the grass - Pink Martini
Transcription
the grass - Pink Martini
Special thanks to: Massimo Audiello; Jeanna + Nick Baker; Phil Bard + Cirrus Digital Imaging; Stephen Marc Music and lyrics by Bierbaum Baggadonutz; Brian + Beaudoin; Howie Alba Clemente & Massimo Gwyneth Gamble Booth;Audiello David Bragdon + Andrea Vannelli; John Brodie + Blair Saxon-Hill; Karen Brooks; Excerpt from Swedish Rhapsody #1 Elaine Calder + Bill Bennett; George Calvo; Bruce Carey (Midsommarvaka) by Hugo Alfvén + Joe Rogers; Julien Clavel; Alba Clemente; Chiara Clemente; Sarah Colt; Jimi Biron + Mike Walker + The Crystal Ballroom; Emilio + Carol Delgado; Sarah Dougher + Nate Overmeyer; Edward Droste; Chi Chi Valente + Johnny Dynell; Bill + Karen Early; Claudine Fischer, the Honorar y Consul of France for Por tland; Maya Forbes + Wally, Clementine, Imogene + Hackley Wolodarsky; Peggy Forbes + Harry Bremond; Dave Friedlander + Amy Levy + Clementine; Charles Fuller + Rebecca Mikesell; Teri + Christopher Gelber; Krissy Gilhooly; Carl Halvorson; Emily Hass; Kim Hastreiter + David Hershkovits + Paper Magazine; Eliza Howard; China Forbes, vocals; Robert Taylor, trombone; Marty H u g h l ey ; K ay Hutchinson; Philip John Iosca + Dan Faehnle, guitar; Dave Gerow, mandolin; Annie Chris Jason TimothyDuden; Nishimoto, clave;Israel Derek + Rieth, guiroBell; & Doree Jarboe + Katy the Royal Blues of Grant High bongo;Wagner-West Martin Zarzar, +maracas & drums; Maureen Love, male chorus: School; Maliaharp; Jensen; NicoleTimothy Johnson; Guadalupe Nishimoto, Robert Taylor, Gavin Bondy Club; Donald Kenney + Jolicoeur; Vicki Keller + Mary’s the Hotel; ofSylvia Killman; Mike King; Fred Kleisner II AndAce members the Harvey Rosencrantz +Orchestra: the NinesJulie Hotel; Camille Landau + Bruce Stoffmacher; Coleman, Nicholas Crosa, Gregory +Ewer, Joy Fabos, Paloma Griffin, Jun Lauderdale; Linda Athena Anthony Lauderdale; Kerby Iwasaki, Inés +Voglar, Lauderdale Ken violins; Myers;Jennifer AaronArnold, LaVere; Adam Levey + NINNA NANNA Joël Belgique, Charles Noble, violas; Heather Blackburn, Justin Kagan, cellos And especially Cameron Forbes-Levey + Foxy; Barbara Levey; Steve Macklam, Sam Feldman, Darrell Gilmour, Michelle Findlay, Jane Muckle + Shaw Saltzberg of Macklam Feldman Management; Sadie + Lulu Marashian; Ernest McCall; Tim McCormic; Ramsey McPhillips; Jason Mitchell; Chris Monlux + Monqui Presents; Peter Murray; Terry Currier + Music Millennium; the Honorable Tadashi + Izumi Nagai; Gilles Paire, Patrick Zelnik, Boris Vedel, Marion Gaudart, Florian Abessira + Thomas Lorain of Naïve Records; Susan Nielsen; Sinan Nergis + Pasion Turca; Todd O’Connor; Ryan Offutt; Pete Plympton + Lynda Stoye; Paige Powell; Corrina Repp; Will Reischman; Christine Roland + Jason Dodge; Sandy + Gerard Rowe; Andy Ricker; Mimi Savage + Ruth Finn + Cole Blume + the Pacific Youth Choir; Luisa Quiñoy; Carla Sacks + Mary Moyer + Asha Goodman + Sacks & Co.; Kate Schelter; Ari Shapiro + Michael Gottlieb; Jacob Storms; Sammy Schwarz + Adam Murray; Renata Secco; Damon Sgobbo; Rupert Smyth; Zach Hanoun, Jean-Luc Denis et Guillaume of Studio de la Grande Armée in Paris; Isaac Taylor; Courtney Taylor-Taylor; William Tennant; Pam VanAusdle; Chavela Vargas; Leslie Tuomi; Olivier Gluzman of Les Visiteurs du Soir; Tom Windish + Amy Davidman of the Windish Agency; Jo + Ian Ashbridge of Wrasse Records; Mary Woodford; Jennifer Yocom in the Portland Mayor’s office; and Bobby Zarem. Philip Charles Iosca + Vida Marashian OHAYOO OHIO (HELLO OHIO) Music by Dan Faehnle Personnel : China Forbes, vocals Gavin Bondy, trumpet; Phil Baker, upright Gavin Bondy, trumpet bass; Thomas M. Lauderdale, piano; Timothy Nishimoto, guiro; Derek Rieth, bongo; Brian Robert Taylor, trombone Davis, congas; Martin Zarzar, timbales Nicholas Crosa, violin and Le Double Six de Portland: Catherine van Pansy Chang, cello der Salm, Stephanie Kramer, Margie Boulé, Dan Faehnle, guitar Katherine FitzGibbon, Jo Routh, Amy Russell, Cahen Taylor, Daniel Burnett, Barton Rippe, Phil Baker, upright bass Kevin Walsh, Erik Hundtoft & Keenen Kemper Maureen Love, harp Vocal arrangements by Rick Modlin and Timothy Nishimoto, vocals & percussion Thomas M. Lauderdale Brian Davis, congas & percussion Derek Rieth, congas & percussion Martin Zarzar, drums & percussion Thomas M. Lauderdale, piano Music and lyrics by Alex Marashian I can see you’re thinking, baby All these years of living large and Thomas