Summer 2012 – Infocomm issue

INFOCOMM
Booth C9623
Summer 2012
radialeng.com • primacoustic.com • tonebone.com
London™ Kits
Primacoustic introduces the Paintables™
A size for every room!
Now it is easy to color your acoustic world
Primacoustic's
London
kits
present
affordable, attractive and professional grade
acoustical treatment for almost any room.
Are you concerned about how
acoustical treatment will affect the
‘look’ of your space? Décor and
function can now work together
seamlessly
with
the
new
Paintables acoustic panels from
Primacoustic. Paintable panels let
the interior decorator in you shine
through! Enjoy all the benefits of
acoustic treatment in any color you
choose by simply painting the
panels on-site. You can now treat
your recording studio, home
theater, boardroom or house of
worship with professional grade
acoustical panels and paint them
to match your décor. Consider
Paintable panels a blank canvas
and let your creativity take hold.
Not only for recording studios, Primacoustic
London kits contain a cross-section of materials and hardware required to quickly and
easily treat acoustic problems commonly
found in any room. Whether you need to
reduce the echo in a home theater, improve
the intelligibility in an office space, or eliminate
ambient noise in a video conference suite, the
individual components found in each kit
provide plenty of options for a simple and
stylish acoustic solution.
Available
in
two
sizes
Paintables easily integrate into architectural décor
60cmX60cm
(24"X24")
and
60cmX120cm (24"X48"), Paintable panels are made from 2” thick high density 6lb glass wool for even
absorption across the audio listening range. The front face and edges are encapsulated in a fiberglass
mesh and the panel is then finished in a white paintable latex.
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See the full line of London Kits on page 4.
Radial Engineering Ltd. (Primacoustic) is
a proud member of the US Green Building
Council and is fully committed in assisting
the building community in meeting the
exacting requirements of LEED certification. A large selection of our product range
will contribute towards LEED credits.
JDX™ on tour with consistant tone night after night
Captures the sound of the head and cabinet
In recent months, the Radial JDX Reactor has gained
significant attention from some of the top engineers in
the business.
Unlike other DI boxes that only capture the sound of
the head, the JDX has a reactive load that actually
captures the sound of the head and cabinet. The
result is a much more realistic rendering. This
eliminates the need for a microphone which in turn
eliminates inconsistencies such as bleed from other
instruments, stage resonance, varying acoustics on
stage and, of course, inconsistent mic placement. By
eliminating the unknowns, the artist gets more consistent monitor and in-ear mixes each night and the
sound engineer can deliver a more repeatable guitar
and bass tone to the audience. See what some of the
world’s top engineers have to say about the JDX on
page 5.
JDX part# R800 1400
Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
Page 2
Radial introduces the Firefly™ direct box
Long awaited Tube DI delivers warm, vintage character
Radial is pleased to announce the Firefly, a 100% discrete class-A tube direct box designed for both
studio and live performance. Radial company president Peter Janis explains: "We have been thinking
about launching
ing a tube DI to round out our product range, but over the past two years, we have been
focused on developing the
t Workhorse™ and our many 500 series modules. We got back on this project
eased to finally be able
abble to bring this exciting DI to market."
and are pleased
The Firefly begins with two inputs to
allow quick changes on stage. This
can be done using the front panel
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The Firefly comes with a carry handle that may be
footswitch. The instrument signal is
removed should rack mounting be needed.
immediately routed to a tuner output
Part# R800 2020 00.
that is always on. Following the award
winning Radial JDV, the Firefly is also equipped with Drag Control load correction. This enables
the artist to adjust the load on the magnetic pickup for a much more natural rendering. When
bypassed, the load jumps to 4 meg-ohms enabling the Firefly to be used with piezo pickups.
The class-A circuit features a select 12AX7 tube drive with both gain and trim controls allowing
the user to increase the grit and warmth as needed.
Mixing McCartney’s
ney’s lat
latest with Recoil Stabilizers™
Al Schmitt behind the board for “Kisses On the Bottom”
In 2009 Paul McCartney decided it was time he record an album of old
standards, songs from the 20’s through 40’s that had inspired him as a
younger musician. His first contact was to enlist producer Tommy
LiPuma and his long-time studio collaborator and 18-time Grammy
award winner Al Schmitt. The recording includes contributions from
Canadian jazz talent Diana Krall and guest appearances from Stevie
Wonder and Eric Clapton.
