Roland V-Drums Catalog

Transcription

Roland V-Drums Catalog
Customize, Create,
Innovate with V-Drums®
No matter the musical style or level of mastery, drummers can express themselves with
unmatched creativity, flexibility, and nuance with Roland's award-winning V-Drums. Beautiful
sound, quality construction, unreal editing, and limitless customization — V-Drums let you build
®
your dream kit from the inside out with powerful COSM instrument modeling, add-on drum and
cymbal pads, and high-caliber percussion controllers.
V-Drums Artist Omar Hakim
V-Drums Sets
V-Drums Sets
The V-Pro Series TD-20K is anchored by Roland’s TD-20 module,
V-Pro Series
™
TD -20K-BK
famous for its stunning, ultra-expressive sound and powerful-yet-friendly
V-Editing. The patented mesh V-Pads™ provide a comfortable, natural feel,
a wide dynamic range, and authentic rimshot triggering, along with a cool look
®
Roland’s Most Expressive and Dynamic V-Drums Kit Ever.
and striking finish. The V-Pro Series TD-20K also features Roland’s innovative
two-piece V-Hi-Hat™ and a drum stand* designed to hide the cabling. It’s the
ultimate kit for the modern drummer!
*Not included
V-Pro Series
1
3
2
1
2
1
1
X 1
X
X
X
X
X
X
X
CY-15R
CY-14C
PD-105
PD-125
20
TD-20
PD-125BK
PD-105BK
VH-12
CY-14C
CY-15R
KD-120BK
MDS-20BK
TD-
Percussion Sound Module
V-Pad
V-Pad
V-Hi-Hat
V-Cymbal Crash
V-Cymbal Ride
V-Kick Trigger Pad
Drum Stand
170cm / 66-15/16 inches
140cm / 55-1/8 inches
TD-20K-BK
PD-105
KD-120
VH-12
CY-14C
PD-125
PD-125
Color Variation
V-Pro™ Series
TD-20K-WT
V-Pro Series
TD-20K-WT
V-Pad
V-Pad
V-Hi-Hat
V-Cymbal Crash
V-Cymbal Ride
V-Kick Trigger Pad
Drum Stand
*Drum stand, snare stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*Connection cables are partially hidden for photography purposes.
TD-20
PD-125WT
PD-105WT
VH-12
CY-14C
CY-15R
KD-120BK
MDS-20BK
X
X
X
X
X
X
X
X
1
3
2
1
2
1
1
1
*Drum stand, snare stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*V-Drums technology for use under one or more of U.S. Pat. Nos. 5,920,026 / 6,121,538 / 6,271,458 / 6,756,535 U.S. Patent Pending
04
05
V-Drums Sets
V-Drums Sets
Great feeling, great sounding — the new V-Stage Series TD-12K makes the
V-Stage™ Series TD -12K-BK
middle range of the V-Drums® line feel like first class.
With mesh V-Pads™ all the way around, the TD-12K lets drummers
experience the best-feeling pads in the business.
Professional Quality in a Compact Kit
The new TD-12 percussion module share the same sound quality as
the flagship TD-20.
V-Stage Series
1
1
3
1
2
1
X 1
X
X
X
X
X
X
CY-12R/C
CY-12R/C
PD-85
PD-105
12
TD-12
PD-105BK
PD-85BK
VH-11
CY-12R / C
KD-85BK
MDS-12BK
TD-
V-Pad
V-Pad
V-Hi-Hat
V-Cymbal Ride/Crash
V-Kick Trigger Pad
Drum Stand
145cm / 57-1/8 inches
120cm / 47-1/4 inches
TD-12K-BK
PD-85
KD-85
PD-85
VH-11
Color Variation
V-Stage™ Series
TD -12K-WT
V-Stage Series
TD-12K-WT
V-Pad
V-Pad
V-Hi-Hat
V-Cymbal Ride/Crash
V-Kick Trigger Pad
Drum Stand
*Drum stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
TD-12
PD-105WT
PD-85WT
VH-11
CY-12R / C
KD-85WT
MDS-12BK
X
X
X
X
X
X
X
1
1
3
1
2
1
1
*Drum stand, hi-hat stand and kick pedal not included and shown only for photography purposes.
*V-Drums technology for use under one or more of U.S. Pat. Nos. 5,920,026 / 6,121,538 / 6,271,458 / 6,756,535 U.S. Patent Pending
06
07
V-Drums Sets
V-Drums Sets
V-Tour ™ Series
TD-6KV
TD -3KV
V- Compact ™ Series
Mesh Snare and Dual-Trigger Cymbals Make this Kit a Smash Hit
The TD-3KV is equipped with a PD-85BK mesh snare
drum pad, plus three tom pads, a kick pad that accepts
a double pedal, and dual-trigger, chokable cymbal pads!
It also includes the great-sounding TD-3 sound module
with Rhythm Coach features for improving timing,
speed, and endurance.
V-Compact Series
TD-3KV
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TD -3Kit
The Roland TD-3Kit is the fastest and most affordable way
to get into a real V-Drums set. This expandable kit includes
Roland’s TD-3 Percussion Sound Module with high-quality
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sounds, dual-trigger pads and cymbals, plus an upright
kick trigger, and an onboard Rhythm Coarch for improving
timing ,speed, and endurance.
The TD-6KV is one of Roland’s most popular V-Drums® kits. It offers great playability, thanks to its
natural-feel mesh snare pad, dual-trigger tom pads, dynamic cymbal pads with “swinging” motion,
and a vertical kick trigger. The easy-to-use sound module sports a sleek black look with a blue LCD,
a multi-function sequencer that’s perfect for practice, plus 99 kits and 170 "play-along" patterns.
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V-Tour Series
TD-6KV
V-Compact Series
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09
Roland V-Drums Innovation File No.01
Roland V-Drums Innovation File No.01
Roland V-Drums Innovation
File No.01
V-EDIT
Great-feeling mesh pads are only part of the V-Drums® story.
The heart and soul of our award-winning kits are the advanced,
COSM®-modeling sound modules. The TD-series modules are unsurpassed
Build Your Kit
From the Ground Up
If you’ve never experienced the power and user-friendliness
of Roland’s V-Editing, you’re in for an incredibly pleasant
surprise. The TD-20 and TD-12’s visual, icon-driven editing
screens make it dead simple to create your own kits from
scratch. Thanks to powerful COSM modeling technology,
you can choose the shell material for the drums, the shell
dimensions, the head types, snare-buzz amount, the
amount of muffling, kick-drum beater type, the size of the
cymbals, microphone positions, and more!
Frequency Plots
level
level
frequency
Snare (Wood Shell)
frequency
Snare (Brass Shell)
in rich sound — both acoustic and electronic — and amazing expressiveness.
Decades of extensive R&D combined with an incessant desire to be
the very best has propelled Roland to the pinnacle of percussion technology.
Shell Material/Depth
Build your own snare drum with COSM®-modeled shell material, such as wood,
brass, and steel. The depth of the kick and toms can also be changed.
Essential V-Drums Elements
In making the world’s finest electronic drum kits, Roland has mastered
these key performance elements: comfort, pinpoint accuracy, fullspectrum sensitivity, realistic positional control, and stunning sound
quality. In harmony, these elements combine to create the worldfamous V-Drums experience.
Interface
1
2
Sensing
hitting strength,
hitting position,
hi-hat
hitting interval
Beyond Specs —
Tapping Into the Intangible
Memory size and sampling rate alone do not determine the actual
sound quality of an electronic musical instrument. Roland looks at
sound quality on a higher level. In addition to pristine audio capture
and modeling, we believe that the quality of source instrument, the
skill of the sampling-session player, the quality of the studio and
recording equipment, and many other intangible factors add up to
give V-Drums an unbeatable edge.
Muffling/Strainer Adjustment
Add a “doughnut-style” muffler on the snare or a weight-type muffler on the bass
drum. The snare strainer can also be adjusted.
Kick Beater Selection
Choose from a variety of kick beaters, such as felt, wood, and plastic.
*Only possible on the TD-20.
Dimensions of Expression
dynamics,
sound character
Hitting strength
pad,
cymbal,
3
Sound Engine
Head Type/Tuning
Here you can choose the type of drum head (such as clear, coated, and
Pinstripe*) and adjust the pitch. *Pinstripe is a registered Trademark of Remo Inc. U.S.A.
Strong center shot
strong
ll
ro
weak
r
The V-Drums magic begins with the location and strength of the stick
on the pad, as well as the intervals of the strokes. From weak to strong,
from the center of the pad to the edge, from single-shots to rolls, your
performance data is translated with lightning-fast accuracy by the VDrums’ central processor.
Hittin
edge
g po
sitio
n
ot
e
on
sh
in
itt
g
al
rv
Sizzle
Add realistic sizzle to your cymbal with modeled rivets or a chain.
*The TD-12 only has rivets.
Flam shot with
moderate strength
cente
Unmatched Power, Articulation,
& Sensitivity
Cymbal Size
Here you can change the size of your cymbal from 1 inch to 40 inches.
Buzz roll near the edge
e
nt
i
H
Mic Position
Choose the placement of your virtual microphones. *Only possible on the TD-20.
Snare Buzz
Add realistic snare drum buzz to give your kits even more expression. The
amount of buzz* (the resonance created on the tom and bass drum) can be
varied to get just the right effect. *Adjustment of buzz amount is possible only on the TD-20.
*The TD-12 can only switch the buzz on and off.
*Detection of hitting position and interval is only possible on the TD-20/12
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11
TD-20
TD-12
The Best Sounds,
the Most Expressive Performance
Unbeatable Sound
TD-20 is Roland’s best-sounding percussion module ever, with
new TD-12 drum module provides hundreds of expressive
over 500 new sounds, plus superb dynamic range when used with
instruments and play-along sequences in a streamlined,
the PD-125/105 V-Pads and VH-12 V-Hi-Hat™. Superior sensitivity
affordable package. Many of the sounds in the TD-12, from
lets drummers play more naturally and without having to adjust
drums to cymbals, are COSM® modeled for the ultimate in
their playing technique. Rimshot and bass drum sounds can be
expression and realism. The module provides the same large,
varied depending on how they are played, and with Roland’s new
icon-based LCD as its big brother (the TD-20), and is housed in a
interval control technology, drummers can create more realistic
road-tough, metallic black chassis with a friendly array of buttons,
snare rolls and cymbal swells.
controls, and mix sliders. Twelve trigger inputs are provided, plus
With the same stunning sound quality as the flagship TD-20, the
four audio outputs and MIDI I/O.
Advanced V-Editing
The modeling-based V-Editing starts from careful analysis of an
entirely new drum sounds. Drummers are free to change
Unrivaled V-Editing
parameters such as cymbal size, type of “sizzle” (e.g. rivets or
Enjoy the dozens of expert-programmed kits in the TD-12 — from
chain), and microphone position. Several types of kick beaters
■REAR VIEW
can also be selected, including felt, wood, and plastic. For the hi-
■REAR VIEW
authentic acoustic sets to ultra-modern electronic flavors. But the
fun doesn’t stop there; customize your snare drum, toms, bass
hat, you can also add a tambourine. The TD-20 can even model
drum, and cymbals with the modeling-based V-Editing. Change
snare “buzz” (the resonance created on the tom and bass drum)
sizes and materials, attach sizzles to cymbals, add snare buzz,
for startling realism.
and more. Then get out your sticks and enjoy! The TD-12
supports positional sensing on the snare and ride, as well as on
■SPECIFICATIONS
• Sound Generator Variable Drum Modeling • Maximum Polyphony 64 Voices • Instruments
Drum Instruments: 560 (1,300,021 variations), Backing Instruments: 262 • Drum Kits 50 • Drum
Kit Chains 16 chains (32 steps per chain) • Instrument Parameters V-EDIT (KICK): Shell Depth,
Beater Type, Head Type, Head Tuning, Muffling, Snare Buzz, Mic Position, V-EDIT (SNARE):
Shell Material, Shell Depth, Head Type, Head Tuning, Muffling, Strainer Adjustment, Mic Position,
V-EDIT (TOM): Shell Depth, Head Type, Head Tuning, Muffling, Snare Buzz, Mic Position, V-EDIT
(HI-HAT): Cymbal Size, Add Tambourine, Mic Position, Fixed Hi-Hat, V-EDIT (CYMBAL): Cymbal
Size, Sizzle Type, Sustain, Mic Position, EDIT: Pitch, Decay • Ambience Parameters Room Type,
Room Size, Wall Type, Mic Position, Room Shape • Mixer Parameters Volume, Pan, Minimum
Volume, Output Assign • Effect Types Pad Equalizer (each pad), Pad Compressor (each pad),
Multi-Effects: 14 types, Master Compressor, Master Equalizer, Reverb (for backing part), Chorus
(for backing part) • Percussion Sets 8 • Sequencer User Patterns: 100, Preset Patterns: 100,
Parts: 6, Play Type: Oneshot, Loop, Tap, Tempo: 20—260, Resolution: 192 ticks per quarter note,
Recording Method: Realtime, Maximum Note Storage: approx. 20,000 Notes, Click Instruments: 20
• Display 64 x 240 dots (backlit graphic LCD), 7 segments, 3 characters (LED), Trigger Level
Indicator (LED) • Faders 8 • Preview Button • Connectors Trigger Input Jack x 15, Hi-Hat
Control Jack (VH-12, FD-7, FD-8), Master Output Jacks (L/MONO, R), Direct Output Jack x 8,
Digital Output Jack (COAXIAL), Headphones Jack (Stereo 1/4 inch phone type), Mix in Jack
(Stereo 1/4 inch phone type), MIDI Connectors (IN, OUT/THRU), Foot Switch Jack (1/4 inch TRS
phone type), CompactFlash Card Slot, AC Inlet • Output Impedance 1.0 k ohms • Power Supply
AC 117 V, AC 230 V, AC 240 V (50/60 Hz), AC 220 V (60 Hz) • Power Consumption 16 W
• Dimensions 307 (W) x 256 (D) x 105 (H) mm / 12-1/8 (W) x 10-1/8 (D) x 4-3/16 (H) inches
• Weight 2.9 kg / 6 lbs 7 oz • Accessories Owner’s Manual, Power Cord • Options Pads (PD-8,
PD-85BK/WT, PD-105BK/WT, PD-125BK/WT), Cymbals (CY-8, CY-12R/C, CY-14C, CY-15R),
Kick Triggers (KD-7, KD-8, KD-85BK/WT , KD-120BK/WT), Hi-Hat (VH-12, VH-11), Hi-Hat Control
Pedal (FD-8), Stands (MDS-20BK), Cymbal Mount (MDY-10U), Pad Mount (MDH-10U)
12
Enhanced Performance Features
the toms when you play rimshots. The TD-12 is also brush
Eight group faders let drummers adjust the mix balance of the
compatible, and features the authentic Interval Control feature for
kit’s components, while 15 Pad Compressors and EQs make
the snare and ride/crash/china cymbal, which varies the sound in
shaping sounds easy. There’s also a 6-part sequencer loaded
with preset backing patterns and plenty of room for your own,
plus onboard effects such as Ambience and a Mastering Room
for adding compression and EQ to the overall sound. A choice of
10 analog outputs and a S/PDIF digital output offer plenty of
options when mixing live or in the studio. It also has 15 dual
trigger inputs, so if you own a standard TD-20K drum kit, you
have four extra inputs to add more pads.