M. Lauderdale I’ve been thinking too Are starting to do us in Published by Alex Marashian Music (ASCAP) Featuring the Harvey Rosencrantz Orchestra About the way we used to be I won’t say it wasn’t fun and Thomas M. Lauderdale Music (ASCAP) Produced Thomas M. anew Lauderdale & Alex Marashian Inspired by the melody “Burning Bridges” Andbyhow to start But now it has to end by Lalo Schifrin Maybe I’m a hopeless dreamer Life is moving oh-so-fast Excerpt from Peter Ilyich Tchaikovsky’s Piano Recorded by Dave Friedlander Maybe at KungI’ve Fu got Bakery in Portland, Oregon, September 2008 — Julyit 2009 it wrong I think we should take slow Conerto No. 1 in B-flat minor, Op. 23 But I’m going where the grass is green Rest our heads upon the grass by Dave Friedlander with Guillaume Lejault (2nd engineer) China Forbes, vocals; Courtney Mixed Taylor-Taylor, If you’d like to come along And listen to it grow electric guitar; Gavin Bondy, cornet;atRobert Studio de la Grande Armée in Paris, France, July 2009 Published by Daniel M. Faehnle Music (BMI) SPLENDOR IN THE GRASS Taylor, trombone; Charles Reneau, bass trombone; Phil Baker, acoustic guitar & Mastered upright bass; Thomas M. Lauderdale, piano; at harp Bernie Martin Zarzar, drums; Maureen Love, Back whenGrundman I was starting out Bozzi (2nd Going where the hills are green by Bernie with Joe engineer) I always wanted morein Los Angeles, August And 2009 the cars are few and far Grundman Mastering But every time I got it Days are full of splendor and members of the Harvey Design Rosencrantz & layout byfelt Mike Crash Design in Portland, Oregon I still justKing likeatbefore At night you can see the stars Orchestra: Julie Coleman, Nicholas Crosa, Life’s been moving oh-so-fast Gregory Ewer, Joy Fabos, Paloma Griffin, Jun Fortune is a fickle friend Booklet cover photofame by João Canziani I think we should take it slow Iwasaki, Inés Voglar, violins; Jennifer Arnold, I’m tired of chasing Joël Belgique, Charles Noble, violas; Heather I look into your eyes & Peter Murray Rest our heads upon the grass Blackburn, Pansy Chang, Paul Crosa, Photographs Justin And when by Thomas M. Lauderdale I know you feel the same And listen to it grow Kagan, cellos Music and lyrics by Alex Marashian, China Forbes and Thomas M. Lauderdale Published by Alex Marashian Music (ASCAP), Wow & Dazzle Music (BMI) and Thomas M. Lauderdale Music (ASCAP) With special thanks to Julien Clavel and Claudine Fischer, Honorary Consul of France in Portland, Oregon My dear Lorenzo NEW AMSTERDAM AND THEN You take my hand Music and lyrics by Louis Hardin aka Moondog YOU’RE GONE And understand Published by Roof Music and Managarm After Franz Schubert's Fantasy The tears that I have cried I know your tricks I’ve heard your song You swear your love And then you’re gone Published by Alex Marashian Music (ASCAP), We light the candles And pour the wine And laugh as if You’ll never leave my side Remember last time It was a perfect day You took me sailing And then you sailed away in F-minor, Op. 103, for piano four-hands New Amsterdam was her name Music and AlexYork Marashian, Before shelyrics wasbyNew DerekAmsterdam Rieth, China is Forbes New a dame and Thomas M. Lauderdale The heart and soul of Big Apple city No matter what& Dazzle nameMusic she (BMI) goes under Derek Reith, Wow M. Lauderdale Music (ASCAP) Iand digThomas her deeply and no wonder You take me For she’s been lovely to me In your arms and tell me And I’m the better for having met her That I’ll always be the only one... And then you’re gone! China Forbes, vocals; Timothy Jensen, soprano, alto, tenor & baritone saxophones; Gavin Bondy, piccolo trumpet, cornet & alto horn; Robert Taylor, trombone & euphonium; JáTtik Clark, tuba; Thomas M. Lauderdale, piano; Martin Zarzar, snare drum; Nate Overmeyer, concert bass drum Chavela Vargas, vocals; Nicholas Crosa, violin; Thomas M. Lauderdale, piano Vocals recorded by Salvador Tercero in Mexico City, Mexico on June 15, 2009 and members of the Pacific Youth Choir under the direction of Cole Blume: Neil Anderson, John Bartley, Christopher Benjamin, Kevin Boehnlein, Ryan Compton, Avilash Cramer, Micah Dalzell, Daniel Dempsey, Chris Forrer, Riley Fortier, Jeramie Gajan, Forrest Gamba, William Goforth, Joel China Forbes, trumpet; Gonzalez, Dan vocals; Hunter,Gavin Ben Bondy, Keisling, James Robert Taylor, trombone;Vincent Phil Baker, upright Mungin, Peter Ollivant, Perkins, Gabe bass; ThomasAustin