Al Schmitt was an early adopter of Primacoustic’s Recoil Stabilizers
and his monitors have lived atop them for all his projects since. According to Al: "I was suspect at first, but after a few minutes with the Recoil
Stabilizers I realized how much difference they made. Especially on the
low end. I'm keeping these. They work."
~ Kisses on the Bottom was released February 2012
Select the right Recoil
for your monitors
Recoil Stabilizers come in many sizes and
firing angles to adapt to various studio setups
and the multitude of nearfield monitors on the
market. Because the Recoil can add an extra
2-inch height to the monitors, one must
consider the current studio setup including
shelf height, stand platform if used, orientation of the monitor and the loudspeaker’s
mass. A reference chart may be found online
at primacoustic.com/recoil-ref-chart.htm
This details the various options and lists
many of the nearfield monitors used today.
The ‘DF’ down-fire is designed to compensate for
the added 2" height by introducing a 5º down-fire
angle. Ideal for monitor bridges and shelves that
are already properly aligned.
From left to right: Producer Tommy LiPuma, Paul McCartney and Engineer Al Schmitt.
The ‘UF’ up-fire is intended for desk-top applications such as post production where a monitor
shelf is not available. The 10º up-fire angle aims
tweeters to ear level.
Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
Page 3
Primacoustic to the rescue
Improved acoustics help firefighters perform life-saving work
Built in 2006, the firehall in
Riverview, New Brunswick provides
fire and rescue services to 20,000
residents. Firefighters respond to
over a thousand emergency
incidents each year. When you are
responsible for providing often life
saving services, communication is
incredibly important. That is the
reason the Deputy Fire Chief Milt
Cawley contacted Matt Vey of SSI
Audio to audit their building and
upgrade the acoustics. The big
cavernous nature of the firehall
made PA and radio announcements
difficult to hear and understand. He
recognized that their situation as it
stood was just not good enough.
FLEXIBOOTH™
Mike Metlay
Recording Magazine
“It’s startling how good a job the Flexibooth
does...It’s way better than any portable/mic stand
mounted solution I’ve ever tried.”
Primacoustic Broadway panels applied to the walls of the
Riverview Firehall ensure PA announcements are intelligible.
Panels used: Broadway Contol Columns part# F102-1248.
Milt Cawley, Deputy Fire Chief: “The firehall is a typical large garage and while we found it operationally
very efficient, the acoustics inherent in a facility like this presented some challenges that we just had to
overcome. This is why we brought in SSI Audio.”
According to Matt Vey of SSI Audio: “The firefighters were having trouble hearing the calls due to the
amount of reverberations in the room. We were asked to offer a solution that would rectify the issues
that were causing the reverb and Primacoustic came to mind right away. The solution had to handle
temperature and moisture extremes that come with a facility that is busy 24/7 in all weather conditions.
We also had to maintain the look of the building.”
Chief Cawley reports that the
addition of the Primacoustic
Broadway panels has made a
tremendous improvement. The
hard working team at the facility
now benefits from improved
intelligibility. (SSI Audio also
installed a new PA system.)
“When it comes to public safety
you have to work to be the
best.”
Primacoustic Broadway come in a choice of colors: black, beige and grey
and three thicknesses: 1”, 2” and 3”.
Vey of SSI Audio adds:
“Because the Broadway tiles
are so quick to install, we were
able to complete the job in a
short time period which enabled
us to get in and get out very
quickly and avoid getting in the
way of the important job that the
firefighters have to do.”
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Maor Applebaum
Mastering Engineer ~ Lita Ford, Halford
“Adding Recoil Stabilizers is a simple and effective
way to improve the sound of your studio monitors.
It’s like an instant upgrade.”
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Dave Rideau
Engineer/Producer ~ Janet Jackson, Usher
“The ultimate compliment you can receive from a
mastering person is "I didn't have to touch my EQ".
That happens more often since I treated my room
with Primacoustic Broadway panels.”
-‡5DN™DQG-‡5DN™ available now
Make better use of your DI box inventory plus you can
choose to have your connectors in front or back
The Radial J-Rak 8 requires 2 spaces and allows up to 8 products.
Both models feature heavy steel construction.
The Radial J-Rak 4 requires one rack space and allows up to 4 Radial
(bookend design) products to be rack-mounted in a standard 19” rack.
