Volume 25, no. 3 Fall 2012 - Jane Austen Society of North America
Transcription
Volume 25, no. 3 Fall 2012 - Jane Austen Society of North America
Jane Austen Society of North America Wisconsin Region The Wire, Volume 25, Number 3 Fall 2012 “I have got some pleasant news for you, which I am eager to communicate.” PREQUELS, SEQUELS, AND MASH-UPS, OH MY!! The 237th Jane Austen Birthday Celebration Saturday, December 15, 2012, at 11 a.m. You are cordially invited to join fellow JASNAWisconsin members and guests at the North Hills Country Club for our annual luncheon celebration of Jane Austen’s birthday. If you’ve ever been to Barnes and Noble and been astounded at the dizzying array of Pride and Prejudice paraliterature gracing (or clogging) the shelves, you won’t want to miss this year’s luncheon. University of Wisconsin Professor Emily Auerbach will deliver the Joan Philosophos Lecture entitled “Pride, Prejudice, and Proliferation: Prequels, Sequels, Spin-offs, Mash-ups, and other Adaptations and Permutations of Pride and Prejudice.” Professor Emily Auerbach teaching at the University of Members of our region are indeed fortunate Wisconsin Odyssey Project that Professor Auerbach is close enough that she can be with us often (though not as often as we’d like!). Dr. Auerbach’s areas of academic expertise, in addition of course to Jane Austen, are 19th century women writers, college access for low-income adults, and outreach programming in literature and the humanities. She is the recipient of the Bartell Arts teaching award and the Governor’s Award in Humanities for chairing “Jane Austen and the Humanities,” the first annual UW Humanities Festival. She is also director of the UW Odyssey Project, a program that offers free college access to low income adult students, of which JASNA-WI is a proud supporter. Dr. Auerbach’s 2012 Lecture will be based upon her research for the chapter she is writing for the Cambridge University Press’s 2013 Special Edition of Pride and Prejudice to commemorate the 200th anniversary of the novel’s publication. In an email earlier this year to JASNA-WI members, she wrote: “In my chapter I've been asked to focus on prequels, sequels, mash-ups, modern adaptations, etc. I have included references to Pride, Prejudice, and Zombies, the movies Bride and Prejudice, Lost in Austen, and Bridget Jones' Diary, various novels taking different characters' point of view (like Wickham's Diary) or continuing the storyline after Elizabeth and Darcy are married, odd (cont. on p. 2) 1 Birthday Luncheon, cont. Jane Austen Lecture November 15 blends, like a fusion of Gone with the Wind and Pride and Prejudice, a mash up making the Bennet family Jewish (opening sentence "It is a truth universally acknowledged, especially by Jewish mothers, that a single man..."), a Marvel illustrated comic book version, etc. I had no idea how many dozens of adaptations there have been.” Marsha Huff will give a lecture at the Brookfield Public Library on Thursday, November 15, at 7:00 p.m. Her topic is “A Truth Rarely Acknowledged.” The program is free of charge and open to the public. We are also pleased that Pat Latkin will be with us once again to offer Jane Austen- related books and items for sale. In addition, we’ll also have JASNA-WI’s own 2013 Jane Austen Wall Calendars, featuring Jane Austen facts for every day of the year. So bring your wallet or your checkbook (sorry, no credit cards) and do a little Christmas shopping for someone on your list or even for yourself! Luncheon entrée choices are our traditional beef Wellington with Madeira sauce; parmesancrusted salmon; and grilled vegetables with seasonal greens and dressing. Every meal includes champagne, dessert, and gratuity. Please make your reservation by Monday, December 3rd using the enclosed form. If you wish to write a birthday toast (either humorous or formal), please contact Cynthia Kartman at 414-332-9757 or [email protected]. North Hills Country Club is located at N73 W13430 Appleton Avenue, Menomonee Falls (262-251-5750). Directions are on the reservation form (attached separately and at the end of the newsletter). Tea and Play Deadline Extended Good news! The deadline for reservations for the January 13, 2013 Tea and Sense and Sensibility event has been extended to December 3. We have continued to receive reservation requests and are hoping this will accommodate more members who might want to attend. You received a new reservation form in a recent email from Liz Cooper. Please contact Deborah Koconis with questions: [email protected] The Wire Editor’s note: Emily Auerbach will be speaking next June at the Pride and Prejudice Conference at Lucy Cavendish College, University of Cambridge. The conference marks the 200th anniversary of the publication of Pride and Prejudice. Published thrice yearly by JASNA-Wisconsin Editor: Kim Wilson Please send articles, letters, and clippings to Kim Wilson, 506 Oxford Road, Waukesha, WI 53186 - 262-549-4122 or [email protected] Further information on the conference (including a detailed program and information about ticket prices) can be found at: http://www.lucy-cav.cam.ac.uk/whats-on/pride-andprejudice-conference http://www.jasnawi.org 2 National Officers from Wisconsin Region The Wisconsin Region continues to provide leaders for JASNA’s national Board. Liz Cooper was elected Vice President for Regions during the Brooklyn AGM, with her term beginning on December 16. In this prominent position, Liz will be responsible for advising JASNA’s 71 regions in the US and Canada and nurturing new regions. She will also be a member of the Executive Committee of the Board. Janet Johnson’s six-year term as JASNA Treasurer ends this year, but she will remain on the national Board as Assistant Treasurer. Marsha Huff, past President, is also on the Board. Madison Reading Group Kudos to Liz, Janet & Marsha! On Sunday February 17, 2013, 2:00 p.m., we will meet at Joan Roob’s house to discuss Pride and Prejudice. The Duchess of Devonshire, known in private life as Liz Philosophos Cooper, JASNA Vice President for Regions. On Sunday May 19, 2013, 2:00 p.m., we will meet at Coral Bishop’s house and will view Coral’s “Historic Collections.” Coral has studied and accumulated collections of among other things vintage teapots, hats, perfume bottles, and jewelry. We are lucky to have this unique opportunity! Milwaukee Reading Group Janet Johnson, JASNA national Assistant Treasurer, former Treasurer, and all around wise woman. On Saturday, February 23, 2013, at 9:30 a.m., The Milwaukee Reading Group will enjoy discussing Pride and Prejudice. Marsha Huff will moderate. We will meet at the Elm Grove Village center, 1366 Juneau Blvd. On Tuesday, May 14, 2013 we will be discussingMy Lady Scandalous: The Amazing Life and Outrageous Times of Grace Dalrymple Elliott, Royal Courtesan, by Jo Manning, at Vicky Hinshaw's, 929 Astor St. Milwaukee. Email reminders with directions will be sent out to Milwaukee area members and anyone wanting to receive them. If you have not received these for the book groups this year, please send a message to Jane Kivlin, [email protected]. Volunteering to bring treats is greatly appreciated! Please email Jane Kivlin. Marsha Huff, former grand Poobah (ah, we mean President) of JASNA and current national board member, and her sister, Sandra Grant. 33 This will be my last column as Regional Coordinator. Judy Beine will be taking over for me after December 16 when I become First Vice President of Regions for JASNA. I will be busy-currently there are 60 regions in the US and 11 in Canada. I have worked closely with Judy in my nine years as RC and know she will do a terrific job. New ideas and a fresh Lorraine Hanaway & Judy Beine at the outlook help AGM. keep any organization vital and I look forward to the years ahead. Change is good! More change will be taking place with Jane Kivlin becoming Membership Chair and Janet Johnson taking over as Treasurer for Coral Bishop. We are fortunate to have Janet’s expertise. It has been my pleasure working closely with Coral these last four years. Please thank her Liz Cooper and Coral Bishop at the AGM. for her service if you have a chance. I would also like to extend the sympathies of the Wisconsin Region to Janet Johnson on the recent loss of her father. Thank you for all the support you have given me. It has truly been my privilege to represent you as Regional Coordinator. I am proud to have followed Rosemary Cummings, MaryLee Richmond, my Mom, and Marsha Huff in that role and contribute to making Wisconsin one of JASNA’s best. You can read about the Brooklyn AGM in the The JASNA-WI table at the AGM. pages that follow. Once again, we had a lively table in the Emporium selling calendars and Jean Judy jewelry. Thanks to WI members who helped: Judy Beine, Coral Bishop, Joan Roob, Mary Anne Gross, Susan Richard, Yolanda Jensen, Deborah Koconis, Marsha Huff, Janet Johnson, Cynthia Kartman and Dave O’Brien. Profits from calendar sales enabled us to give two grants this fall. The first was to help fund travel expenses to Yodi Jensen & Susan Richard work at the AGM for the JASNA-WI table at the AGM. an Essay Contest winner from UW (see Emily Kingman article.) The second was to contribute to Madison Public Library’s Book Club Challenge in support the new Central Library. With a $250 donation, the name Jane Austen Society of North America, Wisconsin Region will be incorporated Furniture designer and sculptor at the into a one-ofUniversity of Wisconsin, Hongtao a-kind work Zhou will incorporate each participat- of art. So ing book club in a custom-made bench thank you for made of natural wood. Zhou is a nayour contintional & international award winner and has published abstracts and biog- ued support of raphies in art, design and scientific the calendar. research. 