Issue 51 - February 2013
Transcription
Issue 51 - February 2013
February 2013 Issue #51 EOS e -news eosmusic.com.au Each month we present new releases, reviews & insightful information We welcome 2013 with a new partnership Germany's exclusive distribution of selected classic labels from the Bayer Music Group is a network of independent classical labels. On the following pages you will find general information on each label . As always we provide a soupçon of highlights from each label. Founded in 1984 and led since the beginning of Rudolf Bayer. In the nearly twenty years publishing large series of editions and important projects have been realized. Take, for the major project of the Bohemian and Czech string quartet culture with complete recordings of the quartets by Stamitz, Dvorák, Smetana, Janáček, Martinü and Alois Haba with Prague Stamitz Quartet, or the number of "Atlantis" with premiere recordings of works of composers persecuted the first half of the 20th century, the discovery of the vocal quintet resistance culture by standard-setting recordings of Carus Quintet, or the documentation of the historical series. In addition, Bayer Records is now the publisher of the largest recorded music variety from the spectrum of women's music / composers and develop in other areas of expertise to the competent forum. With a large number of ensembles, the publisher is working closely for many years: Wolfgang Gönnenwein and his Ludwigsburg Festival ensemble, Consortium Classicum, the Rennquintett, the Windsbach Boys Choir, the Aurelian Sängerknaben Calw, the clarinetist Luigi Magistrelli, Nicol Matt and the Nordic Chamber Choir and many more CDs, starting with new releases belowRichard Wagner: Siegfried Idyll Anton Bruckner: String Quintet in F major (arranged for string orchestra by Hans Stadlmair) Both composers, Wagner as well as Bruckner, are not known for their take on chamber music. Nevertheless did they compose a couple of extraordinary pieces. Wüttembergische Chamber Orchestra Heilbronn conducted by Ruben Gazarian. BR100391 | 4011563103912 | $22.00 rrp Rhapsodie -Works for oboe/english horn and Cimbalon, String trio, piano, soprano, string quartet. Béla Bartók: Three folk songs from Csik Miklós Rózsa: Sonata for Oboe solo Op.43 / Ferenc Farkas: Ricordanze Sándor Balassa: Nyári Intermezzo Op.71 / György Kurtág: In Memoriam György Kroó Bánk Sáry: Chorus / László Sáry: Invocáció The genre "Rhapsody" seems to be as closely related to Hungarian music as the aria to Italian music. On this CD the Hungarian oboist Lajos Lencsés assembled a few works for his instrument by Hungarian composers. BR100392 | 4011563103929 | $22.00 rrp Luigi Nono: Intolleranza 1960 One-act opera in two parts German translation by Alfred Andersch Libretto with texts of Angelo Maria Rippelino, Julius Fucik, Jean-Paul Sartre, Paul Eluard, Wladimir Majakowskij, Henri Alleg and Bertolt Brecht Intolleranza 1960 was Luigi Nono's first work for the opera stage and is a flaming protest against intolerance and oppression and the violation of human dignity. The year in the title refers to the time of the work's origin. It was commissioned for the 1969 Venice Biennale by its director Mario Labroca. The first performance was conducted by Bruno Maderna on 13 April 1961 at the Teatro La Fenice in Venice. The premiere was disrupted by neo-fascists, who shouted "Viva la polizia" during the torture scene. Wolfgang Neumann, Maria Kowollik, Judy Berry, Ina Schlingensiepen, Armin Kolarczyk, Bartholomeus Driessen / Bremen Philharmonic Orchestra, Bremen Theatre Choir, Conducted by Gabriel Feltz DGCD21030 | 426001487303 | $22.00 rrp A co-production with Radio Bremen EOS MUSIC p | 02 4886 4336 f | 02 4886 4337 e | [email protected] ABN 69 848 632 885 1 DGCD21030 EOS e -news THE POPE BENEDICT ORGAN — J.S. Bach: Praeludium et Fuga e-Moll BWV 548 Rheinberger: aus der Sonate e-Moll op. 132,8: IV. Passacaglia. Molto moderato Gerhard Weinberger, Organ TXA13018 Dreyer (1747 – 1824): aus der Sonate für Orgel B-Dur: Rondo. Allegretto / Johann Kaspar Kerll $22.00 rrp (1627 – 1693): Capriccio sopra il Cucu (2. Fassung), Norbert Düchtel, Organ Mendelssohn: Sonate c-Moll op. 65,2 Grave – Adagio, Allegro maestoso e vivace, Fuga. Allegro moderato Johann Pachelbel (1653 – 1706): Ciacona f-Moll, Edgar Krapp, Organ Orgelimprovisation und Gregorianischer Choral (alternatim) Aus den Orgelversetten (im romantischen Stil) zum Magnificat im 8. Ton: - Präludium * / - Magnificat alternatim * / Symphonische Phantasie und Fuge für Schola und Orgel über die Marianische Antiphon „Regina caeli, laetare alleluja“ / kombiniert mit der deutschen Paraphrase „Freu dich, du Himmelskönigin“ * Wolfgang Seifen, Organ, Choral Schola former Regensburg Domspatzen, Josef Kohlhäufl, Conductor A Soupçon France’s