PG De Pinto Portfolio 2016
Transcription
PG De Pinto Portfolio 2016
Pier Giorgio De Pinto Portfolio [email protected] http://www.depinto.it https://futureisnow.culturalspot.org/home http://58indicesonthebody.wordpress.com/ Pier Giorgio De Pinto is a trans-disciplinary artist, a performer, a curator, a theorist and a media trainer. De Pinto strongly uses new media as a thinking medium in which involves the audience, creating performative experiences and immersive environments. De Pinto is currently studying an hybridisation practice between expanded cinema, performances, AR (Augmented Reality), VR (Virtual Reality), digital codes, infographics, mapping territories and human factors. A way to combine different physical and virtual media to tell a story through installations. The sounds, the objects, the drawings, the coded movies and the interactive installations create spaces that become devices for developing a poetical and conceptual dimension through sensorial perception, reflections and awareness. The gesture of the artist removes functionality, adds significance, proposes a new sense, subverts rules, creates a new order. A transmedia poetic that has the potential to perturb our certainties and our perception. De Pinto has exhibited and performed in prestigious institutions, museums and art centres, such as Tate Britain and Whitechapel Gallery (UK); Palazzo Medici Riccardi in Florence, Palazzo Ducale in Genoa and ViaFarini DOCVA in Milan (I), Pinault Foundation Punta della Dogana, Palazzo Grassi in Venice; MACT/CACT Contemporary Art Ticino, Haus der elektronischen Künste and Fondation Beyeler in Basel, Le Manoir in Martigny, Cabaret Voltaire Dada Zurich (CH). He also exhibited in 7th Berlin Biennale, curated by Artur Zmijewski in 2011. He is among the artists selected for Biennial, Manifesta 11, curated by Christian Jankowski in Zurich for the event Cabaret der Künstler – Zunfthaus Voltaire curated by Manuel Scheiwiller. De Pinto’s works can be found in international public, corporate and private collections. Since 2010 he is the coordinator and curator of some events of MACT/CACT Arte Contemporanea Ticino, Switzerland. June 2016 © Pier Giorgio De Pinto All photos, except where indicated, by Pier Giorgio De Pinto © Pro Litteris/Zurich 1 LINKS Projects about transmedia projects, interactive installations and live performances. CREATURES #4 at Keck Kiosk, Basel https://vimeo.com/166610396 Fake3D. A tribute to DADA art movement celebrating 100 years http://dadaclub.online/wp-content/uploads/2016/02/LoPinto_Fake3D_800.gif http://dadaclub.online/page/2/ OMM 0000_THX1138_LUH 3417 (Blessing of the masses project) https://www.youtube.com/watch?v=Ew9CJfF4CX8 Demo for Polyhedra. The extended sculptures https://vimeo.com/125827596 Music was my first love Interactive installation/Long durational performance https://vimeo.com/134429264 https://www.youtube.com/watch?v=D8g4Djwl3zw Index 42: the phases of the pomegranate. AMAE and Pier Giorgio De Pinto performance. https://www.youtube.com/watch?v=l66QBqxmOvs Password to enter the following four videos: 58indices Performance at Whitechapel Gallery (AMAE and Pier Giorgio De Pinto) https://vimeo.com/102207714 Performance in Freiburg at E_WERK (AMAE and Pier Giorgio De Pinto) https://vimeo.com/102221499 Performance in Freiburg at Kommunales Kino (AMAE, Pier Giorgio De Pinto, Jean-Luc Nancy) https://vimeo.com/102215897 Performance in Strasbourg, INACT Festival (AMAE, Pier Giorgio De Pinto, Jean-Luc Nancy) https://vimeo.com/102234129 CREATURES #3 at [.BOX] Videoart Project Space Milan http://vimeo.com/92344649 Digital fingerpaint, 2013, (single channel version). https://vimeo.com/67388198 Opening 11/03/13 https://vimeo.com/80264327 Soft in Soft out (encoding and decoding) Studio Ermanno Cristini (I) http://cactyou.blogspot.ch/2013/09/soft-in-soft-out-enconding-and-decoding.html Creatures for BYOB. Haus für elektronische Künste, Basel. http://cactyou.blogspot.ch/2013/08/bring-your-own-beamer-byob-at-haus-fur.html 58 (+1) indices