pilchuck glass school fosters and educates a worldwide community

Transcription

PILCHUCK
GLASS SCHOOL
36TH ANNUAL
AUCTION
BLACK AND
WHITE GALA
PILCHUCK GLASS SCHOOL
FOSTERS AND EDUCATES A
WORLDWIDE COMMUNITY THAT
EXPLORES THE CREATIVE USE
OF GLASS IN ART AND DESIGN.
P I LC H U C K G L A S S S C H O O L
Pilchuck is an internationally recognized school that offers an in-depth education in
glass. The school is located fifty miles north of Seattle, Washington, in the forested
foothills of the Cascade Range, overlooking Puget Sound. Each summer, Pilchuck offers a
broad spectrum of courses in the use of glass as an expressive material along with annual
residencies for emerging and established artists. Pilchuck’s programs, residencies, and
events emphasize experimentation, investigation, teamwork, and personal growth.
Students and instructors from all over the world and across the United States come to
Pilchuck. Since its founding in 1971 by Dale Chihuly, Anne Gould Hauberg, and John H.
Hauberg (1916–2002), Pilchuck has been a creative retreat where artists teach artists in
a supportive environment.
Pilchuck is open to applications from novice, aspiring, and professional artists with the
desire and commitment to learn in any of three dozen one-week to three-week courses
offered from May to September. The school also invites renowned artists who typically
work in media other than glass to expand their art through collaboration and individual
research by working with accomplished glassmakers. Fall and spring residencies provide
emerging and established artists working in glass the time and space to develop new
processes or create fresh bodies of work through individual and collaborative projects.
OCTOBER 24, 2014
Pilchuck’s outreach and special events connect our extended community of artists and
supporters. Events take place on campus, in Seattle, and throughout the United States
and abroad, showcasing the breadth and depth of contemporary art created with glass.
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EV ENI NG PROGRAM
Guest registration opens at
4:45pm 3rd floor, The Westin Seattle
Cocktail reception and
Silent Auction Bidding
opens at
5:00pm 4th floor
Live Auction Preview opens at
5:00pm 4th floor, Fifth Ave room
Totem Pole silent auction 1
closes at
6:15pm 4th floor, foyer
Buster's Tree House silent auction 2
closes at
6:30pm 4th floor, ballroom
The Lodge silent auction 3
closes at
Trojan Horse silent auction 4
closes at
Centerpiece closes after Live item 20 Live begins at
ends at
7:15pm 10:00pm
4th floor, ballroom
4th floor, ballroom
4th floor, ballroom
IAN LINDSAY
Auctioneer
Ian Lindsay is an auctioneer, actor, and acting teacher. He has been honored to
assist a wide range of non-profit organizations from around the Puget Sound
and across the country, and he is very happy to be back with Pilchuck this year.
Last year, Ian spent an amazing week on the Pilchuck campus taking his first
small steps as a glass artist in training. Ian had his Seattle International Film
Festival debut this year in Decimation, and has recently appeared at the Seattle
Children’s Theatre as well as other local theatre venues. He also serves as a
lead teacher for the Children’s Theatre’s drama school. A former member of the
Seattle Arts Commission, and board member of Seattle’s Shunpike, Ian works
to promote the fiscal health of the arts in the Puget Sound region. Ian is proud
alum of Seattle University’s Philosophy and Drama programs.
LARA WEASEA
Announcer
Lara Weasea has been working in and around the arts most of her adult life. She
graduated in Interdisciplinary Visual Arts and Art History from The University of
Washington, then pursued both a fine arts gallery position with AT.31 Gallery,
and a non-profit museum position as the Interpreter for the Museum of Glass
for many years. Her arts career has settled her into Traver Gallery, where she
is currently the General Manager. As a passionate supporter of the Seattle art
community, Lara is thrilled to assist with the Pilchuck Auction this year.
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TA BL E OF C ON T E N TS
Live Auction
Evening Program
2
Your Host
2
Fund-the-Future
4
Silent Auction
Welcome Letter
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1 – Totem Pole Items 100–13746–57
From the Auction Chair
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2 – Buster's Tree House
Items 200–22558–67
Items 1–5622–45
Emerging Artists in Residence
10
3 – The Lodge
Items 300–34768–81
John H Hauberg Fellowship
11
4 – Trojan Horse
Items 400–44582–95
2014 Pilchuck Celebrates
12–13
Donors, Sponsors, & Benefactors
14–15
Pilchuck Leadership & Staff
About the Centerpieces
18
Glossary of Glass Terms
Poleturners Union, Local 1201
19
Index of Donating Artists
About the Auction
120–125
127
128–131
20–21
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F U N D -T H E - F U T U R E
RAISE YOUR PADDLE TO SUPPORT AND
ENHANCE PILCHUCK’S FUTURE
Tonight, you have a special opportunity, through your
generosity, to support our educational programs.
Once a three-month summer workshop, today we run yearround offering courses and exhibitions on our picturesque
campus north of Seattle and now in our new space in
Pioneer Square. We work together with local schools,
galleries, museums and universities to pool resources,
develop new programs and expand residencies and
scholarships. We’re engaging new audiences including youth
advocates, critics, curators, collectors as well as leading
figures in art, design, architecture, music and science.
Pilchuck looks to the future of glass education. Our role is
to stay at the forefront of how artists are using glass and
to expose them to new ideas and ways of working. Our
students and faculty understand the world of contemporary
art, digital media and collaboration between disciplines
where artists meld techniques and ideas to make powerful
new expressions in glass. They want not only to know about
the ‘how’ of making glass but also the ‘why’.
Goals for this year include updating and modernizing
our facilities, as well as enhancing energy efficiency
and sustainability. New designs and state-of-the-art
facilities will save energy and train artists to apply our
improvements to their studios. A robust computer lab and
solid IT infrastructure can give artists the capability to
previsualize complex designs in three-dimensions. We are
continually finding ways to allow students to incorporate
digital, sound and image innovations into their work. At
Pilchuck, the future of glass is already here.
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PILCHUCK ALLOWS YOU TO DIALOG WITH A MATERIAL
THAT OTHER ARTISTS MIGHT NOT ORDINARILY DO.
GLASS IS AN EXTRAORDINARY MATERIAL AND I’D LIKE
TO SEE MORE OF IT IN THE GENERAL ART WORLD.
B E LL A F E L D M A N
Artist in Residence, 2014
YO U R C O N T R I B U T I O N H E L P S :
Expand financial aid to talented ‘diamonds in the rough’
who need the experience of a lifetime to propel them to
the next level of their creativity and career.
Refresh our facilities, taking the historic traditions of
glassmaking into the modern era, create energy efficiency
and train our students in the best methods and equipment.
Attract the most renowned artists — both traditional and
contemporary — to teach, learn, create new works and
share their knowledge.
Sustain and international community working together to
create a lifelong collaborative network of support.
Please support Pilchuck’s mission to foster and educate
a worldwide community that explores the creative use of
glass in art and design.
WELCOME FROM THE
EXECUTIVE DIRECTOR &
BOARD PRESIDENT
JAMES BAKER
Executive Director
Dear Friends,
Since its founding in 1971, Pilchuck Glass School has been
recognized as the preeminent school for the study and creation of
works of art in glass. During the past four decades, it has served
thousands of aspiring and accomplished artists from around
the globe. Today, this prestigious school remains as vibrant and
innovative as the day it opened. Its core values are as enduring as
its success: to inspire creativity in the making of art, to transform
individuals and to develop their personal lives and professional
careers, and to build a community of mutually supportive artists.
T I M OT H Y D. N O O N A N
Board President
In its thirty-sixth year, the Pilchuck Annual Auction has become
a renowned charity auction of glass works created by an
international roster of artists. The auction's success is based
on the collaboration between artists who generously donate
excellent works of art and individuals who wish to purchase these
remarkable pieces. Both contribute, the artists because they
believe in the mission of a school that has played a formative role
in their artistic and professional development, and the purchasers
because they are drawn to the beauty of the work. By making
a purchase at the auction, or by donating to Fund-the-Future,
you are helping to ensure that Pilchuck continues to strengthen
its role as the most comprehensive program in the education of
aspiring and established artists in glass.
All of us at Pilchuck Glass School offer our gratitude for the
dedication and work of so many who make this auction possible
— the hundreds of generous artists, the auction chair and
committee, the trustees, volunteers, staff . . . and you, for your
participation and generous support! We look forward to seeing
you at this very special event, celebrating our rich heritage and a
vibrant future of artistic experimentation and expression in glass.
With sincere thanks,
JAMES BAKER
T I M OT H Y D. N O O N A N
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FROM THE
2014 AUCTION CHAIR
Welcome to Pilchuck’s 36th annual auction, “Black and White Gala”.
What is it that attracts artists from all over the world to Pilchuck to
ROGER MACPHERSON
President, MacPherson
Construction & Design
2014 Auction Chair
take classes, work as artists in residence, become teaching assistants,
or simply wash dishes? Why do all different levels of artists — from
beginners to professionals — choose to come to Pilchuck to hone their
craft and expand their vision? Pilchuck is more than just a school; for
most artists, attending Pilchuck marks a significant turning point in
their lives and artistic careers. Pilchuck is a international community
that is about sharing a passion for glass, where students can learn
cutting edge concepts, alongside the most traditional glass techniques,
taught by masters of their craft.
Pilchuck stands out as having some of the most dedicated staff,
revered instructors, and comprehensive facilities and equipment
found in the field. The Pilchuck campus is not a just a school, it is
an experience that is immersed in creative energy, glass history, and
inspiring natural surroundings. I would encourage all artists and
supporters to visit campus participate in this experience — you will
feel the magic.
Once a year Pilchuck picks one day to celebrate, support, and share
artwork from Pilchuck’s international roster of artists. I would like
thank these amazing artists — both those who donated artwork and
those who volunteered — who worked to make this Gala unique. A
special thank you goes out to the team that donated their time making
our beautiful center pieces. We know that there are many institutions
are vying for your support and sincerely thank you for choosing to
donate your time, energy, and artwork to Pilchuck.
Putting on an event of this stature is no small undertaking. Our auction
team has done an amazing assembling a fantastic party to accompany
the gorgeous auction pieces that will be available for purchase. I
applaud their collective efforts and creativity.
I hope that you enjoy the gala and will raise your paddle in support
of this incredible school! This is a unique opportunity to acquire art
from some of the most important artists in the world, discover new
and emerging artists, and take home an artwork or experience that
will enrich your life for years to come. Thank you for your support and
helping to keep Pilchuck’s magic alive.
ROGER MACPHERSON
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2014 PROGRAM
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2014 EMERGING ARTISTS IN RESIDENCE
The EAiR program supports six artists who are making a transition in their
professional lives. Whether moving from academia to a professional studio
practice, taking up a new medium, or beginning a new body of work, artists
find this independent residency ideal for contemplation, research, and
experimentation. Residents have access to Pilchuck studios for kiln forming,
flameworking, printmaking, coldworking, and wood and metal working.
Apply online by January 7, 2015.
SARAH BRILAND
I R E N A C Z E P C O VA
D AV I D K I N G
Y U K A OTA N I
M AT T H E W P E R E Z
ANNE PETTERS
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2014 JOHN H. HAUBERG FELLOWSHIP
Named for Pilchuck co-founder John H. Hauberg (1916–2002) — philanthropist,
art collector, and important patron of artists — the fellowship was established
to encourage collaboration among a group of outstanding artists. Groups of up to
six members are invited to utilize the Pilchuck studios and campus environment
for research and development of artwork based on a common theme or a
collaborative project. Fellows have access to Pilchuck’s Mold & Kiln Shop, Cold
Shop, Print Shop, and Wood & Metals Shop. Apply online by October 29, 2014.
ROBIN CASS
AMIE McNEEL
RACHEL MOORE
J A C K I E PA N C A R I
KAIT RHOADS
NORWOOD VIVIANO
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2 0 1 4 P I L C H U C K C E L E B R AT E S
CELEBRATING FRED TSCHIDA
2014 Libenský | Brychtová Award Recipient
Pilchuck Celebrates continues the school’s long-standing
tradition of recognizing extraordinary contributions to the
field of contemporary glass by honoring Fred Tschida as
the 16th recipient of the Libenský | Brychtová Award.
In 1970, Fred began his exploration in glass with Eriks
Rudans at St. Cloud State University in Minnesota.
While at St. Cloud, he interned with Dale Chihuly at the
Rhode Island School of Design where Dale taught him
to work with neon. As a MFA candidate at the University
of Minnesota he built the school’s first neon studio. He
graduated in 1977 and, since that time, his work has been
nationally exhibited and is represented in major public
and private collections. In 1985, Fred was invited by Dale
Chihuly to teach at Pilchuck and establish the school’s
neon shop. Along with Deborah Dohne, Fred designed and
built a permanent luminous tube fabrication facility in the
flat shop. Fred has returned to Pilchuck a dozen times as
an artist in residence and instructor.
Today, Fred is acclaimed as a leading pioneer of neon
as an expressive medium — propelling it through
experimentation and creating important artistic
innovations. As Professor of Glass Design and Director of
the Museum of Luminous Phenomena at Alfred University
in New York, he is widely acknowledged as an influential
educator. As a leader in Alfred’s renowned glass program
and through numerous national workshops and symposia,
Fred has inspired new generations of glass artists.
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E X C E R P TS F R O M T H E A LV O R D S ’
A C C E P TA N C E R E M A R K S
“Tonight, we are all here to celebrate 43 years
of the Pilchuck Glass School. Its founders —
John Hauberg, Anne Gould Hauberg and
Dale Chihuly — had a vision, a vision of what
Seattle and the Northwest could become.
Perhaps that vision started one hundred years
ago when Nellie Cornish opened a small music
school that is now Cornish College of the Arts.
What that ‘Founding Generation’ saw was a
community of symphony halls, opera and ballet
performance halls, theaters, museums, parks,
musicians, actors, dancers, singers, writers,
painters, sculptors and, yes, glass blowers. They
saw Seattle as a center for art and culture and
they understood that art and culture are part of
the foundation of a civil society.
CELEBRATING CHAP AND EVE ALVORD
2014 Pilchuck Patrons of the Arts Award Recipients
The Pilchuck Patrons of the Arts Award recognizes
individuals who have made a significant impact on the
arts communities in Seattle and/or the U.S. and the world,
and whose leadership and service have made a lasting
difference to our quality of life.
Chap and Eve Alvord have demonstrated an unwavering
commitment and profound influence on the development
and growth of Seattle as a cultural center. The Alvord
family’s thoughtful, visionary, and energetic philanthropic
work has been remarkable for its breadth and depth. Chap
has held trusteeships with Pilchuck Glass School, Bush
School, Seattle Repertory Theater, PONCHO, and University
of Puget Sound. Eve has also served many organizations
as a trustee including Seattle Children’s Theatre, Cornish
College of the Arts, Seattle Art Museum, Seattle Symphony,
and the Northwest African American Museum. Together
they have not only served as advocates for the arts, they
have directly supported artists. Their private collection
includes works by Ginny Ruffner, Dale Chihuly, Lino
Tagliapietra, Toots Zynsky, and Richard Royal.
Who could have dreamed, 43 years ago, that a
group of young artists in the rain soaked woods
of the Hauberg’s tree farm would start blowing
bubbles in molten glass and that with the help
of people like Lino Tagliapietra — himself a
visionary — Pilchuck would eventually train so
many world-class artists? Every time I watch
you work I am blown away. You start with molten
glass and through a myriad of almost magical
techniques you transform it into magnificent
works of art.
Sadly, many of those ‘founding visionaries’ are
passing away. But all of us are the beneficiaries
of their vision. Their legacy is on our hands. We
have an obligation to them. You, as artists, must
continue to strive for perfection in your art form.
The rest of us, as supporters, must continue to
ensure that future generations understand the
importance of their vision.
Eve and I are thrilled and honored to receive this
Pilchuck Patrons Award. We thank you all for
enriching our lives with the beauty of your art
and your friendship.
Thank you.”
Through recognizing them with this award, we wish to
show our deep gratitude to Chap and Eve for all that they
have accomplished and continue to contribute through
their leadership and support to Pilchuck and to the greater
Seattle community.
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H E A R T F E LT G R A T I T U D E
AUCTI ON COMMIT TEE
Roger MacPherson, Auction Chair
Ellen Bakke
Cassandria Blackmore
Linda Bonica
Daymon Bruck
Leigh Canlis
Anne Cohen-Ruderman
Deb Gross
John Gross
Jessica Kramer Havens
Allison Kramer
Ian Lindsay
Nancy MacPherson
Stephanie Page
AUCTI ON JURY
C E NT E R P IEC E JU RY
Jo-Anne Birnie Danzker
Sarah Traver
David Schnuckel
Ben Cobb
Jen Elek
Ethan Stern
Ryan Matthew Porter
Dana Reid
Barbara Wortley
Cheryl Zahniser
Lisa Zerkowitz
AUCT I ON TEA M LEA D E R S
Chris Black, Centerpiece Closers
Laura Bowker, Pick Up Room
Carolyn Brugge, Glass Handlers
Frank Chinn, Volunteer Room
Diana Everist Cox, Registration
Lori Gregory, Benefactor Registration
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Edward Hazen, Packing Room
Florence Helliesen, Pilchuck
on Display
Sue Holbink, Packing Room
Stew Law, Bid Spotters
Joy Smith, Bid Runners
Sarah Terry, Silent Closers
Tracy Vaughn, Greeters and
Photo Crew
Susan Welch, Table Prep
AUCTION SPONSOR S
Davis Wright Tremaine LLP
Gaffer Glass USA
Imagine Color Services
KP Corporation
MacPherson Construction & Design
Chateau Ste. Michelle
Studio Matthews
The Westin Seattle
ARTISTS’ TA BLE S P ONSOR S
C OR P OR AT E TAB L E S PO N S O R
Chihuly Garden and Glass
Deb and John Gross
Steven and Babette Pinsky
Schantz Gallery
Joan Stonecipher
Traver Gallery
Long Shadows Vintners / Allen Shoup
Wells Fargo Private Bank
Windermere Real Estate /
Randy and Marla Heagle
GOLD BENEFACTOR S
Chap and Eve Alvord
Rebecca Benaroya
Steve Funk
Leonard and Norma Klorfine
Timothy D. Noonan
S I LV E R B E N E FACTO R S
John and Joyce Price
Dorothy Saxe
Sue and Martin Solomon
Amy Stonecipher
Patty and Jimmy Barrier
Anthony F. Cole
Patricia Edwards
Gail Neuburg
Christina Rifkin
Susanne Gee and
George Mastrodonato
Judy and Stuart Heller
Jon and Judith Liebman
Barry Morse and Candice Connell
Christina Orr-Cahall
Steven Pinsky
Ryan Matthew Porter
Dana Reid and Larry Hitchon
Zoe Schulman
Richard and Barbara Wortley
COPPER BENEFACTOR S
Jeffrey Atkin
David Austin and Cia Pierpont
Ellen Bakke
Chuck Cannon
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ABOUT THE CENTERPIECES
2014 CENTERPIECE PROJECT
Pilchuck Glass School is honored to recognize
Scott Benefield as the 36th Annual Auction
centerpiece designer.
Scott Benefield is an artist, writer and educator who
makes his home outside of Belfast, Northern Ireland.
Benefield is a past president of the Board of Directors of
the Glass Art Society (GAS) and currently serves on their
Advisory Committee. He was awarded that organization’s
Lifetime Membership Award in 2010. He has been a
fellow at the Center for Creative Glass Center of America
and the International Institute of Cane Technology (IICT),
and has been an artist-in-residence at North Lands
Creative Glass, the Corning Museum of Glass and the
Tacoma Museum of Glass. He was the recipient of a
Queen Elizabeth Scholarship Trust grant in 2013.
His involvement with Pilchuck Glass School goes back to
1986, when he first arrived on campus as a scholarship
student. He has returned many times since then as a
member of the summer staff in various capacities and
as a teaching assistant. He has been teaching classes
at Pilchuck since 2005. Benefield continues to lead
workshops in the innovative use of traditional cane
techniques around the US, Canada, Europe, China
and Japan.
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AB O UT T HE C E N T E R PI EC ES
“Working on the centerpieces with the Poleturners was
a distillation of the Pilchuck experience,” he said. “It was
educational, productive and positive, with everybody
putting their energy towards a common goal.” The austerity
of the centerpiece design, with its restrained palette and
repetition of simple forms, is meant to enhance rather
than dominate the setting. The cylinders become a flexible
cluster of patterned lanterns that can be re-arranged at
will, adapting to a wide variety of circumstances.
