Bata Shoe Museum Annual Review 2014
Transcription
Bata Shoe Museum Annual Review 2014
2014 ANNUAL REVIEW 2014 ANNUAL REVIEW #AboutTheMuseum IN 1979, THE BATA SHOE MUSEUM FOUNDATION/FONDATION MUSÉE DE LA CHAUSSURE BATA WAS CREATED TO PROFESSIONALLY MANAGE THE EVER-INCREASING COLLECTION AND TO SPONSOR AND PUBLISH RESEARCH ON THE ROLE FOOTWEAR HAS PLAYED IN HUMAN HISTORY. When Founding Chairman Sonja Bata first began collecting footwear in the 1940s, she never expected that her unending quest for exceptional artefacts would result in an unparalleled collection and an internationally acclaimed museum. Boasting a world-class collection of more than 13,000 artefacts spanning 4,500 years of history, the Museum actively pursues its mandate to research, exhibit, and publish information about the cultural, historical and sociological value of footwear. In 1995, the Bata Shoe Museum opened its doors to the public in its own award-winning building. Inspired by the idea of a shoebox, renowned Canadian architect Raymond Moriyama created this five-storey structure that combines state-of-the-art artefact storage and exhibit space with dynamic and inviting plays of light and texture. Particular strengths of the Museum’s collection include important holdings in Circumpolar, 18 th century European, Indigenous North American, and Asian footwear. Particularly impressive is the “floating” staircase, which is the architectural centrepiece of the Museum, and a dramatic wall of prismatic glass that ensures that the Museum’s architecture is as unforgettable as the collection it houses. Home to the world’s largest and most comprehensive collection of shoes and footwear-related objects, the Bata Shoe Museum is committed to being an internationally recognized centre for footwear research that maintains and displays the Museum’s collection, sponsors field research, publishes findings and promotes education. For almost two decades, the Museum has strived to showcase the incredible diversity of what people choose to wear on their feet, revealing the most interesting aspects of culture, history and society. Through its extraordinary exhibitions, the Bata Shoe Museum has shared these compelling stories by using footwear as the point of entry into the cultures of the world. The permanent collection contains examples from virtually every culture in the world, including a rare and well-preserved velvet-covered platform mule from 16th century Venice, French chestnut crushing boots, embroidered Chinese silk shoes, bear fur shoes from Japanese samurai and footwear made from human hair. 5 One of the most important aspects of the Bata Shoe Museum’s holdings is an extensive collection of Native American and Circumpolar footwear. This collection and the field trips sponsored to study indigenous shoemaking have greatly contributed to the scholarship of footwear history. Among the collection’s most popular feature is an extensive assortment of celebrity footwear, including Queen Victoria’s ballroom slippers, Robert Redford’s cowboy boots, Elton John’s monogrammed silver platform boots, Terry Fox’s running shoe, Elvis Presley’s blue patent loafers, Karen Kain’s ballet shoes and John Lennon’s Beatle boot. The Museum’s archaeological collection includes footwear from some of the earliest civilizations on earth: ancient Egyptian sarcophagi with painted sandal designs, leg-shaped perfume vials made by an ancient Greek potter, and Roman bronze lamps representing sandal-clad feet. In addition to the popular semi-permanent exhibition All About Shoes, the Museum has three galleries for changing exhibitions, ensuring that each visit offers a new experience. #AboutTheMuseum 7 FROM THE DIRECTOR #FromTheDirector T H A N K S TO O U R V I S I O N A R Y FOUNDER, OUR COMMITTED BOARD, OUR GREAT STAFF AND OUR WONDERFUL SMALL ARMY OF VOLUNTEERS WE CAN PROUDLY LOOK BACK AT A SUCCESSFUL 2014 AND LOOK FORWARD TO A FUTURE FULL OF EXCITING CHALLENGES AND ACHIEVEMENTS. The Bata Shoe Museum is a dynamic specialized Museum operating in the heart one of the most multicultural cities in the world. As one of the most visited museums in Toronto, the Bata Shoe Museum is mindful of the need to constantly adapt to the ever changing fabric of its local and international communities. Our efforts combine physical visitation — both in Toronto and around the world through our travelling exhibitions and international loans program — with online communication. Thanks to our website and to our strong presence on all social media platforms, our overall outreach exceeds 500,000 people every year. Because of our superb collection, the Museum is able to engage different segments of society with thoughtinspiring exhibitions and programs. Our work is