Departure to Modern Age Albert Roussel (1869-1937): Deuxième Sonate op.28 A-Dur 1924/25 André Jolivet (1905-1974): Sonate pour Piano et Violon 1932 Olivier Messiaen (1908-1992): Thème et Variations 1932 Jean Martinon (1910-1976): Duo op.47 Musique en forme de Sonate 1956 Felicia Terpitz - Violine, Berhard Fograscher - Klavier AMI2101 $22.00 rrp Quintets for Clarinet of the German Romantic Period AMI2104 Anton Reicha (1770 - 1836): Quintett für Klarinette und Streichquartett B-Dur op. 89 $22.00 rrp Andreas Romberg (1767 - 1821): Quintett für Klarinette und Streichquartett Es-Dur op. 57 Louis Spohr (1784 - 1859): Fantasie und Variationen über ein Thema von Danzi op. 81 für Klarinette und Streichquartett Eduard Brunner, clarinet RODIN QUARTET: Sonja Korkeala & Gerhard Urban, violins, Martin Wandel, viola – Clemens Weigel, violoncello Jean Françaix (1912 -1997) AMI2304 $22.00 rrp Quadruple Concerto für Flöte, Oboe, Klarinette, Fagott und Orchester 1935 Doppelkonzert für Flöte, Klarinette und Orchester 1991 Divertimento für Flöte und Orchester 1974 Thema und Variationen für Klarinette und Orchester 1978 Sechs Préludes für Streicher 1963 Dagmar Becker - Flöte, Wolfgang Meyer - Klarinette, Maurice Bourgue - Oboe, Dag Jensen - Fagott Württembergische Kammerorchester Heilbronn, Jörg Faerber - Leitung Georg Philipp Telemann (1681-1767): St. Johannes-Passion 1749 World Premiere Recording! AMI2503 Britta Schwarz - Mezzosopran / Michael Zabanoff - Tenor / Thomas Fröb - Tenor / $40.00 rrp 2CD Edition Tobias Wollner - Tenor / Sören von Billerbeck - Bariton Kammerchor der Biederitzer Kantorei telemann-consort-magdeburg (auf historischen Instrumenten), Michael Scholl - Leitung The telemann-consort-magdeburg, founded in 1976, can now look back on a decades-old tradition of engaging itself in the work of Georg Philipp Telemann in his native city Magdeburg. Originally founded as a chamber music ensemble, the profile of the ensemble changed to a Baroque orchestra at the beginning of the 21st century. Concerts in Germany and abroad and CD recordings of previously unreleased works like Telemann’s St. Mark Passion are strengthening the orchestra’s good reputation as well as its claim to develop a unique style for the musical performance of Telemann’s work und Baroque music in general. The earlier recording of Telemann’s St John Passion 1733 (AMI2601) Die schönsten Oboenkonzerte Vol.1 & 2 Domenico Cimarosa (1749-1801): Concerto für Oboe und Streicher C-Dur Bernhard Henrik Crusell (1775 - 1838): Divertimento C-Dur für Oboe und Streicher op.9 Johann Sebastian Bach (1685-1750): Konzert A-Dur für Oboe d'amore und Streicher BWV 1055 Tomaso Albioni (1671-1751): Concerto d-moll op.9 Nr.2 für Oboe und Streicher Wolfgang Amadeus Mozart (1756-1791): Konzert für Oboe und Orchester C-Dur KV 314 Simon Dent - Oboe, Südwestdeutsches Kammerorchester Pforzheim, Dirigent - Vladislav Czarnecki Johann Sebastian Bach (1685-1750): Sinfonia D-Dur zu BWV 156 für Oboe d'amore Konzert für Oboe, Violine und Streicher d-moll BWV 1060 Alessandro Marcello (1669-1747): Konzert für Oboe und Streicher d-moll op.1 Joseph Haydn(1732-1809): Konzert für Oboe und Orchester C-Dur Hob.VIIg:C1 Ermanno Wolff-Ferrari: Idillio Concertino A-Dur op.15 2 AMI9103 $22.00 rrp AMI9502 $22.00 rrp EOS e -news John Rutter: I my Best Beloveds am Five sacred Pieces / Birthday Madrigals / Five traditional Songs / Five Childhood Lyrics Nordic Chamber Choir, Leitung Nicol Matt “Fans of John Rutter will find much to enjoy here...because the exemplary performances and terrific music will have you wishing the program were longer. More, please!” BR100334 $22.00 rrp Hans Werner Henze: Pollicino, opera for children and adults BR501001 fairy tale for music by Collodi, Grimm and Perrauld libretto by Giuseppe di Leva / German $35.00 rrp version of Hans Werner Henze's Pollicino - Dominik Flower Clotilde - Corinna Blaich father Andreas Kramer mother - Alexandra Kirschner ogre - Jacques Does cannibal woman - Birgit Sehon Pollicinos brothers, the animals of the forest, forest-Cast, flow-Cast, ogre slaves - Aurelius Sängerknaben Calw Clotilde's sisters - Girls Choirs of LiLo Calw (chorus master Hans-Jörg Kalmbach) A production of the Music School Calw for the monastery games Hirsau 2003 Hans-Werner Henze 80th birthday to director - Frank Martin Widmaier set / Herbert Teschner orchestra of the music school Calw Aurelius Sängerknaben Calw Gerd-Uwe Klein - solo violin Conductor: John Sorg http://www.youtube.com/watch?v=_AvaxvHU1Uo Dmitri Schostakowitsch (1906-1975): Kammersymphonien Streichquartett Nr. 8 in c-Moll op. 110 (1960), Bearbeitung für Streichorchester von Rudolf Barshai als Kammersymphonie op. 110a Adagio (nach der Arie der Katerina aus der Oper "Lady Macbeth von Mzensk") Bearbeitung für Streichorchester von