catalog - Iegor.net

APRIL
12th
2016
SUZOR-COTÉ, Marc Aurèle de Foy (1869-1937)
TUESDAY, APRIL 12TH 2016 AT 7:30PM
JEWELRY | INTERNATIONAL ART
ANTIQUES AND OBJETS D’ART
ASIAN ART AND ANTIQUES | CANADIAN ART
WEDNESDAY, APRIL 13TH 2016 AT 7:30PM
IMPORTANT MINERALOGY COLLECTION
(SEVERAL SPECIMENS FROM CLOSED MINES)
VIEWING
From Friday, April 8, to the day of the auction, from noon to 5pm,
at 870 du Couvent, Montréal, Québec
CONDITIONS OF SALE: Lots are sold without
guaranties or recourse and « as is ». The Fine
Art auctioneer’s decisions are final (all
information
are
approximate).
Items
purchased at the auction must be paid for
immediately. A charge of 20% over and
above the hammer price, as well as taxes
(when applicable) are added to all lots
purchased at the auction.
ABSENTEE BIDS: The Fine Art auctioneer
and the experts will be pleased to execute
absentee bids free of charge for those who
are unable to attend the auction. Bids may be
placed by mail, Internet, telephone or fax,
before 6pm, the day of the auction, please.
PAYMENT: Cash, certified cheque, wire
transfer, credit cards (Visa, MasterCard) in
Canadian Dollar. Condition report available on
request.
From estates, collections and others by order of trustees, executors or others.
For information and appointments:
514 344-4081 | [email protected]
1
GOLD 14K AND DIAMONDS
14K yellow gold former pendant
with a black enamel decor set
with ten rose-cut diamonds
weighing approximately 2.00
to 4.20ct each. Window on the
back to place a picture. Marker’s
mark “GN”. With a gold plated
chain. Weight : 20.9gr With
gemological certificate.
2
14K, SAPHIRE AND DIAMONDS
14K yellow gold ring set with an
emerald cut sapphire weighing
approximately 1.0ct, decorated
with round diamonds on each
side. Weight: 6.9gr.
3
14K GOLD AND DIAMONDS
Pair of 14K white gold earrings
set with diamonds weighing
approximately 0.60ct (total).
Weight: 7.5gr.
4
HAMILTON, 14K GOLD AND
DIAMONDS
14K white gold wrist watch set
with diamonds. Cord bracelet.
Weight: 10.2gr. Mechanism
apart.
5
18K GOLD
Two 18K gold pocket watches.
Total weight: 140gr. Also
including one metal pocket
watch.
6
14K AND 18K GOLD
14K yellow gold bracelet
decorated with one 18K yellow
gold charm and two 14K yellow
gold charms. Total weight:
58.7gr.
7
14K AND 10K GOLD
14K yellow gold bracelet
decorated with a 10K yellow
gold charm. Total weight: 25.1gr.
8
18K GOLD, OPAL AND DIAMONDS
18K yellow gold ring set with an
oval opal cabochon weighing
approximately 1.20ct. Weight:
9.0gr.
9
OMEGA - 14K GOLD
14K yellow gold lady’s wrist
watch, mechanical movement,
cream dial, 14K gold twisted
chain bracelet. Weight: 30.3gr.
10
18K GOLD AND DIAMONDS
18K white gold eternity ring set
with twenty-two (22) brilliant
cut round diamonds, weighing
approximately 1,50ct (total);
Clarity SI1, Colour G-H. Weight:
2.5gr.
11
PLATINUM, GOLD AND
DIAMONDS
Pair of platinum and 14K yellow
gold earrings each set with
a brilliant cut round diamond
each weighing approximately
0.70ct; Clarity SI2; Colour G-H.
Total weight: 2.1gr.
12
DELRUE - 18K GOLD, DIAMONDS
AND EMERALDS
18K yellow gold cocktail ring set
with an approximately 0.75ct
brilliant cut round diamond;
Clarity SI1; Colour H-I, surrounded
by diamonds and emeralds.
Signed Delrue. Weight: 34.7gr.
13
14K GOLD, SAPPHIRES AND
DIAMNONDS
14K yellow gold and platinum
ring, set with round diamonds
and sapphires forming a flower
bouquet. Weight: 24.8gr.
14
PLATINUM AND DIAMONDS
Platinum tennis bracelet set
with thirty-six (36) brilliant cut
round diamonds; Clarity VVS;
Colour F-G. Weight: 12.60gr.
Recent gemological certificate.
14-B
14K GOLD AND DIAMONDS
14K yellow gold and platinum
bracelet, set with one hundred
fourteen (114) round brilliant
cup diamonds weighing
approximately 11.30ct (total);
Clarity VVS; Colour E-F.. Weight:
40.9gr. Recent gemological
certificate.
15
PLATINUM AND DIAMANT 4.20ct
Platinum ring set with a round
brilliant cut diamond, weighing
approximately 4.20ct; Clarity
VS1; Colour L-M; surrounded
by round and marquise cut
diamonds. Weight: 8.6gr. Recent
gemological certificate.
15-B
PLATINUM AND DIAMOND 3.00ct
Platinum ring set with a 3.0ct
round brilliant cut diamond;
Clarity VS1; Colour H-I. Weight:
15.70gr.
15-C
ROLEX
ROLEX 18K white gold man’s
wrist watch, model “Oyster
Perpetual Superlative
Chronometer Officially Certified
Cosmograph”. With original box
and documents.
16
17
RIPPL-RÓNAI, József (1861-1927)
Lady with hat Pastel on paper
Signed on the top right : Rònai
24.5x19.5cm - 9.75x7.75”
SCHEIBER, Hugo (1873-1950)
Jazz band Oil on board Signed
on the lower right : Scheiber
50x49cm - 19.5x19.25”
18
19
SCHEIBER, Hugo (1873-1950)
Young woman with cigaret Oil
on canvas Signed on the lower
right : Scheiber 59.5x42cm 23.5x16.5”
KADAR, Béla (1877-1956) Lady
in white Pastel on cardboard
Signed on the lower right :
Kàdàr Béla 25x20cm - 9.75x8”
20
21
PECHSTEIN, Hermann, Max
(1881-1955) The port Ink on paper
Signed on the lower right : H.M.P
28.5x31cm - 11.25x12”
COLIN, Paul (1892-1985) Nude
Oil on cardboard Signed on the
top right : Colin Inscriptions on
the back : “De Colin, affich*ste, le
15/2/52” 28x23cm - 11x9”
22
23
TROYON, Constant (1810-1865)
Transhumance Oil on paper
Monogram signature on the
lower right 15x22.5cm - 6x8.75”
NIEMANN, Edmund John (18131876), After Landscape Oil on
canvas 63.5x115cm - 24.75x45”
23-B
23-C
ULMANN, Benjamin (1829-1884)
Antiques ruins Watercolor on
paper Signed on the lower left :
B.Ullmann 16x21cm - 6.25x8.25”
ULMANN, Benjamin (1829-1884)
Antiques ruins Watercolor on
paper Signed on the lower right
: B.Ullmann 16.5x28cm - 6.5x11”
24
25
DE TOULOUSE-LAUTREC, Henri
(1864-1901) Yvette Guilbert Ink
on paper Monogramm on
the lower right 27.5x17.5cm 10.75x6.75”
HEFFNER, Karl (1849-1925)
Lacustrian landscape Oil on
board Signed on the lower left :
K.Heffner 11.5x8.5cm - 4.5x4.25”
26
27
HEFFNER, Karl (1849-1925) Along
the river Oil on board Signed
on the lower right : K.Heffner
10x10cm - 4x4”
BHENGU, Gerard (1910-1990) Child
Watercolor on paper Signed on the
lower left: Gerard Bhengu 39x28cm 15x11’’ South African renowned artist,
Gerard Bhengu had a distinguished
career with many orders of
ethnographic and religious drawings.