Convenient CompactFlash Storage and More
The CompactFlash slot can be used for storing custom drum kits
and sequencer patterns with optional memory cards. An expansion
bay located on the underside means there’s room for upgrades
down the road. The TD-20 also features Roland’s V-LINK technology.
Using an optional DV-7PR Video Presenter from Edirol, drummers
can trigger images or change cameras from the pads or kick.
■SPECIFICATIONS
• Sound Generator Variable Drum Modeling • Maximum Polyphony 64 Voices • Instruments
Drum Instruments: 560 (172,161 variations), Backing Instruments: 262 • Drum Kits 50 • Drum Kit
Chains 16 chains (32 steps per chain) • Instrument Parameters V-EDIT (KICK): Shell Depth, Head
Type, Head Tuning, Muffling, Snare Buzz, V-EDIT (SNARE): Shell Material, Shell Depth, Head
Type, Head Tuning, Muffling, Strainer Adjustment, V-EDIT (TOM): Shell Depth, Head Type, Head
Tuning, Muffling, Snare Buzz, V-EDIT (HI-HAT): Cymbal Size, Fixed Hi-Hat, V-EDIT (CYMBAL):
Cymbal Size, Sizzle Type, Sustain, EDIT: Pitch, Decay • Ambience Parameters Room Type, Room
Size, Wall Type, Mic Position, Room Shape • Mixer Parameters Volume, Pan, Minimum Volume,
Output Assign • Effect Types Pad Equalizer (each pad), Pad Compressor (each pad), Multi-Effects:
5 types, Reverb (for backing part) • Percussion Sets 8 • Sequencer User Patterns: 100, Preset
Patterns: 150, Parts: 6, Play Types: Oneshot, Loop, Tap, Tempo: 20—260, Resolution: 192 ticks
per quarter note, Recording Method: Realtime, Maximum Note Storage: approx. 20,000 notes, Click
Sounds: 20 types • Metronome Parameters Time signature, Interval, Volume, Output select
(Master and Phones/Phones only) Click Instruments=20 (Voice counting, Click, Cowbell, etc.) •
Tempo 20—260 • Display 64 x 240 dots (backlit graphic LCD), 7 segments, 3 characters (LED),
Trigger Indicator (LED) • Controllers Faders: 6, Preview Button: (velocity: 3 steps) • Connectors
Trigger Input Jack x 12, Hi-Hat Control Jack (for VH-12, VH-11 and FD-8), Master Output Jacks
(L/MONO, R): 1/4 inch phone type, Direct Output Jacks (1, 2): 1/4 inch phone type, Headphones
Jack: Stereo 1/4 inch phone type, Mix in Jack: Stereo 1/4 inch phone type, MIDI Connectors (IN,
OUT/THRU), AC Inlet • Output Impedance 1.0 k ohms • Power Supply AC 115 V, AC 117 V, AC
220 V, AC 230 V, AC 240 V (50/60 Hz) • Power Consumption 13 W • Dimensions 260 (W) x 248
(D) x 108 (H) mm, 10-1/4 (W) x 9-13/16 (D) x 4-1/4 (H) inches • Weight 2.6 kg / 5 lbs 12 oz •
Accessories Owner's Manual, Power Cord • Options Pads (PD-8, PD-85BK/WT, PD-105BK/WT,
PD-125BK/WT), Cymbals (CY-8, CY-12R/C, CY-14C, CY-15R), Kick Triggers (KD-7, KD-8, KD85BK/WT, KD-120BK/WT), Hi-Hats (VH-11, VH-12), Hi-Hat Control Pedal (FD-8), Stands (MDS12BK, MDS-20BK), Cymbal Mount (MDY-10U), Pad Mount (MDH-10U)
natural ways based on the speed of stroke repetition.
Tap Into a New World of Style and Groove
From rich studio kits to bombastic arena monsters, the TD-12 can
deliver amazingly authentic drum and percussion sounds. Pop,
rock, jazz, hip-hop, you name it — the TD-12 has you covered.
But in addition to its acoustic-modeled kits, the TD-12 also offers
a new crop of edgy, fun, and experimental sets that have been
created for unique, modern music creation. With an emphasis on
fun, these new kits are laced with colorful COSM processing,
filter fluctuations, auto-roll effects, tap-sequence patterns, loop
patterns, and more. Let the inspiration begin! And if you want to
build your chops (or perhaps steal the show), fire off one of the
150 patterns built into the TD-12 and play along.
13
TD-6V
TD-3
Incredible V-Drums® Sounds
Amazing Drum Sounds at Your Fingertips
The TD-6V module serves up 1,024 of Roland’s best drum and
The TD-3 Percussion Sound Module boasts 114 world-class
percussion sounds and 262 backing instruments – complete with
drum and percussion sounds, and 32 kits – including separate
99 drum kits and 170 patterns in the latest musical styles. Users
head/rim triggering on the snare and bow/edge triggering on the
can first listen to the patterns with the drum part as an example,
hi-hat. It’s also easy to use, so you can start playing right way. To
and then mute it to play along. The TD-6V also lets players record
find a drum kit, just use the Phrase Preview function, and a short
their drumming, so they can play it back for evaluation.
demo will play. The TD-3 also comes with 15 types of built-in
Drummers can create their own custom drum kits and store them
Ambience effects and compression, making it easy to enhance
to user memory, or add EQ and Ambience effects to beef up the
the overall sound quality.
sound. There’s even a 6-part sequencer that’s great for jamming
and practice with backing tracks.
Rhythm Coach Exercises and More
With Roland’s Rhythm Coach onboard, drummers can improve
■REAR VIEW
their timing, speed, and endurance using seven types of rhythm
Cool Look and Friendly Interface
■REAR VIEW
training exercises with variations. It’s a great way to hone your
The TD-6V sports a black case and blue LCD screen that’s easy
skills while having fun. The TD-3 also includes a stereo Mix input
to read under any lighting condition. Luminous rubber buttons
for playing along with external audio sources, plus MIDI In and
make selecting different kits and editing sounds and effects quick
Out for connecting with sequencers and other MIDI gear.
and intuitive. Even those new to electronic percussion will find
this module easy to understand. The TD-6V can be expanded
■TD-3 Coach Mode List
■SIDE VIEW
with up to 11 pads and cymbals. Plenty of room to grow.
Display Parameter
Realistic Sound and
Expressive Performance Control
■SPECIFICATIONS
percussion sounds, but great sound quality is just the
performance control, such as cross-sticking on snare, rimshots
on the toms, cymbal chokes and cymbal-edge shots, and pitch
control with hi-hat control pedal.
■PRESET SONGS
Time Sig
DRUMS
1 DRUMS
ROCK
2 US ROCK
3 ACO ROCK
4 8BT'ROK1
5 8BT'ROK2
6 MED ROK
7 SHFL ROK
8 FUNK ROK
9 SLOW ROK
10 URBAN
11 UPBEAT
12 TRIPLETS
13 16BT'ROK
14 CYBER
15 HARDROCK
16 FNKYHR
17 BOOGIE
14
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
18 HARD POP
METAL
19 EARLYMTL
20 THRASH
BALLAD
21 6/8BLD
22 POPBLD
23 ROCK BLD
24 PIANOBLD
25 16BT'BLD
R&B
26 OLD R&B1
27 OLD R&B2
28 OLD R&B3
29 OLD R&B4
30 R&B SHFL
31 R&B HOP1
32 R&B HOP2
33 SMTH GRV
Rhythmic Notes
3 types
Time Check
2 levels
Designed to develop good timing skills through visual use of the display.
As you play along with the metronome, your performance is measured
against the timing of the click, and the result is displayed.
Quiet Count
6 types
A timing exercise designed to develop "internal" timing. The metronome will play at the
set volume for the first 1, 2, 3, 4, 6, or 8 measures, then play the second 8 measures
at a reduced volume, challenging you to maintain the proper tempo throughout.
Speed Check
2 levels
Similar to Time Check, except that the metronome advances five beats per
minute whenever a rhythm is played for eight measures with the correct
timing. This continues until the metronome's maximum tempo is reached.
Gradual Up/Down
2 types
Designed to build stamina by increasing the metronome one beat per
minute every two beats until the maximum tempo is reached. The tempo
then decreases in the same manner and the process repeats.
Step Up/Down
3 types
Designed to develop playing endurance by increasing the metronome's tempo five
beats per minute every eight measures until the maximum tempo is achieved. The
tempo then decreases in the same manner and the process repeats.
Count In
––
■SPECIFICATIONS
beginning. The TD-6V enables realistic and expressive
• Instruments Drum Instruments: 114, Click Instruments: 10 • Drum Kits 32 • Effect Ambience
(15 types) • Click Tempo 20--260 • Coach Mode Menu: 7, Variation: 20 • Display 7 segments, 3
characters (LED) • Connectors Trigger Input Jack x 9, Hi-Hat Control Jack, Output Jacks
(L/MONO, R), Phones Jack (stereo phone type), Mix In Jack (stereo miniature phone type), MIDI
Connectors (IN, OUT) • Output Impedance 1.0 k ohms • Power Supply AC Adaptor (DC 9V) •
Current Draw 1,000 mA • Dimensions 220 (W) x 144 (D) x 59.5 (H) mm / 8-11/16 (W) x 5-11/16
(D) x 2-3/8 (H) inches • Weight 550 g / 1 lb 4 oz (excluding AC Adaptor) • Accessories Owner's
Manual, AC Adaptor (ACI/ACB Series), Screw (M5 x 8) x 4
Practice Content
An excellent warm-up exercise that also teaches note values. The metronome
plays through a series of beat divisions every two measures, starting with half
notes, up to 16th-note triplets, and then back down to half notes again.
This friendly module is packed with top-grade drum and
• Maximum Polyphony 64 Voices • Instruments Drum Instruments: 1,024, Backing Instruments:
262 • Drum Kits 99 • Effect Types Ambience, 2-Band Master Equalizer • Sequencer Preset
Songs: 170, User Songs: 100, Parts: 6, Play Functions: One shot, Loop, Tap, Tempo: 20--260,
Resolution: 192 ticks per quarter note, Recording Method: Realtime Recording, Maximum Note
Storage: approx. 12,000 Notes • Display 20 characters, 2 lines (backlit LCD) • Connectors Trigger
Input Jacks: 9 (11 Inputs), Hi-Hat Control Jack, Output Jacks (L/MONO, R), Phones Jack (stereo
miniature phone type), Mix in Jack (stereo miniature phone type), MIDI Connectors (IN,
OUT/THRU) • Output Impedance 1.0 k ohms • Power Supply AC Adaptor (DC 9 V) • Current
Draw 1,000 mA • Dimensions 266 (W) x 199 (D) x 75 (H) mm / 10-1/2 (W) x 7-7/8 (D) x 3 (H)
inches • Weight 1.1 kg / 2 lbs 7 oz (excluding AC Adaptor) • Accessories Owner's Manual, AC
Adaptor (ACI/ACB Series), Screws (M5 x 8) x 4
No. Song Name
level/type
A “voice count-in” function that can be very useful for practicing. There is
also a visual measure counter in the display.
■Ambience Type.
