technical datasheet

TECHNICAL
DATASHEET
Opernhaus Graz GmbH
Kaiser Josef Platz 10
A – 8010 Graz
Tel +43 (0) 316 8008 0
www.oper-graz.com
TECHNICAL DATASHEET
TABLE OF CONTENTS
1. TABLE OF CONTENTS
1.
Table of Contents................................................................................................2
2.
Contact Information.............................................................................................3
3.
History.................................................................................................................4
4.
Front Of House ...................................................................................................5
4.1.
4.2.
4.3.
5.
Auditorium ................................................................................................................................. 5
Orchestra Pit and Prompt Box .................................................................................................. 7
Curtain & Proscenium ............................................................................................................... 8
Stage ................................................................................................................ 10
5.1.
5.2.
5.3.
5.4.
5.5.
Definitions........................................................................... Fehler! Textmarke nicht definiert.
Fly System / Winches.............................................................................................................. 10
Under stage machinery ........................................................................................................... 12
Mobile Theatre Stage Technical Systems .............................................................................. 13
Stage cloths ............................................................................................................................ 14
6.
Delivery ............................................................................................................. 15
7.
Lighting ............................................................................................................. 17
7.2.
7.3.
8.
Fixtures (See lighting plot for exact positions) ........................................................................ 17
Mobile lights ............................................................................................................................ 19
Video equipment ............................................................................................... 21
8.1.
8.2.
Fixed positions ........................................................................................................................ 21
Mobile equipment .................................................................................................................... 22
9.
Sound equipment .............................................................................................. 23
10.
Dressing Rooms ............................................................................................... 26
11.
Studio stage Opera ........................................................................................... 27
11.1.
11.2.
11.3.
11.4.
12.
12.1.
12.2.
12.3.
Studio Stage ............................................................................................................................ 27
Lighting .................................................................................................................................... 28
Sound ...................................................................................................................................... 29
Video ....................................................................................................................................... 29
Rehearsal Rooms ............................................................................................. 30
Rehearsal Stage Thalia........................................................................................................... 30
Rehearsal Stage “Malersaal” .................................................................................................. 31
Ballet room .............................................................................................................................. 32
Attachements:
I.
II.
III.
IV.
V.
VI.
Floor Plan Operahouse
Section Plan Operahouse
Lighting Plan
Floor Plan Rehearsal Stage
Floor Plan Studio Stage
Loading Platform
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CONTACT INFORMATION
2. CONTACT INFORMATION
Address:
OPERNHAUS GRAZ GmbH
Kaiser Josef Platz 10
A - 8010 Graz
Contacts:
Position
Name
Tel.
Fax
[ +43 (0) 316 8008 ]
E-Mail
[ @oper-graz.com ]
Technical Director
Wolfgang Urstadt
-1222
-1522
wolfgang.urstadt
Manager Of Technical
Operations
Felix Stoof
-1214
-1556
felix.stoof
Secretary of TD
Christa Kindler
-1100
-1522
christa.kindler
Production Coordination
(Stage & Set)
Martin Lipp
-1210
-1556
martin.lipp
Head of Costume
Sarah Kreimer
Elisabeth Perteneder
-1258
-1208
-1556
-1556
sarah.kreimer
elisabeth.perteneder
Head of Stage Carpentry
Gerald Trummer
Hannes Peindl
-2007
gerald.trummer
hannes.peindl
Head Of Lighting Dept.
Helmut Weidinger
-2933
helmut.weidinger
Head of Sound Dept.
Walter Rudolf
-2403
walter.rudolf
Automation Technology
Željko Crnjak
-2410
zeljko.crnjak
Armorer
Helmut Wallner
-2405
helmut.wallner
Property Master
Christian Ogertschnig
Nicolas Petroff
-2008
christian.ogertschnig
nicolas.petroff
Fire Marshall
Helmut Wallner
-2405
helmut.wallner
Head of Dress Dept.
Sandra Spelec
-2103
sandra.spelec
Head of Make-Up Dept.
Alexandra Heil
-2409
alexandra.heil
Head of Facility Mgmt.
Helmut Pongratz
-1003
helmut.pongratz
House Electricians
Wolfgang Schmidt
(Deputy of Facility
Mgmt.)
Thomas Mussbacher
-1005
wolfgang.schmidt
-1601
thomas.mussbacher
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HISTORY
3. HISTORY
The first evidence of opera performances in Graz reaches
back into the 17th century. In the year 1736, an adapted
couch house of the royal stable served as a theatre that as
well staged opera productions. Although the existing facilities were quite modest, the program was an attractive one:
The avant-gardists Gluck and Pergolesi were performed
and the theatre as a consequence acquired such a good
reputation that the empress Maria Theresa offered to adapt
a building for the theatre that belonged to the cathedral of
Graz. In the year 1776, the National Theatre was opened
on the “Freiheitsplatz” – the building today is still hosting
the theatre of Graz.
