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General shareholders’ meeting of 26 june 2012 A >Activity Report 2011 / pages 5 to 11 1 > COLLECTING 2 > DISTRIBUTING 3 > GRANTS 4 > REPORT OF THE AUDITING COMMISSION ON SPRD (AUTHORS RIGHTS’ COLLECTIVE MANAGEMENT SOCIETIES) 5 > COMBATING PIRACY 6 > COMMUNICATIONS AND INSTITUTIONAL RELATIONS 7 > CURRENT PERIOD CONCLUSION B >Financial Report 2011 / pages 13 to 47 1 > COLLECTING AND DISTRIBUTING 2 > CUT-OFF 3 > 2011 ANNUAL FINANCIAL STATEMENTS C > Appendices / pages 49 to 77 1 p. 50 Organisational chart APPENDIX APPENDIX 2 p. 52 Members of the board and of the committee APPENDIX 3 p. 54 Grants approved by the scpp in 2011 APPENDIX 4 p. 70 Activity report of the anti-piracy unit - year 2011-2012 APPENDIX 5 p. 76 Communications report - year 2011-2012 5 A > Activity Report 2011 / contents General shareholders’ meeting of 26 june 2012 1 > COLLECTING p. 8 1.1 Music Videos 1.2 Private Audio Copying 1.3 Private Audiovisual Copying 1.4 Equitable Remuneration – SPRE (Collecting Society For Equitable Remuneration) Collections — 1.4.1 Radio sector — 1.4.2 Television sector — 1.4.3 Club / musical theme bars / dance bars sector — 1.4.4 Public performance sector – SACEM collections 1.5 SOUND RECORDINGS (excluding Equitable Remuneration) 2 > DISTRIBUTING p. 9 3 > GRANTS p.9 4 > REPORT OF THE AUDITING COMMISSION ON SPRD (AUTHORS RIGHTS’ COLLECTIVE MANAGEMENT SOCIETIES) p. 10 5 > COMBATING PIRACY p. 10 6 > COMMUNICATIONS AND INSTITUTIONAL RELATIONS p. 10 6.1 Communication 6.2 Institutional Relations 7 > CURRENT PERIOD p. 11 7.1 Institutional Relations 7.2 Combating Piracy 7.3 Private Copying Tariffs CONCLUSION p. 11 Activity Report 2011 Neuilly, 20th April 2012 Ladies and Gentlemen, Associates, I am pleased to present the activity report of the SCPP for the period running from 1 January to 31 December 2011 inclusive. I would like to remind you briefly of the SCPP’s main responsibilities: 1. Collecting and distributing fees pertaining to: • music videos, • private audio and audiovisual copying, • equitable remuneration, • certain uses of commercial sound recordings (excluding equitable remuneration). 2. Grants 3. Combating piracy 4. Defending and developing the rights of sound recording producers 7 8 Activity Report 2011 1 > COLLECTING 1.1 Music Videos • Collections of fees for the distribution of your music videos stood at 16,380,000 euros in 2011 compared to 15,058,000 euros in 2010, representing an increase of nearly 9%. • This significant increase is mainly due to the renegotiation of the contract with M6, which took effect in May 2011. 1.2 Private Audio Copying • I remind you that collection is now managed by COPIE France, which merged with SORECOP on 1 January 2011. Fifty percent goes to the authors, twenty-five percent to performers and twenty-five percent to the producers. • The total amount collected in remuneration for private audio copying by COPIE France for 2011 represented 96,342,000 euros compared with 93,244,000 euros in 2010 (by SORECOP), i.e. an increase of 3.3%. • This increase is mainly due to the increase in the sale and capacity of multimedia telephones, the application of tariffs to multimedia touch screen tablets since 1 February 2011, and the increased capacity of sold external hard drives, USB sticks, memory cards and multimedia hard drives, which continue to more than offset the falling figures recorded for write-once-read-many media such as DVD R Data and CD R Data. These tariffs were collected in difficult conditions, as some contributors have launched litigation against the decisions of the private copying commission and have partially suspended payments for the remuneration of private copying. Subsequent to the Padawan order issued by the Court of Justice of the European Union, the Conseil d’Etat (State council) did indeed cancel the ruling no. 1 of 20 December 2008, which affected almost all remuneration tariffs. • The Conseil d’Etat particularly decided that the system used in France, and in many European countries, to integrate the professional usages of media subject to tariffs, consisting of a reduction on the amount of remuneration, was not compatible with the Padawan order issued by the CJEU. • This led the public authorities to ensure that parliament adopt the law of 19 December 2011, modifying the Intellectual property code, in order to integrate the decision of the Conseil d’Etat, and confirmed the tariffs cancelled for a duration of one year. 1.3 Private Audiovisual Copying • A substantial portion of the collection of this remuneration (copying distributed music videos, copying fixed images extracted from music videos) is performed by COPIE FRANCE, and the remuneration is distributed by PROCIREP, representing audiovisual producers. The SCPP also collects a share of the remuneration for private copying for copying disc liners and DVD jackets from SORIMAGE. • Total fees collected by COPIE FRANCE stood at 84 million euros in 2011 compared to 85 million euros in 2010, which is a decrease of nearly 1%. This decrease is mainly due to the decrease in the sale of DVD R Data, which has not fully been offset by the increased capacity of sold multimedia telephones and the increased capacity of sold external hard drives, USB sticks, memory cards and multimedia hard drives. • The remuneration collected by the SCPP in 2011 represented 473,000 euros, down by 13.5% from 2010 (€547,000), which included collections from previous years as remuneration for the private copying of sound recordings. 1.4 Equitable Remuneration – spre (Collecting Society For Equitable Remuneration) Collections • Fees due by radio stations, television stations, clubs and public performances are collected by the SPRE, joint interest company for producers and performers. • The collection of fees from most public performances is handled by the SACEM on behalf of the SPRE, as the latter collects directly from clubs and musical theme bars. • Total SPRE collections for equitable remuneration stood at 95 million euros in 2011, compared to 77 million euros in 2010, which is an increase of 23.5% primarily due to the implementation of the new tariffs for public performances. — 1.4.1 Radio sector • Collections across the entire radio sector stood at 31.8 million euros in 2011, compared to 28.6 million euros in 2010, which is an increase of nearly 10.9%. • This significant increase comes primarily from the application of the new tariffs for private radio broadcasting, adopted in October 2007, and for public radio, in September 2008, which included a gradual period of application covering 4 years. — 1.4.2 Television sector • After a decade of litigation which had substantially disturbed collections in this sector, the agreements signed in 2009 with the main national television groups have allowed the SPRE to restart and develop its collections from television stations. Collections reached 4.3 million euros in 2011, compared to 5.3 million euros in 2010, which is a decrease of 18.9%. This reduction is only relative, as collections in 2010 included a substantial public service adjustment, further to the signing of the aforementioned agreements. In the absence of this adjustment, collections in 2011 would have increased by 8.4% compared Activity Report 2011 9 with 2010, mainly due to an increase in the use of sound recordings by some broadcasters and the adjustment of some satellite and cable stations. — 1.4.3 Club / dance bar / musical theme bar sector • Collections in the club sector stood at 12.8 million euros in 2011 compared to 11.8 million euros in 2010, which is an increase of nearly 8.5%. • This increase reflects improved collection from dance bars and musical theme bars. — 1.4.4 Public performance sector – SACEM collections • Collections for the year 2011 stand at 31.3 million euros compared to 31.3 million euros for the year 2010, representing a sharp increase of nearly 47.7%, due to the progressive application of the new tariffs adopted in January 2010 and since updated. While the application of these new tariffs led to disputes in various sectors, interprofessional enforcement agreements signed with most of the sectors in question rendered these disputes minor. 1.5 Sound Recordings (excluding Equitable Remuneration) • Since mid-1997, the SCPP has been intervening on behalf of its associates, within the framework of general contracts of common interest, in a certain number of sectors relating, not to equitable remuneration, but to the right to authorise producers of sound recordings to: use sound recording excerpts via on-line services, reproduction rights for sound system operators, audiotel, interactive terminals, telephone music-on-hold, and the share of the use of sound recordings by television stations that is not subject to equitable remuneration and for which the SCPP has been mandated. The amount collected for 2011 in the Sound Recording sector (excluding Equitable Remuneration) stands at 7.9 million euros, which represents an increase of nearly 13.3% compared to 2010 (7 million euros). This substantial increase is mainly due to the increase in the amount collected for webcasting and initial amounts collected for podcasting. 2 > DISTRIBUTING • Nearly 58 million euros were distributed in 2011, which represents a drop of nearly 9% compared to 2010 (64 million euros - gross amounts). This drop was mainly due to the presence of substantial non-recurrent distribution in 2010 (sound recording rights and equitable remuneration collected from television stations in the context of adjustments for their activities up to end-2007. • These distributions were supplemented by a cash advance for a gross amount of 37.4 million euros, reduced to a net amount of 34.5 million euros after taking into account the advances and downpayments paid previously and not recovered (a cash advance of 33.8 million euros corresponding to a net amount of 32.2 million euros had been paid at the end of 2010). This advance had been supplemented by a structural advance for a gross amount of nearly 5.2 million euros corresponding to a net amount of nearly 4.8 million euros. A detailed report of the distributions is provided in the financial report 2011. 3 > GRANTS • A report on these grants is enclosed with this document under the title «Grants approved by the SCPP in 2011» - Appendix 3. This report includes the breakdown of grants per project. • For the year 2011, the SCPP had a total budget of 11,576,000 euros, including 9,807,000 euros from the 25% allocated to Private Audio Copying and Private Audiovisual Copying remunerations and from the allocations of non-distributable remuneration resulting from equitable remuneration (including 445,000 euros in advance payment from non-distributable rights from 2012), 350,000 euros from amounts that cannot be allocated relating to the year of rights 2003, 1,014,000 euros from the balance brought forward from 2010 and from cancelled selective assistance projects, and 405,000 euros from printing rights not used or cancelled in 2010. The advance payment for 2012 was exceptional to avoid a fall in the total amount of assistance compared with 2010, in the exceptional context of a substantial increase in the collection of equitable remuneration for public performances. 10 Activity Report 2011 4 > REPORT OF THE AUDITING COMMISSION ON SPRD (AUTHORS RIGHTS’ COLLECTIVE MANAGEMENT SOCIETIES) • On the date of issue of this report, the permanent Auditing Commission on authors rights’ collective management societies had not yet made its eighth annual general report public. • This report should be available on the Cour des Comptes website (www.ccomptes.fr) in the «Commission permanente de contrôle des SPRD» section. It will also be available on the SCPP web site. • The SCPP does however have two final individual reports: One on financial flows and the second on the participation of associates in the activities of SCPP. With reference to financial flows, the report does not include any specific recommendations or observations. With reference to the participation of associates in the activities of the company, the report includes two observations which the SCPP plans to implement: mention the grants created by the SCPP in the event of non-compliance by the distributors of our members (all SCPP associates will be informed of this event by e-mail) in the financial report, and the direct availability on the SCPP site of the report of the auditing commission (until now this report was accessible on our site via a link to the site of the auditing commission and not directly). We considered that two other recommendations made by the auditing commission were not necessary: The retranscription of any debating at assemblies in reports, as these reports are statements of decisions made by associates and not records of verbal statements, and the transmission of all regulated conventions to our statutory auditor, as we consider that this requirement has already been entirely satisfied. • Copies of the general report should be available at the General Shareholders’ Meeting on 26 June. • In addition, the SCPP will send a copy to any associate who requests one. 5 > COMBATING PIRACY • Details on the SCPP’s actions in terms of combating piracy are provided in the activity report of the Anti-piracy Unit in Appendix 4. • Once again in 2011, the actions of the SCPP primarily concentrated on combating piracy on the Internet. The SCPP continued to send the offenses detected on the P2P networks to HADOPI and to arrange for the deactivation of the links concerning sound recordings in its national catalogue to «Direct Download» sites. The increased impact of HADOPI expected for the end of the first half of 2011 was delayed to the end of the first half of 2012, as HADOPI was expected to have access to the technical resources required for this increased impact by this date. Despite the low number of offenses detected by the SCPP, which are still subject to a warning message sent out by HADOPI, Internet piracy in France has dropped substantially (by almost 40 percent for P2P networks, without any significant transfers to «Direct Download» sites) when compared with the situation which existed prior to the creation of HADOPI. In addition, registered letters were addressed to a certain number of subscribers in the event of the repeat use of their Internet access for fraudulent purposes. 6 > COMMUNICATIONS AND INSTITUTIONAL RELATIONS 6.1 Communication • Appendix 5 contains a report on our communications’ efforts in 2011. 6.2 Institutional Relations • Recall that since the end of 1996, the SCPP has been in charge of a lobbying mission at both local and international level. • This mission is performed in partnership with the SNEP. It exclusively involves the development and protection of the rights of producers of sound recordings and music videos. • The activities of the SCPP during the year 2011 mainly focused on the preparation and voting by Parliament of a law amending the Intellectual property code, in order to integrate the recent decision of the Conseil d’Etat on private copying (legal sources, exemption of professional users) and to confirm the tariffs cancelled for a duration of one year (law of 19 November 2011, mentioned above). • In addition, further to the report by Emmanuel Hoog, an agreement with 13 commitments for on-line music was signed in January 2011 by the professional organisations involved, under the auspices of the public authorities. Only two of the commitments of this agreement, signed by the SCPP, apply for the latter: accept to discuss the conditions for accessing its sound recording database, accept to implement, on behalf of its members, an amendment to the Convention Collective de l’Edition Phonographique (Collective Bargaining Agreement), to be developed with social partners, concerning the remuneration of performers for the use of sound recordings in Webcasting. Negotiations with representatives of performers in 2012 on these two points failed to reach a conclusion, despite the very reasonable proposals raised by the SCPP. Activity Report 2011 11 • The SCPP also participated in the working group of the CSPLA (Conseil Supérieur de la Propriété Littéraire et Artistique - Higher board of artistic and literary property) on cloud computing and the prefiguration of the National music centre. • In addition, the SCPP continued its participation in the works of the ISO MPEG committee on the protection of artistic and literary property in the context of the new MPEG standards and the implementation of international standards on data exchange formats for the musical industry (in the context of the international organisation, DDEX, Digital Data Exchange), particularly for collective management societies for related rights, and thereby to reduce the cost and lead times involved in processing rights for which the SCPP is mandated. A set of 3 data exchange messages (MLCs’ message suite), covering exchanges on catalogues, unit sales and income between beneficiaries and collective management societies for related rights, and between these societies themselves, was thereby adopted in November 2011 at the initiative of the SCPP. 7 > CURRENT PERIOD 7.1 Institutional Relations • The activities of the SCPP mainly focused on the working groups of the CSPLA (Conseil Supérieur de la Propriété Littéraire et Artistique - Higher board of artistic and literary property) on cloud computing and Internet referencing and the prefiguration of the National music centre. • The SCPP also participated in the consultations organised by the Ministry of Culture on a draft law transposing directive 2011/77/EU of 27 September 2011 (extension of the duration of related rights from 50 to 70 years) into French law. 7.2 Combating Piracy • The SCPP continued to send the offenses detected on the P2P networks to HADOPI and to arrange for the deactivation of the links concerning sound recordings in its national catalogue to «Direct Download» sites. HADOPI also transmitted some counterfeiting dossiers to the courts. 