based on thorough scholarly research on innovative subjects rarely explored by mainstream academia. All of our exhibitions are conceived and developed by the Museum, often treading into unknown territories. Storytelling was the focus of the Museum’s activities in 2014. From interactive theatre experiences in the galleries to Dickensian tales told through artefacts, we engaged our patrons in one of the oldest and finest of museum traditions. In June the Museum unveiled a major exhibition Fashion Victims: The Pleasures and Perils of Dress in the 19th Century. This is the result of a joint multiyear research project headed by our Senior Curator Elizabeth Semmelhack and Ryerson Professor Alison Matthews David who looked at early industrialization dyes and chemical treatments in the fashion industry. The work resulted in a comprehensive display of artefacts from our very own collection showcasing disquieting stories about the effects of chemicals and fashion-driven accessories on the makers and wearers. This groundbreaking exhibition allows the Museum to showcase its extraordinary 19 th century collection of footwear, arguably the best selection of beautifully preserved artefacts of this kind worldwide. We are particularly thankful for the financial support we have received throughout the year from the various levels of government, private sponsors, corporate foundations and our friends. Some of our programs would not be possible without their generous contributions. 9 EXHIBITIONS #Exhibitions THE MISSION OF THE BATA SHOE MUSEUM IS TO CONTRIBUTE TO THE KNOWLEDGE AND UNDERSTANDING OF THE ROLE OF FOOTWEAR IN THE SOCIAL AND CULTURAL LIFE OF MANKIND. IT HAS ACHIEVED THIS PURPOSE BY ESTABLISHING AND OPERATING A PUBLIC INSTITUTION WHICH ACQUIRES, CONSERVES, R E S E A RC H E S , CO M M U N I C AT E S AND EXHIBITS MATERIAL EVIDENCE REL ATED TO THE HISTORY OF FOOTWEAR AND SHOEMAKING FOR THE PURPOSES OF STUDY, EDUCATION AND ENJOYMENT. Out of the Box: The Rise of Sneaker Culture Closed June 2014 Designed by famed industrial designer Karim Rashid, this ground breaking and first North American exhibition to showcase the history of sneaker culture features over 120 sneakers representing the past 150 years and highlights iconic sneakers from the 20th and 21st century. 11 presenting an elegant exterior was not without its perils. The discomfort of constricting corsets and impossibly narrow footwear matched by the dangers of wearing articles dyed with poison-laced colours and made of highly flammable materials. From the challenges faced by those who produced fashionable dress to the risks taken by those who wore it, this exhibition provides thought-provoking insights into what it means to be a fashion victim. Fa s h io n Vic t i m s : Th e Pl ea s u res a n d Pe ril s of Dress in the 19th Century (see images above) Opened June 2014 This exhibition transports visitors back to the 19 th century where fashion-forward women graced the boulevards and ballrooms with their colourful presence. Their tailored male companions cut equally refined figures in their black coats, spotless white linens, lustrous top hats and shiny boots. Yet #Exhibitions Collected in the Field: Shoemaking Traditions from Around the World (see image below) All About Shoes: Footwear Through the Ages Semi-Permanent Commissioned by the Bata Shoe Museum, researchers have traveled from Siberia to India documenting traditional shoemaking practices. Each of these field trips has brought a wealth of in-depth information and artefacts into the Museum, and along with Founding Chairman Sonja Bata’s own journey, has resulted in this extraordinary exhibition which features personal stories from around the world. The Museum’s flagship exhibition, All About Shoes, is a voyage through 4,500 years of footwear: its evolution, uses over time, methods and materials of manufacture, and its place in our lives and imaginations. This exhibition also features a look at the development of fashion footwear by the decade, as well, Star Turns, a celebrity shoe area highlighting some of the world most celebrated people. Beauty, Identity, Pride: Native North American Footwear (see image left) Star Turns: Footprints on the World Stage (see image above) With 90 artefacts created by Indigenous peoples from diverse regions of North America, this exhibition features shoes, boots and moccasins showcasing exquisite craftsmanship, regional patterns, and beautiful decoration, as well as rarely seen artefacts chosen entirely from the Bata Shoe Museum’s comprehensive collection of Native footwear. As a complement to the Museum’s flagship exhibition, this exhibition introduces visitors to an impressive array of footwear worn in moments of triumph by performers, athletes, artists and politicians, including icons like Terry Fox, The Dalai Lama, Marilyn Monroe and Shaquille O’Neal. 13 CONSERVATION #Conservation IT IS THE PRACTICE OF THE BATA SHOE MUSEUM TO CONSERVE RATHER THAN RESTORE. WORN FOOTWEAR HAS A MORE SIGNIFICANT CULTURAL MEANING THAN UNUSED PRISTINE SHOES. SIGNS OF WEAR SUCH AS STRETCHED LEATHER, DIRT ON SOLES, AND MODIFICATIONS ARE EVIDENCE THAT THESE ARE REAL SHOES WORN BY REAL PEOPLE. 