el paso`s masterpiece - El Paso Museum of Art

Transcription

MEMBERS’ UPDATE SPRING 2015
E L PA S O ’ S M A S T E R P I E C E
EPMA INTERIM DIRECTOR
MCAD DIRECTOR
EPMA INTERIM DIRECTOR
TRAC E Y JE RO ME , MS, MA
The El Paso Museum of Art is pleased to announce the hiring
of Tracey Jerome as the new Director of the Museums and
Cultural Affairs Department. The selection follows a nationwide
search. After several interviews, Jerome came out as the top
candidate because of her background as a gallery director and
private art consultant at an international level.
East Asian Art from Sotheby’s Institute of Art, London, UK and
a Bachelor of Arts degree in Government from the College of
William & Mary.
Ms. Jerome began work on February 2. She replaces Interim
Director Dionne Mack, who led MCAD while also conducting
her permanent assignment as Director of Libraries.
Jerome is originally from Richmond, Virginia. She has a
Master of Science degree in Historic Preservation from
Eastern Michigan University, a Master of Arts degree in
ME SSAGE FR OM MCAD DIRECTOR ,
E PMA INT E RIM DIRECTOR
Dear El Paso Museum of Art Members,
Greetings from the Museums and Cultural Affairs Department
(MCAD). I am pleased to share with you an update on many
of the projects we have been busy completing since my arrival
as Director on February 2. We opened the exciting El Paso
Museum of History Digital Wall, completed the restoration
of Luis Jiménez’s Los Lagartos for San Jancinto Plaza, and
celebrated the installation of several public art works:
Matthew Geller’s Chroma Booster sculpture and Steven Ingle’s
Piñatas Plaza in the Pedestrian Plaza walkway under the
Durango Street Overpass; and Charlotte Paul’s Time Expanding, a
public art work at the El Paso Museum of History outdoor pavilion.
In the midst of all of these exciting projects, what has remained
constant since the first week of my arrival were my numerous
weekly meetings with Dr. Michael Tomor regarding the El Paso
Museum of Art. Now that Dr. Tomor has transitioned to the
Tampa Museum of Art, we are in the process of launching a
national search for his replacement. Guided by the wisdom,
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history and passion of a
well-developed community
advisory committee, the City is
dedicated to seek out the best and
brightest director to lead the El Paso Museum of Art on its
next journey.
Please contact my office should you have any questions or
would like to talk. I certainly welcome the opportunity to
meet you and want to hear your perspectives on the world
of art and culture in El Paso. In fact, as a new arrival to the
community it would be helpful and I do look forward to
getting to know you all over the coming months ahead.
Tracey B. Jerome, MS, MA
CO VE R IM A GE
Robert Delaunay
Circular Forms, 1930
Oil on canvas, 26 ¼” x 43 1/8”
Solomon R. Guggenheim Museum
New York Gift, Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, 2000.10
EDUCATION
Tracey Jerome, Interim Director, MS, MA
Katherine Marie Loague, MA, Community Engagement Manager
Elisabeth Sommer, Ph.D., Museum Education Curator
Brittny Bevel, Museum School Coordinator
Erica Saldaña, Department Assistant
ADMINISTRATION
Elsa Ramirez, Executive Assistant to the Interim Director
CURATORIAL
OPERATIONS/SECURITY
Patrick Shaw Cable, Ph.D., Senior Curator
Christian Gerstheimer, Curator
Sylvia Ortiz, Curatorial Secretary
Nick Muñoz, Preparator
Michelle Villa, Registrar
Luis A. Elorduy, Facilities Maintenance Supervisor
William Beck, Museum Operations Assistant
Mundo Bueno, Service & Security Worker
Shean Fernandez, Museum Operations Assistant
Jesus Garcia, Museum Operations Assistant
Diana Aguilar, Service & Security Worker
Eric Barron, Service & Security Worker
Enrique Montes, Maintenance Mechanic
DEVELOPMENT
Jeff Romney, Director of Development
Emma Garcia, Department Assistant
Barbara Read, Department Assistant
EPMA STORE
Norma Geller, Museum Store Manager
Evy Martinez, Museum Store Clerk
W E W O ULD LIKE TO THANK OUR
A DV ISO RY CO UNCILS AND ACCES S ION S
C O MM ITT E E M EMBERS
DIRECTOR’S ADVISORY COUNCIL
Chana Burton
Jack Chapman
Joyce Feinberg
Tripper Goodman
Jack Maxon
Richard Moore
Jesus Muñoz
Lorez Curlin Retta
Jonathan W. Rogers, Jr.
Stuart Schwartz
CURATORIAL ADVISORY COUNCIL
Anna Alemán
Maceo Crenshaw Dailey, Jr., Ph.D.
Frédéric Dalbin AIA LEED AP
Susan Davidoff
Francisco Delgado
Samuel A. Garcia
Gabriel Gaytan
Robert Alexander González, Ph.D., AIA
Jeff Litchfield
Rene Nevarez
Amy Estelle Parker
Dr. Teresa Reed, MD
Claudia A. Rivers
Selena N. Solis
Daniel Szwaczkowski
Rosa Elva Vázquez Ruiz
Susanna Visconti
DEVELOPMENT ADVISORY
COUNCIL
MUSEUM STORE
ADVISORY COUNCIL
Anna Alemán
Lilia Alvarez
Cheri Dorsey
Kimberly Foster
Frank Grijalva
Randy Limbird
Charlotte Lipson
Mary Jo Melby
Brenda Muñoz
Cheryl Poehlein
Brandon Silverstein
Felipa Solis
Chia Stewart
Isha Rogers
Julia Barello
Martina Lorey
Meralee Schlusselberg
Sidney Schlusselberg
Margie Torres
EDUCATION ADVISORY
COUNCIL
Melissa Barba-Espinosa
Lupe Casillas-Lowenberg
Kerry Doyle
Gaspar Enríquez
Marina Monsisvais
Minnie Peña
ACCESSIONS COMMITTEE
Holly Cox
Susan Davidoff
Gaspar Enríquez
Jacqueline Mitchell
Rene Nevarez
Alma Oaxaca
Juan Sandoval
Karla Zanelli
MUSEUMS AND CULTURAL AFFAIRS
ADVISORY BOARD LIAISON
Jane B. Thomas
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E P M A S TA F F
STAFF
N E W FA C E S
LIZZIE O C HO A, MS
Lizzie recently joined EPMA as the librarian at the Algur H.
Meadows Library. Lizzie received her BA in Art with Cum Laude
honors from St. Edward’s University in Austin, Texas. She received
her Master of Science degree in Information Technology from the
University of North Texas. She is also a professional artist (portraits,
murals, illustration, photography, graphic design, interior decor
projects, wax figures /sculpted portraits and media production).
Her work is featured in national and international collections.
As an art educator, Lizzie conducts art related workshops
for children, teens and adults. She is currently training as a
forensic artist of two-dimensional & three-dimensional facial
reconstructions.
KAT HERINE MA RIE LO AGUE, MA
Raised in Michigan, Kate moved to New York where she was a
theatre practitioner holding AEA, SAG, & IATSE Local 764 union
cards. As a literacy advocate, she ran the Chicago branch of SAG’s
national children’s literacy program BookPALS. Also in Chicago,
she designed and delivered education programming for all ages
and abilities at Intuit: The Center for Intuitive and Outsider Art
and independently and collaboratively curated exhibitions hosted
by the Chicago Children’s Museum, the Cuentos Foundation, the
Shore Bank, the Betty Rymer Gallery, as well as local branches of
Chicago Public Libraries. In Arkansas, Kate served as the Head of
Communities Programs at Crystal Bridges Museum of American Art
and as an adjunct instructor in the Art Department at the University
of Arkansas. She holds a BFA in theatre and two graduate degrees
(Arts Administration and Arts Education) both from the School of
the Art Institute of Chicago.
ERIC BARRO N
Born and raised in El Paso, Eric recently joined the EPMA team
as a Service and Security worker. Eric is currently working on his
Bachelor’s Degree in Criminal Justice where he plans on pursuing a
career as a Detective. Eric brings years of customer service and security
experience to the team. As for his free time he enjoys spending it
with his loved ones and attending service at Abundant Living Faith
Center on a regular basis where he volunteers his time to usher.
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MIC HAE L TO MO R, PH.D.
As a fourth grade student at Western Hills Elementary School
on the West Side of El Paso, my teacher Mrs. Maggie Maguire
put me on a track of art appreciation that has never ended. I
remember the ease at which I could absorb knowledge about
visual images racing in front of me in the form of flash cards
and posters. But when we had the opportunity to visit the El
Paso Museum of Art on a school field trip, it was the exposure
to original artwork that would take my breath. I remember the
awe I felt walking through the European collections, knowing
something unearthly and special about the works was speaking
to me, sharing with me their stories about who created them,
where they were created, and why they existed. Not knowing
anything about art history or the artwork at that time didn’t
matter. They were my stories, fabricated out of the dreams
of a child with a very active imagination. It is, however, an
experience that I continue to have even to this day, walking
through museums, reading the objects so carefully created by
artists, and having the art quietly declare to me its meaning.
My imagination is every bit as active, but the stories are more
real, being based now on forty years of exposure to the real
histories of art, culture, and societies.
The El Paso Museum of Art continued to emerge throughout
my teenage years, and then again as an Art History doctoral
candidate at Penn State. One of the paintings in that very
European collection was included in my dissertation. So to say
the El Paso Museum of Art is part of me is an understatement.
It has been nine years since my arrival as director of the El Paso
Museum of Art, but it never dawned on me until 2006 that I
could be the next director of the museum that was so influential
at such an early age. Knowingly, I would have the opportunity
to give back to the community that provided to me so much.
Unknowingly, the decision at that time was the most fulfilling
decision I had ever made in my professional career.
we want to experience, and where we want to be now and in
the future; we identify our options and then make choices. In
February, I informed the El Paso Museum of Art Foundation
and the City of El Paso, it was time for me to continue my
career at the Tampa Museum of Art, taking the remarkable
opportunities and learning experiences afforded to me in
El Paso to another community.
It has truly been a privilege for me to lead this outstanding
team at the El Paso Museum of Art. Every educational
program, every artist exhibited, every exhibition and every
special event has allowed me to connect bright, talented, and
dedicated scholars and artists to members of the community.
For me, friendships developed, close relationships deepened,
and a richness in my professional career spilled over into a
wealth of personal connections. Thank you for making that
happen for me and for the El Paso Museum of Art.
Thank you for your support of the El Paso Museum of Art, for
the hard work of my team, and for the valuable work they have
and will continue to provide to you for many years to come.
Michael Tomor, Ph.D.
As we make these life decisions, difficult decisions, we weigh
the importance of who we are at a given moment in time, what
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FA R E W E L L M E S S A G E F R O M E P M A D I R E CTO R
FAREWELL MESSAGE FROM
EPMA DIRECTOR
E P M A F O U N D AT I O N
EL PASO M U S E U M
OF AR T FO U N D AT I O N
The El Paso Museum of Art Foundation is pleased to announce
the 2015 elected executive officers and the Board of Trustees:
David Bernard, Chair; Charles de Wetter, Vice-Chair; Hector
Retta, Treasurer; Rebecca Krasne, Secretary. The Foundation
also welcomes the following new members of the Board:
Teresa E. Bustamante and Stuart P. Shiloff.