7.3 Private Copying Tariffs • In February 2012, the Commission defined in article L.335-1 of the Intellectual property code adopted a decision establishing definitive remuneration for multimedia tablets, such as the iPad by Apple. This decision should maintain the level of remuneration collected for private copying in 2012, subject to the many legal disputes to which remuneration for private copying gives rise and the scale of reimbursements or exceptions for professional usages. CONCLUSION 2011 was a good year for the SCPP. Amounts collected for rights concerning the use of sound recordings were excellent and increased 11% compared to 2010, thanks to the combined effect of the increased impact of new tariffs for equitable remuneration for 2010 and 2011 in the public performance sector, the increased impact of radio tariffs from 2007 and 2008 and the maintained level of remuneration collected for private copying, despite the many legal disputes. Amounts collected for broadcasting rights for music videos also increased, due to the renegotiation of the contract with M6, which took effect on 1 May 2011. Amounts collected for the use of sound recordings based on exclusive rights also increased substantially. Subject to the impact of disputes in relation to remuneration for private copying, amounts collected in 2012 should still climb substantially, particularly thanks to the increased impact of the tariffs for equitable remuneration in the public performances sector. Marc GUEZ, General Managing Director Neuilly, 20 April 2012 13 B >Financial Report 2011 / content Fiscal 2011 - General Shareholders’ Meeting of 26 June 2012 1 > Collecting and distributing p. 16 1. Collecting p. 17 2. Distributing p. 20 2 > Cut-off > fiscal 2011 p. 22 1. Key figures p. 23 2. Balance sheet p. 24 3. Income statement p. 25 4. Conclusion p. 26 3 > Annual financial statements > at 31 December 2011 p. 28 Balance sheet p. 30 Income statement p. 32 Appendices p. 34 Main events during the period Accounting rules and methods Additional information concerning the balance sheet and the income statement Other information Financial Report 2011 During the period 2011, the SCPP: • received 72,147 million euros, i.e. 11.2% more than in 2010 (64,877 million euros), • distributed 57,930 million euros, i.e. 9.8% more than in 2010(64,250 million Euros). The first part of this report covers collections and distributions for the period, and the second part covers the financial statements for 2011 for the company. The appendices include the report by our statutory auditors (Ernst & Young). 15 Financial Report 2011 17 1 > COLLECTING The SCPP received 72,147 million euros in 2011, i.e. 11.2% more than in 2010 (€64,876M). This increase was due to • The significant increase in RE (+25%), and more particularly the amounts collected for public performances (+47.6%), • the increase in amounts collected from the television sector (+16%) • and a recovery in turnover for «Music videos”(+8.8%) which offset the reduction in remuneration for Private copying (–7.1%). eM 2011 2010 2009 2008 2007 2006 RE 32,240 25,775 22,673 20,178 20,414 20,119 CPS 17,013 18,251 21,019 17,212 16,340 17,349 CPA 0,473 0,569 0,423 0,264 0,195 0,212 VIDEOS 16,380 15,058 18,514 19,567 20,601 18,884 8,111 6,971 6,822 15,988 5,470 5,124 SUB-total 74,216 66,624 69,451 73,209 63,020 61,688 SCPP /SPPF adjustment -2,069 -1,747 -3,505 -3,388 -1,732 -1,155 TOTAL 72,147 64,877 65,946 69,821 61,288 60,533 SOUND REC. & MUSIC-ON-HOLD 1 > Collecting and distributing PERCEPTION SCPP - €M 80 70 60 50 40 PHONOS & ATT 30 VIDEOS 20 CPA 10 CPS RE 0 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 18 Financial Report 2011 Financial Report 2011 Equitable Remuneration ≥ In 2011, the SCPP received 74.25% of the Equitable Remuneration paid by the SPRE to the SCPA during the period (76% in 2010, 76.5% in 2009), and paid €0.472 million to the SPPF in order to adjust the distribution for rights year 2009 between the two companies. ≥ The SPRE received €95.2 million in Equitable Remuneration in 2011, i.e. a 23% increase compared to 2010 (€77.1 million). The increase (+47.6%) was caused by the rise in the tariffs for RE owed for Public performances. Private Audio Copying ≥ The SCPP and the SPPF provisionally shared Private Audio Copying collections in 2011 based on a cash rate of 75.5% for the SCPP (compared to 78.8% in 2010 and 80.4% in 2009) and 24.5% for the SPPF. ≥ The final distribution for the 2009 Private Audio Copying collections pro rata to sales between the two societies stands at 74.05% (74.65% for Private Audio Copying in 2008) for the SCPP and at 25.95% for the SPPF. The SCPP paid the SPPF €1.544 million in Private Audio Copying remuneration. Private Audiovisual Copying ≥ Private Audiovisual Copying remuneration comes from three sources: the copying of distributed music videos, the copying of static images extracted from music videos and the copying of disc and DVD liners representing €473 thousand, down by 17% from 2010. ≥ Remuneration for the private copying of music videos, DVD liners and frames (static images extracted from music videos) is distributed pro rata to the distribution of remuneration for broadcasting by television channels (with an audience of over 1% of market share) of music videos based in France. ≥ Remuneration for the private copying of disc liners is distributed with CPS remuneration. TV RADIOS stations RLP clubs PUBLIC PERFORMANCES TOTAL 2000 3,03 6,43 12,17 8,61 13,95 44,19 2001 3,20 4,90 18,84 9,42 15,05 51,41 2002 3,10 6,06 21,64 10,53 15,55 56,88 2003 5,26 9,16 18,72 11,21 16,90 61,25 2004 3,00 12,66 18,97 11,20 17,69 63,53 2005 0,26 7,99 18,70 11,51 17,83 56,29 2006 0,43 7,88 18,32 11,34 18,54 56,51 2007 - 9,51 17,73 11,71 19,32 58,26 2008 - 9,53 15,81 11,49 20,48 57,31 IN million OF euros 2009 16,6 8,76 19,47 9,91 20,73 75,47[1] TV radio broadcasting 2010 5,3 10,8 17,9 11,8 31,3 77,1 2011 4,3 11 20,8 12,8 46,2 95,1 eM Music video broadcasting rights ≥ After a substantial reduction (-18.67%) in amounts collected for these rights in 2010, due to M6 modifying its programs, and the negotiation of an agreement with this channel to maintain the access to music videos for the night programs of this channel, music video remuneration for broadcasting rights increased (+8.8%) in 2011, but did not however return to the levels of previous years. 2007 2008 2009 2010 2011 TF1 1,666 1,517 1,639 1,788 1,782 Public Television Channels 0,351 0,242 0,094 0,738 0,525 M6 group 11,842 10,607 10,171 6,629 8,239 Lagardere group 3,899 4,249 4,321 1,837 1,670 NRJ 0,752 0,293 0,315 0,360 0,448 70 Canal + 0,173 0,430 0,129 0,105 0,105 60 Bolloré group 1,517 1,548 100 € M PERCEPTION SPRE 90 80 50 LS 40 DISCOS 30 1,859 2,131 1,691 2,014 1,947 Communication in public places 0,055 0,094 0,155 0,074 0,116 20,600 19,567 18,515 15,058 16,380 Total – Music video rights RLP 20 RADIOS 10 0 Other TV channels TV 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 Reproduction and public communication rights (excluding compulsory licence) for Sound recordings ≥ The SCPA received, on behalf of the SPPF and of the SCPP, €3.077 M from users of telephone music-on-hold (€2.943 M in 2010). 2000 ≥ 77% of net amounts received for rights were paid to the SCPP in 2011 (79.5 % in 2010), i.e. €1.877 M, by the SCPA (€1.878 M in 2010) in the context of the agreement concluded between the SPPF and the SCPP in 2002. The SCPP also collected €9.8K in equitable remuneration collections from foreign collective management societies, to be distributed to the members of the SCPP. [1] This €75.47 million includes the €63.19 million collected during the period 2009 and the amounts that were previously sequestered and released in 2009 ≥ The SCPP also posted for 2011 • €3.230 M from television stations (€2.607 M in 2010) • €1.610M from sound system operators, Internet sites, suppliers of music-on-hold and television channels (€1.363 M in 2010), • €1.218 M from sound system operators on behalf of foreign collective management companies (€1.244 million in 2010) 19 20 Financial Report 2011 2 > DISTRIBUTING ≥ The amounts distributed in 2011 (€57.930 M) were 9.8% below those distributed in 2010 (€64.250 M in 2010 and €62,919 M in 2009). In 2010, the amount of CPS remuneration distributed included 14 months of collections. In 2009 and 2010, amounts collected for «sound recording» and equitable remuneration rights for televisions were distributed pro rata to sales and therefore, in full, in 2011, this remuneration had just started to be distributed pro rata to the durations of broadcasting by the television channels. DATE of dist Gross amount Grant Statutory withholding Nondistributable Producers Cancel RE/ Prov. 2009 sales 06/11/2011 -2 463 736 0 -290 721 -544 671 -1 628 345 RE on 2009 sales Dist. no. 75 06/11/2011 3 454 494 0 407 630 780 182 2 266 681 RE on broadcasts Dist. no. 76 29/11/2011 8 566 174 0 998 301 2 373 859 5 194 013 RE on broadcasts Dist. no. 73 30/06/2011 8 886 932 0 1 047 378 2 321 736 5 517 818 RE on Prov. 2010 sales. 30/06/2011 3 552 250 0 419 166 785 314 2 347 771 EUR 21 996 113 0 2 581 754 5 716 420 13 697 939 CPS on Prov. 2010 sales 30/06/2011 11 301 089 2 825 272 1 000 146 0 7 475 670 Cancel. CPS/Prov. 2009 sales 02/11/2011 -16 751 731 -4 187 933 -1 482 528 0 -11 081 270 CPS / 2009 sales Dist. no. 74 02/11/2011 17 806 242 4 451 560 1 575 852 0 11 778 829 1 154 562 288 641 84 427 0 781 494 EUR 13 510 162 3 377 540 1 177 898 0 8 954 723 Sound rec. rights Dist. no. 76 29/11/2011 649 323 0 67 283 0 582 040 Tel music-on-hold. Dist. no. 76 29/11/2011 46 966 0 4 731 0 42 235 UK PPL rights Dist. no. 76 29/11/2011 41 068 0 0 0 41 068 TV rights Dist. no. 76 29/11/2011 1 171 277 0 138 211 0 1 033 066 Mood Media for Sweden 29/06/2011 66 546 0 0 0 66 546 Mood Media for PPL (UK) 16/06/2011 261 628 0 0 0 261 628 Mood Media for GRAMEX 16/06/2011 76 742 0 0 0 76 742 Mood Media for PPL (UK) 19/04/2011 525 188 0 0 0 525 188 Tel music-on-hold. Dist. no. 73 30/06/2011 1 364 989 0 162 315 0 1 202 674 Sound rec. rights Dist. no. 73 30/06/2011 -1 697 0 -167 0 -1 531 EUR 4 202 029 0 372 373 0 3 829 656 CPA 12/12/2011 309 448 77 362 13 925 0 218 161 Frames 2003 to 2008 12/12/2011 2 844 711 128 0 2 005 EUR 312 292 78 073 14 053 0 220 166 17 131 624 0 1 027 897 0 16 103 727 07/12/2011 778 242 0 46 695 0 731 548 EUR 17 909 866 0 1 074 592 0 16 835 274 EUR 57 930 463 3 455 613 5 220 671 5 716 420 43 537 758 DISTRIBUTING RE CPS CPS on 2005 broadcasts Dist. no. 76 29/11/2011 SOUND REC. RIGHTS CPA VIDEO Video distribution at 31/12/2011 FT (account 4559999 and 65) GENERAL TOTAL 2011 Financial Report 2011 23 1 > KEY FIGURES ≥ Over the years, new responsibilities have been added to the main responsibility of the SCPP - collect and distribute certain fees for producer rights. The cost of these responsibilities have been separated from the routine expenses of the SCPP and combined under an “Other expenses” heading. The routine expenses of the SCPP have increased by 2%, with total expenses up by 7.26%. The provision booked in 2010 hedging the risk that the tax administration subject the SCPA to the Business tax for the years 2008 and 2009, and oblige associates to pay this tax, was re-integrated in full as the SCPA obtained a positive response to its request submitted to the tax administration. In millions of euros 2 > Period-end > period 2011 2011 2010 % Video rights 16,380 15,058 8,78 % Private Audio Copying 15,416 17,103 -9,86 % Private Audiovisual Copying 0,472 0,551 -14,34 % Equitable Remuneration 31,768 25,209 26,02 % Sound recording rights 8,111 6,956 16,60 % TOTAL AMOUNTS COLLECTED 72,147 64,877 11,21 % Misc. Management Costs 2,622 2,656 -1,28 % Personnel Expenses 3,182 3,031 4,98 % Management Expenses Sub-total 5,804 5,686 2,08 % Implementation of the Collective Bargaining Agreement 0,276 0,229 20,52 % Anti-piracy and implementation of the HADOPI Law 0,827 0,684 20,91 % Export Bureau grant 0,407 0,307 32,57 % Institutional relations 0,036 0,036 - Distribution expenses (SCPP/SPPF agreement) 0,012 0,082 -85,37 % - 0,543 ns Classification of sales 0,754 0 ns “Other expenses” sub-total 2,312 1,881 22,91 % TOTAL EXPENSES 8,116 7,567 7,26 % Statutory Withholdings 7,185 6,125 17,31 % Misc. income 1,04 0,88 18,18 % Re-int. of the “SCPA business tax” prov. 0,543 0 ns TOTAL INCOME 8,768 7,005 25,17 % P&L 0,652 -0,561 ns Investment 0,652 0,679 -3,98 % “SCPA Business Tax” provision ≥ The withholding rate for 2011, subject to approval by the General Shareholders’ Meeting, is maintained at 11.8%; 87% of P&L (€652 K) is attributable to the re-integration of the above provision. This amount carried forward offsets the negative amount carried forward in 2010, itself the consequence of this provision. Withholdings on music videos broadcasting rights remains at 6%. At 31 December 2011, the amount of withholdings booked represented €7.185 M (€6.125 million in 2010) and represented 8.04% of current collections (9.44% in 2010). The “routine expenses / collections” ratio, which was 8.8% in 2010, dropped to 7.9% in 2011. 24 Financial Report 2011 Financial Report 2011 2 > BALANCE SHEET 3 > INCOME STATEMENT Main investment during the period ≥ In 2011, the company commissioned: 1 – batch 3 (English version) of the «Declarations» software for declaring sound recordings, 2 – batch 5 of the «SCPP members portal», which can be used to integrate the sales declaration files (digital and physical support media) and for the semi-automatic management of corrections to declarations based on the audit of distributions by E&Y, 3 – the web site, as provided for in the Convention Collective Nationale of l’Edition Phonographique (National collective bargaining agreement on sound recording), enabling musicians to declare their participation in recordings made before 1 July 1994 (co-used by the SCPP and the SPPF), A > Expenses 25 2011 budget 2011 actual figures Difference Difference as a % Other purchases and external expenses 1,649 1,727 0,078 4,73 % Tax 0,222 0,286 0,064 28,78 % Personnel expenses 3,206 3,182 -0,024 -0,76 % Allowances for depreciation and provisions 0,598 0,608 0,010 1,73 % Extraordinary and financial expenses 0,001 0,002 0,001 ns and renewed, as every year, a portion of its obsolete IT hardware. Total expenses including shared SCPP/SPPF costs 5,676 5,804 0,128 2,26 % Receivables, cash and deferred charges ≥ Accounts receivable (accrued income), which stand at €6.999 million, are comprised of receivables for music video broadcasters (mostly invoices to be issued for broadcasts in December). ≥ The other receivables are primarily remunerations that are provisioned each year for known amounts to be invoiced to the SCPA representing Equitable Remuneration settled by the SPRE, the Private Audio Copying paid by SORECOP and «Telephone music-on-hold» rights, and not yet paid to the SCPP, VAT adjustments for remuneration provisions and current operations and finally cash advances granted to members in December 2011. ≥ Cash and investment securities stand at €28.584 million (compared to €24.970 million at the end of 2010) inc. €27.913 million for investment securities: Share of SCPP/SPPF IT costs 0,000 0,012 0,012 ns Implementation of the «Collective Bargaining Agreement» 0,214 0,276 0,062 28,79 % Implementation of the «Hadopi Law» + anti-piracy 0,866 0,827 -0,039 -4,47 % Export Bureau grant 0,407 0,407 0,000 0,00 % Lobbying 0,037 0,036 -0,001 -2,46 % Top 50 0,684 0,754 0,070 10,23 % Total expenses 7,884 8,116 0,233 2,95 % Banks and income BNP PARIBAS-BNP FCP BNPP MOIS Quantity Unit value Amounts 1 068 22 885,59 24 441 813,27 BNP PARIBAS-CASH INVEST 139 2 287,68 317 987,52 PALATINE-PALATINE SECURITE 113 14 267,24 1 612 198,12 SOCIETE GENERALE-Term deposit 979 454,85 SOCIETE GENERALE-SG SICAV SGAM MONEPLUS 8,94 23 375,33 208 975,45 SOCIETE GENERALE-SG SICAV SGAM MONEPLUS 15 23 498,46 352 476,90 TOTAL PORTFOLIO ON 31/12/2011 In M€ ≥ Expenses for the period 2011 were €0.233 million higher than the budget forecast. This difference, as for every period, is primarily composed of: • 0.104 million euros representing the cost of MIDEM, financed by the non-allocated non-distributable amounts (expense transfers that were not in the budget), • 0.087 million euros from the recognition as income of the SPPF’s share of the costs for collecting the «Telephone music-on-hold» remuneration, which is deducted from expenses in the SCPP’s budgets. The difference only actually represents €0.042 M, i.e. 0.5% of the budget. Finally, the modification of the «local» tax, and especially the transition from the Business tax to the CFE (corporate property tax) and CVAE (corporate added value tax)[1], generated €0.064 M in taxes over and above forecasts 27 912 906,11 ≥ Cash on SCPP’s current accounts stood at €671,337. Company’s shareholder equity ≥ End-2011, the SCPP had 1 567 associates (vs. 1433 end-2010, 1239 end- 2009).The balance carried forward represented €124,117 at end-2011, after allocating the P&L. Les principales dettes ≥ Accounts payable and similar items, which stand at €0.654 million, are primarily composed of invoices for our consulting services and invoices for the provision of services in the last few months of the year. ≥ Tax and social security debt stands at €17.455 million and is mainly: • provisions for holiday pay, social contributions and employee profit-sharing, • VAT on remuneration for rights received and to be received. ≥ «Other debt» (accrued expenses) representing 146.375 million euros primarily includes: • remuneration for rights to be paid to beneficiaries, for which the SCPP had not yet received the invoices at 31 December 2011, • undistributed remuneration collected in 2011 and a small portion from before that, and which will be mainly distributed in 2012, • balance of «non-distributable» amounts pending allocation (2012 grant budget) and adjustment with the SPPF. [1] A capping request has been submitted to the tax administration. 