November/December 2010
Transcription
November/December 2010
THE BIG LITTLE TIMES ® __________________________________________________ VOLUME XXIX, NUMBER 6 BIG LITTLE BOOK COLLECTOR’S CLUB P.O. BOX 1242 DANVILLE, CALIFORNIA 94526 NOVEMBER/DECEMBER 2010 _______________________________________________________________________________________ RADIO, PREMIUMS, and BLBs RADIO, PREMIUMS, and BLBs Back Front Cover Cover Thanks go to the several energetic Club Members who went recruiting newiscollectors to our Club since thislearned idea was posed in of the Frank Chandler a fictitious character who the secrets the July/August issue of our newsletter. Since then we have gained Yogi’s in the Far East. He used his special powers and a crystal23 ball to new names. Also since then, we lost members. As our members fade the thwart the enemies of mankind. He39became well-known as Chandu, away, so do the memories of our generations. An article in this issue Magician. tells about the fading of some memories Club Members hold in common. The popular juvenile radio •program • • Chandu the Magician, began on October 10, 1932 the WestinCoast Don Lee Network, radio station KHJ, The puzzle that wason presented the last BLT attracted only three responses, Los soon expanded to thebut East oncomplete. Mutual. The 5-day series of noneAngeles. of them It correct. One was close, not The caricatures 15-minute was sponsored Whiteclockwise King Soap in the West and on the coverepisodes of the Hap Lee BLB are (inby counter order): Wallace by Beech Nut Gum in Groucho the East. Marx, Leslie Howard, Charlie Chaplin, Beery, William Powell, Will Rogers, Richard Dix, Laurel and Hardy, Joan Bennett, Jimmie Durante, The character wasChevalier, American-born Frank Chandler who learned occult Joantitle Blondell, Maurice Mae West, Adolph Menjou, Greta Garbo, secrets inMarx, India.Edward He acquired supernatural skills, including projection, Groucho G. Robinson, John Payne, Harpo Marx,astral Boris Karloff, teleportation, and the ability create illusions. Chandu, and Douglas Fairbanks. For me,tothe hardest ones toCalling identifyhimself were Adolph he intended fight Joan any “evil that and threatens mankind.” Menjou, JohntoPayne, Blondell, Boris Karloff (I thought this was John Barrymore). Of course, you could peek into the BLB where all the The original was created by Raymond Morgan and Harry Earnshaw. characters areshow identified. Vera Oldham who worked for• them, several hundred episodes in • wrote • which Chandler’s sister,#1102, Dorothy Regent, two children, Betty and Walt Needham, Member provides us and withher another of his extensive Bob, tryabout to find husband, Regent, whoprograms disappeared articles BigDorothy’s Little Books and theirRobert relationship to radio and in a shipwreck. Suspecting play, Chandler takes the to Egypt where radio premiums - like thefoul following radio premium ad family for a BLB. they encounter dangerous adventures and the evil Roxor. Chandler has a mild romance with Nadji, an Egyptian princess, and he discovers that Roxor had kidnapped and holds Robert prisoner in an attempt to get his plans for a powerful ray gun. Although the program came to an end in 1936, it was revived for another run beginning June 28, 1948. The original scripts were reworked by Vera Oldham, and the episodes were again sponsored by White King Soap on ABC, Saturday nights at 7:30 p.m. The spooky theme music was provided by organist Juan Rolando under his Hindu pseudonym, Korla Pandit. Then on February the serialized were dropped, and the It is always fun to look2,at1949, the many premiumsepisodes I remember having, or wishing program a 30-minute, story each week. The last I had, as a became kid. Needham’s articlesself-contained always bring back great memories. broadcast was heard on September 6, 1950. LARRY LOWERY Editor 4 3 Send For Yours Today! Radio and Cereal Premiums of Big Little Book Characters from 1930 to 1950 Part 2: Another Cowboy, Plain Clothes & Uniformed Heroes, Plus Funny Folk by Walt Needham (Member #1102) Here they come! They’re riding fast and they’re riding hard! It’s time for action and adventure in the modern west with Bobby Benson And the B-Bar-B riders, And out in front, astride his golden palomino, Amigo, It’s the Cowboy Kid himself, Bobby Benson (1). CHANDU Card Tricks BOBBY BENSON Decoder TERRY AND THE PIRATES Telescope Ring DON WILSLOW Radio Club Pin EXAMPLES OF 1930s RADIO PREMIUMS DICK TRACY Mask TARZAN Signal Oil Tarzan Club Pin POPEYE Ad for radio program and premiums 4 Although Bobby Benson held the stage in only two books with big little book formats, Bobby Benson on the H-Bar-O Ranch and Bobby Benson and the Lost Herd, he was one of the most enduring of the radio BLB heroes. His only connection with a cereal company, however, was from 1932 to 1936. Hecker H-O Cereals named the program as The H-Bar-O Rangers and subsequently that of Bobby Benson’s Adventures. Although western in label, Bobby followed other young heroes of that era and became a globe-trotting adventurer. Richard Wanamaker was the first Bobby Benson but of particular note is that Billy Halop, who later became a Broadway and film actor as a “Dead End Kid,” followed as the second Bobby Benson. In 1949, the show returned, Bobby moving to the B-Bar-B and a more national format. Sponsors at various times during this period