TE R E S A E.
BU S TAMA NT E
Teresa E. Bustamante is a First Vice President, Financial Advisor,
Senior Investment Management Consultant, and Financial
Planning Specialist for Morgan Stanley. She is also the founder
of The Camino Real Group at Morgan Stanley, a team of three
experienced Financial Advisors and two registered client service
associates. Teresa concentrates on wealth planning, estate
planning, and investment management for individuals, families
and business owners.
Teresa graduated from the University of Texas at El Paso
with a Bachelor’s Degree in Business Administration. Before
joining Morgan Stanley, she worked in corporate finance
and accounting for nearly 20 years, holding positions such as
Divisional Controller and Vice President of Finance for large
multinational corporations.
With nearly two decades of experience at Morgan Stanley,
Teresa is committed to providing the highest degree of
investment advice and personalized service to her corporate,
institutional, and individual clients.
In terms of recognition, Teresa has received the Blue Chip
Award for Excellence in Client Service as well as the firm’s
10-year Dedication and Service Award. She was selected to
attend the Barron’s Top Advisors Diversity Summit in May
2013. Teresa is also a member of the Morgan Stanley Business
Owner Executive Council where she provides advice specifically
tailored to the unique needs of business owners.
Teresa contributes to the El Paso Museum of Art’s outreach
and childhood educational programs. Additionally, Teresa is
committed to civic organizations, in particular organizations that
are dedicated to the advancement of women in professions.
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ST UAR T P.
SHILOFF
Stuart P. Shiloff is a long time resident of El Paso, Texas, having
moved to the city with his parents when he was two years
old. Stuart began his business career in 1986 after receiving
his BBA from the University of North Texas and his MBA from
Indiana University. He worked for Citicorp Mortgage in Detroit,
Michigan, which at the time was one of the largest originators
of mortgages in the country. In 1988 he joined his family’s
beverage distribution business where he was Vice President
and General Manager of American Beverage Company, based
in San Antonio. After the sale of the South Texas division in
1997, Stuart moved back to El Paso to manage the company’s
West Texas operations as Vice President of Terk Distributing
Company, Inc. until the sale of the company in 2000. Stuart and
a partner formed Two Ton Creativity, Inc. in 2002, a marketing
and advertising firm focused on work for regional and national
companies.
Since 2005 he has been employed by Helen of Troy in their
Professional Products Division. He is a past President of the
Jewish Federation of El Paso and currently serves on the
Development Board of UTEP and the boards of the Jewish
Community Foundation of El Paso and the El Paso Holocaust
Museum Foundation. He is also President of the Shiloff Family
Foundation, a local family foundation started in 1993. Stuart
and his wife Nancy have two children, Rebecca (14) and Asa (12).
EL PASO MUSEUM OF ART
FOUNDATION BOARD
CULTURAL AFFAIRS
ADVISORY BOARD
David Bernard – Chair
Charles de Wetter – Vice-Chair
Hector Retta – Treasurer
Rebecca Krasne – Secretary
Katherine R. Brennand
Estrella Escobar
Kenneth Gorski
Teresa Hernandez
Jeannine Kennedy
Ann F. Kruzich
Daniel Longoria
Steve A. Lujan
Marina Monsisvais
William Moody
Analinda Moreno
Susan Novick
Isela Ocegueda
Elia Perez
Carina Ramirez
Ida Mae Steadman
Jane B. Thomas
Roberto Assael
Teresa E. Bustamante
Veronica Callaghan
Alejandra De La Vega Foster
Allan Goldfarb
Stacey Hunt
Caroline North
Stuart P. Shiloff
ADVISORS
Katherine Brennand
Joyce Feinberg
Jack Maxon
Sam Moore
PA ST E XHIB IT IO N S
SE PTE MBER 1 , 20 14 – J U NE 1 , 2 0 1 5
Saint Francis of Assisi and
Saint Francis of Paola
May 11, 2014 – November 2, 2014
Dorrance and Olga Roderick Gallery:
Retablo Niche
Drink Up! The Art and
Culture of Beverages
December 8, 2013 – November 30, 2014
Mac Rogers Fine Arts Gallery
Aleksander Titovets’
Past and Present
September 4, 2014 - December 7, 2014
Dede Rogers Special Events Gallery
Renoir to Remington:
Impressionism to the American West
Organized by EPMA in partnership with
Tacoma Art Museum, Tacoma, Washington
September 21, 2014 – February 1, 2015
Woody and Gayle Hunt Family Gallery
EXHIBITIONS
Paul Cézanne and Pablo Picasso:
Birth of Cubism
Modern Masters Series: Highlights from the
Organized by the Solomon R.
Guggenheim Foundation
October 3, 2014 – February 1, 2015
Peter and Margaret de Wetter Gallery
Body Art: Contemporary El Paso Jewelry
December 14, 2014 – April 26, 2015
Mexican Devotion on Tin and Copper:
Selections from the McKnight Collection
November 30, 2014 - May 3, 2015
Dorrance and Olga Roderick Gallery:
Retablo Niche
Vasily Kandinsky and Franz Marc:
Expressionism and Der Blaue Reiter
Organized by the Solomon R.
Guggenheim Foundation
February 7 – May 29, 2015
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CURRENT EXHIBITIONS
STONE WORKS
FROM THE PERMANENT COLLECTION
Through December 6, 2015
Modern Stone Totems is a new
exhibition of abstract yet figuratively
suggestive sculptures installed in early
December in the recently named Mac
Rogers Fine Arts Gallery. Variously
composed of different types of granite,
limestone, marble, and onyx, and dating
from 1971 to 1990, the four totem-like
modernist stone sculptures entered the
EPMA collection as gifts or purchases
from 1971 to 2011. The unique surfaces
and forms of each piece invite individual
study, while their installation together in
the space proposes a dialogue between
the works’ muted colors and between
their evocative silhouettes.
The first of these sculptures to enter
the collection was The Eagle, carved
in 1971 by the Mexican painter and
sculptor Leonardo Nierman (born 1932),
and gifted by the artist the same year.
At first glance the work might suggest
the extremely simplified profile of a
standing human figure, but then we
can observe the sidewise soaring eagle
indicated by the title. The sleek and
waxy surfaces of this delicately and
naturally fissured piece might recall
the purified natural forms and contours
in the work of Romanian-born French
modernist sculptor Brancusi, while its
fragile white onyx material transmits
light in subtle ways when struck by the
sun’s rays through the lobby windows.
The other three sculptures in this
elegant ensemble were created by
American sculptors with strong Texas
connections: Song Bird (1963) by Ben
Woitena (born 1942); Guardian (1988)
by Jill Sablosky (born 1954); and Ellipse
(1990) by Jesús Moroles (born 1950).
Song Bird was the latest addition to
the collection, gifted in 2011 by the
previous EPMA director, Becky Duval
Reese, and her husband. Fashioned
from Georgia gray marble, Song Bird
leaves angles of the original rectangular
stone slab intact, which encourages us
to consider how the artist liberated his
forms, and also frames and underlines
the compositional sense of ascendant
thrust. The sculpture by Jesús Moroles,
Ellipse, features Moroles’ favorite
medium, granite (in this case, Italian
and Texan granites), a material he
poetically considers “the core and heart
of the universe.” And finally, Sablosky’s
multi-piece Guardian incorporates
Trani marble with Indiana, Cordova,
Fossil, and Leuders limestones. While
the varied textures and forms of these
four sculptures hint at tactile pleasures
and encourage us to imagine their
carving, each of them also resembles
a modern totem pole, encouraging us
to walk between them and consider
their potential shared, separate, and
suggested meanings.
Jesús Moroles (American b. 1950)
Ellipse, 1990
Italian & Texas granite, 81” high x 13 ½” wide x 13 ½” deep
Purchased with funds provided by the friends of EPMA in
honor of Becky Duval Reese’s 10th Anniversary as Director
Collection of El Paso Museum of Art
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CURRENT EXHIBITIONS
CHICANO COLORS
FR OM T H E CH EECH MARIN C OLLEC T I ON
May 3 – August 30, 2015
Free Admission
The El Paso Museum of Art proudly
presents in the Dede Rogers Special
Events Gallery part one of the two-part
exhibition Chicano Colors that includes
twenty-six limited edition gicleé prints of
paintings from the renowned Chicano art
collector Cheech Marin and twenty-eight
linocut portraits by Artemio Rodriguez of
each featured artist, the collector and the
project artistic director.
The exhibition is from a print portfolio
commissioned by Marin to advance
Chicano art as a recognized school
of American art and increase public
accessibility to this work. The portfolio
was produced at Richard Duardo’s Los
Angeles print shop, Modern Multiples,
which has since the 1970s enabled artists
to use art as a community building
mechanism. Each institution that
hosted the traveling exhibition Chicano
Visions: American Painters on the Verge
from Marin’s collection were fortunate
recipients of the collection portfolio. The
prominent Chicano artists represented
in the exhibition include: Carlos Almaraz,
Gaspar Enríquez, Margaret García,
Rupert García, Leo Limón, Carmen
Lomas Garza, Frank Romero, Eloy Torrez,
Patssi Valdez, Vincent Valdez and George
Yepes, among others. Depicting urban
life and the Chicano experience between
1969 and 2001 the portfolio manifests
the realistic side of the wide diversity of
Chicano artistic practice.
In addition to these prints the exhibition
will also include a documentary video
The Chicano Collection / La Colección
Chicana produced to accompany the
collection and featuring Marin speaking
A B O VE
Gilbert Luján (American 1940–2011)
Blue Dog, 2005
Giclee print, 26 ¾” x 38”
Gift of Cheech Marin and Modern Multiples
R IGHT
Adán Hernández (American born 1951)
La Estrella que cae
(The Falling Star), 2005
Giclee print, 38 1/2 x 31 1/2 in.
Gift of Cheech Marin and Modern Multiples
about his enthusiasm for collecting
Chicano art as well as interviews with the
artists included in the exhibition.
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CURRENT EXHIBITIONS
PULPO
DON COEN: T H E MIGRANT S ERIES
ORGANIZED BY PHOENIX AR T MUSEUM
Through June 14, 2015
Around the world the agriculture industry relies on seasonal
laborers to harvest crops. In America, it is estimated that
1.3 million citizens travel from state to state working on
farms, with many more traveling under work visas or as
undocumented laborers from other countries. The work is
difficult, the pay is typically low, and the long-term exposure
to pesticides used on crops is dangerous to the workers’
health. Yet the service the migrant farmers provide is vital to
American agriculture and our nation’s economy.
Colorado-based artist Don Coen grew up working on his
family’s farm and has an appreciation for the hardships
farm laborers endure. For more than three decades, he has
focused on making realistic paintings and finding interest in
rural, everyday life. Executed with a non-traditional airbrush
technique, The Migrant Series features 15 large-scale images
created between 2001 and 2010. In 1992, Coen began taking
photographs of migrant farmers during his travels around the
country, an interest that developed out of his early experience
of working on his family farm. He typically interacted directly
with the workers he encountered and, wherever possible,
received permission to take their photographs. The artist’s
collection of photographs grew into the thousands before he
began his painting series in 2001.
