists ...........................................................................46
© 2012 by Wendy Stevens
All Rights Reserved
2
Level A
*Note: There is no “Level A” in some of the state assessment tests. However, your beginning
students will benefit from these activities appropriate to their level.
Moving Up and Down
Storm Chasers
Perfect Score: 1000
Moving Up and Down Worksheet
1. Up
2. Up
3. Up
4. Down
5. Down
High and Low Sounds
High Middle Low Sounds Worksheet
1. High
2. Middle
3. Low
4. Middle
5. Low
Melodies
Smiley and Friends
Perfect Score: 6/6
Song Birds
Perfect Score: 14+
White Keys
Letter Fly C D E
Perfect Score: 20
Keyboard Identification
Perfect Score: Percentage based
© 2012 by Wendy Stevens
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3
Rhythm
Meteor Match
Perfect Score: 1200 (largely speed based)
Quarter Half Whole Listening Worksheet
1. Half
2. Quarter
3. Quarter
4. Whole
5. Half
6. Quarter
Note Value Worksheet
Answers obvious
© 2012 by Wendy Stevens
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4
Level 1
White Key Identification
White Key Note Names Worksheet
Answers by row:
FACB
DFEA
Rhythm - Quarter, half, whole
Note Value Worksheet
Answers obvious
Meteor Match
Perfect Score: 1200 (largely speed based)
Terms and Symbols
Musical Darts
Perfect score: 1000
Drawing Clefs Worksheet
Answers obvious
Moving Up and Down by Ear
Moving Up and Down Worksheet
Answers:
1. Up
2. Up
3. Repeat
4. Down
5. Up
Moving Up and Down on Staff
Moving Up and Down on Staff Worksheet
Answers obvious
Note Names
Note Identification (Bass G to Treble F)
Score: Percentage based
Page Turner (Treble C-G)
Perfect Score: 200
© 2012 by Wendy Stevens
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5
Steps and Skips on Staff and Keyboard
Steps, Skips, Repeats Quiz
Perfect Score: 100 (Percentage based)
Watch Your Step Quiz
Perfect Score: 100 (percentage based)
Step and Skips Keyboard Worksheet
Answers obvious
Whole and Half Steps
Whole Step, Half Step Keyboard Worksheet
Answers Obvious
High, Middle, Low Sounds
High, Middle, Low Sounds Worksheet
Answers:
1. High
2. Middle
3. Low
4. Middle
5. Low
© 2012 by Wendy Stevens
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6
Level 2
Sharps and Flats
Enharmonics
C# - Db
D# - Eb
F# - Gb
G# - Ab
A# - Bb
Mighty Music Man Quiz
Perfect Score: 100 out of 100. If the student does not get all the answers correct, they will not
know who the new piano owner is. Ask the student who the piano was delivered to. The answer
is Beethoven.
Keyboard Identification
Perfect Score: Percentage based
Note Names
Note Trainer Game
Perfect Score: Percentage based
60 Second Club
Perfect Score: 3000
PedaPlus Bass Clef
Perfect Score: Scores are assessed in the following way:
0-5 = Beginner
6-12 = Intermediate
13-19 = Advanced
20+ = Expert
Snowflake Notes (treble)
Perfect score: 2000
Note Name Quiz
1. G
2. F
3. G
4. F
5. 2
6. 2
Steps and Skips by Ear
Steps and Skips Quiz
1. Skip
2. Step
3. Skip
4. Skip
5. Step
© 2012 by Wendy Stevens
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7
6. Skip
7. Step
8. Step
Big Ears
Perfect Score: Percentage based
Intervals on Staff
Interval Sleds
Perfect Score: 1500
Note Values
Note Value Quiz
Students should show the following notes drawn and indicate the counts they receive:
1.
2.
= 1 beat
= 4 beats
3.
= 2 beats
4.
= 3 beats
5.
= 1 beat
6.
= 2 beats
7.
= 4 beats
Accidentals
Accidental Practice
Student should have written each of the accidentals 3 times.
1.
2.
3.