Time Sig
4/4
4/4
4/4
6/8
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
Time Sig
34 SHFL GRV
BLUES
35 BLUES1
36 BLUES2
37 BLUES3
POPS
38 BGM POP
39 REFRESH
40 DANCEPOP
41 POP ROCK
42 ACOUSPOP
43 ELEC POP
44 POP WLTZ
R&R
45 ROCKABLY
46 ROCKIN'
47 SURF ROK
COUNTRY
48 BLUEGRSS
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
3/4
4/4
4/4
4/4
4/4
No. Song Name
Time Sig
49 CNTRYBLD
50 CNTRYROK
JAZZ
51 SWING1
52 SWING2
53 JAZZ WLZ
54 JAZZ BLD
55 LATINJAZ
56 6/8 JAZZ
57 SMTHJAZZ
58 BIGBAND
FUSION
59 FUSE
60 ACID FS
61 SLOW FS
62 MED SHFL
63 UP SHFL
64 FUNK FS1
65 FUNK FS2
4/4
4/4
4/4
4/4
3/4
4/4
4/4
6/8
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
Time Sig
66 3/4 FS
67 BGM FS
68 CTMP'FS
DANCE
69 HIPHOP
70 EUROBEAT
71 HOUSE
72 FUNK1
73 FUNK2
74 FUNK3
75 808HPHOP
76 JAZZFUNK
77 ACIDFUNK
78 HPHPJAZZ
79 TEKPOP
REGGAE
80 REGGAE1
81 REGGAE2
82 REGGAE3
3/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
Time Sig
83 REGGAE4
84 SKA
LATIN
85 LATIN1
86 LATIN2
87 LATIN3
88 MAMBO
89 MERENGUE
90 SALSA1
91 SALSA2
92 SALSA3
93 SONGO
94 TJANO
BRAZIL
95 BOSSA
96 SAMBA1
97 SAMBA2
BASICPTN
98 8BEAT1
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
Time Sig
8BEAT2
8BEAT3
SHUFFL1
SHUFFL2
SLOW1
SLOW2
R&B1
R&B2
BLUES
POP X
DIXIE
FUNK1
FUNK2
16BEAT1
16BEAT2
HIPHOP2
AMBIENT1
AMBIENT2
TRANCE
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
Time Sig
118 RAVE
119 REGGAE5
120 BOSSA BT
LOOP
121 4/4SHAKR
122 6/8SHAKR
123 LATN PTN
124 CLAVES
125 TABLA
126 SITRDRON
1SHOT
127 DRUMFILL
128 DBL BASS
129 ROLL T1
130 ROLL T2
131 ROLL T3
132 LATNFILL
133 ROLLBNGO
134 SPANISH
4/4
4/4
4/4
4/4
6/8
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
135
136
TAP
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
Time Sig
BRS FALL
ENCORE
4/4
4/4
SAMBA
ACO BASS
BRS SECT
GRV BASS
GRV PAD
GRV CHRD
ADLBSOLO
JAZZEND1
JAZZEND2
FUNK BRK
FUNKEND1
FUNKEND2
SITARRAG
SANTUR
STRINGS
RESOBASS
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
No. Song Name
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
Time Sig
SYNCHRD1
SYNCHRD2
A_GTRTAP
E_GTRTAP
D_GTRTAP
C_GTRTAP
G_GTRTAP
A_STRUM
GTRCHRD1
GTRCHRD2
PAD&BASS
ACO GTR
WAH GTR
CUT GTR
VOICES
ANLGPERC
SFX TAP
CAR CELL
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
Type
Description
n 1, n 2, n 3
b 1, b 2, b 3
d 1, d 2, d 3
Natural room reverberation.
Light, airy reverberation.
Warm and mellow reverberation.
Boosted attack gives the sound greater punch.
Warm reverberation is also added.
As the number increases the room size changes,
making the effect more obvious.
Boosted attack gives the sound greater punch.
Shallow room reverberation is also added.
More compression is applied as the number increases,
giving the sound greater “punch.”
c 1, c 2, c 3
C 1, C 2, C 3
15
V-Pads ™, V-Kick ™
V-Pads ™, V-Kick ™
V-Pad
V-Pad
PD-125BK / PD-125WT
PD-105BK / PD-105WT
V-Kick Trigger Pad
KD-120BK / KD-120WT
Natural Triggering
with Double Pedal Support
Roland’s time-tested KD-120 V-Kick Trigger Pad, is
available in black or white finishes to complement the rest
of the pads. The 12” V-Kick Trigger Pad offers fast, natural
kick-drum triggering, and is compatible with double-bass
pedals (sold separately).
▲PD-125BK
▲PD-125WT
▲PD-105BK
▲PD-105WT
Our Most Sensitive V-Pads Ever!
both feature Roland’s latest dual-triggering technology, resulting in more
even and accurate sensing between the head and rim. They are also the first
V-Pads with rimshot capabilities on the toms — including the actual “rim
click” sound*. *Rim triggering on toms requires TD-20 or TD-12 Percussion Sound Module.
How do you improve upon the world’s most popular electronic percussion
pads? Start by designing a brand new sensor mechanism for more accurate
triggering, and then give ’em a cool black or white finish! The 12-inch
PD-125BK/PD-125WT and 10-inch PD-105BK/PD-105WT mesh V-Pads™
V-Pad
Mesh Replacement Heads
PD-85BK / PD-85WT
MH-12/10/8
Patented V-Drum Mesh Heads
▲KD-120BK
▲KD-120WT
▲KD-85BK
▲KD-85WT
V-Kick Trigger Pad
KD-85BK / KD-85WT
A New Rock-Solid Foundation
Sink your beater into this solid, great-feeling mesh kick pad —
available in black or white finishes. It offers improved pad cushioning
for a better feel, and can accommodate double bass pedals (sold
separately). Torture-tested for quality assurance, this new pad has
the stamina and stability to handle the toughest poundings.
Kick Trigger Pad
Kick Trigger
KD-8
KD-7
Slim-Line Pedal that Feels Great
Responsive Kick Triggering for Any Percussion Setup
The KD-8 Kick Trigger Pad’s sturdy, vertical design gives drummers a
better feel and solid, accurate triggering. The upright KD-8 can even
accommodate double bass pedals (sold separately) — perfect for
drummers who want to create complex rhythms. A convenient folding front
leg makes transportation easy.
This velocity-sensitive kick drum trigger can be used with a standard kick
drum pedal. It features a mix input for chaining two KD-7’s together for a
double-bass setup, and comes with a beater and connection cable (kick drum
pedal not included). The KD-7 is the ideal kick trigger for use with the HPD-15.
These replacement mesh heads (developed in
partnership with REMO® USA) are designed to
perfectly fit Roland’s full range of V-Pads.
*Available as replacement parts.
Dual Trigger Pad
▲PD-85BK
▲PD-85WT
PD-8
Rimshot-Ready Mesh Pads
The new 8” dual-zone V-Pads feature Roland’s latest dual-triggering
technology, resulting in more consistent and accurate sensing
between the head and rim. Built tank-tough and ready to take a
pounding, these new-generation pads are available in black or white
finishes with chrome brackets. When used as tom-toms for the TD20 and TD-12 sound modules, the pads let you play rimshots, and
the sound will change depending on the strength of your stroke.
File No.02
V-Pad & V-Kick Trigger Pad
Roland proudly offers the best-feeling drum pads in the business. Experience the
comfortable feel of our patented mesh-head pads, and enjoy the realism and quiet
action that these pads provide. For the utmost in personalization, the head of
each pad can be tensioned to your taste, just like real drums. And speaking of quiet
comfort, the V-Pads’ rims are rubber-coated to keep rimshots as quiet as the mesh.
16
The Rock-Solid, Fast-Action Pad
This durable 8.5 inch rubber pad offers superaccurate triggering and a time-tested design for
years of reliable use. The PD-8’s dual-trigger
capabilities make it perfect for triggering
rimshots on the toms or bow/edge sounds on
the hi-hat when used with the Roland TD-series
percussion modules*.
Hi-Hat Control Pedal
FD-8
*The TD-3 does not support head/rim triggering on the toms.
What is a mesh head?
How it works
Mesh drum pads have the distinct advantage of being quiet and realistic
in feel. The secret is the material, woven from special fabric. This material
is very durable, and provides a
remarkably natural touch, just like
an acoustic drum head. Now you
can practice in silence without ever
having to worry about sore wrists.
When an acoustic drumhead is struck, the surrounding air vibrates and
a sound is produced. The harder it is struck, the more the head moves
and the larger the sound. With Roland’s patented mesh head (multilayered for superior feel and strength), the air is released from the gaps
in the mesh fabric, so the surrounding air does not vibrate. This is what
makes a mesh head so quiet.
Perfect for Compact Kits and Roland Percussion Pads
Thanks to Roland’s new FD-8 Hi-Hat Controller, drummers can get
realistic hi-hat sounds with smooth transitions between open and
closed. The updated look makes the FD-8 fit perfectly with the striking
new look of the V-Tour™ and V-Compact™ Series.
Acoustic Drumhead
Mesh Head
Sound
Vibrating Air
Head
17
V-Hi-Hat ™ & V-Cymbals ®
Roland V-Drums Innovation File No.03 & 04
File No.03
V-Hi-Hat
VH-12
V-Hi-Hat
Advanced Sensor Technology for Ultimate Realism
VH-12 Technology in a Compact, One-Piece Format
In creating the world’s finest modeled hi-hat, Roland embarked upon
a time-intensive mission to create a virtual hi-hat that would perform
like the real thing. The winning formula features three different types
of sensors on the top of the cymbal’s bow, the edge, and in the center
of the bottom cymbal where it detects the foot pedal movements.
Sophisticated triggering data, such as the distance between the top
and bottom cymbals,
are detected by having
VH-12 Sensors [highlighted in blue]
the three sensors
working perfectly in
sync. The end result is
amazing playability
and realism, with the
same nuances and
tonal coloration of an
acoustic hi-hat.
Derived from the groundbreaking VH-12 hi-hat, Roland’s new VH11 combines two hi-hat cymbals into one with an ingenious onepiece floating design. Amazingly, it performs like a real hat, and
provides a realistic up/down pedaled response thanks to the
stationary base mounted below the cymbal pad. With the
combination of two sensors on the bow and edge, plus a motion
sensor unit mounted
in the center, subtle
VH-11 Sensors [highlighted in blue]
nuances (including
foot movement) can
be achieved. The onepiece design makes
for easy setup on
conventional hi-hat
stands.
The First Electronic Hi-Hat
Designed Like an Acoustic
Wow! That’s what you’ll say once you try the VH-12 V-Hi-Hat™. This
breakthough electronic hi-hat is designed to precisely model the look
and feel of its acoustic counterpart. So much so, it mounts on an
acoustic hi-hat stand! The VH-12 uses top and bottom cymbals with full
motion capability for ultra-natural stick/pedal work, and is designed to
V-Hi-Hat
VH-11
File No.04
V-Cymbal
Quest For the Perfect V-Cymbal
Developing the ultimate electronic cymbal required the
Roland design to create numerous prototypes
comprised of a wide range of materials. After extensive
research, the team arrived at the perfect combination of
internal and exterior materials that are durable and can
properly simulate the resistance and swing amount that
drummer’s feel when an acoustic cymbal is struck.
Swing Mechanism of V-Cymbals
Realistic Feel,
Streamlined Design
The Technology Within
What may look like a simple rubber/plastic disc is actually a sophisticated slice of
cutting-edge technology. Inside the V-Cymbal’s bell and edge is a thin film-like sensor
that lies beneath the rubber playing surface. The sensors detect sticking position,
velocity, and edge pressure (for cymbal choking). This complex detection and
calculation happens instantly, providing drummers with a realistic and accurate
playing experience. A small but important Roland design principle is that the cymbals
are not completely round, which minimizes vibration that can cause mis-triggering.
V-Cymbal Explained (CY-15R)
Ultra-sensitive sheet-like
sensors (shown in blue)
are located beneath the
bell and the edge. Under
the bow area is a sensor
for detecting the
strength and location of
the impact.
18
With eyes closed, drummers will think they’re playing
a regular two-piece hi-hat. But examine the
innovative new VH-11 floating hi-hat, and you’ll see
that it’s actually comprised of one floating cymbal
pad atop a fixed lower base. Great for fast setup and
easy transport, the VH-11 mounts on conventional
hi-hat stands, and provides a similar playing feel to a
2-piece hi-hat. The VH-11 is fully compatible with
Roland's TD-20, TD-12, and can be used with the
TD-10 w/TDW-1, TD-8, TD-6V, and TD-6.
work with the TD-20/12’s enhanced dynamics. The dual-trigger VH-12
creates smooth hi-hat sounds from open to closed — including the halfopen position — with all of its delicate nuances. By applying pressure to
the pedal (even after closing), you can vary the pitch and decay for
playing fast and tight articulations.
V-Cymbals ®
Stands
V-Cymbal Ride
V-Cymbal Crash
Drum Stand
CY-15R
CY-14C
MDS-20BK
Ergonomic Design and Striking Looks
RolandÕs MDS-20BK Drum Stand offers a stylish curved look that keeps
everything within reach. All cabling is hidden neatly inside the tubing, and the
hardware is extremely durable, thanks to aluminum T-fittings. The raked design is
perfect for mounting additional pads, such as VH-12 V-Hi-Hat or SPD-S using
optional stands. And changing the height is quick and easy; vertical adjustments
with quick-release cam levers are provided on each of the standÕs legs and the
two cymbal stands, allowing the tiers to remain in place.
Natural, Three-Way Triggering and
Swinging Motion
This Crash Cymbal Really Swings!
The CY-15R V-Cymbals¨ Ride is a 15-inch cymbal that offers natural
swinging movement and ultra-dynamic three-way triggering
(edge/bow/bell) when used with the TD-20 and the TD-12, making this the
most expressive electronic cymbal ever designed. With edge/bow or
bow/bell output jacks, this cymbal can be used as a ride cymbal or large
crash cymbal, expanding the possibilities of any Roland drum system.
The CY-14C V-Cymbals¨ Crash is a 14-inch crash cymbal featuring the
same dimensions and natural movement of an acoustic cymbal. A dualtrigger system with individual sensors for the edge and bow gives you
more dynamic response, allowing for expressive cymbal Òchokes.Ó
Concentrated mass around the rim ensures uniform sensing whenever
the cymbal is struck.