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The Migrant Series is Coen’s attempt to bring attention to
America’s traveling farm laborers, a rare subject in American
art history. “For the average American,” states the artist,
“migrant workers are an invisible and transparent component
of our world.” Coen’s emphasis is on the humanity of the
individuals portrayed, and the large scale makes them too
big to ignore. In this way, Coen hopes to bring attention to a
segment of society that is too often overlooked.
Born on November 24, 1935, in Lamar, Colorado, Don Coen
attended Lamar Junior College and then received his BA
in Advertising Design from the University of Denver and his
MFA in Ceramics and Fine Art from the University of Northern
Colorado. Represented by the Gerald Peters Gallery in Santa
Fe, he has had one-man shows across the American West,
Minnesota, and Illinois, and his work is found in public and
corporate collections from Idaho to Texas and from Arizona
to New York. Information throughout the exhibition draws
on the artist’s own observations about the people he has
encountered while traveling to farms in California, Colorado,
Florida, Idaho, Oregon, and Texas. This is the second showing
of The Migrant Series after its debut in fall of 2014 at the
Phoenix Art Museum. Don Coen: The Migrant Series is a
traveling exhibition organized by the Phoenix Art Museum.
Don Coen (American, b. 1935)
Manuel, 2001-2010
Airbrush acrylic and pencil on canvas, 78 ½” x 112 ¼”
Courtesy of the artist
U
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In conjunction with American painter Don Coen’s Migrant Series (2001–10)
touring from the Phoenix Art Museum, the El Paso Museum of Art is
pleased to present PULPO (2011), a recent creation by one of Mexico’s
leading video/performance artists, Yoshua Okón. Despite their contrasting
media and meanings, each artist attempts to bring out of the shadows the
situation of a group of undocumented laborers in the United States, whom
U.S. President Obama recently referred to as the “workers who pick our
fruit and make our beds.”
B
Y
Y
PU
CURRENT EXHIBITIONS
Through June 14, 2015
Yoshua Okón (Mexican, b. 1970)
PULPO
Still from video installation
PULPO, or Octopus, takes its title from the name Guatemalans
gave to the United Fruit Company, a powerful U.S. corporation
whose neocolonialist exploitation of Central American
countries during the twentieth century included influencing the
coup d’état in which the Central Intelligence Agency ousted
Guatemala’s progressive socialist President Jacobo Árbenz
in 1954. What followed were almost forty years of civil war, in
which financial self-interest led the US to support a military
dictatorship responsible for the genocide of approximately
200,000 native Mayans from the Guatemalan highlands.
Octopus restages the war in the parking lot of a Northeast Los
Angeles Home Depot. Dressed in opposing black and white
T-shirts, the “actors” who perform actually fought on either side
of the war as young men. The artist hired them from among the
undocumented immigrants who regularly gather at the Home
Depot in search of casual construction work, and he filmed
without official authorization until security guards stopped him
two days later. Among other qualities, Okón’s Octopus operates
as a parody of traditional historical reenactments, which
entertain us by reinforcing popular conceptions of “history.”
In the case of Okón’s performers, the catastrophic past of their
civil war fueled by American greed has a causal relationship
to their present situation, where they now find themselves as
illegal day laborers in southern California. The Home Depot
customers who amble or drive past the men’s absurd war games
with almost complete indifference are also crucial to Okón’s
meanings, since their lack of reaction underlines the men’s
invisibility as a marginalized underclass.
Yoshua Okón specializes in single or multichannel video-andinstallation pieces that document ordinary people acting out
the artist’s instructions. Born in Mexico City in 1970, the artist
received his Bachelor of Fine Arts degree from Concordia
University in Montreal in 1994, and his Master of Fine Arts
degree from the University of California, Los Angeles, on a
Fulbright Scholarship in 2002. His work is in public collections
in the Americas and Europe, and he has had solo exhibitions
across these regions as well as in Israel and Japan. The artist
completed Octopus during a residency at the Hammer Museum
in Los Angeles, where the work premiered in 2011.
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CURRENT EXHIBITIONS
ROBERT DELAUNAY & ALBERT GLEIZES:
T H E SCHOOL OF PARIS
Organized by the Solomon R. Guggenheim Foundation
June 5 – September 24, 2015
Scheduled this summer is the third installment of the EPMA’s
Modern Masters Series: Highlights from the Solomon R.
Guggenheim Museum. The series, which began with Paul
Cézanne and Pablo Picasso: Birth of Cubism (fall 2014–
winter 2015), followed by Vasily Kandinsky and Franz Marc:
Expressionism and Der Blaue Reiter (spring 2015), is an
exciting collaboration between the EPMA and the Solomon R.
Guggenheim Museum and Foundation. The Modern Masters
Series brings to El Paso for the first time major expressions
of early 20th–century European modernist painting from the
Guggenheim’s stellar collection of art from this period.
The School of Paris, featuring bold color, expressive geometry,
and explosive movement in two important oil on canvas
works by the French modernists Robert Delaunay and Albert
Gleizes, will be presented throughout the summer. Delaunay
and Gleizes are affiliated with the so-called School of Paris, a
phrase applied to both the French and non-French modernists
that congregated in the international art center of Paris during
the first half of the 20th century. Delaunay’s Circular Forms
is a beautiful summation of this artist’s Orphic style, which
became one of the most significant offshoots of Cubism; and
Gleizes’s On the Brooklyn Bridge is a vibrant, indeed almost
anthropomorphic expression of the inspiration he found in the
modern design of the Brooklyn Bridge when he visited New
York in 1915 and 1917.
Delaunay and Gleizes make a perfect pairing to follow the
earlier installation of works by Cézanne and Picasso, who
along with Georges Braque invented Cubism. Gleizes began
painting in a late Impressionist style at the turn of the century
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but by 1910 he was painting in a proto-Cubist style. His view
of Picasso’s and Braque’s works in 1911 led him to develop
his own brand of Cubism, as well as to co-author the book
Du Cubisme, published in Paris in 1912 as the first theoretical
treatise on Cubism. By 1910 Gleizes was closely associated with
Delaunay, whose coloristic offshoot of Cubism was first called
Orphism by vanguard poet Guillaume Apollinaire. Notably,
Apollinaire derived the term “Orphism” from Orpheus, the
legendary lyre player of Greek mythology, since he admired
how the artist’s creations of complementary colors and
composite forms were as independent of descriptive reality
as were musical compositions. Certainly Delaunay’s beautiful
Circular Forms suggests through its variously saturated primary
colors, concentric circles, and rhythmic arrangements both the
harmonies and reverberations of joyful contrapuntal music.
SPONSORS
BBVA Compass Bank
City of El Paso
El Paso Museum of Art Foundation
Mrs. Robert M. Graham, Sr.
Travis and Annabelle Johnson
National Endowment for the Arts
Kirk and Judy Robison
Lory and Jonathan W. Rogers, Jr.
Shari and Stuart R. Schwartz
Robert and Sara Shiloff
Susan Eisen Fine Jewelry
and Watches
Texas Commission on the Arts
United Bank of El Paso del Norte
WestStar Bank
MARKETING SPONSORS
Mithoff Burton Partners
Robert Delaunay
Circular Forms, 1930
Oil on canvas, 26 ¼” x 43 1/8”
New York Gift, Andrew Powie Fuller and Geraldine Spreckels Fuller Collection,
2000.10
CURRENT EXHIBITIONS
T H E IM M A CULATE CONCEPTION
Through November 15, 2015
Dorrance and Olga Roderick Gallery: Retablo Niche
This exhibition considers the various ways the Immaculate
Conception has been portrayed in Mexican retablos, and
the influence that European paintings such as Francisco de
Zurbarán’s Seventeenth Century painting of the Immaculate
Conception had on Mexican painters of the subject. The
twenty-seven nineteenth-century retablos included here
all reflect, in terms of color and iconography, the specific
devotional concerns mandated by the Catholic Church with a
rich diversity of interpretation.
The majority of the Immaculate Conception retablos in the
EPMA collection show a modified variation of Zurbarán’s, the
Virgin Mary from the waist up with her hands crossed over her
heart while pressing a white dove to her chest. The colors of her
clothes, blue and white, meant to symbolize her fidelity, divine
love and truth, are consistent throughout the exhibition with
one exception. However, a small number of retablos included
portray the Immaculate Conception with the Virgin standing
with the sun visible behind her. Other closely related variations,
also found in the collection, are those depicting The Medal
of the Immaculate Conception, The Pure Conception and
The Soul of the Virgin Mary. In addition, two retablos of The
Annunciation are included because they portray the Virgin in
the same waist-up position.
Two retablos of the Virgin Mary and her mother, Saint Anne,
book-end the exhibition because they emphasize the notion
of the purity shared between the two and the breadth of the
museum’s collection.
A MP LIFIE D A B STRACTION
Anonymous (Mexican, 19th Century)
The Immaculate Conception, 19th Century
Oil on tin, 14” x 10”
Gift of Dr. Steven McKnight in honor of Frank and Sara McKnight
July 12 – October 11, 2015
The artworks in the exhibition range in date from the 1960s to
the 2000s, and are the creations of several different American
and European artists, such as the Abstract Expressionist
Sam Francis (American, 1923–1994) and the leader of the
international CoBrA group, Karel Appel (Dutch, 1921–2006). A
significant number of the artists hail from Texas, for instance
the Houston-based painters David Aylsworth (born 1966) and
Brian Portman (born 1960). While Aylsworth’s massive 1997
Oral Fixation features large flat areas of primary colors and
creates Freudian whimsy from suggestive silhouettes, Portman’s
1988 Elephant Slide is a darkly monochromatic example of his
robust Abstract Expressionist style. In addition to Abstract
Expressionism, the exhibition Amplified Abstraction offers us
the opportunity to explore styles and themes such as geometric
abstraction, Cubist legacies, and nature simplified.
SPONSORS
(At the time of printing)
David Aylsworth (American b. 1966)
Oral Fixation, 1997
Oil on canvas, 72” x 72”
Gift of Alton and Emily Steiner
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UPCOMING EXHIBITIONS
Since the advent of Abstract Expressionism followed by Postpainterly Abstraction in the mid-twentieth century, painters
and other artists have been liberated to explore large-scale
abstraction through expressive gestures, geometric forms,
biomorphic shapes, minimal palettes, or new materials.
Composed exclusively of works from the holdings of the
El Paso Museum of Art, Amplified Abstraction presents all
these approaches and more—revealing the variety to be
discovered in monumental abstraction, and highlighting its
singular power to arrest us aesthetically, engage us viscerally,
or tease us perceptually.
H A L M A R CUS / LY R IC M ODE R N
September 6, 2015 – January 3, 2016
Continuing the recent innovation at the EPMA of presenting
monographic exhibitions of area artists in the Dede Rogers
Special Events Gallery, this fall the Museum will highlight the
work of Hal Marcus, born in El Paso in 1951 and working as a
painter for over the last 40 years. Marcus specializes in colorful
and lyrical acrylics and mixed media on canvas, which are
variously populated by a panoply of lovers, the artist and his
model, his family, harlequins, or kings and queens of hearts,
and which frequently represent scenes of the artist’s homeland,
El Paso. Marcus’ singular commitment to art has extended
to teaching (at the EPMA in the 1970s and then at his own
gallery in the 1990s); promoting regional art (forming in 2008
the Early El Paso Art Collectors Organization); and supporting
local artistic culture in sundry ways (for example, regularly
participating in the KCOS Art Auction and serving on the EPMA
Advisory Board from 2004 to 2007).