were Kraft, Chiclets, and Dentine. It was supplemented with a spinoff, Songs of the B-Bar-B which continued to 1955. The latter Bobby Benson programs were memorable since Don Knotts, Tex Ritter, and Al Hodge were in the cast, Ritter and Hodge playing the role of Tex Mason. Two Bobby Benson television shows appeared, these sponsored by a chocolate syrup and a grape drink company. Bobby Benson radio premiums were limited to those offered by H-O cereals. These include cereal bowls, a bracelet, a cardboard decoder, colored drinking glasses, a circus game, a lariat, maps, a tie clasp, mystery money, and photos of the cast. BOBBY BENSON BLB, Cereal Bowl, Promo Photo 5 O n e o f t h e g re a t r a d i o i c o n s i s J a c k Armstrong, the All American Boy. This radio adventure serial, which ran from July of 1933 to June of 1951, featured a younger but no less competent version of Frank Merriwell whose turf was Hudson High instead of Yale University. This Jack was not a flawed or wounded hero, such as is popular today, but the role model of an ideal young American. His mental and physical capacities were vast. There were no doubts in the minds of his listeners that he could become President of the United States after he completed graduate school at a highly prestigious university with highest honors– but only if he wanted to. The origin of the name, Jack Armstrong, remains in question. Harmon (2) cites two possibilities. The first is that it was the inspiration of writer Robert Hardy Anderson inspired by a box of Arm & Hammer baking soda. The second was that there was a real person with this name who was a friend of a General Mills executive. Jack Armstrong was memorialized in two big little books, which were graced by illustrator, Henry Vallely. Jack Armstrong and the Ivory Treasure published in 1937 was based on the radio scripts by famed writer Talbot Mundy but authored by Leslie N. Daniels Jr. In 1939 Jack Armstrong and the Mystery of the Iron Key was published. Although based on Mundy radio scripts, the book listed no specific author. JACK ARMSTRONG BLB JACK ARMSTRONG Unauthorized Book However, another Jack Armstrong made his appearance in two juvenile books, authored by Stanley J. Wallace and published in 1936 by Cupples and Leon. The hero in Jack Armstrong’s Mystery Eye and Jack Armstrong’s Mystery Crystal seemed to bear little resemblance to the radio Armstrong. Although of high school age this young man is more of a boy Chandu. Born in India, he has magic powers that he uses as he searches for his teacher, Yogi Sher Dal and his parents, encountering various villains in his quest. None of the radio characters, Billy, Betty and Uncle Jim, were present. It is suspected that the short run of the book series was due to the unauthorized use of the name. JACK ARMSTRONG COMIC BOOK Jack Armstrong was also featured in a series of comics, often drawn by Jack Sparling, which began in 1947 and lasted for 13 issues. The author remembers the considerable effort involved in shaking out several dimes from the opening of a rather secure saving bank unit to cover the cost of the first issue. There was also a Columbia serial, Jack Armstrong, the All American Boy, which featured the recently deceased, John Hart, a competent but older version of the hero. 6 Jack Armstrong, whose vacations often exceeded his school year, adventured throughout the world. The many radio premiums that Wheaties, his enduring sponsor, offered reflected this. However, Wheaties was also not adverse to marketing both radio based and “bounce-back” premiums related to other celebrities, including a photo of Johnny Weissmuller in 1933, a Babe Ruth flip booklet in 1933, a Strong Heart (the movie dog) wrist band in 1938, and a Frank Buck explorer sun watch in 1948 (3). Wheaties, which sponsored the show during its entire run, was early out of the gate with its Armstrong box top bonanzas. Beginning n 1933 they included a water pistol, a shooting plane, baseball cap, a stamp offer, photos of Jack and Betty, a grip developer, a wee gyro, and a sugar and creamer set. There were many war related items later on, including a series of Tru-Flite model airplanes which included American, allied, and enemy types. Not only authentic in detail they were quite capable gliders. Some of the items especially valuable at present are the secret bombsight with wooden bombs, a baseball ring, a dragon’s eye ring with a green stone, and a listening squad captain’s badge/whistle. Armstrong premiums were discontinued after 1948. BOBBY BENSON Decoder, Comic Jimmie Allen Big Little Book 1935 First Radio Annie Decoder Pin JACK ARMSTRONG Still Photo from Movie Serial 7 JACK ARMSTRONG Pedometer JACK ARMSTRONG Flying Rings JACK ARMSTRONG Magic Answer Book, Cardboard Airplane Kit, Bomsite, and Ring 8 Terry Lee, the young hero of Terry and the Pirates, had many adventures in places that offered great opportunities for exotic premiums. The program ran from 1937 to 1948. However, its initial sponsors were not cereal companies but a dairy (Dari-Rich) and a vegetable juice producer (Libby). The range of premiums scarcely approached that of Jack Armstrong. In the program’s last years, Quaker, with its Puffed Wheat and Rice, paid for the air time. Early issues included a victory plane spotter, a “Terryscope,” a game book for The Ruby of Genghis Khan, airplane photos, and