© 2012 by Wendy Stevens
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8
Up, Down, Repeating
Up, Down, Repeating Quiz
1. Up
2. Repeat
3. Up
4. Down
5. Up
6. Down
7. Repeat
8. Up
© 2012 by Wendy Stevens
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9
Level 3
Note Names
Note Identification Game-Treble
Perfect Score: Percentage based
Note Identification Game–Bass
Perfect Score: Percentage based
Ties and Slurs
Ties and Slurs Quiz
Perfect Score: 100 out of 100
Hearing Major and Minor Triads
Christmas Ornament Triads Game
Perfect Score: 1500
Time Signature
On a separate sheet of paper, students should have written down what each of these numbers
means:
4 - 4 beats per measure
4 - Quarter note gets 1 beat
3 - 3 beats per measure
4 - Quarter note gets 1 beat
Stem Direction
Stem Direction Worksheet
Students should bring a completed workshop on stem direction back to you. Answers will be
obvious.
Hearing Half Steps
Hearing Half Steps Worksheet
Students should bring back a workshop which has 2 identical notes for every example. Students
are to add a sharp or a flat to the 2nd note according to what they hear in the online examples.
Answers:
1.
2.
© 2012 by Wendy Stevens
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10
3.
4.
5.
6.
Intervals by Ear
Teoria Interval Ear Trainer (M2, M3, P4, P5)
Perfect Score: Percentage based
Big Ears (M2, M3, P4, P5)
Perfect Score: Percentage based
Intervals on Staff and Keyboard
Interval Worksheet Level 3
Answers will be obvious.
Interval ID on the Staff
Perfect Score: Percentage based
Half and Whole Steps on Staff
Half and Whole Steps on Staff Worksheet
Answers:
Line 1: H W H H W
Line 2: H W H W H
Accidental Placement
Accidental Placement Worksheet
Answers will be obvious.
Rhythmic Dictation
Rhythm Dictation Level 3
Students will circle the correct rhythm on their worksheet.
Answers:
1. B
2. A
3. A
4. B
© 2012 by Wendy Stevens
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11
Level 4
Note Names
Note Identification Game-Treble
Perfect Score: Percentage based
Note Identification Game–Bass
Perfect Score: Percentage based
Interval Identification
Interval Identification (2, 3, 4, 5, 6, 7, 8)
Perfect Score: Percentage based
Intervals on Staff and Keyboard
Intervals on Staff and Keyboard Worksheet
Answers by row:
5th, 2nd, 6th, 4th
7th, 3rd, 5th
7th, 4th, 5th, 2nd, 6th, 8th, 6th, 4th
6th, 2nd, 7th, 5th, 4th, 5th, 3th, 8th
Interval Ear Training
Teoria Interval Ear Trainer
Perfect score: Percentage based
Complete the Triads
Major/minor Triads Worksheet
Answers by row:
F#
F, Ab
B, Eb
D#, C
W H Pattern for Scales
Students will bring back a piece of paper with the following W H step pattern on it:
Major Scale: W W H W W W H
Harmonic Minor Scale: W H W W H WH H
© 2012 by Wendy Stevens
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12
Time Signature
On a separate sheet of paper, students should have written down what each of these numbers
means:
2 - 2 beats per measure
4 - Quarter note gets 1 beat
3 - 3 beats per measure
4 - Quarter note gets 1 beat
4 - 4 beats per measure
4 - Quarter note gets 1 beat
Dynamics
Dynamics Worksheet
Pianissimo - very soft
Piano - soft
Mezzo piano - medium soft
Mezzo forte - medium loud
Forte - loud
Fortissimo - very loud
Rhythmic Dictation
Rhythmic Dictation 1
Answers:
1.
2.
3.
4.
© 2012 by Wendy Stevens
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13
Rhythmic Dictation 2
Answers:
1.
2.
3.
4.