Both portraits offered in this sale
probably date from 1940. Indeed, it is
from this date that he changed the
spelling of his name. Gerard Benghu
painted exclusively in watercolor
and sepia ink on paper which gives
a depth to his work and distinguish
it from all others portraitists.
28
29
BHENGU, Gerard (1910-1990) Child
Watercolor on paper Signed on
the lower right: Gerard Bhengu
39x28cm - 15x11’’ South African
renowned artist, Gerard Bhengu had
a distinguished career with many
orders of ethnographic and religious
drawings. Both portraits offered on
this sale probably date from 1940.
Indeed, it is from this date that he
changed the spelling of his name.
Gerard Benghu painted exclusively
in watercolor and sepia ink on paper
which gives a depth to his work
and distinguish it from all others
portraitists.
BOUCHER, François (1703-1770)
Contemplation Black stone and
white chalk on paper Signed
and dated on the lower right :
F.Boucher, 1763 30x23cm - 12x9”
30
RUSSIA - 19th - Early 20th
Century.
Icons of the royal door of an
iconostasis, the Archangel
Gabriel facing the Virgin Mary,
representing the Annunciation,
they sit on top of the four
Evangelists (John, Luke,
Matthew and Mark ) and
Tetramorph. Russia 19th - Early
20th Century. Gabriel Archangel
: 33x26.5cm - 13x10.25” Virgin
Mary : 33x26.5cm : 13x10.25” Jean
: 44.5x26.5cm - 17.5x10.25” Marc
: 33x26.5cm - 13x10.25” Mathieu
: 44.5x26.5cm - 17.5x10.25” Luc :
33x26.5cm - 13x10.25”
31
ITALIA - 19th Century
Set of antique Italian alabaster
tempera composed of a
central medallion with a
representation of the Virgin
Mary hunched above the
cradle with the Infant Jesus,
Joseph in the background, the
outline composed of multiple
religious scenes and the four
Evangelists in medallions. ITALY
- 19th Century
31-B
RUSSIA - End 19th Early 20th
Century
Russian icon representing
the Holy Virgin with his eyes
lighting up the face of a loyal
, inscriptions : “A person who
has no knowledge should daily
pray the Holy Virgin “. RUSSIA
- End 19th Early 20th Century
31.5x27cm - 12.25x10.5”
31-C
32
WALLACE - STERLING SILVER
“Grande Baroque” Wallace
chiseled and openworked
sterling silver cutlery set with
rose and volute decor, complete
for 10 including : - 10 forks, 10 dessert forks, - 11 coffee
spoons, - 10 dessert spoons,
- 12 soup spoons, - 1 knives, - 1
pick, - 1 cake spatula, - 1 Cutlery
service for pasta. Hallmarked :
Wallace, sterling Approximately
weight without the knives : 3161
grammes - 111.5 onces
32-B
LIMOGES PORCELAIN - P.L
Limoges porcelain set for 12,
with gilt foliage frieze and volute
decor on the outline, including :
- 12 starter plates, - 12 plates, - 12
meat plates, - 12 soup plates, 12 desert plates, - a sauce-boat
with its saucer, - a soup-tureen,
- a large plate, - 2 presentation
dishes, - 2 service dishes, - a
vegetable dish.
Description soon
32-C
THEODORE HAVILAND - NEW
YORK
set of “Théodore Haviland”
porcelain, design Gramercy,
for 12 with light gilt borders
including : - 12 plates, - 12 soup
plates, - 12 starter plates, - 12
bread and butter plates, - 12
coffee cup and saucers, - 3
presentation dishes, - 2 services
dishes, - 1 sugar pot, - 1 milk pot,
- 1 sauceboat. Stamped on the
reverse on the base : Theodore
Haviland, New York, Made in
america. On joint 10 tasses à
café Limoges.
33
ART DECO
Art Deco marble mantelpiece
ornament including a clock
and a pair of trinket bowl cup,
tripartite clock is decorated on
the central portion of an oval
dial surrounded by a young
bronze nymph. Buttresses on
each side decorated with bas
relief representing flowers, the
top ornated with flowers. The
two marble cups, foot and rod
with flower decor. Clock : H :
59cm - 23.25” L : 31cm - 12” l :
21cm - 8.25”
34
AUSTRIAN PORCELAINE
Set of 19th Century porcelain plates
including: - Plate with musician girl decor
signed: Lies; with gilt winding frieze, flower
and dolphin decor on blue background
outlines. Austrian porcelain Stamp on the
reverse on the base. Titled and numbered
on the reverse on the base: “Frost in
Fönen”, D.228. D: 24cm - 9.5” - Porcelain
plate with antique character decor signed:
Kreisa, outlines ornated with polychrome
volutes on bordeaux background built-up
gilt patterns. Austrian porcelain Stamp
on the reverse on the base. Titled on
the reverse on the base : Tanzende
Grazien” D : 24cm - 9.5” - Porcelain plate
with antique character, outlines ornated
with gilt flowers, friezes and birds on blue
background. Austrian porcelain Stamp
on the reverse on the base. Titled on the
reverse on the base : “Rinaldo und Armida”
D : 24cm - 9.5” - Porcelain large plate with
Homérique character decor, outline with
polychrome frieze and volute decor.
Austrian porcelain Stamp on the reverse
on the base. Tilted on the reverse on the
base : “Paris und Helena” D : 30cm - 11.75”
35
MEISSEN – 1775
MEISSEN – 1775 Pair of Meissen
porcelain of 1775 with putti
decor after BOUCHER, François
(1703-1770), the outline ornated
with in relief flowered pink
ribbon on blue background,
the borders with openworked
gadroon decor and gilt borders
on pink background with gilt
tortoiseshell pattern. Stamped
on the reverse on the base
: The two crossed swords of
Meisse above a star. D : 24.25cm
– 9.75”
36
MEISSEN
MEISSEN porcelain plates with
two putti decor on the center,
the outline ornated with in relief
scenes representing putti, The
contour with gilt frieze decor.
Stamped on the reverse on the
base : Two crossed swords of
Meissen. 19th Century Number
on the back : 56 and 44 D : 23cm
– 9”
38
MEISSEN – 19th Century
Set of three Meissen porcelain
plates with reserve couple
decor on blue and red
background with floral friezes
and gilt volute. The openworked
outlines with blue and gilt
flower decor. 19th Century.