two rings: a gold detector and a crocodile glow-in-the-dark ring. TERRY AND THE PIRATES The Game Board TERRY AND THE PIRATES BLB TERRY AND THE PIRATES Canada Dry Ad TERRY AND THE PIRATES Board Game 9 Buck Rogers bested his space hero competitor, Flash Gordon, on radio although he lost the movie serial war. Flash Gordon lasted only from 1935-1936 with sponsorship from a rug company and a soap company. Buck Rogers in the 25th Century began in 1932 and continued until 1947. The program had one of the largest numbers of cereal sponsorships, which included Kellogg, Cocomalt, Cream of Wheat, and Post Cereals. Buck had time to offer his fans badges, banners, buttons, helmets, manuals, rings, lead figures, a disintegrating pistol, games, a flashlight, a rocket ship, and a telescope. Two Whitman Big Little Book peripherals, Buck Rogers in the 25th Century, and Buck Rogers in the City of Floating Globes were offered by Cocomalt in 1933 and 1935, respectively. Smilin’ Jack as a radio hero seemed like a good idea. The program began with the droning sound of an airplane and a voice over a microphone saying, “Clear the runway for Smilin’ Jack!” BUCK ROGERS BLB BUCK ROGERS Ring of Saturn The program, however, only lasted a little over three months. Jack’s adventures did better in newspapers, comics, and a movie serial than on the air. SMILIN’ JACK BLB Only a single premium was offered — a flying chart “like the one Jack uses” for just ten penny wrappers from Tootsie Rolls. Tootsie Roll sponsored the program from February 14, 1939 to May 19, 1939. It was on for 15 minutes, three times a week at 5:30. The actor playing Smilin’ Jack, Frank Readick, Jr., was one of the first to play The Shadow. FLASH GORDON Pinback OG, SON OF FIRE BLB SMILIN’ JACK Movie Ad Og, Son of Fire, ruled a prehistoric world from 1934 to 1935 in 15 minute segments. Although the series initially appeared to be a take off on Tarzan, a Variety review (5) likened it more to Jack Armstrong with loud sound effects and creativity in bringing brontosauri and other beasts to life. Irving Krump, author of the Og big little book, was its creator and author. Libby Foods sponsored the program and the premiums included small statues of the characters as well as a map of Og’s environs. OG, SON OF FIRE The figures arrived in the mail in little cardboard cannisters like these — 1½¢ postage paid! — with an accompanying letter PHOTO OF BUCK AND WILMA Eagerly sought and expensive premiums include a solar scout weather emblem valued at $4000, a repeller ray ring for $3000 a solar scout knife at $1600, and a uniform at $1500, these from Cream of Wheat (3). 10 OG RADIO PREMIUMS Libby 1935 11 Don Winslow was an adventurer in the course of his duties as Navy Commander. Originally he was created in a newspaper comic designed to encourage navy recruitments in the Midwest. Former Naval intelligence officer, Lt. Commander Frank V. Martinek, worked with Leon A. Berotil and Carl Hammond to create a series which had a newspaper run from 1934 to 1955 (4). Don Winslow also had two radio enlistments, 1937 to 1939, and 1942 to 1943. In his first, he dealt with the Scorpion while during the second his adversaries were “the Japs and Nazis.” DON WINSLOW BLB Tarzan who first appeared on radio in 1932 was truer to the Edgar Rice Burroughs hero than most movie versions of that era. He continued to swing on vines until 1936 but was brought back from 1952 to 1953. The ape-man worked for many companies including Signal Oil, Burley Coffee, Kolynos, KSL Royal Bakers, Weston Biscuits, Vita Hearts and Fould’s products but no cereal companies. Premiums included small statues of the radio characters, a paint set, a map and club badges (3). Besides seven big little books, he was also featured in two serial movies, Don Winslow of the Navy (1941), and Don Winslow of the Coast Guard (1942) with Don Terry portraying this military hero. He also was featured many comic books, such as Popular, Four Color Comics, and Famous Features as well as those with his own name which were published by Fawcett and Charlton. TARZAN BLB TARZAN Club Pin Kellogg offered the first group of premiums, including a membership card and manual, a good luck coin, pins, rings and a periscope. Post, sponsor of the second series of broadcasts, produced a catapult bomber, various certificates, a badge, a magic slate, and a gold torpedo decoder. The latter in mint condition is valued at $3500 (3). His image also is found in one of the Pep cereal pinbacks to be discussed later. TARZAN Picture Puzzles DON WINSLOW Comic Book TARZAN Safety Club Pin DON WINSLOW Pep Cereal Pinback DON WINSLOW Magic Slate 12 DON WINSLOW Crossword Puzzle TARZAN 8 Figure Set Jungle Jim, a jungle hero attired in more than a loin cloth, was on the air from 1935 to 1954 in a 15 minute program. Many episodes exist but little is written about its sponsors or premiums. He is specially remembered for being a newspaper comic creation of Alex Raymond and the radio programs being broadcast just prior to the release of the Sunday paper. While Grant Withers played Jim in the serial, Johnny Weissmuller, after leaving the role of Tarzan, served as this hero in a series of B features filmed by Columbia. 