masks - Mexic
Transcription
masks - Mexic
I M A G E : D e v i l M a s k ( M i c h o a c á n , M e x i c o ) , M e x i c- A r t e M u s e u m P e r m a n e n t C o l l e c t i o n 419 Congress Avenue Austin, Texas 78701 512 480 9373 info@mexic–artemuseum.org www.mexic–artemuseum.org Masked: Changing Identities sh owcases M exican dance and popular mask s f rom the M exic– A r te M useum per manent collec tion highlighting the major donation of mask s f rom Patr icia & C ar mine De V ivi Each selec ted mask ’s vibrant color s and desig ns ref lec t M exican traditions of indigenous craf t smanship, my thic nar ratives, and dance r ituals. USES OF MASKS Many of the masks in Masked: Changing Identities appear in ritual dances, festivals, and theater performances throughout Mexico. Some performances originated in certain regions of Mexico, became well-known, and are now performed throughout the country. Below, you will find examples of some of the dances that are performed while wearing masks: The Danza de los Viejitos (Dance of the Old Men) originated in Michoacán (see map) but is known throughout Mexico. During this performance, dancers wear masks with the features of an old man and are often lighthearted and comical. This performance has its origin in indigenous traditions. Las Danzas de los Moros y Cristianos (Dance of the Christians and the Moors) are prominent in Guerrero and are dramatic in nature. These dances tell about the conquest of Mexico. Characters often include Spanish soldiers and priests conquering the Aztecs and other Mexican indigenous groups. To see examples of dances, please visit our YouTube channel at www.youtube.com/officialmexicarte As you make your way through the exhibition, imagine the performances in which these masks were used. Then, come up with your own play or dance which includes your favorite mask or masks. IMAGES FROM TOP TO BOT TOM: O l d M a n M a s k f o r D a n c e o f t h e O l d M e n , G u e r r e r o , M e x i c o , H : 11 . 5 ”, T h e P a t r i c i a & C a r m i n e D e V i v i C o l l e c t i o n , 2 0 1 3 , 2 0 12 . 0 0 1 .1 0 M a s k f o r M o o r & C h r i s t i a n D a n c e D r a m a , P u e b l a , M e x i c o , H : 7.7 5 ”, T h e P a t r i c i a & C a r m i n e D e V i v i C o l l e c t i o n , 2 0 1 3 , 2 0 12 . 0 0 1 . 0 3 7 Early M exic an Mask collec tor s developed a clas sif ic ation sys tem to c ateg or ize his large collec tion of mask s. T he basic clas sif ic ations consis ted of references to rendered imager y that was either anth ropomorphic, zoomorphic, or phy tomorphic. MASK FORMS Anthropomorphic These masks include human shapes & features. P hy to m o r p h i c These masks have plant features & shapes. Zo o m o r p h i c Animal elements appear in these masks. Can you identify a mask in the exhibit that fits into more than one of the categories listed above? DIFFERENT STYLES OF MASKS Fu ll H e a d Sits on the shoulders and covers the head completely Fa c e M a s k Covering the face, usually ties around the head P a r t ia l Fa c e M a s k s Only covers a part of the face, sometimes is held by hand Ste p – I n s Worn around the middle and the wearer must “step–in” the mask Take notice of the different types of masks in the exhibit. How might they be used differently? I M A G E S F R O M L E F T T O R I G H T: M a s k f o r D a n c e o f t h e A z t e c s o r D a n c e o f t h e M a y a n s , G u e r r e r o , M e x i c o , H : 1 6 . 5 ”, T h e P a t r i c i a & C a r m i n e D e V i v i C o l l e c t i o n , 2 0 1 3 , 2 0 12 . 0 0 1 . 0 8 2 N e p t u n e M a s k f o r D a n c e o f t h e F i s h e r m a n , R i o B a l s a s , G u e r r e r o , M e x i c o , H : 1 7. 2 5 ”, T h e P a t r i c i a & C a r m i n e D e V i v i C o l l e c t i o n , 2 0 1 3 , 2 0 12 . 0 0 1 . 0 5 5 M a s k f o r D a n c e o f t h e B a t s , C o m a l a , G u e r r e r o , M e x i c o , H : 1 8 . 5 ”, T h e P a t r i c i a & C a r m i n e D e V i v i C o l l e c t i o n , 2 0 1 3 , 2 0 12 . 0 0 1 . 0 2 7 MATERIALS USED Leather Some artisans use leather for ties; others incorporate ornate leather work. Metal The use or ornamental metals is common, including hammered metals, metal wiring, tin and copper. Wo o d Wood is the most commonly used material and is often carved. O r g a n i c M a te r ia l s Organic materials used include: teeth, whiskers, hair of boars, horses and other animals. P a i n t & P i g m e n t All of the masks are hand painted by artisans. Take notice of the different materials used in each mask. Think about the materials & colors you would use to create a mask of your own. Take one of the mask activity sheets home with you to create your own design using your favorite colors & materials found in your home or outside. R G U E R R E R O R MAP OF MEXICO MICHOAC AN The masks in the Mexic–Arte Museum collection come mainly from Guerrero & Michoacán. THANK YOU TO ALL OF OUR SPONSORS THAT MADE THIS EXHIBIT POSSIBLE: This exhibit features the major donation of Patricia & Carmine De Vivi. Special thank s to T he N et tie Lee B enson L atin A mer ic an Collec tion, U niver sit y of Texas at Aus tin for their loan of several mask s on view.