boymeetsgirl music

Transcription

boymeetsgirl music

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from the book "Free To Be ... You And Me" conceived by
Marlq Thomas and Friends
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contributions by
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Judy Blume * Dan Greenburg * Carol Hall
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Sheldon Harnick * Bruce Hart * Edward Kleban
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Elaine Laron * Stephen Lawrence * Betty Miles
Shelley Miller * Carl Reiner * Mary Rodgers
Shel Silverstein * Peter Stone * Charlotte Zolotow
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adaptation written for the stage by
Douglas Love and Regina Safran
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Jon Welstead
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originally produced by
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orchestrations and arrangements by
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The National Children's Repertory Theatre, Inc.
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JtODGE~S
AND
~MlWERSTEIN
THEATRE LmRARY
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1633 BROADWAY· SUITE 3801 • NEW YORK, NY 10019·6746
TELEPliONE: (212) 541-ti900· FACSIMILE: (212) 586-6155
Copyright (c) 1987 ~y Free To Be Foundation, Inc. All rights reserved.
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CAST OF CHARACTERS
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VICKIE - strong-willed, self-centered and demanding. She is willing to
accept any attention - even negative. She is loud, obnoxious and tells bad
jokes. We discover that she falsely thinks that her jokes can stop her
parents from fighting and resolve their differences. She comes to see that
all emotions are healthy and necessary.
JANET - kind-hearted and a loyal friend to William. She accepts
William's sensitivity and defends it. She has a positive self-image and has
never before had to deal with sexism. When limitations are put upon her,
she strives ahead, teaching the others the value of equality. She learns
abou t sharing and discovers her own jealousy.
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RICHARD - has been raised believing in "old" stereotypical male/female
roles. Ije is reluctant to change and afraid to display his emotions. He
hides behind a fantasy world of sports superstars.
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WILLIAM - sensitive and open. He is able to share his feelings easily
with others. He becomes a "new father" when he receives the doll that he
has been wanting for so long. He lets Vickie know that, "It's All Right to
Cry."
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Although the original production was done with only four actors, the cast
can easily be expanded to include a chorus.
MUSICAL SYNOPSIS
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-ACT 1-
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BOY MEETS GIRL
By Peter Stone and Carl Reiner
William & Janet
. LET'S HEAR IT FOR BABIES!..
The Company
Music and Lyrics by Edward Kleban
WHEN WE G ROW U~
Janet & William
Music by Stephen Lawrence - Lyrics by Shelley Miller
WILLIAM'S DOLL
Janet, William & Richard
Music by Mary Rodgers- Lyrics by Sheldon Hamick
Based on a book by Charlotte Zolotow
William & Janet
MY DOG IS A PLUMBER
By Dan Greenburg
PARENTS ARE PEOPLR
Janet & William
Music and Lyrics by Carol Hall
THE PAIN AND THE GREAT ONE
Vickie & Richard
By Judy Blume
GLAD TO HAVE A FRIEND LIKE YOU. William, Janet & the Company
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-ACT 11-
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LADIES FIRST
William, Vickie & the Company
By Shel Silverstein - Adapted by Mary Rodgers
IT'S ALL RIGHT TO CRy
William, Vickie, Richard & the Company
ATALANTA
By Betfy Miles
The Company
NO ONE ELSE
By Elaine Laron
The Company
FREE TO BE YOU AND ME
Music by Stephen Lawrence - Lyrics by Bruce Hart
The Company
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(At various points about the stage are the hats and various props which
make up the "Free To Be ... "world. Three-quarters of the way upstage is a
scrim which can be lit from the front to create moods and effects or can be
lit from the back to create a limbo area behind the scrim. There are also
flats which rotate on vertical axes and can be turned by the actors to suggest
different locations.)
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Music 1: PRELUDE ("When We Grow Up" Instrumental)
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(When the curtain rises, WILLIAM and JANET are dressed as babies and
seated in cribs downstage. RICHARD and VICKIE, also dressed as babies,
are playing silently upstage in their cribs. They look around and at each
other; music fades as the dialogue begins.)
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WILLIAM
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Hi!
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Hi!
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JANET
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WILLIAM
),
I'm a baby.
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JANET
What do you think. I am, a loaf of bread?
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WILLIAM
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I don't even know if I'm under a tree or in a hospital or what. I'm just so glad to
be here.
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JANET
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Well. I'm a baby. too.
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WILUAM
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Have it your own way. I don't want to fight about it.
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JANET
What are you, scared?
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WILLIAM
Yes I am. I'm a little scared. I'll tell you why.
(He moves close to her.)
See, I don't know if I'm a boy or a girl yet.
-2JANET
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What's that got to do with it?
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WILLIAM
Well, if you're a boy and I'm a girl you can beat me up. Do you think I want to
lose a tooth on my first day alive?
JANET
What's a tooth?
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WILUAM
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Search me. I'm just born. I'm a baby. I don't know nothing yet.
Do you think you're
JANET
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WILLIAM
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girl?
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I don't know. I migh be. I think I am. I've never been anything before. Let me
see. Let me take a lit e look around. Hmm. Cute feet. Small, dainty. Yup, yup,
I'm a girl. That's it. pirltime.
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~Music 2: LET'S HEAR IT FOR BABIES!
WILLIAM (CONT'D)
I'm a baby girl!
LET'S HEAR IT FOR BABIES!
YOU WERE ONCE A BABY YOURSELF.
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JANET
(Tickled. shouts.)
I love it! I love it!
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WILLIAM
NO BABY GROWS UP INTO A PERSON
ALL BY ITSELF, NO, NO,
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JANET
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NO, NO, YOU GOTTA TALK TO A BABY.
SING IT A SONG,
TAKE A WALK WITIl A BABY,
BRING TIlE KID ALONG.
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WILLIAM
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GOOD COMPANY, BABIES!
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'up,
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(VICKIE and RICHARD walk into a spotlight from their cribs where. until
now, they have been silently playing. They begin to sing and move a La the
Andrew Sisters.)
VICKIE
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& JANET
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& RICHARD
(In close harmony.)
GOO, GOO, GOO, GOO,
GOO, GOO, GOO, GOO, GOO.
DO YOU HAVE A BABY AROUND THE HOUSE?
PICK UP SO~THING WARM AND SMALL,
SAY A SISTER OR A BROTHER
OR TIlE BROTHER OF ANOTHER PERSON
VISITING FROM DOWN THE HALL
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JANET
TAKE THAT BABY TO LUNCH TODAY,
IT WILL LOVE ALL TIIE THINGS YOU HAVE TO SAY.
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ALL
YOU'LL END UP FEELING TEN FEET TALL!
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RICHARD
(A La Al loLson.)
LET'S HEAAIT FOR BABIES!
VICKIE
NO BABY GROWS UP INTO A PERSON
ALL BY ITSELF.
WILLIAM
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NO, NO, NO, NO,
NEVER POKE AT A BABY,
GIVE IT A HAND.
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JANET
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TELL A JOKE TO A BABY,
BABIES UNDERSTAND.
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BE NICE TO A BABY.
(Dance break with top hats and canes. There are chaser lights on the crib
bars whichjlash in time to the music.)
WIWAM & RICHARD
BABIES ARE BEAUTIFUL.
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VICKIE & JANET
BABIES ARE SMART.
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EACH ONE'S A BRAND NEW START ...
You
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Are
JANET
.,. TO EVERYTIIING.
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yet.
WILLIAM
DON'T BABY A BABY.
TREAT IT LIKE A PERSON YOU KNOW.
OHYEAH!
JANET
Gee,
ThaI
READ THE KID SOME SHAKESPEARE,
HUM IT A TUNE.
WILUAM
TURN AROUND, TIIAT KID'LL SING YA
"CLAIR DE LUNEl ..
Bale
Are
ALL
HALLELUJAH!
So?
WILLIAM
That's not "Clair de Lune! ..
So, ;
ALL
NICE PEOPLE, THESE BABIES!
YOU WERE ONCE A BABY YOURSELF,
GOO!
Are
-5WAA!
YOU WERE ONCE A BABY YOURSELF!
YEAH!
~
crib
(Blackout; VICKIE and RICHARD exit. The lights come up and WILLIAM
and JANET continue their conversation.)
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JANET
Well, if you're a girl ... what do you think I am?
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WILLIAM
You? That's easy - you're a boy.
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JANET
Are you sure?
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WILLIAM
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Of course I'm sure. I'm alive already four, five minutes, and I haven't been wrong
yet.
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JANET
Gee, 1 don't feel like a boy.
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WILLIAM
That's becaqse you can't see yourself.
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JANET
Why? What do I look like?
WILLIAM
Bald. You're bald, fellow. Bald, bald, bald. You're as bald as a ping pong ball.
Are you bald!
JANET
So?
WILLIAM
So, boys are bald and girls have hair.
JANET
Are you sure?
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Of course, I'm sure. Who's bald. your mother or your father?
-6JANI;T
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My father.
WILLIAM
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I rest my case.
just
JANET
Hmm. You' re bald. too.
WILLIAM
So,
JAN~
Ton
WILUAM
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You're kidding!
No. I'm not.
(Hiding his head.)
Don't look~
See
JANET
Why?
Yea
WILUAM
A bald girl - blech! - disgusting!
Can
JANET
Maybe you' re a boy and I'm a girl.
Abs
WILLIAM
There you go again. I told you I'm a girl. I know it. I know it. I'm a girl and
you're a boy.
The
JANET
Go,
I think you' re wrong.
WILLIAM
I'm never wrong! What about shaving?
Are
JANET
What about it?
No.
WILLIAM
You just shaved, right?
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JANET
Wrong.
WILLIAM
Exactly! And you know why? Because everybody's born with a clean shave. It's
just that girls keep theirs and boys don't.
JANET
(Stroking her chin.)
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So. what does that prove?
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WILLIAM
Tomorro~
morning. the one who needs a shave. he's a boy.
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I can't wait till tomorrow morning!
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WILLIAM
See? That proves it! Girls are patient, boys are impatient.
JANET
Yeah? What else?
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WILLIAM
Can you keep a secret?
JANET
Absolutely.
WILLIAM
There you go - boys keep secrets, girls don't.
JANET
Goon.
WILLIAM
Are you afraid of mice?
JANET
No.
-8WILLIAM
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I am. I'm terrified of them. I hate them. Squeak. Squeak. Squeak. What do
you want to be when you grow up?
JANET
A fire fighter.
WILLIAM
What'd I tell ya?
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JANET
How about you?
WILLIAM
A cocktail waitress. Does that prove anything to you?
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JANET
You must be right.
WILLIAM
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I told you I'm always right. You're a boy and I'm the girl.
JANET
I guess so. Oh, wait - here comes the nurse to change our diapers.
WILLIAM
About time, too - I have never been so uncomfortable in my life.
(WILLIAM and JANET tum around to the imaginary nurse who changes
them; JANEl' looks down.)
JANET
Hey - look at that!
WILLIAM
What?
JANET
You see that? I am a girl - and you're a boy!
WILLIAM
Hey - it sure looks like it.
JANET
What do you think of that?
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WILLIAM
I can't understand it.
JANET
Well, it sure goes to show you.
WILLIAM
What?
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You can't judge a book by its cover.
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WILLIAM
Ha. Ha. Ha. What does that mean?
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JANET
How should I know? I'm only a baby.
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WILLIAM
So am I. Goo.
JANET
Goo.
Music 3: When We Grow Up
JANET (CONT'D)
WHEN WE GROW UP, Wll..L I BE PRETTY?
WILLIAM
Wll..L I BE BIG AND STRONG?
JANET
WILL I WEAR DRESSES THAT SHOW OFF MY KNEES?
WILUAM
Wll..L I WEAR TROUSERS 1WICE AS LONG?
JANET
WELL, I DON'T CARE IF I'M PRETTY AT ALL,
AND I DON'T CARE IF YOU NEVER GET TALL.
-10 WILLIAM
I LIKE WHAT YOU LOOK LIKE.
JANET
AND YOU'RE NICE SMALL.
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WE DON'T HAVE TO CHANGE AT ALL.
(The crib bars fly out. JANET and WILUAM remove their baby nightgowns
to reveal their play clothes. Through the remainder of the song time passes
unJil our characters are pre-adolescent. Two of the revoiving flats are
tumed to reveal banners depicting sporting equipment.)
JANET
WHEN WE GROW UP, Wll..L I BE A WOMAN?
WILLIAM
WD..,L I BE ON THE MOON?
WELL, IT MIGHT BE ALL RIGHT
TO DANCE BY ITS LIGHT,
BUT I'M GONNA GET UP THERE SOON.
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JANET
WELL, I DON'T CARE IF I'M PRElTY AT ALL,
AND I DON'T CARE IF YOU NEVER GET TALL.
WILLIAM
I LIKE WHAT YOU LOOK LIKE.
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JANET
AND YOU'RE NICE SMALL.
BOTH
WE DON'T HAVE TO CHANGE AT ALL.