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Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
Page 4
Recoil™ Stabilizers now mountable
The award winning Recoil Stabilizer is now available in a wall
mount version called the WMR-7. According to Primacoustic
president Peter Janis: "Over the years, we have received several
requests for a wall mount Recoil for small post rooms that want to
mix in 5.1 surround but do not have floor space for stands. The
WMR-7 is a fully self contained design that comes with the
mounting bracket, shelf and Recoil and allows the user to rotate
the speaker to optimize the listening angle. The size & weight has
been optimized for popular studio monitor sizes. The design
includes impaling screws to secure the angle and earthquake
safety strapping for the Recoil and speaker."
New London Kits
London 8™
Room Kit
Starter Kit designed for
home recording hobbyists
who are serious about their
sound! While designed for
rooms under 100 sq. ft, the
London 8 is also a great way
to start treating any room.
Keb Mo uses Primacoustic in new studio
Stu Stu Studios in Nashville - the ultimate DIY project
When Keb Mo relocated his
family to Nashville, his long time
engineer and friend John
Schirmer took on a new type of
project: the building of Keb Mo’s
Stu Stu Studios in the 2,900
square foot basement.
Engineer John Schirmer and Keb Mo
at Stu Stu Studios
Having read everything he could
find online and Jeff Cooper’s
Building a Recording Studio
John took on the job of supervising the build out. They hired the
original contractor on the house
who had experience in building
several studios in Nashville,
arranged to have separate
electrical
wiring
installed,
dropped the ceiling height and
floated the floors on rubber
isolators.
Broadway™ panels,
London bass traps and Nimbus™ clouds
Broadway™ panels and Radiator™
Open Grid Diffuser
Once the major construction
elements were taken care of
John contacted Primacoustic
President Peter Janis to talk
about a plan to fine-tune the
sound with acoustic panels. John
began working with Primacoustic
Product Specialist Jay Porter and
the planning began. After a
couple working revisions the
Primacoustic
product
was
shipped to the Stu Stu Studios
doorstep where John and Keb
Mo’s guitar tech Casey Wasner
finished the install in three days.
According to John, “It turned out
phenomenal. It cost me just
under 15 grand as opposed to 70
grand. We’ve got a mixture of
bass traps and diffusion and
clouds in the control room, and it
turned out very cool.”
Part# Z900 0105
London 10™
Room Kit
The perfect project studio kit
for recording hobbyists and
professionals alike! The
London 10 kit is designed for
rooms that are approximately 100 sq. ft., but it also
compliments larger rooms
when combined with other
Primacoustic Bass Traps,
Clouds, and Diffusers.
Part# Z900 0100
London 12™
Room Kit
Complete kit designed to
address all of the acoustic
issues found in any small
room! The London 12 kit is
designed for rooms that are
approximately 120 sq. ft., but
includes components that
help solve problems in any
size of room.
Part# Z900 0120
London 16™
Room Kit
Large sized room kit
designed for professional
control rooms and music
practice
facilities.
The
London 16 kit is designed for
rooms 150 sq. ft. and above
or for smaller rooms where
maximum absorption and
accuracy is required.
Part# Z900 0160
Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
Page 5
StratoTiles™ now in black!
Black ceiling tiles are perfect for lower light applications
Black StratoTiles are great
looking,
high-performance
ceiling tiles featuring ¾” thick
(20mm) high-density 6lb per
cubic foot glass wool construction for maximum sound
absorption and are encapsulated in fine micromesh with
sealed edges to retain the
minute glass fibers.
JDX
™
ARTIST FILE
ON TOUR AND IN THE STUDIO WITH THE JDX AMP DI
"Musicians love the JDX in their IEMs.That’s a great
compliment when you realize just how
demanding these guys are about their sound."
~ Kevin Madigan - FOH
Lucinda Williams.
Once in place, the black
StratoTile works with the air
space above the panel to absorb all frequencies down to 125Hz delivering a truly linear
performance. This makes the black StratoTile ideal for installations such as in nightclubs where
excessive reverberation and echo inside the room can severely interfere with the sound from a live
band, DJ or PA system. In home theaters these tiles greatly improve the sound of the room and
contribute to a lower light, more movie theater-like environment. In a home studio they work
perfectly for drop ceilings common to basements where many studios are built. They are ideal for
restaurants where a more intimate environment is appropriate. Architects looking to achieve a
warmer, more intimate overall desired ambient effect can choose them for meeting rooms, board
rooms, video and telepresence conference rooms.
