COLDWELL BANKER - Buffalo Graffix
Transcription
COLDWELL BANKER - Buffalo Graffix
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Enjoy the show! Osborne Levell Wealth Management Steven W. Osborne Managing Principal James Levell Branch Manager 230 Bal Harbor Blvd, Suite 113 Punta Gorda, FL 33950 (941) 833-3272 • (844) 672-6763 www.osbornelevellwm.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Investment products and services are offered through Wells Fargo Advisors Financial Network, LLC (WFAFN), Member SIPC, a registered broker- dealer and a separate non-bank affiliate of Wells Fargo & Company. Osborne Levell Wealth Management is a separate entity from WFAFN. 0915-02415 4 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 CONTENTS CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 5 BOATERS & NON-BOATERS... COME EXPERIENCE ISLES YACHT CLUB FINE, CASUAL & AL FRESCO DINING IN AN AWARD WINNING RESTAURANT HARBOR 20 SAILING CRUISING & KAYAKING LIGHTED HAR-TRU TENNIS COURTS 24-HR FITNESS CENTER & EXERCISE PROGRAMS BOCCE, BIKING & BILLIARDS GOLF RECIPROCITY PRIVILEGES & SO MUCH MORE! WEDDING & CATERING FACILITIES AVAILABLE S T O P B Y F O R A T O U R O R C A L L U S T O D AY 1 7 8 0 W. M a r i o n A v e . P u n t a G o r d a ( 9 4 1 ) 6 3 9 - 7 5 5 1 / w w w. i s l e s y c . c o m 6 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 NOTES FROM THE EXECUTIVE DIRECTOR, REGINA O. BUCKLEY THE MAGAZINE OF THE CHARLOTTE SYMPHONY ORCHESTRA Volume 1, Issue 2 January/February 2016 PUBLISHER/ADVERTISING DIRECTOR/DESIGN DIRECTOR Regina Buckley Executive Director [email protected] ASSOCIATE PUBLISHER Dee Hall Administrative Manager [email protected] EDITOR AND CONTRIBUTING WRITER Sherry Campbell Bechtold [email protected] PHOTOGRAPHY Steve Lineberry Wise Choice Photography & Video [email protected] PRINTING Jordan Aquila Buffalo Graffix [email protected] Tempo is published three times a year (November, January, March) H appy New Year! I hope you will make listening to music, particularly by attending concerts performed by your Charlotte Symphony Orchestra, one of your top resolutions! A new year also presents the perfect opportunity to reflect on everything for which we are grateful. I am personally grateful to be working with such a talented, dedicated, energetic and dynamic music director as Maestro Raffaele Ponti. Through his efforts, the Charlotte Symphony Orchestra has taken its place as an integral part of this great community, contributing to its cultural character and educational enhancement. We are grateful for the partnerships we have forged in this community. In this issue of “Tempo”, you will read of our unique partnership with the Peace River Wildlife Center. It is a wonderful organization and we are so pleased that they are part of our Symphony Kids educational outreach program in our Charlotte County schools. I want to express thanks also to symphony patrons and sponsors; our advertisers; members of our Medical Grand Rounds program; and for the many volunteers who cheerfully provide support when and where ever needed. In addition, I want to acknowledge several other partner organizations who help support our major initiatives. Our local Charlotte Community Foundation provides concert sponsorship funds. Extending beyond our local boundaries, the Community Foundation of Sarasota County facilitates the Giving Challenge platform. The Florida Division of Cultural Affairs supports our annual children’s concert, (scheduled for Friday, January 22, 2016). The National Endowment for the Arts makes it possible this year for Maestro Ponti, as Artist-in-Residence, to conduct Band Master Classes for all five of the student bands at Charlotte High School. Lastly, I am most pleased to announce that the William G. and Marie Selby Foundation has granted the Symphony’s request for funds to repair and improve the sound system at our home, the Charlotte Performing Arts Center. This is a most generous gift for which concert patrons and the entire community will be grateful for years to come. Enjoy the remaining programs in the 2015-2016 season. And resolve to join us for many more seasons to come! CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 7 Enriching lives. To get Southwest Florida’s most comprehensive Arts & Entertainment coverage, subscribe, pick up a copy or download our app for tablets and smartphones. 8 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 2015-2016 BOARD OF DIRECTORS Kenneth Barber Chairman Ramon Gil, M.D. Vice Chairman Martin Voss Treasurer Carolyn Hamilton Secretary Forrest Bass, Esq. Richard Condon Scott Cottrell Liz Hutchinson-Sperry Jamie Landsberg Joanne Ryder Beverly Yankwitt MUSIC DIRECTOR Raffaele Ponti ADMINISTRATIVE STAFF Regina Buckley Executive Director Dee Hall Administrative Manager The Peace River Team at Morgan Stanley is proud to sponsor The Charlotte Symphony Orchestra The Peace River Team at Morgan Stanley is proud to sponsor The Charlotte Symphony Orchestra The Peace River Team at Morgan Stanley Thomas Cappiello, Financial Advisor Eric Loche, Financial Advisor Ryan Rupert, Financial Advisor The Peace River Team at Morgan Astra Lindholm, Service Associate Thomas Cappiello, Financial Advisor 117 Herald Court#113 Eric Loche, Financial Advisor Punta Gorda, FL 33950 Rupert, Financial Advisor +1Ryan 941 833-2000 Stanley Astra Lindholm, Service Associate 117 Herald Court#113 Punta Gorda, FL 33950 © 2015 Morgan Stanley Smith Barney LLC. Member SIPC. CRC 1288679 9/15 +1 941 833-2000 J © 2015 Morgan Stanley Smith Barney LLC. Member SIPC. CRC 1288679 9/15 oin Maestro Ponti and special Cindy Scaruffi-Klispie Personnel Director & Librarian guests before the classical concerts this season for “CD Roundtable.” Hear guests defend their favorite renditions with of the music that will be performed that evening by our own Charlotte Regina O. Buckley Dee Hall Symphony Orchestra. CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 9 A Symphony of Excellent Care Joyce Vein & Aesthetic Institute At JVAI, we believe you deserve the very best. We offer state-of-the-art treatment of Serious Venous Disease (leg pain, swelling, discoloration and ulceration), Varicose Veins and Spider Veins in an environment designed for your comfort. JVAI is the most experienced venous center in Southwest Florida with over 13,000 surgical procedures performed. 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Dr. Joyce is proud to be a Platinum Medical Grand Rounds patron. 941-575-0123 JVAI.COM 10 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 11 Anyone can put a ‘FOR SALE’ sign in your front yard Call us Luke Andreae Nancy Andreae Kevin Hughes Adrienne Andreae Kerry Andreae Marie Solio Maggie Olsen if you want a ‘SOLD’ sign in yours Lauri Marcum Proud to support the Charlotte Symphony Orchestra Harbor Realty THE ANDREAE GROUP The Leaders in Charlotte County Real Estate Since 1983 941-833-4217 866-761-8138 or go to our website ilovepuntagorda.com Amberg Insurance Center Auto - Home - Flood - Business - Health - Life Voted Reader’s Choice ‘Best Insurance Agency’ 2008, 2009, 2010, 2012, 2013, 2014, and 2015 Finalist 2011 AND ‘Best Insurance Agent’ 2008, 2010, 2012, 2013, and 2014 Finalist 2011 Voted Harbor Style Magazine ‘Harbor’s Hottest’ Insurance Agency 2012, 2013, 2014, and 2015 1900-C Tamiami Trail • Punta Gorda 17801-B Murdock Circle • Port Charlotte (941) 639-7050 (941) 743-5300 (Across from Palm Chevrolet) (Next to Bacon’s Furniture) www.ambergins.com 12 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 TCHAIKOVSKY January 10, 2016 Maestro Raffaele Ponti, Conductor We gratefully acknowledge the following Concert Sponsors: Judy Roth & the Roth Family Foundation Dress Rehearsal Sponsors: DLW Wealth Management PROGRAM SAMUEL BARBER Symphony No.1 in One Movement, op.9 19’ JOSEPH HAYDN Symphony No.45, F-sharp minor, 4th mvt 8’ INTERMISSION PIOTR TCHAIKOVSKY Symphony No.6, op.74, B minor (Pathetique) 46’ The Charlotte Symphony Orchestra would like to express very special thanks to our January 10 concert sponsors: Judy Roth and the Roth Family Foundation CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 13 CEA-7501-A-A5 Jim Koinis, AAMS® Financial Advisor 100 Sullivan Street, Suite 111 Punta Gorda, FL 33950 941-639-1170 t e ll a B Christina Koinis Christina Koinis invites you to her beautiful ballet studio just off Marion Avenue on Scott Street. Her classes consist of a full ballet barre warmup, center work, and stretching. She teaches dancers ages 3 through adult seniors. After growing up in Punta Gorda, Christina obtained her Bachelor of Arts degree in Ballet from Friends University. Christina Koinis Ballet, LLC 6210 Scott Street, Suite 215 Punta Gorda, FL 33950 (941) 258-0050 www.christinakoinisballet.com 14 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 ORCHESTRA MUSICIANS Raffaele Ponti, Music Director Chair Sponsors are listed in small caps VIOLIN I Stewart Kitts-Concertmaster PALM AUTOMALL Janie Spangler-Associate Concertmaster David Brill Fang Brill Marlena Chow Michael Cloutier Michael de Jesus Marco Ferri Elizabeth Kitts Liviu Onofrei Liubov Ohrimenco Dajiang Qi James Reynolds Katrina Rozmus R. Paul Urbanick Baoling Xu VIOLIN II Deborah Dansby Wells-Principal Sommer Altier Austin Burket Ellen Fackler Brandis Godwin Hank Pellegrino Catherine Pflieger Cindi Qi Nicole Rawley Carol Schmuhl Joan Stewart Flavia Zappa Medlin VIOLA Rachel Cox-Principal Carla Bellosa William Blaufuss Yaniv Cohen Kelly Emmons Julie Franklin Julia Pereira Rafael Ramirez Juan Carlos Siviero William Somach VIOLONCELLO Antonio Innaimo-Principal Paul Fleury-Principal Ann Alton Kevin Bellosa Deya Deynova Lorraine English Keith Jensen Rocio Mendoza-Silva Karolyn Silbaugh Lorraine Wallace Johnny Pherigo Gary Reinstrom KaCee Sorden BASS Cindy Scaruffi-Klispie-Principal Michael Fee Alan R. Klispie Christopher Neron Thomas R. Smith Perry Orfanella-Principal Terry Plumeri Christopher Riley Cody Roseboom Spencer Stowers FLUTE Wendy Willis-Principal Beth Morrison-piccolo Leelo Basham-piccolo Michelle Territo-piccolo OBOE Cynthia Barbanera-Wedel-Principal Charles McGee-English Horn Kristin Naigus- English Horn Michelle Nicolette- English Horn CLARINET Stacey McColley-Principal Bruce Marking-bass clarinet Antonio Negron-bass clarinet Eb Max Pegues-Eb SAXOPHONE Stephen Parker-alto saxophone Craig Christman-alto saxophone BASSOON TRUMPET TROMBONE Karla Rojas-Principal Richard Begel Gilberto Cruz Peter