Life is a stage. Choose your instrument wisely.
Transcription
Life is a stage. Choose your instrument wisely.
Life is a stage. Choose your instrument wisely. www.hamerguitars.com www.hamerguitars.com Sometimes you choose a guitar, sometimes it chooses you. The passion you feel for your music is the same passion that drives us to create Hamer guitars. The XT Series delivers the tools for your trade, what you build with them is your choice. XT delivers the same pro features of our USA made guitars, without breaking the bank. Check out our XT Series and USA made Custom Shop models on-line at www.hamerguitars.com L to R - Californian Quilt-top (CALQ-TRD); Californian 3 (CX3T-MS); Californian (CAL L-BK) “They tried to hold us back but we fought And we stood our ground. They tried to tell us this would never last, but we refused to come down. So now we look at them and smile, cause we’ve won this battle. But the war is still so far from over................ We Will Rise!!” photo by Heidi Coyle - Base2 www.base2music.com Californian 2 (CX2R-WH); Velocity 2 (VEL2A-TRD); Velocity 2 5-string (VEL2A5-TRD) www.hamerguitars.com L to R - Sunburst Flame-top P-90 (SATFP90-HB); Sunburst P-90 (SATP90-GT); Sunburst Flame-top (SATFW-DCB); Echotone (ECO-CT) “Boogie all night long. I wear silk dress slacks, alligato r shoes, polyeste r shirts, baby i just can’t lose. We’re doing the playboy boogie. ” - Mike Law & The Playboy s photo by Heidi Coyle MikeLaw Blues.co m L to R - Sunburst Flat-top (SFX2-BKCH); Sunburst Flat-top bass (SFB-GMG); Sunburst Flame-top (SATF-NT); Sunburst Quilt-top (SATQ-TSB); Sunburst Arch-top (SAT2-BK) “ I am strong inside and out, e out but when things go wrong my insides com , every once in a while things get like this every once in a while... nd laying face up, everything is spinning arou down when you stand up, nothing wants to stay I know I’m freakin’ out ” would you give up? I dont know man, but - throne w w w.myspace.com/throne L to R - Chaparral 12 (CH12-BK); Standard (STD-BK) photo by Heidi Coyle Standard Korina (STDK-NT); Vector Flametop (VECF-CS) w w w.hamerguitars.com www.hamerguitars.com Sunbursts >> Cherry Sunburst (CS) Blueburst Honeyburst Tobacco Sunburst Transparent Red Cherry Transparent Natural Red White (BB) (HB) (TSB) Dark Cherry Burst 2-Tone Sunburst (DCB) (2T) Goldtop Gun Metal Grey Transparents >> Transparent Black (TBK) (TRD) (CT) (NT) Solids >> Cobalt Blue (CB) Metallic Silver (MS) Black (BK) (RD) Black Cherry Pearl Blue (BKCH) (PBL) (WH) (GT) (GMG) Models Body Neck ** Pick-ups Electronics Bridge Scale Finishes Californian CX2R Basswood Maple/Bolt-on 2- Hamer Humbucker 1-Vol, 1-Tone, 3-way toggle Fixed 25 1/2” BK, WH, RD CX3T Basswood Maple/Bolt-on Hamer Humbucker/Single/Single 1-Vol, 1-Tone w/ push/pull Fulcrum Tremolo 25 1/2” MS, CB, BK CAL Ivoroid/Abalone Bound Maple Maple/Set 2- EMG-H4 1-Vol, 1-Tone, 3-way toggle Floyd Rose Type 25 1/2” BK CALQ Ivoroid/Abalone Bound Maple Maple/Set 2- EMG-H4 1-Vol, 1-Tone, 3-way toggle Floyd Rose Type 25 1/2” TRD 5-way toggle Sunburst SFX2 Basswood Maple/Bolt-on 2- Hamer Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” BKCH, PBL, WH SAT2 Mahogany Mahogany/Set 2- Hamer Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” BK SATP90 Ivoroid Bound Mahogany Mahogany/Set 2- Hamer P-90 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” GT SATFP90 Ivoroid Bound Mahogany Mahogany/Set 2- Hamer P-90 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” HB SATF Ivoroid Bound Mahogany Mahogany/Set 2- Hamer Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” TBK, CS, NT, BB, HB, TSB LSATF Ivoroid Bound Mahogany Mahogany/Set 2- Hamer Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” HB SATFW Ivoroid Bound Mahogany Mahogany/Set 2- Duncan-Designed Humbucker 2-Vol, 1-Tone, 3-way toggle Wilkinson Tremolo 24 3/4” DCB SATQ Ivoroid/Abalone Bound Mahogany Mahogany/Set 2- Duncan-Designed Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” HB, TBK, NT, TSB SFB Basswood 34” BKCH, GMG Standard STD Ivoroid Bound Alder Maple/Set 2- Hamer Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” BK STDF Ivoroid Bound Alder Maple/Set 2- Duncan-Designed Humbucker 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” CS STDK Ivoroid Bound Korina Maple/Set 1- 59, 1- JB Seymour Duncan 2-Vol, 1-Tone, 3-way toggle Tune-o-matic 24 3/4” NT Maple/Bolt-on 2- Hamer Bass Humbucker 2-Vol, 1-Tone Chrome 4 Vector VEC Ivoroid Bound Alder