V-Cymbal Ride/Crash
Dual-Trigger Cymbal Pad
CY-12R/C
CY-8
Drum Stand
MDS-12BK
Solid, Stylish Drum Stand
Mount your V-Drums¨ in style and stability with the MDS-12BK. Featuring Roland's sturdiest
grip clamps, this rock-solid rack let's you play with confidence, knowing that your drum and
cymbal pads will remain locked in position. For a clean appearance and quick setup, the
cabling can be concealed inside the pipes. The MDS-12BK's open-leg design makes hi-hat
placement more convenient, and its wide design lets you to easily expand your kit with
additional drum, cymbal, and percussion pads. Optional PM-3 Satellite speakers can be
mounted on the center poles without the need for boom clamps (speaker bases are required).
Drum Stand
Cymbal Mount
Pad Mount
MDS-3C
MDY-10U
MDH-10U
Compact, Triple-Trigger Cymbal
Dual-Trigger Cymbal with Choke Control
The Perfect
Portable Partner
This 12-inch electronic cymbal brings breakthrough V-Cymbal technology
to a very affordable price point. This expressive 3-way trigger* cymbal
offers the natural rebound, inertia, and natural ÒswingingÓ motion of an
acoustic cymbal, plus cymbal choke capabilities. Use it as crash or a
compact ride cymbal.
Sporting a refined look that more closely resembles an acoustic cymbal,
the CY-8 Dual-Trigger Cymbal Pad offers precise and accurate triggering
for both crash and ride purposes Ñ complete with natural ÒswingingÓ
motion and cymbal ÒchokeÓ capability.
A sturdy and ultra-affordable
drum stand for use with the
V-Drums V-Compactª and
V-Tourª Series.
*3-way triggering is capable when used with the TD-20 and TD-12 sound module.
Roland V-drums Innovation File No.05
V-Cymbal
Size
Trigger (playing area)
CY-15R
15"
Bell / Bow / Edge
CY-14C
14"
Bow / Edge
CY-12R/C
12"
Bell / Bow / Edge
CY-8
12"
Bow / Edge
Choke
Position Sensing
*
Drum Stand
Solid, Stylish Stands With Simple Set-Up
*
*Possible when use with the TD-20/12.
20
The MDY-10U is a flexible, sturdy cymbal mount for V-Cymbal Pads or a
BOSS DB-90 metronome. Its foldable design makes set up and teardown
a snap. The MDH-10U is a rock-solid pad mount thatÕs also friendly for
setup and teardown. It holds V-Pads and Trigger Pads.
Form and function unite in RolandÕs tough, attractive MDS-series drum stands. Adding to the
sleek, clean appearance are concealed cables inside the tubes of the MDS-20BK and MDS12BK. Both stands are constructed of sturdy steel pipes. The MDS-20BK features a quickrelease cam lever to adjust height. The more affordable MDS-3C can be folded up with pads
and sound module mounted for portability and storage convenience.
21
Monitors
Accessories
■Sound Module and Drum Pad Combinations
Personal Monitor for V-Drums
PM-10
Sound
Module
Solid, Portable Sound Reinforcement
Designed as a portable companion for RolandÕs V-Drums¨, the new
PM-10 is equipped with a 30-watt amplifier and a 10" 2-way coaxial
speaker. Its compact design is perfect for small-sized drum kits, such
as the TD-3KV , and the TD-6KV. Jam along with your favorite songs
by connecting an external CD or MP3 player to the Line In jack.
Balance the V-Drums and the external audio with the dedicated
volume controls; adjust the tone with the built-in 2-band EQ.
1 (KICK)
2 (SNARE)
TD-20
Personal Monitor Amplifier
Personal Monitor System
TDA-700
PM-1
PM-3
TD-12
SPECIFICATIONS
¥ Rated Power Output 300W (LF 240W + HF 60W) ¥ Nominal Input Level
(1kHz) CHANNEL IN (CH1-CH3): -20dBu, STEREO LINK IN: +4dBu ¥
Nominal Output Level (1kHz) LINE OUT: +4dBu (XLR type, Phone type),
STEREO LINK OUT: +4dBu ¥ Speakers 38cm (15inches) x 1, Horn Tweeter x
1 ¥ Connectors V-DRUMS IN (STEREO) Jack, STEREO IN (CH1-CH3),
STEREO LINE OUT (XLR type, Phone type), STEREO LINK IN Jack,
STEREO LINK OUT Jack, HEADPHONES Jack ¥ Power Supply AC 117,
230, 240V ¥ Dimensions (including casters) 514 (W) x 538 (D) x 991 (H) mm
/ 20-1/4 (W) x 21-3/16 (D) x 39-1/16 (H) inches ¥ Weight 52 kg / 114 lbs 11 oz
*0 dBu = 0.775 Vrms
A Monitor Built for Percussion
The PM-1 is the perfect monitoring system for
Roland's SPD-series and HPD-15 HandSonic.
Precisely tuned for the needs of acoustic and
electronic percussionists, the PM-1's 60-watt
amplifier and two-way speaker system sound
great on stage or at home. And monitoring is
easy, thanks to an angled design that even
accommodates drum stands.
The First Full-Range
Monitor System Designed for
Electronic Percussion
The Roland PM-3 Personal Monitor System
uses two powered speakers and an Active Dual
Drive woofer to capture the V-Drums' (and
other electronic percussion systemsÕ) full range
of sounds. The two speakers can be mounted
on Roland electronic drum system stands Ñ
making the PM-3 perfect for home use.
TD-6V
TD-3
SPECIFICATIONS
SPECIFICATIONS
¥ Rated Power Output 60W ¥ Nominal Input Level (1kHz) CH1
(MIC/LINE) XLR Type: -50dBu thru -20dBu, CH1 (MIC/LINE) PHONE Type:
-50dBu thru -20dBu, CH2,3 (LINE): -20dBu, CH4 (MONOTOR): -20dBu ¥
Nominal Output Level (1kHz) LINE OUT: +4dBu ¥ Speakers 30 cm (12
inches) x 1, Tweeter x 1 ¥ Connectors CH1 INPUT Jack (XLR Type
Balanced), CH1 INPUT Jack, CH2 INPUT Jack, CH3 INPUT Jack, CH4
INPUT Jack, LINE OUT Jack, PHONES Jack ¥ Power Supply AC 117, 230,
240V ¥ Dimensions 651 (W) x 487 (D) x 422 (H) mm / 25-11/16 (W) x 193/16 (D) x 16-5/8 (H) inches ¥ Weight 21 kg/ 46 lbs 5 oz ¥ Options APC-33
*0 dBu = 0.775 Vrms
¥ System Configuration Speaker (x 2) + Woofer Unit ¥ Rated Power Output
Speaker: 50 W/8 ohms x 2, Woofer Unit: 100 W/4 ohms, Total: 200 W ¥
Nominal Input Level Main Input: -10 dBm, Mix Input:
-10 dBm ¥ Nominal Output Level Line Output: -10 dBm ¥ Speakers 4" Woofer
+ 2" Midrange + 1" Tweeter ¥ Woofer Unit 10" Woofer x 2 ¥ Controls Main
Input Level Knob, Woofer Level Knob, High Knob, Mix In Level Knob, Power
Switch ¥ Connectors Main Input Jacks (L/MONO, R), Mix Input Jacks
(L/MONO, R), Line Output Jacks (L, R), Speaker Jacks (L, R), Phones Jack
(Stereo) ¥ Enclosure Speaker: Sealed, Woofer Unit: Acive Dual-Drive ¥ Power
Supply AC 117V, AC 230V, AC 240V ¥ Power Consumption 160 W ¥
Dimensions Speaker: 118 (W) x 115 (D) x 186 (H) mm / 4-11/16 (W) x 4-9/16
(D) x 7-3/8 (H) inches , Woofer Unit: 555 (W) x 335 (D) x 450 (H) mm, 21-7/8
(W) x 13-3/16 (D) x 17-3/4 (H) inches ¥ Weight Speaker: 1.6 kg / 3 lbs. 9 oz.
(each), Woofer Unit: 30 kg / 66 lbs. 3 oz. ¥ Accessories Owner's Manual,
Mount Bracket x 2, Screw (No.10-32UNF) x 8, Speaker Cable x 2
SPD-20
DAP-3
Pedal Switch
FootSwitch
DP-2
FS-5U / FS-6
APC-33
This handy drum accessory package is ideal for
entry-level V-Drums owners, allowing them to
start playing their V-Drums right out of the box.
Components include a kick pedal, drum throne,
and a pair of drumsticks Ñ all carrying the
Roland logo and assurance of quality.
22
This clamp can be used to attach an SPD-series
percussion pad to a conventional cymbal stand
for use with a V-Drums or acoustic drum kit.
Connection Cable
PCS-31
FS-5U
FS-6
These rugged footswitches can be used for changing
patches, start/stop, tempo, or other parameters. They can
be used with the TD-20/10/8, SPD-series, and HPD-15.
Using the PCS-31, you can connect two single-trigger
pads to a particular stereo trigger input* on a TD-Series
module Ñ a great way to get more pads in your system.
*Please refer to (*6) of p. 23.
Brush
Sweep*3
Head
Shot
Rim
Shot
Choking
Bow
Shot
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ*pos
*2 *10
ŗ
ę
*pos
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
*pos
ŗ
Edge or Three-Way
Choking
Bell Shot*4 Triggering
ŗ
ę
ŗ
CY-8
VH-12
VH-11
Bow
Shot
Edge
Shot
Choking
Bow
Shot
Edge
Shot
Choking
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
*pos
KD-120, RT-5S, RT-7K *1,
KD-85, RT-3T *1
KD-8,
KD-7
Head
Rim
Shot
Shot
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
7 (HI-HAT)
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
8, 9 (CRASH1, 2)
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
*pos
ŗ
ę
ę
ę
*pos
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
*pos
*5
*pos
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
12, 13, 14, 15 (AUX1, 2, 3, 4)
ŗ
ŗ*pos
*10
1 (KICK)
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
2 (SNARE)
ŗ*pos
ŗ*pos
*2 *10
ŗ
ŗ*pos
ŗ
ŗ
ŗ*pos
ŗ
ę
ŗ
ŗ*pos
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
3, 4, 5 (TOM1, 2, 3)
ŗ
ŗ*pos
*10
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
6 (HI-HAT)
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
7, 8 (CRASH1, 2)
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
9 (RIDE), 10 (EDGE)
ŗ*pos
ę
ę
ŗ*pos
ŗ
ŗ
ŗ*pos
ŗ
ŗ*5
ŗ
ŗ*pos
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
11, 12, (AUX1, 2)
ŗ
ŗ*pos
*10
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
1 (KICK)
ŗ
ę
ę
ŗ
ę
ę
ŗ
ę
ę
ę
ŗ
ę
ę
ŗ
ę
ę
ę
ę
ŗ
ŗ
ę
*2
2 (SNARE)
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
3 (HI-HAT)
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
Ş*11
ŗ
ŗ
ę
4, 5/6 *6, 7/8 *6
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
Others
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
*2
SNARE
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
HI-HAT, CRASH1,
CRASH2, RIDE
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
Others
ŗ
ę
ę
ŗ
ę
ę
ŗ
ę
ę
ę
ŗ
ę
ę
ŗ
ę
ę
ę
ę
ŗ
ŗ
ę
1, 2
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ*9
3, 4
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ę
ę
ę
ę
ŗ
ŗ
ŗ*7
*7
*7
*7
TRIG IN (1/2) *6
ŗ
ŗ
ę
ŗ
ŗ
ę
ŗ
ŗ
ę
ę
ŗ
ŗ
HPD-15
TRIGGER INPUT *6
ŗ
ŗ*7
ę
ŗ
ŗ*7
ę
ŗ
ŗ*7
ę
ę
ŗ
2
ŗ
ŗ
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ*5
ŗ
ŗ
ŗ
ŗ
*8
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
*5
*7
*7
ę
ŗ
ŗ
ŗ*7
ę
ŗ
ŗ*7
ę
ę
ę
ŗ
ŗ
ŗ*7 *9
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ŗ
ę
ę
ŗ
ŗ
ŗ*8
*pos.: Positional sensing is available.
*To enable rim shot, edge shot, bell shot and choking techniques, you'll need to connect the pad with the stereo cable.
All Purpose Clamp
Essential Accessories for V-Drummers
Rim
Shot
CY-14C
3, 4, 5, 6 (TOM1, 2, 3, 4)
Others
OPTIONS
CY-15R, CY-12R/C
Head
Shot
Kick
Acoustic
Trigger Drum Trigger
V-Hi-Hat
SPD-S
TMC-6
V-Drums Accessory Package
With a PD-125 connected to the Trigger Input 2 (SNARE) of the TD-6V, headshots and rim shots are possible.
V-Cymbal / Cymbal Pad
PD-125BK/WT,
PD-8
PD105BK/WT,PD-85BK/WT
*pos
・
・
・No
example (the grey area in the list):
ŗ*pos
*10
10(RIDE), 11(EDGE)
V-Drums Amplifier
The TDA-700 is the ultimate way to experience
your V-Drums. This bi-amped system uses a
240-watt powered 15-inch woofer and a 60-watt
powered horn driver Ñ plus RolandÕs proprietary
FFPª technology Ñ to deliver a sound quality
that's second to none. The built-in V-Drums
Shape function makes it possible to monitor the
V-DrumsÕ sound properly, while versatile input
and output capabilities and a Stereo Link function
make the TDA-700 perfect for stage setups.