13 JUNGLE JIM BLB Mandrake the Magician worked for the Tastee Bread Company, among others, from 1940 to 1942. Raymond Edward Johnson, famed host of “Inner Sanctum,” played the part. Premiums included membership in the Mandrake’s Magician’s Club as well as a membership card and a pinback. Warren Hull, later a TV game host wielded the wand in the Columbia serial. Mandrake seems ready for a comeback on the big screen. Chandu the Magician first appeared in 1932, the program’s initial run continuing until 1936. It was brought back twice, from 1948 to 1949, and from 1949 to 1950. White King Soap was its primary sponsor although Beech Nut funded the program on the East Coast during its first appearance. Chandu is perhaps now best known for the feature film with Edmond Lowe and the serial with Bela Lugosi that is depicted in a movie version big little book. Although not promoting cereal products, the radio sponsors offered photos of the cast and magic tricks. MANDRAKE BLB The Dick Tracy radio programs were greatly overshadowed by the famed detective’s appearances in newspaper comics, comic books, movie serials, B feature films, and television as well as big little books. As Lowery (6) has noted, the Dick Tracy big little books are second only to Mickey Mouse in total number of titles, 27 as opposed to 29. The Tracy radio programs were aired intermittently and did not have an especially long run (7). They began with New England stations in 1934. The programs continued off and on from that time to 1939 with Quaker Cereals serving as it primary sponsor. Sources vary on whether it resumed either in 1942 or 1943, although the latter seems more probable. It left the air in 1948, with the Sweets Company, manufacturer of Tootsie Rolls paying the tab most of the time. This 15 to 30 minute program, initially well plotted and heavy on sound effects, unlike the movie serials, featured the cast of characters found in the comic strips. CHANDU BLB DICK TRACY PREMIUM VOLUME I CHANDU Magic Trick White King Soap Premium Vanishing Handkerchief A DICK TRACY BIG LITTLE BOOK DICK TRACY PREMIUM VOLUME II Two premium books based on radio scriipts, published by Whitman, were offered by Quaker products: Dick Tracy and the Invisible Man, Vol. I and Dick Tracy and The Ghost Ship, Vol. II. However for its limited broadcast history the program issued many radio premiums. Quaker offered numerous badges of varying ranks for both boys and girls. Rings were also a popular premium, including one with a secret compartment, not unlike that found on an Orphan Annie badge, with Tracy’s sharp features on the surface. Paper pop guns and rubber band guns were popular. Detective kits with a wooden decoder, bracelets, books, and stickers were offered to Tracy’s crime fighting radio listeners. 14 CHANDU Magic Trick Beech Nut Premium FIRST DT PIN 1933 15 DAN DUNN BLB SECRET AGENT K-7 BLB Dick Tracy’s rival, Dan Dunn, Secret Operative #48, had a 1937 15 minute, 78 episode series which lasted only that year. Secret Agent K-7 also had a 15 minute episode program that was limited to 1938. Unsponsored nationally, the program apparently did not produce any premiums. Charlie Chan was a radio hero at varying times from 1932 to 1948. Lifebuoy Soap, primary sponsor, did not produce premiums. Ed Begley often played Chan with Leon Janney as his Number 1 son. Santos Ortega also often played the role. GREEN HORNET BLB Kellogg’s Pep paid the tab from 1943-1947. Especially popular were the numerous comic characters, penny sized pinbacks which could be found in packages of Pep, many of these being big little book characters. They included images of the characters found in the Gumps, Blondie, Brenda Starr, Dick Tracy, Felix the Cat, Flash Gordon, Bringing Up Father, the Katzenjammer Kids, Moon Mullins, Popeye, Little Orphan Annie, Smilin’ Jack, the Phantom, Tillie the Toiler, and Winnie Winkle. Superman was featured in several versions. The Green Hornet began his run in 1936. It ended in 1952. Sponsored locally, its premiums were mostly limited to photos, membership cards, and plastic rings. General Mills, however, rose to the occasion with a Green Hornet glow in the dark, secret compartment ring, its face allowing the wearer to leave the seal of the Green Hornet at will. This mint condition ring is said to be valued at $350.00 (3). The Hornet was introduced by actor Al Hodge who played the title role. The Green Hornet is about to reappear in a new movie although he has been well played by Gordon Jones, Warren Hull and Van Williams in serial and TV versions. CHARLIE CHAN BLB America’s most popular super hero, Superman, made a late appearance in a big little book format with Superman in the Phantom Zone Connection, published in 1980. The star of Action Comics began on the air in 1940 in a series of primarily 15 minute episodes and continued until 1950, its schedule, time format, and sponsors changing over time. One of its initial sponsors was Force, a cereal product of Hecker H-O, a company which had earlier sponsored Bobby Benson (8). The first of the offerings included various badges, pins, and buttons although pennants, club sets, manuals, and decoders were available from various sponsors, but apparently not by Heckers. The Shadow had a long radio run from 1936 to 1954. Conceived for an adult audience, the sponsors did not produce many premiums, although the Shadow magazine offered various Shadow merchandise. Blue Coal and later Carey Salt were its national sponsors. It provided a photo of the Shadow