2014 was a busy year for the Museum’s Conservation Department. In addition to giving a well attended Walk & Talk Plastics Tour with Samantha Conover through the Out of the Box: Rise of Sneaker Culture exhibition, Conservator Ada Hopkins offered a behind the scenes tour to the interpreters from Black Creek Pioneer Village, as well as to conservation students from Queen’s University and wrote an essay for an upcoming sneaker publication soon to be published by Rizzoli. The Conservator also attended a 2 day workshop hosted by the textile conservator at the Royal Ontario Museum to learn the latest techniques and materials for making mannequins and was the artifact handler for the XRF testing at Ryerson University to determine 16 The Conservator also travelled to the Kunstahl Museum in Rotterdam, Netherlands and the Brooklyn Museum in NYC to install Museum artefacts on loan to both institutions. condition reports for outgoing loans to Kunstahl (Rotterdam), Textile Museum of Canada (Toronto); Brooklyn Museum (NYC) 1 4 chemical content of dyes used in shoes selected for the Fashion Victims exhibition. She also attended a behind the scenes tour of the textile & shoe storage areas at Blythe House, the offsite facility for the Victoria & Albert Museum, discussing treatment, display & storage techniques for shoes. The Conservator took the opportunity to attend a lecture on the archeological footwear found at Vindolanda. Back in Toronto, the Conservator attended a meeting of local conservators to exchange ideas on storage & display techniques & sources for unusual materials. treatment of a monkey cobbler automaton 1 pair of 1920s deep sea diving boots mannequins for the Fashion Victims exhibit were created 15 RESEARCH #Research IN 2014, SENIOR CURATOR ELIZABETH S E M M E L H AC K CO -AU T H O R E D “FASHION VICTIMS: THE PLEASURES AND PERILS OF DRESS IN THE 19TH CENTURY”, A STUNNING CATALOGUE WHICH ACCOMPANIED THE BSM EXHIBITION OF THE SAME NAME. 2014 was another year for thought-provoking research at the Bata Shoe Museum. In January, Senior Curator Elizabeth Semmelhack travelled to the Los Angeles County Museum (LACMA) to research their footwear holdings and give a lecture on the history of high heels. While in California, she also lectured on the history of sneakers at Whittier College. Research continued on the history of sneakers for the book Out of the Box: The Rise of Sneaker Culture. Written in the fall of 2014, the book will be published by Rizzoli in 2015 to accompany the 2015/2016 travelling exhibition of the same name. Additional research also commenced this year for the upcoming exhibition Standing Tall: The Curious History of Men in Heels. In February, Semmelhack wrote “The Allure of Power for Shoes: Pleasure and Pain” published by the Victoria and Albert Museum. In March, she presented the paper “Well Heeled: How New World Exploration, the Textile Trade and the Rise of Persia Put European Men in Heels” at the Renaissance Society of America on her research concerning the introduction of heels into Western fashion. She published her research on chopines in the article “Above the Rest: Chopines as Trans-Mediterranean Fashion” in Special Issue of Journal of Spanish Cultural Studies: Touching the Ground: Platform Shoes in the Early Modern Hispanic World and in the chapter, “Reveal or Conceal: Chopines and the Display of Material Wealth in Early Modern Valencia and Venice” in The Matter of Art: Materials, Technologies, Meanings, c. 1250-1650, ed. Christine Anderson, Anne Dunlop, and Pamela Smith. Manchester: Manchester University Press (2014). In May, the Bata Shoe Museum was presented with the Canadian Museum Association (CMA) Award of Outstanding Achievement in Publications for Roger Vivier: Process to Perfection. T h a t s a m e m o n t h , S e m m e l h a c k p r e s e n te d “Fashioning Gender: High Heels and the Construction of Femininity” a lecture and workshop at the Bata Shoe Museum for Berkshire Women’s Conference. In June, she coauthored the catalogue Fashion Victims: The Pleasures and Perils of Dress in the 19th Century with Dr. Alison Matthews David for the exhibition of the same name here at the Bata Shoe Museum. In September, Semmelhack presented her research on heels as the opening program for the exhibition Killer Heels for the Brooklyn Museum and in November, she presented the paper “Accessories of War: Gender Politics and Platforms during World War II” for Schuhe: Designprodukt, Alltagsding, Forschungsgegenstand Conference, Zürcher Hochschule der Künste. Travelling also included a visit to the Museum of Applied Arts in Budapest, Hungary for a behind the scenes tour of their shoe collection. 