Trigger
Input
Playing
Methods
SPECIFICATIONS
¥ Rated Power Output 30W ¥ Nominal Input Level/Input Impedance V-DRUMS Input: 0dBu/20k ohms, LINE Input: 0dBu/20k ohms ¥ Speakers 10" (250 mm) Woofer + 3" (77
mm) Tweeter(Coaxial, 2-way) ¥ Enclosure Bass-reflex type ¥ Controls V-DRUMS Volume Knob LINE Volume Knob BASS Knob TREBLE Knob POWER SW ¥ Indicator
POWER ¥ Connectors V-DRUMS Input Jack (Stereo 1/4" phone type) LINE Input Jack (Stereo 1/4" phone type) ¥ Power Supply AC 117 V, AC 220 V, AC 230 V, AC 240 V
(50/60 Hz) ¥ Power Consumption 36W ¥ Dimensions 364 (W) x 396 (D) x 352 (H) mm 14-3/8 (W) x 15-5/8 (D) x 13-7/8 (H) inches ¥ Weight 12 kg / 26 lbs 8 oz ¥ Accessories
Owner's Manual Power Cord * 0 dBu = 0.775 Vrms
A Powerful and Accurate
V-Drums Amplifier!
Pad
V-Pad
Pad
・
・
・Yes
About the table
You need to select the suitable“Trigger Type (Pad Type)”
on the sound module for your pad.
*1 Does not support rim shots.
*2 Supports Cross Sticks.
*3 Supports brush sweep techniques.
*4 Connect to the BOW/EDGE output jack for edge shots; connect to the BOW/BELL output jack for bell shots.
*5 With two cables, you can perform using three different tones: bow, bell, and edge.
*6 With a Y-Cable (PCS-31), you can connect two pads to a single trigger input jack. However, rim shots, choking and edge or bell shot on each pad or cymbal are not available for use.
*7 You need to set the“ Input Mode ”to“ HD/RM. ”
*8 With a Y-Cable (PCS-31), rim shots are possible with other trigger inputs in addition to Trigger Input 2.
*9 You need to select“ PD-120 ”for trigger type settings.
*10 Positional sensing on rim is available.
*11 Open/Close control is possible. Since the module is not fully compatible with the VH-11, the expressiveness of the half-open play is different from the TD-20/12.
23
Acoustic Drum Triggers
Trigger MIDI Converter
RT-Series Acoustic Drum Trigger
TMC-6 Trigger MIDI Converter
Versatile Acoustic Triggers with
V-Drums Technology.
Play MIDI Modules From an Acoustic Set!
!" ## $ %
# & '() *( +,- +.(. +,- +.(. , # +.(. '(
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( Kick Trigger
RT-7K
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6 0 4 !7 0(4 B2 034 % 65%5- 0 4 65 %5- 0(4 55%5034 57 % B C
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Dimensions:
¥ Weight:
¥ Accessories:
¥ Guide for installation:
Snare Trigger
RT-5S
6 03 4 ¥ Rim Level Knob: 5
A# 0 5%B 4 ¥ Dimensions:
6 0 4 577 0(4 034 % 65%5- 0 4 5%5- 0(4 65%2 034 ¥
Weight: 5-7 % - C ¥ Accessories: DE + , , ¥
Guide for installation: 55 5 % !%5- %2 ¥ Triggers:
¥ Connector:
Tom Trigger
RT-3T
5
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6 0 4 557 0(4 !6 034 % 65%5- 0 4 B %2 0(4 6!%2 034
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Dimensions:
¥ Weight:
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Supported Sound Modules:
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*(67 3*(5
* The performance of the RT-Series can be affected by elements such as the type of drum being used, the tuning and
use of a mute. For best performance, refer to both the drum trigger's and sound module's Owner's Manual and set the
trigger parameters accordingly.
* Be sure to mute the bass and snare drum (toms can also be muted if external vibrations are picked up).
* Use a ring mute or mute-type drum head to improve the performance of the RT-5S Snare Trigger.
* Note that the RT-3T Tom Trigger cannot be used with mesh heads.
* Due to the mute-free design of the RT-3T, when the sticks hit the shell or the rim of the drum, it may produce a louder
volume than striking the head.
Works Great with the RT/TD-Series
6 Trigger Inputs for Maximum Versatility
+,- +.(. , # +.(. / '( +,- 0 1(2 33 , * 4 '( +,- % '
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Play a TD-Series brain
Trigger an SPD-Series module
Connect a MIDI module and computer
Expand a V-Drums Set
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24
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. 25
Rhythm Coach
Dr. Beat & Practice Conversion Kit
Rhythm Coach
Dr. Beat
RMP-3
DB-90
Rhythm Training with a Brain
Better Features, Better Practice
Technology meets education in the most advanced,
useful, and friendly rhythm-training instrument.
The RMP-3 Rhythm Coach looks good, feels good, and is
loaded with rhythmic exercises and
timekeeping tools for you to practice with. With the pad
and brain self-contained in one molded piece,
this new rhythm trainer offers the utmost in portability and
convenience.
The Note Mixing function allows you to instantly create a
variety of beats by adjusting the levels of five different note
values. Front-panel sliders, buttons, and a large rotary dial
provide instant, hands-on access to edit parameters. Select
four different click sounds, including a human voice-counting
sound that will help you know your place in the bar. The DB-90
is also equipped with realistic PCM drum patterns for
developing accuracy and rhythmic feel effectively. It can also
be synced to external MIDI sequencers for elaborate
accompaniment.
Plug Into Rhythm Coach
Audio/Visual
Expand your rhythmic horizons with Rhythm Coach. This innovative follow-along feature has
four training modes to help build your accuracy, speed, and endurance. With the DB-90Õs
onboard microphone, you can use the Rhythm Coach functions with acoustic drums, or plug
a Roland V-Pad into the Trigger input. Play along, and chart your progress.
The RMP-3's large LCD provides easy-to-read instructional information,
complete with a smooth-flow onscreen tempo meter that bounces from
side to side. Large buttons and a clearly labeled front panel make using
the RMP-3 a snap. It has a built-in speaker for the metronome sounds.
If privacy is desired, you can use the headphone output to monitor your
drumming, metronome, and internal audio.
SIDE VIEW
SPECIFICATIONS
¥ Metronome Tempo: =30-250, BEAT1: 1-9, BEAT2: OFF / 1-9, PATTERN: 30 kinds ( 8-BEAT x 4, 16-BEATx 3, SHUFFLE x 3, FUNK x 2, JAZZ x 2, BLUES,
TECHNO, HOUSE, COUNTRY, REGGAE, CLAVE x 2, SALSA, RUMBA, BOSSA NOVA, SAMBA, WALTZ, TANGO, MAMBO, CHACHACHA, MARCH) ¥ Voice
Voice 1 (Standard metronome sound), Voice 2 (Electronic metronome sound), Voice 3 (Electronic click sound), Voice 4 (Human voice) ¥ Rhythm Coach Time
Check, Quiet Count, Gradual Up/Down, Step Up/Down ¥ Reference Tone Reference Pitch:A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range:C2-B6
¥ Auto Power Off function 60 minutes ¥ Connector: TRIG IN, START/STOP, MEMORY UP/DOWN, MIDI IN, INPUT, AC Adaptor, PHONES x 2 (Stereo 1/4"
phone type, Stereo miniature phone type) ¥ Power Supply: DC 9 V: Dry battery 6F22 / 6LR61 (9V), AC Adaptor (PSA-series (Option)) ¥ Power Consumption:
85 mA or less (with reference tone sounding), Expected battery life under continuous use: Approximately 1.5 hours (Carbon) / 6 hours (Alkaline) * These figures
will vary depending on the actual conditions of use. ¥ Dimensions: 122 (W) x 164 (D) x 37.5 (H) mm / 4-13/16 (W) x 6-1/2 (D) x 1-1/2 (H) inches ¥ Weight: 450g
/ 1 lb (including batteries) ¥ Accessories: Dry Battery (R6 (AA) Type), Soft case, OwnerÕs Manual
Rhythm Type
3
3
6
2 - 3 Son Clave
(whole note)
(quarter-note triplet) (8th-note triplet)
(16th note)
3
(16th-note triplets)
Practice Conversion Kit
7
3 - 2 Rumba Clave
(half note)
(8th note)
(8th-note triplet)
(16th note)
Feel & Features
(septuplet)
5
3 - 2 Son Clave 2 - 3 Rumba Clave
(quarter note)
(8th note)
(16th note)
(quintuplet)
Rhythm Coach
As a free-standing practice pad, the RMP-3 is a pleasure to play, but
it's the built-in Rhythm Coach that really makes this unit shine.
When activated, the Rhythm Coach challenges drummers in a fun
and friendly way with functions such as Time Check, Auto Up/Down,
and the new "Stroke Balance" mode to help develop consistent stick
technique.
TIME CHECK : In sync with the
metronome, this exercise encourages
you to strike with accuracy. The display
informs how accurate your shot was in
seven levels.
STROKE BALANCE : The display
Too slow (dragging)
Right on!
Weaker
Stronger
Convenience and
Portability
Since the metronome and the pad are
molded into one unit, and it runs onbatteries,
the RMP-3 is a great practice pad to take
with you on the road.
stand
PDS-2
RHYTHMIC NOTES : This provides basic training by changing the rhythm type every two
measures. Useful for warm-up, this exercise helps you master the timing of various notes.
START
QUIET COUNT : This is designed to develop your internal tempo. The click will go back and
forth from first playing at a fixed volume, and then to a level that is barely audible.
AUTO UP/DOWN : An endurance exercise that gradually increases and then decreases the
click speed. The rate at which the tempo goes up and down is adjustable, and you can set the
maximum tempo at which it starts decreasing.
PCK-1
The RMP-3 is outfitted with a great-feeling, tunable mesh pad for realistic
and quiet performance. A small pickup is mounted inside the pad,
enabling you to monitor your drumming through headphones, along with
the metronome and coaching audio. You can play along to external audio
as well, thanks to the Mix In jack. Position the RMP-3 on your lap,
a tabletop, or mount it on a stand, such as Roland's PDS-2.
Too fast (rushing)
indicates how strong you play by using
metronome needle. Improve the balance
and accent with both hands visually.
26
IMAGE PHOTO
SPECIFICATIONS
¥ Pad Size 8 inches ¥ Tempo 20Ñ260, Beat, 24 types ¥ Rhythm Types 18 types ¥ Internal Sounds Pad: 1 (tunable),
Metronome: 5 ¥ Coach Mode Functions: 5, Exercise Variations: 20 ¥ Connectors OUTPUT Jack: 1 (Stereo miniature
phone type), MIX IN Jack: 1 (Miniature phone type), AC Adaptor Jack ¥ Power Supply DC9V: Dry Battery 6F22/1604 (9
V) type (carbon), Dry Battery 6LR61/1604A (9 V) type (alkaline), AC Adaptor ¥ Current Draw 55 mA * Expected battery
life under continuous use: Carbon: 2 hours, Alkaline: 6 hours, These figures will vary depending on the actual conditions of
use. ¥ Stand Screw Size M8 ¥ Dimensions 263 (W) x 348 (D) x 78 (H) mm, 10-3/8 (W) x 13-3/4 (D) x 3-1/8 (H) inches ¥
Weight 1.2 kg / 2 lbs 11 oz (including battery) ¥ Accessories Dry Battery 6F22/1604 (9 V) type (carbon), Tuning Key,
Owner's Manual, Leaflet ("USING THE UNIT SAFELY" and "IMPORTANT NOTES") ¥ Options AC Adaptor: BOSS PSASeries, Pad Stand: PDS-2
Turn Your Snare Drum Into
a Practice Pad
The PCK-1 can convert an acoustic snare
drum into a silent practice pad. It comes with
a 14-inch mesh drum head that offers the
same natural response as RolandÕs famous
V-Pads, plus a rubber rim silencer for ultraquiet playing. An RT-5S Snare Trigger is also
included, allowing access to the DB-90Õs
onboard rhythm training exercises.
Dr. Beat
Dr. Beat
DB-60
DB-30
DB-90
PD-125
By connecting a V-Pad or PCK-1, you can tap into
the DB-90Õs Rhythm Coach exercises.
More Than Just a Metronome
The Take-Along Dr. Beat
The DB-60 is deluxe metronome
that can lay down the click in
style. Program your own beats
or choose from a variety of
patterns. Tap in your tempo, and
clock your practice with the Stop
Watch and Timer features.
ItÕs portable, reliable, and fun to use Ñ
the new DB-30 helps musicians take their
music to higher levels by offering a
feature set that defies its diminutive size,
including a variety of play-along patterns
and groove types.
