by hook or by cruck! - Fischer`s Baslow Hall
Transcription
by hook or by cruck! - Fischer`s Baslow Hall
Cruck Barn Cottage Restoration by hook or by cruck! From broken-down barn to a bijou escape for two – Mike Smith discovers a Derbyshire grand design T he stage is set for a getaway break in the Peak District. Accommodation for two in an ancient cruck barn has been made ready. A home-baked carrot cake, a wheat loaf, eggs from Chatsworth and a large bowl of strawberries has been set out on the table. The sheets have been changed on the bed, which is set in a sort of minstrel’s gallery that overlooks the kitchen, dining and lounge area. A music system, a television and a DVD are at the ready for evening entertainment; there is a Scandinavian wood-burning stove to provide warmth if the temperature falls and there is garden furniture on the patio for use in good weather, when the couple can breathe in the clear air, look out over a vast expanse of moorland and catch 126 A u g u s t 2011 distant glimpses of the crooked spire of Chesterfield’s church and the châteaulike outline of Bolsover’s castle. Running close by the barn, there is one of the many paths that criss-cross the moors and, just a short drive away, there are the show houses of Chatsworth, Haddon and Hardwick. These are the sort of seductive qualities that lure people who want to escape the pressures of everyday life to holiday barns throughout the Peak District, but visitors to this particular country retreat, set high on the moors above Barlow, would find it hard to imagine the condition of Cruck Barn Cottage just a year ago. At that time, most of the windows of the building had been blocked up; some of the walls were caving in and others were caving out; part of the roof had collapsed and those sections that remained were bowed and buckled. The doors were hanging off their hinges, the stone floor of the building was completely hidden by a great pile of straw and rubbish that had mulched into compost and the barn was not fit to house animals, let alone couples seeking accommodation with all mod cons. In the earliest years of its existence, the building may well have provided d e r by s h i r e.g r e a t b r i t i s h l i f e.c o.u k Cruck being put in place by hook or by cruck The roof before restoration Cruck being lifted d e r by s h i r e.g r e a t b r i t i s h l i f e.c o.u k accommodation for both humans and animals. At that time, it would have been much longer, with five cruck beams, rather than the present two, and it would have been divided into a small living quarter, a hayloft and an animal shelter. In the early 18th century, the building was partially demolished and some of its stone was used in the construction of a more substantial dwelling on adjacent land within the boundaries of the farm. That newer house, known as High Ashes Farm, is the home of Max and Susan Fischer, owners of Fischer’s, the celebrated hotel and Michelin-starred restaurant at Baslow Hall. Since they acquired High Ashes Farm in 2006, Max and Susan have renovated the main house in a most sensitive way. All the original features, from mullioned, diamond-leaded windows to stone-flagged floors, have been retained, but a modern open-plan staircase has been installed and a small adjacent barn has been integrated into the building and linked to it by an allglass atrium. The house is divided from the extensive vegetable garden, which provides much of the produce for Fischer’s Restaurant, by a long wall that was built by Max from a ready supply of stone he had found in the cellar, where it had been used to completely block up the basement room, in which a previous owner had feared to tread. After the Fischers had completed the renovation of the main house, the local authority’s conservation officer was keen for them to use their skills on the A u g u s t 2011 127 The bedroom large, half-collapsed barn that has now become Cruck Barn Cottage, not only because it was a listed building that was at risk, but also because it merited preservation as an example of an ancient structure where the loadbearing members are naturally bent, or ‘crucked’, oak timbers. Crucked beams come in many geometric forms, but they are set in the shape of a trapezium in this particular barn, which is identified in an authoritative survey of ancient buildings in North Derbyshire and South Yorkshire as ‘typical of the crucked buildings in this upland area’. The Fischers knew that the restoration of the cruck barn would cost a great deal of money, which they would need to recoup in some way. As there was no planning permission for a second permanent dwelling on their farm, Max and Susan decided they would make use of an existing permission that would allow them to convert the barn into holiday accommodation that could hopefully bring them some return on their investment. Conversion plans were drawn up by White Design of 128 A u g u s t 2011 Sheffield, who came up with a scheme that involved the transformation of the hayloft into a bedroom, which would feature a glass-fronted balcony overlooking the living area, and the creation of an open-plan ground floor, where clever use of the changing level of the bedrock on which the barn stands could be used to create a separate kitchen space that would be slightly raised above the lounge. The roof would be restored with slates extracted from the same local quarry that had supplied the original roofing material and new windows would be installed within existing frames that had long been blocked up. Although Max employed Gerald Swift as a builder, he kept costs down by carrying out much of the labour himself, with help from his sons, Neil and Daniel. As the walls of the barn were in danger of collapse, large sections had to be dismantled before they could be restored; the cruck beams had to be taken out and carefully stored for re-use, and the interior had to be cleared of the huge mound of ‘compost’ that had accumulated over the centuries. As the wall built from stones found in the cellar of his house demonstrates, Max is a great believer in re-using materials. He constructed a base for the barn’s wood-burner, which supplements the underfloor heating, from several large stones that were found when the interior was cleared; he made a huge flower-tub for the garden by mounting an old iron cauldron – once used for the brewing of beer – on top of an old cheese press; he fitted a former school gate at the entrance to the patio and he illuminated the path that runs alongside the barn with an old Chesterfield street light that had been acquired by Sebastian de Ferranti, the pioneering electrical engineer, who lived at Baslow Hall for many years. Meanwhile Susan Fischer searched the shops for furniture, fabrics and fittings that were reasonable in price but up-to-the-minute in form and function. Thanks to her good eye for a bargain and her impeccable taste in interior design, the result is a state-ofthe-art kitchen and living, sleeping and bathroom areas that are comfortable d e r by s h i r e.g r e a t b r i t i s h l i f e.c o.u k The lounge, kitchen and dining areas from the bedroom Welcome treat and contemporary. The interior walls and the ceiling are painted in cool white, but they are enlivened by some fine works of art and by the exposed wood of those beautifully restored cruck beams. From start to finish, the conversion was completed in just nine months, at a cost of £200,000, but the financial outlay, the back-breaking labour and the exhaustive furniture hunt should prove to be well worth the effort, not only because the Fischers have brought an ancient listed building back to life, but also because they have received back-to-back bookings for the barn ever since it opened for business in April of this year as a ‘stylish and private retreat for two’. For information about getaway breaks at Cruck Barn Cottage, see www.cruckbarncottagebarlow.co.uk 01246 583259. d e r by s h i r e.g r e a t b r i t i s h l i f e.c o.u k A u g u s t 2011 129