Keel, O. and Mazar, A. Iron Age Seals and Seal

Transcription

Keel, O. and Mazar, A. Iron Age Seals and Seal
ERETZ-ISRAEL
Archaeological, Historical and Geographical Studies
V O L U M E T W E N T Y- N I N E
Published by
T H E I S R A E L E X P L O R AT I O N S O C I E T Y
in cooperation with
THE INSTITUTE OF ARCHAEOLOGY, HEBREW UNIVERSITY OF JERUSALEM
JERUSALEM 
PUBLISHED WITH THE ASSISTANCE OF
T HE L EON L EVY F OUNDATION
T HE R EUBEN AND E DITH H ECHT T RUST
S AMUEL D. T URNER , E SQ .
S USAN L ADEN , BAS
H ERSHEL S HANKS , BAS
ISBN     
© 
Copyright by the Israel Exploration Society
Layout: A. Pladot
Typesetting: Marzel A.S.—Jerusalem
Printed by: Old City Press, Jerusalem
EPHRAIM STERN
VOLUME
Editors
Joseph Aviram, Amnon Ben-Tor, Israel Eph¹al,
Seymour Gitin, Ronny Reich
Editorial Directors
Hillel Geva, Alan Paris
Hebrew style editing
Efrat Carmon
English style editing
Alan Paris
CONTENTS
Non-Hebrew Section
Bibliographical Abbreviations (see Hebrew section)
ix
xi
‫טו‬
‫כג‬
Oded Borowski
Life and Death at Tel Ḥalif in the Eighth Century BCE
*
Dan P. Cole and
Joe D. Seger
Traces of Persian Period Settlement at Tel Ḥalif
*
Frank Moore Cross
The Phoenician Ostracon from Acco, the Ekron Inscriptions
and ‫אשרתה‬
*
William G. Dever
Archaeology and the Fall of Judah
*
Daniel A. Frese and
David Noel Freedman
Samaria I as a Chronological Anchor of Finkelstein’s Low
Chronology: An Appraisal
*
Shimon Gibson
The Ṣuba Water System as a Clay-Production Plant in the
Iron Age II
*
Othmar Keel and
Amihai Mazar
Iron Age Seals and Seal Impressions from Tel Reḥov
*
Philip J. King
Wenamun Docks at Dor
*
Gary N. Knoppers
Beyond Jerusalem and Judah: The Mission of Ezra in the
Province of Transeuphrates
*
Günter Kopcke
The First Great Temple on Samos
*
André Lemaire
Remarques sur les relations entre la Phenicie et le nord
de l’Arabie
*
Preface The Editorial Board
Ephraim Stern—Scholar, Teacher, Colleague and Friend David Ussishkin
Bibliography of Works by Ephraim Stern (see Hebrew section)
Edward Lipiński
Wares Ordered from Ben-Ḥarash at Akko
*
Daniel Master
The Renewal of Trade at Iron Age I Ashkelon
*
Robert Merrillees
The Implications of Materials Analysis for the Levantine
Origin of Cylinder Seals from Late Bronze Age Cyprus
*
Carol L. and
Eric M. Meyers
The Persian Period at Sepphoris
*
Bezalel Porten and
Ada Yardeni
Dating by Grouping in the Idumean Ostraca: Six Commodity
Dossiers Dating to the Transition Years from Artaxerxes II to
Artaxerxes III
*
Anson F. Rainey
Notes on Two Archaeological Sites
*
David S. Reese
On Incised Scapulae and Tridacna
*
Renate RosenthalHeginbottom
The Sacred Number Seven—Reflections on the Hellenistic
Seven-Nozzled Lamps from Tel Dor
*
Lawrence E. Stager
A Pictorial Potsherd from Ashkelon Depicting a
Philistine Ship
*
David Stronach
Riding in Achaemenid Iran: New Perspectives
*
Shelley Wachsmann
Some Notes on Drawing the Bow
*
Randall W. Younker
The Persian Period at Tall Jalul, Jordan
*
Jeffrey R. Zorn
The Daily Grind at Tel Dor: A Trough and Basin from an
Iron Age I Kitchen
*
English summaries of Hebrew articles
*
Hebrew Section
David Ussishkin
¹En Ḥazeva: On the Gate of the Iron II Period Fortress

Shmuel Aḥituv and
Ada Yardeni
Seventeen Aramaic Ostraca from Idumea from the End of
the Persian Period and the Beginning of the Hellenistic Period

Adi Erlich
The Image of Kybele in the Land of Israel in the Hellenistic
Period

Hanan Eshel and
Deborah Cassuto
Additional Evidence of Greek Influence on Phoenician Art
in Cyprus in the Seventh Century BCE

Itzhaq Beit-Arieh
Remains of Wooden Furniture from Tel Malḥata

Doron Ben-Ami
Early Iron Age II Fortified Settlements in the Upper Galilee:
Phoenician Fortresses or Fringe Settlements in the Northern
Kingdom of Israel?