Freudenberger I. Marc Morgan Katherine Rodriguez TUBA Todd Handley-Principal TIMPANI Gavin Dougherty-Principal PERCUSSION Dean Anderson-Principal Scott Crawford Isaac Fernandez Hernandez Dana Kimble Aaron Nix Christopher Nolin Tihda Vongkoth Amanda Yoho Janet Harris-Principal Julie Fox-Principal Jordan Bidwell Christian Eberle-contrabassoon Arnold Irchai Shannon Lowe Carlos Felipe Vina-contrabassoon HARP HORN Isabelle Aubin Kenneth Friedenberg-Principal Troy Messner-Principal Madison Roberts-Assistant Principal Jennifer Masciulli Jennifer Miller Rachelle Jenkins Mark Martin Dickie Fleisher-Principal SUSAN GALVIN Giuseppina Ciarla Deborah Fleisher Barbara Kraichy PIANO/KEYBOARD PERSONNEL MANAGER/ LIBRARIAN Cindy Scaruffi-Klispie STAGE MANAGER Alan R. Klispie CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 15 PROGRAM NOTES January 10, 2016 SAMUEL BARBER Symphony #1 classical symphony. It is based on three themes sical period and was instrumental in the devel- throughout the work their fundamental to musical form have earned him the epithets of the initial Allegro non troppo, which retain character.” Listen for the dynamic opening theme, which appears in nearly every section. Lush choirmaster. At eight, he became a chorister pessimistic. Barber marched to the beat of his own drummer. The fashion of his time, in the ‘30s and ‘40s, had become loud and turbulent, and there was a lot of peer competition in Copland, Thomson and other emerging American composers, leaving his music all but ignored. His life was devoid of excitement – Pennsylvania, began composing at the age of no glamour, no scandals. He wrote no books, at fourteen. He was the recipient of numerous compose and that was his gift. voice, piano, chorus, various ensembles and opera. He is perhaps best recognized for his beloved Adagio for Strings, which has become synonymous with earthly loss and spiritual ascension. Barber’s ability for sustained intensity, accessible lyricism, and subtle Romanticism did not teach, did not perform. All he did was JOSEPH HAYDN Symphony No.45, F-sharp minor, 4th movement has made him one of America’s most admired self-educating in music theory. In 1758, he became the musical director and chamber composer for a Bohemian count, and his career was launched. It was the court invita- tion of Prince Pal Antal Esterhazy that gave Haydn the home and support he needed to thrive, and he remained in the family’s service until his death. Symphony #45 In the summer of 1772, Haydn and his musicians were enduring an extended stay at the summer palace of Prince Nikolaus Esterhazy of Hungary and they wanted to go home. Rather than make a direct request on the musicians’ behalf, the diplomatic and good humored composer made his case with music! During the final movement, each musician, one by one, stopped playing, snuffed out the Prince and his entire court left the following by Gian Carlo Menotti, Barber’s lifelong day! friend) earned him a Pulitzer Prize. In this concert, we will hear the final Barber’s Symphony No. 1 was premiered movement of The Farewell. Listen for the by the Cleveland Orchestra and was the first characteristic fast tempo, cut time and increas- performance of a symphonic work by an ing rhythmic intensity building to a passage American composer at the Salzburg Festival that sounds like the end of the symphony, and in Vienna. 16 | own, supporting himself with odd jobs and his concertmaster). Message received, the Center in 1966 and his Vanessa (with libretto synthetic treatment of the four-movement When his voice changed, he set out on his ed violins left (played by Haydn himself and new Metropolitan Opera House at Lincoln the composer described the work as “… a at the most important church in Austria. so that at the end, there were just two mut- and Cleopatra was commissioned to open the of a classical four-movement symphony, trained by his cousin, a school principal and candle on his music stand, and left his post, and enduring composers. His opera Antony A condensed one-movement version Born to parents of humble means, at the intensity marked by challenging rhythms. The lyricism, is weighty and substantial, yet never awards and wrote 165 works for orchestra, String Quartet”. age of six, he was sent to live with and be work combines high drama and profound seven and was enrolled at the Curtis Institute “Father of the Symphony” and “Father of the and lyrical, the scope of the piece is sweeping and dramatic, with a sustained muscular Samuel Barber (1910 – 1981) was born in opment of chamber music. His contributions “Farewell” Haydn (1732 – 1809) was a prominent and prolific Austrian composer of the Clas- CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 then, a cadence and another slow movement! It is at this point that the musicians are assigned little solos, and the dwindling of the orchestral sound begins, leaving only a soft pianissimo. PYOTR ILLYICH TCHAIKOVSKY Symphony No. 6 in B minor, Op. 74, Pathétique tion of the dying light in conclusion. Ending in B minor, this symphony is the only one ending in a minor key among all the symphonies by Tchaikovsky. It has been suggested that this final sym- phony deals with the power of Fate in life and death and may parallel notes by the composer himself for his 4th, unfinished symphony: “The ultimate essence of the symphony is Life. First part – all impulse, passion confidence, thirst for activity. Second part, love. Third, disap- pointments and Fourth ends dying away.” The composer hinted to his friends and admirers that the work might contain secret messages, but he never told them what they were. “Let them guess,” he said. Tchaikovsky (1840-93) was the first famous graduate of then recently inaugurated St. Petersburg Conservatory, where he studied piano, flute, organ, music theory, and com- position. He was a founding member of the faculty at the Moscow Conservatory, though he much preferred composing to teaching and left the conservatory in 1878. His early mas- terworks and most popular pieces included the orchestral fantasy Romeo and Juliet, the bal- let Swan Lake, the Piano Concerto No. 1, the A Spiritual home where religion and reason meet opera Eugene Onegin, and the Symphony No. 4. He traveled extensively throughout Europe and the United States, returning to Russia in 1885, where he continued his composition career. In 1893, the composer wrote to his brother: “I am now wholly occupied with the new work ... and it is hard for me to tear myself away from it. I believe it comes into being as the best of my works. I must finish it as soon as possible, for I have to wind up a lot of affairs and I must soon go to London.” In October of that year the composer left for the successful premiere performance in St. Petersburg. Two weeks later, he died of cholera and the Symphony No. 6 was performed once again as a memorial. The finale - Adagio lamentoso - begins with tense harmonies and a touching depic- Unitarian Universalist Fellowship of Charlotte County Welcoming and inclusive Rev. Amy Kindred SERVICES: Saturday ~ 4:30 PM Sunday ~ 10:30 AM www.uufcc.org www.facebook.com/uufcc 1532 Forrest Nelson Boulevard Port Charlotte 941.627.4303 CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 17 We congratulate the Charlotte Symphony Orchestra for many seasons well played. Trust and Investment Management Services Estate Planning and Administration | Trust Administration | Investment Management Join us for our series of complimentary seminars. For a complete list of topics, dates and times, please visit our website. www.charlottestatebankandtrust.com | 2331 Tamiami Trail, Punta Gorda Investments are not a deposit, not FDIC insured, not insured by any federal government agency, not bank guaranteed and may lose value. MAHLER January 24, 2016 Maestro Raffaele Ponti, Conductor We gratefully acknowledge the following Concert Sponsors: Scott & Kathryn Cottrell PROGRAM PIETRO MASCAGNI L’amico Fritz: Intermezzo 4’ GIACOMO PUCCINI I Crisantemi GIACOMO PUCCINI Capriccio Sinfonico 22’ INTERMISSION CUSTAV MAHLER Symphony No.1, D major (Titan) 53’ The Charlotte Symphony Orchestra would like to express very special thanks to our January 24 concert sponsors: Scott & Kathryn Cottrell CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 19 PROGRAM NOTES PIETRO MASCAGNI January 24, 2016 GIACOMO GUSTAV PUCCINI MAHLER L’amico Fritz ~ Intermezzo Crisantemi & Capriccio sinfonica Symphony No. 1 in D major Mascagni (1863 – 1945) was a versatile composer of fifteen operas, operettas, several orchestral and vocal works, as well as songs and piano music. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and singlehandedly ushered in the Verismo movement in Italian dramatic music. This one-act opera is his most frequently performed work, having become inextricably connected with Leoncavallo’s Pagliacci and performed on the same bill affectionately referred to as “Cav and Pag”. His L’amico Fritz and Iris have remained in European operatic repertoires since their premieres. The story of L’Amico Fritz involves a wealthy landowner whose disdain for marriage prompts him to make a bet with his Rabbi friend David that he will never marry. The Rabbi becomes instrumental in fanning the attraction between his friend and a local farm girl, in the end winning the bet and giving the young bride his winnings as a wedding gift. The Intermezzo is placed between the Second and Third Acts and works beautifully to express Fritz’ mixed emotions, his realization that he is in love, his growing confusion and despair that the girl is to be betrothed to another man. Not to worry – all ends well; this is a comedy! Born in Lucca, Italy to a musical dynasty dating to his great-great grandfather in the 18th century, Puccini (1858 – 1924) was one of the greatest composers of Italian opera and a leader of the Verismo (realism) movement. Puccini composed some of the most beloved operas in history, and certainly among the most frequently performed - La Boheme, Madama Butterfly, Tosca, Manon Lescaut are staples of opera companies around the world. His opera La Fanciulla del West, conducted by Arturo Toscanini, with the great tenor Enrico Caruso was the first world premiere of an opera at New York’s Metropolitan Opera. He is perhaps best known for his memorable melodies, particularly for the show-stopping arias he gave to his tenors and sopranos. Puccini believed that his true talent lay “only in the theater,” and so his