Stamped on the reverse on
the base : Two crossed swords
of Meissen. Numbered : 63 D :
25cm – 9.75”
37
MEISSEN
Pair of Meissen polychrome
porcelain putti, Day and Night
allegory. Day wearing with a pink
drapery, sunflower topped with
a bird singing on his feet, holding
a torch and a rose, sunrays as a
crown. Night covered with a blue
drapery holding three sleeping
flowers, wearing a crown of stars,
owl is perched on a tree trunk laid
at his feet. The two figures stood
on gilt dome hexagonal bases,
base decorated with three flowers,
trompe l’oeil marble decor and gilt
borders. Stamped on the reverse on
the base: The two crossed swords
Meissen. Germany, 19th century
The day : M105, 76. Red paint, 57. The
night : M106, 76 The Day : H : 18cm - 7”
The Night : H : 17cm - 6.75”
39
MEISSEN - 20th Century
MEISSEN - 20th Century Set
of 12 small Meissen porcelain
plates with polychrome flower
decor, scrolled outline with gilt
border decor on the outline. D :
17cm - 6.5”
40
MEISSEN - 19th Century
MEISSEN Set of two small
porcelain cups with scalloped
outlines and reserve character
decor, contours ornated with
gilt friezes and volutes on
blue background. 19th century
Stamped on the reverse on
the base: Two folded swords
Meissen. Each : H : 14cm - 5.5”
41
MEISSEN - 19th Century
Meissen porcelain coffee cup
and its saucer with gilt crossed
tools and ivy leaf frieze deco,
swan head handle. Stamped
on the reverse on the base :
two crossed swords Meissen
42
LORRAIN
LORRAIN Single flower
marmoreal glass vase with
yellow, red and blue nuances.
Signed on the bole : Lorrain H :
40.5cm – 16”
43
44
45
QUEZAL ART GLASS AND
COMPANY (1901-1924) Set of
two yellow iridescent glass
lampshades with groove decor,
flared and scalloped outlines.
Signed on the base : Quezal.
Each : H : 13.5cm - 5”
QUEZAL ART GLASS AND
COMPANY (1901-1924) Set of four
iridescent glass lampshades
with groove decor and flared
neck. Each : H : 12cm - 4.5”
46
47
QUEZAL ART GLASS AND
COMPANY (1901-1924) Iridescent
glass vase with green, yellow,
blue and rose shades and
leaf decor with end volutes,
rounded bole and flared neck.
Signed on the reverse on the
base : Quezal H : 15cm - 6”
ZSOLNAY-PECS – HONGRIE
(1853-) Iridescent enameled
ceramic trinket bowl cup with
blue, copper, and green shade
representing two wolves
following footprints. Signed on
the reverse on the base with
five churches stamp : zsolnaypecs. Numbered : 8955 that
corresponds to period between
1914-1932. H : 16cm – 6.25” L : 41cm
– 16”
LEGRAS, François-Théodore
(1839-1916) Glass baluster vase
with a cameo decor of red wine
flowers on a beige gradation
background. Signed in relief
Legras on the bole. H : 22cm –
8.5”
48
49
STEUBEN Blue iridescent glass
baluster vase with flared neck.
Signed on the reverse on the
base : Steuben. H : 21.5cm -8.5”
STEUBEN Blue iridescent glass
pot with rounded bole and
flipped neck. Signed on the
reverse on the base : Steuben,
Aurene Numbered : 2487 H :
11cm – 4.5”
50
51
TIFFANY, Louis Comfort (18481933) Iridescent glass compoted
foot with gradation shade from
green to yellow with scrolled
neck and veined decor. Signed
on the reverse on the base :
L.C.T, Favrile Numbered : 1281 H :
9cm – 3.5”
TIFFANY, Louis Comfort (18481933) Yellow iridescent glass
compoted foot with blue and
rose shades, flared neck with
veined decor. Signed on the
reverse on the base : L.C.T,
Favrile Numbered : 1701 H : 12cm
– 4.75”
52
53
TIFFANY, Louis Comfort
(1848-1933) Set of two yellow
iridescent glass compoted feet
with pink and green shades,
the foot baluster-shaped on the
center. Signed on the reverse
on the base : L.C.T Numbered :
W8571/8314 Each : H : 15cm – 6”
TIFFANY, Louis Comfort (18481933) Yellow iridescent glass
ovoid vase with elongated and
flared neck, pink and green
shades. Signed on the reverse
on the base : L.C. Tiffany, Favrile
Numbered : 1151-1451K H : 18cm
– 7”
54
55
TIFFANY, Louis Comfort (18481933) Blue iridescent glass cup
on piedouche, flared neck with
veined decor. Signed on the
reverse on the base : L.C.Tiffany,
Favrile X H : 7cm- 2.75”
TIFFANY, Louis Comfort (18481933) Yellow iridescent glass
conical vase with rounded base
and curved bole, long green leaf
with built-up vein decor. Signed
on the reverse on the base :
L.C.Tiffany, Favrile Numbered :
1039-1527 K H : 25cm – 9.75”
56
TIFFANY, Louis Comfort (1848-1933)
Set of iridescent glass including
: - Small yellow iridescent glass
jar, signed on the reverse on the
base : L.C.T. H : 8cm – 3” - Two small
yellow iridescent glass cups with
scalloped and scrolled necks, signed
on the reverse on the base : L.C.T
and one signed : U5673. -Yellow
iridescent glass compoted foot with
grape decor on the neck, signed on
the reverse, on the base : L.C.T. H :
9cm – 3.5” - Small yellow iridescent
glass small vase with flared neck
and leaf decor on the bole, signed
on the reverse on the base : L.C.T.
Numbered : 741C. H : 7-2.75” We also
include : - Small iridescent glass
with green and pink shade. Illegible
manufacture stamp on the reverse.
H : 5cm – 2.
56-C
China, Wei period ( 386-534 ).
Pair of terracotta standing
archers wearing helmets and
armor. Traces of polychromy.
China, Wei period ( 386-534 ). H:
24.5cm – 9.5’’ Expertise: Cabinet
Portier, Paris
56-B
China, Han Period (206 BC – 220
AC)
Pair of polychrome engobe
terracotta riders. China, Han
Period (206 BC – 220 AC)
32x30cm – 12.5x11.75’’ Expertise:
Cabinet Portier, Paris
56-D
Tibetan China, probably 18th C.
Embossed copper ornament
decorated with two Makara
and Ananta figures (also called
Shesha) and a lotus flower
among the waves. Polychrome
traces. Tibetan China, probably
18th C. 31x53cm – 12.25x21’’
Expertise: Cabinet Portier, Paris
57
57-B
GALLÉ, Émile (1846-1904)
Ovoid shaped vase, burgundy
multilayer glass on opalescent
beige, amber background,
with flower decor, acid etched
cameo. Signed in cameo. H :
18cm - 7”
JAPAN, MEIJI PERIOD, 19th C.
White Satsuma earthenware
glazed large bowl decorated
with polychrome and gold
enamels of a scene of a Sohei
(soldier-monks) duel. Marked
underneath. D: 34cm - 13.5’’
Expertise: Cabinet Portier, Paris
58
59
PAIRPOINT, In the taste of
Lamp in the taste of Pairpoint,
glass lampshade with
polychrome molted flowers, gilt
metal foot with dark patina and
marble base. H : 61cm - 24”
PAIRPOINT Set of two candle
holder, glass lampshade with
polychrome molted flower
decor, wood base. Signed on
the lampshade base. Each : H :
20cm - 8”
59-B
LURCAT, Jean (1892-1966) AUBUSSON
French AUBUSSON tapestry,
“Coule de source” after a
cardboard by LURCAT, Jean
(1892-1966), Number 666
by PINTON brothers. Wool.