Amnon Ben-Tor,
David Ziegler and
Vladimir Avrutis
An Archaeological Riddle at Tel Hazor

Hillel Geva
An Iron Age Decorated Stand from the Excavations in the
Jewish Quarter in Jerusalem

Zvi Gal
The Lower Galilee between Tiglath Pileser III and the
Beginning of the Persian Period

Stratum VI at Megiddo and the “Northern Sea People
Phenomenon”

Gershon Galil
International Private Commerce in the Neo-Assyrian Period

Yosef Garfinkel
The Destruction of Cultic Objects and Inscriptions during
the First Temple Period

Trude Dothan and
Alexandra S. Drenka
Incised Scapulae from a Cultic Assemblage at Philistine
Ekron

Aaron Demsky
The Length of the Cubit in the Siloam Inscription

Shimon Dar and
Orna Nagar-Hillman
Weights from Tel Dor and Ḥorvat Shallale on the Carmel

Zeev Herzog
Is There Evidence for the Intentional Abolishment of Cult in
the Arad and Tel Beersheba Excavations?

Samuel Wolff
Some Notes on Basket-handled Amphorae

Itamar Singer
The Luwian-Phoenician Bilingual from Çineköy and its
Historical Implications

A Phoenician Vessel Group Dated to the Iron Age IIB from
Tel Beersheba

Adam Zertal
The Reality of the Book of Judith

Arad Haggi and
Michal Artzy
On the Origin of the Marine “Pier and Rubble” Building
Technique

Yifat Thareani
In the Service of the Empire: Local Elites and “Pax
Assyriaca” in the Negev

Ayelet Gilboa
Lili Singer-Avitz
Oren Tal and
Alexander Fantalkin
An Iron Age IIB Fortress at Tell Qudadi: A Preliminary Study 
Irit Yezerski
Typology and Chronology of Iron II–III Rock-Cut Tombs
in Judah

The Tactics of the Assyrian Army in the Attack on the City
of Lachish

Assaf Yasur-Landau
In Search for the Origin of the Philistine Bird Motif

Baruch A. Levine
“and rendered in Aramaic” (Ezra :): An Inquiry into the
Ancient Background of a Biblical Linguistic Form from the
Period of the Second Temple

Oded Lipschits and
David S. Vanderhooft
 Unpublished yehud Stamp Seal Impressions from
Aharoni’s Excavations at Ramat Raḥel

Aren Maeir
Fragments of Stone Reliefs from Bliss and Macalister’s
Excavations at Tell eṣ-Ṣafi/Gath

Eli Yannai
Yitzhak Magen
The Temple of YHWH at Mt. Gerizim

Zeev Meshel
The Persian-Period Road System in the Negev

Nadav Na’aman
Did the City of Dor Serve as the Capital of an Assyrian
Province?

Einat Ambar-Armon and
Amos Kloner
Connections between the Aegean World and the Land of
Israel in the Persian Period

Rami Arav
A Chronicle of a Pre-known Destruction. Analysis of the
Stages of the Conquest and Destruction of the City of
Bethsaida by Tiglat Pileser III (– BCE)

Avraham Faust
Judah in the Sixth Century BCE: Continuity or Break?

Israel Finkelstein and
Neil Asher Silberman
Temple and Dynasty: Hezekiah, the Reformation of Judah
and the Emergence of the Pan-Israelite Ideology

Ronny Reich and
Eli Shukron
Two Hebrew Seals and Two Hebrew Bullae from
the City of David in Jerusalem

Yiftah Shalev
Tel Dor and the Urbanization of the Coastal Plain of Israel
during the Persian Period

Ashlar Construction at Dor: Four Comments on the State
of Research

A Figurine from Tel ¹Ira Reconsidered

Ilan Sharon
Miriam Tadmor
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IRON AGE SEALS AND SEAL IMPRESSIONS
FROM TEL REḤOV
O THMAR K EEL
and
University of Fribourg
A MIHAI M AZAR
Hebrew University of Jerusalem
Introduction
scarabs of the Egyptian “mass-produced” group
and their chronological significance.
Most of the items included in this paper were
found in reliable and well-dated Iron Age I and,
in particular, Iron Age IIA stratigraphic contexts,
and thus they provide a secure anchor for dating
similar seals often found in less reliable contexts
or without any context.
Nine seasons of excavations at Tel Reḥov have
yielded a rich and varied collection of finds from
a city that thrived from the Late Bonze Age until
the ninth century BCE, and then, on a reduced scale,
until the Assyrian conquest of  BCE (Mazar ,
a, ; Mazar et al. ; see also Table 
below). Over  stamp seals and seal impressions
on jar handles and clay bullae were recovered in
the excavations. In the present paper, we present a
preliminary study of two specific groups of stamp
seals and seal impressions that are significant for
the study of Iron Age I–IIA glyptics in our region.
The first group includes  stone seals and two seal
impressions, and the second group includes six seal
impressions on jar handles that were made in a style
unique to Tel Reḥov. We also briefly discuss three
Group . Local-Style Stone Seals and Seal
Impressions (Table ; Figs. –)
The  seals and two seal impressions on jar handles in this group represent the most typical style
of glyptics in the Land of Israel during the late Iron
Age I and Iron Age IIA (Shuval ; Keel ).
In most cases, the seals are made of local limestone
in colors of white, gray, yellow, reddish or black.
Table . Iron I–II Strata at Tel Reḥov, All Excavation Areas
Excavation Areas and Local Strata
C
D
E
F
G
General Stratum
No.
A
B