Maple/Set 2- Hamer Humbucker 2-Vol, 1-Tone, 3-way toggle “V” Plate 24 3/4” BK, CT VECF Ivoroid Bound Alder Maple/Set 2- Duncan-Designed Humbucker 2-Vol, 1-Tone, 3-way toggle “V” Plate 24 3/4” CS, HB 24 3/4” CT, 2T Echotone ECO Ivoroid Bound Maple Velocity Bass VEL2A Ash Bubinga/Maple/Bolt-on 2- Hamer Bass J-Style 1-Vol, 1-Pan w/ Active B&T Chrome 4 34” HB, TRD, TBK VEL2A5 Ash Bubinga/Maple/Bolt-on 2- Hamer Bass Soapbar 1-Vol, 1-Pan w/ Active B&T Chrome 5 34” TRD 34” BK Maple/Set 2- Hamer Humbucker 2-Vol, 2-Tone, 3-way toggle Tune-o-matic Chaparral Bass CH-12 Mahogany ** All models include a Rosewood Fingerboard. Maple/Set 2- Hamer Bass Soapbar 1-Vol, 1-Pan w/ Active B&T Custom 12 For more info visit us on the web at www.hamerguitars.com Thanks to our friends at The Webster Theatre www.webstertheatre, Black-Eyed Sally’s www.blackeyedsallys, Base2, The Playboys & tHrOnE. KCG-607 Printed in the U.S.A. 15m Specif ications are subject to change without prior notice. Kaman Music Corporation P.O. Box 507, Bloomfield, Connecticut 06002 Company Founder Jol Dantzig Artist, dreamer, designer, builder. “ Approach every task as though it were the moment that will define you. ” When I set out to build my first instrument in 1973, I was driven by two desires. First, to resurrect the quality that had vanished from guitar building, and second, to possess an instrument that reflected my personal identity. Since then Hamer has been totally absorbed in a quest for excellence, constantly pushing the art form and raising the level of guitarists’ expectations. Our guitars are celebrations of individuality. We revel in doing the absurdly difficult rather than taking the easy way around. It is our desire that your Hamer instrument will continue to surprise and delight you, revealing more nuance year after year. To achieve this we hand build only a small number of exquisite guitars in our studio each year. If you seek excellence and honor individuality, you’ve come to the right place. Welcome to the world of Hamer. Our Workshop Hamer began the boutique revolution in 1973, and we’ve been building art, in the form of guitars, for the world’s best players ever since. We’ve been at the forefront of our craft and have repeatedly introduced design ideas years before they became mainstream. But of all our accomplishments, I am most proud of the fact that we have built a really great team. From wood selection to setup, each one of our artisans is driven to excel. Whether it is custom mitred purfling, delicate inlay work or hand carving a top, each job is done to a level of perfection that is rare in the modern world. We enjoy using premium materials like ivory and bone, genuine shell and Italian cellulose binding to make our instruments as beautiful and exclusive as they are toneful. Our electronics have always been a hallmark—with custom-made potentiometers and pickups designed specifically for each application. Every day we approach our work with the determination to delight ourselves, and our clients. Jol Dantzig Monaco With this design series I wanted to expand the notion of what a traditional style single-cutaway could be. Starting with a generous (13.8”) body dimension and by using a longer (25.5”) scale length, the Monaco family of semi-hollow designs blurs the distinction between genres. More comfortable to play than a big hollowbody, yet surprisingly open and articulate, the Monaco offers the guitarist new colors to paint with. By varying the wood selection and hardware the Monaco family has a choice for every type of player. The SubTone is a 26.5” scale, intended to be tuned down a fifth (or more) without compromising the ability to play chord forms. The Elite is a smaller solidbody version with a more distinct midrange. Monaco SuperPro in Amber Burst Monaco III: Red Transparent Monaco: Jazz Burst Monaco SuperPro: Amber Burst Spruce-topped, semi-hollow with f-holes. Spruce-topped, semi-hollow with f-holes. Figured maple on mahogany, semi-hollow. TonePros bridge, Bigsby tailpiece. Rosewood TonePros bridge, Bigsby tailpiece. Rosewood TonePros bridge and tailpiece. Rosewood fingerboard with genuine shell Victory inlays. fingerboard with genuine shell Victory inlays. fingerboard with genuine shell Victory inlays. Three custom-wound P-90 pickups, volume, Two humbucking pickups, two volumes, Two custom-humbucking pickups, two tone and 5-way rotary switch. master tone and 3-way toggle switch. volumes, master tone and 3-way toggle switch. Monaco SubTone: Black Monaco Elite: ’59 Burst Monaco Elite P-90: Gold Top Mahogany, semi-hollow. 