12,41 % 100,00 % 72 147 195 total 27 The table shows, for each type of remuneration collected by the SCPP, the withholdings which were applied, by rights year, by intermediate societies prior to collection by the SCPP, and those to be applied, at the time of distribution, also by rights year, by the SCPP. It is specified that rates are net before the use of financial income, for societies which exclusively collect (SPRE, COPIE France, SCPA) and financial income is not used for societies which also manage distribution tasks (PROCIREP, SCPP). Financial income for societies which exclusively collect is low, as these societies pay the amounts collected to their associates within a short period. The mean management rate is that which includes the costs of the SCPP as a collecting and distributing society, the mean rate with responsibilities also includes the cost of the responsibilities entrusted to the SCPP by its associates and which are added to the society’s costs of collection and distribution (particularly the combat against piracy and the financing of professional tools). 15,22 % 0% 0% 0% 1,59% 0% 0% 0% 0% 0% 0% 0% 1 217 770 Rights of foreign users 0% 0,25% 11,80% 0,18% 2,11% 8,37% 3,43% 8,37% 0% 0% 0% 0% 1 610 811 Sound recording rights between users 0% 0,53% 11,80% 0,37% 4,46% 8,37% 3,43% 8,37% 0% 0% 0% 0% 3 405 293 Television sound recording rights 0% 0,79% 26,79% 0,71% 2,96% 23,95% 3,43% 8,37% 17,00% 0% 0% 0% 0% 0,02% 0,08% 2,58% 1,29% 6,00% 0,91% 21,44% 4,25% 1,75% 4,25% 0% 0% 0% 0% 1 876 973 The increase in amounts collected by the SCPP represented 4.8% in 2010.This amount represented 11.2% in 2011 and is forecast as 7.14% for the 2012 budget of the SCPP. This constant increase is mainly due to the increase in the amount collected for Equitable Remuneration for Public performances scheduled up to 2013. Telephone music-on-hold 4 > CONCLUSION 0% a – Withholdings • «Sound recording» withholdings were defined as 11.8% in 2009 and in 2010 and may remain at this same level in 2011. The withholding rate on «music video» rights and Private Audiovisual Copying remains set at 6%. • The average rate of withholding of the SCPP was 9.96% in 2011 (9.44% in 2010). • With reference to the amount of the withholdings taken by the societies collecting remuneration for rights partially on behalf of the SCPP, the table on the following page shows the total withholding rate, i.e. successive debits by the different societies, accepted by SCPP members, representing 16%. b – Access to the «Sound recording» base • The contribution of the ADAMI to the cost of the SCPP’s producer data base represents €146k. The SPPF contributed €56K to the cost of creating the «Musicians» site («Implementation of the Collective bargaining agreement» responsibility). c – Financial income • The SCPP distributed €0.52 million in financial income to its beneficiaries in December 2011. d – Extraordinary income and other income • This income comprises compensation obtained from «Piracy» litigation and from the rebilling of rent to the FCM and SNEP. e – Expense transfers and re-integration of provision The reintegration of the provision created in 2010 to hedge the risk of having to pay part of the business tax of the SCPA, which the tax administration wished to attribute to the SCPP (€543K), the rebilling of rent to the FCM and the SNEP, and the cost of MIDEM financed by unallocated non-distributed amounts (€104K) represent almost all of this account. 16 379 517 ns Music videos 0,687 13,38% 0,652 0,02% -0,035 0,18% P&L 10,01% 11,72 % 3,43% 0,920 8,37% 8,768 0% 7,849 0,70% TOTAL INCOME 0% ns 1,10% 0,704 0 % 0,729 131 520 0,025 Private copying, static images Expense transfers and re-integration of provision 12,05% 524,72 % 0,07% 0,131 0,66% 0,156 10,42% 0,025 1,75% Extraordinary income and other income 4,25% 24,37 % 0% 0,137 0% 0,698 5,40% 0,561 1,10% TOTAL Operating income 0 % 23,59 % 472 737 0,100 Private Audiovisual Copying 0,523 12,77% 0,423 1,90% Management costs on Telephone music-on-hold 20,23% 26,81 % 9,38% 0,037 3,43% 0,175 8,37% 0,138 0% Rebilling for database use 0% -0,72 % 0% -0,052 1,10% 7,185 0% 7,237 15 284 848 TOTAL Statutory withholdings Private Audio Copying 13,21 % 20,88% 0,098 8,26% 0,843 46,36% 0,745 17,81% Statutory withholdings on Sound rec. rights 3,43% 3,70 % 8,37% 0,035 0% 0,985 0% 0,950 0% Statutory withholdings on Videos 0% -13,99 % 10,30% -0,236 31 767 725 1,452 MEAN Management rate 2011 1,688 Share of gross amounts collected Statutory withholdings on Private Copying TOTAL Management withholding rate 1,31 % SCPP RESPONSABILITY withholding 0,051 SCPP Management withholding 3,906 SCPA withholding 3,855 SORIMAGE withholding Statutory withholdings on RE TOTAL withholding rate WITH RESPONSIBILITIES Difference as a % PROCIREP withholding Difference COPIE France withholding 2011 actual figures spre withholding 2011 budget Total withholding rate per type of collection and mean withholding rate for the rights year 2011 In €M Equitable Remuneration B > Income 9,68% Financial Report 2011 MEAN RATE WITH RESPONSIBILITIES 2011 Financial Report 2011 Net SCPP collections 2011 26 3 > Annual financial statements at 31 December 2011 30 Financial Report 2011 Financial Report 2011 ACTIF Annual financial statements at 31 december 2011 31/12/2011 Gross Depreciation LIABILITIES 31/10/2010 Net Net Annual financial statements at 31 december 2011 31/12/2011 31/10/2010 Share capital 235 050 214 950 Statutory or contractual reserves 125 040 116 790 Balance carried forward -527 401 33 866 651 518 -561 267 0 0 484 207 -195 661 Franchises, patents, licences 5 895 841 5 000 838 895 003 1 054 825 Advances and downpayments on intangible fixed assets 79 349 0 79 349 77 003 5 975 191 5 000 838 974 352 1 131 827 4 073 4 073 0 0 Other tangible assets 1 486 807 1 178 891 307 916 186 842 Provisions for risks 11 400 543 000 TANGIBLE ASSETS 1 490 880 1 182 964 307 916 186 842 TOTAL PROVISIONS FOR RISKS AND EXPENSES 11 400 543 000 152 0 152 152 Security deposits 57 684 13 863 Other financial assets 5 300 0 5 300 5 300 0 0 LONG-TERM INVESTMENTS 5 452 0 5 452 5 452 Advance payments and downpayments received 7 471 523 6 183 802 1 287 721 1 324 121 Accounts receivable and similar items 654 451 405 237 0 0 0 0 17 454 633 16 066 181 8 834 856 0 8 834 856 11 936 279 Other debt 146 374 978 178 831 602 Other receivables 125 922 957 0 125 922 957 157 136 774 TOTAL DEBT 164 541 746 195 316 884 MISCELLANEOUS RECEIVABLES 134 757 813 0 134 757 813 169 073 054 TOTAL LIABILITIES 165 037 353 195 664 223 Securities 27 912 906 0 27 912 906 24 648 362 671 337 0 671 337 321 682 28 584 243 0 28 584 243 24 970 043 163 342 056 0 163 342 056 194 043 097 407 576 297 004 165 037 353 195 664 223 INTANGIBLE ASSETS Machinery and equipment Other interests TOTAL FIXED ASSETS ADVANCES AND DOWNPAYMENTS PAID Receivables Availabilities AVAILABLE SECURITIES TOTAL CIRCULATING ASSETS Deferred charges TOTAL ASSETS PROFIT OR LOSS FOR THE PERIOD 407 576 171 221 155 6 183 802 Net investment subsidy TOTAL EQUITY Tax and social security debts 31 32 Financial Report 2011 Financial Report 2011 INCOME STATEMENT Annual financial statements at 31 december 2011 31/12/2011 Sales of services: statutory withholdings Private audio copying Equitable Remuneration Private Audiovisual Copying / Digital for image/Video Mandate Music Video Rights Sound recording rights Rebilling of IT costs concerning distributions 31/12/2010 7 185 274 6 125 421 1 430 307 3 905 914 1 544 585 2 986 920 21 273 24 635 984 871 842 909 903 144 666 138 31/12/2011 31/12/2010 Other interest and related revenue 0 0 FINANCIAL INCOME 0 0 1 509 0 0 0 1 509 0 -1 509 0 623 875 -574 373 39 043 13 107 0 0 0 0 39 043 13 107 0 0 0 0 11 400 0 EXTRAORDINARY EXPENSES 11 400 0 EXTRAORDINARY RESULT 27 643 13 107 Tax on profits 0 0 Interest and related costs Foreign exchange losses FINANCIAL EXPENSES 0 719 057 Other services 174 924 202 162 Management costs for Telephone music-on-hold (17%) 523 156 500 329 Management costs on Foreign AU Rebilling of rent 250 116 382 250 0 7 999 986 7 547 220 NET TURNOVER INCOME STATEMENT [suite] Allocated non-distributable amounts FINANCIAL RESULT CURRENT INCOME BEFORE TAX Extraordinary revenue from management transactions Extraordinary revenue from capital transactions Re-integrated provisions and expense transfers EXTRAORDINARY INCOME Re-integration of provisions and expense transfers 711 001 111 974 Other operating income 17 850 52 427 8 728 837 7 711 622 3 342 291 2 569 452 293 445 2 412 015 1 352 507 234 991 2 320 657 1 196 282 690 737 620 816 TOTAL INCOME 8 767 879 7 724 728 0 543 000 TOTAL EXPENSES 8 116 362 8 285 995 12 446 800 778 PROFIT OR (LOSS) 651 518 -561 267 12 19 8 103 452 8 285 995 625 384 -574 373 OPERATING INCOME Other purchases and external expenses Taxes and similar payments Wages Social contributions Allowances for depreciation of fixed assets Allowances for provisions for risks and charges Joint sharing of IT distribution costs Other operating expenses OPERATING EXPENSES OPERATING RESULT Extraordinary expenses for management transactions Extraordinary expenses for capital transactions Allowances for extraordinary provisions 33 34 Financial Report 2011 APPENDIX 1 > Main events during the period The Société Civile des Producteurs Associés underwent a verification of its accounting in January 2011, concerning the tax returns for the period from 1 January 2008 to 31 December 2009, extended to the month of November 2010 for the VAT returns. Within the framework of this audit, on 21 January 2011, the tax administration sent a letter to the SCPP, informing it that the SCPA was liable for the business tax but that the tax is established in the name of each of its members. In terms of 2008 and 2009, the tax bases were reduced for the SCPP by €1,806,843 for 2008 and €1,816,860 for 2009. At 31 December 2010, the SCPP booked a tax provision of €543,000 for this €543,000. Financial Report 2011 2.4 Tangible assets Tangible fixed assets are booked at their purchase cost. Depreciation is calculated over the estimated lifespan of the goods according to the straight-line or progressive methods, as follows: Straight-line Fixtures and fittings 8 years Office equipment 5 years IT equipment Furniture The company disputed this position with the administration and obtained the tax administration’s agreement to its request. Therefore, the SCPP failed to post any expense in this respect during the period 2011 and the SCPP was able to recover the entire provision created previously. In addition, a dispute has arisen between the Lagardere group and the SCPP on the payment of broadcasting rights for music videos by the Gulli and Tiji channels. The Lagardere group refuses the payment of part of the rights intended for a member of the SCPP, as the latter is itself in the course of litigation with one of the members of the SCPP. According to the facts and the transactions underway, the litigation is between two parties with no relation with the SCPP, and there is no need to create a provision on this basis. 2 > Accounting rules and methods 2.1 Legal framework of reference General accounting methods were applied in compliance with the conservatism principle, in accordance with basic hypotheses: • continuity in operations, • consistency of accounting methods from one period to the next, • independence of periods. The enclosed financial statements were drawn up in accordance with regulation no. 99-03 of 29 April 1999 of the Comité de la Réglementation Comptable relative to the general chart of accounts amended in particular by regulation no. 2000-6 of 7 December 2000 pertaining to liabilities, no. 2002-10 of 12 April 2002 pertaining to asset amortisation and depreciation and no. 2004-6 of 23 November 2004 relative to the definition, recognition and evaluation of assets as well as regulation no. 2008-09 pertaining to the recognition of authors’ rights. 2.2 Method of presenting the management report and the income statement Operations are resumed and presented using the «Management account» as defined in the provisions of Decree no. P8-1040 of 18 November 1998, appendix 1. This management account, in accordance with the decree of 18 November 1998, is completed with an income statement presented according to the provisions of the general chart of accounts. 2.3 Intangible assets Intangible fixed assets are comprised of: • software purchased by the company, • design costs for distribution software and databases, carried out by IT service providers or the SCPP’s IT department. Internal costs are booked as fixed assets based on the costs of wages used in creating the developments All of these intangible fixed assets are depreciated using the straight-line method over three years. 35 Industrial equipment Progressive 3 to 5 years 5 years or 8 years 5 years 2.5 Equity interests Equity interests appear on the balance sheet at their historical cost or at their current value if the latter is less. 2.6 Securities Investment securities are booked at their purchase cost and, at the end of the period, an estimation is made of these securities, based on their market value. Investment securities are comprised of capitalized S.I.C.A.V., mutual funds and negotiable certificates of deposit. In accordance with the company’s by-laws, capital gains on these securities supplement the rights of producers of sound recordings. 2.7 Provisions for risks The company books a provision for risks according to incurred litigation, likely to have an impact on its income and expenses. 2.8 Rules and methods concerning rights — 2.8.1 Obligation as to supporting creation The S.C.P.P. must statutorily and in virtue of Article L 321-9 of the Intellectual Property Code devote a portion of the collected rights to grants: 25% of the amounts collected for private copying of sound recordings and all of the non-distributable amounts generated on years of rights after 1 August 2000. This contribution is booked on the liabilities side of the balance sheet and the various payments made for this purpose are then deducted. — 2.8.2 Collected and distributed rights All of the rights collected by the company must be distributed. The amount of rights collected or to be collected is therefore identical to the amount of rights distributed and to be distributed. Rights to be distributed to producers are booked on the liabilities side of the balance sheet for their total amount including tax, and have only one deduction for grants linked with rights stemming from the private copying of sound recordings. 36 Financial Report 2011 — 2.8.3 Non-distributable sums of equitable remuneration According to Article L321-9 of the Intellectual Property Code, sums collected starting on 1 August 2000 for equitable remuneration for radio broadcasting and communication in public places of commercial sound recordings, and which are non-distributable in accordance with the Intellectual Property Code and with International Agreements must be fully allocated to grants. Equitable remuneration received before 1 August 2000 is not concerned by this change in legislation. The allocation of non-distributable amounts that will be observed for these amounts at the time of the next distribution is therefore subject to the rules that were previously defined by lawmakers. These sums are booked on the liabilities side of the balance sheet. Non-distributable equitable remuneration received after 1 August 2000 that the company has is used for financing its grants, putting on live performances and for artist education. Subsequent to the «Distributions II» agreement signed on 15 July 2011 between SCPP and SPPF, weighting and distribution procedures for equitable remuneration between companies are affected as follows. Financial Report 2011 2.9 Joint SCPP and SPPF IT costs Up to 31 December 2010, in order to improve the accuracy and reliability of the respective distributions of the SCPP and of the SPPF, the latter had decided to share their costs for managing the social catalogue and distribution costs. The two companies invoiced the S.C.P.A., with proof, for their IT expenses. The S.C.P.A. then rebilled each party for its share in the total of its expenses determined, in a final manner, based on the average share of the temporary distribution for the civil year, for the civil year in which the costs were incurred. Subsequent to the «Distributions II» agreement signed on 15 July 2011 between the SCPP and the SPPF, this clause on the sharing of IT expenses between the different parties has been repealed. Therefore, no cost incurred in the managing of the social catalogue and distribution was rebilled by the SCPP and the SPPF to the SCPA for 2011. An amount of €12,446 was posted in the accounts for the period 2011; this amount corresponds to an adjustment for the previous period, determined by the processing of the final weighting. 3 > Additional information concerning the balance sheet and the income statement 3.1 Information concerning rights — 3.1.1 Collected rights Rights collected during the period are as follows: Amounts carried forward Article 2.1 stipulates that the amounts of Equitable Remuneration perceived for the year of rights 2009 and subsequent years are distributed based on real distribution. Each party will be definitively assigned a share of the non-distributable amounts posted pursuant to article L. 214-2 of the CPI and in application of the legal criteria specified in appendix 1 of the agreement, less the amount withheld by each company from the share of these non-distributable amounts generated by the sound recordings managed by each company, equal to their share of distributable amounts, according to the weighting completed. — 2.8.4 Service provisions: statutory withholdings Most of the operating income of the S.C.P.P. is made up of statutory withholdings on rights distributed to members. Rates of the statutory withholdings are set by the general meeting of partners. Provision at 31/12/2010 Rights recorded in 2011 Billing Provision at 31/12/2011 Total rights for the period [2] Total rights for the previous period Private Audio Copying 5 244 837 17 611 000 3 050 205 15 416 369 17 102 614 Equitable Remuneration 3 044 701 30 086 007 4 726 419 31 767 725 25 208 642 Up to 31 December 2000, statutory withholding were considered as acquired according to the following conditions: Music Video Rights 5 852 294 18 951 923 3 279 888 16 379 517 15 058 074 •for rights on video recordings: at the issue of the credit notice, •for other rights: 80% during the period for collecting rights and 20% during the period for distributing rights. Private Audiovisual Copying/ Digital for image/ Video Mandate/Frames 312 631 396 473 388 897 472 739 550 954 3 462 806 6 724 250 4 849 402 8 110 846 6 956 486 17 917 269 73 769 653 16 294 811 72 147 195 64 876 769 Sound recording rights Since 1 January 2001, the statutory withholding is considered as acquired when the credit notice is issued, regardless of the type of right. Total [1] [1] This concerns rights on Telephone music-on-hold, Sound system operators and Suppliers of Telephone music-on-hold Statutory withholdings that are considered as acquired according to this method, but pertaining to rights in the process of distribution and not yet paid to producers, are booked separately on the asset side of the balance sheet, with accrued income. — 2.8.5 Rights due by the users of telephone music-on-hold On behalf of the SCPP, the SCPA provides administrative management of rights pertaining to Telephone music-on-hold for payment of a management commission of 17% on collected rights. Since 1998, the application of this management commission has a retroactive effect on the share of the collected rights that will be paid to the S.P.P.F. The amount generated by the management fees collected by the SCPP for collecting rights pertaining to telephone music-on-hold, stands at €500,329 at 31 December 2011. Since 2005, the amounts received during a given period have been considered as sums collected during this same year of rights. These rights are booked based on payments received in the current fiscal period, and no longer based on the rights period. 