The theatre owed its reputation primarily to its staging of
opera productions like Mozart’s “Le nozze di Figaro”, “The
Abduction from the Seraglio” or “Don Giovanni”. Johann Nestroy, later known as Austrian comedian and
playwright, sang several bass parts, e.g. the Figaro in Rossini’s “Il barbiere di Siviglia” in 1826. In the year
1864 the opera received its first building of its own that was the direct predecessor of today’s building, an
ancient dodecagonal circus with room for 2000 visitants. Famous artists like Karl Millöcker, Wilhelm Kienzl
and Franz Schalk worked as Musical Directors there.
Finally a building that reflected the opera’s splendor was
erected. Ferdinand Fellner and Hermann Helmer, both
renowned architects of the empire, were assigned to plan a
new opera house. Particular attention was paid to the baroque-manner interior of the auditorium that is kept in the
colors gold, white and red. The auditorium provides seats
for 1200 visitors and has more than 40 boxes. The house
was opened with Schiller’s drama “Wilhelm Tell” on 16 September 1899, followed by the first premiere of an opera on
the next day with Richard Wagner’s “Lohengrin”. In 1906
the Austrian premiere of “Salome” took place under the
direction of the composer.
Original Drawing by Helmer & Fellner Architects
From 1983 till 1985, the house has been sensitively adapted in order to meet today’s requirements of stagecraft by building a glass bridge that connects the stage area to the newly erected scene dock. Throughout the
last hundred years the opera has continuously staged countless productions and has like this turned into an
important centre for southeastern music culture. In the season 2000/2001 it was selected as “Opera House of
the Year” by 50 international theatre critics.
Until today, the Oper Graz has hosted numerous renowned composers and singers and often served as a springboard for their
world careers. Franz Schalk, who later was Director of the
Viennese State Opera, Clemens Krauss and Karl Böhm worked
among others as conductors in Graz, Robert Stolz launched his
career as a conductor before becoming a celebrated composer of
operettas and film music. Among the great singer celebrities,
especially Ljuba Welitsch and Maria Kouba, both will remain
unforgettable for their “Salome”, as well as the mezzo-soprano
Hertha Töpper, who was also born in Graz, rose to fame. Angelika Kirchschlager also was part of the ensemble of the opera
house and gave her role debut as “Octavian” (“The Knight of the
Rose”) in Graz.
(Source: www.oper-graz.com)
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FRONT OF HOUSE
4. FRONT OF HOUSE
4.1. Auditorium
4.1.1. Seating
Dark brown „Thonet“ - folding chairs with red velvet upholstery
4.1.2. Capacity
Seated
Standing
Designation
Capacity
Designation
Capacity
Parterre
499
Parterre
100
Parterre loges
24 in 6 loges
Balcony
100
Balcony
170
-
-
Balcony loges
78 in 18 loges
-
-
2nd Balcony
345
-
-
2nd Balcony
loges
70 in 16 loges
-
-
Total
1186
Total
200
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F RONT O F H OUSE
On the website of the Opera Graz (www.oper-graz.com/eckdaten.php) you can do a virtual tour of
both the auditorium and the lobby.
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F RONT O F H OUSE
4.2. Orchestra Pit and Prompt Box
The Opera house in Graz has three electrical powered orchestra lifts. The “Orchesterpodium 2”
has a fixed lug sub podium 200cm underneath the main deck. You can enter the orchestra pit
trough the basement at fixed heights between -180cm and -215cm. The orchestra pit is usually
used at -180cm for opera-, operetta- and musical productions. Sometimes it is also used at 215cm and rarely at -145 cm.
The balustrade between orchestra pit and auditorium can be removed completely.
Orchestra lifts cannot be used for scenic changes!
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F RONT O F H OUSE
Lift
Size [ m ]
Area [ m² ]
Elevation [ m ]
1
15,1 x 4,1
36,1
±0 ... –2,83
2
14,3 x 3,8
34,3
±0 ... –5,20
3
12,0 x 1,8
17,4
±0 ... –2,15
The prompt box can be used with the orchestra lift number 3 set between -180cm and -215cm.
Currently there are two ready-to-use covers for the prompt box (both in black)
P r ompt-box cover s
4.3. Curtain & Proscenium
4.3.1. Fire Curtain
The former main curtain (painted by Alexander Rothaug) is glued to the front of the steel structure
of the fire curtain. The fire curtain cannot be used for scenic changes.
