Conference 2016 Programme

Transcription

Conference 2016 Programme
THE THOMAS HARDY SOCIETY
presents the Twenty-second International
Thomas Hardy
Conference
& Festival
Dorchester, Dorset, England
PROGRAMME
Saturday 23 July - Saturday 30th July 2016
rd
Conference & Festival Foreword
As a recent newcomer as a resident to the town and for my first Conference as Chairperson, I am
delighted to welcome you to Dorchester and to the Thomas Hardy Society’s 22 nd International
Conference and Festival.
You will certainly see a few differences to the town since 2014, most of which should enhance your
visit. The Conference itself will follow the trusted pattern of recent years, but with some new
events which we hope will prove popular.
We are very pleased that our President, Julian Fellowes-Kitchener, Baron Fellowes of West
Stafford, is opening our Conference this year, accompanied by his wife, Emma. The Mayor, this
year Councillor Tim Harries and his wife Anita will be our guests at this occasion, as will, for the
first time, the High Sheriff of Dorset, Sir Philip Williams and his wife, Lady Catherine. Another
esteemed guest will be Simon Armitage, Oxford Professor of Poetry and one of our most
renowned contemporary poets. He will be our after dinner speaker, reading from his own works.
For our weekday mornings we are returning to a full programme of keynote speakers, including
some familiar names and old friends. The afternoons also have a full programme, of Postgraduate
and Call-for Papers speakers, alongside our Tours and Walks, which include some exciting new
ideas. For the evenings, we believe we have provided a varied entertainments programme without
over-loading the ends of these busy days. I hope you will agree and that you will find there is not
only something for everyone, but many things for many different people with their own individual
approaches to Hardy.
Helen Lange, Honorary Chairperson
Conference & Festival Committee
Conference Chairman - Helen Lange
Conference Co-ordinator - Mike Nixon (07812 677485)
Academic Director - Dr. Jane Thomas
Post-Graduate Convenor: Tracy Hayes
Sponsorship - Mike Nixon
Catering - Mike Nixon
Accommodation - Sue Clarke
Tours Co-ordinator - Pat Withers
Programmes, Posters etc - Andrew Leah
Publications - Dee Tolfree
Merchandise - Vivien Geddes
If you would like further information about the Conference & Festival, The Thomas
Hardy Society or THS membership please contact:
The Thomas Hardy Society
c/o Dorset County Museum, High West Street,
Dorchester, Dorset, DT1 1XA
Tel: (0)1305 251501; email: [email protected]
2
Conference & Festival Programme Notes
An award-winning poet, playwright, novelist, lyricist and broadcaster.
Simon Armitage also writes extensively for television and radio. He is
the author of over a dozen collections of poetry, most recently ‘Paper
Aeroplane - Selected Poems 1989 - 2014’. Armitage’s translations of
medieval verse include his acclaimed ‘Sir Gawain and the Green
Knight’. His new translation of ‘Pearl’ is came out in May. He is also
the author of two novels and three best-selling non-fiction titles, ‘All
Points North’, ‘Walking Home’ and ‘Walking Away.
Armitage was elected a Fellow of the Royal Society of Literature in
2004 and awarded the CBE for services to poetry in 2010. He is
Professor of Poetry at the University of Sheffield and was elected
Professor of Poetry at the University of Oxford in 2015.
Tim Laycock is a well-known local folk-singer, storyteller and actor. He is
currently Artist in Residence at the National Trust Hardy Country properties.
Tim is also artistic director of the New Hardy Players, and will be directing
Under the Greenwood Tree with Emma Hill in the Dorchester Corn
Exchange in December this year. In this session Tim will be giving us ‘A
Taste of Dorset’ recounting Dorset folk tales and playing and singing
traditional songs in his own inimitable style.
Colin Thompson is a superb player of the English style of folk fiddle, and an authority on the
dance tunes of the Hardy repertoire. He is very active musically in Dorset and, together with Tim
performs several words and music programmes including Ha Ha Hardy! And the Year Clock. Colin
has recently been touring his own play about the Irish harpist O’Carolan. Here he also works with
his wife Ruth, an accomplished violinist and country dance teacher.
Alan Chedzoy is a founder member of the William Barnes Society and an
authority on the Dorset dialect. He has written two biographies of Barnes and
edited the poetry, while his public readings, recordings and broadcasts of the
poetry of both Barnes and Hardy have been widely praised. In 2011 he was
presented, by the Poet Laureate, with the Dorset Award for one of his own
poems at the Bridport Literary Festival.
Hardy’s obituary of Barnes and the preface to his edition of the poetry are
replete with critical comments which have rarely been examined. By presenting a selection of Barnes’s poems on this occasion he will consider whether,
and how far, Hardy got it right.
Alistair Chisholm is well known locally and nationally as the award-winning Dorchester Town
Crier. As a recently elected Town Councillor he is keen to see much more being made of the
county town’s rich and diverse cultural heritage. Alistair represents Dorchester Town Council on
the THS Council of Management.