aka Frank Readick, a pin, a rubber stamp, a Gloin-the-Dark Shadow ring, blotters, books on home heating, samples of the Shadow magazine, stickers, match books, and a plastic crocodile ring. 16 THE SHADOW BLB PEP PIN AD KELLOG’S BEANIE FOR PEP PINS Although Batman and Robin made a short appearance on The Adventures of Superman, their images did not grace these pinbacks. Airplanes, walkie-talkies, and a variety of rings were also available for Pep cereal eaters who could part with a dime and a box top. COMPLETE SET OF PEP PINS SUPERMAN PEP PIN 17 Mainstream BLB radio adventurers and crime fighters had long running radio shows but their sponsors did not offer premiums. These included Gangbusters, Ellery Queen, and Mr. District Attorney. Tailspin Tommy had a brief time in the air as did Tim Tyler, Secret Agent K-7, and Tillie the Toiler. GANGBUSTERS BLB ELLERY QUEEN BLB MR. D. A. BLB With few exceptions, humorous comic characters did not enjoy the popularity with radio cereal fans. Compared to the more serious serials, they were relatively short lived. Even the Pepsodent sponsored, Mickey Mouse Theater of the Air, had just over a four month run in 1938 (7). The show was not short on talent as Disney was the voice of Mickey, Clarence Nash was Donald Duck, Thelma Boardman was Minnie and Stuart Buchanan was Goofy. However the Disney characters later appeared both on and inside various cereal boxes, including those of Post Toasties, Cheerios, Raison Bran, and Wheaties. Besides the standard Disney characters, Brer Rabbit was also often featured. Skippy, somewhat cast in young Tom Sawyer clothing, was on the air during various times from 1932 to 1935. Wheaties was an early sponsor although Phillips Dental Magnesia funded it periodically. Harmon’s listing of premiums (3) includes pictures, compasses, cereal bowls, code cards, pinback buttons, and certificates. The peripheral big little book, The Story of Skippy, was out in 1934. A Skippy comic, Skippy’s Own Book of Comics, issued in the same year, is valued at $3000. THE GUMPS IN RADIOLAND PREMIUM UNCLE DON BLB The Gumps was not a cereal sponsored show but involved BLB characters. It lasted from 1934 to 1937, sponsored by Pebeco Toothpaste, and Lehn and Fink. Of note is that the cast at one time featured Agnes Moorehead and Wilmer Walter. Dunning (5) quotes Michael Shnayerson who described it as involving a “cranky couple, the Archie and Edith Bunker of their day.” The BLB, The Gumps in Radio Land seems to be the only premium that was issued, this from Pebeco Toothpaste. SKIPPY BLB IN THE NAME OF THE LAW BLB CAPT. FRANK HAWKS BLB JUNIOR G-MEN BLB G-MAN BLB POPEYE BLB Popeye the Sailor has been one of the most durable of the funny folk conics and his initial sponsor was a cereal company, Wheatena. On radio Popeye gave up his spinach for the product, King features netting $1200 a week for this favor. His theme song was changed to “Wheatena’s me diet, I ax ya to try it, I’m Popeye the sailor man. Beep-beep.” Popeye continued to eat Wheatena from 1935 to 1937. In 1938, he returned to spinach but also promoted popsicles during the run of less than a year. Wheatena premiums include pins of the characters, and a harmonica, 18 Uncle Don was on the air for 21 years, from 1929 to 1949, most on the weekend, at times reading the newspaper comics. Maltex and Bond Bakers were among its sponsors. Premiums included an adventure booklet, a letter from Uncle Don, and a map. CAPT. FRANK HAWKS MANUAL AND PINBACK PURVIS JR G-MEN AND LAW AND ORDER BADGES A number of big little book heroes, while not having radio voices, were found on cereal boxes with their adventures also chronicled in newspaper advertisements which contained a comic panel. Real life G-man Melvin Purvis, who only appeared in one chapter of the BLB, In the Name of the Law, was more of a celebrity than Frank Hawks, who was also a Post Cereal hero. Purvis was listed in the early 30s as second only to Franklin Roosevelt in popularity/recognition by Liberty Magazine. Letters to Post Cereals flooded the mail with requests for Purvis Junior G-Man Corps manuals and badges as well as Law and Order Patrol manuals, badges, shoulder holsters, knives, rings, finger print kits, note books and key rings. 19 Mainstream radio characters that were not sponsored by cereal companies, had other sponsors that produced some premiums. The Charlie McCarthy Show aired in 1937 and continued until 1954. Chase & Sanborn coffee, its primary sponsor, offered the listeners of the program, a photo, fan card, a spoon, a radio game, cardboard dummies of Charlie and Mortimer Snerd, and a ring (9). McCarthy’s Radio Party Game was a 1938 premium from Standard Brands. This game consisted of 21 figures ... one of Charlie McCarthy and four each of Edgar Bergen, Don Ameche, Dorothy Lamour, Nelson Eddy and Robert Armbruster. A spinner was included to determine the play. THE CHARLIE McCARTHY BLB Even the dogs had their day. Rin-Tin-Tin was on the air at various times from 1930 to 1955 with famed Francis X. Bushman, Don Ameche, and trainer Lee Duncan were featured on the program at various times. Rinty himself and later his son produced some of the sound effects. Although some radio premiums, such as photos and movie related materials were issued, most of the premiums offered by the subsequent television shows and will not be mentioned