Manuscripts – Book of Hours - Dr. Jörn Günther Rare Books AG
Transcription
Manuscripts – Book of Hours - Dr. Jörn Günther Rare Books AG
DR. JÖRN GÜNTHER · RARE BOOKS AG 1 Manuskripte und seltene Bücher A DELUXE BOOK OF HOURS FROM THE EASTERN NETHERLANDS Book of Hours, in Dutch, use of Utrecht Manuscript on vellum, illuminated by the Masters of the Zwolle Bible and the Masters of Margriet Uutenham Netherlands, Arnhem and Zwolle, c. 1470 133 x 99 mm. i paper + 224 leaves + iii paper: 15(of 8 lacking i and ii, cancelled blanks, and iv), 28, 39(of 8 + ii, i unruled replacement for cancelled blank), 4-58, 69(of 8 + viii), 78, 89(of 8 + ii), 99(of 8 + viii), 109(of 8 + vii), 11-128, 139(of 8 + viii), 148, 159(of 8 + viii), 168(originally 9, of 8 + vii, lacking viii), 1710(of 8 + iii and viii), 18-248, 259 (of 8 + vi), 2610(of 8 + iv and viii), 277(of 6 + i). – Written space 74 x 52 mm, ruled in grey for 15 lines. Written in dark brown ink in a gothic bookhand, rubrics in red with a few in blue and burnished gold, text capitals touched red. – One-line initials in blue or burnished gold, two-line initials in blue flourished with red or in burnished gold flourished with purple, the flourishing extending into much of side margin, 24 very large initials with staves of burnished gold or coloured foliage on contrasting gold or coloured grounds with borders or bars to all or three margins of sprays of flowers and leaves in burnished gold and colours on feathery stems in brown or gold, most with bars of burnished gold, some linking large flower motifs, 14 rectangular or arch-topped full-page miniatures in burnished gold frames with full borders of acanthus and flower sprays between hairline tendrils with burnished gold leaves and small coloured flowers. – Lacking two leaves and probably seven inserted single leaves with miniatures, three of the inserted miniatures in the Office of the Virgin probably not in original position. Slight wear to some leaves, some offsetting, trimmed into border fol. 220v. – 19th-century blind-stamped black morocco, gilt edges. Slightly rubbed. Red morocco solander box gilt. Dr. Jörn Günther Rare Books AG · Mosboden 1 · 6063 Stalden · Schweiz Office: Spalenberg 55 · 4051 Basel · Fon +41 61 275 7575 · Fax +41 61 275 7576 [email protected] · www.guenther-rarebooks.com DR. JÖRN GÜNTHER · RARE BOOKS AG 2 Manuskripte und seltene Bücher PROVENANCE 1. The pen flourishing and striking style of the illuminated text pages show that the manuscript was written and decorated in Arnhem, probably by the nuns of the convent of Bethany. There was no miniaturist among them so that many of their books were illustrated by paste-in prints. This volume is far more luxurious, since it has inserted miniatures and their borders by the Masters of the Zwolle Bible, active in Zwolle, who decorated books for Utrecht and elsewhere. The first owner was female, as shown by the form of ‘sinner’ in the prayer on fol. 208v “mi arme sundersche”. The Hours of the Virgin vary slightly from the use of Utrecht as translated by Geert Grote but the calendar is significantly different with major feasts in red of the diocese of Cologne: St Pantaleon (28 July), Victor (10 October), 11.000 Virgins (21 October), Severinus (23 October), Cunibert (12 November). A patron to the south towards Cologne might be part of the explanation for the book’s presence in Nuremberg in the early 19th century. There are offsets and stitching holes on the first leaf from pilgrim badges. 2. Robert Hale Blagden Hale of Alderley, Gloucestershire (17801855). Signature on first endleaf: ‘R.H.B. Hale, Nuremberg 1823’. 3. Edouard Sandoz. Armorial bookplate inside upper cover, probably by the artist Edouard Marcel Sandoz (1881-1971), for himself or possibly his father, Edouard Sandoz (1853-1928). It is unclear whether Sandoz’s ownership pre- or post-dated 1931. 4. Quaritch, Catalogue of Illuminated and Other Manuscripts, 1931, no. 59; pencil marks on first endleaf. 5. Sotheby’s, London, 21 June 1988, lot 103. 