3
*The
New Hardy Players present ‘ A Hardy Welcome’ at Max Gate. Thomas Hardy and
Hermann Lea plan a motoring trip in the Dining Room, and the domestic staff gossip in the
Kitchen. The Hardy Players rehearse scenes from The Woodlanders in the First Study,
and Emma Hardy reminisces in her attic boudoir- and all the time, an old country dance tune
drifts through the corridors. Max Gate comes to life in this innovative and immersive theatrical
evening devised and directed by Emma Hill and Tim Laycock. Please note that this is a promenade play; the audience move from room to room, and while some seating is provided, it may be
necessary to stand for part of the time. The performance lasts approximately 75 minutes.
(*Available to Conference delegates only)
THE MELLSTOCK TRIO entertain with a unique combination of singing, instrumental music and spoken word,
encompassing west gallery harmony, traditional songs,
glees, dances, marches, poems and stories. As well as
performing their popular themed costume shows, they play
for dances, present workshops and provide rural sounds for
all kinds of public and private events. Here they play and
sing songs from the Mellstock Band’s latest album:
‘The Thomas Hardy Song Book’.
Helen Gibson is Honorary Curator of the Thomas Hardy Collection in
the Dorset County Museum. She was involved in writing the successful
bid for the inscription of the Hardy Archive and Collection to the
UNESCO Memory of the World Register of Important Literary Heritage.
Helen holds an MA in English Literature from the university of Kent and
taught in primary schools for 23 years. She was secretary to the Hardy
Society for five years and is a member of the Hardy Society’s Council of
Management.
Pianist Philip Lange made highly successful debuts at the Wigmore
Hall and South Bank whilst still a student at the Royal College of
Music. Since then he has combined a career on the concert platform, playing all over the world, with a busy teaching
schedule. Philip gave annual recitals in Mallorca from 2005 to 2014,
organised by his great friend, the late BBC journalist Sue LloydRoberts. He has a love of accompanying and works with students at
the London music colleges. Philip has a passion for English Song
and Schubert Lieder. Away from his professional life, he enjoys the
theatre, walking, gardening and listening to jazz.
4
The Academic Programme
Academic Director: Dr Jane Thomas (Reader in Nineteenth
and Early Twentieth-Century Literature University of Hull).
Jane has directed the academic side of the International Thomas Hardy
Conference since 2010
Jane Thomas has published numerous articles on the life and work of
Thomas Hardy and is the author of Thomas Hardy, Femininity and
Dissent: Reassessing the Minor Novels (Palgrave:1999) and Thomas
Hardy and Desire: Conceptions of the Self (Palgrave: 2013). She is
currently co-editing, with Phillip Mallett, the Norton Critical Edition of
Tess of the d’Urbervilles and editing the Cambridge University Press
scholarly edition of A Pair of Blue Eyes. Her projects include a critical
study of the role and place of sculpture in Hardy’s oeuvre, and conceptions of place in the novels and short stories of Winifred Holtby. She
has made a number of media appearances as a Hardy expert including
BBC Radio Four’s ‘Woman’s Hour’ and ‘In Our Time’ and BBC4’s
‘Great British Railway Journeys’.
Monday 25th July, 9.15am: Professor Barrie Bullen (Emeritus Professor, Reading University; Visiting Fellow Kellogg College, Oxford.)
‘"Tess", Painting, Place and Music'
J.B. Bullen also held the Chair of English Literature and Culture in the
Department of English at Royal Holloway, University of London. He has a
longstanding interest in the relations between word and image in the nineteenth century. His first book on Thomas Hardy, The Expressive Eye was
published in 1986. The Pre-Raphaelite Body appeared in 1998 and a history
of the Byzantine Revival, Byzantium Rediscovered in 2003. He published
Rossetti: Painter and Poet in 2012, and a second book on Hardy, Thomas
Hardy: The World of His Novels in 2013.
Monday 25th July, 11.00am: Dr Indy Clark (University of Queensland,
Australia)
‘Wessex and the Pastoral Tradition’.
Indy Clark teaches at the University of Queensland, Australia. He is the
author of Thomas Hardy’s Pastoral: An Unkindly May published by Palgrave
Macmillan in 2015. His other publications include: “Imagined Villages and
Knowable Communities: Work and the Pastoral in Thomas Hardy’s Poetry”
in Pockets of Change (2011), and articles for the Hardy Society Journal
and Colloquy. His doctoral thesis on Hardy’s poetry received the University
of Queensland Dean’s Award for Research Higher Degree Excellence.
5
Tuesday 26th July, 9.15am: Professor Seamus Perry (Balliol College Oxford)
‘Hardy’s Solicitude’
Seamus Perry is a Professor of English at Oxford University and a Fellow of
Balliol College. He has published about a variety of poets including Coleridge,
Wordsworth, Tennyson, Eliot, Betjeman, and Auden. He is currently working on a
selected edition of Matthew Arnold. He is editor, with Christopher Ricks, of the
journal Essays in Criticism.