on the body Project https://vimeo.com/69845011 password: amaedepinto http://www.mbodyresearch.de/front_content.php?idart=165 http://58indicesonthebody.wordpress.com/ http://www.youtube.com/watch?v=oDxSH4HpoNs 2 Images, Festival des Arts Visuels de Vevey, BYOB Project, 2012 http://www.byobworldwide.com/tagged/vevey http://byobvevey.tumblr.com/ http://vimeo.com/51215863 http://vimeo.com/49970438 Femina Faber. Amplexum Mentis ut cosmo concordent voces, 2012 http://www.cacticino.net/pages/newsletterdetail?id=219 http://www.youtube.com/watch?v=npDWvzxYxWQ&list=UUcGWp08xBj62rEgwVPp383g http://www.youtube.com/watch?v=NyPFNbnNAKs&feature=share&list=UUcGWp08xBj62rEg wVPp383g http://tinyurl.com/8ob6zqo LINKS Projects about Animal/Vegetable/Mineral Kingdoms, energies of planet earth & Genius Loci (spirit of the place). Experimental platform Future is now! http://futureisnow.culturalspot.org/home Five Elements, Five Phases, Five Agents, Five Movements, Five Processes, Five Steps Password: performance https://vimeo.com/64461407 Wunderwand (Kunstformen der Natur), 2012 http://www.cacticino.net/pages/newsletterdetail?id=262 http://www.flickr.com/photos/pgdepinto/sets/72157632093069965/ Der Baum von uns [the Tree of us], 2011 http://youtu.be/WpbWkrWRj8s My home has a golden Guest, 2011 http://www.cacticino.net/pages/newsletterdetail?id=79 http://www.youtube.com/watch?v=s8dm82FQ7rA http://www.flickr.com/photos/pgdepinto/sets/72157627443578345/ http://www.flickr.com/photos/pgdepinto/sets/72157627443544189/ Future is Now (Hidden Geographies), 2011 http://www.cacticino.net/pages/newsletterdetail?id=64 http://www.youtube.com/watch?v=iY0kK3zoYwQ&feature=channel_video_title http://www.youtube.com/watch?v=iJ_4y1qfBsQ&feature=channel_video_title http://www.cacticino.net/exhibitions/index/archive/2011 Strange Fruits (Portraits: Reflected Vision), 2010/2011 http://www.cacticino.net/pages/newsletterdetail?id=92 http://www.youtube.com/watch?v=rlxPWgMzlco http://www.youtube.com/watch?v=EwRDnta_yzA http://cactyou.blogspot.ch/search/label/ritratti_lo%20sguardo%20riflesso Extimacy. The familiar stranger. Real, Symbolic and Imaginary of the Other. http://www.plug-in.ch/invito/pers/14_ita.htm https://www.youtube.com/watch?v=oZ_lJG-KhWg © Photo by Barbara Strebel. 3 Creatures #4 (2016) Interactive installation. Mixed media. Flat screen monitor, iMAC, HD cam. LED lights system, Software for interaction, posters, banners, leaflets. Venue: Keck Kiosk, Kaserne, Basel (CH). Thank to Funds of Werkraum Warteck pp. left to right: Rafaël Rozendaal, Abstract Browsing 14 12 01 (Google Drive), Abstract Browsing 14 12 05 (Technorati), 2015, Tapestry. Pier Giorgio de Pinto, The 3D Great Day of His Wrath, 2014, Animated GIF. Sabrina Ratté, Visites Possibles, 2014, Video. Nicolas Sassoon, Pattern. Lost Hours, 2014, Digital Animation. Venue: Digitale Abstraktionen, Haus der elektronischen Künste Basel (CH). Ph. Marco Frauchiger left to right: Elisabeth Ritschard, Parametermodulationen, 2016, Animation. Pier Giorgio de Pinto, The 3D Great Day of His Wrath, 2014, Animated GIF Quayola, Topologies, 2010, Video Diptych. Nicolas Sassoon, Pattern. Lost Hours, 2014, Digitale Aninmation. Venue: Digitale Abstraktionen, Haus der elektronischen Künste Basel (CH). Ph. Marco Frauchiger Animated GIF “The [3D] Great Day of His Wrath“. (2014/2016) A remix artwork out of “The Great Day of His Wrath” by John Martin (1789-1854); from the 1840s room at Tate Britain, selected for the event Late at Tate Britain. Art meets film: Moving image. 4 Venue: Digitale Abstraktionen (2016). Haus der elektronischen Künste Basel (CH). Curated by Alexandra Adler and Reinhard Storz (HGK Hochschule für Gestaltung und Kunst) and the platform xcult.org. How to heal our broken hearts (2016) Interactive installation and performance. Signed limited edition multiples, water, glasses, bottle, teaspoon, watercolour tablets, aspirin tablets, cartoon box, Projector, laptop, webcam, interactive software. 