the grass - Pink Martini

Transcription

the grass - Pink Martini
Special thanks to: Massimo Audiello; Jeanna + Nick
Baker; Phil Bard + Cirrus Digital Imaging; Stephen Marc
Music and lyrics
by Bierbaum Baggadonutz; Brian +
Beaudoin;
Howie
Alba Clemente
& Massimo
Gwyneth
Gamble
Booth;Audiello
David Bragdon + Andrea
Vannelli; John Brodie + Blair Saxon-Hill; Karen Brooks;
Excerpt from Swedish Rhapsody #1
Elaine
Calder + Bill Bennett; George Calvo; Bruce Carey
(Midsommarvaka) by Hugo Alfvén
+ Joe Rogers; Julien Clavel; Alba Clemente; Chiara
Clemente; Sarah Colt; Jimi Biron + Mike Walker + The
Crystal Ballroom; Emilio + Carol Delgado; Sarah
Dougher + Nate Overmeyer; Edward Droste; Chi Chi
Valente + Johnny Dynell;
Bill + Karen Early;
Claudine Fischer, the
Honorar y Consul of
France for Por tland;
Maya Forbes + Wally,
Clementine, Imogene
+ Hackley Wolodarsky;
Peggy Forbes + Harry
Bremond; Dave Friedlander
+ Amy Levy + Clementine;
Charles Fuller + Rebecca
Mikesell; Teri + Christopher
Gelber; Krissy Gilhooly;
Carl Halvorson; Emily
Hass; Kim Hastreiter +
David Hershkovits + Paper
Magazine; Eliza Howard;
China Forbes, vocals; Robert Taylor, trombone;
Marty
H u g h l ey ; K ay Hutchinson; Philip John Iosca +
Dan Faehnle, guitar; Dave Gerow, mandolin;
Annie
Chris
Jason
TimothyDuden;
Nishimoto,
clave;Israel
Derek +
Rieth,
guiroBell;
& Doree Jarboe +
Katy
the Royal
Blues of Grant High
bongo;Wagner-West
Martin Zarzar, +maracas
& drums;
Maureen Love,
male chorus:
School;
Maliaharp;
Jensen;
NicoleTimothy
Johnson; Guadalupe
Nishimoto, Robert
Taylor, Gavin
Bondy Club; Donald Kenney +
Jolicoeur;
Vicki Keller
+ Mary’s
the
Hotel; ofSylvia
Killman;
Mike King; Fred Kleisner II
AndAce
members
the Harvey
Rosencrantz
+Orchestra:
the NinesJulie
Hotel;
Camille
Landau
+ Bruce Stoffmacher;
Coleman,
Nicholas
Crosa,
Gregory +Ewer,
Joy Fabos,
Paloma Griffin,
Jun Lauderdale; Linda
Athena
Anthony
Lauderdale;
Kerby
Iwasaki, Inés +Voglar,
Lauderdale
Ken violins;
Myers;Jennifer
AaronArnold,
LaVere; Adam Levey +
NINNA NANNA
Joël Belgique, Charles Noble, violas; Heather
Blackburn, Justin Kagan, cellos And especially
Cameron Forbes-Levey + Foxy; Barbara Levey; Steve
Macklam, Sam Feldman, Darrell Gilmour, Michelle
Findlay, Jane Muckle + Shaw Saltzberg of Macklam
Feldman Management; Sadie + Lulu Marashian; Ernest
McCall; Tim McCormic; Ramsey McPhillips; Jason
Mitchell; Chris Monlux + Monqui Presents; Peter Murray;
Terry Currier + Music Millennium; the Honorable Tadashi
+ Izumi Nagai; Gilles Paire, Patrick Zelnik, Boris Vedel,
Marion Gaudart, Florian Abessira + Thomas Lorain
of Naïve Records; Susan Nielsen; Sinan Nergis
+ Pasion Turca; Todd
O’Connor; Ryan Offutt;
Pete Plympton + Lynda
Stoye; Paige Powell; Corrina
Repp; Will Reischman;
Christine Roland + Jason
Dodge; Sandy + Gerard
Rowe; Andy Ricker; Mimi
Savage + Ruth Finn + Cole
Blume + the Pacific Youth
Choir;
Luisa Quiñoy;
Carla Sacks + Mary Moyer
+ Asha Goodman + Sacks
& Co.; Kate Schelter;
Ari Shapiro + Michael
Gottlieb; Jacob Storms;
Sammy Schwarz + Adam
Murray; Renata Secco;
Damon Sgobbo; Rupert Smyth; Zach Hanoun, Jean-Luc
Denis et Guillaume of Studio de la Grande Armée in
Paris; Isaac Taylor; Courtney Taylor-Taylor; William
Tennant; Pam VanAusdle; Chavela Vargas; Leslie Tuomi;
Olivier Gluzman of Les Visiteurs du Soir; Tom Windish
+ Amy Davidman of the Windish Agency; Jo + Ian
Ashbridge of Wrasse Records; Mary Woodford; Jennifer
Yocom in the Portland Mayor’s office; and Bobby Zarem.