4.3.2. Main Curtain
Divide
Ga ther
The Opera Graz has a main curtain made of red velvet. It can either be divided or gathered to be
opened.
4.3.3. Proscenium Bars
There are two electrically powered flybars (guided by wires on each end) just behind the main curtain in front of the proscenium.
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4.3.4. Sound Curtain
The sound curtain is a seven-layer thick black velvet that is positioned right behind the two Proscenium Bars and can be lifted vertically.
4.3.5. Proscenium
The width of the proscenium opening is 12m; the height is variable between 0,2m and 9m.
4.3.6. Technical Data
EV
Fire Curtain
Depth
Height
[m/s]
Length
[kg]
Number
Comments
Speed
Name
Scenic changes
Abb.
Max. load
All flybars are computerized (except for the fire curtain and the proscenium) and can be used for
scenic changes.
[m]
[m]
[m]
No
0,30
1
15
0,2
+9,5
Only for
maintenance
No
0,10
1
18,8
-
+1,5..
+11,5
HV-H
Main Curtain
Lift - electrical
HV-T
Main Curtain
divide - electrical
Variable speed
Yes
0,001..
1,50
1
18,8
-
-
HV-R
Main Curtain
gather - electrical
Variable speed
Yes
0,001..
1,50
1
18,8
-
-
SL1
Scrim bar 1
500
Yes
0,001..
1,20
1
16,7
-
+0,2..
+24,5
SL2
Scrim bar 2
500
Yes
0,001..
1,20
1
16,7
-
+0,2..
+24,5
S3
Sound Curtain
750
Yes
0,001..
1,20
1
16,7
-
+0,5..
+24,0
No
0,10
1
12
1,2
6
+0,2..
+9,0
-
Proscenium
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Height
is variable
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S T AGE
5. S T AGE
5.1. Stage Terms
Stadtseite (St.S.) = Bühne Rechts = “City side” = Stage Left
Parkseite (P.S.)= Bühne Links = “Park side” = Stage Right
Orchesterpodium III = Kernhub = Orchestra lift 3
5.2. Fly System / Winches
All flybars and winches are electrically powered and computerized. They adhere to the German
Safety Standard BGV C1 and are rated as safe to use for flying people.
Height
[m/s]
Depth
[kg]
Length
Comments
Number
Name
Speed
Abb.
Max. load
5.2.1. Stage
[m]
[m]
[m]
Flybar
Speed depending on load
500
(750)
0,001..
1,20
(0,80)
33
18,8;
max.
19,8
+0,2..
+25,4
E37...
Flybar
E39
Speed depending on load
500
(750)
0,001..
1,20
(0,80)
3
18,2;
max.
19,2
+0,2..
+24,4
1500
0,001..
0,70
3
18,8;
max.
19,8
+0,5..
+25,4
Pa1: stage right
Pa2: stage left
Pa3: stage right (outside)
Pa4: stage left (outside)
500
0,001..
1,20
4
Can be set up at almost any
point of the stage
500
0,001..
1,20
12
E1…
E36
L6,
L19,
L34
Heavy Load Flybar
Pa1
Pa4
Panorama Flybar
P1...
P12
Point hoist
11,
25
+0,2..
+24,5
+0,2..
+24,0
The maximum speed of the bars depends on the load; Loads up to 500kg can me moved with up
to 1.2m/s and loads between 500kg and 750kg with up to 0.8 m/s.
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Overhead Light 3
OL4
Overhead Light 4
PL1
PL4
Panorama Light
Upstage
-
Height
OL3
Depth
Overhead Lights
1&2
Each in three parts
OL1 L / M / R
OL2 L / M / R
Length
OL1
OL2
Comments
[kg]
[m/s]
[m]
[m]
[m]
2000
(500/ 0,001
1000/ ...0,60
500)
2
18,8
(5,1/
8,2/
5,1)
1,0
+0,2…
+18,0
1000
0,001
…0,60
1
18,2
-
+0,2...
+24,4
750
0,001
…0,60
1
18,8
-
+0,2..
+11,0
250
0,001
…0,30
4
-
10
+0,2…
+8,0
Number
Name
Speed
Abb.
Max. load
5.2.2. LX bars
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500
0,001
...1,20
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5
Height
[m/s]
Depth
-
[kg]
Length
HB1…
Upstage Flybar
HB5
Comments
Number
Name
Speed
Abb.
Max. load
5.2.3. Upstage Flybars
[m]
[m]
[m]
18,8
-
+0,1...