Christian Sikorski Streichquartett Nr. 10 As-Dur op. 118 (1964), Bearbeitung für Streichorchester von Rudolf Barshai als Kammersymphonie op. 118a Württembergisches Kammerorchester Heilbronn, Ruben Gazarian - Leitung BR100328 $22.00 rrp Hildegard von Bingen (1098-1179)-aus dem Hildegard-Liederband: BR100116 Cum processit factura / Cum erubuerit infelices / O frondens virgo / $22.00 rrp Ave, generosa, gloriosa / O virga ac diadema purpurae regis / Caritas abundat / O pastor animarum / O quam pretiosa est / Kyrie aus "Ordo Virtutum" / Patriarchae et Prophetae Gregorianischen / Antiphona ad Magnificat Hildegardis prophetissa Magnificat / Antiphona ad Benedictus Sponsa Christi Hildegardis Hymnus ex Officio in hon.S.Hildegardis Schola der Benediktinerinnenabtei St.Hildegard Rüdesheim-Eibingen Leitung · M.-Immaculata Ritscher OSB Christoph Willibald Gluck (1714-1787): Don Juan, Ballettmusik Gesamtaufnahme Arcata-Ensemble Stuttgart Leitung · Patrick Strub BR100016 $22.00 rrp The Art of Castrati BR100062 Luigi Rossi (1597-1653): Patienza tocca a me / Ombre fuggite e voi notturni orrori / Marc 'Antonio $22.00 rrp Pasqualini (1614-1691): Quel cor ch'a te gia diedi / Si ch'io voglio sperare Lasciamente o pensieri Pietro Benedetti (ca.1585-1649): Non più d'amore / Filli mia filli dolce / Attilio Melani (1626-1714): Fileno idolo mio / Io voglio esser infelice / Alessandro Melani (1639-1703): No Io so ma sallo amore / A ricalcare il tebro / Stefano Landi (ca.1590-1655): Sinfonia aus "Il San Alesso"/ Non è più tempo nò / Quasi intrepida amazzone Rosina Sonnenschmidt · Soprano Sephira Ensemble Stuttgart, Leitung Harald Knauss Classical Clarinet Rarities-Bernhard Romberg (1767-1841): *Sonate für Klarinette und Klavier BR100335 Beethoven (1770-1827): *Solo della Signora Cassentini”Nr.14 aus dem Ballett "Die Geschöpfe des Pro- $22.00 rrp metheus" op.43 für Oboe, Bassetthorn und Klavier / Louis Spohr (1784-1859): *Recitativo und Adagio für Klarinette und Klavier” / Giuseppe Acerbi (1773-1846): *Sonate für Klarinette und Klavier / Anton Stadler (1753-1812): Zwei Duos für zwei Klarinetten / Conradin Kreutzer (1780-1849): Trio für zwei Klarinetten und Viola KWV 5206 / Luigi Magistrelli - Klarinette, Laura Magistrelli und Jiri Krejci - Klarinette, Marco Di Giacomo - Viola Guido Toschi - Oboe, Claudia Bracco - Klavier *First world recordings 3 EOS e -news Max Reger (1873-1916): Chamber Music Complete, Volume 23 Klavierquintett o.O. c-moll / Klavierquintett Nr. 1 c-moll op.64 DACA77523 $15.00 rrp Kurt Seibert · Klavier - Wührer Quartett Peter Schmalfuß · Klavier - Pfeifer-Quartett DACA77074 Robert Schumann (1810-1856) $15.00 rrp Märchenbilder op.113 für Viola und Klavier / Fantasiestücke op.73 für Klarinette und Klavier Märchenerzählungen op.132 für Klarinette, Viola und Klavier / Drei Romanzen op.94 für Oboe und Klavier Werner Kloor - Viola / Hans Pfeifer - Klarinette / Adolf Meidhof - Oboe / Peter Jansen - Klavier The Heidelberger Kammerorchester (= HKO) was created in 1960. Since then the HKO has played regularly in concerts in all continents (more than 90 countries). The repertoire of the HKO includes mainly compositions from the 18th Century. Beside the popular works of J.S. Bach and Antonio Vivaldi the orchestra performs works of W.A. Mozart and particularly of Georg Philipp Telemann. Besides also less well -known composers are considered, like Henry Purcell, Tomaso Albinoni, Johann Pachelbel, Pietro Antonio Locatelli, Arcangelo Corelli, Henricus Albicastro, William Boyce, Johan Helmich Roman, Jean-Baptiste Lully, Benedetto Marcello, Jean Marie Leclair and many others. Händel (1685-1759) Feuerwerksmusik HV 351 Johann Sebastian Bach (1685-1750) Orchestersuite Nr.3 D-Dur BWV 1068 Heidelberger Kammerorchester, Dirigent Jean Jakus Telemann (1681-1767): Oboe Concertos Frank van Koten, Miriam Hannecart Enrico Raphaelis · Oboe, Ernst Prappacher · Fagott Heidelberger Kammerorchester DACA77007 - $15.00 rrp DACA77001 - $15.00 rrp Vivaldi (1678-1741):Piccolo Concerti Concerto C-Dur für Ottavino PV 78 R 444 Concerto a-moll für Ottavino PV 80 R 445 Concerto c-moll für Altblockflöte PV 440 R 441 Concerto C-Dur für Ottavino PV 79 R 443 Caren van Herden · Blockflöte Telemann - Horn Concertos Bodo Kunth, Siegfried Machata, Paul Rey Klecka, Gottfried Roth · Horn Heidelberger Kammerorchester Cembalo und Leitung Klaus Preis DACA77039 - $15.00 rrp DACA77008 - $15.00 rrp Purcell (1659-1695) Sonate für Trompete Nr.2 Suite aus "The Fairy Queen" Suiten Nr.1 und Nr. 2 aus "King Arthur" Christian Götting, Rüdiger Bröhl - Trompete Heidelberger Kammerorchester Purcell: 6 Trio Sonatas for Two Violins and Continuo Heidelberger Kammerorchester Cembalo und Leitung Klaus Preis DACA77002 - $15.00 rrp DACA77014 - $15.00 rrp Vivaldi (1678-1741) Concerto No. 16 in D major PV 181 