151x231cm - 59.5x91”
60
VAL SAINT-LAMBERT- CRYSTAL
Set of Val Saint-Lambert
crystal glasses for 10 , signed
on the reverse: VSL, belt with
volute and medaillon patterns
including: 12 champagne flutes
11 water glasses 11 white wine
glasses 10 red wine glasses
61
62
Set of three handwritten
18th Century cards, “Cours du
Fleuve Saint Laurent”, with
measuring scale of 30 lieues,
including : - “Vue depuis le lac
Ontario jusqu’à Québec”, - “Vue
depuis Québec jusqu’à l’Isle
Verte”, - “Vue depuis l’Isle verte
jusqu’à l’Isle d’Anticosti”. Each :
37.5x56cm - 14.5x22”
CURTIS JERE (XX-XXI) Metal
wall sculpture with red patina
representing a plane. 95x101cm
- 37.5x39.5”
63
BRITTANY - ELEMENTS OF 18th
CENTURY
Breton sculpted wood buffet,
opening by two swing doors,
panels ornated with rose and
flowers, outlines with acanthus
leaf frieze decor, sculpted
corniches and lifted panels.
BRITTANY - ELEMENTS OF 18th
CENTURY H : 184cm - 72.5” L :
240cm - 94.5” l : 60cm - 23.5”
64
BRITTANY - 19th Century
Breton sculpted and
openworked wood enclosed
bed, opening by two sliding
doors, two swing doors and
three drawers, with spindle,
wheel wain rose and gilt nail
decor. The upper part with
openworked spindle and rose,
flower and volute decor, the
recess lower part with scrolled
outline. BRITTANY - 19th Century
69
70
TOUPIN, Fernand (1930-2009)
“Lotus noir” Huile sur toile Oil on
canvas Signed and dated on
the lower left: Toupin 70 Titrled,
signed, dated and situated on
the reverse: Montréal 60x73cm 23.5x28.75”
VAILLANCOURT, Armand (1929-)
“Le sacre du printemps” Oil on
canvas Signed and dated on
the lower right: Vaillancourt 1995
Titled, signed and dated on the
reverse 91.5x61cm - 36x24”
71
72
RIOPELLE, Jean-Paul RCA
(1923-2002) “Cap tourmente
(L)” 1983 Lithograph on japan
paper Signed on the lower
right: Riopelle Numbered on the
lower left: L 43/60 91.5x63.5cm 36x25” © Succession Jean-Paul
Riopelle / SODRAC (2016)
TOUPIN, Fernand (1930-2009)
Suspended Forms Gouache on
paper Signed and dated on the
lower right: Toupin 62 46x38cm
- 18x15”
73
74
MOLINARI, Guido (1933-2004)
“Abstraction (suite #5)” Ink on
paper Titled and dated on
the reverse on a label: c.1958
Inscription on the back of the
paper: “La droite pour la droite
puis droite ... “ 17x13cm - 6.75x5”
MCEWEN, Jean Albert (19231999) “Drome #1” Oil on canvas
Signed and dated on the
lowe left: McEwen 89 Titled
and signed on the reverse
35.5x28cm - 14x11”
75
76
MOLINARI, Guido (1933-2004)
“Abstraction (suite #1)” Ink on
paper Titled and dated on
the reverse on a label: c.1958
Inscription on the back of the
paper: “J’en cherche moi du
sang plein de(?) sang qui a(?) se
sang dans(?) du sang “ 13x17cm
- 5x6.75”
ALLEYN, George Edmund (19312004) “Formes suspendues” Oil
on board Signed on the lower
center: Alleyn Titled an dated
on the reverse (1960?) and on a
label (c.1956) 14x18cm - 5.5x7”
77
78
KIEFF, (Grediagia, Antonio dit)
(1936-) Untitled Bronze with gilt
patina on a marble base Signed
and numbered on the side:
Kieff, e/a H (with base): 59.5cm
- 23.5”
KIEFF, (Grediagia, Antonio dit)
(1936-) Untitled Bronze with
gilt patina and incrustationsof
red stones on a marble base
Signed and numbered on the
side: Kieff, 1/6 H (avec base):
94cm - 33”
79
80
KIEFF, (Grediagia, Antonio dit)
(1936-) Untitled Bronze with gilt
and green patina Signed and
inscriptions on the side: Kieff 6 H
(with base): 28cm - 11”
KIEFF, (Grediagia, Antonio dit)
(1936-) Untitled Bronze with gilt
and green patina Signed and
inscriptions on the side: Kieff H
(with base): 26cm - 10.5”
81
82
SÉGUIN, Marc (1970-) “Landscape
near (paysage près de) Queens,
USA” Oil on canvas Signed,
dated and titled on the reverse:
Séguin 07 152.5x213.5cm - 60x84”
© Marc SEGUIN / SODRAC (2016)
MORRISSEAU, Norval (1931-2007)
Untitled, 1966 Gouache on paper
Signature on the lower right
Dated on the reverse on a label
from the Galerie des Peintres
Canadiens 39x24cm - 15.25x9.5”
83
SUZOR-COTÉ, Marc Aurèle de Foy (18691937) Snow Effect on the Hills of Cernay
Oil on canvas Signed and dated on the
lower left: A. Suzor Coté 1906 On the
reverses, labels from W. Scott & Sons
and l’École des Beaux-Arts de Montréal
Litterature: -Laurier Lacroix, “Rodolphe
Duguay et Suzor-Coté”, Liberté, no. 231,
June 1997, pages 103-119 -Laurier Lacroix,
Suzor-Coté: “Lumière et Matière”, National
Gallery of Canada and Musée du Québec,
2002, illustrated pages 153 and 338, listed
pages 338, 360 and 364 Exhibitions:
-Canadian National Exhibition, Toronto,
1920, titled as “Neige mouillée, coteaux
d’Arthabaska, QC”, catalogue #129 -École
des beaux-arts de Montréal, Retrospective,
Suzor-Coté, December 3-20, 1929, titled as
“Neige mouillée (coteaux d’Arthabaska)”,
catalogue #30 -November 18th, 1991 auction
at IEGOR Hôtel des Encans, Montreal,
catalogue #131 -Musée du Québec, SuzorCoté: Lumière et Matière, October 10, 2002
to January 5, 2003, traveling to the National
Gallery of Canada, Ottawa, 2003, catalogue
#44 80.5x99.5cm - 31.5x39.25”
84
SUZOR-COTÉ, Marc Aurèle de
Foy (1869-1937) Landscape
Pastel Signed on the lower left:
Suzor Coté On the reverse, a
glued piece of paper stipulates
the presence of a sketch on the
back of the paper 30.5x46cm 12x18”
86
87
RAPHAEL, William (1833-1914)
Portrait of Mme Paré, motherand-law of Alphonse Desjardins,
member of parliament for
Hochelaga, minister, senator
and mayor of Montréal from
1893 to 1894 Huile sur panneau
Oil on board Signed and dated
on the lower right: W. Raphael
1867 56x46cm - 22x18”
FORTIN, Marc-Aurèle (1888-1970)
“Quebec street scene” Oil on
board Signed on the lower left:
M.A. Fortin Titled on a label on
the reverse Catalogue raisonné
number: No H-0884 25.5x23cm
- 10x9” © Succession Marc Aurèle
FORTIN / SODRAC (2016)