–

–
–
–
–

*
a
a
a

–
a b
b
b
b


V
–






VI
–



–
–
?
VII
–
–
–
a b
a b
–
–
–
Period
Date
II
Iron IIB
Late th century BCE
–
III
Iron IIB
c.  until  BCE

IV
Iron IIA
c. – BCE
Iron IB
th–early th centuries BCE
Iron IA
c. th century BCE
* correlation insecure; could be early phase of general Stratum III
*
*
OTH M A R K EEL A N D A MI H A I M A ZA R
Fig. . Group , photographs of seal impressions; nos.  and  are photos of impressions on jar handles;
scale : (numbers refer to Table )
Fig. . Group , drawings of seal bottoms; nos.  and  are drawings of impressions on jar handles;
scale : (numbers refer to Table )
I RON AGE SEA LS A N D SEA L I M PR ESSIONS FROM TEL R EḤOV
*
Table . Group : Stone Seals and Impressions
Seal No.
Reg. No.
Locus
Area
Stratum*
Shape**



D
D- (VI)
Small, square seal with arched handle



B
B- (VI)
Coarse scarab



D
D-
Scaraboid Type IV



C
C-a (IV)
Scaraboid Type I



C
C-a (IV)
Seal impression on jar handle


Wall 
E
E- (V–IV)
Scaraboid Type II



C
C-a (IV)
Scaraboid Type I



E
E-a (IV)
Conoid Type IV



D
D- (VI)
Scaraboid Type II



C
C-a (IV)
Scaraboid Type IV



C
C-a (IV)
Coarse scarab



C
C- (VI)
Coarse scarab



C
C-a (IV)
Coarse scarab



C
C-a (IV)
Scaraboid Type III



G
G-a (IV)
Scaraboid Type I

,

B
B-b (V)
Scaraboid Type I



C
C- (V–IV)
Scaraboid Type I



G
G-b (VI or V)
Coarse scarab



B
B- or B- (V or IV)
Seal impression on jar handle



C
C-a (IV)
Scaraboid Type II
* Local stratum in the excavation area; final general stratum in parentheses; see Table .
** Scaraboid types according to Keel : § –.
The most common shapes are scaraboids of Types
I–IV (Keel : § –) or coarse scarabs,
while only one is conoid-shaped (Table : No. ).
The shape of seal No.  is rare: miniature, square,
with an arched handle. No.  is a seal impression
on the handle of a restored “hippo” jar, a characteristic jar form in Strata V−IV at Tel Reḥov (see,
for example, Mazar : , Fig. :−; Mazar
et al. : , Fig. .:, ; , Fig. .:),
while No.  is a seal impression on a broken
handle, also probably belonging to a “hippo” jar
based on the form and ware.
Iconography
The repertoire of motifs is limited to quadrupeds
(caprids, bovines and perhaps a horse), scorpions,
ostriches, plants and human figures in various
combinations (Table ). Significantly, there are
no Egyptian or Phoenician motifs, except for No.
, which may be an imitation of the motif of a
human figure grasping two crocodiles (although
perhaps without an understanding of the motif’s
original meaning (compare the Egyptian “massproduced” seal; below, p. * Figs. : and :).
We have divided the seals of Group  into three
iconographic groups (Table ):
. Animals alone (Nos. −)
. Animals and an additional object (Nos. –)
. Human figures alone or alongside animals or
plants (Nos. –)
*
OTH M A R K EEL A N D A MI H A I M A ZA R
Table . Group : Combinations of Motifs
Motif
Seal No.
Scorpion

Quadruped alone
, 
Quadruped and plant
(?), , , 
Quadruped and scorpion
, (?)
Quadruped, scorpion* and plant

Ostrich and a human(?)

Human figure, bovine and scorpion

Human figure and quadruped
–
Human figure, quadruped (horse?) and an
unclear motif (scorpion? second human
figure?)

Human figure holding two schematic croco- 
diles or plants
Human figure between two ostriches