4 AGM Highlights by Liz Cooper Friday afternoon’s AGM opening started with a warm and riotous “welcome to the Big Time” by Brooklyn Borough President Marty Markowitz. He told us if Brooklyn were a city by itself, it would be the fourth largest in the US, closing in on Chicago. Referring to its diverse population he stated, “Brooklyn is like an everything bagel.” The AGM also had something for everyone. My highlights, besides morphing into Georgiana on Saturday night, were the first two plenary sessions. From the start, Anna Quindlen held the audience in the palm of her hand with her talk, “Jane Austen Is My Homegirl.” When she quoted the opening line of P&P, Quindlen only had the Dr. Cornel West places “Sister Jane” high in the pantheon of literary greats. assumptions, and come into being the person you can be at your best. Humility is the benchmark. In order to die, you must first have the courage to examine yourself, digging deep to deal with how society has shaped you. You are who you are because someone loved you. Austen pierces through categories of society. He spoke in awe of “Sister Jane,” whom he puts on the top rung of the literary ladder with the likes of Shakespeare, Chekov, Plato and Socrates. “Jane Austen stands at the top of artistic genius. It’s not a compliment to a woman, it is the truth about an artist.” He said that everyone needs the truth-to be pushed up against the wall, which is what Austen does. Cynthia Kartman, Julie Tynion and I sat spellbound, smiling with our mouths open as West spoke for over an hour without using notes. Needless to say, we happily joined in for another standing ovation. The Duchess and the resplendent Dennis sisters from Philadelphia at the AGM. chance to say the first three words before the crowd of 750+ finished off the rest in one very loud voice. She pointed out one of the important elements of that sentence is the word must. This is a verb used by a woman who knows, rather than surmises things. Austen had the confidence in her own gifts to embrace reality. She wrote about a woman’s daily life, from the inside out. Her big bow-wows were not battlefields but family dinners and tea parties. It was an act of courage to write about them. We hung on to every word Quindlen spoke and in the end gave her a standing ovation. Saturday morning’s plenary speaker, Dr. Cornel West was equally brilliant. He began by talking about the importance of self-knowledge. I wrote these notes: You must let prejudices go, give up 5 Cynthia Kartman and Julie Tynion. She gets it and at times during the AGM I would glimpse her in the audience enjoying the speakers just as much as all attendees. Mayor Bloomberg greeted us via letter which was in our AGM book bag, red and black this year with the NY apple logo. We also received a greeting at the opening of the AGM from the President of the Brooklyn Borough, Marty Markowitz. He delighted all with his wonderful Brooklyn-bornand-bred accent with one zinger after another. One I remember, “Don’t bring an attitude as we Brooklynites have our own.” He truly has a talent for warming up his audience. One of the best breakouts was “The Austen Assizes,” written by Syrie James and Diana Birchall. The parody-play was a series of trials involving many of Jane Austen’s characters. Mrs. Bennet versus Lady Catherine de Bourgh, John Willoughby versus Colonel Christopher Brandon and Mrs. John Dashwood (Fanny) versus Mrs. Jane Came to Brooklyn by Judy Beine My impressions of the NY-run AGM this year: the Marriott at the Brooklyn Bridge has lots of space. The hotel’s meeting rooms were all on the same floor and at plenary sessions there was seating for everyone with room to spare unlike NYC’s subways, which seemed to be crowded no matter what time of day you chose to ride. My husband David and I were blessed with the use of my brother’s Brooklyn Heights apartment on Jorelemon and Henry Street s for the duration and, therefore, we didn’t have sticker shock in paying a hotel bill. We also gadded about NYC after the Sunday brunch and for four more days. The weather was extremely pleasant during the AGM, balmy and warm Saturday during our lunch break but much cooler and a downright gale for the promenade after the banquet. There were 19 Wisconsinites attending this year and many of us did our stint in the emporium selling Jean Judy’s beautiful bracelets and pins as well as our Wisconsin Region calendar. Liz Cooper brought 45 bracelets and we sold all but 3 by Friday morning. Eastern Pennsylvania’s Region again shared our table. It is lots of fun browsing the Regions’ merchandise as well as the Regency period vendors. Of the plenary speakers, Anna Quindlen, in my opinion, was the best. Where else will you hear 750-800 audience participants recite in unison the first line of P & P? As the Forbes’ Fathom website stated in their coverage of the AGM, Anna Quindlen might have been a rock star! She spanned our entire literary world, mentioning in passing most of the authors I have been reading since grade school. Anna Quindlen gets Jane. The cast of “The Austen Assizes.” 6 Joan Ray as a judge in “The Austen Assizes.” Robert Ferrars (nee Lucy Steele). The various charges involved sex, money and power of course. The magistrate was played by JASNA’s former president Joan Ray and the jury was the audience. There was a great deal of laughter in the plenarysize room and many neighboring breakout attendees mightily wished they were in our session. Fun, fun, and more fun. AGM News Coverage The Brooklyn AGM attracted an incredible amount of attention from the press. Our own Liz Cooper made the New York Times! A clipping from the New York Times article about the JASNA AGM in Brooklyn. Here are links to features about the AGM: http://www.nytimes.com/2012/10/09/books/janeausten-society-of-north-america-meets-inbrooklyn.html?pagewanted=1 Liz Philosophos Cooper channels Her Grace, Georgiana, Duchess of Devonshire with splendid success. http://www.nytimes.com/slideshow/2012/10/09/ arts/artsspecial/20121009JANE-5.html Before I close my recap I must admit to being one of Liz Cooper’s Ladies in Waiting. Her Georgiana, Duchess of Devonshire costume, wig and hat were absolutely splendid! It was great fun and exciting to accompany the Duchess as she made her way around the banquet hall and watching those we encountered, including the New York Times, the Daily News and Forbes. http://www.forbes.com/sites/fathom/2012/10/09/ jane-austen-in-the-hood/ 7 Janeites in the Big Apple leen Chalfant, had to leave right after the performance because she is appearing in off-Broadway play. The fragment of “The Watsons” owned by the Morgan was on display that night. New York City abounds in institutions with ties to Jane Austen and her era, beginning with the Morgan. At the AGM, Declan Kiely, curator of the Morgan’s Literary and Historical Manuscripts, talked about the institution’s holdings of Austen manuscripts and letters, the richest outside of Britain. They include Austen’s complete autograph copy of Lady Susan and some four dozen Austen letters, eight of which were bequeathed to the library by Alberta Burke, an avid Austen collector, whose husband co-founded JASNA. Members who went on museum tours were treated to treasures of Georgian and Regency England that represent sex, money, and power. The Metropolitan Museum of Art and the Frick Collection both have portraits by Thomas Gainsborough of Mrs. Grace Dalrymple Elliott, whom Jane Austen most likely knew by reputation as a courtesan and mistress of the Prince of Wales. All the world knew Emma Hamilton, Lord Nelson’s mistress, depicted as “Nature” in a painting by George Romney at the Frick. The Metropolitan’s collection of English furniture and decorative arts, including Wedgwood and Staffordshire ceramics, demonstrated how the rich and powerful lived in Austen’s era. Even if you couldn’t attend the Brooklyn AGM, you can enjoy those cultural treasures on a trip to New York City. In the meantime, visit the current exhibit at the Milwaukee Art Museum of paintings from Kenwood House, which includes portraits by Gainsborough Emma Hart, later Lady Hamilton, and a beautiful, if by George Romney. fanciful, depiction of the infamous Emma Hamilton by George Romney. By Marsha Huff The 2013 AGM was packed from Wednesday through Monday, October 3-8, with tours, lectures, workshops, and performances, not to mention eating and dancing. The winter issue of JASNA News will be filled with pictures and reports. A good selection of papers will be published in Persuasions On-Line, which will be posted on jasna.org on December 16th (our favorite birthday), and we can expect more next spring in Persuasions. In other words, if you couldn’t be in Brooklyn for the festivities, you can participate by way of JASNA publications. The aspect of the AGM that most struck me was its sheer star power. Bestselling novelist Anna Quindlen, who was as personable and intimate at the podium as she is in her books, was the opening plenary speaker. Mrs. Grace Dalrymple Elliot by The New York Gainsborough, 1778. Times said that Quindlen “set the tone for the weekend with a rousing keynote address lamenting two centuries of male condescension to Austen’s seemingly small domestic dramas.” Dr. Cornel West, a renowned commentator on