Love forbidden, not forgotten
Transcription
Love forbidden, not forgotten
2011-2012 Season Love forbidden, not forgotten Luisa Fernanda La rondine Rigoletto Roméo & Juliette © Michal Daniel for The Minnesota Opera ROMÉO & JULIETTE © Ken Howard for San Diego Opera RIGOLETTO © Carol Rosegg for New York City Opera LA RONDINE © Javier del Real for Teatro Real LUISA FERNANDA SUBSCRIBERS SEE 4 OPERAS FOR THE PRICE OF 3 Dear Florida Grand Opera Subscriber, Maestro Ramon Tebar and Bob Heuer I am delighted to invite you to join us for Florida Grand Opera’s 2011-2012 season, which will begin with our first-ever presentation of a zarzuela, Federico Moreno Torroba’s Luisa Fernanda, in a remarkable production from Madrid’s Teatro Real. Zarzuela, a traditional form of Spanish musical theater, has been championed by the world’s great Hispanic opera singers, including Montserrat Caballé, Pilar Lorengar, Alfredo Kraus, and Teresa Berganza. The great tenor Plácido Domingo actually began his magnificent career singing zarzuela and has kept it in his repertory over the years. This Teatro Real production has been seen at Milan’s La Scala, Washington National Opera, and Los Angeles Opera, and we are proud to be able to present it to our South Florida audience. It promises to be a highlight of the season. The season will also include Florida Grand Opera’s first-ever production of Puccini’s La rondine, which has been enjoying renewed worldwide popularity, and truly remarkable artists in productions of Verdi’s Rigoletto and Gounod’s Roméo et Juliette. I hope you will join me in welcoming FGO’s new Music Director, Ramon Tebar, who will assume that role during the 2011-2012 season. His conducting of our 2010 Lucia di Lammermoor and our recent Turandot has been enthusiastically received by our audience and critics alike, and his artistic vision and leadership will be an important contribution to our maintaining the highest musical standards. This is a season that I’m sure we will long remember, and I look forward to enjoying it with you! Sincerely, Robert M. Heuer General Director and CEO Photo of Luisa Fernanda © Javier del Real for Teatro Real FEDERICO MORENO TORROBA Florida Grand Opera presents its first zarzuela, Federico Moreno Torroba’s Luisa Fernanda. Zarzuela, a popular Spanish form of musical theater, incorporates both spoken dialogue and singing. Luisa Fernanda, which had its premiere in Madrid in 1932, is considered to be the last great romantic zarzuela. People throughout the Spanish speaking world are familiar with LUISA FERNANDA its great musical scenes. Luisa Fernanda takes place during the republican-monarchist conflicts of 1868 in Spain, during which Luisa, the heroine, finds herself in a romantic triangle with Javier, a dashing young army officer, and Vidal, a wealthy landowner. The production originates from Madrid’s Teatro Real and will be conducted by Pablo Mielgo and directed by Emilio Sagi. Below is an introduction to zarzuela by Plácido Domingo, who inspired this production. An introduction to zarzuela from an expert! Plácido Domingo Zarzuela is a traditional Spanish musical genre that is frequently compared to the works of Gilbert and Sullivan and the Viennese operettas of Johann Strauss. For most of you, zarzuela is merely a difficult word to pronounce. For me, the word zarzuela represents something very special — they are the lullabies I heard my parents sing during my first days of life as they gently cradled me in their arms. My parents were both great singers of zarzuelas — this very traditional and very beloved operetta-like music of Spain. Sung in Spanish with English and Spanish projected titles. A co-production of Florida Grand Opera and SaludArte Foundation. This production is made possible by a generous gift from Photos © Karin Cooper for Washington National Opera, Javier del Real for Teatro Real, and Armin Bardel for Theater an der Wien. Photo of Plácido Domingo © Greg Gorman for Los Angeles Opera. Subscribe Today! www.FGO.org or 800.741.1010 “Against my will, I have loved you always… when you loved me, when you long forgot me.” LUISA TO JAVIER, ACT III SET IN MADRID, SPAIN GIACOMO PUCCINI Written when Puccini was unquestionably the most popular opera composer in the world, La rondine is finally gaining the popularity it deserves, with new productions frequenting the world’s premiere opera houses and finest sopranos coveting the leading role of Magda. Its