26.5” scale. Figured maple on solid mahogany. 24.75” Rock maple on solid mahogany. 24.75” TonePros bridge and tailpiece. Rosewood scale. TonePros bridge/tailpiece. Rosewood scale. TonePros bridge/tailpiece. Rosewood fingerboard with genuine shell dot inlays. fingerboard, genuine shell Victory inlays. fingerboard with Victory inlays. Two P-90 Two custom-humbucking pickups, two Two humbucking pickups, two volumes, pickups, two volumes, master tone and volumes, master tone and 3-way switch. master tone and 3-way toggle switch. 3-way toggle switch. Body width: 12.90” Body width: 12.90” Newport The original Newport is fitted with Phat Cat single coils which were the result of a collaboration with my friend Seymour Duncan. Conceived as a crossover guitar in 1999, the spruce-topped Newport was the first guitar to receive a perfect score in a Guitar Player magazine review. Since then we’ve been busy configuring the Newport in different ways—adding binding, carved backs, custom inlays and experimenting with alternative pickup choices. Shown here is a wonderful custom example. Notice how the highly figured top and layered binding contrasts against the stark ebony fingerboard with its single inlay signature. Designer Newport in ’59 Burst Newport: Vintage Orange Newport Korina: Vintage Korina Newport BE: Jazz Burst Spruce-topped, semi-hollow with f-holes. African limba, semi-hollow with f-holes. Honduras mahogany, semi-hollow, bird’s-eye Mahogany back and neck. Schaller tuners, Cellulose tortoise binding throughout. Schaller maple top with f-holes. Italian ivoroid binding TonePros bridge, Bigsby tailpiece. Rosewood tuners, TonePros bridge, Bigsby tailpiece. throughout. Schaller tuners, TonePros bridge/ fingerboard with genuine shell dot inlays. Rosewood fingerboard with genuine shell dot tailpiece. Rosewood fingerboard with genuine Ivoroid binding, two Phat Cat pickups, master inlays, two Phat Cat pickups, master volume, shell Victory inlays, two Seth Lover pickups, master volume, master tone and 3-way toggle switch. master tone and 3-way toggle switch. volume, master tone and 3-way toggle switch. Newport Pro: Vintage Natural Newport 90: Tobacco Sunburst Newport Pro Custom: Ruby Red Honduras mahogany with spruce top, semi- Semi-hollow Honduras mahogany body with Honduras mahogany with spruce top, semi- hollow with f-holes. Cellulose ivoroid binding center block. Spruce top with f-holes. Ivoroid hollow with f-holes. Cellulose ivoroid binding. throughout. Schaller tuners, TonePros bridge and binding. Schaller tuners, TonePros aluminum Schaller tuners, TonePros bridge, trapeze tailpiece. Rosewood fingerboard with genuine wrap-around bridge. Rosewood fingerboard tailpiece. Ebony fingerboard with Victory inlays. shell dot inlays, two Seth Lover pickups, master with dot inlays. Two P-90 pickups, master Two Seth Lover pickups, master volume, master volume, master tone and 3-way toggle switch. volume, master tone and 3-way toggle switch. tone and 3-way toggle switch, gold hardware. Artist Our first foray into semi-solids, the Artist was a logical evolution of my original Hamer double cutaway design from 1977. Taking the mahogany-backed, mapletopped guitar into a chambered format brings a new dimension to a classic sound. This example is called the Artist Ultimate and it features over two-hundred-fifty individually cut pieces of shell inlaid around the entire guitar. I like to use large pieces, cut to shape around the curves of the body and headstock. It’s more time consuming to do, but it looks better than using a lot of little pieces. There’s over fourteen hours of inlay and binding work in the neck alone. Designer Artist Ultimate in Natural Burst Artist Korina 90: Vintage Korina Artist Korina HB: Vintage Korina African limba, semi-solid with f-hole. Schaller tuners, African limba, semi-solid with f-hole. Schaller tuners, TonePros bridge and tailpiece. Rosewood fingerboard TonePros bridge and tailpiece. Rosewood fingerboard with shell dot inlays. Two P-90 pickups, two volumes, with shell dot inlays. Two Duncan humbucking pickups, master tone and 3-way toggle switch. two volumes, one master tone and 3-way toggle switch. Artist: ’59 Burst Artist Custom: Transparent Red Mahogany, semi-solid with f-hole. Bookmatched figured Mahogany, semi-solid with f-hole. Bookmatched figured maple top. Schaller tuners, TonePros bridge and tailpiece. maple top. Italian ivoroid binding Schaller tuners, TonePros Rosewood fingerboard with genuine shell dot inlays bridge and tailpiece. Rosewood fingerboard with Victory and side markers. Two Duncan Seth Lover pickups, two inlays. Two humbucking pickups, two volumes, one tone, volumes, one master tone and 3-way toggle switch. 