(*a`) /G - Wolfgang Buck

Transcription

A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
Li-Mi Mo-On Ou-Sc Se-Su Sw-We Wh-Z
Beatles
Songwriter
50s
Stones
Rock 'n Roll / Elvis
50er Deutsch
Irish Folk
Background
60s (60-63)
Scottish Folk
Party-Songs
60s (64-65)
Country / US
60s (66-67)
Oldies
60s (68-69)
Deutsch
70s (70-72)
Jazz
70s (73-79)
Dylan
80s
90s & later
A-Be
1.
Bi-C
D-El
Er-Gl Go-H
A FINE ROMANCE 18.
Fred Astaire
2.
A HORSE WITH NO NAME 19.
America
3.
A WHITER SHADE OF PALE ABER BITTE MIT SAHNE 20.
6.
21.
22.
Bob Dylan
23.
8.
ACROSS THE UNIVERSE 13.
14.
26.
27.
28.
38.
AM I BLUE? AMERICAN PIE AND I LOVE HER 29.
ANGELS 39.
ANGIE 40.
ANNIE LAURIE 41.
ANY TIME AT ALL Beatles
ALAMO, THE 33.
42.
BAD BAD LEROY BROWN Jim Croce
43.
BAD MOON RISING CCR
44.
BALLAD OF LUCY JORDAN Marianne Faithful
45.
BALLAD OF A THIN MAN Bob Dylan
46.
BANANA BOAT SONG
(DAY-O) Harry Belafonte
47.
AROUND AND AROUND Rolling Stones
BABY CAN I HOLD YOU Tracy Chapman
Trad.
32.
51.
BANKS OF
NEWFOUNDLAND, THE Trad.
48.
BANKS OF THE OHIO Johnny Cash
BEAT GOES ON, THE Sonny & Cher
52.
BE-BOP-A-LULA Gene Vincent
53.
BEI MIR BISTU SHEYN Andrews Sisters, 1929
54.
BEING FOR THE BENEFIT
OF MR. KITE Beatles
55.
AUTUMN LEAVES Joseph Kosma
Rolling Stones
31.
AULD LANG SYNE Trad. / Robert Burns
Robbie Williams
30.
AUF, AUF ZUM
FRÖHLICHEN JAGEN BATTLE OF NEW
ORLEANS, THE Jimmy Driftwood
Trad.
Beatles
AIN'T THAT GOOD NEWS? Bob Dylan
ALWAYS ON MY MIND AUF DER REEPERBAHN
NACHTS UM HALB EINS Hans Albers
Don McLean
AIN'T SHE SWEET ALL ALONG THE
WATCHTOWER 37.
Hoagy Carmichael, 1929
AIN'T NO SUNSHINE Donovan
17.
ALONE AGAIN,
NATURALLY AS TIME GOES BY Dooley Wilson (Sam) in
"Casablanca"
Elvis, Willie Nelson
AIN´T MISBEHAVIN´ Sam Cooke
16.
25.
AGAINST THE WIND Jack Yellen, Milton Ager, 1927
15.
24.
AFTER MIDNIGHT Bill Withers
36.
ALL YOU NEED IS LOVE ALOHA HEJA HE AS TEARS GO BY BASIN STREET BLUES Mills Brothers
Rolling Stones
Gilbert O‘Sullivan
AE FOND KISS Fats Waller, Harry Brooks, 1929
35.
ALL OF ME Monty Python
Bob Seger
12.
50.
ACT NATURALLY J.J. Cale
11.
Bob Dylan
Beatles
Robert Burns
10.
ALL I'VE GOT TO DO ALWAYS LOOK ON THE
BRIGHT SIDE OF LIFE Beatles
9.
49.
Trad.
AS I WENT OUT ONE
MORNING 34.
Achim Reichel
Billy Ray Cyrus
7.
Li-Mi Mo-On Ou-Sc Se-Su Sw-We Wh-Z PLAYLISTS
Beatles
ABSOLUTELY SWEET
MARIE ACHY BREAKY HEART ALL FOR ME GROG Frank Sinatra
Udo Jürgens
5.
It-Le
Beatles
Procol Harum
4.
I-Is
BETTER OFF WITHOUT A
WIFE Tom Waits
56.
BETWEEN HERE AND
GONE Mary Chapin Carpenter
A-Be
57.
58.
Bi-C
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BIG YELLOW TAXI Joni Mitchell
BIRD ON THE WIRE Trad.
91.
64.
66.
68.
70.
79.
80.
BONANZA BROTHERS IN ARMS Dire Straits
81.
BROWN EYED GIRL Van Morrisson
82.
BROWN SUGAR Rolling Stones
83.
BUONA SERA, SIGNORINA Louis Prima
84.
BUONA SERA, SIGNORINA Ralf Bendix
85.
BURNING LOVE Elvis
86.
BYE BYE BLACKBIRD Mort Dixon
87.
Trad.
72.
BRING IT ON HOME TO ME Animals
BOAT ON THE RIVER BOLLE REISTE JÜNGST ZU
PFINGSTEN BRIGHT EYES Art Garfunkel
BLUEBERRY HILL Styx
71.
78.
BLUE VELVET Louis Armstrong / Fats Domino
BREAKFAST IN AMERICA Supertramp
BLUE SUEDE SHOES Bobby Vinton
69.
77.
BLUE EYES Carl Perkins
BOXER, THE Simon and Garfunkel
BLOWING IN THE WIND Elton John
67.
76.
BLAUE NACHT AM HAFEN Bob Dylan
BOTH SIDES NOW Joni Mitchell
BLACK VELVET BAND Lale Andersen
65.
75.
BLACK MAGIC WOMAN Trad.
BOOTS OF SPANISH
LEATHER Bob Dylan
BLACKBIRD 2 Santana
63.
74.
BLACKBIRD Neil Diamond
62.
73.
BIRDS AND THE BEES,
THE Beatles
61.
90.
Jewel Akens
60.
It-Le
BONNIE LASS OF FYVIE,
THE Leonard Cohen
59.
I-Is
BYE BYE LOVE Everly Brothers
88.
TV
CALIFORNIA DREAMIN' Mamas & Papas
89.
CANDY MAN Donovan
CAN'T BUY ME LOVE Beatles
92.
107. COME TOGETHER Elvis
108. COMING INTO LOS
ANGELES CAPRIFISCHER CARRICKFERGUS Trad.
94.
CARRION CROW Trad.
95.
CATCH THE WIND Donovan
96.
CAT'S IN THE CRADLE Harry Chapin
97.
CECILIA Simon and Garfunkel
98.
CHAIN GANG Sam Cooke
99.
Trad.
CAN'T HELP FALLING IN
LOVE Rudi Schuricke
93.
106. COME BY THE HILLS CHAN CHAN Buena Vista Social Club
100. CHANGING OF THE
GUARDS Bob Dylan
101. CHEEK TO CHEEK Irving Berlin
102. CINDY OH CINDY Margot Eskens
103. CITY OF NEW ORLEANS Arlo Guthrie
104. COD LIVER OIL AND THE
ORANGE JUICE Hamish Imlach
105. COLOURS Donovan
Beatles
Arlo Guthrie
109. CONQUISTADOR Procol Harum
110. CONTINUING STORY OF
BUNGALOW BILL, THE Beatles
111. COTTON FIELDS CCR
112. COUNTRY ROADS John Denver
113. CRACKLIN' ROSIE Neil Diamond
114. CRAZY LOVE Van Morrison
115. CROSSING MUDDY
WATERS John Hiatt
116. CRY BABY CRY Beatles
117. CRY ME A RIVER Arthur Hamilton
118. CUANDO CALIENTA EL
SOL Latin
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119. DANIEL Elton John
120. DA DOO RON RON Crystals
121. DA SPRACH DER ALTE
HÄUPTLING DER INDIANER Gus Backus
122. DANNY BOY Trad.
123. DARBY'S CASTLE Kris Kristofferson
124. DARK END OF THE
STREET Percy Sledge
125. DARLING PRETTY Mark Knopfler
126. DAS ALTE SCHIFF Roger Whittaker
127. DAS KANN DOCH EINEN
SEEMANN NICHT
ERSCHÜTTERN Hans Albers / Heinz Rühmann
128. DAS KANNST DU MIR
NICHT VERBIETEN Bernd Spier
129. DAS WANDERN IST DES
MÜLLERS LUST Trad.
130. DAS WAR EINE SCHÖNE
PARTY France Gall
131. DAYDREAM Lovin Spoonful
132. DAYDREAM BELIEVER Monkees
133. DAYS LIKE THIS Van Morrison
I-Is
It-Le
134. DAYS OF PEARLY
SPENCER, THE David McWilliams
135. DEAD FLOWERS Rolling Stones
136. DEATH OF A CLOWN Kinks
137. DEDICATED FOLLOWER
OF FASHION Kinks
138. DEPORTEES Woody Guthrie
139. DER LACHENDE
VAGABUND Fred Bertelmann
140. DER MANN IM MOND Gus Backus
141. DESOLATION ROW Bob Dylan
142. DESPERADO The Eagles
143. DIE ALTEN RITTERSLEUT Karl Valentin
144. DIE GEDANKEN SIND FREI Trad.
145. DIE GITARRE UND DAS
MEER Freddy
146. DIE LIEBE IST EIN
SELTSAMES SPIEL Connie Francis
147. DIE MOORSOLDATEN Esser, Langhoff, Goguel
148. DIESER WEG Xavier Naidoo
149. DIRTY OLD TOWN Ewan MacColl
150. DO YOU WANT TO KNOW A
SECRET ? Beatles
151. DOCK OF THE BAY Otis Redding
152. DONNA, DONNA Trad./Donovan
153. DON'T GET AROUND MUCH
ANYMORE Duke Ellington
154. DON’T LET ME BE
MISUNDERSTOOD Animals
155. DON’T LET ME DOWN Beatles
156. DON'T THINK TWICE, IT'S
ALL RIGHT Bob Dylan
157. DON'T WORRY, BE HAPPY Bobby McFerrin
158. DOWN BY THE RIVERSIDE/
WHEN THE SAINTS Trad.
159. DOWNTOWN TRAIN Tom Waits
160. DREAM A LITTLE DREAM
OF ME Mamas and Papas
161. DSCHINGIS KHAN Dschingis Khan
162. DUBLIN LADY John Conolly
163. EARLY MORNIN' RAIN Gordon Lightfoot
164. EIGHT DAYS A WEEK Beatles
165. EIN BETT IM KORNFELD Jürgen Drews
166. EIN FREUND, EIN GUTER
FREUND Heinz Rühmann
167. EIN HELLER UND EIN
BATZEN Trad.
168. EIN SCHIFF WIRD KOMMEN Melina Mercouri
169. EL CONDOR PASA Simon and Garfunkel
170. ELEANOR RIGBY Beatles
A-Be
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Er-Gl Go-H
171. ERMUTIGUNG Wolf Biermann
172. ES FÄHRT EIN ZUG NACH
NIRGENDWO Christian Anders
173. ES GEHT MIR GUT Marius Müller-Westernhagen
174. ES GIBT KEIN BIER AUF
HAWAII Paul Kuhn
175. ES HÄNGT EIN
PFERDEHALFTER AN DER
WAND Bruce Low
176. ES WAR KEINE SO
WUNDERBAR WIE DU Cliff Richard
177. EVE OF DESTRUCTION Barry McGuire
178. EVERY BEAT OF MY
HEART Rod Stewart
179. EVERY BREATH YOU TAKE Police
180. EVERYBODY LOVES
SOMEBODY SOMETIME Dean Martin, 1964
181. EVERYBODY'S TALKIN' Harry Nilsson
182. EVERYTHING I OWN Culture Club
183. EV'RY TIME WE SAY
GOODBYE Cole Porter
184. FAITH George Michael
I-Is
It-Le
185. FALLING IN LOVE AGAIN Marlene Dietrich
186. FAREWELL ANGELINA Bob Dylan
187. FAREWELL TO TARWATHIE Trad.
188. FATHER AND SON Cat Stevens
189. FEELING GROOVY Simon & Garfunkel
190. FERNANDO ABBA
191. FEVER Elvis
192. FIDDLERS GREEN John Conolly
193. FIELDS OF GOLD Sting
194. FIFTY WAYS TO LEAVE
YOUR LOVER Paul Simon
195. FIRE AND RAIN James Taylor
196. FIRST CUT IS THE
DEEPEST, THE Cat Stevens
197. FIRST OF MAY Bee Gees
198. FIRST WE TAKE
MANHATTAN Leonard Cohen
199. FIVE HUNDRED MILES Peter, Paul & Mary
200. FLIEGER, GRÜSS MIR DIE
SONNE Hans Albers
201. FLOWER OF
NORTHUMBERLAND, THE Trad.
202. FLOWER O’ SCOTLAND Corries
203. FLY ME TO THE MOON Frank Sinatra
204. FOGGY DEW, THE Trad.
205. FOLSOM PRISON BLUES Johnny Cash
206. FOREVER YOUNG Bob Dylan
207. FOR NO ONE Beatles
208. FOR THE GOOD TIMES Kris Kristofferson
209. FOUR STRONG WINDS Trad.
210. FOURTH TIME AROUND Bob Dylan
211. FRAG DEN ABENDWIND Francoise Hardy
212. FREIGHT TRAIN Trad.
213. FREIHEIT Marius Müller-Westernhagen
214. FROM ME TO YOU Beatles
215. FÜR GABY TU ICH ALLES Gerd Böttcher
216. FÜR MICH SOLL‘S ROTE
ROSEN REGNEN Hildegard Knef
217. GALA WATER Trad.
218. GAMES PEOPLE PLAY Joe South
219. GANZ UND GAR Marius Müller-Westernhagen
220. GEE BABY, AIN‘T I GOOD
TO YOU? Nat King Cole
221. GEORGIA ON MY MIND Ray Charles
222. GET BACK Beatles
223. GET DOWN Gilbert O'Sullivan
224. GHOST RIDERS IN THE
SKY Johnny Cash
225. GIRL Beatles
226. GIRL FROM IPANEMA, THE Astrud Gilberto
227. GIRL FROM THE NORTH
COUNTRY Bob Dylan
228. GIVE PEACE A CHANCE Beatles
229. GLORY OF LOVE, THE Billy Hill 1936
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230. GOING UP THE COUNTRY Canned Heat
231. GOLDENER REITER Joachim Witt
232. GOLDWATCH BLUES Donovan
233. GOOD RIDDANCE Green Day
234. GOODBYE BOOZE Trad.
235. GOODBYE MUIRSHEEN
DURKIN Trad.
236. GREAT PRETENDER,THE Platters
237. GREENBACK DOLLAR Kingston Trio
238. GREEN FIELDS OF
FRANCE,THE Eric Bogle
239. GREEN GREEN GRASS OF
HOME Tom Jones
240. GREENLAND
WHALEFISHERY Trad.
241. GREENSLEEVES Trad.
242. GRIECHISCHER WEIN Udo Jürgens
243. GUANTANAMERA Latin
244. GUINEVERE Donovan
245. GUTE NACHT, FREUNDE Reinhard Mey
I-Is
It-Le
246. GUTEN ABEND, GUT'
NACHT Trad. / Johannes Brahms
247. GYPSY ROVER Trad.
248. HALLELUJAH Leonard Cohen, Rufus Wainwright
249. HAMBORGER
VEERMASTER, DE Trad.
250. HAMBURG, MEINE PERLE Lotto King Karl
251. HANG DOWN YOUR HEAD Tom Waits
252. HANG ON SLOOPY McCoys
253. HAPPY TOGETHER Turtles
254. HARD TIMES Trad.
255. HARVEST Neil Young
256. HAUGHS O' CROMDALE,
THE Trad.
257. HAVE A DRINK ON ME Lonnie Donegan
258. HAVE I TOLD YOU LATELY Van Morrison
259. HAVE YOU EVER SEEN
THE RAIN? CCR
260. HEART OF SATURDAY
NIGHT, THE Tom Waits
261. HEARTACHES BY THE
NUMBERS Willie Nelson
262. HEIMWEH Freddy
263. HEISSER SAND Mina
264. HELLO, MARY LOU Ricky Nelson
265. HELP ME MAKE IT
THROUGH THE NIGHT Kris Kristofferson
266. HENRY VIII Herman's Hermits
267. HERE COMES THE SUN Beatles
268. HERE, THERE AND
EVERYWHERE Beatles
269. HEUTE HIER, MORGEN
DORT Hannes Wader
270. HEUTE MALE ICH DEIN
BILD, CINDY LOU Drafi Deutscher
271. HEY JOE Jimi Hendrix
272. HEY JUDE Beatles
273. HEY, THAT'S NO WAY TO
SAY GOODBYE Leonard Cohen
274. HI FOR THE BEGGARMAN Trad.
275. HOCH AUF DEM GELBEN
WAGEN Trad.
276. HOME BOYS HOME Trad.
277. HOMEWARD BOUND Simon & Garfunkel
278. HONEY PIE Beatles
279. HONEY SUCKLE ROSE Fats Waller, 1928
280. HONKY TONK WOMEN Rolling Stones
281. HORSTI SCHMANDHOFF Franz Josef Degenhardt, 1966
282. HOTEL CALIFORNIA Eagles
283. HOUND DOG Elvis
284. HOUSE OF THE RISIN'
SUN, THE Bob Dylan
285. HUMAN Killers
286. HUNDERT MANN UND EIN
BEFEHL Freddy Quinn
A-Be
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Er-Gl Go-H
287. I CALL YOUR NAME Beatles
288. I CAN'T GIVE YOU
ANYTHING BUT LOVE Jimmy McHugh, 1928
289. I CAN HELP Billy Swan
290. I CAN SEE CLEARLY NOW Johnny Nash
291. I DON'T WANT TO TALK
ABOUT IT Rod Stewart
292. I FALL TO PIECES Patsy Cline
293. I GET A KICK OUT OF YOU Cole Porter
294. I GOT RHYTHM George Gershwin
295. I ONLY WANT TO BE WITH
YOU Dusty Springfield
296. I SAW HER STANDING
THERE Beatles
297. I SHALL BE RELEASED Bob Dylan
298. I SHOT THE SHERIFF Clapton / Marley
299. I STILL HAVEN'T FOUND
WHAT I'M LOOKING FOR U2
300. I STILL MISS SOMEONE Johnny Cash
301. I THINK IT'S GOING TO
RAIN TODAY Randy Newman
I-Is
It-Le
302. I THREW IT ALL AWAY Bob Dylan
303. I WALK THE LINE Johnny Cash
304. I WANT TO HOLD YOUR
HAND Beatles
305. I WANT YOU Bob Dylan
306. I WISH I WAS IN ENGLAND Trad.
307. I WILL Beatles
308. I WON'T BACK DOWN Tom Petty
309. ICH BIN VON KOPF BIS
FUSS... Marlene Dietrich
310. ICH BIN WIEDER HIER Marius Müller-Westernhagen
311. ICH DENK’ ES WAR EIN
GUTES JAHR Reinhard Mey
312. ICH WAR NOCH NIEMALS
IN NEW YORK Udo Jürgens
313. ICH WOLLTE WIE
ORPHEUS SINGEN Reinhard Mey
314. ICH ZÄHLE TÄGLICH
MEINE SORGEN Peter Alexander
315. IF I WERE A CARPENTER Tim Hardin
316. IF NOT FOR YOU Bob Dylan
317. IF YOU NEED ME Rolling Stones
318. IF YOU COULD READ MY
MIND Gordon Lightfoot
319. I'LL BE BACK Beatles
320. I'LL BE YOUR BABY
TONIGHT Bob Dylan
321. I'LL CRY INSTEAD Beatles
322. I'LL FOLLOW THE SUN Beatles
323. I'LL HAVE TO SAY I LOVE
YOU IN A SONG Jim Croce
324. I'LL NEVER FALL IN LOVE
AGAIN Burt Bacharach
325. I'M A BELIEVER Monkees
326. I'M HAPPY JUST TO
DANCE WITH YOU Beatles
327. I'M LOOKING THROUGH
YOU Beatles
328. I'M ON FIRE Bruce Springsteen
329. I'M SO TIRED Beatles
330. I'M WALKING Fats Domino
331. I'VE GOT YOU UNDER MY
SKIN Cole Porter, 1936
332. IMAGINE John Lennon
333. IN MY LIFE Beatles
334. IN MY SECRET LIFE Leonard Cohen
335. IN THE GHETTO Elvis
336. IN THE NEIGHBORHOOD Tom Waits
337. INTO THE GREAT WIDE
OPEN Tom Petty
338. IRENE GOODNIGHT Leadbelly
339. IRGENDWIE, IRGENDWO,
IRGENDWANN Nena
340. IRGENDWO AUF DER WELT Comedian Harmonists
341. ISLAND IN THE SUN Harry Belafonte
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342. IT AIN'T ME, BABE Bob Dylan
343. IT NEVER RAINS IN
SOUTHERN CALIFORNIA Albert Hammond
344. IT'S A HEARTACHE Bonnie Tyler
345. IT'S ALL OVER NOW, BABY
BLUE Bob Dylan
346. IT'S NOT UNUSUAL Tom Jones
347. IT'S NOW OR NEVER Elvis
348. IT'S ONLY LOVE Beatles
349. ITSY BITSY TEENY WEENIE
HONULULU STRANDBIKINI Caterina Valente
350. I'VE GOTTA GET A
MESSAGE TO YOU Bee Gees
351. I'VE JUST SEEN A FACE Beatles
352. JACKSON Johnny Cash
353. JAMAICA FAREWELL Harry Belafonte, 1956
354. JAMBALAYA Fats Domino
355. JEALOUS GUY John Lennon
356. JINGLE BELLS James Pierpont, 1857
357. JOHNNY B. GOODE Chuck Berry
I-Is
It-Le
358. JOHNNIE COPE Trad.
359. JOHNNY I HARDLY KNEW
YE Trad.
360. JOHNNY WALKER Marius Müller-Westernhagen
361. JOKER, THE Steve Miller
362. JUNGE, KOMM BALD
WIEDER Freddy Quinn
363. JUNIMOND Rio Reiser
364. JUST A GIGOLO Marlene Dietrich
365. JUST LIKE A WOMAN Bob Dylan
366. JUST LIKE TOM THUMB'S
BLUES Bob Dylan
367. JUST THE WAY YOU ARE Billy Joel
368. KALKUTTA LIEGT AM
GANGES Vico Torriani
369. KEEP ON TRUCKIN’ Donovan
370. KILLICRANKIE Trad.
371. KING OF THE ROAD Roger Miller
372. KINGSTON TOWN UB 40
373. KLEINE MÖWE FLIEG
NACH HELGOLAND Hans Albers
374. KNOCKIN' ON HEAVEN'S
DOOR Bob Dylan
375. KRIMINALTANGO Hazy Osterwald Sextett
376. KUMPANEI, DIE Franz Josef Degenhardt
377. L.A. INTERNATIONAL
AIRPORT Susan Raye
378. LA PALOMA Hans Albers
379. LADY CAME FROM
BALTIMORE Tim Hardin
380. LADY D’ARBANVILLE Cat Stevens
381. LADY IN BLACK Uriah Heep
382. LADY IS A TRAMP, THE Richard Rogers, 1937
383. LADY JANE Rolling Stones
384. LADY MADONNA Beatles
385. LAMBS ON THE GREEN
HILLS, THE Trad.
386. LARK IN THE MORNING,
THE Trad.
387. LAST THING ON MY MIND,
THE Tom Paxton
388. LAST TIME, THE Rolling Stones
389. LAY DOWN SALLY Eric Clapton
390. LAY LADY LAY Bob Dylan
391. LAYLA Eric Clapton
392. LAZY RIVER Hoagy Carmichael
393. LEAVIN ON A JET PLANE John Denver
394. LEAVING OF LIVERPOOL,
THE Trad.
395. LEEZIE LINDSAY Trad.
396. LET IT BE Beatles
397. LET IT SNOW Dean Martin
398. LET'S DANCE Chris Montez
399. LET'S DO IT, LET‘S FALL IN
LOVE Cole Porter
400. LET'S FALL IN LOVE Harold Arlen
401. LETTER, THE Box Tops
A-Be
Bi-C
D-El
402. LIEBESKUMMER LOHNT
SICH NICHT Siw Malmquist
403. LIGHT MY FIRE Doors
404. LIKE A ROLLING STONE Bob Dylan
405. LILI MARLEEN Marlene Dietrich
406. LILI MARLEEN Engl. Version
407. LILY OF THE WEST, THE Trad. (Mark Knopfler)
408. LINCOLN DUNCAN Paul Simon
409. LITTLE OLD WINE
DRINKER ME Dean Martin
410. LITTLE TIN SOLDIER Donovan
411. LIVING DOLL Cliff Richard
412. LIVING NEXT DOOR TO
ALICE Smokie
413. LOCH LOMOND Trad.
414. LOCKE HOSPITAL Trad.
415. LODI CCR
416. LONG AND WINDING
ROAD, THE Beatles
417. LONG BLACK VEIL Trad.
Er-Gl Go-H
I-Is
It-Le
418. LOOK WHAT THEY DONE
TO MY SONG Melanie Safka
419. LOOKIN OUT MY
BACKDOOR CCR
420. LORD FRANKLIN Trad.
421. LORD OF THE DANCE Sydney Carter
422. LORELEI Heinrich Heine, 1823 / Friedrich
Silcher 1838
423. LOVE IS ALL AROUND Troggs
424. LOVE ME TENDER Elvis
425. LOVE MINUS ZERO/NO
LIMIT Bob Dylan
426. LOVE POTION No. 9 Searchers
427. LOWLANDS OF HOLLAND,
THE Trad.
428. LUCILLE Kenny Rogers
429. MACKIE MESSER Kurt Weill
430. MacPHERSON'S LAMENT Trad.
431. MAD WORLD Gary Jules
432. MAGGIE MAY Rod Stewart
433. MAIDS WHEN YOU'RE
YOUNG Trad.
434. MAIRI'S WEDDING Trad.
435. MAKE YOU FEEL MY LOVE Bob Dylan
436. MAKIN´ WHOOPEE Donaldson / Kahn
437. MAMA, YOU BEEN ON MY
MIND Bob Dylan
438. MAN GAVE NAMES TO ALL
THE ANIMALS Bob Dylan
439. MAN ON THE MOON REM
440. MARINA Rocco Granata
441. MARMOR, STEIN UND
EISEN BRICHT Drafi Deutscher
442. MASSACRE OF GLENCOE,
THE Trad.
443. MAXWELL'S SILVER
HAMMER Beatles
444. ME AND BOBBY McGEE Kris Kristofferson
445. ME AND JULIO DOWN BY
THE SCHOOLYARD Paul Simon
446. MEIN KLEINER GRÜNER
KAKTUS Comedian Harmonists
447. MELLOW YELLOW Donovan
448. MEMPHIS BLUES AGAIN Bob Dylan
449. MERCEDES BENZ Janis Joplin
450. MICHELLE Beatles
451. MIDNIGHT SPECIAL Leadbelly
452. MIGHTY QUINN Bob Dylan
453. MINGULAY BOAT SONG Trad.
454. MINNIE THE MOOCHER Cab Calloway.
455. MISS OTIS REGRETS Cole Porter, 1934.
456. MISTY Errol Garner
457. MIT 17 FÄNGT DAS LEBEN
ERST AN Ivo Robic
458. MITTELPUNKT DER WELT Sven Regener
A-Be
Bi-C
D-El
Er-Gl Go-H
459. MOLLY MALONE Trad.
460. MONEY FOR NOTHING Dire Straits
461. MOON RIVER Johnny Mercer & Henry Mancini,
1961
462. MOONLIGHT SHADOW Mike Oldfield, Maggie Reilly
463. MORNING HAS BROKEN Cat Stevens
464. MOTHER'S LITTLE HELPER Rolling Stones
465. MOTHERLESS CHILD Trad.
466. MR. BOJANGLES Jerry Jeff Walker
467. MR. TAMBOURINE MAN Bob Dylan
468. MRS. ROBINSON Simon and Garfunkel
469. MULL OF KINTYRE McCartney-Laine
470. MY BABY JUST CARES
FOR ME Nina Simone
471. MY BACK PAGES Bob Dylan
472. MY BOY LOLLIPOP Millie Small
473. MY GIRL Temptations
474. MY HEART WILL GO ON Celine Dion (Titanic)
475. MY MIND'S EYE Small Faces
I-Is
It-Le
476. MY VERY GOOD FRIEND
THE MILKMAN Fats Waller
477. MY WAY Frank Sinatra, 1953
478. NANCY WHISKEY Trad.
479. NASHVILLE CATS Lovin' Spoonful
480. NEUNUNDNEUNZIG
LUFTBALLONS Nena
481. NEVER GOING BACK
AGAIN Fleetwood Mac
482. NEW YORK GIRLS Trad.
483. NEW YORK MINING
DISASTER 1941 Bee Gees
484. NEW YORK, NEW YORK Frank Sinatra
485. NIGHT AND DAY Cole Porter
486. NIGHT THEY DROVE OLD
DIXIE DOWN, THE The Band
487. NIGHT VISITING SONG Trad.
488. NIGHTS IN WHITE SATIN Moody Blues
489. NIGHTINGALE, THE Trad.
490. NO MATTER WHAT Boyzone
491. NO MILK TODAY Herman's Hermits
492. NO REPLY Beatles
493. NO WOMAN NO CRY Bob Marley
494. NOBODY KNOWS YOU Eric Clapton / Jimmy Cox
495. NORTH COUNTRY BLUES Bob Dylan
496. NORWEGIAN WOOD Beatles
497. NOT FADE AWAY Buddy Holly
498. NOTHING RHYMED Gilbert O'Sullivan
499. NOWHERE MAN Beatles
500. OCTOPUS'S GARDEN Beatles
501. ODE TO BILLIE JOE Bobbie Gentry
502. OH SUSANNA James Taylor
503. OHNE KRIMI GEHT DIE
MIMI NIE INS BETT Bill Ramsey
504. OLD FOLKS AT HOME, THE Stephen Collins Foster
505. OLD TIME ROCK AND
ROLL Bob Seger
506. ON THE ROAD AGAIN Willie Nelson
507. ON THE ROAD AGAIN Canned Heat
508. ON THE SUNNY SIDE OF
THE STREET Frank Sinatra
509. ONE Johnny Cash
510. ONE OF US CANNOT BE
WRONG Leonard Cohen
511. ONE MORE NIGHT Bob Dylan
512. ONE TOO MANY
MORNINGS Bob Dylan
513. ONLY A BROKEN HEART Tom Petty
514. ONLY SIXTEEN Sam Cooke
515. ONTARIO BOUND Rosemary Hardman
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
516. OUT OF TIME 533. QUE SERA 549. RIVER, THE 517. OVER THE RAINBOW 534. RAGGLE-TAGGLE GYPSY,
THE 550. ROAD TO DUNDEE, THE Rolling Stones
Judy Garland, "The Wizard of
Oz", 1939
518. PAINT IT BLACK Rolling Stones
519. PAPER DOLL Mills Brothers
520. PAPER MOON James Taylor
521. PARTISAN, THE Leonard Cohen
522. PEGGY SUE Buddy Holly
523. PENNY LANE Beatles
524. PERCY'S SONG Bob Dylan
525. PIANO MAN Billy Joel
526. PLAY WITH FIRE Rolling Stones
527. POETRY IN MOTION Neil Sedaka
528. POLK SALAD ANNIE Tony Joe White
529. POSITIVELY 4TH STREET Bob Dylan
530. PROUD MARY CCR
531. PUFF, THE MAGIC DRAGON Peter, Paul & Mary
532. QUANDO QUANDO Caterina Valente
Doris Day
Trad.
535. RAINDROPS KEEP FALLING
ON MY HEAD Burt Bacharach
536. RAINY DAY WOMEN #12 &
35 Bob Dylan
537. RAMBLIN' BOY Tom Paxton
538. RAMONA Blue Diamonds
539. RAVE ON Buddy Holly
540. REAL OLD MOUNTAIN DEW Trad.
541. REASON TO BELIEVE Tim Hardin
542. RED RED WINE UB 40
543. RED RIVER VALLEY Trad.
544. RHINESTONE COWBOY Glen Campbell
545. RHYTHM OF THE RAIN Cascades, 1963
546. RIDERS ON THE STORM Doors
547. RING OF FIRE Johnny Cash
548. RISING OF THE MOON, THE Trad.
Bruce Springsteen
Trad.
551. ROAD TO HELL Chris Rea
552. ROCK AROUND THE
CLOCK Bill Haley
553. ROCKY RACCOON Beatles
554. ROLL OVER BEETHOVEN Chuck Berry
555. ROLLING HOME Trad.
556. ROSE GARDEN Lynn Anderson
557. ROSIN THE BEAU Trad.
558. ROTE LIPPEN SOLL MAN
KÜSSEN Cliff Richard
559. ROUTE 66 Chuck Berry
560. RUBY, DON'T TAKE YOUR
LOVE TO TOWN Kenny Rogers
561. RUBY TUESDAY Rolling Stones
562. RUBY’S ARMS Tom Waits
563. RUDOLPH THE RED-NOSED
REINDEER Johnny Marks, 1949
564. SAG MIR, WO DIE BLUMEN
SIND Marlene Dietrich
565. SAILING Rod Stewart
566. SAILING TO PHILADELPHIA Mark Knopfler
567. SALLY GARDENS, THE Trad.
568. SANTIANO Santiano
569. SANTY ANNO Kingston Trio
570. SAN FRANCISCO Scott McKenzie
571. SAN FRANCISCO BAY
BLUES Eric Clapton
572. SATISFACTION Rolling Stones
573. SAVE THE LAST DANCE
FOR ME Drifters
574. SCARBOROUGH FAIR Trad.
575. SCHAU MICH BITTE NICHT
SO AN Nana Mouskouri
576. SCHOOLDAYS OVER Ewan McColl
577. SCHÖNER FREMDER MANN Connie Francis
578. SCHULD WAR NUR DER
BOSSA NOVA Manuela
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
579. SEASONS IN THE SUN 595. SINGIN' IN THE RAIN 613. SPACE ODDITY 630. STREETS OF LONDON 580. SEE YOU LATER, ALLIGATOR 596. SINGIN THE BLUES 614. SPANISH LADY, THE 631. STUCK IN THE MIDDLE WITH
YOU Terry Jacks / Westlife
Bill Haley
581. SEEMANN (DEINE HEIMAT
IST DAS MEER) Lolita
582. SEEMS SO LONG AGO,
NANCY Leonard Cohen
583. SEI MAL VERLIEBT Hildegard Knef
584. SENTIMENTAL JOURNEY Les Brown Orchestra, 1944
585. SEPTEMBER SONG Kurt Weill
586. SEVEN DRUNKEN NIGHTS Trad.
587. SHA LA LA LA LEE Small Faces
588. SHAKE HANDS Drafi Deutscher
589. SHE CAME IN THROUGH THE
BATHROOM WINDOW Beatles
Gene Kelly
Guy Mitchell, Marty Robbins, Dean
Martin
597. SISTERS OF MERCY Leonard Cohen
593. SIE LIEBT DICH Beatles
594. SIEBZEHN JAHR´, BLONDES
HAAR Udo Jürgens
632. SUGAR BABY Peter Kraus
599. SKYE BOAT SONG 617. SPORTING LIFE BLUES 634. SUMMER IN THE CITY 600. SLOOP JOHN B. 618. ST. JAMES INFIRMARY 635. SUMMER OF 69 619. STAND BY ME 636. SUMMER WINE 620. STAND BY YOUR MAN 637. SUMMERTIME 621. STAR OF THE COUNTY
DOWN 638. SUMMERTIME BLUES Merle Travis / Tennessee Ernie Ford
Trad.
Trad.
601. SMOKE GETS IN YOUR EYES Platters
602. SNOWBIRD Elvis
603. SOLITARY MAN Johnny Cash
604. SO LONG, MARIANNE Leonard Cohen
605. SO SIND HIER DIE LEUTE Franz Josef Degenhardt
606. SOLSBURY HILL Peter Gabriel
608. SOMETHING SO RIGHT Robbie Williams
Bee Gees
Stealers Wheel
633. SULTANS OF SWING 591. SHE‘S LEAVING HOME 592. SHE'S THE ONE 615. SPICKS AND SPECKS 598. SIXTEEN TONS 607. SOMETHING Beatles
Trad.
Trad., Arr. Ralph McTell
616. SPIEL NICHT MIT DEN
SCHMUDDELKINDERN 590. SHE LOVES YOU Beatles
David Bowie
Beatles
Paul Simon
609. SOMETHING STUPID Frank & Nancy Sinatra
610. SONDERZUG NACH PANKOW Udo Lindenberg
611. SONG SUNG BLUE Neil Diamond
612. SOUNDS OF SILENCE Simon and Garfunkel
Franz Josef Degenhardt, 1965
Trad.
Trad.
Ben E. King
Tammy Wynette
Trad.
622. STARS FELL ON ALABAMA Frank Perkins
623. STEEL RAIL BLUES Gordon LIghtfoot
624. STILL CRAZY AFTER ALL
THESE YEARS Paul Simon
625. STILL THE SAME Bob Seger
626. STILLE NACHT Joseph Mohr, Franz Gruber, 1818
627. STORMY MONDAY T-Bone Walker
628. STORMY WEATHER Lena Horne, 1943
629. STRAWBERRY FIELDS Beatles
Dire Straits
Lovin Spoonful
Bryan Adams
Frank Sinatra
George Gershwin
Eddie Cochran
639. SUMMERWINE Nancy Sinatra / Lee Hazelwood
640. SUNDOWN Gordon Lightfoot
641. SUNNY Bobby Hebb
642. SUNNY AFTERNOON Kinks
643. SUNRISE Norah Jones
644. SUNSHINE SUPERMAN Donovan
645. SUSIE Q CCR
646. SUZANNE Leonard Cohen
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
647. SWEET BABY JAMES 663. THAT'S AMORE James Taylor, 1970
Dean Martin
648. SWEET GEORGIA BROWN Lewis Armstrong
649. SWEET HOME ALABAMA Lynyrd Skynyrd
650. SWEET LITTLE SIXTEEN Chuck Berry
651. SWEET SIXTEEN Billy Idol
652. SYMPATHY FOR THE DEVIL Rolling Stones
653. TAKE HER OUT OF PITY Kingston Trio / John Stewart
654. TAKE IT EASY ALTES
HAUS Truck Stop
655. TANZE MIT MIR IN DEN
MORGEN Gerhard Wendland
656. TEDDY BEAR Elvis
657. TELL ME THAT IT ISN’T
TRUE Bob Dylan
658. TENNESSEE WALTZ Trad.
659. TEQUILA SUNRISE Eagles
660. THAT LUCKY OLD SUN Frankie Laine, 1949
661. THAT'LL BE THE DAY Buddy Holly
662. THAT'S ALRIGHT, MAMA Elvis
664. THEY CAN'T TAKE THAT
AWAY FROM ME George Gershwin
665. THINGS WE SAID TODAY Beatles
666. THIS WHEEL'S ON FIRE Bob Dylan
667. THREE LITTLE BIRDS Bob Marley
668. THREE STEPS TO HEAVEN Eddie Cochran
669. TIDE IS HIGH, THE Blondie
670. TILL THERE WAS YOU Beatles
671. TIME AFTER TIME Cindy Lauper
672. TIMES THEY ARE ACHANGIN' Bob Dylan
673. TIPITIPITIPSO Caterina Valente
674. TO LOVE SOMEBODY Bee Gees
675. TOM DOOLEY Kingston Trio
676. TOM TRAUBERT’S BLUES Tom Waits
677. TOMORROW IS A LONG
TIME Bob Dylan
678. TONIGHT WILL BE FINE Leonard Cohen
679. TOWN I LOVED SO WELL,
THE Phil Coulter
680. TRUE LOVE Big Crosby
681. TRY TO REMEMBER Ames Brothers
682. TURN, TURN, TURN Pete Seeger
683. TWA RECRUITING
SERGEANTS Trad.
684. TWIST IN MY SOBRIETY Tanita Tikaram
685. TWIST AND SHOUT Beatles
686. ÜBER DEN WOLKEN Reinhard Mey
687. ÜBER SIEBEN BRÜCKEN
MUSST DU GEHN Karat
688. UMLEITUNG Franz Josef Degenhardt
689. UNCHAIN MY HEART Joe Cocker
690. UNDER THE BOARDWALK Rolling Stones
691. UNDER MY THUMB Rolling Stones
692. VERONIKA DER LENZ IST
DA Comedian Harmonists
693. VINCENT Don McLean
694. WALK ON THE WILD SIDE Lou Reed
695. WALKING IN MEMPHIS Marc Cohn
696. WALTZING MATILDA Trad. Australian
697. WAS WOLLEN WIR
TRINKEN? Bots
698. WATER IS WIDE, THE Trad.
699. WATERLOO Abba
700. WATERLOO SUNSET Kinks
701. WAY YOU LOOK TONIGHT,
THE Frank Sinatra
702. WEIL ICH DICH LIEBE Marius Müller-Westernhagen
703. WEISSE ROSEN AUS
ATHEN Nana Mouskouri
704. WE SHALL OVERCOME Pete Seeger
705. WE'LL MEET AGAIN Johnny Cash, Vera Lynn
706. WENN EIN MENSCH LEBT Puhdys
707. WESTERLAND Die Ärzte
A-Be
Bi-C
D-El
Er-Gl Go-H
708. WHA WADNA FECHT FOR
CHARLIE? Trad.
709. WHAT A WONDERFUL
WORLD Louis Armstrong
710. WHAT SHALL WE DO WITH
THE DRUNKEN SAILOR? Trad.
711. WHEN I COME HOME Spencer Davis Group
712. WHEN I'M DEAD AND GONE McGuinnes Flint
713. WHEN I'M SIXTY-FOUR Beatles
714. WHEN SOMEBODY THINKS
YOU‘RE WONDERFUL Fats Waller
715. WHEN THE SHIP COMES IN Bob Dylan
716. WHEN YOU SAY NOTHING
AT ALL Ronan Keating
717. WHERE DO YOU GO TO MY
LOVELY Peter Sarstedt
718. WHISKEY IN THE JAR Trad.
719. WHISPERING John Schonberger, 1920
720. WHITE CHRISTMAS Bing Crosby
721. WHITE CLIFFS OF DOVER,
THE Vera Lynn
722. WHO‘S SORRY NOW? Connie Francis
I-Is
It-Le
723. WHY 739. WISH YOU WERE HERE 724. WHY DO YOU TREAT ME
LIKE YOU DO? 740. WHITH A LITTLE HELP
FROM MY FRIENDS Beatles
Donovan
Pink Floyd
Beatles
755. YOU AIN'T GOING
NOWHERE Bob Dylan
756. YOU ARE MY SUNSHINE Johnny Cash
725. WHY WORRY? 741. WO MEINE SONNE SCHEINT 757. YOU BELONG TO ME 726. WIDOW WITH SHAWL 742. WOCHENEND UND
SONNENSCHEIN 758. YOU BETTER MOVE ON Dire Straits
Donovan
727. WILD HORSES Rolling Stones
728. WILD MOUNTAIN THYME Trad.
729. WILD ROVER Trad.
730. WILD THING Troggs
731. WILLENLOS Marius Müller-Westernhagen
732. WILD WORLD Cat Stevens
733. WILL THE CIRCLE BE
UNBROKEN Trad.
734. WILLIE'S GAN TAE
MELVILLE CASTLE Trad.
Caterina Valente
Comedian Harmonists
743. WÖLFE MITTEN IM MAI Franz Josef Degenhardt
744. WONDERFUL TONIGHT Eric Clapton
745. WONDERFUL WORLD Sam Cooke
746. WONDERWALL Oasis
747. WOODEN HEART Elvis
748. WORDS OF LOVE Beatles / Buddy Holly
749. WOULD YOU LAY WITH ME
IN A FIELD OF STONE? Johnny Cash
750. YA YA Lee Dorsey
Patti Page, 1952
Rolling Stones
759. YOU DO SOMETHING TO ME Cole Porter
760. YOU DON'T KNOW Milow
761. YOU KNOW WHO I AM Leonard Cohen
762. YOU WON'T SEE ME Beatles
763. YOU'VE GOT A FRIEND James Taylor
764. YOU'VE GOT TO HIDE YOUR
LOVE AWAY Beatles
765. YOUNG GIRL BLUES Donovan
766. YOUR SONG Elton John
767. YOU'RE SIXTEEN Ringo Starr
735. WINCHESTER CATHEDRAL New Vaudeville Band
736. WIND CRIES MARY, THE 751. YE JACOBITES BY NAME 752. YELLOW ROSE OF TEXAS 768. ZOGEN EINST FÜNF WILDE
SCHWÄNE 737. WIR HABEN GRUND ZUM
FEIERN 753. YELLOW SUBMARINE 769. ZWEI KLEINE ITALIENER Jimi Hendrix
Otto Waalkes
738. WIRKLICH SCHON WIEDER
EIN JAHR ? Reinhard Mey
Trad.
Trad.
Beatles
754. YESTERDAY Beatles
Trad.
Conny Froboess
A-Be
Bi-C
D-El
Er-Gl Go-H
ACROSS THE UNIVERSE
GET BACK
ACT NATURALLY
GIRL
ALL I'VE GOT TO DO
I-Is
It-Le
GIVE PEACE A CHANCE
IMAGINE John Lennon
ALL YOU NEED IS LOVE
HERE COMES THE SUN
AND I LOVE HER
HERE, THERE AND
EVERYWHERE
LADY MADONNA
BEING FOR THE BENEFIT OF
MR. KITE
BLACKBIRD
HEY JUDE
HONEY PIE
I CALL YOUR NAME I SAW HER STANDING THERE
I WANT TO HOLD YOUR HAND
CONTINUING STORY OF
BUNGALOW BILL, THE
I WILL
CRY BABY CRY
I'LL BE BACK
DO YOU WANT TO KNOW A
SECRET ?
I'LL CRY INSTEAD
DON’T LET ME DOWN
SIE LIEBT DICH
SOMETHING
LET IT BE
STRAWBERRY FIELDS
FOREVER
THINGS WE SAID TODAY
LONG AND WINDING ROAD, THE
TILL THERE WAS YOU
MAXWELL'S SILVER HAMMER
TWIST AND SHOUT
MICHELLE
CAN'T BUY ME LOVE
COME TOGETHER SHE‘S LEAVING HOME IN MY LIFE
JEALOUS GUY John Lennon
ANY TIME AT ALL
SHE LOVES YOU
I'LL FOLLOW THE SUN
EIGHT DAYS A WEEK
I'M HAPPY JUST TO DANCE
WITH YOU
ELEANOR RIGBY
I'M LOOKING THROUGH YOU
FOR NO ONE
I'M SO TIRED
FROM ME TO YOU
IT'S ONLY LOVE
I'VE JUST SEEN A FACE
WHEN I'M SIXTY-FOUR
MULL OF KINTYRE McCartney-Laine
NO REPLY
WHITH A LITTLE HELP FROM MY
FRIENDS
WHY Beatles and Tony Sheridan
NORWEGIAN WOOD
NOWHERE MAN
OCTOPUS'S GARDEN
WORDS OF LOVE Beatles / Buddy Holly
PENNY LANE
YELLOW SUBMARINE
ROCKY RACCOON
YESTERDAY
ROLL OVER BEETHOVEN Chuck Berry
YOU WON'T SEE ME
SHE CAME IN THROUGH THE
BATHROOM WINDOW
YOU´VE GOT TO HIDE YOUR
LOVE AWAY
YOU'RE SIXTEEN Ringo Starr
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
ANGIE
SATISFACTION
AROUND AND AROUND
SUSIE Q
AS TEARS GO BY
SYMPATHY FOR THE
DEVIL
BROWN SUGAR
DEAD FLOWERS
HONKY TONK WOMEN
IF YOU NEED ME
LADY JANE
LAST TIME, THE
MOTHER'S LITTLE
HELPER
NOT FADE AWAY
OUT OF TIME
PAINT IT BLACK
PLAY WITH FIRE
ROUTE 66
RUBY TUESDAY
UNDER THE BOARDWALK
UNDER MY THUMB
WILD HORSES
YOU BETTER MOVE ON
A-Be
Bi-C
D-El
Er-Gl Go-H
ALL FOR ME GROG I-Is
It-Le
SPANISH LADY, THE Trad.
LARK IN THE MORNING,
THE BLACK VELVET BAND Trad.
Trad.
LILY OF THE WEST, THE STAR OF THE COUNTY
DOWN CARRICKFERGUS Trad. (Mark Knopfler)
Trad.
Trad.
LOCKE HOSPITAL DANNY BOY Trad.
TOWN I LOVED SO WELL,
THE Trad.
MOLLY MALONE Phil Coulter
DUBLIN LADY Trad.
WHISKEY IN THE JAR John Conolly
NEW YORK GIRLS Trad.
FIDDLERS GREEN Trad.
WILD ROVER John Conolly
NIGHTINGALE, THE Trad.
FOGGY DEW, THE Trad.
Trad.
RAGGLE-TAGGLE GYPSY,
THE GOODBYE MUIRSHEEN
DURKIN Trad.
GREEN FIELDS OF
FRANCE,THE Trad.
REAL OLD MOUNTAIN
DEW Trad.
Trad.
RISING OF THE MOON,
THE Trad.
HOME BOYS HOME SALLY GARDENS, THE Trad.
Trad.
LAMBS ON THE GREEN
HILLS, THE SCHOOLDAYS OVER Trad.
SEVEN DRUNKEN NIGHTS Eric Bogle
HI FOR THE BEGGARMAN Trad.
Ewan McColl
Trad.
Scottish Folk
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
AE FOND KISS MacPHERSON'S LAMENT SCARBOROUGH FAIR Robert Burns
Trad.
Trad.
ANNIE LAURIE MAIDS WHEN YOU'RE YOUNG Trad.
Trad.
STREETS OF LONDON AULD LANG SYNE MAIRI'S WEDDING Trad. / Robert Burns
Trad.
BONNIE LASS OF FYVIE, THE Trad.
MASSACRE OF GLENCOE,
THE CARRION CROW Trad.
Trad.
NANCY WHISKEY COD LIVER OIL AND THE
ORANGE JUICE Trad.
Hamish Imlach
Trad.
FAREWELL TO TARWATHIE ROAD TO DUNDEE, THE Trad.
Trad.
FLOWER OF
NORTHUMBERLAND, THE ROSIN THE BEAU Trad.
SKYE BOAT SONG FLOWER O’ SCOTLAND Trad.
Corries
GALA WATER TWA RECRUITING
SERGEANTS Trad.
Trad.
GREENLAND WHALEFISHERY Trad.
WHA WADNA FECHT FOR
CHARLIE? HAUGHS O' CROMDALE, THE Trad.
Trad.
WILD MOUNTAIN THYME JOHNNIE COPE Trad.
Trad.
WILLIE'S GAN TAE MELVILLE
CASTLE KILLICRANKIE NIGHT VISITING SONG Trad.
Trad.
Trad.
LEEZIE LINDSAY YE JACOBITES BY NAME Trad.
Trad. LOCH LOMOND Trad.
Ralph McTell
WHAT SHALL WE DO WITH
THE DRUNKEN SAILOR? Trad.
_________________English BANKS OF NEWFOUNDLAND,
THE Trad.
DIRTY OLD TOWN Ewan MacColl
GREENSLEEVES Trad.
I WISH I WAS IN ENGLAND Trad.
JOHNNY I HARDLY KNEW YE Trad.
LEAVING OF LIVERPOOL, THE Trad.
LORD FRANKLIN Trad.
LORD OF THE DANCE Sydney Carter
LOWLANDS OF HOLLAND,
THE Trad.
MINGULAY BOAT SONG Trad.
SANTY ANNO Kingston Trio
Irish Folk
A-Be
Bi-C
D-El
Er-Gl Go-H
ACHY BREAKY HEART I-Is
It-Le
Billy Ray Cyrus
DOWN BY THE RIVERSIDE/
WHEN THE SAINTS HEARTACHES BY THE
NUMBERS BAD BAD LEROY BROWN Trad.
Willie Nelson
LEAVIN ON A JET PLANE Jim Croce
EARLY MORNIN' RAIN John Denver
BANANA BOAT SONG (DAY-O) Gordon Lightfoot
HELP ME MAKE IT THROUGH
THE NIGHT Harry Belafonte
EVE OF DESTRUCTION Kris Kristofferson
Dean Martin
BANKS OF THE OHIO Barry McGuire
I FALL TO PIECES LONG BLACK VEIL Johnny Cash
EVERYBODY'S TALKIN' Harlan Howard & Hank Cochran
Trad.
BATTLE OF NEW ORLEANS, THE Harry Nilsson
I STILL MISS SOMEONE LUCILLE Jimmy Driftwood
FIRE AND RAIN Johnny Cash
BETWEEN HERE AND GONE James Taylor
I WALK THE LINE Mary Chapin Carpenter
FIVE HUNDRED MILES Johnny Cash
BIG YELLOW TAXI Peter, Paul & Mary
Joni Mitchell
FOLSOM PRISON BLUES I'LL HAVE TO SAY I LOVE YOU IN
A SONG BOTH SIDES NOW Johnny Cash
Jim Croce
Joni Mitchell
FOR THE GOOD TIMES IF I WERE A CARPENTER CAT'S IN THE CRADLE Kris Kristofferson
Tim Hardin
Harry Chapin
FOUR STRONG WINDS IF YOU COULD READ MY MIND CITY OF NEW ORLEANS Trad.
Gordon Lightfoot
Arlo Guthrie
FREIGHT TRAIN IRENE GOODNIGHT COMING INTO LOS ANGELES Trad.
Leadbelly
Arlo Guthrie
GHOST RIDERS IN THE SKY ISLAND IN THE SUN COTTON FIELDS Johnny Cash
Harry Belafonte
CCR
GOODBYE BOOZE JACKSON COUNTRY ROADS Trad.
Johnny Cash
John Denver
GREENBACK DOLLAR JAMAICA FAREWELL CRACKLIN' ROSIE Kingston Trio
Harry Belafonte, 1956
Neil Diamond
GREEN GREEN GRASS OF
HOME JAMBALAYA John Hiatt
Tom Jones
KING OF THE ROAD DARBY'S CASTLE HARD TIMES Roger Miller
Kris Kristofferson
Trad.