contemporary culture, is not one of the condescending males. He delivered what I call a “Come to Jane” sermon to his JASNA brothers and sisters. He was, of course, preaching to the choir when he placed Austen up there next to Chekhov and Shakespeare. Lady Susan, the Austen heroine who most embodies sex and power, received her “long overdue close-up” (to quote Elsa Solender) in a reading staged at the Morgan Library & Museum. The actors were all professionals, and one of them, Kath- 8 noon. She said that the multiplier we’ve tried to use just doesn’t work because of this. You could be wealthy in land or other things, but that there really was no equivalency. Lerner said that Austen’s heiresses were rich, but putting a specific figure on it was impossible. A bride’s marriage portion was listed in the newspaper upon her marriage. This let merchants know how much credit to extend. When asked if Jane Austen’s brothers, particularly Edward, should have done more for their mother and sisters, she replied that they just didn’t have that kind of monetary liquidity, and that all the brothers had contributed and were very good to the Austen women. I think that these were the only sessions I attended that dealt solely with money. Not really solely, though, because Liz Cooper & Sandy Lerner. money gives power. The sex part of it comes into the equation also, as women did not have money of their own, and men controlled their marriage portions. On Friday morning we did some exploring, using the subway and walking. After a huge lunch at the Apollo Diner, we went back to the Marriott for the afternoon program. Marty Markowitz, the borough president, gave a rousing and funny welcome. If he wasn’t a Janeite to start with, he had become one, making puns about the titles and just seeming to have a good time. The master of ceremonies, Linda Dennery, did a fantastic job throughout the AGM. She spoke clearly and maintained a sense of humor. By the way, the first meeting of JASNA was held in New York on October 5, 1979, with around 100 attendees. This meeting had 750 attendees, the largest AGM ever. Anna Quindlen delivered a plenary talk, “Jane My AGM by Kathy O’Brien My husband Dave and I were with a group of people, doing various things, as I tried to say the title of the AGM. I got the sex and money part, and then said I couldn’t think of the third. Dave promptly said, “power.” How could I forget something so obvious? Power was dependent on the other two, and maybe still is nowadays. I’ll start with our travel to Brooklyn. We flew to Philly where we have friends who are originally from Brooklyn, as it happens. On the Thursday we took a bus to the New York Port Authority Terminal, and the subway A train to Brooklyn. The only hindrance was having luggage, but people were very helpful. We weren’t able to stay at the Marriott, but the Sheraton really wasn’t far away, and again we got good advice from people on the street. We were able to check in right away and got rid of our luggage. We then walked to the Marriott and immediately ran into Marsha Huff, Janet Johnson, and others we knew. We registered and got attractive red and black tote bags. They had some interesting things in them. I wished that they had had a listing of the attendees, but you had to ask for that. Then I went along to Sheryl Craig’s special session, “In for a Penny, in for a Pound.” I sat next to Mary Anne Gross and Deb Koconis. Sheryl’s talk was similar to the one she gave to the Wisconsin Region, except that she said more about the fact that this was not a cash economy, and money was not really standard, with paper money not at all common. Sandy Lerner made an even bigger point of this in her plenary session on Saturday after- 9 Austen Is My Homegirl.” Anna Quindlen and Cornel West (Saturday morning, “Freedom in Austen’s Novels”) were both enthusiastic speakers who talked about the lack of appreciation of Jane Austen for so long. Anna Quindlen especially talked about the condescension of men. Cornel West compared her with Chekhov and said she’s right up there with Shakespeare. Both of them said she was a great author—not a great woman author. So I guess sex came into their talks. The Friday afternoon breakouts I attended were both about sex. Marilyn Doore’s topic was “Fallen Women of the Regency: Mistresses, Courtesans, and Prostitutes.” She distributed handouts of Anna Quindlen skewers the confamous women in descension of men toward JA. most of the categories. In some ways, mistresses had it better than wives. Of course a woman could be both. Once she had provided the heir and the spare, she could do as she pleased, although that didn’t necessarily mean that her husband would accept the resulting children. Courtesans picked their own patrons, and were known for elegance, wit, and style. They could have more than one man, but were not prostitutes. She suggested that Eliza I in S&S might have died of syphilis. She also mentioned real people, William and Caro Lamb, who had an ok marriage and an autistic son. Then Byron came into the picture. The next breakout I attended was “Slits, Spikes, Steeds, and Scandals! Coded SexuSue Forgue gives a guided tour of al Indiscretion in the neighborhoods of Georgian Jane Austen’s Ficand Regency London in her tion” with Miriam breakout session. Rheingold Fuller. She said she had to use the word steed because horse didn’t start with S. This talk was so hysterically funny that I almost forgot what she said. She did imitations of people and their accents. She was right in her element. Cornel West compares Jane Austen Saturday it to Checkhov and ranks her with was back to Shakespeare. money, with Susan Jones (and helper Kathleen Anderson) on “The Power of Freeloading: OPM-- Enjoying Other People’s Money.” She had handouts delineating Austen’s Circles of Hell for Freeloaders: the domestic freeloader, the visiting freeloader, the usurper, the privateer, and the pirate. She had examples of each, and also a quiz to find your inner freeloader. Marcia McClintock Folsom’s “Power in Mansfield Park: Austen’s Study of Dom- Miriam Rheingold Fuller brings down ination and the house with “Slits, Spikes, Steeds, Resistance” and Scandals!” gave me new insights into the characters in MP, particularly Fanny. I’m inspired to read it again. At dinner on Saturday night we toasted Jane with Royal Punch. They gave the recipe for that. Afterwards we attended “Becoming a Hero,” by William Deresiewicz, who was an engaging speaker. He put emphasis on Mark Twain’s saying every 10 The Grand Promenade at the AGM. The Brooklyn 2013 AGM theme was “Sex, Money and Power.” I wrote down these examples of power. What can you add? time he read JA, etc. Obviously, he appreciated her. Saturday evening was wet and windy, but Dave bravely went out and took pictures of the promenade. The brunch talk by Daniel James Cole, “Hierarchy and Seduction in Regency Fashion” gave an appropriate ending, and was followed by the creative plugs for upcoming AGMs. We then took off for JFK. We were taken in hand by a subway passenger who works at JFK and who stayed with us most of the way there, and all went well. Before the trip I was dreading all the transportation and the walking, but I was favorably impressed by the helpfulness of so many people, and found it an enjoyable AGM. The main problem was staying at a different hotel. I remember Joan Philosophos saying she always got her hotel room a year in advance, and maybe that’s the thing to do! The shifting power of the Regency period The power of the marriage market The power of the written word The power of literature to give women a voice The power of sex—male vs. female The power of SEX The power of socio-economic order The power of rank The power of birth order The power of laugh The power of being in control—in short, the power of Emma The power of friendship The healing power of JA The power of rereading The staying power of JA Editor’s note: Many thanks to Dave O’Brien for so many of the wonderful photos in this issue! 11 —Liz Philosophos Cooper why wasn’t it on my list? Simple: the cost. I pay good money to get the best seats I can to see plays in New York, but the price of tickets for The Book of Mormon, good or bad, is still exorbitant. It’s coming to Chicago soon, and I hope to see it there—with an excellent cast and for less than the price of a second mortgage. So--decisions, decisions. My preference was for Virginia Woolf or Cyrano. But my friend and fellow AGM attendee Angela, who was going with me, had seen Virginia Woolf in Phoenix just a few years ago and didn’t care to spend the evening watching people screaming at one another. Fair enough; besides, it wasn’t Angela’s fault I didn’t see it two years ago in Chicago when I had the chance. Then I went online and found there were no tickets left for Cyrano. So off we went to Grace. We attended the performance following opening night on Thursday. As a consequence, I made a huge tactical error: I read Ben Brantley’s review in the New York Times. In addition to his criticism of the play, for which one assumes he is paid, Mr. Brantley was kind enough to drop a huge spoiler, thus robbing me of the emotional impact I would otherwise have experienced at the beginning of the play. I should have known better—Brantley pulls that crap all the time. Grace is a one-act play, a genre that is making a welcome comeback on Broadway. God of Carnage and The Motherf***er with the Hat are excellent examples from the last two seasons. The premise of Grace, written by Craig Wright in his Broadway