3-way toggle switch. Ivory string nut, pearl headstock logo. Studio The Studio series was a landmark design for us, and remains one of the most popular instruments in our range. Crafted from pattern grade Honduras mahogany and topped with figured maple, it set a standard for high-end designs. Pictured here is the “Custom” version which includes elegant touches like Italian cellulose ivoroid binding, ivory string nut and thirty genuine pearl inlays. The headstock logo is inlaid shell also. The controls are laid out logically and positioned to accommodate the natural arc of the player’s hand. All this, before the word ‘ergonomic’ entered the dictionary. Designer Studio ‘Triple Threat’ in Ic’d-T Finish Studio Custom: ’59 Burst Studio: Aztec Gold Studio P-90: Gold Top One piece mahogany, solidbody with book- One piece mahogany, solidbody with book- Mahogany solidbody with rock maple top. matched figured maple top. Schaller tuners, matched figured maple top. Schaller tuners, Schaller tuners, TonePros bridge and tailpiece. TonePros bridge and tailpiece. Rosewood TonePros bridge and tailpiece. Rosewood Rosewood fingerboard with genuine shell fingerboard with genuine shell Victory inlays. fingerboard with genuine shell dot inlays. Two Victory inlays. Two Duncan P-90 pickups. Ivoroid Two Duncan ’59 pickups. Italian ivoroid binding Duncan ’59 pickups. Fully shielded electronics binding and genuine ivory string nut. and genuine ivory string nut. cavity, straplock compatible strap buttons. DuoTone Envisioned in a dream, Jol Dantzig created the DuoTone — the first workable hybrid electric-acoustic — in 1991. It has been available continuously since its introduction and has graced the stages and recordings of some of the most famous acts in music. The acoustic pickup utilizes a kynar cable sensor feeding into an onboard preamp with fully adjustable threeband equalizer. The magnetic pickups are time-tested Duncan humbuckers selected for this application, and together with the rosewood bridge, provide a truly warm electric sound. A full duplex output allows you to rout each signal to a separate discrete sound system, or to join them together. The idea of being able to seamlessly switch between acoustic and electric sounds may have been fifteen years too early for the times, but it’s still ready when you are. KorinaJunior You simply cannot judge this book by its cover. Hamer’s forte has always been doing more with less. Simple as a sunny day and fierce as a top-fuel dragster, the Korina Junior is a bantam-weight with a heavyweight knockout punch. Every detail is rendered with a skill usually reserved for fancy guitars. The love shows in the details. The Junior utilizes a full depth dovetail neck joint to provide resonance galore. Fitted with Seymour’s P-90 and a gloriously simple wraparound bridge, it may look like a one-trick pony—but what a ride. Talladega The high-performance Talladega breaks rules and rewrites the record books on tone. The 25.5” scale maple neck and rosewood fingerboard provide articulate highs, while the chambered mahogany body with “string through” sustain block bridge deliver endless sustain. The figured maple top is hand-carved and bound with Italian ivoroid. Custom-designed single coil pickups were created specifically for this guitar by Seymour Duncan and Jol Dantzig. Ergonomic controls for volume, tone contour and a four-speed selector switch let you dial up exactly what you need. The Standard Hamer entered the consciousness of the guitar playing world with the release of this guitar in 1974. It provided the young company a platform on which to build its growing reputation as a custom builder. Virtually unchanged since its introduction, it remains a mainstay for customization and personalization. Hand-built with a one-piece Honduras mahogany body with book-matched figured maple top, it is an icon of the rock guitar world, setting “the standard” for all who came after. Vector Tracing its roots back to Jol Dantzig’s original 1973 Hamer, the Vector is the essence of rock. Lovingly