Human figure and two unclear objects

Human figures flanking a palm tree

Three dancers

*
For the identification of this schematic motif as scorpion, see text
Quadrupeds—The most common animals appearing in the seal motifs are quadrupeds, mainly
caprids or other goat-like animals such as ibex,
wild goat, etc. (see Keel, Shuval and Uehlinger
: –, Abb. –), as well as several
bovines (most probably bulls), and in one case
perhaps a horse. In certain cases the animal is too
schematic to be identified (Nos. , ). Quadrupeds
may appear alone (Nos. , ), in combination with
a scorpion (Nos. , perhaps ) or a plant (Nos. , ,
perhaps ; in No.  the object in front of the animal
appears to be a strange depiction of a plant), both
a scorpion and a plant (No. ), or in front of a
human being (Nos. –). In No. , a quadruped
and plant (?) appear in the upper part of the composition, above an unknown (broken) motif, perhaps
another quadruped whose horns may be seen on the
right side. In most cases, the quadrupeds appear to
be striding forwards, except in No. , where the
head is turned backwards. Standing or striding animals facing forward are common on seals of this
period. In all instances, the animal holds its head
forward. The back-turned head is found mostly in
cases of goats suckling a kid (Keel and Schroer
: –, Figs. , , ).
Examples of caprids as the main subject are
found on several Iron Age IB–IIA seals. The
plant that often accompanies this animal may be
explained as a symbol of the fertility of the land
(Staubli ). Both caprids and trees are closely
associated with a goddess, most probably Ashera
(Keel a: –).
In No. , the animal (caprid or bovine) has
small ridges on the neck, a feature that is found on
many contemporary seals. The features of the tail
in this seal are rather unusual and together with the
forward-bending horns, suggest perhaps that this is
a representation of a bovine (cf. a scaraboid from
Lachish: Tufnell et al. : Pl. :).
In several cases, the quadruped is probably a
bovine, most likely a bull (No.  and perhaps
also Nos. , , ). A close parallel to No. ,
executed in a very similar style, was found in a
later context at Yoqne¹am (Ornan : , No.
). Animals with similar crescent-shaped horns
like those of No.  are seen on a conoid seal from
Shechem (Wright : –, Fig. ) and another
of unknown origin (Keel and Uehlinger : ,
Fig. c).
Scorpions—No.  is an exceptionally small seal
bearing a depiction of a single scorpion. The small
creatures above the animals in Nos. ,  ,  and 
are probably best explained as schematic representations of scorpions showing just the pair of heavy
pincers, the body and the sting-tipped tail, without
any indication of legs. This motif is well known in
Iron Age IB–IIA glyptics; examples include hematite scarabs from Akko (Keel : , Nos. –
), a conoid from Yoqne¹am Strata XVIII–XVIIb
(Ornan : , No. ), and a seal in the former
Clark collection (Keel : , Fig. ; see also
Shuval : –). A scorpion as a single motif
first appears during the Late Bronze Age and continues throughout the Iron Age I. For the combination of a quadrupeds and a scorpion as in Nos.
– and , see a scaraboid from Beth-Shemesh
I RON AGE SEA LS A N D SEA L I M PR ESSIONS FROM TEL R EḤOV
(Keel forthcoming: Beth-Shemesh No. ), one
from Lachish (Tufnell et al. : Pl. A/: )
and two from Megiddo Stratum V (Loud : Pl.
:–). Scorpions are often combined with
suckling goats (see Keel and Uehlinger :
f, Figs. a–c). There are, however, several
instances of an “abbreviated” form of this scene,
showing the animal without a kid combined with
a scorpion, as in our examples.
Ostriches––Two seals depict ostriches: in No. ,
the ostrich faces a damaged figure, probably a
human, while in No.  two ostriches are grasped
by a human figure (see below). The ostrich sometimes appears as the single or main element, as on a
scarab from Beth-Shean (Keel forthcoming: BethShean No. ) and an unpublished seal from Tel
Malḥata (Keel :  § ). On a scaraboid
from Bethel (Keel forthcoming: Beth-El No. ),
the unclear element in front of the ostrich must be
a scorpion or a plant.
Horse(?)—The animal in No.  appears to be a
horse, though this identification is uncertain.
Crocodiles—The creatures held by the human
figure in No.  appear to be schematic crocodiles,
inspired by a common motif on Egyptian Horus
stelae and Post-Ramesside “mass-produced” scarabs of the Twenty-First Dynasty, such as seal No.
, from Tel Reḥov (see below and Figs. :;
:). However we may question whether the seal
engraver of No.  was indeed aware of the meaning
of the motif, since while in the seal shown at Fig.
: the identification of the animals as crocodiles
is clear, in Fig. : the figures are schematic and
don’t recall crocodiles. Perhaps the artist continued
to use an Egyptian motif without understanding its
meaning or trying to give it a new meaning (such
as trying to depict bundles of dates?).
Human figures—The human figures are depicted
schematically, in various postures, with no details
of body or facial features. In Nos. –, worshippers stand in front of what appear to be bovines.
Note that the figure in No.  is bending on one knee
and in Nos.  and  one hand is lowered, whereas
in most cases where human figures are shown in
*
front of a quadruped, their hands are raised (as in
the case of two scaraboids and a conoid from BethShemesh (Keel forthcoming: Beth-Shemesh Nos.
, , ; for additional parallels from various
sites, see Keel and Uehlinger : –, Ill.
a–c). In No. , the human figure is shown with
both hands raised, either in adoration of the animal
(be it a caprid or a bull) or in a dancing position, as
in No.  (below).
In No. , a human figure stands in front of a
horse(?); the motif above the animal could be a
scorpion or even a second human figure; compare
four scaraboids from Tel ¹Etun, Taanach and Gibeon
(Dajani : Pl. X: , ; Keel and Uehlinger
: –, Ill. a–b). In No. , the human
figure grasps what appear to be two schematic
crocodiles (see above) and in No.  a similar schematic human figure grasps two ostriches in both
hands. The motif of “Lord of Ostriches” is found on
several Iron Age scaraboids and conoids (for the
significance of this motif, see Keel : −;
: f; Keel and Uehlinger : –,
Ill. a−d). In No. , a human figure holds two
poorly-preserved items, perhaps scorpions, as seen
in Iron Age IB and IIA conoids and scaraboids