Tuesday 26th July, 11.00am: Professor Mike Irwin
‘Like it or Not: Hardy’s Use of Simile’
Michael Irwin, is a Vice-President and ex-Chairman of the Hardy Society. He
was formerly Professor of English at the University of Kent. His writings on
Hardy include the book Reading Hardy’s Landscapes (Macmillan, 2000). He has
translated numerous opera libretti and is the author of three novels, most recently The Skull and Nightingale (HarperCollins 2013).
Wednesday 27th July, 9.15 am: Dr Trish Ferguson (Liverpool Hope
University)
‘Hardy’s Night Skies’
Trish Ferguson is Senior Lecturer in English at Liverpool Hope University.
She is the author of Thomas Hardy’s Legal Fictions (Edinburgh University
Press, 2013 and editor of Victorian Time: Technologies, Standardizations,
Catastrophes (Palgrave Macmillan, 2013). She is currently editing a collection of essays on neglected Victorian novelists, entitled Victorian Fiction
Beyond the Canon (forthcoming with Palgrave Macmillan) and is also working on the influence of physicists and philosophers of the late nineteenth
and early twentieth centuries on literary representations of time.
Wednesday 27th July, 11.00am: Adrian Flynn (BBC)
‘The Ambridge Woodlanders - “The Archers'” Debt to Thomas Hardy’
Adrian Flynn has been a scriptwriter with the Archers for the past eighteen
years, and has written many original dramas and adaptations of classics for
young adults, including works by H.G. Wells, Wilkie Collins, Robert Louis
Stevenson and Sir Arthur Conan Doyle; though, sadly, nothing by Thomas
Hardy. I did study 'Tess' for 'A' Level though and have learned a little bit more
about the great man since my wife and I moved to Dorset nearly 22 years
ago. We still pass the mill and pond referenced in 'The Trumpet Major' when
we take our evening stroll.
Tracy Hayes is now completing a PhD with the Open University. Her thesis focuses upon representations of
masculinity in Hardy's novels. She has published a number of essays and book reviews in Hardy journals and
has contributed a chapter to a book to be published this year on Hardy's women. As Student Representative
of the Thomas Hardy Society she writes a column for the journal entitled Jude's Corner devoted specifically to
students of Hardy, and also runs an annual student essay competition. She is also Checklist Director of new
publications for the Thomas Hardy Association. Tracy will be running the Post Graduate Seminar ( see p.15)
and General Readers’ Seminar
6
Thursday 28th July, 9.15am: Dr Terry Hale (University of Hull)
‘Hardy’s Comédie Humaine: French Sensation Fiction and the “Wessex
Cycle”’
Terry Hale recently retired from the University of Hull where he was Director of
the Translation Studies programme and Chair of Postgraduate Studies in the
School of Languages, Literature and Culture. In addition to translations of works
by French and Belgian writers, including J.-K. Huysmans (notably, Là-bas for
Penguin Classics), Georges Rodenbach, Georges Simenon, and Robert Desnos,
and editing anthologies of Dada and Surrealist writing (The Automatic Muse;
Four Dada Suicides), he has written extensively on translation history, the
French Gothic novel, and French and British crime fiction. In 1996, he was
appointed Chevalier de l’Ordre des Arts et des Lettres for services to French
literature.
Thursday 28th July, 11.00am: Dr Hugh Epstein,
‘A Transmissive Medium: Atmosphere in Hardy's Novels’
Hugh Epstein is an Adult Education lecturer in London. He is the secretary of the
Joseph Conrad Society and has published widely on Conrad, as well as writing
articles for the Thomas Hardy Journal, the Hardy Society Journal and the Thomas Hardy Review. He is a regular speaker at conferences on both authors, and
hopes to see the book he has written on Hardy and Conrad and the senses
through to publication soon.
Friday 29th July, 9.15am: Dr Karin Koehler (University of St Andrews) ''A
Modern Wessex of the Penny Post: Thomas Hardy's Postal Imagination'.
Karin Koehler is an early career researcher of Victorian literature and culture.
She graduated with a PhD from St Andrews in 2015, and has since been working as a teaching, research, and administration assistant at universities across
Scotland. Her first book, Thomas Hardy and Victorian Communication: Letters,
Telegrams, and Postal Systems, was published by Palgrave in April 2016, and
her articles—on Hardy and other Victorian writers—have appeared, or will soon
come out, in Victorian Literature and Culture and the Victorian Review. She is
currently developing a new project about letters and Victorian poetry.
Friday 29th July, 11.00am: Dr Angelique Richardson
(Exeter University) ‘Thomas Hardy and Devon’
Angelique Richardson is Associate Professor of English at
the University of Exeter. She has published widely on nineteenth-century literature and culture and her books include Love and Eugenics in the Late Nineteenth Century
(Oxford University Press, 2008).