L.A. INTERNATIONAL AIRPORT DEPORTEES HARVEST Susan Raye
Neil Young
LADY CAME FROM BALTIMORE CROSSING MUDDY WATERS Woody Guthrie
LAST THING ON MY MIND, THE Tom Paxton LITTLE OLD WINE DRINKER ME Kenny Rogers
Fats Domino
Tim Hardin
Country / US 2
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
ME AND BOBBY McGEE RAMBLIN' BOY STAND BY YOUR MAN Kris Kristofferson
Tom Paxton
Tammy Wynette
MIDNIGHT SPECIAL REASON TO BELIEVE STEEL RAIL BLUES Leadbelly
Tim Hardin
Gordon LIghtfoot
Johnny Cash
MOTHERLESS CHILD RED RIVER VALLEY SUNDOWN YELLOW ROSE OF TEXAS Trad.
Trad.
Gordon Lightfoot
Trad.
NASHVILLE CATS RING OF FIRE SWEET BABY JAMES YOU ARE MY SUNSHINE Lovin' Spoonful
Johnny Cash
James Taylor, 1970
NIGHT THEY DROVE OLD
DIXIE DOWN, THE ROSE GARDEN TAKE HER OUT OF PITY Lynn Anderson
Kingston Trio / John Stewart
The Band
SANTY ANNO TENNESSEE WALTZ NOBODY KNOWS YOU Kingston Trio
Trad.
Eric Clapton / Jimmy Cox
THAT LUCKY OLD SUN ODE TO BILLIE JOE SAN FRANCISCO BAY
BLUES Bobbie Gentry
Eric Clapton
TOM DOOLEY OH SUSANNA SINGIN THE BLUES Kingston Trio
James Taylor
Guy Mitchell
TRY TO REMEMBER OLD FOLKS AT HOME,
THE SIXTEEN TONS Ames Brothers
Stephen Collins Foster
Merle Travis / Tennessee Ernie
Ford
TURN, TURN, TURN ON THE ROAD AGAIN SLOOP JOHN B. WALTZING MATILDA Pete Seeger
Trad.
ONE SNOWBIRD Johnny Cash
WE SHALL OVERCOME Elvis Presley
Pete Seeger
POLK SALAD ANNIE SOLITARY MAN WE'LL MEET AGAIN PUFF, THE MAGIC
DRAGON Peter, Paul & Mary
Trad. Australian
Johnny Cash
Johnny Cash, Vera Lynn
ST. JAMES INFIRMARY WILL THE CIRCLE BE
UNBROKEN Trad.
Johnny Cash
Frankie Laine, 1949
Willie Nelson
Tony Joe White
WOULD YOU LAY WITH
ME IN A FIELD OF
STONE? Trad.
Country / US
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
ABER BITTE MIT SAHNE DAS WAR EINE SCHÖNE PARTY ES GEHT MIR GUT HEIMWEH Udo Jürgens
France Gall
Marius Müller-Westernhagen
Freddy
ALOHA HEJA HE DER LACHENDE VAGABUND ES GIBT KEIN BIER AUF HAWAII HEISSER SAND Achim Reichel
Fred Bertelmann
Paul Kuhn
Mina
AUF DER REEPERBAHN
NACHTS UM HALB EINS DER MANN IM MOND HELLO, MARY LOU Hans Albers
DIE ALTEN RITTERSLEUT ES HÄNGT EIN
WAND Hannes Wader
Gus Backus
AUF, AUF ZUM FRÖHLICHEN
JAGEN Karl Valentin
Bruce Low
Trad.
DIE GEDANKEN SIND FREI Trad.
ES WAR KEINE SO WUNDERBAR
WIE DU BLAUE NACHT AM HAFEN Lale Andersen
BOLLE REISTE JÜNGST ZU
PFINGSTEN Trad.
BONANZA TV
BUONA SERA, SIGNORINA Ralf Bendix
CAPRIFISCHER Rudi Schuricke
DA SPRACH DER ALTE
DAS ALTE SCHIFF Roger Whittaker
DAS KANN DOCH EINEN
SEEMANN NICHT
DAS KANNST DU MIR NICHT
VERBIETEN Bernd Spier
DAS WANDERN IST DES
MÜLLERS LUST Trad.
DIE GITARRE UND DAS MEER Freddy
DIE LIEBE IST EIN SELTSAMES
SPIEL Connie Francis
DIE MOORSOLDATEN Esser, Langhoff, Goguel
DIESER WEG Xavier Naidoo
DSCHINGIS KHAN Dschingis Khan
EIN BETT IM KORNFELD Jürgen Drews
Cliff Richard
FLIEGER, GRÜSS MIR DIE
SONNE Hans Albers
FRAG DEN ABENDWIND Francoise Hardy
FREIHEIT Gerd Böttcher
HEUTE HIER, MORGEN DORT HEUTE MALE ICH DEIN BILD,
CINDY LOU Drafi Deutscher
HOCH AUF DEM GELBEN
WAGEN Trad.
HORSTI SCHMANDHOFF Franz Josef Degenhardt, 1966
HUNDERT MANN UND EIN
BEFEHL FÜR GABY TU ICH ALLES Freddy Quinn
Gerd Böttcher
ICH BIN VON KOPF BIS FUSS... FÜR MICH SOLL‘S ROTE ROSEN
REGNEN Marlene Dietrich
Hildegard Knef
GANZ UND GAR ICH BIN WIEDER HIER Marius Müller-Westernhagen
ICH DENK’ ES WAR EIN GUTES
JAHR GOLDENER REITER Reinhard Mey
Joachim Witt
GRIECHISCHER WEIN ICH WAR NOCH NIEMALS IN
NEW YORK Udo Jürgens
Udo Jürgens
GUTE NACHT, FREUNDE Reinhard Mey
ICH WOLLTE WIE ORPHEUS
SINGEN Wolf Biermann
GUTEN ABEND, GUT' NACHT Reinhard Mey
ES FÄHRT EIN ZUG NACH
NIRGENDWO HAMBORGER VEERMASTER, DE EIN FREUND, EIN GUTER
FREUND Heinz Rühmann
EIN HELLER UND EIN BATZEN Trad.
EIN SCHIFF WIRD KOMMEN Melina Mercouri
ERMUTIGUNG Christian Anders
Trad. / Johannes Brahms
Trad.
HAMBURG, MEINE PERLE Lotto King Karl
Deutsch 2
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
ICH ZÄHLE TÄGLICH MEINE
SORGEN MARINA Peter Alexander
MARMOR, STEIN UND EISEN
BRICHT Li-Mi Mo-On Ou-Sc Se-Su Sw-We Wh-Z PLAYLISTS
SCHULD WAR NUR DER BOSSA
NOVA WAS WOLLEN WIR TRINKEN? Manuela
WEIL ICH DICH LIEBE Marius Müller-Westernhagen
Drafi Deutscher
SEEMANN (DEINE HEIMAT IST DAS
MEER) Nena
MEIN KLEINER GRÜNER KAKTUS Lolita
Nana Mouskouri
IRGENDWO AUF DER WELT Comedian Harmonists
Comedian Harmonists
SEI MAL VERLIEBT MIT 17 FÄNGT DAS LEBEN ERST
AN Hildegard Knef
Ivo Robic
Drafi Deutscher
Die Ärzte
SIEBZEHN JAHR´, BLONDES HAAR WILLENLOS IRGENDWIE, IRGENDWO,
IRGENDWANN ITSY BITSY TEENY WEENIE
HONULULU STRANDBIKINI Rocco Granata
Caterina Valente
MITTELPUNKT DER WELT JOHNNY WALKER Sven Regener
JUNGE, KOMM BALD WIEDER NEUNUNDNEUNZIG
LUFTBALLONS Freddy Quinn
Nena
JUNIMOND Rio Reiser
OHNE KRIMI GEHT DIE MIMI NIE
INS BETT KALKUTTA LIEGT AM GANGES Bill Ramsey
Vico Torriani
QUANDO QUANDO KLEINE MÖWE FLIEG NACH
HELGOLAND Caterina Valente
Hans Albers
Blue Diamonds
KRIMINALTANGO ROLLING HOME Hazy Osterwald Sextett
Trad.
KUMPANEI, DIE ROTE LIPPEN SOLL MAN KÜSSEN Franz Josef Degenhardt
Cliff Richard
LA PALOMA SAG MIR, WO DIE BLUMEN SIND Hans Albers
Marlene Dietrich
LIEBESKUMMER LOHNT SICH
NICHT SANTIANO Siw Malmquist
SCHAU MICH BITTE NICHT SO AN LILI MARLEEN Marlene Dietrich
LORELEI Heinrich Heine, 1823 / Friedrich Silcher
1838
MACKIE MESSER Kurt Weill
RAMONA Santiano
Nana Mouskouri
SCHÖNER FREMDER MANN SHAKE HANDS WEISSE ROSEN AUS ATHEN WENN EIN MENSCH LEBT Puhdys
WESTERLAND Udo Jürgens
SO SIND HIER DIE LEUTE WIR HABEN GRUND ZUM FEIERN Franz Josef Degenhardt
Otto Waalkes
SONDERZUG NACH PANKOW WIRKLICH SCHON WIEDER EIN
JAHR ? Udo Lindenberg
SPIEL NICHT MIT DEN
SCHMUDDELKINDERN Reinhard Mey
WO MEINE SONNE SCHEINT Franz Josef Degenhardt, 1965
Caterina Valente
STILLE NACHT WOCHENEND UND
SONNENSCHEIN Joseph Mohr, Franz Gruber, 1818
SUGAR BABY Comedian Harmonists
Peter Kraus
WÖLFE MITTEN IM MAI TAKE IT EASY ALTES HAUS Franz Josef Degenhardt
Truck Stop
TANZE MIT MIR IN DEN MORGEN ZOGEN EINST FÜNF WILDE
SCHWÄNE Gerhard Wendland
Trad.
TIPITIPITIPSO ZWEI KLEINE ITALIENER Caterina Valente
Conny Froboess
ÜBER DEN WOLKEN Reinhard Mey
ÜBER SIEBEN BRÜCKEN MUSST
DU GEHN Connie Francis
Karat
SCHÖNER GIGOLO UMLEITUNG Marlene Dietrich
Bots
Franz Josef Degenhardt
VERONIKA DER LENZ IST DA Comedian Harmonists
Deutsch1
A-Be
Bi-C
D-El
ABSOLUTELY SWEET
MARIE
ALL ALONG THE
WATCHTOWER
Er-Gl Go-H
I-Is
It-Le
HOUSE OF THE RISIN' SUN,
THE
I SHALL BE RELEASED
I THREW IT ALL AWAY
AS I WENT OUT ONE
MORNING
I WANT YOU
BALLAD OF A THIN MAN
IF NOT FOR YOU
MAKE YOU FEEL MY LOVE
THIS WHEEL'S ON FIRE MAMA, YOU BEEN ON MY
MIND
TIMES THEY ARE ACHANGIN', THE
MAN GAVE NAMES TO ALL
THE ANIMALS
TOMORROW IS A LONG
TIME
MEMPHIS BLUES AGAIN
WHEN THE SHIP COMES IN
MIGHTY QUINN
YOU AIN'T GOING
NOWHERE
BLOWING IN THE WIND
I'LL BE YOUR BABY
TONIGHT
BOOTS OF SPANISH
LEATHER
IT AIN'T ME, BABE
MY BACK PAGES
CHANGING OF THE
GUARDS
IT'S ALL OVER NOW, BABY
BLUE
NORTH COUNTRY BLUES
DESOLATION ROW
JUST LIKE A WOMAN
DON'T THINK TWICE, IT'S
ALL RIGHT
JUST LIKE TOM THUMB'S
BLUES
FAREWELL ANGELINA
KNOCKIN' ON HEAVEN'S
DOOR
POSITIVELY 4TH STREET
LAY LADY LAY
RAINY DAY WOMEN #12 &
35
FOREVER YOUNG
FOURTH TIME AROUND
GIRL FROM THE NORTH
COUNTRY
LIKE A ROLLING STONE
LOVE MINUS ZERO/NO
LIMIT
MR. TAMBOURINE MAN
ONE MORE NIGHT
ONE TOO MANY
MORNINGS
PERCY'S SONG
TELL ME THAT IT ISN’T
TRUE
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
A FINE ROMANCE EV'RY TIME WE SAY GOODBYE MISS OTIS REGRETS STARS FELL ON ALABAMA Fred Astaire, 1936
Cole Porter
Cole Porter, 1934
Frank Perkins
AIN´T MISBEHAVIN´ FALLING IN LOVE AGAIN MISTY ST. JAMES INFIRMARY Fats Waller, Harry Brooks, 1929
Marlene Dietrich
Errol Garner
Trad.
AIN'T NO SUNSHINE FLY ME TO THE MOON MOON RIVER STORMY WEATHER Bill Withers
Frank Sinatra
Johnny Mercer & Henry Mancini, 1961
Lena Horne, 1943
AIN'T SHE SWEET GEE BABY, AIN‘T I GOOD TO YOU? MR. BOJANGLES STORMY MONDAY Jack Yellen, Milton Ager, 1927
Nat King Cole
Jerry Jeff Walker
T-Bone Walker
ALL OF ME GEORGIA ON MY MIND MY BABY JUST CARES FOR ME SUMMER WINE Frank Sinatra
Ray Charles
Nina Simone
Frank Sinatra
AM I BLUE? GLORY OF LOVE, THE SUMMERTIME Hoagy Carmichael, 1929
Billy Hill, 1936
MY VERY GOOD FRIEND THE
MILKMAN AS TIME GOES BY HONEY SUCKLE ROSE Fats Waller
Dooley Wilson (Sam) in "Casablanca"
Fats Waller, 1928
MY WAY SUNNY AUTUMN LEAVES Frank Sinatra, 1953
Joseph Kosma
I CAN'T GIVE YOU ANYTHING BUT
LOVE BASIN STREET BLUES Jimmy McHugh, 1928
Frank Sinatra
THAT LUCKY OLD SUN NIGHT AND DAY Frankie Laine, 1949
Mills Brothers
I GET A KICK OUT OF YOU BEI MIR BIST DU SCHÖN Cole Porter
Andrews Sisters, 1929
I GOT RHYTHM BLUE EYES George Gershwin
Elton John
I'LL NEVER FALL IN LOVE AGAIN BLUE VELVET Burt Bacharach
Bobby Vinton
I'VE GOT YOU UNDER MY SKIN BLUEBERRY HILL Cole Porter, 1936
Louis Armstrong / Fats Domino
JUST A GIGOLO BYE BYE BLACKBIRD Marlene Dietrich
Mort Dixon
LADY IS A TRAMP, THE CHEEK TO CHEEK Richard Rogers, 1937
Irving Berlin
LAZY RIVER CRY ME A RIVER Hoagy Carmichael
Arthur Hamilton
LET'S DO IT, LET‘S FALL IN LOVE DON'T GET AROUND MUCH
ANYMORE Cole Porter
Duke Ellington
Harold Arlen
DREAM A LITTLE DREAM OF ME MACK THE KNIFE Mamas and Papas
Frank Sinatra
EVERYBODY LOVES SOMEBODY
SOMETIME MAKIN´ WHOOPEE Dean Martin, 1964
MINNIE THE MOOCHER LET'S FALL IN LOVE Donaldson / Kahn
Cab Calloway
NEW YORK, NEW YORK Cole Porter
OLD FOLKS AT HOME, THE George Gershwin
Bobby Hebb
SWEET GEORGIA BROWN Lewis Armstrong
THEY CAN'T TAKE THAT AWAY
FROM ME Stephen Collins Foster
George Gershwin
ON THE SUNNY SIDE OF THE
STREET Beatles
Frank Sinatra
OVER THE RAINBOW Judy Garland, "The Wizard of Oz", 1939
PAPER DOLL Mills Brothers
PAPER MOON James Taylor
SEI MAL VERLIEBT Hildegard Knef
SENTIMENTAL JOURNEY Les Brown Orchestra, 1944
SEPTEMBER SONG Kurt Weill
SINGIN' IN THE RAIN Gene Kelly
SPORTING LIFE BLUES Trad.
TILL THERE WAS YOU WAY YOU LOOK TONIGHT, THE Frank Sinatra
WE'LL MEET AGAIN Johnny Cash, Vera Lynn
WHEN SOMEBODY THINKS YOU‘RE
WONDERFUL Fats Waller
WHISPERING John Schonberger, 1920
WHITE CLIFFS OF DOVER, THE Vera Lynn
WHO‘S SORRY NOW? Connie Francis
YOU DO SOMETHING TO ME Cole Porter
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
A HORSE WITH NO NAME BIRDS AND THE BEES, THE CHAIN GANG DESPERADO A WHITER SHADE OF PALE BLACK MAGIC WOMAN CITY OF NEW ORLEANS DOCK OF THE BAY AFTER MIDNIGHT BLUE EYES COMING INTO LOS ANGELES DONNA, DONNA AGAINST THE WIND BLUE SUEDE SHOES CONQUISTADOR DON’T LET ME BE
MISUNDERSTOOD AIN'T THAT GOOD NEWS? BOAT ON THE RIVER COUNTRY ROADS America
Procol Harum
J.J. Cale
Bob Seger
Sam Cooke
ALL I'VE GOT TO DO Beatles
ALONE AGAIN, NATURALLY Gilbert O‘Sullivan
ALWAYS ON MY MIND Elvis, Willie Nelson
AMERICAN PIE Don McLean
ANGIE Rolling Stones
AS TEARS GO BY Rolling Stones
BAD MOON RISING CCR
BIG YELLOW TAXI Joni Mitchell
Jewel Akens
Santana
Elton John
Carl Perkins
Styx
BOXER, THE Simon & Garfunkel
BREAKFAST IN AMERICA Supertramp
BRIGHT EYES Art Garfunkel
BRING IT ON HOME TO ME Animals
BROTHERS IN ARMS Dire Straits
BROWN SUGAR Rolling Stones
Sam Cooke
Arlo Guthrie
Arlo Guthrie
Procol Harum
John Denver
CRAZY LOVE Van Morrison
CUANDO CALIENTA EL SOL Latin
DANIEL Elton John
DA DOO RON RON Crystals
DARK END OF THE STREET Percy Sledge
DARLING PRETTY Mark Knopfler
DAYDREAM Lovin Spoonful
DAYDREAM BELIEVER Monkees
Eagles
Otis Redding
Trad./Donovan
Animals
DON'T WORRY, BE HAPPY Bobby McFerrin
DREAM A LITTLE DREAM OF ME Mamas and Papas
EL CONDOR PASA Simon and Garfunkel
EVE OF DESTRUCTION Barry McGuire
EVERY BEAT OF MY HEART Rod Stewart
EVERY BREATH YOU TAKE Police
EVERYTHING I OWN Culture Club
FAITH George Michael
FATHER AND SON DAYS OF PEARLY SPENCER,
THE Cat Stevens
DEAD FLOWERS FERNANDO DEATH OF A CLOWN CAN'T HELP FALLING IN LOVE Kinks
FEVER O2
FIELDS OF GOLD CECILIA DEDICATED FOLLOWER OF
FASHION O3
CALIFORNIA DREAMIN' Mamas & Papas
CAN'T BUY ME LOVE Beatles
Elvis Presley
Simon and Garfunkel
David McWilliams
Rolling Stones
Kinks
FEELING GROOVY Simon & Garfunkel
ABBA
Elvis
Sting
O4
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
FIFTY WAYS TO LEAVE YOUR
LOVER HENRY VIII I'M A BELIEVER LADY JANE Herman's Hermits
Monkees
Rolling Stones
Paul Simon
HEY JOE I'M ON FIRE LAST TIME, THE FIRST CUT IS THE DEEPEST,
THE Jimi Hendrix
Bruce Springsteen
Rolling Stones
HOMEWARD BOUND Simon & Garfunkel
I'M WALKING LAY DOWN SALLY Fats Domino
Eric Clapton
HONKY TONK WOMEN Rolling Stones
INTO THE GREAT WIDE OPEN LAYLA Tom Petty
Eric Clapton
Leonard Cohen
HOTEL CALIFORNIA Eagles
IT NEVER RAINS IN SOUTHERN
CALIFORNIA LEAVIN ON A JET PLANE GAMES PEOPLE PLAY HOUND DOG Albert Hammond
LET'S DANCE Elvis
IT'S A HEARTACHE Chris Montez
I CALL YOUR NAME Bonnie Tyler
LETTER, THE Mamas and Papas, 1966
IT'S NOT UNUSUAL Box Tops
I CAN HELP Tom Jones
LIGHT MY FIRE Billy Swan
IT'S NOW OR NEVER Doors
I CAN SEE CLEARLY NOW Elvis
LINCOLN DUNCAN I'VE GOTTA GET A MESSAGE TO
YOU Paul Simon
Bee Gees
Cliff Richard
Cat Stevens
FIRST OF MAY Bee Gees
FIRST WE TAKE MANHATTAN Joe South
GET DOWN Gilbert O'Sullivan
GLORY OF LOVE, THE Billy Hill 1936
GOING UP THE COUNTRY Canned Heat
GREAT PRETENDER, THE Platters
GREEN GREEN GRASS OF
HOME Tom Jones
HANG ON SLOOPY McCoys
HAPPY TOGETHER Turtles
Johnny Nash
I DON'T WANT TO TALK ABOUT
IT Rod Stewart
JAMAICA FAREWELL I ONLY WANT TO BE WITH YOU Harry Belafonte, 1956
Dusty Springfield
JAMBALAYA I SHOT THE SHERIFF Fats Domino
Clapton / Marley
JOHNNY B. GOODE I STILL HAVEN'T FOUND WHAT
I'M LOOKING FOR Chuck Berry
JOKER, THE John Denver
LIVING DOLL LIVING NEXT DOOR TO ALICE Smokie
LODI CCR
LONG AND WINDING ROAD, THE Beatles
U2
Steve Miller
LOOK WHAT THEY DONE TO MY
SONG I THINK IT'S GOING TO RAIN
TODAY JUST THE WAY YOU ARE Melanie Safka
Randy Newman
KINGSTON TOWN HAVE YOU EVER SEEN THE
RAIN? CCR
I WON'T BACK DOWN UB 40
Tom Petty
LADY D’ARBANVILLE IF YOU NEED ME Cat Stevens
HELLO, MARY LOU Rolling Stones
LADY IN BLACK HAVE A DRINK ON ME Lonnie Donegan
HAVE I TOLD YOU LATELY Van Morrison
Ricky Nelson
Billy Joel
Uriah Heep
O1
O3
O4
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
LOOKIN OUT MY BACKDOOR MR. TAMBOURINE MAN ONLY SIXTEEN ROCK AROUND THE CLOCK CCR
Bob Dylan
Sam Cooke
Bill Haley
LOVE IS ALL AROUND MRS. ROBINSON OUT OF TIME ROLL OVER BEETHOVEN Troggs
Simon and Garfunkel
Rolling Stones
Chuck Berry
LOVE ME TENDER MY BOY LOLLIPOP PAINT IT BLACK ROSE GARDEN Elvis
Millie Small
Rolling Stones
Lynn Anderson
LOVE POTION No. 9 MY GIRL PEGGY SUE ROUTE 66 Searchers
Temptations
Buddy Holly
Chuck Berry
LUKA MY MIND'S EYE PIANO MAN Suzanne Vega
Small Faces
Billy Joel
RUBY, DON'T TAKE YOUR LOVE
TO TOWN MAD WORLD NASHVILLE CATS PLAY WITH FIRE Kenny Rogers
Lovin' Spoonful
Rolling Stones
RUBY TUESDAY POETRY IN MOTION Rolling Stones
Rod Stewart
NEUNUNDNEUNZIG
LUFTBALLONS MAN ON THE MOON Nena
POLK SALAD ANNIE REM
NEVER GOING BACK AGAIN Tony Joe White
ME AND JULIO DOWN BY THE
SCHOOLYARD Fleetwood Mac
PROUD MARY CCR
Paul Simon
NEW YORK MINING DISASTER
1941 MELLOW YELLOW Bee Gees
Peter, Paul & Mary
Donovan
NIGHTS IN WHITE SATIN Gary Jules
MAGGIE MAY MERCEDES BENZ Janis Joplin
MEXICO Les Humphries Singers
MIGHTY QUINN Bob Dylan
MONEY FOR NOTHING Dire Straits
MOONLIGHT SHADOW Mike Oldfield, Maggie Reilly
MORNING HAS BROKEN Cat Stevens
MOTHER'S LITTLE HELPER Rolling Stones
Neil Sedaka
PUFF, THE MAGIC DRAGON QUE SERA Moody Blues
Doris Day
NO MILK TODAY RAVE ON Herman's Hermits
Buddy Holly
NO WOMAN NO CRY RED RED WINE Bob Marley
UB 40
NOT FADE AWAY RHINESTONE COWBOY Buddy Holly
NOTHING RHYMED Gilbert O'Sullivan
OLD TIME ROCK AND ROLL Bob Seger
ON THE ROAD AGAIN Canned Heat
ONLY A BROKEN HEART Tom Petty
Glen Campbell
RHYTHM OF THE RAIN Cascades, 1963
RIDERS ON THE STORM Doors
RIVER, THE Bruce Springsteen
O1
O2
ROAD TO HELL Chris Rea
O4
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
SAILING SPICKS AND SPECKS SWEET SIXTEEN WATERLOO Rod Stewart
Bee Gees
Billy Idol
Abba
SAILING TO PHILADELPHIA STAND BY ME SYMPATHY FOR THE DEVIL WATERLOO SUNSET Mark Knopfler
Ben E. King
Rolling Stones
Kinks
SAN FRANCISCO STILL THE SAME TEDDY BEAR WHEN I COME HOME Scott McKenzie
Bob Seger
Elvis
Spencer Davis Group
SATISFACTION STRAWBERRY FIELDS FOREVER TEQUILA SUNRISE WHEN I'M DEAD AND GONE Rolling Stones
Beatles
Eagles
McGuinnes Flint
SAVE THE LAST DANCE FOR ME STREETS OF LONDON THAT'LL BE THE DAY Drifters
Buddy Holly
WHEN YOU SAY NOTHING AT
ALL SCHÖNER FREMDER MANN STUCK IN THE MIDDLE WITH YOU THAT'S ALRIGHT, MAMA Ronan Keating
Elvis
WHERE DO YOU GO TO MY
LOVELY Connie Francis
SEASONS IN THE SUN Terry Jacks / Westlife
SEE YOU LATER, ALLIGATOR Bill Haley
SHA LA LA LA LEE Small Faces
SHE'S THE ONE Stealers Wheel
SULTANS OF SWING Dire Straits
SUMMER IN THE CITY Lovin Spoonful
SUMMER OF 69 Bryan Adams
SUMMERTIME BLUES Eddie Cochran
Robbie Williams
SUMMERWINE SMOKE GETS IN YOUR EYES Nancy Sinatra / Lee Hazelwood
Platters
SUNNY SOLSBURY HILL Bobby Hebb
Peter Gabriel
SUNNY AFTERNOON SOMETHING SO RIGHT Kinks
Paul Simon
SUNSHINE SUPERMAN SOMETHING STUPID Donovan
Frank & Nancy Sinatra
SUSIE Q SONG SUNG BLUE CCR
Neil Diamond
SWEET BABY JAMES SOUNDS OF SILENCE James Taylor, 1970
Simon and Garfunkel
SWEET HOME ALABAMA SPACE ODDITY Lynyrd Skynyrd
David Bowie
SWEET LITTLE SIXTEEN Chuck Berry
THIS WHEEL'S ON FIRE Bob Dylan
Peter Sarstedt
THREE LITTLE BIRDS WHY WORRY? Bob Marley
Dire Straits
THREE STEPS TO HEAVEN WILD HORSES Eddie Cochran
Rolling Stones
TIDE IS HIGH, THE WILD THING Blondie
Troggs
TIME AFTER TIME WINCHESTER CATHEDRAL New Vaudeville Band
WISH YOU WERE HERE Cindy Lauper
TO LOVE SOMEBODY Bee Gees
Pink Floyd
TRY TO REMEMBER YA YA Ames Brothers
Lee Dorsey
TWIST IN MY SOBRIETY YOU'VE GOT A FRIEND Tanita Tikaram
James Taylor
TWIST AND SHOUT Beatles
UNCHAIN MY HEART Joe Cocker
UNDER THE BOARDWALK Rolling Stones
UNDER MY THUMB Rolling Stones
O1
O2
O3
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
SINGIN THE BLUES WORDS OF LOVE Guy Mitchell, Marty Robbins, Dean
Martin
Beatles / Buddy Holly
Cliff Richard
Trad.
Jimmy Driftwood
SIXTEEN TONS YELLOW ROSE OF TEXAS LOVE ME TENDER Merle Travis / Tennessee Ernie Ford
YOU BELONG TO ME BE-BOP-A-LULA Elvis
Gene Vincent
SMOKE GETS IN YOUR EYES MY WAY Platters
Patti Page, 1952 BLUEBERRY HILL Frank Sinatra, 1953
Louis Armstrong / Fats Domino
NOT FADE AWAY SUMMERTIME BLUES BANANA BOAT SONG (DAY-O) JOHNNY B. GOODE Harry Belafonte
Chuck Berry
BATTLE OF NEW ORLEANS,
THE LIVING DOLL BLUE SUEDE SHOES Carl Perkins
FEVER Elvis
GREAT PRETENDER,THE Platters
Buddy Holly
SWEET LITTLE SIXTEEN ONLY SIXTEEN Chuck Berry
Sam Cooke
TEDDY BEAR ON THE SUNNY SIDE OF THE
STREET Elvis
Frank Sinatra
Buddy Holly
PEGGY SUE Buddy Holly
QUE SERA Doris Day
HEARTACHES BY THE
NUMBERS RAVE ON Willie Nelson
ROCK AROUND THE CLOCK HOUND DOG Elvis
I WALK THE LINE Johnny Cash
I'M WALKING Fats Domino
IRENE GOODNIGHT Leadbelly
ISLAND IN THE SUN Harry Belafonte
JAMAICA FAREWELL Harry Belafonte, 1956
Eddie Cochran
Buddy Holly
Bill Haley
ROUTE 66 Chuck Berry
SEE YOU LATER, ALLIGATOR THAT'LL BE THE DAY THAT'S ALRIGHT, MAMA Elvis
THAT'S AMORE Dean Martin
TENNESSEE WALTZ Trad
THREE STEPS TO HEAVEN Eddie Cochran
TOM DOOLEY Kingston Trio
TRUE LOVE Big Crosby
TRY TO REMEMBER Bill Haley
Ames Brothers
SINGIN' IN THE RAIN TURN, TURN, TURN Gene Kelly
Pete Seeger
WE'LL MEET AGAIN Vera Lynn, 1954
A-Be
Bi-C
D-El
Er-Gl Go-H
50er Deutsch___________
BLAUE NACHT AM HAFEN Lale Andersen
CAPRIFISCHER Rudi Schuricke
CINDY OH CINDY Margot Eskens
DER LACHENDE VAGABUND Fred Bertelmann
DIE GITARRE UND DAS
MEER Freddy
ES HÄNGT EIN
WAND Bruce Low
HEIMWEH Freddy
KALKUTTA LIEGT AM
GANGES Vico Torriani
KRIMINALTANGO Hazy Osterwald Sextett
LA PALOMA Hans Albers
MACKIE MESSER Kurt Weill
MARINA Rocco Granata
I-Is
It-Le
OHNE KRIMI GEHT DIE MIMI
NIE INS BETT Bill Ramsey
QUANDO QUANDO Caterina Valente
SCHAU MICH BITTE NICHT
SO AN Lale Andersen, 1949
SUGAR BABY Peter Kraus
TIPITIPITIPSO Caterina Valente
WO MEINE SONNE SCHEINT Caterina Valente
A-Be
Bi-C
D-El
Er-Gl Go-H
_______________________60
GEORGIA ON MY MIND I-Is
It-Le
LET'S DANCE FÜR GABY TU ICH ALLES HEISSER SAND Chris Montez Deutsch________________60
Gerd Böttcher
Ray Charles
_______________________63
DIE LIEBE IST EIN SELTSAMES
SPIEL HEARTACHES BY THE NUMBER ALL I'VE GOT TO DO Connie Francis
Mina
Beatles
EIN SCHIFF WIRD KOMMEN CHAIN GANG Melina Mercouri
OHNE KRIMI GEHT DIE MIMI NIE
INS BETT ICH ZÄHLE TÄGLICH MEINE
SORGEN QUANDO QUANDO Willie Nelson
IT'S NOW OR NEVER Elvis
SAVE THE LAST DANCE FOR ME Sam Cooke
CUANDO CALIENTA EL SOL Bill Ramsey
Drifters
Los Hermanos
Peter Alexander
Caterina Valente
THREE STEPS TO HEAVEN DA DOO RON RON ITSY BITSY TEENY WEENIE
HONULULU STRANDBIKINI ZWEI KLEINE ITALIENER Caterina Valente
KALKUTTA LIEGT AM GANGES _______________________63
Eddie Cochran
Crystals
WONDERFUL WORLD FIVE HUNDRED MILES Sam Cooke
Peter, Paul & Mary
YOU'RE SIXTEEN BLOWING IN THE WIND Johnny Burnette _______________________61
HAVE A DRINK ON ME Lonnie Donegan
HELLO, MARY LOU Ricky Nelson
MOON RIVER Henry Mancini, 1961
POETRY IN MOTION Neil Sedaka
STAND BY ME Ben E. King
WOODEN HEART Elvis
YA YA Lee Dorsey _______________________62
Vico Torriani
KRIMINALTANGO Bob Dylan
Hazy Osterwald Sextett
DON'T THINK TWICE, IT'S ALL
RIGHT JAMBALAYA Fats Domino
DAS KANNST DU MIR NICHT
VERBIETEN Bernd Spier
RAMONA ES GIBT KEIN BIER AUF HAWAII Bob Dylan
Blue Diamonds Paul Kuhn
FROM ME TO YOU ROTE LIPPEN SOLL MAN
KÜSSEN Beatles
GREENBACK DOLLAR _______________________61
Kingston Trio
BONANZA PUFF, THE MAGIC DRAGON TV
Peter, Paul & Mary
HELLO, MARY LOU RHYTHM OF THE RAIN Gerd Böttcher
MIT 17 FÄNGT DAS LEBEN ERST
AN Cascades, 1963
RING OF FIRE Johnny Cash
Ivo Robic
ROLL OVER BEETHOVEN SCHÖNER FREMDER MANN Connie Francis
Chuck Berry
TWIST AND SHOUT TANZE MIT MIR IN DEN MORGEN Beatles Gerhard Wendland
WEISSE ROSEN AUS ATHEN CAN'T HELP FALLING IN LOVE Elvis
Conny Froboess Nana Mouskouri _______________________62
Cliff Richard
SAG MIR, WO DIE BLUMEN SIND Marlene Dietrich
NOVA Manuela
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
TIMES THEY ARE A-CHANGIN' KING OF THE ROAD Bob Dylan
Roger Miller
Beatles
TWIST AND SHOUT LAST TIME, THE AND I LOVE HER Beatles Rolling Stones
_______________________64
AIN'T SHE SWEET Beatles
CAN'T BUY ME LOVE _______________________65
Beatles
BIRDS AND THE BEES, THE DO YOU WANT TO KNOW A
SECRET ? Beatles
EIGHT DAYS A WEEK Beatles
SOMETIME Dean Martin, 1964
GIRL FROM IPANEMA, THE Astrud Gilberto
I ONLY WANT TO BE WITH YOU Dusty Springfield
I SAW HER STANDING THERE Beatles
I WANT TO HOLD YOUR HAND Beatles
I'LL CRY INSTEAD Beatles
IT'S ALL OVER NOW Rolling Stones
LOVE POTION No. 9 Searchers
MY BOY LOLLIPOP Millie Small
SHE LOVES YOU Beatles
TENNESSEE WALTZ Alma Cogan
LIKE A ROLLING STONE Bob Dylan
MR. TAMBOURINE MAN Jewel Akens
Bob Dylan
BRING IT ON HOME TO ME MY GIRL Temptations
Animals
NO REPLY CALIFORNIA DREAMIN' Beatles
Mamas & Papas
PLAY WITH FIRE SOUND OF SILENCE Rolling Stones
Simon and Garfunkel
CATCH THE WIND WILD THING Donovan
Troggs
COLOURS YESTERDAY Donovan
Beatles DON’T LET ME BE
MISUNDERSTOOD Tom Jones
France Gall
Francoise Hardy
AS TEARS GO BY IT'S NOT UNUSUAL DAS WAR EINE SCHÖNE PARTY SATISFACTION Rolling Stones
Herman's Hermits
Drafi Deutscher
FRAG DEN ABENDWIND Beatles
HENRY VIII MARMOR, STEIN UND EISEN
BRICHT Bob Dylan
ACT NATURALLY McCoys
Udo Jürgens
Cliff Richard
Rolling Stones
HANG ON SLOOPY SIEBZEHN JAHR´, BLONDES
HAAR POSITIVELY 4TH STREET UNDER THE BOARDWALK Barry McGuire
Drafi Deutscher
Rolling Stones
Animals
EVE OF DESTRUCTION HEUTE MALE ICH DEIN BILD,
CINDY LOU ES WAR KEINE SO WUNDERBAR
WIE DU HOUSE OF THE RISIN' SUN, THE Animals
___________________65
Deutsch________________64 LIEBESKUMMER LOHNT SICH
NICHT Siw Malmquist
SHAKE HANDS Drafi Deutscher
SIE LIEBT DICH Beatles A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
_______________________66
NASHVILLE CATS DAYDREAM Lovin' Spoonful
Procol Harum
Lovin Spoonful
NO MILK TODAY AIN'T THAT GOOD NEWS? DEDICATED FOLLOWER OF
FASHION Herman's Hermits
Sam Cooke
ALL YOU NEED IS LOVE Kinks
NOWHERE MAN Beatles
ELEANOR RIGBY OUT OF TIME Beatles
FEELING GROOVY Rolling Stones
Simon & Garfunkel
PAINT IT BLACK GIRL Rolling Stones
RAINY DAY WOMEN #12 & 35 Beatles
GREEN GREEN GRASS OF HOME Bob Dylan
SHA LA LA LA LEE Tom Jones
GUANTANAMERA Small Faces
SLOOP JOHN B. Latin
HAPPY TOGETHER Beach Boys
SPICKS AND SPECKS Turtles
HERE, THERE AND EVERYWHERE Bee Gees
SUMMER IN THE CITY Beatles
I WANT YOU Lovin Spoonful
SUNNY Bob Dylan
IF I WERE A CARPENTER Bobby Hebb
SUNNY AFTERNOON Tim Hardin
I'M A BELIEVER Kinks
UNDER MY THUMB Monkees
IN MY LIFE Rolling Stones
WHEN I COME HOME Beatles
Spencer Davis Group
JUST LIKE A WOMAN A WHITER SHADE OF PALE Beatles
BEING FOR THE BENEFIT OF MR.
KITE Beatles
DAYDREAM BELIEVER Monkees
DAYS OF PEARLY SPENCER, THE David McWilliams
DEATH OF A CLOWN Kinks
HEY JOE Jimi Hendrix
LIGHT MY FIRE Doors
LITTLE OLD WINE DRINKER ME Dean Martin
MELLOW YELLOW Donovan
MRS. ROBINSON Simon & Garfunkel
NEW YORK MINING DISASTER
1941 YELLOW SUBMARINE Bee Gees
Beatles
NIGHTS IN WHITE SATIN Bob Dylan
WINCHESTER CATHEDRAL New Vaudeville Band
LADY JANE Rolling Stones
MICHELLE Beatles
YOU BETTER MOVE ON MOTHER'S LITTLE HELPER Rolling Stones ODE TO BILLIE JOE Rolling Stones
Bobbie Gentry
MY MIND'S EYE _______________________67
PENNY LANE Small Faces
Moody Blues
Beatles
SAN FRANCISCO Scott McKenzie
SEVEN DRUNKEN NIGHTS Dubliners
SHE‘S LEAVING HOME Beatles
SOMETHING STUPID Frank & Nancy Sinatra
STRAWBERRY FIELDS FOREVER Beatles
SUMMERWINE Nancy Sinatra / Lee Hazelwood
FEELING GROOVY Simon & Garfunkel
FIRST CUT IS THE DEEPEST, THE Cat Stevens
LETTER, THE Box Tops
RUBY TUESDAY Rolling Stones
WATERLOO SUNSET Kinks
WIND CRIES MARY, THE Jimi Hendrix
WHEN I'M SIXTY-FOUR Beatles
WITH A LITTLE HELP FROM MY
FRIENDS Beatles
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
SUZANNE GOING UP THE COUNTRY BOXER, THE Leonard Cohen
Canned Heat
Simon and Garfunkel
SUSIE Q HERE COMES THE SUN CCR
Beatles
CONTINUING STORY OF
BUNGALOW BILL, THE HONKY TONK WOMEN Beatles
______________________68
DOCK OF THE BAY Otis Redding
DREAM A LITTLE DREAM OF
ME Mamas and Papas
Rolling Stones
Beatles
THIS WHEEL'S ON FIRE I'LL NEVER FALL IN LOVE
AGAIN HEY, THAT'S NO WAY TO SAY
GOODBYE Bob Dylan
Burt Bacharach
WHAT A WONDERFUL WORLD IN THE GHETTO Leonard Cohen
Louis Armstrong Elvis Presley
I THINK IT'S GOING TO RAIN
TODAY LAY LADY LAY Randy Newman
BAD MOON RISING HEY JUDE I'VE GOTTA GET A MESSAGE
TO YOU Bee Gees
LADY MADONNA Beatles
LIGHT MY FIRE Jose Feliciano
ON THE ROAD AGAIN Canned Heat
POLK SALAD ANNIE Tony Joe White
SCARBOROUGH FAIR Simon & Garfunkel
SISTERS OF MERCY ______________________69
CCR
BIRD ON THE WIRE Leonard Cohen
BOTH SIDES NOW LEAVIN ON A JET PLANE John Denver
LODI CCR
MAXWELL'S SILVER HAMMER Joni Mitchell
Beatles
COME TOGETHER PARTISAN, THE Beatles
Leonard Cohen
DON’T LET ME DOWN PROUD MARY Beatles
CCR
EVERYBODY'S TALKIN' RAINDROPS KEEP FALLING
ON MY HEAD Harry Nilsson
FIRST OF MAY Bee Gees
GAMES PEOPLE PLAY Leonard Cohen
Joe South
SO LONG, MARIANNE GET BACK Leonard Cohen
Beatles
STAND BY YOUR MAN GIVE PEACE A CHANCE Tammy Wynette
Bob Dylan
Beatles
Burt Bacharach
RUBY, DON'T TAKE YOUR
LOVE TO TOWN Kenny Rogers
SOMETHING Beatles
SPACE ODDITY David Bowie
A-Be
Bi-C
D-El
Er-Gl Go-H
It-Le
YOUR SONG RIDERS ON THE STORM MORNING HAS BROKEN Elton John Doors
Cat Stevens
ROSE GARDEN CITY OF NEW ORLEANS Lynn Anderson
Arlo Guthrie
WHEN I'M DEAD AND GONE SONG SUNG BLUE McGuinnes Flint
Neil Diamond
_______________________70
BIG YELLOW TAXI I-Is
Joni Mitchell
BLACK MAGIC WOMAN _______________________71
Santana
AIN'T NO SUNSHINE CECILIA Simon and Garfunkel
COTTON FIELDS CCR
CRACKLIN' ROSIE Neil Diamond
DARBY'S CASTLE Kris Kristofferson
EL CONDOR PASA Simon and Garfunkel
FATHER AND SON Cat Stevens
Bill Withers
WILD WORLD BROWN SUGAR Cat Stevens
Rolling Stones
YOU'VE GOT A FRIEND COUNTRY ROADS John Denver
James Taylor HAVE YOU EVER SEEN THE
RAIN? CCR
HELP ME MAKE IT THROUGH
THE NIGHT FIRE AND RAIN James Taylor
IF YOU COULD READ MY MIND Gordon Lightfoot
IMAGINE LADY D’ARBANVILLE John Lennon
Cat Stevens
LADY IN BLACK LET IT BE Uriah Heep
Beatles
MAGGIE MAY LOOK WHAT THEY DONE TO MY
SONG Rod Stewart
Melanie Safka
Kris Kristofferson
CCR
Rolling Stones
Don McLean
Kris Kristofferson
LOOKIN OUT MY BACKDOOR WILD HORSES AMERICAN PIE IF NOT FOR YOU Bob Dylan
ME AND BOBBY McGEE MERCEDES BENZ Janis Joplin
NOTHING RHYMED _______________________72
A HORSE WITH NO NAME America
ALONE AGAIN, NATURALLY Gilbert O‘Sullivan
CONQUISTADOR Procol Harum
ES FÄHRT EIN ZUG NACH
NIRGENDWO Christian Anders
CALIFORNIA Albert Hammond
LAYLA Gilbert O'Sullivan
Eric Clapton
SHE CAME IN THROUGH THE
BATHROOM WINDOW ME AND JULIO DOWN BY THE
SCHOOLYARD Beatles
NIGHT THEY DROVE OLD DIXIE
DOWN, THE The Band
Paul Simon
A-Be
Bi-C
D-El
Er-Gl Go-H
_______________________73
ANGIE Rolling Stones
I-Is
It-Le
NO WOMAN NO CRY THREE STEPS TO HEAVEN MULL OF KINTYRE Bob Marley
Showaddywaddy McCartney-Laine
PIANO MAN STILL THE SAME Billy Joel
Bob Seger
Jim Croce
SEASONS IN THE SUN SULTANS OF SWING DANIEL Terry Jacks / Westlife
_______________________76
Dire Straits
Elton John
STREETS OF LONDON ABER BITTE MIT SAHNE WONDERFUL TONIGHT KNOCKIN' ON HEAVEN'S DOOR Trad., Arr. Ralph McTell
Udo Jürgens
Eric Clapton Bob Dylan
SUNDOWN EIN BETT IM KORNFELD SYMPATHY FOR THE DEVIL Gordon Lightfoot
Jürgen Drews
_______________________79
Rolling Stones
SWEET HOME ALABAMA FERNANDO JOKER, THE Lynyrd Skynyrd
ABBA
Steve Miller
WATERLOO LIVING NEXT DOOR TO ALICE SOMETHING SO RIGHT Abba Smokie BREAKFAST IN AMERICA _______________________75
Supertramp
LOVER _______________________77
NEW YORK, NEW YORK Frank Sinatra
Paul Simon
HOTEL CALIFORNIA Eagles
BAD BAD LEROY BROWN Paul Simon
STUCK IN THE MIDDLE WITH YOU Stealers Wheel
WALK ON THE WILD SIDE Lou Reed
GRIECHISCHER WEIN Udo Jürgens
Ringo Starr I DON'T WANT TO TALK ABOUT
IT I CAN HELP Rod Stewart
_______________________74
Billy Swan
IT'S A HEARTACHE CAT'S IN THE CRADLE RHINESTONE COWBOY Bonnie Tyler
Harry Chapin
Glen Campbell
JUST THE WAY YOU ARE GET DOWN SAILING Billy Joel
YOU'RE SIXTEEN Gilbert O'Sullivan
Rod Stewart
LUCILLE HOCH AUF DEM GELBEN
WAGEN STAND BY ME Kenny Rogers
John Lennon
Walter Scheel
THREE LITTLE BIRDS STILL CRAZY AFTER ALL THESE
YEARS Bob Marley I GET A KICK OUT OF YOU Gary Shearston
I SHOT THE SHERIFF Clapton / Marley
I'LL HAVE TO SAY I LOVE YOU IN
A SONG Jim Croce
Paul Simon
WISH YOU WERE HERE Pink Floyd
_______________________78
LAY DOWN SALLY Eric Clapton
MIGHTY QUINN Manfred Mann
OLD TIME ROCK 'N ROLL Bob Seger
A-Be
Bi-C
D-El
Er-Gl Go-H
______________________8
0
AGAINST THE WIND Bob Seger
BOAT ON THE RIVER Styx
TIDE IS HIGH, THE Blondie
ON THE ROAD AGAIN Willie Nelson ______________________8
1
JEALOUS GUY Roxy Music
RIVER, THE Bruce Springsteen
ÜBER SIEBEN BRÜCKEN
MUSST DU GEHN Karat ______________________8
2
BLUE EYES Elton John
GOLDENER REITER Joachim Witt
MAD WORLD Tears for Fears I-Is
EVERY BREATH YOU TAKE ______________________8
6
DON'T WORRY, BE HAPPY EVERY BEAT OF MY HEART WHAT A WONDERFUL
WORLD Police
NEUNUNDNEUNZIG
LUFTBALLONS Bobby McFerrin
Rod Stewart Nena
MOONLIGHT SHADOW ______________________8
7
Mike Oldfield, Maggie Reilly
RED RED WINE Louis Armstrong ______________________8
9
UB 40
EVERYTHING I OWN SONDERZUG NACH
PANKOW Culture Club
I WON'T BACK DOWN FAITH Tom Petty
Udo Lindenberg
George Michael
ROAD TO HELL ______________________8
4
FIRST WE TAKE MANHATTAN Chris Rea
Leonard Cohen
TWIST IN MY SOBRIETY I STILL HAVEN'T FOUND
WHAT I'M LOOKING FOR Tanita Tikaram
IRGENDWIE, IRGENDWO,
IRGENDWANN U2
Nena
LUKA TIME AFTER TIME Suzanne Vega
Cindy Lauper SWEET SIXTEEN ______________________8
5
Billy Idol
GREAT PRETENDER,THE I'M ON FIRE Freddy Mercury
Bruce Springsteen
UNCHAIN MY HEART BROTHERS IN ARMS Dire Straits
MONEY FOR NOTHING Dire Straits
SUMMER OF 69 Bryan Adams
______________________8
3
It-Le
WHY WORRY? Dire Straits Joe Cocker ______________________8
8
A-Be
Bi-C
D-El
Er-Gl Go-H
______________________9
0
DOWNTOWN TRAIN Rod Stewart
FLIEGER, GRÜSS MIR DIE
SONNE I-Is
It-Le
FIELDS OF GOLD GOOD RIDDANCE YOU DON'T KNOW Sting
Green Day
HAVE I TOLD YOU LATELY Rod Stewart
MAN ON THE MOON MY HEART WILL GO ON Milow
HUMAN Celine Dion (Titanic) REM
______________________9
8
Extrabreit
TOM TRAUBERT’S BLUES FREIHEIT Rod Stewart
ICH BIN WIEDER HIER Marius Müller-Westernhagen
NO MATTER WHAT KINGSTON TOWN UB 40 ______________________9
1
ALOHA HEJA HE Achim Reichel
Boyzone ______________________9
4
______________________9
9
LOVE IS ALL AROUND WHEN YOU SAY NOTHING AT
ALL Wet Wet Wet Ronan Keating
I'LL BE YOUR BABY
TONIGHT ______________________9
5
Robert Palmer & UB40
DAYS LIKE THIS WALKING IN MEMPHIS Van Morrison
Marc Cohn WONDERWALL __________________2001
______________________9
2
Oasis SOMETHING STUPID Robbie Williams & Nicole Kidman ACHY BREAKY HEART ______________________9
6
Billy Ray Cyrus DARLING PRETTY __________________2005
Mark Knopfler
MITTELPUNKT DER WELT FATHER AND SON Sven Regener
Boyzone CAN'T HELP FALLING IN
LOVE ______________________9
7
UB40
ANGELS __________________2009
______________________9
3
Robbie Williams
SHE'S THE ONE Robbie Williams
Killers
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
HALLELUJAH GOLDWATCH BLUES CECILIA Leonard Cohen
Donovan
Simon and Garfunkel
HEY, THAT'S NO WAY TO SAY
GOODBYE GUINEVERE EL CONDOR PASA Donovan
Simon and Garfunkel
Leonard Cohen
KEEP ON TRUCKIN’ FEELING GROOVY IN MY SECRET LIFE Donovan
Simon & Garfunkel
Leonard Cohen
LITTLE TIN SOLDIER ONE OF US CANNOT BE WRONG Donovan
LOVER Leonard Cohen
MELLOW YELLOW Paul Simon
PARTISAN, THE Donovan
HOMEWARD BOUND Leonard Cohen
SUNSHINE SUPERMAN Simon & Garfunkel
Donovan
LINCOLN DUNCAN WHY DO YOU TREAT ME LIKE
YOU DO? Paul Simon
_____________________Cash
BANKS OF THE OHIO Johnny Cash
FOLSOM PRISON BLUES Johnny Cash
GHOST RIDERS IN THE SKY Johnny Cash
I STILL MISS SOMEONE Johnny Cash
I WALK THE LINE Johnny Cash
SEEMS SO LONG AGO, NANCY IT AIN'T ME, BABE Leonard Cohen
Bob Dylan
Johnny Cash
Leonard Cohen
Donovan
ME AND JULIO DOWN BY THE
SCHOOLYARD ONE SO LONG, MARIANNE WIDOW WITH SHAWL Paul Simon
SISTERS OF MERCY JACKSON Johnny Cash
Leonard Cohen
Donovan
MRS. ROBINSON RING OF FIRE SUZANNE YOUNG GIRL BLUES Simon and Garfunkel
Johnny Cash
Leonard Cohen
Donovan SOLITARY MAN TONIGHT WILL BE FINE Leonard Cohen
_________________Lightfoot
YOU KNOW WHO I AM EARLY MORNIN' RAIN Johnny Cash, Vera Lynn
Leonard Cohen Gordon Lightfoot
WOULD YOU LAY WITH ME IN A
FIELD OF STONE? IF YOU COULD READ MY MIND Johnny Cash
WE'LL MEET AGAIN Johnny Cash
YOU ARE MY SUNSHINE Johnny Cash ___________________Cohen
BIRD ON THE WIRE Leonard Cohen
FIRST WE TAKE MANHATTAN Leonard Cohen
Donovan
Gordon LIghtfoot
CANDY MAN SUNDOWN Donovan
Gordon Lightfoot CATCH THE WIND Donovan
_________Simon & Garfunkel
COLOURS BOXER, THE Trad./Donovan
SOMETHING SO RIGHT Paul Simon
SOUNDS OF SILENCE Simon and Garfunkel
STILL CRAZY AFTER ALL THESE
YEARS STEEL RAIL BLUES ALAMO, THE DONNA, DONNA Trad.