non-operatic works are understandably few. In the composer’s early career (1883), before he turned his eye to the operatic stage, he wrote the orchestral piece Capriccio sinfonica as a thesis composition for the Milan Conservatory. In addition, he wrote several beautiful works for string quartet, all of which have been virtually forgotten except for the elegy Crisantemi (“Chrysanthemums”), composed in 1890 as a response to the death of the Duke of Savoy. Rarely performed in its original quartet format, Crisantemi is a dark-hued, rhapsodic, continuous movement in which opera lovers may hear strains of the familiar final act of Manon Lescaut. From the early instrumental offerings to the rapturous operatic arias, it is fair to say that no composer communicates more directly with an audience than Puccini. Gustav Mahler (1860 – 1911) was a late Romantic German composer and one of the leading conductors of his generation. Since composing was a part-time activity, Mahler’s body of work is relatively small, consisting of large symphonic orchestral and choral scores. His works gained wide recognition only after long periods of neglect, including a ban on his music during the Nazi era. Mahler expressed the belief that “The symphony must be like the world. It must embrace everything” and his trademark scope of moods, accomplished by amazing orchestration, continually juxtapose absurdity with majesty, farce with tragedy – life and its struggles! Symphony No. 1 was mainly composed between late 1887 and March 1888, while Mahler was second conductor at the Leipzig Opera in Germany. In the first two performances, he described the work as a ‘symphonic poem’ or ‘tone poem’ and he continued to make revisions and alterations prior to its publication in 1898. The slow, restrained first movement picks up momentum and power in the second, moving into the solemn mood of the third in which we recognize a dark version of the children’s song Frere Jacque. The final movement is an agitated, stormy burst of energy. Mahler had originally inserted a 5th movement entitled Blumine, believed to have been written for a romantic interest at the time. He later removed it from the symphony and it became ‘lost’ for over 70 years. The work was reintroduced by Benjamin Britten in 1967 and has since been performed as a stand-alone composition. The audience may recall the Symphony’s performance of Blumine last season and hear it ‘quoted’ in the last movement. 20 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 THE PEACE RIVER WILDLIFE CENTER THE SYMPHONY’S NEW COMMUNITY PARTNER! TEMPO VISITS THE PRWC Long before human beings lifted their voices in song, or played instruments, or composed the glorious music we enjoy at our Symphony concerts, there was the music of the natural world! Birds of all kinds filled the air with their tones. Whales sang their haunting calls from the depths of the ocean. Our human music is inspired by nature, inextricably connected with its rhythms and we, here in Southwest Florida, are blessed to be surrounded by both! This season, our Charlotte Symphony Orchestra welcomes a new partner in the Peace River Wildlife Center. The Center is familiar to everyone who lives here in Punta Gorda and one of the most popular attractions for our visitors. “The most important work we do here is the rescue and rehabilitation of wildlife”, says Callie Stahl the Center’s Operations Manager. Most animals that come to us are either injured or displaced because of human action. Our work is an attempt to restore to nature what humans have harmed.” Callie is a native of Florida and was a music major at Florida State University, until she changed her career goals to working with animals and worked as a veterinary technician for several years. In 2009, she came to the Center as a re-hab specialist and then became Operations Manager in 2012. “When I came here, I realized this is where I belong. There is something new happening every day and always something to learn,” she shared during my visit in October. Our meeting was attended by a gorgeous Great Horned Owl named Bella. Perched on the back of Callie’s chair, this huge bird occasionally seemed to doze off, only to become wide eyed when a passerby snapped her photo. “She seems to have a bit of attitude” I offered and then learned that she just had her nails clipped and was ‘put out’. Bella had been rescued by another facility as a nestling and released when grown. However, she was soon reported to be going around a neighborhood, house-to-house, ‘asking’ for food! Callie said, “She had imprinted with humans early in life and, even though she still has a hunter’s instinct, she has no idea it’s about survival.” So, to the Center she came and that is home. The most famous of PRWC’s residents is Luna, the tiny white owl that is now the organization’s mascot and best spokesperson “on the road”. He is adorable and has his own very attractive cage home in the office. “Lu” as he is called by the staff, is often seen at meetings, luncheons, and parties around the county when everyone can snap a photo and coo over his cuteness. While I was visiting, a local couple brought in a heron with a broken wing and another brought a soft-shelled turtle that had been hit by a car. Both couples were so happy to have rescued these creatures – it was obvious it meant a great deal to them. I could see how working in this lively place would become addictive! Though the rescue and re-hab work is the Center’s primary intent, Callie quickly adds that the concurrent goal is education. The partnership with the Symphony will bring Callie and the Center’s resident veterinarian Dr. Robin Jenkins with some of the Center’s animals to school visits with Maestro this season. This will enrich the Symphony’s art/music school program based on the Carnival of the Animals, and will certainly add excitement and anticipation for the season’s Youth Concert, at which the work by SaintSaens will be featured! Callie commented that working with children is particularly important because they learn at an early age to respect animals and all of nature. They grow to be more aware and concerned adults regarding the environment and the connection of all life on our planet. “Sometimes we can also affect adults who are not too set in their ways. Awareness is the key. So often, people just don’t know. I will get a fearful call saying there’s a bobcat in someone’s yard: “what should we do?” I tell them to watch and enjoy – be thankful there are still bobcats in our midst. Generally they disappear as quickly as they appear.” Callie went on to say that when visitors see animals at the Center, they get to know them –personally. Their stories, their personalities. They are no longer just some ‘critter’, they are up close and personal – and that often changes how people feel about them. At the end of our visit, Callie remarked about the Center’s working environment, “Everyone involved with PRW is here because of their commitment to the work we do, because of their love for wildlife. There are no egos, no agendas, none of the squabbling you see in so many groups. We have the most wonderful staff, volunteers and Board – all kindred spirits with the Center’s best interests at heart. Our goal is to expand the Center to include an education facility – where families can come and learn about the wildlife of the region and become better stewards of our ecosystem.” The PRWC is a critical component to the culture and texture of life in Punta Gorda. Its mission is simpatico with the environmentally conscious nature of our residents and, thankfully, support for its continued growth is powerfully strong. Visit Peace River Wildlife Center on Facebook and learn about their rescued animals and events and visit their website at peaceriverwildlifecenter.org. The Center collects certain recycled items and in need of specific supplies on an ongoing basis. A great way to make financial contributions is shopping on Amazon. Go to Smile.Amazon.com and select Peace River Wildlife Center as your charity. CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 21 YOUR EMERGENCY MATTERS WHY WAIT? IN AN EMERGENCY, MINUTES MATTER AND THEY SHOULDN’T BE SPENT WAITING. We are proud to treat many area residents in our ER – consistently beating the national ER Wait Time average! Our hospital is a Joint Commission Top Performer on Key Quality Measures, an Accredited Chest Pain Center and a Primary Stroke Center. Our ER is staffed and equipped around the clock to provide you the highest quality Text “ER” to 23000 for ER Wait Time Averages Message and data rates may apply. For more info, visit texterhelp.com. emergency care when you need it. Visit FawcettHospital.com for ER Wait Time Averages. 21298 Olean Boulevard 22 | Port Charlotte, Florida 33952 CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 RAFFAELE PONTI known as an artist of dynamic personality, charismatic performances, and superb musicianship. His trademark is the breadth of his vision, the clarity of his interpretation, and the rich beauty of his sound. The Chicago Courier News writes, “He is a rising star! Maestro Ponti brings an exhilarating energy level to center stage. It’s an electrifying swagger, empowering and enabling him to pull music from light to darkness and back again.” In his third season as Music Director and Conductor of the Charlotte Symphony Orchestra (FL), he has completed two completely sold-out seasons and has added matinees to accommodate the wonderful community demand. As a champion of bringing music into people’s lives, he has launched the “Symphony Kids” program, which consists of “Maestro Visits” to every third grade class in Charlotte County, In addition, he teaches “Behind the “Musical Chairs” where students can sit in Notes” pre-concert classes for adults through of year youth concert entitled, “Where in the developed a program entitled “The Symphony the orchestra during rehearsals and a free end World is the Symphony?” Florida Gulf Coast University and has as a Business Model” that has attracted new businesses and patrons to the symphony. As a result, the Charlotte Symphony Orchestra has received the prestigious Charlie Award for “Outstanding Achievements in the Arts”; Florida Weekly’s “Best Award,” was named Harbor Style Magazine’s “Best Performing Arts Group;” and was honored with a Proclamation given by the Mayor and City Council Members of Punta Gorda, Florida. Ponti continues to appear with