R 403 / No. 18 in A minor, PV 35 R 418 No. 11 in F major PV 283 R 412 / No. 12 in G major PV 120 R 413 / No. 5 in E flat major PV 424 R 408 Philippe Muller · Cello / Heidelberg Chamber Orch. conductor and harpsichord · Klaus Price Telemann - Concerto Galante Heidelberger Kammerorchester Cembalo und Leitung Klaus Preis DACA77055 - $15.00 rrp DACA77043 - $15.00 rrp Pachelbel (1653-1706): Sacred Works What God does is well done / comforted us God Now Thank We All Our God / Christ lay in the bonds of death , the Lord is King (Psalm 93) / Magnificat The Lord is King (Psalm 99) God is our refuge and Strength Renate Brosch · soprano - Herbert Klein · Altus Paul Mühlschlegel · tenor bass Bernhard Jäger · Mottetenchor Pforzheim Youth Choir singing the Evangelical School Pforzheim, Pforzheim Bachorchester DACA77011 - $15.00 rrp 4 Mozart: "A Musical Joke" F major KV 522 Telemann: Allegro "Tzigane" (from "Tafelmusik") Handel: Passacaglia in G minor (arr. Johan Halvorsen) Scott Joplin: ragtime Two Henry Lodge: Temptation Rag Thaddeus Watson - Flute Heidelberg Chamber Orchestra DACA77012 - $15.00 rrp EOS e -news Female composers’ works Emilie Mayer (1812-1883): Symphonie Nr. 5 f-minor / Fanny Hensel (1805-1847): "Hero und Leander" Luise Adolpha Le Beau (1850-1927): Piano Concerto in d-minor op.37 Maacha Deubner, soprano / Katia Tchemberdji, piano/ Kammersymphonie Berlin, JürDGCD21015 gen Bruns $22.00 rrp “An ambitious project and the resulting concert programme are reflected on this CD which also contains a carefully put together and informative booklet with numerous details about the female composers portrayed. The Kammersymphonie Berlin conducted by Jürgen Bruns plays with great engagement and verve - the bravos from the audience at the end, which can be heard on the recording, are justly deserved. This CD points us down a long-forgotten path of music history and is, above all, commendable for the recording of the 5th Symphony.” Sven Kerkhoff in “musikansich“ Intimate dialogue-Alim & Fargana Qasimov Ensemble Press releases and audiences reactions are enthusiastic when talking about Alim Qasimov, the DGCD21060 $22.00 rrp singer from Azerbaijan. This was also the case with the concert which this extraordinary musician gave at the Morgenland Festival Osnabrück, now available on this recording. Oriental music between the Levant and northwest China is based on modes called maqam, shashmaqam, muqam or mugham according to the region. There is no music more complicated and or requiring more virtuosity than the mugam of Azerbaijan. These mugam have also spread into jazz, opera and symphonic music, something quite unique. Alim Qasimov is the most outstanding exponent of traditional mugham. For several years now he has been performing together with his daughter Fargana, who was also his pupil. Concerts with the Kronos Quartet and the cooperation with Yo Yo Ma on his Silk Road Project have brought Qasimov an increasing audience in the west. German Record Critics’ Award 4/2010 “One of the greatest voices in the world” - Le Monde “Qasimov is simply one of the greatest singers alive” - New York Times “One of the greatest voices of the century: If you want to make a real discovery, listen to Alim Qasimov’s voice. Very occasionally, very very occasionally, a recording arrives that so transfixes that work stops and pleasure, enlightenment and education take over. Intimate dialogue is one of those. If there is any finer vocal duo performing art music anywhere on the planet right now, please send the details to the usual address. Intimate dialogue is the sort of stuff to send shivers down your spine.“ Ken Hunt in FRoots “ ... and the results are spellbinding. ... what I heard on this CD really turned my head. Qasimov and his daughter perform with what devotees of flamenco often refer to as duende . (The English word “soul” approaches the meaning, but does not come close enough.) Both of these performers have remarkable voices - remarkable both in terms of range, flexibility, and expression - and when they get on a roll, it sounds as if their souls are being rent in two. Qasimov, a tenor by operatic standards, has an especially remarkable set of vocal cords. The highly melismatic vocal style might take some getting used to, but stick with it, and I think you will have a listening experience unlike any you have had before. ... The booklet notes tell you everything you need to know, and the English translations of the lyrics are blessedly provided. The live recording is atmospheric, and will involve you even more deeply in the performances.