PR O D U CT I O N T E AM
Centerpiece Designer: Scott Benefield
Designer’s Assistant: David Herring
Project Manager: Randy Walker
Assistant Project Manager: K. Leah Duperreault
Coldworkers: Shane Caryl and Niels Cosman
Gaffers: David Benyosef and Tyler Kimball
POLETURNERS UNION, LOCAL 1201
Wyatt Amend
Josefin Andersson
Devin Bannister
Jason Bauer
Christina Bullard
Cailey Buye
Alexandra Cannon
Rachel Escoe
Kevin Fletcher
Merv Frye
Amanda Gundy
Steven Hagan
KT Hancock
Chris Harman
Jamie Katz
Leah Kudel
Ira Lujan
Kevin Platt
Aaron Quigley
Ryan Rodamer
Ian Schmidt
Allison Siegel
Chris Stenzel
Austin Stern
Joe Tsoulfas
Paul van den Bijgaart
Each spring, a group of volunteer glassblowers from around the world gathers on Pilchuck’s campus to carry out
the vision of the centerpiece designer. This team is fondly known as the Poleturners Union, Local 1201.
Thank you, 2014 Poleturners and production team.
T H A N K YO U
Special thanks to Gaffer Glass
USA for the generous donation of
color used to produce the 2014
Centerpieces and Benefactor gifts.
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HOW THE AUCTION WORKS
THANK YOU FOR SUPPORTING PILCHUCK GLASS SCHOOL
GET T I NG STA RTED
Pre-register your phone at
pilchuck.com/events/auction_gala.aspx.
OR
Register your phone on the night of the auction
with one of the GiveSmart staff members (in red
shirts). Look for your “Welcome” text message
from GiveSmart.
HOW TO BID
Using your smartphone, access your personal
bidding page by clicking on the link in your Welcome
text message.
Search for an auction piece by item number, name
of artist, or category and place a bid.
Tap on My Bids to see which items you’re winning
and losing.
B I D BY TEXT
Access your Welcome text from GiveSmart.
Click Reply in your Welcome text. To view the current
high bid, enter the item number, then press Send.
Example: Enter “102,” then press Send.
To place a bid, enter the item number and bid amount,
then press Send.
Example: Enter “102 300” to bid $300 on item number
102, then press Send.
To enter a maximum bid, enter the item number
and your highest bid amount. GiveSmart will
automatically bid for you up to your maximum.
DI R ECT D ONATIONS
Click the Donate tab on the GiveSmart homepage
OR
Text Give, enter the amount, then press Send
Example: Text “Give 100,” then press Send.
TI P S
Watch for outbid notifications and enter higher bid
amounts when you are outbid.
There are no guaranteed bids with electronic bidding.
A minimum bid has been established for each silent
auction item. You may not bid below this amount.
If you do not have a mobile device, concierge bidders
can bid for you. Look for GiveSmart staff members
(in red shirts) on the night of the auction for technical
assistance and Concierge GiveSmart bidding.
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B I D CAR D S AN D B I D D I N G N U M B E R S
You will receive your bid number and table number at
registration on auction night. Bid cards will already be at
your table for use during the live auction dinner. All sales
are recorded and tracked using your assigned bid number.
If you registered with a guest, you and your guest will share
the same bidder number unless otherwise requested.
S I L E N T AUCT I O N
All silent auction bidding will be done via electronic
bidding, powered by GIveSmart. The four silent sections
and centerpiece sale open one week before the auction
gala on October 18, 2014 at 5:00 pm. These sections will
remain open until the evening of the gala on October 24,
2014. Silent sections close at staggered times throughout
the auction gala event (see page 2 in the catalog and the
evening program for silent auction closing times).
Each item offered in the silent auction is available for
bidding using a smartphone or cell phone. Concierge
GiveSmart bidders are available to assist with bidding on
the night of the auction gala event. If you are the highest
bidder on a silent item at the close of the silent section,
your bid constitutes a legal contract to purchase the
item. Collect your purchase through the regular checkout
process at the end of the live auction.
After the silent auction closes, any unsold items will
be moved to the purple section of the silent auction for
continued bidding.
In the event of a dispute over a silent auction bid, oral
bids may be taken at the discretion of the auctioneer —
but only from those who have already placed bids. The
auctioneer will determine the winning bid and the
decision will be final.
R E M OT E B I D D E R S AN D PR OX Y B I D D E R S
If you are set up with electronic bidding through
GiveSmart to participate in the silent auction (and not
present at the event) you are a remote bidder. If you
are set up though Pilchuck’s administrative team
([email protected]) to bid in the live auction
(and not present at the event) you will be assigned a proxy
bidder. Willing bidders participating in the silent or live
auctions remotely will be charged a 10% buyers premium
on the sales price of the item.
FUND -THE- F UTUR E
Fund-the-Future is an opportunity to support Pilchuck
with a monetary gift. This portion of the evening will take
place during the Live Auction (after item number 34).
The auctioneer will invite you to hold up your card to
pledge $100, $250, $500, $1,000, $5,000, $10,000, $15,000,
$25,000, or $50,000 toward this cause. Hold your card in
the air until your bidder number is read aloud. Pay for your
pledge along with your other auction purchases. You may
hold up your auction bid card multiple times to pledge
more than one amount.
L I V E AUCTION
To bid in the live auction, hold your bid card up high with
the number facing toward the auctioneer. Either the
auctioneer or a bid spotter can accept your bid. The
auctioneer reserves the right to reject any bid that is
merely a fractional advance over the previous bid. The
highest bid acknowledged by the auctioneer is deemed a
legal contract with that bidder to purchase the item.
You may preview live auction items in the 5th Avenue Room
of The Westin Seattle from 6–8 pm, October 23, 2014 and
from 5pm, October 24, 2013 until the start of the live auction.
The preview period ends once the live auction begins.
CHECKOUT
Cash, personal checks, and Visa, MasterCard, and
American Express credit cards are accepted as payment
for purchases.
All purchases are final. Purchased items must be paid for
and removed from the premises by the end of the auction
gala event. Items that are not removed or are left in the
care of the UPS shipper will be shipped to the purchaser at
the purchaser’s expense. There are no exchanges or refunds.
SALES TA X A ND TA X DE DU CT IBILIT Y
No sales tax is charged on purchases as all items have
been donated to Pilchuck Glass School. Pilchuck Glass
School is a registered 501(c)(3) charitable organization. If
the price you pay for a piece exceeds its fair market value
as stated in the auction catalog, the excess portion of the
price may be tax deductible as a charitable contribution.
Please consult with your tax advisor for details.
S HI PPI N G
For your convenience, Pilchuck has arranged for the
services of UPS to be available the night of the auction.
The UPS Store shippers will pack your purchases in a
second box and ship items at standard UPS rates, plus
a fee for packing materials and labor. You will have the
option to purchase insurance for your artwork, which is
highly recommended. A UPS Store representative will be
available during the auction, and you will be able to sign up
for shipment of your purchases at anytime before or during
the event.
Pilchuck Glass School will not ship your auction purchases.
If possible, please take all of your purchases home with
you. This ensures safe transport for your delicate glass
items. Pilchuck volunteers will pack your purchases for you
to take home at no extra charge.
Once you have made arrangements with the UPS Store,
Pilchuck Glass School is not responsible for your artwork
and cannot, by shipping company regulations, intervene
on your behalf with the shipper or carrier. You must resolve
any concerns regarding artwork lost or damaged during
shipping by contacting the UPS Store directly.
Items left at the auction without shipping instructions
will be shipped to the purchaser by Pilchuck at the
purchaser’s expense.
G E N E R AL R U L ES AN D I N FO R M AT I O N
Pilchuck Glass School reserves the right to add or
withdraw auction items without notice. Pilchuck has
attempted to describe and catalog all items accurately, but
all items are offered “as is.” Pilchuck neither warrants nor
represents, and in no event shall be responsible for, the
correctness of the descriptions, genuineness, authorship,
provenance, or condition of the items. No statement made
in this catalog, orally at the auction, or elsewhere shall be
deemed such a warranty, representation, or assumption
of liability. The values listed are estimates of fair market
value. Items have not been appraised.
Each person (bidder) issued a bid number assumes
all risks and hazards related to the auction and items
obtained at the auction. Each bidder agrees to hold
harmless from any liability arising therefrom Pilchuck
Glass School, its elected and appointed officials, members
and employees, the auctioneer, the auction company
and its agents and employees, and the event organizers,
sponsors, and/or volunteers connected with the auction.
All items purchased become the property of the successful
bidder once that bidder is acknowledged by the auctioneer
and has completed the checkout process.
We hope you have an enjoyable evening, thank you for
supporting Pilchuck Glass School.
21
22
LIVE AUCTION
begins at
7:15pm
23
1
HEIKE BRACHLOW
$1,900
Synthesis XXVII
4 x 3½ x 9 in
Signed, 2014
Cast glass
Born and raised in Munich, Germany, Heike Brachlow received her BA in 2004
from the University of Wolverhampton and her MA in 2006 and PhD in 2012
from the Royal College of Art in London. She works primarily as a self-employed
artist from her studio at Parndon Mill and as an educator, teaching glass
in London and at various summer schools. Brachlow’s often precariously
balanced sculptures aim to physically engage: the viewer becomes toucher —
invited by words or form, boldly or guiltily. Her work reflects her attraction to
movement and transformation, in both color and form.
H EIKE . BRACHLOW@NETWO RK . RCA . AC.UKHEIKEBRACH LOW.CO M
BULLSEY EG A LLERY.CO M
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P HOTO : ESTER SEG A RRA
MORGAN MADISON
$1,650
Impression #2
28 x 15 in
Signed, 2011
Kiln-formed and coldworked glass wall panel
Morgan Madison is an artist based in the Pacific Northwest. He grew up in
Denver, Colorado, the second of three brothers, and found his niche in art
early on. Drawing was his first love, and it led him to Lewis and Clark College
in Portland, Oregon, where he received a BA in studio art. A fateful job in a
glass factory after graduation led to his interest in glass as a medium. Today
Madison creates work informed by his love of drawing and inspired by place
— the colors, textures, design, and landscape that help define the places we
live. His work is regularly exhibited in art fairs throughout the country including
those held by the American Crafts Council and Bellevue Arts Museum and is
represented in numerous private collections.
MO RG A N@MO RG A NVA NMA DISO N.CO MMO RG A NVA NMA DISO N.CO M
P HOTO : P ROVIDED BY A RTIST
3
CAPPY THOMPSON $ 4,000
Pale Blue Pilgrim with Peacock
7½ x 3½ x 7 in
Signed, 2014
Diamond- and stone-wheel-engraved glass
Cappy Thompson is an internationally acclaimed Seattle artist known for
mythopoetic narratives in vitreous enamels on glass. Her work is included in
museum, corporate, and private collections worldwide. Thompson’s public
commissions include a curtain wall at Seattle-Tacoma International Airport
and a mural at the Museum of Glass, Tacoma. She has been recognized
with fellowships from the National Endowment for the Arts and Artist Trust
as well as Pilchuck Glass School’s Libenský | Brychtová Award for creative
contributions in glass. Thompson has taught extensively and served on the
boards of the Bellevue Arts Museum and the Glass Art Society. She is currently
a member of Pilchuck’s Artistic Program Advisory Committee.
CA P PY @CA P PY TH O MP SO N.CO M CA P PY THO MP SO N.CO M
INFO @TRAVERG A LLERY.CO MTRAVERG A LLERY.CO M
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4
JEN ELEK AND JEREMY BERT
$2,400
I Love U
62 x 5½ x 50 in
Signed, 2014
Portable channel letters, rechargeable lithium batteries,
LED lights
Jen Elek creates landscapes of glass by combining color, form, multiple
components, and innovative processes. She earned a BFA from the School of Art
and Design at Alfred University in 1994. She has worked as a glassblower, metal
fabricator, and educator and has been a member of Lino Tagliapietra’s team
since 2001. Elek has been an instructor at Pilchuck Glass School and teaches
glassblowing workshops throughout the world. Jeremy Bert works primarily
with neon and found objects. He has taught two classes on neon light and found
object sculpture at Pilchuck. Look! See? The Colors & Letters of Jeremy Bert and
Jen Elek is currently a popular exhibition at the Museum of Glass, Tacoma, until
January 2015. Elek and Bert work out of their shared studio in South Seattle.
JENELEKG LASS@G MA IL .CO M
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JENELEK .CO M
JENNIFER UMPHRESS
$ 5,000
Love Me Not
10 x 7 x 9½ in
Unsigned, 2014
Lost-wax-cast glass with flameworked components
Jennifer Umphress’s work often draws inspiration from her environment. Born
and raised in California, she began working with glass in 2000 while living in
Hawaii. She now lives and works in Kingston, Washington, where the Pacific
Ocean continues to influence her work. Umphress studied with Cesare Toffolo
during a month-long apprenticeship at MuraUnsigned, Italy, and has taken
workshops with Robert Mickelsen and Janis Miltenberger. Her work has been
shown nationally and Internationally.
JENUMP [email protected] M
JENNIFERUMP H RESS.CO M
PILCHUCK WOULD LIKE TO THANK ALL OF THE
CONTRIBUTING ARTISTS AND VOLUNTEERS.
LIVE AUCTION
25
6
RIK & SHELLEY EXPERIENCE
$10,000
Libations and Creation
Enjoy libations at Rik and Shelley’s studio and take home a unique
collaborative piece that the artists will make in your company. Winner can
invite 6 of their friends to attend.
Inspired by a life-long fascination with science, technology, and astronautic
theory, Rik Allen’s spacecraft and cosmonauts combine blown glass and silver
with a rich patina that reflects a sense of an anachronistic future. In 1995, Allen
came to the Northwest to work at Pilchuck Glass School, and also become a
member of the William Morris sculpture team, specializing in engraving, cutting,
and finishing glass sculpture for 12 years. His work is held in many private
and public collections, and was most recently featured in a solo exhibition
at the Museum of Northwest Art. His work has been featured and reviewed
in American Craft Magazine, American Art Collector, Glass Art Magazine, and
Launch Magazine.
The hot shop’s allure instantly captivated Shelley Muzylowski Allen in her
first encounter with hot glass at Pilchuck Glass School. Muzylowski Allen has
been awarded Provincial and Canada Council grants and her work is held in
collections around the world. She has had a solo exhibition, Modern Menagerie,
at the Museum of Northwest Art, and recent solo exhibitions at the Blue Rain
Gallery. Muzylowski Allen is currently exhibiting at Habatat Galleries, MI, and
also exhibits at Traver Gallery, and Thomas Riley Galleries. In 2012, she was
a guest artist at Studio Salvadore in Murano where she collaborated with
Davide Salvadore on a series of large-scale sculptures based on an idea
inspired at Pilchuck.
• Take home a collaborative piece created specially for this event
(shipping/mounting not included)
• Private studio viewing
• Wine, beer, and northwest appetizers
MUZY LOWSKI.CO M
7
SUSAN STINSMUEHLEN-AMEND
$ 4,400
Pastoral Kuklos
33 x 3 x 29 in
Signed, 2011
Kiln-fired paint on glass, wood support
Susan Stinsmuehlen-Amend is a Pilchuck Glass School board member and
was the first woman president of the Glass Art Society. Her work is held in
many private collections and public institutions, including the Corning Museum
of Glass, Detroit Institute of Arts, the Los Angeles County Museum of Art, the
Museum of Arts and Design, New York, and the Oakland Museum of California.
She has been awarded two National Endowment for the Arts Fellowships, two
Pilchuck Glass School Hauberg Fellowships, a Museum of Glass residency,
the 2007 Libenský | Brychtová Award, and a Glass Art Society honorary
lifetime membership.
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SUSA NA MEND@P O BOX .CO M
A LLISO N@TRAVERG A LLERY.CO M
TRAVERG A LLERY.CO M
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LAURA DONEFER AND JEFF MACK
$ 6,000
Classico Moderno
13 x 6 x 20½ in
Unsigned, 2013
Blown glass with added texture
Laura Donefer has been using glass as her primary medium for more than thirty
years, often in combination with diverse materials. Known for her colorful glass
baskets, she also explores ideas concerning memory, assault, bereavement,
joy, and madness. Every few years, Donefer organizes the Glass Fashion Show,
a fantastical spectacle for the international glass community. Jeff Mack is an
artist, teacher, and manager of the Toledo Museum of Art's glass program. A
graduate of the Bowling Green State University School of Art, he has worked
in glass in various contexts for more than twenty years, producing objects for
artists and designers, managing teams, and demonstrating, teaching, and
exhibiting his work internationally.
L AURA DO N@KO S.NET
LAURA DO NEFER.CO M
P H OTO : LESLEY PATRO N
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FRITZ DREISBACH $ 6,900
Dichroic Neodymium Cypress Trunk w/
Polychrome Filigree
11 x 9 x 18 in
Signed, 1991–2014
Glass
Fritz Dreisbach is an independent artist who teaches and makes glass at Island
Glass Studio on Whidbey Island, Washington, and is celebrating more than fifty
years of working with blown glass. Known as the “Johnny Appleseed of Glass,”
Dreisbach has offered hundreds of workshops and lectures at more than 180
institutions in Asia, Europe, and North America. He is currently working on
carved glass objects and cameo glass in addition to his Mongos, playful goblets,
and “tricks and toys.” Dreisbach’s glass is represented in numerous collections,
including those of the Corning Museum of Glass, Hsinchu Cultural Center
in Taiwan, the Secondary School of Glassmaking in Kamenický Šenov, the
Smithsonian American Art Museum, and the Toledo Museum of Art.
10
ROB STERN $10,000
Windstar
18 x 16 x 18 in
Signed, 2014
Mold-blown and fabricated glass
Rob Stern has a performing arts background and received an MFA from the
University of Miami in 2003. In that year, he established Rob Stern Art Glass in
Miami, which executes large-scale architectural projects and original sculpture
worldwide. He has attended Pilchuck Glass School for twenty-five consecutive
summers and has frequently taught and has served as gaffer there. Stern
designed the 2012 Pilchuck Annual Auction centerpieces. He has worked
with many artists throughout the world and continues to teach at numerous
institutions in the United States and abroad.
RASG LASS@AO L .CO M
LIVE AUCTION
RO BSTERNA RTG LASS.CO M
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11
JANUSZ POŹNIAK
$12,000
Sanctuary
14 x 14 x 14 in
Signed, 2012
Blown glass
Janusz Poźniak has been blowing glass and exhibiting his work for more than
twenty-eight years, participating in numerous exhibitions in the United States
and in England. Since 1986 he has been intensively engaged in pedagogical
activities, teaching throughout the United States, including the Rhode Island
School of Design, Tyler School of Art, Alfred University, PGC Pittsburgh, Pilchuck
Glass School, the Corning studio as well as in Scotland, Japan, Australia and
Turkey. He has collaborated and worked with many outstanding glassmakers,
including Dale Chihuly, Charlie Parriot, Lino Tagliapietra, Ruth King, Dante Marioni,
among others. His works are characterized by a high degree of technical difficulty
and a perfect execution based on an excellent knowledge of Venetian techniques.
JA NUSZP OZNIA K@G MA IL .CO M
12
MORGAN PETERSON AND ALEXANDRA CANNON
$ 6,500
Black O and White Lines
20 x 4½ x 4½ in
Signed, 2014
Blown glass, filigrano con spirale, sandcarving
Morgan Peterson graduated from Massachusetts College of Art and Design in
2006 with a dual BFA. In 2007, she relocated to Seattle and became involved
with Pratt Fine Arts Center and Pilchuck Glass School, where she has worked
on staff and as a poleturner and teaching assistant. She works at the Museum
of Glass, Tacoma. Alix Cannon gained her entry into the amazing world of
glassblowing through her work at UrbanGlass. She has since moved to Seattle
and immersed herself in glass art, dedicating her time to discovering and
investigating the techniques, styles, and processes that make glass unique
and limitless. Peterson and Cannon work for many notable artists around the
Seattle area, including Nancy Callan and James Mongrain.