88
89
FORTIN, Marc-Aurèle (1888-1970)
“Esquisse, grands arbres” Oil on
board Signed on the lower left:
M.A. Fortin Titled and dated on
the reverse on a label: c.1930
21.5x23cm - 8.5x9”
FORTIN, Marc-Aurèle (1888-1970)
“Étude” Siged on the lower
right: M.A. Fortin Watercolour
Titled on a label on the
reverse 23.5x35cm - 9.5x13.75” ©
Succession Marc Aurèle FORTIN
/ SODRAC (2016)
90
91
RICHARD, René Jean (18951982) “Charlevoix Comté” Oil
on masonite Signed on the
lower left: R. Richard Titled on
the reverse on a label from the
Kastel Gallery Inc. 71x81.5cm 28x32”
RICHARD, René Jean RCA (18951982) Scene from Charlevoix
Oil on masonite Signed on the
lower left: R. Richard 33x38cm
- 13x15”
92
94
RICHARD, René Jean (18951982) Farm in Charlevoix Oil on
masonite Signed on the lower
left: R. Richard 33x38cm - 13x15”
RICHARD, René Jean (1895-1982)
Trapper and camp Pastel on
paper Signed on the lower right:
R. Richard 12.5x15cm - 5x6”
94-B
95
RICHARD, René Jean (1895-1982)
“Parc des Laurentides” Oil on
masonite Signed on the lower
right : R. Richard Titled on the
back 41x51cm - 16x20”
HUDON, Normand (1929-1997)
“Paul, Marie et la tuque de
Josée” Oil on masonite Signed
and dated on the lower right:
Normand Hudon 94 Titled on
the lower left 41x51cm - 16x20”
96
97
HUDON, Normand (1929-1997)
“Quatre soeurs dans l’vent” Oil
on masonite Signed and dated
on the lower right: Normand
Hudon 88 Titled on the lower
left 61x91.5cm - 24x36”
HUDON, Normand (1929-1997)
“Le but vainqueur de Jacques
Henri” Oil on masonite Signed
and dated on the lower right:
Normand Hudon 93 Titled on
the lower left 61x76cm - 24x30”
98
99
HUDON, Normand (1929-1997)
“L’argument frappant” Bronze
with gilded, brown and green
patina Signed, titled, dated
and numbered on the reverse:
Normand Hudon 89, EA H: 33cm
- 12.75” (with base)
HUDON, Normand (1929-1997)
“Le coup de grâce” Bronze
with gilded, brown and green
patina Signed, titled, dated
and numbered on the reverse:
Normand Hudon 89, EA H: 28cm
- 11” (with base)
100
100-B
HUDON, Normand (1929-1997) “Le
frère Henri” Oil on board Signed
and dated on the lower right:
Normand Hudon 85 Titled on
the lower left 25.5x20cm - 10x8”
PELLAN, Alfred (1906-1988)
“Lunettes cravate” Mix media on
cardboard Signed on the lower
left: Pellan Titled and signed on
the reverse 15x23cm - 6x9”
101
102
CORNO, Johanne (1952-) Untitled
- Triptych Oils on canvas Signed
on the lower right on the right
panel: Corno 122x122cm - 48x48”
the central panel 76x76cm 30x30” each the side panels
CORNO, Joanne (1952-) “Red on
pink - Boy” “Red on Pink - Girl”
Set of 2 serigraphs Signed on
the lower right: Corno Titled on
the lower center Numbered
on the lower left: 111/200 et
121/200 81x61cm - 32x24” each
© Johanne CORNO / SODRAC
(2016)
103
104
DER, John Frederic (1926-1996)
“Class of 87” Oil on masonite
Signed on the lower left: Der
Titled, signed and dated on the
reverse: 1988 76x91.5cm - 30x36”
BEAU, Henri (1863-1949) Path
through the woods Oil on
canvas Signed and dated on
the lower left: H. Beau 1895 On
the reverse, an exhibition label
from the Musée Marc-Aurèle
Fortin 38x46cm - 15x18”
105
106
BEDER, Jack (1910-1987) “Street
in Montréal” Oil on wood Signed
on the lower left: Beder Titled
and signed on the reverse: 1963
41x51cm - 16x20”
LEMIEUX, Jean-Paul (1904-1990)
“Rue de village” Watercolour
Signed and dated on the lower
right: Jean-Paul Lemieux 31
Titled on the reverse on a label
28x21.5cm - 11x8.5”
107
108
LEMIEUX, Jean-Paul RCA (19041990) “Nouveau-Brunswick”
Lithograph From CanadaCanada Signed on the lower
right: Jean-Paul Lemieux Titled
on the lower center Numbered
on the lower left: 30/225
50x60cm - 19.75x23.75”
LEMIEUX, Jean-Paul RCA (19041990) “Ontario” Lithograph From
Canada-Canada Signed on the
lower right: Jean-Paul Lemieux
Titled on the lower center
Numbered on the lower left:
30/225 50x60cm - 19.75x23.75”
109
110
LEMIEUX, Jean-Paul RCA (19041990) “Colombie-Britannique”
Lithograph From CanadaCanada Signed on the lower
right: Jean-Paul Lemieux Titled
on the lower center Numbered
on the lower left: 30/225
50x60cm - 19.75x23.75”
LEMIEUX, Jean-Paul (1904-1990)
“Paysage à Charlevoix” Oil on
canvas Titled and inscription on
the reverse: Second Inscription
on the reverse on the stretcher:
Rue Lavigueur, Québec, Parrain
des Artistes, M. Gastonguay
20x25.56cm - 8x10”
111
112
VILALLONGA, Jesus Carlos
(1927-) “Montréal vers les
Cantons de l’Est” Huile sur
panneau de bois Oil on wood
Signed and dated on the lower
right: J.C. Vilallonga 64 Titled
on the reverse on a Dominion
Gallery Label 46x61cm - 18x24”
LALIBERTÉ, Alfred (1876-1953)
Lumberjack Bronze with
weathered patina Signed on
the log on the back: A. Laliberté
Inscription at the base: Andro
Fondeur, Paris H: 21cm - 8.25”
113
113-B
SAPP, Allen (1928-) Camp Oil on
canvas Signed on the lower
right: Allan Sapp 61x76cm 24x30”
PFEIFFER, Gordon Edward
(1899-1983) “Solitude in October”
Oil on masonite Signed on the
lower right: G. Pfeiffer Titled on
a label from the Montreal Fine
Arts Museum on the reverse
75x101cm - 29.5x39.75”
114
115
AYOTTE, Léo (1909-1977) “StSiméon, Qué.” Oil on canvas
Signed and dated on the lower
right: Ayotte 47 Titled on a label
on the reverse 51x61cm - 20x24”
TATOSSIAN, Armand (1951-2012)
Autumn Oil on canvas Signed
on the lower right: A. Tatossian
76x1012cm - 30x40”
116
117
BURTON, Ralph Wallace (19051983) Untitled Oil on canvas
Signed and dated on the lower
left: R.W. Burton 69 51x66cm 20x26”
LECOR, Paul (dit Tex) (1933-) “Une
fin de journée” Huile sur toile Oil
on canvas Signed on the lower
right: Paul Tex Lecor Titled on
the reverse on the stretcher
41x51cm - 16x20”
117-B
Exceptional collection of 58 Dominion
Gallery cheques endorsed by the artists.