WHEN WE GROW UP WE'RE GONNA BE HAPPY,
AND DO WHAT WE LIKE TO DO.
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WILLIAM
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LIKE MAKING NOISE.
AND MAKING FACES.
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AND MAKING FRIENDS LIKE YOU.
AND WHEN WE GROW UP, DO YOU THINK WE'LL SEE ...
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JANET
... THAT I STILL LIKE YOU .. ,
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WILUAM
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... AND YOU STILL LIKE ME?
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JANET
I MIGHT BE PRETfY.
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I MIGHT GROW TALL.
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BUT WE DON'T HAVE TO CHANGE AT ALL.
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JANET
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I don't want to change. see, 'cause I still want to be your friend. Forever and ever
and ever and ever and ever.
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(Blackout. When the lights come up, JANET is sitting on the floor wear::' a
Ttf't.~YHC~ hat and playing with a toy fire engine. WILLIAM enters carrying
all sorts of sports equipment.)
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Willi
what is all that stuff?
JANET
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My dad! Eve 'me I ask him for
"Dad - dQll not
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(loll he gives me a racquetball. I told him,
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WILLIAM
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t boys shouldn't play with do
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JANET
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//11Don't Dress Your Cat In An Apron
Don't dress your cat in an apron,
Just 'cause he's learning to bake.
Don't put your horse in a nightgown,
Just 'cause he can't stay awake.
Don't dress your snake in a muumuu,
Just 'cause he's off on a cruise.
Don't dress your whale in galoshes,
If she really prefers over shoes.
A person should wear what he wants to,
And not just what other folks say.
A person should do what she likes to.
A person's a person that way.
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-BOTH
MAKING FRIENDS LIKE YOU.
AND
N WE GROW UP, DO YOU TIfINK WE'LL SEE ...
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... THAT I S __.......LlKE YOU ...
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... AND YOU STll...L LI
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JANET
I MIGHT BE PRE1TY.
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I MIGHT GROW TALL.
BOTH
Bur WE OON'T HAVE TO CHANGE AT ALL.
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JANET
I don't want to change. see, 'cause I still want to be your friend. Forever
and ever and ever and ever.
.. .~--_._._- .~,.~. -~._-~-
~ APRo\\! (Bladwut.
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When the lights come up. JANEl'is sitting on the floor wearing a
fire fighter hat and playing with a toy fire engine. WILLIAM enters carrying
all sorts ofsports equipment.)
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JANET I t41.(1- .
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William, what is all that stuff!
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WILUAM~9J "'"
My dad! Every time I ask him for a doll he gives me a racquetball. I told him,
"Dad - dQll not ball!"
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JANET
Well, what'd he say then?
WIWAM \
He says that boys shouldn't play with dolls.
JANET
Why not?
(
-12 WILLIAM
He says that only girls play with dons and boys play with ... trucks.
JANET
I play with trucks.
WILUAM
I know! That's what I told him. I said, "Dad, Janet's got a whole load of trucks.
She's got a truckload of trucks. In fact, Janet has so many Ullcks, she could
probably - single-handedly - move the entire city of Columbus to Hackensack. "
Then I pulled out all the stops and got really dramatic.
"Dad," I said, "Me
without a doll is like cookies without milk. It's like hamburgers without french
fries. It's like peanut butter without ketchup! Why can't I have a doll? Why?
Why? Why?!"
Nun
righl
Wh<
It's
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What'd he say? What'd he say? What'd he say?!
WILLIAM
"Because I said so! "
JANET
Because he said so?! What kind of answer is that?
WILLIAM
I don't know, but he always says it and I don't understand it.
JANET
What do you think it means?
WILLIAM
How should I know? I'm only a kid.
JANET
Me too!
YeaJ
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I do
Wh~
Bec:
(Trying to make him feel belter.)
Well, at least we can play together!
WILLIAM
I can't. My grandma is coming in today.
(Looks at sky.)
That might be her plane.
(JANET and WILLIAM wave to an imaginary plane. RICHARD enters
riding his bike and waves back at them WILLIAM and JANET realize that
Wh.
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GrMrnna
~arrator: Back in my hometown, I knew a girl named Delilah Bush. Every
once in a while, Delilah's mother would go away on a business trip. Delilah
looked forward to those times. She loved to be alone with her father.
Sometimes, Delilah's father went away on a business trip. That was fun, too.
Delilah and her mother would have long talks about all sorts of things. Once
a year, Delilah's father and mother went away on a vacation together. Those
were awful times. Those were the times that Grandma came to stay. Right
now was one of those times. Grandma was in the kitchen, making Delilah's
breakfast, and grumbling about it.
Grandma: (grumbling)
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elilah: You don't have to do that, Grandma. I can make my own breakfast.
Narrator: Grandma took two eggs out of the boiling water.
Grandma: Never mind, it's already done. Here.
Delilah: Thank you.
Narrator: Said Delilah.
Grandma: Where are you going today?
Narrator: Her grandmother asked.
Delilah: To David's house ...to play.
Grandma: Like that?
Delilah: Like what?
Narrator: Delilah asked.
Grandma: In those dirty pants with a hole in the knee. You look like a
charity case.
Delilah: I'm comfortable.
Narrator: Delilah said with her mouth full of eggs. She was eating as fast as
she could.
Grandma: Don't gobble your food.
Delilah: I couldn't help it. ..it was so good.
Narrator: Delilah said as she finished. She was trying to make the best of a
bad thing.
Grandma: And don't talk with your mouth full.
Narrator: Grandma said.
Delilah: Okay, Grandma!
Narrator: Said Delilah.
Delilah: See you later.
Grandma: Why don't you comb your hair, at least before you go?
Narrator: Her grandmother asked.
Delilah: Why don't you leave me alone!
Narrator: Shouted Delilah at the top of her lungs. Her grandma looked
surprised, first. Then, she started to cry. Delilah looked surprised, too. Then,
she started to feel sorry.
Delilah: I didn't mean to shout, Grandma.
Narrator: She said softly. Grandma continued to cry.
Delilah: Please don't cry.
Narrator: Delilah said. Grandma stopped crying, but she wasn't ready to
forgive Delilah.
Grandma: Being old isn't easy, Delilah.
Narrator: She said.
Grandma: You'll see. When you get to be my age, you'll be just like me.
Narrator: Delilah didn't believe it for a minute. She knew she would be
different. But, she didn't say so. Instead, she said:
Delilah: I'm sorry, Grandma.
Narrator: And she really was.
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RICHARD thinks they are waving at him so they lower their arms and
pretend that they were waving at RICHARD all along. RICHARD admires
the sports equipment.)
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RICHARD
(Picking up a basketball, serving as his own commentator.)
Number 18 has the ball. Ten seconds to go in the championship game. He fakes
right - he fakes left - he passes to number 24 and ...
(He passes the ball to WILLIAM who catches it and stops the game, too
upset to play.)
Whose great stuff is this?
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WILLIAM ,)14:lJ(H
(Not excited.)
It's mine.
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RICHARD
(Astonished)
All of it?
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WILLIAM
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(With a sigh.)
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Yeah.
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RICHARD
What's the matter?
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WILLIAM
I don't want to talk about it.
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RICHARD
Why not?
WILLIAM
Because I said so.
(He picks up his sports equipment and exits.)
RICHARD
What's the matter with him?
JANET
Well, Richard, it all started awhile ago.
enters
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Music 4: William's Doll
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JANET (CONT'D)
WHEN MY FRIEND, WILLIAM ,
WAS NOT SO MANY YEARS OLD.
HE WANIED A DOLL
TO HUG AND HOLD.
(WILLIAM enters as if in flashback.)
WILLIAM
A DOLL.
JANET
SAID WILLIAM,
WILLIAM
IS WHAT I NEED
TO WASH AND CLEAN
AND DRESS AND FEED.
A DOLL TO GIVE A BOTILE TO
AND PUT TO BED WHEN DAY IS THROUGH,
AND ANY TIME MY DOLL GETS ILL,
I'LL TAKE GOOD CARE OF IT.
JANET
SAID MY FRIEND, BILL.
RICHARD
(Teasing)
A DOLL! A DOLL!
WU,LIAM WANT'S A DOLL!
ADOLL! A DOLL!
wu'LIAM WANTS A DOLL!
(WILLIAM pantomimes playing the following sports, behind the scrim,
until he is out of breath.)
JANET
SO, HIS FATIIER BOUGHT HIM A BASKETBALL,
A BADMINTON SET AND THAT'S NOT ALL.
A BAG OF MARBLES. A BASEBALL GLOVE.
AND ALL THE THINGS A BOY WOULD LOVE.
AND BILL WAS GOOD AT EVERY GAME,
Cal
I
,
I
'I
I,
I
I
- 15 ENJOYED TIIEM ALL, BUT ALL THE SAME,
WHEN Bll.LY·S FATHER PRAISED HIS SKILL ...
WILLIAM
Can I please have a doll now?
,
)
JANET
SAID MY FRIEND. BILL.
I
1
\
I
RICHARD
A DOLL! A DOLL!
WILLIAM WANTS A DOLL!
A DOLL! A DOLL!
)
WILLIAM
I
,I
J
']
},
1
I
1
1
1
I
1
scrim,
1
I
BUT THEN, MY GRANDMA ARRIVED TODAY
AND WANTED TO KNOW WHAT I LIKED TO PLAY.
AND I SAID BASEBALL'S MY FAVORITE GAME.
I LIKE TO PLAY, BUT ALL THE SAME,
I'D GIVE MY BAT, AND BALL, AND GLOVE,
TO HAVE A DOLL THAT I CAN LOVE.
"HOW VERY WISE. .. MY GRANDMA SAID.
I SAID, "BUT EVERYONE SAYS THIS INSTEAD: ..
RICHARD
A DOLL! A DOLL!
A DOLL! A DOLL!
JANET
THEN WILLIAM'S GRANDMA, AS I'VE BEEN TOLD,
BOUGHT WILLIAM A DOLL TO HUG AND HOLD.
(WILLIAM gets a doll from offstage. The doll should not have any defined
race or sex, like a faceless rag-doll.)
I
I
I
I
I
j
~
I
WILLIAM
BUT THEN MY FATHER BEGAN TO FROWN,
BUT GRANDMA ,SMILED AND CALMED HIM DOWN.
EXPLAINING - WILLIAM WANTS A DOLL
'CAUSE IF I HAVE A BABY SOME DAY,
- 16-
.~
I'LL KNOW HOW TO DRESS IT,
PUT DIAPERS ON DOUBLE,
AND GEN1LY CARESS IT TO BRING UP A BUBBLE,
AND CARE FOR MY BABY
AS EVERY GOOD FATHER SHOULD LEARN TO DO.
Yea
and
Au1
WIWAM & JANET
Wll..LIAM HAS A DOLL!
Wll..LIAM HAS A DOLL!
UhWILUAM
'CAUSE SOME DAY I MAY WANT TO BE A FATHER, TOO!
(JANET and WILLIAM end up hugging the doll downstage center.)
RICHARD
~
frIl.1/N
I'd still rather have a new baseball. A doll?!
(RICHARD shakes his head as he picks up an iTrUlginary bat. Again he
serves as his own commentator.)
Two outs, bottom of the ninth. The pitcher throws the ball, I swing.
(He makes the sound of the ball hitting the bat.)
It's going ... it's going ... it's gone!
(He exits. WILLIAM sits down with his doll and starts to feed it.)
JANET ,s1\M
Hey, Wiiim, let's go to the park! We can sit in the sandbox and make a whole
city with this really neat pail and shove] that my dad used to play with when he
was a kid. He used to sit behind his house and dig up big, fat, juicy worms and
carry them in his pail to his room where he kept them in a big jar with his
underwear.
Your dad did that?
JANET
Ml
Yeah, when he was a kid. Or else we could play astronauts like my mom used to
do when she was a kid! We can make up a name for a cosmic planet and go
exploring through craters for space creatures with orange faces and 46 arms that
are made out of a rubbery type skin that stretches hundreds of feet and we have
to run from it so it doesn't gobble us up!!
WILLIAM
Your mom did that?
\
.
I
- 17-
'I
I
I
I
I
JANET
Yeah! When she was little. Now she's an accountant, and my dad is a teacher
and my dog is a plumber.
WILLIAM
Fluffy's a plumber?
]
JANET
Uh-huh.
WILLIAM
Then he must be a boy.
JANET
in he
Well, 1 should tell you - his favorite toy
Is a little play stove with pans and with pots.
Which he really must like' cause he plays with it lots.
WILLIAM
Then I guess he's a girl, ...
(Thinking)
Which kinda makes sense
Since he can't throw a ball, and he can't climb a fence.
JANET
Neither can my dad, and I know he's a man.
WILLIAM
My mom is a woman and she drives a van!
JANET
Maybe the problem is trying to tell
Just what someone is by what they do well.
o
Music 5: PARENTS ARE PEOPLE
(During this song, WILLIAM and JANET both put on various hats which
illustrate different occupations. They sometimes wear different hats or the
same hats, also exchanging hats to show that boys and girls can pursue any
profession without being constrained by stereotypes.)