MO RG A NP ETERSO N83@G MA IL .CO M
A L IX . A .CA NNO N@G MA IL .CO M
P HOTO : RUSSELL JO H NSO N
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TOM ROWNEY
$ 5,400
Untitled
7 x 7 x 32½ in
Signed, 2013
Blown glass
Tom Rowney began his glassmaking career as a trainee with glass artist Nick
Mount at the Budgeree Glass Factory in Australia. Following graduation from
the Australian National University, Canberra, in 1996, he worked for many
fellow glassmakers, including Ben Edols and Kathy Elliot. Rowney has become
renowned as one of Australia’s foremost glassblowers, and his great passion is
creating contemporary glass forms with precision and accuracy. He continues
to be sought for both his teaching and his glassblowing skills by glass studios
and artists in Australia and overseas. Rowney exhibits his personal art both
nationally and internationally.
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14
ETHAN STERN
$7,000
Solaris
15 x 4 x 15 in
Signed, 2013
Blown and wheel cut glass
Ethan Stern was born in Ithaca, New York, and currently lives in Seattle. He
earned his associate’s degree in ceramics at TAFE College in Brisbane, Australia,
and his BFA in sculpture and glass from Alfred University. Stern’s work is widely
exhibited and is currently featured in the collections of Glasmuseet Ebeltoft in
Denmark, the Museum of American Glass in New Jersey, and the Palm Springs
Art Museum in California. He has taught sculpture in glass at Penland School
of Crafts, Pilchuck Glass School, the Pittsburgh Glass Center, Pratt Fine Arts
Center, and the University of Washington.
ESTERN54@G MA IL .CO M ETH A NSTERN.CO M
INFO @TRAVERG A LLERY.CO M
15
KAREN WILLENBRINK-JOHNSEN $ 8,500
Vulturine Guineafowl
14 x 8 x 22 in
Signed, 2014
Fused-powder drawings, sculpted hot glass
A testimony to her love of nature, Karen Willenbrink-Johnsen’s work is the
result of countless hours of observation and decades of immersion in the
glassworking experience. Along with her husband and collaborator, Jasen
Johnsen, she works in their hot-glass studio in Bow, Washington and shows her
work in exhibitions and through galleries in this country and abroad. When they
are not making glass, the two conduct sculpting workshops worldwide.
KA REN@WILLENBRINKJO HNSEN.CO M
WWW.WILLENBRINKJO HNSEN.CO M
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ANNA SKIBSKA $ 4,000
Soft/Green
20 x 8 x 11 in
Signed, 2014
Glass, Anna Skibska Technique
Anna Skibska studied in the Department of Painting at the Academy of
Art in Wrocław, Poland. She received her diploma in 1984 and the lifetime
achievement Honeycomb Award in Poland in 2014. Skibska's work has been
presented at the Museum of Glass, Tacoma and the Dahl Arts Center in
Rapid City, North Dakota.
A NNASKIBSKA@A NNASKIBSKA .CO M
LIVE AUCTION
A NASKIBSKA .CO M
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17
AMBER COWAN AND LAURA DONEFER $ 4,000
Pilchuck Collaboration
11½ x 8 x 6 in
Signed, 2014
Blown glass with cane drawings, hot assembled
flameworked additions
Amber Cowan revitalizes found glass objects and factory remnants by
transforming them into sculptures that pay homage to glass and history. In
2012, she was awarded the Stephen Procter Fellowship by the Australian
National University, Canberra. Cowan currently has a solo exhibition at the
Museum of Craft and Design in San Francisco. She is a faculty member at Tyler
School of Art. Laura Donefer has been using glass as her primary medium for
more than thirty years, often in combination with diverse materials. Known
for her colorful glass baskets, she also pushes boundaries with work that
explores ideas concerning memory, assault, bereavement, joy, and madness.
Periodically Donefer organizes a Glass Fashion Show, always a spectacle for
the international glass community.
18
WALT LIEBERMAN AND DICK WEISS “WD40X”
$ 5,500
Amorita
16 x 23 in
Signed, 1995
Fired enamels on glass
Walter Lieberman is an internationally known glass painter. He has taught at
Haystack Mountain School of Crafts, Penland School of Crafts, Pilchuck Glass
School, and Pratt Fine Arts Center. His work is in the collections of the Corning
Museum of Glass; the Museum of Glass, Tacoma; Glasmuseum Frauenau; and
the Musée des Beaux-Arts de Montréal. He currently lives and works in Seattle
and lectures on the history of glass at the Museum of Glass, Tacoma. Dick Weiss
received his BA from Yale University. He has been selected for two National
Endowment for the Arts craftsman grants, two Hauberg fellowships, and has been
an artist in residence at Pilchuck Glass School. Weiss’s work is in the collections
of the Corning Museum of Glass and the Victoria and Albert Museum in London.
WA LTL@CO P P ER. NET
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MEDIA . MIT. EDU/ ~L IEBER/ WA LT/
STEVE KLEIN
$7,800
Balance 75
19 x 19 x 8 in
Signed, 2007
Kiln-formed and blown glass
Steve Klein lives and works in La Conner, Washington. He uses shape, color,
line, texture, and the matchless reflection of light that only glass can provide
in creating a wide variety of imagery in his work. In his recent work, he seeks
to explore what he describes as the fragile state of relationship and balance
and to interpret personal visions that make him pause and appreciate what he
is experiencing. Klein’s work is in the permanent collections of the Museum of
Glass, Tacoma; the Museum of Art and Design, New York; the National Museum
of Scotland, Edinburgh; and the Eretz Israel Museum, Tel Aviv.
DKSK@EA RTH LINK .NETCH RISMCNELLY @BULLSEY EG A LLERY.CO M
BULLSEY EG A LLERY.CO M
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P H OTO : JASO N VA NFLEET
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NANCY BLAIR AND RICK BARTOW
$ 8,000
Healing Basket — Love
15 x 15 x 22 in
Unsigned, 2012
Blown glass
Nancy Blair has exhibited her art both internationally and nationally, and has
been commissioned by the Museum of Fine Arts, Boston, The Franklin Mint,
and The Women’s National Education Association. Her goddess sculpture
was selected for inclusion in Oliver Stone’s movie, The Doors and is a widely
published author. Rick Bartow was born in Newport, Oregon, in 1946. He is a
member of the Wiyot Tribe of Northern California. His work has been featured
in many solo and group exhibitions nationally and internationally. Recent career
highlights include completion of We Were Always Here, a twenty-seven-foot
sculpture commissioned by the National Museum of the American Indian, on
the National Mall in Washington, D.C.
NBL A IR 652@EA RTHLINK .NET
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RAVEN SKYRIVER $ 9,300
Australis
31 x 9 x 19 in
Signed, 2014
Blown, sculpted glass
Raven Skyriver is from Lopez Island and started blowing glass at the age
of sixteen, learning from Lark Dalton, who also taught him how to build
equipment. In 2003, he joined the William Morris team at Karen WillenbrinkJohnsen’s request. Skyriver worked on the team until Morris retired in 2007 and,
galvanized by his experience, decided to pursue glass sculpting as a profession.
His depiction of marine life is inspired by his island upbringing and informed
by the creatures that inhabit this fragile ecosystem. He lives in Stanwood,
produces his work in Seattle, and shows his work internationally.
RAVENSKY RIVER@HOTMA IL .CO MRAVENSKY RIVER.CO M
A RT@STO ININGTO NG A LLERY.CO MSTO NINGTO NG A LLERY.CO M
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DANTE MARIONI $14,000
Purple Leaf
12 x 3 x 25¾ in
Signed, 2014
Blown glass
Dante Marioni comes from a family of artists and has been blowing glass
since he was fifteen. His flawlessly executed blown glass forms are intensely
individual and instantly recognizable, combining a deep reverence for
glassmaking tradition with a masterful, and distinctly modern, sense of
design. Marioni has participated at Pilchuck Glass School each summer since
1983 and currently serves on the school’s board of trustees. He has received
international recognition for his work including the Louis Comfort Tiffany
Foundation Award. Marioni’s work is held in the National Museum of Modern
Art in Tokyo, the Los Angeles County Museum of Art, the Victoria and Albert
Museum, and the White House Collection of American Crafts.
WWW.DA NTEMA RIO NI.CO M
LIVE AUCTION
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23
HIROSHI YAMANO
$25,000
Fish Hanger #111
12 x 17 x 52 in
Signed, 2006
Blown and sculpted glass with silver leaf engraving and
copper plating, stone stand
Hiroshi Yamano received an MFA from Rochester Institute of Technology and
has exhibited in Australia, Germany, Japan, Switzerland, and the United States.
He has received numerous awards, most notably, the 1991 Rakow Commission
from the Corning Museum of Glass. Yamano’s work is held in both public and
private collections, including those of the American Museum of Glass, the
Chrysler Museum of Art, and the Corning Museum of Glass. He is a co-founder
of Ezra Glass Studio in Fukui, Japan, and helped establish the formidable glass
program at Osaka University of Arts, which he now serves as chairman. He has
taught at Pilchuck Glass School many times.
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NICK MOUNT
$ 9,000
Bubble #SB080811
44 x 6 x 8 in
Signed, 2011
Blown glass, carved, polished, assembled, Blackwood base
Nick Mount is one of Australia’s most accomplished and celebrated studio
glass artists. Since the early 1970s, he has been known for his production,
commission, and exhibition work that, beginning in the late 1990s, has
comprised an evolving series of sculptural assemblages. Varying in scale
and character, the aesthetic of his sculpture has been described as both
provocative and playful, intimate and spectacular. Mount’s work is represented
in major public and private collections, and his reputation as a generous
teacher, demonstrator, and mentor has led to regular stints as an instructor
at glass centers around the world. He is co-chair of Pilchuck’s International
Council and an ex-officio member of the board of trustees.
NICKMO UNTG L ASS@ME .CO M
NICKMO UNTG L ASS.CO M. AU
CSD@RILEYG A LLERIES.CO M
RILEYG A LLERIES.CO M
P HOTO : P IP PY MO UNT
EVERY DAY IS SO INSPIRING I CAN BARELY
SLEEP. MY THOUGHTS ARE JUST SWIRLING
AROUND LIKE THE GLASS.
A n d rea D ezso
Artist in Residence , 2014
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25
A PERSONAL EXPERIENCE WITH ARTIST KAREN LAMONTE IN VENICE
$ 6,000
Experience Artist Karen LaMonte’s Twin Museum
Exhibitions at the 56th Venice Biennale!
Pilchuck Alumnus and Instructor Karen LaMonte is being honored with two
museum exhibitions of new work at the 2015 Venice Biennale.
The Museo di Palazzo Mocenigro (Museum of Fabrics and Costumes) hosts
contemporary art exhibitions, houses a vast compendium of ancient fabrics
and clothers from the Correr, Guggenheim, Cini and Grassi collections, and a
new section on the history or perfume. The installation will be within this large
Gothic palace that just finished a complete renovation and expansion doubling
its exhibition space.
Since 1861, The Museo del Vetro (Museum of Glass) has exhibited historic
and contemporary glass. Now undergoing a major restoration and expansion,
this exhibition will be the inauguration of the new contemporary art wing.
• Two nights in the exquisite 15th century palazzo Ca Cerchieri Loredon, hosted
by Austin Art Projects.
• A private tour of both exhibitions with the artist, followed by a fabulous
Italian feast at the iconic Hotel Cipriani.
Please contact Austin Art Projects for details. Airfare not included.
Donated by Austin Art Projects
INFO @AUSTINA RTP RO JECTS.CO MAUSTINA RTP RO JECTS.CO M
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BEN EDOLS AND KATHY ELLIOTT
$ 6,500
Engage 3
7½ x 17 in
Signed, 2010
Blown and carved glass
Ben Edols and Kathy Elliott have been making and exhibiting work together
for twenty years. Edols is the glassblower in the family, and Elliott is the
coldworker. Between them, they have taught at Haystack Mountain School
of Crafts, Niijima Glass Art Center, Pilchuck Glass School, The Studio of the
Corning Museum of Glass, and Toyama = Institute of Glass Art. Their work has
been exhibited internationally and is in the collections of the Corning Museum
of Glass, the Museum of Arts and Design in New York, the Victoria and Albert
Museum, National Gallery of Australia, and the Palm Springs Art Museum,
among others.
EDO LSELLIOT T@OZEMA IL .CO M. AUEDO LSELLIOT T.CO M
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27
JENNY POHLMAN AND SABRINA KNOWLES
$7,000
Liberation Spear
50 x 10½ x 5 in
Signed, 2014
Off-hand-sculpted solid glass tips, steel shaft, copper beads,
sandblasted pattern
Designing, creating, and assembling contemporary forms from molten glass
inspired by the ancient, universal language of symbols, Sabrina Knowles and
Jenny Pohlman have been storytelling visually for more than twenty years.
Their work is in private collections nationwide, as well as in the collections
of the American Museum of Glass; the Museum of Glass, Tacoma; the Mobile
Museum of Art; and the Racine Art Museum. They have been recognized with
a Pratt Fine Art Center Service in the Arts award, a BAGI’s Saxe Fellowship
award, residencies at the Museum of Glass, Tacoma, and Wheaton Arts, and
scholarships to Pilchuck Glass School. Pohlman is currently on the board of
Pratt Fine Arts Center.
P O HLMA NKNOWL ES@SP EA KEASY.NETP O HLMA NKNOWL ES.CO M
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BENJAMIN MOORE
$14,000
Exterior Fold Trio
14¼ x 14¼ x 17 in
Signed, 1996
Blown glass
Benjamin Moore received an MFA from Rhode Island School of Design. He
was the recipient of a National Endowment for the Arts grant, is an American
Craft Council fellow, and has worked as a designer for Venini in Venice and
J&L Lobmeyer Vienna. Moore’s masterpieces simultaneously evoke aspects of
historical tradition with the refinement of a unique contemporary aesthetic. He
has been affiliated with Pilchuck Glass School for more than thirty years, as its
interim executive director, artistic director, faculty member, and member of the
board of trustees. He owns Benjamin Moore Inc. and his work is in collections
throughout the world.
BP M@BENJA MINMO O REG LASS.CO M
BENJA MINMO O REG L ASS.CO M
SEAT TLE@FO STERWHITE .CO MFO STERWHITE .CO M
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ANN WOLFF $26,000
IDA
14 x 15½ x 4½ in
Signed, 2011
Cast glass
Ann Wolff was born in Lübeck, Germany, in 1937. She was a designer at Kosta
Boda in Sweden from 1964 to 1978 and a professor in the design department
at the Hochschule für Bildende Künste in Hamburg, Germany and taught at
Pilchuck. Wolff received the Rakow Commission from the Corning Museum of
Glass in 1997, the 2008 Award of Excellence from the Smithsonian American
Art Museum, Renwick Collection, Washington, D.C., and a Lifetime Achievement
Award from the Glass Art Society in 2011. Her work is shown worldwide and
is exhibited in collections including the Victoria and Albert, London; National
Museum of Modern Art, Tokyo; DeYoung Museum, san Francisco; Museum of
Arts and Design and Metropolitan Museum of Art, New York.
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DALE CHIHULY $ 40,000
Manganese Blue Soft Cylinder
with Mikado Yellow Lip Wrap
23 x 20 x 20 in
Signed, 2014
Blown glass
Chihuly began his Soft Cylinder series in 1984. This body of work showcases
a technique of drawing on glass using a series of colored shards, carefully
placed on a hotplate and then gathered onto the molten piece before the final
gather of glass from the furnace. These drawings reflect the early influence
American Indian trade blankets had on his works, just as the organic shape
of each piece is reminiscent of Northwest Coast Indian baskets.
This series has continued to evolve, and in the spring of 2014 Chihuly revisited
these artworks pushing them in unprecedented ways. The historic foundation
of technique is augmented with a contemporary take on color and scale.
CHIH ULY.CO M
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DAVIDE SALVADORE
$13,000
Chitamarra
6 x 6 x 28 in
Signed, 2014
Hand-blown glass
Davide Salvadore is a Muranese maestro descended from generations of
glassworkers. He has collaborated with venerated glasshouses such as Venini,
Barovier & Toso, Nason & Moretti, and La Murrina, and his work has been
exhibited and collected internationally. For Salvadore, working with glass is a
way of life, and reverence for glass and its traditions is inherent in everything
he does. He combines traditional Italian techniques and elements in his work,
which reflects influences such as African tribal imagery, Muranese roads, and
glasshouse smokestacks. His tireless quest for perfection and drive to push
the boundaries of his material have led him to new ways of thinking about glass
and its capabilities.
G L ASS@DAVIDESA LVA DO RE .CO MDAVIDESA LVA DO RE .CO M
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PRESTON SINGLETARY
$16,000
Moonlit Raven
11 x 4 x 27½ in
Signed, 2013
Blown and sandcarved glass, steel and enamel coupling
The art of Preston Singletary has become synonymous with the relationship
between European glassblowing traditions and Northwest Native art. His works
feature themes of transformation, animal spirits, and shamanism in blown-glass
forms and sandcarved Tlingit designs. Throughout his more than thirty years
of glassblowing, he has also had opportunities to learn from Italian legends
Lino Tagliapietra, Checco Ongaro, and Pino Signoretto. Singletary’s artworks are
included in the collections of the British Museum, the Corning Museum of Glass,
the Heard Museum, the Mint Museum of Art and Design, the Museum of Fine
Arts, Boston, the Seattle Art Museum, and the Smithsonian Institution.
STUDIO @P RESTO NSING LETA RY.CO M
LIVE AUCTION
P RESTO NSING LETA RY.CO M
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RICHARD MARQUIS
$ 36,000
Razzle Dazzle Boat 10-1
22 x 5 x 6¼ in
Signed, 2010
Fused and wheel-carved glass, slab technique
For almost 40 years, Richard Marquis has been an international leader in the
development of studio glass art. He was recently recognized for his contribution
with Lifetime Achievement Awards from the Art Alliance for Contemporary
Glass and the Glass Art Society. In 2006, Pilchuck Glass School awarded him
the Libenský | Brychtová Award. This piece and its pattern reference World
War I battleship camouflage patterns, designed to confuse German U-Boats.
The technique is based on traditional ceramic slab-construction processes
demonstrated in a class with Nick Mount and Dante Marioni at Pilchuck Glass
School in 2013.
RICH A RDMA RQ UIS.CO M
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LINO TAGLIAPIETRA
$ 59,000
Makah
8¼ x 13½ x 21¾ in
Signed, 2007
Blown glass with carved engravings
In 1979, Lino Tagliapietra visited Pilchuck Glass School for the first time, and
American glassblowing was changed forever. A native of Murano, Tagliapietra
apprenticed with the maestro Archimede Seguso at age twelve and reached
the rank of maestro by the time he was twenty-one. He has received numerous
awards, including two honorary doctoral degrees. Tagliapietra’s work has been
shown and included in many collections including the Biennale di Venezia,
the Corning Museum of Glass, the Detroit Institute of Art, the M. H. de Young
Memorial Museum, and the Victoria and Albert Museum. He is a recipient of
the Rakow Commission from the Corning Museum of Glass and the Libenský |
Brychtová Award (formerly the Libenský Award) from Pilchuck.
JVECCH IATO @LINOTAG LIA P IETRA .CO ML INOTAG L IA P IETRA .CO M
FUND-THE-FUTURE
Pilchuck Glass School makes a difference in the lives
and careers of thousands of individuals by inspiring their
creativity and creating transformative experiences.
Raise your paddle now. Your gift will make a difference.
Our goal is 100% participation from you and everyone
here tonight!
As you consider the level of your support, please remember
that contributions for Fund-the-Future are 100 percent
tax-deductible.
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DAN FRIDAY AND JASON CHRISTIAN
$ 4,500
Full Circle
24 x 11 x 24 in
Signed, 2014
Blown and sculpted glass
Dan Friday and Jason Christian are artists who work together at Dale Chihuly’s
glass hotshop, the Boathouse. Each operates his own studio in the Seattle area.
In 2014, they both attended Pilchuck Glass School, Friday as an instructor and
Christian as a gaffer. Although they have worked together for many years, this is
their first collaboration.
FRIDAYG L ASS@G MA IL .CO M
FRIDAYG L ASS.CO M
JASO NCH RISTIA NG LASSDESIG NS.CO M
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BENJAMIN COBB $ 3,600
Sutured Pill
12 x 6 x 19¾ in
Signed, 2013
Blown glass
Benjamin Cobb worked at multiple studios in the San Francisco Bay area
before moving to Seattle. He has also worked at Haystack Mountain School of
Crafts, Pilchuck Glass School, and The Studio of the Corning Museum of Glass.