+11,8
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S T AGE
Revolving Stage
(computerized)
Ø13,9m
Both directions possible
Depth
Turn radius / Lift
height
[m/s]
Width
Comments
Speed
Name
Number
5.3. Under stage machinery
[m]
[m]
[°/m]
0,001
…1,2
1
Ø
13,9
±0°..
360°
0,001
...0,3
1
10,0
4,0
-3,0...
+4,0
Hanging in ropes
Static load (upper deck): 500 kg/m²
Double deck platform
Static load (lower deck) 250 kg/m²
(computerized)
Dynamic load (upper deck): 250 kg/m²
Dynamic load (lower deck): 250 kg/m²
Maximum dynamic load: 10.000 kg
Trap Doors
Covered openings in the floor to place
the trap mechanisms
-
16
2,0
1,0
-
Trap Mechanism
“Waagner-Biro”
Maximum load both static and dynamic
250kg
0,05
...0,5
1
1,98
0,98
-3,0...
±0
Trap Mechanism
“Hauleitner”
Maximum load both static and dynamic
500kg
ca. 0,1
1
1,0
1,0
-3,2...
±0
Trap Mechanism
“Tüchler”
Static load max. 500kg, dynamic load
max.150kg, maximum speed while
transporting persons 0,5m/s
0,01
....0,7
1
1,96
0,96
-3,1...
±0
Drop storage lift
Not for scenic use
0,05
1
22,4
1,8
±0 +5
Additional information about the Double deck platform
Due to the fact that the platform is hanging in ropes it is very sensitive to lateral forces and unbalanced heavy loads. It is therefore necessary to limit lateral forces (maximum 5000 N) and distribute
heavy loads evenly onto the platform.
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S T AGE
Depth
Height
[m/s]
Width
Comments
Speed
Name
Number
5.4. Stage wagon systems
[m]
[m]
[mm]
Stage wagon in
“Hoac”-frame
(Height: 140mm);
Manufacturer:
Greenmotion
Remote controlled; can be used for
scenic changes; direct load up to
500kg/m²; movable loads on plane
surfaces approx. 3500kg
0,005
...0,5
2
1,0
1,0
200
Stage wagon in aluminum frame
(Height: 105mm)
Manufacturer:
Greenmotion
Remote controlled; can be used for
scenic changes; direct load up to
500kg/m²; movable loads on plane
surfaces approx. 3500kg
0,005
...0,5
2
1,0
1,0
167
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5.5. Stage cloths
Name
Stage Area
Deck
Curtain
Scrim /
Gauze
Comment
Black brick walls
Condition*
Size
W [m] H [m]
1
Interlocked wooden multilayer boards
(maximum load: 1000kg/m²)
Main Curtain (red velvet)
1
1-2
17
10
Sound Curtain (black velvet)
1
1
16,5
11
Scrim black
1
2
18,6
12
1
1
18,6
12
1
2
16,5
11
Scrim grey
1
3
16,5
17
Gauze - cyclorama white
1
2
16
Gauze - cyclorama grey
1
2
16
6
1
18,6
6
4
2
18,6
3,6
2
2
11
6
1
2
16,5
6
6
3
18,6
3,6
1
1
18,6
14
2
1
18,6
12
1
2-3
18,6
11,5
12
1-2
3,6
12
14
1-2
3,6
14
2
1-2
3,6
16
10
3
3,6
18
6
3
3,6
12
12
3
3,6
14
1
2-3
18,6
16
1
2
18,6
11,5
Scrim white
Boarder (top Black velvet
masking)
Grey velvet
Aushang
#
Black velvet
Black velvet
Legs
Grey velvet
Projection
screen
Opera® opaque – matt
Platforms
Standard heights: 16, 33, 50, 66, 75, 83, 100
[cm]
* Optical conditions: 1 - like new 2 - slightly used 3 - heavily used (rehearsal decoration only)
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D ELIVERY
6. D ELIVERY
6.1.1. Loading dock and gate:
The Opera Graz has a hydraulic loading dock which extends onto the back of the truck. For detailed measurements and information concerning the driveway see attachment VI
The gate at the loading dock has the following measurements:
Height:
3,5m
Width:
5,0m
6.1.2. Glass Bridge
All decorations will be brought on stage using the glass bridge. The glass bridge connects the
wing stage with the assembly hall and all of the storage facilities. In order to ensure fast and easy
load in/load out it is necessary to limit the maximum height of all decorations to 8m.
Since the glass bridge is partly used for storage it usually has a usable width of 3m
Overall measurements of the glass bridge:
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Height:
8,0m
Width:
5,8m
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D ELIVERY
6.1.3. Backstage Gate
In very exceptional cases decoration can also be brought directly on stage through a gate at the
back of the stage.