Of Jewish-Arabic descent, Marcus embraced his role as an artist
by age 15, and was encouraged by high school art teachers
Ysela Fulton O’Malley and Lupe Casillas-Lowenberg. The
exhibition Hal Marcus / Lyric Modern will feature paintings
from different periods of the painter’s career—from the earliest
days when he was particularly inspired by the Belarussianborn French-Jewish painter Marc Chagall— up to the present,
13
including new work unveiled publically for the first time. The
show includes some of Marcus’ small contour ink and pencil
drawings, which for him are an important component of his
creative process by allowing the ideas for his paintings to
originate with instinctual purity.
The art of Hal Marcus melds his long-cherished themes and
approach with a creative output marked by prolific production
and ever-evolving figures and arrangements. In light of his
early love of and identification with Marc Chagall, the timing
of Marcus’ solo show at the EPMA fortuitously coincides with
the presentation upstairs of Chagall’s masterpiece from the
Guggenheim Museum, the Green Violinist. Other influences
evident in Marcus’s painting range from the great Western
modernists Pablo Picasso, Henri Matisse, and Amedeo
Modigliani to folk art and Persian miniatures. Yet, similar to
the way that his earliest hero Chagall repeatedly represented
personal symbols of his beloved native village of Vitebsk,
Marcus has consistently reimagined people and places familiar
and dear to him, from the streets of El Paso and the markets of
Ciudad Juárez, to the individuals at the core of his artistic and
personal universe.
Hal Marcus (American b. 1951)
Sunset Heights, 2014
Mixed media on canvas, 48” x 36”
M AR C CHAGALL
T H E G R E E N V IOLINIS T
Organized by the Solomon R. Guggenheim Foundation
October 2, 2015 – January 29, 2016
The fourth exhibition in the Modern Masters Series:
Highlights from the Solomon R. Guggenheim Museum
will be the first to focus on a single masterpiece—the
Green Violinist by Marc Chagall (1887–1985). While the
important art critic Robert Hughes referred to Chagall
as the quintessential Jewish artist of the 20th century,
Chagall intended his work as “not the dream of one
people but of all humanity.” Indeed, in this regard
one might note that Chagall’s style, which shows the
influence of folk art and possesses rich coloration,
engages viewers more easily than many other strains of
modernism such as monochromatic Cubism. The artist’s
Green Violinist stands as an iconic image by virtue of its
monumental size, its autobiographically symbolic figure
of Yiddish fiddler, and its masterful melding of Chagall’s
modernism with the nostalgia he consistently felt for his
Hassidic background in Vitebsk, Belarussia.
Born in Vitebsk (now Viciebsk) in 1887, Chagall attended
the traditional Jewish school and was then allowed to
enter the local Russian high school, where he excelled
in geometry and drawing and already embraced the
desire to become a professional artist. After studying in
St. Petersburg, Chagall lived and worked in Paris from
1910 to 1914, at which time he developed his personal
modernist style that would remain consistent throughout
his long career (the artist lived to almost 100), became
acquainted with other avant-garde painters such
as Robert Delaunay, Fernand Léger, and Amedeo
Modigliani, and found his first public praise from
vanguard poets such as Blaise Cendrars and Guillaume
Apollinaire. Leaving Paris in 1914 for a visit to his native
town of Vitebsk, Chagall remained in Russia for eight
years after the Russian border was closed because of
World War I. Moving back to Paris in 1923 with his young
wife and daughter, Chagall became a French citizen in
1937. In 1941 he was forced to seek temporary asylum in
the United States, where he remained until a few years
after the end of World War II.
Painted in 1923–24 soon after Chagall’s first return to
Paris, the Green Violinist is one of many pictures in
which the artist created a dream world of personal
imagery founded in his nostalgic reflections of his
homeland. The large oil on canvas revisits a subject
Chagall had repeated in paintings since 1912,
and the Guggenheim composition is arguably his
most powerful expression of the theme. Besides the
principal figure, the Green Violinist features several
enduring traits and motifs of Chagall’s painting: dynamic
planes of modulated color, lively village scene, floating
figure high in the sky, and animals such as doe-eyed cow
in the lower left corner.
Marc Chagall (Russian-French, 1887-1985)
Green Violinist (Violiniste), 1923–24
Oil on canvas, 78 × 42 3/4 inches (198 × 108.6 cm)
Solomon R. Guggenheim Museum, New York
Solomon R. Guggenheim Founding Collection, By gift 37.446
© 2015 Artists Rights Society (ARS), New York/ADAGP, Paris
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GIFTS TO THE PERMANENT COLLECTION
I NSTA LLAT ION OF NEW MONUME N TAL
S CULP TUR E AT EPMA
CHAOS REDUX BY JEDD NOVATT
Soon to be installed in the EPMA’s Patricia and Jonathan Rogers
Grand Lobby is the latest addition to the Museum’s growing
collection of monumental sculpture—Chaos Redux (2005) by
Jedd Novatt, an American sculptor whose works are found
in collections around the world. Some of the most recent
installations of the artist’s work include that of Chaos Nervion
in Bilbao, Spain, and Chaos SAS and Chaos Bizkaia at the
new Pérez Art Museum Miami (PAMM) in Florida. Created in
2005 and gifted anonymously this year to the EPMA, Novatt’s
Chaos Redux stands as the first acquisition of this major
sculptor’s art by a Texas institution.
The 10-and-a-half-feet-tall bronze Chaos Redux arrived in El Paso
from Yountville, California, in November. Soon thereafter the
Museum’s Preparator, Nick Muñoz, consulted with the artist on
the design of an appropriate base for the sculpture’s installation
in the Rogers Grand Lobby. There it joins a dialogue with other
monumental works by the American Abstract Expressionist Sam
Gilliam and the Texas artists James Surls and Gaspar Enríquez.
Although Novatt’s sculpture suggests cube-like forms, none
of the elements is a pure cube, as each component is carved
by hand from wax before being cast into bronze. The result
is a vibrant composition that brings implied movement and
organicism out of geometry and results in what could be termed
a large-scale three-dimensional drawing in space.
Jedd Novatt (American, b. 1958)
Chaos Redux, 2005
Bronze, 10 ½ x 8 x 3 feet
Anonymous Gift
Novatt was born in Brooklyn, New York, in 1958, and graduated
from Sarah Lawrence College in Bronxville, New York, in 1980,
and the Lacoste School of the Arts in southern France in
1981; he now divides his time between studios in New York,
Normandy, and Spain’s Basque region. It is for the Chaos series
in bronze or welded steel that the sculptor is best known. In
these works Novatt explores the tensions specific to sculpture
and the forces that bring balance or disequilibrium to threedimensional form. In relation to the Chaos series the artist has
remarked, “The Greeks defined chaos as the nothingness out of
which the first objects of existence appeared...A space lacking
in orientation and order, yet out of which emerges all that makes
up our collective experience with scale and finally form.”
E PM A G IFT FROM NANCY HAMILT O N :
M EXICA N R ETABLOS
The El Paso Museum of Art is excited to announce a significant
gift to the museum’s collection. Ms. Nancy Hamilton, a lifetime
resident of El Paso, has generously designated the EPMA as the
recipient of her collection of 492 retablos and ex-votos as well
as numerous tin frames (nichos).
Ms. Hamilton was born August 22, 1929 in El Paso, Texas and
graduated from Austin High School, El Paso, TX in 1949. She
earned a Bachelor of Arts degree in journalism and a Master
of Arts degree in English from Texas Western College (UTEP)
and spent her entire professional career in El Paso as a writer,
journalist, public relations specialist and as a local historian. She
retired in 1990 as Associate Director of Texas Western Press
of the University of Texas at El Paso. Ms. Hamilton received
national recognition in the fields of fine arts, journalism and
liberal arts. Her professional contributions to the community
have been enhanced through her collecting of Mexican folk art
paintings known as retablos which have been exhibited in many
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Anonymous (Mexican, 19th C.)
Saint Michael/San Miguel
Oil on tin, 10” x 7”
Gift of Nancy Hamilton
The existing EPMA retablo collection has come from a variety
of sources, but most importantly thanks to gifts from the
following major patrons: Dorrance and Olga Roderick, Frank
and Sara McKnight, as well as the McKnight couple’s children,
Dr. Steven McKnight, Elizabeth McKnight Manning, and Nancy
McKnight Howell. The extensive retablo gift from Nancy
Hamilton represents a continuation of this generosity within one
of the most important realms of our institution’s collection and
collecting mission.
The EPMA expresses its gratitude to Sugar Goodman for this
latest example of her support to El Paso, and extends its thanks
to the volunteer members of the EPMA Accessions Committee,
who gave generously of their time to vet the works: they
are Holly Cox, Susan Davidoff, Gaspar Enríquez, Jacqueline
Mitchell, Rene Nevarez, Alma Oaxaca, Juan Sandoval, Mary
Scott, and Karla Zanelli.
For a full listing of recent acquisitions please visit our
website at ElPasoArtMuseum.org
E P MA G IFT FR OM THE ESTATE OF
G E R TR UD E A . GOODMAN:
Regional to International, and Historical
to Contemporary Art
Early last fall the EPMA was the recipient of a most generous
gift of more than 170 works of art from the Estate of Gertrude
“Sugar” Goodman, an avid art collector and principal longtime
patron of the Museum as well as other El Paso cultural and
social organizations. Sugar Goodman’s overall collection of
450+ works is a diverse mix of regional, international, historical,
and contemporary art, including items collected by other
family members. Through study, research, and a series of
meetings, the Director, Curators, and Accessions Committee
vetted the Goodman collection to ascertain which objects
were appropriate to the EPMA mission of collecting works that
support its strengths in American, European, and Mexican art.
Together, the pieces coming to the EPMA from the Goodman
Estate enrich our holdings in each of those three general
areas, particularly in 19th- and 20th-century European prints
(for instance, Francisco de Goya, Edgar Degas, Käthe Kollwitz,
Henri Matisse, and Pablo Picasso) and historical paintings by
regional artists (Tom Lea, Peter Hurd, Manual Acosta, Hari Kidd,
and Ysela Fulton O’Malley, as some examples). The gift also
includes prints and drawings by major American and Mexican
artists such as Mary Cassatt, James McNeill Whistler, Robert
Henri, John Sloan, Grant Wood, Alexander Calder, Rufino
Tamayo, and Francisco Zúñiga.
Henri Matisse (French, 1869-1954)
Liseuse au Bouquet de Roses
Etching, 14 1/8” x 17”
Gift of Gertrude A. Goodman
Among the many choice works that constitute this estate
gift are several each by Tom Lea and Manual Acosta, such as
Lea’s detailed study drawing for El Domador Sanchez, a large
watercolor from 1967 that entered the Museum’s collection
in 2011. The Museum accepted about a dozen works by
Manual Acosta from the Goodman collection, including
the artist’s 1954 portrait of Sugar with her beloved pet dog,
entitled Napoleon and His Mistress. The Goodman gift also
brings to the EPMA important works by many regional historical
and living artists not previously represented in our collections;
to name only a few, these include Frederick Carter, Louie Ewing,
Albert Wong, and Aleksander Titovets.