5 Venue: Cabaret Voltaire, Zurich (CH). Event: Celebrating 100 years since the DADA movement was born in Zürich. © Photos by Nora Magdalena Bilqis Hauswirth Fake3D (2016). A tribute to DADA celebrating 100 years. Animated 3D GIF/3D object on dedicated site. Based on Man Ray’s work Long Distance, 1926. De Pinto contribution to the project dadaclub.online by Link Art Center (I). 6 Venue: Cabaret Voltaire, Zurich (CH). Event: Dadaclub, event of performances and multimedia installations celebrating 100 years since the DADA movement was born in Zürich. Corpora Polyedra 2015 (in progress). Prototyping for 3D printed sculptures. 7 Corpora Polyedra, Man. 2015 (in progress). 8 Watercolour, watercolour pencil, gouache, graphite, metallic pastel on Fabriano paper. Corpora Polyedra, Woman. 2015 (in progress). 9 Watercolour, watercolour pencil, gouache, graphite, metallic pastel on Fabriano paper. The watercolours and storyboards series. [Blessings of the masses]. 2013 - (in progress). Watercolour, watercolour pencil, permanent pencils, gouache on tracing paper. Each work 42x19,5cm 10 https://futureisnow.culturalspot.org/exhibit/blessings-of-the-masses/mALygANqVnanJA?hl=en-GB The watercolours and storyboards series. [Blessings of the masses]. 2013 - (in progress). Watercolour, watercolour pencil, permanent pencils, gouache on tracing paper. Each work 42x19,5cm 11 https://futureisnow.culturalspot.org/exhibit/blessings-of-the-masses/mALygANqVnanJA?hl=en-GB FRAUGHT (2015) Multimedia installations and long durational performance. Size variable. 12 Venue: MACT/CACT Contemporary Art Ticino, Event: Double solo show with Valter Luca Signorile. 2015 Detail of the performance by AMAE and sound art piece by Stephen Roddy for the project 58(+1) Indices on the body. Indices nn.21_7_3. A project in collaboration with AMAE Art Collective (UK), Pier Giorgio De Pinto (CH) and the philosopher Jean-Luc Nancy (FR). Presentation during the Exhibition Slip of the tongue curated by Danh Vo. Palazzo Grassi, Punta della Dogana at the François Pinault Foundation, Venice, Italy. Ph. Courtesy Blauer Hase, 2015. From left: Ivan Lupi, performer of the art collective AMAE (UK) and Pier Giorgio De Pinto. 13 Venue: Palazzo Grassi, Punta della Dogana at François Pinault Foundation, Venice, Italy. Event: Helicotrema Recorded Audio Festival 2016. Detail of a work by Nancy Spero on Antonin Artaud. Exhibition Slip of the tongue curated by Danh Vo. Palazzo Grassi, Punta della Dogana at the François Pinault Foundation. Cut to shape the cube (out of Future is now, 2011/in progress). Transmedia installation with QR Codes. Size variable. 14 Venue: Palazzo Ducale, Sale del Munizioniere, Genoa (I). Event: “Le latitudini dell’arte” II edition, Hungary and Italy. Biennial of Contemporary Art 2015. Music was my first love (2014/2015) Interactive and multimedia installation, size variable. 15 Venue: MACT/CACT Arte Contemporanea Ticino (CH) Event: 6pm Your Local Time Europe. Group Show, 2015. We are what we pass down (2014) Interactive and multimedia installation. Size variable. 16 Venue: Le Manoir de la Ville de Martigny (CH). Event: Come Closer Group Show. Riflessione, 2015. Performance and multimedia installation. Size variable. 17 Venue: Palazzo Ducale, Grimaldina Prisons Tower, Genoa (I). Event: Segrete – Traces of Memory. Allied artists in memory of the Shoah, Group Show, 2015. All Glitched Up/Loud Tate Britain. Ph. © Yemisi Blake [Glitched] Portrait of George Talbot, 2014. Digital code manipulation on digital photo (glitch art). From the original Portrait of George Talbot, 6th Earl of Shrewsbury. (Date not known). British School 17th or 18th century (1600–1799). Oil paint on canvas, 2286 x 1460 mm. 18 Venue: Tate Britain, London UK. Event: All Glitched Up (as part of BP Loud Tate: Code). We are what we pass down, 2014. Interactive video installation, digital print on paper. 19 Venue: MAMY, Museum of Modern Art, Yerevan, Armenia. Event: Come Closer, group exhibition. Ph.© Nouné Avetisian To know wisdom and instruction; to perceive the words of understanding, 2014. Performance by and with Pier Giorgio De Pinto and Karine Janjughazyan. 