17 NEW ACQUISITIONS #NewAcquisitions FOUR MAJOR OUTGOING LOANS SAW NUMEROUS MUSEUM ARTEFACTS TRAVELLING IN 2014. PIECES WERE ON VIEW IN SEVERAL OUTSTANDING EXHIBITIONS, INCLUDING “KILLER HEELS” AT THE BROOKLYN MUSEUM (NYC), “S.H.O.E.S.” AT THE KUNSTHAL IN ROTTERDAM AND IN EXHIBITIONS AT TH E ZLIN M USEU M (CZECH REPUBLIC) AND THE TEXTILE MUSEUM OF CANADA (TORONTO). Loans that came into the Museum were showcased in Out of the Box: The Rise of Sneaker Culture exhibition, as well as in Fashion Victims: The Pleasures and Perils of Dress in the 19th Century. The Collections Management Department had 2 Young Canada Works students, as well as 2 interns who continued to work on the Museum’s impressive photography project. Approximately 85% of the collection has now been photographed. In September the Collection Manager Suzanne Petersen McLean presented a paper, “Documentation Photography: An Integrated Process”, to the Documentation Committee of the International Council of Museums (ICOM) in Dresden, which was well regarded by delegates at the meeting. The Museum acquired several new and exciting artefacts into the permanent collection in 2014. Highlights include a pair of Sioux leggings covered in white, blue, green and red glass beads in a geometric design (shown here) as well as beautifully crafted Cheyenne moccasins from 1860, a pair of Huarache “10 Vueltas”, named because of the 10 revolutions that it takes to weave the upper around the last, Canadian figure skating star Petra Burka’s custom made skates, a leather drinking vessel and a pair of Manolo Blahnik “Locka” evening shoes gifted by him personally to the Museum. 19 New Acquisitions in 2014 Bata, Sonja -Gym shoes worn by Thomas J Bata -The ONE shoe in honour of Thomas J Bata and marking the 100th Anniversary of his birth -Group of objects belonging to Tomas Bata Senior, which he had in the plane when he crashed in 1932 -Pair of Coach Wooden high tops in original box -Pair of Astra Burka’s own figure skates -Pair of Dutch strap-on blades Carroll, Diahann -Four pair of shoes worn for her performances Cermak, Dr. Roman, University of Tomas Bata -Replica of the Fort Rock Oregon Sandal, 8500 BCE – 7200 BCE Blahnik, Manolo -“Locka” evening shoes (see image above) Burka, Astra -Pair of Petra Burka’s figure skates (see image at right) #NewAcquisitions Ginsburg, Cora LLC -Pair of women’s plaid boots circa 1855-1865 Kamer, Martin -Pair of women’s Italian high heels circa 1690–1700 -Pair of men’s oxford ‘coat hanger’ shoes circa 1880 1885 Kittner, Marcus -Huarache “10 Vueltas” Müeller, Dr. Dietmar -Pair of Lakota (Sioux) Leggings circa 1880 (see image left) -Pair of Cheyenne moccasins circa 1860 -Pair of Blackfoot leggings circa 1850 – 1860 -Lakota (Sioux) toy cradle circa 1870 – 1880 -Apache moccasins circa 1870 Machtinger, Edward -Bata catalogue from 1940 -Gestetner artwork, original Bata drawings 1940 And also: Nutt, Phillip -Series of catalogues and swatch sets from leather suppliers -JOX sneaker Paciulan, Bob -Archive of Goodyear mould drawings for the manufacture of rubber heel top-pieces, circa 1916-1999 -Ruby Lane Antiques -Leather drinking vessel (see top right image) Sandler, Adam -Pair of his own Nike sneakers Trotta, Ted -Pair of Miami moccasins 119 Objects Catalogued (some objects catalogued were accessioned in 2013) 25 92 -Pair of Nike Air Zoom Flight 95 hi-tops -2 Pair Vans sneakers -2 Pair Puma sneakers designed by Sophia Chang -Pair of Brinco Crosstrainers, 2005 -Wood-soled women’s lace-up shoes circa 1939-1945 -‘White Buck’ loafers in original box circa 1950s -Pair of Ewing Originals, 33HI sneakers -Pair of Karim Rashid for Sully Wong sneakers -A medieval upper -Custom made figure skates, dress and pin -Pair of police boots -Two pair rubber Korean traditional style shoes -Pair of high-heeled sandals with artist Lea Stein owls on vamp -Bata poster by H. Leupin circa 1940s -Pair of Menkes flamenco dance shoes -Red suede women’s Andrea Pfister shoes in original box Artefacts Travelling to Other Institutions Objects Accessioned 24 Incoming Loans 21 EDUCATION #Education THANKS TO THE GENEROUS SUPPORT FROM BMO FINANCIAL GROUP AND THE WILLIAMS WILSON SHERPORT FOUNDATION, FREE CURRICULUMBASED FIELD TRIPS WERE OFFERED TO 1067 STUDENTS THROUGH STEP AHEAD, THE MUSEUM’S EDUCATION PROGRAM FOR STUDENTS IN ATRISK