debut, was promising. Paul Rudd plays Steve, an evangelical Christian businessman who is called by the Jane Goes to the Theatre by Cynthia Kartman We know Jane Austen loved going up to London and enjoyed many of the diversions it offered. One of her favorite activities while in London was of course attending the theater I know how she feels. We in Wisconsin, especially in Milwaukee and Madison, are blessed with regional theater of the highest quality. Yet it is always a treat, during my infrequent forays to New York, to study what’s playing on and off Broadway and to plan to see as many plays as possible. So this October, I looked forward to combining pleasure with pleasure by going to the theater during the time I was attending the AGM. For this reason, to paraphrase our dear Jane, I will let the pens and laptops of my fellow Wisconsin Janeites dwell on the glories of the AGM (which were many) and I will give an account of my playgoing experiences in Gotham. There were many wonderful choices. On my first available date, Friday night, we could have seen the Roundabout Theatre Company’s revival of Cyrano de Bergerac, starring Douglas Hodge. There was also a much-acclaimed revival of Who’ Afraid of Virginia Woolf by Chicago’s Steppenwolf Theater. There were three new plays: Peter and the Starcatcher, a retelling of the Peter Pan story; If There Is I Haven’t Found It Yet, starring Jake Gyllehaal; and Grace, starring Paul Rudd, Michael Shannon, and Ed Asner. And though I’m not a big fan of musicals, there were a couple of good ones for consideration: Newsies and Once, both based on movies of the same name. You may have noticed a glaring omission in this lineup of contenders. The hottest ticket on Broadway for many months past and presumably for months to come is still The Book of Mormon. So 12 the screenplay for the 1949 film, which starred Olivia de Havilland, Montgomery Clift, and Ralph Richardson. The play takes place all in the same room, and the set design by Derek McLane is masterful in creating an air of opulent oppression within and without the Sloper household. The first character who enters the stage is Dr. Sloper. David Strathairn fires off Sloper’s acerbic comments about his daughter Catherine (the heiress in question) like a second-rate comic. The approach is initially off-putting. But as the play progresses, one quickly sees the underlying genius of Moises Kaufman’s direction. At first the audience laughs heartily, if uncomfortably, along with Dr. Sloper. But about a third of the way through the first act, the audience almost as one realizes that Dr. Sloper’s not being funny. He really is the heartless bastard we subconsciously feared he was. From that point forward, no one in the audience laughs. The play itself is a somewhat timid adaptation of the novel. Still, the essence of what makes the book important is preserved. We can feel the dilemma of Catherine’s battle to best order her life in the face of the fact that she cannot trust any of the people who are supposed to love her. The characters in the book however, are much more nuanced than they are written for the stage, and the play suffers for it. The cast was tremendous. Jessica Chastain faces the challenge of every beautiful actress who takes on the role of Catherine—how to convince the audience that she is indeed plain and awkward. Costume, hair Dan Stevens & Jessica Chastain. design, and of course Ms. Chastain’s wonderful acting went a long way towards that goal. Because of Kaufman’s direction and Chastain’s performance, the audience soon realizes that the characterization of Catherine as plain and awkward is her father’s, enforced by his sister (Catherine’s Aunt Lavinia) and that Catherine thinks herself so because, until Morris Town- Lord, and funded by a mysterious investor, to go with his wife Sara (Kate Arrington) to Florida to found a chain of Christian hotels (“Where Would Jesus Stay?”) Here they encounter their bitter nextdoor neighbor, Sam (Michael Shannon), who has been disfigured in the auto accident that killed his fiancée; and Karl (Ed Asner), the loquacious Jewish pest exterminator. The performances of all four actors were wonderful, and the terrific set, designed by Beowulf Boritt, simultaneously gives a sense of spaciousness and claustrophobia. Plays seldom tackle religion, and especially evangelical Christianity, in a serious manner. Unfortunately, the big issue—where does grace come from, and how do we gain or lose it—is dealt with in such a clumsy and contrived fashion that it undercuts the emotional impact of the drama. The play wasn’t bad, and there were many moving and funny moments, but they never came together into a cohesive whole. Grace was a play that was frustrating to watch, because you were continually haunted by the image of how much better it could-and should-have been. I was luckier on Sunday. I had seen last summer that a revival of The Heiress was being planned. When I saw the cast—Jessica Chastain (in her Broadway debut), Dan Stevens (aka Downton Abbey’s Matthew Crawley), David Strathairn, and Judith Ivey—I checked the dates. Sunday afternoon would be the first performance in previews. I got tickets online the moment they went on sale. I went with my dear friend, former Milwaukeean and current JASNA NYC member Julie Tynion. The Heiress, written in 1947 by Ruth and Augustus Goetz, is an adaptation of Henry James’ novel Washington Square. The Goetzes also wrote 13 send comes into her life, no one else had told her anything different. Chastain shows us a Catherine whose tragic fate it is to have her potential for love systematically destroyed until the only power left for her to exercise is revenge. There were more than a few Downton Abbey/ Matthew Crawley groupies in the house, so when Dan Stevens was in the wing, you could hear an audible gasp. Mr. Stevens acquitted himself well. He nailed the 19th century Brahman accent and he gave Morris a nicely insinuating edge. When he charms Catherine and flatters Aunt Lavinia one is reminded of our old friend George Wickham. David Straitern and Judith Ivey were also terrific as Dr. Sloper and Aunt Lavinia, as were all the minor cast members, especially, Dee Nelson, who stood out as Morris’ beleaguered sister. All in all, it was a wonderful afternoon. And so the curtain falls on my theatergoing adventures. I hope my fellow Janeites can forgive me forgoing some of the excellent entertainments planned in her honor to sneak away to the theater. And knowing her love of the theater, I trust Jane would have approved—and even snuck away herself and joined me! AGM Essay Contest Wisconsin Winner There were over 80 submissions in this year’s Jane Austen Society Essay Contest with entries from all over the world. Among the winners was Emily E. Kingman of UW-Madison, whose essay was entitled, “Miss Woodhouse’s Misapplied Sense: Separating Situation from Manipulation in Emma.” She received Second prize in the College division. The JASNA website lists her awards, and her essay will be published there in November. The JASNA-WI Board voted to give Ms. Kingman a grant of $250 to help defray traveling expenses to the Brooklyn AGM. Her thank you follows. Dear JASNA Wisconsin, Jane Austen, in her infinite wisdom, wrote, “Let us never underestimate the power of a wellwritten letter”; the extent to which I agree, however, is matched by an understanding of just how “wellwritten” her letters were. I hope, by borrowing some of her words, to capture a fraction of that “power” she wielded. “My idea of good company,” I observe alongside Miss Austen, is that “of clever, well-informed people who have a great deal of conversation,” and I was thrilled to have found such at the AGM. If my experience in New York proved anything, it was that “one cannot have too large a party” (and, in equal turn, that “one man’s style must not be the rule of another’s”)! Yes, “there is nothing like staying at home for real comfort”—whether “home” be under a roof or among friends. Thank you so much for your assistance in getting me to New York, as well as your warm welcome throughout the AGM. It was the experience of a lifetime, and my thankfulness has only been superseded by my gratitude. More for Downton Abbey fans: Sincerely, Emily Kingman 14 Emily Kingman. Antique Fan Exhibition at the AGM Jane Austen: A Musical Tribute by Coral Bishop On Sunday evening, 7 October 2012, the Vassar College Women’s Chorus performed a marvelous program at the historic Plymouth Church of the Pilgrims in Brooklyn, New York. One of the student/ singers spent the past summer working on a grant to research the music to be sung. We also heard two commissioned pieces premiered that evening to an appreciative audience. One piece was entitled “Cassandra’s Lament” and composed by Joelle Wallach. She interwove the words from Cassandra Austen’s letters written after her sister’s death, from Jane Austen’s prayers and last words, and the Anglican Requiem to create a powerful and emotional musical lament. On an entirely different note, the second commissioned piece was composed by Eleanor Daley with the title “Three Poems from the Parlour.” These poems were based on a game that required writing a poem whose last word had to rhyme with “rose.” The three authors of the poems were Jane, Cassandra and Mrs. Austen. Each poem was given a different music style and was quite entertaining. Mrs. George Austen ends her poem: “And now I believe I must come to a close, for I find I grow stupid e’en while I compose. If I write any longer my verse will be prose.” The