© 2012 by Wendy Stevens
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14
Level 5
Intervals by Ear
Teoria Interval Ear Trainer
Perfect score: Percentage based
Interval Ear Trainer
Perfect score: Percentage based
Interval Identification
Interval Identification
Perfect score: Percentage based
Teoria Interval Identification
Perfect score: Percentage based
Major and Minor Chord Identification
Major Minor Chords Level 5 Worksheet
Answers (by row)
Major
Minor
Minor
Major
Major
Minor
Major
Major
Building Major and Minor Chords on Staff
Major and Minor Triads on Staff Worksheet
Answers (by row):
Minor Minor Major Minor Major Major
Major Minor Major Major Minor Minor
Major Key Signatures
Key Trainer-Easy (Up to 4 sharps and flats used)
Perfect score: Percentage based
Key Trainer (All sharp and flat keys used)
Perfect score: Percentage based
Major Key Signatures
Perfect score: Percentage based
Order of Sharps and Flats
Students should bring back a piece of paper with:
1. Order of sharps: F C G D A E B
2. Order of flats: B E A D G C F
© 2012 by Wendy Stevens
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15
Melodic Dictation
Melodic Dictation Level 5 Worksheet
Answers:
1. A
2. A
3. A
4. B
Rhythmic Dictation
Rhythmic Dictation Level 5
Answers:
D Major
1.
2.
G natural minor
3.
A Major
4.
Rhythmic Dictation Level 5 No 2
Answers:
C minor
1.
B Major
2.
B natural minor
3.
© 2012 by Wendy Stevens
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16
4.
Building Major Scales
Building Scales Level 5 Worksheet
Answers:
© 2012 by Wendy Stevens
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17
Level 6
Major Key Signatures
Key Trainer 1
(Drills key signatures up to 5 accidentals)
Perfect score: Percentage based
Key Trainer 2
(Drills all key signatures)
Perfect score: Percentage based
Major Key Signatures (Students should not have to complete this one unless Key Trainer is
not working for them.)
Perfect score: Percentage based
Minor Key Signatures
Key Trainer 1 - Minor
(Drills key signatures up to 5 accidentals)
Perfect score: Percentage based
Key Trainer 2 - Minor
(Drills all key signatures)
Perfect score: Percentage based
Building Key Signatures
Key Signatures Construction
Perfect score: Percentage based
Enharmonics
Students should bring back a piece of paper with the following notes and enharmonic answers
written:
C - B#, Dbb
E - Fb, Dx
Gb - F#, Ex
B - Cb, Ax
F - E#, Gbb
Intervals by Sight
Interval Trainer
Perfect score: Percentage based
Interval Trainer - Customize
Students may customize to drill the intervals with which they are having difficulty
© 2012 by Wendy Stevens
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18
Intervals by Ear
Teoria Interval Ear Trainer
Perfect score: Percentage based
Interval Ear Trainer
Perfect score: Percentage based
Intervals–Building
Teoria Interval Construction
Perfect score: Percentage based
Drawing Triads on the Staff
Triads on Staff Worksheet Lvl 6
Answers:
Scales by Ear
Scale Ear Training
Perfect score: Percentage based
Teoria Scale Identification
Perfect score: Percentage based
© 2012 by Wendy Stevens
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19
Melodic Dictation
Melodic Dictation Level 6A
Answers:
Melodic Dictation Level 6B
Answers:
© 2012 by Wendy Stevens
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20
Level 6 Melodic – Thanksgiving
Answers:
Rhythmic Dictation
Rhythmic Dictation Level 6A
© 2012 by Wendy Stevens
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21
Rhythmic Dictation Level 6B
© 2012 by Wendy Stevens
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22
Level 7
Enharmonics
Students should bring back a piece of paper with the following notes and their 2 enharmonics:
1. C - B#, Dbb
2. E - Fb, Dx
3. F# - Gb, Ex
4. B - Cb, Ax
5. G - Abb, Fx
Major Key Signatures
Key Trainer 1
(Drills key signatures up to 5 accidentals)
Perfect score: Percentage based
Key Trainer 2
(Drills all key signatures)
Perfect score: Percentage based
Major Key Signatures
Perfect score: Percentage based
Minor Key Signatures
Key Trainer 1
(Drills key signatures up to 5 accidentals)
Perfect score: Percentage based
Key Trainer 2
(Drills all key signatures)
Perfect score: Percentage based
Minor Key Signatures
Perfect score: Percentage based
Writing Scales
Writing Scales Worksheet
Answers:
© 2012 by Wendy Stevens
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23
Identify Intervals by Ear
Major/Minor/Perfect Intervals Ascending
Interval Ear Training
Perfect score: Percentage based
OR
Teoria Ear Training
Perfect score: Percentage based