Philip Charles Iosca + Vida Marashian
OHAYOO OHIO
(HELLO OHIO)
Music by Dan Faehnle
Personnel :
China Forbes, vocals
Gavin Bondy, trumpet; Phil Baker, upright
Gavin Bondy, trumpet
bass; Thomas M. Lauderdale, piano; Timothy
Nishimoto, guiro; Derek Rieth, bongo; Brian
Robert Taylor, trombone
Davis, congas; Martin Zarzar, timbales
Nicholas Crosa, violin
and Le Double Six de Portland: Catherine van
Pansy Chang, cello
der Salm, Stephanie Kramer, Margie Boulé,
Dan Faehnle, guitar
Katherine FitzGibbon, Jo Routh, Amy Russell,
Cahen Taylor, Daniel Burnett, Barton Rippe,
Phil Baker, upright bass
Kevin Walsh, Erik Hundtoft & Keenen Kemper
Maureen Love, harp
Vocal arrangements by Rick Modlin and
Timothy Nishimoto, vocals & percussion
Thomas M. Lauderdale
Brian Davis, congas & percussion
Derek Rieth, congas & percussion
Martin Zarzar, drums & percussion
Thomas M. Lauderdale, piano
Music and lyrics by Alex Marashian
I can see you’re thinking, baby
All these years of living large
and Thomas M. Lauderdale
I’ve been thinking too
Are starting to do us in
Published by Alex Marashian Music (ASCAP) Featuring the Harvey Rosencrantz Orchestra
About the way we used to be
I won’t say it wasn’t fun
and Thomas M. Lauderdale Music (ASCAP)
Produced
Thomas
M. anew
Lauderdale & Alex Marashian
Inspired by the melody “Burning Bridges”
Andbyhow
to start
But now it has to end
by Lalo Schifrin
Maybe I’m a hopeless dreamer
Life is moving oh-so-fast
Excerpt from
Peter
Ilyich
Tchaikovsky’s
Piano
Recorded by Dave Friedlander Maybe
at KungI’ve
Fu got
Bakery
in Portland, Oregon, September
2008 —
Julyit 2009
it wrong
I think we should
take
slow
Conerto No. 1 in B-flat minor, Op. 23
But I’m going where the grass is green Rest our heads upon the grass
by Dave Friedlander with Guillaume Lejault (2nd engineer)
China Forbes, vocals; Courtney Mixed
Taylor-Taylor,
If you’d like to come along
And listen to it grow
electric guitar; Gavin Bondy, cornet;atRobert
Studio de la Grande Armée in Paris, France, July 2009
Published by Daniel M. Faehnle Music (BMI)
SPLENDOR
IN THE GRASS
Taylor, trombone; Charles Reneau, bass
trombone; Phil Baker, acoustic guitar &
Mastered
upright bass; Thomas M. Lauderdale, piano;
at harp
Bernie
Martin Zarzar, drums; Maureen Love,
Back
whenGrundman
I was starting
out Bozzi (2nd Going
where the hills are green
by
Bernie
with Joe
engineer)
I always wanted
morein Los Angeles, August
And 2009
the cars are few and far
Grundman
Mastering
But every time I got it
Days are full of splendor
and members of the Harvey Design
Rosencrantz
& layout
byfelt
Mike
Crash Design in Portland,
Oregon
I still
justKing
likeatbefore
At night
you can see the stars
Orchestra: Julie Coleman, Nicholas Crosa,
Life’s been moving oh-so-fast
Gregory Ewer, Joy Fabos, Paloma Griffin, Jun Fortune is a fickle friend
Booklet
cover
photofame
by João Canziani I think we should take it slow
Iwasaki, Inés Voglar, violins; Jennifer Arnold, I’m
tired of
chasing
Joël Belgique, Charles Noble, violas; Heather
I
look
into
your
eyes & Peter Murray
Rest our heads upon the grass
Blackburn, Pansy Chang, Paul Crosa, Photographs
Justin And when
by Thomas M. Lauderdale
I know you feel the same
And listen to it grow
Kagan, cellos
Music and lyrics by Alex Marashian,
China Forbes and Thomas M. Lauderdale
Published by Alex Marashian Music (ASCAP),
Wow & Dazzle Music (BMI) and Thomas M.
Lauderdale Music (ASCAP)
With special thanks to Julien Clavel and Claudine
Fischer, Honorary Consul of France in Portland,
Oregon
My dear Lorenzo
NEW
AMSTERDAM
AND THEN
You take my hand
Music and lyrics by Louis Hardin aka Moondog
YOU’RE GONE
And understand
Published by Roof Music and Managarm
After Franz Schubert's Fantasy
The tears that I have cried
I know your tricks
I’ve heard your song
You swear your love
And then you’re gone
Published by Alex Marashian Music (ASCAP),
We light the candles
And pour the wine
And laugh as if
You’ll never leave my side
Remember last time
It was a perfect day
You took me sailing
And then you sailed away
in F-minor, Op. 103, for piano four-hands
New
Amsterdam was her name
Music and
AlexYork
Marashian,
Before
shelyrics
wasbyNew
DerekAmsterdam
Rieth, China is
Forbes
New
a dame
and Thomas M. Lauderdale
The
heart and soul of Big Apple city
No
matter
what& Dazzle
nameMusic
she (BMI)
goes under
Derek
Reith, Wow
M. Lauderdale
Music
(ASCAP)
Iand
digThomas
her deeply
and no
wonder
You take me
For she’s been lovely to me
In your arms and tell me
And I’m the better for having met her That I’ll always be the only one...
And then you’re gone!