prominent orchestras around the United States and Europe, including the Buffalo Philharmonic, Elgin Symphony, Austin Symphony, Erie Philharmonic, Rochester Philharmonic, Binghamton Philharmonic, Billings Symphony, and Syracuse Symphony. He also has shared the stage with world-class artists such as Glenn Dicterow, Fabio Bidini, Antonio Pompa-Baldi, David Kim, Terrence Wilson, Jeffrey Biegel, David Halen, Michael Ludwig, Robert Bonfiglio, Marvin Stamm, Alan Vizzutti, plus POP stars Jim Brickman, Englebert Humperdink, Paul Anka, Eartha Kitt, Tony Martin, and Eddie Fisher. Ponti is also Artistic Director and Conductor of the Paducah Symphony Orchestra since 2010. I don’t want hymns at my funeral. I want orchestra music. If you want a farewell done well, you want to call us. Port Charlotte • (941) 625-4113 Punta Gorda • (941) 639-1133 Venice • (941) 493-4900 Englewood • (941) 474-5575 Englewood • (941) 474-2413 kays-ponger.com “remembering life through stories” CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 ©adfinity Conductor Raffaele Ponti is Conductor | 23 SYMPHONY PERSPECTIVES AL HOLLAND “Symphony is in my heart.” That may not be something you would expect to hear from popular musician Al Holland. Most of us probably think of “Big Al” as the keyboard player/baritone who performed with the legendary Platters or cur- rently as the hottest pop music act in South Florida. But, as the son of a music teacher, little Al Holland learned to play a variety of In 1993, “Attraction” was invited to Las instruments. By the 8th grade, he concentrat- Vegas to perform with The Platters who to find his way into an orchestra. Both Williams and Holland joined the ed on the cello and it didn’t take long for him As a teen, he played with the Detroit Metropolitan Youth Orchestra, later with the Detroit Symphony and Chicago Symphony Civic Orchestra. When family business brought him to Oklahoma in the 1980s, Al happened to be looking for new members. famous group. Several years later, Al turned his attention to more intimate settings and has become one of the most popular solo acts in Florida. party in 2013 that he met Raffaele Ponti. Al smiles and remembers, “I started thinking about doing another ‘gig’ with the Symphony and kind of dropped a hint”. Hint being taken, on February 14, 2016, doors open, he walks in. His move to Punta special event. After the orchestra entertains the band “Attraction” and hit the show band Gorda brought the Charlotte Symphony to liams and Verceal Whitaker. It was during Maestro Wada’s retirement the Charlotte Symphony Orchestra Valen- found him, and apparently when the right circuit, playing keyboard with Wilson Wil- Fourth of July Concerts with Frances Wada. Al says that opportunities have always changed it up by playing popular music in night clubs. Once back in Detroit, he joined FSU) Campus, and then performed in two his attention. He soon became involved with the Pops Concerts held at the Edison (now tine’s Pops Concert promises to be a very with a musical combination of Classical, Broadway and the American Songbook, Al Holland will take the stage and sweep ev- eryone down memory lane with the popular tunes that will have the audience dancing and singing along! Al can be seen performing in clubs and restaurants around Ft. Myers and Punta Gorda, as well as special concerts. He comments, “I always wanted to have ‘a job’ with endurance. People like the songs I sing, and I like them too! I’ve been lucky. I’ve been around the world doing what I love. How many people can say that?” Coming February 27, 2016 Al will present his annual Night of Autism Awareness at the Charlottle Cultural Center. All the great music we love to hear will be offered up by Al Holland and Friends for the benefit of the Charlotte County Public Schools’ programs for children with Autism. Find Al Holland on Facebook. 24 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 By Joanne Ryder Have you met “The Phantom” in full regalia... cape, hat and mask, and some of our wonderful Phantoms in shining silver scarves at the door of the concert hall? Have you wondered what it was all about? We are the Phantoms of the Orchestra, the volunteer auxiliary of the Charlotte Symphony Orchestra. We are very much involved in making the symphony season exciting and successful, sometimes with center-stage events, and sometimes behind the scenes. Our most important center-stage event this season will be our annual fund-raising brunch at the Charlotte Harbor Yacht Club. Mark your calendars and make your reservations now for Sunday, March 13 as seating is limited. Enjoy the company of good friends, culinary delights, and entertainment by a trio of your favorite musicians. Another of our regularly scheduled events happens the first Thursday of each month, October through April. It is a luncheon and lecture called “Composers’ Lunch”, held at the Punta Gorda Woman’s Club between 12 Noon and 1 pm. Watch for the notices on this fun monthly event. Interested in becoming a Phantom and enjoying these great opportunities to network and support our Charlotte Symphony Orchestra? There is so much we do and you can help based on your availability…a little or a lot! We’d love to have you join us. Best Wishes For more information, check the symphony website, www.charlottesymphony.com, and click “Phantoms” on the index. You are also welcome to contact our Membership Chair, Arline Fitzmaurice ([email protected]) or me Joanne Ryder ([email protected]). Yes... I’m proud to be the President of the Phantoms of the Orchestra. I invite you to come to one of our meetings, 10:30 am, 3rd Wednesday of the month at the Charlotte Community Foundation, 227 Sullivan St., Punta Gorda to see first-hand what we are all about! It’s a fun-filled excursion into the exciting world of your Charlotte Symphony Orchestra. for a successful concert season Charlotte Symphony Orchestra “Putting Patients First Since 1983” MICHAEL J. GRANT PRESIDENT Charlotte County: 941.629.1009 Collier & Lee Counties: 239.226.1305 Sarasota North County: 941.954.4748 Sarasota South County: 941.485.8111 Toll Free: 800.881.1009 www.ambitrans.com CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 25 THE SYMPHONY AS A BUSINESS MODEL WHAT INSTRUMENT ARE YOU? Maestro Ponti has captured the imaginations of local business leaders with his unique program, using the structure of the symphonic orchestra as a model for any group or team of people. The inspiration for this program is based on the various instruments that comprise an orchestra – that they are not only unique and have specific characteristics, moods and roles to play, but also that the people who play them usually reflect the character of their instruments. When Maestro Ponti visits a group (in a local business, hospital, school), he asks the participants to review a list of instruments and difficult, and everyone depends on me to set the tone for my department.” “My instrument experience is that everyone has a part to play required, but I really prefer to support the the performance would not be the same. is cello. I don’t mind performing solo, if it’s work of others and help them shine,” says one woman, smiling brightly. “I think I really am a bassoon because I’m a bit of an introvert, but a really hard worker and I don’t and without any one person/instrument, This is critical learning for everyone and promotes mutual respect, a more productive organization and happier employees. Maestro Ponti is always happy to get out really like being in the spotlight. I just like and meet new members of the community, thoughtfully. Another young man proudly any organization and bringing all these people to do my work!” says one office worker, very boasts, “Definitely a trumpet. I love getting up in front of a group and giving presentations. I love the attention and really like it when people notice me and my work.” their characteristics, then has them identify which of those instruments best suits their own personalities and work styles. These same people then visit the next Symphony rehearsal and are seated next to the instrument that they have chosen. They experience how the instrument contributes to the whole performance, and this sparks insights into how they, themselves, ‘fit’ in their own organization and the special roles they play. This is a wonderful team-building process that participants love! “I’m definitely an oboe,” remarks one manager. “My job is 26 | The important take-away from the CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 customizing the program to suit the needs of into the rehearsal, talking with them after the experience and seeing the excitement in their faces. He is, after all, a trumpet! VALENTINE’S DAY POPS February 14, 2016 Maestro Raffaele Ponti, Conductor We gratefully acknowledge the following Concert Sponsors: Charlotte Symphony Board of Directors Dmitri Shostakovich PROGRAM Festive Overture Leonard Bernstein Mambo from West Side Story Nicholas Brodzsky Be My Love George M. Cohan Give My Regards to Broadway Pablo de Sarasate Zigueneweisen arr. Calvin Custer Themes from 007 Gus Edwards By the Light of the Silvery Moon arr. Clark McAllister INTERMISSION George Gershwin Crazy for You Overture George Gershwin The Man I Love Mantovani Piccolo Bolerouen Riz Ortolani & Nino Oliviero More Meredith Willson Seventy Six Trombones Richard Rodgers My Funny Valentine Richard Rodgers The Sound of Music selections Special Performance by Guest Artist Al Holland immediately following the concert The Charlotte Symphony Orchestra would like to express very special thanks to our February 14 concert sponsors: Charlotte Symphony Board of Directors CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 27 SUPPORTING THE CHARLOTTE SYMPHONY ORCHESTRA THROUGH YOUR ESTATE PLAN Forrest J. Bass, Esq. URE O EP IL TH w w w. myc re a t i ve w i n d ow.c o m SA CO PURE MP A N Y, U Gregg’s Automotive 941-575-8868 & 236 Tamiami Trail • Punta Gorda, FL [email protected] [email protected] $25.00 OFF YOUR FIRST SERVICE WITH THIS AD 28 | Most individuals are familiar with the benefits of making lifetime donations to charitable causes and organizations. In addition to outright gifts during your lifetime, there are additional estate planning techniques that can be used to achieve significant tax benefits while furthering your philanthropic support of the Charlotte Symphony Orchestra. Bequest in your Will or Trust. One way to fulfill your philanthropic