“ Raymond Tuttle in Fanfare Magazine EASTERN VOICES Alim & Fargana Qasimov, Yulduz Turdieva, Ibrahim Keivo, Ayshemgul Memet, Salar Aghili DGCD21069 $22.00 rrp "A listening experience unlike any you have had before." (Fanfare magazine, US) In 2010 Dreyer.Gaido Musikproduktionen started the new series EASTERN VOICES. The series is featuring outstanding musicians from the Middle East and Central Asia. Recordings with Alim Qasimov, Yulduz Turdieva and Ibrahim Keivo received an outstanding echo between the US and Australia. The compilation "Eastern Voices" presents highlights of the first productions. A vocal culture that is "spellbinding" (FRoots), also for lovers of classical music. Friedhelm Döhl Edition Vol. 6 DGCD21028 Symphonie for cello and orchestra / Sommereise Piano concerto $22.00 rrp ZORCH. Sound-Scene for bigband and three open grand pianos Heinrich Schiff, cello, Rundfunk-Sinfonieorchester Saarbrücken / Hans Zender Rudolf Buchbinder, piano, Bamberger Symphoniker / Horst Stein RIAS BIG-BAND/ Klaus Martin Ziegler ”It is the dark side of the Romantic era which is above all invoked by the ‘Symphony for Cello and Orchestra’. Döhl writes strong and expressive music. The piano concerto ‘Sommerreise’ is much lighter and has a rather happy, rhythmically-pointed quality. The virtuoso-playful character of the first movement is in stark contrast to the richly-coloured sounds with which the second and third movements open. Döhl himself speaks in this context of a summer sky-scape.” Martin Demmler in Fono Forum "Edition of the year" - Tilmann Urbach, Fono Forum 12/2009 "Performances and supporting documentation are admirable." Cambridge University Press “Une voix des profondeurs dans le désert du présent“ Fred Audin/ ClassiqueInfo-Disque, 2/2009 5 EOS e -news A Soupçon “The Bayer Music Group and their label EBS have a good track record when it comes to the music of Max Bruch. Surprisingly they still issue an LP, although it has been transferred to CD (EBS 6071), which includes the Overture to the opera Die Loreley and the viola Romance Op.85, while the other two works on it - albeit with different conductor and orchestra - appear on the discs under review, the Suite on Russian folksongs Op.79b and the First Symphony Op.28. In both discs, the orchestra produces gloriously sumptuous sounds with fine tone and many stylishly shaped solos...Read more from Christopher Fifield Max Bruch(1838-1920): Konzert für Violine und Orchester Nr. 2 d-moll op.44 Suite für Orchester und Orgel op.88b* World Premiere Recording Jochen Brusch - Violine / Sven-Ingvart Mikkelsen - Orgel Tübinger Ärzteorchester, Norbert Kirchmann - Dirigent Max Bruch(1838-1920): Kol Nidrei-Adagio nach hebräischen Melodien für Violoncello & Orchester op.47 Kanzone für Violoncello und Orchester B-Dur op.55 Adagio nach keltischen Motiven für Violoncello und Orchester e-moll op.56* Ave Maria für Violoncello und Orchester op.61* World Premiere Recording Julius Berger - Violoncello Nationales Rundfunk-Sinfonieorchester Polen, Dirigent - Antoni Wit Max Bruch (1838-1920) Ouvertüre zur Oper "Die Loreley" / Sinfonie Nr. 1 Es-Dur op.28 Suite für großes Orchester op.79b* Romanze für Bratsche (viola) und Orchester op. 85* World Premiere Recording Rainer Moog - Bratsche (viola) Rheinische Philharmonie, Dirigent - Wolfgang Balzer Max Bruch (1838-1920)-Der romantische Sinfoniker II Serenade Op.75 (1899) / Romanze Op.42 (1874) / Suite für grosses Orchester nach russischen Volksliedern Op.79b (1903) Premiere SACD Recording EBS6049 $22.00 rrp EBS6060 $22.00 rrp EBS6071 $22.00 rrp EBS6142 $22.00 rrp Ursula Schoch (violin) Neue Philharmonie Westfalen/Theo Wolters Max Bruch (1838-1920) Violinkonzert Nr. 3 d-moll op.58 Violinkonzert Nr. 1 g-moll op.26 Torsten Janicke - Violine Gürzenich Orchester Köln Dirigent Markus Stenz EBS6143 $22.00 rrp Ernest Bloch (1880-1959) "Schelomo", Hebräisches Rhapsodie für Violoncello und Orchester "Voice in the Wilderness", Sinfonische Dichtung für Violoncello und Orchester "Prayer" aus "From Jewish Life" Julius Berger - Violoncello Nationales Rundfunk-Sinfonieorchester Polen Dirigent - Antoni Wit EBS6070 $22.00 rrp EBS6145 Othmar Schoeck (1886-1957): Cello Concerto Op.61 (1947) / Suite in A flat major Op.59 (1945) $22.00 rrp Julius Berger (cello), South West German Chamber Orchestra, Pforzheim/Vladislav Czarnecki "Both these works followed hard on the heels of the ending of the Second World War. The Cello Concerto was begun at the start of 1947 and finished quickly...Those who know and admire the somewhat earlier Violin Concerto...will perhaps find the Cello Concerto less immediately impressive. The earlier string concerto contains themes of palpable warmth and great lyrical beauty. But the charm of the Cello Concerto increases with each hearing and there are things in it of real significance." Read more from Jonathan Woolf As you like it - English strings and oboe music of the 20th Century EBS6112 John Ireland (1879-1962): Concertino Pastorale | Edward Elgar (1857-1934): Serenade in E minor Op.20 $22.00 rrp for string orchestra | Ralph Vaughan Williams (1872-1958): Concerto for Oboe and String Orchestra | Benjamin Britten (1913-1976): Six Metamorphoses after Ovid op .49 for solo oboe | William Walton (1902-1982): soundtrack to "Henry V" Stefan Schilli - Oboe principal oboist in the Bavarian Radio Symphony Orchestra, Southwest German Chamber Orchestra Pforzheim, Sebastian Tewinkel conductor 6 EOS e -news Carl Ditters von Dittersdorf (1739 - 1799): Konzert für Harfe und Streicher A-Dur Johann Georg Albrechtsberger (1736 - 1809): Konzert für Harfe und Orchester C-Dur / Partita in F-Dur Georg Christoph Wagenseil (1715 - 1777): Konzert für Harfe zwei Violinen und Violoncello G-Dur Jana Bouskova - Harp Südwestdeutsches Kammerorchester Pforzheim Dirigent - Vladislav Czarnecki EBS6085 $22.00 rrp Robert Schumann (1810-1856): Pilgrimage of the Rose - Fairytale after a poem by Maurice Horn EBS6075 Rosina Bacher - Soprano / Scot Weir - Tenor / Roberto Szidon - Piano / Südfunk Choir Stuttgart $22.00 rrp Conductor - Rupert Huber Besides "Paradise and the Peri", "Faust Scenes" and "Manfred" this is the first recording of another prominent attempt to reinvent the secular oratorio as a new genus. Not religious, but raised to be the new genre, so Schumann chooses a "fashionable" fairytale. Compositionally, the work is the Schumann Lieder closer than oratorical traditions. Instead of recitatives Schumann experimented with a new-song-singing style ariosem and replaced the stereotyped sequence of recitatives, arias and choruses by large-scale relationships. Oscar Shumsky playing Pierre Rode (1774—1830) 24 Caprices for Solo Violin A world-premiere recording (first complete recording) of the Rode Caprices revealing Oscar Shumsky plays the Stradivari of Jacques Pierre Joseph Rode and was one of the few composers whose works Paganini played other than his own. Oscar Shumsky as one of the best soloists the world has ever known, see 9 Caprices on EBS6007 $22.00 rrp Virtuoso Channel Max Bruch (1838-1920) recording of the complete symphonies CD1-Symphony No.1 in E flat major op.28 (1868) / Concerto for Violin & Orchestra No.2 in D minor CD2-Symphony No.2 in F minor, op.36 (1870) / Concert Piece for Violin and Orchestra sharp minor, CD3-Symphony No.3 in E flat major op.51 (1882 ., rev 1886) Swedish Dances op.63 Ursula Schoch - violin, Johannes Wildner - Neue Philharmonie Westfalen "Recommended by klassik.com" EBS6141 $55.00 rrp 3CD Edition Estonian Record Productions Arvo Pärt: Pilgrim’s Song / Magnificat / Summa / Nunc dimittis / Te Deum Choir Voces Musicales and Tallinn Sinfonietta, conductor Risto Joost ERP2309 $22.00 rrp "With the exception of the final Te Deum, each of the works is based on a single musical idea or texture. There is surprising variety between them. They are all unmistakably Arvo Pärt, of course, but there are many moods here. Summa, given here in the choral rather than the string version, is flowing yet serene, Ein Wallfahrtslied is questing and exploratory, albeit in an introverted way, and the Nunc dimittis is – believe it or not – outright dramatic."Read more from Gavin Dixon Performance 5/5, Recording 5/5 (Barry Witherden, BBC Music Magazine) Eduard Tubin (1905-1982): Works for Violin & Piano Vol. 1 ERP3009 Capriccio for Violin & Piano No. 1 ETW 56 – Sonata for Violin & Piano in Phrygian Mode $22.00 rrp ETW 56 – Ballade for Violin & Piano ETW 52 – Dance Tunes for Violin & Piano ETW 53 Sigrid Kuulmann, violin / Marko Martin, piano “Having listened to this disc several times the overriding impression I’ve been left with is that Tubin’s music is highly infectious...Both Sigrid Kuulmann and Marko Martin do a superb job in bringing these great works to life in a really thrilling way and are clearly musicians to look out for.” MusicWeb International Hortus Musicus-Early Music of the 3rd Millennium Kancheli: Helesa / Knaifel: O Spirit of Truth, O Comforter, O Heavenly King / Pärt: Face to Face Silvestrov: Icon, Barcarolle, Lullaby / Tüür: Salve Regina for male choir & ensemble Vähi: In Memoriam HM Hortus Musicus, Andres Mustonen ERP4611 $22.00 rrp This collection will appeal to all the modern music collectors. The album is dedicated to the memory of the founder of Hortus Musicus (and Andre’s wife ) Helle Mustonen. The majority of the works were composed in 2005 and were performed at Helle’s Memorial Concert on Oct 2nd in that year. As well and directing the whole album, Andres also performs on the violin. 