crafted in our small New England studio from the choicest white African limba and shaded with a korina hued acetate lacquer. Gold hardware from Schaller and TonePros update this classic piece, worthy of any collection. Chaparral 12-String In 1978 Hamer constructed the world’s first twelve string bass. The Dantzig-penned design was based upon the ancient Tiple with four groups of three strings. Easier to play than it would appear, every bassist owes it to themselves to have one in their collection. Sometimes called the “pocket piano,” it is a bold sonic statement that is perfect for trio applications as well as ensemble settings. The twelve string has a thunderous roar and stinging overtones that are the signature sound of this unique instrument. Also available as an eight string, the Chaparral bass is another icon of Hamer history. Monaco Bass All old-school, analog and awesome. The Monaco Bass is an instrument with a true identity. If you think that modern basses have lost their personality in the rush to go hi-fi, this bass will delight you. The set-neck construction affords this bass loads of sustain and warmth. The one-piece mahogany body is topped with a book-matched figured maple top. The 34” scale rock maple neck with rosewood fingerboard is dovetailed to the body for a tonal character that is distinctive and unique. To make sure that character isn’t lost, Jol Dantzig and Seymour Duncan collaborated to create the Phat Cat bass pickup exclusively for this instrument. Improv Each Hamer design seeks to address a question, and provide a solution to an artist’s need. In the Improv, you’ll find a guitar that possesses the romance, build quality and sound of a large-bodied jazz guitar; in a smaller, more manageable size. It’s more familiar to hold if you’ve grown up on solid body electrics, yet it delivers big sound. The Improv is perfect for the traveling musician, getting in and out of taxis and aircraft with ease. The construction is a tour-de-force of modern luthiery, with multi-ply stacked and mitred Italian cellulose binding, hand-made ebony appointments and genuine ivory nut and tail block. Fully carved inside and out, the spruce top features “X” bracing. The body and neck are hand-carved from pattern grade Honduras mahogany. Every detail is masterfully executed to exceed your expectations, then finished in your choice of shaded acetatebased lacquer. Extremely limited production; please inquire about availability. Top Row: (Spruce Tops) Ruby Red, Vintage Natural, Cherry Transparent, Honey (Maple Tops) Black, Gold Top Bottom Row: (Spruce Tops) Cherry Transparent, Indigo Blue, Jazz Burst, Black Cherry Burst (Korina Tops) Vintage Korina, Jazz Burst Top Row: (Figured Maple) Amber Burst, Natural, Indigo Blue, Honey, Cherry Transparent, Red Transparent Bottom Row: (Figured Maple) Vintage Natural, Black Transparent, Cognac, Honey, Tobacco Sunburst, ’59 Burst Designer Gallery One... of my favorite things is to work directly with musicians to create one-of-a-kind instruments. This is where I can use our years of experience to turn a dream into reality. Our bag of tricks includes all the stylistic flair of traditional luthiery, plus our trademark slight-of-hand way of doing the “impossible.” Still, the most important aspect of our Designer Series guitars is our ability to focus on what it is that the musician really wants while avoiding the pitfalls of uninformed design choices. These pages display just a few of our collaborative results in order to whet your appetite for a truly special piece. I invite you to call upon our knowledge to craft an instrument that both embodies the lineage of the Hamer name and is a reflection of your desires. www.hamerguitarsgallery.com “ We don’t have a custom shop. ” We are a custom shop. Most likely, you are reading this because you are at a point in life where you’d prefer something unique created by artists at the top of their game. We build every Hamer USA guitar by hand in our New England studio. When you acquire a Hamer instrument, you are tapping into over three decades of custom building heritage. Jol Dantzig Cover Photo: Designer Newport in Tortoise Cover and work bench photos by Rick Whittey. Workshop Personnel photos by Jeff Crandall. Hamer Guitars, www.hamerguitars.com Copyright 2007 A Kaman Music Company Specifications are subject to change without prior notice. N ew Hartford, Connecticut KCG-601-1/07 Handcrafted Excellence