goals is to provide for a particular charitable cause or organization in your estate plan. The amount going to charity can be stated as a fixed dollar amount or as a percentage of the remaining assets. If you are inclined to support a particular cause, you can often designate the purpose for which the bequest is to be used. Generally, charitable bequests in your will or trust result in an income or estate tax deduction for your estate or trust. Direct Gift of Appreciated Assets. Before making a lifetime gift of cash to a charitable organization, consider donating appreciated stock or other appreciated long-term capital assets. Subject to certain limitations, you receive an income tax charitable deduction equal to the fair market value of the asset and do not recognize gain on the donation or sale of the asset. The charitable organization can sell the appreciated asset without recognizing capital gain on the sale. Individual Retirement Accounts (“IRAs”). Traditional IRAs and other retirement accounts are generally taxdeferred holdings that grow income tax free. Income tax is paid as you withdraw from the account over your life expectancy. Often, the IRA is not fully withdrawn during the owner’s lifetime, and it is left to a beneficiary at the owner’s passing. If the IRA is left to an individual, (i.e. not to a charitable organization), the individual will pay income tax as she or he takes money out of the account (and may also be subject to estate tax). On the other hand, if you name a charitable organization as the beneficiary of your IRA, the charitable organization receives the account and with no income or estate tax levied on the assets held in the IRA. In years past, lifetime rollovers of retirement accounts CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 were a great way to make charitable gifts from pre-tax money. This option expired at the beginning of 2015, although it is possible that Congress may re-introduce this opportunity. Charitable Remainder Annuity Trust (“CRAT”). A CRAT can be thought of as a fixed annuity—usually expressed as a percentage of the fair market value of the property that was initially deposited in the trust. Again, the payout can be made over your life, the lives of additional beneficiaries, or a term of years. At the end of the annuity term, the remaining assets in the trust pass to a charitable organization. You receive an income tax charitable deduction in the year of its creation, based on the estimated value of the remainder that will eventually go to the charitable organization. Charitable Remainder Unitrust (“CRUT”). A CRUT can be thought of as a variable annuity. You make an irrevocable transfer of assets into the trust and the trust pays you a percentage of the value of the trust assets recalculated each year. Therefore, the amount that you receive can go up or down depending on the value of the assets in the Trust. At the end of the trust term, the remaining assets will pass to the charitable organization you have chosen. Again, you receive an income tax charitable deduction in the year the trust is created equal to the estimated value of the assets that will pass to the charitable organization. Charitable Lead Annuity Trust (“CLAT”). A CLAT approaches the whole idea of charitable giving from a different point of view. In a CLAT, the charity receives income for a certain term or for your life. At the end of that term, or at the end of your life, the assets in the trust then pass on to your beneficiaries. As the donor, you receive an income tax deduction in the year that you create the CLAT for the amount that is estimated as going to the charity over the annuity term. However, during the term of the CLAT, you pay income tax on the amount of income going to the charity even though you are not receiving it, but instead the charity is receiving it. We are proud to continue our support of the Charlotte Symphony Orchestra Anthony Dubbaneh, Michael Landsberg, Lew Bennett, Partners, Faiza Kedir, Director (left to right) 941.391.8000 | www.landsbergbennett.com Investment & Insurance Products: NOT FDIC-Insured NO Bank Guarantee MAY Lose Value The 2010, 2011, 2012, and 2015 Barron’s Top 1,000 Financial Advisor award is based on data provided by thousands of advisors. Rankings are based on assets under management, revenue produced for the firm, quality of the practice, as well as other factors. Institutional assets are given less weight in the scoring. Investment performance isn’t an explicit component. CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 29 Families and Children • High School Seniors At the Beach • Weddings • Commercial Events & Portrait Fundraising Programs • Video 941.525.9473 (WISE) WISE CHOICE PHOTOGRAPHY & VIDEO www.wisechoicephoto.com [email protected] 30 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 Stephen Lineberry Senior Photographer Raffaele Ponti MUSIC DIRECTOR 2015 - 2016 SEASON NOVEMBER 15, 2015 JANUARY 24, 2016 DECEMBER 6, 2015 FEBRUARY 14, 2016 Brahms Christmas Pops Mahler Valentine’s Day Pops EVENING PERFORMANCE 7:30 PM MARCH 6, 2016 ADDITIONAL MATINEE PERFORMANCE 2:00 PM Brahms JANUARY 10, 2016 MARCH 20, 2016 Tchaikovsky Beethoven TO ORDER TICKETS, PLEASE GO TO WWW.CHARLOTTESYMPHONY.COM OR CALL (941) 205-9743 Support Your Charlotte Symphony Orchestra With a Sponsorship For 38 years the Charlotte Symphony Orchestra has proudly showcased our community’s cultural and economic strength through its music and engaged the imagination and creativity of its children. Such outstanding programs are made possible by you, our patrons and donors who believe that this That support is crucial in allowing cultural fabric of our community. the next generation and enhance the orchestra is an integral part of the Sponsoring concerts and musicians or endowing a chair are wonderful us to continue our mission to inspire quality of life in southwest Florida. To learn more or to meet with ways to make a personal connection a Board member or Executive Orchestra and show your support. 941-205-5996. with the Charlotte Symphony Director please call the office at CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 31 CYNTHIA BARBANERA-WEDEL PRINCIPAL OBOE Cynthia was born in Miami and raised in Ft. Myers. She received her Bachelor’s degree in Mu- sic Performance from Indiana University and her Master’s in Music Performance from Southern Methodist University. She lived in Dallas for several years, teaching private oboe lessons, before returning to Florida. In addition to the Charlotte Symphony, she has played with the Naples Philharmonic, Southwest Florida Symphony, Florida Lakes Symphony and Aspen Music Festival. Cynthia was born in Miami and raised in Ft. Myers. She received her Bachelor’s degree E.N.T. PhysiciaN Dizziness Hoarseness Facial Skin Cancer Sinus Swallowing Hearing Loss Johns Hopkins & UPenn grad Board Certified, ABOto in Music Performance from Indiana University and her Master’s in Music Performance from Southern Methodist University. She lived in Dallas for several years, teaching pri- vate oboe lessons, before returning to Florida. In addition to the Charlotte Symphony, she has played with the Naples Philharmonic, Southwest Florida Symphony, Florida Lakes Symphony and Aspen Music Festival. How did you first get interested in per- forming music? “I began playing the piano at about age 4 and started playing oboe in the school band when I was in 4th grade. I knew I wanted to make a career out of music when I play? “Arias from Bach Cantatas. Bach wrote more music for the oboe than any other composer. The oboe writing in the arias is often more than accompaniment, but rather a beautiful and independent countermelody to the solo vocal line, and it is always a treat to be a part of that interaction. One of my greatest influences, John Mack of the Cleveland Orchestra, used to say that every day should my senior recital at Indiana University. It is one of the longest and most beautiful pieces in the solo oboe repertoire and is particularly challenging in terms of endurance, so per- forming it was a rewarding way to culminate my undergraduate studies.” Three things you would want with you on a deserted island? “Agatha Christie novels, chocolate, a knife.” The one word your best friend would use musicians? “Listen to as much music as you your car? “Ella Fitzgerald.” What advice would you give to aspiring can from all time periods and genres.” Who is your favorite composer, and why? What was the last music you listened to in Favorite indulgence? “Chocolate.” What you do when you’re not playing with “George Gershwin. His music is so much fun the CSO? “I make and sell seashell art in my many people. I also love the songs that he love to read, watch classic movies from the to play, and I think it’s also easily relatable to wrote because they are so timeless. I enjoy the eclectic blend of American jazz and more serious, traditional orchestral music.” What is your proudest musical moment? “Performing the Strauss Oboe Concerto at 32 | online Etsy shop, The Sleepy Seahorse. I also 1930’s/40’s, and spend time at the beach and Disney World with my husband.” Is there anything else you would like us to know about you? “My husband, Shane, is also an oboist!” CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 luded i nc n to describe you? “Creative” “AMERICA’S TOP DOCTORS” 12 begin with Bach.” ye ow What is your favorite piece of music to I first played in the Forida All State Band.” a rs i n a r 15 TiMEs Port Charlotte, FL 21297 Olean Blvd, Unit A 941-764-0660 TODD HANDLEY PRINCIPAL TUBA Todd is a native of Southwest Florida and received his degree in Music Education Florida State University where he studied with Paul Ebbers, one of the foremost teachers of brass pedagogy in the country. He is Principal Tuba with the Charlotte Symphony, and also plays with other symphony orchestras and chamber groups in the region. Todd is active as a teacher and integrates his own fun style into traditional learning methods. What advice would you give to aspiring musicians? “Find your passion.” Who is your favorite composer? And why? “Beethoven – His melodies” What is your proudest musical moment? “This is a difficult question! I have many proud moments. Most of them involve students that I teach.” Three things you would want with you on a deserted island? “Fresh food, fresh water, and my iPhone with unlimited battery life. And of course Catherine May (my girlfriend) and