end of the concert was followed by a reception and a dinner held in the Fellowship Hall of the church. Afterward some of us spent time enjoying the stained glass windows depicting Pilgrims, a Tiffany window in the Hall and pictures of early pastors of the church including Henry Ward Beecher, the fiery abolitionist whose sister (Harriet Ward Beecher Stowe) had her picture and an edition of ‘Uncle Tom’s Cabin’ on display as well. Vassar College Women’s Chorus. Among other delightful presentations and exhibits, that of Dr. Abbey Block Cash, the president of the Fan Association of North America (FANA) stood out. Below are some of the gorgeous fans from Jane Austen’s time that she displayed Learn more about FANA at their website. (www.fanassociation.org) Antique Fan Exhibition by Abbey Block Cash 15 On this valuable fan the faces are made out of ivory. News from Chawton House Library by Marsha Huff Here is a message from JASNA's good friend Chawton House Library. The video features Steve Lawrence and Gillian Dow, whom many of you know. For US members, tax deductible donations may be made to North American Friends of Chawton House Library, 824 Roosevelt Trail, #130, Windham, ME 04062. Today is an exciting day: Thanks to the generosity of international search engine, Bing.com, we have been seleced from thousands of applicants to feature on their website as their CHARITY OF THE MONTH...and today's the day IT LAUNCHES! A specially-filmed video about our work has been made for us by Bing.com - view it here. Our photographs are featuring on the Bing.com homepage. With eleven million users of the site visiting it every day, this is amazing publicity for us. Please watch the video and encourage all your friends to do the same! Whatever we can do to spread the word ultimately helps to ensure our survival and encourage support. Please watch the video and consider whether you can spare a little more to help this enterprise to survive - visit www.chawtonhouse.org to donate and click on 'Get Involved'. Don't forget to follow us on Facebook and Twitter to let us know what you think of the campaign! Best wishes, Eleanor Marsden, Director of Development, Chawton House Library 16 ter knowledge. I’m certain if @The_Jane_Austen were with us today, she’d join in. The authors do a thoughtful job of remodeling the P&P story: so far, it’s held together. The friends party in bars (Lydia has a fake ID). Wickham coaches the Marines, a swim team. The Bennet home mortgage is threatened. Lizzie relates all this in her vlog. A video blog is like a short, personal television news update, with the blogger – usually Lizzie, but sometimes other characters – acting as reporter. Of course, we’re really seeing actresses playing Lizzie, Lydia or Jane: we imagine they’re genuine contemporary people. That makes it fun. Like a letter, a vlog episode is inherently disjointed. Lizzie only gets 3 minutes or so, twice weekly, to bring us up to date with her life. Interspersed tweets are even shorter: one or two terse sentences. Perhaps that’s why characters seem a bit one-sided and over-acted – like many true internet correspondents. That’s OK for say, Lydia, but Lizzie herself has become even more forthright, almost strident, at the expense of her Austen-like wit. A pity. Like a letter, a vlog can only present action after the fact. Lizzie and her sisters try to obviate this by donning headwear and playing the parts of off-screen characters (shades of Austen family theatricals?) This is fun, too. By contrast, a Twitter feed purports to happen in real time. We follow along through the day as action unfolds. We even learn what other characters are discussing, information JA often withheld: Bing Lee?@bingliest @wmdarcy You left your phone here on accident so hopefully you'll see this at some point today. There's a message for you, not sure who from Bing Lee?@bingliest @wmdarcy @that_caroline left a long note on the kitchen counter for you about whoever it was that called. William Darcy?@wmdarcy @bingliest Thanks, I'll get it later tonight. TLBD: Miss Elizabeth Bennet Goes Viral by Walter Burt The concept of the novel was not fully realized when Jane Austen came to it – how could it be with no Jane Austen novels yet? But its epistolary form was already well established and clearly intrigued Austen. She tried her hand couching novels as a series of letters more than once. In the unpublished Lady Susan she wrestled with problems of point of view and incomplete character knowledge that this form poses – few novelists approach the mastery she eventually attained. So I was surprised to find, when our Madison group recently discussed Lady Susan, that only a few of us like its episodic, epistolary presentation. Of those, even fewer may enjoy The Lizzy Bennet Diaries (or TLBD, as its own authors abbreviate it). But I am enthralled. TLBD centers on a video blog (vlog) regularly contributed to YouTube by Lizzie Bennet, a “millennial” grad student, with the help of her best friend, fledgling video producer Charlotte Lu. The story opens as eligible young medical student Bing Lee buys a large house in their suburban neighborhood. Lizzie’s marriage-obsessed mother goes ballistic. Sound familiar? Lizzie’s and Bing’s families and friends are gradually drawn into the story though the mesh of current Internet platforms: largely Twitter, but also Tumblr, Facebook and so forth. As a social-media curmudgeon, I have long declared myself a Facebook free zone (and I still am). But I have swallowed my pride and curbed my prejudices to follow this engaging drama, and even to participate in a small way. Yes, participate. TLBD is just one of many examples of this inchoate and unproven new art form, though it may be the first to transliterate a classic text. Would-be Jane Austens are out there now, wrestling with new problems of point of view and of too much charac17 William Darcy?@wmdarcy @bingliest Wait, does that mean Caroline answered my cell phone? Bing Lee?@bingliest @wmdarcy Yeah, she was just trying to be helpful. Caroline Lee?@that_caroline It kept ringing. I had to answer it! RT @eleneariel: Dude, @that_caroline, you couldn't have just let it go to voicemail? SERIOUSLY? Did you catch that Caroline’s defensive reply is to a reproach by a real person, @eleneariel? That’s right: you too can tell Wickham what you think of him, and maybe get a reply! Some have. In a few cases, readers have even helped advance the plot. For instance, Maria Lu credited a reader for healing the breach between big sister Charlotte and Lizzie after Charlotte signed a lucrative contract to go off and produce dreary corporate videos for the firm Collins & Collins. I don’t yet know what that intercepted phone message was, though I can guess. In her day, Jane Austen struggled to find ways for heroines to learn private information. They had to fortuitously position themselves behind hedgerows as their acquaintances strolled by. (See Chapman’s notes to Persuasion Book 1, Chapter 10.) In the internet age, there are only too many ways for secrets to be revealed. Like many young digerati, TLBD heroines forget that anybody may read their posts. Darcy is one of the few still unaware of Lizzie’s vlog: I fear what may transpire when he learns she regularly calls him a “Douche.” And he’s beginning to suspect: “People on the internet truly terrify me sometimes,” he confides to little sister @ggdarcy. “It is weird how they seem to know so much about you. It's not like you're a public figure or anything...” she replies. Darcy’s just reencountered Lizzie at the compound of VC investor Catherine DeBourgh. Want do find out what happens next? Go to www.lizziebennet.com, where previous postings are cached and many tweets storified: try not to overdose like I did! Spring Gala Save the Date! Mark your calendars for the 2013 Spring Gala: Saturday, May 4 at Maple Bluff Country Club in Madison JASNA President, Iris Lutz, will speak about the estates and homes, both actual and fictional, during Jane Austen’s time. Iris has presented this talk to numerous regions over the past couple years and has drawn accolades throughout the country. Purchaser of Austen’s Turquoise Ring Revealed According to reports in the press, Kelly Clarkson, the American Idol singer, bought Jane Austen’s ring, as well as a first edition of Persuasion. But there’s a catch: the ring has been declared a national UK treasure, and Clarkson has not been issued permission to export the ring. Lizzie & Charlotte act the parts of Mr. & Mrs. Bennet at LizzieBennet.com Read more at Jane Austen’s Regency World magazine: 18 http://janeaustenmagazine.co.uk/news/ opening day. She was particularly complimentary of the MAM’s installation of the paintings. Visitors are able to get closer to the paintings in Milwaukee, she pointed out, than in the Kenwood’s rooms. A close view of the details of the paintings will reveal many fascinating insights, such as the artist’s brushwork, techniques, coloration, and the thickness of the paint. So follow Ms. Jenkins’ advice and take advantage of this special opportunity to study the minutiae of the paintings while they are in Milwaukee. You may never get a similar chance. Dr. Susan Jenkins is a senior curator at Kenwood House for English Heritage, the British government’s agency adThe Children of John Julius ministering Angerstein, Joshua Reynolds, 1783. hundreds of historical sites, from Stonehenge to Cold War nuclear missile sites. She trained at London’s Courtauld Institute and previously served as a curator at Apsley House, the Wellington