Dominon Gallery was one of Canada’s
dominant art dealers and its principal,
Dr. Max Stern, maintained personnal
relationships with several of the artists
whose signatures appera on the reverse
of these cheques, including Riopelle,
Holgate, Jackson, Carr, Lismer and Harris.
Complete artist list: Andrée ARCHAMBAUT,
Marcel BARBEAU, Jack BEDER, Sam
BORENSTEIN, Edith Marie BOUCHARD,
Guy BOYD, Fritz BRANDTNER, Ghitta
CAISERMAN-ROTH, Emily M. CARR, Nora
Frances E. COLLYER, Stanley COSGROVE,
Jean-Philippe DALLAIRE, Jesus DE
VILALLONGA, Lloyd FITZGERALD, Lillian
FREIMAN, Betty GALBRAITH-CORNELL,
Eric GOLDBERG, Lawren HARRIS, Edwin
Headley HOLGATE, John Edward HUGHES,
Alexander Young JACKSON, Dennis Gordon
JONES, Anne KAHANE, Barbara R. KUPER,
Sybil KENNEDY, John Douglas LAWLEY,
Arthur LISMER, John LITTLE, John LYMAN,
Thoreau MACDONALD, Jack H. MARKELL,
Rafal MALCZEWSKI, Henri MASSON,
Jean-Paul MOUSSEAU, Louis MULHSTOCK,
Ernst NEUMANN, Anna NOEH, Louis Paul
PERRON, Gordon PFEIFFER, Walter Joseph
PHILLIPS, Jean-Paul RIOPELLE, Goodridge
ROBERTS, Michel ROSTAND, Meyer
RYSHPAN, Hans SCHLEEH, Marian Mildred
SCOTT, Valentin SHABAEFF, Al Ahmad
SHAIKHLY, Jack SIEGEL, Paul SOULIKIAS,
Dorothy Linton STEWART, Philipp Henry
SURREY, Taylor Frederick BOURCHIER,
Tibor K. THOMAS, Romeo VINCELETTE,
Ester WERTHEIMER, Alice WINANT.
118
JAQUE, Louis (Louis-Jaques
Beaulieu) (1919-) Untitled Oil
on canvas Signed and dated
on the lower left: L. Jaque 78
66x81.5cm - 32x36”
118-C
JAQUE, Louis (Louis-Jaques
Beaulieu) (1919-2010) “Les
structures cosmophages, Serie
C No 11” Oil on canvas Signed
and dated on the lower right:
Louis Jaque 87 Titled and
signed on the reverse 61x51cm
- 24x20”
118-B
JAQUE, Louis (Louis-Jaques
Beaulieu) (1919-2010) Untitled Oil
on canvas Signed and dated on
the lower right: Louis Jaque 90
81.5x66cm - 32x26”
119
AYOTTE, Léo (1909-1977)
Reclining nude Oil on canvas
Signed and dated on the lower
right: Ayotte 47 61x102cm 24x40”
120
GAUCHER, Yves (1934-2000) “A
Nei-ji-ba” Etching embossed
Signed and dated on the lower
left: Gaucher 61 Titled and
numbered on the lower left:
60/60 57x38cm - 22.5x15”
121
121-B
RIOPELLE, Jean-Paul (1923-2002)
“Le Testament de l’Oye”, 1996
Lithograph printed on the Voirin
press of l’Atelier du Livre de
l’Imprimerie Nationale under the
direction of Christian Jourdain
Numbered on the lower left:
31/40 76x57cm - 30x22”
RIOPELLE, Jean-Paul (1923-2002)
“Le Testament de l’Oye”, 1996
Lithograph printed on the Voirin
press of l’Atelier du Livre de
l’Imprimerie Nationale under the
direction of Christian Jourdain
Numbered on the reverse: 31/40
76x57cm - 30x22”
122
123
DZAMA, Marcel (1974-) Living
totem Watercolour Signed on
the lower right: Marcel Dzama
21x28cm - 18.25x11”
TREMBLAY, Louis (1949-) “PetiteRivière St-François” Oil on
canvas Signed on the lower left:
L. Tremblay Titled and signed
on the reverse on the stretcher
76x91.5cm - 30x36”
124
124-B
BONMATI, Gabriel (1928-2005)
“Et ne sait si ses yeux” Huile sur
toile Signée en bas à droite:
Gabriel Bonmati Contresignée
et titrée au dos 30.5x40.5cm 12x16”
ROBLIN, Richard (1940-) “Wall
series #51” Oil on canvas Signed
and dated on the lower right:
Roblin 88 Titled on the reverse
on a label 122x91.5cm - 48x36”
124-C
125
ROBLIN, Richard (1940-) “Wall
series #53” Oil on canvas Signed
and dated on the lower right:
Roblin 88 Titled and dated on
the reverse 122x91.5cm - 48x36”
DES CLAYES, Berthe (1877-1968)
Harbour scene Pastel Signed
on the lower right: B. Des Clayes
28x35.5cm - 11x14”
126
127
BEDER, Jack (1910-1987) Stream
Oil on board Signed and dated
on the lower left: J. Beder 1932
25.5x33cm - 10x13”
COSGROVE, Stanley Morel
(1911-2002) Nude from the back
Gouache Signed and dated on
the lower right: Cosgrove 48
65x50cm - 25.5x19.75”
128
129
VINCELETTE, Roméo (1902-1972)
“Maison des Savoie(?)” Oil on
canvas Signed on the lower
right: R. Vincelette Titled on
reverse 46x56cm - 18x22”
MALTAIS, Marcella (1933-)
Untitled Ink and ollage on paper
Signed and dated on the lower
left: Maltais 67 18.5x18.5cm 7.25x7.25”
130
131
MALTAIS, Marcella (1933-) Yellow
and black transversals Collage
and ink on paper Signed and
dated on the lower right: Maltais
66 11x15cm - 4.25x6”
GRAHAM, James Lillie (18731965) Small abandonned boats
Oil on canvas Signed and dated
on the lower right: J.L. Graham
1937(?) 37x51cm -14.5x20”
131-B
131-C
CANTIN, Roger (1930) “Grande
bergeronne, maison
canadienne” Oil on canvas
Signed on the lower right
: Cantin Titled on the back
35.5x46cm - 14x18”
CONSTANTINEAU, Fleurimond
(1905-1981) “Le château Ramsay,
Montréal” Oil on masonite
Signed and dated on the lower
right : F.Constantineau, 1948
Titled, dated and countersigned
on the back. 30.5x39.5cm 12x15.5”
132
133
RENAUD, Toussaint Xénophon
(1860-1946) House by the river
Oil on wood panel Signed on
the lower right: T.X. Renaud
23x30.5cm - 9x12”
CASTONGUAY, Gérard (1933-)
“Insolite” Oil on wood panel
Signed on the lower right:
Castonguay Titled and dated on
the reverse on a label: c. 2000
51x41cm - 20x16”
134
135
HEIMLICH, Herman (1904-1986)
Still life with bottle Oil on board
Signed and dated on the lower
right: H. Heimlich 58 61x76cm 24x30”
CANADIAN SCHOOL NotreDame church, MOntreal Oil on
canvas 23x38cm - 9x15”
136
137
TREMBLAY, Gérard (1928-1992)
“Jardin des mathématiques”
Mix media Signed and dated on
the lower right: G. Tremblay 76
Titled on the lower left 56x41cm
- 22x16”
ZILON (1954-) Face to face
Sanguine on paper Signed and
dated on the bottom and on
the right: Zilon 97 76x56cm 30x22”
138
139
LEMOYNE, Serge (1941-1998)
“Le rêve de Mario Tremblay