M. Lauderdale, piano; Derek Rieth, Petegorsky, Powe, Zach Reinhart, Sean bongo;Alex Brian Davis, congas; Nishimoto, Sele, Shindyapin, Reed Timothy Sturtevant, Duncan guiro; Martin Zarzar, timbales Tuomi & Jenson Tuomi and members of the Harvey Rosencrantz Saxophone & brass arrangements by Timothy Orchestra: Nicholas Jensen & Gavin BondyCrosa, Joy Fabos, Paloma Griffin, violins; Jennifer Arnold, viola; Pansy Chang, Paul Crosa, cellos China Forbes, vocals; Gavin Bondy, trumpet; Dan Faehnle, guitar; Phil Baker, upright bass; Thomas M. Lauderdale, piano; Timothy Nishimoto, guiro; Derek Rieth, bongo; Brian Davis, congas; Martin Zarzar, timbales; Nicholas Crosa, violin You come to see me On a Saturday Presenting peonies Knowing just what to say We dance until The break of dawn I turn my back And then you’re gone Swirling in a sea of stars Twirling to the strum of guitars No one tangos quite the way you do But now my dancing days with you are through You think I miss you Each time you disappear (reprise) Maybe I used to Brass arrangements by Gavin Bondy, Alex Music andRobert lyrics Taylor by Alba Marashian, andClemente Martin Zarzar But it’s becoming clear NINNA NANNA and Massimo Audiello China Forbes, vocals; Dan Faehnle, guitar Now here you are Outside my door You want back in Just like before Well save your breath Don’t make me yawn You’ve had your chance Now just be gone BITTYNOW BOPPY BETTY BUT I’MMarashian BACK Music and lyrics by Alex When Betty starts a-boppin’ Bitty, boppy Betty My boppy dear Maria I love ya TheYou jointknow starts a hoppin’ Bitty, Betty I’m boppy here toBetty, see ya Dream onlyand of ya She can twist bend Bitty, boo boo After Franz Schubert's Fantasy Won’t you please, please open the doorTheSo please, Published by Alex Marashian Music (ASCAP) whole night through in F-minor, Op. 103, for piano four-hands On weekends she’s your honey I brought flowers cut me someher slack YouPlease really can’t ignore Then comesya Monday Music and lyrics by Alex Marashian Been waitin’ hoursto you I ifwent away And you don’t adore her And that’ll be “Sir” and Thomas M. Lauderdale Can’t stand it anymore Justmight a couple of days… There be something Published by Alex Marashian Music (ASCAP) But with now you I’m back Bitty boppy Betty Wrong and Thomas M. Lauderdale Music (ASCAP) So here’s happened Better knownwhat as Billy When were nappin’ he’s bright back and early On Now Mondays He’s the you up’n’coming local D.A. I just went out fighter for a snack Cut back him slack Betty’s to Billy A fearless crime I was feelin’ Now hard he’s on back Working behalf of our town Political insiderfamished Andtothen I vanished… Upholding law and order Sure be mayor one day Maria, baby, But now I’m back Talking to reporters guess that But after work on Fridays AndI keeping us maybe safe and sound he’shis back You’re still a little angry with me OffNow comes necktie Had snack But it’sa gettin’ latethis andditty moral to And on acome her diamonds and pearls If there’s he’sget back are Betty waitin’ It’s The not boys to judge YouNow better ready get something to eat BillyGotta or anyone ‘Cause now Billy’s Betty My heart isfavorite burninggirl ‘Cause life’s lot richer Everybody’s I better goa now For that love of ours With a healthy mixture I hope you know now TheYearning underbelly of the city Not to mention lots more fun! I love you, that is a fact For that seayou’ll of stars That’s where find Betty Let me in so I can Gotta hurry Bitty, boppy Betty Friday to Sunday nightprove to you no one else Butboppy don'tBetty you worry, babe... Bitty, Is That she working undercover you, girl ‘Cause be back Bitty, boppyI'llBetty, boo boo OrCan just love a fun-lover? The way that I do On weekends she’s your honey Ari Shapiro, vocals; Gavin Bondy, Thomas M. Either way, that’s alright! be back Lauderdale, Alex Marashian, Peter Murray, ThenHe’ll comes Monday China Forbes, vocals; Betty-Tones barbershop Oh boppy how I miss a fact Timothy Nishimoto, Jacob Storms, Robert Taylor, Bitty Betty ya AndIt’s that’ll be “Sir” to you quartet: Stephen Marc Beaudoin, Ben Martin Zarzar, backup vocals; Gavin Bondy, I wanna kiss ya He’ll be back Landsverk, Joe Theissen, Bobby Jackson; What a bouncy beauty trumpet; Robert Taylor, trombones; Thomas M. And hold you close Gavin Bondy, trumpets; Robert Taylor, tromDon’t attack Lauderdale, piano; Phil Baker, upright bass; So sophisticated and refined bones; Phil Baker, upright