C4£J
JANET ( C O N T ' D ) - "
PARENTS ARE PEOPLE,
PEOPLE WITH CHILDREN.
- 18 WHEN PARENTS WERE LITfLE
THEY USED TO BE KIDS,
LIKE ME AND YOU,
BUT THEN TIlEY GREW.
AND NOW, PARENTS ARE GROWN-UPS,
GROWN-UPS WITH CHILDREN,
BUSY WITH CHILDREN AND THINGS THAT THEY DO.
THERE ARE A LOT OF THINGS
WILLIAM
A LOT OF MOMMIES
JANET
AND A LOT OF DADDIES
BOTH
CAN DO!
JANET
DADDIES ARE PEOPLE,
PEOPLE WITH CHILDREN.
WHEN DADDIES WERE LITfLE
TIlEY USED TO BE BOYS,
JUST LIKE YOU.
BUT THEN TIlEY GREW.
AND NOW DADDIES ARE MEN,
MEN WITH CHILDREN,
BUSY WITH CHILDREN AND THINGS THAT TIlEY DO.
A LOT OF DADDIES CAN DO.
WILLIAM
SOME DADDIES ARE WRIlERS,
OR GROCERY SELLERS.
JANET
OR PAINlERS OR WELDERS,
OR FUNNY JOKE lELLERS.
WILLIAM
SOME DADDIES PLAY CELLO
OR SAIL ON TIlE SEA.
YES, DADDIES CAN DE ALMOST ANYTHING
I.'
- 19THEY WANT TO BE.
JANET
MOMMIES ARE PEOPLE.
PEOPLE WITH CHll..DREN.
WHEN MOMMffiSWERELITILE
TIffiY USED TO BE GIRLS.
--.-/'
WILLIAM
JUST LIKE YOU.
JANET
I
BUT TIffiN THEY GREW.
/AftIb: 411 .0
WIWAM
IT
AND NOW MOMMffiS ARE WOMEN.
WOMEN WITH CHILDREN.
BUSY WITH CHILDREN AND THINGS T!;tATTHEY DO.
/
A LOT OF MOMMIES CAN DO.
/
/'
_/
JANET
SOME MOMMffiS ARE RANCHERS.
OR POElRY MAKERS.
\
\
WILLIAM
OR DOCTORS OR TEACHERS.
OR CLEANERS OR BAKERS.
)
/
/
./
JAN~
SOME MOMMIES DRIVE TAXIS
OR SING ON TV.
YES. MOMMIES CAN BE
ALMOST ANYTIUNG TIlEY WANT TO B .
BOTH
,
I
I
i!
I .'
ONCE PARENTS WERE LITILE,
LIKE ME AND LIKE YOU.
THERE ARE A LOT OF THINGS.
A LOT OF TIlINGS.
THERE ARE A LOT OF THINGS,
A LOT OF PARENTS CAN DO!
{)I 1/ ;1.1
1
\
I~A
Housework
You know, there are times when we happen to be just sitting there quietly
watching TV, when the program we're watching will stop for a while, and
suddenly, someone appears with a smile, and starts to show us how terribly
urgent it is to buy some detergent. Or soap, or cleanser, or cleaner, or
powder, or paste, or wax, or bleach, to help with the housework. Now, most
of the time, it's a lady we see, who's doing the housework on TV. She's
cheerfully scouring a skillet or two, or she's polishing pots till they gleam
like new, or she's scrubbing the tub, or she's mopping the floors, or she's
wiping the stains from the walls and the doors, and she's washing the
windows, the dishes, the clothes, or waxing the furniture till it just glows, or
cleaning the fridge, or the stove, or the sink, with a lighthearted smile, and a
friendly wink, and she's doing her best to make us think that her soap, or
detergent, or cleanser, or cleaner, or powder, or paste, or wax, or bleach, is
the best kind of soap, or detergent, or cleanser, or cleaner, or powder, or
paste, or wax, or bleach, that there is in the whole, wide world. And, maybe
it 'tis, and maybe it 'tisn't, and maybe it does what they say it will do. But,
I'll tell you one thing I know is true. The lady we see when we're watching
TV, the lady who smiles, as she scours, or scrubs, or rubs, or washes, or
wipes, or mops, or dusts, or cleans, or whatever she does on our TV screen,
that lady is smiling because she's an actress. And, she's earning money for
learning those speeches that mention those wonderful soaps, and detergents,
and cleansers, and cleaners, and powders, and pastes, and waxes, and
bleaches. So, the very next time you happen to be just sitting there, quietly
watching TV, and you see some nice lady, who smiles, as she scours, or
scrubs, or rubs, or washes, or wipes, or mops, or dusts, or cleans, remember,
nobody smiles doing housework but those ladies you see on TV. Your
mommy hates housework, your daddy hates housework. I hate housework,
too. And when you grow up, so will you. Because, even if the soap, or
detergent, or cleanser, or cleaner, or powder, or paste, or wax, or bleach that
you use is the very best one, housework is just no fun.
Children, when you have a house of your own, make sure that when there's
housework to do, that you don't have to do it alone. Little boys, little girls,
when you're big husbands and wives, if you want all the days of your lives
to seem sunny as summer weather, make sure, when there's housework to
do, that you do it together!
- 20JANET c:.
«£ /
I
--
O.K. - let's pretend we're astronauts, and we've just landed on the planet
Griffzock!
(They set up a large see-saw and tum a rotating flat to reveal a spaceship.)
JANET
(Talking into an imaginary walkie-talkie.)
Commander to ground crew - get ready for take off!
WILLIAM
~
0 0L
Hi.
cal
to:
thr'
Roger!
BOTH
10,9, 8, 7, 6, 5, 4, 3, 2, 1- blast-off!
(As they count down, they sit on one end of the see-saw, straddling it, one in
front of the other. After "blast-off," the lights shift to indicate outer space.
The "astronauts" fly the see-saw by lifting their end off the floor, and
punching imaginary controls.)
Music 6: SPACE MUSIC (Instrumental)
(WILLIAM and JANET get off the see-saw to investigate their new
environment. They move in slow motion due to the lack of gravity on their
imaginary planet.)
Ge
No
He
me
WI
WILLIAM
Do you see any signs of life on this planet?
JANET
Not yet, but they could be anywhere! Get out your inter-galactic molecular
detector and be on your guard. I don't know why, but I've got a funny feeling
about this planet.
WILLIAM
Ye
I know what you mean. I've got the strangest feeling that we're being watched.
(They frantically knock on the door of the spaceship. The music stops, the
lights restore, and the imagination sequence ends. JANET and WILLIAM
continue to knock without realizing that they are actually knocking on the
front door of someone'shouse.)
I'n
VICKIE
(From within the house.)
All right already! I'm coming, I'm coming!
I
- 21 -
'I
I
I
(Suddenly, VICKIE comes bounding outdoors, almost crashing into
WIllIAM and JANET. Her vocal quality is almost whining and a bit
dramatic. She demands full attention from WILLIAM and JANET, and uses
grandiose gestures to emphasize her speech. She is always fixing her hair to look pretty - and speaks very fast, hardly taking time to breathe.)
Hi. I'm Victoria Anne Vlassnick. Some people call me Vickie and some people
call me Vickie Anne. My mother calls me Victoria, especially when she wants me
to sit up straight. UVictoria, the Queen of England does not slouch on the
throne, .. she says. You can call me anything - well almost anything!
(She bursts out with a loud, obnoxious laugh that becomes her trademark.)
1
,I
JANET
I
(At a loss for words and a bit in awe.)
I
l
lip.)
I
1
1
I
Gee!
I
me in
:pace.
~ and
1
t
I
I
I
i
t
I
, their
(WILLIAM rolls his eyes; he is not impressed.)
I
VICKIE
Now take my brother - please.
(She laughs again with the same obnoxious quality.)
He calls me "sister dear .. when he wants something, but most of the time he calls
me "Ickie," which really makes me mad! I just call him "The Pain! "
(She suddenly remembers that WILUAM and JANET knocked on her door.)
Why did you knock?
1
WILLIAM
J
1
~
(Under his breath.)
We were looking for alien beings, and I think we found one.
I
1
JANET
(Elbowing WILLIAM for being rude.)
We thought the house was empty. Did you just move in?
)
VICKIE
Yeah - a couple of days ago.
the
LIAM
?n the
JANET
JS,
\
I'm Janet and this is William. Do you have any friends yet?
'I
J
J
VICKIE
I
I
I
I
We]], of course ...
(Hesitation)
... not. Well, at least, not yet.
JANET
~
I've got a great idea! You can play with us.
YOU]
WILLIAM
Janet!
You
1
VICKIE
Great!
(RICHARD enters, riding his bike.)
RICHARD
And he crosses the finish line creating a new world's record! The crowd goes
crazy and the race is over!
(He stops his bike in front Of VICKIE, then realizes that he doesn't know
her.)
Who are you?
My t
carry
JANET
Mys
Hi Richard! This is Vickie.
Mom
RICHARD
(To VICKIE.)
HeCl
reaso
Hi.
VICKIE
(Rambling on, as usual.)
Hi. My real name is Victoria Anne Vlassnick. Some people call me Vickie and
some people call me Vickie Anne. My mother calls me Victoria, especially when
she wants me to ...
\.
,
Mys
the Sl
them
WILLIAM & JANET
Just call her Vickie.
"
VICKIE
You know, back where we used to live, my brother had a friend named Richard.
(To RICHARD, filling him in.)
Sometimes my brother calls me "sister dear tt when he wants something - but most
of the time '"
~
WILLIAM
(Interrupting)
You're not going to start all that again?!
He's
all hi
undel
and (
alwa'
Mys
And
in m:
,does
they
- 23VICKIE
(To WILLIAM.)
You remind me of my little brother - The Pain!
i
I
1
I
\
I
I
!
t
Ij
You think little brothers are a pain
RICHARD
- my big sister thinks she's a "Great One! "
(VICKIE and RICHARD deliver the following speeches, each trying to prove
that their own situation is worst, occasionally talking at the same time. As
they begin, they sit at the opposite ends of -the see-saw. The character
speaking is at the highest point of the see-saw; when they talk at the same
time, the see-saw is in TTWtion.)
I
I
know
I
VICKIE
My brother's a pain. He won't get out of bed in the morning. My mother has to
carry him into the kitchen. He opens his eyes when he smells his oatmeal.
RICHARD
My sister thinks she's so great just because she's older which makes Daddy and
Mom think she's really smart. But I know the truth. My sister's a jerk.
VICKIE
He cries if I leave without him. Then Mom gets mad at me which is another
reason Why my brother's a pain.
RICHARD
My sister thinks she's so great just because she can play the piano and you can tell
the songs are real ones. But I like my songs better. Even if nobody ever heard
them before.
(The following two speeches are delivered simultaneously.)
VICKIE
He's got to be first to show Mom his school work. And she says ooh and ahh over
all his pictures. Which aren't great at all but just ordinary stuff. I don't
understand how my mother can say the Pain is lovable. She's always kissing him
and doing disgusting things like that. My father says the Pain is just what they
always wanted. I think they love him better than me.
RICHARD
My sister thinks she's so great. Just because Aunt Diana lets her watch the baby.
And tells her how much the baby loves her. And all the time, the baby is sleeping
in my dres~er drawer. My mother hugs my sister and messes with her hair and
does other disgusting things like that. My father says the Great One is just what
they always wanted. I think they love her better than me.
- 24-
VICKIE
Irs not fair that the Pain gets to stay up as late as me. I'm older, and I should stay
up later!
RICHARD
Irs not fair that the Great One gets to play with all the blocks by herself.
BOTH
"You're right, " they said.
VICKIE
"You should stay up later,
to
they said.
RICHARD
"Today, you play with the blocks all by yourself, .. they said.
VICKIE
,---...,
He
So, they tucked the Pain into bed. I couldn't wait for the fun to begin. I waited
and waited. But Daddy and Mom just sat there reading.
''I'm going to bed," I
said, "there's nothing to do. "
I d.
RICHARD
So, I built a whole country of blocks. All by myself. Only it's not the funnest
thing to play with blocks alone. Because when I zoomed my trucks and knocked
down buildings, nobody cared but me.
He
VICKIE & RICHARD
"Remember that tomorrow,
to
Mom said, and she smiled.
'"
JANET
.1
I don't have a brother or a sister, but I have a best friend.
'vJ~ (Looking at WILLIAM.)
WiHism and I always play together.
_.
------
Mu . 7:
HE TOLD ME
ILLIAM
SHE TOLD ME /'
/'
T SHE COULD
A REAL FISH HOOK.
Brothers and Sisters
Sisters and brothers,
Brothers and sisters,
Ain't we, everyone.
Every father's daughter,
Every mother's son.
Each and every one.
Every mother's daughter,
Every father's son.
Ain't we lucky, everybody,
Bein' everybody's brother.
Ain't we lucky, everybody,
Lookin' out for one another.