Gordon Lightfoot
_________________Donovan
Donovan
SCARBOROUGH FAIR Paul Simon Simon and Garfunkel
BRIGHT EYES Art Garfunkel
Songw. 2
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
DOWNTOWN TRAIN ______________Stevens
Tom Waits
FATHER AND SON HANG DOWN YOUR HEAD Cat Stevens
Tom Waits
FIRST CUT IS THE DEEPEST,
THE Cat Stevens
HEART OF SATURDAY
NIGHT, THE Tom Waits
LADY D’ARBANVILLE IN THE NEIGHBORHOOD Cat Stevens
Tom Waits
MORNING HAS BROKEN RUBY’S ARMS Cat Stevens
Tom Waits
WILD WORLD TOM TRAUBERT’S BLUES Cat Stevens
Tom Waits ________________Taylor
FIRE AND RAIN James Taylor
OH SUSANNA James Taylor
SWEET BABY JAMES James Taylor, 1970
YOU'VE GOT A FRIEND James Taylor
________Westernhagen
ES GEHT MIR GUT Marius Müller-Westernhagen
FREIHEIT Marius Müller-Westernhagen
GANZ UND GAR Marius Müller-Westernhagen
ICH BIN WIEDER HIER Marius Müller-Westernhagen
JOHNNY WALKER Marius Müller-Westernhagen
WEIL ICH DICH LIEBE _________________Waits
BETTER OFF WITHOUT A
WIFE Marius Müller-Westernhagen
WILLENLOS Marius Müller-Westernhagen
Tom Waits
Songwriter
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
ABER BITTE MIT SAHNE ES GIBT KEIN BIER AUF HAWAII ROTE LIPPEN SOLL MAN
KÜSSEN YELLOW SUBMARINE Udo Jürgens
Paul Kuhn
ALOHA HEJA HE FLIEGER, GRÜSS MIR DIE
SONNE Cliff Richard
ZWEI KLEINE ITALIENER AUF DER REEPERBAHN
NACHTS UM HALB EINS Hans Albers
Santiano
Hans Albers
Joachim Witt
NOVA BANANA BOAT SONG (DAY-O) GRIECHISCHER WEIN Manuela
Harry Belafonte
Udo Jürgens
BOLLE REISTE JÜNGST ZU
PFINGSTEN HAVE A DRINK ON ME SIEBZEHN JAHR´, BLONDES
HAAR Trad.
HEUTE MALE ICH DEIN BILD,
CINDY LOU SONDERZUG NACH PANKOW Drafi Deutscher
TAKE IT EASY ALTES HAUS Achim Reichel
DA SPRACH DER ALTE
DAS KANN DOCH EINEN
SEEMANN NICHT
GOLDENER REITER Lonnie Donegan
ICH WAR NOCH NIEMALS IN
NEW YORK Udo Jürgens
ITSY BITSY TEENY WEENIE
HONULULU STRANDBIKINI DAS WANDERN IST DES
MÜLLERS LUST Caterina Valente
Trad.
Vico Torriani
DER LACHENDE VAGABUND Fred Bertelmann
DER MANN IM MOND KALKUTTA LIEGT AM GANGES KRIMINALTANGO Hazy Osterwald Sextett
Gus Backus
LIEBESKUMMER LOHNT SICH
NICHT DIE ALTEN RITTERSLEUT Siw Malmquist
Karl Valentin
MARINA DSCHINGIS KHAN Rocco Granata
Dschingis Khan
EIN BETT IM KORNFELD MARMOR, STEIN UND EISEN
BRICHT Jürgen Drews
Drafi Deutscher
EIN FREUND, EIN GUTER
FREUND MEIN KLEINER GRÜNER
KAKTUS Heinz Rühmann
Comedian Harmonists
EIN HELLER UND EIN BATZEN Trad.
SANTIANO Udo Jürgens
Udo Lindenberg
Truck Stop
ÜBER DEN WOLKEN Reinhard Mey
VERONIKA DER LENZ IST DA Comedian Harmonists
WAS WOLLEN WIR TRINKEN? Bots
WEISSE ROSEN AUS ATHEN Nana Mouskouri
WESTERLAND Die Ärzte
WHAT SHALL WE DO WITH THE
DRUNKEN SAILOR? Trad.
WILLENLOS Marius Müller-Westernhagen
WIR HABEN GRUND ZUM
FEIERN Otto Waalkes
Beatles
Conny Froboess
A-Be
Bi-C
D-El
AIN´T MISBEHAVIN´ Er-Gl Go-H
I-Is
It-Le
GOODBYE BOOZE Fats Waller, Harry Brooks, 1929
RIGHT Trad.
I'LL HAVE TO SAY I LOVE YOU IN
A SONG ALWAYS ON MY MIND Bob Dylan
GUINEVERE Jim Croce
EARLY MORNIN' RAIN Donovan
IN MY SECRET LIFE AS TIME GOES BY Gordon Lightfoot
HALLELUJAH Leonard Cohen
Dooley Wilson (Sam) in "Casablanca"
SOMETIME Leonard Cohen, Rufus Wainwright
IRENE GOODNIGHT Leadbelly
Tom Waits
Dean Martin, 1964
HARD TIMES Trad.
IT AIN'T ME, BABE BIRD ON THE WIRE FALLING IN LOVE AGAIN HARVEST Bob Dylan
Neil Young
JOHNNY WALKER HAVE I TOLD YOU LATELY Van Morrison
HEART OF SATURDAY NIGHT,
THE Marius Müller-Westernhagen
BETTER OFF WITHOUT A WIFE Leonard Cohen
Marlene Dietrich
BOOTS OF SPANISH LEATHER FAREWELL ANGELINA Bob Dylan
Bob Dylan
CANDY MAN FAREWELL TO TARWATHIE Donovan
Trad.
CARRICKFERGUS FEVER Trad.
Elvis
CATCH THE WIND FIDDLERS GREEN HERE, THERE AND
EVERYWHERE John Conelly
CRAZY LOVE FIRE AND RAIN James Taylor
FIRST OF MAY HONEY PIE Trad.
Bee Gees
Cole Porter
DARK END OF THE STREET FOLSOM PRISON BLUES I SHALL BE RELEASED Percy Sledge
Johnny Cash
Bob Dylan
DAYDREAM FOR NO ONE I STILL MISS SOMEONE Lovin Spoonful
Beatles
Johnny Cash
DEPORTEES FOR THE GOOD TIMES I THREW IT ALL AWAY Woody Guthrie
Kris Kristofferson
Bob Dylan
DIE MOORSOLDATEN FOUR STRONG WINDS DANNY BOY Beatles
Beatles
I GET A KICK OUT OF YOU Esser, Langhoff, Gogue
Trad.
ICH DENK’ ES WAR EIN GUTES
JAHR DIRTY OLD TOWN FOURTH TIME AROUND Reinhard Mey
Ewan MacColl
Bob Dylan
DONNA, DONNA GLORY OF LOVE, THE ICH WOLLTE WIE ORPHEUS
SINGEN Trad./Donovan
Billy Hill 1936
Reinhard Mey
GOLDWATCH BLUES I'LL FOLLOW THE SUN Donovan
Donovan
Tom Waits
Donovan
Van Morrison
KEEP ON TRUCKIN’ Beatles
B's B. 2
A-Be
Bi-C
D-El
Er-Gl Go-H
LADY CAME FROM BALTIMORE Tim Hardin
LAMBS ON THE GREEN HILLS,
THE Trad.
LAST THING ON MY MIND, THE Tom Paxton
LILI MARLEEN Marlene Dietrich
LILY OF THE WEST, THE Trad. (Mark Knopfler)
LITTLE TIN SOLDIER Donovan
LOCKE HOSPITAL Trad.
LONG BLACK VEIL Trad.
LORD FRANKLIN Trad.
LOWLANDS OF HOLLAND, THE Trad.
MAD WORLD Gary Jules
MAKIN´ WHOOPEE Donaldson / Kahn
MAN GAVE NAMES TO ALL THE
ANIMALS I-Is
It-Le
NOBODY KNOWS YOU Eric Clapton / Jimmy Cox
Trad.
WOULD YOU LAY WITH ME IN A
FIELD OF STONE? NORTH COUNTRY BLUES ST. JAMES INFIRMARY Johnny Cash
Bob Dylan
Trad.
YOU AIN'T GOING NOWHERE NOTHING RHYMED STORMY WEATHER Bob Dylan
Lena Horne, 1943
YOU BELONG TO ME SWEET BABY JAMES Patti Page, 1952
James Taylor, 1970
YOU KNOW WHO I AM TAKE HER OUT OF PITY Leonard Cohen
YOU'VE GOT A FRIEND TELL ME THAT IT ISN’T TRUE James Taylor
Gilbert O'Sullivan
ONE OF US CANNOT BE WRONG Leonard Cohen
ONE MORE NIGHT Bob Dylan
ONE TOO MANY MORNINGS Bob Dylan
ONLY A BROKEN HEART Tom Petty
ONLY SIXTEEN Sam Cooke
POSITIVELY 4TH STREET Bob Dylan
RAMBLIN' BOY Tom Paxton
REASON TO BELIEVE Tim Hardin
ROAD TO DUNDEE, THE Trad.
SCHOOLDAYS OVER Ewan McColl
Bob Dylan
SEEMS SO LONG AGO, NANCY MR. BOJANGLES Leonard Cohen
Jerry Jeff Walker
SISTERS OF MERCY MY BACK PAGES Leonard Cohen
Bob Dylan
SKYE BOAT SONG NIGHT VISITING SONG Trad.
SPORTING LIFE BLUES Bob Dylan
TOM TRAUBERT’S BLUES Tom Waits
TOMORROW IS A LONG TIME Bob Dylan
TONIGHT WILL BE FINE Leonard Cohen
VINCENT Don McLean
WATER IS WIDE, THE Trad.
WHY DO YOU TREAT ME LIKE
YOU DO? Donovan
WHY WORRY? Dire Straits
WIDOW WITH SHAWL Donovan
WILD MOUNTAIN THYME Trad.
WIRKLICH SCHON WIEDER EIN
JAHR ? Reinhard Mey
Trad.
Buck's Best
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
AE FOND KISS DANIEL FOR THE GOOD TIMES I GET A KICK OUT OF YOU Robert Burns
Elton John
Kris Kristofferson
Cole Porter
AIN´T MISBEHAVIN´ DARLING PRETTY FOUR STRONG WINDS I SHALL BE RELEASED Fats Waller, Harry Brooks, 1929
Mark Knopfler
Trad.
Bob Dylan
ALWAYS ON MY MIND DAYS LIKE THIS FOURTH TIME AROUND I STILL MISS SOMEONE Elvis, Willie Nelson
Van Morrison
Bob Dylan
Johnny Cash
AND I LOVE HER DEPORTEES FREIGHT TRAIN I THREW IT ALL AWAY Beatles
Woody Guthrie
Trad.
Bob Dylan
AS TEARS GO BY DESPERADO GEORGIA ON MY MIND I WILL Rolling Stones
The Eagles
Ray Charles
Beatles
AS TIME GOES BY DIRTY OLD TOWN GIRL IF I WERE A CARPENTER Dooley Wilson (Sam) in "Casablanca"
Ewan MacColl
Beatles
Tim Hardin
BABY CAN I HOLD YOU GIRL FROM IPANEMA, THE IF NOT FOR YOU Tracy Chapman
RIGHT Astrud Gilberto
Bob Dylan
BEI MIR BIST DU SCHÖN Bob Dylan
IF YOU COULD READ MY MIND Andrews Sisters, 1929
DREAM A LITTLE DREAM OF ME GIRL FROM THE NORTH
COUNTRY BETTER OFF WITHOUT A WIFE Mamas and Papas
Bob Dylan
I'LL BE YOUR BABY TONIGHT Tom Waits
EL CONDOR PASA GLORY OF LOVE, THE Bob Dylan
BLUE EYES Simon and Garfunkel
Billy Hill 1936
I'LL FOLLOW THE SUN Elton John
SOMETIME GOLDWATCH BLUES Beatles
Donovan
Bob Dylan
Dean Martin, 1964
GOODBYE BOOZE I'LL HAVE TO SAY I LOVE YOU IN
A SONG CANDY MAN EVERYBODY'S TALKIN' Trad.
Jim Croce
Donovan
Harry Nilsson
HANG DOWN YOUR HEAD I'LL NEVER FALL IN LOVE AGAIN CAN'T HELP FALLING IN LOVE FEVER Tom Waits
Burt Bacharach
Elvis
Elvis
HARD TIMES I'M ON FIRE CATCH THE WIND FIDDLERS GREEN Trad.
Bruce Springsteen
Donovan
John Conelly
HARVEST COLOURS FIRE AND RAIN James Taylor
FIRST CUT IS THE DEEPEST,
THE Neil Young
BOOTS OF SPANISH LEATHER Cat Stevens
HAVE I TOLD YOU LATELY Van Morrison
HEART OF SATURDAY NIGHT,
THE Van Morrison
FIVE HUNDRED MILES Tom Waits
CRY BABY CRY Peter, Paul & Mary
FOR NO ONE HELP ME MAKE IT THROUGH
THE NIGHT Beatles
Kris Kristofferson
Donovan
CRACKLIN' ROSIE Neil Diamond
CRAZY LOVE Beatles
Gordon Lightfoot
Bg.2
Bg.3
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
IN MY LIFE MAD WORLD ODE TO BILLIE JOE RHINESTONE COWBOY Beatles
Gary Jules
Bobbie Gentry
Glen Campbell
ISLAND IN THE SUN MAKIN´ WHOOPEE RHYTHM OF THE RAIN Harry Belafonte
Donaldson / Kahn
CALIFORNIA MAMA, YOU BEEN ON MY MIND OH SUSANNA James Taylor
OLD FOLKS AT HOME, THE Albert Hammond
MAXWELL'S SILVER HAMMER IT'S NOT UNUSUAL Beatles
Tom Jones
ME AND BOBBY McGEE IT'S ONLY LOVE Kris Kristofferson
Beatles
Bob Dylan
Rolling Stones
ON THE ROAD AGAIN SAILING TO PHILADELPHIA Willie Nelson
ON THE SUNNY SIDE OF THE
STREET JAMAICA FAREWELL ME AND JULIO DOWN BY THE
SCHOOLYARD Harry Belafonte, 1956
Paul Simon
Leonard Cohen
JUST THE WAY YOU ARE MELLOW YELLOW Billy Joel
Donovan
KING OF THE ROAD MIDNIGHT SPECIAL Roger Miller
Leadbelly
LADY CAME FROM BALTIMORE MR. BOJANGLES Tim Hardin
Jerry Jeff Walker
LAST THING ON MY MIND, THE MRS. ROBINSON Tom Paxton
Simon and Garfunkel
LAY LADY LAY NO WOMAN NO CRY LIVING DOLL Cliff Richard
LONG AND WINDING ROAD, THE Beatles
LONG BLACK VEIL Trad.
LOVE ME TENDER ONE OF US CANNOT BE WRONG ONE MORE NIGHT Bob Dylan
ONE TOO MANY MORNINGS LOVE MINUS ZERO/NO LIMIT Bob Dylan
OCTOPUS'S GARDEN Beatles
SCARBOROUGH FAIR SEEMS SO LONG AGO, NANCY James Taylor
Leonard Cohen
PLAY WITH FIRE PROUD MARY Beatles
Drifters
PAPER MOON NORTH COUNTRY BLUES NOWHERE MAN SAVE THE LAST DANCE FOR ME Ewan McColl
Bob Dylan
Elvis
Eric Clapton
Sam Cooke
Eric Clapton / Jimmy Cox
Gilbert O'Sullivan
SAN FRANCISCO BAY BLUES SCHOOLDAYS OVER POSITIVELY 4TH STREET NOTHING RHYMED Scott McKenzie
ONLY SIXTEEN NOBODY KNOWS YOU Beatles
SAN FRANCISCO Trad.
Rolling Stones
NORWEGIAN WOOD Mark Knopfler
Bob Dylan
Bob Marley
Bob Dylan
RUBY TUESDAY Stephen Collins Foster
Frank Sinatra
Bob Dylan
Cascades, 1963
CCR
RAINDROPS KEEP FALLING ON
MY HEAD Burt Bacharach
RAMBLIN' BOY Tom Paxton
REASON TO BELIEVE Tim Hardin
Bg. 1
RED RED WINE UB 40
Bg.3
A-Be
Bi-C
D-El
SENTIMENTAL JOURNEY Er-Gl Go-H
I-Is
It-Le
STRAWBERRY FIELDS FOREVER TWIST IN MY SOBRIETY YOU AIN'T GOING NOWHERE Les Brown Orchestra, 1944
Beatles
Tanita Tikaram
Bob Dylan
SHE'S THE ONE STREETS OF LONDON VINCENT YOU ARE MY SUNSHINE Robbie Williams
Don McLean
Johnny Cash
SINGIN' IN THE RAIN SUMMERTIME WATER IS WIDE, THE YOU BELONG TO ME George Gershwin
Trad.
Patti Page, 1952
SUMMERWINE WAY YOU LOOK TONIGHT, THE YOU BETTER MOVE ON Nancy Sinatra / Lee Hazelwood
Frank Sinatra
Rolling Stones
SUNDOWN WHAT A WONDERFUL WORLD YOU DON'T KNOW Gordon Lightfoot
Louis Armstrong
Milow
SUNNY YOU'VE GOT A FRIEND Bobby Hebb
WHEN YOU SAY NOTHING AT
ALL SUNSHINE SUPERMAN Ronan Keating
Donovan
WHITE CLIFFS OF DOVER, THE YOU'VE GOT TO HIDE YOUR
LOVE AWAY Trad.
SUSIE Q Vera Lynn
Beatles
SLOOP JOHN B. CCR
WHY DO YOU TREAT ME LIKE
YOU DO? YOUNG GIRL BLUES Gene Kelly
SINGIN THE BLUES Guy Mitchell, Dean Martin
SISTERS OF MERCY Leonard Cohen
SIXTEEN TONS Merle Travis / Tennessee Ernie Ford
SKYE BOAT SONG James Taylor
Donovan
Trad.
SUZANNE SMOKE GETS IN YOUR EYES Leonard Cohen
Donovan
YOUR SONG SWEET BABY JAMES WHY WORRY? Elton John
Platters
SNOWBIRD Elvis Presley
SOLITARY MAN Johnny Cash
SO LONG, MARIANNE Leonard Cohen
SONG SUNG BLUE Neil Diamond
SPANISH LADY, THE Trad.
SPORTING LIFE BLUES Trad.
ST. JAMES INFIRMARY Trad.
STORMY WEATHER Lena Horne, 1943
James Taylor, 1970
Dire Straits
TAKE HER OUT OF PITY WIDOW WITH SHAWL Kingston Trio / John Stewart
Donovan
TELL ME THAT IT ISN’T TRUE WILD MOUNTAIN THYME Bob Dylan
Trad.
TENNESSEE WALTZ WILD WORLD Trad.
Cat Stevens
TEQUILA SUNRISE WONDERFUL TONIGHT Eagles
Eric Clapton
TILL THERE WAS YOU WONDERFUL WORLD Beatles
Sam Cooke
TOMORROW IS A LONG TIME WONDERWALL Bob Dylan
Oasis
TONIGHT WILL BE FINE WORDS OF LOVE Leonard Cohen
Beatles / Buddy Holly
TRY TO REMEMBER WOULD YOU LAY WITH ME IN A
FIELD OF STONE? Ames Brothers
Johnny Cash
Bg. 1
Bg.2
A-Be
Bi-C
D-El
Er-Gl Go-H
I-Is
It-Le
ALL ALONG THE
WATCHTOWER EVE OF DESTRUCTION Barry McGuire
MAMA, YOU BEEN ON MY
MIND Bob Dylan
FOURTH TIME AROUND Bob Dylan
AROUND AND AROUND Bob Dylan
MARINA Rolling Stones
GET BACK Rocco Granata
AS I WENT OUT ONE
MORNING Beatles
Bob Dylan
GIRL FROM THE NORTH
COUNTRY BE-BOP-A-LULA Bob Dylan
Bob Dylan
Gene Vincent
HARD TIMES PIANO MAN BLOWING IN THE WIND Trad.
Billy Joel
Bob Dylan
HARVEST PROUD MARY BLUE SUEDE SHOES Neil Young
CCR
Carl Perkins
I SHALL BE RELEASED SLOOP JOHN B. CANDY MAN Bob Dylan
Trad.
Donovan
I STILL MISS SOMEONE SPORTING LIFE BLUES CATCH THE WIND Johnny Cash
Trad.
Donovan
I WANT YOU SUSIE Q CHANGING OF THE GUARDS Bob Dylan
CCR
Bob Dylan
JUST LIKE A WOMAN SYMPATHY FOR THE DEVIL COTTON FIELDS Bob Dylan
Rolling Stones
CCR
TIMES THEY ARE A-CHANGIN' DARK END OF THE STREET JUST LIKE TOM THUMB'S
BLUES Percy Sledge
Bob Dylan
TOMORROW IS A LONG TIME DEAD FLOWERS Bob Dylan
Rolling Stones
KNOCKIN' ON HEAVEN'S
DOOR DEPORTEES Bob Dylan
Lee Dorsey
Woody Guthrie
LAST THING ON MY MIND, THE DIRTY OLD TOWN Tom Paxton
Ewan MacColl
LOOKIN OUT MY BACKDOOR DOWN BY THE RIVERSIDE/
WHEN THE SAINTS CCR
Trad.
Bob Dylan
LOVE MINUS ZERO/NO LIMIT ONE TOO MANY MORNINGS Bob Dylan
YA YA YOU ARE MY SUNSHINE Johnny Cash
A-Be
Bi-C
D-El
Er-Gl Go-H
BLUE SUEDE SHOES Carl Perkins
DA DOO RON RON Crystals
HOUND DOG Elvis
I SAW HER STANDING
THERE Beatles
JOHNNY B. GOODE Chuck Berry
NOT FADE AWAY Buddy Holly
PEGGY SUE Buddy Holly
RAVE ON Buddy Holly
ROCK AROUND THE CLOCK Bill Haley
ROUTE 66 Chuck Berry
I-Is
It-Le
SEE YOU LATER, ALLIGATOR Bill Haley
SUMMERTIME BLUES Eddie Cochran
SWEET LITTLE SIXTEEN Chuck Berry
TEDDY BEAR Elvis
THAT'LL BE THE DAY Buddy Holly
THAT'S ALRIGHT, MAMA Elvis
YA YA Lee Dorsey
ELVIS
CAN'T HELP FALLING IN
LOVE Elvis
FEVER Elvis
HOUND DOG Elvis
IN THE GHETTO Elvis
IT'S NOW OR NEVER Elvis
LOVE ME TENDER Elvis
SNOWBIRD Elvis
TEDDY BEAR Elvis
THAT'S ALRIGHT, MAMA Elvis
A FINE ROMANCE
Jerome Kern, 1936
Capo 1
|A
|A
fis - e
E7 |
2x
cis, a,
Amaj7 Bbdim
Bm7 F#dim
A fine
romance with no
kisses,
C#m7 F#m7
Bm7 E7
A fine
romance, my friend, this is
A6
F#dim
Bm7 E7
We should be like a couple of hot toma - toes
A6
F#7
B7 E7
But you're as cold as yesterday's mashed pota - toes
Amaj7 Bbdim
Bm7 F#dim
A fine
romance, you won't
nestle
C#m7
F#m7
Bm7 E7
A fine
romance, you won't wrestle
A6
A7
F#7
You're just as hard to land as the Isle de France!
Bm7
C#m7 F#7
Bm7
E7
A6
Bm7 - E7
I haven't got a chance - this is a fine romance
Amaj7 Bbdim
Bm7 F#dim
A fine
romance, my good woman
C#m7 F#m7
Bm7 E7
My strong, aged -in- the-wood woman
A6
F#dim
Bm7
You're calmer than the seals in the Arctic O A6
F#7
B7
At least they flap their fins to express emo -
E7
cean
E7
tion
Amaj7 Bbdim
Bm7 F#dim
A fine
romance, with no
clinches
C#m7
F#m7
Bm7 E7
A fine
romance, with no
hitches
A6
A7
F#7
You never give the orchids I send a glance
Bm7
C#m7 F#7
Bm7 E7
A6
No, you prefer cactus plants - this is a fine romance
A HORSE WITH NO NAME
America
D9/6: 2 0 0 2 0 0 / Em9: 0 2 0 0 0 2 / Dmaj9/F#: 2 0 0 2 2 0
Em
D9/6
2x
Em
D9/6
( E7sus4 ) Em
D9/6
On the first part of the journey,
I was looking at all the life
Em
D9/6
There were plants and birds and rocks and things
Em
D9/6
There were sand and hills and rings
Em
D9/6
Em
D9/6
The first thing I met was a fly with a buzz and the sky with no clouds
Em
D9/6
The heat was hot and the ground was dry
Em
D9/6
But the air was full of sound
Em9
Dmaj9/F#
I've been thru the desert on a horse with no name
Em9
Dmaj9/F#
It felt good to be out of the rain
Em9
Dmaj9/F#
In the desert you can't remember your name
Em9
Dmaj9/F#
Cause there ain't no one for to give you no pain
Em9
la la
Em9
la la
Dmaj9/F#
la la la la la la
Dmaj9/F#
la la la la la la
Em9
la la
Em9
la la
Dmaj9/F#
la
Dmaj9/F#
la
Em
D9/6
Em
D9/6
After two days in the desert sun, my skin began to turn red
Em
D9/6
Em
D9/6
After three days in the desert fun, I was looking at a river bed
Em
D9/6
And the story it told of a river that flowed
Em
D9/6
Made me sad to think it was dead.
You see:
Em9
Dmaj9/F#
I've been thru the desert on a horse with no name .......
Em9
la la
Em9
la la
Dmaj9/F#
la la la la la la
Dmaj9/F#
la la la la la la
Em9
la la
Em9
la la
Dmaj9/F#
la
Dmaj9/F#
la
Instr.: 1 Verse
Em
D9/6
Em
D9/6
After nine days I let the horse run free, cause the desert had turned to sea
Em
D9/6
There were plants and birds and rocks and things
Em
D9/6
There were sand and hills and rings
Em
D9/6
Em
D9/6
The ocean is a desert with its life underground and the perfect disguise above
Em
D9/6
Em
D9/6
Under the cities lies a heart made of ground, but the humans will give no love
Em9
Dmaj9/F#
I've been thru the desert on a horse with no name ......
Em9
la la
Dmaj9/F#
la la la la la la
Em9
la la
Dmaj9/F#
la
........... x-mal
A WHITER SHADE OF PALE
Procol Harum
(*h,) Summen!
G G/F#
C C/B
D D/C
G
Em
Am
Bm
C
Em/D
Am/G
D7/A
D7
G G/F#
Em
Em/D
We skipped the light fandango
C
C/B
Am Am/G
Turned cartwheels cross the floor
D
D/C
Bm
D/A
I was feeling kind of seasick
G G/F#
Em Em/D
The crowd called out for more.
C C/B
Am
Am/G
The room was humming harder
D
D/C
Bm
D/A
As the ceiling flew away
G
G/F#
Em
Em/D
When we called out for another drink
C C/B
Am
D
The waiter brought a tray
D
G G/F#
Em Em/D
And so it was........... that later
C
C/B
Am Am/G
As the miller told his tale
D
D/C
Bm
D/A
That her face at first just ghostly
G
C
G
D
Turned a whiter shade of pale.
Instr.
G G/F#
Em
Em/D
She said, there is no reason
C
C/B
Am Am/G
And the truth is plain to see,
D
D/C
Bm
D/A
But I wandered through my playing cards
G
G/F#
Em Em/D
And would not let her be.
C
C/B
Am
Am/G
One of sixteen vestal virgins
D
D/C
Bm
D/A
Who were leaving for the coast
G
G/F#
Em Em/D
And although my eyes were open
C
C/B
Am
D
They might just have well been closed
And so it was...........
ABER BITTE MIT SAHNE
Udo Jürgens
E
A
E
Sie treffen sich täglich um viertel nach drei, ah ah ah oh yeah
E
A
E
Am Stammtisch im Eck in der Konditorei, ah ah ah oh yeah
A
E
Und blasen zum Sturm auf das Kuchenbuffet,
A
B
Auf Schwarzwälder Kirsch und auf Sahne-Baiser,
E
A
A-Bb-H
Auf Früchteeis, Ananas, Kirsch und Banane,
E
Aber bitte mit Sahne!
E
A
E
Sie schwatzen und schmatzen, dann holen sie sich, ah ah ah oh yeah
E
A
E
Noch Buttercremetorte und Bienenstich, ah ah ah oh yeah
A
E
Sie pusten und prusten, fast geht nichts mehr rein,
A
B
Nur ein Mohrenkopf höchstens, denn Ordnung muß sein
E
A
A-Bb-H
Bei Mathilde, Ottilie Marie und Liliane,
E
E
A
E
Und das Ende vom Lied hat wohl jeder geahnt, ah ah ah oh yeah
E
A
E
Der Tod hat reihum sie dort abgesahnt, ah ah ah oh yeah
A
E
Die Hinterbliebenen fanden vor Schmerz keine Worte,
A
B
Mit Sacher- und Linzer- und Marzipantorte
E
A
A-Bb-H
Hielt als letzte Liliane getreu noch zur Fahne,
E
E-F-F#
F#
B
F#
Doch auch mit Liliane war es schließlich vorbei, ah ah ah oh yeah
F#
B
F#
Sie kippte vom Stuhl in der Konditorei, ah ah ah oh yeah
B
F#
Auf dem Sarg gab's statt Kränzen verzuckerte Torten,
B
C#
Und der Pfarrer begrub sie mit rührenden Worten,
F#
B
B-C-C#
Daß der Herrgott den Weg in den Himmel ihr bahne,
F#
F# …
Noch ein Tässchen Kaffee?
Noch ein kleines Baiser?
Oder soll's vielleicht doch 'n Keks sein? Aber bitte mit Sahne!
ABSOLUTELY SWEET MARIE 1
Bob Dylan
Bb
D
Well, anybody can be just like me - obviously
Bb
D
A7
But then, now again, not too many can be like you - fortunately.
|-----2---1-2---3-|-----2---1-2-----| Riff
|-----3---3-3---3-|-----3---3-3-----|
|-----2---1-2---4-|-----2---1-1-----|
|-0---------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
Intro: Riff
D
G
A7
D
Well, your railroad gate, you know I just can't jump it
G
D
A7
Sometimes it gets so hard, you see
D
G
A7
D
Bm
I'm just sitting here beating on my trumpet
F#m
D
A7
With all these promises you left for me
G
A7
D
Riff
But where are you tonight, sweet Marie?
D
G A7
D
Well, I waited for you when I was half sick
G
D
A7
Yes, I waited for you when you hated me
D
G
A7
D
Well, I waited for you inside of the frozen traffic
F#m
D
A7
When you knew I had some other place to be
G
A7
D
Riff
Now, where are you tonight, sweet Marie?
Bm
D
G A7
D
Well, six white horses that you did promise
G
D
A7
Were fin'lly delivered down to the penitentiary
D
G
A7
D
Bm
But to live outside the law, you must be honest
F#m
D
A7
I know you always say that you agree
G
A7
D
Riff
Alright, so where are you tonight, sweet Marie?
ABSOLUTELY SWEET MARIE 2
Bb
D
Well, I don't know how it happened, but the river-boat captain, he knows my fate
Bb
D
A7
But ev'rybody else, even yourself, they're just gonna have to wait.
D
G
A7
D
Well, I got the fever down in my pockets
G
D
A7
The Persian drunkard, he follows me
D
G
A7
D
Yes, I can take him to your house, but I can't unlock it
F#m
D
A7
You see, you forgot to leave me with the key
G
A7
D
Riff
Oh, where are you tonight, sweet Marie?
D
G A7
D
Now, I been in jail when all the mail showed
G
D
A7
That a man can't give his address out to bad company
D
G
A7
D
Bm
And now I stand here lookin' at your yellow railroad
F#m
D A7
In the ruins of your balcony
G
A7
D
Riff
Wond'ring where you are tonight, sweet Marie.
Bm
ACHY BREAKY HEART
Billy Ray Cyrus
A (*cis')
You can tell the world you never was my girl
E
You can burn my clothes when I'm gone
Or you can tell your friends just what a fool I've been
A
And laugh and joke about me on the phone
A
You can tell my arms go back unto the farm
E
You can tell my feet to hit the floor
Or you can tell my lips to tell my fingertips
A
They won't be reaching out for you no more
A
But don't tell my heart, my achy breaky heart
E
I just don't think he'd understand
And if you tell my heart, my achy breaky heart
A
He might blow up and kill this man. Ooo!
Instr.: 1 Verse
A
You can tell your ma, I moved to Arkansas
E
You can tell your dog to bite my leg
Or tell your brother Cliff, who's fist can tell my lips
A
He never really liked me anyway
A
Oh tell your Aunt Louise, tell anything you please
E
Myself already knows that I'm okay
Oh you can tell my eyes to watch out for my mind
A
It might be walking out on me today
A
But don't tell my heart, my achy breaky heart
E
I just don't think he'd understand
And if you tell my heart, my achy breaky heart
A
He might blow up and kill this man. Ooo!
Instr.: 1 Verse
Don't tell my heart, my achy breaky heart ....
A Capella:
Don't tell my heart, my achy breaky heart ....
Instr.: 1 Verse
ACROSS THE UNIVERSE
Beatles
Capo 2 (Original: D)
G
Em
Bm
Words are flying out like endless rain into a paper cup
Am7
D
D7
They slither while they pass they slip away across the Universe
G
Em
Bm
Pools of sorrow, waves of joy are drifting through my opened mind
Am7
Cm
Possessing and caressing me
G
Dsus4
Jai guru deva - Om
D7
Nothing's gonna change my world
C
G
D7
C
G
G
Em
Bm
Am7
Images of broken light which dance before me like a million eyes
D
D7
They call me on and on across the Universe
G
Em
Bm
Thoughts meander like a restless wind inside a letter box
Am7
D
D7
They tumble blindly as they make their way across the universe
G
Dsus4
Jai guru deva - Om
D7
C
G
D7
C
G
G
Em
Bm
Sounds of laughter, shades of life are ringing through my opened ears
Am7
Cm
Exciting and inviting me
G
Em
Bm
Am7
Limitless undying love which shines around me like a million suns
D
D7
And calls me on and on across the Universe
G
Dsus4
Jai guru deva - Om
D7
C
G
D7
C
G
Jai guru deva, Jai guru deva ....
ACT NATURALLY
Beatles
Intro: G
D7
G
G
C
They’re gonna put me in the movies
G
D
They’re gonna make a big star out of me
G
C
We’ll make a film about a man that’s sad and lonely
D
G
And all I gotta do is act naturally
D
G
Well I bet you I’m gonna be a big star
D
G
Might win an Oscar, you can never tell
D
G
The movies gonna make me a big star
A7
D7
‘Cause I can play the part so well
G
C
Well I hope you come and see me in the movies
G
D
Then I’ll know that you will plainly see
G
C
The biggest fool that ever hit the big time
D
G
Instr.: D7
G
D7
G
G
C
We’ll make the scene about a man that’s sad and lonely
G
D
And beggin' down upon his bended knee
G
C
I’ll play the part, but I won’t need rehearsin’
D
G
And all I have to do is act naturally
D
G
Well I bet you I’m gonna be a big star
D
G
Might win an Oscar, you can never tell
D
G
The movies gonna make me a big star
A7
D7
‘Cause I can play the part so well
G
C
Well, I hope you come and see me in the movies
G
D
Then I’ll know that you will plainly see
G
C
The biggest fool that ever hit the big time
D
G
Instr. D7
G
Intro:
D
G
e|-------------------------------------------3----3--3------------------B|--------------3---------1-----7---------7--3h5--5--5p3--3-------------G|--0--------------0--h2-----------7--h9------------------4--0----------D|-----4--2--0---------------0------------------------------------------A|------------------------------------------------------------------7\5-D|--------------------------------------------------------------/9-------
AE FOND KISS
Robert Burns
Capo 3
G
C
G
Ae fond kiss, and then we sever
C
G
Ae farewell, and then forever
C
G
Deep in heart-wrung tears I'll pledge thee,
Em
Bm
D
G
Warring sighs and groans I'll wage thee.
G
C
G
Had we never lov'd sae kindly,
C
G
Had we never lov'd sae blindly,
C
G
Never met - or never parted Em
Bm
D
G
We had ne'er been broken-hearted.
G
C
G
Fare-thee-weel, thou first and fairest!
C
G
Fare-thee-weel, thou best and dearest!
C
G
Thine be ilka joy and treasure,
Em
Bm
D
G
>>> A
Peace, Enjoyment, Love and Pleasure!
A
D
A
Who shall say that Fortune grieves him,
D
A
While the star of hope she leaves him?
D
A
Me, nae cheerful twinkle lights me,
F#m
C#m E
A
Dark despair around benights me.
A
D
A
I'll ne'er blame my partial fancy:
D
A
Nothing could resist my Nancy
D
A
But to see her is to love her
F#m
C#m
E
A
Love but her, and love for ever.
A
D
A
Ae fond kiss, and then we sever!
D
A
Ae farewell, alas, for ever!
D
A
Deep in heart-wrung tears I'll pledge thee,
F#m
C#m
E
A
Warring sighs and groans I'll wage thee.
Robert Burns wrote this song of farewell to his 'Clarinda' on her departure abroad
from Edinburgh.
AFTER MIDNIGHT
J.J. Cale
Instr.:
E
E
E (*e)
G
A
E
After midnight, we're gonna let it all hang out
G
A
E
After midnight, we're gonna chug-a-lug and shout
We're gonna cause talk and suspicion
G
Give an exhibition
A
B7
Find out what it is all about
E
G
A
E
E
G
A
E
After midnight, gonna shake your tambourine
G
A
E
After midnight, it's gonna be peaches and cream
G
Give an exhibition
A
B7
E
G
A
E
G
G
A
A
E
E
E
G
Give an exhibition
A
B7
E
G
A
E
E
G
A
E
Instr.:
E
E
(Original: D)
G
G
A
A
E
E
AGAINST THE WIND
Capo 4 (Original: G)
C
Em
Seems like yesterday,
but it was long ago
F
C
Janey was lovely, she was the queen of my nights
G
F
There in the darkness with the radio playing low, and
C
Em
The secrets that we shared,
mountains that we moved
F
C
Caught like a wild fire out of control
F
G
Till there was nothing left to burn and nothing left to prove.
Bob Seger
Am
G
C
And I remember what she said to me
Am
F
C
How she swore that it never would end
Am
G
F
I remember how she held me oh so tight,
G
Wish I didn't know now what I didn't know then.
C
Em F
C
Against the wind, we were running against the wind.
F
Em
Dm7
F
C
We were young and strong, we were running against the wind.
C
Em
The years rolled slowly past,
I found myself alone,
F
C
Surrounded by strangers I thought were my friends,
G
F
I found myself further and further from my home.
C
Em
And I - guess I lost my way,
there were oh, so many roads.
F
C
I was livin' to run and runnin' to live,
F
G
Never worrying about paying or even how much I owed.
Am
G
C
Movin' eight miles a minute for months at a time,
Am
F
C
Breakin' all of the rules that would bend.
Am
G
F
G
I began to find myself searching, searching for shelter again and again.
C
Em F
C
Against the wind, a little somethin‘ against the wind.
F
Em
Dm7
F
C
I found myself seeking shelter against the wind.
Instr.: 1 Verse
Am
G
C
All those drifter's days are passed me now
Am
F
C
I've got so much more to think about
Am
G
F
G
Deadlines and commitments, what to leave in and what to leave out.
C
Em F
C
Against the wind, I‘m still running against the wind.
F
Em
Dm7
F
C
I'm older now and still running against the wind
F
Em
G
F
Well, I'm older now and still running - against the wind
C
F
C
Against the wind, against the wind, against the wind ...
AIN’T MISBEHAVIN´
Fats Waller, Harry Brooks, 1929
Bbdim: x 1 2 0 2 0
Amaj7
Bbdim
Bm7: x 2 0 2 0 2
Bm7
E7 2x
Amaj7
Bbdim Bm7
E7
No one to talk with, all by myself,
A6
A/G
D6/F#
Dm6/F
No one to walk with, but I'm happy on the shelf,
A6/E
F#7
Ain't misbehavin'
Bm7
E7
C#7 F#7 B7
E7
I'm savin' my love for you.
Amaj7
Bbdim Bm7
E7/9
I know for certain,
the one I love,
A6
A/G
D6/F# Dm6/F
I'm thru with flirtin', it's just you I'm thinkin' of,
A6/E
F#7
Ain't misbehavin',
Bm7
E7
A6 ( C#m7-5 - Cm7-5 - Bm7-5 - A6 ) C#7
F#m
D7
Like Jack Horner, in the corner,
B7
F#7
Don't go nowhere, what do I care
E6 C#7 F#m7
B7
E7
Your kisses are worth waitin' for
F#7 B7 E7
Be - lieve me
Amaj7
Bbdim Bm7
E7
I don't stay out late, don't care to go,
A6
A/G
D6/F#
Dm6/F
I'm home about eight, just me and my radio,
A6/E
F#7
Ain't misbehavin'
Bm7
E7
C#7 F#7 B7
E7
Amaj7
Bbdim Bm7
E7
I know for certain,
the one I love,
A6
A/G
D6/F# Dm6/F
I'm thru with flirtin', it's just you I'm thinkin' of,
A6/E
F#7
Ain't misbehavin',
Bm7
E7
A6 ( C#m7-5 - Cm7-5 - Bm7-5 - A6 ) C#7
F#m
D7
Like Jack Horner, in the corner….
Amaj7
Bbdim Bm7
E7
No one to talk with, all by myself,
A6
A/G
D6/F#
Dm6/F
No one to walk with, but I'm happy on the shelf,
A6/E
F#7
Ain't misbehavin'
Bm7
E7
C#7 F#7
Bm7
E7
A6 ( C#m7-5 - Cm7-5 - Bm7-5 - A6 )
AIN'T NO SUNSHINE
Am
And I know, I know, I know….
Bill Withers
(*e)
Am7
Ain' no sunshine when she's gone
Em Em/G
Em Em/G
It’s not warm when she's away
Em7
Dm7
And she always gone too long
Am7 Em Em/G
Anytime she goes away
Am7
Wonder this time where she’s gone
Am7
Em7
Dm7
Hey, I oughtta leave the young thing alone but
Am7 Em Em/G
Am7
Am7
Em Em/G
Am7
Em Em/G
Am7
Am7
Am7
Em Em/G
Am7
Em Em/G
Am7
Only darkness everyday
Wonder if she's gone to stay
Em7
Dm7
An’ ‘is house just ain' no home
Am7 Em Em/G
Am7
Em7
Ain' no sunshine when she’s gone
Dm7
And this house just ain' no home
Am7 Em Em/G
Am7 Em Em/G
Am7 Em Em/G
Am7 Em Em/G
Am7
Am7
Am7
Am7
AIN'T SHE SWEET?
Jack Yellen, Milton Ager, 1927
Intro: 1 Verse
C6
Ain't
G#dim G7
she
sweet?
C6
G#dim G7
See her coming down the street!
C
E9 A7
Now I ask you very confidentially,
D
G6 C
G7
Ain't she sweet?
C6 G#dim G7
Ain't she
nice?
C6 G#dim G7
Look her over once or twice
C
E7 A7
Now I ask you very confidentially
D G6 C
Ain't she nice?
C7
F
C
Just cast an eye in her direction
C7
F
C Dm7 G7
Oh, me! Oh, my! Ain't that perfection?
C6 G#dim G7
I
re.........peat,
C6
G#dim G7
Don't you think that's kind of neat?
C
E7 A7
And I ask you very confidentially
D
G6 C
G7
Ain't she sweet?
Instr: 1 Verse
Ain't
she
nice? .....
C7
F
C
Just cast an eye in her direction
C7
F
C Dm7 G7
Oh, me! Oh, my! Ain't that perfection?
C6 G#dim G7
I
re.........peat,
C6
G#dim G7
Don't you think that's kind of neat?
C
E7 A7
And I ask you very confidentially
D
G6 C
G7
Ain't she sweet
C
E7 A7
Yes, I ask you very confidentially
D G6 C
G7 - C
Ain't she sweet?
AIN‘T THAT GOOD NEWS?
Sam Cooke
e’ b’ a’ g’ a’ g’ e’ d’
e’ d’ h, d’ h, a, g, b, a, g, a, g, e, d, e,
| E
| A7
| B7
| E
E
B7
Oh my baby's coming home tomorrow
A7
E
Ain't that good news, man, ain't that news
Baby's coming home tomorrow,
B7
Ain't that news, man, ain't that news
E
E7
I got a letter just the other day
A7
Telling me that she was on her way
E
B7
And she wants me to meet her at the station
A7
E
E
B7
In the letter she told me she still loved me
A7
E
Ain't that good news, man ain't that news
In the letter she told me she still loved me
B7
Ain' that news, man, ain't that news
E
E7
She said she's sorry that she left
A7
Found out she don't want nobody else
E
B7
Says she wants me all to herself
A7
E
E
E7
Ain’t that news, ain’t that good news
A7
I know that’s good news
E
B7
My baby's coming home tomorrow
A7
E
Instr.: Verse 1 + 2
2x
2x
E
B7
I'm gonna have her a party at the station
A7
E
Have a party at the station,
B7
Ain' that news, man, ain't that news
E
E7
I can't wait to get her home,
A7
Where we can finally be alone
E
B7
Disconnect my telephone,
A7
E
E
E7
Ain’t that news, ain’t that good news
A7
I know that’s good news
E
B7
My baby's coming home tomorrow
A7
E
2x
ALAMO, THE
Donovan
F
Em
Hey! Up Santa Anna, they're killing your soldiers below
F
C
G
C
So the rest of Texas will know and remember the Alamo
Capo 2
Intro: C G C F C G C
C
G
C
F
C
Eight hundred and eighty were challenged by Travors to die
G
C
F
C C7
By a line that he drew with his sword as the battle drew nigh
F
Em
Any man that crossed over the line was for glory
F
C
And he that was left better fly
G
C
F
C
C7
And over the line crossed a hundred and seventynine
F
Em
F
C
G
C
Intro
C
G
C
F
C
Jim Bowie lay dying, his blood and his powder were dry
G
C
F
C C7
But his knife at the ready to take him a few in reply
F
Em
Young Davy Crockett lay laughing and dying
F
C
The blood and the sweat in his eyes
G
C
F
C
C7
For Texas and freedom a man was more willing to die
Intro
C
G
C
F
C
A courier came to a battle once bloody and loud
G
C
F
C C7
And found only skin and bones where he once left a crowd
F
Em
Fear not little darling of dying
F
C
If the world is sovereign and free
G
C
F
C
C7
For we'll fight to the last for as long as liberty be
F
Em
F
C
G
C
G
C
Intro
And remember the Alamo
ALL ALONG THE WATCHTOWER
Bob Dylan
Capo 2 D-Harp
D-Harp:
(Original: C#m, Capo 4)
Am.......Am-G-F.....F-GAm.......Am-G-F.....F-G-
Am
G F
G Am
G
F G
"There must be some way out of here," said the joker to the thief,
Am
G F
G Am
G
F
G
"There's too much confusion,
I can't get no relief.
Am
G
F
G Am
G F
G
Businessmen, they drink my wine,
plowmen dig my earth,
Am
G F
G Am
G F
G
None of them along the line
know what any of it is worth."
D-Harp:
Am
G
F G Am
G
F
G
"No reason to get excited,"
the thief, he kindly spoke,
Am
G
F
G Am
G
F
G
"There are many here among us,
who feel that life is but a joke.
Am
G
F
G Am
G F
G
But you and I, we've been through that
and this is not our fate,
Am
G F
G Am
G F
G
So let us not talk falsely now,
the hour is getting late."
D-Harp:
Am G
F
G Am
G F G
All along the watchtower,
Princes kept the view
Am
G F
G Am
G
F
While all the women came and went,
barefoot servants, too.
Am
G
F
G Am G
F
G
Outside in the distance,
a wildcat did growl,
Am
G F
G Am
G
F
G
Two riders were approaching, the wind began to howl.
D-Harp:
G
ALL FOR ME GROG
Trad.
Capo 2
D
G
D
And it's all for me grog, me jolly jolly grog
A
All for me beer and tobacco
D
G
D
Well I've spent all me tin with the ladies drinking gin
G
A7 D
Far across the western ocean I must wander
D
G
D
I'm sick in the head and I haven't been to bed
A
Since first I came ashore with me plunder
D
G
D
I've seen centipedes and snakes and my head is full off aches
G
A7 D
And I'll have to make a path for way out yonder
D
G
D
Where are me boots, me noggin' noggin' boots
A
They're all gone for beer and tobacco
D
G
D
You see the soles were gettin' thin and the uppers were letting in
G
A7 D
And the heels were looking out for better weather
D
G
D
Where is me shirt me noggin' noggin' shirt
A
It's all gone for beer and tobacco
D
G
D
You see the sleeves they got worn out and the collar was turned about
G
A7 D
And the tail was looking out for better weather
D
G
D
Where is me wife me noggin' noggin' wife
A
She's all gone for beer and tobacco
D
G
D
You see her front it got worn out and her tail been kicked about
G
A7 D
And I'm sure she's looking out for better weather
And it's all for me grog, me jolly jolly grog....
ALL I‘VE GOT TO DO
Beatles
C5+/9/4: x 3 2 1 3 1
Am
C
And when I......, I wanna kiss you, yeah
Am
Dm
All I gotta do...., is call you on the phone
Am
C
Whenever I...... want you around, yeah
Am
Dm
All I gotta do...., is call you on the phone
And you'll come running home,
Fm
C
Yeah, that's all I gotta do.
Capo 2 (Original: E)
And you'll come running home
Fm
C
Yeah, that's all I gotta do.
Am
C
And when I......, I wanna kiss you, yeah
Am
Dm
All I gotta do...., is whisper in your ear
The words you long to hear
Fm C
And I'll be kissin' you.
F
And the same goes for me, whenever you want me at all
Am
I'll be here, yes I will, whenever you call
F
C Am
You just gotta call on me, yeah
F
C
You just gotta call on me.
F
And the same goes for me, whenever you want me at all
Am
I'll be here, yes I will, whenever you call
F
C Am
You just gotta call on me, yeah
F
C Am
You just gotta call on me, oohh
F
C
You just gotta call on me.
Am
C
Mmmmmmmmmmmmmmmmmm......
ALL OF ME
Instr. Verse 1
Gerald Marks, 1931
Capo 2
| G - Bm7 - Am7 - D7 |
2x
G
B7
All of me, why not take all of me?
d, c,
E7
Am7
Can't you see, I'm no good without you.
a’ g’
B7
Em7
Take my arms - I want to lose them
A7
Am7 D7
Take my lips - I'll never use
them.
G
B7
Your good bye left me with eyes that cry,
E7
Am7
And I know, I’m no good without you.
h’
a’ g’ h’ a’
Cmaj7
Cm6
Bm7
E9
You took the pa..rt that once was my heart,
Am7
D7 G - Bm7 - Am7 - D7
So why not take all of me?
G
B7
All of me, why not take all of me?
E7
Am7
Can't you see, I'm no good without you.
B7
Em7
Take my arms - I want to lose them
A7
Am7 D7
Take my lips - I'll never use
them.
G
B7
Your good bye left me with eyes that cry,
E7
Am7
And I know, I’m no good without you.
Cmaj7
Cm6
Bm7
E9
You took the pa..rt that once was my heart,
Am7
D7 G - Bm7 - Am7 - D7
Am7
D7 G
ALL YOU NEED IS LOVE
Beatles
G
Love,
G
Love,
D7/A
Love,
P.
G
Love,
G
Love,
D7/A
Love,
D/F#
love,
D/F#
love,
G
love,
Em
love.
Em
love.
D/F# D9
love.
| D7 | h-c-d d-e-g
G
D/F#
Em
There's nothing you can do that can't be done.
G
D/F#
Em
Nothing you can sing that can't be sung.
D7/A
G
D/F#
Nothing you can say but you can learn how to play the game.
D7 h-c-d d-e-g
It's easy.
G
D/F#
Em
Nothing you can make that can't be made.
G
D/F#
Em
No one you can save that can't be saved.
D7/A
G
D/F#
Nothing you can do but you can learn how to be you in time.
D7 h-c-d d-e-g
It's easy.
G
A7sus4 D7 d-c#-c-h-d G
All you need is love,
G
G
B7
Em G C
D9
G
All you need is love, love, love is all you need.
D/F#
love,
D/F#
love,
G
love,
Em
love.
Em
love.
D/F# D9
love.
| D7 | h-c-d d-e-g
G
G
G
B7
Em G C
D9
G
G
D/F#
Em
Nothing you can know that isn't known.
G
D/F#
Em
Nothing you can see that isn't shown.
D7/A
G
D/F#
Nowhere you can be that isn't where, you're meant to be.
D7 h-c-d d-e-g
It's easy.
G
G
G
B7
Em G C
D9
G
All you need is love
(all together now)
All you need is love
(everybody)
ALOHA HEJA HE
Achim Reichel
Capo 2 (Original: Am)
Em G D Em
Mhmmm...
2x
Em
G
D
Em
Hab die ganze Welt gesehn, von Singapur bis Aberdeen
G
D
Em
Wenn du mich fragst, wo‘s am schönsten war,
sag ich: Sansibar!
G
D
Em
Es war ne harte Überfahrt, zehn Wochen nur das Deck geschrubbt
G
Hab die Welt verflucht, in den Wind gespuckt
D
Em
Und salziges Wasser geschluckt
Em G D Em
Mhmmm...
G
Als wir den Anker warfen, war es himmlische Ruh‘
D
Em
Und die Sonne stand senkrecht am Himmel
G
Als ich über die Reling sah, da glaubte ich zu träumen
D
Em
Da waren tausend Boote und die hielten auf uns zu
G
D
Em
In den Booten waren Männer und Frau‘n. Ihre Leiber glänzten in der Sonne
G
Und sie sangen ein Lied, das kam mir seltsam bekannt vor
D
Em
G
D
Em
Aber so hatt‘ ich‘s noch nie gehört. Hey, so hatt‘ ich‘s noch nie gehört
Em
G
D
Em
Aloha heja he, aloha heja he, aloha heja he
G
D
Em
G
Mhm, ihre Boote machten längsseits fest
D
Em
Und mit dem Wind wehte Gelächter herüber
G
D
Em
Sie nahmen ihre Blumenkränze ab und warfen sie zu uns herüber
G
D
Em
Hey, und schon war die Party im Gange
Aloha heja he, aloha heja he, aloha heja he... 4x
G
D
Em
Ich hab‘ das Paradies gesehn, es war um 1910
G
Der Steuermann hatte Matrosen am Mast
D
Em
Und den Zahlmeister ham die Gonokokken vernascht
G
D
Em
Aber sonst war‘n wir bei bester Gesundheit:
Em
G
D
Em
G
D
Em
ALONE AGAIN, NATURALLY
Gilbert O’Sullivan
Capo 2
Amaj7 A6 C#m C#msus: x x 2 1 2 2
C#m Bm Fdim A
Amaj7
A6
C#m
C#msus
In a little while from now, if I'm not feeling any less sour
Em
Em6
F#7
I promised myself to treat myself and visit a nearby tower
Bm
Bm7-5
Dm6
And climbing to the top, to throw myself off
A
A+
In an effort to make it clear to who-ever
A6
G#7
What it's like when you're shattered
C#m
Em
Gdim - F#7
Left standing in the lurch, at a church with people say…….ing
Bm
Bm7-5
Dm6
"My God, that's tough, she stood him up! No point in us remaining
Amaj7
A6
C#m
F#9
We may as well go home.“ As I did on my own
Bm
Fdim
A
Alone again,
naturally
Amaj7
A6
C#m
C#msus
To think that only yesterday, I was cheerful bright and gay
Em
Em6
F#7
Looking forward to - who wouldn't do? - the role I was about to play
Bm
Bm7-5
Dm6
And as if to knock me down, reality came around
A
A+
A6
G#7
And without so much as a mere touch put me into little pieces
C#m
Em
Gdim - F#7
Leaving me to doubt, talk about God in his mer…….cy
Bm
Bm7-5
Dm6
Who if He really does exist, why did He desert me?
