Presskit - Talentrack
Transcription
Presskit - Talentrack
DIPANJAN DEY PRESS KIT BIOGRAPHY Dipanjan Dey s drumming career has been a fledgling one thus far, but during his relatively short time as a drummer, he has made quite a name for himself. Known primarily as the drummer for Shrap, a thrash metal band from Kolkata, Dipanjan has firmly established himself as o e of the ity s ost p o isi g you g usi ia s. Having spent most of his childhood days listening to bands of substance such as Dream Theater, Havok, Korn, Pantera, Slayer, Sepultura, and Slipknot, Dipanjan took his first steps in pursuit of a career in drumming in 2008. He enrolled in the renowned Calcutta School of Music, hoping to hone his skills and imitate the success of his favorite drummers. Growing up listening to the likes of Mike Portnoy, Joey Jordison, Igor Cavalera, and Roy Mayorga, Dipanjan acquired a taste for metal drumming. The hard-hitting styles of old-s hool th ash etal a d 90s o e e his comfort zone. Today, with aggression as the focal aspect of his drumming, Dipanjan focuses on writing groovy drum parts, as is evident from his work with the band Shrap. Dipa ja s work with Shrap over the last 3-4 years has been nothing short of stellar. Apart from helping Shrap to numerous band o petitio titles a oss the ou t y a d e e ti g thei status as a f o t u e i Kolkata s metal scene, Dipanjan has also contributed immensely to their EPs and their reputation for delivering energetic live performances. Dipanjan also had a short stint with composer Chandrachur Mukherjee and his world music line-up in 2015. Even though the line-up never went live, Dipanjan widened his horizons and tried his hand at musical styles such as bossa nova, country, jazz, pop, reggae, and tango. His achievements in a short but eventful drumming career are quite remarkable, and he can only be expected to learn and achieve more in the coming years. BANDS KHORGOSH (contemporary bengali music) - 2006 to 2008 SPARTAN (Hard Rock) - 2008 to 2009 Wren (Alternative Rock) - 2009 to 2011 Dark Pegasis (Alternative Rock) - 2009 to 2010 Chandrachur Mukherjee and friends (world music) - 2010 to 2013 The Sudipto Dutta band feat Dipanjan (Blues) SHRAP (Heavy Metal) - 2012 to 2013 - 2013 to till date GIGS AND ACHIVEMENTS WITH SHRAP EP ALBUM ALBUM REVIEWS Two guys metal reviews I have to say I really don't have a lot of familiarity with either Sepultura or Soulfly asides from the half dozen or so times I've seen Max Cavalera live. That being said, even from that relatively small taster I can tell where Shrap are coming from, and I gotta say, it's pretty damn fetch. Their balls out sound and solid thrash grooves have a wonderfully primitive vibe to them that is easy to dig in to and endlessly charming. Straightforward and ready to go for the throat, Shrap know what it means to craft a great thrash song. While the simplicity of the music is part of why I love it, the Sepultura worship does get overwhelming at times. That being said, on We Shall Arise Shrap pull it off well enough that I feel almost obligated to give them a pass. The fact of the matter is that it's impossible to deny how a track like Torture really gets under your skin and drives you into the dirt. It reflects the endless power of thrash metal and leaves jaded old nerds like smiling. Meanwhile, the punk rock energy of Fuck Them provides a perfect touch of Soulfly with its cry of "One, Two, Three, Four" and anthemic chorus standing as a tasty scaffolding to the track. The thing is, Shrap understand the very stripped back power that makes Indian death metal so good in the first place. The fact that they add frills on occasion is asides the point. Shrap stand tall as metal masters, not necessarily because their riffs or vocals are the best, but because the collective, within the bounds of the songwriting is top notch. As they continue to absorb the influences the Sepultura and Soulfly worship will become more tempered and their sonic assault will truly be their own, hop on the bandwagon now though, I get the impression these guys will explode! All about the rock The Indian metal scene is in a healthy state right now, with a generation of new and upcoming bands creating exciting music that builds on western influences but has its own sense of identity. As a esult, I al ays i te ested i hea i g e a ds f o the I dia etal s e e, so he Harsha Vardhan from Proximity Productions got in touch to tell me about a band from Kolkata whose sound o i es ode th ash a d g oo e etal, I ould t ait to ha e a liste . We Shall A ise is SH‘AP s latest fou t a k EP, a d ope s ith the i st u e tal I t o , it s a slo paced heavy piece that reminds me of Arise era Sepultura. It s a g eat sta t, a d sets thi gs up i ely fo se o d t a k, To tu e hi h egi s ith the sou d of poli e si e s a d the fully ki ks i to life with a barrage of chugging riffs, pounding drums, and vocals that would put Max Cavalera to shame! Fu k The sta ts ith so e I dia sou di g ha ti g, hi h is follo ed y so e i p essi ely intricate guitar work before the Soulfly-esq audio assault fully begins and the pulverising juggernaut is eleased. Fi al t a k, We Shall A ise is a it o e thrashy, but perfectly combines a groove metal sou d i to it, ith so e iffs that I e ot ee a le to get out of y head si e I fi st hea d the . SHRAP