Museum. Dr. Jenkins acquainted the audience with the career of Edward Cecil Guinness (1847-1927), who ran the Guinness Brewery for many years. After his retirement in 1886, he turned his talents to acquiring a great collection of masterworks, buying about 200, over sixty of which he bequeathed to the nation. He was named Earl of Iveagh in 1919. The Iveagh Trust purchased Kenwood House with the intention of turning it into an art museum to display the collection but sadly, Lord Iveagh died in 1927, before the paintings were installed. However, his intentions have been fulfilled and are carried on today by English Heritage. Four particular interests of Lord Iveagh guided his choice of paintings and these four are used to arrange the paintings at the MAM. They are: Dutch and Flemish artworks, long valued by Experiencing England’s Great Artists in Milwaukee October to January: Walking in Jane Austen’s Footsteps? By Victoria Hinshaw The Milwaukee Art Museum is showing Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London through January 13, 2013. Don’t miss this exhibition, which includes the greatest British artists from Jane Austen’s day. Kenwood House on Hampstead Heath in Greater London, the home of these great paintings, has been closed for renovation by English Heritage; it will re-open in late 2013 after the roof is repaired and Rembrandt van Rijn many interiors rePortrait of the Artist, ca. 1665 stored to their appearance as famed architect Robert Adam designed them in the 18th century. The collection was shown in Houston last summer and after Milwaukee, will travel to Seattle and Arkansas before returning to Britain for reinstallation in Kenwood House. I attended two of the opening events at the MAM, talks by the curator and a famed British art expert. Marsha Huff also attended and we agreed their viewpoints were fascinating and greatly enhanced our enjoyment of the exhibition. Curator of the exhibition, Susan Jenkins of English Heritage at Kenwood House, spoke on the 19 Two Girls Dressing a Kitten by Candlelight, Joseph Wright of Derby, c. 1768-70. the British aristocracy; Portraits of Women, particularly by the great 18th century British portriatists; Portrayals of Children; and Landscapes and Maritime pictures. Foremost in the first group is, of course, Portrait of the Artist, 1665, by Rembrandt van Rijn, among many other outstanding works by Van Dyke, Hals, and others. Reynolds and Gainsborough’s abilities were greatly admired even by their contemporaries and their subjects, as well as those of George Romney, Henry Raeburn, and John Hoppner, are the aristocrats, the celebrities and the disreputable women of their day. The children’s portraits vary widely from the skipping miss of Sir Thomas Lawrence to the dramatic candlelit image by Joseph Wright of Derby. Among the landscapes and maritime works is one of Joseph Mallord William Turner’s early seascapes which foreshadowed his later dramatic and unique techniques. The erudite Christopher Lloyd spoke on Contrasts in Royal Patronage: Sir Joshua Reynolds and Thomas Gainsborough on October 18, 2012. Marsha and I agreed the excellent content of his talk was rivaled only by our enjoyment of his delightful voice and manner. Mr. Lloyd is the former Survey20 or of the Queen’s Pictures (the Royal Collection, www.royalcollection.org.uk) and served as Guest Curator for the MAM’s exhibition Impressionism: Masterworks on Paper, one year ago. Mr. Lloyd characterized the personalities and gifts of Sir Joshua Reynolds (1723 – 1792) and Thomas Gainsborough (1727-1788), a study in contrasts. Though both came from modest beginnings in the country, their approaches to their work could hardly have been different. Though both excelled at portraiture, they held entirely different attitudes toward the theory and practice of painting. Reynolds, founding president of the Royal Society of Art, was the ultimate insider, friend and colleague of the greatest men in literature, government and society. He studied and followed traditional methodology and utilized classical ideals by which to organize his works. Mr. Lloyd recommended reading Reynolds’ collected lec- Lady Brisco, Thomas Gainsbortures on the ough, c. 1776. theory and practice of painting, Discourses on Art. Gainsborough was an outsider, on the edges of the art establishment, always (in today’s terminology) pushing the envelope when it came to poses, techniques and even subject matter, though his popular portraits financed his life. Where Joshua Reynolds was official portrait painter to King George III, Gainsborough was more likely to favor – and be favored by – the raffish circle of George, Prince of Wales, who disagreed with his father on everything: his behavior, his friends and his taste in art. Reynolds and Gainsborough definitely were rivals though when the latter was nearing death, Reynolds reconciled with him and praised Gains- borough’s achievements. They were men of great, but very different, skills and temperaments. Mr. Lloyd suggested that visitors to the exhibition look for the great contrasts in the styles and techniques of the two artists; Six pictures by Gainsborough and nine by Reynolds are on display. Many thanks for Dr. Jenkins and Mr. Lloyd for their stimulating talks and to the MAM staff for securing this excellent exhibition for Milwaukee. I cannot say whether Jane Austen saw any of these specific works, but she saw many like them in her lifetime. We know she enjoyed visiting exhibitions when she was in London, and probably in Bath or at visits to other cities and country homes where some might be hung. Only a few of the works in the exhibition (the Lawrence and the Landseers) were created after her death in 1817. So, far-fetched as it might seem, you might be “walking in Jane Austen’s footsteps” when you visit the stunning Calatrava building on the shore of Lake Michigan. The exhibition Rembrandt, Van Dyck and Gainsborough: The Treasures from Kenwood House is organized by The American Federation of Art and English Heritage. One of the Morris dancers on Tom Quad wore a very old sponge cheesehead, which he had acquired when he studied for a semester at UW-Madison. (Tom Tower is in the background.) In Oxford with Jane close ties to three Oxford colleges, though Christ Church was not one of them. Theophilus Leigh was Master of Balliol at the time Jane’s father, George Austen, met Leigh’s niece Cassandra in Oxford. George, a graduate of St. John’s, had returned to his college as assistant chaplain. Cassandra’s father was a Fellow at All Souls. Later, when Jane’s brothers James and Henry attended St. John’s, they were able to claim “Founder’s Kin” scholarships because the Leighs were distantly related to the college founder. At the age of seven, Jane herself attended school in Oxford for a few months with her sister. Christ Church does, however, have special associations with Jane Austen or, more accurately, with her literary imagination. Above the high table in the famous dining hall hang portraits of Cardinal Wolsey, Henry VIII (who completed the college after Wolsey’s death), and Queen Elizabeth I, all of whom appear in “The History of England,” Jane’s irreverent account of English monarchs written By Marsha Huff The dream of attending an Oxford college—a room on the quad, meals in the dining hall, lectures on history and literature—has an irresistible appeal for many Anglophiles. Just such an “Oxford Experience” is offered each summer at Christ Church, the great college founded in the 16th century by Cardinal Thomas Wolsey. Last winter JASNA members shared emails about a one-week course in the 2012 curriculum offered by New York University: “Jane Austen’s Regency England.” Seizing Our meals were this opportunity to live out served in Christ Church dining hall on our fantasy, eight of us from plates bearing part of across North America registhe college crest--a tered for the class. cardinal's cap in honor Jane Austen’s family had of Cardinal Wolsey. 21 and political and economic turmoil in England. We met in the Dodgson Room, just off Oxford’s largest quadrangle, Tom Quad, with Christopher Wren’s imposing Tom Tower at the entrance and the circular pool and statue of Mercury in the center. Some of us stayed in Peckwater Quad and others in Meadow Building, where, in Evelyn Waugh’s Brideshead Revisited, Sebastian Flyte has rooms. We made excursions to two country houses, Buscot Park and Stoneleigh Abbey. Buscot, built on high ground and surrounded by an extensive park, is an example of the Georgian taste for Palladian design. To Jane Austen, the house—completed in 1783—would have been modern, like Mansfield, described as “modern, airy, and well situated.” Stoneleigh Abbey was the seat of Jane Austen’s relatives, the Leighs, who offered hospitality to Charles I during the Civil War. In August 1806 Jane, her mother, and her sister travelled to Stoneleigh with their cousin Thomas Leigh as he established his claim to the estate. They marveled Stoneleigh Abbey wore its summer glory--a at the ba- stunning border of lavender. roque interior of the early 18th-century house, decorated throughout with unicorns from the Leigh crest. The private chapel is probably the model for the chapel at Sotherton in Mansfield Park. A few years after her visit Jane would have heard that the grounds of Stoneleigh were redesigned by Humphry Repton, the landscape architect recommended to Mr. Rushworth for Sotherton. Our Oxford experience wove together Jane Austen’s life and work, situating it within the turbulent world of the