Amaj7
A6
C#m
F#9
And in my hour of need, I truly am indeed
Bm
Fdim
A
Alone again,
naturally
e
C
G7
It seems to me that there are more hearts broken in the world
f
Bm7-5 Fdim
C
C/B
Than can be mended,
left unattended
Emaj7
Bm7-5 E7
What do we do?
What do we do?
Instr.: 1 Verse
Amaj7
A6
C#m
C#msus
Looking back over the years and whatever else appears
Em
Em6
F#7
I remember I cried when my father died, never wishing to hide the tears
Bm
Bm7-5
Dm6
And at sixty-five years old, my mother, God rest her soul
A
A+
A6
G#7
Couldn't understand why the only man, she had ever loved had been taken
C#m
Em
Gdim - F#7
Leaving her to start with a heart so badly bro……ken
Bm
Bm7-5
Dm6
Despite encouragement from me, no words were ever spoken
Amaj7
A6 C#m
F#9
And when she passed away, I cried and cried all day
Bm
Fdim
A F#
Alone again
naturally
Bm
Fdim
Amaj7
Alone again...
naturally
ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE
Monty Python
G
G
Em
Em
Am
Am
D7
D7
Am
D
G
Em
Some things in life are bad they can really make you mad
Am
D
G
Other things just make you swear and curse
Am
D
G
Em
When you've chewing on life's gristle, don't grumble give a whistle
Am
D7
And this'll help things turn out for the best
G
Em
Am D7
G
Em
Am
And always look on the bright side of life
G
Em
Am D7
G
Em
Am
D7
Always look on the light side of life
Am
D
G
Em
For life is quite absurd and death's the final word
Am
D
G
You must always face the curtain with a bow
Am
D
G
Em
Forget about your sin - give the audience a grin
Am
D7
Enjoy it - it's your last chance anyhow.
G
Em
Am D7
G Em
So always look on the bright side of death
G
Em
Am
D7
G
Em
Just before you draw your terminal breath
Am
D7
Am
D7
D7
Am
D
G
Em
If life seems jolly rotten there's something you've forgotten
Am
D
G
And that's to laugh and smile and dance and sing.
Am
D
G
Em
When you've feeling in the dumps, don't be silly chumps
Am
D7
Just purse your lips and whistle - that's the thing
G
Em
Am D7
G
Em
Am
D7
G
Em
Am D7
G
Em
Am
D7
Come on, always look on the bright side of life
Am
D G
Em
Life's a pice if shit when you look at it
Am
D
G
Life's a laugh and death's a joke it's true
Am
D
G
Em
You'll see it's all a show - Keep'em laughing as you go
Am
D7
Just remember that the last laugh is on you
G
Em
Am D7
G Em
Am
D7
G
Em
Am D7
G Em
Am
D7 E7
Always look on the right side of life (Come on guys, cheer up)
A
Always
A
Always
F#m
Bm E7
A
F#m
look on the right side of life
F#m
Bm E7
A
F#m
look on the right side of life ....
Bm
E7
Bm
E7
ALWAYS ON MY MIND
Capo 2
C
G
Maybe I didn't love you
Am
C
F
G
Quite as often as I could have
C
G
And maybe I didn't treat you
Am
C
Dm7
Quite as good as I should have
F
C
If I made you feel second best
F
C
Dm
Girl I'm sorry I was blind
G
Am G7
C
Dm - Em
But you were always on my mind
F
G7
C
F-G
You were always on my mind
C
G
And maybe I didn't hold you
Am
C
F
G
All those lonely, lonely times
C
G
And I guess I never told you
Am
C
Dm7
I'm so happy that you're mine
F
C
Little things I should have said and done
F
C
Dm
I just never took the time
G
Am G7
C
Dm - Em
F
G7
C
F-G
C G Am C
Tell........ me,
F
C
Dm F - G7
Tell me that your sweet love hasn't died
C G Am C
Gi......ve me,
F
C
Dm
Give me one more chance to keep you satisfied
G
C
I'll keep you satisfied
Instr. 1 Vers
F
C
Little things I should have said and done
F
C
Dm
I just never took the time
G
Am G7
C
Dm - Em
F
G7
C
F-G
AM I BLUE?
Hoagy Carmichael, 1929
Instr. 1 Verse >>> C#+5
A7+5: x 0 2 0 2 1
F#m7
G#dim C#7
There was a time I was the only
one
Fdim C#7
F#m7 B7 Em7 A7+5
But now I'm
the sad and lone......ly one
A7+5 Dmaj7 F#m7 B7 Em7 A7
Am I blue?
Am I blue?
D7 B7
E7 A7 D6 B7 Em7 A7+5
Ain‘t these tears in my eyes tellin' you?
Dmaj7 F#m7 B7
Em7 A7
Am I blue?
You'd be too
D7 B7
E7 A7
D6
C#+5
If each plan with your girl done fell through
F#m7
G#dim C#7
There was a time I was the only
one
Fdim C#7
F#m7 B7 Em7 A7+5
But now I'm
the sad and lone......ly one
Dmaj7 F#m7 B7 Em7 A7
Was I gay?
Till today
D7 B7
E7
A7 D6 B7 Em7
A7+5
Now she's gone and we're through - Am I blue
Dmaj7 F#m7 B7 Em7 A7
Was I gay?
Till today
D7 B7
E7
A7 D6 B7 Em7
A7+5
D7 B7
E7
A7 D6
AMERICAN PIE 1
Don McLean
Capo 5
(Original: G)
C
G Am7
Dm
F
A long, long time ago, I can still remember
Am
G
How that music used to make me smile.
C G Am7
Dm
F
I knew if I had my chance that I could make those people dance
Am
F
G
And maybe they'd be happy for a while.
Am
Dm
Am
Dm
But February made me shiver, with every paper I'd deliver.
F
C
Dm
F
G
Bad news on the doorstep, I couldn't take one more step.
C
G
Am
Dm7
G
I can't remember if I cried when I read about his widowed bride,
C
G
Am
F
G7
C
F
Something touched me deep inside, the day, the music died.
C
F
C
G
So bye - bye, Miss American Pie,
C
F
C
G
Drove my Chevy to the levy but the levy was dry,
C
F
C
G
Them good ol' boys were drinkin' whiskey and rye, singin'
Am
D7 Am
G7
This'll be the day that I die, this'll be the day that I die.
C
G
C
Dm
F
Dm
Did you write the book of love and do you have faith in God above?
Am
G
If the Bible tells you so.
C
G
Am
Dm7
F
Now do you believe in Rock and Roll? Can music save your immortal soul
Am
D7
G
And can you teach me how to dance real slow?
Am
G
Well, I know that you're in love with him,
Am
G
Cause I saw you dancing in the gym,
F
C
D7
F
G7
You both kicked off your shoes, man I dig those rhythm and blues.
C
G
Am
I was a lonely teenage bronkin' buck
Dm
F
With a pink carnation and a pick up truck,
C G
Am
F
G7
C F C
But I knew I was out of luck, the day, the music died.
G
I started singing:
C
F
C
G
Bye - bye, Miss American Pie,
C
F
C
G
C
F
C
G
Am
D7 Am
G7
AMERICAN PIE 2
C
Dm
Now for ten years we've been on our own
F
Dm
And moss grows fat on a rollin' stone
Am
G
But that's not how it used to be.
C
G
Am
When the jester sang for the King and Queen
Dm7
F
In a coat he borrowed from James Dean
Am
D7
G
And a voice that came from you and me.
Am
G
Am
G
Oh and while the King was looking down, the jester stole his thorny crown.
F
C
D7
F
G7
The courtroom was adjourned, no verdict was returned.
C
G
Am
Dm
F
And while Lennon read a book on Marx, the quartet practiced in the park
C
G
Am
F
G7
C F C
And we sang dirges in the dark, the day, the music died.
G
We were singin'
C
Dm
F
Dm
Helter-skelter in the summer swelter, the Byrds flew off for the fallout shelter.
Am
G
Eight miles high and fallin' fast,
C G Am
Dm7
F
To land foul on the grass. The players tried for a forward pass,
Am
D7
G
With the jester on the sidelines in cast.
Am
G
Now the halftime air was sweet perfume,
Am
G
While the sergeants played a marching tune.
F
C
D7
F
G7
We all got up to dance, but we never got the chance
C
G
Am
Cause the players tried to take the field,
Dm
F
The marching band refused to yield,
C
G
Am
F
G7
C
F C
Do you recall what was revealed, the day, the music died.
G
We started singin':
C
F
C
G
C
F
C
G
C
F
C
G
Am
D7 Am
G7
C
F
C
G
C
F
C
G
C
F
C
G
Am
D7 Am
G7
AMERICAN PIE 3
C
Dm
F
Dm
And there we were all in one place, a generation lost in space.
Am
G
With no time left to start again
C
G
Am
So come on, Jack be nimble, Jack be quick,
Dm7
F
Jack Flash sat on a candlestick.
Am
D7 G
Cause fire is the devil's only friend.
Am
G
And as I watched him on the stage,
Am
G
My hands were clenched in fists of rage.
F
C
D7
F
G7
No angel born in hell, could break that Satan's spell
C
G
Am
Dm
F
And as the flames climbed high into the night to light the sacrificial rite
C
G
Am
F
G7
C F C
I saw Satan laughing with delight, the day, the music died.
G
He was singin':
C
F
C
G
C
F
C
G
C
F
C
G
Am
D7 Am
G7
C
G
Am
Dm7
F
I met a girl who sang the blues and I asked her for some happy news,
Am
G
But she just smiled and turned away.
C
G
Am
Dm
F
I went down to the sacred store where I heard the music years before,
Am
D7
G
But the man there said the music wouldn't play.
Am
Dm
And in the streets the children screamed,
Am
Dm
The lovers cried and the poets dreamed.
F
C
Dm
F
G
But not a word was spoken, the church bells all were broken.
C
G Am
Dm7 F
G7
And the three men I admire most, the Father, Son and the Holy Ghost,
C
G
Am
F
Dm7 G7 C
They caught the last train for the coast, the day, the mu....sic died.
G7
I started singin':
C
F
C
G
C
F
C
G
C
F
C
G
Am
D7 F
G7
C F C
This'll be the day that I die, this'll be the day that I die............
AND I LOVE HER
Beatles
(Original: E, Capo 4)
g-c-h-a
g-c-h-a
g-c-h-a
Dm
Am7
Dm
d,
Dm
Am7
I give her all my love
Dm
Am7
That's all I do
Dm
Am7
And if you saw my love
Fmaj7
G7
You'd love her too
Cmaj7
I love her
Dm
Am7
She gives me everything
Dm
Am7
And tenderly
Dm
Am7
The kiss my lover brings
Fmaj7
G7
She brings to me
Cmaj7
And I love her
Am7
G
Am7
Em7
A love like ours, could never die
Am7
Em7
G7
As long as I have you near me
Dm
Am7
Bright are the stars that shine
Dm
Am7
Dark is the sky
Dm
Am7
I know this love of mine
Fmaj7
G7
Will never die
Cmaj7
And I love her.
Instr.
Dm
Am7
Bright are the stars that shine
Dm
Am7
Dark is the sky
Dm
Am7
I know this love of mine
Fmaj7
G7
Will never die
Cmaj7
And I love her.
g-c-h-a
g-c-h-a
g-c-h-a
g-c-h-a
Dm
Am7
Dm
A
g-c-h-a
ANGELS
Robbie Williams
Capo 2
e
a' g g
C
F
Am7
G
I sit and wait - does an angel contemplate my fate.
g
C
Am7/F
And do they know - the places were we go when we're grey and old.
G
Dm7
F
Am7
F
Cuz I have been told that salvation lets their wings unfold.
Bb
So when I'm lying in my bed,
F
Thoughts running through my head,
C
And I feel that love is dead.
Bb (*f,)
F
C
I'm loving angels instead.
c,
g
g d‘
G
Am
And through it all she offers me protection,
F
C
A lotta love and affection, whether I'm right or wrong.
G
Am
And down the waterfall wherever it may take me,
F
I know that life won't break me.
f e d c d
C/E
Dm7
Bb
When I comes to call, she won't forsake me.
F
C
C
F
Am7 G
When I'm feeling weak and my pain walks down a one way street.
C
F
Am
G
I look above and I know I'll always be blessed with love.
Bb
And as the feeling grows
F
She breathes flesh to my bones
C
And when love is dead,
Bb
F
C
And through it all she offers me protection ....
e,
edca
Instr.: |
C
d edca d
| Gm
|
edca c edca c
F6
| C
|
C
And through it all she offers me protection ....
(Original: E)
| 3x
ANGIE
Rolling Stones
Em
B7
D
C
G
D
Em
B7 D
C
G
Angie......., Angie, when will those clouds all disapp.....ear?
Em
B7
D
C
G
Angie......., Angie, where will it lead us from he.....re?
D
Am
Em
With no loving in our souls and no money in our coats
G
C
D
You can't say we're satisfied
Em B7
D
C
G
But Angie......, Angie, you can't say we never tri.....ed
Em
B7
D
C
G
Angie, you're beautiful, but ain't it time we said good-bye?
Em
B7
D
C
G
Angie, I still love you, remember all those nights we cried?
D
Am
Em
All the dreams we held so close seemed to all go up in smoke
G
C
D
Let me whisper in your ear:
Em B7
D
C
G
Angie, Angie, where will it lead us from here?
Instr.: Em
Em
B7
B7
D
D
C
C
G
G
D
D
Am
Em
Oh, Angie, don't you weep, all your kisses still taste sweet
G
C
D
I hate that sadness in your eyes
Em B7
D
C
G
D
But Angie....., Angie, ain't it time we said good-b....ye?
Instr.: Em
B7
D
C
G
D
Am
Em
With no loving in our souls and no money in our coats
G
C
D
You can't say we're satisfied
Am
Em
But Angie, I still love you, baby
Am
Em
Ev'rywhere I look I see your eyes
Am
Em
There ain't a woman that comes close to you
G
C
D
Come on Baby, dry your eyes
Em B7
D
C
G
But Angie....., Angie, ain't it good to be ali....ve?
Em B7
D
C
G
Angie....., Angie, they can't say we never tri....ed
ANNIE LAURIE
Trad.
G (*h,)
C
G
D
Maxwellton braes are bonnie, where early fa's the dew
G
C
G
D
G
And it‘s there that Annie Laurie gaed me her promise true.
D
G
D
G
Gaed me her promise true, that ne'er forgot will be,
Em
C
G
D
G
And for bonnie Annie Laurie, I‘d lay me doon and dee.
G
C
G
D
Her brow is like the snowdrift, her neck is like a swan
G
C
G
D
G
Her face it is the fairest, that e'er the sun shone on.
D
G
D
G
That e'er the sun shone on and dark blue is her ee
Em
C
G
D
G
G
C
G
D
Like dew on th' gowan lying, is the fa' o' her fairy feet,
G
C
G
D
G
And like wind in summer sighing, her voice is low and sweet.
D
G
D
G
Her voice is low and sweet and she's a' the world to me
Em
C
G
D
G
Meaning of unusual words:
gowan=daisy
The song to "Annie Laurie" was originally written by her sweetheart, William Douglas,
and amended by Lady John Scott (1810-1900) who altered the second verse and
composed the third. This song was a favourite with Scottish soldiers during the
Crimean War.
ANYTIME AT ALL
Beatles
Capo 3 P. (Original: D)
G (*h')
Em (d e g) G
D
Any time at all,
any time at all,
Em
C
Any time at all, all you've gotta do is call,
D7
G (c h a g h)
And I'll be there.
G
Bm
Em
Cm
If you need somebody to love, just look into my eyes,
G
D7
G
I'll be there to make you feel right,
Bm
Em
Cm
If you're feeling sorry and sad, I'd really sympathize.
G
D7
G (c h a g h)
Don't you be sad, just call me tonight.
G
Em (d e g) G
D
Any time at all,
any time at all,
Em
C
D7
G (c h a g h)
And I'll be there.
G
Bm
Em
Cm
If the sun has faded away, I'll try to make it shine.
G
D7
G
There is nothing I won't do
Bm
Em
Cm
If you need a shoulder to cry on, I hope it will be mine,
G
D7
G (c h a g h)
Call me tonight, and I'll come to you.
G
Em (d e g) G
D
Any time at all,
any time at all,
Em
C
D7
G (c h a g h)
And I'll be there.
Instr.: Am Bm C6
Am Bm C
Em D C - D C - D
G (c h a g h)
G
Em (d e g) G
D
Any time at all,
any time at all,
Em
C
D7
G (c h a g h)
And I'll be there.
Em
C
D7
G (c h a g h)
And I'll be there.
AROUND AND AROUND
Chuck Berry
D-Harp
E
A
h>cis e e e h>cis e e e
A
I say the joint was rocking - Goin' round and round
D
A
Yeah, reeling and a rocking - What a crazy sound
E
A
And they never stopped rocking, 'til the moon went down
A
Well it sounds so sweet - I had to take me chance
D
A
Rose out of my seat - I just had to dance
E
A
Started moving my feet, whoa to clapping my hands
A
I say the joint was rocking - Goin' round and round
D
A
E
A
Instr. 2x Chorus D-Harp
A
Yeah, at twelve o'clock - Yeah, the place was packed
D
A
Front doors was locked - Yeah the place was packed
E
A
And when the police knocked, those doors flew back
A
But they kept on rocking - Goin' round and round
D
A
E
A
A
And they go on rocking - Goin' round and round
D
A
E
A
A
Well, the joint started rocking - Goin' round and round
D
A
E
A
AS I WENT OUT ONE MORNING
Bob Dylan
P. (uptempo)
G-Harp (8 blow): G D Em
Em (*d-e)
D
Em D
Em
As I went out one morning, to breathe the air around Tom Paine's,
D
Em
D
Em
I spied the fairest damsel, that ever did walk in chains.
G
Bm
Em
D
Em
I offer'd her my hand, she took me by the arm.
D
Em
D
Em
I knew that very instant, she meant to do me harm.
G-Harp: G D Em
Em
D
Em
D
Em
"Depart from me this moment," I told her with my voice.
D
Em
D
Em
Said she, "But I don't wish to," said I, "But you have no choice."
G
Bm
Em
D
Em
"I beg you, sir," she pleaded from the corners of her mouth,
D
Em
D
Em
"I will secretly accept you and together we'll fly south."
G-Harp: G D Em
Em
D
Em
D
Em
Just then Tom Paine, himself, came running from across the field
D
Em
D
Em
Shouting at this lovely girl and commanding her to yield.
G
Bm
Em
D
Em
And as she was letting go her grip, up Tom Paine did run
D
Em
D
Em
"I'm sorry, sir," he said to me, "I'm sorry for what she's done."
G-Harp: G D Em
(Original: F#m)
AS TEARS GO BY
Rolling Stones
Capo 3
(h c) C D
F
G
C
D
F G
It is the evening of the day
C
D
F
G
I sit and watch the children play
F
G7
Smiling faces I can see
C C/B Am
But not for me
F
G G7
I sit and watch as tears go by
C
D
F G
My riches can't buy everything
C
D
F
G
I want to hear the children sing
F
G7
All I hear is the sound
C C/B
Am
Of rain falling on the ground,
F
G G7
I sit and watch as tears go by.
C
D
F G
It is the evening of the day
C
D
F
G
I sit and watch the children play
F
G7
Doing things I used to do
C C/B
Am
Thinking of you
F
G G7
I sit and watch as tears go by.
AS TIME GOES BY
Herman Hupfeld, 1931
Capo 3
70 bpm
D7
Fdim D7
That no one can deny
Rubato:
Am7
D7
You must remember this
Dm6
D7
A kiss is just a kiss
G6
Am7
( Gdim - Bm7 )
A sigh is just a sigh
A7
Am7
The fundamental things apply
D7
Gmaj7 Cmaj7 Am7 D7
As time goes by
Am7
D7
You must remember this
Dm6
D7
A kiss is just a kiss
G6
Am7 Gdim - Bm7
A sigh is just a sigh
A7
Am7
The fundamental things apply
D7
Gmaj7 Cmaj7 Dm7 G7
As time goes by
Am7
D7
And when two lovers whoo
Dm6
D7
They still say: I love you
G6
Am7 ( Gdim - Bm7 )
On that you can rely
A7
Am7
No matter what the future brings
D7
Gmaj7 Cmaj7 Dm7 G7
As time goes by
Moonlight and love songs...
g,
Cmaj7
E7
Moonlight and love songs. Never out of date
Am
Gdim
Hearts full of passion, jealousy and hate
Em
C
A7
Woman needs man and man must have his maid
Am7
D7
It's still the same old story
Dm6
D7
A fight for love and glory
G6
Am7 Gdim - Bm7
A case of do or die
A7
Am7
The world will always welcome lovers
D7
Gmaj7 Cmaj7 Am7 Bm7
As time goes by
A7
Bm7 E7
The world will always welcome lovers
Am7 D7 G6
As time goes by
AUF DER REEPERBAHN NACHTS UM HALB EINS
Hans Albers
Capo 2
C
G7
C
Silbern klingt und springt die Heuer, heut' speel ich dat feine Oos.
G7
C
Heute ist mir nichts zu teuer, morgen geht ja die Reise los.
D7
G
Langsam bummel ich ganz alleine
D7
G
Die Reeperbahn nach der Freiheit rauf,
D7
Em
C
G
D7
G
Treff ich eine recht blonde, recht feine, die gabel ich mir auf.
C
G7 C
F
C
G7
C
Komm doch, liebe Kleine, sei die Meine, sag nicht nein!
F
C
F
C
D7
G
Du sollst bis morgen früh um Neune meine kleine Liebste sein.
G7
C
F
C
Ist dir’s recht, na dann bleib ich dir, treu sogar bis um zehn.
F
C
Am
G7
C
Hak' mich unter, wir wollen zusammen mal bummeln gehn.
G7
C
G7
C G7
Auf der Reeperbahn nachts um halb eins,
C
F
C
Ob du'n Mädel hast oder ob keins,
G7
C
Amüsierst du dich, denn das findet sich
D7
G7
Auf der Reeperbahn nachts um halb eins.
C
G7
C
G7
Wer noch niemals in lauschiger Nacht
C
F
C
Einen Reeperbahnbummel gemacht,
G7
C
Ist ein armer Wicht, denn er kennt dich nicht,
F
C
G7
C
Mein St. Pauli, St. Pauli bei Nacht.
C
G7
C
Kehr ich heim im nächsten Jahre, braungebrannt wie so’n Hottentott,
G7
C
Hast du deine blonden Haare schwarz gefärbt, vielleicht auch rot,
D7
G
Grüßt dich dann mal ein fremder Jung'
D7
G
Und du gehst vorüber und kennst ihn nicht,
D7
Em
C
G
D7
G
Kommt dir vielleicht die Erinnerung wieder, wenn leis' er zu dir spricht:
Komm doch, liebe Kleine, sei die Meine, sag nicht nein ...
Auf der Reeperbahn nachts um halb eins...
AUF, AUF ZUM FRÖHLICHEN JAGEN
Trad.
E
B7
E
Auf, auf zum fröhlichen Jagen, auf in die grüne Heid.
B7
E
Es fängt schon an zu tagen, es ist die schönste Zeit.
B7
E
A
B7
Die Vögel in den Wäldern sind schon vom Schlaf erwacht,
E
B7
E
Und haben auf den Feldern das Morgenlied vollbracht.
B7
E
B7
E
B7
Tridi hejo, di hejo, di he di he dio tridio.
E
B7
E
Hejo di hejo di he dio tridio.
E
B7
E
Frühmorgens als der Jäger in den grünen Wald neinkam,
B7
E
Da sah er mit Vergnügen das schöne Wildbret an.
B7
E
A
B7
Die Gamslein, Paar bei Paare, die kommen von weit her,
E
B7
E
Die Rehe und das Hirschlein, das schöne Wildbret schwer.
B7
E
B7
E
B7
E
B7
E
E
B7
E
Das edle Jägerleben vergnüget meine Brust,
B7
E
Dem Wilde nachzustreben ist meine höchste Lust.
B7
E
A
B7
Wir laden unsre Büchsen mit Pulver und mit Blei,
E
B7
E
Wir führ'n das schönste Leben, im Walde sind wir frei.
B7
E
B7
E
B7
E
B7
E
AULD LANG SYNE
Trad. / Robert Burns
D
A7
D
G
Should auld acquaintance be forgot, and never brought to mind
D
A7
G
D
Should auld acquaintance be forgot, and days of auld lang syne
NEHMT ABSCHIED BRÜDER
A7
D
G
For auld lang syne, my dear, for auld lang syne
D
A7
G
A7 D
We'll take a cup o' kindness now, for auld lang syne.
Refr.:
Der Himmel wölbt sich übers Land, ade, auf Wiedersehn
Wir ruhen all in Gottes Hand, lebt wohl, auf Wiedersehn
D
A7
D
G
We two hae paidelt in the burn frae mornin-sun till dine
D
A7
G
D
But seas between us braid hae roared sin' auld lang syne
D
A7
D
G
We twa hae run a-bout the braes, and pu'd the gowans fine;
D
A7
G
D
We've wandered mony a weary foot, in' auld lang syne
D
A7
D
G
And here's a hand my trusty fere, and gies a hand of thine,
D
A7
G
D
We'll tak'a rich gude willie waught, for auld lang syne
D
A7
D
G
And surely ye'll be your pint-stoup, and surely I'll be mine
D
A7
G
D
We'll take a cup of kindness yet, for the sake of auld lang syne
Nehmt Abschied Brüder, ungewiss ist alle Wiederkehr,
Die Zukunft liegt in Finsternis und macht das Herz uns schwer
Die Sonne sinkt, es steigt die Nacht, vergangen ist der Tag
Die Welt schläft ein und leis erwacht der Nachtigallen Schlag
So ist in jedem Anbeginn das Ende nicht mehr weit
Wir kommen her und gehen hin und mit uns geht die Zeit
Nehmt Abschied, Brüder, schließt den Kreis, das Leben ist ein Spiel
Nur wer es recht zu leben weiß, gelangt ans große Ziel
AUTUMN LEAVES
Joseph Kosma
Capo 3
a h c f
g
a h e’ e’
Am
Dm7 G7
Cmaj7 Fmaj7
The falling leaves
drift by my window
Bm7-5 E7
Am Am9 - Am
The autumn leaves
of red and gold
Dm7
G7
Cmaj7 Fmaj7
I see your lips,
the summer kisses
Bm7-5 E7
Am Am9 - Am
The sunburned hands
I used to hold
a
a
h
e h
Bm7-5
E7
Am Am9 - Am
Since you went away the days grow long
Dm7 G7
Cmaj7 Fmaj7
And soon I'll hear
old winter's song
Bm7-5
E7
Am
/G /F#
But I miss you most of all my darling
/F
Bm7-5 E7
Am Am9 - Am
When autumn leaves
start to fall
Instr.: 1 Verse
Bm7-5
E7
Am Am9 - Am
Since you went away the days grow long
Dm7 G7
Cmaj7 Fmaj7
And soon I'll hear
old winter's song
Bm7-5
E7
Am
/G /F#
But I miss you most of all my darling
/F
Bm7-5 E7
Am Am9 - Am
When autumn leaves
start to fall l
Bm7-5
E7
Am
/G /F#
I miss you most of all my darling
/F
Bm7-5 E7
Am Am9 - Am
When autumn leaves
start to fall
BABY CAN I HOLD YOU
Tracy Chapman
(Original: D)
G D7sus4 D7
G D7sus4 D7
G
D7sus4 D7
Am7
„Sorry“, is all that you can't say
D7sus4
D7
G
Years gone by and still
D7sus4
D7
Am7
Words don't come easily
Cadd9
D7
Like sorry, like sorry
G
D7sus4 D7
Am7
„Forgive me“, is all that you can't say
D7sus4
D7
G
D7sus4
D7
Am7
Cadd9
D7
Like forgive me, forgive me
G
But you can say: Baby
Am7
C
G
Baby, can I hold you tonight
Am7
C
Em
Baby, if I told you the right words, ooh
D
G
Am7 C D7
At the right time, you'd be mine
G
D7sus4 D7
Am7
„I love you“, is all that
you can't say
D7sus4
D7
G
D7sus4
D7
Am7
Cadd9
D7
Like I love you, I love you
G
But you can say: Baby
Am7
C
G
Baby, can I hold you tonight
Am7
C
Em
D
G
Am7
C
G
Baby can I hold you tonight
Am7
C
Em
D
G
Am7
C
G
You'd be mine,
Am7
C
G
You'd be mine
BAD, BAD LEROY BROWN
Jim Croce
G...... C-C#-D
G
A7
Well the south side of Chicago is the baddest part of town
B7
C
And if you go down there you better just beware
D7
G
D7
Of a man named Leroy Brown
G
A7
Now Leroy's more than trouble, you see, he stand about six foot four
B7
C
All the down-town ladies call him treetop lover,
D7
G
D7
All the men just call him „Sir“
G
A7
And he's bad, bad Leroy Brown, the baddest man in the whole damn town
B7
C
D7
G D7
Badder than old King Kong and meaner than a junkyard dog
G
A7
Now Leroy, he's a gambler and he likes his fancy clothes
B7
C
And he likes to wave his diamond rings
D7
G
D7
Under everybody's nose
G
A7
He got a custom Continental, he got an El Dorado, too
B7
C
He got a 32 gun in his pocket for fun,
D7
G
D7
He got a razor in his shoe
G
A7
B7
C
D7
G D7
G
A7
Well, Friday night a week ago, Leroy shootin' dice
B7
C
And at the edge of the bar sat a girl named Doris
D7
G
D7
And, ooh that girl looked nice
G
A7
Well, he cast his eyes upon her and the trouble soon began
B7
C
And Leroy Brown learned a lesson 'bout a-messin'
D7
G
D7
With the wife of a jealous man
G
A7
B7
C
D7
G D7
G
A7
Well,those two men took to fightin' and when they pulled them from the floor
B7
C
Leroy looked like a jigsaw puzzle
D7
G
D7
With a couple of pieces gone
G
A7
B7
C
D7
G D7
BAD MOON RISING
CCR
A
E D
A
I see a bad moon risin'
E
D
A
I see troubles on the way
E
D
A
I see earthquakes and lightning
E D
A
I see bad times today
D
A
F#m
Don't go round tonite, well, it's bound to take your life
E
D
A
There's a bad moon on the rise
A
E
D
A
I hear hurricanes a blowin'
E
D
A
I know the end is coming soon
E
D
A
I feel rivers over flowing
E
D
A
I hear the voice of rage and ruin
D
A
F#m
E
D
A
Instr.: 1/2 Strophe + Refrain
A
E
D
A
Hope you got your things together
E
D
A
Hope you're quite well prepared to die
E
D
A
Looks like we're in for nasty weather
E
D
A
One eye is takin' for an eye
D
A
F#m
E
D
A
D
A
F#m
E
D
A
BALLAD OF LUCY JORDAN
Marianne Faithful
A
D
A
The morning sun touched lightly on the eyes of Lucy Jordan
E
In a white suburban bedroom, in a white suburban town
A
D
A
As she lay there neath the covers, dreaming of a thousand lovers
E
A
A7
Till the world turned to orange and the room went spinning round
D
A
At the age of thirty-seven she realised she‘d never ride
E
Through Paris in a sportscar with the warm wind in her hair
A
D
A
So she let the phone keep ringing, as she sat there softly singing
E
D
A
Pretty nursery rhymes, she‘d memorised in her daddys easy chair
D
A
At the age of thirty-seven she realised she‘d never ride
E
Through Paris in a sportscar with the warm wind in her hair
A
D
A
So she let the phone keep ringing, as she sat there softly singing
E
D
A
Pretty nursery rhymes, she‘d memorised in her daddys easy chair
A
D
A
The evening sun touched gently on the eyes of Lucy Jordan
E
On the roof top where she climbed, when all the laughter grew too loud
A
D
A
And she bowed in courtesy to the man, who reached and offered her his hand
E
A
A7
And led her down to the long white car that waited past the crowd
D
A
At the age of thirty-seven she knew she‘d found forever
E
As she rode along through Paris with the warm wind in her hair ...
A
D
A
Her husband, he‘s off to work and the kids are off to school
E
And there are, oh, so many ways for her to spend the day
A
D
A
She could clean the house for hours, or rearrange the flowers
E
A
A7
Or run naked through the shady street screaming all the way
BALLAD OF A THIN MAN 1
Bob Dylan
Capo 2
Riff:
Am
Dm9 Am
|---|--------0---0-0---0-------|--|---|.-------1---1-3---1------.|--|---|--------2---2-2---2-------|--|---|--------2---2-3---2-------|--- etc
|---|.0-----------------------.|-0|-0-|------------------------0-|---
Am (*a')
/G#
You walk into the room with your pencil in your hand
/G
/F#
You see somebody naked and you, you say, "Who is that man?"
F
Dm
You try so hard but you don't understand
C
Em/B
Am
Just what you will say when you get home
C (*e)
Em/B
Because something is happening here
Am
/G F
Am
Riff 2x
But you don't know what it is - Do you, Mister Jones?
Am
/G#
You raise up your head and you ask, "Is this where it is?"
/G
/F#
And somebody points to you and says "It's his"
F
Dm
And you say, "What's mine?" and somebody else says, "Where what is?"
C
Em/B
Am
And you say, "Oh my God, am I here all alone?"
C
Em/B
But something is happening
Am
/G
And you don't know what it is -
F
Am
Riff 2x
Do you, Mister Jones?
Am
/G#
You hand in your ticket and you go watch the geek
/G
/F#
Who immediately walks up to you when he hears you speak
F
Dm
And says, "How does it feel to be such a freak?"
C
Em/B
Am
And you say, "Impossible" as he hands you a bone
C
Em/B
And something is happening here
Am
/G
F
Am
Riff 2x
Am
C
You have many contacts among the lumberjacks
F
Am
To get you facts when someone attacks your imagination
C
But nobody has any respect, anyway they already expect you
F
Dm
G
To all give a check to tax-deductible charity organizations. Ahhhhh
BALLAD OF A THIN MAN 2
Am (*a')
/G#
You've been with the professors and they've all liked your looks
/G
/F#
With great lawyers you have discussed lepers and crooks
F
Dm
You've been through all of F. Scott Fitzgerald's books
C
Em/B
Am
You're very well read, it's well known
Am
/G#
Now you see this one-eyed midget shouting the word "NOW"
/G
/F#
And you say, "For what reason?" and he says, "How?"
F
Dm
C (*e)
Em/B
But something is happening here
Am
/G F
Am
Riff 2x
And you don't know what it is - Do you, Mister Jones?
C
Em/B
And you know something is happening
Am
/G
F
Am
Riff 2x
Am
/G#
Well, the sword swallower, he comes up to you and then he kneels
/G
/F#
He crosses himself and then he clicks his high heels
F
Dm
And without further notice he asks you how it feels
C
Em/B
Am
And he says, "Here is your throat back thanks for the loan"
Am
/G#
Well, you walk into the room like a camel and then you frown
/G
/F#
You put your eyes in your pocket and your nose on the ground
F
Dm
There ought to be a law against you comin' around
C
Em/B
Am
You should be made to wear earphones
C
Em/B
And you know something is happening
Am
/G
F
Am
Riff 2x
C
Em/B
Cause something is happening
Am
/G
F
Am
Riff 4x
And you say, "What does this mean?" and he screams back, "You're a cow
C
Em/B
Am
Give me some milk or else go home"
BANANA BOAT SONG (DAY-O)
Harry Belafonte
E
B7 E
Day-O! Day-O!
B7
E
Daylight come and me wann‘ go home
B7
E
Day me-say-day, me-say-day, me-say-day, me-say-day-o
B7
E
Daylight come and me wann‘ go home
E
Work all night and a drink a rum
B7
E
(Daylight come and me wanna go home)
Stack banana till the mornin come
B7
E
E
B7
Come Mister Tallyman, tally me banana
E
B7
E
E
B7
Come Mister Tallyman, tally me banana
E
B7
E
E
Lift six foot seven foot eight foot bunch!
B7
E
E
Six foot seven foot eight foot bunch!
B7
E
E
B7 E
Day, me say day-o
B7
E
B7
E
Day, me say day, me say day, me say day-o
B7
E
A beauitful bunch of ripe banana!
Hide the deadly black tarantula!
Lift six foot seven foot eight foot bunch! ......
Day me say day-o
Day, me say day, me say day, me say day o
Come Mister Tallyman tally me banana .......
Day O Day O
Daylight come and me wanna go
Day me-say-day, me-say-day, me-say-day, me-say-day-o
Daylight come and me wanna go home
(Original: F#)
BANKS OF NEWFOUNDLAND, THE
Trad.
Capo 5 (Original: G, Capo 7)
C
F
C
G
C
On St. Patrick's Day the seventeenth from New York we set sail.
G
C
Am
G
Kind fortune did favor us with a sweet and a pleasant gale,
C
G C
Am
G
We bore away from America; the wind being off the land.
F
C
F
And with courage brave we plowed the waves
C
G
C
Bound down for Newfoundland.
C
F
C
G
C
Our Captain's name was Nelson, just twenty years of age.
G
C
Am
G
As true and brave a sailor lad as ever plowed the waves.
C
G
C
Am
G
"The Evelyn" our brig was called belonging to MacLean.
F
C
F
And with courage brave we plowed the waves
C
G
C
Bound down for Newfoundland.
C
F
C
G
C
When three days out to our surprise our Captain he fell sick
G C
Am
G
He shortly was not ab....le to take his turn on deck
C
G
C
Am
G
The fever raged which made us think that death was near at hand
F
C
F
C
G
C
So we bore away from Halifax - Bound down for Newfoundland.
C
F
C
G
C
Oh at three o'clock we sighted a light that we were glad to see,
G C
Am
G
The small pox had been ra...ging; that‘s what it proved to be,
C
G
C
Am
G
At four o'clock in the afternoon as sure as God's command,
F
C
F
C
G
C
Oh he passed away off Arichat - Bound down for Newfoundland.
C
F
C
G
C
All that night long we did lament for our departed friend
G
C
Am
G
And we were praying unto god for what had been his end
C
G
C
Am
G
We prayed that god would guide us and keep us by his hand
F
C
F
C
G
C
And send us fair wind while at sea - Bound down for Newfoundland.
BANKS OF THE OHIO
Johnny Cash
A
E
A
I asked my love, to take a walk, take a walk, just a little walk,
D
A
E
A
Down beside where the waters flow, down by the banks of the Ohio.
A
E
A
And only say, that you'll be mine, in no others arms entwine,
D
A
E
A >>> B
B
F#
B
I asked her if she'd marry me and my wife forever be,
E
B
F#
B
She only turned her head away and had no other words to say.
B
F#
B
E
B
F#
B >>> C
C
G
C
I plunged a knife into her breast and told her she was going to rest,
F
C
G
C >>> D
She cried 'Oh love, don't murder me. I'm not prepared for eternity.'
D
A
D
I took her by her golden curls and drug her down to the riverside,
G
D A
D
And there I threw her in to drown and I watched her as she floated down.
D
A
D
G
D
A
D >>> E
E
B
E
And going home between twelve and one, I cried 'O Lord,what have I done,
A
E
B
E
I've killed the only girl I loved, because she would not marry me.
E
B
E
A
E
B
E
Basin Street Blues
Spencer Williams, 1926
G#7+: x x 2 1 1 2
E+
A
Bm7-5 Cm7-5 C#m7-5
A - Bm7-5 - Cm7-5 - C#m7-5
Won't you come along
with
me?
A
G#7+
A
( a’ - g’ - fis’ - e’ - fis’ ) G#7+
To the Mississippi
A
A/G
D/F# Dm/F
We'll take a boat to the land of dreams,
A/E
E7
A
E+
Steam down the river down to New Orleans.
A
Bm7-5 Cm7-5 C#m7-5
A - Bm7-5 - Cm7-5 - C#m7-5
The band's there to meet
us
A
G#7+
A
( a’ - g’ - fis’ - e’ - fis’ ) G#7+
Old friends will greet us
A
A/G
D/F# Dm/F
Where all the people always meet
A/E
E7
A
E+
Heaven on earth, they call it Basin Street
A
C#7
Basin Street
is the street
F#7
e dis cis
Where all..... the el…ite meet
B7
E7
E6
In New Orleans, the land of dreams
h’
a’
A9 A
C#m7 F#7
You'll never know how nice it seems
Bm7
E9
E7
Or just how much it really means.
A
C#7
Glad to be,
yessiree,
cis’
gis‘ gis‘ fis’ cis’ e’ dis’ cis’
F#9
F#
F#7 F#6 F#
Where welcome‘s free, so dear to me,
B7
E7
A
Where I can lose
my Basin Street Blues.
C#m7-5 - Cm7-5 - Bm7-5 - A
Instr.: 1 Verse
E+
A
Bm7-5 Cm7-5 C#m7-5
A - Bm7-5 - Cm7-5 - C#m7-5
(Won’t you come along with me?)
A
G#7+
A
( a’ - g’ - fis’ - e’ - fis’ ) G#7+
(To the Mississippi)
A
A/G
D/F# Dm/F
(We’ll take a boat to the land of dreams,)
A/E
E7
A
E+
(Steam down the river down to New Orleans.)
A
C#7
Basin Street
is the street
F#7
e dis cis
Where all..... the el…ite meet
B7
E7
E6
In New Orleans, the land of dreams
h’
a’
A9 A
C#m7 F#7
You'll never know how nice it seems
Bm7
E9
E7
Or just how much it really means.
A
C#7
Glad to be,
yessiree,
cis’ gis‘ gis‘ fis’ cis’ e’ dis’ cis’
F#9
F#
F#7 F#6 F#
Where welcome‘s free, so dear to me,
B7
E7
A
C#m7-5 - Cm7-5 - Bm7-5 - A6
Where I can lose
my Basin Street Blues.
BATTLE OF NEW ORLEANS, THE
Jimmy Driftwood
P.
E
A
In 1814 we took a little trip
B7
E
Along with Colonel Jackson down the mighty Mississip.
A
We took a little bacon and we took a little beans
B7
E
Til we met the bloody British in the town of New Orleans.
E
We fired our guns and the British kept a'comin.
B7
E
There wasn't nigh as many as there was a while ago.
We fired once more and they began to runnin' on
B7
E
Down the Mississippi to the Gulf of Mexico.
E
A
We looked down the river and we‘d see the British come.
B7
E
There must have been a hundred of 'em beatin' on the drum.
A
They stepped so high and they made the bugles ring.
B7
E
We stood by our cotton bales and didn't say a thing.
We fired our guns and the British kept a'comin.......
E
A
Old Hickory said we could take 'em by surprise
B7
E
If we didn't fire our muskets 'til we looked 'em in the eye
A
We held our fire 'til we saw their faces well.
B7
E
Then we opened up with squirrel guns and really gave 'em ... well
E
A
Yeah, they ran through the briars and they ran through the brambles
B7
E
And they ran through the bushes where a rabbit couldn't go.
A
They ran so fast that the hounds couldn't catch 'em
B7
E
Down the Mississippi to the Gulf of Mexico.
______________________________________
MEXICO
Les Humphies Singers
E
We fired our guns and the British kept a'comin.
B7
E
There wasn't nigh as many as there was a while ago.
We fired once more and they began to runnin' on
B7
C#m
E
C#m
B7
Down the Mississippi to the Gulf of Mexico.... Mexico... Mexico.... (Mexico)
Mexico....
BEAT GOES ON, THE
Sonny & Cher
Capo 3
Riff
e|------------------------------------------------|
B|------------------------------------------------|
G|------------------------------------------------|
D|-0--------------------0-------------------------|
A|-------3-----0-----3--------3-----3--0-----3----|
E|------------------------------------------------|
D7 (*c‘)
Brass-Riff
The grocery store‘s the supermart,
uh-huh
(*fis)
Brass-Riff
Little girls still break their hearts,
uh-huh
(*c‘)
Brass-Riff
And men still keep on marching off to war
(*fis)
Brass-Riff
'Lectrically they keep a baseball score
D7 (*fis)
Riff
And the beat goes on... The beat goes on ...
D7
Brass-Riff: fis‘ e‘ fis‘ g‘ fis‘ e‘ fis‘
D7 (*fis)
Riff
The beat goes on... The beat goes on
(*c‘)
Drums keep pounding rhythm to the brain
(*fis)
La dee da dee dee, La dee da dee di
D7 (*c‘)
Charleston was once the rage,
uh-huh
(*fis)
History has turned a page,
uh-huh
(*c‘)
The mini skirts the current thing,
uh-huh
(*fis)
Teeny bopper is our new born king, uh-huh
Brass-Riff
Brass-Riff
Brass-Riff
Brass-Riff
D7 (*c‘)
Brass-Riff
Grandmas sit in chairs and reminisce
(*fis)
Brass-Riff
Boys keep chasing girls to get a kiss
(*c‘)
Brass-Riff
The cars keep a-going faster all the time
(*fis)
Brass-Riff
Bum still cries "Hey buddy have you got a dime"
D7 (*fis)
Riff
And the beat goes on... The beat goes on...
And the beat goes on... Yes, the beat goes on
And the beat goes on... and the beat goes on, an on on on...
D7 (*fis)
Riff
And the beat goes on... The beat goes on...
BE-BOP-A-LULA
Gene Vincent
Capo 2 E-Harp
Instr.: 1 Chorus E-Harp
(Original: E)
A7 (*a')
Well, be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
D7
Be-bop-a-lula, she's my baby
A7
E7
D7
A7
E7
Be-bop-a-lula, she's my baby love, my baby love, my baby love
A7
Well, she's the girl in the red blue jeans
She's the queen of all the teens
A7
Well, she's the woman that‘s got that beat
She's the woman with the flyin' feet
She's the woman that walks around the store
She's the woman that yells more more more
D7
A7
E7
D7
A7
E7
She's the woman that I know
She's the woman that loves me so, say:
A7
Well, be-bop-a-lula, she's my baby
D7
A7
E7
D7
A7
E7
D7
A7
E7
D7
A7
BEI MIR BISTU SHEYN
Jacob Jacobs & Sholom Secunda, 1929
Capo 2
B7
Em
Cdim
B7
Of all the girls I've known, and I've known some
Em
Cdim
B7
Until I first met you, I was lonesome
Em
Am7
And when you came in sight, dear, my heart grew light
g’…
a’ fis’
Em
B7
And this old world seemed new to me
Em
Cdim
B7
You're really swell, I have to admit you
Em
Cdim B7
Deserve expressions that really fit you
Em
Am7
And so I've wracked my brain, hoping to explain
Em
B7 B7+
All the things that you do to me
Em
Bei mir bistu sheyn, please let me explain,
B7
Em
D7-C7-B7
Bei mir bistu sheyn, means that you're grand.
Em
Bei mir bistu sheyn, again I'll explain,
B7
Em
It means you're the fairest in the land.
Em7
Am
I could say, "Bella, bella,"
Em
Even say "voonderbar."
Am
Each language only helps me tell you
F#dim
B7 B+
How grand you are.
Em
I've tried to explain, "bei mir bistu sheyn,"
B7
Em
So kiss me and say you understand.
Em7
Am
I could say, "Bella, bella,"
Em
Even say "voonderbar."
Am
Each language only helps me tell you
F#dim
B7 B+
How grand you are.
Em
Bei mir bistu sheyn, please let me explain,
B7
Em
D7-C7-B7 Em6
Bei mir bistu sheyn, means that you're grand.
BEING FOR THE BENEFIT OF MR. KITE
Beatles
Capo 3
| G | F#7 | Bm E |
Am
E
For the benefit of Mr. Kite
G
Bm
E
There will be a show tonight on trampoline
Am
E
The Hendersons will all be there
G
Bm
F#
Late of Pablo Fanques Fair- what a scene!
Bm
Bm/A
Over man and horses hoops and garters
G
F#7
Bm
G-Bm
Lastly through a hogshead of real fire!
G
F#
Bm
| Em F#7 | Bm E |
In this way Mr. K. will challenge the world!
Am
E
The celebrated Mr. K.
G
Bm
E
Performs his feat on Saturday at Bishopsgate
Am
E
The Hendersons will dance and sing
G
Bm
F#
As Mr. Kite flies through the ring - don't be late!
Bm
Bm/A
Messrs. K. and H. assure the public
G
F#7
Bm
G-Bm
Their production will be second to none
G
F#
Bm
And of course Henry The Horse dances the waltz!
| D+ | A | A | F# | F# | F# | F# | Bm |
| D+ | A | A | G#| G# | C#m | C#m | C#m |
| G# | C#m | C#m | A | C#7 G#+ | C#m | C#m | E |
Am
E
The band begins at ten to six
G
Bm
E
When Mr. K. performs his tricks without a sound
Am
E
And Mr. H. will demonstrate
G
Bm
F#
Ten summersets he'll undertake on solid ground
Bm
Bm/A
Having been some days in preparation
G
F#7
Bm
G-Bm
A splendid time is guaranteed for all
G
F#
Bm
Em F#7
And tonight Mr. Kite is topping the bill!
| Bm F#+ | A C#m | F#7 | F#7
| Bm F#+ | A C#m | G# |
| C#m | A G# | C#m | A G#
| C#m | A G# | C#m | A G# | C#m |
BETTER OFF WITHOUT A WIFE
Tom Waits
Capo 2
D A7sus4/D
A7sus4/D: XX0030
D A7sus4/D
D
D/C# Bm7 Em7 A7
D (*fis)
A7sus4
D
A7sus4
All my friends are married, ev'ry Tom and Dick and Harry
D
D/C#
Bm7
Em7
A7
You must be strong if you’re to go it alone.
Here's to the
D
A7sus4
Bachelors and the Bow'ry bums,
D
A7sus4
Those who feel that they're the ones that are
D
Bm
Em7 A7 D G D
Better off without a wife
G
A7
D
D/C# Bm
I been sleepin' into the crack of noon, midnight howlin' at a moon
Em7
A7
D
D7
Goin' out when I want to and I'm comin' home when I please
G
A7
D
D/C# Bm
Don't have to ask permission, if I wanna go out fishin'
Em7
A7sus4 A7
Never have to ask for the keys
D
A7sus4
D
A7sus4
Well, I never been no Valentino, but I had a girl who lived in Reno
D
D/C# Bm7
Em7
A7
Left me for a trumpet player, but it didn't get me down
D
A7sus4
D
A7sus4
He was wanted for assault,
and though he said it weren't his fault
D
Bm
Em7 A7
D G D
You know the coppers rode him right out of town
G
A7
D
D/C# Bm
Em7
A7
D
D7
G
A7
D
D/C# Bm
Em7
A7sus4 A7
D
A7sus4
D A7sus4
(Spoken:) Ah, yu' see, I'm kinda selfish about my privacy
D
D/C# Bm7
Now as long as I can be with me,
Em7
A7
We get along so well, I can hardly believe it
D
A7sus4
D
A7sus4
Love to chew the fat with folks, I been list'nin' to all your dirty jokes
D
Bm
Em7
A7
D G D
I'm so thankful for these friends I do receive
G
A7
D
D/C# Bm
Em7
A7
D
D7
G
A7
D
D/C# Bm
Em7
A7sus4 A7
BETWEEN HERE AND GONE 1
Mary Chapin Carpenter
Capo 3
C
G
Am G7
d,
d,
f,
f,
e
e
C
G
Tonight, the moon came out, it was nearly full.
Am
G
Way down here on earth, I could feel it's pull.
C
G
The weight of gravity or just the lure of life,
Am
G
Made me want to leave my only home tonight.
F
G
Now I'm just wonderin' how we know where we belong.
F
G
Is it in a photograph, or a dashboard poet's song?
F
G
Will I have missed my chance to right some ancient wrong,
F
G
Should I find myself between here and gone?
C
G
Now I could grab my keys, clear out in my truck,
Am
G
With every cent on board bringing me their luck.
C
G
An' I could drive too fast, like a midnight thief,
Am
G
As if there was a way to outrun the grief.
F
G
Now I'm just wonderin' how we know where we belong.
F
G
In a song that's left behind in the dream I couldn't wake from.
F
G
Could I have felt the brush of a soul that's passing on,
F
G
Somewhere in between here and gone?
Instr: 1 Verse
F
Em
F
Dm
G
Up above me, wayward angels, a blur of wings and grace.
F
Em
F
Dm G
One for courage, one for safety, one for "just in case".
C
G
I thought a light went out, but now the candle shines.
Am
G
I thought my tears wouldn't stop, then I dried my eyes.
C
G
And after all of this, the truth that holds me here,
Am
G
Is that this emptiness is something not to fear.
BETWEEN HERE AND GONE 2
F
G
Yeah, I'll keep wondering how we know where we belong,
F
G
After all the journeys made, and the journeys yet to come.
F
G
When I feel like giving up instead of going on,
F
G
Somewhere in between…
F
G
Yeah, I'm just wondering how we know where we belong.
F
G
Is it in the arc of the moon, leaving shadows on the lawn?
F
G
In the path of fireflies and a single bird at dawn,
F
G
Singing in between here and gone.
Instr: 4 Zeilen
BIG YELLOW TAXI
Joni Mitchell
Capo 3 Aadd9: 002200
E Esus4 E Esus4 ...
Aadd9
E Esus4 E Esus4
They paved paradise and put up a parking lot
Aadd9
B7
E Esus4 E Esus4
With a pink hotel, a boutique and a swinging hot spot
E
Don't it always seem to go
A
E
That you don't know what you've got till it's gone
A
B7
E Esus4 E Esus4
E Esus4 E Esus4
E
( Choo .......................
bop bop ) 2x
Aadd9
E Esus4 E Esus4
They took all the trees, put 'em in a tree museum
Aadd9
B7
E Esus4 E Esus4
And they charged the people a dollar and a half just to see 'em
E
Don't it always seem to go
A
E
That you don't know what you've got till it's gone
A
B7
E Esus4 E Esus4
E Esus4 E Esus4
E
( Choo .......................
bop bop ) 2x
Aadd9
E
Esus4 E Esus4
Hey farmer farmer, put away that DDT now
Aadd9
B7
E Esus4...