Designed to retrofit into existing T-Bar systems, the black StratoTile is available in both square 24"
x 24" (60cm x 60cm) and rectangular 24" x 48" (60cm x 120cm) panel sizes. The black StratoTile
has been fully tested to meet the stringent ASTM-E84 fire and smoke development requirements
for Class-A designation and safe use anywhere.
Using ProRMP™ to improve wireless sound
Process a professional balanced line level signal through
high impedance unbalanced guitar effects
Reamping has been around a long time. In fact it is one of
the most commonly used tricks in recording as it provides
better guitar tones and more consistent recordings.
Recently, a group of innovative audio engineers have
started to remap their wireless systems to improve the
sound of the electric guitar and bass on stage. Musicians
hate the sound of wireless systems. So instead of using the
guitar output, the techs use the balanced XLR line level out
and then have the Radial ProRMP do the work. By passing
the signal through a high quality transformer, the signal is
naturally smoothed out and the musicians find the audio
much more palatable. One simply adjusts the level using the
set & forget control and you are ready to go!
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stic
"Fans don't care about the technology... so long
as the bass and guitars make Godzilla weep and
hide like a beaten puppy.The Radial JDX works."
~ Doug Short - FOH
Megadeth, Judas Priest, Van Halen,
Iron Maiden.
"With the JDX, I get consistent, coherent tone
night after night and the guitarists love the
sound in their in-ears. It simply rocks!"
~ Eddie Mapp - FOH
Evanescence, Stone Temple Pilots,
Papa Roach.
"The JDX is almost too good to be true. The
artists hear the sound they are playing and I’m
not fighting mic coloration. Plug it in & turn it up."
~ Jon Garber - FOH
Rascal Flatts, Brad Paisley, Chely Wright.
"The JDX captures my sound with previously
unobtainable control and clarity, offering our
soundman a direct injection of sonic rage!"
~ Kerry King
Guitarist - Slayer.
"The JDX is nothing short of revolutionary! I
can’t believe the clarity and dynamics, yet it still
retains the grind of my bass amp. It breathes!"
~ Danny Miranda
Bassist - Queen, Blue Oyster Cult,
Meat Loaf.
"The Radial JDX captures the distortion from
the bass amp without any loss of low end. And
with such a loud band, it also helps eliminate
spill."
~ Jon Burton - FOH
The Prodigy, Gomez, Bjork, Sheryl Crow.
"Folks don’t realize how hard it is to make
multiple guitar channels live happily together.
With a JDX, mic placement is no longer an
issue."
~ Bradley Johnson - FOH
Aerosmith, Whitesnake.
"The JDX gives character without the
worries of bleed and feedback. I was so
surprised how close it sounded to a SM57,
I had to double-check."
~ Jim Warren - FOH
Radiohead, Arcade Fire, Nine Inch Nails.
Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
Page 6
500 Series Revolution!
PowerStrip™ and the Cube™ join the acclaimed Radial Workhorse™
and TEC Award nominated WR8™
Radial Engineering opens up the 500 series revolution to a larger audience. The PowerStrip™
(single space 500 series power supply) and the Cube™ (desktop power supply) are both designed
to house three of Radial’s expanding range of modules while still being 100% compatible with older
Lunchbox(TM) devices.
Company president Peter Janis explains the development: "Before launching the PowerStrip and
the Cube we looked at other rack housings that already exist in the market and noticed that they
could only be loaded with two modules. This, in our view, poses a serious limitation as one normally
combines a preamp, equalizer and compressor into a channel strip. In other words, you really need
three modules to do things right. This led us to design both the PowerStrip and the Cube with an
external power supply, thus allowing sufficient space to mount three modules."
The PowerStrip and the Cube come complete with Phillips screws to secure the modules as they
slide into position via the 15 pin EDAC connector. This is ‘wired’ following the original API standard
while unused pins are used to feed the Omniport™ ¼” TRS connector. This innovative connection
allows the 500 series manufacturer to personalize their modules by assigning the Omniport to
perform a module-specific task. This could for instance be a key input on a gate, an instrument
input on a preamp or an effects send and receive port should this be advantageous.
The Cube™ part# R700 0107
loaded with PowerTube™, PowerPre™
and Komit™ 500 series modules.