Regency, which can—with a little study—be discerned in her novels. The Oxford Experience will offer two Austen courses next summer: Jane Austen’s People in their Places: Northanger Abbey and Mansfield Park and Jane Austen’s Heroines. when she was 16. She undertook the history, she says, to prove the innocence of Mary, Queen of Scots. Consequently, she casts Elizabeth—“that disgrace to humanity, that pest of society”—as the villain of the piece because Elizabeth had Mary killed when the Scottish queen became a threat. Charles I, honored by Jane as Mary’s grandson, established his court at Christ Church when Oliver Cromwell and the Parliamentarians barred him from London. Jane writes that there were at that time few amiable men in England, “besides the inhabitants of Oxford who were always loyal to their King.” She also singles out one of the Leighs’ kin, Thomas Wentworth, first Earl of Strafford, as a noble supporter of the King. Of course, the college has many other literary associations. W.H. Auden was at The Leigh family crest, topped Christ Church, and it by a unicorn, is on a gate at was there that mathStoneleigh Abbey. ematics tutor Charles Dodgson, aka Lewis Carroll, met the Dean’s daughter, Alice Liddell, immortalized in Alice in Wonderland. Dodgson’s characters are depicted in stained glass windows in the dining hall, where we took all our meals. A more recent fictional invention attracts hundreds of young fans: scenes in the early Harry Potter movies were filmed on the great staircase, and a replica of the hall served as Hogwarts’ dining hall. In my favorite Oxford novel, Gaudy Night, Dorothy Sayers’s heroine, Harriet Vane, meets Lord Peter Wimsey’s nephew, a Christ Church man, when he accidentally knocks her down as she leaves Christ Church Cathedral. Sayers herself was born in a small house just across the road from the college, marked with a blue plaque. Each day our class enjoyed lectures and animated discussions about the personalities and events of the Regency era: Prinny himself and his wife and daughter; Jane’s literary contemporaries Hannah More, Mary Wollstonecraft and William Godwin, Shelley and Byron; the Napoleonic wars; http://www.oxfordexperience.info/ 22 answers to Fanny’s enquiries. Other issues include Jane’s love of music, how Jane treats grandparents in her writing, the unlucky life of Jane’s brother Charles Austen and what became of the younger George Austen, another brother. Maggie Lane sought out the letters exchanged by members of the Austen family and the Leighs and a bundle of receipts turned up for the cottage where George Austen lived under the care of the Cullum family. George, the second son of the Austens, lived to the age of 71, dying in January 1838. There are book reviews in every issue, sometimes a movie review and an article or two about a great house or an Earl or Countess. Look for a preview to the film Mozart’s Sister (partially filmed in the Palace of Versailles) by Tim Bullamore in the May/ June 2012 issue. Jane Austen’s connection to the current Duchess of Cambridge was featured in the Sept/Oct 2011 issue. Former JASNA President Marsha Huff wrote a preview of the AGM Texas Style and Marsha is writing an article for an upcoming issue about her recent class in residence at Oxford. And, our own RC Liz Philosophos Cooper wrote up the history of Jane’s first book. Liz related she is engaged in writing another article for the Jan/Feb 2013 issue. Vicky Hinshaw has also contributed. Our Wisconsin Region will continue to subscribe to Jane Austen Regency World and you, too, can borrow the issues among those interested. The back issues are mostly ageless and interesting. Just contact Kathy O’Brien at [email protected], Kathy Egstad at [email protected], or me at [email protected] Jane Austen Regency World Magazine by Judy Beine We have so many resources in our 21st century lives, i.e. TV, movies, MP3 players, even an old fashioned radio, computer, iPad, e-readers, etc., and I chose to sit in my comfy chair and read several paper editions of the Jane Austen Regency World magazine. “I do not know a more luxurious state, sir, than sitting at one’s ease to be entertained a whole evening…” [Mr. Knightley’s remarks to Mr. Woodhouse in Emma.] Wisconsin Region subscribes to this periodical, published in Bath, England, and I borrowed several from our library (currently maintained by Wisconsin Region’s Historian Kathy O’Brien). Tim Bullamore is the publisher at present and greets his magazine’s fans and solicits their subscriptions in the emporium at JASNA’s AGMs. The magazine formerly was in a larger format, 8 ¼” x 11 ½” and now is 6 ½” x 9 ½”. The cover stock is a bit more durable now. The photos included in every issue and with almost every article are spectacular. Now, I know you could search the internet and come up with many great depictions of 18th century portraits and literary/great houses, but remember I’m in my comfy chair with my feet up. Oh, okay, iPad users, you can do that too. I’m hoping the magazine will have an app soon and we’ll be able to subscribe over the internet and, perhaps, at a much lower price than its current £4.95 per issue ($7.98). Some of the best articles included over the years have always come from Maggie Lane, Consultant Editor of JARW. Maggie Lane is one of the most knowledgeable living writers who can portray Jane Austen, her life and novels, the time period and its culture. In the July 2003 issue, Maggie Lane takes us to the coastal resorts of the south of England where Jane and members of her family spent summers. One learns a great deal about the slave trade in Jane Austen’s time in the September 2004 magazine. Wouldn’t we like to know Sir Thomas’ JARW website & subscription info: http://janeaustenmagazine.co.uk/ 23 Fullerton’s favorite dance scene “is the Crown Inn ball in Emma…when Emma first starts to view Mr. Knightley as an attractive male, ra- Susanah Fullerton. ther than as an old friend and family connection…it thrills me every time.” Fullerton analyzes each dancing scene in Austen’s novels, including her unfinished The Watsons which has an extensive scene set at a dance. In each case, she summarizes the scene and explains its role in the development of relationships among the characters and its role in the plot. Many of the novels have several dancing scenes, from country house parties to county assemblies to large private balls. Dancing offered the young lady a place to exhibit her charm, her fine person and her grace, or it offered an opportunity to be slighted, to be only a wallflower, or to choose the wrong partner, whether it meant having toes crushed or a blot upon one’s reputation by allowing the attentions of a rake. In addition, Fullerton tells us about that most exclusive subscription dance series at Almack’s, the height of social achievement in London. She describes the role of the Bath master of ceremonies, such as Beau Nash and his successor Mr. King. Other sidelights tell us of the music and musicians, ball attire, and typical suppers at a ball. This volume is full of lovely illustrations and should be a candidate for the bookshelf of every lover of Jane Austen’s lively novels. Susannah Fullerton is president of the Jane Austen Society of Australia. In addition to her writing and speaking engagements, she has led literary tours in her home country, in Britain, and in the U.S. A Dance with Jane Austen: How a Novelist and her Characters went to the Ball A Book Review by Victoria Hinshaw Through the centuries, dancing has been an activity practiced by large numbers of people. Look at all who love to watch Dancing With the Stars and the great response to Mad Hot Ballroom programs for teens in the public schools. Dancing is a delightful way to spend social time, unless one is as clumsy as I am! Then, it is an activity devoutly to be avoided. A Dance with Jane Austen by Susannah Fullerton was published in October 2012, with a foreword by Deirdre LeFaye, by Frances Lincoln Limited, $24.95. Two hundred years ago, local assemblies and balls were popular with the gentry, as were folk dances in the countryside. Jane Austen herself loved to dance and in her letters to her sister Cassandra often told about her Susannah Fullerton & Wisconencounters at varisin’s Susan Richard at the AGM. ous parties. Susannah Fullerton, has turned her attention to this happy form of expression – after her previous book, which certainly surveys a darker side of life. Her Crime in Jane Austen is an excellent source for students of JA’s work as well as for the casual reader. According to Fullerton, “Dances in the Regency era were almost the only opportunity young men and women had to be on their own without a chaperone right next to them, and dancing provided the exciting chance of physical touch.” 