from Amathus, Tell Jemmeh, Gezer and Megiddo
(Keel b: –). In No. , two human figures (worshippers?) are depicted flanking a palm
tree. While in most cases where two human beings
are shown flanking a tree, their hands are raised in
a gesture of worship, here they are holding the
trunk. In No. , three dancers are depicted with
hands raised (Keel forthcoming: Beth Shemesh No.
 with many parallels; see Mazar b, for an
interpretation of the figures as dancers).
It should be noted that the iconographic repertoire in Group I does not include any Egyptian or
Phoenician motifs. Egyptian influence is evident in
the schematic depiction of a human figure holding
two crocodiles and the use of the scarab shape for
some of the seals, yet these are very coarse imitations of scarabs in local stone. Also completely
absent is any North Syrian influence (Keel and
Uehlinger : –). The predominate motifs
are typical of the local glyptic traditions, such as
scorpions, quadrupeds, the Lord of Ostriches,
branches and depictions of the palm-tree cult, all of
which already appear in the glyptics of the second
*
OTH M A R K EEL A N D A MI H A I M A ZA R
millennium in this region (for example, caprids and
palm-tree branches). These motifs can be interpreted as relating to fertility and agriculture, particularly to the blessings of plant and animal life.
Nos.  and  may depict bull worship, confirming
the importance of the bull as a religious symbol in
Canaan and northern Israel, where it served as the
symbol of El, the storm god Ba¹al, or Jahweh (for
the significance of these motifs, see further, Keel
and Uehlinger : –).
Style
Stylistically, some of the seals in this group were
roughly cut, lacking attention to details, while
others were more elaborately engraved. The most
elegant examples are Nos.  and . No.  resembles a seal from Yoqne¹am that shows two bulls
facing one another with human figures above them
(Ornan : , No. , found in a Hellenistic
pit that cut Stratum XIV). The stylistic similarities
between these two seals suggest that they may have
been produced in the same workshop.
Chronology and stylistic development
Only one seal in this group (No. ) was found in
an Iron Age I context (eleventh century BCE), it
shows a single caprid in a crude style. Stratum VI,
from the early to mid-tenth century BCE, yielded
four seals (Nos. , , , ), three of them depicting only animals (caprids and/or scorpions) in a
crude style, while the fourth (No. ) is one of the
most complex and mature examples in this group.
The other  seals and impressions originate in
Strata V−IV of the late tenth–ninth centuries BCE.
None of the Strata V–IV seals exhibits the simple
and crude style of the earlier seals like Nos. , ,
and . On the other hand, No. , one of the finest
seals in our group, comes from the earliest Iron
Age IIA stratum (Stratum VI), clearly dated to
the tenth century BCE. Thus it may be concluded
that the crude style started in the Iron Age I and
continued until the time of Stratum VI while the
mature style appeared during the time of Stratum
VI (early Iron Age IIA) and continued into the
later phase of this period (late tenth–ninth centuries BCE). Yet caution is necessary here since the
number of examples from the Iron Age I and early
Iron Age IIA (Stratum VI) at Tel Reḥov is limited,
while most of the examples come from Strata
V–IV. At other sites, such seals have rarely been
found in reliable stratigraphic contexts. Among the
stratified seals of this kind, we should note a single
seal from Megiddo Stratum VIA (Loud : Pl.
:; Shoval : , No. ), several seals
from Stratum V (Lamon and Shipton : Pls.
:; :, , –) and a few from Stratum
IV (Lamon and Shipton : Pl. :–), several seals from Tell el Far¹ah (N) Strata VIIA and
VIIB of Iron Age IIA (Chambon : Pl. :,
–), a single seal from Hazor Stratum X (Yadin
et al. : Pl. CLXXIV:), and two seals from
Tell el-Ḥammah (Cahill, Lipton and Tarler :
Pl. :C−D). Other examples found in excavations,
but in less secure or well-dated contexts, are several
seals from Beth-Shean Level V (James : ,
Figs. :; :; Shuval : , Nos. –;
Keel forthcoming: Beth-Shean Nos. , , ),
and Tell en-Nasbeh (McCown : Pls. , –,
–, , ). An exceptional context is Tomb 
at Beth Shemesh, a poorly-published Iron Age IIA
tomb (Mackenzie –: , Pl. a−b) found
by Keel to contain over forty seals of a similar
style, many of them resembling our Group I (Keel
forthcoming: Beth Shemesh Nos. −). A considerable amount of stamp seals of this type were also
found in the early Iron Age II tombs at Lachish
(e.g., Tufnell : Pl. :−). Most of the
reliable contexts mentioned above are defined
as belonging to the Iron Age IIA, i.e., the tenth–
ninth centuries BCE (according to the “Modified
Conventional Chronology” suggested by Mazar
; see also Herzog and Singer-Avitz ).
Thus, this glyptique group should be defined as
typical mainly of the Iron Age IIA, though starting
to appear in the Iron Age IB.
Function
The function of the seals is not clear. The two
impressions on jar handles indicate that such seals
were not merely talismans, but were indeed used
for marking vessels, while they were still in the
process of production in the pottery workshop.
Whether such sealings served as property markers
or for some other function remains an open question. It may be surmised that such seals served as
both talismans as well as actual stamp seals.
*
I RON AGE SEA LS A N D SEA L I M PR ESSIONS FROM TEL R EḤOV
Group . Rectangular Seal Impressions of
the “Tel Reḥov Style” (Table ; Figs. –)
This group includes six impressions of rectangular
seals on handles of storage jars of the “hippo” type.
Four of these impressions were found in Area C
(two in Stratum C-a [=IV] and two in Stratum
C-b [=V]). Impression No.  is a surface find
(Zori : , Pl. :, now lost), while No. 
was found out of context in the Hebrew University
excavations of the Roman-Byzantine city at BethShean. Impressions Nos. ,  and  were made
from the same seal, as were Nos.  and , since
all the details in these two groups of impressions
are identical. Impression No.  was made from a
different seal, thus, there are three actual seals represented in this group of six impressions.
Fig. . Group , photographs of seal impressions; scale :
(numbers refer to Table )
Table . “Tel Reḥov Style” Seal Impressions
No. Reg. No.
Locus
Area
Stratum