China Forbes, vocals; Timothy Jensen, soprano,
alto, tenor & baritone saxophones; Gavin Bondy,
piccolo trumpet, cornet & alto horn; Robert Taylor,
trombone & euphonium; JáTtik Clark, tuba; Thomas
M. Lauderdale, piano; Martin Zarzar, snare drum;
Nate Overmeyer, concert bass drum
Chavela Vargas, vocals; Nicholas Crosa, violin;
Thomas M. Lauderdale, piano
Vocals recorded by Salvador Tercero in Mexico City,
Mexico on June 15, 2009
and members of the Pacific Youth Choir under the
direction of Cole Blume: Neil Anderson, John
Bartley, Christopher Benjamin, Kevin Boehnlein,
Ryan Compton, Avilash Cramer, Micah Dalzell,
Daniel Dempsey, Chris Forrer, Riley Fortier, Jeramie
Gajan, Forrest Gamba, William Goforth, Joel
China Forbes,
trumpet;
Gonzalez,
Dan vocals;
Hunter,Gavin
Ben Bondy,
Keisling,
James
Robert Taylor,
trombone;Vincent
Phil Baker,
upright
Mungin,
Peter Ollivant,
Perkins,
Gabe
bass; ThomasAustin
M. Lauderdale,
piano;
Derek Rieth,
Petegorsky,
Powe, Zach
Reinhart,
Sean
bongo;Alex
Brian
Davis, congas;
Nishimoto,
Sele,
Shindyapin,
Reed Timothy
Sturtevant,
Duncan
guiro;
Martin
Zarzar,
timbales
Tuomi & Jenson Tuomi
and members
of the
Harvey Rosencrantz
Saxophone
& brass
arrangements
by Timothy
Orchestra:
Nicholas
Jensen
& Gavin
BondyCrosa, Joy Fabos, Paloma
Griffin, violins; Jennifer Arnold, viola; Pansy
Chang, Paul Crosa, cellos
China Forbes, vocals; Gavin Bondy, trumpet; Dan
Faehnle, guitar; Phil Baker, upright bass; Thomas
M. Lauderdale, piano; Timothy Nishimoto, guiro;
Derek Rieth, bongo; Brian Davis, congas; Martin
Zarzar, timbales; Nicholas Crosa, violin
You come to see me
On a Saturday
Presenting peonies
Knowing just what to say
We dance until
The break of dawn
I turn my back
And then you’re gone
Swirling in a sea of stars
Twirling to the strum of guitars
No one tangos quite the way you do
But now my dancing days with you are through
You think I miss you
Each time you disappear
(reprise) Maybe I used to
Brass arrangements by Gavin Bondy, Alex
Music
andRobert
lyrics Taylor
by Alba
Marashian,
andClemente
Martin Zarzar
But it’s becoming clear
NINNA NANNA
and Massimo Audiello
China Forbes, vocals; Dan Faehnle, guitar
Now here you are
Outside my door
You want back in
Just like before
Well save your breath
Don’t make me yawn
You’ve had your chance
Now just be gone
BITTYNOW
BOPPY
BETTY
BUT
I’MMarashian
BACK
Music and lyrics by Alex
When Betty starts a-boppin’
Bitty, boppy Betty
My boppy
dear Maria
I love
ya
TheYou
jointknow
starts
a hoppin’
Bitty,
Betty
I’m boppy
here toBetty,
see ya
Dream
onlyand
of ya
She
can
twist
bend
Bitty,
boo
boo
After Franz Schubert's Fantasy
Won’t you please, please open the doorTheSo
please,
Published by Alex Marashian Music (ASCAP)
whole
night through
in F-minor, Op. 103, for piano four-hands On weekends she’s your honey
I brought
flowers
cut me
someher
slack
YouPlease
really can’t
ignore
Then
comesya
Monday
Music and lyrics by Alex Marashian
Been
waitin’
hoursto you
I ifwent
away
And
you
don’t
adore
her
And
that’ll
be
“Sir”
and Thomas M. Lauderdale
Can’t stand it anymore
Justmight
a couple
of days…
There
be something
Published by Alex Marashian Music (ASCAP)
But with
now you
I’m back
Bitty boppy Betty
Wrong
and Thomas M. Lauderdale Music (ASCAP)
So here’s
happened
Better
knownwhat
as Billy
When
were nappin’
he’s bright
back and early
On Now
Mondays
He’s
the you
up’n’coming
local D.A.
I just went
out fighter
for a snack
Cut back
him slack
Betty’s
to Billy
A fearless
crime
I was feelin’
Now hard
he’s on
back
Working
behalf of our town
Political
insiderfamished
Andtothen
I vanished…
Upholding law and order
Sure
be mayor
one day
Maria,
baby,
But now I’m back
Talking
to reporters
guess that
But after work on Fridays
AndI keeping
us maybe
safe and sound
he’shis
back
You’re still a little angry with me
OffNow
comes
necktie
Had
snack
But it’sa gettin’
latethis
andditty
moral to
And
on acome
her diamonds and pearls If there’s
he’sget
back
are Betty
waitin’
It’s The
not boys
to judge
YouNow
better
ready
get something to eat
BillyGotta
or anyone
‘Cause now Billy’s Betty
My heart isfavorite
burninggirl
‘Cause
life’s
lot richer
Everybody’s
I better goa now
For that love of ours
With a healthy mixture
I
hope
you
know
now
TheYearning
underbelly of the city
Not to mention lots more fun!
I love you, that is a fact
For that
seayou’ll
of stars
That’s
where
find Betty
Let me
in so I can
Gotta
hurry
Bitty,
boppy
Betty
Friday
to Sunday
nightprove to you
no one else
Butboppy
don'tBetty
you worry, babe...
Bitty,
Is That
she working
undercover
you, girl
‘Cause
be back
Bitty,
boppyI'llBetty,
boo boo
OrCan
just love
a fun-lover?
The way that I do
On weekends she’s your honey
Ari Shapiro, vocals; Gavin Bondy, Thomas M. Either way, that’s alright!
be back
Lauderdale, Alex Marashian, Peter Murray,
ThenHe’ll
comes
Monday
China Forbes, vocals; Betty-Tones barbershop
Oh boppy
how I miss
a fact
Timothy Nishimoto, Jacob Storms, Robert Taylor, Bitty
Betty ya
AndIt’s
that’ll
be “Sir” to you
quartet: Stephen Marc Beaudoin, Ben
Martin Zarzar, backup vocals; Gavin Bondy,
I
wanna
kiss
ya
He’ll be back
Landsverk, Joe Theissen, Bobby Jackson; What a bouncy beauty
trumpet; Robert Taylor, trombones; Thomas M.