20 Venue: MAMY, Museum of Modern Art, Yerevan, Armenia. Event: Come Closer, group exhibition. Photos: © 2014 Courtesy of Fondation Beyeler. Sommernachtsfest - Summer night’s Gala 2014, Fondation Beyeler, Basel-Riehen, CH. Performer for “Centerpiece” a long durational performance curated by Marina Abramovic. 21 Venue: Fondation Beyeler, Basel-Riehen, CH. Event: Sommernachtsfest - Summer night’s Gala 2014. Photos: © 2014 Maeva Tchiouk. Courtesy Helicotrema Festival. Indices nn.62/63, 2014 Audio installation and performance with the philosopher Jean-Luc Nancy and AMAE Collective. 22 Venue: Viafarini DOCVA and Careof DOCVA, Fonderia Artistica Battaglia, Istituto dei Ciechi di Milano and RAI Radio3 Studio, Italy. Event: Helicotrema 2014, Festival of recorded audio pieces, Milano, Italy. Photo © 2014 KEYSTONE/Stefan Meyer 23 Schweizerische Plastikausstellung Biel/Expositions Suisses de Sculpture Bienne. Le Mouvement/Performing the City. Performer for Simone Forti‘s Huddle performance. Venue: Bienne/Biel, Switzerland Event: Le Mouvement/Performing the City, curated by Gianni Jetzer and Chris Sharp. Blessings of the masses. [The Wu Xing], 2014 Mixed media installation. Size variable. Two watercolour paintings on tracing paper, brass sculpture, gold leaf, slate tile with drawing in pastel pencils. 24 Venue: Palazzo Ducale, Genoa, Italy. Event: ENDinNATION. Andata e Ritorno, group exhibition. Ph. © Addie Wagenknecht OMM 0000_THX1138_LUH 3417, 2014 (out of the project Blessings of the masses), Animated Movie_WebGL. Format: 16:9, Full HD Video, Sound, B/W_Colour. Duration: 4:56 min. 25 Venue: HeK, Haus für elektronische Künste, Basel, Switzerland. Event: Oslo Night 2014. Open-air Cinema: Perspectives on Imaginary Futures. Performance The Living Archive with the philosopher Jean-Luc Nancy, 2014 INACT Festival 2014, Strasbourg, France. Performance C.O.R.E. Strange foreign bodies, 2014. MACT/CACT Arte Contemporanea Ticino, Switzerland. The Voice and the Lens. Whitechapel Gallery, London, UK. 58 (+1) INDICES ON THE BODY. A living archive, 2014 Perfomance and transmedia installation in collaboration with the philosopher Jean-Luc Nancy and AMAE Collective, London (UK). Work in progress. Mixed media, size variable. Augmented Reality software, tattoos, sounds, texts and movies on tablet, beamer and HD flat screen. 26 Exhibition views: The Living Archive. INACT Festival, Strasbourg (FR). The Voice and the Lens. Whitechapel Gallery, London (UK). C.O.R.E. Strange foreign bodies. MACT/CACT (CH). A two-days event: workshop, master class and performances with the philosopher Jean-Luc Nancy. 27 24 May 2014 Workshop C.O.R.E. Strange foreign bodies and performance 58+1 Indices on the body: Index n. 58. MACT/CACT Arte Contemporanea Ticino (CH). 25 May 2014. Performance: Indices nn. 60_61 MACT/CACT Arte Contemporanea Ticino (CH). Woman/City/Man_Future is now, 2010/2014. Mixed media installation. Size variable. 3D Sculpture, Pigment ink on laminated (Matt UV 5 Filter) premium quality photo paper. Tablet with slideshow in loop. 28 Venues: Palazzo Medici Riccardi. Florence (I). 2014 and 2015 Museo Francesco Borgogna, Vercelli (I). Event: ENDinNATION | ENDinSIDE 2014 and ENDinNATION | BACK HOME group exhibitions by StudioDieci. Curated by Carla Crosio/Lorella Giudici. 1840s GIF Party, Late at Tate Britain. All photos © Greg Sigson. The [3D] Great Day of His Wrath, 2014 Animated 3D GIF (Graphics Interchange Format), CRT Monitor (cathode ray tube). From the original painting The Great Day of His Wrath by John Martin (1789‑1854). Venues: Tate Britain, London (UK), 2014 Event: Art meets film: Moving image. Late at Tate Britain. 1840s GIF Party, group exhibition. 29 Digitale Abstraktionen, group exhibition at Haus der elektronischen Künste Basel (CH). 2016 Welcome to Switzerland!, 2014 Carrara marble, model building pieces, acrylic colours, wood, plastic, stones. 