Cobb is currently the lead glassblower at the Museum of Glass, Tacoma, and
hot-shop manager in the museum’s hot-glass studio. His work is held in the
collections of the Museum of Glass, Tacoma, and the Museum of Northwest
Art, in La Conner, Washington, where he opened his first museum show this
summer. Sutured Pill features Cobb's signature windows, which allow a glimpse
into the form.
BENJA MINCO BB@H OTMA IL .CO MBENJA MINCO BBG LASS.CO M
P HOTO : JEFF CURTIS
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DANNY WHITE AND JIM CLARK
$ 4,200
Johny Do Good
16 x 9½ x 10 in
Unsigned, 2013–2014
Glass, mixed media
In 2014, Danny White and Jim Clark collaborated on a series of works
representing the execution of an idea without limitations. The results of bringing
two minds, two personalities, and two skill sets to the table, their collaborative
works amount to more than narrative departures from the traditional; they
stand as a special collaborative thought process and a symbol of friendship.
White lives and works in Seattle and just completed a residency at Salem State
University in Massachusetts. Clark resides in Saskatchewan, just outside of
Cupar, where he runs a studio and machine shop. Both artists have been on staff
at Pilchuck Glass School, where they first met and began collaborating.
IA MDA NNY WHITE@G MA IL .CO M
LIVE AUCTION
H A BATATG A LLERIES.CO M
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RÓISÍN DE BUITLÉAR
$2,000
Shadow
10 x 10 x 12 in
Signed, 2013
Blown glass and diamond point engraving
Róisín de Buitléar is a visual artist, an alumna of the National College of Art
and Design NCAD Dublin Ireland, a pioneer of Irish contemporary glass. Working
in the medium since 1984, her public site-specific installations of blown and
cast glass draw inspiration from her Irish heritage. Her sculptural blown and
cast work can be seen many public collections including: National Museum
of Ireland, National Museum of Northern Ireland and American Crafts Council.
She lectures, teaches, and exhibits internationally and is an advocate for the
promotion of glassmaking. In response to the closing of Waterford Crystal, de
Buitléar collaborated with three Irish glass masters
RO ISINDEBUITLEA R.CO MRDEBUITLEA R@YA H O O.CO M
P HOTO : P H IL IP LAUTERBACH
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BEN SHARP
$ 3,500
Aloft
18 x 18 x 16 in
Signed, 2012
Blown glass, stainless steel
Ben Sharp began his career as a scientific glassmaker. In 1998, he shifted his
focus from scientific to artistic glassmaking. Working with a furnace sparked
an interest in molten materials and inspired him to learn other ways of creating
with glass. Sharp has taught at Belmont Art Center in Pensacola, Florida, the
GoggleWorks Center for the Arts, and The Studio of the Corning Museum of
Glass. He received a BFA from Alfred University in 2006 and is currently the head
technician at Pilchuck Glass School.
SH A RP G L ASS@G MA IL .CO M
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BENSH A RP G L ASS.CO M
JACKIE PANCARI
$ 3,000
Reflection Series
9½ x 9½ x 6 in
Signed, 2012
Blown glass with latticino
Jackie Pancari earned a BFA from Tyler School of Art and an MFA from Alfred
University. She has been an instructor at the College for Creative Studies
and Alfred University and has led workshops at Haystack Mountain School
of Crafts, Pilchuck Glass School, and the Toyama City Institute of Glass Art.
Pancari has received a New York Foundation for the Arts grant, a Frederick
Carter Fellowship, a Creative Glass Center of America Fellowship, and a John
H. Hauberg Fellowship. She has been an artist in residence at the Museum of
Glass, Tacoma, the Seto City Cultural Center in Japan, and Rochester Institute
of Technology. Her work has been purchased by museums and published in
several books. This series was created at the Museum of Glass, Tacoma.
JACKIEPA NCA RI@FRO NTIER.CO MJACKIEPA NCA RI.CO M
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APRIL SURGENT
$ 4,500
Home Is Where the Heart Is
18¾ x ¼ x 137⁄8 in
Signed, 2014
Cameo-engraved glass
April Surgent started working with glass in Seattle in 1997. She went on to
study at the Australian National University, Canberra. In 2003, Surgent met
master Czech engraver Jiří Harcuba at Pilchuck Glass School and changed her
focus from blown to engraved glass. After completing her studies in Canberra in
2004, she moved back to the Pacific Northwest and set up an engraving studio.
Surgent exhibits, teaches, and lectures internationally. In 2013, she traveled to
Antarctica with the National Science Foundation and is now focusing on work
expressing her experiences in the Antarctic.
A P RILSURG ENT.CO M
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JEAN-PIERRE CANLIS
$7,800
Miniature Wheat
18 x 4 x 20 in
Signed, 2014
Hand-pulled and lampworked glass
Jean-Pierre Canlis created his first Wheat installation in 1996 at Alfred
University. It measured 5 feet square. He now creates scaled-down versions as
well as large-scale installations of Wheat. Wheat has been featured at SOFA
Chicago and Art Palm Beach. Canlis received a BFA from Alfred University in
1996 and attended Pilchuck Glass School every summer during college. There,
he was introduced to Dale Chihuly and was a member of the Chihuly team for
eight years until 2001, when he began focusing on his own work. In 2009, Canlis
was invited to work on the island of Murano. His work can be found in galleries
across the world, from Sandra Ainsley Gallery in Toronto to Karen Echt Gallery
in Chicago, and is in numerous collections.
JP @CA NLISG L ASS.CO M CA NLISG L ASS.CO M
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STEVE JENSEN
$7,500
Levitating Canoe
27½ x 9 x 14½ in
Signed, 2014
Recycled glass, boat resin, salvaged bronze ship components
Steve Jensen has been a working artist in Seattle since the 1980s and has
completed dozens of major public art sculptures. His work is represented in
museum collections — including the Museum of Northwest Art, Larson Art
Museum and Morris Graves Museum of Art — and he has had numerous solo
museum and art center exhibitions. Jensen is the recipient of a Morris Graves
Fellowship, an artist award from PONCHO, and an exhibition grant from the
National Endowment for the Arts.
JENSENSTUDIO S@AO L .CO M
LIVE AUCTION
STEVEJENSENSTUDIO S.CO M
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GLASS WEEK IN SAINT PETERSBURG, FLORIDA
$ 5,000
Experience
Enjoy sun, sand, and glass during a week-long Gulf Coast getaway! Enjoy
galleries, outdoor markets, boutiques, pier fishing, and world-class whitesand beaches. Voted the number one arts destination for mid-size cities
two years in a row, Saint Petersburg is home to an edgy emerging art scene.
View Dale Chihuly's permanent large-scale installations in the Morean
Arts Center’s Chihuly Collection on Beach Drive. The Glass week includes a
glassmaking demonstration at the nearby Morean Arts Center’s Glass Studio
& Hot Shop and an accompanying catalog. Renowned glass artist and gallery
owner Duncan McClellan will treat you to a fabulous wine-tasting and glass
experience at his gallery. Etch your own goblet, view the exhibition, which
features more than forty internationally known glass artists, and visit the
state-of-the-art hot shop where a featured artist will demonstrate hot-glass
techniques. You will then be whisked away on an open trolley for a tour of some
of the sixty-five galleries in the city. On Sunday, you will be treated to a special,
more intimate demonstration at the Duncan McClellan Gallery by that month’s
featured artist or artists and a brunch and lecture at the Museum of Fine Arts,
located on Saint Petersburg’s waterfront.
• Three-bedroom, two-bath waterfront home with pool, hot tub, and
fishing dock, sleeps six
• Six tickets to the Morean Arts Center’s Chihuly Collection and Glass
Studio & Hot Shop
• Glass etching and wine tasting for six with Duncan McClellan
• Trolley tour for six of Saint Petersburg galleries
• Sunday brunch and lecture for six at the Museum of Fine Arts,
Saint Petersburg
Valid until October 24, 2015. Restrictions: home subject to mutually agreeable
dates; glass weekend with McClellan available on the second weekend of the
month, September through May. Airfare not included.
Donated by the Chihuly Collection, Duncan McClellan Glass, and Jessica and
Todd Havens.
MO REA NA RTSCENTER.O RG DMG L ASS.CO M
VRBO.CO M/ 585300
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SCOTT BENEFIELD
$2,400
9 Men's Morris
18 x 14 x 5½ in
Signed, 2014
Blown glass, wood
Scott Benefield received an MFA from the Ohio State University in 1990 after
spending a year in Sweden on a Fulbright-Hays grant. He has been an artist
in residence at the Corning Museum of Glass, the Creative Glass Center of
America, the Museum of Glass, Tacoma, and North Lands Creative Glass.
Benefield was a visiting scholar at Osaka University of Arts in 2009 and was
selected for a Queen Elizabeth Scholarship Trust award in 2013. He is a past
president of the Glass Art Society and received its Lifetime Membership Award
in 2011. He currently lives and works in Northern Ireland.
INFO @SCOT TBENEFIEL D.CO M
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SCOT TBENEFIELD.CO M
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NANCY CALLAN, JEN ELEK, AND AMY RUFFERT
$2,500
Platter (Venetian Lassie)
15 x 12 x 2 in
Signed, 2014
Blown glass
Nancy Callan received a BFA in 1996 from Massachusetts College of Art
and Design and currently lives in Seattle, where she is a key member of
Lino Tagliapietra’s glassblowing team. Her artwork is held in the permanent
collections of the Corning Museum of Glass; the Muskegon Museum of Art;
the Museum of Glass, Tacoma; and the Shanghai Museum of Glass. Jen Elek
earned her BFA in 1994 at the School of Art and Design, Alfred University.
She has been a member of Lino Tagliapietra's team since 2001 and currently
is featured in an exhibition with Jeremy Bert at the Museum of Glass. Amy
Rueffert has worked in glass since 1994. She earned a BFA at Massachusetts
College of Art and Design and an MFA at Mills College in Oakland, where she
studied with Ron Nagle. Amy Rueffert, Jen Elek, and Nancy Callan made this
piece on the Pilchuck Glass School campus in summer 2014.
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CAL BREED
$ 6,000
New Beginnings
13 x 13 x 20 in
Signed, 2014
Hand-blown glass, incalmo
Cal Breed has been working in glass for twenty years. After receiving a BFA from
the Ohio State University in 1997, he went on to receive numerous awards and
honors, including the Alabama State Council on the Arts individual artist grant
in 2005 and the Corning Award at Pilchuck Glass School in 2007. Breed was
featured in the Alabama Public Television documentary Alabama Craft: Tradition
and Innovation. His work is in many collections, including those of the Huntsville
Museum of Art and the Montgomery Museum of Fine Arts. Presently, he and his
wife together own Orbix Hot Glass.
CA L@O RBIX HOTG LASS.CO M
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LOREN WHITE
CA LBREED.CO M
$ 6,500
Raven Model Totem Pole (#3 of #9 in series)
4 x 5 x 16 in
Signed, 2013
Cast glass
Loren White saw his first totem pole in 1967, and in the four decades since, he
has carved many poles, masks, bentwood chests, house posts, bowls, rattles,
and more. His work is in the Boston Museum of Fine Arts, the Museum of
Anthropology at the University of British Columbia, the Vancouver Art Museum,
and private collections throughout the world. White has collaborated regularly
with Rick Bartow, Steve Brown, Joe David, Duane Pasco, and Art Thompson, and
has taught Northwest-style carving in Canada and the United States.
P O O KMIS@ICLO UD.CO M
LIVE AUCTION
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BELLA FELDMAN $ 6,000
Break in Case of Emergency
5 x 8 x 12 in
Signed, 2014
Steel, blown glass, engraving
A pioneer among women sculptors, sculptor Bella Feldman is still innovating,
creating tense and delicate work that conveys concepts ranging from
the playful to the gravity of war. Feldman has shown her work in solo and
group exhibitions both nationally and internationally since 1973. Her work
is represented in numerous outstanding private and museum collections.
Feldman’s fifty-year career includes a substantial National Endowment for the
Arts grant and thirty-five years as a professor at California College of the Arts.
BELLA@BELLA FEL DMA N.CO M
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BELLA FEL DMA N.CO M
DOUG RANDALL
$7,500
The Voyage Reconstructed
45 x 6 x 10 in
Signed, 2014
Kilncast glass, drop-formed
Doug Randall has been working professionally with glass for more than forty
years. He attended Oregon State University and California State University,
Chico, and has studied with many of the pioneers of kiln-formed glass. Randall's
work is collected internationally through galleries and has been shown regularly
at ArtPalmBeach, Glass Weekend at Wheaton Arts and Cultural Center, and
SOFA. When he’s not in his studio, Randall can be found in his greenhouse and
gardens, growing wonderful organic eatables. The Voyage Reconstructed talks
about life's journey and how we often change our thoughts and plans as we
move forward through life.
SMP LA NET1953@YA H O O.CO M
FLICKR.CO M/ P H OTO S/ SMP L A NET
VETRI@VETRIG L ASS.CO M VETRIG L ASS.CO M
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STINE BIDSTRUP
$ 4,500
Studies in Search of Order and Chaos
9 x 12 x 8 in
Signed, 2014
Blown and coldworked glass with two layers of color and
patterns (graal technique)
Stine Bidstrup is a Danish artist working primarily in glass, video, and
installation. She was educated at the Royal Danish Academy of Fine Arts, School
of Design, on Bornholm, and Rhode Island School of Design in Providence. Since
2007, Bidstrup has maintained a studio in Copenhagen, exhibited her works
internationally, and taught in Denmark and the United States. The objects in the
series Studies in Search of Order and Chaos are motivated by the idea of glass
as a lens and membrane that distorts, transforms, and reflects an underlying
layer of information consisting of different geometric patterns. A combination of
digital and handcraft working methods is used to construct intricate patterns,
and specific historical references to old Venetian pattern making.
MA IL@STINEBIDSTRUP. DK STINEBIDSTRUP.DK
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AMIE LAIRD MCNEEL $ 3,000
Gater Vase 5
18 x 8 x 6 in
Signed, 2014
Mold-blown glass
Amie Laird McNeel received a BFA from the Kansas City Art Institute and an
MFA from the University of California, Berkeley. She has taught sculpture
nationally and is currently an assistant professor in the 3D4M (3-Dimensional
Forum) program at the University of Washington. McNeel specializes in
combining metal, clay, wood, and glass and has experimented with various
materials as an artist in residence at the John Michael Kohler Arts Center,
Sheboygan, The Studio at The Corning Museum of Glass, the Pilchuck Glass
School, and the Museum of Glass, Tacoma. Her sculpture is in the collections of
the Museum of Glass and the John Michael Kohler Arts Center and at Hahn &
Loeser Parks in Cleveland and Cincinnati.
A [email protected] M A MIEMCNEEL .CO M
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JEFF MACK AND MICHAEL STEVENS
$1,500
Retortoli Alzata with Golden Hippocampo
6 x 6 x 8 in
Signed, 2014
Blown glass
Jeff Mack is an artist, teacher, and manager of the Toledo Museum of Art's
glass program. A graduate of the Bowling Green State University School
of Art, he has worked in glass in various contexts for more than twenty
years, producing objects for artists and designers, managing teams, and
demonstrating, teaching, and exhibiting his work internationally. Michael
Stevens is also a graduate of Bowling Green State University. He has worked
with many other artists through his involvement with the Toledo Museum of
Art and Pilchuck Glass School. Stevens is a principal partner and founder of
Gathered Glass Studio in Toledo, Ohio.
MACKCREATIVE@H OTMA IL .O RG
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ETSUKO ICHIKAWA
$ 3,800
Trace 3111
22½ x 60 inches
Signed, 2011
Glass pyrograph on paper, framed, frame not included
in dimensions
Etsuko Ichikawa is a Tokyo-born, Seattle-based, multimedia artist. She
describes her work as “a continuing investigation of what lies between the
ephemeral and the eternal.” Her pyrographs and aquagraphs are drawings
made by fire and water, capturing and eternalizing the immediacy of a moment,
while her installations and performances are about ever-evolving states of
consciousness. Ichikawa’s work has been exhibited internationally, including
at the Seattle Art Museum, the Ueno Royal Museum in Tokyo, and Waterhouse
& Dodd in New York. She has received grants from the Andy Warhol
Foundation for the Visual Arts, the National Endowment for the Arts, and
the Pollock-Krasner Foundation.
ETSUKO @ETSUKO ICHIKAWA .CO M
ETSUKO ICH IKAWA .CO M
G A LLERY @WINSTO NWACHTER.CO M
WINSTO NWACHTER.CO M
P HOTO : KP STUDIO S
LIVE AUCTION
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ERIKA TADA $2,000
Rabbitt and Cup
5 x 14 x 14 in
Signed, 2011
Kilncast glass
Erika Tada graduated with an MFA from Rochester Institute of Technology
in 2005 and received a PhD from Tokyo University of the Arts in 2012. She
has attended Pilchuck Glass School as a student (2002), emerging artist in
residence (2006), and teaching assistant (2009, 2012). Tada has been an artist
in residence at the Corning Museum of Glass and Worcester Center for Crafts,
was awarded a fellowship from UrbanGlass, and received Vetro Magazine's
best debut artist award at SOFA. Her artwork is shown at galleries throughout
Japan and the United States. Tada has held teaching positions at Craft Alliance,
Jacksonville University, Rochester Institute of Technology, and Talisman Glass.
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LISA ZERKOWITZ
$2,800
Haiku II
9½ x 3¾ x 9 in
Signed, 2013
Blown and kilncast glass
Lisa Zerkowitz has a BA in printmaking from the University of California, Santa
Barbara, and earned an MA in art education from Rhode Island School of
Design while completing the undergraduate program in glass. Her work has
been presented in exhibitions at several Pacific Northwest museums, including
Bellevue Arts Museum, Tacoma Art Museum, and the Museum of Northwest
Art. After attending Pilchuck Glass School as a student, Zerkowitz returned as a
teaching assistant, artist assistant, emerging artist in residence, and instructor.
As seen in Haiku II, her work is nature-inspired.
L ISA@L ISA ZERKOWITZ .CO M
L ISA ZERKOWITZ .CO M
I@BRYA NO HNO.CO M
BRYA NO H NO G A LLERY.CO M
P HOTO : MIKE SEIDL
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I ALWAYS LEAVE PILCHUCK FEELING LIKE
I KNOW MYSELF A LITTLE BETTER.