37 [2] Total rights are equal to the sum of billing and the provision for the period minus the provision from the previous period (excluding adjustments). — 3.1.2 Rights to be distributed Rights to be distributed are shown in the table on the following page for their entire amount excluding tax, after allocation of the 25% mandatory share for grants for rights stemming from the remuneration of Private Audio Copying and Private Audiovisual Copying, and after deduction of the share of the statutory withholdings already booked as a resource for management of the S.C.P.P. Details by collection year for the sums to be distributed are shown in the following tables. — 3.1.3 Table of rights allocation at 31 December 2011 Details on rights as allocated in 2011, and presented in accordance with the decree of 18 November 1998, are shown in the table below: The following tables are presented without the provisions. 38 Financial Report 2011 APPENDIX 4 ALLOCATION OF AMOUNTS AT THE END OF THE PERIOD (IN EUROS) SUMMARY OF AMOUNTS REMAINING TO BE ALLOCATED INDIVIDUALLY (IN EUROS) RIGHTS remaining to be allocated at 31/12/2010 ➀ Type of remuneration COLLECTION for the period 2011 DEBITS for management [A] (art. L. 321-9) [B] ➁ ➂ ➃ AMOUNTS allocated AMOUNTS AMOUNTS RIGHTS allocated to allocated to remaining social or beneficiaries to be [*] cultural allocated at charities 31/12/2011 ➄ ➅ Remuneration for which the management has been entrusted by the beneficiaries: Music videos Sound recording rights TV rights 5 160 370 9 247 934 4 289 662 18 951 923 4 395 099 2 329 121 1 074 592 348 512 278 620 0 0 0 0 0 0 16 835 274 2 796 590 1 033 066 6 202 426 10 497 931 5 307 127 Remuneration for which the management has been entrusted in application of legal texts: Article L. 122-10 (for reproduction rights via reprography) (for the right to authorise rebroadcasting via cable, simultaneously, complete and with no change, on national territory, of a work broadcast from a Member State of the European Community) 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Article L. 217-2 Remuneration for which the management has been entrusted by the beneficiaries Music videos & sound recording rights Subtotal VID Sound recording rights (for the right to authorise rebroadcasting via cable, simultaneously, complete and on national territory, of the service of a performer, a sound recording or a video recording from a Member State of the European Community) 0 0 0 0 0 0 0 45 712 155 30 086 007 3 660 183 4 948 730 0 13 697 939 53 491 310 13 542 598 17 611 000 1 605 861 4 402 750 0 8 954 723 16 190 264 Article L.214-1 Subtotal Sound recording rights TV rights Distributable RE Article L.311-1 (for the private copying of audiovisual works) Amount Article L. 132-20 (for the right to communicate to the public a sound recording published for commercial purposes) CPS Article L.311-1 for the private copying of audiovisual works) 418 936 396 473 17 841 99 118 0 220 166 478 284 78 371 656 73 769 653 6 985 609 9 450 598 0 43 537 758 92 167 342 Subtotal TV rights Remuneration for which the management has been entrusted in application of legal texts Article L. 122-10 (for reproduction rights via reprography) Article L. 132-20 (for the right to authorise rebroadcasting via cable, simultaneously, complete and with no change, CPA Total on national territory, of a work broadcast from a Member State of the European Community) Article L. 217-2 (for the right to authorise rebroadcasting via cable, simultaneously, complete and on national territory, (*) «Allocated amounts» range from the booking of the corresponding amounts to the beneficiary’s individual account (A) This column only contains stat withholdings deducted on the basis of the amounts collected in the period. (B) Amount corresponding to 25% of the grant calculated on the basis of the amounts collections in the period (Private Audio Copying, Private Audiovisual Copying) and the non-distributable amounts allocated to the period’s grant budget. Ratio withholdings for the management/ amounts collected in the period: of the service of a performer, a sound recording or a video recording from a Member State of the European Community) APPENDIX 3 Article L.321-9 Social or cultural charities 10 192 735 0 Total 10 192 735 4 569 385 1 414 327 96 562 20 265 56 590 109 050 2 839 2 782 2 106 6 273 906 2 047 779 1 248 175 1 315 175 1 004 735 692 262 677 721 372 966 269 490 343 428 64 503 89 183 318 030 153 041 158 664 8 755 153 1 762 212 2 336 435 1 140 855 36 810 11 600 6 631 4 931 3 371 4 281 5 307 127 2011 2010 2009 2008 2007 2006 2005 2004 2003 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 2011 2010 2009 2008 2007 2006 2005 2004 2003 0 0 0 19 869 287 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 Subtotal 5 884 363 3 881 540 3 129 968 2 040 440 1 360 482 799 215 613 556 40 899 -2 533 93 314 390 593 -99 731 38 001 393 39 YEAR of collection Article L.214-1 (for the right to communicate to the public a sound recording published for commercial purposes) RE 9,47% (In euros) ACTIONS CARRIED OUT DURING THE PERIOD in terms of group allocations* *Total commitments for the period Financial Report 2011 APPENDIX 2 40 Financial Report 2011 Financial Report 2011 SUMMARY OF AMOUNTS REMAINING TO BE ALLOCATED INDIVIDUALLY [CONT] Article L.311-1 (for the private copying of audiovisual works) CPS *1998 remitted according to the same schedule as Private Audio Copying (CPS) for distributions shared with the SPPF (adjusted in 1999) Subtotal CPS 11 179 808 4 601 682 1 112 807 857 693 912 889 779 804 72 435 83 862 101 317 29 803 34 676 9 435 13 305 -526 552 1 688 -29 744 -62 841 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998* 1997 1996 1995 19 172 068 Article L.311-1 (for the private copying of audiovisual works) CPA 0 288 331 55 946 59 572 Subtotal CPA 2011 2010 2009 2008 403 849 Total 77 913 496 — 3.1.4 Statutory withholdings The rate for statutory withholdings applied to the distributions is voted by the General Shareholders’ Meeting. It has changed as follows: Related rights and Telephone music-on-hold Music Video Rights Statutory withholdings booked during the period are as follows: Amount booked during the period Accrued rights, pending the distribution and/or collection of amounts Amount billed during the period 2011 Variation in accrued rights/ expenses Private Audio Copying 1 430 307 1 605 861 -175 554 Equitable Remuneration 3 905 914 3 660 183 245 732 984 871 1 074 592 -89 721 21 273 17 841 3 432 842 898 627 132 215 766 7 185 263 6 985 609 199 654 Music Video Rights Private Audiovisual Copying/ Digital for image/ Video Mandate Sound recording rights [1] Total [1] This concerns rights on Telephone music-on-hold, Sound system operators and Suppliers of Telephone music-on-hold. — 3.1.5 Grants for creating (Article 38 of the Law of 1985) The amounts allocated by the S.C.P.P. to grants for creating, provided for in Article L 321-9 of the new Intellectual Property Code, are as follows: INCOME • Amount carried forward from 2011 2 069 215 • Pertaining to Private Audio Copying (2012 usage 2012) 4 275 654 • Pertaining to Private Audiovisual Copying (2012 usage 2012) 118 185 1986 à 1989 17 % 3 % + 2 % 1990 14 % 3 % + 2 % • Pertaining to equitable remuneration (on the basis of the allocation decision of the Board of Directors). 4 948 730 1991 et 1992 12 % 3 % + 2 % • Cancelled application carry-over (drawing rights and selective assistance) 1 156 807 TOTAL INCOME 1993 8 % 3 % 1994 7 % 3 % 12 568 590 1995 0 % 3 % until 31 May 1995, then 2% 1996 to 2000 0 % 2 % EXPENSES 2001 6 % 2 % • Drawing rights committed in 2011 8 023 102 2002 11,5 % 6% 2003 8 % 6% • Selective assistance committed in 2011 3 326 440 2004 9,5 % 6% TOTAL EXPENSES 11 349 542 2005 9,75 % 6% AMOUNT OF GRANTS REMAINING TO BE COMMITTED AT 31 DECEMBER 2011 1 219 048 2006 10,70 % 6% 2007 11,10 % 6% 2008 7,30 % 6% 2009 11,80 % 6% 2010 11,80 % 6% 2011 12,30 % 6% 41 During the period, the amounts committed for grants stood at €10,192,735 (appendix 3 of the decree of 18 November 1998). 42 Financial Report 2011 Financial Report 2011 — 3.2.5 Miscellaneous receivables and accrued income for receivables Accrued income included in balance sheet items is as follows (in €): 3.2 Other information concerning the balance sheet — 3.2.1 Intangible fixed assets and amortisation INTANGIBLE FIXED ASSETS Franchises, patents, licences, Applications Current fixed assets TOTAL Gross amount at beginning of the period Increases of the period Transfer of the period Gross amount at the end of the period Decreases of the period 5 501 126 394 715 5 895 841 77 003 485 191 482 845 79 349 5 578 129 879 906 482 845 5 975 190 During the course of the period, the company continued investing in the development of software designed for distribution processing and grant management. DEPRECIATION OF INTANGIBLE FIXED ASSETS Total at the beginning of the period Depreciation of franchises, patents, licences, applications 4 446 302 554 536 5 000 838 TOTAL 4 446 302 554 536 5 000 838 Allowances of the period Carry forward of the period Total at the end of the period — 3.2.2 Tangible fixed assets and depreciation INTANGIBLE FIXED ASSETS Gross amount at beginning of the period Fixed assets 1 256 903 257 275 23 298 1 490 880 TOTAL 1 256 903 257 275 23 298 1 490 880 DEPRECIATION OF INTANGIBLE FIXED ASSETS Total at the beginning of the period Increases of the period Transfer of the period Allowances of the period Gross amount at the end of the period Decreases of the period Carry forward of the period Total at the end of the period Other depreciation 1 070 061 136 201 23 298 1 182 964 TOTAL 1 070 061 136 201 23 298 1 182 964 — 3.2.3 Long-term investments Long-term investments are comprised of: S.C.P.A. shares € 152 Total – other investment € 152 Other long-term investment corresponds to security deposits for an amount of € 5 300 — 3.2.4 Maturity of receivables at the closing of the period Receivables at 31 December 2011 will all reach maturity within less than one year except for security deposits for an amount of € 5 300. Customer receivables and other receivables Ordinary customer receivables Other receivables Total customer receivables and related accounts Accrued income for customer receivables and related accounts Amounts collected for video recording rights Total accrued income for customer receivables and related accounts Accrued income for other receivables Amounts collected for equitable remuneration rights Amounts collected for private audio copying rights Amounts collected for Private Audiovisual Copying/Digital for image/ Video mandate rights Amounts collected for sound recording rights Statutory withholdings on private audio copying Statutory withholdings on video recordings Statutory withholdings on equitable remuneration Statutory withholdings on Private Audiovisual Copying/Digital for Statutory withholdings on sound recording rights Other accrued income Autres produits à recevoir Total accrued income for other receivables Total accrued income TOTAL MISCELLANEOUS RECEIVABLES AND ACCRUED INCOME FOR RECEIVABLES 4 912 110 99 328 697 104 240 807 3 922 746 3 922 746 5 652 798 3 648 045 465 121 5 719 179 2 681 931 597 243 5 575 946 37 339 2 025 622 191 037 26 594 260 30 517 006 134 757 813 — 3.2.6 Securities This item is primarily composed of capitalised S.I.C.A.V. and term deposits S.I.C.A.V. generated capital gains of € 225 K during the period, compared to € 203 K at 31 December 2010. At 31 December 2011, latent capital gains stand at € 1 K. Term deposits generated interest of € 307 K during the period, compared to € 18 K at 31 December 2010. Financial income is allocated to partners. Movements during the period (presented in accordance with the decree of 18 November 1998) are as follows: Income from investment securities Unallocated financial income at 31 December 2010 Financial income for fiscal 2011 Financial income allocated during the period Unallocated financial income at 31 December 2011 17 107 545 500 (520 000) 42 607 € — 3.2.7 Deferred charges Rent and rental expenses Subscriptions and services Maintenance Fairs and trade shows Insurance Telecommunication expenses, documentation Restaurant vouchers Travel Misc. Total 248 963 13 732 35 639 74 994 10 728 7 800 6 696 2 905 6 118 407 576 43 44 Financial Report 2011 Financial Report 2011 — 3.2.8 Equity Share capital consists of 1,567 parts with a nominal value of € 150, fully paid up. Statutory reserves are made up of: • the shares of members that have left the company, in accordance with Article 19 of the by-laws; before the decision of the Extraordinary General Meeting of 29 June 2004 now stipulating reimbursement of the shares of outgoing members. • the allocation of rights that were not able to be distributed due to a lack in documentary proof in accordance with the measures provided for in the by-laws. — 3.2.11 Allocation of the results of the previous period The results of the previous period, a loss of € 561,267, was carried forward in full. 3.3 Information concerning the income statement — 3.3.1 Management account for 2011 The management account for the year 2011, presented in accordance with the decree of 18 November 1998, is as follows: Appendix 1 (according to R 321-8 of the Intellectual property code) Management account for the year 2011 — 3.2.9 Provision for risks and charges A provision for risks was posted at 31 December 2011 for € 11,400 subsequent to a labour dispute. EXPENSES — 3.2.10 Supplier debt and miscellaneous, accrued expenses for supplier debt and miscellaneous Accrued expenses included in balance sheet items are as follows: INCOME Year 2011 Year 2010 Year 2011 I. Operating expenses : Accounts payable and similar items (inc. tax) Tax and social security debts Other debt TOTAL 534 624 16 620 801 A. External expenses and purchases 3 342 291 2 569 452 27 504 184 Postage and telecommunications costs 8,077 Insurance 2,100 Bank charges 2,933 18,964 TOTAL 119 827 Accrued expenses for tax and social security debts 503,746 Provision for employee profit-sharing 164,112 Other social security debts 165,974 TOTAL 833 832 Amounts owed for Private Audio Copying rights Amounts owed for Equitable Remuneration rights Amounts owed for Private Audiovisual Copying/Digital for image rights 42,608 210,095 26,137,797 56,706,564 879,819 Amounts owed for Sound recording rights 22,942,948 Amounts owed for Video recording rights 3,922,746 Non-distributable amounts for equitable remuneration [1] 7,982,345 Rebilling of distributed IT costs Other accrued expenses 19,344 26,530 TOTAL 118 870 794 TOTAL 119 824 453 Total accounts payable and accrued expenses for accounts payable, tax and social security debts and other debt [1] Including the share for grants while awaiting allocation. C. Personnel expenses D. Other operating expenses E. Depreciation provision F. Allowances for provisions II. Financial expenses III. Extraordinary expenses IV. Profit-sharing Accrued expenses for other debts Other income to be distributed to members B. Taxes 719 057 523 156 500 329 7 185 274 6 125 421 C. Other operating income 309 156 254 840 D. Re-integration of provisions and expense transfers 711 001 111 974 0 0 39 043 13 107 8 767 880 7 724 728 164 484 062 B. Withholdings 293 445 234 991 3 599 534 3 439 066 12 458 800 797 690 737 620 816 0 543 000 1 509 0 II. Financial income 11 400 0 III. Extraordinary expenses 164 988 77 873 8 116 362 8 285 995 215 Misc. Financial income to be distributed to members 250 82,321 5,218 Provisions for holiday pay including social contributions A. Recovery and rebilling of expenses Billing for management costs assigned to music-on-hold 44 659 609 Rent and rental expenses Hotel and travel costs Year 2010 I. Operating income: Accrued expenses for accounts payable and related accounts (inc. tax) Fees 45 V. Company taxes Total expenses (I + II + III + IV) Surplus debits at the end of the period General total Debit shortfall at the end of the period 651 518 8 767 880 Total income (I + II + III) 8 285 995 General total 561 267 8 767 880 8 285 995 46 Financial Report 2011 Financial Report 2011 — 3.3.2 Itemised operating expenses Itemised operating expenses are as follows: 4 > Other information 4.1 Employee breakdown 2011 2010 1 849 587 € 905 093 € 72 774 € 80 589 € 574 412 € 682 008 € Upkeep 76 235 € 93 241 € Insurance 26 068 € 21 401 € Documentation 19 803 € 18 621 € Interim workers 19 959 € 23 997 € 242 183 € 270 460 € IT services & studies Office supplies & other supplies not in-stock Rents and rental expenses Fees Advertising and public relations 88 364 € 84 773 € Representations (MIDEM) 104 321 € 111 975 € Travel 97 168 € 101 443 € Telephone and related costs 119 167 € 119 097 € Bank charges 6 349 € 5 808 € 45 902 € 50 946 € Taxes 293 445 € 234 991 € Wages 2 412 015 € 2 320 657 € Social contributions 1 187 519 € 1 118 410 € Profit-sharing expenses 164 988 € 77 873 € Depreciation provisions 690 737 € 620 816 € Other miscellaneous expenses Allowances for expense provisions Other expenses Sub-total Joint sharing of IT distribution costs TOTAL 47 543 000 € 12 € 19 € 8 091 007 € 7 485 218 € 12 446 € 800 778 € 8 103 452 € 8 285 996 € — 3.3.3 Joint S.C.P.P. and S.P.P.F. IT costs. The impact on the income statement for the period of sharing the costs of their IT expense by the S.C.P.P. and the S.C.P.F. is as follows (€ ): IT costs S.C.P.P. rebilled to the S.C.P.A. : Income 0 Share of joint costs: Expense 12 446 Net effect Expense 12 446 Complete information on these costs can be found in «2. Accounting rules and policies» in paragraph «2.1 Joint SCPP and SPPF IT costs». — 3.3.4 Extraordinary income Within the framework of its anti-piracy efforts, the company received income concerning the sentences pronounced for an amount of €39,043. Exceptional expenses representing €11,400 correspond to the provision for personnel disputes. 