Give me spots on my apples, but leave me the birds and the bees, please!
Don't it always seem to go ...
Aadd9
E Esus4 E Esus4
Late last night, I heard the screen door slam
Aadd9
B7
E Esus4 E Esus4
And a big yellow taxi took away my old girl
Don't it always seem to go ...
______________________________________________
WENN ES WEG IST (Stefan Gwildis)
Sie planier‘n das Paradies, machen nen Parkplatz draus
Für‘n dickes Hotel, ein Kino und ‘n Warenhaus
Ist es eigentlich immer so,
Dass du nicht weißt was du hast, bis es geht
Wenn es weg ist, dann ist es viel zu spät
Sie nehm den Wald und tun ihn in ein Baum-Museum
Verlang‘n nen fetten Eintritt - Niemand fragt wieso und warum
Da ist so viel Dreck und den kippen sie einfach ins Meer
Und das Verrückteste ist: dann fischen sie‘s auch noch leer
Es war letzte Nacht, ich sah es einfach nicht kommen
Sie ist auf und davon, sie hat sich `n Taxi genommen
BIRD ON THE WIRE
Leonard Cohen
A
E
Like a bird on the wire
A
D
Like a drunk in a midnight choir
A
E
A Asus4 A
I have tried in my way to be free
A
E
Like a worm on a hook
A
D
Like a knight from some old-fashioned book
A
E
A Asus4 A
I have saved all my ribbons for thee.
D
A
If I, if I have been unkind
Bm
A
I hope that you can just let it go by
D
A
If I, if I have been untrue
Bm
E Esus4 E
I hope you know it was never to you
A
E
Like a baby stillborn
A
D
Like a beast with his horn
A
E
A Asus4 A
I have torn everyone who reached out for me
A
E
But I swear by this song
A
D
And by all that I have done wrong
A
E
A Asus4 A
I will make it all up to thee
D
A
I saw a beggar leaning on his wooden crutch
Bm
A
He said to me: "You must not ask for so much".
D
A
And a pretty woman leaning in her darkened door
Bm
E Esus4 E
She cried to me: "Hey, why not ask for more?"
A
E
Like a bird on the wire
A
D
Like a drunk in a midnight choir
A
E
D
I have tried in my way to be free
A
BIRDS AND THE BEES, THE
Jewel Akens (1965)
(Original: Bb)
G
And a thing called love.
(*e‘)
G
Let me tell ya 'bout the birds and the bees,
D7
And the flowers and the trees,
Break
And the moon up above,
G
Instr.: Verse
G
Let me tell ya 'bout the stars in the sky,
D7
And a girl and a guy,
Break
And the way they could kiss,
G
On a night like this.
G
D7
Break
G
G7
C
G
Em7
When I look into your big brown eyes, it's so very plain to se.......e,
A7
D7
Am7 D7
That it's time you learned about the facts of life, starting from A to Z.
G
D7
Break
G7
C
G
Em7
When I look into your big brown eyes, it's so very plain to se.......e,
A7
D7
Am7 D7
That it's time you learned about the facts of life, starting from A to Z.
G
D7
And the birds and the bees,
G
And the flowers and the trees ...
BLACKBIRD
Beatles
G
Am7=0/1 G=2/3
G=10/12 E{|---------------------------|-----------------------------------| B{|---0-------1-------3-------|---12----12--12----12----12--12----| G{|-------0-------0-------0---|-------0-------0-------0-------0---| D{|---------------------------|-----------------------------------| A{|-----------0-------2-------|---10------10------10------10------| E{|---3-----------------------|-----------------------------------|
G/0 0/1 2/3 10/12
G Am7 G
G/0
0/1
2/3
10/12
G
Am7
G
Blackbird singing in the dead of night
3/5
4/3*
5/7
6/5*
7/8 6/8 5/7 4/3* 3/5 3/4
C
A7
D7
B7
Em Cm G A7 Am7 Cm
Take these broken wings and learn to fly....
All your life......
2/3
0/2
D/1
G/0 3/5 2/3 0/2 D/1 G/0
G
A7
Am7 D7 G
C - G - A7 D7 G
You were only waiting for this moment to arise
G (*g)
Am7
G
C
A7
D7
B7
Em Cm G A7 Am7 Cm
Take these sunken eyes and learn to see.
All your life
G
A7
Am7 D7
G
C - G - A7 D7 G
You were only waiting for this moment to be free
8/10 7/8 5/6 3/5 1/3 3/5 8/10 7/8 5/6 3/5 1/3 0/2
F
Em Dm C Bb C
F
Em Dm C Bb A7
Black.......bird....... fly,
D/1
G/0
D7
G
Into the light of a dark black night.
G/0
Instr. G
3/5
C
2/3
G
0/1
Am7
4/3*
A7
0/2
A7
2/3 10/12
G
5/7 6/5* 7/8 6/8
D7 B7 Em Cm
D/1 G/0
D7 G
5/7 4/3* 3/5 3/4
G A7 Am7 Cm
F
Em Dm C Bb C
F
Em Dm C Bb A7
D7
G
Into the light of a dark black night.
G/0 0/1 2/3 10/12
Instr. G Am7 G
Break
G/0 0/1 2/3 3/5 2/3 0/2 D/1
G Am7 G C - G - A7 D7
G
Am7
G
C
A7
D7
B7
Em Cm G A7 Am7 Cm
All your life......
G
A7
Am7 D7 G
You were only waiting for this moment to arise, oh
4/3* = * 3rd on E-String
BLACKBIRD 2
Neil Diamond Version
D
G
E7
A7
F#7
Bm
D
E7
Em7 A7 D
E7 Bm Gm
All your life......
D
Black bird singing in the dead of night
G
E7
A7
F#7
Bm
E7 Bm Gm
All your life
D
E7
Em7 A7 D
d‘
a g
f d,
d‘
a g
f d,
Dm (*d‘) Am
Bb Gm Dm
Am
Bb E7
Am7
D
Into the light of the dark black night.
D
G
E7
A7
F#7
Bm
D
E7
Em7 A7 D
E7 Bm Gm
All your life......
D
Black bird singing in the dead of night
G
E7
A7
F#7
Bm
E7 Bm Gm
All your life
D
E7
Em7 A7 D
Dm (*d‘) Am
Bb Gm Dm
Am
Bb
Am7
D
E7
Instr.
Dm (*d‘) Am
Bb Gm Dm
Am
Bb
Am7
D
Am7
D
Am7
D
E7
BLACK MAGIC WOMAN
Santana
Capo 3 (Original: Dm)
g´´>a´´ e´ g´´>a´´ e´ fis´´>a´´ g´´>a´´ e´ g´´>a´´ 4x
Am
e‘ d‘ c‘ h‘
Am Dm6
d‘ c‘ h‘ a‘
Am
2x
Am
Got a black magic woman
Em
Got a black magic woman
Am
I got a black magic woman
Dm
Got me so blind I can't see
Am
That she's a black magic woman
Em
Am
She's tryin' to make a devil out of me
Am
Don't turn your back on me baby
Em
Am
Yes, don't turn your back on me baby
Dm
Stop messin' 'round with your tricks
Am
Em
Am
You just might wake up my magic sticks
Instr. 1 Verse
Am
Got your spell on me baby
Em
Got your spell on me baby
Am
Yes, you got your spell on me baby
Dm
Turning my heart into stone
Am
I need you so bad
Em
Am
Magic woman, I can't leave you alone
BLACK VELVET BAND
Trad.
P.
E
B7
In a neat little town they call Belfast apprenticed to trade I was bound
E
C#m
A
B7
E
And many an hour of sweet happiness I spent in that neat little town
B7
Till bad misfortune came over me and caused me to stray from the land
E
C#m
A
B7
E
Far away from me friends and relations me followed the Black Velvet Band
E
B7
Her eyes they shone like the diamonds, you'd think she was queen of the land
E
C#m
A
B7
E
And her hair hung over her shoulder, tied up with a Black Velvet Band
E
B7
Well I went out strolling one evening not meaning to go very far
E
C#m
A
B7
E
When I met with a fickle-some damsel she was plying her trade in a bar
B7
When a watch she took from a customer and slipped it right into me hand
E
C#m
A
B7
E
And the law it came and arrested me bad luck to your Black Velvet Band
E
B7
E
C#m
A
B7
E
And her hair hung over her shoulder, tied up with a Black Velvet Band E
B7
This mornin' before judge and jury a trial I had to appear
E
C#m
A
B7
E
And the judge he says "me young fellow" the case against you is quite clear
B7
And seven long years is your sentence you're going to Van Diemens Land
E
C#m
A
B7
E
Far away from your friends and relations and follow the Black Velvet Band
E
B7
E
C#m
A
B7
E
E
B7
So come all ye jolly young fellows I'll have you take warnin' from me
E
C#m
A
B7
E
Whenever you're into the liquor me lads beware of the pretty colleen
B7
For they'll fill you with whiskey and porter till you are not able to stand
E
C#m
A
B7
E
And the very next thing that you know me lads you've landed in Van Diemen's Land
E
B7
E
C#m
A
B7
E
BLAUE NACHT AM HAFEN
Lale Andersen
Capo 3
G (*d,)
D
Blaue Nacht, oh blaue Nacht am Hafen.
D7
G
In der Ferne rauschen Meer und Wind.
D
Und die Schiffe liegen still und schlafen,
D7
G G7
Die von weit, weit her gekommen sind.
C
G
Doch im Zwielicht einer Bootslaterne,
D
D7
G
G7
Stehen zwei und finden nicht nachhaus,
C
G
Und sie flüstert: Liebster, ach wie gerne
D
D7
G
>>> A
Führ‘ ich morgen mit aufs Meer hinaus.
A
E
Aber alles was er mit auf See nahm,
E7
A
War die Hoffnung auf ein Wiedersehn,
E
Und als er nach einem Jahr zurück kam,
E7
A
A7
Sah er wartend sie am Hafen stehn.
D
A
Und er nahm sie zärtlich in die Arme,
E
E7
A
A7
Und sie sah'n einander fragend an,
D
A
Doch sie fühlten: Herzen die sich lieben,
E
E7
A
Trennen Grenzen nicht und Ozean.
BLOWING IN THE WIND
Bob Dylan
Capo 4 E-Harp
Intro: 1 Chorus E-Harp
C
F
C
F
C
G7
How many roads must a man walk down, before you call him a man?
C
F
C
F
G
G7
How many seas must a white dove sail, before she sleeps in the sand?
C
F
C
F
G
G7
How many times must the cannonballs fly, before they are forever banned?
F
G
C
Am
The answer, my friend, is blowing in the wind,
F
G
C
The answer is blowing in the wind.
C
F
C
F
C
G7
How many years can a mountain exist, before it is washed to the sea?
C
F
C
F
G G7
How many years can some people exist, before the're allowed to be free?
C
F
C
F
G G7
How many times can a man turn his head, pretending he just doesn't see?
F
G
C
Am
F
G
C
C
F
C
F
C
G7
How many times must a man look up, before he can see the sky?
C
F
C
F
G G7
How many ears must one man have, before he can hear people cry?
C
F
C
F
G G7
How many deaths will it take 'till he knows, that too many people have died?
F
G
C
Am
F
G
C
BLUE EYES
( h‘ g‘ fis‘
Elton John
G6
D/F#
Dm/F
Em
Blue eyes,
Baby's got blue eyes
Em7
C9 G/B
D/A
Like a clear blue sky, watching over me
C#m7-5: 0 4 5 4 5 0
Capo 1 (Original: Bb)
e
g
a fis d, a, g,
( h‘ g‘ fis‘ h‘ fis‘ e‘ )
G6
D/F#
Dm/F
Em
Blue eyes,
d d fis
a
e
Em7
C7 G/B
D/A D D7
Like a deep blue sea
on a blue blue day
( h‘ g‘ fis‘
G6
D/F#
Dm/F
Em
Blue eyes,
d
d fis a
e
d d fis
d fis e
Em7
C9
Am/F# C#m7-5
When the morning comes, I'll be far
away.
h‘ fis‘ e‘ )
d‘ cis‘ fis
F#
And I say:
d‘
cis‘ h‘ a fis e d
Bm
G/B
D
Blue eyes holding back the tears, holding back the pain
h, d, e fis e
D/F# Dm/F Em
C7 G/B A D
Baby's got blue eyes. And she's al-on-e ---------- again
e>d d c c b b
C
F Bb
aa gg
F C
D
D7
( h‘ g‘ fis‘
G6
D/F#
Dm/F
Em
Blue eyes,
uh, I love blue eyes
Em7
C9
Am/F#
When I'm by her side, where I long to
h‘ fis‘ e‘ )
C#m7-5
be,
h‘ fis‘ e‘ )
F#
I will see:
Bm
G/B
D
Blue eyes laughing in the sun, laughing in the rain
fis
D/F# Dm/F Em
C7 G/B
A
Bm
Baby's got blue eyes. And I am home
and I am home again
G/B
D
Blue eyes laughing in the sun, laughing in the rain
D/F# Dm/F Em
C7
G/B A
D
Baby's got blue eyes. And I am home ---------- again
e>d d c c b b
C
F Bb
aa gg
F C
BLUE SUEDE SHOES
Carl Perkins
D-Harp
(Bass-Riff: a cis e fis ...)
A (*a)
Well it's one for the money, two for the show
A
(Bass: a h c cis d)
Three to get ready now go cat go
A
Well you can burn my house steal my car
Drink my liquor from an old fruit jar
Do anything that you wanna do
(Bass: a h c cis d)
But uh uh honey lay off o my shoes
D
A
But don't you step on my Blue Suede Shoes
E7
D
A
You can do anything, but lay off o my Blue Suede Shoes
D
A
E7
D
A
A
You can knock me down step in my face
Instr.: Bluesschema D-Harp
Slander my name all over the place
Do anything that you want to do
(Bass: a h c cis d)
But uh uh honey lay off o my shoes
D
A
E7
D
A
Instr.: Bluesschema D-Harp
A
Well it's one for the money, two for the show
A
(Bass: a h c cis d)
Three to get ready now go cat go
D
A
E7
D
A
Well it‘s: Blue, blue, blue suede shoes…
BLUE VELVET
Bobby Vinton
(Original: Bb)
G
Bm
Bm7 - Bbm7 - Am7
( Blue Velvet - whow how how)
D7
G Bm
Bm7 - Bbm7 - Am7
She wore Blue Velvet
D7
G
Bm7 - Bbm7 - Am7
Bluer than velvet was the night
D7
G
Em7 Am7 D7
Softer than satin was the light from the stars
G Bm
Bm7 - Bbm7 - Am7
She wore Blue Velvet
D7
G Bm7 - Bbm7 - Am7
Bluer than velvet were her eyes
D7
Dm7 (*a‘) G7
Warmer than May her tender sighs love was ours
h‘
h‘ h‘ a‘ g‘ b‘ b‘
Cmaj7
Cm7
Ours a love I held tightly
a‘ a‘ a‘ g‘ fis d
Gmaj7
G7
Feeling the rapture grow
Cmaj7
Cm7
Like a flame burning brightly
a‘ fis a‘ g‘
e g‘
e d
Bm7
Gdim Am7
D7
But when she left,
gone was the glow
G Bm
Bm7 - Bbm7 - Am7
Of Blue Velvet
D7
G Bm7 - Bbm7 - Am7
But in my heart there'll always be
D7
Dm7 G7
Precious and warm, a memory, through the years
Cmaj7
Cm7
G Em7 Am7 D7
And I still can see Blue Velvet through my tears
Instr.: Verse 2
Cmaj7
Cm7
Ours a love I held tightly
Gmaj7
G7
Feeling the rapture grow
Cmaj7
Cm7
Like a flame burning brightly
Bm7
Gdim Am7
D7
But when she left,
gone was the glow
G Bm
Bm7 - Bbm7 - Am7
Of Blue Velvet
D7
G Bm7 - Bbm7 - Am7
But in my heart there'll always be
D7
Dm7 G7
Precious and warm, a memory, through the years
Cmaj7
Cm7
G
Bm
And I still can see Blue Velvet through my tears
Bm7 - Bbm7 - Am7 G#maj7 Gmaj7
BLUEBERRY HILL
Fats Domino
E7
A
E7
A
The wind in the willow played love's sweet melody
G#7
C#m
G#7 C#m G#7
E7 A7
But all of those vows we made, were never to be
Capo 3
A7
(*a,)
D
A
I found my thrill, on Blueberry Hill
E7
A
On Blueberry Hill, when I found you
D-A
D
A
The moon stood still, on Blueberry Hill
E7
A
D-A
And lingered until my dreams came true
E7
A
E7
A
The wind in the willow played love's sweet melody
G#7
C#m
G#7 C#m G#7
E7 A7
But all of those vows we made, were never to be
D
A
Tho we're apart, you're part of me still
E7
A
For you were my thrill, on Blueberry Hill
Instr.: 2 Verses
D-A
D
A
Tho we're apart, you're part of me still
E7
A
D-A
For you were my thrill, on Blueberry Hill
E7
A
D-A
Yes, you were my thrill, on Blueberry Hill
A6
BOAT ON THE RIVER
Styx
Capo 7 (Original: Gm)
Am
Dm
Am
E7 2x Am ...
Am (*c)
Take me back to my boat on the river
G
E7
I need to go down, I need to calm down
Am
G
E7
Am
And I won't cry out anymore
Am
Time stands still as I gaze in her waters
G
E7
She eases me down, touching me gently
Am
With the waters that flow past my boat on the river
G
E7
Am
So I don't cry out anymore
G
Oh the river is wide
E7
Am
D
The river it touches my life like the waves on the sand
Dm
Am
And all roads lead to tranquility base
B7
E7
Where the frown on my face disappears
Am
Take me down to my boat on the river
G
E7
Am
Instr.: 1 Verse
G
Oh the river is deep
E7
Am
D
The river it touches my life like the waves on the sand
Dm
Am
And all roads lead to tranquility base
B7
E7
Where the frown on my face disappears
Am
Take me down to my boat on the river
G
E7
I need to go down, won‘t you let me go down
Am
G
E7
Am (e e d c d e a a)
G
E7
Am (e e d c d e a a)
E7
Am
BOLLE REISTE JÜNGST ZU PFINGSTEN
Trad.
G
C
D
G
Bolle reiste jüngst zu Pfingsten, nach Pankow war sein Ziel.
C
D
G
Da verlor er seinen Jüngsten janz plötzlich im Jewühl.
A
D
Ne volle halbe Stunde hat er nach ihm jespürt.
G
C
D
G
Aber dennoch hat sich Bolle janz köstlich amüsiert.
C
D
G
G
C
D
G
In Pankow gab's kein Essen, in Pankow gab's kein Bier,
C
D
G
War alles aufjefressen, von fremden Gästen hier.
A
D
Nich' mal 'ne Butterstulle, hat man ihm reserviert!
G
C
D
G
C
D
G
G
C
D
G
Auf der Schönholzer Heide, da gab's ne Keilerei
C
D
G
Und Bolle, gar nicht feige, war feste mang dabei
A
D
Hat's Messer rausgezogen und fünfe massakriert
G
C
D
G
Schon fing es an zu tagen, als er sein Heim erblickt.
C
D
G
Das Hemd war ohne Kragen, das Nasenbein zerknickt
A
D
Das rechte Auge fehlte, das linke marmoriert
G
C
D
G
Als er nach Haus' gekommen, da ging's ihm aber schlecht
C
D
G
Da hat ihn seine Olle, janz mörderlich verdrescht!
A
D
Ne volle halbe Stunde, hat sie auf ihm poliert
G
C
D
G
Bolle wollte sterben, er hat sich's überlegt.
C
D
G
Er hat sich auf die Schienen, der Kleinbahn hingelegt.
A
D
Die Kleinbahn hatt' Verspätung und vierzehn Tage d'rauf
G
C
D
G
Da fand man unser'n Bolle, als Dörrgemüse auf.
C
D
G
Da fand man unser'n Bolle, als Dörrgemüse auf.
BONANZA
TV
P.
E
Ein sich’rer Colt ist so gut wie Gold, Bonanza,
B7
E
Nächtelang die Trommel sang die Lieder der Prärie.
A
Unser Recht ist gutes Recht, Bonanza,
E
A
Und unser Land ist gutes Land, das verläßt man nie.
E
A
E
B7
Tag für Tag, Nacht für Nacht, kämpfend Hand in Hand
E
A
E
B7
Tag für Tag, Nacht für Nacht, bauten wir das Land.
E
Als das Land ein freies Land, Bonanza,
B7
E
Kamen sie durch die Prärie, tausend und noch mehr.
2 Zeilen Instr. >>> F
F
Der Tag war lang, bis man uns bezwang, Bonanza
C7
F
Es begann mit tausend Mann, es kamen immer mehr.
Bb
Unser Recht war gutes Recht, Bonanza,
F
Bb
Und unser Land war gutes Land, wir liebten es so sehr.
F
Bb
F
C7
Tag für Tag, Nacht für Nacht, kämpfend Hand in Hand
F
Bb
F
C7
Tag für Tag, Nacht für Nacht, bauten wir das Land.
F
Der Abend winkt, die Sonne sinkt, Bonanza.
C7
F
Sonnenlicht, das seh'n wir nicht, das seh'n wir nimmermehr.
C7
F
Sonnenlicht, das seh'n wir nicht, das seh'n wir nimmermehr.
BONNIE LASS OF FYVIE, THE
Trad.
Capo 4 P.
C
There once was a troop of Irish dragoons
G7
Come marching down thru Fyvie, O
C
F
And the captain fell in love with a very bonnie lass
C
G7
C FC
And the name she was called was pretty Peggy-o
C
There's many a bonnie lass in the howe of Auchterlass
G7
There's many a bonnie lass in the gearie-o
C
F
There's many a bonnie Jean in the streets of Aberdeen
C
G7
C F C
But the flower of them all bides in Fyvie, O
C
O come down the stairs, Pretty Peggy, my dear
G7
Come down the stairs, Pretty Peggy-o
C
F
Come down the stairs, bind up your yellow hair
C
G7
C F C
Take a last farewell o’ your daddy-o
C
Then up cries the colonel, mount, boys, mount
G7
Tarry says our captain, oh tarry-o
C
F
Oh, tarry for a while, for another day or twa
C
G7
C FC
Til I see if this bonnie lass will marry-o
Twas in the early morning, when we marched awa
And o but our captain was sorry-o
The drums they did beat a merry brasselgeicht
And the band played the lowlands of Fyvie, O
No lang ere we come to ol Meldrum town
We had our captain to carry-o
And long ere we come to bonny Aberdeen
We had our captain to bury-o
Green grow the birks on bonnie Ethanside
Low lie the lowlands of Fyvie, O
Our captain's name was Ned and he died for a maid
He died for the bonny lass of Fyvie, O
I never did intend a soldier's lady for to be
I never will marry a soldier-o
I never did intend tae gae tae a foreign land
And I will never marry a soldier-o
It's braw, aye it's braw, a captain's lady for to be
Braw to be a captain's lady-o
Braw to rant and rove and follow at his word
And ride when your captain he is ready-o
BOOTS OF SPANISH LEATHER 1
Em
D7/F#
G
Ah but I just thought you might want something fine
Em D//F# G
Am7 - G
Made of silver or of golden
Em
Am7 G
Am7 - G
Either from the mountains of Madrid
Em7
D7/F# G
Am7 - G
Or from the coast of Barcel…ona.
Bob Dylan
G
Am7 - G
(Am7 = Am7/G)
h’
G
Em
D7/F# G
Am7 - G
Oh, I'm sailin away my own true love.
Em
D7/F# G
Am7 - G
I'm sailin' away in the mornin’
g’ …
h,
Em
Am7
G
Is there something I can send you from across the sea,
g,
h,
d,
Em7
D7/F# G
Am7 - G
From the place that I'll be landin'?
Em
D7/F# G
No, there's nothing you can send me my own true love.
Em
D7/F#
G
Am7 - G
There's nothing I’m a’wishin’ to be ownin'.
Em
Am7 G
Am7 - G
Just to carry yourself back to me unspoiled
Em7
D7/F#
G
Am7 - G
From across that lonesome ocean.
Am7 - G
Am7 - G
Em
D7/F# G
Am7 - G
If I had the stars from the darkest night
Em
D7/F# G
Am7 - G
And the diamonds from the deepest ocean,
Em
Am7
G
Am7 - G
I'd forsake them all for your sweet kiss,
Em7 D7/F#
G
Am7 - G
For that's all I'm wishin' to be ownin'
Am7 - G
Em
D7/F# G
Am7 - G
That I might be gone a long old time,
Em
D7/F# G
Am7 - G
And it's only that I'm
askin'.
Em
Am7
G
Is there something I can send you to remember me by,
Em7
D7/F# G
Am7 - G
To make your time more easy
passin'?
Am7 - G
BOOTS OF SPANISH LEATHER 2
Em
D7/F#
G
Am7 - G
Oh how can, how can you ask me again?
Em
D7/F# G
Am7 - G
It only brings me
sorrow.
Em
Am7 G
Am7 - G
For the same thing that I want today
Em7 D7/F# G
Am7 - G
I would want again tomorrow.
Em
D7/F#
G
Am7 - G
Well I got a letter on a lonesome day.
Em
D7/F# G
Am7 - G
It was from her ship a'
sailin'.
Em
Am7
G
Sayin' "I don't know when I'll be comin' back again.
Em7
D7/F# G
Am7 - G
It depends on how I'm feelin'."
Em
D7/F#
G
Am7 - G
Well if you my love must think that a'way
Em
D7/F# G
Am7 - G
I'm sure your mind is
roamin'.
Em
Am7
G
Am7 - G
I'm sure your thoughts are not with me
Em7
D7/F#
G
Am7 - G
But with the country to where you're goin'.
Em
D7/F# G
Am7 - G
So take heed, take heed of the western winds.
Em
D7/F# G
Am7 - G
Take heed of the stormy weather.
Em
Am7
G
Am7 - G
And yes, there's something you can send back to me:
Em7
D7/F#
G
Am7 - G Am7 - G
Spanish bo....ots of Spa....nish leather.
Am7 - G
BOTH SIDES NOW
Joni Mitchell
G C9 G C9
G
C9
G
C9
G
Bm
C
G
Bows and flows of angel hair and ice cream castles in the air
C
C/B Am7
C
D
And feather canyons everywhere, I've looked at clouds that way
G
C9 G
C9
G
Bm
C
G
But now they only block the sun, they rain and snow on everyone
C
C/B
Am7
C
D
So many things I could have done, but clouds got in my way
G
C9
G
Gmaj7
I've looked at clouds from both sides now
C9
G
C9
G
From up and down and still somehow
Bm
Am7 G
It's clouds' illusions I recall
C
C/B
Am D7 G C9 G C9
I really don't know clouds at all
G
C9
G
C9
G
Bm
C
G
Moons and Junes and ferris wheels, the dizzy, dancing way you feel
C C/B
Am7
C
D
As every fairy tale comes real, I’ve looked at love that way
G
C9
G C9
G
Bm
C
G
But now it's just another show, you leave them laughing as you go
C C/B
Am7
C
D
And if you care don't let them know, don’t give yourself away
G
C9
G
Gmaj7
I've looked at love from both sides now
C9
G
C9
G
From give and take, and still somehow
Bm
Am7 G
It's love's illusions I recall
C
C/B
Am D7 G C9 G C9
I really don't know love
at all
G
C9
G
C9
G
Bm
C
G
Tears and fears and feeling proud to say, "I love you" right out loud
C
C/B Am7
C
D
Dreams and schemes and circus crowds, I’ve looked at life that way
G
C9
G
C9
But now old friends are acting strange,
G
Bm
C
G
they shake their heads, they say I've changed
C
C/B
Am7
C
D
Something's lost and something's gained in living every day
G
C9
G
Gmaj7
I've looked at life from both sides now
C9
G
C9
G
From win and lose, and still somehow
Bm
Am7 G
It's life's illusions I recall
C
C/B
Am D7 G
I really don't know life
at all
BOXER, THE 1
Simon and Garfunkel
Capo 2 P.
Emadd9: xx4000
A
F#m
I am just a poor boy. Though my story's seldom told
E
I have squandered my resistance
E7
A
F#m
For a pocketful of mumbles, such are promises. All lies and jests,
E
D/A
A
Still a man hears what he wants to hear and disregards the rest.
E
E7
A
Mmm mmm mmm mmm.
A
F#m
When I left my home and my family, I was no more than a boy
E
In the company of strangers
E7
A
F#m
In the quiet of the railway station, running scared. Laying low
E
D/A
A
Seeking out the poorer quarters where the ragged people go,
E
E7
A
Looking for the places only they would know.
F#m E
Li-la-li, li-li-li-li-li-li-li
F#m E
E7
A
Li-la-li, li-li-li-li-li-li-li la-la-la-la-li
A
F#m
Asking only workman's wages, I come looking for a job
E
But I get no offers,
E7
A
F#m
Just a "Come on" from the whores on 7th Avenue. I do declare,
E
D/A
A
There were times when I was so lonesome, I took some comfort there
E
E7
A
La-la-la-la-la-la-la mmm mmm
F#m E
F#m E
E7
A
A
F#m
Then I'm laying out my winter clothes and wishing I was gone
E
Going home
E7
A
Cism
Where the New York City winters aren't bleeding me.
F#m
E
E7 A
(cis-h-a cis-cis 2x)
Leading me ...... Going home.
BOXER, THE 2
A
F#m
In the clearing stands the boxer and a fighter by his trade
E
And he carries the reminders
E7
A
Of ev'ry glove that laid him down or cut him till he cried out
F#m
In his anger and his shame,
E
D/A
A
"I am leaving, I am leaving", but the fighter still remains
E
E7 A
Mmm mmm
F#m E
E
E
Emadd9: xx4000
F#m
E
E7
F#m
F#m E
E7
F#m
F#m E
E7
A
BREAKFAST IN AMERICA
Capo 3 P. (Original: Cm)
Em (*h')
Bm
C
Take a look at my girlfriend. She's the only one I got
Em
Bm
C
Not much of a girlfriend. I never seem to get a lot
B7
Em
Take a Jumbo 'cross the water. Like to see America
B7
Am9
D
See the girls in California. I'm hoping it's going to come true
Am9
D
But there's not a lot I can do
Em
Bm
C
Could we have kippers for breakfast, Mummy dear, Mummy dear
Em
Bm
C
They got to have 'em in Texas, 'cause everyone's a millionaire
B7
Em
I'm a winner, I'm a sinner, do you want my autograph?
B7
Am9
D
I'm a loser, what a joker. I'm playing my jokes upon you
Am9
D
While there's nothing better to do, hey
B7
Em
Ba ba da dum, ba ba, da-d' do da do da do
B7
Em
ga e
g a a
g fis
C
Am
D
La la la,
la la la,
la la
Em
Bm
C
Don't you look at my girlfriend, girlfriend, 'cause she's the only one I got
Em
Bm
C
Not much of a girlfriend, girlfriend. I never seem to get a lot What's she got? Not a lot
B7
Em
Take a Jumbo across the water. Like to see America
B7
Am9
D
See the girls in California, I'm hoping it's going to come true
Am9
D
But there's not a lot I can do, hey
B7
Em
B7
Em
B7
Em
Hey u-um, hey u-um, hey u-um, hey u-um
B7
Em
Hey u-um, hey u-um, hey u-um, hey u-um
C
Am
D
La la la,
la la la,
la la
BRIGHT EYES
Art Garfunkel
Capo 4 (Orig.: G)
C
F C
Is it a kind of dream
Am
F C
Floating out on the tide
G
G/F
C
F
Following the river of death downstream
Dm7
G
G7
Or is it a dream?
C
F C
There's a fog along the horizon
Am
F C
A strange glow in the sky
G
G/F
C
F
And nobody seems to know where you go
E
And what does is mean
F#dim C G7
C
Oh,
oh is it a dream?
Em F
G7
Bright eyes, burning like fire
Em F
Dm
Bright eyes, how can you close and fail
E7
Am
G7
C
How can the light that burned so brightly
F
Dm G7 C
Am F
Suddenly burn so pale, bright eyes
C
F C
Is it a kind of shadow
Am
F C
Reaching in to the night
G
G/F
C
F
Wandering over the hills unseen
Dm7
G
G7
Or is it a dream?
C
F C
There's a high wind in the trees
Am
F C
A cold sound in the air
G
G/F
C
F
And nobody ever knows when you go
E
And where do you start
F#dim C G7
C
Oh,
oh into the dark?
Em F
G7
Bright eyes, burning like fire
Em F
Dm
Bright eyes, how can you close and fail
E7
Am
G7
C
How can the light that burned so brightly
F
Dm G7 C
Suddenly burn so pale, bright eyes
BRING IT ON HOME TO ME
Animals, Sam Cooke
Instr.: 1 Verse
Intro:
a cis e cis e
A
e gis h gis h
E
4x
cis,
A
E
If you ever change your mind
A
D
About leavin', leavin' me behind.
A
A7
D
Oh, oh, bring it to me, bring your sweet lovin',
E7
A
D
A
E7
Bring it on home to me. Yeah, yeah, yeah, yeah, hey.
A
E
You know I laughed when you left,
A
D
But now I know I've only hurt myself.
A
A7
D
E7
A
D
A
E7
A
E
I'll bring you jewel'ry and money too,
A
D
But that's not all I'm gonna do to you.
A
A7
D
Oh, now won't you bring It to me, bring your sweet lovin',
E7
A
D
A
E7
A
E
You know I try to treat you right
A
D
But you stay out, stay out late at night.
A
A7
D
I beg you, bring it to me, bring your sweet lovin'
E7
A
D
A
E7
A
E
You know I'll always be your slave,
A
D
Oh, till I'm dead and buried in my grave
A
A7
D
Yeah, why don't you bring it to me, bring your sweet lovin',
E7
A
D
A
E7
Bring it on home to me, Yeah (Yeah), Yeah (Yeah), Yeah, hey, hey, hey.
A
E
If you ever change your mind
A
D
About leavin', leavin' me behind.
A
A7
D
E7
A
D
A
E7
A
Bring it on home to me, Yeah (Yeah), Yeah (Yeah), Yeah, hey, hey, hey.
BROTHERS IN ARMS
Dire Straits
Capo 4
Em9: 0 2 4 0 0 0
b>h, e fis e e>fis e
fis g a g fis e
g - h - a’ h’ a’ g fis
Em
C | Am7 C
| Em C | Am Am7
|
e>fis g e
g - a b<a g
Em C | Am7 C - D | Em C | Am7 | Em9
Em
D
Em C D
G
C Am7 D
There's so many different worlds
So many different suns
Em C D
G
Cmaj7
C
And we have just one world
But we live in different ones
C
D
G Gsus4 G
These mist covered mountains are home now for me
Bm
Em Bm
C Am7 D
But my home is the low…lands and always will be
Em Bm
C
Am7 D
Someday you'll return to
your valleys and your farms
Em
C
D
And you'll no longer burn to be brothers in arms
C D
G Gsus4 G
Now the sun's gone to hell
the moon's riding high
Bm
Em
Bm
C
Am7 D
Let me bid you farewell
Everyman has to die
Em
Bm
C
Am7 D
But its written in the starlight
and every line in your palm
Em
C
D
We're fools to make war on our brothers in arms
C D
G Gsus4 G
Through these fields of destruction
Baptisms of fire
Bm
Em Bm
C
Am7 D
I've witnessed your suffering
as the battle raged higher
Em
Bm
C Am7 D
And though we did want so bad
In the fear and alarm
Em
C
D
You did not desert me, my brothers in arms
BROWN EYED GIRL
Van Morrisson
Intro: C F C G
Capo 4
Intro: C F C G
C F C G C
C
F
C
G
Hey, where did we go - Days when the rains came
C
F
C
G
Down in the hollow - Playin’ a new game
C
F
C
G
Laughing and a running, hey, hey - Skipping and a jumping
C
F
C G
F
In the misty morning fog with - Our hearts a thumpin’ and you
G
C Am
My brown eyed girl
F
G
C G7
You my brown eyed girl
C
F
C
G
Whatever happened - To Tuesday and so slow
C
F
C
G
Going down the old mine - With a transistor radio
C
F
C
G
Standing in the sunlight laughing - Hiding behind a rainbow’s wall
C
F
C
G
F
Slipping and sliding - All along the waterfall with you
G
C Am
My brown eyed girl
F
G
C
G7
C
Do you remember when - we used to sing
F
C
G
Sha la la la la la la la la la la te da,
C
F
C
G
C
Sha la la la la la la la la la la te da, la te da
C F C G C
C
F
C
G
So hard to find my way - Now that I’m all on my own
C
F
C
G
I saw you just the other day - My, how you have grown
C
F
C
G
Cast my memory back there, lord - Sometime I’m overcome thinking ‘bout
C
F
C
G
F
Making love in the green grass - Behind the stadium with you
G
C Am
My brown eyed girl
F
G
C
G7
C
Do you remember when - we used to sing
C
F
C
G
Sha la la la la la la la la la la te da
C
F
C
G
C
F
C
G
C
F
C
G
C
F
C
G
C
F
C
G
Sha la la la la la la la la la la te da,
Intro: C F C G
C F C G C
Breaks
C
la te da
BROWN SUGAR
Rolling Stones
Capo 2 (Original: C)
A-E
C
A-Asus-A
A
F G A
4x
2x
A
Gold coast slave ship bound for cotton fields
D
Sold in a market down in New Orleans
A
Scarred old slaver knows he's doing alright
G
A
Hear him whip the women just about midnight
E a>h d>e E7
A
Asus A
Brown sugar, how come you taste so good, now
E a>h d>e E7
A
Asus
A
Brown sugar, just like a young girl should, wooo!
C
A
F G A
A
Drums are beating cold, English blood runs hot
D
Lady of the house wonderin' where it's gonna stop
A
Houseboy knows that he's doing alright
G
A
You shoulda heard him just around midnight
E a>h d>e E7
A
Asus A
E a>h d>e E7
A
Asus
A
Brown sugar, just like a young girl should, wooo!
Instr.:
C
A
F G A
4x
E a>h d>e
E7
A
Asus A
Oohh come on: Brown sugar, how come you taste so good babe
E a>h d>e
E7
A
Asus
A
Aaah
Brown sugar just like a black girl should
A
I bet your mama was a tent show queen
D
And all her boyfriends were sweet sixteen
A
I'm no schoolboy but I know what I like
G
A
You shoulda heard me just around midnight
E a>h d>e E7
A
Asus A
E a>h d>e E7
A
Asus
A
Brown sugar, just like a young girl should, yeah!
E a>h d>e
A
Asus
E7
I said yeah yeah yeah wooo!
E7
I said yeah yeah yeah wooo!
E7
Yeah yeah yeah wooo!
A
A
Asus A
How come, how come you taste so good?
A
Asus A
Just like a, just like a black girl should
A
Asus A
BUONA SERA, SIGNORINA
Louis Prima
C G7 C
C
Buona sera, Signorina, buona sera,
G7
It is time to say good night to Napoli.
Dm
G7
Though it's hard for us to whisper "buona sera",
Dm
G7
C
With that old moon above the Mediterranean Sea.
In the morning Signorina well go walking
C7
F
Where the mountains and the sun come into sight.
Fm
C
By the little jewelry shop well stop and linger,
Dm
G7
C
While I buy a wedding ring for your finger.
C7
F
F#dim
In the meantime let me tell you that I love you,
C
G7
C
Buona sera, Signorina, kiss me, good night,
Dm
G7
C
Cdim Dm7 G7 C
Buona sera, Signorina, kiss me, good night.
BUONA SERA, SIGNORINA
Ralf Bendix
C
Buona Sera, Signorina, Buona Sera
G7
Buona Sera auch für dich, mein Napoli
Dm
G7
Buona Sera, Signorina, Buona Sera
Dm
G7
C
Den Mond, die Sterne und auch dich vergeß ich nie
Und ich träum'die ganze Nacht von deiner Liebe
C7
F
Denn mein Herz gehört nur dir, nur dir allein
Fm
C
Sag mir einmal noch, daß es für uns so bliebe
Dm
G7
C
Dann schenk' ich dafür ein Herz voller Liebe
C7
F
F#dim
Sag mir einmal noch, daß es für uns so bliebe
C
G7
C
Buona Sera, Signorina, komm und sei mein
Dm
G7
C
Cdim Dm7 G7 C
Buona Sera, Signorina, komm und sei mein
BURNING LOVE
Elvis
Capo 2 (original: D)
(*cis h a a )
A
D
E
A
Lord Almighty - feel my temperature risin‘
D
E
A
Higher, higher - it's burning through to my soul
D
E
A
Girl, girl, girl - you're gonna set me on fire
D
E
A
My brain is flaming - I don't know which way to go
F#m E
D
Your kisses lift me higher
F#m
E
D
Like the sweet song of a choir
F#m
E
D
You light my morning sky
E7
A
With burning love
A
D
E
A
Ooh, ooh, ooh, I feel my temperature rising
D
E
A
Help me, I'm flaming - it must be a hundred and nine
D
E
A
Burning, burning - burning and nothing can cool me
D
E
A
I just might turn to - smoke, but I feel fine
F#m E
D
Your kisses lift me higher
F#m
E
D
Like the sweet song of a choir
F#m
E
D
You light my morning sky
E7
A
With burning love
Ahhh Ahhh ahhh (Chorus-Chords)
A
D
E
A
It's coming closer, the flames are now lickin' my body
D
E
A
Won't you help me, I feel like I'm slipping away
D
E
A
It's hard to breathe - my chest is a heaving
D
E
A
Lord have mercy, I'm burning a hole where I lay, yeah
Your kisses lift me higher ....
D
A
D
... With burning love
A
D
I'm just a hunk, a hunk of burning love
A
D
Just a hunk, a hunk of burning love ...
BYE BYE BLACKBIRD
Ray Henderson, Mort Dixon, 1926
D
Dsus4
D
Pack up all my cares and woes
Em7 A7 D
Here I go, singin' low
Gdim Em7 A7
Bye bye Blackbird
Em
Em/D#
Where somebody waits for me
Em7
A7
Sugarsweet, so is she
Em7 A6 D
Bye Bye Blackbird
| D Bm7 | Em7 A7 |
D
Dsus4
D
Pack up all my cares and woes
Em7 A7 D
Here I go, singin' low
Gdim Em7 A7
Bye bye Blackbird
Em
Em/D#
Where somebody waits for me
Em7
A7
Sugarsweet, so is she
Em7 A6 D
Bye Bye Blackbird
D7
F#dim
C#7 C7
No one here can love or understa….nd
Em
Em/D# Em7
Bb7
Oh what hard luck stories they all hand
D
Dsus4 D
Make my bed and light the light
F#dim B7
I‘ll arrive late tonight
Em7 A7 A6 | D Bm7 | Em7 A7 |
Blackbird, bye bye
B7
me
A7
me
D7
F#dim
C#7 C7
No one here can love or understa….nd
Em
Em/D# Em7
Bb7
Oh what hard luck stories they all hand
D
Dsus4 D
Make my bed and light the light
F#dim B7
I‘ll arrive late tonight
Em7 A7 D
G Gm6 D6
Blackbird, bye bye
B7
me
A7
me
BYE BYE LOVE
Everly Brothers
Capo 3 (Original: A)
E G-A E G-A
E
A
E
A
E
A
E
Bye bye love. Bye bye happiness. Hello loneliness.
B7
E
I think I'm a gonna cry.
A
E
A
E
A
E
Bye bye love. Bye bye sweet caress. Hello emptiness.
B7
E
B7
E
Break
I feel like I could die. Bye bye my love goodbye.
B7
E
There goes my baby with someone new.
B7
E
She sure looks happy, I sure am blue.
A
B7
She was my baby till he stepped in.
E
Goodbye to romance that might have been.
A
E
A
E
A
E
B7
E
A
E
A
E
A
E
B7
E
B7
E
Break
B7
E
I'm through with romance. I'm through with love.
B7
E
I'm through with counting the stars above.
A
B7
And here's the reason that I'm so free.
E
My lovin' baby is through with me.
A
E
A
E
A
E
B7
E
A
E
A
E
A
E
B7
E
B7
E
B7
E
Bye bye my love goodbye.
B7
E
B7
E
CALIFORNIA DREAMIN'
Mamas & Papas
Am
Esus4
| e a h a d‘ c‘ h | a c‘ e‘ f‘ e‘ d‘ c‘ | e a d‘ c‘ h a g | a
(*a)
Am
All the leaves are brown
G
Esus4
And the sky is grey
F (*c')
C
I've been for a walk
F
Esus4
On a winter's day
(*e)
Am
I'd be safe and warm
G
Esus4
If I was in L.A.
Am/G
F
(All the leaves are brown)
E
(And the sky is grey)
E7 Am
(I've been for a walk)
E
(On a winter's day)
Am/G
F
(I'd be safe and warm)
E
(If I was in L.A.)
Am
California dreamin'
G
Esus4
On such a winter's day
Am/G F
(California dreamin')
E
Am
Stopped into a church
G
Esus4
I passed along the way
(*e') F
C
Well, I got down on my knees
F
Esus4
And I pretend to pray
Am/G
F
E
E7
Am
(Got down on my knees)
E
(I pretend to pray)
Am
Am/G
F
You know the preacher likes the cold (Preacher likes the cold)
G
Esus4
E
He knows I'm gonna stay
(Knows I'm gonna stay)
|
Am
California dreamin'
G
Esus4
Am/G F
E
Instr.: Am (2 Lines ) then Chorus
Am
All the leaves are brown
G
Esus4
And the sky is grey
F
C
I've been for a walk
F
Esus4
On a winter's day
Am
If I didn't tell her
G
Esus4
I could leave today
Am/G
F
(All the leaves are brown)
E
(And the sky is grey)
E7 Am
(I've been for a walk)
E
(On a winter's day)
Am/G F
(If I didn't tell her)
E
(I could leave today)
Am
California dreamin'
G
Am
G
Am
G
Fmaj7
Am/G F
Am/G F
Am/G F
Am
(Original: C#m)
CANDY MAN
Donovan
Capo 2 Intro: D-Harp-Thema
C
Candy man, he's been and gone
G
C
g-a-h-c
My Candy man, he's been and gone
C
My Candy man, he's been and gone.
F
C
And I love everything in this god almighty world
G
C
God knows I do.
C
Peppermint stick, got a little brass band
G
C
g-a-h-c
I got a peppermint stick, I got a little brass band
D-Harp-Thema
C
Candy man, he's been and gone,
G
C
g-a-h-c
My Candy man and his name was John
C
My Candy man, he's Marocco bound
F
C
Now I'd give everything in this god almighty world
G
C
To bring my Candy man home.
I got a peppermint stick, I got a little brass band
F
C
And I'm a goin' down to the gates
G
C
To score on a Candy man stand.
C
Black skin man gave me bad deal,
G
C
g-a-h-c
Oh black skin man gave me bad deal
C
Oh, black skin man gave me bad deal
F
C
Now I'd give everything in this god almighty world
G
C
C
Run fetch a pitcher get the baby some beer
C
Run fetch a pitcher get the baby some beer………..
G
C
g-a-h-c
C
Candy man, I love the man, yeah,
G
C
g-a-h-c
My Candy man, he gets me high
C
My Candy man, yeah I love the man,
F
C
And I'd give everything in this god almighty world
G
C
F
C
And I love everything in this god almighty world
G
C
God knows I do.
D-Harp-Thema
CAN‘T BUY ME LOVE
Beatles
G
Bm Em
Can't buy me lo...........ve,
Am7
D
Can't buy me lo...........ve
Instr.: Verse, no Break
Bm Em
lo............ve
G
I'll buy you a diamond ring my friend, if it makes you feel all right
C7
G
I'll get you anything my friend, if it makes you feel all right
D
C7 (Break)
C7
G
`Cause I don't care too much for money, for money can't buy me love
G
I'll give you all I've got to give, if you say you love me too.
C7
G
I may not have a lot to give but what I've got I give to you.
D
C7 (Break)
C7
G
I don't care too much for money, for money can't buy me love.
G
Bm
Em G
Can't buy me lo.............ve, ev'rybody tells me so
G
Bm
Em Am7
D
Can't buy me lo.............ve, no, no, no, no!
G
Say you don't need no diamond rings and I'll be satisfied
C7
G
Tell me that you want the kind of things that money just can't buy
D
C7 (Break)
C7
G
I don't care too much for money, money can't buy me love
G
Bm Em
Bm Em
Can't buy me lo...........ve,
lo............ve
Am7
D G
Can't buy me lo...........ve
(Original: C)
G
Bm
Em G
Can't buy me lo.............ve, ev'rybody tells me so
G
Bm
Em Am7
D
Can't buy me lo.............ve, no, no, no, no!
G
Say you don't need no diamond rings and I'll be satisfied
C7
G
Tell me that you want the kind of things that money just can't buy
D
C7 (Break)
C7
G
I don't care too much for money, money can't buy me love
CAN'T HELP FALLING IN LOVE
Elvis Presley
Capo 2
C
Em Am
F
C G G7
Wise men say only fools rush in
F G Am Dm
C
G C
But I can't help falling in love with you
C Em Am
F C G G7
Shall I stay would it be a sin
F G Am Dm
C
G C
If I can't help falling in love with you
Em
Am
Like a river flows
Em
Am
Surely to the sea
Em
Am
Darling so it goes
Em
A7
Dm G7
Some things were meant to be
C Em Am
F
C G G7
Take my hand take my whole life to
F G Am Dm
C
G C
Cause I can't help falling in love with you
Em
Am
Like a river flows
Em
Am
Surely to the sea
Em
Am
Darling so it goes
Em
A7
Dm G7
Some things were meant to be
C Em Am
F
C G G7
Take my hand take my whole life to
F G Am Dm
C
G C
F G Am Dm
C
G C
CAPRIFISCHER
Rudi Schuricke
Capo 2
(*h,)
G
Gmaj7
Em
Wenn bei Capri die rote Sonne im Meer versinkt,
G
Em7
D
Und vom Himmel die bleiche Sichel des Mondes blinkt,
Dsus4
D
D9
Zieh'n die Fischer mit ihren Booten aufs Meer hinaus,
D7
D9
G
Und sie legen im weiten Bogen die Netze aus.
(*h')
G9
G
Nur die Sterne, sie zeigen ihnen am Firmament,
G7
G9
Am
Ihren Weg mit den Bildern, die jeder Fischer kennt,
Cm
G
Und von Boot zu Boot das alte Lied erklingt,
D7
G
Hör' von fern, wie es singt:
d
dis f
g
f
c
d dis f
d
F
Bb
Sieh' den Lichterschein draußen auf dem Meer.
D7
Ruhelos und klein, was kann das sein,
Gm
Was irrt dort spät nachts umher?
a
b
D7
Gm
Weißt du, was da fährt? Was die Flut durchquert?
D7
G
Ungezählte Fischer, deren Lied von fern man hört.
(*h')
G9
G
(Nur die Sterne) als: Ahhhhhhh........................
G7
G9
Am
Ahhhhhhhhh............................................................
Cm
G
Und von Boot zu Boot das alte Lied erklingt,
D7
G
Hör' von fern, wie es singt:
D7
Bella, bella, bella Mari,
G
Bleib mir treu, ich komm zurück morgen früh!
D7
G
Bella, bella, bella Mari, vergiß mich nie!
Bella, bella, bella Mari .......
CARRICKFERGUS
Trad.
Capo 2
G
Am D7
G
Em
I wish I was in Carrickfergus,
Am D7
G
Only for nights in Ballygrant
Am D7
G
Em
I would swim over the deepest ocean,
Am D7
G
Only for nights in Ballygrant
G Em
D7
But the sea is wide and I cannot cross over
G Em Am
D7
And neither have I the wings to fly
Am D7
G
Em
I wish I could meet a handsome boatsman
Am D7
G
To ferry me over, my love to find.
G
Am D7
G
Em
My childhood days, bring back sad reflections,
Am D7
G
Of happy times, I spent so long ago.
Am D7
G
Em
My boyhood friends and my own relations,
Am
D7
G
Have all passed on now, like the melting snow.
G Em
D7
But I´ll spend my days, in endless roaming
G
Em
Am D7
Soft is the grass, my bed is free
Am
D7
G
Em
Ah, to be back now, in Carrickfergus,
Am
D7
G
On that long road, down to the sea.
G
Am D7
G
Em
But in Kilkenny, it is reported,
Am
D7
G
On marble stones there, as black as ink
Am D7
G
Em
With gold and silver I would support her,
Am
D7
G
But I’ll sing no more now ’till I get a drink.
G
Em
D7
For I’m drunk today, and I’m seldom sober,
G Em
Am
D7
A handsome ro....ver from town to town,
Am
D7
G
Em
Ah, but I’m sick now, my days are numbered,
Am
D7
G
Come all you young men and lay me down.
CARRION CROW
Trad.
Capo 2
D
A carrion crow sat upon an oak
G
A
D
With me ling-dong dilli dong ki-ro lee
Watching a tailor mending a cloak
G
A
D
D
A
Hey fa-lee fa-lo fa-lerum, hey fa-lee fa-lerum-lee
D
Up jumped John, ringing on his bell
G
A
D
D
O, wife fetch me me old bent bow
G
A
D
And I will shoot this carrion crow
G
A
D
With a ling-dong dilly-dong ki-ro lee
D
A
Hey fa-lee fa-lo fa-lerum, hey fa-lee fa-lerum-lee ...
D
Well, the tailor shot but he missed his mark
G
A
D
He shot his old sow through the heart
G
A
D
D
A
D
O wife bring brandy in a spoon
G
A
D
For our old sow, she’s in a swoon
G
A
D
D
A
D
Now the old sow died and the bells did toll
G
A
D
And the little pigs prayed for the old sow’s soul
G
A
D
CATCH THE WIND
Donovan
Capo 2
D-Harp
C
Fadd9
C
In the chilly hours and minutes of uncertainty
Fadd9
I want to be
C
Fadd9 G
C
G
In the warm hold of your loving mind.
C
Fadd9
C
To feel you all around me and to take your hand
Fadd9
Along the sand,
C
Fadd9 G
C
G
Ah but I may as well try and catch the wind.
C
Fadd9
C
When sundown pales the sky I want to hide a while
Fadd9
Behind your smile,
C
Fadd9
G
C
G
And everywhere I'd look, your eyes I'd find.
C
Fadd9
C
For me to love you now would be the sweetest thing,
Fadd9
'T would make me sing,
C
Fadd9 G
C
F
Em
Am7
Diddy de de diddy de de diddy
D7
G7
De de diddy de de de
C
Fadd9
C
When rain has hung the leaves with tears I want you near
Fadd9
To kill my fears,
C
Fadd9 G
C
G
To help me to leave all my blues behind.