Saturday 30th July 11.00am. A Morning with Natasha Solomons
Natasha Solomons’ first job, aged nine, was as a shepherdess, minding the flock on Bulbarrow
Hill. Since then, she has worked as a screenwriter with her husband, and they are currently
working on the film adaptation of her first novel, Mr Rosenblum's List. She is also researching a
PhD in eighteenth-century poetry. Her novels include The Song of Hartgrove, The House at
Tyneford, and most recently, The Song Collector. She lives in Dorset
7
International Call for Papers Panels
A series of short papers given by some of the world’s foremost Hardy scholars.
Please note that all panels are parallel sessions.
MONDAY 25th July
Panel 1: 3.00-5.00 HARDY AND FOLK
Chair: Indy Clark
Roger Ebbatson (Lancaster University): ‘The Bride-Night Fire’: Hardy and the Voice of the Folk ; Peter
Robson (UK): Thomas Hardy – Folk Song Collector?; Emilie Loriaux (Artois University, Arras, France):
Hardy’s Use of the Dorset Dialect: “A Memory of William Barnes”; [Jonathan Godshaw Memel (University of
Exeter, UK): Making the World Less Exclusive: the Legacy of Jude the Obscure]
Panel 2: 3.00 – 5.00 HARDY IN THE MARGINS
Chair: Jane Thomas
Barry Langston (UK): The Poor Man and the Lady: Hardy’s ‘Lost’ Novel; Michael Nisbet (UK): ‘Fifty Shades
of Place’: the Original Location for A Laodicean; Jan Lloyd-Jones (Australian National University): Hardy’s
‘Comedy in Chapters’: The Hand of Ethelberta.
TUESDAY 26th July
Panel 3: 2.00-4.00 HARDY AND WOMEN
Chair: Jan Lloyd-Jones
Patti Burris (South-East Community College, Beatrice, Nebraska): “More Sinned Against Than Sinning”:
Hardy, Cather, and the Nebraska Industrial Home; Emma Burris–Janssen (University of Connecticut): “Is
there an herb…?”: Representations of Abortion in Thomas Hardy’s Fiction and Poetry
Panel 4: 2.00-4.00 HARDY: MASCULINITY AND DESIRE
Chair: Mary Rimmer
Tracy Hayes (Open University, UK): ‘The Fangless Lion’: Michael Henchard: Portrait of an Aggressive
Melancholic; Zane Linde (Independent Scholar): Renegotiating Asexuality: Thomas Hardy and the Absence
of (Narrative) Desire; Oliver Goldstein (Cambridge): Hardy, Swinburne and Sappho.
WEDNESDAY 27th July
Panel 5 : 2.00-4.00 HARDY’S SOUNDSCAPES
Chair: Trish Ferguson
Helen Alexander: Musicality in the Work of Thomas Hardy; Anna Nickerson (Cambridge, UK): Repetition
and Style in Hardy’s Poetry; Emilie Gautier (Kings College, London): ‘”Under Pressure”: Hardy’s Sonic
Spaces.
Panel 6: 2.00-4.00
HARDY AND IMPERIALISM
Chair: Phillip Mallett
Rena Jackson (University of Manchester, UK): Imperial Spectacle in Hardy’s Late Fiction; Jason Wiens
(University of Calgary, Canada): “Absolutely helpless she had been taken off to Canada”: Migration and the
Imperial Periphery in Thomas Hardy’s Fiction; Michael Murphy (UK): Recapitulation and Re-assessments:
Hardy’s First World War Correspondence.
THURSDAY 28th July
Panel 7: 2.00-4.00 HARDY: PAST, PRESENT AND FUTURE
Chair: Karin Koehler
Elena Rimondo (University of Venice, Italy): Reversals, Deformities and Tremendous Paralyses: Architecture
and Change in Hardy’s Novels; Adrian Tait (UK) : Hardy in the Anthropocene; Oindrilla Ghosh (Netaji Subhas Open University,West Bengal, India) ‘Dulhan ek Raat ki’ (Bride of a Night), ‘Prem Granth’ (Book of Love)
and ‘Daag’ (The Blemish): Bollywood Cinema’s long Tryst with Thomas Hardy’s Novels
Panel 8: 2.00-4.00 INTERNATIONAL HARDY
Chair: Keith Wilson
Carolina Geaquinto Paganine (Universidade Federal Fluminense, Brazil): Hardy in Brazil; Samir Elbarbary
(Damman University, Cairo): Al-'Aqqãd’s Dialogue with Hardy: Essays, Translations, and Poetic Affinity; Paul
Niemeyer (Texas A&M International University): A Hardyan Web at Hanging Rock: Hardy’s Connected Nature as Key to Joan Lindsay’s Mystery.
8
International Call for Papers Panels (cont)
FRIDAY 29th July 2.00-4.00
Panel 9: HARDY AND THE VISUAL
Chair: Jane Thomas
Sarah Hook (University of Oxford): ‘Item, a Photograph’: The Portrait Photograph as Object in the Work of
Thomas Hardy; Barry Newport : ‘Ways of Seeing’. Light and Image in Thomas Hardy’s Poetry; Andrew Hewitt (UK): Galatea in the Hintocks: Living Statues and Petrified Humans in the Work of Thomas Hardy; Anna
Burton (Liverpool University, UK): The Perception of the Prospect in Hardy’s Tess of the D’Urbervilles.