To add flexibility, both racks are equipped with standard XLR i/os and is supplemented with ¼” TRS connectors. These can be used as ‘multi’ outputs or for
cross-patching. Once modules are inserted, an innovative ‘feed’ switch replaces the old API patch cord system with an elegant solution that immediately sends
the output from the first slot into the second and then to the third. This of course makes it easy to create the ultimate channel strip by combining a Radial PowerPre™ preamp, Q3™ coil EQ and a Komit™ compressor-limiter. A second ‘link’ switch advances the standard once again by replacing the old ‘solder for stereo’
approach with a simple switch. Now any two modules that are designed to be stereo-linked can be arranged this way by simply toggling a switch.
To ensure maximum signal handling both come complete with an 800 milliamp external power supply. This provides more than 250 milliamps per module via a
pooled supply to allow high demand devices such as the Radial PowerTube™ (see below) tube preamp to be comfortably supplied while still providing sufficient
current to feed two other standard modules. Full AES compliant 48 volt phantom is of course supported and activated via the preamp’s usual phantom power
on-off switch. The external switching power supply may be fed using 100V to 240V thus enabling it to travel around the world by simply changing the electrical
cable. And as with all Radial products, the PowerStrip and the Cube are made ultra roadworthy with a 14 gauge steel enclosure and top-of-the-line connectors
throughout.
The Radial PowerStrip and the Cube bring the power of 500 series modules to studios in an affordable, easy to use format. Delivery will begin in January 2012.
PowerStrip™ part# R700 0105
loaded with JDX™, EXTC™ and
X-Amp™ 500 series modules.
PowerTube™
Exciting new tube preamp adds warmth and character to today’s digital recordings
Radial President Peter Janis: "The 500 series format is taking the industry by storm. The compact and flexible
format allows the engineer to customize his analogue signal path to suit the recording making it the perfect
interface to add warmth and character to today's digital recording environment. The PowerTube is a tube
microphone preamplifier that is optimized for the format whereby it cleverly combines the 48V voltage that
supplies phantom power with the +/-16V rails to power a select 12 AX7 tube. Best of all, our engineering team
managed to squeeze the electronics into a single space thus allowing up to 8 PowerTubes to be used at the
same time in a Workhorse™ rack."
Made from 100% discrete electronics, the PowerTube features include variable input trim, fully variable gain
control, presence, low cut, phantom power and a full 10 segment LED bar graph. To further add warmth and
character, the PowerTube is equipped with a Jensen™ transformer.
Janis continues: "With the PowerTube, we wanted to veer away from the more clinical sound of a mic preamp
to a device that would add character and warmth. The PowerTube is rich sounding and will surely please tone
aficionados!"
The PowerTube has been optimized to work within the guidelines of the Whos-DOC format.
PowerTube™
part# R700 0115 00
Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
Page 7
Radial Custom Shop ‘Golden’ opportunity
Custom snake systems built for renovated state-of-the-art facility
From its first use as a dance hall
New Year’s Eve 1946 to a fully
modern
performance
facility
re-opening on New Year’s 2012, the
Golden Civic Centre is a great
success. Bill Usher, Executive
Director, Kicking Horse Culture:
“They opened it for a dance with 400
people without any heat or plumbing
back then. They brought in wood
stoves and vented through the
windows. They must have had
outhouses too...hardy pioneer stock!”
Local company Siega Productions
took part in the process of
re-visioning the old building from day
one in 2006 when the community of
7,000 made the restoration and Converted from a dance hall with no heat or plumbing to a state-ofrenovation of their cultural centre the-art performance venue, the Golden Civic Centre now includes a
their number one priority. Having Radial concert grade snake system with broadcast split.
supplied live sound and technical
services to Kicking Horse Culture and the town of Golden for 8 years they were one of the first companies
brought in to consult. At 63 years old the building was worn, tired, full of asbestos, was not wheelchair
accessible or technically equipped to host any serious performance. John Siega: “We were there from the
very beginning to ensure all the good work being done to bring the building up to code structurally and other
cosmetic work would work with what we needed to do to fit the building with audio/visual equipment.”
Now a state of the art performance venue, marrying the traditional charm and character of the original building
with new technologies was Siega’s challenge. Kicking Horse Culture intends to invite CBC (Canadian
Broadcast Corporation) to simulcast and record future shows at the Golden Civic Centre.
Siega chose to work with Radial Engineering’s custom shop to design and build a 24 channel main audio
snake/split snake. John Siega: “The snake was custom made for this job and is perfect. At this time the
snakes make up all the audio supplied for the job as no PA system was installed but will be revisited in the
future.” The snake systems also include several sub snakes, a back line sub snake and front line sub snake.