C
Fadd9
C
For standing in your heart is where I want to be
Fadd9
And long to be,
C
Fadd9 G
C
G
Instr.: 2 Verses D-Harp
C
Fadd9 G
C
G
Fadd9: x x 3 2 1 3
CAT‘S IN THE CRADLE 1
Harry Chapin
Intro-Riff: e’’ h’’’ cis’’’>h’’’-a’’’-h’’’ e’’ e’’
E (7th Fret)
d’’ fis’’ e’’
D
E
e
e
h h
E
G
My child arrived just the other day
A
E
He came into the world in the usual way.
G
But there were planes to catch and bills to pay.
A
E
He learned to walk while I was away.
D
D/C#
Bm Bm/A
And he was talkin' 'fore I knew it and as he grew he'd say:
G
G/F# E
G
G/F# E
"I'm gonna be like you, Dad, you know I'm gonna be like you."
e…
E
D
And the Cat's in the Cradle and the Silver Spoon,
G
A
Little Boy Blue and the Man in the Moon.
E
D
"When you comin' home Dad?" "I don't know when,
G
G/F# E
G
G/F#
E
But we'll get together then, Son, you know we'll have a good time then."
E
G
My son turned ten just the other day.
A
E
He said, "Thanks for the ball, Dad, come on, let's play.
G
Can you teach me to throw?" I said, "Not today.
A
E
I got a lot to do." He said, "That's okay."
D
D/C#
Bm
Bm/A
And he walked away, but his smile never dimmed. It said:
G
G/F# E
G
G/F# E
"I'm gonna be like him, yeah, you know I'm gonna be like him."
E
D
G
A
E
D
"When you comin' home Dad?" "I don't know when,
G
G/F# E
G
G/F#
E
But we'll get together then, Son, you know we'll have a good time then."
CAT‘S IN THE CRADLE 2
Riff
(Slower)
E
G
Well, he came home from college just the other day,
A
E
So much like a man I just had to say,
G
"Son, I'm proud of you, can you sit for a while?"
A
E
He shook his head and he said with a smile,
D
D/C#
Bm
Bm/A
"What I'd really like, Dad, is to borrow the car keys.
G
G/F#
E
See you later. Can I have them please?"
E
G
I've long since retired, my son's moved away.
A
E
I called him up just the other day.
G
I said, "I'd like to see you if you don't mind."
A
E
He said, "I'd love to, Dad, if I could find the time.
D
D/C#
Bm
Bm/A
You see, my new job's a hassle and the kids have the flu,
G
G/F#
E
G
G/F#
E
But it's sure nice talkin' to you, Dad. It's been sure nice talkin' to you."
E
D
G
A
E
D
"When you comin' home Son?" "I don't know when,
G
G/F# E
G
G/F#
E
But we'll get together then, Dad, you know we'll have a good time then."
D
D/C#
Bm
Bm/A
And as I hung up the phone it occured to me,
G
G/F#
E
G
G/F#
E
He'd grown up just like me. My boy was just like me.
E
D
G
A
E
D
"When you comin' home, Son?" "I don't know when,
G
G/F# E
G
G/F#
E
But we'll get together then, Dad, you know we'll have a good time then."
CECILIA
Simon and Garfunkel
E
A
E
Cecilia, you're breaking my heart
A
E
B7
You're shaking my confidence daily
A E
A
E
Oh Cecil…ia, I'm down on my knees
A
E
B7
E
I'm begging you please to come home. Come on home
E
A
E
Making love in the afternoon
A
B7
E
With Cecilia up in my bedroom ( making love )
A
E
I got up to wash my face
When I come back to bed
B7
E
Someone's taken my place ...
E
A
E
A
E
B7
A E
A
E
A
E
B7
I'm begging you please to come home
E
Come on home
Bo Po Bo Bo…. (Vers-Melodie)
A E
A
E
Jubilation, she loves me again
A
E
B7
I fall on the floor and I laughing
A E
A
E
Jubilation, she loves me again
A
E
B7
I fall on the floor and I laughing
E
A
E
A
E
B7
A E
A
E
A
E
B7
E
A
E
A
E
B7
A E
A
E
A
E
B7
E
Come on home
CHAIN GANG
Sam Cooke
C
F
C
Am
That's the sound of the men working on the chain gang
C
F
G6 C
Capo 4
C
Am
Ooh!
C
C
aah!
Am
Ooh!
C
Ooh!
F
aah!
Am
Ooh!
Am
I hear somethin' saying:
G
Ooh!
F
aah!
aah!
G
Ooh!
C
aah! (Well, don't you know)
F
C
Am
C
F
G6 C
All day long they're singing:
C
Am
Ooh!
C
F
aah!
Am
Ooh!
G
Ooh!
F
aah!
aah!
G
Ooh!
Can't you hear them saying:
C
aah! (Well, don't you know)
F
C
Am
C
F
G6 C
C
Am
F
G
All day long they work so hard 'till the sun is going down
C
Am
F
G
Working on the highway and byways and wearing, wearing a frown
C
Am
F
G
You hear them moaning their lives away, then you hear somebody say:
C
Am
F
G
Mm, I'm going home one of these days, I'm going home
C
Am
F
G
See my woman whom I love so dear. But meanwhile I gotta work right here
C
(Well, don't you know)
F
C
Am
C
F
G6 C
All day long they're singing:
C
Am
F
G
Ooh!
aah!
Ooh!
aah!
My, my, my, my, my, my, my, my work is so hard. Give me
C
Am
F
G
Ooh!
aah!
Ooh!
aah!
water,
I'm thirsty.
My work is so hard
C
Am
Ooh!
F
aah!
G
Ooh! aah! ....
CHAN CHAN
Am
C
De Alto Cedro voy para Marcané
G7
G7sus2
E
Llego a Cueto, voy para Mayarí
Instr.
Buena Vista Social Club
Capo 2
G7sus2: 3 x 0 2 0 1
Riff: a a c
Am C
c h a
e
G7 - G7sus2 - E
Am
C
G7
G7sus2
E
Am
C
El cariño que te tengo,
Am
C
Se me sale la babita,
4x
1x Riff
G7 G7sus2 E
no te lo puedó negar
G7 G7sus2 E
yo no lo puedó evitar
G7
G7sus2 E
que yo me quieró sentar
G7 G7sus E
yasí no puedó llegar
2x >>>
1x Riff
_______________________________________
3x
Von Alto Cedro gehe ich nach Marcane
Nach Cueto gehe ich gen Mayarí
2x Riff
Am
C
G7 G7sus2 E
Cuando Juanica y Chan Chan,
en el mar cernían arena
Am
C
G7 G7sus2 E
2x Riff
Como sacudía el jibe,
a Chan Chan le daba pena
Am
C
Limpia caminó de paja,
Am
C
En aquél troncó que veo,
Am
C
G7
G7sus2
E
1x Riff
2x Riff
Die Zuneigung, die ich zu dir habe
Kann ich nicht verneinen
Mir läuft das Wasser im Munde zusammen
Ich kann es nicht vermeiden
Als Juanica und Chan Chan
Am Meer Sand siebten
Wie sie mit dem Hintern wackelte
Tat es Chan Chan in der Seele weh
Säubere den Weg von Stroh
Weil ich mich setzen will
Auf jenen Baumstamm, den ich sehe
So werde ich wohl nie ankommen
(Original: Dm)
3x
CHANGING OF THE GUARDS 1
Bob Dylan
Capo 4 (Original: Fm)
Harp-Interlude
E-Harp
Harp-Intro: c d e f e d d c c c d e f e d d c c
C
G F
C G F
cdefe dd cc edc ac
C G F
C
Am
Sixteen years (sixteen years),
C
G
Am
Sixteen banners united over the fields (over the fields)
F
G
While the good shepherd grieves
Am
C
G
Desperate men (desperate men), desperate women divided,
Am
F G C
Spreading their wings (spreading their wings) 'neath the fa...lling leaves.
Am
Fortune calls (fortune calls).
C
G
Am
I stepped forth from the shadows, to the marketplace (marketplace),
F
G
Merchants and thieves, hungry for power,
Am
My last deal gone down (last deal gone down)
C
G
She's smelling sweet like the meadows
Am
Where she was born (where she was born),
F
G
C
On midsummer's eve, near the tower.
Am
The cold-blooded moon (cold-blooded moon).
C
G
The captain waits above the celebration,
Am
F
G
Sending his thoughts (sending his thoughts) to a beloved maid
Am
C
G
Whose ebony face (ebony face) is beyond communication.
Am
F
G
C
The captain is down but still believing that his love will be repaid.
Am
They shaved her head (shaved her head).
C
G
She was torn between Jupiter and Apollo.
Am
F
G
A messenger arrived (messenger arrived) with a black nightingale.
Am
I‘ve seen her on the stairs (seen her on the stairs)
C
G
and I couldn't help but follow,
Am
F G
C
Follow her down past the fountain where they li....fted her veil.
Harp-Interlude
CHANGING OF THE GUARDS 2
Am
I stumbled to my feet (stumbled to my feet).
C
G
I rode past destruction in the ditches
Am
F
G
With the stitches still mending 'neath a heart-shaped tattoo.
Am
C
G
Renegade priests (renegade priests) and treacherous young witches
Am
F G
C
Were handing out the flowers that I'd given to you.
Am
The palace of mirrors (palace of mirrors),
C
G
Where dog soldiers are reflected,
Am
F
G
The endless road (endless road) and the wailing of chimes,
Am
C
G
The empty rooms (empty rooms), where her memory is protected,
Am
F
G
C
Where the angels' voices whisper to the souls of previous times.
Harp-Interlude
Am
She wakes him up (wakes him up).
C
G
Forty-eight hours later, the sun is breaking
Am
F
G
Near broken chains (broken chains), mountain laurel and rolling rocks. Am
She's begging to know (begging to know)
C
G
What measures he now will be taking
Am
F
G
C
He's pulling her down and she's clutching on to his long golden locks.
Am
Gentlemen, he said (Gentlemen, he said),
C
G
Am
I don't need your organization, I've shined your shoes (shined your shoes),
F
G
I've moved your mountains and marked your cards
Am
C
G
But Eden is burning (Eden is burning), either get brave for elimination
Am
F
G
C
Or else your hearts must have the courage for the changing of the guards.
Harp-Interlude
Am
Peace will come (peace will come).
C
G
Am
With tranquility and splendor on the wheels of fire (wheels of fire)
F
G
But will offer no reward
Am
C
G
When her false idols fall (false idols fall) and cruel death surrenders
Am
F
G
C
With its pale ghost retreating between the King and the Queen of Swords.
Harp-Interlude
CHEEK TO CHEEK
Don't enjoy it half as much as dancing cheek to cheek.
Am
Am7
Cm7
F7
Dance with me
I want my arm about you
Fdim
E7
F#m7
Bm7 E7
The charm about you will carry me through to:
Irving Berlin
Amaj7
Bbdim: x 1 2 0 2 0
Bm7: x 2 0 2 0 2
Amaj7 Bbdim Bm7 E7
Heaven,
I'm in
Amaj7 Bbdim Bm7 E7
Heaven,
and my
Amaj7
Bm7 F#dim Bm7 C#7 F#7
Heart beats so that I can hardly speak
E7
Bm7 E7 D7
C#7 F#7
And I seem to find the happiness I seek
Bm7
E7
Amaj7
When we're out together dancing, cheek to cheek.
E7
Bbdim
2x
Bm7
E7
Amaj7 Bbdim Bm7 E7
Heaven,
I'm in
Amaj7 Bbdim Bm7 E7
Heaven,
and the
Amaj7
Bm7 F#dim Bm7
C#7 F#7
Cares that hung around me through the week
E7
Bm7 E7
D7
C#7 F#7
Seem to vanish like a gambler's lucky streak
Bm7
E7
Amaj7 Bbdim
When we're out together dancing, cheek to cheek. Oh, I
Bm7
E7
Amaj7 Bbdim
Bm7
E7
Amaj7 Bbdim
Love to climb a mountain,
and to reach the highest peak,
but it
Bm7 E7
Amaj7 Bbdim Bm7
E7
Amaj7 Bbdim
Doesn't thrill me half as much as dancing cheek to cheek. Oh! I
Bm7 E7
Amaj7 Bbdim Bm7 E7 Amaj7 Bbdim
Love to go out fishing
in a river or a creek,
but I
Bm7 E7 Amaj7 Bbdim Bm7
E7
Amaj7
Amaj7 Bbdim Bm7 E7
Heaven,
I'm in
Amaj7 Bbdim Bm7 E7
Heaven,
and the
Amaj7
Bm7 F#dim Bm7
C#7 F#7
Cares that hung around me through the week
E7
Bm7 E7
D7
C#7 F#7
Seem to vanish like a gambler's lucky streak
Bm7
E7
Amaj7 Bbdim
When we're out together dancing, cheek to cheek. Oh, I
Bm7
E7
Amaj7 Bbdim
Bm7
E7
Amaj7 Bbdim
Love to climb a mountain,
and to reach the highest peak,
but it…..
Am
Am7
Cm7
F7
Dance with me
I want my arm about you
Fdim
E7
F#m7
Bm7 E7
The charm about you will carry me through to:
Amaj7
Heaven,
Amaj7
Heaven,
Amaj7
Heaven,
Amaj7
Heaven,
Bbdim
Bbdim
Bbdim
Bbdim
Bm7
E7
I'm in
Bm7 E7
ohh
Bm7 E7
Yes, I'm in
Bm7 E7 A6
ohh heaven
CINDY OH CINDY
Margot Eskens
Capo 4
| C | Am | F | Am |
C (*g')
G
Cindy, oh Cindy, dein Herz muß traurig sein,
G7
C Am
Der Mann, den du geliebt, ließ dich allein.
g,
C
Am
F
C
Er kam, als du erst achtzehn warst, von großer Fahrt zurück.
c,
Am
F
C
Er küßte dich so scheu und zart und sprach vom großen Glück.
a,
Am
F
Am
Am Kai, da riefen die Möwen, als er dich wieder verließ:
C (*g')
G
G7
C Am
C
Am
F
C
Du sahst ihn nachts im Traum vor dir und gabst ihm deine Hand.
Am
F
C
Du sahst, daß er den Ring noch trug, der dich mit ihm verband.
Am
F
Am
Am Kai, da riefen die Möwen aus all den Träumen dich wach:
C (*g')
G
G7
C Am
C
Am
F
C
Wenn nachts ein Schiff die Anker wirft, dann stehst du wartend da.
Am
F
C
Doch keiner, der dich scherzend ruft, kommt deinem Herzen nah.
Am
F
Am
Am Kai, da rufen die Möwen, sie rufen alle dir zu:
C
G
G7
C Am
F C Am
F C
CITY OF NEW ORLEANS
Arlo Guthrie
C
G
C
Riding on the City of New Orleans,
Am
F
C
Illinois Central, Monday morning rail,
G
C
Fifteen cars and fifteen restless riders,
Am
G
C
Three conductors, twenty-five sacks of mail.
Am
Em
All along the south-bound Odyssey the train pulls out of Kankakee
G
D
And rolls along past houses, farms and fields
Am
Em
Passing trains that have no name, freight yards full of old black men
G
G7
C
And the grave-yards of the rusted automobiles.
F
G
C
Good morning America, how are you?
Am
F
C
G7
Say, don't you know me, I’m your native son.
C
G
Am
Am/G D/F#
I'm the train they call the City of New Orleans,
Bb/F
F
G
C
I'll be gone five hundred miles when the day is done.
C
G
C
Dealin' cards with the old men in the club car.
Am
F
C
Penny a point, ain’t no one keeping score
G
C
Pass the paper bag that holds the bottle
Am
G
C
Feel the wheels rumblin' neath the floor. Am
Em
The sons of Pullman porters and the sons of engineers
G
D
Ride their fathers' magic carpets made of steel
Am
Em
Mothers with their babes asleep rockin' to the gentle beat
G
G7
C
And the rhythm of the rails is all they feel.
F
G
C
Good morning America, how are you?
Am
F
C
G7
Say, don't you know me, I’m your native son.
C
G
Am
Am/G D/F#
I'm the train they call the City of New Orleans,
Bb/F
F
G
C
I'll be gone five hundred miles when the day is done.
C
G
C
Nightime on the City of New Orleans.
Am
F
C
Changing cars in Memphis, Tennessee,
G
C
Halfway home and we'll be there by morning
Am
G
C
Through the Mississippi darkness rollin' down to the sea.
Am
Em
But all the towns and people seem to fade into a bad dream
G
D
The steel rails still ain't heard the news
Am
Em
The conductor sings his songs again, the passengers will please refrain
G
G7
C
This train's got the disappearing railroad blues.
Good night America, how are you?....
COD LIVER OIL AND THE ORANGE JUICE 1
Hamish Imlach
Capo 3
Em
C
G
Em
Well oot o' the East there came a hard man
C
G
Em
G
Oh oh, a' the way frae Brigton - Ah haw haw, glory hallelujah
Em
B7
Em
Cod liver oil and the orange juice
Em
C
G
Em
Well he went intae a pub and he cam oot paralytic
C
G
Em
G
Oh oh, VP and cider - Ah haw haw, what a helluva mixture
Em
B7
Em
(Sex rears its ugly head right now)
Em
C
G
Em
Does this bus go tae the Dennistoun Palais?
C
G
Em
G
Oh ho, I'm lookin' fur a lumber - Ah haw haw, glory hallelujah
Em
B7
Em
(Eyes up the talent, and lo and behold.)
Em C
G
Em
In the dancin' he met Hairy Mary
C
G
Em
G
Oh oh, the floo'er o' the Gorbals - Ah haw haw, glory hallelujah
Em
B7
Em
(Chats her up)
Em C
G
Em
Oh nu Mary, are ye dancin'
C
G
Em
G
Oh naw, it's jist the way ah'm stannin' - Ah haw haw, glory hallelujah
Em
B7
Em
(Rebuffed)
Em
C
G
Em
Well then Mary, yer wan in a million
C
G
Em
G
Oh oh, and so's yer chances - Ah haw haw, glory hallelujah
Em
B7
Em
(Rebuffed again)
Em
C
G
Em
Well then Mary, can ah run ye hame
C
G
Em
G
Oh oh, ah I got a pair o' sand shoes - Ah haw, haw, yer helluva funny
Em
B7
Em
(Never say die. Sways about nonchalantly,
picks his nails with a bayonet and knocks her off)
Em
C
G
Em
Well doon through the back close and intae the donny
C
G
Em
G
Oh oh, It wasnae for the first time - Ah haw haw, glory hallelujah
Em
B7
Em
COD LIVER OIL AND THE ORANGE JUICE 2
Em
C
G
Em
Then oot cam her mammy, she was goin' tae the cludgie
C
G
Em
G
Oh oh, ah buggered off sharpish - Ah haw haw, glory hallelujah
Em
B7
Em
Em
C
G
Em
Nu Hairy Mary's looking for her hard man
C
G
Em
G
Oh oh, he's jined the Foreign Legion - Ah ha haw, Sahara under a camel
Em
B7
Em
Em
C
G
Em
Then Hairy Mary had a little baby
C
G
Em
G
Oh oh, its faither's in the army - Ah haw haw, glory hallelujah
Em
B7
Em
COLOURS
Donovan
Capo 4 P.
C
Mellow is the feeling that I get
F
C
When I see her, mm hmm,
F
C
When I see her, uh huh.
G
F
C
F9
That's the time, that's the time, I love the best.
E-Harp
C (*e)
Yellow is the colour of my true love's hair
F
C
In the mornin' when we rise,
F
C
G
F
C
F9
C
Blue's the colour of the sky
F
C
F
C
G
F
C
F9
C
Green's the colour of the sparklin' corn
F
C
F
C
G
F
C
F9
C
C
G
C
G
G
Instr.: E-Harp
C
C
G
G
C
Freedom is a word I rarely use
F
C
Without thinkin', mm hmm,
F
C
Without thinkin', mm hmm,
G
F
C
F9
Of the time, of the time, when I've been loved.
G
F
C
F9
Of the time, of the time, when I've been loved.
C G C
COME BY THE HILLS
Trad.
Ganz/Halbtonwechsel bis G
D
G
D
G
D
G
D
G
Oh, come by the hills to the land where fancy is free.
D
G
D
G
A7
Stand where the peaks meet the sky and the loughs meet the sea,
D
G
D
A7
Where rivers run clear, bracken is gold in the sun;
D
G
D
G
D
G
D E
Ah, the cares of tomorrow can wait till this day is done.
E
A
E
A
E
A E
Oh, come by the hills to the land where life is a song.
E
A
E
A
B7
Stand where the birds fill the air with their joy all day long,
E
A
E
B7
Where the trees sway in time, even the wind sings in tune;
E
A
E
A
E
A E
A
F
F
Bb
F
Bb
F Bb F Bb
Oh, come by the hills to the land where legend remains.
F
Bb
F
Bb
C7
The stories of old fill the heart and may yet come again,
F
Bb
F
C7
Where the past has been lost, the future is still to be won;
F
Bb
F
Bb
F
Bb F
G
G
C
G
C
G C G C
Oh, come by the hills to the land where fancy is free.
G
C
G
C
D7
Stand where the peaks meet the sky and the loughs meet the sea,
G
C
G
D7
Where rivers run clear, bracken is gold in the sun;
G
C
G
C
G C G
----------------------------------------------------------------Words by Scottish TV-Producer Gordon Smith and set to the
traditional Irish air "Buchal an Eire."
COME TOGETHER
Beatles
(Original: Dm)
81 bpm
Guitar Top Tap
Riff: a a e > g c....................... a
4x
Am7
c‘
Here come old flat top, he come grooving up slowly
He got Joo Joo eyeball, he one holy roller
E
He got hair down to his knee
D7
Got to be a joker, he just do what he please
Riff 4x
(Tschoo)
F#m E
D E
Come together, right now,
Instr.
Am
E
D7
Riff 2x
over me e
Am
He got Muddy Water, he one Mojo filter
E
He say "one and one and one is three"
D7
Got to be good looking `cause he so hard to see
He got monkey finger, he shoot Coca-Cola
E
He say "I know you, you know me"
D7
One thing I can tell you is you got to be free
over me
He got Ono sideboard, he one spinal cracker
E
He got feet down below his knee
D7
Hold you in his armchair, you can feel his disease
Am7
He roller coaster, he got early warning
Am7
He wear no shoeshine, he got toe jam foot ball
F#m E
D E
Am7
He bag production, he got walrus gumboot
Riff 4x
(Tschoo 3x)
F#m E
D E
Am7
Come together ! .....
over me
Riff 4x
(Tschoo 3x)
COMING INTO LOS ANGELES
Arlo Guthrie
Instr.
Capo 2 P. (Original: Am)
Em
Em/D
A/C# C
Hip woman walking on the moving floor,
G
B7
Tripping on the escalator
Em
Em/D
A/C#
C
There's a man in the line an‘ she's blowing his mind
G
B7
Thinking that he's already made her
Em
Em/D
A/C#
C
Coming in from London way over the pole
G
B7
Flying in a big airliner
Em
Em/D
A/C#
C
Chicken flying everywhere around the plane,
G
B7
Could we ever feel much finer
Em
Em/D
A Em
Em/D
A
Coming into Los Angeles, bringin in a couple of keys
Em
Em/D
A/C#
C
G B7
Don't touch my bag if you please mister customs man
Em
Em/D A/C# C
There's a guy with a ticket to Mexico.
G
B7
No he couldn't look much stranger
Em
Em/D
A/C#
C
Walking in the hall with his things and all.
G
B7
Smiling, said he was the Lone Ranger
Em
Em/D
A Em
Em/D
A
Em
Em/D
A/C#
C
G B7
Em
Em/D
A Em
Em/D
A
Em
Em/D
A/C#
C
G B7
Em
Em/D
A/C#
C
Coming in from London way over the pole
G
B7
Flying in a big airliner
Em
Em/D
A/C#
C
Chicken flying everywhere around the plane,
G
B7
Could we ever feel much finer
Em
Em/D
A Em
Em/D
A
Em
Em/D
A/C#
C
G B7
CONQUISTADOR
Procol Harum
Capo 2
h-d-dis-e
h-b-a
Em
A7
D
D7
Conquistador your stallion stands in need of company
h-d-dis-e
h-b-a
Em
A7
D
D7
And like some angel's haloed brow you reek of purity
E
Am
D
Em
I see your armor plated breast has long since lost its sheen
E
Am
D
Em
And in your death mask face there are no signs which can be seen
Em
C7
And though I hoped for something to find
Em
C7
Em
I could see no place to unwind
h-d-dis-e
h-b-a
Em
A7
D
D7
Conquistador a vulture sits, upon your silver sheath
h-d-dis-e
h-b-a
Em
A7
D
D7
And in your rusty scabbard now, the sand has taken seed
E
Am
D
Em
And though your jewel-encrusted blade has not been plundered still
E
Am
D
Em
The sea has washed across your face and taken of its fill
Em
C7
Em
C7
Em
h-d-dis-e
h-b-a
Em
A7
D
D7
Conquistador there is no time, I must pay my respect
h-d-dis-e
h-b-a
Em
A7
D
D7
And though I came to cheer at you, I leave now with regret
E
Am
D
Em
And as the gloom begins to fall I see there is no, only all
E
Am
D
Em
Though you came with sword held high you did not conquer, only die
Em
C7
Em
C7
Em
2x
CONTINUING STORY OF BUNGALOW BILL, THE
Beatles
C
G7
C
Hey, Bungalow Bill,
Am E7
Am
Hey, Bungalow Bill,
Fm
C Fm
G
what did you kill, Bungalow Bill
Dm
Am Dm
E
All the children sing:
C
G7
C Fm
C Fm
G
Hey, Bungalow Bill, what did you kill, Bungalow Bill
Am E7
Am Dm
Am Dm
E
Hey, Bungalow Bill, what did you kill, Bungalow Bill
Am
Am/C
F
G - Am
He went out tiger hunting with his elephant and gun
Am/C
F
G
In case of accidents he always took his mom. He's the
E
G
Am
Fm
All American bullet headed Saxon mother's son.
Am
Am/C
F
G - Am
The children asked him if to kill was not a sin
Am/C
F
G-E
"Not when he looked so fierce" his mommy butted in
E
G
Am
Fm
"If looks could kill it would have been us instead of him".
C
G7
C
Hey, Bungalow Bill,
Am E7
Am
Hey, Bungalow Bill,
Fm
C Fm
G
Dm
Am Dm
E
Am
Am/C
F
G - Am
Deep in the jungle where the mighty tiger lies
Am/C
F
G-E
Bill and his elephant were taken by surprise
E
G
Am
Fm
So Captain Marvel zapped him right between the eyes.
C
G7
C
Hey, Bungalow Bill,
Am E7
Am
Hey, Bungalow Bill,
Fm
C Fm
G
Dm
Am Dm
E
COTTON FIELDS
CCR
P. E-Harp
E B7 E 2x E-Harp
E
A
E
When I was a little bitty baby, my mama would rock me in the cradle
B7
In them old cotton fields back home.
E
A
E
B7
E
A
E
Now, when them cotton balls get rotten, you can't pick very much cotton
B7
E
A
E
It was down in Louisiana, just about a mile from Texarkana,
B7
E
E B7 E
2x E-Harp
E
A
E
It may sound a little funny, but you didn't make very much money
B7
E
A
E
It may sound a little funny, but you didn't make very much money
B7
E
A
E
Now, when them cotton balls get rotten, you can't pick very much cotton
B7
E
A
E
It was down in Louisiana, just about a mile from Texarkana,
B7
E
E B7 E
2x E-Harp
E
A
E
When I grew a little bit older, my daddy would rock me on his shoulder
B7
E
A
E
When I grew a little bit older, my daddy would rock me on his shoulder
B7
E
Now, when them cotton balls get rotten ...
2x E-Harp
E
A
E
B7
E
A
E
B7
E
In them old cotton fields back home,
B7
E
2x E-Harp
COUNTRY ROADS
John Denver
G
Em
Almost heaven, West Virginia,
D
C
G
Blue Ridge Mountains, Shenandoah River.
Em
Life is old there, older than the trees,
D
C
G
Younger than the mountains, blowing like a breeze.
G
D
Country roads, take me home
Em
C
To the place I belong,
G
D
West Virginia, mountain momma,
C
G
Take me home, country road.
Em
All my mem'ries gather 'round her,
D
C
G
Miner's lady, stranger to blue water.
Em
Dark and dusty, painted on the sky,
D
C
G
Misty taste of moonshine, tear-drop in my eye.
G
D
Em
C
G
D
C
G
Em
D
G
I hear her voice, in the morning hours she calls me,
C
G
D
The radio reminds me of my home far away.
Em
D
C
And driving down the road I get the feeling
D
D7
That I should have been home yesterday, yesterday.
G
D
Em
C
G
D
C
G
D
G
Take me home, down country roads.
D
G
Take me home, down country roads.
CRACKLIN‘ ROSIE
Neil Diamond
Capo 1
c‘ g a‘ e-g c-e a a c d d e f g
G F-G F-G
Dm (*d)
Cracklin' Rosie, you're a store-bought woman
(*f)
But you make me sing like a guitar hummin'
(*a‘)
(*c‘)
G (*d‘)
So hang on to me, girl, our song keeps runnin' on...
C
Ah, Cracklin' Rosie, get on board
Play it now, play it now, play it now, my baby
F
We're gonna ride till there ain't no more to go
C
Cracklin' Rosie, make me a smile
Taking it slow - Lord, don't you know
Dm
G7
Have me a time with a poor man's lady
C
Hitchin' on a twilight train
F
Ain't nothing here that I care to take along
Maybe a song - To sing when I want
Dm
G7
C
Don't need to say please to no man for a happy tune
Low: C
F
G
C
Oh, I love my Rosie child
F
G
C
She got the way to make me happy
F
G
C
You and me, we go in style
F
Girl, if it lasts for an hour, well that's all right
Cause we got all night - To set the world right
Dm
G7
C
Find us a dream that don't ask no questions, yeah
Oh, I love my Rosie child
You got the way to make me happy...
C
Cracklin' Rosie, make me a smile
F
Girl, if it lasts for an hour, well that's all right
Cause we got all night - To set the world right
Dm
G7
Find us a dream that don't ask no questions, yeah
Ba, ba ba, ba ba ba ba ...
CRAZY LOVE
Van Morrison
C
Em
F
C
I can hear her heartbeat from a thousand miles
Em
F
C
And the heavens open up every time she smiles
Em
F C
And when I am with her that’s where I belong
Em
F
C
And I am running through her like a rivers song
C
G Am G
F
G
She gives me love, love, love, love, crazy love
C
G Am G
F
C
C
Em
F
C
She has a fine sense of humor when I am feeling low down
Em
F
C
And when I come to her when the sun goes down
Em
F
C
Take away my troubles, take away my grief
Em
F
C
Take away my heartaches in the night like a thief
C
G Am G
F
G
C
G Am G
F
C
F
C
G
And I need her in the daytime
F
C
G
And I need her in the night
F
C
And I want to throw my arms around her
Dm
F
C
Kiss and hug her, kiss and hug her tight
Am
G
Instr. Stophe
C
Em
F
C
When I am returning from so far away
Em
F
C
She gives me some sweet loving, brightenes up my day
Em
F
C
And it makes me righteous and it makes me whole
Em
F
C
And it makes me mellow right down to my soul
C
G Am G
F
G
C
G Am G
F
C
CROSSING MUDDY WATERS
John Hiatt
Intro:
hhagedc de
G
C
ddegage
D
Em
hhagedc de
Em
C
ddegagg
D
G
G
C
D
Em
Baby's gone and I don't know why - She let out this morning
C
D
G
Like a rusty shot in a hollow sky - She left me without warning
C
D
Em
Sooner than the dogs could bark - and faster than the sun rose
C
D
G
Down to the banks on an old eel-cart, she took a flatboat cross the shallows
g
g h d
e’
d h a g
C
Left me in my tea….rs to dro….wn
D
Em
She left a baby daughter
C
D
G
Now the river’s wide and deep and brown, she’s crossing muddy waters
Intro
G
C
D
Em
Tobacco standing in the fields - be rotten come November
C
D
G
And a bitter heart will not reveal - a spring that love remembers
C
D
Em
When that sweet brown girl of mine - Hair black as a ravens
C
D
G
We broke the bread and drank the wine - from a jug that she'd been saving
C
D
Em
C
D
G
Intro
G
C
D
Em
Baby's crying and the daylight's gone - That big oak tree is groaning
C
D
G
In rush of wind and a river of song - I can hear my true love moaning
C
Crying for her ba….by chi….ld
D
Em
Or crying for her husband
C
D
G
Crying for that rivers wild, to take her from her loved ones
C
D
Em
C
D
G
C
D
G
Intro
CRY BABY CRY
Beatles
G
Am F
G
Cry baby cry make your mother sigh
Em7
A7
F G
She's old enough to know better
Em (*e)
Em+7
Em7
The king of Marigold was in the kitchen
Em6
C7
G/B
Cooking breakfast for the queen
Em
Em+7
Em7
The queen was in the parlour playing piano
Em6
C7
For the children of the king
G
Am F
G
Em7
A7
F
G
She's old enough to know better so cry baby cry
Em (*e)
Em+7
Em7
The king was in the garden picking flowers
Em6
C7
G/B
For a friend who came to play
Em
Em+7
Em7
The queen was in the playroom painting pictures
Em6
C7
For the childrens holiday
G
Am F
G
Em7
A7
F
G
She's old enough to know better so cry baby cry
Em (*e)
Em+7
Em7
The duchess of Kircaldy always smiling
Em6
C7
G/B
And arriving late for tea
Em
Em+7
Em7
The duke was having problems with a message
Em6
C7
At the local bird and bee
Cry baby cry ...
Em (*e)
Em+7
Em7
At twelve o'clock a meeting round the table
Em6
C7
G/B
For a seance in the dark
Em
Em+7
Em7
With voices out of nowhere put on specially
Em6
C7
By the children for a lark
Cry baby cry... (2x end on Em)
Em+7: 0 2 1 0 0 0
Em6: 0 4 2 0 0 0
CRY ME A RIVER
Arthur Hamilton
Capo 2
A7
D7/9
Fmaj7
E7
C6
Bm7-5 - E7
h’
a’ e
c, h, a,
Am9/E Am/F
/F#
/G
Now you say you're lonely
a’
Dm7/A
G7
Cmaj7 Bm7-5 - E7
You cry the whole night through
a’
e
A7
D7/9
Well, you can
cry me a river,
cry me a river
e e e d, c, a, c, c,
Fmaj7
E7
C6 Bm7-5 - E7
I cried a river over you
Am/E
/F
/F#
/G
Now you say you're sorry
Dm7/A
G7 Cmaj7 Bm7-5 - E7
For being so untrue
A7
D7/9
Well, you can
cry me a river,
cry me a river
Fmaj7
E7
C6 B7
e fis
g
Em7
Em6
C7
B7
You drove me, nearly drove me, out of my head
h’
Em7
Em6
B7
While you never shed a tear
Em7
Em6
C7
B7
Remember, I remember, all that you said
fis fis e
E7
E6
You told me love was too plebeian
Bm7-5
E7
Told me you were through with me and
Am/E
Am/F /F#
/G
Now you say you love me
Dm7/A
G7
Cmaj7 Bm7-5 - E7
Well, just to prove that you do
A7
D7/9
Come on and
cry me a river,
cry me a river
Fmaj7
E7
C6 D7/9
Fmaj7
E7
C6 D7/9
Fmaj7
E7
C6
CUANDO CALIENTA EL SOL
Latin
C
Am
Em
Cuando calienta el sol aquí en la playa
F
Dm7 G7
C A7
Siento tu cuerpo vibrar cerca de mi
Dm7
G7
C
Am
Es tu palpitar, es tu cara, es tu pelo,
Em
F
G7
Son tus besos, me estremezco, oh, oh, oh
C
Am Dm7
Cuando calienta el sol.
G7
C
Am Dm7 G7
C
Am
Em
Cuando calienta el sol aquí en la playa
F
Dm7 G7
C A7
Siento tu cuerpo vibrar cerca de mi
Dm7
G7
C
Am
Es tu palpitar, tu recuerdo, mi locura,
Em
F
G7
Mi delirio, me estremezco, oh, oh, oh
C
Am Dm7
G7
C
Am Dm7 G7
C
Am
Em
Was in den Sternen steht kann ich dir sagen
F
Dm7 G7
C
A7
Liebe die nie mehr vergeht bindet uns Zwei – ei
Dm7
G7
C
Am
Ich brauche kein Glück nur für Stunden oder Tage
Em
F
G7
Ich brauch Liebe, die ein Leben lang besteht
C
Am Dm7
Liebe, die nie vergeht
G7
C
Am Dm7 G7
C6
Daniel
Elton John
g... h a g fis fis e... c h a g g fis... c h a g g...
G
C
D
G
G
Am
Daniel is traveling tonight on a plane
D
B7
Em
I can see the red tail lights heading for Spai......n. Oh and
C
D
Em
I can see Daniel waving goodbye
C
D7
C
G
D7
God it looks like Daniel,
must be the clouds in my eyes
G
Am
They say Spain is pretty though I've never been
D
B7
Em
Daniel says it's the best place that he's ever se.....en. Oh and
C
D
Em
He should know, he's been there enough
C
D7
C
G
Lord I miss Daniel, oh I miss him so much. Oh ho ho
C
G
Daniel my brother you are older than me
C
G
Do you still feel the pain of the scars that won't heal
Em
C
Your eyes have died but you see more than I
Cm
G E7
Am D7
Daniel you're a star in the face of the sky........
Instr. Verse
Oh ho ho, Daniel my brother you are older than me...
G
Am
Daniel is traveling tonight on a plane
D
B7
Em
I can see the red tail lights heading for Spai......n. Oh and
C
D
Em
I can see Daniel waving goodbye
C
D7
C
G
God it looks like Daniel,
C
D7
C
G
Oh God it looks like Daniel,
g... h a g fis fis e... c h a g g fis... c h a g g...
G
C
D
G
DA DOO RON RON
Crystals
Capo 3
E
A
I met her on a Monday and my heart stood still
B7
E
Da doo ron ron ron, da doo ron ron ron
A
Somebody told me that her name was Jill
B7
E
E
A
Yeah, my heart stood still
E
B7
Yeah, her name was Jill
E
A
And when I walked her home
B7
E
E
A
I knew what she was thinkin', when she caught my eye
B7
E
A
She looked so quiet, but my oh my
B7
E
E
A
Yeah, she caught my eye
E
B7
Yeah, but my oh my
E
A
B7
E
Instr.
E
A
Well, I picked her up at seven and she looked so fine
B7
E
A
Someday soon I'm gonna make her mine
B7
E
E
A
Yeah, she looked so fine
E
B7
Yeah, I'll make her mine
E
A
B7
E
B7
E
Da doo ron ron ron, da doo ron ron ron ....
DA SPRACH DER ALTE HÄUPTLING DER INDIANER
Gus Backus
A
E
Schön war sie, die Prärie, alles war wunderbar.
A
D
E
A
Da kam an weißer Mann, wollte bau'n Eisenbahn.
A
E
A
Da sprach der alte Häuptling der Indianer:
E
A
"Wild ist der Westen, schwer ist der Beruf! Uff
A
E
A
E
A
"Wild ist der Westen, schwer ist der Beruf! Uff! Uff! Uff!"
A
E
Böse geht er nach Haus und er gräbt Kriegsbeil aus,
A
D
E
A
Seine Frau nimmt ihm keck. Kriegsbeil und Lasso weg.
A
E
A
E
A
A
E
A
E
A
A
E
Häuptling schrie ziemlich laut, fuhr fast aus roter Haut.
A
D
E
A
Seine Frau nahm sich Pfeil - stach ihm ins Hinterteil.
A
E
A
E
A
A
E
A
E
A
A
E
Eisenbahn spuckte Dampf, Häuptling kam, wollte Kampf!
A
D
E
A
Weißer Mann sprach: Komm her, du bist gleich Kondukteur!
A
E
A
E
A
A
E
A
E
A
DANNY BOY
Trad.
Capo 5
G
G7
C
Am7
Oh Danny boy, the pipes, the pipes are calling
G
Em7
Am D7
From glen to glen, and down the mountain side
G
G7
C
Am7
The summer's gone, and all the flowers dying
G
Am
D7
G
C G
'Tis you, 'tis you must go and I must bide.
G
Cmaj7
G
D
But come ye back when summer's in the meadow
Em
C
C/B
Am D7
Or when the valley's hushed and white with snow
G
C
G
Em
'Tis I'll be here in sunshine or in shadow
G
Em
Am D7
G C G
Oh Danny boy, oh Danny boy, I love you so.
G
G7
C
Am7
And if you come, when all the flowers are dying
G
Em7
Am D7
And I am dead, as dead I well may be
G
G7
C
Am7
You'll come and find the place where I am lying
G
Am D7
G
C
G
And kneel and say an "Ave" there for me.
G
Cmaj7
G
D
And I shall hear, tho' soft you tread above me
Em
C
C/B
Am D7
And then my grave will warm and sweeter be
G
C
G
Em
For you shall bend and tell me that you love me
G
Em
Am
D7
G C
G
Then I shall rest in peace until you come to me.
DARBY‘S CASTLE
Kris Kristofferson
>>> D g‘-h‘ fis‘-a‘ e‘-g‘ > fis‘-a‘
Riff: g, c, c‘-f‘ e‘-g‘ d‘-f‘ > e‘-g‘
C
F
C
g, c, f‘-a‘ e‘-g‘ d‘-f‘ c‘-e‘
F
C
C C/B Am
F
F/E
Dm
See the ruin on the hill, where the smoke is hangin still
G
C
f‘-a‘ e‘-g‘ d‘-f‘ > e‘-g‘
Like an echo of an age long forgotten.
C/B Am
F
F/E
Dm
There's a story of a home crushed beneath those blackened stones
G
G7
G g-h a-c h-d / f‘-a‘ e‘-g‘ d‘-f‘
And the roof that fell before the beams were rotten
C
C/B
Am
F
F/E Dm
Cecil Darby loved his wife and he labored all his life
G
C
f‘-a‘ e‘-g‘ d‘-f‘ > e‘-g‘
To provide her with material possessions
C/B Am
F
F/E
Dm
And he built for her a home of the finest wood and stone
G
G7
G
g-h a-c h-d / f‘-a‘ e‘-g‘ d‘-f‘
And the building soon became his sole obsession
F
G
C
C/B Am
Oh, it took 300 days for the timbers to be raised
F
C
G
And the silhouette was seen from miles around
C
C/B
Am
F
F/E
Dm
And the gables reached as high as the eagles in the sky
G
G7
g-h a-c h-d
But it only took one night to bring it down
G
G7
C
f‘-a‘ e‘-g‘ d‘-f‘ > e‘-g‘
When Darby's castle tumbled to the ground
D
D/C#
Bm
G
G/F# Em
Though they shared a common bed, there was precious little said
A
D
g‘-h‘ fis‘-a‘ e‘-g‘ > fis‘-a‘
In the moments that were set aside for sleepin'
D/C#
Bm
G
G/F# Em
For his busy dreams were filled with the rooms he'd yet to build
A
A7
A a-cis h-d cis-e / g‘-h‘ fis‘-a‘ e‘-g‘
And he never heard young Helen Darby weepin'
D
D/C# Bm
G
G/F# Em
Then one night he heard a sound as he layed his pencil down
A
D
And he traced it to her door and turned the handle
D/C# Bm
G
G/F# Em
And the pale light of the moon through the window of the room
A
A7
A a-cis h-d cis-e / g‘-h‘ fis‘-a‘ e‘-g‘
Split the shadows where two bodies lay entangled
G
A
D
D/C# Bm
Oh, it took 300 days for the timbers to be raised
G
D
A
And the silhouette was seen from miles around
D
D/C#
Bm
G
G/F# Em
And the gables reached as high as the eagles in the sky
A
A7
a-cis h-d cis-e
But it only took one night to bring it down
A
A7
D
When Darby's castle tumbled to the ground
g‘-h‘ fis‘-a‘ e‘-g‘ d‘-fis‘
DARK END OF THE STREET
E
They're gonna find us
C#m
E
A
E
Lord, someday
A
E
A
B7
E
A
E
You and me, at the dark end of the street - You and me
Percy Sledge
Intro: E-Harp
E
B
C#m
At the dark end of the street
E
B
C#m
That is where we always meet
E
A
E
Hiding in shadows where we don't belong
A
B7
E
Living in darkness to hide our wrong
A
E
A
B7
E
A
E
You and me, at the dark end of the street - You and me
E
B
C#m
I know time is gonna take it's toll
E
B
C#m
We have to pay for all the love we stole
E
A
E
It's a sin and we know it's wrong
A
B7
E
Oh but our love keeps coming on strong
A
E
A
B7
E
A
E
Steal away, to the dark end of the street - You and me
B7
B7
Instr. 1 Verse Harp
B7
dann: >>> Halbtonwechsel F
F
C
Dm
And when the daylight hour rolls around
F
C
Dm
And by chance we’ll go downtown
F
Bb
F
If we should meet just walk, walk on by
Bb
C7
F
Oh darling, please don't you cry
Bb
F
Bb
C7
F
Bb
F F6
Tonight we'll meet, at the dark end of the street – you and me
(Original: G)
DARLING PRETTY
Mark Knopfler
Am G
Am
D
Lost upon an endless sea
D
G
I saw you far away
Am7
G
D
Come to rescue me
Capo 2
G C G
G C Cmaj7 D
G C Am7 Bm
Em
Bm
Am
G
C G / G
G
C G
G
C
G
It’s time to come away, darling pretty
C
D
It’s time to come away on the changing tide
G
C Am7 Bm
Time to come away, darling pretty
Em
Bm Am
G
And I need you darling by my side
G
C
G
Heal me with a smile, darling pretty
C
D
Heal me with a smile and a heart of gold
G
C
Am7 Bm
Carry me awhile, darling pretty
Em
Bm
Am
G
Heal my aching heart and soul
Instr.: 1 Verse
a,
h, c, d, c, h,
D
G
Just like a castaway
G
C
G
Cast away the chains, darling pretty
C
D
Cast away the chains away behind
G
C Am7 Bm
Take away my pain, darling pretty
Em
Bm
Am
G
And the chains that once were yours and mine
Instr.: 1 Verse
G
C
G
There will come a day, darling pretty
C
D
There will come a day when hearts can fly
G
C Am7 Bm
Love will find a way, darling pretty
Em
Bm
Am
G
Find a heaven for you and I
G
C Am7 Bm
Love will find a way, darling pretty
Em
Bm
Am
G
Find a heaven for you and I
Instr.: Verse ad fin
DAS ALTE SCHIF
Roger Whittaker
C (*g)
Dm
Das alte Schiff ist müde und das Reisen fällt ihm schwer.
F
G7
C
Es ist morsch und schon blaß geworden und taugt zu gar nichts mehr.
Dm
Das alte Schiff muß gehen, schon liegt es im Hafen fest.
F
G7
C
Morgen holt man die Maschinen und verschrottet dann den Rest.
F
Alle die vielen schönen Stunden,
C
Eh du es gedacht, sind sie entschwunden.
Am
Em
F
Das Steuer ist leer,das Feuer ist aus und du bist allein.
Was einmal war, das kommt nicht wieder,
C
Ging es auch viel zu schnell vorüber.
Am
Em
F
Du fragst warum und siehst doch ein, es muß so sein,
Em
F
G7
C
Du fragst warum und siehst doch ein, es muß so sein.
C
Dm
Das alte Schiff hat früher niemals je ein Ziel verfehlt.
F
G7
C
Es trotzte allen Stürmen und sah die ganze Welt.
Dm
Das alte Schiff muß gehen, weil es ohnehin nur stört.
F
G7
C
Gestern war es stolz und mächtig, heute ist es nichts mehr wert.
Alle die vielen schönen Stunden ... (3x)
RIVER LADY
The day the river freezes is the day it won't seem fair
'Cos they’ll come to get the River Lady and I dont think they’ll care
I know they’ll scrape her paint off in their same old foolish ways
Now the people see the river but the old ships gone away.
Water turns cold and gets to freezing,
Before you even know it the old girls easing
Away from her berth round by the point and out of our view
Off in the mist her engines pounding,
Back on the banks that old horns sounding
A little good-bye, a little I’ll do what I must do
A little good-bye, a little I’ll do what I must do.
I know I will remember when I cannot hear that horn
That would roll up by the mountains as she took us through the storm
I know they’ve got to take her but I can’t say I approve
'Cos she’s won so many battles that I hate to see her lose.
Water turns cold and gets to freezing…
(Original: A)
DAS KANN DOCH EINEN SEEMANN NICHT ERSCHÜTTERN
Hans Albers / Heinz Rühmann
Capo 3
Am
Dm
E7
Am
C
Am
Es weht der Wind mit Stärke zehn, das Schiff schwankt hin und her.
Dm
E7
Am
C
Am Himmel ist kein Stern zu sehn, es tobt das wilde Meer.
Dm
E7
Dm
E7
Am
Oh seht ihn an, o seht ihn an: Dort zeigt sich der Klabautermann!
Dm E7
Am
Dm
E
Doch wenn der letzte Mast auch bricht, wir fürchten uns nicht!
A
E7
Das kann doch einen Seemann nicht erschüttern,
A
Keine Angst, keine Angst, Rosmarie!
E7
Wir lassen uns das Leben nicht verbittern,
A
D
A
Und wenn die ganze Erde bebt
B7
E7
Und die Welt sich aus den Angeln hebt:
A
E7
A
Am
Dm E7
Am
C
Am
Die Welle spülte ihn von Bord. Da warn wir nur noch zwei.
Dm
E7
Am
C
Und ein Taifun riss ihn hinfort. Ich lachte nur dabei.
Dm
E7
Dm
E7
Am
Dann zog ich mir die Jacke aus und holte alle beide raus.
Dm E7 Am
Dm
E
So tun Matrosen ihre Pflicht. Und fürchten sich nicht
A
E7
A
E7
Wir lassen uns das Leben nicht verbittern,
A
D
A
Und wenn die ganze Erde bebt
B7
E7
Und die Welt sich aus den Angeln hebt:
A
E7
A
DAS KANNST DU MIR NICHT VERBIETEN
Bernd Spier
|
|
Am F
||
G
C
Am
C
Am
Wenn du willst, verbrenn' das Bild von mir.
C
Am
G
Wenn du willst, das letzte Souvenier.
C
C7
F
Fm
Wenn du willst, dann tu was dir gefä.......llt,
C
G
C
F-C
Doch etwas kannst du nicht auf dieser Welt:
e e
e e e
e gff
C
G7
F
Das kannst du mir nicht verbieten, dich zu lieben alle Zeit
C
Ganz genau so wie heut'.
G7
Das kannst du mir nicht verbieten,
C
F-C
No, mein Darling, tut mir leid.
C
Am
C
Am
Wenn du willst, vergiss was einmal war.
C
Am
G
Wenn du willst, vergiss die kleine Bar.
C
C7
F
Fm
Wenn du willst, auch uns´re Melodi.......e,
C
G
C
F-C
Doch etwas gibt es das gelingt dir nie:
C
G7
F
C
G7
C
F-C
C
Am
C
Am
Wenn du willst, dann schick zurück den Strauß
C
Am
G
Wenn du willst, sag allen es ist aus.
C
C7
F Fm
Wenn du willst, vergiss das schöne Ja.....hr,
C
G
C
F-C
Doch etwas ist schon heute für mich klar:
C
G7
F
C
G7
C
F-C
G7
C
No, mein Darling, tut mir leid,
G7
C
F-C
(Original: D / D#)
DAS WANDERN IST DES MÜLLERS LUST
Trad.
E
Das Wandern ist des Müllers Lust,
B7 E
Das Wandern ist des Müllers Lust, das Wandern.
B7
Das muss ein schlechter Müller sein,
Dem niemals fiel das Wandern ein,
A
E
B7 E
Dem niemals fiel das Wandern ein, das Wandern.
E
Vom Wasser haben wir`s gelernt,
B7 E
Vom Wasser haben wir`s gelernt, vom Wasser.
B7
Das hat nicht Ruh bei Tag und Nacht,
Ist stets auf Wanderschaft bedacht,
A
E
B7 E
Ist stets auf Wanderschaft bedacht, das Wasser.
E
Das sehn wir auch den Rädern ab,
B7 E
Das sehn wir auch den Rädern ab, den Rädern.
B7
Die gar nicht gerne stille stehn,
Und sich mein Tag nicht müde drehn,
A
E
B7 E
Und sich mein Tag nicht müde drehn, die Räder.
E
O Wandern, Wandern, meine Lust,
B7 E
O Wandern, Wandern, meine Lust, o Wandern.
B7
Herr Meister und Frau Meisterin,
Lasst mich in Frieden weiter ziehn,
A
E
B7 E
Lasst mich in Frieden weiter ziehn und wandern.
DAS WAR EINE SCHÖNE PARTY
France Gall
Am (*c')
C
F
C
Das war eine schöne Party, Darling, oh, die war „bon“.
h h fis fis e
Bb
Am
E7 B7
E7
Darling, ja über uns beiden hing ein rosaroter Lampion.
Am
C
F
C
Da war‘n keine feinen Leute und kein feiner Salon,
Bb
Am
B7 E7 Am
Aber da war g‘rade über uns ein rosaroter Lampion.
C
Am
F
E7
Am
Und ich hatte das Gefühl: Junge, Junge, das ist toll,
C
Am
F
E7 Am
Weil ja rot die Farbe ist, bei der man sich verlieben soll.
C
Am
F
E7
Am
Und ich hatte das Gefühl: Junge, Junge, das ist toll,
C
Am
F
E7 Am
Weil ja rot die Farbe ist, bei der man sich verlieben soll.
Am (*c)
C
F
C
Bb
Am
E7
B7
E7
Und einen Kuß wolltest du von mir, ich sagte non, non, non, non, non.
Am
C
F
C
Doch als du noch einmal fragtest, kam ich aus der Fasson.
Bb
Am
B7 E7 Am
Über uns hing, als ich Feuer fing, ein rosaroter Lampion.
Bb
Am
B7 E7 Am
Bb
Am
B7 E7 Am
(Original: Fm)
Am (*c')
C
F
C
Bb
Am
E7 B7
E7
Darling, ja über uns beiden hing ein rosaroter Lampion.
Am
C
F
C
Nein, du warst nicht gut beim Tanzen, sagtest immer Pardon.
Bb
Am
B7 E7 Am
Was machte das, über uns da hing ein rosaroter Lampion.