combination of romantic melodies and 20th century musical styles perfectly defines the atmosphere of Paris, where Magda abandons a comfortable life as a kept woman to pursue true romantic love in the south of France. La rondine means “the swallow” and refers to the bird that flies south for the winter. Magda is faced with circumstances that force her to be completely honest with herself; heartbroken, she returns to Paris and her LA RONDINE old life. Following her triumphant performance as Liù in Turandot, soprano Elizabeth Caballero returns to FGO to sing Magda’s ravishing music. CAST MAGDA Elizabeth Caballero LISETTE Corinne Winters PRUNIER Daniel Shirley/James Barbato RAMBALDO Craig Colclough Elizabeth Caballero PRODUCTION CONDUCTOR Ramon Tebar DIRECTOR Nicola Bowie PRODUCTION DESIGNER Ralph Funicello COSTUME DESIGNER Sam Kirkpatrick Corinne Winters Craig Colclough Sung in Italian with English and Spanish projected titles. This production is made possible by a generous gift from the Arthur F. and Alice E. Adams Foundation and the Adams Supporting Foundation. Photos © Carol Rosegg for New York City Opera. Subscribe Today! www.FGO.org or 800.741.1010 “If I could live again the joy of that hour!” MAGDA, ACT I SET IN PARIS, FRANCE GIUSEPPE VERDI The deformed court jester Rigoletto is famous for mocking the husbands of the women the Duke has seduced. When Rigoletto’s own daughter, whom he has kept carefully hidden, falls victim, he vows to have revenge. But repaying evil with evil goes horribly wrong, and Rigoletto learns that he has reaped what he has sown. This first work of Verdi’s maturity began a series of masterpieces that would come to define Italian grand opera. Rigoletto has continued to fascinate and thrill audiences for more than 150 years. Outstanding American baritone Mark Walters returns to FGO in the title role, and fresh from their debuts at the Metropolitan Opera, tenor Michael Fabiano and former FGO Young Artist Rachele Gilmore appear as RIGOLETTO the Duke and his victim Gilda. CAST THE DUKE Michael Fabiano RIGOLETTO Mark Walters GILDA Rachele Gilmore COUNT MONTERONE Joo Won Kang SPARAFUCILE Ray Aceto MADDELENA Dana Beth Miller Michael Fabiano PRODUCTION CONDUCTOR Andrew Bisantz DIRECTOR Jeffrey Marc Buchman Mark Walters Rachele Gilmore Sung in Italian with English and Spanish projected titles. Photos © Ken Howard for San Diego Opera. Subscribe Today! www.FGO.org or 800.741.1010 “Give an old man back his daughter; it costs you nothing, and she is everything in the world to me.” RIGOLETTO, ACT II SET IN MANTUA, ITALY CHARLES GOUNOD Shakespeare’s famous play has inspired many operas over the years, but ROMÉO & JULIETTE breathtaking love duet at sunrise to the opera’s shattering conclusion in the none as enduring or successful as Charles Gounod’s creation. From the tombs of the Capulets, Gounod’s lushly romantic music captures perfectly the unrestrained passions of youth and the tragedy visited on the lovers and their bitter rival families. Soprano Sarah Coburn returns to FGO as Juliette, following her highly acclaimed Rosina in our 2010 production of Rossini’s The Barber of Seville. French tenor Sébastien Guèze, who sings Christian in FGO’s production of Cyrano, returns to FGO as Roméo. CAST ROMÉO Sébastien Guèze JULIETTE Sarah Coburn MERCUTIO Jonathan G. Michie FRIAR LAURENT Craig Colclough Sarah Coburn PRODUCTION CONDUCTOR Joseph Mechavich DIRECTOR David Lefkowich PRODUCTION DESIGNER Erhard Rom COSTUME DESIGNER Jennifer Caprio Sébastien Guèze Jonathan G. Michie Sung in French with English and Spanish projected titles. This production is made possible by a generous gift from Randy Gage. Photos © Michal Daniel for The Minnesota Opera. Subscribe Today! www.FGO.org or 800.741.1010 “But what sudden light through yonder window breaks?” ROMÉO, BENEATH JULIETTE’S WINDOW, ACT II SET IN VERONA, ITALY Miami PERFORMANCES SANFORD & DOLORES ZIFF BALLET OPERA HOUSE Adrienne Arsht Center for the Performing Arts of Miami-Dade County 1300 Biscayne Boulevard Miami, FL 33132 www.FGO.org F 800.741.1010 Buy 3 operas and get 1 free Four operas in Miami* Ticket Price per Subscription $752 $676 $676 $676 $528 $388 $388 $236 $236 $148 $108 $64 Tax-Deductible Donation with this Seat $3,500 $1,500 $500 $500 — — $250 — — — — — SAT 7 PM Nov 12 Jan 21 Jan 28 Apr 21 Total Price per Subscription $4,252 $2,176 $1,176 $1,176 $528 $388 $638 $236 $236 $148 $108 $64 TUE 8 PM Nov 15 Jan 24 