Ain't we happy, everybody,
Bein' everybody's sister.
Ain't we happy, everybody,
Lookin' out for mister, mister.
Ain't we lucky, ain't we,
Ain't we happy, ain't we,
Ain't we lucky, ain't we,
Ain't we happy, ain't we.
/~
(Break)
246
Ain't we, everyone.
Every father's daughter,
Every mother'sBrothers and sisters,
Each and every one.
Every mother's daughter,
Every father's(Repeat and Fade)
rJ f 6 ([ fYt I)' '5 10 r
J
----,----
~_!l~
tJ
Dudley Pippin And His No-Friend
arrator: On the first day of the year, Dudley Pippin came to live in the city.
He said to his mother...
$f\l-A
Dudley: Nobody knows me here. 1. . .I don't have a friend. I'll have to tell
everybody about myself.
Narrator: In a little while, Dudley saw the girl next door.
Dudley: Hi. My name is Dudley Pippin. I live in the yellow house next door.
My father's name is Mr. Pippin, and my mother's name is Mrs. Pippin. I
have a lot of other relatives, and they all have names, too. My mother has a
saxophone, but two keys are broken, and once I fell on my head, and I had,
if you look, three stitches right here.
5JrM $tCJ¥.
fNaomi: Wow!
Dudley: And my father cut his nose this morning while he was shaving. He
says that our name is in the telephone book, and that means that our name is
all over the city, in every place that has a telephone. And, I was in an
airplane once, and I have a finger painting set, a red bicycle that used to be
my father's, and a ball of tinfoil, five inches across.
Naomi: Wow! My name is Naomi. Do you have a friend?
Dudley: No. We just moved here. I don't have a friend.
Naomi: I don't have a friend. And Irvin Gland across the street doesn't have
a friend, either. We play together, because neither of us has a friend.
Dudley: Let's have a club. Only people who don't have a friend can belong.
Naomi: We'll call it the "No-Friends Club".
Dudley: Okay.
-24-1)
"'.
VICKIE
I~not
fair that the Pain gets to stay up as late as me. r~:older, and I should stay
up later!
"-',-
"
RICHARD
It's Dot fair ~e Great One gets to play with all the blOCks by herself.
\.
BOTH
uYou're right, ,. thei'\aid
.\~
\,
"You should stay up later,
VICKIE
'-
~\they
said.
\
\
RICHARD
"-
"Today, you play with the blocks~ by yourself," they said.
\,
He
\ VICKIE
So, they tucked the Pain into bed. I CO~dn't wait for the fun to begin. I waited
reading.
''I'm going to bed," I
and waited. But Daddy and Mom just saNhere
\
said, "there's nothing to do. ,.
\
I de
\
RICHARO~
So, I built a whole country of blocks. AIl by my . Only it's not the funnest
thing to play with blocks alone. Because when I zoo ed my trucks and knocked
'\.
down buildings, nobody cared but me.
VICKIE &. RICHARD
'\
~
"Remember that tomorrow, .. Mom said, and she smiled.
",,-
-'.
-''\,
,
JANET
I don't have a brother or a sister, but I have a best friend.
(LookmgatW7LUAM.)
.
'\
'\
. "" \ /l>
-
;!. r
r
~~W.wtill.J.l1ifaamm,...ClanmdG+I-waJ~wf8'a~ys'lPfHJ~a}y-'t{fO~gelethDeeIr=--
.
J})y '\fU'lf(\\ ~.) 61 {S'lj
l
-(\O =t1)0nG
f
Music 7: GLAD TO HAVE A FRIEND LIKE YOU
JANET (CONT,'O)
~JtA (s.)
HE TOLD ME THAT IT WAS LOTS OF FUN TO COOK:
WIlliAM
SHE TOLD ME THAT SHE COULD BAIT A REAL FISH HOOK.
- 2SJANET
7
SO WE MADE OOEY GOOEY CHOCOLATE CAKE,
, STICKY LICKY SUGAR TOP,
AND WE GOBBLED IT AND GIGGLED.
'.
0
AND WE SAT BY TIIE RIVER
AND WE FISHED IN TIIE WATER
AND WE TALKED WHILE TIlE SQUIRMY WORMIES WIGGLED,
SINGIN'
ALL
GLAD TO HAVE A FRIEND LIKE YOU,
FAIR AND FUN AND SKIPPIN' FREE.
AND GLAD TO JUST BE ...
,
tV..\ .
VICKIE
Hey, what did Tarzan say when he saw the elephants coming?
\1
j
i
" I
I
~.
\
I
I
ALL
I don't know. What did Tarzan say when he saw the elephants coming?
VICKIE
Here come the elephants! Ha, Ha, Ha ... get it? Ha, Ha, Ha!
(WILLIAM whispers in JANEl"s ear.)
ed
)
JANET
,
1
t
.t·
I
I
r
HE TO~D ME TIIAT WE COULD DO A SECRET CODE.
(RICHARD whispers in JANET's ear.)
,
HE TOLD ME THERE WAS FREE ICE CREAM WHEN IT SNowED.
SO WE'LL SEND FUNNY LETTERS
)
WHICH CONTAIN MYSTERY MESSAGES
AND NO ONE WILL KNOW JUST HOW WE MADE IT.
AND WE'LL RAISE UP THE WINDOW
)
AND WE'LL SCOOP ALL TIlE SNOW TOGETIlER,
PUT MILK AND SUGAR IN AND EAT IT,
SINGIN'
ALL
GLAD TO HAVE A FRIEND LIKE YOU.
- 26-
VICKIE
Hey, what did Tarzan say when he saw the elephants coming wearing dark
sunglasses?
ALL
I don't know. What did Tarzan say when he saw the elephants coming wearing
dark sun glasses?
VICKIE
Nothing! He didn't recognize them! Ha, Ha, Ha ... get it? Ha, Ha, Ha!
(VICKIE whispers in JANET's ear.)
/
JANET
JI
SHE TOLD ME SHE LIKES TO MAKE TIlINGS OUT OF CHAIRS.
(They ALL huddle to hear JANET's secret.)
WILLIAM, RICHARD & VICKIE
SHE TOLD ME SOMETIMES SHE STILL HUGS TEDDY BEARS.
ALL
SO WE'LL SNEAK IN TIlE LIVING ROOM
AND PILE ALL TIlE PILLOWS UP
AND MAKE IT A ROCKET SHIP TO FLY IN,
AND THE BEARS ARE OUR GIRLS AND BOYS,
AND WE ARE THE ASTRONAUTS
WHO LIVE ON 'lliE MOON WITH ONE PET LION,
SINGIN'
GLAD TO JUST BE .
GLAD TO JUST BE .
VICKIE
Why did the elephant cross the road?
WILLIAM
To get away from you!
I
I
-
27-
I
ALL
~
\
GLAD TO JUST BE ME!
I
•
1
1
(VICKIE sticks her tongue out at WILLIAM which instigates a great chase.
WILLIAM runs after VICKIE followed by RICHARD followed by JANET.)
I
1
I
:
Music 8: Chase Music (Instrumental)
(At the end of the chase, they collapse - exhausted.)
)
,\
I
I
l
1
I
I
II
1
I
]
;
\.
I
"
I
I
- 28-
A CT II
(The ENTIRE COMPANY is onstage just where we left them. trying to
decide what to do.)
0.1<
... ij
VICKIE
WeI
min
Humph!
JANET
cv{)
.:> \
We can play together! There are all kinds of fun things we can do!
(They ALL sit around waiting for the fun to start.)
Hey. let's make up some more of those secret messages!
(
Iarr
WILLIAM. VICKIE & RICHARD
<!res
bIac
ear.
RICHARD
Whf
tt(l~
5/'(rLAt~
Nah!
We could shoot some baskets!
WILLIAM, JANET & VICKIE
~
Nah!
Uml
VICKIE
I'm cold! I'm bored! I'm hungry!
WILLIAM
Lad
JANET & RICHARD
... Sl
Let's teII stories!
(Enthusiastically)
Stories ... wow ... neat ... yeah ...
(Etc.)
Lad
VICKIE
Humph!
... a
WILLIAM
(To VICKIE.)
Did you ever hear the one about the little girl who thought she was a
Sweet Young Thing? "
"Tender
Lad
VICKIE
(Running to WILLIAM.)
That's me! That's me!
Hill
- 29i
I
I
~
ing to
!
WIWAM
I
~
I
I
\
i
I
~
O.K, ...
l
(Scheming)
... if you really want to.
(VICKIE stands center stage looking at herself in a hand mirror.)
Well, this "tender sweet young thing " spent a great deal of time just looking i a
mirror saying ...
i
,
I
•
1
~
VICKIE
I am a real little lady - anybody can tell that. I wear lovely starched cotton
dresses with matching ribbons in my curly locks. I wear clean socks and shiny
black patent leather shoes. And I always put just a dab of perfume behind each
ear.
I
1
I
1
...
I
!j
WILLIAM
When she was at the end of the lunch line in school, all she had toI say was
(We see VICKIE at the back of the lunch line behind th'e OTHERS who are
holding their trays.)
I
I
JANET
!
(
!
Dmm ... I'll have some chocolate cake with tomato sauce ...
VICKIE
(Working her way to the front of the line.)
Ladies first ...
JANET
... some ice cream pickle sticks ...
VICKIE
(Working her way to the front.)
Ladies first ...
I
'"
I
JANET
... and some bologna and bananas.
VICKIE
(To JANET.)
Ladies first!
JANET
Huh?
- 30VICKIE
~
Ladies first!!!
(JANET lets VICKIE go intront other.)
Hov
WILLIAM
And she'd get right up to the front of the line. Her life went on like that for some
time, and she ended up having a pretty good time of it, too. You know, always
admiring herself in the mirror and getting to be first in line and stuff like that.
(VinesflY introm above. EVERYONE dons pith helmets and begins to make
their way through the jungle.)
And then one day. she went exploring with a whole group of people from her
class, through the wilds of a deep and beastly jungle. As she went along the
tangled trails and through the prickly vines, she would say things like ...
Hov
Hov
quit,
I an
VICKIE
I have got to be careful of my lovely dress and clean white socks ap.d my shiny,
Oh,
shiny shoes and my curly, curly locks. So, would somebody please clear the way
for me.
(JANET and RICHARD clear the way.)
I am
stop
WILLIAM
And they did. Or else she'd say ...
WeI
VICKIE
(To RICHARD, who is about to eat a mango.)
What do you ~ there aren't enough mangoes to go around and I'll have to
share my mango because I was the last one across that icky river full of crocodiles
and snakes? No matter how last I am, it's still, "Ladies first, ladies first." So, hand
over a whole mango, please.
(RICHARD hands her the mango.)
WILLIAM
...
~
Ladi
All]
And they did! Well, then guess what happened? Out of nowhere, the exploring
party was seized, snatched up by a bunch of hungry tigers.
(He puts on a tiger hood.)
WILLIAM
(As a tiger, sniffing around.)
I ... smell '"
(Sniff ... sniff)
... people!
(He roars as he chases the OTHERS in a circle. Hejinally ties EVERYONE
up with imaginary rope.)
And
And
- 31 -
i
I
i
I
!
~
ne
It
i
I
) make
~
i
\
,~
I
}
These tigers tied all the people up and carried them back to their tiger lair where
they sniffed around. trying to decide who would make the best dinner.
(Holding up JANEI"s hand and asking the audience.)
How about this one? Nab. too bony!
(Holding up RICHARD's foot.)
How about this one? It's got a lot of meat on it! Nab, meaty but muscle -yo
(Looking at VICKIE.)
How about this one? Looks tender. Smells nice. In fact r ve never seen anything
quite like it before. I wonder what it is!?
VICKIE
(With dignity.)
I am a "tender, sweet young thing. "
WILLIAM
Oh, totally awesome!
1
VICKIE
I am also a little lady. And if it's all the same to you, Tiger Tweety, I wish you'd
stop marching around here and untie me this instant. My dress is getting mussed!
WILLIAM
Well, ...
(Scheming)
... as a matter of fact, we were just trying to decide who to untie first.
iles
0, hand
VICKIE
(Insisting)
Ladies first! Ladies first!
WILLIAM
All right, lady!
(He unties her and is about to carry her off)
VICKIE
(Surprised)
And so she was first! EEK!
WILLIAM
I
)
I
(YONE
I
f
t.' .
And mighty tasty too!
(EVERYONE is hysterical with laughter, except for VICKIE, who begins to
cry.)
- 32JANET
Vickie, we were only playing. We didn't mean to make you cry.
VICKIE
(Hiding her tears.)
I'm not crying! Big girls don't cry!
JANET
I cry sometimes.
WILLIAM
Me too, when I'm sad.
(They ALL look at RICHARD.)
RICHARD
(After a pause.)
Well, when I hurt myself, like the time I messed up my knee when I fell off my
skateboard ... I cried.
VICKIE
~
But you can't look pretty crying.