Perfect Intervals Ascending and Descending
Interval Ear Trainer-Perfect Intervals
Perfect score: Percentage based
Build Major, Minor, Perfect Intervals on Staff
Teoria Interval Construction
Perfect score: Percentage based
Identify Major, Minor, Perfect Intervals on Staff
Interval Trainer
Perfect score: Percentage based
Writing Triads on Staff (Major, minor, diminished, Augmented)
Teoria Triad Construction
Perfect score: Percentage based
© 2012 by Wendy Stevens
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24
AND
Triads Worksheet Level 7
Answers:
Melodic Dictation
Short Samples:
Melodic 7A Short Samples Worksheet
Answers:
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Full Exercises:
Melodic Level 7B Worksheet
Answers:
Melodic Level 7C Worksheet (Thanksgiving)
Answers:
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26
Rhythm Dictation
Short Samples:
Rhythm Level 7A Worksheet
Full Exercises:
Rhythm Level 7B Worksheet
© 2012 by Wendy Stevens
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27
Level 8
Writing Scales
Teoria Writing Scales
Perfect score: Percentage based
Identify Parallel and Relative Minor Scales
Exercise 1
Student should bring you a piece of manuscript paper with the following scales notated:
Exercise 2
Write Major, minor, Perfect Intervals
Teoria Interval Construction
Perfect score: Percentage based
© 2012 by Wendy Stevens
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28
Write Aug 4ths, 5ths, 8ths
Teoria Interval Construction
Attention: Unfortunately, this website does not allow you to drill Dim. and Aug. 8ths
Perfect score: Percentage based
Write M, m, Aug., dim. Triads in Inversions
Teoria Triad Construction
Perfect score: Percentage based
Write White Key Dom 7th Chords in Inversions
Teoria 7th Chord Construction
(Note: For MP, students will only need to make dominant sevenths whose root is a white key.
This exercise will use some chords whose root is a black key. Students should make a note
about how many ones with white roots they get right and how many they get wrong.)
Perfect score: Percentage based
Identify Dominant 7ths, Major 7ths, and minor 7th Chords
(Root position, Any key)
MusicTheory.net Exercise 1
Perfect score: Percentage based
MusicTheory.net Exercise 2 (more difficult than exercise 1)
Perfect score: Percentage based
Identify Major, minor, Perfect Intervals by Ear
(Up and down, distance and quality)
Music Theory.net Intervals by Ear
Perfect score: Percentage based
Form
Students should bring back a piece of paper with the following answers. They will have listened
to 5 pieces on YouTube to identify the form of each piece.
1. Ternary (Nakada-Twilight Song)
2. Binary (Bach-Minuet in G Minor)
3. Rondo (Diabelli-Sonatina, 3rd movement from one of the Op. 168)
4. Sonata-Allegro (Piano sonata in E minor Hob. XVI/34) - first movement only
5. Rondo (Beethoven-Rondo from Sonata "Pathetique")
© 2012 by Wendy Stevens
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Texture
Students should bring back a piece of paper with the following answers. They will have listened
to 7 pieces on YouTube to identify the texture as thin, thick/full, or imitative.
1. Imitative (Bach-invention 13)
2. Thick (Chopin Largo in Eb Major)
3. Thin (Bach Minuet in G minor)
4. Thin (Mozart Sonata K545 1st movement)
5. Thin (in beginning), thick (in middle and end) (Claude Debussy (1862-1918): "La cathédrale
engloutie")
6. Imitative (J.S.Bach G minor fugue BWV 542/2)
Tonality
Available soon for a special price. These short excerpts of pieces will give students pracice in
identifying the tonality of each piece (Major, minor, and modal). Contact Wendy or watch for this
product on the ComposeCreate.com website.
Melodic Dictation
Short Samples
Level 8A Short Melodic Dictation
© 2012 by Wendy Stevens
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30
Full Exercises
Level 8B Melodic Dictation
Rhythm Dictation
Short Samples
Level 8 Short Rhythmic Dictation
Answers:
© 2012 by Wendy Stevens
All Rights Reserved
31
Full Exercises
Level 8 Rhythmic Dictation (full exercises)
Answers:
© 2012 by Wendy Stevens
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32
Level 9
Writing Scales - Major, minor
Teoria Writing Scales
Perfect score: Percentage based
Writing Modes
Writing Modes Exercise
Students should bring backa a piece of paper with the following modes notated:
Answers:
Identifying Scales
Teoria Scale Identification
NOTE: This exercise drills major scales, minor scales, major modes, pentatonic scale, but does
not drill you on the Whole Tone scale which they will also need to know.