bass; Thomas M. Froma dusk untildoesn’t dawn show it Etc… Brian Davis, vibraslap; Derek Rieth, percussion; She’s boy who Lauderdale, piano; Derek Rieth, percussion; So let’s just make up Martin Zarzar, drums Brian Davis, washboard & percussion; Martin And though the guys all know it And when you wake up Zarzar, arrangements drums Brass by Gavin Bondy, Alex None of them seems to mind I promise not to be gone Marashian, Robert Taylor and Martin Zarzar SUNDAY TABLE SING Music and lyrics by China Forbes Music and lyrics by Joe Raposo and Thomas M. Lauderdale Published Published by by Jonico Wow &Music Dazzle(BMI) Music (BMI) and Thomas M. Lauderdale Music (ASCAP) China Forbes and Emilio Delgado, vocals; Robert Taylor, trombone; Dan Faehnle, guitar; Phil Baker, upright bass; Thomas M. Lauderdale, piano; Karen Brooks, toy piano; Derek Rieth, triangle & congas; Martin Zarzar, shaker & drums chorus: Lenore Nash, Peter Murray, Timothy Nishimoto, William Tennant and The Royal Blues of Grant High School under the direction of Doree Jarboe & Katy Wagner-West: Hannah Anderson-Dana (and Louise Anderson-Dana, too), Caitlin Arias, Katie Chickadonz, Lisa Chickadonz, Erika Clark, Jeanna Craig, Brandon Cruz, Leo Dworkin, Lydia Folwell, Madison Genovese, Rosa Haxton, Cleo Hehn, Suzanne Jaszczult, Gavin Knittle, Rosemary Olsen, Sean Riley, Olin Stickler, Nigel Swehla, Laney Warren & Tony Zilka and the staff and friends of Portland Mayor Sam Adams: Jane M. Ames, Josh Billeter & Jennifer Yocom, Katherine Cosgrove, Molly Abbott Fittner, Adriel Gorsuch, Rachel Gross & Lisa Dustin Hansen, Chanté & Michael ChinaLibby, Forbes, vocals; Gavin Bondy, trumpet; Larlee, Kyle Robert Warren Taylor, Jimenez, trombone;Dana Phil Marasco, Baker, upright Massey, Matthew Onderdonk, piano; Shoshanah bass; Thomas M. Lauderdale, Martin Oppenheim, Zarzar, drumsSasha Pollack, Amy & Sonia Ruiz, Amy Stephens, Sierra Stringfield, Hayley Tanler, and members the &Harvey Allison Theen, Tia of Wilkins Annette Rosencrantz Wittine Orchestra: Julie Coleman, Nicholas Crosa, Gregory Ewer, Joy Fabos, Paloma Griffin, Jun Iwasaki, Inés Voglar, violins; Jennifer Arnold, Joël Belgique, Charles Noble, violas; Heather Blackburn, Pansy Chang, Paul Crosa, Justin Kagan, cellos She is walking quickly Like there’s some place she must be In her eyes, there’s no one There is no one she needs He sits with his paper At a Sunday table Just–another morning Sing sing a song Sheout steps into his gaze Sing loud Sing out strong He looks at her Sing of good things not bad She looks at him Sing of happy not sad For a moment there is nowhere she is going He looks at her Sing – sing a song She looks at him Make it simple a moment they ToFor last your whole lifecould long almost fall in love Don’t worry that Notnot a word spoken It’s good isenough Noanyone touch, else no heart broken For to hear Justsing another Just – singmorning a song Of a beautiful day Canta – canta tu canción He looks at her Canta en voz alta She looks at him Canta fuerte For a moment there is nowhere she is going Canta de cosas buenas, no malas He looks at her Canta alegre, no triste She looks at him For a– moment they could truly fall in love Sing sing a song Make it simple He looks at her To last your whole life long She looks at him Don’t worry that For a moment there is nowhere she is going It’s not good enough He looks at her For anyone else to hear She looks at him Just sing – sing a song For a moment there is stillness in the world turning World turning… ’round OVER THE VALLEY TUCA TUCA Published by Wow & Dazzle Music (BMI) and Thomas M. Lauderdale Music (ASCAP) Published by RCA Edizioni Musicali Music and lyrics by China Forbes and Thomas M. Lauderdale Music and lyrics by Gianni Boncompagni and Franco Pisano Over the valley I saw a silver cloud With a pink lining I said it right out loud There’s no denying You are my one and only love And we’ll see over the valley The moon rise above Over the valley Just above the fray The sun is setting And when we’re old and grey I’ll still be betting You are my one and only love And over the valley The moon shines above Over the valley This house among the trees Where we’ve been hiding Making our memories And I’m deciding You are my one and only love And we’ll be over the valley As the moon shines above The autumn breezes carry all the bluebirds Down to where the sun still shines If we could hold this day In our hearts someway We would never