The review of the Goodman collection included weeding out
works that were mechanical reproductions or in poor condition,
and items inappropriate because they were impressions of
original prints already at the Museum or because they fell
out of the institution’s collecting areas (a handful of Japanese
woodblock prints, for example).
Mary Cassatt (American, 1844-1926)
The Technique
Drypoint etching, 16 ¾” x 13”
Gift of Gertrude A. Goodman
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GIFTS TO THE PERMANENT COLLECTION
touring exhibitions in the United States and at distant locations
such as Warsaw and Cracow, Poland. From August 1991 through
1999 Ms. Hamilton edited and published the Retablo Newsletter
for collectors, museums and libraries.
CALENDAR OF EVENTS
JUNE 8, 2015, 11:30 A.M.
Private Docent Appreciation Luncheon. C2 Gallery
JUNE 11, 2015, 5:30 P.M.
Artists on Art with Fausto Fernandez. Free. Isha Rogers
Sculpture Gallery
JUNE 13, 2015, 1:00-3:00 P.M.
Spark Saturday. Join us on the second Saturday of each month
and experience programs for multiple generations. Discovery
workshops, Art Explorations, and PreK Book Club all take place
to provide new opportunities for engaging with artwork. Also,
join us in the Ginger Francis Seminar Room for the Creation Lab
and let the materials spark your creativity.
JUNE 16, 2015, 10:00 A.M.-12:00 P.M.
Impressions. Meet in the Patricia and Jonathan Rogers
Grand Lobby. In partnership with the El Paso Chapter of the
Alzheimer’s Association, Impressions offers an opportunity for
people in the early stages of dementia and their care partners
to socialize and participate in conversations about works of
art on view at the EPMA. To inquire about participating in
the program, please contact the Education Department at
915-532-1707.
JUNE 18, 2015, 5:30 P.M.
Private Collectors’ Club tour of Robert Delaunay and
Albert Gleizes: The School of Paris - Modern Masters Series:
Highlights from the Solomon R. Guggenheim Museum,
organized by the Solomon R. Guggenheim Foundation
with Curator Christian Gerstheimer.
JUNE 30-JULY 3, 2015, 9:30 A.M.-12:00 P.M.
Summer Camps, ages 6-12. Camps take place in morning and
afternoon sessions. A wide variety of media such as painting,
drawing, and comics will be offered. Check our website for
more details.
JULY 4, 2015
The Museum will be closed in observance of Independence Day.
JULY 7-JULY 10, 2015, 9:30 A.M.-3:30 P.M.
more details.
JULY 9, 2015, 6:30 P.M.
Lecture on Delaunay and Orphism by Gordon Hughes. Free.
El Paso Energy Auditorium. Seating is limited to 220 people
and is on a first come, first served basis.
JULY 11, 2015, 1:00-3:00 P.M.
workshops, Art Explorations, and PreK Book Club all take place
JULY 14-JULY 17, 2015, 9:30 A.M.-3:30 P.M.
more details.
17
JULY 18, 2015, 4:00 P.M. - 6:00 P.M.
Private Members’ and VIP reception for Amplified Abstraction.
Patricia and Jonathan Rogers Grand Lobby and Dede Rogers
Special Events Gallery.
JULY 21, 2015, 10:00 A.M.-12:00 P.M.
Impressions. In partnership with the El Paso Chapter of the
to socialize and participate in conversations about works of art
on view at the EPMA. To inquire about participating in the
program, please contact the Alzheimer’s Association 24/7
hotline at 1-800-272-3900.
JULY 21-JULY 24, 2015, 9:30 A.M.-3:30 P.M.
more details.
JULY 23, 2015, 5:30 P.M. – 7:30 P.M.
Public reception for Chicano Colors: The Cheech Marin
Collection. Dede Rogers Special Events Gallery and Patricia and
Jonathan Rogers Grand Lobby. Free.
JULY 28-JULY 31, 2015, 9:30 A.M.-3:30 P.M.
more details.
AUGUST 4-AUGUST 7, 2015, 9:30 A.M.-12:00 P.M.
more details.
AUGUST 8, 2015, 1:00-3:00 P.M.
workshops, Art Explorations, and Pre-K Book Club all take place
AUGUST 15, 2015, 2:00 P.M. – 4:00 P.M.
Private Collectors’ Club tour of Ho Baron’s home and art
collection. Group dinner following tour with everyone paying
for their own meal. Place to be determined.
AUGUST 18, 2015, 10:00 A.M.-12:00 P.M.
hotline at 1-800-272-3900.
AUGUST 24, 2015, 11:30 A.M.
Private Docent Brunch. C2 Gallery
SEPTEMBER 10, 2015, 5:30 P.M.
Artists on Art with Ivan Tarin. Free. Isha Rogers Sculpture Gallery.
SEPTEMBER 15, 2015, 10:00 A.M.-12:00 P.M.
hotline at 1-800-272-3900.
SEPTEMBER 17, 2015, 12:00 P.M.
El Paso Symphony Orchestra and the El Paso Museum of
Art present The French Connection. This performing arts
collaboration in conjunction with Robert Delaunay and Albert
Gleizes: The School of Paris - Modern Masters Series: Highlights
from the Solomon R. Guggenheim Museum, organized by the
Solomon R. Guggenheim Foundation was made possible by a
grant from the National Endowment for the Arts. Free. Dede
Rogers Special Events Gallery and C2 Gallery.
4:00-5:30 P.M.
Reading the Easel Book Club in the Robert Hilary Hoy III
Memorial Conference Room. Explore the world of art without
having to renew your passport! Free to EPMA Members, $10 for
non-members. Call (915) 532-1707 extension 65 to register.
SEPTEMBER 18 & 19, 2015, 6:00 p.m.
Art Inspired pre-concert talk with the El Paso Symphony
Orchestra. Free. Join us for a discussion with EPMA Senior
Curator Patrick Shaw Cable, Ph.D., and EPSO Music Director
Bohuslav Rattay and Resident Conductor Andy Moran. Dede
Rogers Special Events Gallery. The Symphony is offering a
10% discount on tickets for that evening’s performance at
the Plaza for EPMA Members. To purchase tickets please call
(915) 532-3776.
OCTOBER 15, 2015, 4:00-5:30 P.M.
Reading the Easel Book Club in the Robert Hilary Hoy III
Memorial Conference Room. Explore the world of art without
having to renew your passport! Free to EPMA Members, $10 for
non-members. Call (915) 532-1707 extension 65 to register.
OCTOBER 20, 2015, 10:00 a.m.-12:00 p.m.
hotline at 1-800-272-3900.
October 24, 2015, 2:00 p.m. – 4:00 p.m.
Private Collectors’ Club tour of Hal Marcus Studio including
the Marcus’ home and personal art collection. Group dinner
following tour with everyone paying for their own meal. Place to
be determined.
OCTOBER 29, 2015, 5:30 P.M. – 7:00 P.M.
Members’ Open House. Come and meet EPMA Staff and have
a behind-the-scenes tour of the Museum.
Please visit ElPasoArtMuseum.org,
www.Facebook.com/ElPasoMuseumofArt,
or call (915) 532-1707 for details.
Listings are subject to change.
The Museum’s summer camp offerings are part of
the City of El Paso’s commitment to improving the
community’s quality of life by creating exceptional
recreational, cultural, and educational opportunities.
To see the entire slate of fun, stimulating, and diverse
camps for children this summer, visit ElPasoTexas.gov
and click on the “Summer Camp Central” banner.
SEPTEMBER 24, 2015, 5:30 p.m.
Public reception for Hal Marcus/Lyric Modern. Come meet the
artist in person! Free. Dede Rogers Special Events Gallery. This
reception was generously sponsored by Morgan Stanley and
Teresa E. Bustamante & Jorge Vergen-Rich.
OCTOBER 1, 2015, 6:00 p.m.
Private Members’ and VIP preview and reception for Marc
Chagall: Green Violinist - Modern Masters Series: Highlights
from the Solomon R. Guggenheim Museum, organized by the
Solomon R. Guggenheim Foundation. Patricia and Jonathan
Rogers Grand Lobby and Dede Rogers Special Events Gallery.
OCTOBER 6-11, 2015
Collectors’ Club (CClub) trip to Seattle, Washington. All EPMA
Members’ at the $250+ membership levels qualify for at-cost
travel with the CClub. For more information please contact
Jeff Romney, Director of Development at (915) 532-1707 x 13.
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CALENDAR OF EVENTS
SEPTEMBER 12, 2015, 1:00-3:00 P.M.
workshops, Art Explorations, and Pre-K Book Club all take place
PA S T & U P C O M I N G E D U C AT I O N E V E N T S
A C TIV ITIE S IN THE GALLERY:
A R T INSPIR E S AR TWORK
U TEP F O CU S TAL K S
Organized by Education Intern and Art History Major, Carolina
Franco, UTEP students are spending time looking and thinking
carefully about works of art on view at EPMA, and sharing
this with others. Last fall, four students from the Art History
Department, one from the History Department and another
student from the Marketing Department gave twenty-minute
talks on a work of art from their personal perspective. This
spring, the talks picked up again in February and in April with
students from different degree programs including Art History,
Business, and Science.
S PRIN G BREAK CAM PS
Thanks to generous funds donated by Kirk and Judy Robison,
the Peter and Margaret de Wetter Gallery has been turned
into a reflective space for the run of Modern Masters Series:
Highlights from the Solomon R. Guggenheim Museum. With
each new cycle in the Guggenheim series, visitors will be able
to explore the artwork closely through observations, books and
gallery prompts. During the first cycle, more than 500 visitors
made their own artwork in response to the paintings on view.
Some tried their hand at cubism, using angles to create figures
and scenes. Others used the fake fruit provided as inspiration
for their own still life compositions. We have included a couple
of examples here. The opportunities for responsive creativity
continued during the next cycle, with explorations of color
theory and animal forms.
In March, the Museum offered
four camps during Spring
Break 2015. Students learned
how to make Japanese style
characters, how to make books,
how to make art from glue, and
how to paint with watercolors.
Thanks to a generous grant
from the Texas Commission
on the Arts, the Education
Department was able to offer
10 scholarships to local youth
with financial need.
UPCOM ING M U SEU M SC HO O L C L A S S E S , C A MP S , A N D WO R K S HOP S
S UM M E R CA MPS
CREATIO N L AB
Summer Camps run June 30-August 7. The EPMA will have 55
scholarships to distribute based on financial need. Check our
website for more details and scholarship applications.
Join us the 2nd Saturday of each month to release your inner
crafter or artist. Various tools, equipment, and supplies will be
available to the public at no cost. Be inspired by masterworks
from the Guggenheim collection to create your own masterpiece.
The EPMA is actively seeking volunteers to assist us with
the management of this space. Volunteers will work with the
workspace manager and be responsible for opening the space,
maintaining equipment, and overseeing the general operations.
A DULT CLA S SES
Previous classes and workshops have included ceramics,
watercolor painting, and encaustic painting. Summer Classes
begin July 11. Check our website for more details and
information at ElPasoArtMuseum.org.