SPECIFICATIONS
¥ Metronome Tempo: =30-250 (Accuracy: ±0.1%), BEAT: 1-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8,8+7,
8+9, 9+8 (23 kinds), PATTERN: 8-BEAT x 3, 16-BEATx 2, SHUFFLE x 2, FUNK, DANCE x 2, COUNTRY, REGGAE,
CLAVE x 2, RUMBA, BOSSA NOVA, WALTZ, TANGO, MAMBO, MARCH (20 kinds) ¥ Reference Tone Reference
Pitch:A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range:C4-B4 (Accuracy: ±1 cent) ¥ Timer Setting Range: 1-60
minutes ¥Stopwatch Timing Resolution: 1/10 second, Time Duration: 10 hours (with Auto Power Off disabled) ¥ Indicators:
LCD Display, Tempo Indicator LED x 2 ¥ Connector: PHONES Jack (Stereo miniature phone type) ¥ Power Supply: Dry
Battery (R6/LR6 (AA) Type) x 2 ¥ Power Consumption: 70 mA or less (with reference tone sounding), Expected battery life
under continuous use (Carbon): Approximately 200 hours * These figures will vary depending on the actual conditions of
use. ¥ Dimensions: 129 (W) x 84 (D) x 22 (H) mm / 5-1/8 (W) x 3-5/16 (D) x 7/8 (H) inches ¥ Weight: 156 g / 6 oz (including
batteries) ¥ Accessories: Dry Battery (R6 (AA) Type) x 2, Soft case, Owner's Manual
SPECIFICATIONS
¥ Metronome Tempo: =30-250 (Accuracy: ±0.1%), BEAT: 0-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8,
8+7, 8+9, 9+8 (24 kinds), RHYTHM: Quarter note ( ), Eighth note ( ), Eighth rest and eighth note ( ), Triple (
),
Triple with center rest (
), Sixteenth note (
), Sixteenth note with sixteenth rest (
), CLAVE 1 (
),
CLAVE 2 (
) (9 kinds) ¥ Reference Tone Reference Pitch: A4 = 438 Hz-445 Hz (1 Hz steps) Reference Tone
Range: C4-B4 (Accuracy: ±1 cent) ¥ Auto Power Off function: Turns unit off after 60 min. ¥ Memory function: Stores the
settings when the power is turned off. (The Mute status is not stored in memory.) ¥ Indicators: LCD Display, Tempo Indicator LED
x 2 ¥ Connector PHONES Jack (Stereo miniature phone type) ¥ Power Supply: CR2032 lithium battery x 1 ¥ Power
Consumption: 10 mA or less (with reference tone sounding) Expected battery life under continuous use: Approximately 20 hours
* These figures will vary depending on the actual conditions of use. ¥ Dimensions: 61 (W) x 90 (D) x 20 (H) mm / 2-7/16 (W) x 39/16 (D) x 13/16 (H) inches ¥ Weight: 70 g / 3 oz (including batteries) ¥ Accessories: CR2032 lithium battery, Owner's Manual
3
3
27
Percussion Controllers
Percussion Controllers
Sampling Pad
SPD-S
HPD-15
Add Sampling to Your Rig!
An Electronic Hand Percussion Pad with
V-Drums Technology
The SPD-S Sampling Pad is a simple and affordable way to tap
into the power of sampling. Six pads and three edge triggers allow
drummers to trigger CD-quality samples and create phrase loops
complete with pro-quality effects.
The Roland HPD-15 HandSonic is an electronic hand percussion multi-pad with
incredible triggering capabilities based on breakthrough V-Drums technology.
Divided into 15 parts, the HPD-15 allows hand percussionists to play up to 15
sounds simultaneously with all the sensitivity that the Roland V-Drums are
famous for. There are 600 onboard percussion sounds taken from all over the
world — including Latin countries, southeast Asia, China, India, the Middle East,
and Africa — plus electronic drums and sound effects that can be played
intuitively by any hand percussionist.
Integrates Easily with Your Kit
The SPD-S is a great way to add sampling to any percussion
setup, and it’s easy — just record a sound, assign it to a pad, and
go. Up to eight sounds can be played from the six rubber pads and
three edge triggers. With room for 399 User waveforms, the SPD-S
can store plenty of samples. Plus, there are 181 ready-to-play
waveforms pre-loaded into User memory. A sampling CD is also
included, making it easy to add more sounds.
Expressive Realtime Control
REAR VIEW
A host of powerful controllers can be used to modulate pitch, timbre, and other
instrument parameters in real time, making the HandSonic even more
expressive. With its expressive D-Beam controller, percussionists can trigger the
onboard sounds or alter an instrument’s tuning simply by waving their hands
over an infrared beam of light. Other realtime modifiers include two ribbon
controllers, an expression pedal input, and three control knobs for nearly
unlimited expression.
REAR VIEW
Powerful and Expandable
With 30 multi-effects algorithms and a unique ambience effect, the
SPD-S offers endless sound-sculpting potential — plus the ability
to create loops with the Phrase Maker function. The SPD-S has a
stereo input, and can accommodate up to two trigger units for
playing a drum pad in either a head or head/rim configuration. And
with MIDI In and Out, it makes a great controller as well. The SPDS can be expanded with CompactFlash media, and can import or
export WAV/AIF files.
Pad Stand
Integrated Performance Options
For those who desire additional control, an optional KD-7 Kick Trigger Unit or
FD-8 Hi-Hat Control Pedal may also be connected, allowing percussionists to
perform even more complicated rhythms. A 1/4-inch stereo input is included for
mixing other sound sources with the HPD-15's output.
PDS-15
Slant-type stand
designed for hand
percussion instruments
like the HPD-15.
Example Setup
PDS-15 can be slanted for
more natural playability.
Convenient CompactFlash storage
Total Percussion Pad
The SPD-S works with readily
available CompactFlash media —
making it easy to expand the onboard
sampling time, store custom sounds,
and even import or export WAV/AIF
files using your Mac or PC.
SPD-20
Superb Sounds and Features
*Please contact your authorized Roland dealer
regarding compatibility of CompactFlash media.
■SAMPLING MODE/TIME
■MULTI-EFFECTS
CompactFlash (approx.)
Internal
28
The SPD-20’s sound set includes everything from ethnic and world percussion
instruments to classic and modern acoustic and electronic drum sounds — 700
sounds total! Out of the box, you get 99 patches and six rhythm loops that can
be played via eight high-quality pads with natural response — even when
playing with common drumming techniques like rolls and flams.
(approx.)
16MB
32MB
64MB
128MB
256MB
512MB
LONG
12 min.
12 min.
24 min.
48 min.
96 min.
193 min.
386 min.
STANDARD
6 min.
6 min.
12 min.
24 min.
48 min.
96 min.
193 min.
FINE
3 min.
3 min.
6 min.
12 min.
24 min.
48 min.
96 min.
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
REVERB＋GATE
DLYEDREVERB（Delayed Reverb）
STEREODELAY
SYNC-DELAY
TAPE-ECHO
CHORUS
PHASER
FLANGER
STEPFLANGER
TREMOLO/PAN
SIMPLE-COMP（Compressor）
COMP-ENHANC（Compressor＋Enhancer）
2BAND-COMP（2Band Compressor）
4BAND-PEQ（4Band Parametric Equalizer）
FILTER
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
ISOLATOR
WAH
OVERDRIVE
DISTORTION
LO-FI（Lo-Fi Processor）
RADIOTUNING
RINGMODULAT（Ring Modulator）
PITCHSHIFT（Pitch Shifter）
PITCHBENDER（Pitch Bender）
OCTAVE
VOICETRANS（Voice Transformer）
CENTRCANCEL（Center Canceler）
SYNTH-PERC（Synthesizer Percussion）
SHORTLOOPER
SLICER
Infinitely expressive
Four external dual-trigger inputs make the SPD-20 compatible with a dedicated
hi-hat or kick drum controller and any of Roland’s drum pads (including VPads™). The trigger inputs can also be used with acoustic drum triggers for
triggering acoustic drums. Other noteworthy features include a velocity-sensitive
Layer function, onboard effects and MIDI connections for using the SPD-20 as a
controller or sound module.
REAR VIEW
29
Sound Lists
TD-20 / TD-12
No. Inst Name
Kick
1 22"Birch
K
2 22"Solid
K
3 22"StdMple K
4 22"Maple
K
5 24"Carbon K
6 22"CbnMple K
7 22"GT
K
8 22"TitanHp K
9 22"Mahogny K
10 20"Lite
K
11 22"RoseWd K
12 22"Oak
K
13 Recording1 K
14 Recording2 K
15 Universal
K
16 BigOpen
K
17 JazzCombo1 K
18 JazzCombo2 K
19 Cannon
K
20 Roto
K
21 Booth K
22 Ballad K
23 Swing K
24 Heavy K
25 Can
K
26 Fusion K
27 Latin
K
28 Meat
K
29 Pillow K
30 DryMed K
31 Dry
K
32 Solid
K
33 Reso
K
34 Raw
K
35 Vintage K
36 OldMple K
37 Hard
K
38 BigLow K
39 Hybrid K
40 Gabba1 K
41 Gabba2 K
42 Gabba3 K
KICK PROCESSED
43 Cartoon K
44 Chicken K
45 Jive
K
46 RB
K
47 Layered K
48 Lazy
K
49 HardLow K
50 Alley
K
51 DaFloor K
52 Croak K
53 Plastic K
54 Trip
K
55 Gokigen K
56 FX-Wah K
57 Lo-Fi
K
KICK ELEC
58 Cosmic K
59 Hi-Q
K
60 Analog1 K
61 Analog2 K
62 Analog3 K
63 ClascElec1 K
64 ClascElec2 K
65 ClascElec3 K
66 ClascElec4 K
67 ClascElec5 K
68 ClascElec6 K
69 TR808 Kick
70 TR909 Kick
No. Inst Name
SNARE
71 RoundBdge S
72 RoundBdge SR
73 CoolyMple S
74 CoolyMple SR
75 70'sMetal S
76 70'sMetal SR
77 WoodBrass S
78 WoodBrass SR
79 13"Hole
S
80 13"Hole
SR
81 Aluminum S
82 Aluminum SR
83 Titanium
S
84 Titanium
SR
85 Skanky
S
86 Skanky
SR
87 30'sMaple S
88 30'sMaple SR
89 BrassPico S
90 BrassPico SR
91 Booth S
92 Booth SR
93 Studio S
94 Studio SR
95 Ballad S
96 Ballad SR
97 Swing S
98 Swing SR
99 Street S
100 Lite
S
101 LA Fat S
102 Ring
S
103 Whack S
104 Impulse S
105 Cruddy1 S
106 Cruddy2 S
107 HotRod S
108 HotRod SR
SNARE BRUSH
109 Brush1 S
110 Brush1 SR
111 Brush2 S
112 Brush2 SR
SNARE PROCESSED
113 Basis
S
114 Chunk
S
115 ClapTail S
116 ClubDry S
117 Dump
S
118 HopRim1 S
119 HopRim2 S
120 HopRim3 S
121 LzrGate S
122 Pick
S
123 Planet
S
124 RB
S
125 2Step
S
126 Lo-Fi
S
127 Round XStik
128 Cooly XStik
129 70's
XStik
130 WoodBr XStik
131 13"
XStik
132 Alumi XStik
133 Titan
XStik
134 Skanky XStik
135 30's
XStik
136 Reggae XStik
137 Ballad XStik
138 Studio XStik
139 Swing XStik
140 Hard
XStik
Sound Lists
TD-6V
DRUM INSTRUMENTS
No. Inst Name
141 Maple XStik
SNARE ELEC
142 ClascElec1 S
143 ClascElec2 S
144 ClascElec3 S
145 ClascElec4 S
146 ClascElec5 S
147 TR808 Snare
148 TR808 SnrRim
149 TR909 Snare
150 TR909 SnrRim
TOM
151 12"Birch T1
152 12"Birch T1R
153 13"Birch T2
154 13"Birch T2R
155 16"Birch T3
156 16"Birch T3R
157 18"Birch T4
158 18"Birch T4R
159 12"GT
T1
160 12"GT
T1R
161 13"GT
T2
162 13"GT
T2R
163 16"GT
T3
164 16"GT
T3R
165 18"GT
T4
166 18"GT
T4R
167 10"Univ T1
168 10"Univ T1R
169 12"Univ T2
170 12"Univ T2R
171 14"Univ T3
172 14"Univ T3R
173 16"Univ T4
174 16"Univ T4R
175 12"Clasc T1
176 12"Clasc T1R
177 13"Clasc T2
178 13"Clasc T2R
179 16"Clasc T3
180 16"Clasc T3R
181 18"Clasc T4
182 18"Clasc T4R
183 12"Fiber T1
184 12"Fiber T1R
185 14"Fiber T2
186 14"Fiber T2R
187 16"Fiber T3
188 16"Fiber T3R
189 18"Fiber T4
190 18"Fiber T4R
191 12"Maple T1
192 12"Maple T1R
193 14"Maple T2
194 14"Maple T2R
195 16"Maple T3
196 16"Maple T3R
197 18"Maple T4
198 18"Maple T4R
199 12"Oak T1
200 12"Oak T1R
201 14"Oak T2
202 14"Oak T2R
203 16"Oak T3
204 16"Oak T3R
205 18"Oak T4
206 18"Oak T4R
207 8"Roto T1
208 8"Roto T1R
209 10"Roto T2
210 10"Roto T2R
211 12"Roto T3
No. Inst Name
212 12"Roto T3R
213 14"Roto T4
214 14"Roto T4R
215 16"Roto T5
216 16"Roto T6
217 18"Roto T7
218 18"Roto T8
219 18"RotoExLo1
220 18"RotoExLo2
221 Ballad
T1
222 Ballad
T2
223 Ballad
T3
224 Ballad
T4
225 Swing
T1
226 Swing
T2
227 Swing
T3
228 Swing
T4
229 Pop1
T1
230 Pop1
T2
231 Pop1
T3
232 Pop1
T4
233 Pop2
T1
234 Pop2
T2
235 Pop2
T3
236 Pop2
T4
237 Round
T1
238 Round
T2
239 Round
T3
240 Round
T4
241 80'sDry T1
242 80'sDry T2
243 80'sDry T3
244 80'sDry T4
245 90'sBig T1
246 90'sBig T2
247 90'sBig T3
248 90'sBig T4
249 90'sPower T1
250 90'sPower T2
251 90'sPower T3
252 90'sPower T4
253 OctaTom C Hi
254 OctaTom B
255 OctaTom A
256 OctaTom G
257 OctaTom F
258 OctaTom E
259 OctaTom D
260 OctaTom C
261 Mallet T1
262 Mallet T2
263 Mallet T3
264 Mallet T4
TOM BRUSH
265 Brush T1
266 Brush T2
267 Brush T3
268 Brush T4
TOM ELEC
269 ClscElec1 T1
270 ClscElec1 T2
271 ClscElec1 T3
272 ClscElec1 T4
273 ClscElec2 T1
274 ClscElec2 T2
275 ClscElec2 T3
276 ClscElec2 T4
277 ClscElec3 T1
278 ClscElec3 T2
279 ClscElec3 T3
280 ClscElec3 T4
281 ClscElec4 T1
282 ClscElec4 T2
No. Inst Name
283 ClscElec4 T3
284 ClscElec4 T4
285 TR808 T1
286 TR808 T2
287 TR808 T3
288 TR808 T4
289 TR909 T1
290 TR909 T2
291 TR909 T3
292 TR909 T4
HI-HAT
293 14"P-Hat HH
294 14"P-Hat HHEg
295 13"Hatz HH
296 13"Hatz HHEg
297 14"Hatz HH
298 14"Hatz HHEg
299 14"Dark HH
300 14"Dark HHEg
301 14"Edge HH
302 14"Edge HHEg
303 13"Lite HH
304 13"Lite HHEg
305 Brush HH
306 CR78 HH
307 TR808 HH
308 TR909 HH
309 Tekno HH
310 Elec HH
CRASH
311 16"DarK CrBw
312 16"DarK CrEg
313 16"Thin CrBw
314 16"Thin CrEg
315 16"Paper CrBw
316 16"Paper CrEg
317 16"FsPwr CrBw
318 16"FsPwr CrEg
319 18"Power CrBw
320 18"Power CrEg
321 18"Med CrBw
322 18"Med CrEg
323 19"NY
CrBw
324 19"NY
CrEg
325 18"Fast CrBw
326 18"Fast CrEg
327 18"Fast CrBl
328 Brush
Cr
329 Brush
CrEg
330 Mallet
Cr
SPLASH
331 6"Splazh SpBw
332 6"Splazh SpEg
333 8"Thin SpBw
334 8"Thin SpEg
335 8"Bell
SpBw
336 8"Bell
SpEg
337 8"Open SpBw
338 8"Open SpEg
339 10"Med SpBw
340 10"Med SpEg
CHINA
341 12"PgyBack
342 12"PgyBack Eg
343 16"Swish
344 16"Swish Eg
345 18"CB Low
346 18"CB Low Eg
347 20"U-China
348 China PgBack
349 Crash PgBack
RIDE
350 18"PRide Rd
1: Snare and tom sounds: The letter that follows the Patch name indicates whether it's a head shot or rimshot.