24 Jane vs. George by Susan Flaherty “A reader marvels at Jane Austen’s cleverness, but is astonished by George Eliot’s intelligence.” Agree ? Disagree ? Any comments may be addressed to Rebecca Mead, the author of “Middlemarch and Me,” published in the February 14 & 21, 2011 issue of the George Eliot New Yorker. The essay is about George Eliot, pen name of Mary Anne Evans, English author (1819-1880), but mentions Austen. Mead writes about the George Eliot Fellowship, a society of admirers of the author. “In the (nineteen) nineties, the Fellowship’s ranks were modestly swollen by what the British papers called ‘Middlemarch mania,’ following the BBC’s dramatization of the novel; at its height, the fellowship had more than six hundred members, including a Japanese chapter, based in Osaka. These days, there are about four hundred members – a figure that compares unfavorably with the popularity enjoyed by Jane Austen, whose society in North America alone has four thousand members, and whose works are the inspiration for bankable spinoffs, from Clueless to Pride and Prejudice and Zombies.” “Austen’s greater current popularity is understandable: she wrote crystalline, comic novels of medium length. Eliot’s work was more varied in its attainment, and more verbose: one publisher recent- ly released a volume called The Mill on the Floss: In Half the Time, an abridgement for those unable to countenance a six-hundred page book. ... Eliot admired Austen: she and (George Henry) Lewes read Austen’s novels aloud to each other in 1857, when she was embarking upon her own first effort at fiction – the stories that became Scenes of Clerical Life. But George Eliot, as she became known when that collection was published, went on to surpass her precursor. She is as adept as Austen at the ironic depiction of high- and middle-class society: Mr. Brooke, Dorothea’s middle-aged uncle, is a not too distant cousin of Mr. Bennet; and Mrs. Vincy, the exquisitely banal mother of Rosamond, might easily have found her way to Middlemarch via Highbury. But Eliot’s satire, unlike Austen’s, stops short of cruelty. She is inveterately magnanimous, even when it comes to her most flawed characters; her default authorial position is one of pity. Rosamond Vincy is foolish and intractable... But the sequence of chapters in which self-involved, trivial Rosamond realizes that Will Ladislaw is in love with Dorothea, not her—she is ‘taken hold of by an emotion stronger than her own, hurried along in a new movement which gave all things some new, awful, undefined aspect’ – is a masterpiece of sympathetic imagination. A reader marvels at Jane Austen’s cleverness, but is astonished by George Eliot’s intelligence.” Readers of Austen might like to tell an Eliot from another. Wisconsin’s Lily Miceli’s Radio Show Check out Lily Miceli’s radio show, using the links below to the website. All her shows are archived there, including one on “Music & Jane Austen”! In Between The Music WGTD-HD3 103.3 FM Lake Geneva "Where music gives voice to words" http://www.inbetweenthemusic.blogspot.com WGTD http://www.wgtd.org 25 Wisconsin’s Own Victoria Hinshaw’s Novels Are Now Available as E-Books If you find yourself missing the excitement of the presidential election, this was spotted on the Huffington Post: “Jane Austen Weekly: Jane Austen Votes for President,” posted by Susan Celia Greenfield of Fordham University. http://www.huffingtonpost.com/susan-celia-greenfield/janeausten-weekly-jane-a_b_2059973.html *** Holiday Shopping!! Yes, Her Solar Majesty is available, just in time for Christmas. She waves in all her regal pastel regalia, complete with diamante crown and brooch, powered by the royal solar panel on her purse. That’s her loyal, royal corgi, Elroy (get it?) by her side. He wags his head, also in a regal manner. See more at Amazon: http://www.amazon.com/Kikkerland-JubileeCommemorative-Limited-Edition/dp/ B007EBGUKM/ref=pd_bxgy_hg_img_y Editor’s note: My husband bought these for me as a cheering gift for me, and let me tell you, you can’t be anything but cheerful with Her Majesty waving at you! Victoria Hinshaw announces the re-publication of two of her novels as e-books, available from Kindle, Nook, and Smashwords websites in November, 2012. In The Fontainebleau Fan, Miss Meg Hayward paints trifles to sell, a way to avoid poverty. When her copy of an antique fan is sold as the real thing, she must find it and make amends. Nicholas Wadsworth, the Earl of Wakefield, believes he was swindled by the lovely young artist. How could he know that spending weeks with her at his estate would lead him from anger and humiliation to sympathy and affection? The Eligible Miss Elliott is also a traditional Regency Romance, set in Bath. Miss Rosalind Elliott, in possession of a handsome fortune, is understandably suspicious of suitors who pursue her. Instead of admiring her pretty face and enjoying her witty charm, they show more interest in the size of her bank account. To the gossips at Bath’s Pump Room, Naval Captain Philip Caldwell seems just another fortune hunter. How can Rosalind and Philip prove them wrong and find true love? Both novels were originally published by Kensington-Zebra Regency Romances in 2002 and 2003. Four more of Hinshaw’s traditional regencies will be available in the next few months. All are intended for a general audience, including young adults. As half of the team Summit Wahl, Hinshaw is also the co-author of the family saga BirthRights: A Dangerous Brew, set in Milwaukee from 18701920, available as an e-book from Kindle, Nook or Smashwords. Originally published in 1983 by Pocket Books, the novel follows the career of Adam Koenig, who establishes a brewing dynasty but leaves a troubled legacy for his family. For more information, see Victoria’s website at www.victoriahinshaw.com or her pages on Facebook (also as Summit Wahl) and her blogs, particularly www.onelondonone.blogspot.com where she and co-blogger Kristine Hughes write about their love of and travel to England, as well as Jane Aus26 ten, Charles Dickens, and assorted topics. For mailed checks send National JASNA dues to: Carole Stokes 3140 S. Temperance Way Boise, ID 83706 Membership Reminder by Judy Beine Wisconsin Region Membership Coordinator 2002-2012 IMPORTANT REMINDER From National JASNA Wisconsin Region now numbers 169 with eight new members since September 1. To all members—above all Life Members— It is very important to communicate to JASNA your new address, whenever you move. JASNA News (and any other correspondence) that are not deliverable as addressed are returned to me. I noticed that more than 50% of the JASNA News returned had been addressed to Life Members. When this happen, the member does not get one of the benefits of membership and JASNA, on top of the cost of the publication, has to pay $3.10 for each returned JASNA News. Welcome to New Members: Emily Kingman, Essay Winner, from Cottage Grove, Wisconsin Prof. Scott Mellor, Emily’s Mentor Dr. Joseph Vitolo of Brookfield Mary-Phyllis Balsitis of Walworth Nancy Cincotta of Brookfield Elizabeth Hamill of Hudson Penny Hase of Mequon Jennifer Thill of Belgium Thank you, Isa Schaff JASNA Data Base Manager However, 38 members have not yet renewed with National for September 1, 2012 through August 31, 2013. Remember, to remain in JASNA and Wisconsin Region you must send your check, or pay by PayPal (see jasna.org website), payable to JASNA: JASNA-WI members: All members of JASNA who live in Wisconsin are automatically members of JASNA-WI Region. Student annual (full-time) $18 Individual annual $30 Family annual $45 Sustaining annual $60 Individual life $350 Convert to Family life $150 Family life $500 Please keep your email, addresses, and other contact information up to date with our new membership chair, Jane Kivlin. Send all contact information changes to: Jane Kivlin, [email protected] For further questions on membership, please call 1800-836-3911 or e-mail the US/International Membership Secretary, Carole Stokes, [email protected] 27 If you provide our Membership Coordinator with your email address (or have already done so), you will receive an electronic version of the Wire, JASNA-Wisconsin’s newsletter, free of charge. If you don’t have an email address, you may receive a paper copy of the Wire by mail by paying a subscription fee of $15.00 per calendar year. Make your check payable to JASNA-WI and mail to Jane Kivlin, 1870 Elm Tree Road, Elm Grove, WI 53122. Joining us for the Birthday Luncheon? Please fill out the following portion. You may pay the JASNA-WI Wire paper version subscription fee and your Birthday Luncheon Fee with one check PROVIDED you fill out both forms COMPLETELY and put a memo on your check. THANK YOU! ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Milwaukee Birthday Luncheon Reservation Please reserve _______ places for the Birthday Luncheon, Saturday, December 15, 2012: Entrée choice: ______ Traditional Beef Wellington with Madeira sauce ______ Parmesan Crusted Salmon ______ Grilled Vegetables with Seasonal Greens and Dressing ______ Add Chicken ______ Add Shrimp (Price includes champagne, dessert, and gratuity) $30.00 $27.00 $20.00 $26.00 $29.00 Lunch total $____________ Member’s Name ___________________________________ Phone: ___________ Please indicate Guest’s name and entrée choice ___________________________________________________________________ RESERVATIONS MUST BE RECEIVED BY MONDAY, DECEMBER 3, 2012. Send your check payable to JASNA-WI and mail to: Jane Morris, 2767 South 43rd Street, Milwaukee, WI 53219 Questions: 414-541-8410 or [email protected]. No telephone or email reservations will be accepted. Directions to North Hills Country Club for Birthday Luncheon North Hills Country Club is located at N73 W13430 Appleton Avenue, Menomonee Falls (262-251-5750). From the south and west: Take Hwy 45 to Hwy 175/Appleton Ave. exit and to northwest (left) on Appleton for about 2 miles. After the intersection with Good Hope Rd, the second driveway on the right is North Hills. From the east: Take Good Hope Rd. west to Appleton Ave., make a soft right turn onto Appleton; turn into the second driveway on the right. From the north: Take Hwy 45 to Good Hope West exit, turn right at the stop light onto Appleton Ave., turn into the second driveway on the right. 28