roam Ever far from home The autumn breezes carry all the bluebirds Down to where the sun still shines If we could hold this day In our hearts some way We would never roam Ever far from home Over the valley Just above the fray The sun is setting And when we're old and grey I’ll still be betting You are my one and only love And we’ll live over the valley You’ll always be with me As the moon shines above China Forbes, vocals; Nicholas Crosa, violin; Dave Gerow, mandolin; Dan Faehnle, guitar; Phil Baker, upright bass; Thomas M. Lauderdale, piano; Martin Zarzar, drums China Forbes, vocals; Timothy Nishimoto, backup vocals; Phil Baker, sitar & upright bass; Robert Taylor, trombone; Dan Faehnle, guitar; Thomas M. Lauderdale, piano; Derek Rieth, tambourine & timpani drum; Martin Zarzar, drums Birds courtesy of Cornell University Press: Bird Songs in Your Garden with Arthur Allen & Peter Kellogg, 1961 The sitar originally played by Peter Sellers in the movie The Party courtesy of Rochelle Smithline Bitty,My boppy dearBetty Maria BITTY BOPPYI’MBETTY BUT NOW BACK Bitty,I’m boppy hereBetty to see ya Music and lyrics by Alex Marashian When You Betty starts a-boppin’ know I love ya The joint starts a hoppin’ Dream only of ya After Franz Schubert's Fantasy She can and bend Bitty,Won’t boppyyou Betty, booplease boo open the door please, So twist please, Published by AlexOp. Marashian (ASCAP) in F-minor, 103, forMusic piano four-handsOn weekends she’s your honey The whole night I brought ya flowers Please cut through me some slack You really can’t ignore her ThenBeen comes Monday Music and lyrics by Alex Marashian waitin’ hours I went away and Thomas M. Lauderdale And ifJust you adon’t adore her And Can’t that’ll stand be “Sir” to you it anymore couple of days… There But might beI’m something Published by Alex Marashian Music (ASCAP) now back boppy Betty Wrong with you and Thomas M. Lauderdale Music (ASCAP) Bitty So here’s what happened BetterWhen known Billynappin’ youaswere Now he’s back On Mondays He’s Ithe D.A. justup’n’coming went out forlocal a snack Cut himbright slack and early Betty’sNow backhe’s to Billy A fearless crime fighter I was feelin’ famished back Working hard on behalf of our town Political Andinsider then I vanished… Upholding and order SureBut to be mayor one day Maria,lawbaby, now I’m back TalkingI guess to reporters that maybe But after on Fridays And keeping us asafe sound Now work he’s back You’re still littleand angry with me Off comes necktie Had a his snack But it’s gettin’ late and moral this ditty And on come diamonds and pearls If there’s Now he’sher back The aboys aretowaitin’ It’s notGotta to judge Betty You better get ready get something to eat Billy or anyone ‘Cause Betty Mynow heartBilly’s is burning ‘CauseI better life’s agolotnow richer Everybody’s girl For that favorite love of ours With aI hope healthy youmixture know now Yearning The underbelly of of thestars city Not toI mention fun! love you,lots thatmore is a fact For that sea That’sLetwhere Betty to you me inyou’ll so I find can prove Gotta hurry Bitty, boppy Betty FridayThat to Sunday night no one else But don't you worry, babe... Bitty, boppy Is sheCan working undercover love you, girl ‘CauseBetty I'll be back Bitty, boppy Betty, boo boo Or just fun-lover? Thea way that I do Ari Shapiro, vocals; Gavin Bondy, Thomas M. On weekends Either way, that’s alright! He’ll be she’s back your honey Lauderdale, Alex Marashian, Peter Murray, Then comes Monday Oh how I miss ya It’s a fact Timothy Nishimoto, Jacob Storms, Robert Taylor, China Forbes, vocals; Betty-Tones barbershop Bitty Iboppy Martin Stephen Zarzar, backup vocals; GavinBenBondy, And that’ll be back “Sir” to you quartet: Marc Beaudoin, wannaBetty kiss ya He’ll be trumpet; Joe Robert Taylor, trombones; Thomas M. WhatAnd a bouncy beauty Landsverk, Theissen, Bobby Jackson; hold you close Don’t attack Lauderdale, piano; Phil Baker, upright Gavin Bondy, trumpets; Robert Taylor, trom- bass; So sophisticated anddawn refined From dusk until Etc… BrianPhil Davis, vibraslap; percussion; bones; Baker, uprightDerek bass;Rieth, Thomas M. She’sSoa let’s boy who doesn’tupshow it just make Martin Zarzar, Lauderdale, piano;drums Derek Rieth, percussion; And though the guys all know it Brian Davis, washboard & percussion; Martin And when you wake up Brass arrangements by Gavin Bondy, Alex NoneI of them seems to mind Zarzar, drums promise not to be gone