à 13 ans” Lithograph Signed
and dated on the upper right:
Lemoyne 78 Titled on the upper
center Numbered on the upper
left: 2/35 35.5x58.5cm - 14x23”
Marine “The loss of the revenge”
Etching on paper 46.5x83cm 18.25x32.5”
140
141
TOZZI, Mario (1895-1979) Untitled
Lead mine on paper Signed
and dated on the lower right
: Mario Tozzi, 62 70x50cm 27.5x19.75”
FRAU, José (1898-1976) Untitled
Watercolor on paper Signed
on the lower right : Frau
38.5x47.5cm - 15.25x18.75”
142
143
MULLER-WERTHER The horses
Watercolor on paper Signed on
the lower right : Muller-Werther
33.5x43.5cm - 13x17”
BEAUVERIE, Charles Joseph
(1839-1924) Lacustrian
landscape Oil on canvas Signed
on the reverse on the stretcher
: C. Beauverie 18.5x27cm 7.25x10.25”
143-B
143-C
BOUCHER, François (1703-1770),
After End 19th Century Young
woman with flowers Oil on
canvas 44.5x35.5cm - 17.5x14”
ITALIAN SCHOOL Allegory with
cherubs Oil on canvas 69x99cm
- 27x39”
144
144-B
PERMEKE, Constant (1886-1952)
The dune Oil on canvas Signed
on the lower right : C.Permeke
31x43.25cm - 12x17”
LEROUX, Paul (Active 20th
Century) Portrait of an old man
Oil on canvas Signed and dated
on the lower right : Paul Leroux,
1935 65.5x50.5cm - 25.75x19.75”
145
145-B
ZELLER, Magnus (1888-1972)
“C*mabve s. Franc” Gouache on
paper Monogram and date on
the top left : 1946 Titled on the
top right. Inscription on the back.
10.25x7.75cm - 4x3”
ITALIAN SCHOOL - 18th Century
Rural scene Oil on canvas
122x97.5cm - 48x38.5”
146
P.LACOUR Set of 3 inks on
paper Signed and dated :
P.Lacour, 1900/P.Lacour/P.
Lacour, 10 Janvier 1900, P. Lacour,
12 Janvier 1900. Each : 24x35cm
- 9.5x13.75”
147
Rare PORTOFOLIO : La GRANDE ARMÉE
de 1812 by Carle VERNET Limited edition .
This portofolio is Numbered 3030. Faithfull
reproduction of a 1st Empire brief case.
Published in 1959 by Musée de l’Empéri
(France) Jean et Raoul BRUNON. This
PORTOFOLIO is made of RED MATERIAL
embossed with the IMPERIAL ARMS Titled:
CARLE VERNET La GRANDE ARMÉE de
1812 and contains four sections of plates
of several regiments fro Napoleon’s Army:
Dragoons, Artillery ,Infantry, Carabineers,
Marshalls, etc…. Altogether 24 superb color
plates of imperial soldiers and officers,
together with numerous pages of related
texts. Size : 39 cms X 29 cms (15 _ X 11 _).
Printed on paper vélin à la cuve de RivesPure rag. Carle VERNET ( 1758-1836) is one
of the most famous military painter of the
1st Empire. Ex. Collection Ben WEIDER
148
149
SUPERB ANTIQUE ASSOMPTION
SASH, Québec- Ca 1870 This
classic sash is 210 cms long
(82’’) by 15 cms wide (6’’) plus
two 70cms (28’’) length of fine
twisted fringes at each end.
The traditional colors: Red;Blue;
Orange;White and Green, are
still very vivid and compose
a classic arrow design. The
wool used is of the ‘’hard’’ type,
re-twisted, sign of an old sash.
Good, old Assomption sashes
are practically impossible to find
on the market.
RARE ROUND MINIATURE on IVORY,
on grey background, of the French
Royal family –Side view. Louis XVI,
Marie Antoinette, and the young
Dauphin, Louis XVII. Ca.1790. The
miniature is 7 cms (2 34’’) in diameter
and is inserted in a period square
wood frame 13 cms x 13 cms (5’’x 5
‘’). Under slump glass. Many period
representations of the royal family
,prohibited during the French
Revolution , were destroyed, and
surviving examples are rare and
sought after. This lot is subjected to
CITES permits (regulation of import
and export of endangered species).
150
151
PRUSSIAN Jager zu Pferde
SPIKED HELMET “PICKELHAUBE”
- WWI Trooper’s model. Steel
“lobster tail” skull with neck
apron protecting the neck.
Removable brass spike, on
a base. Prussian bass eagle
in front reads : “Mit GOT fur
KOENING und VATERLAND”
(“With God for King and
Homeland”). Brass and leather
chin strap with scales retaining
sheet metal Prussian and Reich
goffered and pinked rosettes.
BRITISH LIGHT CAVALRY
SWORDSABER- Pattern 1796 83
cms (32’’) single edge curved
blade, with side gutters. ‘’D’’
shape steel guard. Leather
covered hilt. The preferred
weapon of british troopers
during the napoleonic wars.
152
153
BRITISH CONSTABULARY
SWORD-HANGER Ca. 1880 Solid
brass single branch guard.
Brass pommel. Leather covered
hilt with 13 grooves. 69 cms
(27’’) Curved blade. This weapon
was issued to UK policemen
as well as to those of the
Commonwealth.
RARE SWORD for a
Commissaire des Poudres
et Salpêtres Napoléon III
-model 1852. This officer was
in charge of overseeing the
manufacturing of black powder
in the military arsenals. Nice
mother of pearl grip Gilded,
chased single branch brass
guard . Pommel with Imperial
‘’BEE’’ . Clamshell with eagle
over a thunderbolt. Superb
triangular straight blade 89 cms
long (31’’) engraved , gilded and
fire blued on its third.
154
155
EXCELLENT and RARE ANTIQUE
HIGH EAGLE TOOLED LEATHER
CAIRNS & BROTHER NYFIRE HELMET.
Ca. 1900 This is a CHIEF’s FIREMAN’s
helmet, with white front plate
that reads ‘’CHIEF. over FD’ ‘on a
red background . The leather is in
excellent condition with very nice
tooling design that encompasses
the whole brim. Suspension ring
on back. It has a brass CAIRNS &
BRO-MEW YORK TAG inside and the
original velvet liner is present . The
front plate is 8’’ high, an indication
of an early helmet. The early style
3 dimensional detailled eagle
ornament has excellent detail and
is gorgeous. Rare in such a good
condition.
INTERESTING WROUGHT IRON
BEAM SCALE made by Romao
& Comp. Portugal- 19th Century.
This very ornamental scale, is
77cms (30 “) wide by 52 cms (20
‘) high. The beam is very clearly
stamped: F10-ROMAO and
COMP. Superb old patina.