COMMUNITIES. PARTICIPANTS TOURED THE EXHIBITIONS, HAD A HANDS-ON SESSION AND PAINTED A CLOG TO TAKE HOME. In 2014, the Education Department welcomed 320 groups for guided and unguided tours. Nearly 10,000 children enjoyed class visits to the museum and 1,500 adults attended in organized groups. New curriculum-related programs were developed for the exhibition Collected in the Field, including the use of hands-on materials in the gallery. Staff also worked to develop curriculum-related programs for the Fashion Victims exhibition for secondary students in a variety of disciplines such as history, fashion and visual arts. In 2014, the Bata Shoe Museum and Toronto Foundation for Student Success(TFSS), the registered independent charitable foundation of the Toronto District School Board, launched Step Ahead After School, a new partnership which expands the Museum’s existing Step Ahead program to partner with the TFSS’s unique initiative beyond 3:30. The beyond 3:30 program provides free programming focused on healthy living and learning opportunities in the arts for middle school students between the hours of 3:30 and 6:00 p.m. Launched in October, 480 beyond 3:30 students in grades 6-8 from 16 atrisk community schools will experience Step Ahead After School over the school year. March Break is always a highlight and this year the program attracted 2,975 visitors. The theme was ‘Sneaking Around: Be a Spy at the Bata Shoe Museum’. Children received a top secret envelope containing their ID badge, cover identity and mission (to find the missing sneaker). They visited “Spy School” to get some necessary skills, and as they went through the various activities, they received a clue which when decoded led them to the missing sneaker. The successful spy theme continued into Summer Fun with nearly 600 children attending this program from daycares and day camps in July and August. 23 OUR VISITORS #OurVisitors WHO IS VISITING US ONTARIO (EXCLUDING GTA) REST OF CANADA INTERNATIONAL 8% USA 13% 18% 37% 320 GTA 24% 1,600 WOODEN CLOGS GROUPS for guided and unguided tours 10,000 CHILDREN enjoyed class visits to the museum 1500 ADULTS attended in organized groups WERE PAINTED BY STUDENTS 80,378 / VISITORS IN 2014 4,020 VISITORS ATTENDED THE MUSEUM DURING THE ALL NIGHT SCOTIABANK NUIT BLANCHE CELEBRATION 25 ENGAGING THE COMMUNITY #EngagingTheCommunity IN 2014, THE BATA SHOE MUSEUM CONTINUED TO OFFER VISITORS AND MEMBERS AN EXCITING ROSTER OF EDUCATIONAL AND ENTERTAINING PROGR AMMING , INCLU DING 19THCENTURY WORKSHOPS AND FILMS, AN INTERACTIVE THEATRICAL E XPERIENCE AN D FAMILY FU N ACTIVITIES. Fashion Victims Opening and Programming Opening in June to enthusiastic members, supporters and friends of the Museum, the stunning exhibition Fashion Victims: The Pleasures and Perils of Dress in the 19th Century continues to attract top tier North American media, as well as international media from countries such as Germany, Greece, Italy and Taiwan. Companion programs to the exhibition included a 19 th Century Literature in Film series, a 19 th Century Pastimes with a 21 st Century Twist series, and a Walk and Talk in the gallery with co-curators Alison Mathews David and Elizabeth Semmelhack which were offered to enthusiastic attendees. Family Programming Just prior to the successful March Break week (see Education section) visitors also attended the Museum for Family Day and enjoyed special hands on demonstrations and sneaker-themed arts and crafts. Weekend Family Fun with crafts, I Spy in the galleries and try-on shoes continued on weekends and PA days throughout the year. As well on weekends, the visitor experience was enhanced with hands-on demonstrations by a Museum Docent in the exhibitions and families also enjoyed a day of performances by the Toronto Storytelling Festival. In September, the Museum presented handson demonstrations for Culture Days, a national not-for-profit organization that raises the awareness, accessibility, participation and engagement of Canadians in the arts and cultural life of their communities. Holiday Programs One of the more popular kid-friendly programs offered by the Museum is the annual Halloween event. With spooky I-Spy in the galleries, Halloween-themed try on shoes, a number of arts and crafts activities and a cookie to decorate, children in costumes arrived to join in the fun. A few months later, families returned to create winter-themed crafts such as decorating mini-trees and stockings, making reindeer puppets and designing ornament shaped cookies. 