GA101 - Bourne Blue Architecture
Transcription
GA101 - Bourne Blue Architecture
SpecialIssue WN++R +Fda 1 100 HOI-]SE,S 2008 CaseStudy Houses Char lesM oor ei n Ber k e 'Moore 'TheCase StudyHousesof LosAngeles' by Elizabeth A.T.Smith 'EamesHouse andStudio'bvEamesDemetrios and MLTW Architecture. Born in bv Hiroshi Misawa 'Dialogue with Charles Moore-On Sea1 C h a r l e s& R a y E a m e s Pierre Koenig Edward A. Killingsworth Craig Ellwood MLTW CharlesMoore Donlyn Lyndon W i l l i a m T u r n b u l l J. r . RichardR. Whitaker.Ji. Chdrles & Rav E6mes: Eames House and Studio LA School New YorkFive 'LASchool'by YoshioFutagawa Ray Kappe John Lautner Frank O. Gehry Edward R. Niles 'NewYorkFive'byYoshioFutagawa Richard Meier CharlesGwathmey Michael Graves Peter Eisenman John Hejduk Morphosis EricOwen Moss FranklinD. lsrael Fichard Mei6r: DouglasHouse EastCoast DesertHouses \: ' \ \ l Robert Stern \ S c o g i nE l a m & B r a y T o d W i l l i a m s B i l l i eT s i e n Steven Holl TodWilliamsEillieTsren:RitkindResidence Will Bruder: Feigin Residonco I t aly Nor ther nEur ope 'Post ltUWll ltalianBesidential Architectureand lnterior/Furniture Design'by Marco Palmieri Carlo Scarpa Tobia Scarpa Angelo Mangiarotti Vico Magistretti G. Ponti + N. Vigo Bart Prince Antoine Predock Will Bruder Rick Joy 'Houses in Scandinavia,History and Analysis'by Christoph Affentranger Carlo Moretti Luigi Moretti Piero Sartogo Vittoriano Vigand Ettore Sottsass / Alvar Aalto Ralph Erskine J0rn Utzon Sverre Fehn EuropeanContemporaries Richard& Su Rogers Rem Koolhaas/OMA Mario Botta Klaus Kada LatinAm er i c ai n the 19 ' Latin American Arch itects Encountered in the 1960s' by Makoto Suzuki Volker Giencke GeorgDriendl T, Sunyer/J.Badia Alvaro Siza OscarNiemeyer LuisBarra LinaBo Bardi Ricardo Le PauloA. Mendesda Rocha JoaquimGuedes Oscar Niemeyer: Niemeyer House LatinAmericaToday 'SixPointsaboutthe Contemporary Latin American Houses'byGabrielKogan Alberto Kalach Mathias Klotz Enrique Norten/TenArquitectos Marcio Kogan FelipeAssadi Angelo Bucci S m i l j a nR a d i c Australia \, ' Aussie H ouses'by Yoshio Futagawa GlennMurcutt PeterStutchbury SeanGodsell Gl6nn Mu.cfr: Houg€in Southm tl|l PeterStutchbury + ShaneBlue:HarbourHouse Newcastle. NewSouthWales.Australia,2OO2 I t h a s l o n g b e e n t h e a m b i t i o no f these architectsto design for this m a g n i f i c e nnt o r t h f a c i n g h a r b o u r sidedresscircle location. T h e s i t e ,j u s t b e l o w r i d g e l i n e h a s p r o s p e c to v e r t h e m i g h t y HunterRiver.Orientateddue north this site needs to be managed for the extremesof the sun and light s u c h a c l e a r - s k i e do u t l o o k r e quiresa softeningof climatic conditions.The eventualconcept was to see the solutionas an armchair that might