Jay n ie Sanchez
Staff, 2014
LIVE AUCTION
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TOTEM POLE
Silent Auction 1
closes at
6:15pm
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100
SHANDRA MCLANE, MARTIN DEMAINE, $1,000
ERIK DEMAINE, PETER HOUK
The Littleton Tree
7 x 22 in
Unsigned, 2013
Screen-printed blown glass
SH A NDRA@SQ UA MRIVERSTUDIO S.CO MSQ UA MRIVERSTUDIO S.CO M
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JULIANA WISDOM
$ 600
Scale For Doctor Thomas Story Kirkbride
15½ x 2 x 17 in
Signed, 2012
Fused glass and high fire enamel
JBWISDO M@G MA IL .CO MJULIA NAWISDO M.CO M
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ALEX GIBSON
$ 650
A Long Walk
6 x 6 x 11 in
Signed, 2014
Blown, engraved and enameled glass
A L EX@DISP LACEDA K .CO M DISP L ACEDA K .CO M
103
AIMEE SONES
Florence Refinery
10½ x 8 x ½ in
Unsigned, 2013
Kiln-formed, coldworked glass
48
$ 580
104
ROY BRUNO
$ 500
Gavia Crescentia LIV
25 x 4 x 6 in
Signed, 2011
Blown, coldworked glass
ROY. P.BRUNO @CO MCAST. NET
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LIG H TA RT. BIZ
GABRIELLA BISETTO
$200
Individual piece from The Ocean Within
(60% of Body Weight is Water)
5 x 5 x 5 in
Signed, 2013
Blown and cast hot glass
G A BRIELLA .BISET TO @UNISA .EDU. AU
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JENNIFER CRESCUILLO $ 600
Middle Mississippi
11 x 5 x 7 in
Signed, 2014
Hot worked, cold worked, engraved, and assembled glass
and stone
CRESCUILLO @G MA IL .CO M JENNIFERCRESCUILLO.CO M
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JOHN VOLPACCHIO JACK WALSH (ETCHING)
$ 800
Pilchuck Party Platter
18 x 18 x 4 in
Signed, 2014
Blown glass incalmo, sandblasted design
JO H NVO LPACCH IO @YA HO O.CO MG LASSBLOWING A RTIST.CO M
TOTEM POLE SILENT AUCTION 1 CLOSES AT 6 :15PM
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108
KEVIN BOYLAN
$770
Young Buck
7 x 20 x 20 in
Signed, 2014
Blown, sculpted glass
BOY LA N. KEVIN@G MA IL .CO M
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KEVINBOY LA NG L ASS.CO M
ASHLEY “5 NAMES” DRISCOLL-PEREZ $750
Canary Lips and Rainbow Rolls
7 x 3 x 6 in
Signed, 2013
Blown glass
ASH LEY KP EREZ@YA HO O.CO M
A KL DP.BLO G SP OT.CO M
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NICK ASHMAN
$ 950
Tangled
5 x 5 x 10½ in
Unsigned, 2014
Lampworked borosilicate glass
NICK@G LASSINHA ND.CO M G LASSINHA ND.CO M
JURORS CH OIC E AWA R D
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MARLO CRONQUIST
$1,500
Cerchio Bianco e Nero
9 x 3 x 20 in
Signed, 2014
Blown, sandblasted glass, murrine
MA RLO CRO NQ UIST@G MA IL .CO MMA RLO CRO NQ UIST.CO M
P H OTO : P ROVIDED BY A RTIST
50
112
SCOTT MCDOUGALL $ 500
Suzie the Hungry Hippochondriac
9 x 5 x 4½ in
Signed, 2013
Blown glass, multi colored cane roll-up with beads
SCOT T_ BRA NDO N_ MCDEE@H OTMA IL .CO M
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SCOT TMCDO UG A LL .CA
LORI SCHINELLI $ 950
Pele’s Cup
4¾ x 4¾ x 8 in
Signed, 2014
Engraved, kiln-sculpted glass
[email protected] MLO RISCHINELL I.CO M
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KANAMI OGATA
$ 493
Gravityless Room
4 x 4 x 6 in
Signed, 2012
Sandcast glass, copper
O O KA NA MI@G MA IL .CO MWWW.FL ICKR.CO M/ P H OTO S/ 23425834@N 08
115
RACHEL ESCOE
$ 400
China Rainbow Mountain Series
13 x 4 x 7½ in
Signed, 2013
Blown and carved glass
RUBY RESHA L@YA HO O.CO M
RACHELESCO E .WEEBLY.CO M
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116
NICHOLAUS CLAWSON
$150
Blue Tooth
4 x 4½ x 5 in
Unsigned, 2014
Hot-sculpted glass
SY DF 01011@HOTMA IL .CO M
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NICHO LAUSCLAWSO N.CO M
JAYNE CORNELIS
$ 850
Forest Faerie
18 x 11 x 1 in
Signed, 2014
Kiln-formed glass, framed, suspended in the frame
FIREDUP G L ASSA RTS@G MA IL .CO MFIREDUP G LASSA RTS.CO M
118
KATHLEEN FRUGÉ-BROWN $1,200
Study for Lewis River
31½ x 1 x 13 in
Signed, 2009
Vitreous enamel on steel
KFRUG EBROWN@YA H O O.CO M
KATH LEENFRUG EBROWN.CO M
RO B@RO BSCH O UTENG A LLERY.CO MRO BSCH O UTENG A LLERY.CO M
119
DAVID KING $ 500
Reticello Bottle
3 x 3 x 10 in
Unsigned, 2014
Blown glass
KING . DAVIDJO H N@G MA IL .CO M
52
DAVIDJO HNKING .CO M
120
JOYCE R. CAMPBELL
$ 850
Shhh...
24 x 1 x 72 in
Unsigned, 2014
Neon
JOYCERCA MP BELL@G MA IL .CO M
121
CHRIS STENZEL
$ 800
The Artifact
14 x 6 x 7 in
Signed, 2014
Hot-sculpted glass
122
TEGAN HAMILTON
$ 880
Lepidoptera
4 x 4 x 5 in
Signed, 2014
Hot-sculpted glass, enamels
G L ASS@TEG A NHA MILTO N.CO M
123
TEG A NH A MILTO N.CO M
RYAN RODAMER
$ 800
Explorer
6 x 7 x 10 in
Signed, 2013
Blown, hot-sculpted, and coldworked glass
53
124
MATTHEW T EATON $750
Ray Gun
12 x 6 x 9 in
Signed, 2014
Blown glass, metal
MO LTENME@G MA IL .CO MMAT THEWTEATO N.CO M
125
ROSITA STÅHL $ 500
Pisum
20 x 4 x 20 in
Signed, 2014
Blown, sandblasted glass
G L AS@RO SITASTA HL .CO M RO SITASTA HL .CO M
126
JASON BLANDFORD
$200
Vessel of Interest
1½ x 17¼ x 21 in
Signed, 2012
Serigraph, pen and ink, acrylic
NICKLESBL A NDFO RD@G MA IL .CO M
127
DANNY KALDERON
$ 400
Pomegranate
19 x 19 x 2 in
Signed, 2014
Kilncast glass
DA NNY @KA L DERO NMD.CO M
54
KA L DERO NMD.CO M
128
EIJI SHIGA
$750
Flow
7½ x 9 x 5 in
Signed, 2013
Blown glass
STUDIO _ KIRLO @Y BB. NE . JPSKY.G EO CITIES. JP/ STUDIO _ KIRLO/
129
HAL WATROUS
$ 525
Colorless,tasteless,odorless
8 x 2½ x 8 in
Unsigned, 2014
Lampworked glass
L A MP WO RKER2320@G MA IL .CO M
130
EMLYN STRZEMPKA $ 350
Guillermo
6 x 3 x 10 in
Unsigned, 2014
Hot-sculpted glass
EMLY NA RT@G MA IL .CO M EMLY NA RT.CO M
131
KELLY HOWARD $ 825
Untitled
8 x 8 x 10 in
Signed, 2014
Blown glass
KH G LASS@G MA IL .CO M KELLY HOWA RDG L ASS.CO M
55
132
LUCY PULS
$200
Showerhead
4 x 4 x 4 in
Unsigned, 2012
Cast leaded glass with activated iron and binder
LUCY @LUCY P ULS.CO MLUCY P ULS.CO M
133
ALEX MCDERMOTT
$ 550
Shell Vessel
8 x 8 x 8 in
Signed, 2013
Kilncast crystal, blown vessel
ME@A LEX MCDERMOT T.CO M
A L EX MCDERMOT T.CO M
P HOTO : DA NIEL FOX
134
DONNA MCCORD
$280
Blue Multi-Gather Vessel
6 x 6 x 11 in
Signed, 2013
Blown glass
MCCO RDG L ASS@G MA IL .CO M
135
GABRIEL BLOODWORTH
MCCO RDG L ASS.CO M
$ 650
Drop-out
5 x 5 x 20 in
Signed, 2014
Blown glass
GTBLO O DWO RTH@G MA I.CO M
56
SP RING FIELDHOTG L ASS.CO M
136
AMANDA LEE PATENAUDE $750
Lover En Danger
11 x 8 x 9 in
Signed, 2014
Blown glass
A MA NDA LPATENAUDE@G MA IL .CO M
137
VALERIE POHORSKY $777
Smokey Cat Shrimp Cocktail Ashtray
6 x 6 x 4 in
Signed, 2014
Blown and hot-sculpted glass
VP O HO RSKY @YA H O O.CO M VA LERIEP O HO RSKY.WEEBLY.CO M
THIS IS THE BEST SITUATION I CAN IMAGINE
TO FOSTER NEW TECHNIQUES IN GLASS. STAFF
IS AMAZING, FOOD IS WONDERFUL, AND A
GREAT ENVIRONMENT. THANK YOU!
A mb er Bar ney
Student, 2014
57
58
BUSTER'S TREE HOUSE
Silent Auction 2
closes at
6:30pm
59
200
RYAN TANNER
$ 500
Unready
Signed, 2014
Flameworked glass, engraved
TA NNERJRYA N@G MA IL .CO M
201
RYA NTA NNER. INFO
KILEY M. BRANSON
$150
F-Stop
Signed, 2014
Aluminum camera parts, wire
202
LESLIE GOLDSTEIN AND PEG GYLDENEGE
$ 592
The Tale
Unsigned, 2014
Fine silver metal clay, fused silver chain, lamp worked
Bullseye glass disks.
L AG O LDSTEIN@CO MCAST. NET
203
LESLIE GOLDSTEIN
LESLIEG O L DSTEIN.CO M
$ 660
Colors, Lines and Dots
Unsigned, 2014
Lampworked Bullseye glass, fused fine silver, and coated
49-strand steel wire
LAG O LDSTEIN@CO MCAST. NET
60
L ESLIEG O L DSTEIN.CO M
204
REIKO F. NOJIMA
$ 480
Blue Gingko Heart Sutra Necklace
Unsigned, 2014
Slumped and engraved glass gilded with platinum
REIKO @REIKO.LIT TL EWING . JP
205
REIKO. LIT TL EWING . JP
DOLORES BARRETT
$1,750
Vitrique Bracelet
Signed, 2014
Fused and slumped opalescent glass
BA RRET TA RT@VERIZO N. NET
BA RRET TA RT. NET
206
DIANE STENDAHL
$ 350
Glassblowing Mini Tool Pendant
Unsigned, 2014
Gold-plated, sterling silver, lost-wax process
DA MO L ASI@HOTMA IL .CO M DA MO L ASI.CO M
P HOTO : RICK P HA RO H
207
LESLIE THIEL
$175
Pulchuck Fiddleheads
Unsigned, 2014
Hard lampworked glass, black onyx, sterling coated cable,
sterling silver
L ESLIESG L ASS@YA HO O.CO M
BUSTER'S TREE HOUSE SILENT AUCTION 2 CLOSES AT 6 :30 PM
P RO CTO RA RTG A LL ERY.CO M
61
208
KIM EDWARDS $ 400
Dodecahedron – Necklace
Unsigned, 2013
Borosilicate glass, sterling silver, glass chainmaille
LO NETREESTUDIO @G MA IL .CO MLO NETREESTUDIO.CO M
209
DIANE STENDAHL
$ 350
Gold Diamond Shears
Unsigned, 2014
Gold-plated sterling silver
BLACKCURACAO @HOTMA IL .CO MDA MO LASI.CO M
P HOTO : RICK P HA RO H
210
HEATHER JOY PUSKARICH
$200
Muse Bracelet
Unsigned, 2013
Recycled glass, decals
H EATHER@H EATH ERJOY P.CO MH EATHERJOY P.CO M
STA FF@MO RG A NG LASSG A LLERY.CO M
211
MO RG A NG LASSG A LLERY.CO M
SARAH AKHTAR COOPER
$200
The Uptown Lariat
Unsigned, 2014
Molten glass, hand wire wrapping
SA RA H ACO O P ER@YA H O O.CO M
62
VERREDESIG NSSO DO.CO M
212
ALEX STANYON
$ 575
Two Striped Beads
Unsigned, 2014
Kiln-formed and cold worked glass
A L EX@STA NYO N.CO M
213
TIA KRAMER
$1,150
Ascending Series Necklace
Unsigned, 2011
Oxidized sterling silver, waterproofed handmade paper
TIA@TIA KRA MERJEWELRY.CO M
214
HAL WATROUS TIA KRA MERJEWELRY.CO M
$225
Mozambique Necklace
Unsigned, 2013
Lampworked glass
L A MP WO RKER2320@G MA IL .CO M
215
BETH ADAMS
$200
Heart of the Desert
Signed, 1995
Molded, antique sterling silver
BA DA MS7554@AO L .CO MBETH A DA MSA RTWO RKS.CO M
H A NNIG A NA DA MS.CO M
63
216
FRANK HANNIGAN
$200
Avatar
Signed, 2014
Hand-carved sterling silver
H A NNIG A NA DA MS.CO M
217
MARINA MARIONI
$ 500
Conflict Free
Signed, 2014
Sterling silver, cubic zirconium
MA RINA MA RIO NI@H OTMA IL .CO MMA RINA MA RIO NI.CO M
FACEREJEWEL RYA RT.CO M
218
K. LEAH DUPERREAULT
$ 500
Connected
Unsigned, 2014
Blown, cut and polished glass
G L ASSDUCK@ME .CO M
219
JULIE CONWAY
$ 370
Argento Necklace
Signed, 2013
Blown glass, sterling silver
INFO @ILLUMINATAG LASS.CO M
P HOTO : A RTIST P ROVIDED IMAG E
64
ILLUMINATAG LASS.CO M
220
JERRY RAPHAEL $ 475
A Bowtie, Some Hotlinks and Some Studs
Unsigned, 2014
Flameworked glass
JERRY R10@AO L .CO M
221
ALANA NICOLE
$750
Ruby and Diamond Hamsa Necklace &
Red Jade Bracelet
Signed, 2014
Necklace: wire; bracelet: glass beads
JEWELRY BYA LA NA NICO LE@G MA IL .CO M
ETSY.CO M/ SHO P/JEWEL RY BYA LA NA NICO L
222
ALANA NICOLE
$ 300
Green Bracelet Trio
Unsigned, 2014
Hand Beaded
ETSY.CO M/JEWELRY BYA LA NA NICO LE
223
ALANA NICOLE
$ 650
Jade and Diamond Buddha
Unsigned, 2013
Wire
ETSY.CO M/ SHO P/JEWEL RY BYA LA NA NICO LE
65
224
MARGE LEV Y
$286
Red Letter Day
Signed, 2014
Wood beads, elastic cord
225
MA RG EL EV Y @CO MCAST. NET
FACEREA RT@G MA IL .CO M
FACEREJEWELRYA RT.CO M
P H OTO : LA RRY LA NCASTER
ANNA SKIBSKA
$ 400
Victorian
Signed, 2014
Czech glass beads, oxidized metal, rubber foam
A NNASKIBSKA@A NNASKIBSKA .CO M
66
A NNASKIBSKA .CO M
THIS WAS ONE OF THE BEST WEEKS OF MY
LIFE. IF I COULD DO IT ALL OVER AGAIN I
WOULDN’T CHANGE A THING.
A A RON BA IGE LM A N
Gaffer Hands on Tomorrow, 2014
67
68
THE LODGE
Silent Auction 3
closes at
6:45pm
69
300
IRA LUJAN
$1,500
Man Wolf Transmutation
7 x 3 x 10 in
Signed, 2014
301
TYLER KIMBALL
$1,200
White Moiré Bottle
6 x 6x 30 in
Signed, 2013
Glass
TEKE224@HOTMA IL .CO M TY LERP KIMBA LL .CO M
P HOTO : E .G . SCH EMP F
302
TIM YARDIC
$1,200
Nizhoni III
20 x 20 x 4 in
Signed, 2014
Kiln-fused glass
TYA RDIC@SBCG LO BA L .NET
FACEBO O K .CO M/ PAG ES/ YA RDIC- G LASSWO RKS/113535598662333
303
C. GYORI
The Glance
10 x 6½ x 10½ in
Signed, 2014
Glass, kilnformed and cameo engraved
GYO RI2102@H OTMA IL .CO MA RTFULHO ME .CO M
A RTFULHO ME .CO M/A RTIST/ C- GYO RI/ 8149
70
$1,050
304
JOE TSOULFAS
$2,500
Friend of the Devil
19 x 7 x 10 in
Signed, 2014
Sculpted hot glass, sandblasted, metal
CHA KRAG LASS@H OTMA IL .CO M
305
P HOTO : HEESA NG BY UN
JASON KARTEZ
$1,200
Relax/Danger
24 x 24 x 30 in
Unsigned, 2012
Blown glass, sandblasted
(Pictured: one item, front and back)
JASO NKA RTEZ@G MA IL .CO M
306
LEE CAMPBELL
$1,200
Feather Box
10 x 4½ x 3 in
Signed, 2014
Cast bronze, kiln cast glass
L EE .CA MP BELL40@G MA IL .CO M
307
NAOKO TAKENOUCHI
$1,800
Earth, Sea & Air #58
11 x 5 x 11 in
Signed, 2014
Blown glass with murrine, sandblasted
THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM
71
308
BILL MATULICH
$1,800
Blue Rondo
23 x 8½ x 2½ in
Signed, 2011
Kiln-formed glass
BILLMATUL [email protected] M
309
LANCELOT S. FRASER
$1,850
Cru Bot Twelve
9 x 6 x 15 in
Signed, 2014
310
RACHEL RADER
$ 900
Specimen 12B, Weapon of War
12 x 2½ x 1 in
Unsigned, approximately 6,500–7,000 BCE
Carved banded strattite sourced from crystal clusters below
the crystal pyramids
IBEL IEVE@A NCIENT TRUTHINVESTIG ATO RS.CO M
A NCIENT TRUTH INVESTIG ATO RS.CO M
311
SPENCER PITTENGER
$1,500
Submarine
15 x 5 x 8 in
Signed, 2014
Hot-sculpted glass, oil paint
SP ENCER@SP ENCERP IT TENG ER.CO MSP ENCERP IT TENG ER.CO M
72
312
JOHNATHON SCHMUCK
$ 895
Floresta do Astral
5 x 3 x 7 in
Signed, 2014
Fused, blown, and coldworked glass
JTSCHMUCK@H OTMA IL .CO M
313
SCH MUCKG LASS.CO M
MICHAEL L . DRAKE
$2,100
Peering into the Night
10 x 2½ x 7½ in
Signed, 2014
Sandcast hot glass
MICHA ELDRA KEIS@G MA IL .CO M
314
ANNETTE TAMM
$1,450
In the Beginning . . .
16 x 4 x 24 in
Signed, 2013
Glass, gold foil, glass paints, fused and laminated
A .TA MM@FRO NTIER.CO M LUMENA ERIES.CO M
315
HEATHER KREMEN
$2,000
Thinker
6¾ x 7x 9½ in
Signed, 2014
Coldworked cast glass
KREM 0094@G MA IL .CO M
FACEBO O K .CO M/ G REENINFINITIG L ASS
73
316
MELISSA MISODA
$1,200
Aurora Fade Vessel
10 x 10 x 22 in
Signed, 2014
Blown glass
MEL ISSA@MELISSA MISO DA .CO MMELISSA MISO DA .CO M
317
PAT DE CARO
$1,400
Invisible
25 x 20 in
Signed, date unknown
Charcoal
PATDECA RO @EA RTHLINK .NET
PATDECA RO.CO M
P H OTO : KEN WAG NER
318
WYATT AMEND
$1,300
Propulsion Drone #12
10 x 6 x 6 in
Signed, 2014
Wheel-thrown stoneware
DUBSA LUBS@G MA IL .CO MFACEBO O K .CO M/ WYAT TA MENDCERA MICS
P RIMAVERA FINEA RT.CO M
319
KT HANCOCK
Fuocoso Stone
8 x 8 x 18 in
Unsigned, 2014
TIG welded cold rolled steel, blown glass
KTHA NCO CKA RTIST@G MA IL .CO MKTHA NCO CK .CO M
74
$2,500
320
RICHARD GLENN
$1,100
Through the Forest
24 x 16 x 2 in
Signed, 2014
Kiln-formed etched glass, enamel, paint, pigment
RICH A RD@REL ICSO FG L ASS.CO MRELICSO FG L ASS.CO M
321
STEVE IMMERMAN
$2,000
Exposure 23
7½ x 1¾ x 7½ in
Signed, 2009
Kiln-formed glass
DO CIMMER@CH A RTER. NETCL EA RWATERG L ASS.CO M
322
MAGGIE MCCAIN
$1,200
Airstream Cloud
8 x 5 x 9 in
Unsigned, 2014
MAG G IEMCCA IN@G MA IL .CO M
323
MAG G IEMCCA IN.CO M
STEVE HAGAN
$1,200
Tomato and Onion Compote
12 x 12 x 12 in
Signed, 2014
STEVEHAG A NDESIG NS@YA HO O.CO M
STEVEHAG A NDESIG NS.CO M
75
324
JASON ELLIOTT
$ 950
Trio
12 x 8 x 8 in
Signed, 2014
Flameworked borosilicate glass
JL EG LASS@G MA IL .CO M
325
JASON CHAKRAVARTY
$1,050
Frank's Wild Years
14 x 3 x 4 in
Signed, 2009
Cast glass
JASO NCH A KRAVA RTY @G MA IL .CO MJASO NCHA KRAVA RTY.CO M
326
CATHY CHASE
$ 800
Duet
10 x 4 x 13 in
Signed, 2014
Cast glass
CHASE_ CATH Y @HOTMA IL .CO M
327
CATHYCHASE .CO M
TIMOTHY BELLIVEAU
$1,400
Global City
7 x 7 x 16 in
Signed, 2010
Blown and sculpted hot glass
TIM@BEEKING DO M.CA 76
FUTUREFO REST. NET
328
MIKEY COZZA
$1,400
Raindrop
7 x 7 x 11 in
Signed, 2014
Blown glass
MICH A ELTCOZZA@G MA IL .CO M
329
MICH A ELCOZZAG L ASS.CO M
LYN BISHOP
$1,800
Lyn’s Orchid Hybrid
11 x 4 x 15 in
Unsigned, 2014
Pate de Verre
LY N4CBISH O P @G MA IL .CO M
330
LY NBISH O P G L ASS.CO M
LAUREN GROSSMAN
$2,500
Hindsight
7 x 7 x 10 in
Signed, 2013
Blown glass, copper inclusions; cast iron base with
lambskin lining
L AUREN@L AURENG RO SSMA N.CO M
L AURENG RO SSMA N.CO M
INFO @P L ATFO RMG A LLERY.CO M P LATFO RMG A LL ERY.CO M
331
KIM SHARP
$ 500
Tribute to the Maker’s #2
12 x 2 x 18 in
Signed, 2014
Kilncast glass, turned wood
KIM.LY LE .SHA RP @G MA IL .CO M
77
332
MARKUS EMILSSON
$2,150
Royal Meltdown
9 x 78 x 12 in
Signed, 2013
Top: Double Swedish overlay, deep cut on diamond wheel and
fire polished
Bottom: Freehand-blown glass
Sculpture put together with UV glue
INFO @MA RKUSEMILSSO N.SE
333
MA RKUSEMILSSO N.SE
ANNA BOOTHE
$2,400
Blossom
6½ x 6¾ x 3½ in
Signed, 2012
Kilncast, polished and assembled lead crystal
A NNA@A NNA BO OTHE .CO MA NNA BO OTH E .CO M
P HOTO : RICK ECH ELMEY ER
334
NATALIE LEGENER
$1,000
The Royal Deck
15 x 6 x 3 in
Signed, 2014
Flat glass, paint, wood
NATA L IE . LEG ENER@G MA IL .CO M
335
NICK DAVIS
Mean Machine 2.0
7 x 23 x 16 in
Signed, 2014
Glass, steel
NRDG LASS1@G MA IL .CO M
78
$1,200
336
ERIN DICKSON
$1,200
What were the skies like when you were young?