The backstage gate measures as follows:
Height:
3,5m
Width:
2,3m
6.1.4. Freight Elevator
The freight elevator is adjacent to the assembly hall and connects to “Studio stage”, Storage
rooms of the “Next Liberty” and the rehearsal stage.
Height:
8,0m
Width:
3,5m
Length:
5,7m
Depending on the destination the usable elevator door size varies:
Basement (Studio Stage)
1.OG (Assembly Hall)
1,75m x 4,0m
3,50m x 8,0m
3.OG (Rehearsal Stage)
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3,05m x 8,0m
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L IGHT ING
7. L IGHT ING
7.1.1. Light Console
Compulite Vector Red (8 internal DMX universes); Backup Unit: Vector Blue
7.1.2. Used Connectors
CEE 16A, 32A und BNS 63A
7.1.3. Mains
240/380V
7.1.4. Intercom
Philips
7.2. Fixtures (See lighting plot for exact positions)
Type
Wattage
Auditorium: loges + procenium area + balcony
Niethammer HPZ 215 + Scroller
2000W
Niethammer HPZ 215
2000W
Niethammer HPZ 2511 + Scroller
2500W
PANI NV
1000W
HVP 208
2000W
D`Artagnan + Scroller
2500W
Vari Lite VL 1000
575W
Clay Paky Alpha Profil 800
800W
PAR (CP62)
1000W
Profil Limax
1200W
ETC Source 4 26° (for conductor)
575W
Arri Fresnel
2000W
Cyc lights
1000W
Lighting Bridge
Desisti fresnel
Niethammer HPZ Profiler 211
Niethammer HPZ Profiler 215
Niethammer HPZ Profiler 2511
HMI follow spot InnoFour 575
NV 1200 Superbeam
Sodium-vapor lamp
Strobe
Selecon Fresnel + Scroller (7-55°)
Selecon Fresnel (7-55°)
RGBW flourecent row
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5000W
2000W
2000W
2500W
575W
1200W
180W
6000W
1200W
1200W
58W
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Socket
Qty.
GY16
GY16
G22
6
10
6
4
2
2
4
2
6
2
2
4
2
MSR/HR
PGjX36
GY16
GY16
G22
SEL
G22
2
4
8
6
2
6
1
1
6
4
7
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T ECHNICAL D AT ASHEET
L IGHT ING
Type
1st & 2nd technical gallery
Niethammer HPZ Profiler 2511
Niethammer HPZ Profiler 215
Niethammer HPZ Profiler 211
NV 1000 / PANI
Portal towers
ADB Niethammer HPZ 2515 + Scroller
ADB Niethammer HPZ 2515
ADB Niethammer HPZ 215
ADB Niethammer HPZ 2511
ARRI HMI + Scroller
Robert Juliat 614 SX (28-54°)
mobile dimmer 12 channel Tera A 12
Six-Packs CP 62
Niethammer HVP 208
PANI NV 1000
ETC Source 4 (26°)
ETC Source 4 (36°)
Clay Paky Alpha Profil 800
Strobe
RGBW flourecent row
LX bars
Clay Paky Alpha Profil 800
Clay Paky Alphawash
Clay Paky Stage Scan
ARRI HMI+Scroller
ARRI HMI+Scroller
Fresnel+Scroller
RGBW flourecent row
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Wattage
Socket
Qty.
2500W
2000W
2000W
1000W
G22
GY16
GY16
20
6
3
17
2500W
2500W
2000W
2500W
2500W
1200W
GY16
GY16
GY16
GY16
SE/G 38
GX9,5
6x1000W
2000W
1000W
575W
575W
800W
4000W
35W
GX16d
4
5
7
1
1
3
2
4
4
2
2
2
2
2
8
800W
1200W
1200W
2500W
4000W
2500W
35W
O P ERNHAUS G RAZ G MB H
G9,5
G9,5
PGjX36
PGjX36
D7/60
SE/G38
SE/XS
8
8
7
4
2
8
11
S EIT E 18 VON 32
T ECHNICAL D AT ASHEET
L IGHT ING
Mobile lights
Type
HMIs
With motorized yoke and scroller:
ARRI HMI
ARRI HMI
Clay Paky Profile
On light stand, with scroller:
ARRI HMI
ARRI HMI
D`Artagnan MSR
Vari Lite VL 1000
Wattage
Socket
Qty.