2011 [1] 2010 [1] Categories Number of employees Number of employees Executives 25 24 Other employees 19 20 Fixed-term contracts 2 1 Total 46 45 [1] Average number of employees during the year 4.2 Management’s compensation This information is not provided, as it would result in revealing individual remuneration. 4.3 Pension commitments Indemnities are paid to company employees when they take their retirement. Taking the age and seniority of the employees into account, the amount of gross indemnities (excl. social contributions) calculated at the closing of the period stand at € 39,974. No provision was booked at 31 December 2011. 4.4 First-request guarantee Some SPRD preferred that Copie France place some of the amounts likely to be reimbursed subsequent to a decision by the Conseil d’Etat (State council) in reserve (cancellation of decision no. 11 of the private copying commission). The members of the Board of directors, which met on 5 July 2011, unanimously confirmed that they authorised the SCPP to act as the guarantor of the SCPA (first-request financial guarantee to the benefit of COPIE France representing 4 million euros, created with the Société Générale bank) in the context of the cancellation of decision no. 11 of the private copying commission up to 31 December 2012. 4.5 S.I.C.A.V. securities On 24 March 2010, the SCPP guaranteed S.I.C.A.V. with the Société Générale bank to the benefit of the lessor of the premises for an initial amount of € 122,883.75. At 31 December 2011, this security was increased to € 208,975.45. 49 C >Appendices / contents APPENDIX 1 p. 50 Organisional chart APPENDIX 2 p. 52 Members of the board and of the committee APPENDIX 3 p. 54 Grants approved by the SCPP in 2011 APPENDIX 4 p. 70 Anti-piracy report - 2011-2012 APPENDIX 5 p. 76 Communications report - 2011-2012 Enquêteur chargé de la veille sur internet S. L. Responsable des enquêtes J.-P. P. Assistante Hanifa Tarfaoui Responsable du bureau anti-piraterie Juriste Juriste Claire Le Feunteun Assistante Assistante Nathalie Villerot Sabine Vincent Angélique Gautier Directeur juridique Laurence Marcos-Courant Stéphanie Vacher Chargée de mission Chargée de répertoires Hôtesse d’accueil Alpha Viard Ouerdia Tahanout Chargée de répertoires Hôtesse d’accueil Chargée de répertoires Chargée de répertoires Corinne Benmhad Identificateur Mathilde Gargadennec Chargée de répertoires Caroline Denancé Responsable du Répertoire Social Sandrine Morlet Raphaël Mercier Lionel Paris Responsable de l’Exploitation des Relevés de Diffusion Adjointe au DAF Répertoire social et Répartitions Michèle Morin Assistante de direction et de la communication Ulrike Chasseguet-Huning June 2011 Marc Guez Organisational chart Responsable Vidéomusiques Vonnick Sfiligoi Comptable Jean-Michel Lapilus Comptable Annabelle Pinto Comptable Marie-Thérèse Cheynut Adjoint au DAF (comptabilité Vidéomusiques) Isabelle Lozon Responsable de l’aide à la Créatio Aurore Mourao Directeur administratif et financier Jacques Chesnais Directeur Général Gérant Responsable d’exploitation Françoise Boutron Chargé des études informatiques Arnaud Largillière Chef de projet Eugenio Gonzalez Chef de projet Vinak Sauv Directeur informatique Dov Slama Assistante Florence Aubert Jessica Daous Gestionnaire répertoire Artistes Chargée de dossiers Attentes téléphoniques Sabrina Delvoye Krystel Michel Chargée de dossiers Attentes téléphoniques Chargé de dossiers Attentes téléphoniques Christophe Lahoussine Responsable d’équipe Attentes Téléphoniques Brigitte Viviani Gestionnaire répertoire Artistes Ludovic Champalou Céline Fuentealba Assistante Attentes Tél. et Droits Phonos Gaëlle Sfiligoï Responsable Droits Phonos Magali Roubieu Responsable de la gestion des données Artistes Responsable de la communication Anouchka Roggeman Sophie Barbier Directeur des droits phonographiques Appendices 2011 51 Appendices 2011 COMMITTEE Pascal NÈGRE (UNIVERSAL MUSIC) CEO Stéphane LE TAVERNIER (SONY MUSIC) Vice-President of the 1st group Gilles FRUCHAUX (BUDA MUSIQUE) Vice-President of the 2nd group PIERRE DARMON (BONSAI MUSIC) Vice-President of the 3rd group Thierry CHASSAGNE (WARNER MUSIC) Secretary General Olivier MONTFORT (EMI MUSIC) Treasurer Olivier CHINI (ROY MUSIC) Associate secretary YVES RIESEL (ABEILLE MUSIQUE) Associate treasurer Members of the board and of the committee On 18/05/2012 BOARD 1st group (over 45,000 recordings 2nd group (between 3001 and 45,000 recordings) 3rd group (less than 3001 recordings) ABEILLE MUSIQUE Sarl Yves RIESEL EMI MUSIC France Olivier MONTFORT SONY MUSIC Stéphane LE TAVERNIER UNIVERSAL MUSIC Pascal NÈGRE WARNER MUSIC FRANCE Yann MIOSSEC XIII BIS RECORDS SYLVIE MONTEIRO ARION S.A. Manuela OSTROLENK BUDA MUSIQUE Gilles FRUCHAUX production integral flavien pierson-goguey PRODUCTIONS SUNSET FRANCE Sébastien NORMAND BONSAI MUSIC Pierre DARMON chris music DOMINIQUE MOUYEAUX ROY MUSIC Olivier CHINI 53 Appendices 2011 The purpose of this report is, as every year, to report to the partners of the SCPP and to the Ministry of Culture on the use of the sums allocated either directly or indirectly by the SCPP for grants. 1 > Financing Grants ≥ The SCPP had, for this purpose, in 2011, a total amount of 11,576,571 euros, including: • 4,413,393 euros, i.e. 25% of Private Copying, that the SCPP must devote to Grants, • 5,393,940 euros, including 4,948,730 euros taken from the non-distributable amounts of Equitable Remuneration distributed during the previous period and 445,210 euros taken from non-distributable amounts for 2012, • 350,000 euros, which is the remaining amount unallocated to distribution of years of rights 2003, • 1,014,308 euros which is the balance of the Grant budget for 2010 («Selective Assistance» balance: 162,976 euros, «Printing Rights» balance: 851,332 euros), • 128,210 euros in grants approved during previous periods that were cancelled in 2011 and reincorporated into the Selective Assistance budget for 2011, • and 276,720 euros in «Printing Rights» grants approved during previous periods that were cancelled by the producers in 2010 and reincorporated into the budget for 2011. 2 > Allocating these sums Grants approved by the scpp in 2011 ≥ The SCPP’s entire grant budget was allocated by the Board of Directors as follows: a) 8,027,078 euros for the «Printing Rights» budget and b) 3,549,493 euros for the «Selective Assistance» budget (i.e. 3,421,283 euros for the initial budget and 128,210 euros in cancelled and reincorporated grants from prior years) ≥ The «Selective Assistance» budget was allocated in accordance with the decision of the General Shareholders’ Meeting to: • grants for sound recordings: 1,444,452 euros (1,410,517 euros + 33,935 euros in cancelled grants from prior years). • grants for music videos: 301,628 euros (276,335 euros + 25,293 euros in cancelled grants from prior years). • grants for live performances: 276,233 euros (207,251 euros + 68,982 euros in cancelled grants from prior years). • grants for special projects: 1,527,180 euros. 3 > Allocated grants ≥ During the period 2011, the Commission met 11 times to examine 898 grant request applications (869 in 2010 and 860 in 2009). The Board of directors accorded, at the proposal of the Commission, 717 subsidies (714 in 2010 and 698 in 2009) for an amount of 10,968,766 euros [1](i.e. 7,635,026 euros for «Printing rights» and 3,333,740 euros for Selective assistance). • 79.84% of the requests were satisfied. [1] This amount does not include the grants from 2011 cancelled at the request of their beneficiaries during the year 2011. 55 56 Appendices 2011 Appendices 2011 Number of requests Approved grants Requests satisfied 502 281 414 238 82, 47 % 84, 70 % • Opening acts • Tours • Hall agreements • Special projects 2 64 31 10 1 28 21 7 50, 00 % 43, 75 % 67, 74 % 70, 00 % TRAINING 3 3 100, 00 % CONTRIBUTIONS TO ORGANISATIONS 5 5 100, 00 % 898 717 79, 84 % CREATIONS • Albums • Music Videos SHOWS TOTAL 57 4 > Beneficiaries ≥ In 2011, • 85.09% of the SCPP’s grant budget was directly allocated to phonographic producers, i.e. 9,333,256 euros. • 9.76% to institutions (le Fair, Le Studio des Variétés, Voix du Sud, Francophonie Diffusion, Zone Franche, FCM, Fam, and Tous pour la Musique), i.e. 1,070,582 euros. • 2.66% to show organisers within the framework of professional awards ceremonies and tribute (Association Prix Constantin, Les Victoires de la Musique, Festival au Fil des Voix, Association La Nuit des Musiciens, Le Printemps des Poètes and the Festival International des Arts du Clip) i.e. 291,600 euros. • 2.49% to phonographic producers within the framework of agreements with show halls, i.e. 273,328 euros. 5 > The cost of managing grants ≥ The cost of managing grants is covered by the company’s general budget. The SCPP does not take any sums from the grant budget in order to finance this operation. Costs for this management are however estimated for 2011 at 148,516 euros. ≥ During the period 2011, the SCPP signed 21 agreements with theatres making it possible to subsidise 154 «show-cases»: • Athénée Théatre (6) • Batofar (8) • Cabaret Sauvage (5) • Canal93 (4) • Café de la Danse (12) • Glazart (4) • L’Archipel (6) • La Bellevilloise (4) • La Boule Noire (14) • Le Divan du Monde (4) • La Machine du Moulin Rouge(4) • La Maroquinerie (8) • Le Sentier des Halles (4) • Le Trabendo (4) • Le Triton (4) • L’Européen (15) • Le Zèbre de Belleville (12) • Les Trois Baudets (6) • New Morning (18) • Nouveau Casino (10) • Studio de l’Ermitage (4) ≥ 15 organisms benefitted from an SCPP grant: • in terms of Shows/Special Projects: for the fourth year in a row (and for some for even longer), Association Prix Constantin, Les Victoires de la Musique, Festival au Fils des Voix (3rd and 4th edition), and Association La Nuit des Musicens, and for the third year Le Printemps des Poètes and for the first time Pile Productions (Festival International des Arts du Clip). • in terms of Training (for more than four years): le Fair, Le Studio des Variétés and Voix du Sud. • as organisms (for more than four years): Francophonie Diffusion, Zone Franche, FCM, FAM, Tous pour la Musique (Pro-Musique France). Approved grants: Number Amount in euros % CREATIONS • Albums • Music videos 414 238 7 126 680 € 1 779 129 € 64,97 % 16,22 % Sub-total 652 8 905 809 € 81,19 % • Opening acts • Tours • Hall agreements • Special projects 1 28 21 7 10 000 € 417 447 € 273 328 € 291 600 € 0,09 % 3,81 % 2,49 % 2,66 % Sub-total 57 992 375 € 9,05 % TRAINING 3 92 298 € 0,84 % CONTRIBUTIONS TO ORGANISATIONS 5 978 284 € 8 ,92 % 717 10 968 766 € 100 % SHOWS TOTALS 6 > Allocation procedures ≥ All requests for grants (other than those pertaining to special projects) are submitted to an allocation Commission of which its 9 members are elected each year by the company’s General Shareholders’ Meeting. This Commission, in compliance with the rules set forth by the Board of Directors and which all of the requesters are informed of [2], proposes to the Board of Directors: for selective assistance, whether or not a grant is allocated and the amount accorded, and, for applications using printing rights, after a check on eligibility and that the requested amount complies with current ceiling rules, the allocation of the grant. The Board of Directors approved by the General Shareholders’ Meeting, after having heard a representative of the Commission, approves or does not approve the proposed grants. ≥ 50% of the grant is paid upon presentation of an invoice before the project is carried out, and the remaining 50% is paid on presentation for: • creating sound recordings: of 2 CDs or the screen shot of available tracks on a download site.(A check is carried out via sampling of one «Printing Rights» dossier and one «Selective Assistance» dossier per month, in order to make sure that the allocated grant does not represent more than 40% of the actual recording costs). • music videos: a DVD copy of the clip, or the screen shot of the video available on a download site, the copy of the audiovisual production contract or invoices paid to produce the clip, making it possible to check that the allocated grant does not represent more than 40% of actual production costs. • tours and opening acts, the list of performance dates, with documents proving the producer’s contribution in financing the tour as well as a copy of press inserts, posters, flyers, tracts, in order to check that the grant obtained does not exceed 50% of the producer’s participation. ≥ The verifications concerning the creating of sound recordings, tours and opening acts are submitted to the Commission for approval only when the amounts granted must be revised. ≥ The first half of the grant is recovered by the SCPP when the project does not take place. ≥ Only grants allocated for artist training and show cases, in halls that are approved by the SCPP, are paid in full in a single payment after proof that they have taken place. ≥ The balance of the «Selective Assistance» budget stood at the end of 2011 at 215,753 euros, and that of the «Printing Rights» budget at 392,052 euros. [2] These rules are mentioned on the grant request application and were modified via a decision of the General Shareholders’ Meeting of 26 June 2001 and of 24 June 2003. Appendices 2011 59 DETAILS ON GRANTS APPROVED IN 2011 PROJECT NO. NAME OF PROJECT NAME OF THE PRODUCER AMOUNT IN EUROS AIDES SÉLECTIVES Phonographic creations 2011/662 2011/082 2011/771 2011/221 2011/710 2011/299 2011/364 2011/454 2011/511 2011/544 2011/589 2011/174 2011/173 2011/750 2011/532 2011/748 2011/083 2011/172 2011/658 2011/720 2011/371 2011/455 2011/296 2011/487 2011/816 2011/615 2011/479 2011/403 2011/426 2011/298 2011/592 2011/743 2011/239 2011/338 2011/846 2011/513 2011/145 2011/144 2011/713 2011/727 2011/840 2011/718 2011/476 2011/830 2011/377 2011/217 2011/596 2011/557 2011/157 2011/411 2011/731 2011/837 2011/836 2011/409 2011/579 2011/269 2011/805 2011/814 2011/765 2011/507 2011/456 2011/573 2011/308 2011/870 CD de Myrath CD de Zuul Fx CD de Headcharger CD de Vulcain (live) CD de ADX CD de Loudblast CD de Norbert Krief CD de Paul Personne CD de L’Esprit Du Clan CD de Calvin Russell CD de Paul Personne CD du groupe Ed-Äke CD de Bratsch CD de Débora Russ CD de Dorsaf Hamdani CD de Lilaslune CD de Alys CD de Nicolas Fraissinet CD de Marie-Paule Belle CD du Poème Harmonique CD des Lunaisiens CD du Poème Harmonique CD de Benjamin Alard CD de Café Zimmermann CD du Laurent Mignard Duke Orchestra CD de Quinze CD de Anggun (version internationale) CD de Randy Twigg CD d’Issa Dakuyo CD de l’Ensemble Scandicus CD du Trio Dauphine CD du Parlement de Musique CD de Leonardo Garcia Alarcon CD de Stéphanie d’Oustrac et l’Ensemble Amarillis CD de Christophe Rousset CD Des Esprits Animaux CD du chœur de Namur CD de Manfredo Kraemer CD Adam & Eve"" CD de Micropoint CD de Lynnsha CD de Jacques Schwarz-Bart CD de Leila Chicot CD de Liyannaj CD de Loriane Zacharie CD de Kejaj CD d’Omar Pene CD de Delphine Volange CD de Max Boublil CD des Tambours du Bronx CD de Family One CD de Brascofonik CD de Meven CD de Michel Fugain CD de Michel Fugain CD de Michel Fugain CD de Aaron (live) CD Music’All CD de Side II Love CD des Narcoleptic Dancers CD de Myrdhin CD de Pascal Lamour CD de Nasser CD de Nicolas Comment & Xavier Waechter 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 3 CINKS PRODUCTION ABACABA EDITIONS ACCORDS CROISES ACCORDS CROISES AKAMUSIC AKAMUSIC AKAMUSIC AKAMUSIC ALPHA PRODUCTIONS ALPHA PRODUCTIONS ALPHA PRODUCTIONS ALPHA PRODUCTIONS ALPHA PRODUCTIONS AMOC ANIMAMA PROD APRIL EARTH ARAKNID RECORDS ARB ARION ARION ART ET MUSIQUE D’AMBRONAY ART ET MUSIQUE D’AMBRONAY ART ET MUSIQUE D’AMBRONAY ART ET MUSIQUE D’AMBRONAY ART ET MUSIQUE D’AMBRONAY ART ET MUSIQUE D’AMBRONAY ART ET MUSIQUE D’AMBRONAY ATLETICO RECORDS AUDIOGENIC AZTEC MUSIQUE AZTEC MUSIQUE AZTEC MUSIQUE AZTEC MUSIQUE AZTEC MUSIQUE AZTEC MUSIQUE AZTEC MUSIQUE BALANDRAS EDITIONS BAMAGO SARL BASE BAYARD MUSIQUE BIDEW CIDEWN - B.C.W.N. BIDEW CIDEWN - B.C.W.N. BIG BAZAR PRODUCTIONS BIG BAZAR PRODUCTIONS BIG BAZAR PRODUCTIONS BIRDS IN THE STORM BLACK STAMP MUSIC BLACK STAMP MUSIC BLEEPMACHINE BNC PRODUCTIONS BNC PRODUCTIONS BONSAI MUSIC BONSAI MUSIC 3 000,00 4 200,00 11 900,00 4 200,00 9 000,00 7 000,00 5 400,00 8 200,00 12 000,00 3 000,00 10 000,00 5 000,00 5 900,00 7 900,00 12 000,00 5 600,00 4 300,00 6 700,00 9 600,00 4 000,00 5 200,00 2 900,00 2 800,00 12 000,00 4 000,00 6 000,00 6 300,00 1 000,00 1 000,00 1 500,00 1 000,00 2 000,00 9 000,00 4 000,00 2 300,00 3 500,00 4 500,00 3 900,00 12 000,00 2 000,00 6 400,00 7 000,00 2 000,00 8 000,00 4 000,00 3 000,00 3 500,00 5 000,00 8 800,00 2 000,00 6 500,00 1 000,00 1 000,00 6 900,00 7 000,00 10 500,00 7 700,00 8 000,00 11 100,00 6 280,00 2 900,00 5 000,00 3 300,00 6 600,00 60 Appendices 2011 2011/800 2011/774 2011/193 2011/595 2011/797 2011/660 2011/095 2011/358 2011/835 2011/253 2011/055 2011/670 2011/755 2011/159 2011/696 2011/648 2011/147 2011/433 2011/410 2011/311 2011/056 2011/427 2011/663 2011/068 2011/096 2011/431 2011/577 2011/136 2011/073 2011/349 2011/058 2011/844 2011/252 2011/539 2011/066 2011/251 2011/104 2011/804 2011/061 2011/421 2011/074 2011/259 2011/666 2011/826 2011/167 2011/514 2011/064 2011/694 2011/833 2011/219 2011/292 2011/746 