Panel 10: 2.00 – 4.00 HARDY AND DEATH
Chair: Phillip Mallett
Catherine Charlwood (Warwick University, UK): ‘Will any say[?]’: Conjectured conversations and posthumous identity in Hardy’s poems; Yui Kajita (Cambridge University, UK): “Something Tapped”: The Sound
Ghost in the Writings of Thomas Hardy and Walter de la Mare; Jacqueline Dillion (Pepperdine University,
Malibu, California ): ‘Consider if Thou Wilt Help Me in the Work’: Hardy, Sophocles, and the Rites of Burial.
Post Graduate Seminar and Welcome Reception with Tracy Hayes:
This seminar is aimed at students and early career researchers of any age who would like to discuss their
work and receive feedback and advice. There will be a number of short presentations by students outlining
the focus of their research, followed by a question and answer session in which students will be encouraged
to voice any concerns or ideas they may have regarding their studies. Afterwards we will make our way to
Maumbury Rings for a welcome reception in which wine and nibbles will be provided!
9
The Twenty-second International
Thomas Hardy Conference and Festival
Saturday 23rd July - Saturday 30th July
Conference Chair: Helen Lange
Academic Director: Dr Jane Thomas (University of Hull)
Conference Secretary: Mike Nixon Tours Co-ordinator: Pat Withers
All lectures will take place in the United Church in South Street, Dorchester; other
venues as indicated. FULL CONFERENCE MEMBERS are eligible to attend all lectures
and entertainments on production of their Conference name tags, and have priority
when booking excursions.
Tickets for the individual events for non-Conference members are available from the Society
office, on the door, or at the Box Office at the United Church (during the Conference week).
Tickets for lectures are: £8, (or £15 for two lectures) & for evening events:
£8 (THS members)/£10 (others), unless otherwise indicated.
PROGRAMME
* Asterisked events are for full Conference members only.
Numbers refer to tours and walks: see pages 18 - 21 for further details
Monday to Saturday: Conference announcements by Mike Nixon at 9am
Saturday 23rd July
Registration at the United Church. Refreshment facilities are available
and delegates may purchase light lunches.
From 12 noon
*7 for 7.30pm
8.45pm
*
Conference & Festival Launch by our President Lord Julian Fellowes
Reception and buffet supper for delegates and guests.
Venue: The Thomas Hardye School, Coburg Road, Dorchester
*
We are delighted to welcome Simon Armitage: Oxford Professor of
Poetry, one of our most important and esteemed contemporary poets. He
will be reading from his own works.
Venue: The Thomas Hardye School, Coburg Road, Dorchester
Sunday 24th July
8.30am
10.00am
1.30pm
1. Salisbury, Old Sarum, and Stonehenge, with Dr Tony Fincham,
Dr Rebecca Welshman & Prof Ken Fincham.
Morning Service at Stinsford Church;
preacher: Rev Canon Richard Franklin
2. The Mayor of Casterbridge - a walk round Dorchester to celebrate
the 130th anniversary of the novel with Alistair Chisholm.
Venue: Meet at the Town Pump
10
6.30pm &
8.15pm
Two performances by the New Hardy Players at Max Gate.
Venue: Max Gate, Alington Avenue, Dorchester
*
Monday 25th July
9.15am
Lecture by Prof Barrie Bullen, Visiting Fellow,
Kellogg College, Oxford:
‘Tess, Painting, Place and Music’.
11.00am
Lecture by Dr Indy Clark, University of Queensland, Australia:
‘Wessex and the Pastoral Tradition.’
1.30pm
3. Tour: ‘Wessex Heights’ and Much More with Dr Tony Fincham
1.30pm
4. Tour: Writers & Film Makers with Sue Clarke
2.00 - 3.00pm
Speech & Presentation Workshop - Helen Lange. For all speakers.
3.00 - 5.00pm
Call for Papers: (parallel sessions)
Panel 1: Hardy and Folk
Panel 2: Hardy in the ‘Margins.’
7.00pm
Poetry with Bill Morgan; Bill will be reading from his new collection
of poems ‘The Art of Salvage.’
8.15pm
Furse Swann: Half a Life in the Web of Words; Some Literary
‘Moments of Vision.’