Jan 31 Apr 24 Ticket Price per Subscription $500 $388 $388 $388 $288 $236 $236 $184 $184 $84 $64 $32 WED 8 PM Nov 23 Feb 1 Feb 8 May 2 Tax-Deductible Donation with this Seat $475 $150 $100 $100 — — $100 — — — — — SUN 2 PM Nov 20 Jan 29 Feb 5 Apr 29 Total Price per Subscription $975 $538 $488 $488 $288 $236 $336 $184 $184 $84 $64 $32 OPENING NIGHT SATURDAYS Luisa Fernanda La rondine Rigoletto Roméo et Juliette Seating Section First Tier n Grand Tier Box Orchestra Level n Prime Orchestra Rows A-J n Prime Orchestra Rows K-T n Orchestra Box n Front Orchestra n Orchestra Circle Second Tier n Mezz Box/Mezz Row A n Mezz Rows B-G Third Tier n Lower Balc Box/LB Row A n Lower Balc Rows B-H Fourth Tier n Upper Balc Box/UB Row A n Upper Balc Rows B-N TUESDAYS • WEDNESDAYS • SUNDAYS Luisa Fernanda La rondine Rigoletto Roméo et Juliette Seating Section First Tier n Grand Tier Box Orchestra Level n Prime Orchestra Rows A-J n Prime Orchestra Rows K-T n Orchestra Box n Front Orchestra n Orchestra Circle Second Tier n Mezz Box/Mezz Row A n Mezz Rows B-G Third Tier n Lower Balc Box/LB Row A n Lower Balc Rows B-H Fourth Tier n Upper Balc Box/UB Row A n Upper Balc Rows B-N FRIDAYS • SECOND SATURDAYS Luisa Fernanda La rondine Rigoletto Roméo et Juliette Seating Section First Tier n Grand Tier Box Orchestra Level n Prime Orchestra Rows A-J n Prime Orchestra Rows K-T n Orchestra Box n Front Orchestra n Orchestra Circle Second Tier n Mezz Box/Mezz Row A n Mezz Rows B-G Third Tier n Lower Balc Box/LB Row A n Lower Balc Rows B-H Fourth Tier n Upper Balc Box/UB Row A n Upper Balc Rows B-N Ticket Price per Subscription $676 $528 $528 $528 $388 $288 $288 $204 $204 $112 $84 $60 FRI 8 PM Nov 18 Jan 27 Feb 3 Apr 27 Tax-Deductible Donation with this Seat $1,000 $500 $250 $250 — — $125 — — — — — SAT 8 PM Nov 26 Feb 4 Feb 11 May 5 Total Price per Subscription $1,676 $1,028 $778 $778 $388 $288 $413 $204 $204 $112 $84 $60 For a detailed seating map, go to www.fgo.org/maps *Prices reflect a 25% discount off single ticket prices. Buy 3 operas and get 1 free Three operas in Fort Lauderdale and one opera in Miami* Seating Section Orchestra Level n Prime Orchestra Rows H-S n Prime Orchestra Rows T-Z n Orchestra Box n Front Orchestra n Upper Orchestra n Side Rear Upper Orchestra Mezzanine n Front Mezz/Mezz Box n Mezzanine n Side Rear Mezzanine Balcony n Lower Balcony/Balc Box n Upper Balcony Ticket Price per Subscription $450 $450 $450 $282 $201 $135 $282 $180 $126 $105 $48 Orchestra Level n Prime Orchestra Rows H-S n Prime Orchestra Rows T-Z n Orchestra Box n Front Orchestra n Upper Orchestra n Side Rear Upper Orchestra Mezzanine n Front Mezz/Mezz Box n Mezzanine n Side Rear Mezzanine Balcony n Lower Balcony/Balc Box n Upper Balcony Tax-Deductible Donation with this Seat $1,000 $500 $500 — — — — — — — — Total Price per Subscription $1,450 $950 $950 $282 $201 $135 $282 $180 $126 $105 $48 PERFORMANCES Include any performance of La rondine in Miami for an additional $150 $150 $150 $94 $67 $45 $94 $60 $42 $35 $16 AU-RENE THEATER Broward Center for the Performing Arts 201 Southwest 5th Avenue Fort Lauderdale, Florida 33312 www.FGO.org F 800.741.1010 SAT 8 PM Dec 3 Feb 18 May 12 SATURDAYS Luisa Fernanda Rigoletto Roméo et Juliette Seating Section NEW START TIME THU 7:30 PM Dec 1 Feb 16 May 10 THURSDAYS Luisa Fernanda Rigoletto Roméo et Juliette Ticket Price per Subscription Tax-Deductible Donation with this Seat Total Price per Subscription $450 $450 $450 $282 $201 $135 $282 $180 $126 $105 $48 $500 $250 $250 — — — — — — — — $950 $700 $700 $282 $201 $135 $282 $180 $126 $105 $48 Fort Lauderdale Include any performance of La rondine in Miami for an additional $150 $150 $150 $94 $67 $45 $94 $60 $42 $35 $16 For a detailed seating map, go to www.fgo.org/maps *Prices reflect a 25% discount off single ticket prices. Florida Grand Opera Needs Your Support! In order to make FGO productions artistically spectacular and also accessible to the entire South Florida community, FGO depends on donations from corporations, foundations, government organizations, and individuals. When you make a gift to FGO, you will become part of the “inner circle,” where you will explore behind the scenes; meet the stars, directors, and designers of the season productions; and enjoy all benefits available to our members. See below for a comprehensive list of annual fund benefits. FRIEND OF THE OPERA LYRIC SOCIETY CROWN JEWEL SOCIETY $100 – $249 Donor • Inside Peek behind-the-scenes production updates •Special savings at FGO boutique $1,500 – $2,999 Benefactor •Invitation for two to each of four After Opera Cast Parties •Two passes to one final dress rehearsal (two total) •Concierge ticketing service •Intermission entertainment opportunities reserved exclusively for Lyric and Crown Jewel Societies •All ticketing fees waived Plus all unrelated benefits listed above $25,000 – $49,999 Crown Jewel •Specially tailored benefits designed to enhance the operagoing experience •Prominent photo and biographical season program book recognition •Performance sponsorship credit upon request (one performance only) •Two passes to four final dress rehearsals (eight total) Plus all unrelated benefits listed above $250 – $499 Sponsor •Season program book recognition •Invitation to Opening Night Gala Dinner •Advance ticketing privileges •Exclusive biannual donor online newsletter Plus all unrelated benefits listed above $500 – $999 Contributor •Invitation for two to one affiliate group event •Invitation to one Artist Insight Luncheon •Invitation to Family Day education program Plus all unrelated benefits listed above $1,000 – $1,499 Grand Contributor •One pass to one final dress rehearsal (one total) •Donor-exclusive opportunity to engage with other members of the FGO family Plus all unrelated benefits listed above $3,000 – $4,999 Grand Benefactor •Two passes to two final dress rehearsals (four total) •Special opportunities to dialogue with opera stars •Photograph in the season program book alongside donor listing Plus all unrelated benefits listed above $5,000 – $9,999 Diamond Horseshoe •Two passes to three final dress rehearsals (six total) •Invitation for two to backstage tour (upon request) Plus all unrelated benefits listed above $10,000 – $14,999 Impresario •Opportunities to engage with FGO artists and fellow opera-goers following performances •Special meeting with FGO General Director •Impresario photo in the season program book •Guided tour of wardrobe/wig/make-up shop upon request Plus all unrelated benefits listed above $15,000 – $24,999 Grand Patron •Additional opportunities to engage with FGO artists and fellow opera-goers following performances •Invitation for two to one behind-the-scenes working rehearsal •Photo and biographical season program book recognition Plus all unrelated benefits listed above $50,000 – $74,999 Golden Circle •Production co-sponsorship credit upon request (entire run) •Opportunity to meet artists upon their arrival •Post-performance artist introduction and photo opportunity Plus all unrelated benefits listed above $75,000 – $99,999 Sapphire Circle •Special introduction to guest artist by FGO General Director •Reserved dress rehearsal seating Plus all unrelated benefits listed above $100,000+ Platinum Circle •Production sponsorship credit upon request (entire run) •Customized in-theater rehearsal pass package •Exclusive backstage tour with introductions to designer/ director team All other unrelated benefits listed above Per IRS guidelines, the estimated value of these donor benefits is not substantial unless otherwise noted. You may decline benefits by calling FGO’s development department at 305.854.1643 or emailing [email protected]. For further information about production, special event and education program sponsorship opportunities, please contact Director of Individual Giving Emily Borababy at [email protected] or 305.403.3318. Why Subscribe? PRIORITY SEATING Subscribers get the best seats available, and they’re yours for every performance on your series. Subscribers have the option to keep or upgrade seats when renewing each season. TICKET Flexibility Order Form Subscribers who are donors will receive priority when seats are assigned. Join the FGO donor family by giving a tax-deductible contribution and receive benefits that will enhance your opera experience! Gifts of all sizes are appreciated. Name Address City State Daytime Phone Zip E-mail If your schedule changes, you can change your tickets in advance for another performance, subject to availability. You can do this in person or mail at no charge, or by phone for a nominal fee. o Adrienne Arsht Center for the Performing Arts o Broward Center for the Performing Arts Save Money When you subscribe for 4 operas, you are paying for 3 operas and getting one FREE. Advanced Single Ticket Sales As a subscriber, you will have the opportunity to