8½ x 1 x 8½ in
Unsigned, 2014
Waterjet-cut float glass, fused
ERIN. DICKSO N@SUNDERLA ND. AC.UK
ERINDICKSO N.CO.UK
JUROR S C H OIC E AWA R D
337
COLIN SATTERFIELD
$ 500
Colorado Series
12 x 12 x 12 in
Signed, 2014
Murrine roll-up
CO LINSAT TERFIEL D.CO M
338
LYDIA BOSS
$1,200
Boxer II
7 x 7 x 13 in
Unsigned, 2014
Blown and silvered glass, digital print
LY DBO SS@G MA IL .CO M LY DBO SS.CO M
339
JEFF HEATH
$1,250
Vessel Study
8 x 8 x 24 in
Signed, 2014
Flameworked glass
JH EAT1117@G MA IL .CO M
79
340
ZACHARY VELKOFF
$ 900
Movin’ Doin’ It
27 x 12 x 8 in
Signed, 2014
Neon, vinyl, aluminum composite material
341
JAMES BAKER
$ 400
Ebb Tide, Elliott Bay, near Seattle, Washington
16 x 12 in
Signed, 2013
Color photograph, framed
JA MESBA KERSTUDIO @G MA IL .CO M
342
KATRINA HUDE
$ 3,700
The Gift
4 x 10 x 14 in
Signed, 2012
Blown glass
KATA LKS@G MA IL .CO MKATRINA H UDE .WEEBLY.CO M
343
RYAN BLYTHE
$2,000
Dream Boat
12 x 12 x 17 in
Signed, 2014
Hot-scupted glass, steel
RYA N@RA INIERG LASSSTUDIO.CO M
80
RA INIERG LASSSTUDIO.CO M
344
PATRICIA WEYER
$ 3,600
Turquoise Trail
10 x 12 x 8½ in
Signed, 2013
Graal technique, four-color overlay, bead drawing,
turquoise lip wrap
TESUQ UEG LASSWO RKS@G MA IL .CO M
345
DEBORAH CARLSON
$2,600
Cascade
8 x 3 x 14 in
Signed, 2012
Blown, hand-sculpted, and kilncast glass
DC@DEBO RA HCA RLSO N.CO MDEBO RA HCA RLSO N.CO M
346
BRYNHILDUR THORGEIRSDOTTIR
$1,800
Creature I ´14
15 x 3½ x 4¾ in
Signed, 2014
Glass, concrete, color
BRY NHIL DURTH@G MA IL .CO M
347
BRY NHIL DUR.CO M
WESTON LAMBERT
$2,000
Riverbend
5 x 11 x 6 in
Signed, 2014
Kilncast, engraved, enameled, laminated, and
coldworked glass
WESTO NLA MBERT@G MA IL .CO MWESTO NLA MBERT.CO M
DAVID@JA M415.CO M
JA M415.CO M
81
82
TROJAN HORSE
Silent Auction 4
closes at
7:00pm
83
400
SHANNON BRUNSKILL
$1,700
The Sandwich Generation
16 x 12 x 4 in
Signed, 2011
Cast glass, found objects
401
SH A NNO NBRUNSKILL@G MA IL .CO M
SH A NNO NBRUNSKILL .CO M
MA RY @MA RY TO MASG A LLERY.CO M
MA RY TO MASG A LL ERY.CO M
JP LONG
$ 6,500
Augmented Sphere 2
24 x 12 x 12 in
Signed, 2003
Blown glass, steel
JP SCULP TURE@YA HO O.CO M
402
JP LO NG A RT.CO M
MIYOSHI BAROSH
$1,500
Selection of Meats
30 x 22 in
Signed, 2014
Vitreograph, framed
403
MIYO SHIBA RO [email protected] M
MIYO SHIBA RO SH.CO M
G A LLERY @LUISDEJESUS.CO M
LUISDEJESUS.CO M
YUMIKO NODA OSAMU NODA , PAUL CUNNINGHAM, DARIN DENISON
Untitled
8 x 12 x 19 in
Signed, 2012
Hot-sculpted glass
Y UMIKO @NIIJIMAG L ASS.CO M
84
NIIJIMAG L ASS.CO M
$ 3,000
404
CARMEN VETTER
$2,600
Seek
21 x 21 x 1¾ in
Signed, 2014
Kiln-formed glass
CA RMENVET TER@G MA IL .CO M
CA RMENVET TERSTUDIO.CO M
P HOTO : DA N KVITKA
405
YUKI UCHIMURA
$ 3,000
Exist “the Floating Vessel”
5 x 5 x 10 in
Signed, 2012
Kilncast glass
Y UKI.G LASS.Y UKI@G MA IL .CO M
406
C. MIGUEL UNSON
$2,000
Proposal to Designate Boundaries
4 x 17 x 17 in
Signed, 2013
Cast and slumped glass
MIG UELUNSO N@G MA IL .CO M
407
MIG UELUNSO N.CO M
RICK AND JANET NICHOLSON
$ 3,200
Black as Night
16 x 6 x 15 in
Signed, 2014
Free hand blown and hot-sculpted glass
JA NET@NICHO LSO NBLOWNG LASS.CO MNICH O LSO NBLOWNG LASS.CO M
TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM
85
408
DAVID PATCHEN
$7,900
Bloom
20 x 10 x 17 in
Signed, 2014
Blown and hot-sculpted glass, murrine
[email protected] M
409
DAVIDPATCHEN.CO M
JUSTIN PARKER
$ 3,600
Red Gun Drip
11½ x 7½x 14½ in
Signed, 2013
Blown and solid-sculpted hot glass
JUSTIN@ESQ UE- STUDIO.CO M
ESQ UE- STUDIO.CO M
P HOTO : BO O NE SP EED P HOTO G RA P HY
410
ANDI KOVEL
$ 4,000
Nevermore
24 x 11½ x 10½ in
Signed, 2013
Bold blown and hand-sculpted glass, steel base
A NDI@ESQ UE- STUDIO.CO M
ESQ UE- STUDIO.CO M
P HOTO : BO O NE SP EED P HOTO G RA P HY
411
MARITA DINGUS
Girl in Yellow Party Dress
20 x 9 x 2 in
Unsigned, 2006–2014
Cast glass, mixed media
MA RITA DINUS@G MA IL .CO M
86
$ 800
412
MEGAN STELLJES
$1,500
Sailing
5 x 5 x 11 in
Signed, 2014
Glass, decal
MEG A N.STELLJES@G MA IL .CO MMEG A NSTELLJES.CO M
VETRI@VETRIG L ASS.CO M VETRIG L ASS.CO M
413
HELEN TEGELER
$1,300
Split 4
15 x 2½ x 15 in
Signed, 2014
Fused glass
H ELENTEG ELER@G MA IL .CO M
414
H ELENTEG ELER.CO M
ABI SPRING
$2,500
Water Glass 2
1 x 11½ x 16 in
Signed, 2014
Kiln-formed color-shift glass, enamels
A BI@A BISP RING .CO M
A BISP RING .CO M
JUROR S C H OIC E AWA R D
415
RYO SEKINO
$700
Goblet
Set of three: each 3½ x 3½ x 9½ in
Signed, 2014
Blown glass
INFO @RYO SEKINO.CO MRYO SEKINO.CO M
87
416
KRISTOFF KAMRATH
$2,058.90
Momento Mori (Sic Transit Gloria Mundi)
8 x 6 x 8 in
Signed, 2013
Hot mold-blown, coldworked glass
KRISTO FFKA MRATH .CO M
417
CRYSTAL STUBBS
$ 6,000
Trinity
23 x 13 x 13 in
Signed, 2012
Hot-sculpted, solid glass, cast lead crystal bases
CRYSTA LSTUBBSG LASS.CO M
KIRRA@KIRRA .CO M
KIRRAG A LLERIES.CO M
418
JUSTIN GINSBERG
$ 4,200
A Mile of Glass Coiled into a Box
16 x 16 x 4 in
Signed, 2013
5280' of hand pulled glass fibers
JUSTIN. ELLIOT.G INSBERG @G MA IL .CO MJUSTING INSBERG . NET
RO 2A RT.CO M
419
SASHA TEPPER-STEWART
$1,400
Apis
11 x 2½ x 10 in
Signed, 2014
Hot-sculpted glass
SASH ATEP P ERSTEWA RT@G MA IL .CO M
SASH ATEP P ERSTEWA RT.CO M
MRIFFKIND@KIT TRELLRIFFKIND.CO MKIT TRELLRIFFKIND.CO M
88
420
MARK LEPUTA
$ 5,000
Perpetual Light
12½ x 9½ x 8½ in
Signed, 2014
Blown glass, coldworked and epoxied
ML EP UTA@H OTMA IL .CO M MA RKL EP UTA .CO M
421
PATRICK COLLENTINE
$ 800
Directional Arrow Series, Turn Here
20 x 20 x 4 in
Unsigned, 2014
Illuminated neon sculpture
TESLA NEO N@G MA IL .CO M TESLA NEO N.CO M
422
JEFF BALLARD
$2,700
Hung Up
22 x 11 x 13 in
Signed, 2014
Blown glass pillow, etched and solid worked glass, wood,
found pitchfork
JBA LLA RD210@G MA IL .CO M
JEFFBA LLA RDG LASS.CO M
P HOTO : KELLY LYO N
423
LAURA MURDOCH
$2,500
Jade Emperor
18 x 18 x 4 in
Signed, 2014
Thrice-fired and patterned, fused, slumped, and buffed flat
bullseye glass
LJMFAST5@G MA IL .CO M MURDO CHG LASS.CO M
89
424
RUTH ANN WHITE
$2,400
The Endless Spill of Particles
3 x 19 x 36 in
Unsigned, 2013
Pate de verre, fused and carved glass sheet, antique tray
425
KARINA GUEVIN, CEDRIC GINART
$ 6,000
The King Garden
8 x 8 x 36 in
Signed, 2014
Flameworked glass
INFO @KA RINAG UEVIN.CO MKA RINAG UEVIN.CO M
SA NDRA A INSLEYG A LL ERY.CO M
426
ANTOINE PIERINI
$ 5,700
Weightlessness
35 x 14 x 28 in
Signed, 2014
Hot glass, carved with diamond disk
P IERINI.FR
427
KELLY O’DELL
$ 5,500
Whisper
13 x 14 x 14 in
Signed, 2013
KELLSO DELL@HOTMA IL .CO M
90
KELLYO DELLG L ASS.CO M
428
ERIKA KOHR ISLAND
$1,900
The Seedlings
4½ x 6½ x 7 in
Unsigned, 2010
Handblown, sculpted, sandcarved glass
ERIKA@KO H R.O RG 429
ERIKA ISL A NDG L ASS.CO M
SCOTT DARLINGTON
$ 3,500
Chochin (Ramen)
12 x 12 x 22 in
Signed, 2013
Blown glass, graal
SCOT TY DA RL INGTO N@H OTMA IL .CO M
430
SCOT TY DA RL INGTO N.CO M
CHUCK LOPEZ
$1,800
Thales
4 x 6 x 18 in
Signed, 2014
Blown glass, murinni
CHUCKLO P EZ57@YA HO O.CO M
VETRI@VETRIG L ASS.CO M
VETRIG L ASS.CO M
431
KARSTEN OAKS
$ 4,000
Arc
12 x 6 x 12 in
Unsigned, 2014
Cold-constructed optic glass
CO NTACT@KA RSTENOA KS.CO M
KA RSTENOA KS.CO M
91
432
CHERYL ZAHNISER
$ 900
Pilchuck Owl
22 x 10 x 22 in
Signed, 2014
Fired enamels on spectrum white glass
CHERY L _ ZA H NISER@YA H O O.CO MCH ERY L ZA H NISER.CO M
A L KIA RTS.CO M
433
LAURA L GOODWIN
$2,800
L’Estate Rosa (Ruby Summertime)
6½ x 2½ x 8 in
Signed, 2014
Blown, solidworked, cast, cut, and polished glass
MA RY @TH EWILL IA MA NDJO SEP H G A LLERY.CO M
THEWILLIA MA NDJO SEP H G A LLERY.CO M
434
JASON B. GAMRATH
$7,500
Macro Flora
12 x 12 x 12 in
Signed, 2014
Glass, steel
JASO N@JASO NG A MRATHG LASS.CO M
JASO NG A MRATHG LASS.CO M
INFO @HA BATAT.CO MHA BATAT.CO M
435
ANDREA DEZSÖ
$1,000
Ghost Chandelier
24 x 13 in
Signed, 2012
Vitreograph, framed
A NDREA DEZSO @G MA IL .CO MA NDREA DEZSO.CO M
MA RG O L IS@NA NCY MA RG O LISG A LLERY.CO M
NA NCY MA RG O LISG A LL ERY.CO M
92
436
EVERETT HIRCHE
$1,250
Bow Time
3 x 15 x 8 in
Signed, 2014
Veil cane roll-up, carved on lathe
EMH IRCHE@G MA IL .CO M
437
STEVE KLEIN AND MAX BENJAMIN $ 4,700
Untitled Diptych
1 x 43 x 18 in
Signed, 2014
Kiln-formed glass
DKSK@EA RTH LINK .NETMA X MBENJA MIN.CO M
438
AMY RUEFFERT
$2,200
Pear (Dalmation)
14 x 5½ x 5½ in
Signed, 2011
Blown, fused and cold worked glass, decals
A MY [email protected] M A MY RUEFFERT.CO M
439
MANNY KRAKOWSKI
$2,200
Constructions and Frameworks
13 x 9 x 27½ in
Signed, 2014
Sculpted glass, blown glass, wood, hardware, shoelace
MA NNY @MA NNY KRA KOWSKI.CO M
MA NNY KRA KOWSKI.CO M
93
440
JIMMY ANDEREGG
$2,500
Full Metal
6¼ x 5 x 13½ in
Signed, 2014
Engraved glass
JIMMY [email protected] M
441
A NDEREG G G LASS.CO M
STEVE FUNK AND PAUL NELSON
$2,500
Rhapsody
19 x 11 x 9½ in
Unsigned, 2013
Blown glass
SH FUNK@CO MCAST. NETFUNK- G LASS.CO M
442
RYO SEKINO
$1,200
Untitled
6 x 6 x 27 in
Signed, 2014
Blown glass
INFO @RYO SEKINO.CO MRYO SEKINO.CO M
443
JASEN JOHNSEN
$1,000
Skull Panel
11 x 3 x 6 in
Signed, 2014
JASEN@WILLENBRINKJO HNSEN.CO M
94
WILLENBRINKJO H NSEN.CO M
444
KIM HARTY
$1,000
Old Venetian Glass, Plate 21
13 x 19 in
Signed, 2013
Digital print, framed
KIMHA RTY @G MA IL .CO MKIMH A RTY.CO M
445
PARTY FOR 15 AT KAIT RHODES’ STUDIO$ 800
Have an intimate event for you and your friends at artist Kait Rhoads’ studio in
the historic Bemis Building, near to Safeco Field. The view from the fourth floor
looking north toward Seattle is perfect for a sunset party amidst Kait Rhoads
artwork. Includes parking, beer, wine & hors d’oeuvres.
Valid until October 24, 2015. Party to be scheduled at a mutually agreeable date
around events in the SODO area.
Kait received her BFA from Rhode Island School of Design in 1993, her MFA
from Alfred University in 2001 and in the same year she received a Fulbright
grant to study sculpture in MuraUnsigned, Venice. She uses traditional Italian
techniques as a base to create sculpture, vessels and jewelry.
BEMISBUILDING .CO M
KA ITRH OA DS.CO M
I WAS ABLE TO REFINE MY UNDERSTANDING
OF WHAT MOTIVATES MY WORK.
Morga n M ad iso n
Student, 2014
95
Chicago
November 4 - 9, 2014
Brunch Reception: Saturday, November 8
Please contact AAP for details
Exhibition location: Moonlight Studios
1446 W Kinzie Street, Chicago IL 60642
760.895.8658
www.austinartprojects.com
[email protected]
This page: Oben Abright Michael 2014, blown and cast glass, oil paint, cement, 51 x 24 x 24 inches, photo: Taylor Sherrill
Following page detail: Karen LaMonte Kabuki 2013, cast glass, ed of 3 + 2 AP, 59 3/4 x 31 3/4 x 21 inches, photo: Martin Polak
OBEN
ABRIGHT
KAREN LaMONTE
Ukiyo | Chicago
November 4 - 9, 2014
Reception: Friday November 7, please contact AAP for details
Exhibition location: Zhou B Art Center
1029 W 35th Street, Chicago IL 60609
760.895.8658
www.austinartprojects.com
[email protected]
Austin Art Projects congratulates Pilchuck Glass School on another successful year
and also Pilchuck alum Karen LaMonte on her two solo exhibitions during the 2015 Venice Biennale!
Museo del Vetro (Museum of Glass)
Fondamenta Giustinian 8, 30121 Murano
Museo di Palazzo Mocenigo (Museum of Fabrics & Costumes)
Santa Croce 1992, 30135 Venezia
Proud Supporter of the Pilchuck School of Glass
Celebrating 40 years of Helping our Clients and Friends
Realize their Success and Achieve their Goals
Kirkland | (425) - 250 - 0051 | http://www.vwc-cpa.com/
Step into my
office. Then
step into
your new
home.
MICHELE ANDERSON
Mortgage Consultant
206-595-2499
[email protected]
NMLS ID# 583049
Chihuly Garden and Glass is proud to support
Pilchuck Glass School and the many artists they inspire.
CHIHULYGARDENANDGLASS.COM
Sculpture
Objects
Functional
Art + Design Fair
November 7-9
Navy Pier
Opening Night Preview
Thursday, November 6
Silvia Levenson, David Richard Gallery
sofaexpo.com
GLASS AT PILCHUCK:
MAKING HISTORY
NOW ON VIEW
AT SEATTLE ART MUSEUM
Don’t miss this installation from SAM’s
collection of contemporary glass by artists
who were inspired by their time at the Pilchuck
School of Glass. Get tickets at visitsam.org.