Siega continues: “The main snake panel is wall mounted at the stage
managers position and serves as a termination point for the FOH DMX
and VGA runs as well as all the audio. The split snake design was done
to allow for traditional monitor mix feeds as well as a feed to a mobile
recording truck conduit. I chose Radial for this job because their gear is
top of the line.”
The Centre is now equipped to supply a recording truck feed for playback broadcasts.
The pride of accomplishment is evident from everyone connected to this great community achievement. Bill
Usher: “Now we'll have a place that artists will love to perform in and audiences will just to love to come to.
It's warm, cozy and not one bad seat in the house. Plus, you're sitting in a place that has so many memories
stored away in the walls.”
Client List
Cisco
Target
NBC Olympics
CTV Olympics
Meyer Sound
Journey Church
Kansas City Police
New Covenant Christian Church
George Patton Museum
California State University
Memphis Zoo
Sony Music
Electronic Arts
Orbital Marketing
Simon Fraser University
Art Institute Vancouver
Rick Hansen Foundation
Kluane First Nations Recreation Hall
Vancouver Community College
Grant MacEwan College
Capstone Mining
Hebron Church
Tanglebank Nursery-Bistro/Gift Shop
Junction Pub
Sim Audio
Fun Music For Beginners
Milestone’s Children’s Care
Crescent Spur Heli Skiing
Kimberley Convention Center
Biscuits Pet Services
Digital Lifestyles
Calgary Board of Education
Manhattan Grill
Oceano Construction
Stenberg College
Aberdeen Preparatory School
National Arts Council - Hexagon Project
Iron Mountain
Next Level Games
Blue Castle Games
The Mix Room
Mare Island Veterans Hospital
Abbotsford Heat Hockey Club
Cosmo Music
Red Rocks Church
Radial Engineering Ltd. • © Copyright 2012 all rights reserved · www.radialeng.com · email [email protected] • Subject to change without notice • Printed in Canada
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Copyright ©2012 Radial Engineering Ltd. Appearance, specilcations and artist / user list subject to change without notice.
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AC/DC
Adele
Adrian Belew
Aerosmith
Alice Cooper
Alicia Keys
Alison Krauss
Alterbridge
America
American Idol
Amy Grant
Anberlin
Ani DiFranco
Animal Collective
Annihilator
Antoine Dufour
April Wine
Audioslave
Avenged Sevenfold
Avril Lavigne
Backstreet Boys
The Band
Barbra Streisand
Bare Naked Ladies
Barry Manilow
Beach Boys
Beastie Boys
Beck
Bela Fleck
Ben Harper
Bette Midler
Billy Idol
Billy Joel
Billy Ray Cyrus
Billy Sheehan
Bjork
Black Crowes
Black Eyed Peas
Blue Man Group
Bob Dylan
Bob Geldof
Bonnie Raitt
Bootsy Collins
Boston Pops
Brad Paisley
Brent Mason
Britney Spears
Bruce Springsteen
Bruce Swedien
Bryan Adams
Buddy Guy
Butch Walker
California Guitar Trio
Casting Crowns
CeCe Winans
Celine Dion
Charley Pride
Cheap Trick
Chicago
Chick Corea
Chayanne
Chris Cornell
Christopher Cross
Chuck Leavell
Chuck Rainey
Cyndi Lauper
Cirque Du Soleil
Clay Aiken
Clint Black
Coldplay
Colin James
The Corrs
Creed
Crowded House
Damien Rice
Dandy Warhols
Daniel Lanois
Darryl Stuermer
Dave Larue
Dave Matthews
David Gilmore
Davy Knowles
Decemberists
Def Leppard
Derek Trucks
Destiny's Child
Devin Townsend
Dimmu Borgir
Disney
Dixie Dregs