And hold you close
Gavin Bondy, trumpets; Robert Taylor, tromDon’t attack
Lauderdale, piano; Phil Baker, upright bass; So sophisticated and refined
bones; Phil Baker, upright bass; Thomas M.
Froma dusk
untildoesn’t
dawn show it
Etc…
Brian Davis, vibraslap; Derek Rieth, percussion; She’s
boy who
Lauderdale, piano; Derek Rieth, percussion;
So let’s just make up
Martin Zarzar, drums
Brian Davis, washboard & percussion; Martin And though the guys all know it
And when you wake up
Zarzar, arrangements
drums
Brass
by Gavin Bondy, Alex None of them seems to mind
I promise not to be gone
Marashian, Robert Taylor and Martin Zarzar
SUNDAY TABLE
SING
Music and lyrics by China Forbes
Music
and lyrics
by Joe Raposo
and Thomas
M. Lauderdale
Published
Published by
by Jonico
Wow &Music
Dazzle(BMI)
Music (BMI)
and Thomas M. Lauderdale Music (ASCAP)
China Forbes and Emilio Delgado, vocals;
Robert Taylor, trombone; Dan Faehnle, guitar;
Phil Baker, upright bass; Thomas M.
Lauderdale, piano; Karen Brooks, toy piano;
Derek Rieth, triangle & congas; Martin Zarzar,
shaker & drums
chorus: Lenore Nash, Peter Murray, Timothy
Nishimoto, William Tennant
and The Royal Blues of Grant High School
under the direction of Doree Jarboe & Katy
Wagner-West: Hannah Anderson-Dana (and
Louise Anderson-Dana, too), Caitlin Arias, Katie
Chickadonz, Lisa Chickadonz, Erika Clark,
Jeanna Craig, Brandon Cruz, Leo Dworkin, Lydia
Folwell, Madison Genovese, Rosa Haxton, Cleo
Hehn, Suzanne Jaszczult, Gavin Knittle,
Rosemary Olsen, Sean Riley, Olin Stickler, Nigel
Swehla, Laney Warren & Tony Zilka
and the staff and friends of Portland Mayor
Sam Adams: Jane M. Ames, Josh Billeter &
Jennifer Yocom, Katherine Cosgrove, Molly
Abbott Fittner, Adriel Gorsuch, Rachel Gross &
Lisa
Dustin
Hansen,
Chanté
& Michael
ChinaLibby,
Forbes,
vocals;
Gavin
Bondy,
trumpet;
Larlee,
Kyle
Robert Warren
Taylor, Jimenez,
trombone;Dana
Phil Marasco,
Baker, upright
Massey,
Matthew
Onderdonk, piano;
Shoshanah
bass; Thomas
M. Lauderdale,
Martin
Oppenheim,
Zarzar, drumsSasha Pollack, Amy & Sonia Ruiz,
Amy Stephens, Sierra Stringfield, Hayley Tanler,
and members
the &Harvey
Allison
Theen, Tia of
Wilkins
Annette Rosencrantz
Wittine
Orchestra: Julie Coleman, Nicholas Crosa,
Gregory Ewer, Joy Fabos, Paloma Griffin, Jun
Iwasaki, Inés Voglar, violins; Jennifer Arnold, Joël
Belgique, Charles Noble, violas; Heather
Blackburn, Pansy Chang, Paul Crosa, Justin
Kagan, cellos
She is walking quickly
Like there’s some place she must be
In her eyes, there’s no one
There is no one she needs
He sits with his paper
At a Sunday table
Just–another
morning
Sing
sing a song
Sheout
steps
into his gaze
Sing
loud
Sing out strong
He looks
at her
Sing
of good
things not bad
She
looks
at him
Sing of happy
not sad
For a moment there is nowhere she is going
He
looks
at
her
Sing – sing a song
She looks
at him
Make
it simple
a moment
they
ToFor
last
your whole
lifecould
long almost fall in love
Don’t worry that
Notnot
a word
spoken
It’s
good isenough
Noanyone
touch, else
no heart
broken
For
to hear
Justsing
another
Just
– singmorning
a song
Of a beautiful day
Canta – canta tu canción
He looks at her
Canta en voz alta
She looks at him
Canta fuerte
For a moment there is nowhere she is going
Canta de cosas buenas, no malas
He looks at her
Canta alegre, no triste
She looks at him
For a– moment
they could truly fall in love
Sing
sing a song
Make it simple
He looks at her
To last your whole life long
She looks at him
Don’t worry that
For a moment there is nowhere she is going
It’s not good enough
He looks at her
For anyone else to hear
She looks at him
Just sing – sing a song
For a moment there is stillness in the world turning
World turning… ’round
OVER THE VALLEY
TUCA TUCA
Published by Wow & Dazzle Music (BMI)
and Thomas M. Lauderdale Music (ASCAP)
Published by RCA Edizioni Musicali
Music and lyrics by China Forbes
and Thomas M. Lauderdale
Music and lyrics by Gianni Boncompagni
and Franco Pisano
Over the valley
I saw a silver cloud
With a pink lining
I said it right out loud
There’s no denying
You are my one and only love
And we’ll see over the valley
The moon rise above
Over the valley
Just above the fray
The sun is setting
And when we’re old and grey
I’ll still be betting
You are my one and only love
And over the valley
The moon shines above
Over the valley
This house among the trees
Where we’ve been hiding
Making our memories
And I’m deciding
You are my one and only love
And we’ll be over the valley
As the moon shines above
The autumn breezes carry all the bluebirds
Down to where the sun still shines
If we could hold this day
In our hearts someway
We would never roam
Ever far from home
The autumn breezes carry all the bluebirds
Down to where the sun still shines
If we could hold this day
In our hearts some way
We would never roam
Ever far from home
Over the valley
Just above the fray
The sun is setting
And when we're old and grey
I’ll still be betting
You are my one and only love
And we’ll live over the valley
You’ll always be with me
As the moon shines above
China Forbes, vocals; Nicholas Crosa, violin; Dave
Gerow, mandolin; Dan Faehnle, guitar; Phil Baker,
upright bass; Thomas M. Lauderdale, piano; Martin
Zarzar, drums
China Forbes, vocals; Timothy Nishimoto, backup
vocals; Phil Baker, sitar & upright bass; Robert
Taylor, trombone; Dan Faehnle, guitar; Thomas M.