2011/019 2011/674 2011/749 2011/337 2011/244 2011/171 2011/815 2011/425 2011/561 2011/077 2011/682 2011/075 2011/270 2011/847 2011/508 2011/078 2011/010 Appendices 2011 CD de Julien Daian Quintet CD de Flavio Boltro CD de Velvet Room CD de Usthiax CD de Manu Dibango CD de Magnetix CD de Cheveu CD de Feeling Of Love CD de Jack of Heart CD des Weepers Circus CD du Collectif Tsenga CD de GRS Club CD du Gaël Horellou Sextet CD de Pushy ! CD de Caravan Palace CD de Shabba Tigre CD des Hushpuppies CD de Teenager Bad Girl CD d’Aline d’Ambricourt CD de Kaluwo CD de The Patriotic Sunday CD de Coriandre CD du I-Overdrive Trio & Marcel Kanche CD du David Reinhardt Trio CD de Laurence Malherbe et le Quatuor CD de Philippe Berrod CD de Maru Ateni CD du Michel Delage Onztet CD de Various Artistes CD de Under Kontrol CD de Damien Vanni CD de La Rumeur CD du groupe Manero CD d’Alan Corbel CD de Redrails CD d’Emilie Lesbros CD du Groupe Charge 69 CD d’Alifair CD de Paille CD du Trio Ewen Delahaye Favennec CD de Stupeflip CD de l’orchestre Fleurs Noires CD de Steve & Heather CD du Laurent de Wilde Trio CD de Manu And The Songe Black CD de Lakay CD d’Anthony Joseph & The Spasm Band CD d’Oneira CD de Lindigo CD de Roda do Cavaco CD de Damily CD de Rocé CD de Jean-Baptiste Dupont CD de l’Ensemble Sagittarius CD Jean Pierre Leguay"" CD d’Alain Meunier et Philippe Guilhon-Herbert CD d’Isabelle Surcouf Mallié et Pascale Schelcher CD de David Lefort et Simon Zaoui CD de Géraldine Dutroncy et Laurent Camatte CD de Yoann Tardivel Erchoff & Marion Ralincourt CD de Christophe d’Alessandro CD de Alee CD de Aufgang CD de Fraction & Guillaume Eluerd CD de Carl Craig CD de The Red Rum Orchestra CD d’Emilie Smill CD de Mandé Bossa CD des Têtes Raides BONSAI MUSIC BONSAI MUSIC BONSAI MUSIC BONSAI MUSIC BORDERBLASTER INTERNATIONAL BORN BAD RECORDS BORN BAD RECORDS BORN BAD RECORDS BORN BAD RECORDS BOULE A ZERO PRODUCTIONS BOUQUIN AFFAME PRODUCTIONS BOXON RECORDS - BOXON REC BREAKZ BREAKZ CAFE DE LA DANSE CARAÏBEAN STYL CHUT LE CANICHE EDITIONS CITIZEN - RECORDS CLAVECIN. COM COEFFICIENT 7 COLLECTIF EFFERVESCENCE CORIANDRE CRISTAL PUBLISHING CRISTAL PUBLISHING CRISTAL PUBLISHING CRISTAL PUBLISHING CRISTAL PUBLISHING CRISTAL PUBLISHING CYLID CYLID D & G MEDIA DA BUZZ DAG PROD DAVIC MUSIC D-FRAGMENT MUSIC D-FRAGMENT MUSIC DM PRODUCTIONS DM PRODUCTIONS DON’S MUSIC DYLIE ETIC SYSTEM FLEURS NOIRES FRENCH MUSIC TOUCH GAZEBO GEL PRODUCTION HADRA HEAVENLY SWEETNESS HELICO HELICO HELICO HELICO HORS CADRES HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT HORTUS DEVELOPPEMENT INDE PROD INFINE INFINE INFINE INTERNEXTERNE IPN MUSIC IRMA TERILOEVITCH JAMAIS J’DEGUEULE 8 500,00 8 500,00 6 000,00 7 000,00 12 000,00 5 200,00 3 800,00 2 800,00 5 500,00 5 500,00 6 700,00 5 100,00 3 000,00 2 600,00 12 000,00 1 000,00 11 100,00 3 600,00 2 500,00 4 500,00 4 600,00 2 800,00 4 400,00 4 100,00 3 000,00 1 200,00 3 000,00 6 300,00 2 800,00 3 000,00 5 600,00 8 000,00 8 000,00 11 000,00 1 700,00 1 300,00 5 400,00 7 400,00 7 300,00 1 800,00 7 200,00 7 000,00 2 000,00 8 422,00 5 600,00 3 000,00 6 100,00 9 600,00 5 500,00 4 700,00 4 500,00 11 900,00 2 200,00 5 000,00 9 300,00 6 000,00 1 500,00 2 500,00 2 000,00 2 400,00 2 500,00 3 500,00 8 000,00 5 200,00 11 000,00 2 000,00 12 000,00 4 300,00 8 000,00 2011/206 2011/424 2011/209 2011/238 2011/267 2011/812 2011/245 2011/057 2011/528 2011/695 2011/351 2011/250 2011/249 2011/210 2011/730 2011/046 2011/256 2011/158 2011/438 2011/555 2011/560 2011/752 2011/854 2011/102 2011/753 2011/608 2011/811 2011/428 2011/060 2011/679 2011/100 2011/333 2011/352 2011/434 2011/379 2011/491 2011/661 2011/393 2011/211 2011/824 2011/285 2011/610 2011/737 2011/821 2011/575 2011/828 2011/339 2011/359 2011/470 2011/378 2011/717 2011/280 2011/591 2011/423 2011/321 2011/457 2011/261 2011/430 2011/754 2011/441 2011/687 2011/380 2011/334 2011/063 2011/693 2011/659 2011/733 2011/002 2011/053 CD de Eva Spector CD de Smoking Smoking CD de The ET’s CD de Sanael CD de Karina Zeviani CD d’Olga Kouklali CD de Doriand CD de La Canaille CD du Duo Michel Mandel & Yves Gerbelot CD de Mysterlô CD de Hawa CD des Hurlements d’Léo CD de Big Sexy Noise CD de Dona Confuse CD des DumDumBoys CD du groupe Triggerfinger CD de James Chance CD de Daau CD de XmasX CD de Clytem Scanning CD de Sprung aus Den Wolken CD du groupe Les Ongles Noirs CD de Steff Tej & Ejectés CD du groupe Steff Tej & Ejectés CD d’Edouard Bineau et le Wared Quartet CD de Sophia S’en Mêle CD de Dragon Davy CD de Toma CD de Isabelle Druet & Johanne Ralambondrainy CD de Dan Ar Braz CD de Raghunath Manet & Didier Squiban Trio CD de Didier Squiban CD de Free Lagne CD du Swing du Lundi CD de Teofilo Chantre CD des Vendeurs d’Enclumes CD de Shanky CD de Poumi CD de Gerald Toto CD de Marcel et Son Orchestre CD de Gérard Abiton CD des Bantunani CD de Romain Ughetto CD de Valentin Marceau CD de Stone & Charden CD d’Erika Lernot CD de Dick Rivers CD de Smadj CD de Mani CD de Greg Laffargue CD d’Emily Lady CD des Meltones CD de David Parienti CD d’Arthur H CD de Jacques Thollot CD Laura CD de Ladylike Dragons CD de Misja Fitzgerald Michel CD de Florent Marchet CD du Chœur de Chambre Les Eléments CD de Rigolus CD du groupe La New Sonora CD de Ba Cissoko CD de Arat Kilo CD d’Olivier Laisney CD d’Alexandre Herer CD de DJ Maze CD de Hifiklub CD de du Chœur l’Echelle JO AND CO JO AND CO JO AND CO KOS AND CO KWAIDAN KWAIDAN KWAIDAN LA CANAILLE LA FORGE LA PLAGE SONORE LABEL FAVORITE RECORDINGS LADILAFE LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LES BRAS CASSES LES DISQUES DU TIGRE LES DISQUES DU TIGRE LES FILMS DANS LA LUNE LES SCENES DE SOPHIA LICKSHOT LICKSHOT LITTLE TRIBECA L’OZ PRODUCTION L’OZ PRODUCTION L’OZ PRODUCTION L’OZ PRODUCTION L’OZ PRODUCTION LUSAFRICA MDLS MELMAX MUSIC MELMAX MUSIC MERCOEUR MUSIC MESO PRODUCTIONS MICHAEL SEILER MICHEL N’ZAU VUANDA MJF MJF MJF MONDESIR PRODUCTIONS MOUCHE RECORDS MVS RECORDS MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MYSTIC RUMBA NATO NATO NICE AND ROUGH RECORDS NO FORMAT NODIVA NOUVELLE SOCIÉTÉ NUMEN NUEVA ONDA PRODUCTION NUEVA ONDA PRODUCTION NUITS METIS ONLY MUSIC ONZE HEURES ONZE ONZE HEURES ONZE P2S RECORDS PARALLEL FACTORY PARATY PRODUCTIONS 61 6 900,00 2 900,00 4 900,00 8 000,00 8 600,00 4 000,00 5 700,00 4 300,00 2 500,00 1 400,00 3 200,00 11 000,00 3 500,00 3 100,00 6 000,00 4 400,00 4 000,00 3 500,00 3 200,00 4 700,00 5 300,00 6 800,00 2 500,00 2 900,00 3 800,00 9 000,00 10 700,00 5 500,00 1 000,00 12 000,00 4 400,00 3 000,00 3 100,00 3 600,00 5 800,00 12 000,00 5 000,00 2 100,00 4 700,00 5 000,00 1 700,00 9 000,00 10 000,00 11 800,00 9 000,00 5 600,00 12 000,00 3 000,00 12 000,00 7 400,00 1 000,00 11 700,00 5 000,00 12 000,00 3 000,00 6 100,00 8 000,00 4 500,00 5 000,00 1 000,00 2 000,00 3 000,00 5 700,00 7 000,00 4 000,00 2 500,00 9 600,00 6 500,00 5 600,00 62 Appendices 2011 Appendices 2011 2011/742 2011/290 2011/760 2011/566 2011/271 2011/845 2011/162 2011/527 2011/458 2011/194 2011/779 2011/496 2011/588 2011/255 2011/541 2011/680 2011/018 2011/422 2011/675 2011/264 2011/054 2011/350 2011/559 2011/143 2011/076 2011/050 2011/684 2011/254 2011/432 2011/085 2011/072 2011/436 2011/576 2011/347 2011/247 2011/240 2011/495 2011/756 2011/243 2011/669 2011/205 2011/581 2011/700 2011/759 2011/873 2011/336 2011/626 2011/442 2011/681 2011/176 2011/806 2011/839 2011/301 2011/045 CD de Bruno Procopio CD de Yvan Cujious CD de Mc Pampille CD de Chris Bailey & H Burns CD de Music Is Not Fun CD de Alex Renart CD de Tony Allen CD de Doctor L CD des Marie-Morgane CD de Raphaël Pidoux & E. Strosser CD Hommage à Jean-Pierre Duport"" CD de Jean-Jacques Kantorow et Pierre-Alain Volondat CD de Pierre Lenert et Jeff Cohen CD de Jofroi CD de Don Nino CD de l’Ensemble Seraphica CD de l’ensemble Vox Cantoris CD de Florence Malgoire & Les Dominos CD des Scratch Massive CD de Slove CD de Joseph Léon CD de Aylin Prandi CD de Manuel Armstrong CD de Rafale CD Nicolas Berton CD de Mademoiselle K CD de Make The Girl Dance CD de Oldelaf CD de Régis Pasquier CD de Jean Patrice Brosse CD de Yuksek CD de Birdy Nam Nam CD de Jean-Louis Murat CD de Wil Campa CD de L’Algérino CD du Duo Cordes et Ames CD d’Aurélien Richard CD de Seyo CD de D Lov CD du groupe Mix Métisse CD de Corentin Coko CD de Haidouti Orkestar CD de Emilie Jolie CD de Public Lover CD La Clé des Champs" (Bof )" CD de Laurine Phelut CD de Georges Delvallée CD de Diego Imbert Quartet CD d’André Manoukian CD de Mansfield Tya CD d’Olivier Depardon CD du Quatuor Ysaÿe CD de Arnaud Rebotini convention SCPP/Studio des Variétés PARATY PRODUCTIONS PASSERELLE PRODUCTIONS PBOX SARL PBOX SARL PBOX SARL PLAN 2 PLANET WOO PLANET WOO PRIKOSNOVENIE PRODUCTION INTEGRAL PRODUCTION INTEGRAL PRODUCTION INTEGRAL PRODUCTION INTEGRAL PRODUCTIONS DU SOLEIL PROHIBITED RECORDS PSALMUS PSALMUS PSALMUS PSCHENT MUSIC PSCHENT MUSIC REAL TIME RECORDS REMARK REMARK RISE ROCHECHOUART MUSIC ROSELINE PRODUCTIONS ROY MUSIC ROY MUSIC ROY MUSIC SAPHIR PRODUCTIONS SAPHIR PRODUCTIONS SAVOIR FAIRE SAVOIR FAIRE SCARLETT PRODUCTIONS EDITIONS SCHERZO CONCERTS ET PRODUCTION SIX-O-NINE SKARBO SKARBO SOONDBOX SOUND EFFECT KILLER KAYCI IMAGE STUDIOS ACCORD SUR L’AIR DE RIEN TCHEKCHOUKA TELE IMAGES KIDS TELEGRAPH RECORDS THELMA FILMS THIEBAULT GENEVIEVE THIEBAULT GENEVIEVE TREBIM MUSIC VA SAVOIR VICIOUS CIRCLE VICIOUS CIRCLE YSAYE RECORDS ZEND AVESTA STUDIO DES VARIETES 5 300,00 8 000,00 5 100,00 9 000,00 7 000,00 12 000,00 5 500,00 12 000,00 1 700,00 1 500,00 3 500,00 4 500,00 4 000,00 2 000,00 3 000,00 4 000,00 2 600,00 2 000,00 4 000,00 3 500,00 7 300,00 6 000,00 5 000,00 5 500,00 3 800,00 11 000,00 8 400,00 4 000,00 2 400,00 2 400,00 12 000,00 11 000,00 10 000,00 4 900,00 11 000,00 2 500,00 6 000,00 3 000,00 4 000,00 4 000,00 4 800,00 8 000,00 1 000,00 3 000,00 5 000,00 2 200,00 3 000,00 2 000,00 6 000,00 5 500,00 2 200,00 7 000,00 2 000,00 47 850,00 Live performances 2011/021 2011/023 2011/689 2011/692 2011/027 2011/690 2011/029 2011/025 2011/022 2011/691 2011/035 2011/036 2011/038 convention SCPP/Batofar convention SCPP/Café de la Danse convention SCPP/Canal 93 convention SCPP/Glazart convention SCPP/La Boule Noire convention SCPP/La Machine du Moulin Rouge convention SCPP/La Maroquinerie convention SCPP/L’Archipel convention SCPP/Cabaret Sauvage convention SCPP/Le Divan du Monde convention SCPP/Le Trabendo convention SCPP/Le Triton convention SCPP/Le Zèbre de Belleville BATEAU-FEU-BATOFAR CAFE DE LA DANSE CANAL 93 GLAZART LA BOULE NOIRE LA MACHINE DU MOULIN ROUGE LA MAROQUINERIE L’ARCHIPEL/PARIS-CINE LE CABARET SAUVAGE LE DIVAN DU MONDE LE TRABENDO LE TRITON LE ZEBRE DE BELLEVILLE 7 200,00 21 120,00 6 128,00 4 800,00 26 880,00 8 960,00 14 400,00 4 800,00 15 600,00 6 400,00 11 920,00 3 840,00 13 440,00 2011/039 2011/040 2011/041 2011/026 2011/034 2011/037 2011/043 2011/020 convention SCPP/Les Trois Baudets convention SCPP/New Morning convention SCPP/Nouveau Casino convention SCPP/La Bellevilloise convention SCPP/Sentier des Halles convention SCPP/L’Européen convention SCPP/Studio de l’Ermitage convention SCPP/Théâtre de l’Athénée LES TROIS BAUDETS NEW MORNING NOUVEAU CASINO ORIZA-LA BELLEVILLOISE SENTIER DES HALLES STACCATO-L EUROPEEN STUDIO DE L’ERMITAGE THEATRE DE L’ATHENEE Music Videos 2011/448 2011/869 2011/203 2011/300 2011/735 2011/482 2011/808 2011/526 2011/383 2011/722 2011/834 2011/744 2011/678 2011/437 2011/103 2011/676 2011/562 2011/276 2011/569 2011/571 2011/065 2011/208 2011/015 2011/416 2011/343 2011/170 2011/164 2011/165 2011/241 2011/341 2011/810 2011/809 2011/574 2011/237 2011/175 2011/413 2011/168 2011/429 2011/135 2011/242 2011/340 2011/356 2011/568 2011/758 2011/342 2011/328 2011/665 2011/664 2011/829 2011/417 2011/486 2011/415 2011/414 2011/354 2011/268 2011/736 2011/843 2011/509 2011/449 vidéo Here & now" de Norbert Krief" vidéo All night long" de Headcharger" vidéo The bitter seed" de Loudblast" vidéo Larmes de l’univers" de Manigance" vidéo Ninon dans la lune" de Bertrand Soulier" vidéo J’attendrai" de Quinze" vidéo Depuis ce jour" de Quinze" vidéo Only love" de Anggun " vidéo Laura" de Patrice Hulman" vidéo 1 pa 10" de Izé" vidéo Exhibitiodance" de Max Boublil" vidéo En couple" de Max Boublil" vidéo Bois de l’eau" de Max Boublil" vidéo Delirium" des Tambours du Bronx" vidéo Two Ducks" de Jako Maron" vidéo Rastakraut" des Narcoleptic Dancers" vidéo Wake up" de Nasser" vidéo Ti Odio" de Giovanni Ceccarelli" vidéo Elles s’amusent" des Weepers Circus" vidéo Missile" de Wat" vidéo Kill Kill" de Wat" vidéo Low compromise democracy" des Hushpuppies" vidéo Watch your step" de Zem" vidéo La photo" de Damien Vanni" vidéo Dr House" de Paille" vidéo La voix des blocs" de Dj Plaiz" vidéo L’enfer du décor" de DJ Plaiz" vidéo Rock you" de Lafayette vidéo My love for evermore" de The Hillbilly Moon Explosion" vidéo Rev it up" de Manu And The Songe Black" vidéo Fast car" de Zëro" vidéo Until the end" de Mein Sohn William" vidéo Check Chuck" de Composer" vidéo Heart Beating" de Agoria" vidéo Emma" des Têtes Raides" vidéo Are we lucky" de Smoking Smoking" vidéo Madame Météo" de The ET’s" vidéo The Greeks" de Is Tropical" vidéo La colère" de La Canaille" vidéo J’ai faim" de La Canaille" vidéo My little Green Box" de Hawa" vidéo Dem Bobo" de Femi Kuti" Vidéo Ballin’ the Jack" de Big Sexy Noise" vidéo Home" de James Chance" vidéo Let it Ride" de Triggerfinger" vidéo Here" de Dona Confuse " vidéo Evolution / Revolution" de Sprung aus Den Wolken" Vidéo The Body Solderer" de Clytem Scanning" vidéo Jeanne" de Laurent Voulzy" vidéo L’idylle" du groupe De Calm" vidéo Tes bonnes choses" de Louis Bertignac" vidéo I cannot think" de Outlines" vidéo Les batisseurs de France" de Toma" vidéo Run" de Caligagan" video Chocolate cake" de Gérald Toto" vidéo Stone & Charden" de Stone & Charden" vidéo Oyaya"d’Erika Lernot" Vidéo Bien évidemment" Julien Comblat" vidéo Don’t stop breathing" des Meltones" 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS 13 BIS RECORDS ABACABA EDITIONS ANIMAMA PROD ANIMAMA PROD APRIL EARTH AZTEC MUSIQUE AZTEC MUSIQUE BAMAGO SARL BAMAGO SARL BAMAGO SARL BASE BI-POLE BLEEPMACHINE BONSAI MUSIC BONSAI MUSIC BOULE A ZERO PRODUCTIONS BOXON RECORDS - BOXON REC BOXON RECORDS - BOXON REC CHUT LE CANICHE EDITIONS CRISTAL PUBLISHING D & G MEDIA DON’S MUSIC ELECTRICAL STORM ELECTRICAL STORM FAT FREEDONIA ENTERTAINMENT GEL PRODUCTION ICI D’AILLEURS ICI D’AILLEURS INFINE INFINE JAMAIS J’DEGUEULE JO AND CO JO AND CO KITSUNE FRANCE LA CANAILLE LA CANAILLE LABEL FAVORITE RECORDINGS LABELMAISON LIMITED LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LE SON DU MAQUIS LES EDITIONS LAURENT VOULZY LES RÉ-CRÉATIONS DU POURQUOI LET IT BLEED MUSIC LICKSHOT LICKSHOT LOOPING PRODUCTIONS MERCOEUR MUSIC MJF MONDESIR PRODUCTIONS MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) 63 8 640,00 28 080,00 17 600,00 7 360,00 2 560,00 31 200,00 3 840,00 28 560,00 1 900,00 3 400,00 4 100,00 1 700,00 6 000,00 1 000,00 1 600,00 2 400,00 2 500,00 1 700,00 4 000,00 4 000,00 3 700,00 1 600,00 1 000,00 7 200,00 3 000,00 1 600,00 5 000,00 4 800,00 2 300,00 1 900,00 2 400,00 1 700,00 3 900,00 1 000,00 2 300,00 3 300,00 2 300,00 2 400,00 2 000,00 1 500,00 2 500,00 1 700,00 3 000,00 2 100,00 3 700,00 4 000,00 3 100,00 2 200,00 800,00 3 500,00 3 000,00 3 000,00 2 400,00 2 400,00 3 900,00 3 900,00 6 200,00 800,00 1 600,00 7 200,00 4 100,00 2 100,00 1 600,00 5 000,00 7 400,00 8 000,00 800,00 64 Appendices 2011 Appendices 2011 2011/822 2011/398 2011/802 2011/590 2011/283 2011/570 2011/262 2011/506 2011/673 2011/578 2011/260 2011/353 2011/820 2011/801 2011/745 2011/263 2011/357 2011/327 2011/079 2011/258 2011/051 2011/418 2011/819 2011/685 2011/286 2011/572 2011/361 2011/564 2011/248 2011/207 2011/740 2011/671 2011/565 2011/625 2011/766 2011/439 2011/738 vidéo Relax" de Lola" vidéo Je teste ma mélodie" Greg Laffargue" vidéo La promesse" de Grégoire" Vidéo J’aimais mieux avant" de Christophe Cirillo" vidéo Et si" de Hanna Larue" vidéo La beauté de l’amour" d’Arthur H" vidéo Love and so On" de Ladylike Dragons" vidéo Gagner l’argent français" de Mamani Keita" vidéo Requiem pour un con" de Kouyaté Neerman" vidéo So why" de Deschannel" vidéo "Reviens pas" de Monsieur Lune vidéo J’aime tous les gens" de Yvan Cujious" vidéo Mouille le maillot" de MC Pampille" vidéo Nuit et jour" de Music Is Not Fun" vidéo Activista" de Doctor L" vidéo Ma vie" de Liff" vidéo Le diable s’habille en Prada" de Sifoor" Vidéo Friends Of Mine" de Kid Loco" vidéo Everglades" de Rafale" vidéo Les mots" de Hangar" vidéo Jouer dehors" de Mademoiselle K" vidéo Me taire te plaire" de Mademoiselle K" vidéo Courseulles sur mer" de Oldelaf" vidéo Broken Toy Boy" de Make The Girl Dance" vidéo Shoota Babylone 2 de Rockin’Squat" vidéo Goin’in" de Birdy Nam Nam" vidéo On a train" de Yuksek" vidéo 100 Regrets" de Sinik" vidéo Avec le Sourire" de L’Algérino" vidéo Boule de Cristal" de Sinik" vidéo Koi de neuf" de l’Algérino" vidéo Wesh Rhey" de L’Algérino" vidéo A2" D Lov" vidéo Sexy Wine" de Krys" vidéo What she saw" de Public Lover" vidéo Daylight" de Whashing Machine Cie" vidéo Macadam colosse" d’André Manoukian" MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) MYSTIC RUMBA NICE AND ROUGH RECORDS NO FORMAT NO FORMAT OSORNO RECORDS PAPA LUNA PRODUCTIONS PASSERELLE PRODUCTIONS PBOX SARL PBOX SARL PLANET WOO PRESSE INTERNET LABEL PRESSE INTERNET LABEL PRIEUR JEAN YVES RISE ROCHECHOUART MUSIC ROY MUSIC ROY MUSIC ROY MUSIC ROY MUSIC ROY MUSIC SARL LIVIN’ ASTRO SAVOIR FAIRE SAVOIR FAIRE SIX-O-NINE SIX-O-NINE SIX-O-NINE SIX-O-NINE SIX-O-NINE SOUND EFFECT KILLER KAYCI IMAGE STEP OUT PRODUCTIONS TELEGRAPH RECORDS TROLL’S PRODUCTION VA SAVOIR Special projects 2011/404 2011/009 2011/584 2011/047 2011/405 2011/196 2011/877 2011/001 2011/067 2011/580 2011/330 2011/406 2011/155 2011/156 20mes Nuits des Musiciens Les Victoires de la Musique 2011 10me édition du Prix Constantin Activités 2011 Fonds Audiovisuel Musical 2011 Exercice 2011 4me édition du Festival au Fil des Voix 3e édition du Festival au Fil des Voix Activités 2011 4me édition du Concours Andrée Chedid Festival International des Arts du Clip 2011 Activités du collectif 2011 Exercice 2011 Exercice 2011 ASSOCIATION LA NUIT DES MUSICIENS ASSOCIATION LES VICTOIRES DE LA MUSIQUE ASSOCIATION PRIX CONSTANTIN FAIR FCM FCM