Dolly Parton
Donna Summer
Donny Osmond
Doobie Brothers
The Doves
Dream Theater
Duke Robillard
Duran Duran
Dwight Yoakam
The Eagles
Econoline Crush
Edgar Winter
Elliot Scheiner
Eminem
Emmylou Harris
Enrique Iglesias
Eric Clapton
Eric Johnson
Erykah Badu
Extreme
Faith Hill
Flecktones
Fleetwood Mac
Flogging Molly
Foo Fighters
Foreigner
Frank Gambale
Franz Ferdinand
Garbage
Gavin Degraw
Genesis
George Duke
George Lynch
Glen Campbell
Godsmack
Gomez
Goo Goo Dolls
Good Charlotte
Gov’t Mule
Grand Ole Opry
Great Big Sea
Gregg Allman
The Guess Who
Guns & Roses
Gwen Stefani
Hall & Oates
Hanna Montana
Herbie Hancock
Him
Hoobastank
Hot Hot Heat
House of Blues
James Taylor
Jamie Cullum
Jamiroquai
Janet Jackson
Jars of Clay
Jay Leno Show
Jeff Beck
Jennifer Lopez
Jerry Douglas
Jet
Jethro Tull
Jewel
Jim Messina
Jimmy Haslip
Joe Nichols
Joe Satriani
Joe Walsh
Joey DeFrancesco
John Frusciante
John Hyatt
John Jorgensen
John Mayer
John Patitucci
John Petrucci
John Rzeznik
Johnny A
Johnny Hallyday
Joni Mitchell
Josh Groban
Josh Turner
Journey
Juanes
Justin Bieber
Justin Timberlake
Kaiser Chiefs
Kanye West
Kasabian
kd Lang
Keb' Mo'
Keith Urban
Kellie Pickler
Kenny Chesney
Kenny G
Kenny Loggins
Kerry King
The Killers
Kings of Leon
Kirk Hammett
Kitaro
The Klaxons
Korn
KT Tunstall
Lady Antebellum
Lady Gaga
Lamb of God
Laurence Juber
Leann Rimes
Lee Ann Womack
Letterman Show
Lenny Kravitz
* The above is a partial list of artists and sound companies that use or have used Radial products. No endorsement is
offered or implied by their being listed here. Sorry if we’ve missed you – let us know and we’ll include you next time!
Linkin Park
Los Lobos
Lou Reed
Lucinda Williams
Macy Gray
Manhattan Transfer
Manowar
Marcus Miller
Mariah Carey
Marillion
Marilyn Manson
Mark Egan
Mark Knopfler
Mark Tremonti
Maroon 5
Marty Stuart
Matchbox 20
Meatloaf
Megadeth
Melissa Ethridge
Merle Haggard
Metallica
Michael Bolton
Michael W Smith
Moist
Mötley Crüe
Motorhead
Muse
My Morning Jacket
Nathan East
Nelly Furtado
Neville Brothers
Nickelback
Nine Inch Nails
Oak Ridge Boys
Offspring
Oz Noy
Panic at the Disco
Pat Metheny
Pat Travers
Paul Anka
Paul Simon
Peter Gabriel
Phil Keaggy
Pink Floyd
Placebo
The Police
Porcupine Tree
Prince
The Prodigy
Queensryche
Radiohead
Randy Bachman
Randy Kohrs
Randy Travis
Rascal Flatts
Ravi Shankar
Razorlight
R H Chili Peppers
REM
Rickie Lee Jones
Ricky Scaggs
Rihanna
Ringo Starr
Robert Randolph
Rod Stewart
Rolling Stones
Roscoe Beck
Roxette
Rush
Ryan Adams
Sam Roberts
Sammy Hagar
Santana
Sarah McLachlan
Scissor Sisters
Seal
Shakira
Sheryl Crow
Simple Plan
Skunk Anansie
Slayer
Slipknot
Smashing Pumpkins
Snow Patrol
Sonic Youth
Spice Girls
Steve Bailey
Steve Earle
Steve Lukather
Steve Miller
Steve Morse
Steve Stevens
Steve Winwood
Sting
Stone Temple Pilots
Story of the Year
Styx
Sum 41
System of a Down
Ted Nugent
Three Doors Down
Timbaland
Tom Cochrane
Tom Coster
Tom Jones
Tom Waits
Tommy Emmanuel
Tommy Lee
Tony Levin
Tony Rombola
Toots & the Maytals
Tragically Hip
Travis Tritt
U2
Van Halen
Vanessa Williams
Victor Wooten
Vivian Campbell
Weezer
White Stripes
The Who
Will Lee
Will I Am
Wyclef Jean
Xavier Rudd
Yellowcard
Yellowjackets
Zac Brown
...true to the music
SM
1588 Kebet Way, Port Coquitlam BC V3C 5M5 tel: 604-942-1001 [email protected]