Lauderdale, piano; Derek Rieth, tambourine
& timpani drum; Martin Zarzar, drums
Birds courtesy of Cornell University Press: Bird Songs
in Your Garden with Arthur Allen & Peter Kellogg, 1961
The sitar originally played by Peter Sellers in the
movie The Party courtesy of Rochelle Smithline
Bitty,My
boppy
dearBetty
Maria
BITTY
BOPPYI’MBETTY
BUT
NOW
BACK
Bitty,I’m
boppy
hereBetty
to see ya
Music and lyrics by Alex Marashian
When You
Betty
starts
a-boppin’
know
I love
ya
The joint
starts
a hoppin’
Dream
only
of ya
After Franz Schubert's Fantasy
She can
and bend
Bitty,Won’t
boppyyou
Betty,
booplease
boo open the door
please,
So twist
please,
Published
by AlexOp.
Marashian
(ASCAP)
in F-minor,
103, forMusic
piano
four-handsOn weekends she’s your honey
The whole
night
I brought ya flowers
Please
cut through
me some slack
You really
can’t
ignore her
ThenBeen
comes
Monday
Music and lyrics by Alex Marashian
waitin’
hours
I went
away
and Thomas M. Lauderdale
And ifJust
you adon’t
adore
her
And Can’t
that’ll stand
be “Sir”
to you
it anymore
couple
of days…
There But
might
beI’m
something
Published by Alex Marashian Music (ASCAP)
now
back
boppy
Betty
Wrong with you
and Thomas M. Lauderdale Music (ASCAP) Bitty So
here’s
what happened
BetterWhen
known
Billynappin’
youaswere
Now he’s back
On Mondays
He’s Ithe
D.A.
justup’n’coming
went out forlocal
a snack
Cut himbright
slack and early
Betty’sNow
backhe’s
to Billy
A fearless
crime fighter
I was feelin’
famished
back
Working hard on behalf of our town
Political
Andinsider
then I vanished…
Upholding
and order
SureBut
to be
mayor
one day
Maria,lawbaby,
now
I’m back
TalkingI guess
to reporters
that maybe
But after
on Fridays
And keeping
us asafe
sound
Now work
he’s back
You’re still
littleand
angry
with me
Off comes
necktie
Had a his
snack
But it’s gettin’ late and
moral
this ditty
And on
come
diamonds and pearls If there’s
Now
he’sher
back
The aboys
aretowaitin’
It’s notGotta
to judge
Betty
You better get ready
get something
to eat
Billy or anyone
‘Cause
Betty
Mynow
heartBilly’s
is burning
‘CauseI better
life’s agolotnow
richer
Everybody’s
girl
For that favorite
love of ours
With aI hope
healthy
youmixture
know now
Yearning
The underbelly
of of
thestars
city
Not toI mention
fun!
love you,lots
thatmore
is a fact
For that sea
That’sLetwhere
Betty to you
me inyou’ll
so I find
can prove
Gotta hurry
Bitty, boppy
Betty
FridayThat
to Sunday
night
no one else
But don't
you worry, babe...
Bitty, boppy
Is sheCan
working
undercover
love you,
girl
‘CauseBetty
I'll be back
Bitty, boppy Betty, boo boo
Or just
fun-lover?
Thea way
that I do
Ari Shapiro, vocals; Gavin Bondy, Thomas M.
On weekends
Either way, that’s alright!
He’ll be she’s
back your honey
Lauderdale, Alex Marashian, Peter Murray,
Then comes
Monday
Oh how I miss ya
It’s a fact
Timothy
Nishimoto,
Jacob Storms,
Robert Taylor,
China
Forbes,
vocals; Betty-Tones
barbershop
Bitty Iboppy
Martin Stephen
Zarzar, backup
vocals; GavinBenBondy,
And that’ll
be back
“Sir” to you
quartet:
Marc Beaudoin,
wannaBetty
kiss ya
He’ll be
trumpet; Joe
Robert
Taylor, trombones;
Thomas M.
WhatAnd
a bouncy
beauty
Landsverk,
Theissen,
Bobby Jackson;
hold you
close
Don’t attack
Lauderdale,
piano; Phil
Baker,
upright
Gavin
Bondy, trumpets;
Robert
Taylor,
trom- bass;
So sophisticated
anddawn
refined
From dusk until
Etc…
BrianPhil
Davis,
vibraslap;
percussion;
bones;
Baker,
uprightDerek
bass;Rieth,
Thomas
M.
She’sSoa let’s
boy who
doesn’tupshow it
just make
Martin Zarzar,
Lauderdale,
piano;drums
Derek Rieth, percussion;
And
though
the
guys
all
know
it
Brian Davis, washboard & percussion; Martin
And when you wake up
Brass arrangements by Gavin Bondy, Alex
NoneI of
them seems
to mind
Zarzar, drums
promise
not to be
gone
Marashian, Robert Taylor and Martin Zarzar
SUNDAY
SING TABLE
Music
andand
lyrics
by by
China
Music
lyrics
Joe Forbes
Raposo
and Thomas M. Lauderdale
Published by Jonico Music (BMI)
Published by Wow & Dazzle Music (BMI)
and Thomas M. Lauderdale Music (ASCAP)
China Forbes and Emilio Delgado, vocals;
Robert Taylor, trombone; Dan Faehnle, guitar;
Phil Baker, upright bass; Thomas M.