4000W
2500W
1500 W
SE/XS
SE/G38
1 (+1)
4(+1)
4(+1)
4000W
2500W
2500W
575W
SE/XS
SE/G38
MSR/HR
2
5
4
4(+1)
6x1000W
300W
1000W
1000W
1000W
GX16d/GY9,5
GX16d
GX16d
GX16d
GX16d
14
40
18
64
15
Profile
ETC Source 4 (26°)
ETC Source 4 (36°)
ETC Source 4 (26°)
ETC Source 4 (36°)
Niethammer HPZ 2511
Niethammer HPZ 2515 / ADB 15-40°
Niethammer HPZ 215
Profile Limax
ADB DS 104 15°-31°
575W
575W
750W
750W
2500W
2500W
2000W
1200W
1200W
G9,5
G9,5
G9,5
G9,5
G22
GY16
GY16
11
9
2
4
1
5
1
2
5
Fresnel
ARRI
HVP 208
Selecon 7-55°
Pani
2000W
2000W
1200W
5000W
6
2
2
6
1250W
4x 1250W
5000W
1000W
2000W
300-500W
5000W
9
8
2x
2
11
5
1
Pars
Six-Packs CP62
PAR 56
PAR 64 Short Nose CP62/61
PAR 64 Long Nose CP62/61
PAR CP62 on floor stand
Flood lights
Starlette single
Starlette 4 chamber
6x Starlette on 1x wagon, L=6m; for lighting cycs
HV flood lights
HV flood lights
Construction flood lights
Flood light
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 19 VON 32
T ECHNICAL D AT ASHEET
L IGHT ING
Type
flourecents/LED-bars
Spectra Connect RGBW
Flourecent bar single + Vip 90
Flourecent bar single + Vip 90
LED-RGBW Archibar
floor rows
Wattage
4x35W
58W
36W
150W
750W
Socket
Qty.
19
50
50
20
8
Side light boom (on casters)
PAR, profile,
profile, PAR,
profile
2 vertically
mounted Svoboda ramps
Version 1
Version 2
Miscellaneous
ADB Svoboda ramp
Pani Low Voltage lamp
HQI lamp
UV lamp
UV lamp
Strobe 1
Strobe 2
lighting stand 2,5m
lighting stand 3,6m
Wind machine (blower)
2500W
1000W
400W
400W
125W
6000W
2500W
Mobile dimmers
Shuttle Dimmer
ETR lighting mobile dimmer 12 channel
Smartpack mobile dimmer 12 channel
Compulite mobile dimmer 24 channel
Mobile dimmer 24 channel
Slide projektors HMI (180x180mm slides)
Pani
Pani
VERSION : 17.10.2013
10
4
20
6
4
7
2
1
3
9
7
4
16
1
6
1
2
2500W
1200W
O P ERNHAUS G RAZ G MB H
1
2
S EIT E 20 VON 32
T ECHNICAL D AT ASHEET
8.
VIDEO EQUIP MENT
VIDEO EQUIP MENT
8.1. Fixed positions
Type
Panasonic-DS100XE
Panasonic lens ET-D75LE10
Output
10500 Lm
Qty.
1
1
Position
Auditorium
Panasonic PT-D 10000
Panasonic lens ET-D 75 LE 5 – Wide
Panasonic lens ET-D 75 LE 3 - Standard
10000 Lm
2
2
2
Upstage
HDTV
PAL
2
0
Amp room
Amp
PAL
2
Panasonic NV-HS 960 VHS
Sony SLV-T2000
LG DR-4912S
LG BD 660 BluRay Player
LG 32 LM660S TV
PAL
PAL
PAL
HDTV
HDTV
1
1
1
1
1
1x lighting booth,
1x Studio Stage
Workshop
Workshop
Workshop
Workshop
Workshop
Analogway Diventix 2
HDTV
1
Kramer VP-727XL
HDTV
1
15“
2
2
3
lighting booth
Workshop
Workshop
HDV
HDV
1
1
Workshop
Workshop
Canon MG5450 Tintenstrahldrucker, A4, Farbe
mit CD/DVD Einsatz
1
Workshop
Genelec 8020 StudioLS
2
Workshop
Media Server Coolux Pandoras Box Std (2 Output)
Media Server ARKAOS – not usable at the moment
Pioneer DVD-V8000
Laptop, 1x Coolux Master +1x Crestron Laptop
VideoPC
Misc. LCD flat screens
Sony HVR-DR60 HDV Firewire-Recorder - Broken
Sony HVR-M25E HDV-Recorder
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
lighting booth +
amp room
lighting booth +
amp room
S EIT E 21 VON 32
T ECHNICAL D AT ASHEET
VIDEO EQUIP MENT
8.2. Mobile equipment
Type
Eiki LC-XT5
Qty.