Marashian, Robert Taylor and Martin Zarzar SUNDAY SING TABLE Music andand lyrics by by China Music lyrics Joe Forbes Raposo and Thomas M. Lauderdale Published by Jonico Music (BMI) Published by Wow & Dazzle Music (BMI) and Thomas M. Lauderdale Music (ASCAP) China Forbes and Emilio Delgado, vocals; Robert Taylor, trombone; Dan Faehnle, guitar; Phil Baker, upright bass; Thomas M. Lauderdale, piano; Karen Brooks, toy piano; Derek Rieth, triangle & congas; Martin Zarzar, shaker & drums chorus: Lenore Nash, Peter Murray, Timothy Nishimoto, William Tennant and The Royal Blues of Grant High School under the direction of Doree Jarboe & Katy Wagner-West: Hannah Anderson-Dana (and Louise Anderson-Dana, too), Caitlin Arias, Katie Chickadonz, Lisa Chickadonz, Erika Clark, Jeanna Craig, Brandon Cruz, Leo Dworkin, Lydia Folwell, Madison Genovese, Rosa Haxton, Cleo Hehn, Suzanne Jaszczult, Gavin Knittle, Rosemary Olsen, Sean Riley, Olin Stickler, Nigel Swehla, Laney Warren & Tony Zilka and the staff and friends of Portland Mayor Sam Adams: Jane M. Ames, Josh Billeter & Jennifer Yocom, Katherine Cosgrove, Molly Abbott Fittner, Adriel Gorsuch, Rachel Gross & Lisa Libby, Dustin Hansen, Chanté & Michael China Forbes, vocals; GavinDana Bondy, trumpet; Larlee, Warren Jimenez, Marasco, Kyle Robert Taylor,Matthew trombone; Phil Baker, upright Massey, Onderdonk, Shoshanah bass; Thomas Sasha M. Lauderdale, Martin Oppenheim, Pollack, Amypiano; & Sonia Ruiz, Zarzar, Amy drums Stephens, Sierra Stringfield, Hayley Tanler, Theen, of Tia Wilkins & Annette Wittine andAllison members the Harvey Rosencrantz Orchestra: Julie Coleman, Nicholas Crosa, Gregory Ewer, Joy Fabos, Paloma Griffin, Jun Iwasaki, Inés Voglar, violins; Jennifer Arnold, Joël Belgique, Charles Noble, violas; Heather Blackburn, Pansy Chang, Paul Crosa, Justin Kagan, cellos She is walking quickly Like there’s some place she must be In her eyes, there’s no one There is no one she needs He sits with his paper At a Sunday table Singanother – sing morning a song Just Singsteps out loud She into his gaze Sing out strong Sing of good He looks at herthings not bad Singlooks of happy She at himnot sad For a moment there is nowhere she is going Sing – sing a song He looks at her Make it simple She looks at him To alast your whole life long For moment they could almost fall in love Don’t worry that It’s anot good enough Not word is spoken Fortouch, anyone hear No noelse heartto broken Justanother sing – sing a song Just morning Of a beautiful day Canta – canta tu canción Canta He looksenatvoz heralta Canta fuerte She looks at him Canta de cosasthere buenas, no malasshe is going For a moment is nowhere Canta He looksalegre, at herno triste She looks at him Sing – sing a they songcould truly fall in love For a moment Make it simple He at her To looks last your whole life long She looks at that him Don’t worry For moment there is nowhere she is going It’sanot good enough He at her Forlooks anyone else to hear She him a song Justlooks sing –at sing For a moment there is stillness in the world turning World turning… ’round Music and lyrics by Alex Marashian, China Forbes and Thomas M. Lauderdale Published by Alex Marashian Music (ASCAP), Wow & Dazzle Music (BMI) and Thomas M. Lauderdale Music (ASCAP) With special thanks to Julien Clavel and Claudine Fischer, Honorary Consul of France in Portland, Oregon My dear Lorenzo NEW AMSTERDAM AND THEN You take my hand Music and lyrics by Louis Hardin aka Moondog YOU’RE GONE And understand Published by Roof Music and Managarm After Franz Schubert's Fantasy The tears that I have cried I know your tricks I’ve heard your song You swear your love And then you’re gone Published by Alex Marashian Music (ASCAP), We light the candles And pour the wine And laugh as if You’ll never leave my side Remember last time It was a perfect day You took me sailing And then you sailed away in F-minor, Op. 103, for piano four-hands New Amsterdam was her name Music and AlexYork Marashian, Before shelyrics wasbyNew DerekAmsterdam Rieth, China is Forbes New a dame and Thomas M. Lauderdale The heart and soul of Big Apple city No matter what& Dazzle nameMusic she (BMI) goes under Derek Reith, Wow M. Lauderdale Music (ASCAP) Iand digThomas her deeply and no wonder You take me For she’s been lovely to me In your arms and tell me And I’m the better for having met her That I’ll always be the only one... And then you’re gone! China Forbes, vocals; Timothy