Perfect score: Percentage based
Write Major, minor, Perfect Intervals
Teoria Interval Construction
Perfect score: Percentage based
© 2012 by Wendy Stevens
All Rights Reserved
33
Write Augmented and Diminished Intervals
Teoria Interval Construction
Perfect score: Percentage based
Identify Tritones
MusicTheory.net Interval Identification
Perfect score: Percentage based
OR
Teoria Interval ID
Perfect score: Percentage based
Listening
Students should bring back a separate piece of paper with the following descriptions of the
pieces to which they listened:
Listening Example 1 (4 voice fugue of Eternal Father Strong to Save)
Meter: 4/4
Tempo: Allegro
Tonality: Major
Texture: Polyphonic
Form: Fugue
Style: Baroque
Listening Example 2 (Mozart Rondo Alla Turka)
Meter: 2/4 (or 4/4)
Tempo: Vivace
Tonality: Minor
Texture: Homophonic
Form: Rondo
Style: Classical
Listening Example (Mozart K. 332 1st movement)
Meter: 3/4
Tempo: Allegro or Vivace
Tonality: Major
Texture: Homophonic
Form: Sonata-Allegro
Style: Classical
Listening Example 4 (Schonberg, Op. 19)
Meter: multi-metric
Tempo: Andante
Tonality: atonal
Texture: Homophonic
Form: Through composed
Style: 20th Century
© 2012 by Wendy Stevens
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34
Listening Example 5 (Lady Gaga Fugue Duet)
Meter: 4/4
Tempo: Allegro
Tonality: Minor
Texture: Polyphonic
Form: Fugue
Style: Baroque (some students may argue that since it was performed by Lady Gaga, it must be
20th Century, but they need to note the style of the piece.
Listening Example 6 (Bach Cello Suite 1, Gigue)
Meter: 6/8
Tempo: Allegro
Tonality: Minor
Texture: Monophonic
Form: Binary
Style: Baroque
Identify Key Signature of a Musical Excerpt
This will be available for purchase at a later date.
Melodic Dictation
Short Samples
Level 9 Short Melodic Dictation
Answers:
© 2012 by Wendy Stevens
All Rights Reserved
35
Full Exercises
Level 9 Melodic Dictation
Answers:
© 2012 by Wendy Stevens
All Rights Reserved
36
Level 10
Writing Scales - Major, minor, whole-tone, chromatic, modal,
pentatonic
Teoria Writing Scales
Perfect score: Percentage based
Writing Scales Exercise 1
Students should bring the following scales notated on a piece of manuscript paper:
© 2012 by Wendy Stevens
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37
Writing Scales Exercise 2
Students should bring the following scales notated on a piece of manuscript paper:
Writing Scales Exercise 3 (focus on modes)
Students should bring the following scales notated on a piece of manuscript paper:
© 2012 by Wendy Stevens
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38
Identify 7th Chords
Level 1 7th Chord ID
This helps you identify Major, minor, dominant, half-diminished, and fully diminished 7th chords
in root position.
Level 2 7th Chord ID
This helps you identify Major, minor, dominant, half-diminished, and fully diminished 7th chords
in root position and inversions.
Write 7th Chords
Teoria 7th Chord Construction
Perfect score: Percentage based
Analyze Chords in a Hymn
Hymn Analysis 1
This worksheet is not available online. As a purchaser of this resource, you are permitted to give
a copy of Hymn Analysis 1 from this document to your students.
You can locate and print Hymn Analysis 1 for your student by clicking on this text.
Hymn Analysis 2
This worksheet is not available online. As a purchaser of this resource, you are permitted to give
a copy of Hymn Analysis 2 from this document to your students.
You can locate and print Hymn Analysis 2 for your student by clicking on this text.
Identify Key, Mode, Scale in Music Excerpt
This will be available for purchase at a later date.