Lauderdale, piano; Karen Brooks, toy piano;
Derek Rieth, triangle & congas; Martin Zarzar,
shaker & drums
chorus: Lenore Nash, Peter Murray, Timothy
Nishimoto, William Tennant
and The Royal Blues of Grant High School
under the direction of Doree Jarboe & Katy
Wagner-West: Hannah Anderson-Dana (and
Louise Anderson-Dana, too), Caitlin Arias, Katie
Chickadonz, Lisa Chickadonz, Erika Clark,
Jeanna Craig, Brandon Cruz, Leo Dworkin, Lydia
Folwell, Madison Genovese, Rosa Haxton, Cleo
Hehn, Suzanne Jaszczult, Gavin Knittle,
Rosemary Olsen, Sean Riley, Olin Stickler, Nigel
Swehla, Laney Warren & Tony Zilka
and the staff and friends of Portland Mayor
Sam Adams: Jane M. Ames, Josh Billeter &
Jennifer Yocom, Katherine Cosgrove, Molly
Abbott Fittner, Adriel Gorsuch, Rachel Gross &
Lisa Libby, Dustin Hansen, Chanté & Michael
China
Forbes,
vocals;
GavinDana
Bondy,
trumpet;
Larlee,
Warren
Jimenez,
Marasco,
Kyle
Robert
Taylor,Matthew
trombone;
Phil Baker,
upright
Massey,
Onderdonk,
Shoshanah
bass;
Thomas Sasha
M. Lauderdale,
Martin
Oppenheim,
Pollack, Amypiano;
& Sonia
Ruiz,
Zarzar,
Amy drums
Stephens, Sierra Stringfield, Hayley Tanler,
Theen, of
Tia Wilkins
& Annette
Wittine
andAllison
members
the Harvey
Rosencrantz
Orchestra: Julie Coleman, Nicholas Crosa,
Gregory Ewer, Joy Fabos, Paloma Griffin, Jun
Iwasaki, Inés Voglar, violins; Jennifer Arnold, Joël
Belgique, Charles Noble, violas; Heather
Blackburn, Pansy Chang, Paul Crosa, Justin
Kagan, cellos
She is walking quickly
Like there’s some place she must be
In her eyes, there’s no one
There is no one she needs
He sits with his paper
At a Sunday table
Singanother
– sing morning
a song
Just
Singsteps
out loud
She
into his gaze
Sing out strong
Sing
of good
He
looks
at herthings not bad
Singlooks
of happy
She
at himnot sad
For a moment there is nowhere she is going
Sing
– sing
a song
He
looks
at her
Make
it simple
She
looks
at him
To alast
your whole
life long
For
moment
they could
almost fall in love
Don’t worry that
It’s anot
good
enough
Not
word
is spoken
Fortouch,
anyone
hear
No
noelse
heartto broken
Justanother
sing – sing
a song
Just
morning
Of a beautiful day
Canta – canta tu canción
Canta
He
looksenatvoz
heralta
Canta
fuerte
She
looks
at him
Canta
de cosasthere
buenas,
no malasshe is going
For
a moment
is nowhere
Canta
He
looksalegre,
at herno triste
She looks at him
Sing
– sing a they
songcould truly fall in love
For
a moment
Make it simple
He
at her
To looks
last your
whole life long
She
looks
at that
him
Don’t
worry
For
moment
there is nowhere she is going
It’sanot
good enough
He
at her
Forlooks
anyone
else to hear
She
him a song
Justlooks
sing –at sing
For a moment there is stillness in the world turning
World turning… ’round
Music and lyrics by Alex Marashian,
China Forbes and Thomas M. Lauderdale
Published by Alex Marashian Music (ASCAP),
Wow & Dazzle Music (BMI) and Thomas M.
Lauderdale Music (ASCAP)
With special thanks to Julien Clavel and Claudine
Fischer, Honorary Consul of France in Portland,
Oregon
My dear Lorenzo
NEW
AMSTERDAM
AND THEN
You take my hand
Music and lyrics by Louis Hardin aka Moondog
YOU’RE GONE
And understand
Published by Roof Music and Managarm
After Franz Schubert's Fantasy
The tears that I have cried
I know your tricks
I’ve heard your song
You swear your love
And then you’re gone
Published by Alex Marashian Music (ASCAP),
We light the candles
And pour the wine
And laugh as if
You’ll never leave my side
Remember last time
It was a perfect day
You took me sailing
And then you sailed away
in F-minor, Op. 103, for piano four-hands
New
Amsterdam was her name
Music and
AlexYork
Marashian,
Before
shelyrics
wasbyNew
DerekAmsterdam
Rieth, China is
Forbes
New
a dame
and Thomas M. Lauderdale
The
heart and soul of Big Apple city
No
matter
what& Dazzle
nameMusic
she (BMI)
goes under
Derek
Reith, Wow
M. Lauderdale
Music
(ASCAP)
Iand
digThomas
her deeply
and no
wonder
You take me
For she’s been lovely to me
In your arms and tell me
And I’m the better for having met her That I’ll always be the only one...
And then you’re gone!