S: Snare head shot, SR: Snare rimshot, T1: Tom 1 head shot, T1R : Tom 1 rimshot
2: Cymbal sounds: The letter that follows the name indicates whether it's a bow, edge, or bell sound.
HH: Hi-hat bow sound, HHEg: Hi-hat edge sound, CrBw: Crash bow sound, CrEg: Crash edge sound, Rd: Ride bow sound, RdBl: Ride bell sound
No. Inst Name
351 18"PRide RdBl
352 18"PRide RdEg
353 18"Bop
Rd
354 18"Bop
RdBl
355 18"Bop
RdEg
356 20"Heavy Rd
357 20"Heavy RdBl
358 20"Heavy RdEg
359 20"Med Rd
360 20"Med RdBl
361 20"Med RdEg
362 20"Turky Rd
363 20"Turky RdBl
364 20"Turky RdEg
365 19"NY Rd
366 19"NY RdBl
367 19"NY RdEg
368 20"Lite Rd
369 20"Lite RdBl
370 20"Lite RdEg
371 22"Clean Rd
372 22"Clean RdBl
373 22"Clean RdEg
374 18"Formu Rd
375 18"Formu RdBl
376 18"Formu RdEg
377 20"Bell Rd
378 20"Bell RdBl
379 20"Bell RdEg
380 Brush Rd
381 Brush RdEg
382 Mallet1 Rd
383 Mallet2 Rd
PERCUSSION
384 Bongo Hi
385 Bongo HiSlap
386 Bongo Lo
387 Bongo LoSlap
388 Conga Hi
389 Conga HiMute
390 Conga HiSlap
391 Conga Lo
392 Conga LoMute
393 Cajon Bass
394 Cajon Mute
395 Cajon Slap
396 Cowbell Hi
397 Cowbell Lo
398 Cowbell Mute
399 CowbellMambo
400 Claves
401 SquareBlock
402 Block Hi
403 Block Lo
404 Maracas
405 Caxixi
406 Shaker
407 Tambourine1
408 Tambourine2
409 Tambourine3
410 Guiro Long
411 Guiro Short
412 Timbale Hi
413 Timbale HiRm
414 Timbale Lo
415 TimbalePaila
416 Agogo Hi
417 Agogo Lo
418 Cabasa
419 Cuica Hi
420 Cuica Lo
421 Cuica Acc
422 Pandeiro
No. Inst Name
423 PandeiroMute
424 PandeiroSlap
425 Surdo Hi
426 Surdo HiMute
427 Surdo Lo
428 Surdo LoMute
429 Whistle
430 WhistleShort
431 VibraSlap
432 Tabla Na
433 Tabla Te
434 Tabla Ti
435 Tabla Tin
436 Tabla Tun
437 Baya Ge
438 Baya Gin
439 Baya Ka
440 Baya Slide
441 PotDrum
442 PotDrum Acc
443 PotDrum Mute
444 Djembe Tone
445 Djembe Slap
446 Djembe Bass
447 TalkingDr
448 TalkingDr Up
449 Castanet
450 WoodBlock
451 Timpani C
452 Timpani G
453 ConcertBD
454 ConcertBD Mt
455 HandCymbal
456 HandCymbalMt
457 Triangle
458 TriangleCls
459 Triangle2
460 Triangle2Cls
461 Crotale
462 BellTree
463 SleighBell
464 TreeChimes
465 ThaiGong
466 TinyGong
467 Gong
468 OrchestraHit
469 SnareRoll
470 ConcertSnare
471 SteelDrum
472 Celesta
473 Glockenspiel
474 Kalimba
475 Marimba
476 TubularBell
477 Vibraphone
478 Xylophone
PERC ANALOG
479 CR78Cowbell
480 CR78Guiro
481 CR78Maracas
482 CR78MtlBeat
483 CR78Tamb
484 TR808Clap
485 TR808Claves
486 TR808Cowbell
487 TR808Maracas
488 TR808XStick
489 TR909Clap
SFX
490 Hi-Q
491 Poa
492 Pyon
493 Picoon
No. Inst Name
494 Byon
495 Kyun
496 Psyun
497 Boom
498 SuperLow
499 TimeWarp1
500 TimeWarp2
501 Transform1
502 Transform2
503 Tramsform3
504 Tekno FX1
505 Tekno FX2
506 Tekno FX3
507 Ring FX
508 Drop Out
509 LaserGun
510 Spiral
511 Emergency
512 Wonderer
OTHER
513 Click
514 Beep
515 Sticks
516 Sticks2
517 MetroBell
518 MetroClick
519 FingerSnaps
520 Clap
521 R8Slap
522 Motor
523 Engine
524 Glass
525 Burt
526 Boing1
527 Boing2
528 Bounce
529 VerbyHit
530 AfroStomp
531 Bomb!
532 TuningTom
533 ReverseCrash
534 ReverseChina
535 PhaseCrash
536 PhaseRide
537 Scratch1
538 Scratch2
539 Scratch3
540 Scratch4
541 TapeStop
542 TapeRewind
543 Voice OK
544 Voice Yeah
545 Vocoder1
546 Vocoder2
547 TeknoHit
548 PhillyHit
549 FunkHit
550 Bass Gliss
551 Guitar Gliss
552 GuitarScrtch
553 CutGt Down
554 CutGt Up
555 WahGt1 Down
556 WahGt1 Up
557 WahGt2 Down
558 WahGt2 Up
559 Sine 440Hz
560 For PadCheck
DRUM INSTRUMENTS
No. Inst Name
KiCK
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
25
30
37
41
44
46
47
48
52
54
55
56
57
58
59
60
61
62
63
64
65
66
67
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
DblHead
Sharp
Acous
Meat
R8 Low
R8 Dry
WdBeatr
Open
Vintage
26"Deep
ThickHd
Round
Medium
BigRoom
Big
BigLow
Studio
Buzz
Room
Amb
Solid
Jazz 1
18"Jazz
BrshHit
Wood
Maple
Oak
Birch
RoseWod
OnePly
Oyster
Dry
DryMed
DryHard
DeepDry
Fusion
SandBag
BsktBal
Mondo
MdVrb
Sizzle
Box
Ninja
Dance
House
Pillow
Rap
TR808
808Hard
808Boom
808Noiz
TR909
909Wood
909HdAt
Elephnt
Cattle
Door
Punch
Machine
Broken
BendUp
HrdNoiz
R8Solid
ThinHed
Tight
Chunk
Gate
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
No. Inst Name
96 Giant
97 Inside
98 Std1
100 Std2
102 Room
104 Power
106 Jazz
108 Brush
109 Elec
111 ElBend
112 Plastk
114 Gabba
116 Tail
117 Jungle
118 HipHop
119 LoFi
123 Noisy
124 Splat
125 Scrach
127 Hi-Q
128 Space
129 SynBass
SNARE
130 Custom
131 Cstm
136 Picolo1
137 Pco1
142 Picolo2
143 Pco2
148 Picolo3
149 Pco3
154 Medium1
155 Med1
156 Med1
163 Medium2
164 Med2
169 Medium3
170 Med3
175 Medium4
176 Med4
181 Fat1
182 Fat1
187 Fat2
188 Fat2
193 Acustic
194 Acus
199 Vintage
200 Vntg
205 Comp
206 Comp
211 Jazz
212 Jazz
213 Jazz
220 Dirty
221 Drty
226 13"
227 13"
228 Birch
229 Birch
230 TD7Mpl
231 TD7Mpl
232 Ballad
233 Brush
236 Brsh Tap
237 Brsh Slp
238 Brsh Swl
239 BrshTmb
240 MIDIBr1
x8
x5
x7
x4
x3
x2
x4
x2
x2
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
K
S
RS
S
RS
S
RS
S
RS
S
RS
XS
S
RS
S
RS
S
RS
S
RS
S
RS
S
RS
S
RS
S
RS
S
RS
XS
S
RS
S
RS
S
RS
S
RS
S
S
S
S
No. Inst Name
x2
x2
x2
x2
x2
x2
x2
x2
x4
x2
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *x
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1 *p
x3 *1
x3 *1
x3 *1
x3 *1 *x
x3 *1 *p
x3 *1
x3
x3
243 Boston
244 Boston
245 Bronze
246 Brnz
249 Birch2
250 Copper
252 10"
253 L.A.
254 London
255 Ring
256 Ring
257 Rock
258 Rock
259 R8Maple
260 R8Mpl
261 BigShot
262 Std1
264 Std2
266 Room
268 Power
270 Gate
271 Jazz
273 Funk
274 Funk
275 Bop
276 Bop
277 Picolo
278 Pco
281 Medium
282 Med
289 Fat
290 Fat
293 Dynamic
294 Dynmc
295 Roll
296 Buzz
297 Dopin1
298 Dopin2
299 Reggae
300 Cruddy
301 Dance
303 House
304 HousDpn
305 Clap!
306 Whack
307 TR808
308 TR909
309 Elec
312 ElNoiz
313 HipHop
315 LoFi
316 LoFi
317 Radio
318 CrsStk
324 808Crstk
TOM
325 OysterT
329 Comp
333 Fibre
337 Dry1
341 Dry2
345 Maple
349 Rose
353 Sakura
357 Jazz1
361 Jazz2
365 Buzz1
369 Buzz2
S
RS
S
RS
S
S
S
S
S
S
RS
S
RS
S
RS
S
S
S
S
S
S
S
S
RS
S
RS
S
RS
S
RS
S
RS
S
RS
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
RS
S
T
T
T
T
T
T
T
T
T
T
T
No. Inst Name
x2
x2
x2
x2
x2
x2
x2
x2
x2
x2
x4
x4
x2
x2
x2
x3
x2
x6
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
373 Buzz3
377 Buzz4
381 Natral
385 Natrl2
389 Studio
393 Slap
397 Room1
401 Room2
405 Room3
409 Room4
413 Room5
417 Big
421 Rock
425 Punch
429 Oak
433 Balsa
437 Vintge
441 Brsh1
445 Brsh2
449 Dark
453 Attack
457 Hall
461 Birch
465 Beech
469 Micro
473 Bend
477 Bowl
481 Dirty
485 Std 1
491 Std 2
497 Room6
503 Power
509 Jazz3
515 Brsh3
521 Gate
525 LoFi
529 ElBend
533 ElBnd2
537 ElBnd3
541 ElNois
545 ElDual
549 Elec
555 TR808
HI-HAT
561 Pure
562 PureEg
563 Bright
564 BritEg
565 Jazz
566 JazzEg
567 Thin
568 ThinEg
569 Heavy
570 HevyEg
571 Light
572 LigtEg
573 Dark
574 DarkEg
575 12"
576 12"Eg
577 13"
578 13"Eg
579 14"
580 14"Eg
581 15"
582 15"Eg
583 Brush
585 Sizzle
*1: Wood, brass, or steel shells can be selected.
*2: For hi-hat sounds in the "FIXED HH" group, sounds cannot be changed with the hi-hat controller pedal.
*p: The sound changes depending on the hitting position.
*x: Cross-sticking is possible. Cross-stick and open rimshots can be varied according to hitting strength.