27 Adult Programming A site-specific play by Daniele Bartolini entitled The Last Seven Steps of Bartholomew S. played out to exclusive groups of attendees in each of the four exhibitions, with four performances in February and two in May. The sold-out events drew rave reviews from the audience who became part of the story, interacting with actors and plotlines and following the steps of the title character. MM2 Modern Dance of Philadelphia performed the improvisational dance piece, Designed to Move You in the All About Shoes exhibition as an affiliate event for World Pride 2014. Founder’s Lecturer for 2014. Her topic Manet: Fashion and Fetish was lavishly illustrated and charmed the sold-out crowd. An exciting initiative also completed this year was the installation of a new public Wifi system for visitors. With this in place, a free streaming audioguide was also launched for visitors using their personal devices. The audioguide has been integral in enhancing the museum experience by offering access to additional information about artefacts and exhibitions. Fashionista Tziporah Salamon used pictures, stories, anecdotes and clothes to weave a rich tapestry of her life journey in her performance The Fabric of my Life. In addition, Conservator Ada Hopkins held an exclusive Conservation Salon around the Fashion Victims exhibition. Book Clubs at the Bata Shoe Museum was a new programming initiative. Existing book clubs picked from a list of books whose themes relate to the exhibitions, held their discussion at the Museum and enjoyed a customized tour referencing the book. Dr. Gloria Groom, Senior Curator, The Art Institute of Chicago was the speaker for the Museum’s annual #EngagingTheCommunity 29 COMMUNITY OUTREACH #CommunityOutreach 2014 SAW THE MUSEUM WELCOME AND INSPIRE TALENTED YOUNG ARTISTS, HELP LAUNCH A NEW CULTURAL INITIATIVE AND TRAVEL WITH HANDS-ON ARTEFACTS TO SEVERAL COMMUNITIES. BSM Annual Sock Drive successful festival in June. For the past six years the Museum has successfully campaigned for sock donations for those in need at The Scott Mission, a worthy community organization. For two weeks in November, visitors to the Museum receive complimentary admission with a donation of a pair of new athletic socks. With McGregor Socks as the campaign’s corporate sponsor, donating several thousand socks to the cause, the Museum is grateful for the tremendous support from them and from the community. Toronto Public Library As a special addition to this year’s sock drive, the Museum, along with McGregor Socks, commissioned local artists Kate Hogg and Gabriella Borg to create a unique visual art piece inspired by the drive. Entitled Sock Flock, the installation captured the spirit of the many contributions that come together to make any fundraiser successful, as a flock of birds comes together through support and team work. (see image left) Asian Heritage Month & Dragon Boat Press Conference Asian Heritage Month is an important celebration for the Museum. Pleased to once again be the venue sponsor, the event welcomed a sold out audience to watch as various artists performed throughout the evening. The Museum was also pleased to be the venue host for the Toronto International Dragon Boat Festival Press Conference headed by Justin Poy. Media and VIP attended the morning breakfast which was used as a vehicle to promote the highly The Toronto Public Library and Toronto Symphony Orchestra chose the Museum as a venue for a performance by “The Travelling Cellist” in celebration of the Keep Toronto Reading Festival. As well, the Education department traveled to 6 libraries within the GTA, offering up a short shoe lesson, hands-on demonstrations and arts and crafts to children from a variety of neighbourhoods. An important outreach initiative, the Museum is pleased to be able to take part. Bloor Street Culture Corridor The Bloor Street Culture Corridor (BCC) is home to one of Toronto’s most diverse arts and culture districts, accessible all in one walkable mile along Bloor Street. As one of 14 arts and culture organizations that have come together in partnership in 2014 to create the BCC, the Bata Shoe Museum is thrilled to be part of this exciting initiative. Special offers by the partners are promoted monthly via a new BCC app and online. Arts for Children and Youth Through Arts for Children and Youth, a foundation that provides quality arts education for young people in under-resourced communities and schools, the Museum hosted a young artist who painted in the exhibitions spaces. Inspired by the collection, visitors were excited to see the works of art as they developed. 