DAYDREAM
Lovin Spoonful
C
A7
What a day for a daydream
Dm7
G7
What a day for a daydreamin' boy
C
A7
And I'm lost in a daydream
Dm7
G7
Dreamin' bout my bundle of joy
F
D/F#
C A7
And even if time is passin' me by a lot
F
D/F#
C
A7
I couldn't care less about the dues you say I've got
F
D/F#
C
A7
Tomorrow I'll pay the dues for dropping my load
G
G7
A pie in the face for bein' a sleepy bull toad
Instr.: Verse, Whistling or "Bap ba dap...."
F
D/F#
C/G
A7
And even if time ain't really on my side
F
D/F#
C/G
A7
It's one of those days for takin' a walk outside
F
D/F#
C/G
A7
I'm blowin' the day to take a walk in the sun
G
G7
And fall on my face on somebody's new-mowed lawn
C
A7
I been havin' a sweet dream
Dm7
G7
I been dreamin' since I woke up today
C
A7
It's starring me and my sweet dream
Dm7
G7
'Cause she's the one that makes me feel this way
F
D/F#
C
A7
And you can be sure that if you're feelin' right
F
D/F#
C
A7
A daydream will last 'til long into the night
F
D/F#
C
A7
Tomorrow at breakfast you may prick up your ears
G
G7
Or you may be daydreamin' for a thousand years
C
A7
What a day for a daydream
Dm7
G7
Custom made for a daydreamin' boy
C
A7
And I'm lost in a daydream
Dm7
G7
Dreamin' bout my bundle of joy
Whistling
(Original: C#)
DAYDREAM BELIEVER
Monkees
Capo 3 (Original: G, John Stewart: D)
fis-d fis-d fis-d fis-d e-cis e-cis e-cis e-cis
|D
| A7
|
D
Em
Oh, I could hide 'neath the wings
F#m
G
Of the bluebird as she sings
D
Bm
E
The six-o-clock alarm would never ring
2x
A7
D
Em
But it rings and I rise
F#m
G
Wipe the sleep out of my eyes
D
Bm
G A7
D
(fis e fis g fis e fis)
The shaving razor's cold and it stings
G
A
F#m
Cheer up sleepy Jean
G
A
Bm G
Oh what can it mean to a
D
G
D
Bm
E7
A7
Daydream believer and a homecoming queen
D
Em
You once thought of me
F#m
G
As a white knight on his steed
D
Bm
E
Now you know how happy I can be
A7
D
Em
And our good times start and end
F#m
G
Without dollar one to spend
D
Bm G
A7
D
But how much baby do we really need
G
A
F#m
Cheer up sleepy Jean
G
A
Bm G
Oh what can it mean to a
D
G
D
Bm
E7
A7
Daydream believer and a homecoming queen
G
A
F#m
Cheer up sleepy Jean ....... x-mal
fis-d fis-d fis-d fis-d e-cis e-cis e-cis e-cis
|D
| A7
|
2x
DAYS LIKE THIS
Van Morrison
Intro:
F - C
C
Am
When everyone is up front
F
C
- and they‘re not playing tricks here
Am
F
C
When you don‘t have no freeloaders
- out to get their kicks here
F
G
C
C/B Am7
When its nobody‘s business
the way that you wanna live
F
G7
F
C
F C
I just have to remember
- there‘ll be days like this
4x
C
Am
F
C
When its not always raining
Am
F
C
When there‘s no one complaining
F
G
C
C/B Am7
When everything falls into place like the flick of a
switch
F
G7
F
C
Well, my mama told me
C
Am
F
C
When you don‘t need to worry
Am
F
C
When no ones in a hurry
F
G
C C/B Am7
When you don‘t get betrayed by that old judas kiss
F
G7
F
C
C
Am
F
C
When you don‘t need an answer
Am
F
C
When you don‘t meet a chancer
F
G
C C/B
Am7
When all the parts of the puzzle start to look like they fit
F
G7
F
C
Then I must remember
Instr.: 1 Verse
F C
F C
F C
C
Am
F
C
When no one steps on my dreams
Am
F
C
When people understand what I mean - there‘ll be days like this
F
G
C
C/B Am7
When you ring out the changes of how everything is
F
G7
F
C
C
Am
F
C
Nana na nana nana
C
Am
F
C
Nana na nana nana
F
G
C C/B Am7
........................................................................
F
G7
Oh, my mama told me
- there‘ll be
F
G7
Oh, my mama told me
- there‘ll be
F
G7
Oh, my mama told me
- there‘ll be
F
G7
Oh, my mama told me
- there‘ll be
F
C
days like this
F
C
days like this
F
C
days like this
F
C
days like this
F C
DAYS OF PEARLY SPENCER, THE
David McWilliams
Am (*a')
Em
A tenement, a dirty street, walked and worn by shoeless feet
Am
C
G
In silence long and so complete, watched by a shivering sun
Am
Em
Old eyes in a small child's face, watching as the shadows race
Am
Through walls and cracks that leave no trace
C
G
And daylight's brightness shun
Dm Em
Am
The days of Pearly Spencer
Dm Em
Am
Ahh..ahh
The race is almost run
Am
Em
Nose pressed hard on frosted glass, gazing as the swollen mass
Am
C
G
On concrete fields where grows no grass, stumbles blindly on
Am
Em
Iron trees smother the air, but, withering, they stand and stare
Am
C
G
Through eyes that neither know nor care, where the grass has gone
Dm Em
Am
Dm Em
Am
Ahh..ahh
Am
Em
Pearly, where's your milk-white skin, what's that stubble on your chin
Am
C
G
It's buried in the rotgut gin, you've played and lost, not won
Am
You played a house that can't be beat,
Em
Now look, your head's bowed in defeat
Am
You walked too far along the street
C
G
Where only rats can run
Dm Em
Dm
Ahh..ahh
Dm Em
Dm
Ahh..ahh
Am
Em
Am
Am
Em
Am
DEAD FLOWERS
Rolling Stones
Capo 3
C-Harp
(Original: D)
Intro: 1/2 Verse C-Harp
A
E
D
A
Well, when you're sitting there in your silk upholstered chair
E
D A
Talking to some rich folks that you know
E
D
A
Well, I hope you won't see me in my ragged company
E
D A
You know I could never be alone
E
A
Take me down little Susie, take me down
E
A
I know you think you're the Queen of the Underground. And you can:
D
A
Send me dead flowers every morning
D
A
Send me dead flowers by the mail
D
A
Send me dead flowers to my wedding
A
E
D A
And I won't forget to put roses on your grave
A
E
D
A
Well, when you're sitting back in your rose pink Cadillac
E
D A
Making bets on Kentucky Derby Day....
E
D
A
I'll be in my basement room with a needle and a spoon
E
D A
And another girl can take my pain away....
E
A
Take me down little Susie, take me down
E
A
I know you think you're the Queen of the Underground. And you can:
D
A
Send me dead flowers every morning
D
A
Send me dead flowers by the mail
D
A
Send me dead flowers to my wedding
A
E
D A
And I won't forget to put roses on your grave
Instr. Verse C-Harp
E
A
Take me down little Susie, take me down....
DEATH OF A CLOWN
Kinks
P. Intro: G-Harp
G
D
D7
My make-up is dry and it cracks from my chin
C
G
D
I'm drowning my sorrows in whisky and gin
G
D
D7
The lion-tamer's whip doesn't crack anymore
C
G
D
The lions they won't fight and the tigers won't roar
G
D
D7
The old fortune-teller lies dead on the floor
C
G
D
Nobody needs fortune told anymore
G
D
D7
The trainer of insects is crouched on his knees
C
G
D
And virtually looking for runaway fleas
C
Am F
Bb
La la la la, la la-la-la
Am
G
D
Let's all drink to the death of a clown
C
Am F
Bb
Am
G
D
So let’s go and drink to the death of a clown
G
D
D7
So won’t someone help me to break up this crowd
C
G
D
Let’s all drink to the death of a clown
G
D
D7
Won’t someone help me to break up this crowd
C
G
D
Let’s all drink to the death of a clown
C
Am F
Bb
Am
G
D
C
Am F
Bb
Am
G
D
G
D
D7
La la-la-la, la-la-la la-la-la
C
G
D
Lala-la-la, la-la-la la-la-la ........
(Original: C)
DEDICATED FOLLOWER OF FASHION
Kinks
C F C F C
G7
C
They seek him here, they seek him there,
G7
C
C7
His clothes are loud but never square
F
C C/B
A7
It will make or break him so he's got to buy the best
Dm
G7
C
Cos he's a dedicated follower of fashion
G7
C
G7
C C7
And when he does his little rounds, round the boutiques of London town
F
C C/B A7
Eagerly pursuing all the latest fancy trends
Dm
G7
C
G7
C
Oh yes he is (oh yes he is), Oh yes he is (oh yes he is)
F
C
C7
He thinks he is a flower to be looked at
F
C
C/B
A7
And when he pulls his frilly nylon panties right up tight
Dm
G7
C
He feels a dedicated follower of fashion
G7
C
F
C
C7
There's one thing that he loves and that is flattery
F
C
C/B
A7
One week he's in polka dots the next week he's in stripes
Dm
G7
C
G7
C
They seek him here, they seek him there
G7
C
C7
In Regent's Street and Leicester Square
F
C
C/B
A7
Everywhere the Carnbytian army marches on
Dm
G7
C
Each one a dedicated follower of fashion
G7
C
F
C
C7
His world is built round discotheques and parties
F
C
C/B
A7
This pleasure seeking individual always looks his best
Dm
G7
C
G7
C
F
C
C7
He flits from shop to shop just like a butterfly
F
C
C/B
A7
In matters of the clothes he is a flickle as can be
Dm
G7
C
A7
Dm
G7
C
A7
He's a dedicated follower of fashion
Dm
G7
C
F C
He's a dedicated follower of fashion!
DEPORTEES
Woody Guthrie
Intro: Chorus C-Harp
C
F
C
The crops are all in and the peaches are rotting
G7
C
The oranges are packed in their creosote dumps
F
C
They‘re flying them back to the Mexican border
G7
C
It'll take all their money, to wade back again
C
F
C
My father's own father, he waded that river
G7
C
They took all the money he made in his life
F
C
My brothers and sisters come working the fruit trees
G7
C
They rode the big trucks till they lay down and died
F
C
Goodbye to my Juan, goodbye Rosalita
G
C
Adios mis amigos, Jesus y Maria
F
C
You won't have a name when you ride the big airplane
G7
C
All they will call you will be deportee
C
F
C
Some of us are illegal and others not wanted
G7
C
Our work contract‘s out and we have to move on
F
C
Six hundred miles to the Mexican border
G7
C
They chase us like outlaws, like rustlers, like thieves
F
C
Goodbye to my Juan, goodbye Rosalita
G
C
Adios mis amigos, Jesus y Maria
F
C
You won't have a name when you ride the big airplane
G7
C
All they will call you will be deportee
Instr.: Chorus C-Harp
C
F
C
The sky plane caught fire over Los Gatos Canyon
G7
C
A fireball of lightning, and it shook all our hills
F
C
Who are these friends, all scattered like dry leaves?
G7
C
The radio says they are just deportees
Goodbye to my Juan, goodbye Rosalita.......
DER LACHENDE VAGABUND
G
D
G
La la la la la-la-la-la. (Ha-ha-ha-ha-ha.)
Fred Bertelmann
Capo 5
G - D7
G - D7
G
Was ich erlebt hab, das konnt' nur ich erleben,
F
G
Ich bin ein Vagabund.
G
Selbst für die Fürsten soll's den grauen Alltag geben,
C
G
C
G
Meine Welt ist bunt! Meine Welt ist bunt!
G
D
G
G - D7
G
Denk' ich an Capri, dann denk' ich auch an Gina,
F
G
Sie liebte einen Lord.
G
Aber als sie mich sah, die schöne Signorina.
C
G
C
G
Lief sie ihm gleich fort, lief sie ihm gleich fort.
G - D7
G - D7
G - D7
G
Kam ich nach Spanien, dann schenkten mir die Wirte
F
G
Dort ohne Geld nichts ein.
G
Doch ihre Frau'n, die ich am Tag spazierenführte,
C
G
C
G
Schenkten mir den Wein, schenkten mir den Wein.
G
D
G
G - D7
G - D7
G
So lachte mir und so lacht mir auch noch heute
F
G
Immer ein roter Mund.
G
Und es gibt keine Stunde, die ich je bereute,
C
G
C
G
Meine Welt ist bunt! Meine Welt ist bunt!
G
D
G
Ich bin ein Vagabund!
G - D7
G - D7
DER MANN IM MOND
Gus Backus
(Original: D)
Five, four, three, two, one ....................
fis,
B
Ham Sie schon mal den Mann im Mond gesehn'?
F#7
B
Man fragt sich: Wohnt der Mann denn auf dem Mond auch schön?
Hat er genau wie wir 'ne Mondscheinbraut,
F#7
B
Für die sich‘s lohnt, dass man ein Häuschen baut?
E
B
Der Mann im Mond, der hat es schwer,
F#7
B
Denn man verschont ihn heut' nicht mehr.
E
B
Er schaut uns bang von oben zu
F#7
B
Und fragt: "Wie lang hab' ich noch Ruh?"
B
Man ist an seinem Leben int'ressiert,
F#7
B
Man wüßte gern, wie sich die Frau im Mond frisiert.
Wird ihre Schönheit mit 'nem Kuß belohnt,
F#7
B
Ja, oder schaut die Arme in den Mond?
E
B
F#7
B
E
B
F#7
B
>>>> Halbtonwechsel: C
C
Was ist am Mond der letzte Modetanz?
G7
C
Oder verachtet man vielleicht die Mode ganz?
Ist man schon an die Musikbox gewohnt,
G7
C
Denn schließlich wohnt man dort ja auf dem Mond!
F
C
G7
C
F
C
G7
C
DESOLATION ROW 1
Bob Dylan (MTV unplugged Version)
D
They're selling postcards of the hanging,
G
D
They're painting the passports brown
A
G
D
The beauty parlor is filled with sailors. The circus is in town.
G
D
Here comes the blind commissioner, they've got him in a trance.
A
G
D
One hand is tied to the tightrope walker, the other is in his pants.
G
D
G
And the riot squad they're restless, they need somewhere to go.
D
A
G
D
As Lady and I look out tonight from Desolation Row.
D
G
D
Cinderella, she seem so easy. ”It takes one to know one”, she smiles.
A
G
D
Then puts her hand in her back pockets, Bette Davis style.
G
D
Then in comes Romeo, he's moaning. ”You belong to me, I believe”.
A
G
D
And someone says:”You're in the wrong place, my friend, you better leave”.
G
D
G
And the only sound that's left, after the ambulances go.
D
A
G
D
Is Cinderella sweeping up on Desolation Row.
D
G
D
Now the moon is almost hidden. The stars are beginning to hide
A
G
D
The fortunetelling lady has even taken all her things inside.
G
D
All except for Cain and Able and the Hunchback of Notre Dame
A
G
D
Everybody is making love or else expecting rain
G
D
G
And the Good Samaritan, he's dressing, he's gettin ready for the show.
D
A
G
D
He's going to the carnival tonight on Desolation Row.
D
G
D
Now Ophelia she's 'neath the window. For her I feel so afraid.
A
G
D
On her twenty-second birthday she already is an old maid.
G
D
To her, death is quite romantic. She wears an iron vest.
A
G
D
Her profession is her religion, her sin is her lifelessness.
G
D
G
And though her eyes are fixed upon Noah's great rainbow
D
A
G
D
She spends her time peeking into Desolation Row.
DESOLATION ROW 2
D
G
D
Einstein, disguised as Robin Hood, with his memories in a trunk
A
G
D
Passed this way an hour ago with his friend a jealous monk.
G
D
Now, he looked so immaculately frightful as he bummed a cigarette
A
G
D
Then went off sniffing drainpipes and reciting the alphabet.
G
D
G
You would not think to look at him but he was famous long ago
D
A
G
D
For playing the electric violin on Desolation Row.
D
G
D
G
D
Praise be to Nero's Neptune, the Titanic sails at dawn
A
G
D
And everybody’s shouting ”Which side are you on?”
G
D
And Ezra Pound and T.S. Eliot fighting in the captain’s tower
A
G
D
While calypso singers laugh at them and fishermen hold flowers
G
D
G
Between the windows of the sea where lovely mermaids flow
D
A
G
D
And nobody has to think too much about Desolation Row
D
Across the street they've nailed the curtains. They're gettin ready for the feast
A
G
D
The Phantom of the Opera, in a perfect image of a priest
G
D
They're spoonfeedin Casanova to get him to feel more assured
A
G
D
Then they'll kill him with self confidence after poisoning him with words
G
D
G
And the Phantom’s shouting to skinny girls ”Get outa here if you don't you know
D
A
G
D
Casanova is just being punished for going to Desolation Row”.
D
G
D
Yes I received your letter yesterday about the time the door knob broke.
A
G
D
When you asked me how I was doing, was that some kind of joke?
G
D
All these people that you mention, yes I know them, they're quite lame.
A
G
D
I had to rearrange their faces and give them all another name.
G
D
G
Right now I can't read too good, don't send me no more letters, no.
D
A
G
D
Not unless you mail them from Desolation Row.
Original: E
DESPERADO
The Eagles
C
C7 F Fm
C Am7
D7 G7
C C7
F
Fm
Desperado, why don't you come to your senses ?
C
Am7
D7
G7
You been out ridin' fences for so long now
C
C7
F
Fm
Oh, you're a hard one,
I know that you got your reasons,
C
E7 Am7
D7
G7 C
G
These things that are pleasin' you, can hurt you somehow
Am
Em
Don't you draw the queen of diamonds boy,
F
C
She'll beat you if she's able,
Am7
F
C
G
You know the queen of hearts is always your best bet
Am
Em
F
C
Now it seems to me some fine things have been laid upon your table
Am
D7
Dm7 G
But you only want the ones you can't get
G7
C C7
F
Fm
Desperado, oh you ain't gettin' no younger,
C
Am7
D7
G7
Your pain and your hunger, they're drivin' you home
C
C7
F
Fm
And freedom,
well, that's just some people talkin'
C
E7 Am7
D7 G7 C
G
Your prison is walkin' through this world all alone
Am
Em
Don't your feet get cold in the winter time ?
F
C
The sky won't snow and the sun won't shine
Am7
F
C
G
It's hard to tell the night time from the day.
Am
Em
You're losin' all your highs and lows
F
C
Dm7 G
Ain't it funny how the feelin' goes away
G7
C C7
F
Fm
Desperado, why don't you come to your senses
C
G Am
D7
G7
Come down from your fences, open the gate
C
C7
F
Fm
C
It may be rainin',
but there's a rainbow above you
E7
Am F C
Dm7 C
You better let somebody love you,
E7 Am
Dm7
G7
C
You better let somebody love you before it's too late
DIE ALTEN RITTERSLEUT
Karl Valentin
Capo 2
C
Am
Zu Grünewald im Isartal, glaubt es mir, es war einmal,
Dm
G7
C
Da ham‘ edle Ritter g'haust, denen hat‘s vor gar nichts graust.
C
F
C
Ja so war'ns, ja so war'ns, ja so war'ns die alten Rittersleut.
C
G7
C
Ja so war'ns, ja so war'ns die alten Rittersleut.
C
Am
So ein alter Rittersmann hatte sehr viel Eisen an,
Dm
G7
C
Die meisten Ritter, ich muss sagen, hat deshalb der Blitz erschlagen.
C
Am
Lag ein Ritter mal im Dreck, brachte man ihn nicht vom Fleck,
Dm
G7
C
Nur mit Seilen und mit Stangen konnt‘ er auf die Füß gelangen.
C
Am
Musst ein Ritter mal verreisen, legte er seine Frau in Eisen,
Dm
G7
C
Doch der Knappe Friederich hatte einen Dieterich.
C
Am
Die Frauen in den Kemenaten auf die Ritter warten taten.
Dm
G7
C
Sie taten es bei Kerzenlicht, denn Glühbirnen, die gab's noch nicht.
C
Am
Brüsteten sich die Rittersleut manchmal auch mit ihrem Schneid,
Dm
G7
C
Schöner war es anzuschau’n, brüsten sich die Rittersfrau’n.
C
Am
Musst ein Ritter einmal pieseln, liess er's in die Rüstung rieseln.
Dm
G7
C
Hatt‘ er sein Visier nicht offen, ist der arme Kerl ersoffen.
C
Am
Früher ham' die Rittersleut niemals gefrorn zur Winterszeit,
Dm
G7
C
Ihre Rüstung selbst im Kampf, heizten sie mit eignem Dampf.
C
Am
Früher ham'n die Rittersleut noch mehr gesoffen als wie heut,
Dm
G7
C
Bier und Schnaps kam nicht so teuer ohne die Getränkesteuer.
C
Am
Wollt ein Ritter einmal schnackseln, musst' er aus der Rüstung krackseln
Dm
G7
C
Dabei ward ihm seine Lust verdorben, drum sind sie auch ausgestorben.
C
Am
Von Grünwald die Rittersleut leben nicht mehr seit langer Zeit
Dm
G7
C Nur die Geister von densölben spuken noch in den Gewölben
DIE GEDANKEN SIND FREI
Trad.
>>>> A
G
D
G
Die Gedanken sind frei, wer kann sie erraten,
D
G
Sie fliegen vorbei, wie nächtliche Schatten.
D
G
D
G
Kein Mensch kann sie wissen, kein Jäger erschießen.
C
G
D
G
Es bleibet dabei: Die Gedanken sind frei!
A
E
A
Und sperrt man mich ein in finstere Kerker,
E
A
Das alles, das sind vergebliche Werke.
E
A
E
A
Denn meine Gedanken zerreißen die Schranken
D
A
E
A
Und Mauern entzwei, die Gedanken sind frei!
G
D
G
Ich denke was ich will und was mich beglücket,
D
G
Doch alles in der Still', und wie es sich schicket.
D
G
D
G
Mein Wunsch, mein Begehren kann niemand verwehren,
C
G
D
G
Es bleibet dabei: Die Gedanken sind frei!
A
E
A
Drum will ich auf immer den Sorgen entsagen
E
A
Und will mich auch nimmer mit Grillen mehr plagen.
E
A
E
A
Man kann ja im Herzen stets lachen und scherzen
D
A
E
A
Und denken dabei: Die Gedanken sind frei!
G
D
G
Ich liebe den Wein, mein Mädchen vor allen,
D
G
Sie tut mir allein am besten gefallen.
D
G
D
G
Ich bin nicht alleine bei meinem Glas Weine,
C
G
D
G
Mein Mädchen dabei: Die Gedanken sind frei! DIE GITARRE UND DAS MEER
Juanita Anita,
Freddy
A
E
A
Juanita Anita,
A
E
Juanita Anita ...
A
Juanita Anita,
Juanita Anita ...
e,
e,
a
Juanita Anita ...
a
a a gis h, e, e, gis gis fis fis e,
E
E7
A
Ob am Quay von Casablanca, ob am Cap von Salvador
E E7
A
Singt er leis von Juanita, deren Liebe er verlor.
a, a, cis
e, d cis d h
h cis d
d cis h cis
A
E
E7
A
Jimmy Brown, das war ein Seemann, und das Herz war ihm so schwer.
E
E7
A
Doch es blieben ihm zwei Freunde, die Gitarre und das Meer.
E
E7
A
Juanita hieß das Mädchen aus der großen fernen Welt.
E
E7
A
Und so nennt er die Gitarre, die er in den Armen hält.
e, e, a
A
a
a
a
gis h, e, e, gis gis fis fis e,
E
E7
A
Jimmy wollt ein Mädchen lieben, doch ein andrer kam daher.
E
E7
A
Und als Trost sind ihm geblieben, die Gitarre und das Meer.
Hoch:
a‘ h‘ cis‘ a‘
E
E7
A
Ju - a - ni - ta hieß das Mädchen aus der großen fernen Welt.
e a‘ cis e‘ d cis d h‘
E
E7
A
Und so nennt er die Gitarre, die er in den Armen hält.
A
E
A
Juanita Anita,
A
E
Juanita Anita ...
A
E
A
Juanita Anita,
A
E
A
Juanita Anita,
e,
e,
a
Juanita Anita ...
a
a
a
Juanita Anita ...
gis h,
e,
e, gis gis fis fis e,
E
E7
A
Jimmy wollt kein andres Mädchen, doch sein Leben war nie leer,
E
E7
A
Denn es blieben ihm zwei Freunde: die Gitarre und das Meer.
DIE LIEBE IST EIN SELTSAMES SPIEL
Connie Francis
Capo 3
E
A
(Original: F#-G-G#)
B7
E
E
A
Die Liebe ist ein seltsames Spiel,
B7
E
Sie kommt und geht von einem zum andern.
A
Sie nimmt uns alles, doch sie gibt auch viel zu viel,
E
F#m7
E
Die Liebe ist ein seltsames Spiel.
E
A
Wir kannten und wir liebten uns seit Jahren,
B7
E
Die Zukunft schien uns beiden sonnenklar.
A
Fast wären wir zum Standesamt gefahren,
E
F#m
E
Bis alles plötzlich so verändert war.
E
A
B7
E
A
E
F#m7
E
>>>> F
F
Bb
Wie oft hast du die Treue mir geschworen,
C7
F
Und sicher war es so für lange Zeit.
Bb
Doch dann hast du aufs Neu dein Herz verloren,
F
Gm
F
Nur darum bin ich wieder einsam heut'.
F
Bb
C7
F
Bb
F
Gm7
F
>>>> F-G#-G
G
C
Die Tränen, die ich schon um dich geweint hab',
D7
G
Die füllen einen riesengroßen See.
C
So ehrlich wie ich's stets mit dir gemeint hab',
G
Am
G
War niemand, aber du sagst: "Bitte geh!"
G
C
D7
G
C
G
Am7
G
G
Am7
G
DIE MOORSOLDATEN
Esser, Langhoff, Goguel
Capo 6
Am
Dm
Am E
Am
Wohin auch das Auge blicket, Moor und Heide nur ringsum.
C
Dm
Am
E
Am
Vogelsang uns nicht erquicket, Eichen stehen kahl und krumm.
G C
G
Wir sind die Moorsoldaten,
Am
E
Am
Und ziehen mit dem Spaten ins Moor.
G C
G
Am
E
F
Am
G C
G
Am
E
Am
G C
G
Am
E
F
Am
Am
Dm
Am
E
Am
Auf und nieder gehn die Posten, keiner, keiner, kann hindurch.
C
Dm
Am E
Am
Flucht wird nur das Leben kosten, vierfach ist umzäunt die Burg.
Am
Dm
Am E
Am
Hier in dieser öden Heide ist das Lager aufgebaut,
C
Dm Am
E
Am
Wo wir fern von jeder Freude hinter Stacheldraht verstaut.
G C
G
Dann ziehn die Moorsoldaten
Am
E
Am
Nicht mehr mit dem Spaten ins Moor!
G C
G
Dann ziehn die Moorsoldaten
Am
E
F
Am
Nicht mehr mit dem Spaten ins Moor!
Am
Dm Am
E
Am
Morgens ziehen die Kolonnen in das Moor zur Arbeit hin.
C
Dm
Am
E
Am
Graben bei dem Brand der Sonne, doch zur Heimat steht der Sinn.
Am
Dm Am
E
Am
Doch für uns gibt es kein Klagen, ewig kann's nicht Winter sein.
C
Dm
Am
E
Am
Einmal werden froh wir sagen: Heimat, du bist wieder mein:
Das Moorsoldatenlied - nach seinem Entstehungsort „Börgermoorlied“ genannt - entstand 1933
im KZ Börgermoor bei Papenburg im Emsland, in dem überwiegend politische Oppositionelle aus
dem Rhein- und Ruhrgebiet inhaftiert waren.
DIESER WEG
Xavier Naidoo
Capo 1
F
Csus2
Also ging ich diese Straße lang
Dm
Und die Straße führte zu mir.
F
Csus2
Das Lied, das du am letzten Abend sangst,
Dm
Spielte nun in mir.
F
Csus2
Noch ein paar Schritte und dann war ich da
Dm
Mit dem Schlüssel zu dieser Tür.
F
Csus2
Dieser Weg wird kein leichter sein,
Dm
Dieser Weg wird steinig und schwer.
F
Csus2
Nicht mit Vielen wirst du dir einig sein
Dm
Doch dieses Leben bietet so viel mehr.
F
Csus2
Es war nur ein kleiner Augenblick
Dm
Einen Moment war ich nicht da.
F
Csus2
Danach ging ich einen kleinen Schritt
Dm
Und dann wurde es mir klar.
F
Csus2
Dm
F
Csus2
Dm
F
Csus2
Manche treten dich, manche lieben dich,
Dm
Manche geben sich für dich auf.
F
Csus2
Manche segnen dich, setz dein Segel nicht,
Dm
Wenn der Wind das Meer aufbraust.
F
Csus2
Manche treten dich, manche lieben dich .....
F
Csus2
Dm
F
Csus2
Dm
4x
Csus2: 032030
DIRTY OLD TOWN
Ewan MacColl
>>>>> D
Capo 2 D-Harp
Instr.: 1 Verse D-Harp
C
I met my love by the gasworks croft
F
C
Dreamed a dream by the old canal
Am
C
Kissed my girl by the factory wall
Dm G7
Am
Dirty old town,
dirty old town
D
I'm going to take me a good sharp axe
G
D
Shining steel tempered in the fire
Bm
D
I'll chop you down like an old dead tree
Em A7
Bm
Dirty old town,
dirty old town
C
Clouds are drifting across the moon
F
C
Cats are prowling on their beat
Am
C
Springs a girl in the streets at night
Dm G7
Am
Dirty old town,
dirty old town
C
I heard the sirens from the docks
F
C
Saw a train set the night on fire
Am
C
Smelled the spring in the smoky wind
Dm G7
Am
Dirty old town,
dirty old town
DO YOU WANT TO KNOW A SECRET ?
Beatles
Em
Am Em
You'll never know how much I really love you,
G
F
B7 h cis h d h dis h
You'll never know how much I really care.
E
G#m-Gm-F#m
Listen,
B7
E
Do you want to know a secret?
B7
E
Do you promise not to tell ?
E
Closer
G#m-Gm-F#m
G#m-Gm-F#m-F
Wo, wo-oh
G#m-Gm-F#m
B7
E
G#m-Gm-F#m
Let me whisper in your ear,
B7
A
B7
Say the words you long to hear
C#m
A
B7
I'm in love with you.
Ooh, ...
E
G#m-Gm-F#m
Listen,
B7
E
B7
E
G#m-Gm-F#m
G#m-Gm-F#m-F
Wo, wo-oh
A
C#m
Bm
I've known the secret for a week or two
A
C#m Bm F#m B7
Nobody knows, just we two.
E
G#m-Gm-F#m
Listen,
B7
E
B7
E
E
Closer
G#m-Gm-F#m
G#m-Gm-F#m-F
Wo, wo-oh
G#m-Gm-F#m
B7
E
G#m-Gm-F#m
Let me whisper in your ear,
B7
A
B7
Say the words you long to hear
C#m
I'm in love with you
A
B7 C#m
Oooh.
A
B7 E6
Ooooh
DOCK OF THE BAY
I'm sittin' on the dock of the bay, wasting time.
Em D C
Looks like nothing's gonna change,
Em D
C
Everything still remains the same
Em
D
C
G
I can't do what ten people tell me to do
F
D
D7
So I guess I'll remain the same.
Otis Redding
G
B7
Sittin' in the morning sun,
C
A
I'll be sittin' when the evenin' come.
G
B7
Watchin' the ships roll in,
C
A
Then I watch them roll away again, yeah
G
E9
I'm sittin' on the dock of the bay,
G
E9
Watchin' the tide roll away.
G
A
G
Sittin' on the dock of the bay, wasting time.
E
G
B7
I left my home in Georgia,
C
A
Headed for the Frisco Bay.
G
B7
'Cause I have nothing to live for
C
A
And looks like nothing’s gonna come my way - So I'm just gon'
G
E9
Sittin' on the dock of the bay,
G
E9
Watchin' the tide roll away, ooh
G
A
G
B7
Sittin' here restin my bones
C
A
And this loneliness won't leave me alone.
G
B7
Two thousand miles I roamed
C
A
Just to make this dock my home - Now I'm just aG
E9
Sittin' on the dock of the bay
G
E9
Watchin' the tide roll away, ooh-oh
G
A
G
Sittin' on the dock of the bay, wasting time.
G
G
Em9
G
G
E7
E
DONNA, DONNA
Trad. / Donovan
Am
E
Am
E
Stop complaining, said the farmer
Am
Dm Am E
Who told you a calf to be?
Am
E
Am
E
Why don't you have wings to fly with
Am
Dm
E
Am
Like the swallow so proud and free
Am E
Am
E
On a wagon, bound for market
Am
Dm
Am
E
There's a calf with a mournful eye
Am
E
Am
E
High above him, there's a swallow
Am
Dm
E
Am
Winging swiftly through the sky
C
Am
How the winds are laughing….
C
Am
How the winds are laughing
G
Am
They laugh with all their might
C
C/B
Am
Laugh and laugh the whole day through
E
Am a h c a
And half the summer's night
E
Am
Donna Donna Donna Donna
G
Am
Donna Donna Donna don
E
Am
Donna Donna Donna Donna
E
Am E
Donna Donna Donna don
Am
E
Am
E
Calves are easily bound and slaughtered
Am Dm
Am
E
Never knowing the reason why
Am
E
Am
E
Why don't you have wings to fly with
Am
Dm
E
Am
Like the swallow you‘ve learned to fly
C
Am
How the winds are laughing….
Am
E
Am
DON‘T GET AROUND MUCH ANYMORE
Duke Ellington
108 bpm
Bm7-5: x 2 3 2 3 x
Intro: Instr. 1x Verse
cis‘
h
a e, d, cis,
A
Missed the Saturday Dance
A - Bm7-5 - Cm7-5 - C#m7-5
cis‘
h
a
e, fis, cis,
A
Heard they crowded the floor
F#7
Bm7
Couldn't bear it without you
E7
A
Don't' get around much anymore
A
Thought I'd visit the club
A
Got as far as the door
F#7
Bm7
They‘d have asked me about you
E7
A
A
A - Bm7-5 - Cm7-5 - C#m7-5
Been invited on dates
A
C#m7-5 - Cm7-5 - Bm7-5 - F#7
Might have gone but what for
F#7
Bm7
Awfully different without you
E7
A
C#m7-5 - Cm7-5 - Bm7-5 - A
Instr.: 1x Verse
C#m7-5 - Cm7-5 - Bm7-5 - F#7
D6
A6
Darling I guess, my mind's more at ease
B7
C#m7
E7
But nevertheless, why stir up memories
C#m7-5 - Cm7-5 - Bm7-5 - A
A - Bm7-5 - Cm7-5 - C#m7-5
C#m7-5 - Cm7-5 - Bm7-5 - F#7
C#m7-5 - Cm7-5 - Bm7-5 - A
D6
A6
Darling I guess, my mind's more at ease
B7
C#m7
E7
But nevertheless, why stir up memories
A7
A
A - Bm7-5 - Cm7-5 - C#m7-5
Been invited on dates
A
C#m7-5 - Cm7-5 - Bm7-5 - F#7
Might have gone but what for
F#7
Bm7
E7
A
C#m7-5 - Cm7-5 - Bm7-5 - F#7
Bm7
E7
A
C#m7-5 - Cm7-5 - Bm7-5 - A A6
DON’T LET ME BE MISUNDERSTOOD
Animals
G
Em
I'm just a soul whose intentions are good,
B7
Em Am7
Oh Lord, please don't let me be misunderstood.
Capo 2 (Original: Bm)
Em Am7
Em Am7 :||
Em
D
Baby, do you understand me now,
C
B7
Sometimes I feel a little mad.
Em
D
But, don't you know that no one alive can always be an angel.
C
B7
When things go wrong I feel real bad.
G
Em
B7
Em Am7
Em
D
Baby, sometimes I'm so carefree,
C
B7
With a joy that's hard to hide.
Em
D
And sometimes it seems that, all I have to do is worry
C
B7
And then you're bound to see my other side.
Em Am7
Em
D
Em
D
If I seem edgy, I want you to know,
Em
D
B7
That I never mean to take it out on you.
Em
D
Em
D
Life has its problems, and I get my share,
Em
D
B7
And that's one thing I never mean to do, 'cause I love you!
Em
D
Oh, oh, oh, baby - don't you know I'm human.
C
B7
I have thoughts like any other one.
Em
D
Sometimes I find myself, Lord, regretting,
C
B7
Some foolish thing - some little simple thing I've done.
G
Em
B7
Em
G
Em
B7
Em Am7
Em Am7 Em
DON'T LET ME DOWN
Beatles
P.
C
Dm
Don't let me down
C
Dm
Don't let me down
Riff: c-e-g a-g d-e-f e
C (*e')
Dm
Don't let me down
C
Dm
Don't let me down
Dmsus2
C
Riff
Don't let me down
Dmsus2
C
C4 C
Don't let me down
C (*g)
Dm
Nobody ever loved me like she does,
Dmsus2 C C4 C
Oo she does, yes, she does
C
Dm
And if somebody loved me like she do me
Dmsus2 C C4 C
Oo she do me, yes she does
C
Dm
Don't let me down
C
Dm
Don't let me down
Dmsus2
C
Riff
Don't let me down
Dmsus2
C
C4 C
Don't let me down
C
G
I'm in love for the first time. Don't you know it's gonna last.
G7
C
Riff
It's a love that lasts forever. It's a love that had no past
Dmsus2
C
Riff
Don't let me down
Dmsus2
C
C4 C
Don't let me down
C (*g)
Dm
And from the first time that she really done me
Dmsus2
C C4 C
Oo she done me, she done me good.
C
Dm
I guess nobody ever really done me,
Dmsus2
C C4 C
Oo she done me, she done me good
C
Dm
Don't let me down
C
Dm
Don't let me down
Dmsus2: x00230
Original: E
Dmsus2
C
Riff
Don't let me down
Dmsus2
C
Don't let me down
DON'T THINK TWICE, IT'S ALL RIGHT
Bob Dylan
Capo 3
C
G
Am
F
C G
It ain't no use to sit and wonder why, babe. If you don‘t know by now
C
G
Am
D9/F#
G
An' it ain't no use to sit and wonder why, babe. It‘ll never do somehow
C
C7
When the rooster crows at the break of dawn
F
D9/F#
Look out your window and I'll be gone
C
E7
Am
F
C
G
C G
You're the reason I'm a trav'lin' on. But don't think twice, it's all right
C
G
Am
F
C G
So it ain't no use in callin' out my name, gal. Like you never done before
C
G
Am
D9/F#
G
And it ain't no use in callin' out my name, gal. I can't hear you any more
C
C7
I'm a-thinkin' and a-wond'rin walkin‘ down the road
F
D9/F#
I once loved a woman, a child I'm told
C
E7
Am
F C
G
C G
I gave her my heart,but she wanted my soul.But don't think twice, it's allright
C
C
E7
Am
F
C
G
C
G
C
G
Am
F
C
G
And it ain't no use in turnin' on your light, babe. The light I never knowed.
C
G
Am
D9/F#
G
An it ain't no use in turnin' on your light,babe.I'm on the dark side of the road
C
C7
But I wish there was something you would do or say
F
D9/F#
To try and make me change my mind and stay
C
E7
Am
F
C
G
C
G
We never did too much talkin' anyway. Don't think twice, it's all right
C
E7
Am
F
C
G
C
G
E7
Am
F
C
G
C
G
C
G
Am
F
CG
I'm walkin' down that long,lonesome road, babe.Where I'm bound, I can't tell
C
G
Am
D9/F#
G
Goodbye is too good a word, babe. So I just say fare thee well
C
C7
I ain't sayin' you treated me unkind
F
D9/F#
You could have done better but I don't mind
C
E7
Am
F C
G
C G
You just kinda wasted my precious time. But don't think twice, it's all right
C
G
C
G
Don't think twice, it's all right
C
E7
Am
F
C
G
C
G
DON'T WORRY, BE HAPPY
Bobby McFerrin
C
Dm
Oo, oo-oo-oo, oo-oo-oo, oo-oo-oo-oo-oo-oo
G7
Oo-oo-oo-oo-oo-oo-oo
C G7
Oo-oo-oo-oo-oo
C
The landlord say your rent is late
Dm
He may have to litigate
F
C
G7
Don't worry, be happy (Look at me, I'm happy)
Oo, oo-oo-oo, oo-oo-oo, oo-oo-oo-oo-oo-oo o 2x
C
Here's a little song I wrote
Dm
F
C
G7
You might want to sing it note for note - Don't worry, be happy
C
In every life we have some trouble
Dm
When you worry you make it double
F
C
G7
Don't worry, be happy (Don't worry, be happy now)
C
Ain't got no cash, ain't got no style
Dm
F
C
G7
Ain't got no gal to make you smile - But don't worry, be happy
C
'Cause when you worry, your face will frown
Dm
And that will bring everybody down
F
C
G7
So don't worry, be happy (Don't worry, be happy now)
C
Dm
Oo, oo-oo-oo, oo-oo-oo, oo-oo-oo-oo-oo-oo - (Don't worry)
G7
Oo-oo-oo-oo-oo-oo-oo - (Be happy)
C
G7
Oo-oo-oo-oo-oo - (Don't worry, be happy now) 2x
Oo, oo-oo-oo, oo-oo-oo, oo-oo-oo-oo-oo-oo o 2x
C
Ain't got no place to lay your head
Dm
F
C
G7
Somebody came and took your bed - Don't worry, be happy
C
Now there...., is this song I wrote
Dm
F
C
G7
I hope you learned it note for note. - Don't worry, be happy
C
In your life expect some trouble
Dm
When you worry you make it double
F
C
G7
Don't worry, be happy, (be happy now)
(Original: B)
DOWN BY THE RIVERSIDE / WHEN THE SAINTS ...
Trad.
WHEN THE SAINTS GO MARCHING IN
Capo 1
E
Oh when the saints go marching in,
F-Harp
E
I'm gonna lay down my burden, down by the riverside
B7
E
Down by the riverside, down by the riverside
I'm gonna lay down my burden, down by the riverside
B7
E
I ain't gonna study war no more
A
E
I ain't gonna study war no more, ain't gonna study war no more
B7
E
I ain't gonna study war no more, no more
A
E
I ain't gonna study war no more, ain't gonna study war no more
B7
E
I ain't gonna study war no more
B7
Yeah, when the saints go marching in
E
A
C
E
B7
E
Lord, I wanna be in that number, when the saints go marching in
E
And when the sun begins to shine,
B7
Oh when that ol‘ sun up there begins to shine
E
A
C
E
B7
E
Lord I wanna be in that number, when the sun begins to shine
E
Oh when the saints go marching in,
B7
Yeah, when the saints go marching in
E
A
C
E
B7
E
Lord, I wanna be in that number, when the saints go marching in
- I'm gonna lay down my sword and shield ...
- Oh when the trumpet sounds the call
- I'm gonna lay down my gun and belt ...
- When the rich go out and work
- I'm gonna walk and talk and sing and shout ...
- When the air is pure and clean
- When we all have food to eat
- When our leaders learn to cry
DOWNTOWN TRAIN
Tom Waits
D
G - A7
D
G - A7
D
D
G
A7
D
Outside another yellow moon
G
A7
D
Has punched a hole in the nighttime, yes
G
A7
D
I climb through the window and down to the street
G
A7
I'm shining like a new dime
G
A7
G
A7
Downtown trains are full - With all those Brooklyn girls
Bm
A7
They try so hard to break out of their little world
D
G
A7
D
You wave your hand and they scatter like crows
G
A7
D
They have nothing that will ever capture your heart
G
A7
D
They're just thorns without the rose
G
A7
Be careful of them in the dark
G
A7
G
A7
Oh if I was the one - You chose to be your only one, oh yeah
Bm
A7
Can't you hear me now, can't you hear me now
D
G (a-h-d-h’-a’) D
Will I see you tonight
G
(a-h-d-h’-a’) D
On a downtown train
G
Em
Where every night it’s just the same
A7
D
You leave me lonely now
D
G - A7
D
G - A7
D
D
G
A7
D
I know your window and I know it's late
G
A7
D
I know your stairs and your doorway
G
A7
D
I walk down your street and past your gate
G
A7
I stand by the light at the fourway
G
A7
G
A7
You watch them as they fall - Ooh Baby, they all have heart attacks
Bm
A7
They stay at the carnival, but they'll never win you back
D
G D
G D
Will I see you tonight - On a downtown train
G
Em A7
Every night, every night - Is just the same, oh Baby
D
G D
G D
G
Em
A7
D
All of my dreams they fall like rain, - Oh Baby on a downtown train
Instr.: D
G - A7
D
G - A7
D ....
D
G D
G D
G
Em A7
Every night, every night - Is just the same, oh Baby
D
G D
G D
G
Em
A7
D
All of my dreams just fall like rain, - Oh Baby, on a downtown train
Instr.: D
G - A7
D
G - A7
D ....
DREAM A LITTLE DREAM OF ME
Mamas and Papas
h cis dis e
E G#dim Adim B7
2x
E
D#7
C7 B
Stars shining bright above you
E
D#7
D7
C#7
Night breezes seem to whisper "I love you"
A6
Am
Birds singing in a sycamore tree
E
C
B7
Dream a little dream of me.
E
D#7
C7 B
Say "Nightie-night" and kiss me
E D#7
D7
C#7
Just hold me tight and tell me you'll miss me
A6
Am
While I'm alone and blue as can be
E
C
B7 E G#
C# Bbm
D#m G#7
Stars fading but I linger on, dear,
C# Bbm
D#m G#7
Still craving your kiss
C# Bbm
D#m G#7
I'm longing to linger till dawn, dear,
C# Bbm C7 B7
Just saying thi.....s:
E
D#7
C7 B
Sweet dreams till sunbeams find you
E
D#7
D7
C#7
Sweet dreams that leave all worries behind you
A6
Am
But in your dreams whatever they be
E
C
B7 E
C - B7
Instr.: 2nd Verse >>> G#
C# Bbm
D#m G#7
Stars fading but I linger on, dear,
C# Bbm
D#m G#7
Still craving your kiss
C# Bbm
D#m G#7
I'm longing to linger till dawn, dear,
C# Bbm C7 B7
Just saying thi.....s:
E
D#7
C7 B
Sweet dreams till sunbeams find you
E
D#7
D7
C#7
Sweet dreams that leave all worries behind you
A6
Am
But in your dreams whatever they be
E
C
B7 E
E6
DSCHINGIS KHAN
Dschingis Khan
Em
G
Em
Huu, Ha, Hu, Ha, Hu, Ha, Hu .....
G
B7
Em
Em
G
Sie ritten um die Wette mit dem Steppenwind,tausend Mann (Ha,Hu,Ha)
Em
G
Und einer ritt voran, dem folgten alle blind, Dschingis Khan (Ha,Hu,Ha)
Am
Die Hufe ihrer Pferde durchpeitschten den Sand
Em
Sie trugen Angst und Schrecken in jedes Land
Am
Gdim
B7
Und weder Blitz noch Donner hielt sie auf
(Hu, Ha)
Em
Dsching, Dsching, Dschingis Khan
G
He Reiter - Ho Leute - He Reiter - Immer weiter!
Em
G
Auf Brüder! - Sauft Brüder! - Rauft Brüder! - Immer wieder!
Am
Lasst noch Wodka holen
(Ho, Ho, Ho, Ho, Ho)
Em
Denn wir sind Mongolen
(Ha, Ha, Ha, Ha, Ha)
Am
Gdim
B7
Und der Teufel kriegt uns früh genug!
Em
G
He Reiter - Ho Leute - He Reiter - Immer weiter!
Em
G
He Männer - Ho Männer - Tanzt Männer - So wie immer!
Am
Und man hört ihn lachen
(Ho, Ho, Ho, Ho, Ho)
Em
Immer lauter lachen
(Ha, Ha, Ha, Ha, Ha)
Am
B7
Em
Und er leert den Krug in einem Zug
Em
G
Und jedes Weib,das ihm gefiel, das nahm er sich in sein Zelt(Ha,Hu,Ha)
Em
G
Es hieß,die Frau,die ihn nicht liebte,gab es nicht auf der Welt(Ha,Hu,Ha
Am
Er zeugte sieben Kinder in einer Nacht
Em
Und über seine Feinde hat er nur gelacht
Am
Gdim
B7
Denn seiner Kraft konnt keiner widersteh'n
(Hu, Haa)
Dsching, Dsching, Dschingis Khan..... (Auf Brüder / Wodka...)
Dsching, Dsching, Dschingis Khan.... (He Männer / lachen...)
DUBLIN LADY
John Connolly
Capo 2 P.
C
Am
C
G
It if wasn't for the ships that do sail, that do sail,
C
Em
F
G
It if wasn't for the ships that do sail to Liverpool
F
Em
Am
G
Dublin Lady would not have to sit alone upon her stool,
F
G
C Am F G
It if wasn't for the ships that do sail.
C
Am
C
G
If it wasn't for the butter tubs and coal all in the hold,
C
Em
F
G
F
Em
Am
G
Dublin Lady would not have to spend her nights alone and cold,
F
G
C Am F G
C
Am
C
G
If it wasn't for the kegs of beer and cattle in the pen,
C
Em
F
G
F
Em
Am
G
Dublin Lady would not miss her sailor laddie now and then,
F
G
C Am F G
C
Am
C
G
If it wasn't for the Irish Sea so narrow with no reef,
C
Em
F
G
F
Em
Am
G
Dublin Lady would not have to sit and weep all in her grief,
F
G
C Am F G
C
Am
C
G
It's because of the Irish Sea so narrow with no reef,
C
Em
F
G
It's because of those ships that do sail to Liverpool
F
Em
Am
G
Dublin Lady has to sit and weep alone all in her grief,
F
G
C Am F G C
It's because of those ships that do sail.
EARLY MORNIN' RAIN
Gordon Lightfoot
E - Esus E - Esus
E
B7 A
E - Esus - E
In the early mornin' rain, with a dollar in my hand
E
F#m B7
E - Esus - E
With an achin' in my heart
and my pockets full of sand
E
F#m B7
E - Esus - E
I’m a long way from home
and I miss my loved one so
E
B7 A
E - Esus - E - Esus - E
In the early mornin' rain,
with no place to go
B7 A
E - Esus - E
Out on runway number nine, big seven-o-seven set to go
F#m B7
E - Esus - E
But I'm stuck here in the grass,
where the cold wind blows.
F#m B7
E - Esus - E
Now, the liquor tasted good
and the women all were fast,
B7 A
E - Esus - E - Esus
Well, there she goes, my friend, there she's a rollin' down at last.
E
B7 A
E - Esus - E
Hear the mighty engines roar, see the silver bird on high,
F#m B7
E - Esus - E
She's away and westward bound, far above the clouds she'll fly
F#m B7
E - Esus - E
Where the mornin' rain don't fall
and the sun always shines,
B7
A
E - Esus - E
She'll be flyin' o'er my home in about three hours time.
E
B7
A
E - Esus - E
This old airport's got me down, it s no earthly good to me
F#m B7
E - Esus - E
'Cause I'm stuck here on the ground, as cold and drunk as I can be.
F#m B7
E - Esus - E
You can't jump a jet plane,
like you can a freight train,
B7 A
E - Esus - E
So I best be on my way,
in the early mornin' rain.
F#m B7
E - Esus - E
You can't jump a jet plane,
like you can a freight train,
B7 A
E - Esus - E - Esus - E
So I best be on my way,
in the early mornin' rain
EIGHT DAYS A WEEK
Beatles
G A7 Am7 G
G
A7
C
G
Ooh I need your love babe, guess you know it's true
A7
C
G
Hope you need my love babe, just like I need you
Em
C
Em
A7
Hold me, love me. Hold me, love me
G
A7
Ain't got nothin' but love babe
C
G
Eight days a week
G
A7
C
G Love you every day girl, always on my mind
A7
C
G One thing I can say girl, love you all the time, whoao Em
C
Em
A7
G
A7
Ain't got nothin' but love, girl
C
G
Eight days a week
D
Em
Eight days a week, I love you
A7
C
D7
Eight days a week is not enough to show I care
G
A7
C
G Love you every day girl, always on my mind
A7
C
G One thing I can say girl, love you all the time, whoao
Em
C
Em
A7
G
A7
Ain't got nothin' but love babe
C
G
Eight days a week
C
G
Eight days a week
C
G Eight days a week
G A7 Am7 G
EIN BETT IM KORNFELD
Jürgen Drews
C
Sommerabend, über blühendem Land,
Schon seit Mittag stand ich am Straßenrand,
G
C
Bei jedem Wagen, der vorüberfuhr, hob ich den Daumen.
Auf einem Fahrrad kam da ein Mädchen her,
G
Und sie sagte: "Ich bedaure dich sehr", doch ich lachte und sprach:
C
C7
"Ich brauche keine weichen Daunen."
C
Etwas später lag ihr Fahrrad im Gras,
Und so kam es, dass sie die Zeit vergaß,
G
C
Mit der Gitarre hab ich ihr erzählt aus meinem Leben.
Auf einmal rief sie : "Es ist höchste Zeit,
G
Nun ist es dunkel und mein Weg ist noch weit!" Doch ich lachte und sprach:
C
C7
„Ich hab Dir noch viel zu geben“
---------------------------------------------------------------------------------------LET YOUR LOVE FLOW
Bellamy Brothers
F
Ein Bett im Kornfeld, das ist immer frei,
C
Denn es ist Sommer und was ist schon dabei,
G
C
C7
Die Grillen singen, und es duftet nach Heu, wenn ich träume, mmmmm.
F
Ein Bett im Kornfeld zwischen Blumen und Stroh,
C
Und die Sterne leuchten mir sowieso,
G
C
F C
Ein Bett im Kornfeld mach ich mir irgendwo, ganz alleine.
There's a reason for the sunshiny sky
There's a reason why I'm, feeling so high
Must be the season when those love lights shine all around us
So let that feeling grab you deep inside
And send you reeling where your love can't hide
And then go stealing through the moonlit night with your lover
Just let your love flow like a mountain stream
And let your love grow with the smallest of dreams
And let your love show and you'll know what I mean- it's the season
Let your love fly like a bird on the wind
And let your love find you to all living things
And let your love shine and you'll know what I mean- that's the reason.
There's a reason for the warm sweet nights
and there's a reason for the candle lights
must be the season when those love lights shine all around us
So let that wonder take you into space
And lay you under its loving embrace
Just feel the thunder as it warms your face- you can't hold back
EIN FREUND, EIN GUTER FREUND
Heinz Rühmann
C (*g')
Ein Freund, ein guter Freund,
G7
Das ist das Schönste was es gibt auf der Welt.