Tickets: £4/£5
Tuesday 26th July
9.15am
Lecture by Prof Seamus Perry, Balliol College, Oxford:
‘Hardy’s Solicitude’
11.00am
Lecture by Prof Mike Irwin:
‘Like it or Not: Hardy’s Use of Simile’
1.30pm
5. Tour: ’A Two Years’ Idyll; Thomas Hardy’s Stourcastle
a visit to Hardy & Emma’s Sturminster Newton with Rod Drew
2.00pm
6. The Hardy Collection - ‘Show and Tell’ - with Helen Gibson at DCM
2.15 - 4.15pm
5.00pm
Call for Papers: (parallel sessions)
Panel 3: Hardy and Women
Panel 4: Hardy, Masculinity and Desire
Postgraduate Forum and Welcome Reception (see p. 15)
6.00pm
Book launch: Vybarr Cregan-Reid, Footnotes: How Running Makes
Us Human; Tony Fincham, Exploring Thomas Hardy’s Wessex
Venue: Waterstones, South Street, Dorchester
8.00pm
Piano Recital with Philip Lange & Joseph Crane. Philip’s programme
will largely be classical music from Hardy’s period. Joseph Crane will join
Philip to conclude the evening with Schubert’s Fantasie in F minor.
Venue: St Mary’s Church, Edward Rd, Dorchester
11
Wednesday 27th July
9.15am
Lecture by Dr Trish Ferguson, Liverpool Hope University:
‘Hardy’s Night Skies’.
11.00am
Lecture by Adrian Flynn, BBC; scriptwriter to ‘The Archers’
‘The Ambridge Woodlanders - The Archers’ Debt to Thomas Hardy’
1.30pm
7. Tour: To Kingston Lacy, to see the paintings with Mr Hardy and Helen
Lange
1.30pm
8. Tour: ‘Fiddling Folk’ with Dr Tony Fincham & Colin & Ruth Thompson
2.00 - 4.00pm
Call for Papers: (parallel sessions)
Panel 5: Hardy’s Soundscapes
Panel 6: Hardy and Imperialism
5.00pm
Professionalisation workshop.
Led by Dr. Jane Thomas and Dr Mary Rimmer (Postgraduates and
Early Career Researchers):
‘A Career in Academia’
7.45pm
Tim Laycock performs ‘A Taste of Dorset’: Dorset Tales & Traditional Songs
8.45pm
The Mellstock Trio perform folksongs from their new CD
Venue: The Corn Exchange, Dorchester
Thursday 28th July
9.15am
Lecture by Dr Terry Hale, University of Hull:
‘Hardy’s Comédie Humaine: French Sensation Fiction and the
“Wessex Cycle”’
11.00am
Lecture by Dr Hugh Epstein:
‘A Transmissive Medium: Atmosphere in Hardy’s Novels.’
1.30pm
1.30pm
9. Tour: Stourhead Revisited with Andrew & Marilyn Leah.
10. A Walk to Hardy’s Cottage with Mavis Pilbeam.
2.00 - 4.00pm
Call for Papers: (parallel sessions)
Panel 7: Hardy, Past, Present and Future
Panel 8: International Hardy
5.00pm
General Readers’ Seminar with Tracy Hayes.
5.00pm
Dance Workshop with Colin and Ruth Thompson.
7.00pm
A Hardy Quiz.
8.00pm
‘Thomas Hardy’s “Afters”: A Reading of William Barnes.’
with Dr. Alan Chedzoy
Price: £4/£5
12
Friday 29th July
9.15am
Lecture by Dr Karin Koehler, University of St Andrews:
‘A Modern Wessex of the Penny Post: Hardy’s Postal Imagination’
11.15am
Lecture by Prof. Angelique Richardson, University of Exeter :
‘Thomas Hardy and Devon’
1.30pm
11. Tour: The Isle of Slingers’ a walk round Portland with Margaret
Marande, author of ‘The Hardy Way’.
Price: £10.00
1.30pm
12. Walk: ‘Remembering William Barnes; Came Church and Max Gate,
with Helen Lange
Price: £10.00#
2.00 - 4.00pm
7.00pm
8.15pm
Call for Papers: (parallel sessions)
Panel 9: Hardy and the Visual
Panel 10: Hardy and Death
* Farewell Supper at the Corn Exchange
Barn Dance with Ruth and Colin Thompson
* AVenue:
The Corn Exchange, Dorchester
Saturday 30th July
9.30am
Annual General Meeting of the Thomas Hardy Society
11.00
A Morning with Natasha Solomons: Author of ‘The Song Collector’;
‘The House at Tyneford; ‘The Song of Hartgrove’ etc. Tickets: £4/£5
13
IMPORTANT NOTICES
*These events are for full Conference & Festival members only*
CATERING: to help with catering, please complete the form on page 21
SAFETY: Any outdoor activity can be hazardous. Participants are reminded to wear suitable footwear
and clothing and to exercise appropriate care on all walks and tours
WEBSITE: For further information and updates about the Conference and Festival events, please look
at the Society website: www.hardysociety.org
ADMISSION FEES: In some cases admission fees, where applicable, are added to the basic cost of the
coach journey. Fees marked # are payable at the venue. (See booking form p.21)
National Trust (NT)/English Heritage (EH) members make sure you bring membership cards and ID
Conference and Festival Walks and Tours
All tours and walks begin from Top o’ Town Car Park at 1.30pm
unless otherwise indicated below
Sunday 24h July
No1: Tour
Salisbury, Old Sarum
& Stonehenge
Drs T Fincham & R Welshman
Prof K Fincham
8.30am
An all day trip first visiting Old Sarum, followed by an exploration of Thomas Hardy’s Salisbury,
ending with a guided tour of the cathedral – then a pause for lunch – and on to Stonehenge. Hardy
texts – Tess, Jude and Ethelberta, plus short stories particularly ‘On the Western Circuit’ and many
poems associated with Salisbury Cathedral. Tony will focus on Hardy, Rebecca on Archaeology
and Ken on history.