Listening Analysis
Students will listen to YouTube videos featuring classical piano music. On a separate piece of
paper, they will comment on each of these individual elements for each piece (Notes in
parentheses are for suggestions on what to address):
• Pulse (Suggest a meter for the piece, but you could also discuss the pulse in terms of simple
and compound meter, large beats and small subdivisions, etc.)
• Tempo (Suggest an italian term or other tempo term for the piece)
• Texture (Is it thin, thick, imitative? Is it Monophonic, Homophonic, Polyphonic?)
• Melody (In which hand does the melody lie? Is the melody conjunct or disjunct? Is the melody
tonal, chromatic, atonal?)
• Tonality/harmony (Is it composed with mostly tonal harmony, a bit of chromaticism, a lot of
chromaticism, atonal? Is it major, minor, modal?)
• Form (Is it binary, ternary, sonata-allegro, theme and variations, through-composed, etc.?)
• Style (Suggest a time period from which it might have come: Baroque, Classical, etc.)
© 2012 by Wendy Stevens
All Rights Reserved
39
Possible answers:
LIstening Example 1 - François Couperin: Les petits moulins à vent (The little windmills)
Pulse-Duple meter (possible answers may include 2/4 or 4/4)
Tempo-Allegro or vivace; lively
Texture- Imitative, polyphohic. A few places contain a contrapuntal texture
Melody-Mostly in the right hand/treble clef, except where the left hand imitates the right.
Tonality/harmony-Minor
Form-Through composed
Style-Baroque
Listening Example 2 - Grieg: Poetic Tone Picture # 1 (e min)
Pulse-Triple meter, rubato in many places
Tempo-Allegro or vivace; lively
Texture- Homophonic
Melody-Mostly in the right hand/treble clef.
Tonality/harmony-Minor, Diatonic and chromatic harmony throughout
Form-ABA (there is a repeat that may confuse students: | A |: B A :|
Style-Romantic
Listening Example 3 - Haydn: Sonata Hob. XVI:52, 1 Mvt.
Pulse-Duple meter
Tempo-Allegro or vivace; lively
Texture- Homophonic
Melody-Mostly in the right hand/treble clef.
Tonality/harmony-Diatonic harmony throughout
Form-Sonata-Allegro
Style-Classical
Listening Example 4 - The Tides of Manaunaun - Henry Cowell
Pulse-Duple meter
Tempo-Andante, Moderato
Texture- Homophonic
Melody-Mostly in the upper hand. Sometimes it is in the bass part, but still played over even
lower harmonies in the bass. Conjunct and disjunct melodic lines.
Tonality/harmony-Dissonant harmony throughout
Form-Through composed
Style-20th Century
Listening Example 5 - Chopin-Etude. Op.25. No.7
Pulse-Triple meter, though the introduction is in free meter
Tempo-Andante, Adagio
Texture- Homophonic; Monophonic at the beginning few bars
Melody-Mostly in the left hand/bass clef; Embellishments of trills
Tonality/harmony-Diatonic and chromatic harmony
Form-ABA
Style-Romantic
© 2012 by Wendy Stevens
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40
Melodic Dictation
Short Samples
Level 10 Short Melodic Dictation
Answers:
Full Exercises
Level 10 Melodic Dictation
Answers:
© 2012 by Wendy Stevens
All Rights Reserved
41
Level 10
Hymn Analysis 1
Let All Together Praise Our God
Write the chord name (i.e., F Major, g minor, etc.) under each beat and draw an X
through non-harmonic tones
4
&b 4 œ
œ œœ œ œ
œ
œ œ
& b ˙˙ ..
œ
œ
œœ œœ œœ œ
œ
&b ˙
˙˙
œœ
? b 44 œœ
4
˙.
? b ˙.
8
? b ˙˙
œ œ œ œ œ
œ œ œ œ
œœ œœ œœ œ
œ
œœ
˙
˙
œœ œœ œœ œ
œ
œ
œ œ
œ œ
œ œœ
œ
œ œœ œœ n œœ
œ
œœ œ œ œ œ
œ œ œ
œ œœ
œ
œ œ œ
œ
œ
œœ
œœ œœ œœ œœ
œœ
œœ œ œ
œ
œœ œ
œ
œ œ
œ œ
œ
œ
œœ
˙.
˙.
˙.
˙.