were founded in 2011 and in the time since then have been developing their sound and eated uite a follo i g fo the sel es. They e a a ti e pa t of thei lo al etal s e e, ut ha e also headlined and performed at many rock and metal shows and festivals across India. And that experience shows, because musically these guys are tight as hell and the music faultless from start to finish. You a isit the a d s offi ial Fa e ook page li k elo a d d op the a essage if you d like to get you ha ds o a opy of We Shall A ise. If you e a fa of Soulfly, thrash metal or groove metal then you definitely need to check this out – because SHRAP have created an EP of incredibly well executed metal. Outstanding !! Score: 9 out of 10 METAL EM PORTUGAL About this release (2nd in band's discography), musically the band is on the right track; this 4 tracks show different sides: paced aggressive guitars, fast-paced Death/Thrash aggressiveness, up-tempo groove parts and furious lyrics; the drums play their part in a simple but effective way. Ly i ally, has I e said they a e full of a ge a d agg essi e ess. Nevertheless, in my opinion the band should work more this chapter, avoiding simple lyrics and creating more elaborate ones as a way to diverge from common names and work on creating their space. The o als a e t the est I e hea d… they e ot ad ut the a d should work on this chapter and try to bring more melody into the music. In general, I say the band has some potential to evolve. May not be easy in a country like India but they have good examples to follow, like i.e. Kryptos. To help them on their quest they count with American Power Back Productions, for whom they signed recently. METAL IMPACT Are there new in the East? Judging by the number of Asian projects we are asked regularly to review, it would seem so. Illustration today with the Indian quartet SHRAP. With his strange indianised logo by adding a sacred cow head with horns form the bar of A, Crossover band from Calcutta was founded by Saptak in 2011. The vocalist, songwriter and rhythm guitarist gang is the only survivor of the initial training, ANTIMSANSKAR. He is accompanied by Rudra Sarkar (lead guitar), Subhajit Bhowmick (bass) and Dipanjan Dey (drums). In four years, the group has provided no less than 87 shows and released two EP. Originally conceived as a single around the title song, We Shall Arise is an EP punch. In less than 15 minutes, it gives an overview of what the combo is capable of. The tracklist opens with a nice little intro instrumental evocative. This is the residue of a draft cover of the song Punishment of BIOHAZARD, reduced the opus to an instrumental opening. It's short, but it is right on target, with a compressed sound very close to his model, a beautiful work on the battery and a crescendo that puts potato. Small drop system with "Torture" and "Fuck Them" two quite similar songs that could have been nastier if they were not crushed by endless intros atmosphere at the boundary of off topic on a short drive too ( on "Torture", the intro preamp lasts as long as the singing part!). This flaw aside, these two pieces redolent the Crossover to the IRON REAGAN. It's live, it's nasty, it sings fast, it does not fly very high but it gives fishing. The title song "We Shall Arise" comes close the project. This is a piece built. It starts with a good opening on guitar, a rhythm more polished and offers better balance between music and song. The music, very compressed, redolent of the Thrash PRONG. A pachyderm rhythmic, drums on amphetamines but madness (she just swing BPM) and a lead guitar that beautifully crunch. It is the song of Saptak just give her Hardcore Punk to the project key. A very serious screaming rather nag and a terrible English accent. The lyrics are the poor relation of the plate. Say it is not flying very high is an understatement. Certainly when pogote in the pit, who cares a little words, but if the group wants to become something other than a host of furious evenings, we should make an effort to offer anything other than three sentences per song with rhyming doggerel and epileptic title repeat to hide the emptiness of the way ... This banality is highlighted as the frontman whose intonations big brute give the project a bottom side of the pronounced front. We Shall Arise is a half success . The EP shows that in SHRAP under the hood and has arguments to fire live. But Studio mode, so all the ingredients of a good record together, it would take a little reconsider the dosage. Failing to revolutionize the genre, the Indian project has at least the merit of offering us a nice overview of Asian Metal. PRESS AND MEDIA SOLO CAREER In terms of individual accolades, Dipa ja ’s first milestone came in 2012. His playing at Calcutta Medi al College’s a ual a d o petitio ear ed him the Best Drummer award. What followed was an endorsement with Hybrid Sticks, well and truly confirming Dipa ja ’s arrival as a top musician in the making. In 2014, he made the top 5 in Foxy Dru er’s World Dru Solo o petitio a d bagged yet another endorsement, this time joining hands with Kolkata based drum makers Bronz. Proud to Endorse BRONZ Drums and Sticks CONTACT INFO Call +91 8013578115 E-mail [email protected] Connect https://www.facebook.com/dipanjan.dey.1806 https://www.instagram.com/dipanjandey41/?hl=en