C
C-b (=V)



C
C-a (=IV)



Hebrew
–
University
excavations
in the RomanByzantine city
of Beth-Shean



C
C-b (=V)

Surface find –
–
–


C
C-a (=IV)

Fig. . Group , drawings of seal impressions; scale :
(numbers refer to Table )
*
OTH M A R K EEL A N D A MI H A I M A ZA R
Nos. −.—These impressions were made by a
rectangular vertical seal, × mm, surrounded
by a frame, the upper horizontal line of which protrudes on either side. The top and bottom borders
consist of two rows of triangles with the points
facing each other. Inside the rectangle is a very
schematic striding human figure, both arms hanging alongside the body, the head and feet seeming
to merge with the two inner triangles above and
below the figure, so that they appear as kind of
oversized ears and triangular-shaped feet respectively. It may be that the figure represents the
Storm God striding on mountains, represented
by the triangles. A somewhat similar schematic
human figure, probably a warrior holding a lance
and a bow, is found on a rectangular seal impression from Ashdod (Dothan and Freedman :
, Fig. :; Keel : , No. ), found in
Stratum D- (= IX), dated to the ninth century BCE
according to Dothan (ibid. p. ).
Nos. −.—This design, × mm, doubles the
motif of the previous impression: at the top and
bottom there are two rows with twice as many triangles with the points facing each other, and inside
the rectangular frame are two very schematic
human figures in a tête-bêche position. Their outer
arms are hanging down and the inner arm is shared
by both figures; their heads and feet seem to blend
with the inner row of triangles, as in the previous
seal impressions.
Two schematic human figures in a tête-bêche
position are seen on seals from Tell el-Far¹ah (S)
(Keel forthcoming: Tell el Far¹ah South, No. ),
Lachish (Tufnell et al. : Pl. :), and Tell
en-Nasbeh (McCown : Pl. :; cf. Keel and
Uehlinger : ). However, all these examples
differ from ours in style and other details.
No. .—This impression, × mm, also depicts
two human figures in a tête-bêche position, yet
lacks the bordering triangles as in the previous
sealings; two vertical lines with horizontal strokes
flank the two figures. On the same handle, there is
a cross-shaped sign incised after firing.
Various rectangular seal impressions are known
from Iron Age contexts in Israel and Jordan, yet
none resemble our seal impressions in style or
iconography. The specific style of this group of
seal impressions is unique to Tel Reḥov and was
probably the product of a single local workshop.
This local style recalls the Kerbschnitt (“chip carving”) technique and differs to a large extent from
any of the other seals and seal impressions from
this period. No actual seals of this type are known.
This fact, as well as the engraving technique, suggest that the actual seals were made of wood (cf.
Keel  § ; for wooden seals, see an example from Pella: Richards : f, No. , Pl.
:).
The four rectangular seal impressions from Tel
Reḥov found in context came from Strata V−IV,
dated to the late tenth–ninth centuries BCE. The
fact that examples of the same seal impression
were found in both strata indicates the continuity
between these two strata: the seals were probably
produced during the time of Stratum V and the jars
continued in use in Stratum IV, or (less probably),
the same seals were used in both Strata V and IV.
There probably was a limited number of such seals,
utilized only to mark handles of the “hippo” jars,
which were the most common type of large storage jars in Strata V–IV at Reḥov. The function of
these sealings remains enigmatic; they may have
designated ownership or a production workshop, or
reflected some sort of local administrative system
at Tel Reḥov. The single find of such a sealing at
Beth-Shean may indicate inter-regional connections, probably centered at Tel Reḥov, which was
the largest site of this period in this region.
A Comment on Egyptian “MassProduced” Scarabs of the Twenty-First
Dynasty (Figs. –)
Three enstatite scarabs from Tel Reḥov belong to
a group of seals labeled Post-Ramesside “MassProduced” (see Keel : –; Keel and
Uehlinger : f; Münger , ). We
present these three scarabs in brief here, due to
their chronological significance. Two of these
scarabs were found in Iron Age I contexts. Scarab
No.  (Reg. No. ), from Stratum D- or D-
dating to the late twelfth or early eleventh centuries
BCE, depicts an archer and animals in the style typical of this group. A similar scarab was found in a
I RON AGE SEA LS A N D SEA L I M PR ESSIONS FROM TEL R EḤOV
Fig. . Egyptian “mass produced” scarabs from Tel Reḥov
(photographs of impressions); scale :