30 Venue: Museo del Marmo di Carrara (Museum dedicated to the use of Carrara marble), Italy. Event: ENDinNATION | The Holy Mountain, group exhibitions by StudioDieci. Soft in Soft Out [Encoding and Decoding], 2013. Rubber stamps, drawings, interactive installation, loop video, beamer, laptop, flat monitor, ASCII decoder, moving and light capture software. 31 Venue: Riss(e) Studio Ermanno Cristini, Varese, Italy. Event: Soft in Soft Out [Encoding and Decoding], 2013. Solo show. Digital fingerpaint, 2013 4 channels video HD, colour-b/w, sound, 2’52’’. Action without audience. 32 Venue: XVII Biennale di Penne, Italy, 2013. Archaeological Museum. Event: Unexpected stories. Between places and walls. PiP (Picture-in-Picture), 2013 Interactive video installation, size variable. Mixed media. Framed digital print on paper, flat screen monitor, laptop, webcam. 33 Venue: MACT/CACT Art Contemporanea ticino, CH. Event: The Solitary Body: self-portraiture in contemporary photography. Group show. Wunderwand #1, 2012 Out of the performative project Kunstformen der Natur, 2012 Action without audience, digital prints, stitched silver/gold metallic adhesive vinyl films on black paper. Variable Dimensions. 34 Venue: MACT/CACT, Bellinzona, Switzerland Event: Brut, Beyond the outline, 2012, group show. Future is now 2011 16 Math exercise books, graphite, ink, digital print, plastic envelopes. Details of the installation for the open studio at Ateliers im KunstFreilager OSLO. Christoph Merian Stiftung Basel/Münchenstein, Switzerland, 2012 35 Future is now 2011 Polystyrene ball and paper sculpture. laptop with 3D interactive installation. On the background three digital prints on aluminium. Exhibition view: Hidden Geographies. MACT/CACT, Bellinzona, Switzerland, 2011 36 Strange Fruits #1/#2 2010 Details of the installation Variable Dimensions. Exhibition view: The Portrait Regained MACT/CACT, Bellinzona, Switzerland, 2010/2011 37 Frame from the video Strange fruits #2 (2011) Action without audience, video. Colour, 16:9 Format, 5’23’’. My home has a golden Guest. 2011 Performance and installation. Sound environment by Andrew Zealley produced by PSBEUYS. Outdoor installation. Pavillon, dynamic diodes light system. Chair, Electric water fountain, parfums, embroidery stitches, carpets, curtains, pillows, candles. Stereo sound system. Exhibition view: My home has a golden Guest. MACT/CACT, Bellinzona, Switzerland, 2011 38 Performance, inspired by The magic mountain by Thomas Mann, was played by Sara Nesti, choreographer and performer, Giovanni Dal Monte, composer, musician and performer and Pier Giorgio De Pinto as director and performer. PNEUMA, interactive installation and performance at MACT/CACT, Switzerland. (2011) 39 3 performers. One sound artist, one dancer, one film projectionist. One dress/sculpture, One screen in Polyester fabric (TNT), sculpture in form of a tree, 3 Video projectors, two laptops, one mixer, Sound to Light Generator Sofware for music visualization, dolby surround-sound systems. Two dvd players, Cables. Variable dimensions. Solo show CORPUS at MACT/CACT. Arte Contemporanea Ticino, Switzerland. (2010). 40 Dionysus’ Darkroom. Detail of the installation. Sicilian Yell for Ayaan Hirsi Ali 2010 Performance and installation. Mixed media. Size variable. 41 Exhibition view: CORPUS. Solo show at MACT/CACT Arte Contemporanea Ticino, 2010. Frames from It’s all about Love (2009) with Franko B. and Pier Giorgio De Pinto. Action without audience. “De Pinto is aided by Franko B, paying a conscious tribute to an artist who has evoked flesh and its symbology, not without creating often embarrassing friction with the observer’s more sensitive, remoter parts, returning his blood to his audience during his performances and representing the tormented body in a reiterated process of human wandering that stands for a liberating, cathartic journey.” Mario Casanova, director and curator of MACT/CACT on the occasion of the world premiere of the video It’s all about Love (2009). 42
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