Pink Macchia Single (detail), 1986, Dale Chihuly, American, b. 1941, blown glass, 17 1/2 x 26 x 25 in., Seattle Art Museum, Gift of Jon
and Mary Shirley, in honor of the 75th Anniversary of the Seattle Art Museum, 2005.209, © Dale Chihuly, Photo: Paul Macapia.
Sammamish Floor Covering is a
family-owned and operated business
servicing the Puget Sound for over 25
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Full-service flooring and countertop
contractor including design, supply, and
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Please Call: (425)-562-9246
Email: [email protected]
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Studio Matthews is pleased to support
Pilchuck Glass School with the design
of this year’s auction materials
studiomatthews.com
ITEM #447 ©2014 CHATEAU STE. MICHELLE, WOODINVILLE, WA 98072
May we suggest some art for your cellar?
The Artist Series from Chateau Ste. Michelle celebrates the inspired collaboration between artisan
winemaking and fine art. A Bordeaux-style blend of great elegance, power and longevity, the Artist
Series Meritage is artfully crafted from premiere vineyards in Washington state's Columbia Valley.
The Artist Series from Chateau Ste. Michelle will add an element of fine art to your wine collection.
Inspiration. Tradition. Collection.
A
R
T
I
S
T
S
ste-michelle.com
E
R
I
E
S
Dustin Yellin & eric Fischl
Narratives in Glass
Act of Drawing
etsuko ichikawa
Act of Drawing
september 10 - october 30
Winston Wächter Fine Art
203 Dexter Ave N Seattle, WA 98109
206.652.5855 [email protected]
www.winstonwachter.com
Lightness
Lightnessof
ofofBeing—New
Being—New
Being—NewSculpture—Howard
Sculpture—HowardBen
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Sponsored by Art Alliance for Contemporary Glass
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by
ArtTré,
Alliance
for Contemporary
Glass
1/2 1x/28xx88xinches.
Howard
Howard
Ben
Ben
Tré,
The
The
Lightness
Lightness
of Being
of Being
#6,#6,
2008.
2008.
Cast
Cast
glass,
glass,
cast
cast
bronze,
bronze,
andand
patina;
patina;
87 87
8 inches.
Howard
Ben
Tré,
The
Lightness of Being #6, 2008. Cast glass, cast bronze, and patina; 87 1/2 x 8 x 8 inches.
Courtesy
Courtesy
of
the
of
the
artist
artist
1/2 x 8 x 8 inches.
Howard
Ben
Tré,
The
Lightness
of
Being
#6,
2008.
Cast
glass,
cast
bronze,
and
patina;
87
Courtesy of the artist
Courtesy of the artist
museumofglass.org
museumofglass.org
museumofglass.org
museumofglass.org
Proud Supporters of the Pilchuck School of Glass
We are proud
to support
Pilchuck Glass
School in its
efforts to
inspire
creativity,
transform
individuals,
and build
community.
Anchorage. Bellevue. Los Angeles. New York. Portland.
San Francisco. Seattle. Shanghai. Washington, D.C. | dwt.com
© 2014 Davis Wright Tremaine LLP. All rights reserved. 877.398.8417
Absolutely Fine Concrete takes
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Exceptional customer service and
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off-handsculpted
sculpted
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and
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OpeningOctober
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Exhibition at Habatat Galleries Opening October 4th 2014
Offering
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finestinincontemporary
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Offering unique sculptures of the finest in contemporary glass
HHAABBAATTAATT GGAAL LL LE ERRI IE ES S
H4400
A Fernlee
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A T Ave.,
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glass
glass
glass art
art society
society
BecomeaamemBer
memBer
Become
Become a memBer
TheGlass
GlassArt
ArtSociety
Societyisisan
aninternational
international non-profit
non-profit organization
The
The Glass Art Society is an international non-profit organization
foundedinin1971.
1971.We
Westrive
striveto
tostimulate
stimulate communication
communication among
among artists,
founded
artists,
founded in 1971. We strive to stimulate communication among artists,
educators,students,
students,collectors,
collectors,gallery
gallery and
and museum
museum personnel,
personnel,
educators,
educators, students, collectors, gallery and museum personnel,
artcritics,
critics,manufacturers,
manufacturers,and
andall
allothers
others interested
interested in
in and
and involved
art
involved
art critics, manufacturers, and all others interested in and involved
with
the
production,
technology,
and
aesthetics
of
glass.
with
withthe
theproduction,
production,technology,
technology,and
and aesthetics
aesthetics of
of glass.
glass.
GASoffers
offers manygreat
great memberbenefits
benefits including four
four online issues
GAS
issues
GAS offersmany
many greatmember
member benefits including
including four online
online issues
GASnewsper
per year,access
access tothe
the Member Directory,
Directory, free classified
ofof
classified
ofGASnews
GASnews peryear,
year, accessto
to theMember
Member Directory, free
free classified
listings
on
the
GAS
website,
domestic
shipping
and
printing
discounts
listings
discounts
listingson
onthe
theGAS
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website,domestic
domestic shipping
shipping and
and printing
printing discounts
with FedEx, domestic insurance benefits and much more.
with
withFedEx,
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join us in san jose, ca
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June 5-7, 2015
5-7,2015
2015
June5-7,
June
Interface: Glass, Art, and Technology
Interface:Glass,
Glass,Art,
Art,and
and Technology
Technology
Interface:
The 44th annual GAS conference will feature prominent and emerging
The44th
44thannual
annualGAS
GASconference
conferencewill
willfeature
feature prominent
prominent and
The
and emerging
emerging
artists from
around the
world in demos,
lectures, and panels.
artistsfrom
fromaround
aroundthe
theworld
worldin
indemos,
demos, lectures,
lectures, and
and panels.
panels.
artists
Visit www.glassart.org
for more
information.
Visitwww.glassart.org
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Visit
6512 - 23rd Avenue NW, Suite 329, Seattle, WA 98117 USA
6512 - 23rd Avenue NW, Suite 329, Seattle, WA 98117 USA
6512
- 23rd AvenueF:NW,
Suite 329, Seattle,
WA 98117 USA
T: 206.382.1305
206.382.2630
www.glassart.org
[email protected]
T: 206.382.1305 F: 206.382.2630 www.glassart.org [email protected]
T:San
206.382.1305
F: 206.382.2630
Jose skyline, courtesy
of Team San Josewww.glassart.org [email protected]
San Jose skyline, courtesy of Team San Jose
San Jose skyline, courtesy of Team San Jose
Imagine is honored to support
Pilchuck Glass School
Photograph by Bruce Weitz Photography
Image Capture and Prepress Services
Large Format Printing
Digital Advertisement Development
4215 21st Ave. West Seattle, WA 98199 • www.imaginegroupservices.com • Phone 206.281.5703 Toll Free 866.462.4660
Primitive — Elegant III
A collaboration between Preston
Singletary and Dante Marioni
Premiering at SOFA Chicago
at the Navy Pier
November 7 – 9, 2014
Opening Night Preview:
Thursday, November 6th, 7 – 9 pm
Untitled
Blown and sand-carved glass
16.25" h x 10" d
Blue Rain Gallery
130 Lincoln Avenue, Suite C
Santa Fe, NM 87501
505.954.9902
Blue Rain Contemporary
7137 East Main Street
Scosdale, AZ 85251
480.874.8110
www.blueraingallery.com
Proud Supporters of the Pilchuck School of Glass
EXTERIOR STUCCO, INC.
Serving the East side and Seattle area with all of your stucco needs. Our company has both
the skills and expertise to handle complicated jobs with a focus on custom flashing details and
preventing water intrusion.
With years of experience and knowledge, clients are guaranteed reliable and quality service.
Lynwwod, WA | 425 - 673 - 5595 | [email protected]
THANK YOU PILCHUCK!
Encouraging artists worldwide of all disciplines
to explore the medium of GLASS.
( Also... a big part of the Best Seattle Tour Ever ~
with Schantz Galleries!! March 2015 )
Exhibiting at SOFA Chicago, Lino Tagliapietra, Fenice Installation (detail) 2014
photo: Russell Johnson
SCHANTZ
GALLERIES
CONTEMPORARY ART
3
elm street, stockbridge
massachusetts 413· 298· 3044
W W W ·
S C H A N T Z G A L L E R I E S ·
C O M
on view at Traver Gallery October 2nd - November 2nd:
Preston Singletary He Who Spins Illusions
April Surgent 64º South
Is pleased to support the
Pilchuck Community
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Long Shadows
DISTINGUISHED WINERIES & VINEYARDS
Congratulations to the Pilchuck Glass School and
it’s creative founder Dale Chihuly for their spectacular
international success and recognition.
Come visit us in Walla Walla and see the finest Chihuly exhibit east of the Cascades.
Woodinville: 14450 Woodinville-Redmond Road, #105 • Phone: (425) 408-1608
Walla Walla: 1604 Frenchtown Road • Phone: (509) 526-0905 • www.longshadows.com
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The combined
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DM Construction Siding, Inc.
DM Construction is a premier siding,
deck, and foundation company
serving the Greater Seattle area. DM
Construction specializes in making
the exterior of homes both beautiful
and weather protected.
Guaranteed exceptional service,
quality products and installation.
Happy to be serving and developing
long-time clients for many years.
253 - 632 - 6080 | [email protected]
THANKS
FO UN DERS
Dale Chihuly
Anne Gould Hauberg
John H. Hauberg (1916–2002)
B OAR D OF TRUSTEES
Timothy D. Noonan, President
C. Kent Carlson, Vice President
Dana M. Reid, Vice President
Amy Stonecipher, Secretary
John R. Price, Treasurer
Randy Lert, Past President
Ellen S. Bakke
Patty Barrier
Rebecca Benaroya
Daymon Bruck
Leigh Canlis
Leslie J. Chihuly
Anthony F. Cole
Fritz Dreisbach
Steven Funk
Deb Gross
Judy Heller
David Kaplan
Steve Klein
Stephen J. Kutz
Jon C. Liebman
Roger MacPherson
Carol Maione
Mickey J. Mandel
Dante Marioni
Benjamin P. Moore
Ann M. Morrison
Barry W. Morse
Bruce M. Morse
Tina Orr-Cahall
Fay H. Page
Steven Pinsky
Scott Rabinowitz
Anne Cohen Ruderman
Norman B. Sandler
Dorothy Saxe
R. Bryce Seidl
Larry Sheer
Allen Shoup
Elizabeth A. Sicktich
Preston L. Singletary
Ethan M. Stern
Susan Stinsmuehlen-Amend
Joan W. Stonecipher
April Surgent
Patricia A. Wallace
Richard Wortley
Mark Zirpel
James Baker, Ex Officio
Corinne Cowan, Ex Officio
Nick Mount, Ex Officio
Durk Valkema, Ex Officio
Y EAR -ROUND STA F F
Rebecca Arday, Education Coordinator
Tina Aufiero, Artistic Director
James Baker, Executive Director
Angie Battalio-Bunker, Development Coordinator
Margo Beaver, Special Events Assistant
Jennifer Elek, Senior Operations Technician
Carlos Esparza, Marketing and
Communications Coordinator
Whitney Hazzard, Director of Development
Justin Parisi-Smith, Campus Operations Coordinator
120
Kerry Schmidt, Buildings and Grounds Coordinator
Liesl Schubel, Registrar
Chris Seidl, Staff Accountant
Ben Sharp, Studio Technician
Kim Sharp, Storekeeper and Supplies Coordinator
Talia Silveri, Special Events Manager
Jan Spangler, Director of Finance
Cecily Stern, Grant Writer
Harold Watrous, Buildings and Grounds Assistant
L EG ACY SOCIETY
William B. and Ann Burstiner
Anne Gould Hauberg
David Kaplan and Glenn Ostergaard
Darle and Pat Maveety
Benjamin Moore
Janel Neiman
Timothy D. Noonan
David Pollart
Ryan Matthew Porter
Megan Pursell
Dorothy Saxe
Mathilde Brown Swanson
The Legacy Society was established as a means of securing the future for Pilchuck Glass School and ensuring that
upcoming generations of artists have the opportunity to benefit from the education and inspiration Pilchuck offers.
By making a planned gift, you are nourishing future growth, exploration, and education of artists working in the world
of glass art. Through your thoughtful generosity, your gift will allow others to explore their creativity in glass within a
vibrant community of artists. If you would like to become a member of the Legacy Society, at any level, please contact
Whitney Hazzard, Director of Development, at (206) 621-8422, extension 27.
TRUSTEE CIRCLE
Cindy Abrahamson, Edmonds, WA
Tom Alberg, Seattle, WA
Chap Alvord, Seattle, WA
Dale Anderson, Palm Beach, FL
Doug Anderson, Palm Beach, FL
Parks Anderson, Seattle, WA
Jeffrey Atkin, Bellevue, WA
Carol Auerbach, Jupiter, FL
Bruce R. Bachmann, Glencoe, IL
Patricia M. Baillargeon, Seattle, WA
Daniel Baty, Seattle, WA
Alan G. Benaroya, San Diego, CA
David Bennett, Poulsbo, WA
Alan Black, Seattle, WA
Adelaide Blomfield, Seattle, WA
Betty L. Blount, Seattle, WA
Gretchen M. Boeing, Clyde Hill, WA
Linda Bonica, Seattle, WA
Thomas Bosworth, Seattle, WA
Ron Brill, Atlanta, GA
Susan Brotman, Medina, WA
Jeannie Butler, Seattle, WA
Dale Chihuly, Seattle, WA
Corinne E. Cowan, Bellevue, WA
Anne E. Croco, Seattle, WA
Ron Crowell, Ashland, OR
Sherry Davidson, Asheville, NC
Sarah Davies, Seattle, WA
Michelle DiJulio, Mercer Island, WA
Manya Drobnack, Mercer Island, WA
Kate Elliott, Bend, OR
Robert Fisher, Pomona, NY
Gary Glant, Seattle, WA
Vicki Glant, Seattle, WA
Katherine Gray, Los Angeles, CA
Judy Greenstein, Mercer Island, WA
Mark T. Haley, Tacoma, WA
Mark Hamilton, Seattle, WA
Lee Harris, Chicago, IL
Mila Hart, Solvang, CA
Anne Gould Hauberg, Bellevue, WA
Jim Henderson, San Francisco, CA
Johanne B. Hewitt, Tacoma, WA
John Hewitt, Tacoma, WA
Henry L. Hillman, Portland, OR
C. David Hughbanks, Seattle, WA
Paul Isaki, Seattle, WA
Spence Jackson, Austin, TX
Phillip Jacobson, Issaquah, WA
Gaylord Kellogg, Seattle, WA
Duff Kennedy, Seattle, WA
Joey Kirkpatrick, Seattle, WA
Frank R. Kitchell, Seattle, WA
Leonard Klorfine, Philadelphia, PA
Bill Kopman, Palm Beach Gardens, FL
Fraeda Kopman, Palm Beach Gardens, FL
Jackie Kotkins, Seattle, WA
Stephen J. Kutz, Seattle, WA
Jack Lenor Larsen, East Hampton, NY
David Leland, Seattle, WA
Dan Levitan, Seattle, WA
Christina Lockwood, Seattle, WA
Dianne Loeb, Seattle, WA
Ruby Smith Love, Seattle, WA
Stuart Mandel, Medina, WA
Darle Maveety, Palo Alto, CA
Josiah G. McElheny, Brooklyn, NY
JJ McKay, Seattle, WA
Ginny Meisenbach, Seattle, WA
William Morris, Stanwood, WA
Robert L. Ness, Seattle, WA
Babo Olanie, Seattle, WA
Sean O'Neill, Seattle, WA
Christina Orr-Cahall, Seattle, WA
John Otter, Mercer Island, WA
Nathaniel B. Page, Seattle, WA
H. Stewart Parker, Seattle, WA
Laura Partridge, University Place, WA
Benson Pilloff, Chapel Hill, NC
Francine Pilloff, Chapel Hill, NC
David Pollart, Mercer Island, WA
Warren G. Poole, Portola Valley, CA
Ryan Matthew Porter, Seattle, WA
Rodney Proctor, La Conner, WA
Doug Raff, Seattle, WA
John D. Ritchie, Vancouver, WA
J. Thurston Roach, Seattle, WA
Connie Rogel, Port Ludlow, WA
Betsy Rosenfield, Lake Forest, IL
Doug Rowan, Kirkland, WA
Randy Rubenstein, Seattle, WA
Ginny Ruffner, Seattle, WA
Eric Russell, Gig Harbor, WA
Sheri Schultz, Seattle, WA
Erick Shirley, Vail, CO
John B. Simpson, Port Ludlow, WA
Samuel H. Smith, Seattle, WA
Sue Solomon, Mineral Ridge, OH
Susan Steinhauser, Los Angeles, CA
Linda Stone, Bellevue, WA
Mathilde Brown Swanson,
Des Moines, IA
Richard Swanson, Des Moines, IA
Robert Thurston, Seattle, WA
Richard L. Weisman, Seattle, WA
Laura Whitaker, Vashon, WA
Peter Wright, Seattle, WA
Cheryl Zahniser, Seattle, WA
Comprised of all past trustees of Pilchuck Glass School since the founding of the board in 1988, the Trustee’s Circle
recognizes and engages individuals who have been integral to the school’s growth and development. Today they serve
as advocates in the communities which they live while often remaining active and generous supporters of the school.
121
THANKS
L EADERSHIP COUNCI L
Victoria M. Ahmadizadeh
Rik Allen
Shelly Muzylowski Allen
Chap and Eve Alvord
Elias and Karyl Alvord
James Anderegg
Dorothy Anderson
Jeff and Brenda Atkin
Carol Auerbach and Albert Berger
Tina Aufiero
David Austin
Bruce Bachmann
James Baker and Laura Dixon
Ellen Bakke
Jeff Ballard
Patty and Jimmy Barrier
Rick Bartow
Rebecca Benaroya
Loretta Bennett
Stine Bidstrup
Nancy Blair
Cal Breed
Jeffrey and Susan Brotman
Shannon and Scott Brunskill
Jean-Pierre and Leigh Canlis
Alexandra Cannon
Deborah Carlson
Kent and Sandra Carlson
Chateau Ste. Michelle
Dale and Leslie Chihuly
Jim Clark
Benjamin Cobb
Adam G. Cohen
Michele and Martin Cohen
Katherine and W.T. Cook
Corning Incorporated Foundation
Amber Cowan
Scott Darlington
Kirk and Elizabeth Day
Anthony Di Re
Laura Donefer
Fritz Dreisbach
Benjamin Edols
Jen Elek
Bella Feldman
Daniel Friday
Steven and Marsha Funk
Jason B. Gamrath
Kathy Alvord Gerlich
Justin Ginsberg
Glass Alliance of Los Angeles
Laura L. Goodwin
Deb and John Gross
Lauren Grossman
Karina Guevin
K.T. Hancock
Lee and Tarie Harris
Anne Gould Hauberg
Sue Hauberg
Jessica and Todd Havens
Judy and Stuart Heller
Katrina Hude
Etsuko Ichikawa
Jean K. Lafromboise Foundation
Steve Jensen
Mike and Diane Johansson
George and Jane Kaiser
David Kaplan and Glenn Ostergaard
Steve Klein
Leonard and Norma Klorfine
Sabrina Knowles
Andi Kovel
Stephen J. Kutz and Courtney Womack
Karen LaMonte
Mark Leputa
Walt Lieberman
Jon and Judith Liebman
J.P. Long
Roger and Nancy MacPherson
Carol Maione and Brian Marks
The Leadership Council recognizes donors to Pilchuck Glass School who make a major commitment ($2,500 and
above) to the school. This support includes one-time gifts within a calendar year and annual gifts that meet the
highest priority needs of Pilchuck, including undesignated funds and those designated for program areas, equipment
or facilities. Their generosity forms the foundation of our annual fundraising effort and for their generous support we
are enormously grateful!
122
L EA D ERSHIP COU NC IL C ONT.