Jensen, soprano, alto, tenor & baritone saxophones; Gavin Bondy, piccolo trumpet, cornet & alto horn; Robert Taylor, trombone & euphonium; JáTtik Clark, tuba; Thomas M. Lauderdale, piano; Martin Zarzar, snare drum; Nate Overmeyer, concert bass drum Chavela Vargas, vocals; Nicholas Crosa, violin; Thomas M. Lauderdale, piano Vocals recorded by Salvador Tercero in Mexico City, Mexico on June 15, 2009 and members of the Pacific Youth Choir under the direction of Cole Blume: Neil Anderson, John Bartley, Christopher Benjamin, Kevin Boehnlein, Ryan Compton, Avilash Cramer, Micah Dalzell, Daniel Dempsey, Chris Forrer, Riley Fortier, Jeramie Gajan, Forrest Gamba, William Goforth, Joel China Forbes, trumpet; Gonzalez, Dan vocals; Hunter,Gavin Ben Bondy, Keisling, James Robert Taylor, trombone;Vincent Phil Baker, upright Mungin, Peter Ollivant, Perkins, Gabe bass; ThomasAustin M. Lauderdale, piano; Derek Rieth, Petegorsky, Powe, Zach Reinhart, Sean bongo;Alex Brian Davis, congas; Nishimoto, Sele, Shindyapin, Reed Timothy Sturtevant, Duncan guiro; Martin Zarzar, timbales Tuomi & Jenson Tuomi and members of the Harvey Rosencrantz Saxophone & brass arrangements by Timothy Orchestra: Nicholas Jensen & Gavin BondyCrosa, Joy Fabos, Paloma Griffin, violins; Jennifer Arnold, viola; Pansy Chang, Paul Crosa, cellos China Forbes, vocals; Gavin Bondy, trumpet; Dan Faehnle, guitar; Phil Baker, upright bass; Thomas M. Lauderdale, piano; Timothy Nishimoto, guiro; Derek Rieth, bongo; Brian Davis, congas; Martin Zarzar, timbales; Nicholas Crosa, violin You come to see me On a Saturday Presenting peonies Knowing just what to say We dance until The break of dawn I turn my back And then you’re gone Swirling in a sea of stars Twirling to the strum of guitars No one tangos quite the way you do But now my dancing days with you are through You think I miss you Each time you disappear (reprise) Maybe I used to Brass arrangements by Gavin Bondy, Alex Music andRobert lyrics Taylor by Alba Marashian, andClemente Martin Zarzar But it’s becoming clear NINNA NANNA and Massimo Audiello China Forbes, vocals; Dan Faehnle, guitar Now here you are Outside my door You want back in Just like before Well save your breath Don’t make me yawn You’ve had your chance Now just be gone Special thanks to: Massimo Audiello; Jeanna + Nick Baker; Phil Bard + Cirrus Digital Imaging; Stephen Marc Music and lyrics by Bierbaum Baggadonutz; Brian + Beaudoin; Howie Alba Clemente & Massimo Gwyneth Gamble Booth;Audiello David Bragdon + Andrea Vannelli; John Brodie + Blair Saxon-Hill; Karen Brooks; Excerpt from Swedish Rhapsody #1 Elaine Calder + Bill Bennett; George Calvo; Bruce Carey (Midsommarvaka) by Hugo Alfvén + Joe Rogers; Julien Clavel; Alba Clemente; Chiara Clemente; Sarah Colt; Jimi Biron + Mike Walker + The Crystal Ballroom; Emilio + Carol Delgado; Sarah Dougher + Nate Overmeyer; Edward Droste; Chi Chi Valente + Johnny Dynell; Bill + Karen Early; Claudine Fischer, the Honorar y Consul of France for Por tland; Maya Forbes + Wally, Clementine, Imogene + Hackley Wolodarsky; Peggy Forbes + Harry Bremond; Dave Friedlander + Amy Levy + Clementine; Charles Fuller + Rebecca Mikesell; Teri + Christopher Gelber; Krissy Gilhooly; Carl Halvorson; Emily Hass; Kim Hastreiter + David Hershkovits + Paper Magazine; Eliza Howard; China Forbes, vocals; Robert Taylor, trombone; Marty H u g h l ey ; K ay Hutchinson; Philip John Iosca + Dan Faehnle, guitar; Dave Gerow, mandolin; Annie Chris Jason TimothyDuden; Nishimoto, clave;Israel Derek + Rieth, guiroBell; & Doree Jarboe + Katy the Royal Blues of Grant High bongo;Wagner-West Martin Zarzar, +maracas & drums; Maureen Love, male chorus: School; Maliaharp; Jensen; NicoleTimothy Johnson; Guadalupe Nishimoto, Robert Taylor, Gavin Bondy Club; Donald Kenney + Jolicoeur; Vicki Keller + Mary’s the Hotel; ofSylvia Killman; Mike King; Fred Kleisner II AndAce members the Harvey Rosencrantz +Orchestra: the NinesJulie Hotel; Camille Landau + Bruce Stoffmacher; Coleman, Nicholas Crosa, Gregory +Ewer, Joy Fabos, Paloma Griffin, Jun Lauderdale; Linda Athena Anthony Lauderdale; Kerby Iwasaki, Inés +Voglar, Lauderdale Ken violins; Myers;Jennifer AaronArnold, LaVere; Adam Levey + NINNA NANNA Joël Belgique, Charles Noble, violas; Heather Blackburn, Justin Kagan, cellos And especially Cameron Forbes-Levey + Foxy; Barbara Levey; Steve Macklam, Sam Feldman, Darrell Gilmour, Michelle Findlay, Jane Muckle + Shaw Saltzberg