FESTIVAL AU FIL DES VOIX FESTIVAL AU FIL DES VOIX FRANCOPHONIE DIFFUSION LE PRINTEMPS DES POETES PILE PRODUCTIONS TOUS POUR LA MUSIQUE VOIX DU SUD ZONE FRANCHE 2011/861/893 2011/861/910 2011/861/894 2011/861/891 2011/861/909 2011/861/460 2011/861/706 2011/51/902 2011/51/901 2011/51/900 2011/926/093 2011/926/204 2011/17/189 2011/1293/218 CD de Jérôme Sabbagh CD de Guillaume de Chassy CD de Magic Malik CD de Guillaume de Chassy CD de Gabriel Zufferey CD d’Antonin-Tri Hoang CD du Jozef Dumoulin Trio CD de Sorhouet Etcheverry CD de l’Harmonie de Biarritz CD de Burrunka CD de l’ensemble Quadriga Consort CD de l’Ensemble Musicaeterna CD de Célimène Daudet CD de Thierry Fanfant 8 100,00 3 200,00 2 000,00 2 000,00 2 400,00 3 600,00 1 800,00 5 900,00 3 100,00 1 900,00 1 500,00 1 000,00 3 100,00 3 900,00 2 500,00 1 200,00 1 700,00 1 800,00 7 800,00 1 800,00 8 000,00 2 100,00 1 928,00 5 600,00 1 400,00 3 100,00 3 000,00 4 100,00 2 600,00 5 600,00 4 500,00 7 300,00 1 800,00 2 200,00 3 300,00 1 600,00 4 000,00 20 000,00 180 000,00 50 000,00 33 448,00 31 548,00 856 736,00 13 000,00 21 600,00 40 000,00 5 000,00 2 000,00 25 000,00 11 000,00 25 000,00 DRAWING RIGHTS ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION AGORILA AGORILA AGORILA ALPHA PRODUCTIONS ALPHA PRODUCTIONS ARION AZTEC MUSIQUE 11 045,00 4 860,00 13 702,00 7 160,00 5 065,00 6 552,00 8 111,00 6 041,00 1 560,00 4 971,00 10 466,00 1 085,00 3 643,00 6 612,00 2011/577/195 2011/577/644 2011/577/862 2011/577/108 2011/1076/192 2011/78/856 2011/261/304 2011/865/897 2011/11/881 2011/11/880 2011/11/879 2011/11/376 2011/11/524 2011/11/523 2011/11/586 2011/11/542 2011/11/780 2011/11/781 2011/11/782 2011/11/861 2011/11/855 2011/11/863 2011/11/851 2011/11/884 2011/11/882 2011/208/732 2011/208/726 2011/208/853 2011/208/852 2011/335/273 2011/335/274 2011/335/481 2011/335/518 2011/335/543 2011/335/552 2011/335/618 2011/335/647 2011/335/646 2011/335/704 2011/335/703 2011/335/783 2011/335/784 2011/335/785 2011/335/849 2011/379/898 2011/147/084 2011/147/365 2011/1579/478 2011/1579/886 2011/371/148 2011/625/791 2011/1590/325 2011/1641/092 2011/1641/197 2011/315/111 2011/40/775 2011/789/913 2011/36/375 2011/63/878 2011/63/087 2011/63/188 2011/63/191 2011/63/407 2011/63/088 2011/63/459 2011/63/120 2011/63/545 2011/63/546 2011/63/548 CD de Eric Julien CD de l’Ensemble Athénais CD de Dominique Fauchard CD de Jean Paul Lécot CD de Matthieu Boré (live) CD de Jorge Humberto CD de Soig Siberil & Cédric Le Bozec CD de Mazen CD de Raphaël CD d’Avishaï Cohen CD de Guillaume Grand CD de Keren Ann CD de Seth Gueko CD d’Alain Souchon CD de Caroline Costa (EP) CD de Sadek CD de Sadek CD de Révolution Urbaine CD de Françoise Hardy CD de Magic System (best of ) CD de Lartiste CD du Bagad de Lann-Bihoué CD de Claire Denamur (acoustique) CD de Jean Louis Aubert (live) CD de M Pokora CD de Lou & Thanya CD de Electricitiz CD de Gérard Rinaldi CD de Kelson CD de Luc Ferry - Marx CD de Luc Ferry - Freud CD de Jean-Pierre Lorit CD de Henri Pena-Ruiz - La laïcité CD de Michel Rocard CD d’Eric Pierrot CD d’Olivier Coquard CD de Jean-François Sirinelli CD de Claude Gauvard CD de Pierre-Henri Tavoillot CD de Pierre-Henri Tavoillot CD de Marcel Bozonnet CD d’Emmanuel Fureix CD de Bruno Dumézil CD de Jean-Marie Le Gall CD de Gérard Ferrer CD de Gilles Le Bigot CD du Bagad Kemper CD de Manu Dibango CD d’Herbert Leonard CD des Enfoirés CD de Dave CD de Youness CD de Irma CD de Christophe Cirillo CD de Frédéric Vaysse-Knitter CD de Hartner & DJ Tagada CD des Slug CD des Voix de l’Emotion CD de Tales of Voices CD de Amandine Bourgeois CD de Still Fresh CD de Chante CD de Sally Nyolo CD de Ben Mazué CD de Yannick Noah (live) CD de la Fouine CD de Matthew Raymond Barker CD d’Amel Bent CD de Mokobe BAYARD MUSIQUE BAYARD MUSIQUE BAYARD MUSIQUE BAYARD MUSIQUE BONSAI MUSIC CHRIS MUSIC COOP BREIZH DIFFUSION BREIZH CYBER PRODUCTION EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE FGL FGL FGL FGL GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI GROUPE FREMEAUX COLOMBINI HARP’S KELTIA MUSIQUE KELTIA MUSIQUE LES EDITIONS GERARD TEMPESTI LES EDITIONS GERARD TEMPESTI LES RESTAURANTS DU COEUR M6 INTERACTIONS MICHEL LEVY PRODUCTIONS MY MAJOR COMPANY (MMC) MY MAJOR COMPANY (MMC) PRODUCTION INTEGRAL PRODUCTIONS SUNSET FRANCE RADIO FRANCE RICORDU SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE 65 3 790,00 6 767,00 518,00 3 297,00 3 500,00 8 979,00 3 996,00 91 672,00 154 045,00 75 743,00 107 983,00 9 360,00 48 000,00 80 015,00 28 000,00 18 897,00 56 000,00 55 200,00 120 400,00 20 134,00 72 831,00 60 622,00 18 590,00 99 500,00 152 386,00 3 500,00 9 833,00 16 967,00 6 798,00 1 118,00 962,00 2 642,00 754,00 1 456,00 2 288,00 1 076,00 2 137,00 2 111,00 1 050,00 1 076,00 2 028,00 1 076,00 1 102,00 1 102,00 4 410,00 6 909,00 3 138,00 6 214,00 11 264,00 207 943,00 58 185,00 9 241,00 23 564,00 14 260,00 3 417,00 3 686,00 17 196,00 6 579,00 35 776,00 41 600,00 18 278,00 32 032,00 35 208,00 41 106,00 63 643,00 83 200,00 52 000,00 55 562,00 41 340,00 66 Appendices 2011 2011/63/549 2011/63/550 2011/63/598 2011/63/603 2011/63/601 2011/63/602 2011/63/605 2011/63/721 2011/63/871 2011/1022/288 2011/1/903 2011/1/090 2011/1/091 2011/1/137 2011/1/183 2011/1/149 2011/1/142 2011/1/179 2011/1/089 2011/1/109 2011/1/212 2011/1/317 2011/1/236 2011/1/277 2011/1/362 2011/1/316 2011/1/278 2011/1/309 2011/1/140 2011/1/182 2011/1/366 2011/1/374 2011/1/368 2011/1/369 2011/1/370 2011/1/181 2011/1/094 2011/1/463 2011/1/464 2011/1/467 2011/1/468 2011/1/466 2011/1/489 2011/1/488 2011/1/497 2011/1/502 2011/1/490 2011/1/503 2011/1/515 2011/1/500 2011/1/585 2011/1/510 2011/1/553 2011/1/554 2011/1/594 2011/1/150 2011/1/645 2011/1/643 2011/1/723 2011/1/799 2011/1/138 2011/4/890 2011/4/892 2011/4/895 2011/4/086 2011/4/310 2011/4/363 2011/4/593 2011/4/708 Appendices 2011 CD de Nessbeal CD de Odyl CD de Patrick Fiori (live) CD de Daniel Darc CD de Joey Starr CD de Soan CD de The Aikiu CD de Jean-Jacques Milteau CD de Natasha St-Pier CD de Jacques Martial - Aimé Césaire CD de Yohann Malory CD de Tigran CD de Claire-Marie Le Guay CD de Grace CD de Mc Luvin CD de NDidi CD de Jeff Le Nerf CD de Biguine CD de Nathalie Stutzman CD de Catherine Lara CD de Stéphane Belmondo CD d’Arielle Dombasle CD de Lou Lesage CD de Michel Sardou (live) CD de Nolwenn Leroy CD des Marins d’Iroise CD de Pep’s CD de Thierry Escaich CD d’Enrico Macias CD de Skip The Use CD de Brigitte Fontaine CD de Jali CD de Stanislas CD Maxime Le Forestier Tribute CD de Lady Linn CD de Cascadeur CD de Deportivo CD de Lala Joy CD de Proust CD de Roberto Alagna CD de Roger Muraro CD de Ben l’Oncle Soul (live) CD de Juliette Gréco CD de Nana Mouskouri CD de Faudel CD d’Eddy Mitchell (live) CD de Davy Touré CD de Philippe Cassard CD de Thomas Dutronc CD de The Puppini Sisters CD d’Hugues Aufray CD d’Anaïs CD de Starliners CD de Juliette Katz CD d’Henri Salvador CD de Mélissa N’Konda CD du groupe Zebda CD de Izia CD de Lulu Gainsbourg CD des Dionysos CD de Richard Galliano CD de Twin Twin CD de Canardo CD de Moongaï CD de Judith CD d’Anggun CD de Sinclair CD d’Inna Modja CD de Singtank SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE THELEME PRODUCTIONS EDITIONS UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE 41 678,00 17 758,00 25 277,00 43 810,00 105 118,00 42 504,00 67 496,00 25 437,00 35 551,00 3 358,00 42 312,00 8 398,00 6 916,00 47 835,00 27 222,00 37 404,00 37 224,00 4 536,00 44 009,00 32 890,00 13 169,00 47 271,00 38 426,00 67 777,00 26 000,00 61 298,00 37 680,00 13 812,00 53 825,00 46 894,00 76 244,00 39 036,00 20 602,00 51 589,00 41 964,00 34 745,00 35 444,00 43 160,00 27 294,00 103 010,00 11 435,00 28 826,00 46 939,00 73 221,00 60 273,00 100 359,00 40 952,00 16 019,00 57 663,00 26 706,00 99 582,00 75 389,00 61 637,00 51 540,00 44 236,00 87 183,00 37 048,00 62 242,00 90 553,00 36 210,00 24 478,00 43 366,00 13 974,00 27 694,00 54 447,00 64 967,00 75 880,00 30 513,00 53 062,00 2011/4/777 2011/4/778 2011/4/790 2011/4/860 2011/4/859 2011/4/848 2011/4/907 2011/152/081 2011/777/711 2011/1293/132 2011/11/911 2011/11/904 2011/11/322 2011/11/394 2011/11/397 2011/11/445 2011/11/611 2011/11/714 2011/11/724 2011/11/702 2011/11/792 2011/11/793 2011/11/794 2011/11/789 2011/11/795 2011/11/230 2011/11/471 2011/11/220 2011/11/124 2011/11/130 2011/11/224 2011/11/305 2011/11/312 2011/393/382 2011/393/384 2011/262/293 2011/625/705 2011/625/776 2011/1590/498 2011/1 641/131 2011/1 484/912 2011/560/599 2011/63/867 2011/63/866 2011/63/128 2011/63/129 2011/63/126 2011/63/127 2011/63/198 2011/63/226 2011/63/125 2011/63/307 2011/63/311 2011/63/314 2011/63/387 2011/63/396 2011/63/472 2011/63/536 2011/63/535 2011/63/522 2011/63/525 2011/63/534 2011/63/533 2011/63/538 2011/63/606 2011/63/619 2011/63/620 2011/63/624 2011/63/719 CD Hommage à Gilbert Bécaud"" CD d’Amaury Vassili CD de Line Renaud (live) CD de Tal CD de Louisy Joseph CD de Kerredine CD de Dracula (live) vidéo Lost in your eyes" de Heavenly" vidéo Ma bataille" d’Adam & Eve" vidéo Fanm" de Rony Théophile" vidéo La France" de Camille" vidéo L’éclipse" de Liza Manili" vidéo À nos actes manqués" de M Pokora " vidéo Rien de commun" de Loane" vidéo J’espère que tu danses" Edi Casabella" vidéo Sugar Mama" de Keren Ann" vidéo Bang Bang Bang" de Claire Denamur" vidéo Boby" de Loane" vidéo On dit quoi gros" de Sadek" vidéo Boum boum" de Jerome Van Den Hole" vidéo Non Non Non" de Liza Manili" vidéo Christopher Williams & Le Petit Train" de Liza Manili" vidéo Allez allez allez/Le berger/Mars is no fun de Camille" vidéo En attendant la fin" de M. Pokora" vidéo Wind song" de Revolver" vidéo Zdedededex" de Seth Gueko" vidéo La danse des magiciens" de Magic System" vidéo Balancer" de Ours" vidéo Dopé" de Soprano" vidéo Fais doucement" de Rohff" vidéo Chérie coco" de Magic System" vidéo Regarde moi" de Soprano" vidéo Shalom Salam Salut" de Seth Gueko" vidéo Baiser salé" de La Harissa" vidéo Doudou je t’aime" de Bébé Lilly" vidéo Odju Watcha" de Sia Tolno" vidéo Vanina" de Dave" vidéo Yesterday" de The Et’s" vidéo Bledi bledi" de Youness" vidéo Soleil" de Grégoire" vidéo Avec des si" de Emzel Café" vidéo Trust you again" de Muttonheads" vidéo Mamy..." de JoeyStarr" vidéo Sans amour" d’Amandine Bourgeois" vidéo Lapdance" de Ycare" vidéo Papa" de La Fouine" vidéo Moi c’est" de Camélia Jordana" vidéo D’où l’on vient" de La Fouine" vidéo Kiss me Forever" de Julien Doré" vidéo Work" de The Bewitched Hands" vidéo Point virgule" de Maya Barsony" vidéo L’été noir" de Luce" vidéo My own short news item" de Empyr" vidéo Ma Génération" de Still Fresh" vidéo Dance" de Saul Williams" vidéo Sur le quai" de The Bewitched Hands" vidéo Hello" de Yannick Noah" vidéo Le bonheur" d’Archimède" vidéo Jour de sortie" de Joeystarr" vidéo Massacre" de Still Fresh" vidéo Toute la night" de La Fouine" vidéo Oulala" de Mokobé" vidéo A la vie" de Patrick Fiori" vidéo La ruelle des morts" de Hubert Félix Thiéfaine" vidéos Mes monuments" "C’est léger" de Ben Mazué" vidéo Give me more" de Empyr" vidéo L’histoire d’un mec qui coule" de Nessbeal" vidéo Papa ce soir" de La Fille du Voisin" vidéo Frontières" de Yannick Noah" WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE 13 BIS RECORDS ATLETICO RECORDS AZTEC MUSIQUE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE HEBEN MUSIC HEBEN MUSIC LUSAFRICA M6 INTERACTIONS M6 INTERACTIONS MICHEL LEVY PRODUCTIONS MY MAJOR COMPANY (MMC) SARL ECHO PRODUCTIONS SERIAL RECORDS SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE 67 131 309,00 20 173,00 31 178,00 48 245,00 46 358,00 39 446,00 15 077,00 3 414,00 3 094,00 2 822,00 16 012,00 10 520,00 12 881,00 6 244,00 7 142,00 10 744,00 9 250,00 8 142,00 2 920,00 10 230,00 2 129,00 3 389,00 13 238,00 14 178,00 12 061,00 2 278,00 12 000,00 6 374,00 4 400,00 14 136,00 10 880,00 8 000,00 4 000,00 12 312,00 9 049,00 3 005,00 17 151,00 4 172,00 2 032,00 16 394,00 3 087,00 11 950,00 12 798,00 9 993,00 11 011,00 9 347,00 10 248,00 4 529,00 15 594,00 7 956,00 12 000,00 19 994,00 2 951,00 2 464,00 12 000,00 6 000,00 28 056,00 11 082,00 8 108,00 2 464,00 6 008,00 12 506,00 7 011,00 7 012,00 16 291,00 7 909,00 3 458,00 8 039,00 20 320,00 68 Appendices 2011 2011/63/709 2011/63/769 2011/63/767 2011/63/768 2011/63/850 2011/63/770 2011/1/899 2011/1/113 2011/1/896 2011/1/118 2011/1/122 2011/1/123 2011/1/115 2011/1/112 2011/1/119 2011/1/121 2011/1/180 2011/1/186 2011/1/185 2011/1/199 2011/1/214 2011/1/279 2011/1/282 2011/1/294 2011/1/117 2011/1/367 2011/1/386 2011/1/392 2011/1/388 2011/1/389 2011/1/402 2011/1/390 2011/1/213 2011/1/446 2011/1/447 2011/1/450 2011/1/228 2011/1/452 2011/1/465 2011/1/501 2011/1/521 2011/1/516 2011/1/517 2011/1/520 2011/1/614 2011/1/612 2011/1/623 2011/1/787 2011/1/229 2011/1/622 2011/1/617 2011/1/233 2011/1/216 2011/1/306 2011/1/451 2011/1/391 2011/1/295 2011/1/231 2011/1/621 2011/4/875 2011/4/200 2011/4/234 2011/4/225 2011/4/284 2011/4/319 2011/4/453 2011/4/473 2011/4/475 2011/4/519 Appendices 2011 vidéo Seul sous la lune" de Daniel Darc" vidéo Je reste" de Amel Bent " vidéo Trash" de Matthew R. Barker" vidéo Force et honneur" de Nessbeal" vidéo Mon premier amour" de Philippe Uminski" vidéo Politiquement correct" de Bénabar" vidéo Le dimanche autour de mon église" de Zebda" vidéo I’m gonna dance" de Ayo" vidéo Cloudman" des Dionysos" vidéo Nouveaux Horizons" de Mélissa Nkonda " vidéo Ivres et débutants" de Deportivo" vidéo Tout le monde" de Juliette Katz" vidéo The Single" de Juliette" vidéo Soul Man" (version anglaise) de Ben l’Oncle Soul" vidéo Petite soeur" de Ben l’Oncle Soul " vidéo Tri Martolod" de Nolwenn Leroy " vidéo Mon amour" de Abd Al Malik" vidéo Mon ange" de Jena Lee" vidéo Les filles comme toi" de Thomas Marfisi" vidéo Jupiter" de Célien" vidéo Porque te vas" d’Arielle Dombasle" vidéo Ma gueule" de Pep’s" vidéo L’envers du Paradis" de Jenifer" vidéo Walker" de Cascadeur" vidéo La femme parfaite" d’Alister" vidéo Sous le soleil" de Jali" vidéo C’est plus marrant" de Be Wiz’U" vidéo Ecris-moi" de Manu Larrouy" vidéo Tout le monde" de Juliette Katz " vidéo J’ai fait tout ça pour vous" de Mélissa Nkonda" vidéo Cry Baby" de Lady Linn" vidéo Je laisse le temps faire" de Florent Pagny" vidéo Soleil ou pas" de Michel Sardou" vidéo Oublie-moi" d’Eskemo" vidéos Santiano" "Amsterdam" des Marins d’Iroise" vidéo La scandaleuse" Mickael Miro" vidéo I love you mais encore" de Starliners" vidéo I want you back" de Ayo" vidéo Ride my star" de Julian Perretta" vidéo Les fraises" d’Areski" vidéo Fais-moi une fleur" de Maurane" vidéo My blood is burning" de Yodélice" vidéo Entre toi et moi" de Yohann Malory" vidéo Espanola" de Jali" clip Elle me dit" Ben L’Oncle Soul" vidéo C’est le jour" Faudel" vidéo Il y a" de Lala Joy" vidéo Hello" de Starliners" vidéo Forgotten Child" de Lou Lesage" vidéo Little Bird" de Lady Linn" vidéo Demain" de Thomas Dutronc" vidéo Walker" de Cascadeur" vidéo Chanson d’amour" de Zazie" vidéo Animal" de Mc Luvin" vidéo Des jours inouis" de Mokaeish" vidéo Le prince charmant" de Koxie" vidéo Give me your life" de Skip The Use" vidéo Comme un boomerang" de Serge Gainsbourg" vidéo The Diamonds" des Puppini Sisters" vidéo My heart will go on" de Amaury Vassili" vidéo Let the love in" de Jeremy Hils" vidéo Sognu" de Amaury Vassili" vidéo Tonight Tonight" de Jehro" Video Trans.ylvanie" de Dracula" vidéo Ca tourne dans ma tête" de Sinclair" vidéo Je partirai" de Anggun" vidéo French Can Can" de Inna Modja" vidéo Encore" de Dracula" vidéo Là où je vais " de Judith" SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE 7 124,00 14 000,00 8 089,00 7 792,00 15 209,00 24 005,00 8 888,00 26 800,00 20 000,00 27 795,00 9 587,00 6 600,00 7 954,00 17 687,00 21 760,00 8 000,00 4 000,00 14 373,00 9 978,00 5 678,00 12 000,00 8 000,00 16 663,00 8 400,00 11 159,00 3 600,00 7 112,00 4 922,00 4 156,00 14 152,00 7 230,00 14 139,00 23 599,00 8 136,00 30 213,00 12 607,00 12 009,00 12 000,00 27 854,00 3 895,00 10 028,00 15 988,00 8 107,00 8 000,00 8 237,00 9 702,00 8 403,00 7 080,00 2 300,00 3 200,00 15 567,00 2 000,00 22 270,00 6 600,00 7 360,00 6 000,00 10 542,00 4 000,00 11 299,00 6 000,00 11 461,00 7 200,00 8 228,00 17 880,00 18 022,00 15 174,00 13 600,00 16 795,00 10 038,00 2011/4/627 2011/4/653 2011/4/712 2011/4/786 2011/4/788 2011/4/796 2011/4/858 2011/4/874 2011/4/872 2011/4/865 2011/4/324 2011/11/906 2011/11/905 2011/11/313 2011/11/289 2011/11/302 2011/11/443 2011/11/597 2011/11/707 2011/11/385 2011/63/116 2011/63/190 2011/63/114 2011/1161/888 2011/1/141 2011/1/318 2011/1/139 2011/1/151 2011/1/587 2011/1/291 2011/1/381 2011/1/444 2011/1/098 2011/564/110 2011/4/201 2011/4/372 2011/4/600 2011/4/887 2011/4/178 2011/11/099 TOTAL vidéo On avance" de Tal" vidéo Oh yeah" de Twin Twin" vidéo Un peu de blues" de Christophe Maé" vidéo La fille du Lido" de Inna Modja" vidéo The party" de Singtank" vidéo Mon meilleur amour" de Anggun" vidéo Waya Waya" de Tal" vidéo Besoin de rien" de Black Kent" vidéo Bart Simpson" de Black Kent" vidéo Comme avant" de Marie Mai" vidéo Vodka fraise" Zaza Fournier" tournée de Revolver tournée de Magic System tournée de Seth Gueko tournée de Ours tournée d’Avishai Cohen tournée de Loane tournée de Camille tournée de Claire Denamur tournée Keren Ann tournée de Empyr tournée The Bewitched Hands tournée de Rococo tournée de Remingway tournée de Yodelice tournée de Abd Al Malik tournée de Julian Perretta tournée d’Eddy Mitchell tournée de Cascadeur tournée de Katerine tournée de Nolwenn Leroy tournée de Ndidi O tournée de Juliette tournée de Daphné tournée des BB Brunes tournée de Jehro tournée d’Amaury Vassili tournée d’Inna Modja tournée de Véronique Sanson Guillaume Grand- Premières parties de Yannick Noah WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE EMI MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SONY MUSIC FRANCE SUIVRE LE FLO UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE UNIVERSAL MUSIC FRANCE SMP WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE WARNER MUSIC FRANCE EMI MUSIC FRANCE 69 18 795,00 7 579,00 16 054,00 9 960,00 16 000,00 8 020,00 14 038,00 5 350,00 2 588,00 6 800,00 9 292,00 14 988,00 5 000,00 16 500,00 15 000,00 3 500,00 5 000,00 13 500,00 12 000,00 3 000,00 23 731,00 28 600,00 10 000,00 19 173,00 19 000,00 1 945,00 29 916,00 83 500,00 1 610,00 10 287,00 2 530,00 2 664,00 25 437,00 12 288,00 10 000,00 4 100,00 10 000,00 7 500,00 26 678,00 10 000,00 10 968 766,00 Appendices 2011 71 Introduction ≥ Combating piracy on the Internet remains a priority for SCPP’s Anti-Piracy Unit, due to the massive use of various systems for illegally making musical recordings available, such as, in particular, exchange forums with built-in search engines, platforms with hypertext links to access musical recordings hosted on storage spaces or unauthorised streaming platforms. ≥ In the context of the deployment of the «Creation and Internet» law, the SCPP transmits reports on the illegal availability of sound recordings and music videos included in the catalogue of its producer members to the HADOPI on a daily basis. These reports are issued by a sworn-in officer. ≥ According to the HADOPI, 755,015 Internet users received at least one initial recommendation by e-mail between 1 October 2010 and 1 December 2011. Tens of thousands of warnings were also sent out by HADOPI in the form of a registered letter with acknowledgement of receipt further to a repeat offense. ≥ Finally, the HADOPI Rights Protection Commission transmitted initial dossiers, for repeat offenders having failed to comply with the two initial warnings issued, to the courts in question early-2012.These dossiers should lead to initial prosecution and convictions at the initiative of the Public ministry (fines, or if applicable, suspension of the Internet connection). ≥ A substantial drop in the number of illegal downloads has already been recorded on peer-to-peer networks for the first time in the last decade. ≥ With regard direct downloads via search tools (Direct Download), early 2012 was dominated by the closing of the Megaupload storage site in the United States, subsequent to an enquiry by the FBI, which established the active participation of the directors of this site in the illegal availability of protected content. Megaupload was the largest host for illegal files, most of which were audiovisual, but also musical (the site generated 4% of international Internet flows with 50 million visitors per day). 