Dante Marioni
Mark and Carol Hyman Fund
Richard Marquis
Amie Laird McNeel
Pamela Merriman and Sonja Ross
Charles and Colleen Mills
Benjamin Moore
John and Mitzi Morris
Bruce and Judy Morse
Barry Morse and Candice Connell
Nick Mount
Laura Murdoch
Cody F. Nicely
Rick and Janet Nicholson
Yumiko Noda
Timothy D. Noonan
Karsten Oaks
Kelly O’Dell
Nathaniel and Fay Hauberg Page
Jackie Pancari
Justin Parker
David Patchen
Michele and Kyle Peltonen
Morgan Peterson
Antoine Pierini
Steven and Babette Pinsky
Jenny Pohlman
David Pollart and Linda Struthers
Leigh Power
Janusz Pozniak
John and Joyce Price
Rodney Proctor and Lynn Ries
Doug Randall
Buffy Redsecker and Alan Chung
Dana Reid and Larry Hitchon
Chickie and Steve Rosen
Tom Rowney
David and Anne Cohen Ruderman
Larry Sadkin
Davide Salvadore
Norman B. and Elisabeth Sandler
Dorothy Saxe
R. Bryce and Chris Seidl
Ben Sharp
Larry and Randy Sheer
Allen and Kathleen Shoup
Elizabeth Sicktich and Douglas Barker
Preston Singletary
Anna Skibska
Raven Skyriver
Abi Spring
Rob Stern
Ethan Stern
Paula Stokes and John Sullivan
Amy and Michael Stonecipher
Joan W. Stonecipher
Crystal Stubbs
April Surgent
Lino Tagliapietra
The Caryll M. & Norman F.
Sprague Foundation
Theo Chocolate
Cappy Thompson
Joe Tsoulfas
Yuki Uchimura
Jennifer Umphress
Carmen Vetter
Patricia Weyer
William and Gail Weyerhaeuser
Danny White
Loren White
Karen Willenbrink-Johnsen
Ann Wölff
Richard and Barbara Wortley
Hiroshi Yamano
Lisa Zerkowitz
123
T H A N K YO U T O O U R 2 0 1 4 S U M M E R S TA F F
I N ST R UCTORS
Rik Allen
Shelley Muzylowski Allen
Rebecca Arday
Scott Benefield
Stine Bidstrup
Armelle Bouchet O'Neill
Heike Brachlow
Nancy Callan
Jonathan Chapman
Patrick Collentine
Brian Corr
Amber Cowan
Kéké Cribbs
Fred Curtis
Róisín de Buitléar
Niko Dimitrijevic
Mel Douglas
Timothy Edwards
Dan Friday
Cédric Ginart
Karina Guévin
Jin Won Han
Jim Harmon
Carrie Iverson
Jessica Julius
Silvia Levenson
Robert Lewis
Walter Lieberman
Jeff Mack
Kelvin Mason
Christopher McElroy
Amie McNeel
Lynn Everett Read
Erica Rosenfeld
Amy Rueffert
Nathan Sandberg
David Schnuckel
Ryo Sekino
Raven Skyriver
Aimee Sones
Anjali Srinivasan
Brynhildur Thorgeirsdóttir
Richard Whiteley
Kathryn Wightman
David Willis
Benjamin Wright
Sarah Gilbert
Justin Ginsberg
Jeremy Hansen
Marina Hanser
Josh Hargrave
Chris Harman
John Hedrick
David Hering
Otis (Opie) Hileman
Anna-Karin Johansson
Hideaki Kakurai
Shahid Khan
Jessica Landau
Austin Littenberg
Morgan Madison
JW May
Emily McBride
Maggie McCain
Meadhbh McIlgorm
Katie Miller
Dan Mirer
Joanne Mitchell
Harrison Neel
Jesse Nelson
Kenta Ohigashi
Dawn Passineau
Morgan Peterson
Madeline Prowd
Megan Randall
Michiko Sakano
Rui Sasaki
Jeremy Scidmore
Benjamin Sharp
Danny Shipley
Alison Siegel
Joseph Sircoulomb
Aoife Soden
Andrea Spencer
Michael Stevens
Erika Tada
Kazuki Takizawa
Erin Taylor
Sasha Tepper-Stewart
Brad Turner
Kat Twomey
Wes Valdez
Ron Vincent
Sunny Wang
Rachel Wright
Tadashi Yamamoto
Jon Yao
Jeff Zimmer
Jason Christian
Scott Darlington
John Hogan
Manny Krakowski
Sam McMillen
Treg Silkwood
Daryl Smith
Megan Stelljes
Robert Stern
TEACHING ASSISTA NTS
Deborah Adler
Victoria Ahmadizadeh
Brittany Arnold
Orion Becker
Nicole Berger
Annette Blair
Jason Blandford
Aaron Blendowski
Gabriel Bloodworth
Lydia Boss
Antoine Brodine
Shannon Brunskill
Brandyn Callahan
Alix Cannon
Ned Cantrell
Julie Conway
Mikey Cozza
Miguel Unson
Erin Dickson
Eric Edner
Tomonori Egawano
Beccy Feather
Jean Fernandes
Jason Forck
Raya Friday
David Frigon-Lavoie
GAFFE RS
Aaron Baigelman
Jeffrey Ballard
Annette Blair
Courtney Branam
Granite Calimpong
124
ARTISTS IN RESID E NC E
Miyoshi Barosh
Cris Bruch
Stephen Cartwright
Andrea Dezso
Laura Donefer
Bella Feldman
Nina Katchadourian
Amos Kennedy Jr.
Ruth King
Lili Maya
Tivon Rice
James Rouvelle
Whiting Tennis
Anna Mlasowsky
Amanda Patenaude
Leana Quade
Keunae Song
Megan Stelljes
Csilla Szilágyi
Elizabeth Thompson
Celeste Wilson
Hayley Fowler
Lancelot Fraser
Jay Galbreath
Alex Gibson
Henry Gibson
Morgan Gilbreath
Justin Ginsberg
Brianna Gluszak
Clare Grimes
Michael Hernandez
Zane Hettinga
Everett Hirché
Alexandra Horenberg
Kristoff Kamrath
Justin Kern
Melissa Kistler
Sophie Krauza
Jessica Landau
Natalie Legener
Zachary Lorenzetti
Monir Madkour
Kelvin Mason
Emily McBride
Maggie McCain
Conor McClellan
Donna McCord
Meadhbh McIlgorm
Alec Miller
William Miller
Paige Morris
Alexander Morrison
James Mulholland
Jason Murphy
Andrew Najarian
Rasmus Nossbring
Jesus Olivero
Jessica Ostrander
Amanda Patenaude
Neal Paustian
Cal Peak
Michelle Pennington
Lisa Piaskowy
Val Pohorsky
Dominic Pradetto
Leana Quade
Jonathan Rafael
Hannah Rarick
Yashodhar Reddy
Katharena Rentumis
Thomas Roubal
Katrina Rudolph
Jaynie Sanchez
Anika Sanders
Colton Scally
Kari Schneider
David Schnuckel
Evan Seeling
Kim Sharp
Kevin Sindler
Lusia Stetkiewicz
Lauren Stewart
Mary Stillwaggon
Emlyn Strzempka
Ryan Tanner
Helen Tegeler
David Townsend
Galen Turner
Kat Twomey
Kayla Wiles
ARTIST ASSISTA N TS
Adam Cohen
Michael Hernandez
James Labold
JP Long
Charles Matthey
S UMMER STA F F
Victoria Ahmadizadeh
James Akers
Wyatt Amend
Jimmy Anderegg
Nicole Anderegg
Josefin Andersson
Brendan Andrews
Amber Archdale
Rachel Arday
Rebekah Birkan
Christopher Bogle
Lydia Boss
Kevin Boylan
Scott Brunskill
Shannon Brunskill
Dahlia Bushwick
Abigail Carroll
Jim Clark
Nicholaus Clawson
Spencer Cleland
Charles Cohan
Sarah Cohen
Sander Cole
Gabriel Cosma
Greg Crooks
Marguerite Crooks
Abram Deslauriers
Dick Ditore
Richard Dobrzeniecki
Ruby Dorchester
David Drake
Dillon Dunbar
Jason Elliott
Jared Ellis
Jean Fernandes
Kelsey Finnie
125
126
GLOSSARY OF GLASS TERMS
BITS Pieces of molten glass snipped off a blowpipe or
punty and applied hot to a glass form.
MOLDBLOWN Glass formed into a shape by being blown
into a mold, typically made of wood, metal, or plaster.
CANE Thin rods of glass, usually with a twisted pattern
in multiple colors used to add pattern to blown glass.
MURRINE Patterned glass cane cut into sections in
order to form small disks that are used in decorating
glass or constructing glass forms.
DICHROIC Manufactured glass that is one color when
seen by reflected light and another color when light
shines through it. The effect can be achieved by applying
a dichroic coating to glass that otherwise would not have
this property.
ELECTROPLATE The process of adhering metal to glass
by dipping the glass into an electrically charged solution.
OVERLAY A thin layer of clear or colored glass on the
outside of a piece.
OFF-HAND Formed freehand on the end of a punty or
blowpipe. No mold is used.
ETCH To create a design by cutting away the surface of
finished glass with a tool or by treating it with acid.
PÂTE DE VERRE From French, meaning “glass paste.”
The paste is made from crushed glass and enamel paint.
It is applied to the surface of a mold and fired in a kiln at
high temperature.
FLAMEWORKING OR LAMPWORKING The process of
using a gas-fueled torch or lamp to heat glass rods for
sculpting, blowing, and beadmaking.
ROLL-UP In this process, multiple pieces of flat glass are
fused into a tile. The tile is reheated, rolled up onto a gather,
and then blown into a three-dimensional object.
FUSE To melt together two or more pieces of glass in
a kiln.
SANDBLAST To blow or blast sand onto a piece, etching
away layers of glass. Masking is used to create patterns.
GRAAL A glassblowing technique wherein a thick “blank”
or core form is blown, usually with two or more layers
of color. The blank is then engraved, bringing out the
underlying color, much as is done with a cameo. The
engraved blank is subsequently reheated and blown to
its full shape.
SANDCAST To ladle hot glass into a formed mold made
of specialized sand.
HOT CAST To ladle hot glass from a furnace into a mold
made of sand, steel, or plaster.
INCALMO A glassblowing process that joins two or
more bubbles of hot glass together, resulting in defined
bands of color in a vessel or object.
INSCISO A technique for patterning the surface of
glass by creating deep incisions, usually with handengraving tools.
KILN A high-temperature electric oven used for casting,
fusing, and slumping glass.
KILNCAST The use of a mold, usually plaster, filled with
crushed glass, which is melted in a kiln to produce a solid
glass form.
LAMINATE To use heat or glue to join pieces of glass.
LAMPWORKING See flameworking.
LOST WAX A method of casting whereby a wax or waxcoated model is embedded in clay and then baked so
that the wax melts and is “lost,” leaving a mold into which
hot glass is poured. The mold must be broken in order to
retrieve the cast object.
SCAVO Corrosive chemical material applied to the surface
of hot glass that gives the final piece a matte finish.
SCRUFFITTO The technique of adding color to the surface
of glass and then scratching it away, causing a reverse
image to appear.
SHARD A small fragment of glass. Colored shards may
be melted into a piece for decoration.
SLUMP To heat a sheet of glass in a kiln until it is
soft enough to assume the shape of a mold without
becoming molten.
SMALTI A soft, intensely colored Venetian glass that is
chipped into squares for use in creating traditional mosaics.
THREADS Thin strands of glass, usually colored,
that may be added to the glass in a variety of ways for
different effects.
VITREOGRAPHY The process of creating a print from
a glass plate.
WRAP A strand of glass, typically but not always of a
contrasting color, applied hot to a vessel.
ZANFIRICO A multi-colored cane made by gathering a
bundle of rods of different colors, and heating it until it is
soft. The bundle is attached to two pontils and elongated
by drawing. At the same time, the bundle is twisted to
produce a spiral pattern. Zanfirico, is a synonym for
vetro a retorti.
127
I N D E X O F D O N AT I N G A R T I S T S
ARTI STS
IT E M #
PAGE #
ART I STS
ITEM #
PAG E #
Adams, Beth
215
63
Branson, Kiley
201
60
Amend, Wyatt
318
74
Breed, Cal
47
41
Anderegg, Jimmy
440
94
Bruno, Roy
104
49
Ashman, Nick
110
50
Brunskill, Shannon
400
84
Baker, James
341
80
Campbell, Lee
306
71
Ballard, Jeff
422
89
Canlis, Jean-Pierre
42
39
Barosh, Miyoshi
402
84
Cannon, Alexandra
12
28
Barrett, Dolores
205
61
Carlson, Deborah
345
81
Bartow, Rick
20
31
Chakravarty, Jason
325
76
Benefield, Scott
45
40
Chase, Cathy
326
76
Benjamin, Max
437
93
Chihuly, Dale
30
35
Bert, Jeremy
4
25
Christian, Jason
35
37
Bidstrup, Stine
51
42
Clark, Jim
37
37
Bisetto, Gabriella
105
49
Clawson, Nicholaus
116
52
Bishop, Lyn
329
77
Cobb, Benjamin
36
37
Blair, Nancy
20
31
Collentine, Patrick
421
89
Blandford, Jason
126
54
Conway, Julie
219
64
Bloodworth, Gabriel
135
56
Cooper, Sarah Akhtar
211
62
Boothe, Anna
333
78
Cornelis, Jayne
117
52
Boss, Lydia
338
79
Cowan, Amber
17
30
Boylan, Kevin
108
50
Cozza, Mikey
328
77
Brachlow, Heike
1
24
Crescuillo, Jennifer
106
49
128
ARTISTS
IT E M #
PAGE #
ART I STS
ITEM #
PAG E #
Cronquist, Marlo
111
50
Elek, Jen
4
25
Cunningham, Paul
403
84
Elek, Jen
46
41
Darlington, Scott
429
91
Elliott, Jason
324
76
Davis, Nick
335
78
Escoe, Rachel
115
51
de Buitléar , Róisín
38
38
Feldman, Bella
49
42
De Caro, Pat
317
74
Fraser, Lancelot
309
72
Demaine, Martin
100
48
Friday, Daniel
35
37
Demaine, Erik
100
48
Frugé-Brown, Kathleen
118
52
Denison, Darin
403
84
Funk, Steve
441
94
Dezsö, Andrea
435
92
Gamrath, Jason
434
92
Dickson, Erin
336
79
Gibson, Alex
102
48
Dingus, Marita
411
86
Ginart, Cedric
425
90
Donefer, Laura
8
27
Ginsberg, Justin
418
88
Donefer, Laura
17
30
Glenn, Richard
320
75
Drake, Michael
313
73
Goodwin, Laura
433
92
Dreisbach, Fritz
9
27
Grossman, Lauren
330
77
Driscoll-Perez, Ashley
109
50
Guevin, Karina
425
90
Duperreault, K. Leah
218
64
Gyori, Colleen
303
70
Eaton, Matthew
124
54
Hagan, Steven
323
75
Edols, Ben
26
33
Hamilton, Tegan
122
53
Edwards, Kim
208
62
Hancock, KT
319
74
Eiji, Shiga
128
55
Hannigan, Frank
216
64
129
I N D E X O F D O N AT I N G A R T I S T S
ART I STS
IT E M #
PAGE #
ART I STS
ITEM #
PAG E #
Harty, Kim
444
95
Markus, Emilsson
332
78
Heath, Jeff
339
79
Marquis, Richard
33
36
Hirche, Everett
436
93
Matulich, Bill
308
72
Houk, Peter
100
48
McCain, Maggie
322
75
Howard, Kelly
131
55
McCord, Donna
134
56
Hude, Katrina
342
80
McDermott, Alex
133
56
Ichikawa, Etsuko
55
43
McDougall, Scott
112
51
Immerman, Steve
321
75
McLane, Shandra
100
48
Ira, Lujan
300
70
McNeel, Amie
52
43
Island, Erika
428
91
Misoda, Melissa
316
74
Jensen, Steve
43
39
Moore, Benjamin
28
34
Johnsen, Jasen
443
94
Mount, Nick
24
32
Joyce, Campbell
120
53
Murdoch, Laura
423
89
Kalderon, Danny
127
54
Nelson, Paul
441
94
Kamrath, Kristoff
416
88
Nicholson, Rick and Janet
407
85
Kartez, Jason
305
71
Noda, Yumiko
403
84
Kimball, Tyler
301
70
Noda, Osamu
403
84
King, David
119
52
Nojima, Reiko
204
61
Klein, Steve
437
93
O'Dell, Kelly
427
90
Klein, Steve
19
30
Oaks, Karsten
431
91
Knowles, Sabrina
27
34
Ogata, Kanami
114
51
Kovel, Andi
410
86
Pancari, Jackie
40
38
Krakowski, Manny
439
93
Parker, Justin
409
86
Kramer, Tia
213
63
Patchen, David
408
86
Kremen, Heather
315
73
Patenaude, Amanda
136
57
Legener, Natalie
334
78
Peg, Gyldenege
202
60
Leputa, Mark
420
89
Peterson, Morgan
12
28
Leslie, Goldstein
202
60
Pierini, Antoine
426
90
Leslie, Goldstein
203
60
Pittenger, Spencer
311
72
Levy, Marge
224
66
Pohlman, Jenny
27
34
Lieberman, Walt
18
30
Pohorsky, Valerie
137
57
Long, JP
401
84
Pozniak, Janusz
11
28
Lopez, Chuck
430
91
Puls, Lucy
132
56
Mack, Jeff
8
27
Puskarich, Heather Joy
210
62
Mack, Jeff
53
43
Rader, Rachel
310
72
Madison, Morgan
2
24
Randall, Doug
50
42
Marioni, Dante
22
31
Raphael, Jerry
220
65
Marioni, Marina
217
64
Rhoads, Kait
445
95
130
ARTISTS
IT E M #
PAGE #
ART I STS
ITEM #
PAG E #
Rodamer, Ryan
123
53
Tamm, Annette
314
73
Rowney, Tom
13
28
Tanner, James (Ryan)
200
60
Rueffert, Amy
46
41
Tegeler, Helen
413
87
Rueffert, Amy
438
93
Tepper-Stewart, Sasha
419
88
Ryan, Blythe
343
80
Thiel, Leslie
207
61
Salvadore, Davide
31
35
Thompson, Cappy
3
24
Satterfield, Colin
337
79
Thorgeirsdottir, Brynhildur
346
81
Schinelli, Lori
113
51
Timothy, Belliveau
327
76
Schmuck, Johnathon
312
73
Tsoulfas, Joe
304
71
Schulman, Alana
221
65
Uchimura, Yuki
405
85
Schulman, Alana
222
65
Umphress, Jennifer
5
25
Schulman, Alana
223
65
Unson, C. Miguel
406
85
Sekino, Ryo
442
94
Velkoff, Zachary
340
80
Sekino , Ryo
415
87
Vetter, Carmen
404
85
Sharp, Ben
39
38
Volpacchio, John
107
49
Sharp, Kim
331
77
Walsh, Jack
107
49
Singletary, Preston
32
35
Watrous, Hal
214
63
Skibska, Anna
16
29
Watrous , Hal
129
55
Skibska, Anna
225
66
Weiss, Dick
18
30
Skyriver, Raven
21
31
Weston, Lambert
347
81
Sones, Aimee
103
48
Weyer, Patricia
344
81
Spring, Abi
414
87
White, Danny
37
37
Ståhl, Rosita
125
54
White, Loren
48
41
Stanyon, Alex
212
63
White, Ruth Ann
424
90
Stellejs, Megan
412
87
White, Danny
38
38
Stendahl, Diane
206
61
Willenbrink-Johnsen, Karen
15
29
Stendahl, Diane
209
62
Wisdom, Juliana
101
48
Stenzel, Chris
121
53
Wolff, Ann
29
34
Stern, Rob
10
27
Yamano, Hiroshi
23
32
Stern , Ethan
14
29
Yardic, Tim
302
70
Stevens, Michael
53
43
Zahniser, Cheryl
432
92
Stinsmuehlen-Amend, Susan
7
26
Zerkowitz, Lisa
56
44
Strzempka, Emlyn
130
55
Stubbs, Crystal
417
88
Surgent, April
41
39
Tada, Erica
54
44
Tagliapietra, Lino
34
36
Takenouchi, Naoko
307
71
131
132
THANK YOU FOR
YOUR SUPPORT
133
T HA NK YO U TO O U R G E NE ROUS SP ONSORS
The ArtsFund
Foundation
Catalog design, Studio Matthews
Artwork and centerpiece photography, Ben Lerman
Summer session photography, Alec Miller, and Peter Kuhnlein at KP-Studios
All proceeds benefit Pilchuck Glass School
134
Corning Incorporated
Foundation
Jean K. LaFromboise
Foundation

pilchuck glass school fosters and educates a worldwide community

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