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For more information and upcoming events,
please visit our website at ElPasoArtMuseum.org
This January EPMA partnered with the El Paso chapter of
the Alzheimer’s Association to start a social engagement
program. Impressions offers an opportunity for people in
the early stage of the disease and their care partners to
socialize and participate in conversations about works of art
on view at the EPMA. Docents and museum staff facilitate
conversations that build on the group’s collective observations
and understandings of the artwork. Impressions programming
is scheduled for the third Tuesday of each month. For more
information about participating in the program, interested
parties can contact the Education Department.
ART BEATS
Art Beats is a partnership between the El Paso Symphony
Orchestra and the El Paso Museum of Art that unites students
and teachers from the EPSO’s Tocando after-school program
with docents from the museum.
Together they explore the
connections between art
and music, including shared
elements such as rhythm,
tone, and texture. The
partnership is in its second
semester and all teachers
and staff involved have
seen inspiring growth in the
students’ creativity, musical,
and language skills. Students
will present a recital at the
museum in the late spring.
Keep an eye out and come to
hear these amazing children.
G R A NTS AWA RDED
TEXAS COMMISSION ON THE ARTS GRANT
Support from the TCA allowed the education department
to offer scholarships for Spring Break and Summer Camps
and to cover the cost of faculty for art making
workshops. Ten students received scholarships
during spring break and 55 students will
receive scholarships this summer. During the
art making workshops, students created tissue
paper “stained glass,” and practiced Pantilism.
Additionally, a new evaluation process is in
progress with Helix Solutions.
I ML S GR A N T
The El Paso Museum
of Art was awarded
a $149,762 matching
grant by the Institute
for Museum and Library Services (IMLS) to fund a threeyear $309,171 arts awareness and visual literacy program in
partnership with AVANCE-El Paso. The three-year program
began with a pilot group in March 2015. Parents and children
ages 3 to 5 visited the museum weekly and participated in
discussions and activities based on artworks led by Museum
and AVANCE staff. Test curricula were based on art making,
storytelling, books and gallery tours developed with the goal to
improve family literacy.
While early education is a proven method of increasing school
completion, too many children in El Paso are not receiving the
early educational opportunities that help them excel in school.
This partnership between the Museum and AVANCE-El Paso
will focus on early childhood development, school/reading
readiness, and art engagement. For parent participants, the
focus will be on improved levels of English proficiency, family
literacy and art awareness. In addition, the implementation
team expects that the results will provide an inclusive and
responsive educational resource that can be shared and
replicated to meet the growing national need for bilingual
literacy programs.
N EA G RAN T
National Endowment for the Arts (NEA) Chairman Jane Chu
announced on December 2, 2014 that the El Paso Museum
of Art (EPMA) was one of only 919 nonprofit organizations
nationwide to receive an NEA Art Works grant. EPMA received
a $65,000 grant to support collaboration with the Solomon
R. Guggenheim Art Museum to bring to our geographically
isolated region masterpieces from the Guggenheim’s
collection including works by Cézanne, Picasso, Kandinsky,
Marc, Delaunay, Gleizes, and Chagall. The grant will assist
EPMA in offering free admission to the public, along with
free educational programs, and performing arts and school
partnership programs. In particular, the grant enables the
museum to partner with the El Paso Symphony, the El Paso
Opera, and Pro Musica, in programming music that connects
with artworks in the Modern Masters series.
NEA Chairman Jane Chu said, “I’m pleased to be able to
share the news of our support through Art Works including
the award to the El Paso Museum of Art. The arts foster value,
connection, creativity and innovation for the American people
and these recommended grants demonstrate those attributes
and affirm that the arts are part of our everyday lives.”
Art Works grants support the creation of art, public
engagement with art, lifelong learning in the arts, and
enhancement of the livability of communities through the arts.
The NEA received 1,474 eligible applications under the Art
Works category, requesting more than $75 million in funding.
Of the applications, 919 were recommended for grants for a
total of $26.6 million.
20
C O L L A B O R AT I V E E D U C AT I O N P R O G R A M M I N G & G R A N T S AWA R D E D
IMPRESSIONS, ALZHEIMER’S PROGRAMMING
DEVELOPMENT
EPMA FORMS NEW YOUNG ASSOCIATES GROUP
EPMA Young Associates is designed to provide its members
with a unique forum for social/business networking and
community engagement/stewardship, while diversifying the
Museum’s audience and fostering a new generation of museum
patrons. Come and join other like-minded young professionals
in experiencing art and helping insure its future in the El Paso
community.
Recent Young Associates events included a sneak preview
of the Museum’s latest Modern Masters Series: Highlights
from the Solomon R. Guggenheim Museum exhibition on
February 10. Attendees met with the Guggenheim’s Assistant
Curator Carmen del Valle Hermo, who is also an advisor for the
Guggenheim’s own Young Collectors Council.
The Young Associates met again on April 1 for a behind-thescenes tour of PULPO with artist Yoshua Okón who flew in from
Mexico City for this special event.
For more information on the Young Associates Group please
contact Sylvia Ortiz at (915) 532-1707 x 24.
L I P SCOM B F OUNDATION GRANT AWARD
STAY CONNECTED AND BETTER INFORMED!
The Robert U. and Mabel O. Lipscomb Foundation awarded
$31,000 to EPMA in April 2015 to purchase artwork for the
permanent collection. These funds are used to purchase
artwork selected by Museum members at the annual
Members’ Choice event.
We encourage all EPMA Members to “Like” us on Facebook
to get the latest news and up-to-date information on what is
happening at the Museum. We update information daily which
makes this an ideal way for Members to stay connected and
better informed! For those who do not use Facebook, we
offer email notifications through Constant Contact. Please call
Emma Garcia, Development Assistant at (915) 532-1707
x 32 to sign up with your email address. You can also find
information on our website at ElPasoArtMuseum.org.
N ATIO NA L ENDOWMENT F OR THE AR TS
B LUE STA R MUSEUMS PROGRAM
Like us on Facebook
PAGE 24
EPMA continues to be a proud year-round participant of the
NEA’s Blue Star Museums Program which grants free admission
to ticketed exhibitions for active U.S. military personnel and
their families with valid ID.
Blue Star Museums grew to more than 1,500 museums this past
year, including over 700 museums that participated for the first
time! This program enables us to thank our military families
for their service and sacrifice to our country by inviting them to
enjoy the best of American culture.
1. Spark Saturday at EPMA
2. Child’s artwork inspired by Vasily Kandinsky
& Franz Marc exhibition
3. Reading the Easel book club at EPMA
4. 2014 Hyndai Sun Bowl Event at EPMA
5. Brittny Bevel, Museum School Coordinator,
learning tempera painting techniques from
conservators at University of Delaware
6. Artist Don Coen at the Members’ and
VIP reception
7. Membership reception at EPMA
8. EPMA Curatorial staff members installing
Don Coen: The Migrant Series
9. Focus Talks at EPMA
10. Collectors’ Club members at the
Art Institute of Chicago
11. Member’s Open House tour of art storage
12. Former First Lady Laura Bush vists EPMA
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4
5
6
7
8
9
10
11
3
PEOPLE AND EVENTS
1
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COLLECTORS’ CLUB
SAVE THE DATES!
UPCO M I NG CO LLE CTO R S’ CLUB E V E NTS
The Collectors’ Club (CClub) traveled to Chicago in November 2014
to visit the Art Institute of Chicago, Field Museum, Palmer House,
Glessner House, National Museum of Mexican Art, Museum of
Contemporary Art, and Museum of Contemporary Photography.
The next trip will be to the Seattle, Washington, area
October 6-11, 2015.
Our anticipated venues will include the Seattle Art Museum,
Frye Art Museum, Seattle Asian Art Museum, Chihuly Garden
of Glass, Olympic Sculpture Park, Whatcom Museum, Tacoma
Art Museum and Museum of Glass to name a few. All EPMA
members at the $250+ membership levels may travel with the
Collectors’ Club at CClub prices.
JUNE 18, 2015, 5:30 P.M.
Private CClub tour of Robert Delaunay and Albert Gleizes: The
School of Paris - Modern Masters Series: Highlights from the
Solomon R. Guggenheim Museum, organized by the Solomon
R. Guggenheim Foundation with Curator Christian Gerstheimer.
AUGUST 15, 2015, 2:00 P.M. – 4:00 P.M.
CClub tour of home and personal collection of local artist
Ho Baron. We will go to dinner following our tour with
everyone paying for their own meal.
OCTOBER 6-11, 2015
Trip to Seattle, Tacoma and Bellingham, Washington.
OCTOBER 24, 2015, 2:00 P.M. – 4:00 P.M.
CClub tour of gallery, home and personal collection of local
artist Hal Marcus. We will go to dinner following our tour with
everyone paying for their own meal.
NOVEMBER 12, 2015, 5:30 P.M.
Private CClub tour of Marc Chagall: The Green Violinist
- Modern Masters Series: Highlights from the Solomon
R. Guggenheim Museum, organized by the Solomon R.
Guggenheim Foundation with Senior Curator Patrick Shaw
Cable, Ph.D.
DECEMBER 3, 2015, 11:30 A.M. – 1:30 P.M.
Annual CClub appreciation luncheon and tour.
Large Image: Chihuly Garden of Glass. Seattle, Washington.
Above: Collectors Club in Chicago
23
For more information please contact
Jeff Romney, Director of Development
at (915) 532-1707 x 13
or [email protected]
Margaret and Peter de Wetter Gallery
Ginger Francis Seminar Room
Larry Francis Board Room
Robert Hilary Hoy III Memorial Conference Room
Tom Lea Gallery
Richard and Frances Mithoff Gallery
Dorrance and Olga Roderick Gallery
Isha Rogers Sculpture Gallery
Lory and Jonny Rogers Orientation Station
Patricia and Jonathan Rogers Grand Lobby
EL PASO MUSEUM OF ART FOUNDATION
CURRENT NAMED FUNDS
Roberto and Reyna Assael
David and Diane Bernard
Veronica Kastrin Callaghan
Holly and Sanford C. Cox, Jr. Historic El Paso Art
In Memory of Fern and Eugene Thurston
Katherine Brennand and Chris Cummings
Jack Cardwell Foundation
Hector and Lorez Curlin Retta
Jack V. and Barbara Price Curlin
Susan Davidoff and Carl E. Ryan
Charles and Lori de Wetter
Charles H. Dodson, Jr. Family
Charlotte Edmunds Education
Doris Eisenberg Memorial
Ann Enriquez Memorial
Leonard and Eleanor Kohlberg Goodman
Betty Ruth Wakefield Haley
Katharine White Harvey
Dr. Steve and Carol Johnson
Rebecca and Alan Krasne
Hal Marcus Early El Paso Art Collectors
Jack and Carroll Maxon
Frank and Sara McKnight Family
Sam and Greta Moore
Chad and Caroline North
Gloria Osuna Perez Memorial
Carolyn G. Ponsford
Maria Misiewicz Sadowski
Sanders Foundation
Cita Schuster
Mary Yelderman
DONORS
August 1, 2014 – March 1, 2015
W. David Bernard
Katherine Brennand
Holly and Sanford Cox, Jr.
Jackson V. and Donna Curlin
Tom C. and Dayna Curlin
Charles and Lori de Wetter
Mary Ann Dodson
Gaspar Enríquez
Julian M. Escoto
Joseph P. Hammond
Hunt Family Foundation
Dr. Steve and Carol Johnson
Hal Marcus and Patricia Medici
J. Sam Moore, Jr.
Price’s Producers, Inc.