be placed strategically underthe protectivebranchesof a t r e e , s o m e t i m e si n t h e d e p t h o f shade,the dappled light of broken shadeor the edge where a blast of sun benefitswinterchills. A large simple cut into the land providesa platformthat has a distinct front and back. The platform i s p r o t e c t e db y t h e d o w n w a r d sweepof a sculpturalcanopy, des r g n e dt o s o f t e n l i g h t r e fl e c t i o n intothe roomsbelow and beyond. T h ec o m p o s i t i o o nf t h i s b u i l d i n g doesnot guide the residenttoward the traditionsof residential llfestyle-thereare few definitives b u t i n s t e a da s e r i e s o f v a r i a t l o n s that removethe constancy of exp e r i e n c i n ga b u i l d i n g r e p l a c i n g t h a t e v e n tw i t h a n e d g e o f I i v i n g e x p e r i e n c ew h e r e n i g h t a n d d a y are recognisedonly by the changi n g l e v e lo f l i g h t a n d n o i s e , a n d hospitalitymoves equally through t h e b u i l d i n gi n t h e f o r m o f e n t e r tainment, The fact that humansadapt eas- .I \\, ilyto the provocationsof this building wouldseem to indicatethat the styleof life in this house can enjoy greaterlevelsof freedom, that externalrooms are equally relevant to how we live that the joy of day to day events such as cooking, b a t h i n gs, l e e p i n g e , a t i n g ,w a s h i n g all can be enhanced into greater w o r t h ,w h e n d e c o r a t e d b v a r c h i tecture. Thisbuildingrepresentshow architecturecan be discovered beyondthe building. )LAE,enla,aEe=76 2F"*EH ffiff t t r ; r o** ffi a tvt\tBFftEeYl) t-#il3-6 -t ld, T/rhbl-t :(F t IE:o)sl/DB!/4F-F E li : lc. E&ffi Od-<T1.6 6#jtD\ 5 te, E t f J\ > t - u / \ - D \ E E E 5 1 1 6 . Hltl*Hlbl.Et\(Ur6h&D, MEIffitr8911,2*|JtUrdtf ntdrd 5d'., tFHIr tHtufi + D,a a xft,Rtea1F.#.# EffialJ1-tEiltEti6" -Afx Living/dining room: looking south EE'/AE b, =>pJ Fta,-ao^a+t#a 1.*** lr EtsEd EutOn i.tlc3*f6 ltvOgEqgibOtr*2f." trft At t < ffi Dil tuli+ ffirdF*:El D\,Ht&D\EE1* t. =l46t#tta++)J j'v lfi-LtEtFH66" Ji:t tsfi -ata, zoTpBiEoE6tr0)60,t. 8fr6 UiDp.Htdffi DtJ6, TrAI l-fiD\rk, W JD&-l.u+p/tl-&:CT5fl6. eMoi6Flld,.{+6'/\Afi fifF!6t ,\t€ < - t ltr4L'r -fr,tll,fx botdtettucr4rrnr,,1*o o,--* t(,h\66 " ery)atrffi3-6'trH\1+ *DAD6, 7)l'fc4d>ts stE6moftffil.Et&76" z- , &tEEEEEEEEEEEEEEEE l&xt/4/.ar^)ua &:(d)Badffidn, ta, r>9741) ED'rdffi1+ Fah\fc5 tTEW#trt.frt)<7r<. ^h\z aew a+tb # t. H+ (.iErfid r)].=tt, -o*eaL)to7 4)L,lt.F.ffiEt <ttrdEHA# - t E ^ w . 1 , < r \ 6 & -{ - H z F-I$$OBI3E b d o &.- l.+)Et 6 .tHrild6 " l35FlrA : (fffi 5 tr'16 T FUE,EIE EEE.A-, iftE \:hEEO4d7 FO*t dd-,\ b\t t fdfm{E a ffi: b ot^. t BA,f Ld z-" co*td, +r46&w8ffi7<. t ll.e*A#.ECt6D,Az\U< ALiving room: kitchen on left EFE: ElteH Dining room and kitchen Hg.LAffiv