It is essential that you bring appropriate membership cards / proof of ID with you on the trip.
Prices: NT/EH members: £14.50; student/over 60: £27.00; all others: £28.50
No. 2: Walk
The Mayor of Casterbridge Walk Alistair Chisholm
Meet at the Town Pump
Celebrating the 130th anniversary of the publication of The Mayor of Casterbridge
2.30pm
Price: Free
Monday 25th July
No.3: Tour
‘Wessex Heights’ and much more
Dr Tony Fincham
1.30pm
A visit to Hardy’s two Dorset ‘Wessex Heights’ - Bulbarrow & Pilsdon Pen - in the year of the
poem’s 120th anniversary. The tour also follows the route of Tess’s fateful walk from Plush to
Beaminster and passes through the country of the ‘Woodlanders’ and a number of Hardy short
stories. There will be a cream tea at The Acorn Inn, Evershot. Late return to Dorchester - not before 7pm.)
Price: £18.50
14
No.4: Tour
Writers & Film Makers
Sue Clarke
1.30pm
Dorset has drawn film and television producers for its fine buildings and landscape, and writers
have been inspired by it.. Visit Mapperton, a glorious Dorset sandstone manor, and the location of
Everdene Farm in the latest production of Far From the Madding Crowd and enjoy a guided tour of
the house. (the terraced valley gardens are not included in this visit). You will have time to purchase refreshments at the Sawmills Cafe before returning via Briport, West Bay and Abbotsbury.
Price £16.00
Tuesday 26th July
No.5: Tour ‘A Two Years’ Idyll ‘ - Hardy’s Stourcastle Roderick Drew
1.30pm
This visit to Hardy’s Stourcastle will include a short walk to Riverside Villas, where Hardy lived (‘A
Two Years Idyll’) and wrote The Return of the Native. On this 100th anniversary of the death of
William Barnes, we will also be visiting St Mary’s Church.
Price: £10.00
Price: £10.00
No. 6: Tour
The Hardy Collection - Show & Tell Helen Gibson
2.00pm
In the Dorset County Museum’s Victorian Gallery, a ‘Show and Tell’ event with objects from
the Thomas Hardy Collection (part of the UNESCO Memory of the World). A chance to see items
from Hardy’s life and work and hear the stories behind them, including family music books, early
paintings, costume, letters, notebooks, architectural drawings, and much more.
Price: £10.00
Wednesday 27th July
No7: tour
To Kingston Lacy with Mr Hardy and Helen Lange
‘
1.30pm
Price: £10.00#
No.8: Tour
Fiddling Folk
Dr. T Fincham, Colin & Ruth Thompson
1.30pm
A walk from Wolfeton Eweleaze to the ruined cottage at Fiddler’s Green (Higher Crowstairs), the
home of Shepherd Fennel and the setting of ‘The Three Wayfarers’ – after some musical rejoicing
and a rendition of ‘The Stranger’s Song’, we will cross Waterston Ridge to descend to the manor
(Weatherbury Upper Farm) for a musical recreation of the Shearing Supper (Far From the Madding Crowd) including ‘The Banks of Allan Water’, sung by Ruth Thompson, accompanied by Colin
Thompson on the fiddle.
Distance: 3.5 miles.
Price: £11.50
Thursday 28th July
No.10: Walk
A Walk to Hardy’s Cottage
Mavis Pilbeam
1.30pm
……….. with Mavis Pilbeam observing wildlife as well noting significant places en route. There will
be time for looking round the Cottage in small groups and for exploring the garden.
Return by minibus.
Price: £5.00#
# admission charge may apply - see p17
15
No.9: Tour Stourhead Revisited
A.H. & M. Leah
1.30pm
A visit to the magnificent home and garden of Hardy’s friend, Lady Alda Hoare, highlighting their
two lost heirs. With Andrew & Marilyn Leah.
Price: £10.00 #
Friday 29th July
No.11: Walk
A Coastal Walk on the Isle of
Slingers
Margaret Marande
1.30pm
Hardy loved Portland which he described vividly in 'The Well-Beloved' and 'The Trumpet-Major'
and in one of his finest poems 'The Souls of the Slain'. This walk, with Margaret Marande, author
of ’The Hardy Way: A Nineteenth Century Pilgrimage’ is about five miles in length & visits many
places of historic interest in this unique and impressive landscape.