my dog Lucy!” The one word your best friend would use to describe you? “Hardworking” What was the last music you listened to in your car? “Mumford and Sons” How did you first get interested in Favorite indulgence? “Food” What you do when you’re not playing with performing music? “I can’t remember when I the CSO? “I manage Cadence Music, teach It’s been a lifetime of positive memories in every way I can!” first became interested in performing music. and experiences that have led me to this music privately, help support music education Is there anything else you would like us profession.” to know about you? “I believe that music is play? “Berlioz: Symphonie Fantastique” the opportunity to participate.” What is your favorite piece of music to inherent in all of us and everyone should have CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 33 WILLS, TRUSTS & PROBATE BUSINESS & TAX Innovative. Dedicated. Personal REAL ESTATE & TITLE INSURANCE Proud to support the Charlotte Symphony Orchestra LAND USE & ZONING MARITAL & FAMILY CIVIL LITIGATION & MEDIATION Jeffrey R. Kuhns • Jenny C. Hazel • David T. Oliver Geri L. Waksler • Phyllis A. Walker A. Jill C. McCrory 309 Tamiami Trail • Punta Gorda, Florida 33950 www.mccrorylaw.com 941-205-1122 OUR SYMPHONY USHERS TEMPO VISITS CHARLOTTE HIGH SCHOOL All those eager, articulate, groomed high school students who greet you, show you to your seat, and hand you a copy of Tempo are a wonderful part of the concert experience at CPAC. Have you ever wondered who they are and why they are there? The day after our opening concert on November 15, I spent some time with three of these incredible young people and their Drama Teacher Cheryl Waal, asking that very question. The answer is yet another insight into the work that is going on in our schools - every day, every year. And, it’s a reason to be very optimistic about our future! The Theatre Tech class has been the main group of ushers for years. This year our ushers are members of TRI-M (Modern Music Masters) a national honor society for music students. To qualify and remain in the society, students must demonstrate a commitment to their music program and meet minimum Grade Point Average requirements. In addition, they must work toward the promotion of music through required hours of community service, which may include working in the elementary and middle schools, doing cleanup duty at CPAC, and ushering at the many events and concerts taking place at the Performing Arts Center. There are typically twelve ushers for our Charlotte Symphony concerts, accompanied by two adult supervisors. All have received training for their roles and their dedication to the mission is evident. In our meeting, Sierra Douglas, Baylie Crawford and Ryan Stites shared their enthusiasm for the work that do in their respective programs. They are actors, singers, theatre technicians and musicians who express a deep 35 | commitment and joy for their education and community involvement. Whether performing with Charisma, the high school’s elite singing group led by sponsor and director Jaci Cushman, acting in a theatrical production, playing their instruments or building sets, they all express a strong appreciation for the people who have taught and guided them. Baylie remarked that it was the Charlotte Players’ summer camp that got her started in theatre. Ryan talked about the training in construction he received at the Charlotte Technical Center, “I learned building skills there that I was able to bring back into the work we do here”. All three expressed how much they enjoy their jobs as Symphony ushers: “We like going out into the community, but in this case, the community comes to us. They see us in our own environment, get to know us and what we stand for.” “I’ve never heard this kind of music before. Last night’s concert with that incredible pianist (Antonio Pompa-Baldi) was amazing!” CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 Many of the students are also part of Troupe 0922 of The International Thespian Society (ITS), the Educational Theatre Association’s student honorary organization. Since 1929, it has inducted more than 2 million Thespians, and continues its growth by more than 36,000 students annually in the United States. Each year, approximately 50 CHS students participate in Troupe 0922, led by Ms. Waal, sponsor and director for their shows and activities. Last spring’s production of MARY POPPINS was, of course, a topic in our conversation. It was my first experience with one of the CHS legendary productions and I was happy to express my astonishment and respect for the group’s work. Being involved in music and theatre most of my life, I thought I knew what to expect, but I was shocked by the professional level of acting, singing, dancing, production values that I experienced – more like Broadway than High School! All Troup 0922 productions are completely SELF-FUNDED, receiving no financial support from the Dept. of Education. These kids know the meaning of working for something they love. Needless to say, I will not be missing the upcoming LES MISERABLES on February 6, 11, 12, and 13. If there are theatre lovers in our audience who have not been to a CHS performance, come see what our homegrown talent can do. It’s astonishing! And, while at the Symphony, take the opportunity to chat with our ushers – they love making contact with the patrons and chatting about what’s going on in their active, productive young lives! Maestro Ponti WE LOVE and the CHARLOTTE SYMPHONY ORCHESTR A 101 East Retta Esplanade Punta Gorda, Florida 33950 941.639.0100 www.thewyvernhotel.com Instruments as the Artist’s Canvas LIZ HUTCHINSON-SPERRY ARTIST, COMMUNITY TREASURE Liz Hutchinson-Sperry is one of Punta Gorda’s long-term residents who has been actively involved in building the cultural city we enjoy today. Over the years, her hand has helped create the Visual Arts Center, Gallery Walk, the Punta Gorda Business and Community Alliance, the Historic Mural Society and our Charlotte Symphony Orchestra. After being a visitor for almost 20 years, Liz moved to Punta Gorda permanently in 1988 and lived in Emerald Point with her husband. After his death, searching for new experiences and challenges, she participated in an event called “ArtStudy Giverney” in France. Easily enamored with the beauty of the country and the program, she became its Assistant Director and spent the next 10 summers painting Monet’s gardens and the environs of Paris. Her art has been displayed in Invitational Exhibits throughout Southwest Florida, and she won the Charlie Award in 2009 for Lifetime Achievement in the Arts. In 2000, Liz opened the Red Hat Studio on Taylor Street, where she offers classes in drawing, oil and acrylic painting. The studio and her charming historic home have been on the annual Christmas house tour several times. A lover of classical music, Liz was enthusiastic when she caught wind of a performing arts center (now CPAC) being been the center of much excitement among symphony enthusiasts. This year, Liz is working on a guitar, which will be beautifully embellished with images of famous classic and contemporary guitarists, including Segovia and deLucia, B.B.King, Jimi Hendricks, Keith Richards, Elvis and Bruce Springsteen. Also depicted are classical paintings of guitarists, including works by Degas, Vermeer, Renoir, Gauguin and Picasso. Flamenco and Tango dancers are also in the design. Some very lucky person will be the proud owner of this amazing one of a kind work of art next spring! planned for Punta Gorda. With her usual ‘get it done’ attitude, she did her part to ensure the success of the newly formed Charlotte Symphony Orchestra, and has served on the Board of Directors since. ‘Doing her part’ has come to include the painting of instruments for the purpose of fundraising for the Symphony. In the past two years, a mandolin and a violin have been offered up for auction or raffle and has 37 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 CHARLOTTE SYMPHONY ORCHESTRA DONORS The Charlotte Symphony Orchestra gratefully acknowledges the following individuals and organizations for their financial contributions as of December 2015. * 2015 Annual Contribution Drive & Giving Challenge $50,000 & Higher Gould, Scott Orlowski, David & Chris * $10,000-$24,999 Condon, Dick & Tricia Galvin, Susan Landsberg, Michael & Jamie Roth, Judi & Roth Family Foundation Swanson, Tyler & Carolyn The Patterson Foundation * $2,500-$9,999 Arnoldt, Rosemarie Barber, Kenneth * Brodsky, Rita * Cargill, Pat & Ken * Carsen, Dr. Roy & Nancy Charlotte Community FoundationMr. Larry Clark Charlotte State Bank & Trust Cook, Elizabeth * Cottrell, Scott & Kathryn DeBoef, Gene & Elaine Funk, Sandra * Gil, Dr. Ramon & Annette Glover, Earl S. & Gail Golisano Children’s Hospital Hansman, Robert & Carolyn * Hoagland, Richard & Mary Ellen * Holt, Johnnie * Hutchinson-Sperry, Liz * & Frank Sperry * Jones, J. William * Klein, Dr. David & Stephanie Lillie, Jill Mears, Jerry Moorer, Era Jo Mosiac Fertilizer, LLC Nichols, Nancy O’Halloran, Gerald & Beverly Palm AutoMall Palmer, David & Nancy * Presley, Brian & Mary Ryder, Joanne D. * Scholl, Garnette Skinner, Eleanor US WorldMeds, LLC 38 | Whitaker, Bob & Jackie $1,000-$2,499 Adomatis, Richard & Sandra * Ambitrans Ambulance & Wheelchair Service Bank of America Matching Gift Beane, John & Cynthia Boyette & Miller Construction Brower, Byron & Muriel Buckley, Regina & William Burruss, Bette Byron, Raymond & Joan * Caldwell, Katherine Crist, Nanette * Deshazo, Joseph & Betty Dunn, Dr. James & Janet Emerich, Guy & Annette Exxon Mobil Foundation Farr Law Firm Fawcett Memorial Hospital Gattanell, Lydia Hamilton, Carolyn & Tom * Hansen, Robert Harter, Frank & Elizabeth Holland, Al & Cheryl Johnson, Frances Kang, Margaret Kiser, Walt & Joy Kniffen, Samuel Lasley, Joan W. * Lehman, John & Chris Lilly, Marianne Mathison, Robert & Loretta McCarthy, Beatrice Miller, George & Dalette * Narr, Christina * Pankhaniya, Dr. Rohit Peterson, Robert & Catherine * Phillips, David & Joan Phillips Family Fund of The Dallas Foundation Rice, Linda & Thomas * Richardson, Robert Rivera, Jose & Helen Robinson, Frank & Nancy * Sacilotto, Paul & Alexandra Southworth, Brad * Strayton, Robert & Kathryn Sunter, Avice * Tadalan, Lourdes & Manny CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 The Turtle Club Villeno, Dr. Norma Voss, Sharon & Marty * Walgreens Yankwitt, Ralph & Beverly * $500-$999 Albin, Barbara Asperilla, Dr. Mark Bass, Forrest & Amy Bechtold, Robert & Sherry * Bermudez, Dr. Zaida Bicknell, H. Bick & Ginny * Blake, Don Browes, Byron Budinger, Gregory & Judith * Cravens, John & Susan * Dauster, Nancy & John DeStefano, Arthur & Carole DeStefano, Frank & Muriel Dittman, Alice M. * Driscoll, Robert & Margarita Finks, Jean Fisherman’s Village Realty Frazee, Glenn & Phyllis * Gateff, Duke & Ann * GE Foundation Matching Grant Gebbie-Kemper, Marie * Goddard, Richard & Emma May * Henry, Carol M. Horwitz, Dr. Frederick & Ann IBM Corporation Kahn, Dr. & Mrs. S.B. * Keirn, Georgene Kelley, Joseph & Bernice Klug, Miriam Kohn, Dorothy Lawson, Jim Layman, Linda & Fred Wagner * Leach, Chari Madison, Dr. James & Dawne * Mantz, Dr. Arlan & Barbara Matson, Robert & Millicent * McCrory Law Firm * Morgan, Al Neitzke, Bob & Barbara Punta Gorda Woman’s Club Reynoso, Dr. & Mrs. Gustavo Rice, Dr. David & Elaine * Scherer, Ortraud * Schumann, Robert Shattuck, Jon & Penny * Simpson, Anne DONORS, continued Slaughter, Pat State Farm-Brian Chapman Tetrault, Roger & Linda Thomas, Janet * Walmart Wine, Bruce & Dori Women’s Council of Realtors Zapytowski, Joseph & Jean Zobel, Naomi DONOR NAME-$250-$499 Adams, Richard & Dolores Advanced Orthopedic Center Andreae, Luke & Kerry Arnott, Christine Auld, Kathleen * Ball, Dr. Robert Bennett, Lewis & Julie Brodeur, Rene & Terry Butler, Dr. Joe & Joy Buxton, Georga & Joanna Dennis * Cassidy, Elizabeth * Cooper, Ford & Magda * Courtsal, Donald Cox, Loren C. * Cram, Ruth * Crossin, Margaret Darrell, George & Florene Dennis, Joanna & Georgia Buxton * Dewire, Robert & Carol * Douglas, Bea Doupe, David & Beverly Anne Dyrstad, Marvin & Joanell Fournier, Dean Frevert, Cyril * Fudge, Craig & Kat Gensemer, Ronald & Neta * Geronime, Jane & Eugene Giraldi, Mark & Barbara Lechman * Grant, Michael & Lorraine Gregoire, Andy “G” Grossman, Alan & Nancy Gulf Coast Community Foundation Hammer, Margaret Harrington, Lindsay & Deborah Holt, Barbara Hopkin, Ruth Carleen * Howard, Lorraine * Kaplan, Richard & Bess * Kedir, Faiza & Miftah Kemal Kenison, Marilyn & John Khadariri, Sajda Klispie, Alan & Cindy * IMO Marge Klispie Knuppenberg, Butch & Rose Koinis, James & Lauri * Ku, Lorinda Lewis, Nancy E. * Loeb, Harry & Emmy Loren, Daniel & Carole Mackey, Paul * www.charlotteplayers.org Make your plans now to enjoy t hese holiday events December 31, 2015 Enjoy an evening of music with us as we ring in 2016 with some of the best singers around, performing with live musicians in cabaret style. Selections will include Broadway show-stoppers, jazz standards, and some of your favorite classics. At the Cultural Center Theater 2280 Aaron Street, Port Charlotte. Mathews, Dr. Joan McAlister, John W. Mearns, Shirley Melser, Dr. Marc & Cindy Mizell, John & Marilyn Newing, Anthony & Anne * Nickerson, Ken & Leah Noonan, Howard & Karen * Novick, Betty O’Leary III, MD, Daniel & Paty Onofrio, Joe & Dawn * Padgett, Nancy & Steve Pawlisch, Peter & Juanita PG-PC-NP Association of Realtors Phillips, John G. Pountnay, Joan Puckett, Carl & Gail Ray, Gary & Shirley Reed, Ron & MaryLou Reeves, Paul & Susan Reynolds, Helen Riedel, Karen Rogers, Vernon Rothschild, Paul & Rona * Rudibaugh, John * Rygmyr, Helen * Saslow, Dr. Howard & Kathleen Savino, Michael & Jan Thomas Schneider, Marcia & Carl Scott, Dr. Patricia CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 39 DONORS, continued Shore, Shirley Siegel, Karen R. Sinden, Peter & Elaine * Smith, Dr. Ian & Alice * Spencer, Robert & Jane Starbucks Stark, June Starsman, Ray & Marsha * Stein, Lilian & Max * Stevens, Dr. Carol W. Strang, Olsen & Lynch, CPAS, PA Swett, Richard & Connie Teegan, Janis Tompkins, JoAnn & Jack Dahlberg * Urbanick, R. Paul * Walker, Murray * Williams, Nancy Wong, MD, Keye Wrigley’s Jewelry & Coin Wrobbel, Helen Wuensch, Frederick Zusman, M.D., Neil COMING TO THE VISUAL ARTS CENTER FLORIDA SUNCOAST WATERCOLOR SOCIETY October 26 - November 28, 2015 HARVEST OF ART November 9 - December 3, 2015 A HARVEST CELEBRATION November 20, 2015 at 6pm Tickets are $35 ALL MEDIA FINE ART CLASSES Six-week classes begin January 4, 2016 THE ART OF PHOTOGRAPHY January 15 - 28, 2016 NATIONAL ART EXHIBITION January 29 - March 12, 2016 PEACE RIVER NATIONAL ARTS FESTIVAL March 19 & 20, 2016 10am - 5pm in Laishley Park 210 MAUD STREET PUNTA GORDA, FL 33950 (941) 639-8810 WWW.VISUALARTCENTER.ORG 40 | $100-$249 Adamo, Herta Allen, Ralph & Patti Aloian, Michael Alpern, Dr. Michael & Ada Amontree, Dr. James & Kimberly Armstrong, Bruce Aubin, Isabelle Austin, Dr. Adriana Bagan, Matthew & Michelle Bell, Karen Bender, DMD, Joseph & Pamela Benson, Warren Blythe, Ron * Boettcher, Harry & Linda Bowden, Virginia & James Brinkmann, Helen Bronnenhuber, Betty & Rene Brooks, Reginald & Dorothy Brown, Frederick & Jan Brown, Nancy R. Browne, Edward & Vance WrightBrowne Brunderman, Brian & Lori Burns, Dr. Robert & Patricia Burwell, Marilyn & Jack Bush, John Cardiology & Vascular Care Center Carr, Bonnie, Wayne & Mildred Carr, Darol & Lamoon Cavanaugh, Norma & John Cavanaugh, Thomas & Helen Chamberlain, Howard & Mary * Charlotte Community Foundation Chiarello, Dr. Stephen & Patricia Chizea, Dora Chopp, Jack & Claudia Christesen, Dr. & Mrs. Steven CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 Clancy, Joseph & Ellen Clark, Marcia Clarke, Kenneth R. Cohen, Dr. Jerome & Peggy Coon, Karol Cottle, Ned & Janet Councill, Elizabeth Cox, Bill & Joan Cranston, Vonna Crepeau, Francis & Barbara Curless, Larry & Anne Current Electric of SWFL Dann, Robert & Joan Decker, Michael & Celia Dieffenbach, Kenneth & Jeanne Doyle, Dale Draper, Mark & Peggy Dryburgh, Cathi & William Dubbaneh, Charlie & Sarah Dunn, Randall & Arlinda Elmquest, Karen English, Mavis Estepa, Dr. Samuel & Aurona Fenton, Lorraine Fidelity Charitable Fischer, Peter & Deborah Fish, Ken & Judee Fitzpatrick, Maureen Flaherty, Bonnie Fleming, Bill & Barbara Flores, Antonio & Barbara Forensky, James & Maureen MorrisForensky Fredmark, Karl & Maja French, Carolyn Frolich, Cort & Tammy Fyfe, Martha * Gallant, Joe & Pam Gardner, Jack & Judy Gardynik, Harold & Robin Garrett, Robert & Donna Gebauer, Dr. & Mrs. Gregory Getter, Robert & Sarah Giles, Robert & Rosemary * Gottschlich, Karl & Elaine * Graff, Ron & Susan Graham, Millicent Gravenstine, Barbara Grayden, Edward * Greenwald, Richard & Joyce Grey, Kathy Greiger, Scott & Cynthia Griffiths, James & Deborah * Gruber, Dr. Thomas & Manuela Hammami, Hasan & Elizabeth Hanisko, Vera Harbor Lites of CHYC Harris, Sam & Judi Haskett, Gayle Hayes, Gerald & Patricia Heer, Brian & Yvonne Heine, Laura * Helphenstine, JoAnn CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 41 DONORS, continued Mick Graddy 2825 Tamiami Trail Punta Gorda, FL 33950 Phone: 941-637-1366 Fax: 941-637-1723 Toll Free: 800-568-8354 [email protected] 24 Hour Customer Service For All Your Insurance Needs Cadence Music proudly supports the Cadence Music 5215 Ramsey Way • Fort Myers, FL 33907 (239) 275-6262 www.cadencemusic.com 42 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 Hilgendorf, Carl & Kim Hoder, John & Susanne Hoffman, Frank & Terry Holmes, David & Kristy Holmes, Paul & Candy Hopkins, Annette Hopper, Charles & Kathy Howard, Arthur & Mary Howard, Les & Kelly Ives, Robert & Rhoda Jenson, Gary & Peggy Joffe, Dr. Jeffrey Johnson, Joanne Kapuchinski, Stan & Susan Karba, Stephen & Cheryl Katz, Mark & Robin Kellner, Margaret Kemp, Lance & Marilyn Kerstein, Patricia M. Kidd, A. Paul Kidd, Orpha Joann * Kirschner, Drs. Daniel & Jamie Klobach, Dr. Barbara * Klossner, William Klynoot, Eugene & Regina Kole, Ron Kraut, Richard & Joyce Krieg, Robert & Bettie * Kruth, John & Kathy Kuehn, Kurt Kyros, H James Landau, Roy & Ruth * Lawler, James & Barbara Lawson, Charles & Inger Lazzerini, Margo Leavy, Theresa * Leroy, Bonita * Llewelyn, Richard & Debbie Licata, Judith Lorah, Geoffrey & Mary Lorden, John & Sandra Lovett, Marcia & Ryland Magill, James & Leah Malinchit, Glynda Mang, Robert & Lois Martin, Mike Mattoon, Dorothy Maultsby, John & Joyce McBride, David & Carolyn McCarthy, Harold & Christine McCandless, Joyce McGraw, Brian McLean, Betty & R. Patterson Meunier, Bernice Miles, Elwood & Margaret * Millerschoen, Andrea * Morrow, James & Cludia Narayan, Dr. Dev Nash, Dr. Eric & Rhoda Neidlinger, William & Gretchen Nelson, Edward & Edith Nelson, Steve & Teresa DONORS, continued Nickelson, L.A. & Jean Noonan Vasu, Margaret Nord, Dr. Janice & Robert Tholemeier Olarte, Dr. Ivan & Arelis Older, Fredricka Olson, Craig & Dawn Orlowski, Mary Osborne, John & Joan * Oswald, Judith * Pachota, Robert & Marilyn Padmanabhan, V. & S. Page, Robert &Katherine Pamittan, Dr. Franzuel Pappa, John & Kathy Perry, Daniel & Donna Peters, Maureen * Petrofsky, Dr. Stephen & Hannah Philippe, Judith & Hazim Aljibouri Planer, Richard, & Dr. Dana Punt, Joyce A. * Randles, Jan & Donna Rebel, Thomas Reiss, Jason & Kristin Ross, Warren Runkle, Irene Rusk Institute Salama, Dr. Reda & Jean * Schenkel, Robert & Marianne Scheu, Charles Schmuhl, John Schnell, Ronny & Elke Schulties, John & Linda Scotto, Rev. Vincent & Kathleen Seastrum, Elizabeth Caldwell Sebestyen, Nikolaus * Sharpless, Nancy Shell, Steven & Stephanie Singer, Robert & Ann * Sliwkoski, Charles & Karen Smith, Shirley * Spier, Dr. Roger & Alice * Stampar, Drs. Michael & Cathy Stchur, Robert & Jill Stelly, Dr. Christopher & Dee Stewart, Lawrence & Stephanie Stoffregen, Nathan Strand, Michael & Karen Frost Sulfridge, Betty Sullivan, Joanne Takemoto Ventures, Inc. Temple, Ralph & Cheryl Thatte, Lalita & Diwakar Tiseo, Albert & Megan Trumper, Richard & Kathy Vermette, Bruce & Susan Walker, Scott & Phyllis Wallace, Lou Anne Walrath, M.C. & Helen * Warwick, Kathleen * Webb, Eddie & Ellen Wenzel, Robert & Janet Whelan, William & Barbara White, Bill & Charlotte The PG Waterfront Hotel and Suites is located in beautiful downtown Punta Gorda on the shores of Charlotte Harbor. Explore the area with a walk into the historic downtown area or take a stroll through the waterfront park located right next door. Renowned fishing is available in our back-yard, and if you bring your own boat, you can tie up at our dock! The area’s other sports activities include golfing on our beautiful golf courses, boating, biking, ecotouring, and much, much more! Come enjoy our newly renovated hotel from our beautiful city view rooms, our breath taking water view rooms, or our relaxing Jacuzzi tub suites! Our