6. Private Collection. Dr. Jörn Günther Rare Books AG · Mosboden 1 · 6063 Stalden · Schweiz Office: Spalenberg 55 · 4051 Basel · Fon +41 61 275 7575 · Fax +41 61 275 7576 [email protected] · www.guenther-rarebooks.com DR. JÖRN GÜNTHER · RARE BOOKS AG 3 Manuskripte und seltene Bücher TEXT fol. 1 fol. 2-12v fol. 16-79v fol. 81-99 fol. 99-104v fol. 106-149v fol. 151-203 fol. 205-220 Ruled blank Calendar (lacking leaf for January) ruled blank fol. 13; unruled blank fol. 14 Office of the Virgin, in the Dutch translation of Geert Grote, with a few variants: Matins fol. 16, Lauds fol. 28, Prime fol. 41, Terce fol. 47, Sext (with incorrect rubric for vespers) fol. 52, None fol. 58, Vespers fol. 62, Compline fol. 73 Penitential Psalms Litany Long Hours of the Cross Office of the Dead, use of Utrecht Suffrages to Saints: St Erasmus fol. 205, St Christopher fol. 208, the Three Kings fol. 212, St Cornelius fol. 216, St Hubert fol. 219; prayer to the Virgin, Sancta maria een ioncfrouwe boven allen, fol. 220v-224v ILLUMINATION This finely crafted volume is indeed part of ‘The Golden Age of Dutch Manuscript Painting’, since it brings together two of the most gifted workshops in the northern Netherlands in the second half of the 15th century: the Masters of the Zwolle Bible, responsible for the miniatures with their refined piety, and the Masters of Margriet Uutenham, who provided the richly gilded decoration and inventive patterning of the text pages. As an outstanding example of their work, the manuscript formed part of the exhibition of that name in Utrecht and New York in 1989-90. Dr. Jörn Günther Rare Books AG · Mosboden 1 · 6063 Stalden · Schweiz Office: Spalenberg 55 · 4051 Basel · Fon +41 61 275 7575 · Fax +41 61 275 7576 [email protected] · www.guenther-rarebooks.com DR. JÖRN GÜNTHER · RARE BOOKS AG 4 Manuskripte und seltene Bücher The Masters of Margriet Uutenham, named from Margriet’s Book of Hours, should be renamed the Mistresses if they are correctly identified with the Augustinian Canonesses of Bethany, whose activity as scribes is documented from 1451; the style of Margriet’s Hours flourished c. 1460-80 (see also Genie ohne Namen; Weekes). The Masters of the Zwolle Bible were named from the Bible for St Mary’s Church in Utrecht, written between 1462 and 1476 by one of the Brethren of the Common Life in Zwolle. These Brothers are also known to have provided illumination for many books of hours. Bethany in Arnhem belonged to the Windesheim Congregation, the formalised conventual proponents of the Devotio moderna followed by the Brethren, which stressed the humanity of Christ. Both forms of community supported themselves, often by book production, and avoided ostentation while believing that beautiful adjuncts to worship honoured God. The present manuscript is an eloquent embodiment of their ethos: the restrained colours and uncluttered settings of the miniatures, structured around firm verticals, focus attention on the figures and their interactions, while the more assertively lavish borders proclaim the book’s significance. Both groups drew on prints for motifs, figures or compositions. The Presentation and the Flight into Egypt (fol. 57v, 72v), for example, come from the blockbook Biblia pauperum, while both Zwolle and Uutenham Masters used engravings by Master E.S. and Israel van Meckenem; no source has yet been suggested for the striking columbines, fol. 63 (see Budde and Krischel; Weekes). Women painters are known to have been active throughout the Netherlands but their work can seldom be identified. The Sisters of Bethany seem to have evolved a very distinctive style that matched in accomplishment the expressive miniatures of the Brethren in Zwolle. Dr. Jörn Günther Rare Books AG · Mosboden 1 · 6063 Stalden · Schweiz Office: Spalenberg 55 · 4051 Basel · Fon +41 61 275 7575 · Fax +41 61 275 7576 [email protected] · www.guenther-rarebooks.com DR. JÖRN GÜNTHER · RARE BOOKS AG 5 Manuskripte und seltene Bücher The subjects of the miniatures are as follows: fol. 15v The Visitation fol. 46v The Nativity fol. 57v The Flight into Egypt fol. 72v The Presentation in the Temple fol. 80v The Last Judgement fol. 105v The Agony in the Garden fol. 123v The Betrayal and Arrest of Christ fol. 131v The Mocking of Christ fol. 135v The Flagellation fol. 140v The Crucifixion fol. 204v The Martyrdom of St Erasmus fol. 211v The Adoration of the Magi fol. 215v St Cornelius fol. 218v St Hubert The large initials with illuminated borders are on fol. 16, 28, 41, 47, 52, 58, 63, 73, 81, 99, 106, 117v, 124, 127, 136, 141, 146, 151, 205, 208, 212, 216, 219, 220v LITERATURE H.L.M. Defoer, A.S. Korteweg, W.C.M. Wüstefeld, The Golden Age of Dutch Manuscript Painting, exh. cat. Utrecht and New York, Stuttgart 1989, no 88, pl. 88, fig. 141. R. Budde, R. Krischel (eds.), Genie ohne Namen, der Meister des Bartholomäus-Altars, exh. cat. WallrafRichartz Museum, Cologne, 2001, pp. 268-269, no. 8. R. Budde, R. Krischel (eds.), Das Stundenbuch der Sophia van Bylant, Cologne 2001, pp. 183, 185, 198, pp. 205-207. U. Weekes, Early Engravers and their Public. The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450–1500, Turnhout 2004, p. 148. Dr. Jörn Günther Rare Books AG · Mosboden 1 · 6063 Stalden · Schweiz Office: Spalenberg 55 · 4051 Basel · Fon +41 61 275 7575 · Fax +41 61 275 7576 [email protected] · www.guenther-rarebooks.com