here. Sponsors were KenL-Ration, Nabisco’s Shredded Wheat and Milk Bone. Unlike most of the products, the premiums themselves were not for use by potential dog heroes but rather their owners. The complete history of radio and cereal premiums has yet to be compiled. Many premiums like many transcriptions and recordings of radio programs were considered ephemeral and lost. Perhaps devoted EBay users will not only be able to obtain those premiums in the current lists but also find a few unlisted items. References (1). French, Jack. (1996). Bobby Benson: Radio’s Cowboy Kid. Retrieved 7/7/2010 at http://www.otrsite.com/articles/artjf002.html Blondie was a long-lived high profile 1939-1950 show, apparently without premiums. Its sponsors were Camel Cigarettes and later, Super Suds. RADIO PARTY GAME (2). Harmon, Jim. (1992). Radio Mystery and Adventure and Its Appearances in Film, Television and Other Media. Jefferson, North Carolina: McFarland & Company, Inc. (3). Harmon, Jim (1997). Radio & TV Premiums. Iola, Wisconsin: Krause Publications (4) Goulart, Ron. Publishing. The BLB-style Goldsmith Radio Star Series featured well known performers, Eddie Cantor, Joe Penner, Ed Wynn, and Jack Pearl who did not enter either the cereal or premium business. (1995). The Funnies. Holbrook, MA: Adams (5). Dunning, John (1998). On the Air, The Encyclopedia of Old-Time Radio. New York: Oxford University Press. BLONDIE BLB (6). Lowery, Lawrence F. (1981). Lowery’s The Collector’s Guide to Big Little Books and Similar Books. Danville, California: ERA Corp. (7). Goldin, J. David (1998). Connecticut: Radio Yesteryear. The Golden Age of Radio. Hamden, (8). Daniels, Les. (1998). Superman, the Complete History. San Francisco: Chronicle Books. THE GOLDSMITH RADIO STAR SERIES (9). Tombusch, Tom. (1989). Illustrated Radio Premium Catalog and Price Guide. Dayton, Ohio: Tomart Publications. 20 21 FADING MEMORIES DICK TRACY In the summer of 2010, the last daily strip for Little Orphan Annie was printed. The continuity story line is now put to rest. BLB collectors know that it was Dick Tracy who was the first character to appear in a Big Little Book - in time for Christmas of 1932. After that, he appears in over 30 more books and dozens of peripherals related to BLBs. Any youngster growing up in the 30s, 40s, or 50s knows the square-jawed detective. In July of 2010, the Roy Rogers Museum closed its doors. The taxidermined horse, Trigger, and dog, Wolf, were auctioned off. There were actually 8 other Triggers - each trained to do a different set of stunts. Olivia de Havilland rode Trigger in the Adventures of Robin Hood film. Sadly, on June 1, 2008 Chester Gould’s Dick Tracy Museum in Woodstock, IL. officially closed due to lack of attendance and financial reasons. A little more than a year ago, the Dick Tracy Museum closed its doors forever. Attendance was not enough to keep the museum going. Younger generations have no fond memories of things most of our Club Members have. They have their own heroes. Cowboys are replaced with astronauts, western stories are replaced with science fiction. Who today knows Smokey Stover, Toonerville Trolly, Harold Teen or such movies as Limelight, The General, The Thin Man? What does it mean to them to hear “Remember the Alamo” or “Remember Pearl Harbor”? BLB Club Member Walt Needham, while on vacation, recently took a side trip to the place where Tim McCoy is buried. In the grand Irish tradition, he poured a small whisky drink on McCoy’s gravestone in fond remembrance of a bygone hero. “I had learned that Tim McCoy and his wife were buried in a family plot at Mt. Olivet Cemetery in Saginaw,” wrote Walt. “We stopped there on the way back home. I had heard that the old Colonel (a mullti-volume big little book hero) used to like a drink of bourbon so I brought part of a bottle and poured it on the headstone as per an old Irish custom.” Gould, who lived in Woodstock for much of his life, started drawing the Dick Tracy comic in 1931 and continued to do it for 46 years. At its peak, the comic strip was published in over 600 newspapers. The DICK TRACY MUSEUM The privately funded museum, which opened in 1991, had been struggling financially for a couple of years when newswoman Carolyn Starks wrote that the museum guest book hadn’t been signed in weeks. The shelves were lined with unsold Dick Tracy pens, yellow fedoras and coffee mugs. And on a recent February morning, a broken furnace kept museum director Jim Johnson shivering until closing time. Only a few visitors stopped by, one of them was the repairman who got the heat turned back on. With attendance plunging, museum officials decided to close the 1,000square-foot shrine to the comic-strip detective and his creator -- longtime Woodstock resident Chester Gould. The decision was difficult for Gould’s daughter, Jean Gould O’Connell, who said her father’s estate could not keep funding it. “It’s quite a loss for the community,” said Jim Johnson, the museums director. “It’s such a nice concentration of history. It’s 60 years of the art of a genius.” 22 Some of the artwork and memorabilia will remain at the Old Courthouse Arts Center where the museum was located. Other items will be donated the McHenry County Historical Society and other museums. About 300 pieces will be photographed and made available to the public via an online exhibit in the near future, according to an article in the Northwest Herald. 