© 2012 by Wendy Stevens, ComposeCreate.com
This page may be reproduced for students of the purchaser.
œœ œœ
œ œ
œ œ
Level 10
Hymn Analysis 1
Answers
Write the chord name (i.e., F Major, g minor, etc.) under each beat and draw an X
through non-harmonic tones
4
&b 4 œ
? 4 œœ
b 4
FM
4
& b ˙˙ ..
˙.
? b ˙.
CM
8
&b ˙
? b ˙˙
Dm
œ œœ
œ
œœ œœ
Fm
CM
œ œ œ œ œ
œ œ œ œ
œ œ
œ œ
œœ œ
œ
FM
FM
B bM
œ
œ
œœ œœ œœ œœ
CM
FM CM FM FM
œœ
˙˙
˙
˙
Am
œœ œœ œœ œ
œœ
œ
œ
FM
œ œ
œ œ
œ œœ
œ
C7
B bM
Fm
œœ œ œX œ œ
œ œ œ
œ œœ
œ
F M B bM
œ œ œ
œ
œ
X
œœ
FM
œœ
X
œœ œœ œœ œœ
œ œœ œœ n œœ
œ
B bM C M
œœ œX œ
œ
œœ œ
œ
œ œ
œ œ
CM CM
œœ
œœ
C M** C M
FM
CM FM
œœ œœ
œ œ
œ œ
B bM* C M
˙.
˙.
˙.
˙.
FM
*This chord is obviously a Bb chord with a 4-3 suspension. Students may not be
aware of this kind of chord and may opt to cross out the G as a non-chord tone.
**This chord is obviously a C Chord with a 4-3 and 2-1 suspension. Students may
not be aware of this kind of chord and may opt to cross out the D and F as shown
as non-chord tones.
© 2012 by Wendy Stevens, ComposeCreate.com
This page may be reproduced for students of the purchaser.
GM
Level 10
Hymn Analysis 2
Angels from the Realms of Glory
Write the chord name (i.e., BbM, Gm, etc.) under each beat and draw an X
through non-harmonic tones
b 4
b
& 4 œœ œ œœ œ
œ
? b b 44 œ œœ œœ œœ
œ
5
9
b
b
& œœ œ
œ
? b b œœ œ
œ
œœ œ
œ œ
œ œ
bb œ . œj œ
& œ. œ œ œ
? b b œœ .. n œœ œœ œœ
J
j
œ. œ œ
œ . œ œ œœ
œ. œ œ œ
œ . Jœ œ œ
œ . œœ œœ œ
œ. J #œ
œ. œ œ œ
œ . œJ œ œ
œ . œj œ œ
œ. œ œ œ
œ . œ œ œœ
œ . œJ œ
œœ œœ œœ œœ
œœ œœ ˙˙
œ œ œ œ
œ œ œ œ
œœ œ ˙
œ ˙
œœ œœ œ œ œ œœ n œœ
œ œ
˙˙
œ œ œ œ
œ œ œ œ
œ œœ˙
œ œ ˙
œ œ œ œ
œ œ œ œ
œ œ
œ œ œœ œœ
œ œœ ˙
œœ ˙
œ œœ ˙
˙
© 2012 by Wendy Stevens, ComposeCreate.com
This page may be reproduced for students of the purchaser.
Level 10
Hymn Analysis 2
Answers
Write the chord name (i.e., BbM, Gm, etc.) under each beat and draw an X
through non-harmonic tones
j
œ. œ œ
œ . œ œ œœ
b 4
b
& 4 œœ œ œœ œ
œ
? b b 44 œ œœ œœ œœ
œ
B bM B bM B bM F M
5
b
b
& œœ œ
œ
? b b œœ œ
œ
œœ œ
œ œ
œ œ
B bM B bM B bM F M
9
bb œ . œj œ
& œ. œ œ œ
? b b œœ .. n œœ œœ œœ
J
FM
C MF M F M
œ. œ œ œ
œ . Jœ œ œ
B bM
F MB bM B bM
œ . œœ œœ œ
œ. J #œ
œ. œ œ œ
œ . œJ œ œ
B bM A dimG m D M
œ . œj œ œ
œ. œ œ œ
œ . œ œ œœ
œ . œJ œ
B bM
F MB bM E bM
œœ œœ œœ œœ
œœ œœ ˙˙
E bM E bM B bM B bM
F M F 7 B bM
œ œ œ œ
œ œ œ œ
œœ œ ˙
œ ˙
œœ œœ œ Xœ œ œœ n œœ
œ œ
œ œ œ œ
œ œ œ œ
G m FM G m G m
œ œ œ œ
œ œ œ œ
œ œ
œ œ œœ œœ
C m B bM C m C m7
˙˙
œ œœ˙
œ œ ˙
F M C 7* F M
œ œœ ˙
œœ ˙
X
œ œœ ˙
˙
B bM
F 7 B bM
* Students may not see the Bb as a part of the C chord and may label it CM and cross
out the Bb.