purchase single tickets before they go on sale to the general public, ensuring the best available seating. Lost or forgot your tickets? No problem. If you arrive without your tickets, we can give you location passes for your subscription seats. Subscriber newsletter Our new Subscriber Newsletter will give you a behindthe-scenes glimpse of FGO, background on composers, artists, information on upcoming events and more! Flexible Payment Options Lock in your seats with as little as 25% down. Certain restrictions apply. World-Class Opera The sets, the costumes, the staging, the voices! The best reason to subscribe is that you’re guaranteed to see every glorious moment and hear every magnificent note of world-class opera. GROUPS SAVE EVEN MORE! Groups of 15 or more receive even greater discounts. SEATING REQUEST* SERIES SECTION # OF SEATS TOTAL TICKET PRICE SEAT PRICE $ $ If you are subscribing to a Broward Center 4-Opera Series, please select your Miami performance date for La rondine: o Sat, Jan 21 o Tue, Jan 24 o Fri, Jan 27 o Sun, Jan 29 o Wed, Feb 1 o Sat, Feb 4 *All seating is based upon availability. If your requested seats are not available, we will assign the closest available seats. Handling ($5 per seat) $ Donation $ GRAND TOTAL $ PAYMENT ___ Check enclosed (make check payable to Florida Grand Opera) ___ Credit card payment (check one) o American Express o Discover o MasterCard o Visa Card# Exp. Date Signature Online: www.fgo.org Toll-Free: 800.741.1010 Fax: 305.856.1042 Mail: FLORIDA GRAND OPERA | 8390 NW 25TH STREET | MIAMI, FL 33122-1504 Seating confirmations are sent in July. Subscribers have until August 31, 2011, to cancel their subscription. After that date all sales are final. Donations are not refundable. Casting and repertoire are subject to change. Children must be at least six years old to attend. TICKET EXCHANGES You never have to miss a performance. As a subscriber you may exchange your tickets if you cannot attend. Tickets may be exchanged up to 4 p.m. on the day of a weekday performance or 4 p.m. on Friday before a weekend performance. Tickets may not be exchanged after a performance has occurred. There is no service charge to exchange tickets by mail or in person. Subscribers may now exchange tickets by telephone for a fee of $1.75 per ticket. If tickets are exchanged for a higher-priced section (or a higher priced performance), you must pay the difference. If tickets are exchanged for a lower-priced section (or a lower-priced performance), we cannot refund the difference. As always, ticket exchanges are subject to availability. Fees subject to change. FLORIDA GRAND OPERA, INC. IS A NOT-FOR-PROFIT ORGANIZATION AND ALL GIFTS ARE DEDUCTIBLE ON CORPORATE, FOUNDATION AND INDIVIDUAL TAX RETURNS TO THE EXTENT PROVIDED BY STATE AND FEDERAL LAW. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE WITHIN THE STATE 1-800-435-7352. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL OR RECOMMENDATION BY THE STATE. STATE OF FLORIDA SOLICITATION # CH3662. FLORIDA GRAND OPERA RETAINS 100% OF YOUR CONTRIBUTION. As an FGO subscriber, you pay for only 3 operas and see the 4th one FREE! WWW.FGO.ORG 8390 NW 25TH STREET MIAMI, FL 33122 800.741.1010 If you’ve already received this brochure, please kindly pass this one on to a friend. Florida Grand Opera, recognized for funding by the State of Florida, Department of State, Division of Cultural Affairs, the Florida Arts Council, and the National Endowment for the Arts. Funding is also provided, in part, by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council and the Greater Fort Lauderdale Convention & Visitors Bureau, the Miami-Dade County Department of Cultural Affairs, Cultural Affairs Council, the Mayor and the Miami-Dade County Board of County Commissioners. Program support is provided by the City of Miami Beach, Cultural Affairs Program, Cultural Arts Council and the Miami-Dade County Tourist Development Council. Florida Grand Opera is a Resident Company of the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and a member company of OPERA America. Front and back cover photos from Roméo et Juliette © Michal Daniel for The Minnesota Opera
Similar documents
Love forbidden, not forgotten
of Rossini’s The Barber of Seville. French tenor Sébastien Guèze, who sang Christian in FGO’s production of Cyrano, returns to FGO as Roméo. This production is made possible by a generous gift from...
More information