155-B
19TH Century
Religious wood sculpture
Spanish inspiration. 19th
Century. H : 84cm - 33”
156
ANTIQUE VICTORIAN PERIOD
WOMAN’S DRESS
ANTIQUE VICTORIAN PERIOD
WOMAN’S DRESS Ca. 1860
Pink silk and lace dress ‘’GONE
WITH THE WIND US CIVIL WAR
STYLE’’, together with its rare
accessory, i.e the frame made
of steel wire that was placed
under the skirt to enhance the
bottom of the dress. Usually
this accessory is missing.
157
AMERINDIAN BUCKSKIN
FRINGED JACKET –Ca. 1900
AMERINDIAN BUCKSKIN
FRINGED JACKET –Ca. 1900 Size
of an average man. Fringes on
back and shoulders. Decorative
pinked buckskin band on front.
Applied side pockets- Pinked
collar. Traditional Indian brain
and smoked moose skin.
158
CRYSTAL
Crystal montgolfier chandelier
with drop beads and pendants,
one light on the center. H : 60cm
- 23.5”
158-B
CRYSTAL
Crystal chandelier with 6
branchs, pendant and drop
bead decor. The bole ornated
with chiseled crystal. H : 36cm
- 14”
158-C
20 YEARS
Crystal and metal chandelier
with pendant and silver round
decor. 20 Years. H : 20cm - 8”
159
CHANDELIER
Gilt metal and polychrome
ceramic chandelier with 6 lights,
gadroon and volute decor.
Crystal lampshade. H : 50cm 19.5”
159-B
CRYSTAL
Crystal chandelier with 5
branchs, pendant and drop
bead decor. H 39cm - 15.25”
160
CHANDELIER
Gilt metal and polychrome
ceramic chandelier with 3 lights
and volute branchs. We also
include crystal lampshades. H :
44cm - 17.5”
160-B
MURANO
Set of two wall lamps with two
light, polychrome pendant and
drop bead decor. MURANO
160-C
CRYSTAL
Crystal chandelier with 5
branchs, pendant and drop
bead decor. H 39cm - 15.25”
161
SAMOVAR
Copper samovar with round
siked decor on the bole,
scalloped outline and sculpted
handles standing on a cooper
tray. H : 44cm - 17.5”
162
COPPER
Large copper samovar with ring
handles standing on the tray
copper. H : 53cmx20.75”
163
SAMOVAR
Copper samovar with volute
and flower pattern decor on the
bole. H : 53cmx20.75”
164
COPPER
Set of 4 gilt metal and copper
tea pots, we also include a
small copper samovar with
decorated bole. The largest tea
pot : H : 19cm - 7.5”
165
ROYAL HOLLAND PEWTER
Pewter and wood coffee and
tea set including a tea pot, a
coffee pot, a water jar, a milk
pot and a tray. Stamped on
the reverse on the base : Royal
Holland Pewter
166
MURANO
Set of 2 Murano polychrome
molten glasse sculptures
representing clowns, a Murano
polychrome molten glass videpoche representing a clown,
we also include 3 polychrome
blown glasses representing
fruits. The largest clown : H :
24cm - 9.5”
166-B
PHOENIX VASE
A PORCELAIN lidded vase
adorned with a polychrome
decor of phoenixes. China. H :
23.5cm – 9.25’’
167
167-B
MURANO
Set of two Murano polychrome
molten glass fishes. The largest
: H : 15cm - 6” L : 48cm - 19”
DEICHMANN, Kjeld et Erica
Ceramic sculpture representing
a giraffe with blue patina.
Signed on the reverse. H : 24cm
- 9.5”
168
VAL ST LAMBERT Set of 6
chiseled crystal ashtrays.
Signed on the reverse, on the
base : VSL
168-B
ENGLAND - 19th Century
Set of 12 demi-porcelain
plates with white blue decor.
ENGLAND - 19th Century
169
METAL
Metal sculpture with dark patina
representing a young woman
with tight legs and holding a
tray. H : 13cm - 5” L : 46cm - 18”
170
QUEBEC
Wood miniature cabinet
opening by three drawers in the
upper top and two swing doors
in the lower part, ornated with
crossed lines. Traces of sang de
boeuf patina. H : 74cm - 29” L :
60cm - 23.5” W : 33.5cm - 13”
171
MARBRE
Green marble base. H : 82cm 32” D : 55cm - 21.5”
172
STOOL
Small wood stool with
polychrome sculpted decor, the
belt with peak, sabre feet and
flail strut, with green, black and
yellow patina, red fabric with
patterns.
173
SCREEN
Wood screen with three panels,
gilt metal flower, frieze, bay
leaf hoove decor, ornated with
green and white patterns fabric
hanging on the lower part, the
upper part with glass beads.
174
HAUTE-EPOQUE STYLE
Haute Epoque style sculpted
desk opening by 6 drawers on
the top part and 5 drawers on
the low part, lion head handles,
cornice with gadroon friezes
and baluster feet.
175
BRETON STYLE
Breton style sculpted wood
hosier with dark patina opening
by a swing door, spindle, oak
leaf frieze and a centrale
flower decor in the upper part,
the lower part ornated with
sculpted medallion scene
representing a musician under
a tree. H : 179cm - 70.5” L : 79.5cm
- 31.25” l : 42.5cm - 16.75”
176
QUEBEC - 19th Century
Set of two wood chairs and two
with two with two crosspieces
on the backrest. QUEBEC, 19th
Century
177
CHINA, 20th C.
Set of four lacquered wood
armchairs decorated with
polychrome flowers and foliage.
China, 20th C. H: 80cm - 31.5’’ L:
61cm - 24’’ l: 71cm - 28’’
178
CHINA, 20th C.
Pair of two blond wood
imitating bamboo and painted
small buffets, the top decorated
with bells, the lower part
opening by a door painted with
pavilion scenes. China, 20th C.
H: 224cm - 88’’ L: 97cm - 38’’ l:
48cm - 19’’
179
CHINA, 20th C.
Four panels black lacquered
wood cabinet, with engraved
and polychrome decor of
female characters decorating
fans and admiring screens
on the upper part; children
playing on the lower part and of
flowers and birds on the sides
and on the top. China, 20th C. H:
150cm - 59’’ L: 92cm - 34’’ l: 55cm
- 21.5’’
180
CHINA, 1ST HALF OF THE 20th C.
Sculpted and gilt wood cabinet
with dragons, phoenix, flowers
and birds decor, opening with
small doors inlaid with mother
of pearl and bakelite decor
of bird groups among the
branches and flowers. China,
first half of the twentieth
century. H: 207cm - 82’’ L: 109cm
- 43’’ l: 48.5cm - 19’’ This lots is
subjected to CITES permits
(regulation of import and export
of endangered species).
181
CHINA, 20th C.
Pair of small lacquered wood
tables painted with scenes of
children playing together. China,
20th C. H: 50cm - 19.5’’ L: 46cm 18’’ l: 31cm - 12’’
182
CHINA, 20th C.
Painted wood low bench with
floral decor. Also including a pair
black lacquered wood of square
benches. China, twentieth. The
largest: H: 42cm - 16.5’’ L: 90cm 35.5’’ l: 55cm - 21.5’’