of Macklam Feldman Management; Sadie + Lulu Marashian; Ernest McCall; Tim McCormic; Ramsey McPhillips; Jason Mitchell; Chris Monlux + Monqui Presents; Peter Murray; Terry Currier + Music Millennium; the Honorable Tadashi + Izumi Nagai; Gilles Paire, Patrick Zelnik, Boris Vedel, Marion Gaudart, Florian Abessira + Thomas Lorain of Naïve Records; Susan Nielsen; Sinan Nergis + Pasion Turca; Todd O’Connor; Ryan Offutt; Pete Plympton + Lynda Stoye; Paige Powell; Corrina Repp; Will Reischman; Christine Roland + Jason Dodge; Sandy + Gerard Rowe; Andy Ricker; Mimi Savage + Ruth Finn + Cole Blume + the Pacific Youth Choir; Luisa Quiñoy; Carla Sacks + Mary Moyer + Asha Goodman + Sacks & Co.; Kate Schelter; Ari Shapiro + Michael Gottlieb; Jacob Storms; Sammy Schwarz + Adam Murray; Renata Secco; Damon Sgobbo; Rupert Smyth; Zach Hanoun, Jean-Luc Denis et Guillaume of Studio de la Grande Armée in Paris; Isaac Taylor; Courtney Taylor-Taylor; William Tennant; Pam VanAusdle; Chavela Vargas; Leslie Tuomi; Olivier Gluzman of Les Visiteurs du Soir; Tom Windish + Amy Davidman of the Windish Agency; Jo + Ian Ashbridge of Wrasse Records; Mary Woodford; Jennifer Yocom in the Portland Mayor’s office; and Bobby Zarem. Philip Charles Iosca + Vida Marashian OHAYOO OHIO (HELLO OHIO) Music by Dan Faehnle Personnel : China Forbes, vocals Gavin Bondy, trumpet; Phil Baker, upright Gavin Bondy, trumpet bass; Thomas M. Lauderdale, piano; Timothy Nishimoto, guiro; Derek Rieth, bongo; Brian Robert Taylor, trombone Davis, congas; Martin Zarzar, timbales Nicholas Crosa, violin and Le Double Six de Portland: Catherine van Pansy Chang, cello der Salm, Stephanie Kramer, Margie Boulé, Dan Faehnle, guitar Katherine FitzGibbon, Jo Routh, Amy Russell, Cahen Taylor, Daniel Burnett, Barton Rippe, Phil Baker, upright bass Kevin Walsh, Erik Hundtoft & Keenen Kemper Maureen Love, harp Vocal arrangements by Rick Modlin and Timothy Nishimoto, vocals & percussion Thomas M. Lauderdale Brian Davis, congas & percussion Derek Rieth, congas & percussion Martin Zarzar, drums & percussion Thomas M. Lauderdale, piano Music and lyrics by Alex Marashian I can see you’re thinking, baby All these years of living large and Thomas M. Lauderdale I’ve been thinking too Are starting to do us in Published by Alex Marashian Music (ASCAP) Featuring the Harvey Rosencrantz Orchestra About the way we used to be I won’t say it wasn’t fun and Thomas M. Lauderdale Music (ASCAP) Produced Thomas M. anew Lauderdale & Alex Marashian Inspired by the melody “Burning Bridges” Andbyhow to start But now it has to end by Lalo Schifrin Maybe I’m a hopeless dreamer Life is moving oh-so-fast Excerpt from Peter Ilyich Tchaikovsky’s Piano Recorded by Dave Friedlander Maybe at KungI’ve Fu got Bakery in Portland, Oregon, September 2008 — Julyit 2009 it wrong I think we should take slow Conerto No. 1 in B-flat minor, Op. 23 But I’m going where the grass is green Rest our heads upon the grass by Dave Friedlander with Guillaume Lejault (2nd engineer) China Forbes, vocals; Courtney Mixed Taylor-Taylor, If you’d like to come along And listen to it grow electric guitar; Gavin Bondy, cornet;atRobert Studio de la Grande Armée in Paris, France, July 2009 Published by Daniel M. Faehnle Music (BMI) SPLENDOR IN THE GRASS Taylor, trombone; Charles Reneau, bass trombone; Phil Baker, acoustic guitar & Mastered upright bass; Thomas M. Lauderdale, piano; at harp Bernie Martin Zarzar, drums; Maureen Love, Back whenGrundman I was starting out Bozzi (2nd Going where the hills are green by Bernie with Joe engineer) I always wanted morein Los Angeles, August And 2009 the cars are few and far Grundman Mastering But every time I got it Days are full of splendor and members of the Harvey Design Rosencrantz & layout byfelt Mike Crash Design in Portland, Oregon I still justKing likeatbefore At night you can see the stars Orchestra: Julie Coleman, Nicholas Crosa, Life’s been moving oh-so-fast Gregory Ewer, Joy Fabos, Paloma Griffin, Jun Fortune is a fickle friend Booklet cover photofame by João Canziani I think we should take it slow Iwasaki, Inés Voglar, violins; Jennifer Arnold, I’m tired of chasing Joël Belgique, Charles Noble, violas; Heather I look into your eyes & Peter Murray Rest our heads upon the grass Blackburn, Pansy Chang, Paul Crosa, Photographs Justin And when by Thomas M. Lauderdale I know you feel the same And listen to it grow Kagan, cellos PINK MARTINI SPLENDOR IN THE GRASS