31 Scotiabank Nuit Blanche Museum Arts Pass The Museum continues to recognize the importance of contemporary art and young talent to the city. With this in mind, two independent projects were hosted at the Museum for the 2014 Scotiabank Nuit Blanche. Developed by Ryerson University students from the Faculty of Architectural Science, both innovative projects attracted over 4000 visitors during the 12 hour event. While here, visitors also took the opportunity to visit the Museum’s four galleries. (See image above) Another program that offers complimentary access to hundreds of attractions in the city is the Sun Life Financial Museum + Arts Pass. Offered to library card holders, the program which initially targeted at risk neighbourhoods (23 libraries in total) has since expanded to include all libraries in the GTA. The Museum believes very strongly in the initial mandate and welcomed 4696 visitors under this program. Cultural Access Pass Offering new Canadian citizens and their dependents the opportunity to experience culture in their city during their first year of citizenship, the Cultural Access Pass continues to be very successful. As one of 1000 organizations offering this, the Museum welcomed 928 new Canadians and their families in 2014, an increase from 431 families in the previous year. Unique Museums Campaign The Unique Museum 2 for 1 offer continued to attract many visitors to partner organizations, The Gardiner Museum, the Design Exchange, the Museum of Inuit Art and the Bata Shoe Museum. Focused on offering 2 for 1 admission at the institutions, the campaign allows each partner to reach past its own audiences to attract new ones. #CommunityOutreach 33 SOCIAL MEDIA #SocialMedia CONNECTING WITH AUDIENCES AROUND THE WORLD CONTINUED TO BE A PRIORITY. GREAT EFFORTS WERE MADE TO CONTINUE TO GROW ONLINE AUDIENCES VIA INNOVATIVE SOCIAL MEDIA INITIATIVES AND ENGAGING CONVERSATIONS, RESULTING IN SUCCESSFULLY INCREASING VISITORS ON ALL PLATFORMS, INCLUDING THE CORPORATE SITE, YOUTUBE CHANNEL, FACEBOOK, TWITTER AND INSTAGRAM. The World at Your Feet, a new video YouTube series which launched in 2014 and featured our Senior Curator, Elizabeth Semmelhack, highlighted rare and unique artefacts right from the Museum’s storage areas not readily seen by the public. With 10 episodes released over the course of the year, nearly 15,000 views were achieved with the most popular episode attracting 5000 views alone. themes for posts which proved quite successful. Offering relevant information in an attractive and engaging way helped to increase support across all platforms. The Museum also participated in several worldwide initiatives including: #museumselfie, #museumweek and #askacurator which helped garner the attention of new audiences worldwide. Facebook continued to be most popular, followed by Twitter. Instagram also became important with 1,400 followers gained in 2014. Articles appeared in major outlets, including the Wall Street Journal, Maclean’s Magazine, Vogue Italy, New York Magazine, Huffington Post, BDCWire, Women’s Wear Daily, Collector’s Weekly, and the Globe and Mail. Press junkets from around the world continued to visit the Museum throughout the year. The department focused on creating a consistent message for outreach and began using #bsmshoeoftheday hashtag to promote weekly Media Highlights 35 WORLD AT YOUR FEET: FIRST TUESDAY OF EACH MONTH 15,000 TOTAL VIEWS 10 5,000 EPISODES VIEWS TOP EPISODE SOCIAL MEDIA IN 2014 IN 2013 7,400 10,000 IN 2013 IN 2014 FACEBOOK LIKES 4300 1400 5000 TWITTER FOLLOWERS #SocialMedia IN 2014 INSTAGRAM FOLLOWERS BATASHOEMUSEUM.CA USERS 177,647 13 % 81 % LANGUAGES SPOKEN BY USERS 2 USER ACTIVITY BY MONTH 2,000 1,000 April 2014 July 2014 October 2014 ALLABOUTSHOES.CA USERS 41,726 70 13.5 % LANGUAGES SPOKEN BY USERS 86.5 % 15 O T H E R USER ACTIVITY BY MONTH 15 300 150 April 2014 July 2014 October 2014 37 DEVELOPMENT & SUPPORT #Development&Support THE BATA SHOE MUSEUM IS A NONPROFIT ORGANIZATION SUSTAINED BY THE GENEROSITY OF INDIVIDUALS, FOUNDATIONS, CORPORATIONS AND PUBLIC AGENCIES. THE MUSEUM COULD NOT FULFILL ITS ROLE AS A WORLD CLASS ORGANIZATION DEVOTED TO THE PRESERVATION, DOCUMENTATION AND PROMOTION OF CULTURAL HERITAGE WITHOUT THEIR SUPPORT. The M useum is proud of its charitable and community outreach programs such as: Step Ahead, PayWhatYouCan and our annual, Warm the Sole Sock Drive. And thanks to the generosity of our donors, all of our programs are designed to ensure public access to the arts through the removal of financial barriers for economically disadvantaged children and families. 