7 EOS e -news The philosophy of the label Ludi Musici is to bring to the attention of the public unusual and varied repertoire from the fields of early music and world music, performed by outstanding artists, accompanied by scholarly and engaging articles, elegant packaging, a substantial and lavishly illustrated booklet, all presented in a sumptuous book/CD format that makes each release an eminently collectable objet d’art that will give its owner hours of pleasure. One God: Psalms & Hymns from Orient & Occident Works by: Ali Ufki, Neva Taksim, Neva Ilahiler, Nayi Ali Dede, Nicolas Vallet, Claude Gaudimel, Alessandro Grandi, Louis Bourgois & Salomone Rossi Ahment Ozhan (voice) & Robert Crowe (male soprano) Vocal Consort Berlin, Members of l’Arte del Mondo & Pera Ensemble Instanbul, Mehmet Cemal Yesilcay LM-003 $25.00 rrp Named after an area of Istanbul in which people of different origins, races, religions and cultures have rubbed shoulders since time immemorial, the Pera Ensemble was founded in 2005 by two Istanbul musicians, Mehmet Cemal Yesilcay und Ihsan Özer. Pera concerts combine the musical tradition of Ottoman music (with its vocal and instrumental virtuosity) with historical and contemporary European music; their performances are informed by musicological and historical research. The new CD One God presents Psalms and Hymns from Orient and Occident. Cavalli: La Rosinda LM-005 Emanuela Galli (Nerea), Francesca Lombardi Mazzulli (Rosinda), Makoto Sakurada $60.00 rrp (Clitofonte), Nicola Ebau (Thisandro / Pluto / Meandro), Fulvio Bettini (Rudione), 3CD Edition Silvia Vajente (Proserpina / Aurilla), Milena Storti (Cilena) & Roberto Romagnino (Vafrillo) Ensemble La Sfera Armoniosa, Mike Fentross In Venice 1651, Cavalli presented his new opera “La Rosinda” at the Teatro San Apolinaire. It is a story of love and magic and is one of the least performed 17th century operas, which is a tragedy in itself. Mike Fentross conducts a cast of known and young singers in this spectacular performance. This is a 3cd set and represents great value. The last recording of La Rosinda was in 1973 so enjoy every moment and indulge yourself in the 212-page booklet that accompanies this deluxe version. “the overall dramatic spirit is strong, the words are delivered convincingly and idiomatically, and the continuo accompaniments and ensemble dances are intelligently scored and realised...The strongest all-round vocal performance comes from Emanuela Galli as the opera's most interesting character...In short, this is an account with all the urgency and variety required to realise this rare work as a drama.” Gramophone February 2013 Harem – Les Fêtes du Seraïlles Works by Cannabich, W. A. Mozart, Sultan Selim Han III, Sultan, Bayazit Han II, Şâkir Ağa, Uşşak Gazel, Tanburi Mustafa Çavuş a.o. Ensemble L’ARTE DEL MONDO, Pera Ensemble, Werner Ehrhardt, direction LM-002 $25.00 rrp The Ensemble L’Arte del Mondo, founded in 2004, has made within a short period a name by offering innovative programs. Together with the Turkish musicians of the Pera Ensemble (Istanbul) L’Arte del Mondo invites us to join for a musical journey through one of Orient’s most fascinating phenomenons: the harem. Glittering parties, pleasant fragrances and luxury: oriental harems and Serail have fascinated the imagination of people all over Europe in the 18th century. During this period, harem ladies received a high profile education in music, literature, rhetoric and science – they were not only an object of desire, but contributed to intellectual and artistic education and way of life of the Ottoman princes. In the Christian Europe nobody knew what was really happening in the harem. This lack of information about one of the most secret parts of the Palace is the origin of all sort of fantasies and myths – a fascination, which is still nowadays linked with the Harem. Both occidental works, the ballet music “Les Fêtes du Sérailles” by Christian Cannabich, here recorded for the very first time and Mozart’s opera “Zaide” deal with this subject. George Frideric Handel (1685-1759): La Lucrezia Italian Cantatas for contralto & B.c.: Dolce pur d’amor l’affanno HWV 109 – Siete rose rugiadose HWV 162 – Qualor crudele HWV 151 – Fra pensieri quel pensiero HWV 115 – Stanco di più soffrire HWV 167 – La Lucrezia (O Numi Eterni) HWV 145 Sonia Prina, contralto, Ensemble LA SFERA ARMONICA, Mike Fentross, leader LM-004 $25.00 rrp The new CD La Lucrezia presents Italian cantatas by George Frideric Handel and brings together musicians – contralto Sonia Prina, the ensemble La Sfera Armonica and the conductor Mike Fentross – who are established international artists and offer fresh insights into the repertoire. 