WILLIAM
Vickie-
IT'S ALL RIGHT TO CRY
WILU
(CONT'D)
IT'S AL RIGHT TO CRY,
CRYING
TSTIIESADO
OF YOU.
IT'S ALL RI
T TO CRY
IT MIGHT MA
YOU
EL BETTER.
RAINDROPS FRO
UR EYES,
WASHING ALL
D OUT OF YOU.
RAINDROPS FR
YO
EYES,
IT MIGHT MA
YOU FEE
ETTER.
V
No\\-
A br
IE
(Walki 'g downstage with a sudden
lization.)
IT'S AL
IGHT TO FEEL THINGS,
TH~O TIIE FEELINGS MAYBE STRA
E.
FEEL GS ARE SUCH REAL THINGS,
AN THEY CHANGE AND CHANGE AND CHA
No.
Ona
coull
E.
Dudley Pippin And The Principal
U~ator: Dudley Pippin is a friend of mine. He's about your age, or maybe
jus a little bit older. One day at Dudley's school, the sand table tipped over.
~L
~eacher:
Dudley Pippin.
~~dley: I didn't do it.
Narrator: But, his teacher didn't believe him. And she made him stay a long
time after school.
Dudley: (mumbling) .. .I don't care. I didn't do it.
Narrator: Dudley was very angry. Finally, he was allowed to go home. On
his way, Dudley met the principal.
~nciple: Hello, Dudley.
Narrator: He had a long nose and fierce eyes.
Principle: People are saying you tipped over the sand table at school today.
Narrator: Dudley just shook his head. He was too angry to say anything. It
just wasn~t fair.
Principle: You mean you didn't do it?
Narrator: Dudley could only nod again.
Principle: Well, we'll have to do something about that first thing tomorrow.
You look like you're about to cry.
Dudley: Not me. (Starts to cry)
Principle: Well, that was fine.
Dudley: I'm ...I'm sorry.
Principle: What for? You did that very well.
Dudley: But, only sissies cry.
Principle: A sissy is somebody who doesn't cry; because he's afraid people
will call him a sissy if he does cry.
Dudley: Well, I'm.. .I .. .I'm all mixed up.
Principle: Of course you are. Why should you be any different from anybody
else? Most people spend their lives trying to get un-mixed up.
-32- (
JANET
V Ide, we were only playing. We didn't mean to make you cry.
VICKJE
iding her tears.)
. g! Big girls don't cry!
JANET
I cry sometimes.
WIWAM
Me too, when r m sad. \
(They AU look at
RICHARD
(After a pause.)
Well, when I hurt myself, like the
skateboard ... I cried.
e I messed up my knee when I fell off my
But you can't look pretty crying.
WIUJAM\
Vickie-
Music 9: IT'S ALL RIGHT TO CRY
WILUAM (CONT'D)
IT'S ALL RIGHT TO CRY,
CRYING GETS THE SAD OUT OF YOU.
IT'S ALL RIGHT TO CRY,
IT MIGHT MAKE YOU FEEL BETfER.
RAINDROPS FROM YOUR EYES,
WASHING ALL THE MAD OUT OF YOU.
RAINDROPS FROM YOUR EYES.
VICKIE
(Walking downstage with a sudden realization.)
IT'S ALL RIGHT TO FEEL THINGS,
THOUGH TIIE FEELINGS MAY BE STRANGE.
FEELINGS ARE SUCH REAL THINGS.
AND TIIEY CHANGE AND CHANGE AND CHANGE.
Now
A br.
No.
Once
coule
SAD AND GRUMPY. DOWN IN TIIE DUMPY.
SNUGGLY, HUGGLY. MEAN AND UGLY,
SLOPPY.SLAPPY.HOPPY, HAPPY,
CHANGE AND CHANGE AND CHANGE.
IT'S ALL RIGHT TO FEEL 11IINGS.
FEELINGS ARE SUCH REAL THINGS.
AND TIIEY CHANGE AND CHANGE AND CHANGE.
I
WILLIAM
)
,
IT'S ALL RIGHT TO KNOW
"'''-'\
FEELINGS COME AND FEELINGS GO.
\AND IT'S ALL RIGHT TO CRY.
"IT"MIGHT MAKE YOU FEEL BETfER.
y
"
;
/
'.
RICHARD
IT'S ALL RIGHT TO FEEL THINGS,
FEELINGS ARE SUCH REAL THINGS,
AND 11IEY CHANGE AND CHANGE AND CHANGE.
ALL
IT'S ALL RIGHT TO KNOW
FEELINGS COME AND FEELINGS GO.
AND IT'S ALL RIGHT TO CRY.
.i
~
~
_I
I
JJ ;
VICKIE
(With newfound enlightenment.)
Now it's my tum. I'm going to make up a story about a brave princess.
~ ~pdli I
~
R.-
.
RI~HARD
A brave pnncess? You mean a brave pnnce.
VICKIE
No. I mean a brave princess.
(As the narrator throughout the story.)
Once upon a time, not long ago, there lived a princess named Atalanta. who
could run as fast as the wind.
(She takes a robe and crown and gives it to JANET.)
-34~,
She was so bright and so clever and could build things and fix things so
wonderfully that many young men asked the King for her hand in marriage.
(She places a crown on RICHARD's head and covers his shoulders with a
cape. JANET stands center stage as Atalanta.)
i
l
j
I
trav
chaJ
ASl
Eac
slO\
thaI
RICHARD
(As the old KING throughout the story; to JANET.)
What shall I do? So many young men want to marry you, daughter, and I don't
know how to choose.
ASI
one
wh<
L--1<1Aiv"
JANET
(As Atalanta throughout the story.)
You don' t have to choose, Father. I will choose. And I'm not sure that I will
choose to marry anyone at all.
SUfi
RICHARD
Of course you will. Everybody gets manied. It is what people do.
rau
wis:
to h
JANET
As for me, I intend to go out and see the world. When I come home, perhaps I
.~
will marry and perhaps I will not.
i
VICKIE
The King did not like this at all. He was a very ordinary King. That is. he was
powerful and used to having his own way.
(RICHARD walks to his throne and sits.)
J
i.
Eac
fiell
quil
Atl
the
RICHARD
I have decided how to choose the young man you will marry. I will hold a great
race, and the winner - the swiftest young man of all - will win the right to marry
you.
Go<
VICKIE
Now, Atalanta was a clever girl as well as a swift runner. She saw that she might
win the argument and the race, too.
JANET
Very well, but you must let me race along with the others. If I am not the winner,
I will accept the wishes of the young man who is. If I am the winner, I will choose
for myself what I will do.
VICKIE
The King agreed to this. He was pleased - he would have his way, marry off his
daughter and enjoy a fine day of racing as well. So he told his messengers to
I'm
wlIfl
't
a
travel throughout the kingdom announcing the race with its wonderful prize
- the
chance to marry the bright Atalanta.
(RICHARD exits. JANET pantomimes the following as VICKIE continues.)
As the day of the race drew near, flags were raised in the streets of the town.
Each day at dawn Atalanta would go to the field, in secret, and run across it
slowly at first, then fast and faster, until she could run the course more quickly
than anyone had ever run it before.
(JANEl' pantomimes sneaking out of the castle and running across the [ield.)
As the day of the race grew nearer, many young men gathered in the town. Each
one was sure that he could win the prize, except for one - that was Young John,
who Ii ved in the town.
WILUAM
(As YOUNG JOHN throughout the story: thinking to himself.)
Surely it is not right for Atalanta's father to give her away to the winner of the
race. Atalanta herself must choose the person she wants to marry or whether she
wishes to marry at all. Still, if I could only win the race, I would be free to speak
to her and to ask her for her friendship.
VICKIE
.s
Each evening after his studies of the stars and the seas, Young John went to the
field in secret and practiced running across it until he could run the course more
quickly than anyone had ever run it before.
(WILliAM pantomimes running across the [ield. RICHARD enters and
stands in front of his throne: WILLIAM eXits.)
At last the day of the race arrived. and all the young men gathered at the edge of
the field along with Atalanta. The King rose and addressed them all.
~at
larry
ight
RICHARD
(Eliciting a response from the audience.)
Good day!
(To the RUNNERS.)
Good luck!
(To JANEl'.)
Good bye. I must tell you farewell, for tomorrow you will be married.
JANET
mer,
I'm not so sure of that, father.
Music 10: FANFARE {Instrumental}
ffhis
ii
i
i
\
I
VICKIE
Everyone ran across the field. At first they ran as a group, but Atalanta soon
pulled ahead with three of the young men close after her. As they neared the
halfway point, one young man put on a great burst of speed and seemed to pull
ahead for an instant, but then he gasped and fell back. Atalanta shot on.
(A flat with many racers painted on it is rolled along with JANET to depict
her competitors. When WILLIAM pulls away from the group, the flat rolls
off and WILLIAM and JANET continue the race through the aisles of -the
theatre, then return to the stage to cross the finish line:)
Soon another young man, tense with effort. drew near to Atalanta. He reached
out as though to tOUCh her sleeve, stumbled for an instant, and lost speed.
Atalanta smiled as she ran on.
JANET
I have almost won!
(WILLIAM runs on from offstage, gaining on JANEl'.)
VICKIE
But then, another young man came near. TIlis was Young John, running like the
wind, as steadily and as swiftly as Atalanta herself.
(WIUIAM has alnwst caught up to JANET.)
Atalanta felt his closeness, and in a sudden burst of speed, she dashed ahead.
(JANET bursts ahead.)
Young John might have given up at this, but he never stopped running. Nothing
at all Would keep him from winning the chance to speak with A~anta. And on he
ran, swift as the wind.
(WILLIAM catches up to JANET and is directly along side of her.)
JANET & WILUAM
Until he ran as her equal, side by side with her, toward the golden ribbon that
marked the race's end.
VICKIE
Atalanta raced even faster to pull ahead ...
(JANET fights to pull ahead.)
... but Young John was a strong match for her.
(WIUIAM catches up again.)
(
!
\
Who
\
(
Ian
r
~
[
{
Ver,
win
righ
\
I
\
I
Tha
mar
(
\
r
I
I
Ane
notl
\
\
The
abo'
stue
The
... a
By
wiJI
cert
JANET
----.,
& WILLIAM
(Smiling)
Smiling with the pleasure of the race, Atalanta and Young John reached the
finish line together, and together they broke through the golden ribbon that
marked it.
I thl
We
- 37(To the sound 0/ cheers, JANEl' and WILLIAM break through a golden
ribbon that RICHARD and VICKIE are holding. JANET and WILLIAM
cross and stand be/ore RICHARD.)
RICHARD
iepict
. rolls
7/ the
Who is this young man?
WILLIAM
I am Young John from the town.
RICHARD
Very well, Young John. You have not won the race. but you have come closer to
winning than any man here. And so I give you the prize that was promised - the
right to marry my daughter.
WILLIAM
Thank you, sir, but I could not possibly marry your daughter unless she wished to
marry me. I have run this race for the chance to talk with Atalanta.
e
JANET
)
:>
And I could not possibly marry before I have seen the world. But I would like
nothing better than to spend the afternoon with you.
(JANEl' and WILLIAM cross the stage together, and sit down in animated
conversation as VICKIE speaks.)
VICKIE
The two of them sat and talked on the grassy field. Atalanta told Young John
about her telescopes and pigeons. and John told Atalanta about his globes and
studies of geography. At the end of the day, they were friends.
(Now EVERYONE/aces VICKIE as she moves to center stage.)
The next day John sailed off to discover new lands ...
(WILLIAM exits, whistling a sailing song.)
... and Atalanta set off on horseback to visit the great cities.
(JANET picks up the golden ribbon and, using it as horse reins, she gallops
offstage after WILLIAM.)
By this time, each of them has had wonderful adventures. Perhaps one day they
will marry. and perhaps they will not. In any case, they are friends. And it is
certain that they are both living happily ever after.
RICHARD
] thought princesses were supposed to listen to kings!
JANET
Well Richard. sometimes you have to make up your own mind about things.
- 38-
~,
j
RICHARD
But there are other things that someone else has to tell you.
l'
j~5
Someone else can tell you how to multiply by three.
And someone else can tell you how to spell Schenectady.
And someone else can tell you how to ride a two-wheeled bike.
(This poem develops into an improvisational rap song with the audience
setting the beat by clapping. Eventually RICHARD joins the beat and
realizes the importance of equality.)
JANET
But no one else, no, no one else
Can tell you what to like.
RICHARD
An engineer can tell you how
To run a railroad train.
A map can tell you where to find
The capital of Spain.
A book can tell you all the names
Of every star above.
}
{
{
1
,
,
1
'l
(
(
l
I
l
(
j
1
,
1
(
j
]
VICKIE
But no one else. no. no one else
Can tell you who to love!
1
l
RICHARD
(Trying again.)
Your aunt Louise can tell you how
To pI ant a pumpkin seed.
Your cousin Frank can tell you how
To catch a centipede.
Your Mom and Dad can tell you how
To brush between each meal.
['
\
l!