1 > FIGURES FOR 2011/2012 Activity report of the anti-piracy unit Year 2011-2012 ≥ Within the framework of implementing the «Creation and Internet» law, the SCPP’s sworn-in officers send the HADOPI Rights Protection Commission, tens of thousands of reports on the illegal availability of sound recordings and music videos within the framework of peer-to-peer exchange systems, on a daily basis. Over the past period, a total of around 6 million reports were sent by the SCPP to HADOPI, relating to a regularly-updated reference data base of 10,000 sound recordings. All of these reports relate to a highly-varied catalogue (Variety, pop, rap, dance, Rock, R&B and also new stars in classical music, etc.). ≥ During the course of the year, the Anti-Piracy Unit handled 75 dossiers, including 24 contentious dossiers and 24 dossiers concerning enforcement procedures, subsequent to the obtaining of legal rulings. ≥ 1,876,571 illegal links and pirate websites on the Internet, meaning over 18 million MP3 files, were deleted subsequent to the SCPP sending warning and removal letters. ≥ 1 Edonkey on-line server was closed definitively and 10,047 audio and video links were deleted further to requests by the SCPP. ≥ Advertisements concerning the sale of unauthorised CDs were also removed from on-line sales sites such as Ebay and Itraque. ≥ Faced with the many unauthorised uses of sound recordings and music videos listed in the SCPP’s social catalogue, 406 verifications were carried out, and reports issued by sworn-in officers, in view of correcting the situation. These verifications were primarily directed towards the telephone music-on-hold, interactive listening terminals, and webradio sectors, television channels and on-line servers making excerpts of sound recordings or music videos available. 72 Appendices 2011 2 > CURRENT PROCEEDINGS ≥ Actions taken against Newsgroups • Subsequent to several orders issued on the basis of joint motions presented by the SCPP, the SACEM/SDRM and FREE, the Paris Court of First Instance authorised FREE to extend the suspension of 49 music newsgroups. ≥ Actions taken against sites with illegal links • The SCPP intervened in several proceedings involving administrators of sites of links via which sound recordings in the SCPP catalogue were illegally made available to the public, via downloads. The preliminary investigation is coming to a close for some of these proceedings and hearings should be scheduled by end-2012. ≥ Actions in terms of traditional piracy • The SCPP has filed a penal action further to the discovery of packs copying recordings by the «Pink Floyd» group without the authorisation of the legitimate producer. These packs, from China, were available for sale from on-line advertisement sites and the Internet site of the pirates. A preliminary enquiry has been opened. All of the advertisements for these packs have been removed. 3 > RELATIONS WITH INSTITUTIONS AND PROFESSIONAL ORGANISATIONS ≥ Intervention taken by the SCPP’s Anti-Piracy Unit during training programmes organised by the Regional Customs Departments in Orléans, Nice and Mulhouse contributed, this year, to increasing institutional awareness concerning dossiers on music piracy. ≥ Close relations exist with the SACEM / SDRM anti-piracy department, enabling joint contributions to several cases of legal action yet again this year. ≥ The anti-piracy unit enjoys privileged relations with the Secretariat of the IFPI and its various national groups, which gives rise to the regular exchange of information on the strategies applied to improve the combat against music piracy. ≥ The SCPP is a member of the Union des Fabricants (UNIFAB)(Manufacturer’s Union) and the Comité National Anti-Contrefaçon (CNAC)(National Committee on Anti-Piracy) and regularly participates in the commissions and work groups organised by these two bodies. 4 > CASE LAW 4.1 Traditional piracy CFI OF PAU > Partial copies Judgement of 3 October 2011 by the Magistrates’ Court of Pau In proceedings initiated by the SCPP against the publisher of an Internet site copying musical recordings in MP3 format to DVD-R at request, the Magistrates’ Court of Pau sentenced the accused party to a suspended four-month prison sentence, and a two-year probationary period and ordered the publication of the decision. Civil interests allocated to the SCPP: 10,000 euros in damages, in addition to the amount of 1,500 euros in application of article 475-1 of the French Penal Procedure Code. The accused party has filed an appeal against this decision. Appendices 2011 73 4.2 Efforts combating piracy on the Internet CGI of BAYONNE > Listing site for .torrent links Judgement of 7 June 2011 by the Magistrates’ Court of Bayonne In proceedings initiated against an Internet user having administrated a site for «.torrent» files, enabling the illegal downloading of musical recordings, the Magistrates’ court of Bayonne sentenced the accused party to a suspended six-month prison sentence and a fine of 1000 euros, and ordered the publication of the decision in the form of an extract. Civil interests allocated to the SCPP: 74,840 euros in damages, in addition to the amount of 1,500 euros in application of article 475-1 of the French Penal Procedure Code. The accused party has filed an appeal against this decision. TGI DE METZ > Software cleared intended to make sound recordings available illegally Judgement of 9 June 2011 by the Magistrates’ Court of Metz In proceedings initiated by the SCPP against the publisher of software which was clearly intended for the unauthorised availability of musical recordings for the public enabling, in particular, the illegal downloading of musical recordings available for listening on legal streaming sites, the Magistrates’ court sentenced the accused party to a suspended six-month prison sentence and ordered the publication of the decision in the form of an extract. Civil interests allocated to the SCPP: 5,000 euros in damages, in addition to the amount of 1,500 euros in application of article 475-1 of the French Penal Procedure Code. This decision is final. COURT OF APPEAL OF PARIS > Site of links Order of 1 July 2007 of the Court of Appeal of Paris In proceeding initiated against an Internet user having administrated a site offering links which could be used for the illegal downloading of musical recordings in MP3 format, the Court of appeal of Paris overturned the decision to discharge the accused party issued by the court of first instance and sentenced the accused party to a suspended two-month prison sentence. The Court also ordered the confiscation of the bonded items. Civil interests allocated to the SCPP: 8,600 euros in damages, in addition to the amount of 800 euros in application of article 475-1 of the French Penal Procedure Code. This decision is final. Reminder of the decision of the Court of first instance dated 19 January 2010: Discharge of the accused party. CFI OF PARIS > Site of links Judgement of 8 September 2011 by the Magistrates’ Court of Paris In proceedings initiated by SCPP against an Internet user having provided, on the Internet network, via a blog, links enabling the illegal downloading of musical recordings not yet available commercially (pre-releases), the Magistrates’ Court of Paris sentenced the accused party to a suspended five-month prison sentence and ordered the confiscation of the bonded items. Civil interests allocated to the SCPP: 81,332 euros in damages, in addition to the amount of 2,000 euros in application of article 475-1 of the French Penal Procedure Code. This decision is final. COURT OF APPEAL OF DOUAI> Forum Order of 24 November 2011 issued by the Court of Appeal of DOUAI In proceedings initiated against several members of an IT piracy network with a clear structure and organisation, whose aim was to enable the illegal availability and downloading of musical recordings to the benefit of its members, the Court of Appeal of DOUAI, issuing a decision on civil interests, sentenced the accused parties to pay the total amount of 6,314 euros in damages, in addition to the amount of 1,300 euros in application of article 475-1 of the French Penal Procedure Code. The Court also ordered the confiscation of the bonded items. One of the accused has filed an appeal to the Court of cassation against this ruling. Reminder of the decision of the court of first instance dated 29 January 2004: All of the accused were sentenced to a suspended prison sentence ranging from 2 months to 10 months and a fine ranging from 4,000 to 5,000 euros. Civil interests allocated to the SCPP: 1 euro as a provision for each of the accused. The court deferred the instance to a future hearing for a ruling on civil interests. 74 Appendices 2011 COURT OF APPEAL OF AIX EN PROVENCE>P2P Order of 10 January 2012 of the Court of appeal of AIX EN PROVENCE In proceedings initiated against an Internet user having illegally copied and made available over 20,000 musical recordings from the social catalogue of the SCPP, in the context of the peer-to-peer exchange network «Direct Connect», the Court of Appeal confirmed the decision of the Court of first instance, particularly sentencing the accused party to pay the SCPP the amount of 21,571 euros in damages, in addition to the amount of 1000 euros in application of article 475–1 of the French Penal Procedure Code, and allocated the additional amount of 1000 euros in application of article 475-1 of the French Penal Procedure Code. This decision is final. Reminder of the ruling of the Court of first instance dated 2 July 2009: Sentencing of the accused party to a suspended 2-month prison sentence, confiscation of the bonded items seized and publication of the decision in the form of an extract. Civil interests allocated to the SCPP: 21,571 euros in damages, in addition to the amount of 1,000 euros in application of article 475-1 of the French Penal Procedure Code. COURT OF CASSATION> Site of links Order of 21 February 2012 of the Court of Cassation In proceedings initiated against an Internet user having administrated a site including links which could be used for the illegal downloading of musical recordings, particularly those in MP3 format, the Cour of Cassation dismissed the appeal of the accused party and reformed the civil provisions of the appeal decision, having refused to accord indemnities for the material losses incurred by the SCP, considering that the existence of material losses was the result of the detection of the counterfeit and that the Court of appeal was responsible for determining the scope of the losses, according to its sovereign powers of assessment, in view of ensuring full compensation. The instance is deferred to the Court of appeal of Caen for a new ruling on civil interests. Reminder of the ruling of the Court of first instance dated 26 February 2009: Sentencing of the accused party to a suspended 2-month prison sentence, confiscation of the bonded items and publication of the decision in the form of an extract. Civil interests allocated to the SCPP: 24,560 euros in damages, in addition to the amount of 800 euros in application of article 475-1 of the French Penal Procedure Code. CGI of SARREGUEMINES> P2P Judgement of 12 March 2012 by the Magistrates’ Court of Sarreguemines In proceedings initiated against a private individual illegally copying and making available musical recordings on the peer-topeer exchange networks «Limewire» and «Emule», the Magistrates’ court of Sarreguemines sentenced the accused party to a suspended three-month prison sentence and ordered the confiscation of the bonded items seized. Civil interests allocated to the SCPP: 3,500 euros in damages, in addition to the amount of 500 euros in application of article 475-1 of the French Penal Procedure Code. This decision is final. Appendices 2011 COMMUNICATIONS DEPARTMENT / Activity Report 2011 - 2012 ≥ SCPP communication pursues four objectives: • Inform its members of SCPP activities on a regular basis • Allow SCPP members to meet the players in the music sector via events and professional fairs • Support lobbying actions and the efforts of the anti-piracy unit in their mission of defending producers’ rights • Confirm the reputation of the SCPP by positioning it as the number one partner of producers of sound recordings. 1 > DISTRIBUTING INFORMATION TO MEMBERS 1.1 Written communication 1.1.1 The Newsletter of the General Managing Director ≥ A genuine communications link with SCPP members, the General Managing Director’s newsletter informs members of the activities and concerns of the SCPP. 1.1.2 The SCPP producer database ≥ The SCPP producer database, which is updated on a regular basis, presents each member company of the SCPP, indicating its main activity, its organisational chart, its catalogue and its corporate name. Especially useful during trade shows, this database can be consulted using the name of the company, the name of its manager or representative, the name of an artist, or by type of music. Communications report Year 2011-2012 1.2. IT tools ≥ This year, the IT team has developed new tools in order to allow our members to save time in their relations with the SCPP and to monitor changes in their dossiers. • The Grants portal was launched on-line early in the year. This portal can be used by all of our members to submit their requests for assistance directly to the site, and track their dossier up to the final decision by the Assistance commission and the Board of directors. • In 2010, a new internet website intended for musicians, backup singers and choir artists, shared by the SCPP and the SPPF, had been created in order to facilitate the application of the Convention collective nationale de l’édition phonographique (CCNEP - National collective convention on sound recording). This site (http://musiciens.lascpa.org) has been equipped with new functionalities this year, including the tracking of discharges and accounts (submission of invoices and tracking of payments). 2 > EVENTS AND PROFESSIONAL FAIRS 2.1 MIDEM ≥ As every year, the SCPP provided members with a 195-m2 area at MIDEM, including private offices, equipped with audio and video equipment. In this way, SCPP members were able to take advantage of special rates to access the show. 2.2 SCPP general shareholders’ meeting ≥ At the occasion of its annual general shareholders’ meeting, members of the SCPP, journalists and professional partners are invited to a dinner cocktail at the Pavillon Dauphine. 3 > DEFENDING PRODUCERS’ RIGHTS ≥ SCPP communication continued with its mission to ensure the awareness of all music professionals and public authorities in terms of compliance with the rights of music producers, especially: • with companies using telephone music-on-hold systems, • with public authorities within the framework of the «Creation and Internet» law. ≥ The SCPP aimed to inform possible offenders, producers and public authorities of the risks incurred when the rights of producers are not respected and confirmed its determination to enforce these rights. 77 78 Annexes 2011 3.1 Combating piracy and promoting legal sites ≥ In order to encourage the development of legal downloading platforms, the SCPP is a partner of the «Tous pour la musique» association (www.touspourlamusique.org). 3.2 Relations with the press ≥ The communications department regularly informs the regional and national press of the favourable legal rulings obtained by the anti-piracy unit. As it does every year, the SCPP invites journalists one week before the MIDEM and on the day of its General Shareholders’ Meeting, for a press luncheon, allowing its President and its General Managing Director to mention producers’ concerns and wishes. 4 > CONFIRMING THE REPUTATION OF THE SCPP 4.1 Advertising ≥ SCPP advertisements are taken out in professional guides in the music sector, as well as in magazines that are distributed during the MIDEM. 4.2 The SCPP’s presentation portfolio ≥ The SCPP’s presentation portfolio covers the main responsibilities of the company and provides details on the types of collections as well as the rules for distribution. It is available in two languages.