(for details see text)
Fig. . Egyptian “mass produced” scarabs from Tel Reḥov
(drawings of bottom); scale :
(for details see text)
twelfth-century context at Taanach (Shuval :
, No. ). Scarab No.  (Reg. No. , Locus
), was found in a secure Stratum C- (general
Stratum VII) context, the final Iron Age I level
at Tel Reḥov, radiocarbon dated to the end of the
eleventh or beginning of the tenth centuries BCE. It
shows a human figure with legs facing right, grasping a crocodile by its tail in each hand (Keel :
§ ). As mentioned above, this motif probably
served as the prototype for seal No.  in Group I.
The third scarab (Reg. No. , Locus )
came from Area E in a street matrix attributable
to either Stratum E- (=general Stratum VI, tenth
century BCE), or E-b (=general Stratum V, tenth
to early ninth centuries BCE). It depicts a falconheaded human figure wearing a kilt, with a j-sign
in front.
This type of mass-produced scarabs figured
recently in the ongoing debate concerning the Iron
Age chronology, following the claim by Münger
(, ) that they were produced at Tanis
during the time of Siamun and Shoshenq I in the
tenth century BCE, and thus can be used as precise
chronological indicators. In his words: “Settlement
*
layers containing mass-produced seals should not
be dated prior to the reign of Siamun, most probably not even before  BCE” (Münger : ).
This statement, which was utilized by supporters of
the Low Chronology for the Iron Age, is unacceptable in our view. This large and not very homogenous group was probably produced over the course
of the entire Twenty-First Dynasty (– BCE),
until the beginning of the Twenty-Second Dynasty
(–c.  BCE), at various places both in Egypt
and the Levant. At Tel Reḥov, the three scarabs
belonging to this group appear in strata dated to
precisely this time range: from the late twelfth–
eleventh centuries to the tenth–ninth centuries,
supporting the evidence from other sites for a similar chronological range. For example, a scarab of
this group was found in Tell Qasile Stratum XII,
dated to early Iron Age IB, probably the end of the
twelfth century BCE (Mazar : –; Shuval
: , No. ).
Additional Seals
In addition to the  scarabs seals and seal impressions mentioned above, Tel Reḥov yielded about 
additional items, mostly Middle and Late Bronze
Age scarabs and their impressions in Iron Age I
and IIA contexts; notable is a scarab of Ramesses
IV recovered in an Iron Age II context. Several
others are individual examples of a variety of other
Iron Age styles, notably a Phoenician-style bone
seal from Stratum V imitating a seal with metal
mounting, and a Twenty Second Dynasty scarab
from Stratum V or IV. These will be published
elsewhere.
Conclusions
The group of  local stone seals and their impressions defined here as Group I, presents a substantial
corpus of the local glyptic traditions in the southern Levant during Iron Age IB, and mainly Iron
Age IIA. Remarkably, this group lacks Egyptian
and Phoenician influences, utilizing only local
motifs related to fertility and worship. Such seals
were probably the products of local workshops that
developed in the Land of Israel during the eleventh
to ninth centuries BCE. The Tel Reḥov collection
*
OTH M A R K EEL A N D A MI H A I M A ZA R
presented in this article provides one of the best
stratigraphic contexts for this group.
The six rectangular “Tel Reḥov style” seal
impressions are a unique local product, underlining the significance of local initiatives. The use
of the same seal to mark several jars of identical
(“hippo”) type in the pottery workshop may perhaps indicate the existence of some kind of administrative system at Tel Reḥov during Strata V and
IV. This would comprise some of the earliest evidence for such a system in the Iron Age II, known
later from Judah in the form of lmlk and rosette seal
impressions on jar handles of identical types, mass
produced in large amounts.
The three scarabs of the Egyptian mass-produced
group from Tel Reḥov substantiate the longevity of
this group throughout the Twenty-First and beginning of the Twenty-Second Dynasties.
The Tel Reḥov glyptic collection is important for
establishing a terminus post quem for the appearance of inscribed seals in northern Israel, as none
of our securely dated seals and seal impressions
are inscribed. Similarly, none of the over  seal
impressions, mainly on bullae, and the few seals
recently discovered in the City of David, in a late
ninth-century-BCE context, are inscribed (Reich,
Shukron and Lernaus : –; Keel :
Ills. , –a, a, –). Thus, it seems
certain that inscribed Semitic seals did not appear
in our region prior to c.  BCE.
Notes