\I
WILLIAM
But no one else, no, no one else
Can tell you how to feel!
l
\
I
RICHARD
For how you feel is how you feel!
\
I
- 39ALL
And all the whole world through ,
No one else, no. no one else
Knows that as well as you!
(ALL four characters are facing each other center stage, strong and totally
free! The lighting and rotating flats magically change the stage into a very
colorful environment. resembling the inside of a rainbow.)
dience
lt and
Music 11: FREE TO BE ... YOU AND ME
JANET
TIIERE'S A LAND THAT I SEE
WHERE TIIE CHILDREN ARE FREE,
AND I SAY IT AIN'T
FAR
,
TO THIS LAND FROM WHERE WE ARE.
TAKE MY HAND, COME WITH ME,
WHERE TIIE CHILDREN ARE FREE.
COME WITH ME. TAKE MY HAND.
AND WE'LL LIVE ...
5
ALL
IN ALAND
JANET
WHERE TIIE RIVER RUNS FREE,
ALL
IN ALAND
JANET
THROUGH THE GREEN COUNTRY,
ALL
IN A LAND
JANET
TO A SHINING SEA.
VICKIE
AND YOU AND ME ARE FREE TO BE
YOU AND ME.
1')
t
(
-40-
\,
I SEE A LAND BRIGHT AND CLEAR,
AND THE TIME'S COMING NEAR
WHEN WE'LL LIVE IN THIS LAND,
YOU AND ME, HAND IN HAND.
{
,[
RICHARD
TAKE MY HAND, COME ALONG,
LEND YOUR VOICE TO MY SONG.
I
COME ALONG, TAKE MY HAND,
SING A SONG ...
;
i
ALL
FOR ALAND
I
(
f
[
[,
r
RICHARD
WHERE THE RIVER RUNS FREE,
ALL
FOR ALAND
[
l
[
(
RICHARD
ALL
FOR ALAND
RICHARD
TO A SHINING SEA,
ALL
FOR ALAND
-(
(
[
(
l
f
[
RICHARD
WHERE THE HORSES RUN FREE.
WILLIAM
YOU AND ME.
JANET
EVERY BOY IN THIS LAND
GROWS TO BE HIS OWN MAN.
i
~
I
\
I\
"
I
\,
- 41 RICHARD
IN THIS LAND, EVERY GIRL
GROWS TO BE HER OWN WOMAN.
(EVERYONE begins clapping along in time with the music, encouraging the
audience to do the same.)
ALL
TAKE MY HAND, COME WITH ME,
WHERE THE CHILDREN ARE FREE.
COME WITH ME, TAKE MY HAND,
AND WE'LL RUN ...
TO ALAND
WHERE THE RIVER RUNS FREE,
TO ALAND
TOALAND
TO A SHINING SEA.
TO ALAND
WHERE THE HORSES RUN FREE,
TO ALAND
WHERE THE CHILDREN ARE FREE.
YOU AND ME!
& RICHARD
JANET
AND YOU AND ME ARE FREE TO BE ...
VICKIE
& WILLIAM
AND YOU AND ME ARE FREE TO BE ....
ALL
AND YOU AND ME ARE FREE TO BE ...
YOU AND ME.
(A tremendous special effect sen4J_light radiating from th~. CAST into the
audience. The.-.S11lg.eJ.LfLllelLwillLcJ?lot a~g §.xcite.llJ1!_nl sy.ml2Qlizin. a new_
beginning_®.4hQJ2~uture. )
,.----------
-
.-
END ACT II
Let's Hear It for Babies!
Wl1l1am
~~~~~~
Let'. hear It for ba-
Janet Spoken: 1 love
it! I10ve It I
1~;&~l,b~~.}9~~~r§J~
~~~
bies!
You
were
once
~If:-----'
a ba - by your -
I~~bl'&l~.
No ba - by
1\
it - .elf. No,
AD by
I
No.
No,
No,
No.
•
No. You ,ot-ta
talk to aba-by,
aiDe
It a
~11&.
'----"
walk with • ba-by,
bring the kid
,
.
• - 1011&.
.>
Good
WUliam
Good
-
com
I\.
tJ
t
ba
-
bieal
-
bie.'
~
"l1
ba
You
You
-
_ere
~
once
a
~.
~
once
-1-
a
ba - by
your -
self.
your -
~lf.
...
ba - by
-
pan - y,
~
~ ~ ;r
cob!--' pan - y,
I
•
take a
No.
I
I
---
,
tJ
I\.
a per- .on,
-,J
tJ
II
up to be
J&Det
I
.>
II
grows
-J-
'l
r
1\
..,
"
(
I
~v
~
Goo.
Goo.
Goo.
Goo.
Goo,
'1'"
q~
'1'"
Goo,
q-l
..
Goo,
Goo.
I
Goo,
Goo.
..
~
Goo.
Goo.
Goo,
{
•
v ..
...
{
Goo.
Goo.
..
'
Goo,
[ill
r
\
/I
Vickie
I
I
r
l
1
v
/I
RIchard
Goo.
I
Do
~
...
Goo.
Do
..,
you have
•
ba-by
•.
a
baby
a-
...
\
~i
\
you have
{
I
[ill
/I
------...
.-
I
/I
~
round
I
hoQIIC:?
the
round
/I
I
..,
/I
Pick
up
lOme
-
t.hlDg
-
v
[ill
~
l,
(
..,
I,
'[
I
hoQIIC:?
the
Pick
up
lOme - t.hlDg
u1d
warm
-------warm
'"
amalJ.
l
\
and
small,
Say
a
alat
-
..,
Say
a
.ist
-
er
or
.
er
a
broth
-
broth
*
- er
.or
a
er
!
[ill
I
,
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Il
\
the
or
.
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"
the
or
l
t
(
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"
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I
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"
1
broth - er
of
41-
...
41-
broth - er
of
an - oth - er
an - oth - er
per - IOn
I
per -
100
-z-
~
\...---i
m - It - tng
hom
down
m-lt-tng
hom
down
the
haD.
the
haD.
'1.
41-
--."
[ill
"
(
"-----'"
I
\
I
~
I
1
\
i
l
I
{
I
,; Ii
I
-
Janet
0-
I
":J ...
t.l
Take that ba-by to
I
I
ADI~
I
------ to..
t.l
.
"
-
It wU.l love
lunch to-daY
the
I
~)'OuhaYe
..y.
~
Youll end up
feel-lD&
ten
Youl1 end up
feel- lD&
ten
#1
-.J
1\
all
\,/
t.l
"
r
-d
feet
":J
#
'"---'"
talll
feet
talll
I
t.l
"
I
I
Richard
t.l
-:J
Let'.
1\
bear
":J
1it for
ba
-
-- ---
bini
Vlc:kie
I
-JI .1
t.l
be
II
No ba-by
I
-.J
~.
~
You were
ooce
~.
":J
":J ...
• ba - by
)'0111'
-
-JI
lrows
~
-J
aeJ:f:----"'
be
1\
I
.,;. ":J
t.l
"
I
up m-to
• per- aoD
.,;
aD by
t.l
It· 1Idf.
WlIllam
-rJ
No,
1.11.
- 3-
.,;
No, No,
No, neT-er
~,
{
...
Janet
I
~
t>
...
1
t>
It •
• ba-by.
t>
"
joke to
I
ba- bin
• ba-by.
band.
All
--- ..
I
.
un
~
[
----
du- stand.
All Be
(
r
f'\
1
poke.t
"
•
Tell
I
(
to
•
~ ~
4J.
JUce
f
"
t>
"iJ
Be
...
I
t>
11
ba
I
t>
-d
-
You
try.
-
.ere
6
-:j.
You
ba - by.
once
•
~.
~
once
•
...
•
~
l
I1
(
I
II
I
It
Vickie/Janet
I,
t>
...
W llllam/R1cbard
I
II
l
It
t>
71·
Ba - bles
t
[ill
"
II
~
L
h
beau - tl- fu1.
All
I
!
1
I
v'
iJ
1
A
I
t>
II
II
Ba·blea
are
SDlUt.
AD
L
h
I
'i
Eacb
v
Olle'.
-JJ
•
'Iv
Eacb
j
.~
;~
~.
-+-
Olle'.
brand ne.
-,;
•
[ill
II
i
\1
r
I.
your - aelf.
I
"
to
self.
baby your-
ba - try
JU~
brand
\
I
!\
·1
DC.
I
I
I
I
\
:~
n
Hl
i;.!
Ii
'\1\\
\
~
~
~
JaDet
I
~l
"
'--"
To eft • ry-
start...
I
.;
thinI·
~
WW!am
"J
Don't baby
st'art ...
-J
-d
•
ba
-9
by.
-
184lr~~~I~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~J~aD~e~t~~~
.;
"
I
T~.t
It
like
a
per -
you
laOD
--
---
know.
-------
Oh,
Yeahl
a
tune.
a
~
"
I
.;
,.,
I
Read
the kid
some
SbaJr.e -
~are.
hum
It
Wllllam
.J
~
~
"
II
I
.;
~
"
-.
I
II
.J
a - round.
"
I
."
ll4-4
It!
"
B&J - Ie - lu- Jahl
•
.;
All
Nice
peop - Ie
Nice
peop - Ie
'*
That's not
~CIaJr de LUBe I~
theae
-
blesl
ba -
bll
ba
~
-,j
these
I
V
"
mf
WUliam
B&J - Ie - lu- Jahl
"
All
Spoken:
I
.;
eEl
kid
That
V
I
You
we~
ODCe
a
ba
-
by
your - self,
were
once
a
ba
.
by
your - self,
v
You
-s--
----------
---
Goo I
----------
Goo I
M
;f
1l
1961
:~
1\
{
I
...
II
vI
...
were
once
were
once
•
ba - by
yonr- KIf,
•
ba - by
your- KIf,
'------"
Wul
\~
I
t>
11
Wu'
------
vYon
1\
{
'------"
Yon
I
Yon
were
once
• ba-by
yonr
-
r
Kif, Yeahl
You
were
once
• ba - by
your
-
-elf, YeahI
t>
[ill
},
l
'----'
,
[I@
1\
~
[ill
i{
I
Goo,
Goo,
~.
v-
Goo,
Goo,
1
Goo 1
t
-----
,
Goo!
(
[ill
\
When We Grow Ul!
J.
100
J:;.
-\
loo
1
:l
•
Will
•
ww~·
. ----.I
_---LL__
be
.-.--
big
and
I
wear
eire.. - ea
;(
{
tha t
t~
(
l,
l
t
':J
U
[ill
~
-
[illl') ,
1\
show off my knees?
Well,
."
if
II
.
~
1\
I'm
•
II
I
1\
II
have
don't
1\
~
I
IJ
"
at
•
~
to
~
I
change
I
l..
When we grow up wt1J
I
I
care
.
Very Rhythmic
.
L
I
L
I
J.1040
all.
..
.....
at
all.
....
r-"'I
be a wo-man?
....
I
Wlll
~
1\
I
-
be on the moon?
It
-
I
,
•
We
We
IJ
1\
If you
.....
•
ehange
to
have
don't
And
long?
..
II
do~'t
a.
what you look Uke.
acceJ
IJ
':J.
• nice .mall.
And~' you're
•
like
"
•
all;---''
-
never ge t ta.l!:-'
~
~,
•
pret - ty at
..
•
•
I WelU Uous· en twice
Will
1\
I
II
I
I
....
I
....
r---1
~
I
We Ii. I
-
tJ
mightbe allrtght to
dance by its light.
-7-
but I'm eolngto eet up there
lOOn.
,
tJ
"
I..
I
I
-
-
I
pret-tyat~ And I
llI'm
don't care
-
I
I..
-
I
don't care
-
llyou ne...·er
I
,et taiJ:'"'""
t.!
I
,
I
-
-
~
And
r--
t
yl
you're nice small.
aced.
-
We
don't have to change at
all.
We
don't have toehange at
all.
I..
~
like what you look like,
Broadly
h08
"
..,
I
"
I
1\
(PoSSil>le unproV1~~:lon
by WUllam•
oughout thla vc rae) When
answering Janet t
1\
we
1\
up
,row
~
we're
~
I
t.!
When
"
tJ
"-
t-----1
CO - Lag
to
be
"-
I
hap - py.
"
l
~
do
And
do
what ~
like
we
like
--
we
crow
..
.-
to
4
I
up,
we're
~
."
Uke
ft
J-~1
t.!
go - Lag
be
hap - py.
what
to
do-=..------
Wllllam
r---1
"
t.!
to
mak- iPg noise.
"-
1\
"
1\
"-
And
mak - iPg
frlenda
like
And
mak - iPg
friends
like
I
t.!
And
-
"
t.!
mak- iPg lac
you.
And
wben
"
-
r---1
we
ea,
r---.
,.--,
r---
up
,.........,
do you
thin - k
we'll
see
we
crow up
do you
thin - k
we'll
see
~
r---
t.!
you.