2
Position
Workshop
1
1
1
Workshop
Workshop
Workshop
1
Workshop
1
Workshop
3
Workshop
1
3
1
Workshop
Workshop
Workshop
1
Workshop
1
Workshop
PAL
2
1x Workshop
1x Studio stage
HDTV
HDV
1
1
1
1
1
2
Workshop
Workshop
Workshop
Workshop
Workshop
Workshop
2
Workshop
Output
15000 Lm
1024x768px
Eiki lens wide 1:0,8
Eiki lens standard zoom
Eiki lens tele
Sanyo PLC-XF45
10000 Lm
1024x768px
Sanyo lens standard zoom
Eiki LC-X70
5000 Lm
1024x768px
Eiki lens wide 1:0,8
Eiki lens standard zoom
Eiki optik tele
NEC NP610G
3500 Lm
1024x768px
Screen 2,5m x 1,5m
Sony DVD-Player
Sony PMW EX-3
Sony HVR Z-1E – partly broken
Rode NTG-2
Canon EOS 400D body
Canon lens EF-S 17-85mm
tripods
ATEM fibre-optic cable to camera converter
(1x sender, 1x reciever)
Lupus surveillance camera
PAL
4
Workshop
Edirol V-4 mixer – 1x partly broken
Panasonic WJ-AVE55 mixer
PAL
PAL
3
1
Workshop
Workshop
Max. 1024x768px
PAL
2
2
Workshop
Studio stage
7“ LCD screens
Sony SSM-9040 P, PAL screens
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 22 VON 32
T ECHNICAL D AT ASHEET
S OUND EQUIP MENT
9. S OUND EQUIP MENT
Qty.
Type
Mixing desk
1
8
48
48
DIGICO SD7T + Remote
SD Racks 48/96/192Kh, 4x MADI I/O
Freely assignable 30-band grafic EQs
Digital FX
Front
6
4
d&b 1220 speaker
d&b D12 Processor/Amps
Center
4
1
2
d&b Q1
d&b Q7
d&b D6 Processor/Amps
Procenium
Bridge
1
1
2
d&b 1220
d&b D12 Processor/Amp
Meyer USW1 Subs + Processor + QSC 3350Amp
4
2
2
Bohlender & Gräbener Planar Magnetic Transducers
L132-A3
L190-A3
L365
2
2
3
5
Studt S1214T
Studt S121S 21“ Bassreflex Subs
Xilica ControllerXD8080
LAB Gruppen C48:4 Amps
Delay
6
6
d&b E3 Speakers
d&b E-Pacs
Upstage
2
2
2
d&b Ci14 Tops
d&b Ci7 Subs
d&b D12 Controller/Amps
Dome
(above auditorium)
2
Tannoy 15“ Speaker + QSC 3350 Amp
Monitoring
6
6
10
2
2
2
8
d&b Maxx 10“ 1“
d&b E-Pacs
d&b E3 + d&b E-Pacs
Mackie SRM 450 active speakers
Mackie SA 1532z active speakers
Mackie SRM 1801 active subwoofers
16 channel personal mixer Behringer Powerplay P16M
Beschallung:
Procenium
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 23 VON 32
T ECHNICAL D AT ASHEET
S OUND EQUIP MENT
Qty.
Type
Microphones
8
24
4
1
32 Channel Sennheiser 1048 wireless system (24UHF,8VHF)
microphones: Sennheiser MKE 2 or
Sennheiser HSP neckband
Sennheiser SK 5212-A
SK50 pocket transmitter
Sennheiser hand transmitter
4 Channel Sennheiser In-Ear monitoring system
condenser
microphones
1
4
2
2
4
2
6
2
2
2
4
12
4
4
12
AKG C34
AKG C407
AKG C408
AKG C409
AKG C414
AKG C460
AKG C747
Audix Cx111
Audix SCX25A
Haun MBUM630
Neumann KM84
Neumann KM184
Neumann KM140
Shure MX 393
Schöps CCM 4
dynamic
microphones
8
2
3
1
1
1
Shure SM58
Shure BETA 57
Shure BETA 98
Shure BETA 56
AKG D112
AKG D112
35
stands
HF-Mikrofone
Miscellaneous
stands
Misc., 1x up to 8x
DI unit
FX
2
TC Elektronic M5000
playback
2
1
1
Drenkelfort playback system
MD Sony
MD Sony
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 24 VON 32
T ECHNICAL D AT ASHEET
S OUND EQUIP MENT
9.1.1. Signal flow
The signal inputs are organized in 8 DigiRack I/O Frames which are spread throughout the house
in 4 different places. The signals are linked through two redundant Optocore networks. There are
over 60 connection boxes for both audio and video signals in the stage area, the auditorium and
the sound and light booths. All signals are linked through to central patch panels and the
DigiRacks.