The excavations at Tel Reḥov were directed by Amihai
Mazar on behalf of the Institute of Archaeology of the
Hebrew University of Jerusalem between  and
, and generously supported by Mr. John Camp of
Minnesota, USA. The drawings and plates in this paper
were prepared by D. Weinblatt-Kraus, the photographs
by G. Laron and V. Neikhin. Our thanks to N. PanitzCohen and S. Sadeh for their editorial comments.
A full catalogue of the seals and impressions will be
included in the final excavation report.
Examples of standing quadrupeds: a conoid seal from
Achzib (Keel : , No. ), a seal impression
from Beth-Shean (Keel forthcoming: Beth Shean No.
, where the element in front of the caprid may be a
scorpion and not a tree), four scaraboids and a conoid
seal from Tomb  at Beth-Shemesh (Keel forthcoming: Beth Shemesh Nos. , , , , ), a seal
from Tell el-Ḥammah, close to Beth-Shean (Cahill,
Lipton and Tarler : ), three scaraboids from
Lachish (Tufnell et al. : Pl. A/:, , ),
an Iron Age IIA scaraboid from Tell Deir-¹Alla (Eggler
and Keel : , No. ), a scaraboid found in an
Iron IIC context at Tall al-Ḥamma in Jordan (Eggler
and Keel : , No. ), and a scaraboid found
with Iron Age II pottery at Tall al-¹Umeiri (Eggler and
Keel : , No. ). Examples of striding quadrupeds: a glass scaraboid from Achzib (Keel : ,
No. ), a conoid from Tell el-Far¹ah (North) Stratum
VIIa (Keel forthcoming: Tell el-Far¹ah North, No. ),
a hematite scaraboid from Lachish Tomb  (Tufnell
et al. : Pl. A/: ), an unstratified scaraboid
from Megiddo (Lamon and Shipton : Pl. :, with
additional crescent and disc), and a scaraboid from an






Iron Age II tomb at Amman (Eggler and Keel : ,
No. ).
Megiddo (Lamon and Shipton : Pl. : ), Beth
Shemesh (Keel forthcoming: Beth Shemesh Nos. ,
, ), Lachish (Tufnell et al. : Pl. :–),
Tell el-Ḥammah (Cahill, Lipton and Tarler : ,
Pl. D), and Amman (Eggler and Keel : , No.
).
For examples, see Dajani : Pl. :, ; KeelLeu : No. f; Keel and Uehlinger : , Ill.
b–c).
On rectangular plaques such as that from Tell el-¹Ajjul
(Keel : , No. ), and another plaque with the
addition of a disc from Akko (Keel : , No. );
note also a scarab from Shiqmonah (Elgavish : Pl.
 = Elgavish : , Fig. ).
Kefar Naḥum (Stepansky : *, Fig. ), Megiddo
Stratum VIIA (Loud : Pl. :), and a seal impression from Sahab (Eggler and Keel : , No. ).
Compare a bone scaraboid from Lachish (Tufnell et al.
: Pl. :), two scaraboids from Megiddo (Loud
: Pl. :–), a scaraboid from Tall al-Ḥamma
(Eggler and Keel : f, No. ), and a conoid from
Tell es-Sa¹idiyeh (Eggler and Keel : , No. ).
Tell Beit Mirsim (Keel forthcoming: Beth-Mirsim No.
), Beth-Shemesh (Keel forthcoming: Beth-Shemesh
Nos. , ), Tell el-Far¹ah (N) (Chambon : Pl.
:), Gezer (Macalister : III, Pl. a: = Rowe
: , Pl. , No. SO.; Macalister : III, Pl.
:), Lachish (Tufnell : , Pl. A/:, ),
Tell en-Naṣbeh (McCown : , No. , Pl. :),
Samaria (a surface find mentioned by Rowe :  in
the commentary to SO. and published by Keel :
I RON AGE SEA LS A N D SEA L I M PR ESSIONS FROM TEL R EḤOV




, Note , Fig. , Pl. IIIa), and Buseira (Eggler and
Keel : , No. ); see also Keel-Leu : Nos.
– (from unknown contexts).
Keel and Uehlinger : –, Ills. a–; Keel
forthcoming: Bethel No.  with numerous parallels. An
example from Tell el Far¹ah (N) originates in Level VIIB
of the Iron Age IIA (Chambon : Pl. :).
The figures in the Yoqne¹am seal were identified by
Ornan as storm gods on top of bulls or deities. Yet this
interpretation may be challenged; the figures may be
explained as worshippers. The seal was dated by Ornan
to the twelfth–eleventh centuries BCE, yet in light of the
parallels at Tel Reḥov Stratum VI it may be dated to the
early Iron Age IIA (tenth century BCE).
This list is not intended to be comprehensive; other seals
of this type have been published in various excavation
reports, but many originate in insecure contexts (see
Shuval  for additional examples).
Our thanks to S. Agadi for showing us this impressed
*
handle, and to Y. Tzafrir and G. Foerster for their permission to publish it.
 The following are examples of rectangular seals and
seal impressions: Bethel (Kelso :  § ; Pl.
:; the motif is unclear, perhaps an animal), Jericho
(Sellin and Watzinger : Pl. e), Tell en-Nasbeh
(McCown : , Fig. :), Sahab (two rectangular seal impressions, dated to Iron Age IB; Eggler and
Keel : , Nos. , ), Ashdod (Keel : :),
and Beth-Shean (Mazar : –, with an undeciphered inscription).
 Initially identified by B. Brandl.
 Consequently, the famous seal inscribed with “Shema¹
servant of Yarob¹am” (Avigad and Sass : –, No.
) cannot be dated to the time of Jeroboam I, as argued
by Ussishkin (). However, an exception to this
rule is a seal from Revadim (near Tel Miqne) with the
inscription lºbº, which should probably be dated to Iron
Age I or IIA (Avigad and Sass : , No. ).
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