23 LITTLE ORPHAN ANNIE Leapin’ lizards! Just seven weeks shy of 86 years after its debut, the Little Orphan Annie comic strip came to an end. And it ended much like a classic cliffhanger - concluding with the teasing line: “And this is where we leave our Annie. For now . . .” Readers are now forever suspended in the middile of a mystery. Today’s comic -- said to be the feature’s last -- concludes with the teasing final line: “And this is where we leave our Annie. For now -- “ The reasons behind the newspaper strip’s farewell, however, aren’t so mysterious. Newspaper editors were no longer buying Annie. The strip was now in fewer than 20 newspapers, thus the strip’s earnings crossed the profit-loss curve. As Steve Tippie, Tribune Media Service’s vice president of licensing said, “We want to pay the creators a deent wage ffor the work they do. And Ted Slampyak and Jay Mader did terrific work. But the strip was no longer profitable.” He added that in the licensing business you follow the sources of money. Today that means shfting to iTunes, kids’ television interests, and kid-centric websites. It is not worth it to try to appeal to today’s kids via the funny pages. As Annie’s last episode came to a close, she was held captive by a somewhat benevolent killer and taken to somewhere in South America. Daddy Warbucks lost clues to her whereabouts. It is up to readers to imagine what happens next. Many of Annie’s greatest adventures are preserved in the Big Little Book format. Like Dick Tracy, she appeared in nearly 30 BLBs and dozens of BLB-type peripherals. The LAST LITTLE ORPHAN ANNIE DAILY STRIP 24 25 ROY ROGERS Originally, the Roy Rogers’ Museum was set up in Victorville, California. In 2003, it moved to Branson, Missouri. The decision to close the Museum came after two years of steady decline in visitors. Roy’s fans were getting older. Due to a depressed economy, people travelled less and Branson was not a major city to visit. Roy’s son, Roy Rogers Jr. said, “My dad told me that if the museum starts costing money, then liquidate everything and move on.” Because the museum was accumulating debt, the Board of Directors voted to close the doors at the end of 2009. It officially closed on December 12, 2009. Much of the museum’s artifacts were auctioned off. Trigger (Roy’s horse), Buttermilk (Dale Evans’ horse), and Bullet (Rogers’ German Shepherd), having been preserved by a taxidermist, were sold individually. Roy’s son continues to carry on the memory of Roy and Dale through his traveling show, Golden Stallion. He said, “I think this country needs the message that Roy and Dale always put forth, not only in their professional lives, but in their private lives as well.” Roy’s ten BLBs also preserve the image of the cowboy as an honest, dependable hero. The ROY ROGERS’ MUSEUM Today’s generation knows Garfield, but Krazy Kat and Felix are not in their memories. They know Hagar and Zits, but Prince Valiant and Harold Teen are strangers. When he retired years after his leadership in WWII, General Douglas MacArthur stated, “Old soldiers never die; they just fade away.” We might say something similar concerning the great comic and cowboy characters of the past, “they never die; they just fade away.” 26 27 Since I’ve been collecting radio premiums and related items for more than 50 years, I was most pleased to see in a few recent Big Little Times issues, articles related to Big Little Books and radio related premiums. LETTERS Thank you for the wonderful job you did with the Walt Disney Big Little Books and Sunday Funnies. I always look forward to the Big Little Times and your well researched articles! GARY WOOD Member #276 I must say I hate to see the BLTimes come to a halt. I have been a member for around 20 years and knew someday it would probably come to an end, but truly understand and want to thank you for all the years of devotion. You have enlighten and brought joy to all that collect and cherish Big Little Books. I could only imagine all the hours you have given to the BLT and the web site and how it shows your 100% efforts. I do have a question about the web stie. Will this site remain? Would it still be maintained by you? If it is, I have an idea about the web site, and that is to possibly have a blog. Somewhere members might be able to communicate between each other. I, for one, don’t mind giving my email address to members. You asked about that some time ago. And in one of the issues I thought you once did a survey of members in the club. I wonder if before the last issue another survey might be conducted to see what kind of people Big Little Books attract. Maybe people can be asked their occupation, whether retired, age, state they live in, what they started collecting, how many books in their collection, etc. I guess it would give you an idea on how these books have given possibly so many diversified individuals a common connection. No names need to be given. I’m sure some members won’t participate, but maybe you could fill in some of the blanks. Possibly much of this could b done through email? TOM GARDNER Member #488 Good questions, Tom. I intend to maintain the website after next year. It will be redesigned. I’ll think about adding a blog. And if you prepare a questionnaire, I’ll send it out to members with an upcoming issue