China Forbes, vocals; Timothy Jensen, soprano,
alto, tenor & baritone saxophones; Gavin Bondy,
piccolo trumpet, cornet & alto horn; Robert Taylor,
trombone & euphonium; JáTtik Clark, tuba; Thomas
M. Lauderdale, piano; Martin Zarzar, snare drum;
Nate Overmeyer, concert bass drum
Chavela Vargas, vocals; Nicholas Crosa, violin;
Thomas M. Lauderdale, piano
Vocals recorded by Salvador Tercero in Mexico City,
Mexico on June 15, 2009
and members of the Pacific Youth Choir under the
direction of Cole Blume: Neil Anderson, John
Bartley, Christopher Benjamin, Kevin Boehnlein,
Ryan Compton, Avilash Cramer, Micah Dalzell,
Daniel Dempsey, Chris Forrer, Riley Fortier, Jeramie
Gajan, Forrest Gamba, William Goforth, Joel
China Forbes,
trumpet;
Gonzalez,
Dan vocals;
Hunter,Gavin
Ben Bondy,
Keisling,
James
Robert Taylor,
trombone;Vincent
Phil Baker,
upright
Mungin,
Peter Ollivant,
Perkins,
Gabe
bass; ThomasAustin
M. Lauderdale,
piano;
Derek Rieth,
Petegorsky,
Powe, Zach
Reinhart,
Sean
bongo;Alex
Brian
Davis, congas;
Nishimoto,
Sele,
Shindyapin,
Reed Timothy
Sturtevant,
Duncan
guiro;
Martin
Zarzar,
timbales
Tuomi & Jenson Tuomi
and members
of the
Harvey Rosencrantz
Saxophone
& brass
arrangements
by Timothy
Orchestra:
Nicholas
Jensen
& Gavin
BondyCrosa, Joy Fabos, Paloma
Griffin, violins; Jennifer Arnold, viola; Pansy
Chang, Paul Crosa, cellos
China Forbes, vocals; Gavin Bondy, trumpet; Dan
Faehnle, guitar; Phil Baker, upright bass; Thomas
M. Lauderdale, piano; Timothy Nishimoto, guiro;
Derek Rieth, bongo; Brian Davis, congas; Martin
Zarzar, timbales; Nicholas Crosa, violin
You come to see me
On a Saturday
Presenting peonies
Knowing just what to say
We dance until
The break of dawn
I turn my back
And then you’re gone
Swirling in a sea of stars
Twirling to the strum of guitars
No one tangos quite the way you do
But now my dancing days with you are through
You think I miss you
Each time you disappear
(reprise) Maybe I used to
Brass arrangements by Gavin Bondy, Alex
Music
andRobert
lyrics Taylor
by Alba
Marashian,
andClemente
Martin Zarzar
But it’s becoming clear
NINNA NANNA
and Massimo Audiello
China Forbes, vocals; Dan Faehnle, guitar
Now here you are
Outside my door
You want back in
Just like before
Well save your breath
Don’t make me yawn
You’ve had your chance
Now just be gone
Special thanks to: Massimo Audiello; Jeanna + Nick
Baker; Phil Bard + Cirrus Digital Imaging; Stephen Marc
Music and lyrics
by Bierbaum Baggadonutz; Brian +
Beaudoin;
Howie
Alba Clemente
& Massimo
Gwyneth
Gamble
Booth;Audiello
David Bragdon + Andrea
Vannelli; John Brodie + Blair Saxon-Hill; Karen Brooks;
Excerpt from Swedish Rhapsody #1
Elaine
Calder + Bill Bennett; George Calvo; Bruce Carey
(Midsommarvaka) by Hugo Alfvén
+ Joe Rogers; Julien Clavel; Alba Clemente; Chiara
Clemente; Sarah Colt; Jimi Biron + Mike Walker + The
Crystal Ballroom; Emilio + Carol Delgado; Sarah
Dougher + Nate Overmeyer; Edward Droste; Chi Chi
Valente + Johnny Dynell;
Bill + Karen Early;
Claudine Fischer, the
Honorar y Consul of
France for Por tland;
Maya Forbes + Wally,
Clementine, Imogene
+ Hackley Wolodarsky;
Peggy Forbes + Harry
Bremond; Dave Friedlander
+ Amy Levy + Clementine;
Charles Fuller + Rebecca
Mikesell; Teri + Christopher
Gelber; Krissy Gilhooly;
Carl Halvorson; Emily
Hass; Kim Hastreiter +
David Hershkovits + Paper
Magazine; Eliza Howard;
China Forbes, vocals; Robert Taylor, trombone;
Marty
H u g h l ey ; K ay Hutchinson; Philip John Iosca +
Dan Faehnle, guitar; Dave Gerow, mandolin;
Annie
Chris
Jason
TimothyDuden;
Nishimoto,
clave;Israel
Derek +
Rieth,
guiroBell;
& Doree Jarboe +
Katy
the Royal
Blues of Grant High
bongo;Wagner-West
Martin Zarzar, +maracas
& drums;
Maureen Love,
male chorus:
School;
Maliaharp;
Jensen;
NicoleTimothy
Johnson; Guadalupe
Nishimoto, Robert
Taylor, Gavin
Bondy Club; Donald Kenney +
Jolicoeur;
Vicki Keller
+ Mary’s
the
Hotel; ofSylvia
Killman;
Mike King; Fred Kleisner II
AndAce
members
the Harvey
Rosencrantz
+Orchestra:
the NinesJulie
Hotel;
Camille
Landau
+ Bruce Stoffmacher;
Coleman,
Nicholas
Crosa,
Gregory +Ewer,
Joy Fabos,
Paloma Griffin,
Jun Lauderdale; Linda
Athena
Anthony
Lauderdale;
Kerby
Iwasaki, Inés +Voglar,
Lauderdale
Ken violins;
Myers;Jennifer
AaronArnold,
LaVere; Adam Levey +
NINNA NANNA
Joël Belgique, Charles Noble, violas; Heather
Blackburn, Justin Kagan, cellos And especially
Cameron Forbes-Levey + Foxy; Barbara Levey; Steve
Macklam, Sam Feldman, Darrell Gilmour, Michelle
Findlay, Jane Muckle + Shaw Saltzberg of Macklam
Feldman Management; Sadie + Lulu Marashian; Ernest
McCall; Tim McCormic; Ramsey McPhillips; Jason
Mitchell; Chris Monlux + Monqui Presents; Peter Murray;
Terry Currier + Music Millennium; the Honorable Tadashi
+ Izumi Nagai; Gilles Paire, Patrick Zelnik, Boris Vedel,
Marion Gaudart, Florian Abessira + Thomas Lorain
of Naïve Records; Susan Nielsen; Sinan Nergis
+ Pasion Turca; Todd
O’Connor; Ryan Offutt;
Pete Plympton + Lynda
Stoye; Paige Powell; Corrina
Repp; Will Reischman;
Christine Roland + Jason
Dodge; Sandy + Gerard
Rowe; Andy Ricker; Mimi
Savage + Ruth Finn + Cole
Blume + the Pacific Youth
Choir;
Luisa Quiñoy;
Carla Sacks + Mary Moyer
+ Asha Goodman + Sacks
& Co.; Kate Schelter;
Ari Shapiro + Michael
Gottlieb; Jacob Storms;
Sammy Schwarz + Adam
Murray; Renata Secco;
Damon Sgobbo; Rupert Smyth; Zach Hanoun, Jean-Luc
Denis et Guillaume of Studio de la Grande Armée in
Paris; Isaac Taylor; Courtney Taylor-Taylor; William
Tennant; Pam VanAusdle; Chavela Vargas; Leslie Tuomi;
Olivier Gluzman of Les Visiteurs du Soir; Tom Windish
+ Amy Davidman of the Windish Agency; Jo + Ian
Ashbridge of Wrasse Records; Mary Woodford; Jennifer
Yocom in the Portland Mayor’s office; and Bobby Zarem.