TD-6V
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
T
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
HH
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x4
x6
x6
x6
x6
x6
x6
x4
x4
x4
x4
x4
x4
x4
x6
x6
x2
x2
587 Voice
HH
588 HandC HH
589 Tambrn HH
590 Maracs HH
591 TR808
HH
592 TR909
HH
593 CR78
HH
594 Mtl808
HH
595 Mtl909
HH
596 Mtl78
HH
597 LoFi
HH
CRASH
599 Med14
Cr
600 Med16
Cr
601 Med18
Cr
602 Quik16 Cr
603 Quik18 Cr
604 Thin16
Cr
605 Thin18
Cr
606 Brsh
Cr
608 SzlBr
Cr
609 Swell
Cr
610 Splsh 6"
611 Splsh 8"
612 Splsh10"
613 Splsh12"
614 Cup 4"
615 Cup 6"
616 HdSpl 8"
617 HdSpl10"
618 China10"
619 China12"
620 China18"
621 China20"
622 SzlChina
623 SwlChina
624 PgyzBack
625 PgyCrsh
628 PgSplsh
630 PhaseCym
631 Elec Cr
632 TR808 Cr
633 LoFi Cr
RIDE
635 Jazz Rd
636 Jazz RdE
637 Jazz RdB
638 Jazz RdX
639 Pop Rd
640 Pop RdE
641 Pop RdB
642 Pop RdX
643 Rock Rd
644 Rock RdE
645 Rock RdB
646 Rock RdX
647 Lite Rd
648 Lite RdE
649 Lite RdB
650 Lite RdX
651 CrashRd
652 CrashRdE
653 DkCrsRd
654 DkCrsRdE
655 Brsh Rd x2
657 SzlBr Rd
658 Szl Rd
x3
659 Szl RdE x3
No. Inst Name
x2
x2
x3
x2
x2
660 Szl RdB x3
661 Szl RdX x3
670 Szl4 Rd
671 Pgy Rd x2
672 Pgy RdB x2
673 Pgy RdX x2
677 LoFi Rd
678 LoFi RdE
679 LoFi RdB
PERCUSSION
680 R8Bng Hi x2
681 R8Bng Lo x2
684 Bongo Hi x2
685 Bongo Lo x2
688 R8Cng Mt
689 R8Cng Hi
690 R8Cng Lo
691 Conga Mt
692 Conga Sl
693 Conga Op
694 Conga Lo
695 CngMt VS
696 CngSl VS
697 Cowbell x2
699 CowblDuo
700 Claves
701 GiroLng
702 GuiroSht
704 Guiro VS
705 Maracas
706 Shaker
707 SmlShakr
708 Tambrn x4
712 Tmbl Hi x2
713 Tmbl1 Rm
714 Tmbl Lo x2
715 Paila
718 VibraSlp
719 Agogo Hi x2
720 Agogo Lo x2
723 CabasaUp
724 CabasaDw
725 CabasaVS
726 CuicaMt x2
727 Cuica Op
728 Cuica Lo
730 PandroMt
731 PandroOp
732 PandroSl
733 PandroVS
734 SurdoMt x2
735 SurdoOp x2
736 SurdoVS x2
740 Whistle
741 Whisl Sh
742 Caxixi
743 Tabla Na
744 TablaTin
745 TablaTun
746 Tabla Te
747 Tabla Ti
748 Baya Ge
749 Baya Ka
750 Baya Gin
751 Baya Sld
752 Pot Drum
753 PotDr Mt
754 PotDr VS
No. Inst Name
755 TalkinDr
756 ThaiGong x2
758 BellTree
759 TinyGong
760 Gong
761 TemplBel
762 Wa-Daiko
763 Taiko
764 Sleibell
765 TreeChim
766 TringlOp
767 TringlMt
768 TringlVS
769 R70TriOp
770 R70TriMt
771 R70TriVS
772 Castanet
773 WdBlk Hi
774 WdBlk Lo
775 ConcrtBD
776 ConBD Mt
777 Hand Cym
778 HndCymMt
779 Timpani x3
782 PercHit x2
784 Orch Maj
785 Orch Min
786 Orch Dim
787 Kick/Rol
788 Kick/Cym
789 OrchRoll
790 OrchChok
791 Hit Roll
792 Finale
793 808Clap
794 808Cwbl x2
796 808Marcs
797 808Clavs
798 808Conga
799 909RIM
800 909CLAP
801 78Cowbel
802 78Guiro
:
810 55Claves
SPECIAL
811 Applause
812 Encore
:
834 CarEngin
835 Car Horn
836 Helicptr
837 Thunder
838 Bomb
:
853 Vocoder x3
856 DynScrch
857 Scrach x6
863 ScrchLP
864 Phil Hit
865 LoFi Hit
866 Hi-Q
:
888 Tom Amb
MELODIC
889 Kalimba
890 Steel Dr
:
No. Kit Name
No. Kit Name
No. Kit Name
No. Kit Name
No. Kit Name
No. Kit Name
No. Kit Name
12 Brushes
24 Melody
ROCK KITS
46 Ksnowki+ *Pad Pattern 57 PedalEFX
68 Dance808
78 DoubleHH
1 RoseWood
13 Groove
ELECTRONIC KITS I
36 HevyRock
47 RimSong+ *Pad Pattern 58 Gate
FUNK KITS
79 AJ Fusn
2 BeeBop X *x-stick
14 Rock It!
25 TR-808
37 DenkiRok
48 Drm'nBs+ *Pad Pattern 59 JunkYard
69 JazzFunk
80 AcuStick
3 Yo Yo
15 Birch
26 Tekno
38 Rocker X *x-stick
49 Tabla+ *Pad Pattern 60 Cartoon
70 PowrFusn
81 AppleStr
4 RokCncrt
27 Mexi-Mix
16 Ballad X *x-stick
39 HevyMetl
50 LtnSqnc+ *Pad Pattern JAZZ KITS
71 Pocket
82 Crack!
5 LtnPerc+ *Pad Pattern 17 Natural
28 Electro
40 Wt Room
51 808Mix+ *Pad Pattern 61 BrshSwel
AMBIENCE KITS
83 Buzz
6 Orch Set
18 SteelSnr
29 TR-909
ROCK MELODIC KITS
VOICE KITS
62 Jazz
72 Dome
84 Ringer
7 TblaTun+ *Pad Pattern 19 TKO
30 909Mix
41 RockBnd+ *Pad Pattern 52 Voices
63 Sizzle
73 JzThet X *x-stick
85 Slip
8 1ManBnd+ *Pad Pattern PERCUSSION KITS
31 808...9!
42 "A"Team+ *Pad Pattern 53 "Scat"
64 JazzOne
74 TileRoom
86 Fibre
9 Scary
20 Far Away
32 Jungle
SEQUENCE KITS
EFFECT KITS
ELECTRONIC KITS II
75 GigaHall
87 Oyster
10 Guitars+ *Pad Pattern 21 TmbleKit
33 ElecBoom
43 SynBass+ *Pad Pattern 54 SlowTape
65 HipHop
76 Cave
88 Gospel
ACOUSTIC DRUM KITS I
22 BongoKit
34 Science!
44 DrmSolo+ *Pad Pattern 55 LowFi
66 R&B1
77 Dry&Wet
89 CopprSnr
11 PopKit X *x-stick
23 CongaKit
35 Aco&Elec
45 BIGBand+ *Pad Pattern 56 Kids
67 R&B2
ACOUSTIC DRUM KITS II
90 BrassSnr
1: *x-stick": The rimshot sound will change according to hitting strength. Strike softly for cross-stick, harder for open rimshots. Cross-sticking is possible when a PD-85/105/125 mesh pad is connected to the snare input (Trigger Input 2).
2: *Pad Pattern: Drum kits with patterns assigned to the pads.
3: No. 99 User Kit: Use this kit to make your own drum kit. The pad volumes are set to an average level.
No. Inst Name
No. Inst Name
No. Inst Name
16 S1r Bright Snare Rim *1
33 S11 Cross Stick 2
49 t2.1 Rock Tom 12"
1 K01 Wood Kick
17 S2 Vintage Snare
34 S12 Club Snare 1
2 K02 Rock Kick
18 S2r Vintage Snare Rim *1 35 S13 Club Snare 2
3 K03 Tight Kick
19 S3 Vintage Snare 2
36 S14 Club Snare 3
52 t3.1 Clear Tom 10"
4 K04 Ambient Kick
20 S3r Vintage Snare 2 Rim *1 37 S15 Club Snare 4
21 S4 Funk Snare
5 K05 Muffle Kick
38 S16 Club Snare 5
22 S4r Funk Snare Rim *1
6 K06 Jazz Kick
39 S17 Club Snare 6
23 S5 Piccolo Snare
7 K07 Hard Attack Kick
40 S18 Club Snare 7
56 t4.1 Jazz Tom 12"
24 S5r Piccolo Snare Rim
8 K08 Latin Kick
41 S19 Club Snare 8
25 S6 Brass Snare
9 K09 Club Kick 1
42 S20 Club Snare 9
26 S6r Brass Snare Rim
10 K10 Club Kick 2
43 S21 808 Snare
59 t5.1 808 Tom 1
27 S7 Rock Snare
11 K11 Club Kick 3
44 S22 909 Snare
60 t5.2 808 Tom 2
28 S7r Rock Snare Rim
12 K12 Club Kick 4
45 S23 909 Clap
61 t5.3 808 Tom 3
29 S8 Ballad Snare
TOM
13 K13 808 Kick
62 t6.1 Electronic Tom 1
30 S9 Brush Snare
46 t1.1 Power Tom 12"
14 K14 909 Kick
SNARE
31 S9r Brush Snare Rim
15 S1 Bright Snare
32 S10 Cross Stick 1
HI-HAT
*1: The rimshot sound will change according to hitting strength. Strike softly for cross-stick, and harder for open rimshots.
*2: Ride sound will change according to hitting strength. Strike softly for bow sounds, harder for bell sounds.
*3: sound will change depending on the hitting strength.
KICK
Kit Name
Acoustic
Groove
Oldies
2 Step
Ballad
x3
x4
x5
x4
x13
x2
No. Kit Name
91 BrikHous
92 Studio1
93 Studio2
94 Roto Kit
95 Standrd1
96 Standrd2
97 Room
98 Power
99 User Kit
DRUM INSTRUMENTS
No. Inst Name
No.
1
2
3
4
5
x2
PRESET DRUM KITS
FEATURED KITS
TD-3
No. Inst Name
902 GuitDist
903 GuitBs
:
917 TeknoHit
918 FunkHit
VOICE
921 Lady Ahh
922 Aoouu!
923 Hooh!
924 Haa!
925 SayYeah!
926 Yeah
927 Ahhh
:
935 DaoFall
939 DoDat VS
940 DoDao VS
941 Scat1 VS
946 Voice K
947 VoiceLoK
948 Voice S
949 Voice T
953 Voice Cr
954 Count
:
971 Count Ta
REVERSE
972 RvsKick
:
989 RvsEngin
FIXED HH *2
990 Std1 CH
:
1023 LoFi PdH
OFF
1024 OFF
There are several types of ride cymbal sounds.
Rd: Bow sound, RdB: Bell sound, RdX: Soft shots for bow sounds, and hard shots for bell sounds, RdE: Edge sound
No. Kit Name
TD-3
!
No. Inst Name
No. Inst Name
65 H01 Lite HH
66 H02 Lite HH Edge
67 H03 Dark HH
68 H04 Dark HH Edge
69 H05 Club HH
70 H06 808 HH
71 H07 909 HH
72 H08 Triangle HH
73 H09 Shaker & Pedal Claves
74 H10 Tambourine & Pedal Cowbell
RIDE
75 Rd1 Pop Ride (Bow/Bell sw) *2
76 Rd2 Pop Ride Bell
77 Rd3 Pop Ride Edge
78 Rd4 Jazz Ride (Bow/Bell sw) *2
79 Rd5 Jazz Ride Bell
80 Rd6 Jazz Ride Edge
No. Inst Name
CRASH
81 Cr1 Dark Thin Crash 16"
82 Cr2 Medium Crash 16"
83 Cr3 Thin Crash 18"
84 Cr4 Medium Thin Crash 18"
85 Cr5 Paper Thin Crash 14"
86 Cr6 Splash 8"
87 Cr7 China 16"
88 Cr8 808 Cymbal
PERCUSSION
89 P01 Claves
90 P02 Shaker
91 P03 Tambourine
92 P04 Cowbell 1
93 P05 Cowbell 2
94 P06 Wood Block Hi
95 P07 Wood Block Lo
No.
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
Inst Name
No. Inst Name
113 SP5 Shaker/Claves sw *3
P08 Triangle Open
OFF
P09 Triangle Close
114 oFF Off
P10 Sleigh Bell
P11 Tree Chimes
P12 Timbale Hi
P13 Timbale Rim
P14 Timbale Lo
P15 Conga Hi
P16 Conga Closed Slap
P17 Conga Lo
P18 Bongo Hi
P19 Bongo Closed Slap
P20 Bongo Lo
SP1 Wood Block Lo/Hi sw *3
SP2 Timbale Hi/Rim sw *3
SP3 Conga Hi/Slap sw *3
SP4 Bongo Hi/Slap sw *3
PRESET DRUM KITS
No.
6
7
8
9
10
Kit Name
Electronic
Techno House
Hip-Hop
Jazz
Disco Beat
No.
11
12
13
14
15
Kit Name
Open Rock
Standard
Acid House
TR-808
Dirty
No.
16
17
18
19
20
Kit Name
Jungle
Funk
Latin House
Abstract
Club Mix
No.
21
22
23
24
25
Kit Name
Jazz Fusion
Garage House
Light Tuning
Brushes
R&B
No.
26
27
28
29
30
Kit Name
Techno Cumbia
Classic R&B
Pop-Rock
Timbales Kit
Conga Kit
No. Kit Name
31 Percussion Set 1
32 Percussion Set 2
!
Visit us online at www.Roland.com
All specifications and appearances are subject to change without notice.
All trademarks used in this catalog are the property of their respective companies.
Printed in Japan Mar. '05 RAM-3889 CFC-2 PBL-UPR-L

Roland V-Drums Catalog

Transcription

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