2014 marked an important milestone in the delivery of our educational programming. Since 2009, the Bata Shoe Museum’s Step Ahead program has provided educational outreach to children from Toronto’s at-risk neighbourhoods. Thanks to the continued support of BMO Financial Group, the Museum welcomed over 1,000 students from 19 schools during the 2014-2015 school year, representing a total program enrollment to date of 6,000 students from 60 of Toronto’s separate and public schools. Quite an achievement since the Step Ahead program’s inception five years ago. A new community initiative, Step Ahead After School with beyond 3:30, was also launched in the 20142015 school year. In partnership with the Toronto Foundation for Student Success, and with generous support provided by The Toronto Foundation and Oakville Community Foundation fund holders and the Williams-Wilson Sherport Foundation, 480 additional students participated in the new Step Ahead After School. For many of these students, this program provided a first-time visit to a Toronto museum. The Museum’s weekly PayWhatYouCan program invites individuals and families to experience one of the world’s most unique collections. This year we welcomed 5,714 visitors to the Museum, a total of 28,977 since the PayWhatYouCan Program was first established in 2011. Socks are one of the first items people request when asking for assistance in the care of the homeless. Each year, in celebration of National Philanthropy Day, November 13rd , the Bata Shoe Museum hosts the Warm the Sole Sock Drive. Socks collected are 39 donated to shelter-based charities. As the Museum approaches the celebration of its 20th anniversary in May 2015, we are grateful to all of our donors for sharing this creative journey with us. Our goal is to continue to increase our philanthropic capacity so that we may better respond to the growing need for community access and engagement in the Arts and to create new and innovative opportunities for cross-cultural understanding to all who are welcomed through our doors. #Development&Support Individual Supporters Corporations (Supporting Level and above) BMO Financial Group Sonja Bata Alan and Alice Adelkind Foundations Steve Arenburg and Sujeet Sennik Bata Shoe Foundation Nina Bricker Anonymous Donor (a fund held within the Toronto Foundation) Frances Buczko Nina Budman Anna-Marie Christian Anne Cobban Missy Crosbie Roger Davies and Jasmine Watts Amanda Demers and Brian Collins George and Leslie Denier Victoria Dinnick Barbara Goldring Fern Hellard Catherine Hurley Nancy Jain Martin Johannessen Naomi Kirshenbaum Paul Kitchener Michael and Sonja Koerner Ron Krell Kathryn E. Langley Hope Jill Le Clair Nancy and Jon E. Love Daphne and Charles Maurer The Larry and Gerry Wilson Fund (a fund held within the Oakville Community Foundation) Vandewater Family Fund (a fund held within the Toronto Foundation) Williams-Wilson Sherport Foundation Public/Government The Government of Canada The Ontario Ministry of Tourism, Culture and Sport The Ontario Cultural Attractions Fund Ontario Tourism Marketing Partnership Corporation In Kind CP24 CTV Duke Pubs FASHION Magazine LOOP Media McGregor Socks Toronto Star Karim Rashid Inc Ingrid and Dan Mida Kate Mitanidis Peter and Melanie Munk Daniel O’Brien and Frank Bartoszek Paul Rowan Ekaterina Sokolova Anna Stahmer Jarmain Georgina Steinsky Pamela Stevenson Mary Symons 41 FINANCIALS #Financials EXPENSES 2014 ADMINISTRATION ACTIVITIES SALARIES INCOME 2014 EARNED REVENUE INVESTMENT REVENUE GOVERNMENT DONATIONS 43 THE ORGANIZATION #TheOrganization BATA SHOE MUSEUM STAFF Director Emanuele Lepri Head of Communications Rosmarie Gadzovski Administrator/ Admin Assistant Evette Bacay /Jane Lou New Media Manager/Membership Officer Nicole Cahill Director of Philanthropy Catherine Hurley Museum Assistant Stephanie Bernard Senior Curator Elizabeth Semmelhack Facility Rental Coordinator Victoria Pereira Curatorial Assistant Nishi Bassi Building Manager Ted Jubbs Conservator Ada Hopkins Controller Heather Young and Associates Collections Manager Suzanne Petersen Auditor Ernst and Young Head of Education and Programming Sheila Knox Education Coordinator Andrea Field Visitor Services Manager Christopher Mitanidis BOARD OF DIRECTORS OF THE BATA SHOE MUSEUM FOUNDATION Sonja Bata Margot Ritchie Christine Bata Schmidt Anna Stahmer Jarmain Marilynn Booth (beginning April 2014) Georgina Steinsky David Bowden Mary Symons Thomas Drucker Leslie Tenenbaum (Secretary) 45 #TheOrganization T H E B ATA S H O E M U S E U M CANNOT ACHIEVE ITS MANDATE WITHOUT THE SUPPORT OF ENTHUSIASTIC AND DEDICATED VO LU NTEERS W H O G IV E THOUSANDS OF HOURS EACH YE AR TO THE INSTITUTION . IN 2014, OVER 100 DOCENTS, F R O N T D E S K VO LU N T E E R S AND MUSEUM AMBASSADORS HAVE PASSIONATELY DONATED 11,500 HOURS OF THEIR TIME TO EDUCATING AND ENTERTAINING VISITORS YOUNG AND OLD. THE BATA SHOE MUSEUM IS DEEPLY THANKFUL FOR THEIR SIGNIFICANT CONTRIBUTIONS AND COMMITMENT. 47 Images © 2014 Bata Shoe Museum, Toronto, Canada. for every shoe there’s a story Bata Shoe Museum 327 Bloor St West Toronto ON Canada M5S 1W7 (416) 979-7799 www.batashoemuseum.ca