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 25 VON 32
T ECHNICAL D AT ASHEET
D RESSING R OOMS
10. D RESSING R OOMS

Solo/
Choir/
Extras
Room
101
Women
Solo
Men
Solo
Women
Choir
Men
Choir
304
Women
Extras
502
Men
Women
& Men
Extras
Ballet
Make-up
Ballet
room
VERSION : 17.10.2013
102
202
203
302
303
505
507
Location
9
2
3
0
10
2
5
0
14
2
12
2
Stage left
25
2
Stage right
25
2
30
2
7
0
Stage right
Stage right
Stage right
Stage left
1
24
2
7
3
Giraditrakt
6
4
15
5
10
-
Make-up
seats
Capacity
Stage left
5
O P ERNHAUS G RAZ G MB H
Floor
1st
2nd
3rd
5th
0
2nd basement
5
1st basement
S EIT E 26 VON 32
T ECHNICAL D AT ASHEET
S T UDIO ST AGE O P ERA
11. S T UDIO ST AGE O P ERA
11.1. Studio Stage
Information:
Floor
Area
Lights
Gallery
Maximum size for
decorations
VERSION : 17.10.2013
Black wooden stage flooring
280m²
No daylight
2,75m above ground level, Walking floor +2,98m, Width
1,5m
Height less than 2,75m: Width=1,7m x Length=5,15m
Heights over 2,75m:
W=1,35m x L=5,15m x H=4,0m
O P ERNHAUS G RAZ G MB H
S EIT E 27 VON 32
T ECHNICAL D AT ASHEET
S T UDIO ST AGE O P ERA
11.2. Lighting
11.2.1. Lighting desk:
Compulite Vector Blue
11.2.2. Lights:
Type
Clay Parky Spot
Studiocolour
RGB
Fresnel lights and scroller
S4 - 36°+ kroitische scroller
S4 - 36°
Hps
Hpz 35°
Sixpack (6x Par 64 auf Bar)
Number
6
1
6
4
6
6
3
8
5
Wattage [W]
1200
575
3 x 58
2000
750
575
2000
2500
6 x 1000
Overall wattage [W]
7200
575
1275
8000
4500
3450
6000
20000
30000
81000
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 28 VON 32
T ECHNICAL D AT ASHEET
S T UDIO ST AGE O P ERA
11.3. Sound
11.3.1. Mixer:
Allen&Heath GL2400 Analog mixing desk 24:4:2, 6 Aux
11.3.2. Speaker System
Number
2x
2x
2x
Type
Powered Speakers Mackie SA1532Z
Powered Subwoofer Mackie SWA1801 Z
Powered Monitoring Mackie SRM 450
11.3.3. Wireless-System
Number Type
Sennheiser EM3032
8-Channel wireless system
8x
Beltpack
2x
Handheld
11.3.4. Players & Other
Number Type
CD-Player
PC + Wavelab
All additional equipment (i.e. cables, DI boxes, microphones, amps, effects, etc.) are also used in
the Opera hose and therefore availability is subject to change.
11.4. Video
There will always be at least one projector – fitted for the room size - available
VERSION : 17.10.2013
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S EIT E 29 VON 32
T ECHNICAL D AT ASHEET
R EHEARSAL R OOMS
12. R EHEARSAL R OOMS
12.1. Rehearsal Stage Thalia
Information
Floor
White wooden floor
Area
Approx. 500m²
Lights
No Daylight
Specials
The rehearsal stage is fitted with a fully functioning turntable, which has the same measurements as the turntable on
the main stage. Presently, movements of the turntable cannot be directly transferred to the main stage; some varaiations are to be expected.
Maximum size for
decorations
Width=3,0m x Length=5,15m x Height=8,15m
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 30 VON 32
T ECHNICAL D AT ASHEET
R EHEARSAL R OOMS
12.2. Rehearsal Stage “Malersaal”
Information
Floor
Black dance floor
Area
235m²
Lights
Daylight
Specials
Daylight can be totally blacked out with black molton
Maximum size for
decorations
Width=1m Length=2,5m x Height 2,0m
Weight maximum 50kg
VERSION : 17.10.2013
O P ERNHAUS G RAZ G MB H
S EIT E 31 VON 32
T ECHNICAL D AT ASHEET
R EHEARSAL R OOMS
12.3. Ballet room
Information
Floor
White dance floor
Area
255m²
Light
Partly daylight
Specials
Maximum size for decorations
VERSION : 17.10.2013
Mirrored walls on three sides
Ballet bars on three sides
Width=1m Length=2,5m x Height 2,0m
Weight maximum 50kg
O P ERNHAUS G RAZ G MB H
S EIT E 32 VON 32