8 EOS e -news Tudor Church Music PHU005 Gibbons, O: Praise the Lord, O my Soul / Lord, we beseech thee / Hymns and Songs $22.00 rrp for the Church: Song 1 / Hymns and Songs for the Church: Song 20 / Hymns and 3CD Edition Songs for the Church: Song 31 / Hymns and Songs for the Church: Song 5 / Hymns and Songs for the Church: Song 22 / O Lord, in thy wrath rebuke me not / I am the Resurrection / Hymns and Songs for the Church: Song 9 / Hymns and Songs for the Church: Song 13 / Hymns and Songs for the Church: Song 67 / Hymns and Songs for the Church: Song 47 / Hymns and Songs for the Church: Song 24 / Hymns and Songs for the Church: Song 3 Hymns and Songs for the Church: Song 4 / See, see, the Word is incarnate / Hosanna to the son of David / Sing unto the Lord / Blessed are all they that fear the Lord / O Lord, how do my woes increase / Preces and Psalm 145 / O Lord, I Lift My Heart To Thee / Hymns and Songs for the Church: Song 18 | Sheppard: Mass 'Spiritus Sanctus' | Tallis: Missa Puer natus est nobis / White: Lamentations 5vv The Clerkes of Oxenford, David Wulstan “The Gibbons recording ..... is unmatched in terms of purity and vocal finesse” Gramophone Schoenberg: Verklärte Nacht & Dvorak: Sextet for Strings Dvorák: String Sextet in A major, Op. 48 PHU011 $22.00 rrp Vaclav Bernasek (cello), Jiri Najnar (viola), Talich Quartett Fantasy and Metamorphosen for Oboe Solo RBM463057 Telemann: Fantasies No.1 A major TWV 40: 2 / No. 2 a minor TWV 40:3 $20.00 rrp No. 3 h minor TWV 40:4 / No.4 b flat major TWV 40:5 / No. 5 C major TWV 40:6 / No. 6 d minor TWV 40:;7 No. 7 D major TWV 40:8 / No. 8 e minor TWV 40:9 / No. 9 E major TWV 4:10 No. 10 f sharp minor TWV 40:11 No. 11 G major TWV 40:12 / No.12 g minor TWV 40:13 Britten: Six Metamorphosen after Ovid for Oboe solo Op.49 Miklós Barta, Oboe Georg Philipp Telemann allowed a broad spectrum in his extensive creations for wind instruments (from his writings exist not only numerous solo concerti for flute (s) with oboe (d'amore) and violin (viola d'amore)). On the other hand he used wind instruments in an extensive way in his chamber music. It is no wonder that Telemann wrote also works for unaccompanied flute/oboe. Six Metamorphoses after Ovid op. 49 after a Phantasy Quartet is the most played chamber music work of Benjamin Britten for oboe. Miklós Barta shows the technical and expressive possibilities of his instrument. Oboe Concertos Mozart: Konzert für Oboe und Orchester C-Dur KV 314 Strauss, Richard: Konzert für Oboe und Kleines Orchester D-Dur op. 144 Miklós Barta, Oboe Alain Lombard conducting the Orchestra della Svizzera Italiana RBM463041 $20.00 rrp Ay, amor - about Love, Desire and Passion TYX13021 Sephardic Songs / Sephardische Lieder (Arr. / Bearb.: U. Merk)-Los Bilbili$22.00 rrp cos / Adío querido / Yo m'enamori d'un aire / Como la rosa en la güerta / A la una yo nací | Federico García Lorca (1898–1936): from / aus: Canciones españolas antiguas-Las morillas de Jaén / El Café de Chinitas / Las trés hojas / Nana de Sevilla / La Tarara / Zorongo / Sevillanas del siglo XVIII | Joaquín Rodrigo (1901–1999): Tres canciones españolas / En Jerez de la Frontera / Adela / De ronda | Federico Mompou (1893–1987): Canción y Danza (Sobre dos Cantigas del Rey Alfonso X) para guitarra | Juan Vásquez (1500–ca.1560): De los álamos vengo, madreLuys de Narváez (ca.1500–1555) / Paseábase el Rey moro (Arr. / Bearb.: U. Merk) Duo Arcadie - Franziska Markowitsch Mezzo-soprano / Ulrike Merk Classical Guitar In the Middle Ages members of three world religions lived together in Spain under Arab occupation in a multicultural community; the cultures exchanged views and profited from one another. In 1492, all non Christian inhabitants were expelled from the Iberian peninsula. The Sefaradim - as the Jewish refugees call themselves - could often only take their songs with them, as their most important cultural possession. They provide a "missing link" in Spanish musical tradition since the Renaissance and harmonize with the music for vihuela, the traditionally influenced songs by Joaquín Rodrigo, Federico García Lorca’s songs, and even the Siete Canciones by de Falla, like long lost sisters. The surrealistic imagery and the harsh musical language in the flamenco-flavoured Canciones españolas antiguas by Federico García Lorca (1898-1936), or the seguidilla, flageolets und lamento basses in the Tres canciones españolas by Joaquín Rodrigo (1901-1999)Manuel de Falla (1876-1946) added an exotic Spa-nish touch to the French impressionism of his Siete Canciones and, in Canción y Danza No. 1, Antonio Ruiz -Pipó (1934-1997) paid homage to this typical form in a song with-out words. The "Cantigas de Santa Maria" tell tales from the past. They were created at the court of Alfons the Wise (1221-1284), in cooperation between Arab and Jewish musicians. It is most probable that Alfons the Wise composed some of the 400 Marian songs in this collection. Federico Mompou (1893-1987) takes up two melodies and uses them in Canción y Danza No. 10 for piano and solo guitar. So, typically Spanish proves to be a kaleidoscope from the past and present, from the Renaissance to the 21st century. 9