And
wben
-------
crow
I
That I
-8(.
l
~
Ritenuto
r---I
1\
t>
I
.till 1llle you,
r--
1\
I
~
eel.
) 60
1\
And
you
II ),
104
17\ /IBut
we
17\
t>
"
~t
"-
be- J)r'et- ty.
---
~
I
r----,
•I
.tU - I 1llle me?
a tempo
r--don't
have
to
change
at
all.
l
tJ
-
I
might
grow
tall,
But
we
don't
have
I
to
change
all,
at
_
.It
v
we'~
~
---
"
v
....
...
at
r---.
"at
at
all.
all.
A
all.
_
we'~
2
[±]
William's Doll
).124
OJ
3
Jan~t
Jan/R!ch
111p
When
my friend, WU-llam. wu
Dot ao man- y yean old, He
W[lllam
v
_
to
wanted a don
bug and bold.
Sald WlI-llam.
A
wash and clean
and
d~sB
and feed: A doll to
~
bed
when
day
Is
doll.
through;
and an - y
-'}-
IJJ
gIve a bot - tie
time
my
doD
what I
to.
get a
need to
and put to
w.
I'll
:~:l.
{;
.~
J.
Janet
lJ
said my friend.
take good care
Alla spoken
134
50'. Rock
8m.
~®~
Richard
t
A
~:![ID~
of it.
~
_
rm~~/ffi~@
WD - llam
..e.. •
do-" A
do - D'
WD - D_ want
A do - ..
• doDI
(~
So. bJs
I'j
~
~
l
bat of maJ'obleB,.
~
baBe-ball ~ove.
and
aD the
t.bJ.n&a
•
boy would love. ADd OW ....
~~ ~ ¥~
C......
'R -
joy.d
oil bat oil
tho..
tho
.......
I
; ..
l
!.l
¥
~l-[ill
w..... BU-',... ~ ~
ADaRock
WJ
J.
~Il
,
J.J
C. . . . . . . . - • .,.
[ill
1J
1
134
~
~~ @]
rft~g"'---"'~~~~~~~~\{r~
lath- er praiBed
h.l.s
8a1d my Irlend.
WDllam
BJr.1U...
om.
l~~~~~~~~~~~~
pleuc: have • doll DOw?
Cut I
~~E;_~.~
~ "f
Richard
'l'
t
wan~-_-, ~
::
A
do - BI
A do - BI
WU - lIam
a tempo
.~ ~
1
WDUam
l~~~~~~~~S_~_hat . ~
·.ll·
Out
then. my crand-ma ar - rlYed to-day and
- 10-
want-ed to know
_
['
"t
l
i
I
~
~
I liked to play,
-n!
@
~
ADd
I &aid hue· baD'. my
fay· 'rite iame.
'~
I
like to play.
but
J,J 7Ilf
_i~
all the aame, I'd ilye my
bat. and ball,
and
~
glove,
to have a
can
doll that I
J,J
~J.
love.
"Bow ver- l'
134
ADa Rock
wise." my
tnnd -
ma
aald. I
1I&ld. -But eve - ry- ODe
aaya tb.l8 LD-
Richud
A
f
A
do-llJ
A do-llI
WD-llam wanU
a do-DI
A.
do-OJ
A do-DI
11 wu
J.
Janet
120
111p
~~xj@
Bo. ; '.
J1a Rock
Wll- Uam want.
a doll! Then
WU-lam'. pnd-ma. _
I've been told.
bought
. 134
WU·llam a doll
Bin.
to
hue and hold.
WOllam
But
ard-
!F
do -
I
then my (ath- er be • ian to fI'Owu,
J.
~1~
grandma .mlled
and
148
calmed him down, Ex- plaln- lug;
But
cJJJ
WD- Uam
WlUlU
a
doll.
1\248
'CRuse
if
I have aba-by IJOme
I'll
day.
know how to dnlJ8 it,
- tf-
put
dla- pen on doub-le,
and
lent·ly ca - ru.
to
It
eve-ry good lath - er
bring
should
up
•
bub • ble.
learn
and
_
for my ba - by
CIm:
to
_
do.
_
"ADa Slnatra"
J·l00
RIchard/Janet
b
wn -
11am hu •
do
-
ll!
WU - 11am baA •
,3-,
,3-,
WOllam
1
lOme day
'Cause
I may
want to be
•
lath
Rltard-
er.
too!
_
Parents Are Peo~
~
I
"-,
1-
"
11
---.
.J
"
baa •
...
----...-
bua- y with c:hll
clreo
and
thing_ that the,. do.
nere are
II
•
. .
.
lot of
~Wlll1am
.-
..
-.J
A
"
11
'"
a
ADd
...
da'(r--:" dle_ can
lot of
dol
11
..------.....-..
.J
lot of
@!J
. ..
...
.J
~
mom
-
."'.
dol
mle.
Janet
J J J
Dad- dle_ are
~
,
4=§J.
dad - dl_
were Ut
tie
[ill~
~~,~))~JJ§aJ
then they tre'y;-;--" ADd
mJ~~
""3
J
Ie
they
~
the,.
DOW- •
J J
to be 00,...
~~
clad-d1e.are men -
LJJ
bu.-,. with chll
-
clreo and
thID&- that they do.
pli;-"
~
- fJ-
men-with chll-clreo -
•
J~
There are a
lot of ~
a
'I
'!
"
~
.>
"
lot or
~
.. ..
da'cl-:'"
'"
MOTe
dol
dies can
...... ..
..
.>
-,/
--,/
-,/
"--"
clad - die. are writ •
Some
"
~
.. . . .
.>
"
or
II
.. . .. ..
.>
"'--"
po- eer- y sell
"
-
paint-en or ....e"i;r':
fun-ny
'----'""
Joke teD
-
en.
..
Some
~
~
-
.
.>
"-----'
dad - dies play eel
"
or
en,
or
en.
en.
.>
"
Forcdully
Wn-llam
~
10
~
or
...u
on the
.' .
s-ea - ,
..~
.
•
Yes.
II
II
II
II
II
II
-.J
"
.. ..
"
an-y-
'---"
thmI
•
'"
theywant to
be.
Sublto. pIU moe""
"
"
"
II
II
p
'--"
"'--"
110m - mies are peo - ple.
II
II
II
II
II
II
'--"
'---"
peo- pie with ehfl - drmr..
Wheo
-.J
"
-.J
"
'"
mommies were Ht
-
tie
they
ro--.
a-.cI to be
"
--
B~t
Jirla.
,J1qt
like
.' ..
'
"----"
you.
(
I
-14-
I
'I
I
I.
l
')
I
II
II II
------
-.J
then
"
n.
or
II
the
tre w .
II
ADd
"
----
'-/
~
II
II
II
II
DOW
-
mom - mJea
•
are
wo
men.
-
~
1'1
to..
-.J
Some
wo - meD
1'1
II
II
II
II
with
--------
chU
--------
bua - y
dren.
chD
with
dreD
.J
I\.
aI-_t
uu.a,a
=-7"
-
-
-.J
~
--
that they do.
There are
a
Mo~
•
"
II
II
.>
"
a
lot of
----
mom -
. .. ..
~
.. .. . ....
or
~
..
po-et-ry ~
en.
II
~
or
do.
~
mJea ean
Forcefully
mom-lIliea are ran~ e....
Some
II
--
th1nCa
lot of
em
1\ II
II
~
I\.
II
-
II
---......
-.J
doc - ton
"
II
II
teach
en.
II
or
cle_ - en
-
Ii
v
"
or
"-""
mom-miea drlve tax -
~
...
or
II1nc
or
Some
------
bak
en.
-.
OD
T· V
~
- is--
- .
Yea.
mom - mJea
"---'"
ean
be ai- moat
;l
)
1\
t>
,.,
[2:
t{
II
II
~ ~
"---"
thing - they want to
.
an - y
(
l
f
be.
t.>
,
I
,., I!
H
'"
tJ
1\
Once
II
Once
II
v
,., II
II
e>
00 ,.,
----
lot
of
thlDi a •
lot
of
thiqa.
There
are
a
me
parentawereUt - tie, like
and like
I
-
you...
There
--------
-----
there
an
•
lot
of
thiqa
-----------
there
an
•
lot
of
thiqa
•
lot
of
th1Dp.
•
lot
of
thiqa.
1
are
a
------
A
--
A
1
"\
(
lot
of
of
-----
par
-
·
~
)
r
)
l
0:
)
lot
II
you...
II
t>
1\ II
and like
II
t>
,., II
me
\
to..
t.>
,., II
parentawereUt - tie,like
II
--
G
'~
ent.
ean
)
dol
l,
ent.
1
dol
::
1
II
0
;\
~
-I
'~
Glad To Have a Friend Like You
Non-Legato
(
JtoD-Le,alD
,., » J' I94
JlLDCt
-u
1\
Be
Jl
WW/RJch
U
- 1"-
\
"~
Jan/Vlck
t>
)
told
l
l
~~
,j
~
If
\
~;
1
[1
,
1I
t.
•
•
mc
.--
that It was 16ts of fu.o to
cook..
WUllam
II
~
v
She
/I
-
•
told
J ane t
II
me
that she could
...-
•
~
wc
So
made
00 -
ey
eoo-
ey
choc' - latc
II
ue
•
a
"
~
I
balt
a real fish
-
II
~
hook.
-
cake, ItJck- y Uck- y au-ear
top, and we eobb-Ied It and
•
ADd we
II
•
A
-
-
Simfle
~
.....
eta-led.
II
~
sat
by
the
rl - ver
and
we
~hcd
in
the
wa - ter
and
we
II
"
.J
,
All
.----.
II
talked while the squlrm-y worm-Ies
wtgg-Ic"ci. mf
S~-~,
II
All
Legato
Glad to ha~a
~
t.
Glad to have
II
•
friend
II
•
I
like
yon,
like
you.
fair
and
fun
and
skip - pin'
free.
and
fun
and
aklp - pin'
free.
I
friend
a
"I
r
II
~
Glad
to
a
friend
lllr.e
And
you.
tlad
to jut be .....
Jj
I
~
Glad
to
"'---l
have
r
~
"---.l
have
ffiJ
friend
a
lllr.e
you,
And
tlad
I
to just be .....
r
f
II
Vi C ki e,5po k en:
~,
Vi c k1 e:
[ill
~
Hey, '\ (nat (] ,a Tar an sa wnel
he saw the e phan S COD f1ng?"
,-J
"
0
~
~
}
I
'J aon't know. Wllal wa lluzan say wnen
he saw the elephants comJ.n&?"
JI
.>
"
..,
I
Be
told
that we could do • KC-n:t
me
II
(
-
,
Janet
"
r
HI • Ha. ~a ... G tit?"
All:
II
1"'110
"'~ fU1IO HI'
code.
Be
told
"
II
I
l
-
tJ
•
I
me
then:
II
wu
free
Ice
cream
when
it
SDOwed.
So
wel1
-
1I
Knd
fun· ny
let - ten
which
con
tain
Ill'" - tery
me_ - • - ce.
and
~
~
~
,
l.
I)
tJ
l)
[ill
"
II
~-
.>
00
.>
@:
II
JIIoa-upto
"
!
l}
,
"
l
r
(
~
~
one
will
know
juat
how
we
JDade
..
•
It.
And
we'll
I.,
<
II
I\
/
1\
l
l
~,
I
\
,it
~
-
Jl
t.l
w.e
II
1
.--.
and
win - dow
the
ap
aD
.coop
we'll
anow
the
to - eeth - er.
..>
--
1 II
Lee ato
..
~
put m..llk and aa- ear ln and
1
•
All
-
•
Sing-ln',
eat It,
All
II
Glad
to
have
a
Glad
to
have
a
t
.II
.J
friend
l1ke
you.,
friend
like
you.
Wr
11 II
and
fuD
and
aklp • pin'
free.
md
fun
and
aklp • pln'
free.
~
11 II
I
--.J
.tJ
Glad
to
have
Glad
to
have
a
friend
like
you.
And
tlad
to Just be..•...
friend
like
you,
And
tlad
to Just be ......
II
'---J
.tJ
a
poco a poco
VIckie:
11 II
~
~cy-
'I"'~
... y
IG '£CUI
rltard .
;:8
.DC
I
a tempo
~an
J 194
UJlClnl
G< tit? la. HI • Bal"
when ~e sa'll the c let.hll
s mgta! ses?" All:
11 II cornin ~ weB. ingc
rarl
J• 1 I O
VIckIe:
L
I
'! aon't U ow. "DalOia Tarzan
uy when he saw the elephants
coming wearing clark aungJusea?"
~
I
VIckle
Janet
I
.J
She
told
me
Y"
I
L.....l
She like.to m.aJr.e
thlnCs oat
I
~
- 19-
I
of
chain.
She
Wm/l luch
told
She
told
'l
1\
.Al1
I
,.
I
-.l
I
Some - t1mea
me
fiW
abe
ha&-
ted - ely
bean.
.>
,.