of the BLT. LARRY LOWERY Editor 28 Pricing these premiums is always a difficult task when so much depends on the condition and desirability of an item. Notice I didn’t mention rarity, since a premium may be very rare, but few collectors may be interested in it, thus the market value may be low because of lack of demand. Pulp magazine premiums also command hefty prices because of the considerable interest in characters like Doc Savage, The Spider, The Shadow, and others. Do you intend to write another book, as a companion to your excellent Golden Age Big Little Book referenc guide - this time for the Silver Age up to modern times? It would sure be nice to have this companion volume, if your are up to the task. How many years did it take you to put together the last volume? I hope that you can find someone who is willing to take over for you, so that our club will continue to survive a little longer. These are difficult times, and we all could use a little “cheering up,” especially those of us who appreciate the pleasure we felt when we got a chance to get our hands on a Big Little Book we didn’t have in our collection. Hence, our reluctance to give up future editions of the Big Little Times, which addresses our interest. However, I’m thinking that perhaps you have done such a fine job in documenting information about Big Little Books, that there really is no need to proceed much further. Your work stands on its own, and what an impressive contribution it is! Worthwhile writing, with useful information bears re-reading. So maybe we club members can always go back to your earlier editions of the Big Little Times and read them again. As ever, my best to you in all your future endeavors. MICHAEL A. SANTELL Member #162 I do intend to write a Silver Age volume on the Better Little Books. It might take a while, since the first volume took me about 10 years (No, I did not work on it every day for 10 years). Every person who is a member of the Club when the Club ends after December 1011, will be notified when the book is available. I also intend to publish a Big Little Book in honor of the great Whitman BLBs. I’ll tell more about these items and others during the coming year. LARRY LOWERY Editor 29 CLASSIFIED ADS WANTED WANTED BLB and related items Golden Age 10¢ comics WWI - WWII military items Phantom BLBs: Desert Justice (1421) Return of the Phantom (#1489) Flash Gordon BLB: Monsters of Mongo (soft cover) ROBERT JOHNSTON (Member #57) 5111 South 93rd Street Omaha, Nebraska 68127 Also Zorro, Lone Ranger, Davy Crockett, Green Hornet, Shadow, and Crusader Rabbit memorabilia FOR SALE And non-sport cards, various board games. 30 BLBs Selling as a lot at wholesale prices. Most VF to NM. Some HTG premiums and FA. For list, send email request to: [email protected] GUIDELINES FOR PLACING ADVERTISEMENTS IN THE BIG LITTLE TIMES© Communication concerning the buying, selling, seeking, and trading of BLBs will be improved if all advertisers do the following: 1. Grade BLBs according to the criteria in the Collector’s Guide to Big Little Books and Similar Books or on the Club’s website: biglittlebooks.com 2. Use standard symbols for grading: M (mint); NM (near mint); F (fine); VG (very good); G (good); FAIR (fair); P (poor). 3. Provide other helpful information such as: “spine missing,” “ink marks on the cover,” “softcover version.” 4. Use the Collector ’s Numbers from the Collector’ Guide to Big Little Books and Similar Books in place of or along with the Publisher ’s Numbers. The Collector’s Numbers help in identifying variations. The copyright date of the book can be an optional addition. Copy for advertising must be received by the 15th of the month prior to the month of publication. JEFF KEPLEY (Member #1337) 6956 Westmoreland Way Sacramento, CA 95831 (916) 421-0921 evenings or weekends STEVE ROBINSON (Member #840) FOR SALE Cocomalt Buck Rogers in the 25th Century Very Good Condition Name written in pencil on title page. $40.00 plus $5.00 shipping FOR SALE Top-Line Comics Box Set: Freckles, Bronco Bill, Bobby Thatcher Three books in box are in FINE condition. The box is FINE except for a tear along one side. $125.00 + $5.00 shipping CONRAD OKERWALL (Member #1165) Call: (928) 474-0745 or email: [email protected] FOR SALE MINT Condition The Golden Age of Big Little Books This award winning BLB Club book is out of print. The Club has just 6 soft cover copies left. $130.00 each plus $5.00 shipping. When they are gone, that is all there is. LARRY LOWERY (Member #1) Call: (925) 837-2086 or email: [email protected] 30 LARRY LOWERY (Member #1) Call: (925) 837-2086 or email: [email protected] The BIG LITTLE TIMES© is published 6 times per year on a bimonthly subscription basis by the Educational Research and Applications LLC. It is one of several publications published for The Big Little Book Club by the ERA, LLC. The publication is devoted to people who research, collect, or are just enthusiastic about Big Little Books© and similar books. Contents ©ERA, LLC 2010, all rights reserved Subscription rates: One year (6 issues) . . . . $15.00 . . . . Single Issues . . . . $4.00 CANADA . . . . $18.00 . . . . Single Issues . . . . $5.00 Advertising Rates for Members . . . Up to 50 words . . . $3.00; Full page . . . $25.00 Advertising Rates for Non-members . . . Up to 50 words . . . $4.00; Full page . . . $$40.00 31