amenities include free hot breakfast, free Wi-Fi, microwaves and refrigerators in every room, heated pool, and an on-site restaurant for your dining needs! Punta Gorda Waterfront Hotel & Suites 300 W. Retta Esplanade Punta Gorda, FL 33950 P: 941-639-1165 Wilcox, William & Ann Williams, Louis & Helene Willis, Phyllis Wilson, Phil & Linda Winkel, Willem & Joan Wolley, Charles & Lauren * Wozney, Paul & Kim Yancey, John & Michele Ziemer, Jeffrey & Joanne $50-$99 Andreae, Nancy Arbuckle, Dr. L. Davis * Asmutis, Beverly Beers, Dorothy H. Bentley, Julie Betts, Patricia & George Buckley, Jay & Patricia Campbell, Jan Carroll, Sam & Ingrid Case, Michael & Ursula * Cavallini, Don & Ruth * Chapman, William Chernack, Brian Combs, Martha Coogan, William & Christina Cooper, Debra Coppie, Marguerite & Robert Corless, Nancy Dana, Betty L. CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 43 Kaminski, Jacqueline Kendall, Jeff & Christy Kerr, Thomas & Carol Kizilay, Patricia Knight, Ronald Krasny, Donald & Sue Lee, Hisoon & Christopher Bopp Maris, Dolores L. Marketing ARM International Martin, David & Florence McCarrick, Donald & Barbara * McDowell, Margaret McElhenie, Richard & Amy McFerren, Beverly Meyer, Ruth Milroy, Joe & Carol Muenz, James & Evelyn * Nandigam, Drs. Bala & Usha New, Phyllis O’Brien, Marguerite Oliphant, Sharon Orth, Robert & Jane * Pfizer Foundation Matching Gifts Program Potts, Janet Pschirrer, David & Jane Randall, Susan Ratterree, Kenneth & Susan Reuther, Janice Rice, Martha Robinson, Elly Rose, Raymond * Scaruffi, Leo & Sylvia Schiffli, Lisa Slattery, Constance Sporny, Arthur & Julie Spurlin, Barbara Stevenson, Janet & Roy Stuart, Jay Symonds, Neville & Elizabeth Szybalski, Julienne * Tashjian, Jeffrey & Rebecca * Treveiler, Diane * Twyford, Katherine VanDenburg, William & Jan Waterous, Allen Weitz, Robert * Wester, Marion DONORS, continued D’Anna, Anthony & Alice * Davis, Carol Delahunty, Susanne Dibble, John & Joy Dillon, Tom & Leslie Drake, Barbara Dritt, Jack & Louise Dushaw, M.L. Field, Gertrude Fileman, Joane Fitzpatrick, Robert & Jane Fleming, Lew Ford, Donna * 44 | Fulwiler, Mary P. Galati, Fred & Eve Tangeman Gould, Robert & Cynthia Gray, William R. * Grey, William Groch, Gina & Joseph Hanaburgh, Judith Hause, Jeff & Christine Heim, Susanne * Hindmarsh, George & Janet Hoeffken, Ollie Holder, Marilyn Holt, R. Hyltin, Joanne Johnson, Kenneth Johnson, Renee CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 Up to $50 Abbott, Dorothy Akers, Robert * Anonymous Aumend, Lauren Beauregard, Ursula Berg, Shirley Berger, Winifred Bledsoe, Sharon Boxer, Kay Bredvik, Marilyn Brown, Elizabeth Burch, Jerry & Alyson Burchers, Sam Busch, Gloria Cherian, Sushila Chupak, Mary * Clemm, Nancy * The Arts Enrich Our Lives. The Arts www.edwardjones.com Is your portfolio designed to do the same? Enrich Our Lives. At Edward Jones, we spend time getting to know your goals so we can help you reach them. To Is your sense portfolio designed to do the same? learn why it makes to talk with Edward Edward Jones, we investing spend timestrategies, getting to know Jones about At your savings and your goals so we can helpportfolio you reachreview. them. To schedule a no-cost, no-obligation learn why it makes sense to talk with Edward about yourfinancial savings and advisor investing strategies, Call or visitJones your local schedule a no-cost, no-obligation portfolio review. today. 1806-A Call or visit your local financial advisor today. JimAAMS® Koinis, AAMS® Jim Koinis, Advisor FinancialFinancial Advisor . 100 Sullivan Street Suite 111100 Sullivan Punta Gorda, FL 33950 Suite 111 941-639-1170 Adam Cummings Financial Advisor 223 Taylor Street Jim Koinis, AAMS® Street Suite C Financial Advisor Punta Gorda, FL 33950 . 941-639-0233 Sullivan Street Punta Gorda, 100 FL 33950 Suite 111 Mark Payne Timothy A. Meyer, CFP® 941-639-1170 Financial Advisor 4678 Tamiami Trail Suite 101 Port Charlotte, FL 33980 941-743-5365 Punta Gorda, FL 33950 CERTIFIED FINANCIAL PLANNER™ 941-639-1170 3941 Tamiami Trail Suite 3173 Punta Gorda, FL 33950 941-637-6787 Michael A Paz Financial Advisor 2568 Commerce Parkway Unit A North Port, FL 34289 941-426-4437 FAP-1806-A Member SIPC Member SIPC CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 45 DONORS, continued 46 | Donor SPECIALLY DESIGNATED DONATIONS In Memory of Rita Brodsky Michael & Ursula Case Don & Ruth Cavallini Patricia Franks Rosemary Giles Carolyn Hamilton Laura Heine Liz Hutchinson-Sperry Alan R. & Cindy Klispie Joan W. Lasley Bonita Leroy Judith Oswald Maureen Peters Joyce A. Punt Frank Sperry Julienne Szybalski Son, Dr. George Brodsky Paul Allen Roger Kittler A. Goodman Rosemary & Bill Sargent Roylance & Mary Sharp Gene Heine Barclay Greene Marge Klispie David Marder Son, Loren Robert Oswald Laura Kendall Susan Punt Taylor Christina Hutchinson Gene Scott Donor In Honor of Andrea Millerschoen Joe & Dawn Onofrio Norma M. Miranda Onofrio Piano Company For All Your Family’s Minor Medical Needs • Physical Exams • Women’s Health • Allergies • Arthritis • Hypertension • ECHOs • I.V. Therapy • Impotence • X-Rays • Stress Test • Weight Loss • Diabetes • Minor Surgical Procedures • Worker’s Compensation DAVID S. BALLESTAS, M.D., P.A. & ASSOCIATES INTERNAL MEDICINE MEDICAL PAVILION CLINIC 2525 Harbor Blvd., Suite 102, Port Charlotte, FL NOW Monday-Friday 8 AM - 7PM ACCEPTING Saturday 9 AM - 3 PM MEDICAID www.medicalpavilionclinic.net 941.629.9190 FLU SHOTS AVAILABLE • ACCEPTING NEW PRIMARY CARE PATIENTS CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 50468502 Cohen, Roger & Hedda Crawford, John & Diane Daida, Thelma * Dalton, Mary * Daugherty, Ellen * Davis, Sarah * Donahue, Michael & Deborah Donelson, E. Jean * Durig, Rebecca Eames, Orrin & Cecelia Ereth, Henry & Mary * Fares, Vincent & Irene * Farley, Karen Fehr, Mary Lou Ferry, Ronald & Betty Fitzmaurice, Arline * Franks, Patricia * Frenzel, Wayne Gaspich, Jayne Georgiou, Marika Goldberg, Barbara Gravelle, Norman * Harris, Sheldon Hartman, Edward & Jean Henny, Michael Howe, Charles & Katherine * Hull, Bobbie & Pearl Joseph, Russell & Julie Kolyer, Susan Kondo, Peter Krikorian, Rebecca LaFond, Janet Lancaster, Joanne * Lawless, Patricia Leitsch, Kathy Love, Margaret Manhardt, Wilma * Mansfield, Skip McCaffrey, James & Joan Miner, Mariam Mitchell, Albert & Kathleen Moreau, Rich & Linda Nadle, Stephen & Marie Noble, Charles O’Connor, Jean Pacyga, William Pannozzo, Tish Pase, James * Quintos, Augusta Richard, Pauline * Robison, William & Constance Salisbury, Linda Schmoekel, Sue Skaggs, Mary & Donald Stunkard, Peg Sutton, Kathy Tipton, Mary Ann & David Sussman Trombley, David & Jennifer Valencourt, Michelle VanPatten, Laurie Walker, Janet Weiss, Mary Yoho, Robert & Amy * Ziska, Anne IMO Len Ziska Charlotte Symphony Orchestra MEDICAL GRAND ROUNDS PATRONS The Charlotte Symphony would like to thank the following members of the medical community for their commitment to the Orchestra. By making a sustained gift through the Medical Grand Rounds program, the Orchestra will continue to provide quality musical programming to our community for years to come. PLATINUM LEVEL: $10,000 OVER 5 YEARS • Panther Hollow Dental Lodge – Dr. Jack Watters & Dr. Joseph Bender • Parkinson’s Disease Treatment Center of SWFL – Dr. Ramon A. Gil • George Sanchez D.M.D. Dentistry – Dr. George Sanchez • Florida Cancer Specialists Dr. Christopher Lobo Dr. Eric Lubiner Dr. Scott Lunin Dr. Ivor Percent Dr. Vance Wright-Browne • Joyce Vein & Aesthetic Institute - Dr. Douglas H. Joyce • Dr. & Mrs. David Ballestas GOLD LEVEL: $5,000-$9,999 OVER 3 YEARS • Advanced Imaging – Dr. Thomas Fabian • SW Florida Pain Center – Dr. Robert Ball & Dr. Lewis Valente • Dr. & Mrs. Sovi Joseph • Coastal Dermatology & Skin Cancer Center – Dr. Stephen A. Spencer • JD’s Jazz & Dining – Linda Grother SILVER LEVEL: $2,500-$4,999 OVER 2 YEARS • Mrs. Li-Su Javedan • Coastal Nephrology Associates - Dr. Kianoosh Kaveh & Dr. Rohit Pankhaniya • Dr. Patricia A. Scott, DDS Oral Surgery BRONZE LEVEL: $1,000-$2,499 SINGLE CONTRIBUTION • Neurology, PA - Dr. Liliana Montoya • US WorldMeds • Dr. Mamoon Jarrah, M.D., P.A. • Dr. Carol W. Stevens, DDS For more information on becoming a Medical Grand Rounds Patron, call 941-205-5996. CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 47 Panther Hollow Dental Lodge Welcoming patients of Charlotte County for over 40 years and celebrating 10 years at The Lodge! Panther Hollow Dental Lodge is where experienced, trustworthy and compassionate dentistry occurs. Our lodge provides a soothing environment combined with state-of-the-art technology. Joseph C. Bender, D.M.D. Robert G. Coseo, D.D.S. Melissa M. Duston, D.D.S. Malcolm H. Kerstein, D.D.S. Timothy L. Palmer, D.D.S. Ashley N. Reynolds, D.M.D. www.PantherHollowDental.com 19240 Quesada Ave, Port Charlotte (941)-743-7435 48 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 The HEART has MUSIC for those who LISTEN – William Shakespeare The Charlotte Symphony Orchestra wants to be your date for VALENTINE’S DAY this year! Come one, come all and join us for this first-time-ever POPS CONCERT on Valentine’s Day! You will be treated to a unique experience when you listen to the orchestra “in the round”. . . you may want to treat yourself to a sip of wine! Following the concert, enjoy the music of special guest Al Holland, and be sure to bring your dancing shoes! Charlotte Harbor Event Center 75 Taylor Street, Punta Gorda, FL 7:30 pm Maestro Raffaele Ponti For tickets call 941-205-9743 or go to www.charlottesymphony.com Al Holland 50 | CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 – printing – CONVENTIONAL. DIGITAL. VARIABLE. WIDE FORMAT. – design – CREATIVE. IMAGINATIVE. WEB. GRAPHIC. – signage – FULL COLOR. VINYL. WINDOWS. VEHICLES. BANNERS. – marketing / promotion – FUN. INCENTIVE. AWARENESS. IMPRESSIONABLE. – apparel – EMBROIDER. SILK SCREEN. UNIFORMS. – mail – VARIABLE DIRECT MAIL. EDDM. LISTS. ADVERTISING. 941.625.2833 1.877.625.2833 Toll Free 941.625.1964 Fax 18320 Paulson Dr., Unit A Port Charlotte, FL 33954 www.buffalograffix.com CHARLOTTE SYMPHONY ORCHESTRA - TEMPO JANUARY/FEBRUARY 2016 | 51 We support and applaud Charlotte Symphony Orchrestra It’s what’s inside each and every one of us that makes us unique, individual, special. Come see what’s inside Harbor Style. It’s what matters. October 2015 | $4.95 HarborStyle.com October Covers.indd 1 ARTS issue 9/4/2015 1:25:00 PM WWW.HARBORSTYLE.COM