Philip Charles Iosca + Vida Marashian
OHAYOO OHIO
(HELLO OHIO)
Music by Dan Faehnle
Personnel :
China Forbes, vocals
Gavin Bondy, trumpet; Phil Baker, upright
Gavin Bondy, trumpet
bass; Thomas M. Lauderdale, piano; Timothy
Nishimoto, guiro; Derek Rieth, bongo; Brian
Robert Taylor, trombone
Davis, congas; Martin Zarzar, timbales
Nicholas Crosa, violin
and Le Double Six de Portland: Catherine van
Pansy Chang, cello
der Salm, Stephanie Kramer, Margie Boulé,
Dan Faehnle, guitar
Katherine FitzGibbon, Jo Routh, Amy Russell,
Cahen Taylor, Daniel Burnett, Barton Rippe,
Phil Baker, upright bass
Kevin Walsh, Erik Hundtoft & Keenen Kemper
Maureen Love, harp
Vocal arrangements by Rick Modlin and
Timothy Nishimoto, vocals & percussion
Thomas M. Lauderdale
Brian Davis, congas & percussion
Derek Rieth, congas & percussion
Martin Zarzar, drums & percussion
Thomas M. Lauderdale, piano
Music and lyrics by Alex Marashian
I can see you’re thinking, baby
All these years of living large
and Thomas M. Lauderdale
I’ve been thinking too
Are starting to do us in
Published by Alex Marashian Music (ASCAP) Featuring the Harvey Rosencrantz Orchestra
About the way we used to be
I won’t say it wasn’t fun
and Thomas M. Lauderdale Music (ASCAP)
Produced
Thomas
M. anew
Lauderdale & Alex Marashian
Inspired by the melody “Burning Bridges”
Andbyhow
to start
But now it has to end
by Lalo Schifrin
Maybe I’m a hopeless dreamer
Life is moving oh-so-fast
Excerpt from
Peter
Ilyich
Tchaikovsky’s
Piano
Recorded by Dave Friedlander Maybe
at KungI’ve
Fu got
Bakery
in Portland, Oregon, September
2008 —
Julyit 2009
it wrong
I think we should
take
slow
Conerto No. 1 in B-flat minor, Op. 23
But I’m going where the grass is green Rest our heads upon the grass
by Dave Friedlander with Guillaume Lejault (2nd engineer)
China Forbes, vocals; Courtney Mixed
Taylor-Taylor,
If you’d like to come along
And listen to it grow
electric guitar; Gavin Bondy, cornet;atRobert
Studio de la Grande Armée in Paris, France, July 2009
Published by Daniel M. Faehnle Music (BMI)
SPLENDOR
IN THE GRASS
Taylor, trombone; Charles Reneau, bass
trombone; Phil Baker, acoustic guitar &
Mastered
upright bass; Thomas M. Lauderdale, piano;
at harp
Bernie
Martin Zarzar, drums; Maureen Love,
Back
whenGrundman
I was starting
out Bozzi (2nd Going
where the hills are green
by
Bernie
with Joe
engineer)
I always wanted
morein Los Angeles, August
And 2009
the cars are few and far
Grundman
Mastering
But every time I got it
Days are full of splendor
and members of the Harvey Design
Rosencrantz
& layout
byfelt
Mike
Crash Design in Portland,
Oregon
I still
justKing
likeatbefore
At night
you can see the stars
Orchestra: Julie Coleman, Nicholas Crosa,
Life’s been moving oh-so-fast
Gregory Ewer, Joy Fabos, Paloma Griffin, Jun Fortune is a fickle friend
Booklet
cover
photofame
by João Canziani I think we should take it slow
Iwasaki, Inés Voglar, violins; Jennifer Arnold, I’m
tired of
chasing
Joël Belgique, Charles Noble, violas; Heather
I
look
into
your
eyes & Peter Murray
Rest our heads upon the grass
Blackburn, Pansy Chang, Paul Crosa, Photographs
Justin And when
by Thomas M. Lauderdale
I know you feel the same
And listen to it grow
Kagan, cellos
PINK MARTINI
SPLENDOR IN THE GRASS