Price: £10.00
No.12: Walk
Max Gate & Remembering William
Barnes
Helen Lange
1.30pm
‘This visit includes a walk to Came Church and then, after commemorating Barnes’ death 130
years ago, back to Max Gate.’
Price: £10.00#
# admission charge may apply - see p17
The Thomas Hardy Society would like to thank the following organisations
for their generous support of the Twenty-second International Thomas Hardy
Conference & Festival:
Goulds Department Stores
Waterstones
West Dorset District Council
Dorchester Town Council
Henry Ling Ltd
The Steinway Grand Piano for the Philip Lange recital was kindly made
available by the Dorset Musical Instruments Trust
..and the Hardy Country Group, comprising
Dorset County Council/
South Dorset Ridgeway Trust
West Dorset District Council
The National Trust
Dorset County Museum
Exeter University
Dorset Area of Outstanding Natural Beauty
The Thomas Hardy Society
Stinsford Parish Council
16
Conference & Festival Walks & Tours Booking Form
Please complete in BLOCK CAPITALS & make cheques payable to the Thomas Hardy Society
Full details of coach tours and walks will be found on pages 14 - 16
1. Sun tour
Salisbury, Stonehenge,
& Old Sarum
* see tour description on page 18
..........places @ £14.50*
..........places @ £27.00*
..........places @ £28.50*
£.........
£.........
£.........
2. Sun walk
The Mayor of Casterbridge Walk
..........places @ free
£.........
3. Mon tour
‘Wessex Heights’ and much more
(inc cream tea)
..........places @ £18.50
£.........
4. Mon tour
Writers & Film Makers )
..........places @ £16.00
£.........
5. Tues tour
Hardy’s Stourcastle
..........places @ £10.00
£.........
6. Tues tour
The Hardy Collection - Show & Tell
..........places @ £10.00
£.........
7. Weds tour
Kingston Lacy with Mr Hardy
..........places @ £10.00
£.........
..........places @ £11.50
£.........
..........places @ £10.00
£.........
.........places @ £5.00
£.........
..........places @ £10.00
£.........
+£5.00# ..........places @ £10.00
£.........
+£13.50#
non National Trust members
8. Weds walk
Fiddling Folk
9. Thurs tour
Stourhead Revisited
+£14.10#
non National Trust members
10. Thurs walk
Hardy’s Cottage walk
11. Fri walk
A Coastal Walk on the Isle of
Slingers
12. Fri tour
+£5.00
Max Gate/William Barnes
# National Trust - non-members admission charge - payable at venue
TOTAL £
TO HELP WITH CATERING, PLEASE COMPLETE THE FOLLOWING:
Are you vegetarian? (please indicate) YES / NO
A meal on the first and last evenings is included in the cost for Full Conference Members
only, but is available for all others at a cost of £10.00 for the first evening and for the last. It is
important that we know your wishes in advance, as admission will be by ticket only.
If Full Conference Members are unable to attend either meal, please let us know, as follows:
I am *able/not able to attend the meal on the *first/last evening.
I am not a FULL Conference Member, but wish to attend the “first/*last evening meals
Please detach and return this form, together with your deposit of £70 or full payment to:
The Thomas Hardy Society, c/o Dorset County Museum, High West Street,
Dorchester, Dorset, DT1 1XA, UK
Tel/Fax: +44 (0)1305 251501, or Mike Nixon: +44 (01305 837331; Mobile: 07812 677485
17
CONFERENCE and FESTIVAL BOOKING FORM
Name 1:
Name 2:
Address:
Post/zip code:
Email:
Tel:
Member(s) of the Thomas Hardy Society: YES/NO
ACCOMMODATION (Please tick/delete as necessary)
Please send accommodation information about::
Dorchester
Surrounding
area
Hotels
Inns/Pubs
Guest/Farmhouses/Bed & Break-
Self catering
I understand that I must book and pay for this and be responsible for transport where necessary
Conference & Festival Fees
Members of the Thomas Hardy Society
Full-time student members
Non-members & guests of members
£230
£ 50
£250
Deposit per person on booking
£ 70
Deposit per student member
£ 10
NB Deposit only refunded if cancellation received before 1st May
The Conference and Festival membership fee includes attendance at all lectures, talks, seminars, poetry readings and evening entertainments as well as dinner on the first night and the
farewell party. There are additional charges for the excursions and walks. As demand for places
is likely to be high, an early reservation for the 2014 Conference and Festival is recommended.
*please delete as necessary
I/we* enclose a cheque/bank draft* payable to The Thomas Hardy Society for £70 per person as a deposit and will pay the balance not later than1 June2016; OR I/We* wish to pay the deposit/in full* by credit
card:
Card no.
Expiry date:
Name of card holder:
Please also debit the balance of my/our* Conference fees & Walk & Tour fees on 1 June 2016
Card type:
VISA
Mastercard
Eurocard
Signed: ....................................................................................... Date: .................................
(Reg. Charity No:254248)
18