Elsa Ramirez
Carl E. Ryan and Susan Davidoff
Mickey and Susan Schwartz
The Cardwell Foundation
The Houston Seminar
The Sanders Foundation
Michael A. Tomor
Wells Fargo Community Support Campaign
IN MEMORY OF FRANCES AXELSON
Carroll and Jack Maxon
IN MEMORY OF ANNETTE GOLDBERG
Raymond Rutledge
IN MEMORY OF JAMES LOVE
Wendy Hyland
Jane and Bob Snow
IN MEMORY OF CAROLYN G. PONSFORD
Jackson V. and Donna Curlin
Joseph P. Hammond
Margie Melby
IN MEMORY OF SARAH “CITA” SCHUSTER
Dee and Adair Margo
IN MEMORY OF MARY YELDERMAN
Estate of Rebecca Turner Garrett
Leonard A. Goodman, III
Jules and Patricia Lund
Anna and Scott McLean
Alan E. and Gail Schwartz
IN HONOR OF RUTH BASSETT’S 70TH BIRTHDAY
Amy and Allan Goldfarb
IN HONOR OF DONNA NEESSEN’S BIRTHDAY
Cindy Bernat
Teresa Feinberg
24
DONORS
CURRENT NAMED FUNDS – MUSEUM SPACES
DONORS
PROJECT SUPPORT GRANTS AND DONATIONS
IN MEMORY OF CITA SCHUSTER
For education, exhibitions, conservation, and special programs
August 1, 2014 – March 1, 2015
Nancy S. Wyler
Teresa E. Bustamante and Jorge A. Vergen
Teresa E. Bustamante, First Vice President Wealth Management,
Morgan Stanley
JP Morgan Chase
Robert Alan Fall
Friends of the Westside Branch Libraries, Inc.
Maryce M. Jacobs
Daniel Kosman
Robert R. McCormick Foundation
Laura Muñoz
James M. Shelton, Jr.
Morgan Stanley
Michael A. Tomor
Charlotte M. Wiedel
Judy Weiser
IN MEMORY OF LYNN FAGER
Norma Levenson
Dorothy E. Murray
Susan Eisen
IN MEMORY OF ANNETTE DUBIN GOLDBERG
Valerie Barnett
Mr. and Mrs. Richard A. Behrenhausen
Pamela Bernat
Dalton and Kimmie Caldwell
Irene Casner and Family
Martin and Bonnie Colton
Mr. and Mrs. Clinton H. Dean
Jim and Sharon Edge
Beverly and Tim Floyd
Linda, John and Rosser Kemp
Clay and Rhonda Lowenfield
Robert R. McCormick Foundation
Cindy and David Metrikin
Marilyn and Richard Rotwein
Robert A. and Jane Snow
Wyler Industrial Works
IN MEMORY OF ANNETTE GOLDBERG AND JIM LOVE
Edward and Lory Oppenheimer
IN MEMORY OF JIM LOVE
Robert and Leslie Beckoff
Laura and Gary Borsch
Ann and Sonny Brown
Melissa W. O’Rourke
Carol Walsh
Judy and Mike Wendt
IN MEMORY OF CAROLYN G. PONSFORD
Lindsay M. Green
Marionna and Hoyt Harbin III
Justin and Marilyn Mendeloff
Richard P. and Leslie J. Otis
25
Kathryn and Norman Peyton
Shari and Stuart Schwartz
Anna Renee Wilsey
Nancy S. Wyler
IN HONOR OF DONNA NEESSEN’S BIRTHDAY
IN HONOR OF MRS. JACK LYNCH
Mrs. Louis Scott
IN HONOR OF MRS. ROBERT O’MALLEY
Mrs. Louis Scott
IN HONOR OF ROBERT H. HOY, JR.
Rosser Kemp
IN HONOR OF KROGER STORES AND
THE WATER SHORTAGE IN DETROIT
Daniel Kosman
IN HONOR OF GOVERNOR RICK PERRY
Daniel Kosman
IN HONOR OF SARA MCKNIGHT’S BIRTHDAY
IN HONOR OF SARA MCKNIGHT’S AND
BETTY MACGUIRE’S BIRTHDAYS
Susan Eisen
IN HONOR OF THANKSGIVING
Daniel Kosman
AMPLIFIED ABSTRACTION
SPONSORS (At the time of Printing)
MODERN MASTERS SERIES:
HIGHLIGHTS FROM THE SOLOMON R. GUGGENHEIM MUSEUM
SPONSORS
BBVA Compass Bank
City of El Paso
Mrs. Robert M. Graham, Sr.
National Endowment for the Arts
Shari and Stuart R. Schwartz
Susan Eisen Fine Jewelry and Watches
WestStar Bank
MARKETING SPONSORS
Listing is of current Members as of March 1, 2015
EXECUTIVE $2,500
Hoy Fox Automotive Group
CORPORATE
FOUNDERS $1,000 +
Gorman Industrial Supply
Company
S-Mart
Douglas A. Schwartz
Shari and Stuart Schwartz
Supreme Laundry & Cleaners, Inc.
Howard and Mona Goldberg
SPONSORS $1,000 +
Mr. and Mrs. Richard
Behrenhausen
Ginger and L. Fredrick Francis
Hope and Hector Franco
Mr. and Mrs. Frank Gorman
Betty Ruth Wakefield Haley
Rose Ann and Robert H. Hoy, Jr.
Jack and Carroll Maxon
A. Richard Moore, Jr.
David and Judi Pierce
Lory and Jonny Rogers, Jr.
Sidney and Meralee
Schlusselberg
James M. Shelton, Jr.
COLLECTORS $500 +
Anonymous
Elizabeth and Jack Barron
Richard and Mary Brower
Thomas W. Chellis
Suzanne and Paul Dipp
Lisa Petriello-Eisenberg and
Dr. Kenneth Eisenberg
Sheridan Fitzgerald
Mona and Howard Goldberg
Eleanor K. Goodman
Charles and Ann Horak
Dale A. Hougham
Curt Jorgensen
Rana Kronfol and Fadi Hanbali
Judith Leonard
Licon Engineering Co., Inc. –
Gerardo Licon
Clay and Rhonda Lowenfield
Adair and Dee Margo
Dan McGlasson
Greg and Becky McNicol
Margie Melby
Mary Jo Melby
Les and Cathy Parker
Judy and Kirk Robison
Sergio and Ivonne Romero
Charles and Elizabeth Ruhmann
Ann and Tibor Schaechner
Mark and Kathleen Walker
COLLECTORS’ CLUB
$250/$400
Robert Belk and
Margaret Amada
Geraldine Benson
Donna S. Bloedorn
Ronald Blumenfeld and
Barbara Sher
Ann H. Bolte
Donald W. Bonneau
Ann Boylan
Katherine Brennand and
Chris Cummings
Elia Del Carmen Mares
Mary Ann Dodson
Susan Eisen
Gaspar Enríquez
Frances J. Foxx
John and Joanne Gnauck
Judith Goggin
Estelle Goldman
Laura Tate and Merton Goldman
Eleanor Goodman
Tim Gray
Lindsay M. Green
Joseph P. Hammond
Mary R. Haynes
Winfrey Hearst and
John Greenfield
Jose and Pilar Herrera
Tim Hervey
Sandra Hoover
John and Nancy Howell
Mr. and Mrs. Dick Hughes
Patricia Hutson
Steve and Carol Johnson
Eric A. Kistenmacher
Florence Korf
Julie Vanzant Lama
Lou Donna Landsheft
James and Emily Langford
Nancy O. Laster
Charlotte Lipson
Carroll and Jack Maxon
Edward McCormick
Sara McKnight
Jan Guynes McNutt
Linda Medlock and Robert Taran
Margie Melby and Greg Evans
Mary Jo Melby
Marilyn Mendeloff
J. Sam Moore, Jr.
Elaine Mortensen
Margie and Raymond Niemira
Thomas and Tommie Niland
Melissa O’Rourke
Julieta Paez
Drs. Thomas and Judith Pester
Doris Poessiger
Leigh Ponsford Lovelady
Lois N. Rayome
Jerry and Stanlee Rubin
Patty and Alan Russell
Ruth Bishop Sapp
Joe Sayklay
Mickey and Susan Schwartz
Mary Ann and Roger Silverstein
Martin Small
Carol McPherson Stone
Murlene Traw
Janet and Randy Wechter
Nancy S. Wyler
Tracy and Steve Yellen
SUPPORTERS $250 +
Ana Elena Allen
Susan R. Anchondo
Sally Andrade
Larry and Joyce Anenberg
Giulio Babbo
Judy Bargman
Soledad Basoco
George and Ruth Bassett
Jed and Kay Becker
Leslie and Robert Beckoff
Barbara Berliner
Joseph P. Boverie
David and Flo Buchmueller
Alyce M. Burmeister
Sharon Butterworth
Sharon Carter
Bonnie and Martin Colton
George and Birgit Cudahy
Jacquelyn S. Curtis-Goetting
Veronica and Richard Dayoub
Elizabeth Dunbar
Henry Dunbar
Barbara Ettinger
Tim and Beverly Floyd
Irmgard Forman
Steve and Nancy Fox
Estelle Goldman
Evelyn R. Goodman
Ken Gorski and Debra Little
Helen K. Groves
Richard Gutierrez
Tim Hervey
Ann Cameron Jackson
Fifi Heller-Kaim and Boris Kaim
Eileen Karlsruher
Rosser S. Kemp and
John B. Ryerson
Fay La Fon and Robert Postma
Dr. and Mrs. Lanski
Robert E. Lingle and
Elizabeth S. Galvin
Dr. Ken Lucius
Edwin J. Lynum
Maggie Maguire
Kim McGlone
Dr. Keith McNeil and
Malu Gonzalez
Justin and Marilyn Mendeloff
Ivonne D. Muñoz
Charlotte and John Nobles
Susan and David Novick
Melissa O’Rourke
Sirous Partovi and Patti Wetzel
Carl Ryan and Suzi Davidoff
Louie Salazar and Anna Aleman
Mary and A.C. Sanders, III
Dorothy Schatzman
Jody and Jonathan Schwartz
Don and Bobbi Shapiro
Dr. and Mrs. James Spier
Rick and Cerena Suarez
Bill and Shirley Sullivan
Carol L. Szeyko
Dr. David and Rebecca Taber
Greg and Holly Trubowitsch
Bill and Lucile Uhlig
Edward C. and
Charlene Sue Vogel
Barbara Walker
CONTRIBUTORS
$100 +
Rafael and Mary Adame
Andres Aguilar
Yolanda G. Alexander
Catherine Alpard
Margaret Amada and Robert Belk
Jon and Sharon Amastae
David and Sofia Appleby
Michael and Joni Austin
Isabel and Guillermo Avila
Bette and Phillip Azar
Jamie and Brenda Barnes
Barb Belles
Geraldine Benson
Dr. Cesar E. And Sylvia Berdeja
Harold and Jennie Block
Douglas Borrett
James Brister
Ann C. Brown
Joel and Peggy Brown
Katherine Brown
Patricia Bruce
Lou Ella Burmeister
Dr. Mario and
Mary Jane Caballero
26
DONORS
EL PASO MUSEUM OF ART
CIRCLES OF SUPPORT MEMBERS
DONORS
Kimmie and Dalton Caldwell
Catherine Calhoun
Kathleen Cardone and
Bruce Neugebauer
Robert and Rosie Carlson
Dorothy S. Carter
Lupe Casillas-Lowenberg
David Cassidy and
Richard Vanevenhoven
Jo Ann Chapman
David Chavez, Jr.