I
.~
in
anea.k
in
L........J
-
the
I
I
Uv - lng
room
and
pOe
.n the
Uv· lng
room
and
pUe
.n
the
abJp
to
liT
ID.
ahip
to
0T
in.
L........I
tJ
So
wen
-
anealt
we'll
I
I
..
So
AD
I
I
1
pD . 10..,.
up
and
pO - 10..,.
up
and
L..........l
the
I
I
..
"
rock
•
et
I000.o...I
a
h
rock
-
et
tbe
Slmlle
..--.
I
I
L.........J
-.l
bean
are
bean
are
our
L..........J
pia
and
boya.
ADd
we
are
pia
and
boJ-,
ADd
we
are
the
L.........J
our
who
.. - b'o - na uta
who
-
I
.>
. . - b'o - nauta
the
Legato
I
"
on
the
moon
with
one
on
the
moon
with
one
to
-a
baTe
u .
on.,
u -
on.,
Sine . In',
I
.J
Glad
Glad
to
-
baTe
I;
l)
l
~
I)
l
r)
I
friend
Irir.e
you.
fair
and
fun
and
I
-.l
~
IJ
I
pet
)
~
I
tJ
l
}
)
~
0)
I\
a
I
I
friend
like
)
you.
fair
and
fun
and
1\
-1,0-
@
(
)
I
make
l
[
(
~
I
\
J
I
i
l
J
[1Q!
I
-•
I
I
IIk1p - pin'
I
I
frec.
Glad
to
have
Glad
to
have
I
-
I
e)
.kip - pin'
free.
.
Ju
I
&lcnd
I
•
I
&lcnd
llke
rn_
you•
And
you.
And
.... ...
Vickie: "Why did the clcphant
I
~
II
I
&tad
to just be•..
J1ad
to just be...
I
I
Glad
to just be••.
Glad
to just be...
Glad
to just be...
Glad
to just be...
~
I
-tJ
I
I
illiam:
"To Ie: awa from youl"
I
-
---
I
l
AD
~
Glad
to
~
jlmt
Mel
I
-
I
Glad
to
tluo
just
Mcl
be
_
-
It's All Right to elY
U'. all right to
Cry - lng ,cta
thc
sad
out of
you.
U'.
all
right
to
~~ U~ht
F ~~~~
)
m&keyou feel
bet· tCL
-ZI-
Rain - drop.
cry.
cry.
~
from your
eyes,
aD the
Waah - l.Dg
mad out
of
Rain - drops
you.
from your
Vickie
It's aD right to
eyes,
It
I~§
::JI
•
••
bet-te~
might make you feel
~ § .~~~IJ
feel things, though the
feel-lngs
may
be
strange.
§
Jj
Feel-lngs are such
~
f~~~'~~~~
~al
things, and they
chan&e and chan&e and
change.
sad and pump-y,
~t
I~!
Down in the dump-yo
Snug-ely, Bug-gty,
Mean and ugJ - y.
Slop-py. alap-py.
~~,l
U'. all right to
feel thlngs. tboUlh the
feel-inga may be
straDge.
l:m
I~ J ~ J~_.~~
Feel-lngs are .uch
I
~al
;Wllllom J
4===§
J
U'.
all
right
to
things. and they
change and change and
s ~
§ij.
know
feel
-22-
change.
f7~
-
ings
come and
I~ ~
J J
;g§
feel . lDgs go.
ADd
it's
all
to
right
cry.
Richard
I~~fg¥ ~~~._.
It
~ht
J ~
I~ J J
feel
~
ma.ke you feel
thiDgs,
though
§
J
J
Feel- lng9 are
1671
such
the
·
lngs
may
tbJngs.
It's all
rltht to
rltht
aDd
they
to
~
strange.
be
~
j
real
aD
J ;g§.
J
feel
~
It's
bet - teL
cl1ante
J
and
fJ
l§
ehange
and
All
...
•
All
•
feel - Lng9
know
,r---...
t>
It's all right to
feel
-
lnga
go.
feel
.
lDgs
go.
ADd
it's
aD
it's
aD
•
It~}
mlgbt
ma.ke
you
feel
~/
might
ma.ke
you
feel
It
•
feel - lDgs
know
rltht
mJl'
..
and
come
and
.
.change.
come
.
.-
bet - ter.
•
..
bet· teL
-23-
to
cry.
to
cry•
!
I",.
Free To Be ... You and Me
(
)
I
•
Spirited alla RevlnI
'.
LI65
[!]
» i,
r-- 3 --,
Janet
.4.
l
Jan{Vlck
•
a
There'.
II
I
I
!aDd that
.4.
It
---
WlllfRlch
~
~~
---
dren are
@]~
ij.~
from
fre~
and
--- --
. --
r-- ..y
It alD't
far
we
are-:----
hand. come with
Take my
1291
l)
~.
I]
.
'--"-------
to thb
land
where the chil-
me.
•
[E]
~
where
I)
the chil-
where
see
(
::
I'}
I}
~•
[ill~
•
.~
~rmij
'-'
Come with--" me.
l
r- J --,
lo-
'-'
'-"
»
take my
,J-,
All
'" » i
tJ
'-"'"
'--"'"
fre~
dren an:
I.n a
,3-,
AD
It
.0
--- -
land
~
a'-'
r-- J----,
Where the
. ------
~
II
It
t>
'-"
II
•
*
I
10..
AD
I.n
---
a
...
J.q
.---
,3,
.-- 3---,
""-""
rI- ver runs free.
All
,3--,
r- 3---,
10..
-----
-
try.
All
I.n
---
a
,3-,
J.q
-zt-
~
I
}
-I---
land
,3--,
... ... ...
a---
land
'I1
I
,--J--,
Throac h the peen conn
I)
)
land
-
land
,J-,
. ...
,3-,
~ ...
I
JllDet
"
and we'll
Janet
I
,3---,
I.n
'--'"
'-""
"'--"'
IUlIuL
I..
J
I
\
I)
I
i
,
L
~.
~..
Janet
II ~
~
i
..
,-3-,
---
....,
To
,
II
-------
.hiD· nJDg
a
eea.
It
..>
r 3 -,
RiC hard
,3-,
,--3---,
...
I
'"
I
I
r-3-,
.-
~
And
you and
free to be'--'
an:
me
\./
~"l
-.J
,....-3--,
6
\./
"
II
.
L.
h
L.
\,
mfVlckJe
-...-
I eee a
me.
You and
II
-.J
--
I
rJ-,
-----1-
when we'D
"
~
--
r3-,
r-3--,
rJ-,
~~~~~~
~
8
r-J-,
'~,
-.J
live
..
v
band
In th1a
you and
land.
m.e.
--,
r-
J
~
ba:,¢-
'...-~
,-J-,
Richard
I
r
...
I
3,
I
...
~'
~
Take
my
bancl,
come
a .
lone.
J~~~~~
lend
your voice
to my
1IODg;----'
take my
hand.
aIn& a
IIOng...
r- 3,
I
...
All
~
I
For a
,3-,
\./
I
...
long.
,3-,
I
~
-...land
r- 3 ,
.. .. ..
For
a~
r- 3 --,
'-'
4J
-.J
r- J - ,
come
,.chard 3
r - ---,
r 3,
,-3-,
~
land
~
Where the
ri· Yer
-zs-
J'UD.8
free.
For a
All;-'3--,
land
,3-,
.. .. . ------
For
a'--'" land
,
r- 3 --,
All
..
Richard
All
r--- 3 - - ,
All
t>
All
1'1
v
.e.,
coun
pt;en
,3--,
,
t>
the
I
•
,
land
"-
I
------
,3--,
a
land
,3-,
.
•
•
For
Ric~,
---
•
For.----
try.
land
,3-,
"-
For
-
"-
,3-,
r- 3 --,
•
Througb
,3-,
I
•----
For
V
t
...
I
."'---"
Richard
r-- 3 - - ,
-------
r- 3 --,
WWiam
Where the bon- e. run
land
r
, 3 .....
•
free.
3,
t\
t\
And you and
me
Janet
1'1
t>
,3,
•
t>
•
...
I
You and
...
I
in tbJa
boy
----
•
u
free to be-----I
Eve-ry
r- 3 --,
me.
r- 3 .....
I
pows
land
hla own
to be
r 3 -,
--
I
.-.
man:-'"'
1'1
tJ
1'1
_....
tJ
~
V
Richard
1'1
41-
tJ
r
r-3--,
41-
,3-,
3 -,
------* land.
'--'"
----
In this
r
,3,
eraws to
be
r--- 3 - - ,
All
1'1
----
etrl
Eve - ry
r - 3 --,
3,
I
...
I
r 3,
I
...
tJ
r--
1'1
tJ
v
•
ber
.
own
3 ----,
...
WO-DUln.
All
Take
my
band.
I
come
r--
3
witb
--,
me.
~3L
... ...
Take
my
band.
come
witb
me.
,-3----,
r-- 3 - ,
I
-
~3c.bp
1
clp3~
~
fre'e:-
,
t>
the
chll
dren
,3-,
,-3--,
,..-- 3 - - ,
T~3~ ,-~~d,
~
Take my
and
, - 3we'U
----,
-----
"--""
'-'
,3,
-- --...
'-""
'-'
free.
, - 3----,
hand.
and we'D
---
41-
Come
with
I
,-3--.,
"'-
--
,....--
/ - ........ 1
------run...
tI
r- 3---.
,3-,
h-
I
"'-
I
'-"
To
,.,
•
,3-,
,~d
• •
•
~
To
•
Where
,-3--.,
----
4J
land
ri - Ter
r- 3 --...,
the
runa
To
free.
•
4J
Where
the
ri -
To
free,
Ter
ereen
COUD
Through
green
COUD
-
hy,
To
the
,-3----,
try,
To
1
"-
----
•
land
r- 3----,
r- 3----,
- - -
4J
*-
•
to...
1
ThroUih
the
r - - 3----,
,~d
•' - "•
,-3--,
~
,
•
,3-,
r - - 3 ----,
4~
me,
~I
~
.
-----
4J
,3-,
h-
I
II
"-
,-,
4J
,~
----
.-
witn-'~,
Come
,3-,
are
.
.-
-~
~
where
ae
.----3--,
--- .--- .----
t>
where
r- 3 - ,
-
4J
land
, - 3--,
,-3-,
be
.,
,----3---,
--
,~
To
•
shin nin&
,----3---,
To
•
shin
,-3---,
,
t
t>
r - 3 --,
4J
I
~
---
Q
-27-
~
-----
•
To
r- 3 ..........,
~.,
r- 3 --,
----- ..
I
to...
--
land
, - 3 ----,
- ·•---- •---
To
land
,
.---3----,
,-3--,
.--3--.,
...
I
.;
'---'"
Where
the
r - 3----,
Where
tJ
Where
"
"
v
..
the
Where
bon -
ehll
-
chen
chll
to
.
....
t
chen
an
free.
ADd
you
"
And
you and
me
are
free
"
tJ
are
free
are
free
to
And
WWiam
be ...
And
r- 3---,
be...
,-3--,
----
to
free
AD
---- .--- .:
to
r;-3 ---,
,y
are
be~
r 3,
•
A.!l
And
"-
"-
y~3~
me
r:-3~
And
you
and
-Z,8-
me
~
you
and
3
r.- --,....
you
an
free
an
free
me
3
r- .",
and
r- 3---,
me
r- 3 - ,
----
to
r;-J ---,
•
-------be...
r- 3 - ,
~
Vickie
- ----- -----
----
r;-3-,
r- J --,
me.
Me!
r 3,
to
.;
r- 3---,
and
r- 3 --,
and
r- 3 - ,
me
r3r-.
me
r-3~
--- ----
•
"-
3--,..,.
r-
and
r-3~
•
You
you and
r- 3 --,
i
~
an~ Mel
You
,-3--,
r- 3 --,
to
And
Richard
land
you
u
r-'~
land
To
ADd
u
J
Janet
- .------
free.
r - 3 --,
•
tJ
free
•
an
r- 3---,
an:
iii
,-J---,
the
free
,-3--,
r - J --,
~
r- J ---,
an:
•
,-3--,
free,
"
To
,-3---,
r - - 3- - - ,
"
.;
free,
IUD
.--3-,
the
r - - 3---.
"
tJ
-
bon
...
.;
00
"-
I
•___v
be... _
r- 3 - ,
----
to
{\
•
,
f\
/-
~
V
"""
-
/' - " ,
l
-
a
r-3~
tJ
u
V
•
r-3~
.
~
•
You
r- 3 - ,
r ~e.
-,
Free to
,-3-,
Free to
Be...
.
Free
-.}
c.
to
..
Free
Be!
eto
e-
Be 1
_
'5
1
fI,
-,
\
me
~z'9-
~
-....-
.
t-.
---
r-3~
r 3 -,
,
-.}
•
You and
Be...
4
Me,
r-3~
t\..
- --.ana-......---- .. ... .,..
You and
,3-,
r 3 -,
~
---
You and
Me.
,3,
-r
Me,

boymeetsgirl music

Transcription

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