First movement of the Sonata quasi una fantasia (Moonlight sonata)

Transcription

First movement of the Sonata quasi una fantasia (Moonlight sonata)
•
BEETHOVEN
SONATA in C# minor
("Moonlight")
First Movement
for the piano
G. S (" H I R M {. R
~.
G. SCHIRMER, Inc.
7777
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w.
B~"'''''OU''D
RD. P.O.Bo", • .sBlll M'.......UltJlr, WI '3213
To Countess 9iulietta (J,.icciarrIi
First Movement
a
of the
Sonata quasi una Fantasia
(Moonlight Sonata)
Ada1510 sostenuto (J =52)
~ " 1I
2
"
op
sempre 'PP e con sordini.
cJj
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Ludwig van Beethoven
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a) It is evident that the highest part, as the melody, requires a firmer touch than the accompanying
triplet - figUf6j and the first note in the latter must never produce the effect of a doubling of the mel
ody in the lower octave.
b) A more frequent use of the pedal than is marked by the editor, and limited here to the most essen·
tial passages, is allowablej it is not advisable, however, to take the orig-inal directions sen/pre 8e1lXa sordi,d
(L e.• without dampers) too literally.
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Copyr.ght rl'newal a.,,·,u:4'nn/, 1923, If) G. Srldrmer, Inc.
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p,.int"d ill the 11 5 ),
When performi.na: aDd
j
procr~1
thi. number
Oil
the W, IdIldly
cin credit to G. SCHIRMER.. I1'C.
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a' The player musl
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ag-amst carrpnP'" his hand
of t:me is out of plac(' in
back
thi~
with (ly,'(.anxious haste
penoll,
which
For. in ilny
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has ratht'r the character of an
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The notes with
su~pensions,
dimin.
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as to g-ive them the
~~,..¥ffi;in fact, 01 utiliz,l.ti'On of the inner parts, in accordance
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th,> I.l\\"S of Clll'l,nny ;"Inu thl' course of the modulation) is recommended throughout the piece.
:lFl91!"l
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clash above them may properly h,. dwelt upon in such
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HLS0278770
35919
U.S. 53.95

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