Michael Churchman and
Laurie Paternoster
Dr. Arthur and Charlotte Cohen
Cezy Collins
Miguel Corona
Holly and Sanford Cox
Billy Bob Crim
Dee Anne and Kenny Croucher
Suzie and Clark Curtin
Pete and Phyllis Davis
Kelly Denton
William E. Dickinson
Jeanie and David Dodge
Dr. Jack and Tracy Dowdy
Kerry Doyle
Richard Doyle
Bob and Mary Earp
Jack Eisenberg
Joyce Feinberg and
Eliot Shapleigh
Dr. Manuel and
Francoise Feliberti
Mark and Dori Fenenbock
David and Caryl Fickett
Robert and Jeanne Foskett
Larry and Marilyn Francis
Michael and Isabel Fushille
Abe Goldberg
Susie and Eddie Goldman
Ellen Goodman
Sheldon and Carolyn Gopin
Lesley Gosling
David and Carolyn Gough
Jacquelin Greuling
Nancy Hamilton
Will Harvey
John and Betty Hatchett
Kyle and Tres Hendrix
Elizabeth Hernandez
G. Russell and Cathy Hill
L. Richard and Denise Hirschbeck
Randy and Laurraine Huffman
Lynne Janzen
Chris Johnston
John Joyce II
Edward and Rebecca Kallman
Nancy Kaufman
Mr. and Mrs. Robert Krasne
Ina and Irwin Kurland
Don Kurtz and
27
Elizabeth Gutierrez
Dan Lambert and
Rachelle Thiewes
Susan Larsen
Cecilia and Lance Levine
JoAnne and Barry Levine
Ann Morgan Lilly
Richard and Nancy Loiselle
Peter Love
R.A. Lowenfield
Rosie Tovar Lucas
Jim and Mariwyn Maloney
Cynthia Mandujan
Ann James Massey
Edward E. McCormick
Robert McGregor
Patsy and Donald Meier
David and Cindy Metrikin
Bruce and Margaret Meyer
Cindy and Marco Milazzo
Dr. and Mrs. Fay E. Millett
Victor Mireles and
Ramona Russell
George Edward Moeck
Judge William E. Moody
Sam Moore
Tom Moore
Arturo and Analinda Moreno
Mary Morris
Elaine Mortensen
Helen and Jerry Moser
Andy and Ani Mouland
Pedro Natividad, Jr.
Jack and Benita Neumann
Jack and Cortney Niland
Geraldine Nitzburg
Linda Noack
Robert and Jeanne Novotny
Raquel Ortiz
Adrienne Palmer
Richard and Alice Parra
Bruce and Pattie Parsons
Elsa Pasanen and David S. Wright
Minnie Peña
Clyde and Susan Pine
Rosario and Enrique Ponte
Lisa Pugh
Ed Roden-Lucero
Daniel and Alma Rosecrans
Dr. and Mrs. Robert J. Rosen
Lisa and Marvin Rosenbaum
Hilda and Steve Rosenfeld
Dr. David and Rose Schecter
Stuart and Nancy Shiloff
Mr. and Mrs. Leonard Sipiora
Sharon and Matt Sloan
Jacquelyn and Curtis Spier
Bob and Jane Snow
Selena Solis
Miriam Spitz-Domnitz
Karen and Riley Stephens
Greg and Marybeth Stevens
Rosemary and Wally Stoelzel
Jane and Richard Thomas
Stanislaus and Beatrice Ting
Dr. and Mrs. Michael Traylor
Katherine Updike and
Robert Wagner
Polly Vaughn and
Charlie Heredia
Susan M. Walsh
Giles and Al Weisenberger
Bassel Wolfe
Margaret Hart Zerboni
Jule Zimet
FAMILY $60 +
Arturo and Adriana Acosta
Mike and Vicki Adkins
Robert and Sandra Almanzan
Mr. Atul Ambhorse
Mr. and Mrs. Blake Anderson
Jackie and Madeline Arellano
Albert and Soledad Armendariz
Lori Armendariz
Ana Arzola
Bill and Carol Avila
Sheila Awalt
Moses and Carolynne Ayoub
William Baldwin
John and Elsa Balliew
Cathy Banda
Ho Baron and Keri Ann Gardner
Elisa Barton
Don Baumgardt
Rose Beard
Stephanie and Walker Beard
Shay and Barry Benedict
Monica Benjamin
Bud and Mary Benning
David and Diane Bernard
Michael and Carol Bernstein
Joseph and Laura Biernacki
Bill and Nancy Bissell
Burt and Jo Blacksher
Cornelius and Rita Blesius
Daniel and Michelle Blumenfeld
Gary and Laura Borsch
Tom and Jan Brady
David and Delia Briones
Jack and Lillian Bristol
Forrest Brostrom
Lynn Bryant
David and Aurora Bustos
Gina Byford
Henry and Delfina G. Calderoni
Daniel Carey-Whalen
Marshall Carter-Tripp
Elma and Arturo Castro
Roger and Sumaira Chacon
Linda Chew
Kathleen and Jim Clair
Robert and Carmen Navar Clark
Hollywood and William Cobb
Cindy and Louis Cohen
Samuel Cohen
Duane and Justine Coleman
Shannon Collis
Ailbhe Cormack
Bridget Cormack
Priscilla Cossentino
Javier Cotera and
Stephanie Deming
Lynn Coyle and
Paco Dominguez
Cynthia Crane
Barbara and Billy Crews
Chris and Michelle Cummings
Sarah Daniel
William and Maggi Davidson
Mr. and Mrs. Michael Deaner
Marco and Araceli Del Valle
Tomas and Margaret Deleon
Socorro and Bert Diamondstein
Dr. Uzo Dim and
Katherine Halloran
Scott J. Donovan and
Joe C. Calderon
Mark and Rhonda Dore
Buddy and Lorelei Dunn
Linda East
Andy and Ivonne Eby
Jim and Sharon Edge
Herbert and Brenda Ehrlich
Sandra and Eric Enders
Carlos I. Enriquez
Vallarie Enriquez
Hector Erives
Bonnie Escobar
Jerry and Velia Esparza
Bob and Linda Fall
Teresa Fernandez
Suzanne Fogel
Dr. William and Joanne Foote
Karla Frausto and
Michael Wyatt
Tim and Patti Gallegly
Cristiana Gemoets
Risher and Bob Gilbert
Jerry Gilmer
Violet Gilson
Joy Goldbaum and
Norman Osborne
Ana L. Gonzalez
Jose and Norma Gonzalez
Lorenzo and Mireya Gonzalez
Pat and Susie Gorman
Nicole Grado
Mr. and Mrs. George Griffin
Mr. and Mrs. Larry Gurnsky
Hector and Debbie Gutierrez
Luis Gutierrez
Dolores Mendez
Giselher and Esther Meyer
Paul Micalizio
Mary Helen Michals
and Art Duval
Mr. and Mrs. Luis Minjarez
Amy Sue Minor
Jon’l and Gilbert Miranda
Bita and John Mobbs
Mr. and Mrs. Julio Monarrez
Rafaela Montenegro
Janet Monteros
Ike and Nancy Monty
Lisa G. Moore
Robert Moore and
Kate Gannon
Amy Parker-Morris and
Russell Morris
Mr. and Mrs. Andrew Morton
Elizabeth M. Muñoz
Deanne Sue Nasser
Ana Rosa M. Navarro
Margie and Larry Nelson
David and Cygne Nemir
Lyda Ness-Garcia
Mr. and Mrs. Charles Norton
Cindy Norton
Shawn and Debra O’Neal
Isela Ocegueda
Mr. and Mrs. Edward
Oppenheimer
Mary Orozo
Allen and Eve Palanker
Yolanda and Jennifer Parada
Kurt G. Paxson
Jesus Payan
Robert Pearson
Betty Jean Phillips
Joe Ponce – JC Daycare
Stephen Pugh and Linda McClain
Armida and Salvador Ramirez
Raul and Terry Ramirez
Rebeca Ramos
Maria-Eugenia Raposo
David and Donna Rea
Janae Reneaud-Field
Lorez and Hector Retta
Mario and Marisa Rivera
Rose Rivera
Custodio Rodriguez
Manny and Lupita Rodriguez
Jim Rolph
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28
DONORS
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29
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Jane Hall
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Dorothy Ann Leach
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30
DONORS
Sally Avant
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Donald Beene
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Sue Bendalin
Connie R. Benson
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Walter W. and Virginia Bernard
Ginnie Bernhardt
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Ann Boylan
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Val Brown
Peggy Brown Browning
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Karen Bucher
Jan Burgess
Carole G. Burns
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Bruce A. Byers
Joy M. Calvert
Consuelo B. Calvillo
Nancy Calvin
Zenaido and Carol Camacho
Sybillle Campbell
Maria Teresa Campos
Raymundo Campos
Lisa Candelaria
Frances Cardona
DeAnna Carpenter
Camilla Carr
Matt Carroll
Ofelia Castaneda
Dr. Jose O. Castillo
Silvia M. Castillo
DONORS
Barbara D. Light
Edward A. Lindeke
Susan Lindeman
Marie Livingston
Yolanda G. Loera
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Avelino Lopez
Rebecca Loya
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Martha Ludeman and
Gordon Butler
Wilette Maasdorf
John Mackenzie
Frances Maddox
James Magee
Charles and Anna Mais
Mary K. Mahowald
Jack G. Makepeace
Marjorie A. Marinovc
Dr. Nicholas Markovich
Bertha Marquez
Esperanza Mata Marruffo
Kimie S. Martin
Arturo and Janis Martinez
Cipriquo Federico Martinez
Esther Martinez
Evelina Martinez
Eugene M. Mason
Sue Matsler
Charlie and Candy Mayer
Marlene Mayfield
Elizabeth McAlmon
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Jane McCutcheon
Joann McElroy
Jack McGrath
Esther McGuire
Prince McKenzie
James and Janet McKimpson
Rita McKinney
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Thomas A. and
Thelma H. Meidinger
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John McVey Middagh
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Donna M. Minear
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Ginny Moe
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Sue Morce
Margaret B. Mordecai
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Jessica Mowad
Augie Mowchan
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31
Charles and Jean Murphree
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Rose Ontiveros
Joe Ortega
Kathleen Osowski
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Melendez
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Betty Peck
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Janet Pendygraft
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Antonio and Elsa Pina
Guadalupe Pineda
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32
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NINE EXHIBITION GALLERIES OF PERMANENT
COLLECTIONS CAN BE SEEN ALL YEAR LONG.
Tuesday - Saturday 9:00 am to 5:00 pm
Thursdays 9:00 am to 9:00 pm
Sunday 12:00 pm to 5:00 pm
Closed Mondays and major holidays
One Arts Festival Plaza,
El Paso, Texas
(915) 532-1707
ElPasoArtMuseum.org
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el paso`s masterpiece - El Paso Museum of Art

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