© 2012 by Wendy Stevens, ComposeCreate.com
This page may be reproduced for students of the purchaser.
Name:
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Level 3
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Activity
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Rhythm Dictation Level
3
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Identification
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Level 5 Worksheet
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Key Trainer
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Order of Sharps and
Flats
Melodic Dictation Level
5 Worksheet
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Level 5
Rhythmic Dictation
Level 5 No 2
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Activity
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Building Scales Level 5
Worksheet
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Key Trainer 1 (drills up
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Major Key Signatures
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Key Trainer 2 - Minor
Key Signatures
Construction
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Interval Trainer Customize
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Trainer
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Construction
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Worksheet Level 6
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Activity
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Scale Ear Training
Teoria Scale
Identification
Melodic Dictation 6A
Melodic Dictation 6B
Melodic Dictation Thanksgiving
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Rhythmic Dictation 6B
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Enharmonics
Key Trainer 1
Key Trainer 2
Major Key Signatures
Key Trainer 1 - Minor
Key Trainer 2 - Minor
Minor Key Signatures
Writing Scales
Worksheet
Interval Ear Training /
Teoria Ear Training
Interval Ear Training Perfect Intervals
Teoria Interval
Construction
Interval Trainer
Teoria Triad
Construction
© 2012 by Wendy Stevens
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Date/Score
Activity
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Triads Worksheet Level
7
Melodic Dictation 7A
Short Samples
Melodic Dictation 7B
Melodic Dictation 7C
(Thanksgiving)
Rhythmic Dictation 7A
Rhythmic Dictation 7B
© 2012 by Wendy Stevens
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Name:
Level 8 - Web Rewards Checklist
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Activity
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Teoria Writing Scales
Exercise 1-Identify
Parallel/Relative minor
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Parallel/Relative minor
Teoria Interval
Construction
Teoria Interval
Construction (+4, +5,
+8)
Teoria Triad
Construction
Teoria 7th Chord
Construction
ID 7th Chords:
MusicTheory.net
Exercise 1
ID 7th Chords:
MusicTheory.net
Exercise 2
MusicTheory.net
Intervals by Ear
Form
Texture
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Activity
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Tonality
Melodic Dictation Level
8A - Short Samples
Melodic Dictation Level
8B - Full Exercises
Rhythmic Dictation
Level 8 - Short
Samples
Rhythmic Dictation
Level 8B - Full
Exercises
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Teoria Writing Scales
Writing Modes Exercise
Teoria Scale
Identification
Teoria Interval
Construction (M, m, P)
Teoria Interval
Construction (Aug, dim)
MusicTheory.net
Interval Identification /
Teoria Interval ID
Listening Example 1
Listening Example 2
Listening Example 3
Listening Example 4
Listening Example 5
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Activity
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Identify Key Signature
of a Musical Excerpt
Melodic Dictation Level
9A - Short Samples
Melodic Dictation Level
9B - Full Exercises
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Level 10 - Web Rewards Checklist
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Teoria Writing Scales
Writing Scales Exercise
1
Writing Scales Exercise
2
Writing Scales Exercise
3 (mode focus)
Level 1 7th Chord ID
Level 2 7th Chord ID
Teoria 7th Chord
Construction
Hymn Analysis 1
(purchased separately)
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(purchased separately)
ID Key, Mode, Scale in
Music Excerpt
(purchased separately)
Listening Example 1
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Listening Example 3
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Melodic Dictation Level
10A-Short Samples
Melodic Dictation Level
10B-Full Exercises
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