Dm (*a')
Ein Freund bleibt immer Freund,
d
c
h d e f fis g gis a
G
G7
Und wenn die ganze Welt zusammenfällt.
Am (*c')
E
Drum sei doch nicht betrübt,
F
G7
Wenn dein Schatz dich nicht mehr liebt.
C
Am
Ein Freund, ein guter Freund,
C
Dm7
G7 C
G7
Das ist der größte Schatz, den's gibt.
(*g,)
G
Sonniger Tag! Wonniger Tag!
Klopfendes Herz und der Motor ein Schlag!
B
Lachendes Ziel! Lachender Start
Und eine herrliche Fahrt!
C#
Rom und Madrid nahmen wir mit.
So ging das Leben im Taumel zu dritt!
G
G7
Über das Meer, über das Land, haben wir eines erkannt:
Ein Freund, ein guter Freund ...
G
Sonnige Welt! Wonnige Welt!
Hast uns für immer zusammengestellt!
B
Liebe vergeht, Liebe verweht,
Freundschaft alleine besteht!
C#
Ja man vergisst wen man geküsst,
Weil auch die Treue längst unmodern ist.
G
G7
Ja, man verließ manche Madam', wir aber bleiben zusamm'.
(Original: F)
EIN HELLER UND EIN BATZEN
Trad.
a,
A
E
A
Ein Heller und ein Batzen, die waren beide mein, ja mein.
D
A
E
A
Der Heller ward zu Wasser, der Batzen ward zu Wein, ja Wein,
D
A
E
A
Der Heller ward zu Wasser, der Batzen ward zu Wein.
A
Hei-di, hei-do, hei-da
D
E
A
E
Hei-di, hei-do, hei-da Ha ha ha ha ha ha ha
A
D
E
A
Hei-di, hei-do, hei-da Ha ha ha ha
A
E
A
Die Wirtsleut und die Mädel, die rufen beid': "Oh weh! Oh weh!",
D
A
E
A
Die Wirtsleut, wenn ich komme, die Mädel, wenn ich geh, ja geh.
D
A
E
A
Die Wirtsleut, wenn ich komme, die Mädel, wenn ich geh.
A
Hei-di, hei-do, hei-da …
A
E
A
Meine Strümpfe sind zerrissen, meine Stiefel sind entzwei, ja zwei
D
A
E
A
Und draußen auf der Heide, da singt der Vogel frei, ja frei.
D
A
E
A
Und draußen auf der Heide, da singt der Vogel frei.
A
A
E
A
Und gäb's kein Landstraß nirgends, da säß ich still zu Haus, ja Haus
D
A
E
A
Und gäb's kein Loch im Fasse, da tränk ich gar nicht draus! Ja draus.
D
A
E
A
Und gäb's kein Loch im Fasse, da tränk ich gar nicht draus!
A
A
E
A
Das war 'ne wahre Freude, als mich der Herrgott schuf, ja schuf.
D
A
E
A
Ein Kerl wie Samt und Seide, nur schade, dass er suff, ja suff.
D
A
E
A
Ein Kerl wie Samt und Seide, nur schade, dass er suff.
A
EIN SCHIFF WIRD KOMMEN
Melina Mercouri / Lale Andersen
Riff: g, c h c d e f g-g f g-g f g-g f e f d e c
C
G7
C
C
G7
Ich bin ein Mädchen von Piräus
C
Und liebe den Hafen, die Schiffe und das Meer.
G7
Ich lieb das Lachen der Matrosen
C
Und Küsse, die schmecken nach See, nach Salz und Teer.
C
G7
Mich lockt der Zauber von Piräus,
C
Drum stehe ich Abend für Abend hier am Kai.
G7
Und warte auf die fremden Schiffe
C
Aus Hongkong, aus Java, aus Chile und Shanghai.
C
Ein Schiff wird kommen,
G7
Und das bringt mir den einen,
F
Den ich so lieb wie keinen,
C
Und der mich glücklich macht.
C
Ein Schiff wird kommen,
G7
Und meinen Traum erfüllen,
F
Und meine Sehnsucht stillen,
C
Die Sehnsucht mancher Nacht.
Riff
C
G7
Ich bin ein Mädchen von Piräus
C
Und wenn eines Tages mein Herz ich mal verlier,
G7
Dann muß es einer sein vom Hafen,
C
Nur so einen Burschen wünsch ich fürs Leben mir.
C
G7
Und später stehen meine Kinder
C
Dann Abend für Abend genau wie ich am Kai.
G7
Und warten auf die fremden Schiffe
C
Aus Hongkong, aus Java, aus Chile und Shanghaii.
Ein Schiff wird kommen ......
EL CONDOR PASA
Simon and Garfunkel
Capo 3 (Original: Em)
Am
C
I'd rather be a sparrow than a snail
Am
Yes I would, if I could, I surely would, hmm
Am
C
I'd rather be a hammer than a nail
Am
Yes I would, if I only could, I surely would, hmm
F
Away, I'd rather sail away
C
Like a swan that's here and gone
F
A man gets tied up to the ground
C
Am
He gives the world its saddest sound, its saddest sound
Am
C
I'd rather be a forest than a street
Am
Yes I would, if I could, I surely would
Am
C
I'd rather feel the earth beneath my feet
Am
Yes I would, if I only could, I surely would
ELEANOR RIGBY
Beatles
Capo 4
(Original: Em)
F (*a')
Am
Aah, look at all the lonely people
F
Am
Am (*c)
F6
Eleanor Rigby - picks up the rice in the church where a wedding has been
Am
Lives in a dream. Waits at the window,
F6
Wearing the face that she keeps in a jar by the door.
Who is it for?
Am/G (*d)
All the lonely
Am/G
All the lonely
/F#
F
Am/E
people. Where do they all come from ?
/F#
F
Am/E
people. Where do they all belong ?
Am (*c)
F6
Father McKenzie - writing the words of a sermon that no one will hear
Am
No one comes near. Look at him working.
F6
Darning his socks in the night when there's nobody there.
What does he care?
Am/G (*d)
All the lonely
Am/G
All the lonely
/F#
F
Am/E
/F#
F
Am/E
F (*a')
Am
F
Am
Am (*c)
F6
Eleanor Rigby - died in the church and was buried along with her name
Am
Nobody came. Father McKenzie
F6
Wiping the dirt from his hands as he walks from the grave
No one was saved
Am/G (*d)
All the lonely
Am/G
All the lonely
/F#
F
Am/E
/F#
F
Am/E
ERMUTIGUNG
Wolf Biermann
Am E7 Am E7
Am (*a')
Dm7
G7
C - E7
Du, lass dich nicht verhärten in dieser harten Zeit
Am
Dm7
Die allzu hart sind, brechen
G7
Die allzu spitz sind, stechen
C
E
Am
Und brechen ab sogleich
Dm7
E7
F
Am-E7 Am-E7
Und brechen ab sogleich.
Am
Dm7
G7
C - E7
Du, lass dich nicht verbittern in dieser bittren Zeit
Am
Dm7
Die Herrschenden erzittern
G7
- sitzt du erst hinter Gittern C
E
Am
Doch nicht vor deinem Leid
Dm7
E7
F
Am-E7 Am-E7
Doch nicht vor deinem Leid.
Am
Dm7
G7
C - E7
Du, lass dich nicht erschrecken in dieser Schreckenszeit
Am
Dm7
Das woll‘n sie doch bezwecken
G7
Dass wir die Waffen strecken
C
E
Am
Schon vor dem großen Streit
Dm7
E7
F
Schon vor dem großen Streit.
Am-E7 Am-E7
Am
Dm7
G7 C - E7
Du, lass dich nicht verbrauchen, gebrauche deine Zeit
Am
Dm7
Du kannst nicht untertauchen
G7
Du brauchst uns, und wir brauchen
C
E
Am
Grad deine Heiterkeit
Dm7
E7
F
Am-E7 Am-E7
Grad deine Heiterkeit.
Dm
Gm7
Wir woll‘n es nicht verschweigen
C7
F - A7
In dieser Schweigezeit
Dm
Gm7
Das Grün bricht aus den Zweigen
C7
Wir woll‘n das allen zeigen
F
A
Dm
Dann wissen sie Bescheid
Gm7
A7
Bb
Dm A7 Dm
Dann wissen sie Bescheid.
ES FÄHRT EIN ZUG NACH NIRGENDWO
Christian Anders
G (*g,)
Es fährt ein Zug nach Nirgendwo. Es fährt ein Zug nach Nirgendwo
G (*h,)
Am
Es fährt ein Zug nach Nirgendwo mit mir allein als Passagier.
D7 (*a‘)
G
Mit jeder Stunde, die vergeht, führt er mich weiter weg von Dir.
Am
Es fährt ein Zug nach Nirgendwo, den es noch gestern gar nicht gab.
D7
G
Ich hab' gedacht, Du glaubst an mich und dass ich Dich für immer hab.
G
Am
Es fährt ein Zug nach Nirgendwo, und niemand stellt von grün auf rot das Licht.
D7
G
Macht es Dir wirklich gar nichts aus, dass unser Glück mit einem Mal zerbricht?
Am
Es fährt ein Zug nach Nirgendwo, bald bist auch Du genau wie ich allein.
D7
G
Sag doch ein Wort, sag nur ein Wort und es wird alles so wie früher sein.
| |
ded gg
G (*h‘)
Am
Oh, Maria, ich hab' Dich lieb, ich hab' Dich lieb, bitte glaube mir.
D7
G
Was auch immer mit der anderen war, das ist vorbei, ich schwöre es Dir.
G
Am
Oh, Maria, Du lässt mich gehen, doch eine Träne in Deinem Blick,
D7
G
Eine Träne hab' ich gesehen, will sie mir sagen: komm doch zurück?
G (*g,)
Es fährt ein Zug nach Nirgendwo. Es fährt ein Zug nach Nirgendwo
G (*g)
Am
Die Zeit verrinnt, die Stunden gehen, bald bricht ein neuer Tag heran.
D7
G
Noch ist es nicht für uns zu spät, doch wenn die Tür sich schliesst, was dann?
Am
Es fährt ein Zug nach Nirgendwo, den es noch gestern gar nicht gab.
D7
G
Ich hab' gedacht, Du glaubst an mich und dass ich Dich für immer hab.
High: (*h‘....)
Am
Es fährt ein Zug nach Nirgendwo, und niemand stellt von grün auf rot das Licht.
D7
G
Macht es Dir wirklich gar nichts aus, dass unser Glück mit einem Mal zerbricht?
High: (*h‘....)
Am
Es fährt ein Zug nach Nirgendwo, bald bist auch Du genau wie ich allein.
D7
G
Sag doch ein Wort, sag nur ein Wort und es wird alles so wie früher sein.
| |
ded gg
G (*h‘)
Am
Oh, Maria, ich hab' Dich lieb, ich hab' Dich lieb, bitte glaube mir.
D7
G
Was auch immer mit der anderen war, das ist vorbei, ich schwöre es Dir.
G
Am
Oh, Maria, Du lässt mich gehen, doch eine Träne in Deinem Blick,
D7
G
Eine Träne hab' ich gesehen, will sie mir sagen: komm doch zurück?
G (*g,)
Es fährt ein Zug nach Nirgendwo. Es fährt ein Zug nach Nirgendwo.....
ES GEHT MIR GUT
D-G-A
A-G-D
A
D
Mach dir keine Sorgen, es wird schon weitergehn
A
D
Wir werden uns was borgen, und wieder jung aussehn
G
D
Für ein paar neue Kinder, ist es jetzt eh zu spät
A
D
Und hör auf zu fragen, wie dieser Film ausgeht
A
D
Es geht mir gut, es geht mir gut
A
D
A
D
Schreib mir mal ne Karte, wenn du da drüben bist
A
D
Und ob man als Leiche, von goldnen Tellern isst
G
D
Wirst du mich vergessen, vielleicht ists besser so
A
D
Denn ich bin viel zu müde, und das seit gestern schon
A
D
A
D
D
Bm
G
A
Keine Ahnung, keine Meinung, kein Konzept
D
Bm A
Keine Lust um aufzustehn
D
Bm
G
A
Ginger Rogers hat mit Fred Astaire gesteppt
G
A
Und ich kann übers Wasser gehn
D
G A
G D
G A
G D
D
Bm
G
A
Keine Ahnung, keine Meinung, kein Konzept
D
Bm
A
Keine Lust um aufzustehn
D
Bm
G
A
Michael Jackson ging mit kleinen Jungs ins Bett
G
A
Und ich kann übers Wasser gehn
x-mal
ES GIBT KEIN BIER AUF HAWAII
Paul Kuhn
P.
G
D7
Es gibt kein Bier auf Hawaii, es gibt kein Bier
G
Drum fahr ich nicht nach Hawaii, drum bleib ich hier.
G7
C
Es ist so heiß auf Hawaii, kein kühler Fleck
G
Em Am7
D7
G
Und nur vom Hula-Hula geht der Durst nicht weg.
G
Meine Braut, sie heißt Marianne
D7
Wir sind seit zwölf Jahren verlobt.
Sie hätt mich so gern zum Manne
G
G7
Und hat schon mit Klage gedroht.
C
G
Die Hochzeit wär' längst schon gewesen,
C
G
Wenn die Hochzeitsreise nicht wär;
Em
C
Denn sie will nach Hawaii, ja, sie will nach Hawaii,
G
D7
G
Und das fällt mir so unsagbar schwer.
G
D7
Es gibt kein Bier auf Hawaii, es gibt kein Bier
G
Drum fahr ich nicht nach Hawaii, drum bleib ich hier.
G7
C
Es ist so heiß auf Hawaii, kein kühler Fleck
G
Em Am7
D7
G
Und nur vom Hula-Hula geht der Durst nicht weg.
G
Wenn sie mit mir nach Pilsen führe
D7
Dann wären wir längst schon ein Paar
Doch all' meine Bitten und Schwüre
G
G7
Verschmähte sie Jahr um Jahr.
C
G
Sie singt Tag und Nacht neue Lieder
C
G
Von den Palmen am blauen Meer
Em
C
Denn sie will nach Hawaii, ja, sie will nach Hawaii,
G
D7
G
Und das fällt mir so unsagbar schwer.
ES HÄNGT EIN PFERDEHALFTER AN DER WAND
Bruce Low, Ronny, Die Original Kilima Hawaians
Seinen Platz in meinem Herz verliert er nicht
C
G
C
C7
Es hängt ein Pferdehalfter an der Wand
F
C
Und ein Sattel liegt dort nebenan
G
C
Ihr fragt, warum ich traurig bin
G
C
Ich schau‘ nur zum Pferdehalfter hin
C
G
C
C7
Nun hängt das Halfter drüben an der Wand
F
C
Und der Sattel liegt dort nebenan
G
C
Ich denk, dass ihr mich jetzt versteht
G
C
Warum mir sein Ende nahegeht
G
C C7
Ich seh‘ das Eisen, das mein Pony trug
F
C
Dieses Eisen, das ich selbst ihm schlug
G
C
Sein Zaumzeug rostet jetzt im Stall
G
C
C7
Doch ich seh‘ mein Pony überall
e
f
g
a
a a h c c h a a g g e g
F
C
Es war ein Freund wie man ihn niemals wieder finden wird auf Erd‘
g f f
f
f
g e
G
C
C7
Ich allein - kenn‘ seinen Wert
e
f
g a a h c c h a a g g
e g
F
C
Ich sprach zu ihm wie man nur zu einem guten Freunde spricht
c, d e
e e e
e
e d c, d
Am
D7
G7
C
G
C
C7
Nun hängt das Halfter drüben an der Wand
F
C
Und der Sattel liegt dort nebenan
G
C
Ich denk, dass ihr mich jetzt versteht
G
C
Warum mir sein Ende nahegeht
ES WAR KEINE SO WUNDERBAR WIE DU
Cliff Richard
(Original: A)
G
C - D
A-um a-um a-um a-um
G
C - D
A-um a-um a-um a-um
G
C
G
C-D
Ich hab‘ die Mädchen in Paris geseh‘n
G
C
Die Ann-Louise und die Lulu
C/B - Am
D7
G
Em
Doch ich muss sagen, es war keine so
Am
D7
G C-D
Es war keine so wunderbar wie du
h‘ a‘ g h‘ a‘ g g a‘
Em
Am7 D D7
Du hast mir so gefehlt
G
C
G
C-D
Ich war in Rio auf dem Karneval
G
C
Dort hatt‘ ich manches Rendezvous
C/B - Am
D7
G
Em
Am
D7
G C-D
D
G
C
G
C-D
Ich ging in Java an dem Strand spazier‘n
G
C
Mir winkten braune Mädchen zu
C/B - Am
D7
G
Em
Am
D7
G
fis fis a‘ e fis fis e d h, a,
D
A
D
Ich dachte mir es geht ohne dich
fis fis a‘
e fis fis e d
A
D
D7
Es gibt noch mehr auf der Welt
h‘
h‘ d‘ a‘ h‘ h‘ a‘
g
G
D
G
Doch jedesmal war mir dann klar
A
D
Ich dachte mir es geht ohne dich
A
D
D7
Es gibt noch mehr auf der Welt
G
D
G
Doch jedesmal war mir dann klar
Em
Am7 D D7
Du hast mir so gefehlt
G
C
G
C-D
Du sollst mir bitte sehr nicht böse sein
G
C
Nun weiß ich Darling: I love you
C/B - Am
D7
G
Em
Und lass dir sagen, es war keine so
Am
D7
G C-D
G
C - D
A-um a-um a-um a-um
G
C - D
A-um a-um a-um a-um
EVE OF DESTRUCTION 1
Barry MacGuire
P. D-Harp
D Dsus4 D9 D 4x
D
G
A7
The Eastern world it is explodin',
D
G
A
Violence flarin', bullets loadin',
D
G
A
You're old enough to kill, but not for votin',
D
G
A
You don't believe in war, but's what's that gun you're totin'?
D
G
A
And even the Jordan River has bodies floatin'
D
G
A
D
Bm
But you tell me, over and over and over again my friend,
G
A
D
G A D (Harp)
Ah, you don't believe we're on the Eve of Destruction.
D
G
A7
Don't you understand what I'm tryin' to say?
D
G
A
Can't you feel the fears I'm feelin' today?
D
G
A
If the button is pushed there's no running away,
D
G
A
There'll be no one to save with the world in a grave.
D
G
A
Take a look around you boy, it's bound to scare you boy,
D
G
A
D
Bm
And you tell me, over and over and over again my friend,
G
A
D
G A D (Harp)
D
G
A7
Yeah, my blood's so mad feels like coagulatin',
D
G
A
I'm sittin' here just contemplatin'
D
G
A
You can't twist the truth it knows no regulation,
D
G
A
A handful of Senators don't pass legislation.
D
G
A
And marches alone can't bring integration,
D
G
A
When human respect is disintegratin'.
D
G
A
This whole crazy world is just too frustratin'.
EVE OF DESTRUCTION 2
D
G
A
D
Bm
And you tell me, over and over and over again my friend,
G
A
D
G A D (Harp)
D
G
A7
Think of all the hate there is in Red China,
D
G
A
Then take a look around to Selma, Alabama!
D
G
A
You may leave here for four days in space,
D
G
A
But when you return, it's the same old place.
D
G
A
The pounding of the drums, the pride and disgrace,
D
G
A
You can bury your dead, but don't leave a trace,
D
G
A
Hate your next door neighbor, but don't forget to say grace.
D
G
A
D
Bm
And you tell me, over and over and over and over again my friend,
G
A
D
G A D (Harp)
EVERY BEAT OF MY HEART
Rod Stewart
Capo 2
Intro: D
a,
(Original: D)
Bm
D
Bm
h,
e’ h, d
D
Bm
D
Bm
Through these misty eyes I see lonely skies, lonely road to Babylon
D
Bm
D
Bm
Where's my family and my country? Heaven knows where I belong
| Em Em7 | G
|
Bm | A
D
Bm
D
Bm
Pack my bags tonight, here's one Jacobite, who must leave or surely die
D
Bm
D
Bm
Put me on a train in the pouring rain. Say farewell, don't say goodbye
Em
Em7
G
Seagull carry me,
over land and sea
Bm
A
B7
To my own folk, that's where I want to be
fis e gis e h, cis,
E
A a’ gis’ e’ E
A a’ gis’ e’
Every beat of my heart,
tears me further apart
C#m
A
E
h’ a gis e A
I'm lost and alone in the dark. I'm going home
fis
fis
e
h, d
D
Bm
D
Bm
One more glass of wine, just for auld lang syne and the girl I left behind
D
Bm
D
Bm
How I miss you now, in my darkest hour and the way our arms entwine
Em
Em7
G
Seagull carry me,
over land and sea
Bm
A
B7
fis e gis e h, cis,
E
A a’ gis’ e’
C#m
A
E
h’ a gis e A
D
Bm
D
Bm
And we'll drink a toast to the blood red rose. Cheer a while the Emerald Isle
D
Bm
To the northern lights and the swirling pipes.
D
Bm
How they make a grown man cry
Em
Em7
G
Seagull carry me,
over land and sea
Bm
A
B7
h’ h’ h’ gis h, cis,
E
A a’ gis’ e’
C#m
A
E
h’ a gis e A
E
A a’ gis’ e’
C#m
A
E
h’ a gis e A
E
A
E
I'm going home………
EVERY BREATH YOU TAKE
Police
Capo 1
(Original: G#)
c d e-d-c-d c d e-d-c-d a h c-h-a-h a h c-h-a-h f g f g a g c d e-d-c-d c
| C9
| C9
| Am9
| Am9
| F | G | C9
C9
Am9
Every breath you take, every move you make
F
G
Every bond you break, every step you take
Am9
I'll be watching you
C9
Am9
Every single day, every word you say
F
G
Every game you play, every night you stay
C9
(*c,)
F
C9
Oh, can't you see, you belong to me
D7
G
How my poor heart aches, with every step you take
C9
Am9
Every move you make, every vow you break
F
G
Every smile you fake, every claim you stake
C9
G# (*c‘)
Bb
Since you've gone I‘ve been lost without a trace
G#
I dream at night I can only see your face
Bb
I look around but it's you I can't replace
G#
I feel so cold and I long for your embrace
C9
Am9 F G
I keep crying baby, baby, please
C9
(*c,)
F
C9
Oh, can't you see, you belong to me
D7
G
How my poor heart aches, with every step you take
C9
Am9
Every move you make and every vow you break
F
G
Am9
Every smile you fake, every claim you stake, I'll be watching you
F
G
C9
Every move you make, every step you take, I'll be watching you ...
(Original: G#)
EVERYBODY LOVES SOMEBODY SOMETIME
Dean Martin, 1964
E
E/C
A/C#
Everybody loves somebody sometime,
F#m
D
B7
Everybody falls in love somehow
E
Fdim
F#m7
Something in your kiss just told me
B7
E
F#m - B7
My sometime is now.
E
E/C
A/C#
Everybody finds somebody someplace
F#m
D
B7
There's no telling where love may appear.
E
Fdim
F#m7
Something in my heart keeps saying
B7
E
Gdim - B7
My someplace is here.
C#7
C#7
E7
Bm7 E7
If I had it in my power,
A
A6
F#m7
I'd arrange for every girl to have your charms
C#m
G#m
Then, every minute, every hour,
F#m7
G#dim
F#m7 B7
Every boy would find what I found in your arms.
E
E/C
A/C#
F#m
D
B7
And although my dream was over-due,
E
Fdim
F#m7
Your love made it well worth waiting
B7
E
Gdim - B7
For someone like you.
C#7
E7
Bm7 E7
If I had it in my power,
A
A6
F#m7
I'd arrange for every girl to have your charms
C#m
G#m
Then, every minute, every hour,
F#m7
Fdim
F#m7 B7
Every boy would find what I found in your arms.
E
E/C
A/C#
F#m
D
B7
And although my dream was over-due,
E
Fdim
F#m7
Your love made it well worth waiting
B7
E
A - Am7 - E
For someone . . . like you.
C#7
EVERYBODY'S TALKIN'
Oh Ohh Ohhhh ....
Harry Nilsson
Capo 2 P.
D-Dmaj D-Dmaj
D-Dmaj D-Dmaj D
Dmaj
D
Dmaj D7
Everybody's talking at me
D6
D7
I don't hear a word they're saying
A7
D Dmaj
Only the echoes of my mind
D
Dmaj D
Dmaj D7
People stop and stare
D6
D7
I can't see their faces
A7
D Dmaj
Only the shadows of their eyes
Dmaj D
D
Dmaj
Em
A7
I'm going where the sun keeps shining
D
D6
D7
Through the pouring rain
Em
A7
D
Dmaj D7
Going where the weather suits my clothes
Em
A7
Banking off of the Northeast winds
D
D6
D7
Sailing on a summer breeze
G
A7
D
Dmaj D7 D6
Skipping over the ocean like a stone
( 1 Vers )
Em
A7
I'm going where the sun keeps shining
D
D6
D7
Through the pouring rain
Em
A7
D
Dmaj D7
Going where the weather suits my clothes
Em
A7
Banking off of the Northeast winds
D
D6
D7
Sailing on a summer breeze
G
A7
D
Dmaj D7 D6
Skipping over the ocean like a stone
Dmaj
D
Dmaj D7
Everybody's talking at me
D6
D7
Can't hear a word they're saying
A7
D
Dmaj
Only the echoes of my mind
D7
D6
Em
A7
D Dmaj D7
I won't let you leave my love behind
Em
A7
D Dmaj D7
No I won't let you leave
ohhh ahhhh...
Em
A7
D Dmaj D7
I won't let you leave my love behind
D6
D6
D6
EVERYTHING I OWN
Culture Club
Capo 2 (Original: F#)
D-A-G
G-A-D
2x
Em
G
A
Of all the years I ever knew
Em
G
A A7
Those finer ones I spent with you
Em
G
A
Of all the years I ever knew
Em
G
A A7
Those finer ones I spent with you
D
G
A A7
I would give everything I own
D
G
A
A7
Give up my life, my heart, my home
D
G
A
G
D
Just to have you back again
G
D
Just to hold you once again
D
G
A A7
D
G
A
A7
Give up my life, my heart, my home
D
G
A
G
D
G
D
Just to have you back again
Bm
If there's someone you know, that won't let you go
Em
And taking it all for granted
G
Em
You may lose them one day, someone take them away
G
Em
A
And you don't hear a word they say
D
A
G
D A7
You taught me how to cry. I don't know why, just don't know why
D
A
G
D A7
You told those lies to me. You set me free, you set me free
I would give everything I own..... 2x
D
A
G
D
A7
You sheltered me from harm, kept me warm, kept me wa.....rm
D
A
G
D A7
You gave my life to me. Set me free, you set me fre.....e
EV‘RY TIME WE SAY GOODBYE
Cole Porter, 1944
Capo 1
93 bpm
Amaj7
cis,
Amaj7
F#m7
Bm7 E7
Ev‘ry time we say goodbye,
I die a little.
A6
E7 Cmaj7 E7
A6 A7
D
Dm6
Ev‘ry time we
say goodbye, I wonder why a little.
A6
F#dim E7
Em6 A7
D - Dmaj7
Why the gods above me, who must be in the know
Dm
A
F#m7
F#dim
Bm7 - E7
Think so little of me?
They allow you to go.
Amaj7
F#m7 Bm7
E7
When you're near, there's such an air
of Spring about it.
A6 E7 Cmaj7 E7
A6
A7
D
Dm6
I can hear a
lark somewhere begin to sing about it.
A6
F#dim
E7
There's no love song finer.
Em7
A7
Dmaj7 Dm6
Break
But how strange the change from major to minor.
A
F#m7 Bm7 E7
Amaj7 F#dim Bm7 - E7
Ev‘ry time
we say goodbye.
Instr.: 2 Zeilen Verse 1
A6
F#dim E7
Em6 A7
D - Dmaj7
Why the gods above me, who must be in the know
Dm
A
F#m7
F#dim
Bm7 - E7
Think so little of me?
They allow you to go.
Amaj7
F#m7 Bm7
E7
When you're near, there's such an air
of Spring about it.
A6 E7 Cmaj7 E7
A6
A7
D
Dm6
I can hear a
lark somewhere begin to sing about it.
A6
F#dim
E7
There's no love song finer.
Em7
A7
Dmaj7 Dm6
Break
But how strange the change from major to minor.
A
F#m7 Bm7 E7
Amaj7
Ev‘ry time
we say goodbye.
FAITH
George Michael
A
Well, I guess it would be nice, if I could touch your body
D
A
I know not everybody has got a body like you
But I gotta think twice, before I give my heart away
D
A
And I know all the games you play, because I play them too. Oh but I
D
A
Need some time off from that emotion
D
A
Time to pick my heart up off the floor. Oh when that
D
A
F#m
Love comes down without devotion
Bm
E
Break
Well it takes a strong man baby, but I'm showing you the door
A
'Cause I gotta have faith...
I gotta have faith
'Cause I gotta have faith, faith
I gotta have faith-a-faith-a-faith
Break
A
Ba....by - I know you're asking me to stay
D
A
Sayin' please, please, please, don't go away, you say I'm giving you the blues
May...be - you mean every word you say
D
A
Can't help but think of yesterday and another who tied me down to loverboyrules
D
A
Before this river becomes an ocean
D
A
Before you throw my heart back on the floor. Oh baby I
D
A
F#m
Reconsider my foolish notion
Bm
E
Break
Well I need someone to hold me, but I'll wait for something more
A
Yes, I gotta have faith...
I gotta have faith
'Cause I gotta have faith, faith, faith
I gotta have faith-a-faith-a-faith Break
Instr.
D
A
Before this river becomes an ocean
D
A
Before you throw my heart back on the floor. Oh baby I
D
A
F#m
Reconsider my foolish notion
Bm
E
Break
Well I need someone to hold me, but I'll wait for something more
A
'Cause I gotta have faith...
I gotta have faith
'Cause I gotta have faith, faith
I gotta have faith-a-faith-a-faith
(Original: B)
Aaahhh!
FALLING IN LOVE AGAIN
Marlene Dietrich
ICH BIN VON KOPF BIS FUSS ...
C C7 F
Fm C
A7
Falling in love again, never wanted to,
Dm7
G7
C
Cdim G7
What am I to do? Can't help it.
C C7
F
Fm
C
A7
Ich bin von Kopf bis Fuß auf Liebe eingestellt,
Dm7
G7
C
Cdim G7
Denn das ist meine Welt und sonst gar nichts.
C
C7
F
Fm
C
A7
Love's always been my game, play it how I may
Dm7
G7
C
I was made that way, can't help it.
C C7
F
Fm
C
A7
Das ist, was soll ich machen, meine Natur,
Dm7
G7
C
Ich kann halt lieben nur und sonst gar nichts.
e gis h d' c' h h
c' a a a
E7
Am
Girls cluster to me like moths around a flame,
D7
G7
Gdim G7
And if their wings burn, I know I'm not to blame
e gis h d'
c'
h h c' a a a
E7
Am
Frauen umschwirr'n mich, wie Motten um das Licht.
D7
G7 Gdim G7
Und wenn sie verbrennen, ja dafür kann ich nicht.
C C7 F
Fm C
A7
Dm7
G7
C
C C7
F
Fm
C
A7
Dm7
G7
C
Ich kann halt lieben nur und sonst gar nichts
FAREWELL ANGELINA
Bob Dylan
G (*d')
C
G
Farewell Angelina, the bells of the crown
C
G
Are being stolen by bandits, I must follow the sound
C
D
The triangles tingle and the trumpets play slow
Em
Bm
Em
Bm C
G
Farewell Angelina, the sky is on fire and I must go.
G
C
G
There's no need for anger, there's no need for blame
C
G
There's nothing to prove, ev'rything's still the same
C
D
Just a table standing empty by the edge of the sea
Em
Bm
Em Bm
C
G
Says farewell Angelina, the sky is trembling and I must leave.
G
C
G
The jack and the queen have forsaked the courtyard
C
G
Fifty-two gypsies now file past the guards
C
D
In the space where the deuce and the ace once ran wild
Em
Bm
Em Bm
C
G
Farewell Angelina, the sky is folding. I'll see you in a while.
G
C
G
See the cross-eyed pirates sitting perched in the sun
C
G
Shooting tin cans with a sawed-off shotgun
C
D
And the neighbors they clap and they cheer with each blast
Em
Bm
Em
Bm
C
G
Farewell Angelina, the sky's changing color and I must leave fast.
G
C
G
King Kong, little elves on the rooftoops they dance
C
G
Valentino-type tangos, while the make-up man's hands
C
D
Shut the eyes of the dead not to embarrass anyone
Em
Bm
Em
Bm
C
G
Farewell Angelina, the sky is embarrassed and I must be gone.
G
C
G
The machine guns are roaring, the puppets heave rocks
C
G
The fiends nail time bombs to the hands of the clocks
C
D
Call me any name you like, I will never deny it
Em
Bm
Em
Bm
C
G
Farewell Angelina, the sky is erupting. I must go where it's quiet.
FAREWELL TO TARWATHIE
D
G
D
The cold coast of Greenland is barren and bare.
G
D
No seed-time or harvest is ever known there.
G
D
And the birds here sing sweetly on mountain and dale,
G
D
G
E
But there isn't a bird to sing to the whale.
Trad.
Capo 3
C
F
C
Farewell to Tarwathie, adieu Mormond Hill
F
C
And the dear land of Crimmond, I bid ye farewell.
F
C
I'm bound out for Greenland and I'm ready to sail,
F
C
F
C
In hopes to find riches a-hunting the whale.
C
F
C
Adieu to my comrades, for a while we must part
F
C
And likewise the dear lass that first won my heart.
F
C
The cold ice of Greenland my love will not chill,
F
C
F
And the longer my absence, more loving she'll feel.
D
G
D
Our ship is well rigged and she's ready to sail,
G
D
Our crew they are anxious to follow the whale.
G
D
Where the icebergs do float and the stormy winds blow,
G
D
G
Where the land and the ocean are covered wi' snow.
E
A
E
There is no habitation for a man to live there.
A
E
And the king of that country is the fierce Greenland bear.
A
E
And there'll be no temptation to tarry long there,
A
E
A
E
Wi' our ship bumper full we will homeward repair.
D
D
E
A
E
So, farewell to Tarwathie, adieu Mormond Hill
A
E
And the dear land of Crimmond, I bid ye farewell.
A
E
I'm bound out for Greenland and I'm ready to sail,
A
E
A
E
A
E
FATHER AND SON
Cat Stevens
c-g‘-c-a‘
c-g‘-c-a‘
G C
G C
Father :
(*h,) G
Bm
C9
Am7
It’s not time to make a change, just relax, take it easy,
G
Em
Am
D
You’re still young, that’s your fault, there’s so much you have to know.
G
Bm
C9
Am7
Find a girl, settle down, if you want you can marry,
G
Em
Am
D
Look at me, I am old but I’m happy.
G
Bm
C9
Am7
I was once like you are now and I know that it’s not easy,
G
Em
Am
D
To be calm, when you’ve found something going on.
G
Bm
C9
Am7
But take your time, think a lot, I think of everything you’ve got,
G
Em
D
G GC GC
For you will still be here tomorrow, but your dreams may not.
Son :
(*h‘)
G
Bm
C
Am7
How can I try to explain, when I do, he turns away again,
G
Em
Am
D
It’s always been the same, same old story.
G
Bm
C
Am7
From the moment I could talk I was ordered to listen,
G
Em
D
G
Now there’s a way and I know that I have to go away,
D
C
G
GC GC
I know I have to go.
Father :
(*h,)
G
Bm
C9
Am7
It’s not time to make a change, just sit down, take it slowly,
G
Em
Am
D
You’re still young, that’s your fault, there’s so much you have to go through.
G
Bm
C9
Am7
Find a girl, settle down, if you want you can marry,
G
Em
Am
D
Look at me, I am old but I’m happy.
Son :
(*h‘) G
Bm
C
Am7
All the times, that I’ve cried, keeping all the things I knew inside,
G
Em
Am
D
It’s hard, but it’s harder to ignore it.
G
Bm
C
Am7
If they were right, I’d agree, but it’s them they know, not me.
G
Em
D
G
Now there’s a way and I know that I have to go away,
D
C
G
I know I have to go.
FEELING GROOVY
Simon & Garfunkel
Capo 4 (Original: D#)
C G C9 G
4x
e
d
C
G
C9
G
Slow down, you move too fast.
C
G
C9
G
You got to make the morning last.
C
G
C9
G
Just kickin' down the cobble stones,
C
G
C9
G
C G C9 G
Lookin' for fun and feelin' groovy.
g, a, h, c, a, h, g,
C
G
C9
G
C G C9 G
Ba da da dada dada, feeling groovy
C
G
C9
G
Hello lamppost, what cha knowin'.
C
G
C9
G
I've come to watch your flowers growing.
C
G
C9
G
Ain't cha got no rhymes for me?
C
G
C9
G
C G C9 G
Dootin' doodoo, feeling groovy.
C
G
C9
G
C G C9 G
Ba da da dada dada, feeling groovy
C
G
C9
G
Got no deeds to do, no promises to keep.
C
G
C9
G
I'm dappled and drowsy and ready to sleep.
C
G
C9
G
Let the morning time drop all its petals on me.
C
G
C9 G
C G C9 G
Life, I love you, all is groovy.
C G C9 G
Da da da da da......
x-mal
FERNANDO
ABBA
A
Can you hear the drums, Fernando?
F#m
Bm
I remember long ago another starry night like this. In the firelight, Fernando
E
You were humming to yourself and softly strumming your guitar
I could hear the distant drums and sounds of bugle calls
A
Were coming from afar
E
A
There was something in the air that night, the stars were bright, Fernando
E
A
They were shining there for you and me, for liberty, Fernando
F#
B7
Though we never thought that we could lose, there's no regret
E
A
If I had to do the same again, I would, my friend, Fernando
E
A
If I had to do the same again, I would, my friend, Fernando
A
They were closer now Fernando
F#m
Bm
Every hour, every minute seemed to last eternally. I was so afraid Fernando
E
We were young and full of life and none of us prepared to die
And I'm not ashamed to say the roar of guns and cannons
A
Almost made me cry
There was something in the air that night......
A
Now we're old and gray Fernando
F#m
And since many years I haven't seen a rifle in your hand
Bm
Can you hear the drums, Fernando?
E
Do you still recall the fateful night we crossed the Rio Grande?
A
I can see it in your eyes how proud you were to fight for freedom in this land
There was something in the air that night.....
FEVER
Elvis
Am /G
/F
/E
Romeo loved Juliet,
Am
/G
/F
/E
When he put his arms around her, he said
Capo 3
Am /G /F /E 2x
Am(*e)
/G
/F
/E
Am
/G
/F
/E
Never know how much I love you.
Never know how much I care
Am
/G
/F
/E
Am
/G
/F
When you put your arms around me,
I get a fever that's so hard to bear
/E
Am /G /F
/E
You give me fever when you kiss me
Am
/G
/F
/E
Am /G
Fever when you hold me tight
Fever
Am
/G
/F
/E
Fever all through the night.
/F
/E
in the the morning,
Am(*e) /G
/F
/E
Am
/G
/F
/E
Sun lights up the daytime,
moon lights up the night
Am /G
/F
/E
Am
/G
/F
I light up when you call my name and you know I'm gonna treat you right
/E
Am /G /F
/E
You give me fever when you kiss me
Am
/G
/F
/E
Am /G
Fever when you hold me tight
Fever
Am
/G
/F
/E
Fever all through the night.
Am /G
/F
/E
Everybody's got the fever,
Am /G /F
/E
Fever isn't such a new thing,
/F
/E
in the the morning,
Am /G
/F
/E
that is something you all know
Am
/G
/F /E
fever started long ago.
Am
/G
/F
/E
Juliet she felt the same
Am
/G
/F
"Julie baby you're my flame"
/E
Am /G /F
/E
Thou givest fever when we kisseth
Am
/G
/F
/E
Am /G /F
/E
Fever with thy flaming youth.
Fever I'm on fire
Am
/G
/F
/E
Fever yeah, I burn forsooth.
Am
/G /F
/E
Captain Smith and Pocahontas
Am
/G
/F
/E
When her Daddy tried to kill him, she said
Am
/G
/F /E
had a very mad affair
Am
/G
/F
"Daddy-O don't you dare"
/E
Am /G /F
/E
He gives me fever with his kisses
Am
/G
/F /E
Am /G
Fever when he holds me tight.
Fever Am
/G
/F
/E
Oh daddy won't you treat him right.
Am
/G
/F
/E
Now you've listened to my story,
Am
/G
/F /E
Chicks were born to give you fever,
/F
/E
I'm his Missus
Am
/G
/F
/E
here's the point I have made:
Am
/G
/F
be it Fahrenheit or Centigrade
They give you fever - when you kiss them, fever if you live and learn
Fever - till you sizzle, what a lovely way to burn.
What a lovely way to burn.
What a lovely way to burn.
FIDDLERS GREEN
John Conolly
Capo 3
C
F
C
Am
As I walked by the dockside one evening so fair
C
F
C
G
To view the still waters and take the salt air
F
C
Em
I heard an old fisherman singing a song
Dm
F
G7
Won't you take me away boys my time is not long
C
G
C
Wrap me up in me oilskins and jumper
F
C
G
No more on the docks I'll be seen
F
C
Em
Just tell me old ship mates I'm taking a trip mates
Dm
G7
C
And I'll see you someday in Fiddlers Green
C
F
C
Am
Now Fiddler's Green is a place I've heard tell
C
F
C
G
Where the fishermen go if they don't go to Hell
F
C
Em
Where the weather is fair and the dolphins do play
Dm
F
G7
And the cold coast of Greenland is far, far away
C
F
C
Am
The sky's always clear and there's never a gale
C
F
C
G
And the fish jump on board with a flip of their tail
F
C
Em
You can lie at your leisure, there's no work to do
Dm
F
G7
And the skipper's below making tea for the crew
C
F
C
Am
And when you're in dock and the long trip is thru
C
F
C
G
There's pubs and there's clubs, and there's lassies there too
F
C
Em
Where the girls are all pretty and the beer is all free
Dm
F
G7
And there's bottles of rum hanging from every tree
C
F
C
Am
I don't want a harp or a halo, not me
C
F
C
G
Just give me a breeze and a good rolling sea
F
C
Em
And I'll play me old squeeze box as we sail along
Dm
F
G7
With the wind in the rigging to sing us a song
FIELDS OF GOLD
Sting
Em7
Em7
C
You’ll remember me when the west wind moves
C9
G
Upon the fields of barley
Em7
C
G
C
D
Em7 Pipes
You’ll forget the sun in his jealous sky - As we walk in fields of gold
Em7
C
So she took her love for to gaze a while
C9
G
Em7
C
G
C
D
G
In his arms she fell as her hair came down - Among the fields of gold
Em7
C
Will you stay with me, will you be my love?
C9
G
Among the fields of barley
Em7
C
G
C
D
Em7
We’ll forget the sun in his jealous sky - As we lie in fields of gold
C9 (*d)
G6
I never made promises lightly
C9
G6
And there have been some that I’ve broken
C9
G6
Em7
But I swear in the days still left
C
D
G
We’ll walk in fields of gold
C
D
G
We’ll walk in fields of gold
Instr. Strophe
Em7
C
Many years have passed since those summer days
C9
G
Among the fields of barley
Em7
C
G
C
D
G
See the children run as the sun goes down - Among the fields of gold
Pipes
Em7
C
See the west wind move like a lover so
C9
G
Em7
C
G
C
D
G
Feel her body rise when you kiss her mouth - Among the fields of gold
Em7
C
You’ll remember me when the west wind moves
C9
G
Em7
C
G
C
D
G
You can tell the sun in his jealous sky - When we walked in fields of gold
C
D
G
C
D
Em7
When we walked in fields of gold. When we walked in fields of gold
Pipes:
g.......fis e d c d c d
Em7
C9
G
FIFTY WAYS TO LEAVE YOUR LOVER
Paul Simon
Intro: 1x Vers:
Em/G: x x 5 4 5 3 D6 Cmaj7 F#dim - B7
Em F#dim Adim B+: x 2 1 0 0 x
Em D6 Cmaj7 F#dim - B7
G
Bb6
Just slip out the back, Jack. Make a new plan, Stan;
C7
G
You don't need to be coy, Roy. Just listen to me.
Bb6
Hop on the bus, Gus, you don't need to discuss much;
C7
G
Just drop off the key, Lee and get yourself free.
Em Am Em
Em/G (*h')
D6
Cmaj7
F#dim - B7
“The problem is all inside your head," she said to me
Em
F#dim
Adim
B+
"The answer is easy if you take it logic'lly.
Em
D6
Cmaj7
F#dim
B7
I'd like to help you in your struggle to be free, there must be
Em
Am
Em
Fifty ways to leave your lover."
Em/G
D6
Cmaj7
F#dim - B7
She said, "It's really not my habit to intrude;
Em
F#dim
Adim
B+
Furthermore I hope my meaning won't be lost or misconstrued.
Em
D6
Cmaj7
F#dim
B7
But I'll repeat myself
at the risk of being crude, there must be
Em
Am
Em
Fifty ways to leave your lover.
Am
Em
G
Bb6
Just slip out the back, Jack. Make a new plan, Stan
C7
G
You don't need to be coy, Roy. Just get yourself free.
Bb6
Hop on the bus, Gus, you don't need to discuss much
C7
G
Em/G
D6
Cmaj7
F#dim - B7
She said, "It grieves me so to see you in such pain. I wish there was
Em
F#dim Adim
B+
Somethin' I could do to
make you smile again."
Em
D6
Cmaj7
F#dim-B7
Em Am Em
I said,"I appreciate that,and would you please explain about the 50 ways?"
Em/G
D6
Cmaj7
F#dim - B7
She said, "Why don't we both just sleep on it tonight
Em
F#dim
Adim
B+
And I believe in the morning you'll begin to see the light."
Em
D6
Cmaj7
F#dim
B7
An then she kissed me and I realized she probably was right: there must be
Em
Am
Em
Fifty ways to leave your lover.
Am
Em
G
Bb6
Just slip out the back, Jack. Make a new plan, Stan
C7
G
You don't need to be coy, Roy. Just get yourself free.
Bb6
Hop on the bus, Gus, you don't need to discuss much
C7
G
2x
FIRE AND RAIN
James Taylor
Capo: 2 (Original: C)
A Em7 D A
A E Gmaj7
A
Em7
D
A
Just yesterday morning they let me know you were gone
E
Gmaj7
Susan the plans they made put an end to you
A
Em7
D
A
I walked out this morning and I wrote down this song
E
Gmaj7
I just can't remember who to send it to
D
Bm7 E7
A
I've seen fire and I’ve seen rain
D
Bm7
E7
A
I've seen sunny days that I thought would never end
D
Bm7
E7
A
I've seen lonely times when I could not find a friend
G
D9/F#
Em7
A9 Asus4 A
But I always thought that I’d see you again
A
Em7
D
A
Won't you look down upon me Jesus, you've got to help me make a stand
E
Gmaj7
You've just got to see me through another day
A
Em7
D
A
My body's aching and my time is at hand
E
Gmaj7
And I won't make it any other way
D
Bm7 E7
A
Oh, I've seen fire and I’ve seen rain
D
Bm7
E7
A
D
Bm7
E7
A
G
D9/F#
Em7
A9 Asus4 A
A
Em7
D
A
Now l'm walking my mind to an easy time my back turned towards the sun
E
Gmaj7
Lord knows when the cold wind blows it'll turn your head around
A
Em7
D
A
Well, there's hours of time on the telephone line to talk about things to come
E
Gmaj7
Sweet Dreams and Flying Machines in pieces on the ground
D
Bm7 E7
A
I've seen fire and I’ve seen rain
D
Bm7
E7
A
D
Bm7
E7
A
G
D9/F#
Em7
A9 Asus4 A
FIRST CUT IS THE DEEPEST, THE
Cat Stevens
G (7.) D (5.) C (3.) D (5.)
2x
G
D
C
D
I would have given you all of my heart
G
C
D
C
But there’s someone who’s torn it apart
G
D
C
D
And she’s taken almost all that I‘ve got, but if you want
G
D
C D
I'll try to love again,
baby
G
C
D Dsus D Dsus D Dsus D
I'll try to love again but I know
G
D
C
D
G
The first cut is the deepest, baby I know
D
C
D
The first cut is the deepest
G
D
C
D
Cause when it comes to being lucky she's cursed
G
C
D
C
When it comes to loving me she’s worst
G
D
C
D
But when it comes to being loved, she‘s first, that‘s how I know
G
D
C
D
G
D
C
D
G
D
C
D
I still want you by my side
G
C
D
C
Just to help me dry the tears that I’ve cried
G
D
C
D
Cause I'm sure going to give you a try. And if you want
G
D
C D
I'll try to love again,
baby
G
C
D Dsus D Dsus D Dsus D
I'll try to love again but I know
G
D
C
D
G
D
C
D
G
D
C
D
Cause when it comes to being lucky she's cursed
G
C
D
C
When it comes to loving me she’s worst
G
D
C
D
But when it comes to being loved, she‘s first, that‘s how I know
G
D
C
D
G
D
C
D
G (7.) D (5.) C (3.)
D
The first cut is the deepest.........
FIRST OF MAY
Bee Gees
C
F
C
G
C
Em
When I was small and Christmas trees were tall
F
C
G
We used to love while others used to play
C
Em
Don't ask me why, but time has passed us by
F
C
G
Someone else moved in from far away
F
C
Now we are tall and Christmas trees are small
Dm
C
C7
And you don't ask the time of day
F
C
But you and I, our love will never die
Dm
F
F/G
C
G
But guess who'll cry
come First of May
C
Em
The apple tree that grew for you and me
F
C
G
I watched the apples falling one by one
C
Em
And I recall the moment of them all
F
C
G
The day I kissed your cheek and you were gone
F
C
Now we are tall and Christmas trees are small
Dm
C
C7
And you don't ask the time of day
F
C
But you and I, our love will never die
Dm
F
F/G
C
But guess who'll cry
come First of May
C
Em
When I was small and Christmas trees were tall
F
C
G
Do-do-do-do-do
do-do-do
do-do
(acapella):
Don't ask me why, but time has passed us by
Someone else moved in from far away
(Original: D)
G
FIRST WE TAKE MANHATTAN
Leonard Cohen
Capo 2
Am…
c, d,
Dm
Am
They sentenced me to twenty years of boredom
Dm
Am
For trying to change the system from within
Dm
Am
I'm coming now, I'm coming to reward them
G
F
E7
Am
First we take Manhattan,
then we take Berlin
Dm
Am
I'm guided by a signal in the heavens
Dm
Am
I'm guided by this birthmark on my skin
Dm
Am
I'm guided by the beauty of our weapons
G
F
E7
Am
then we take Berlin
C
G
F
I'd really like to live beside you, baby
C
Am
I love your body and your spirit and your clothes
Dm
Am
But you see that line there moving through the station?
G
F
E7
Am
I told you, I told you, I told you, I was one of those
Dm
Am
Ah, you loved me as a loser, but now you're worried that I just might win
Dm
Am
You know the way to stop me, but you don't have the discipline
Dm
Am
How many nights I prayed for this, to let my work begin
G
F
E7
Am
then we take Berlin
Dm
Am
I don't like your fashion business, mister
Dm
Am
And I don't like these drugs that keep you thin
Dm
Am
I don't like what happened to my sister
G
F
E7
Am
then we take Berlin
C
G
F
I'd really like to live beside you, baby
C
Am
I love your body and your spirit and your clothes
Dm
Am
But you see that line there moving through the station?
G
F
E7
Am
I told you, I told you, I told you, I was one of those
Dm
Am
And I thank you for those items that you sent me
Dm
Am
The monkey and the plywood violin
Dm
Am
I practiced every night, now I'm ready
G
F
E7
Am
then we take Berlin
Dm
Am
Ah remember me, I used to live for music
Dm
Am
Remember me, I brought your groceries in
Dm
Am
Well it's Father's Day and everybody's wounded
G
F
E7
Am
then we take Berlin, yeah
G
F
E7
Am
then we take Berlin
FIVE HUNDRED MILES
Peter, Paul & Mary
G
Em
Am
C
If you miss the train I'm on, you will know that I am gone.
Am
C
D
You can hear the whistle blow a hundred miles.
G
Em
Am
C
A hundred miles, a hundred miles, a hundred miles, a hundred miles,
Am
D7
G
G
Em
Am
C
Lord I'm one, Lord I'm two, Lord I'm three, Lord I'm four,
Am
C
D
Lord I'm five hundred miles away from home.
G
Em
Am
C
Away from home, away from home, away from home, away from home,
Am
D7
G
Lord I'm five hundred miles away from home.
G
Em
Am
C
Not a shirt on my back, not a penny to my name,
Am
C
D
Lord I can't go back home this a way.
G
Em
Am
C
This a way, this a way, this a way, this a way,
Am
D7
G
Lord I can't go back home this a way.
G
Em
Am
C
If you miss the train I'm on, you will know that I am gone.
Am
C
D
G
Em
Am
C
A hundred miles, a hundred miles, a hundred miles, a hundred miles,
Am
D7
G
FLIEGER, GRÜSS MIR DIE SONNE
Hans Albers
h,
e
e fis g g h, e e e fis g
Em
Vom Nordpol zum Südpol ist nur ein Katzensprung.
d g g a h h d g g g a h
G
Wir fliegen die Strecke bei jeder Witterung.
h a a
a
h a a h
a a a
h
c'
Am
Wir warten nicht, wir starten! Was immer auch geschieht,
c'
h
e' h e'
h
a gis a h
Em
F#
B7
Durch Wind... und Wetter... klingt das Fliegerlied:
E (*e)
Flieger, grüss mir die Sonne,
A
E
Grüss mir die Sterne und grüss mir den Mond.
B7
C#m
A
Dein Leben, das ist ein Schweben
F#m
B7
Durch die Ferne, die keiner bewohnt!
E
Schneller und immer schneller
A
E
Rast der Propeller, wie dir's grad gefällt!
B7
C#m
A
Piloten ist nichts verboten,
F#m
B7
E
Drum gib Vollgas und flieg um die Welt!
B7(*a')
Such' dir die schönste Sternenschnuppe aus
E
B7
Und bring sie deinem Mädel mit nach Haus!
E (*e)
Flieger, grüss mir die Sonne,
A
E
Grüss mir die Sterne und grüss mir den Mond.
B7
C#m
A
Dein Leben, das ist ein Schweben
F#m
B7
Durch die Ferne, die keiner bewohnt!
B7(*a')
Such' dir die schönste Sternenschnuppe aus
E
B7
Und bring sie deinem Mädel mit nach Haus!
Em
Hoch oben im Äther, da sind wir meist zu Haus!
G
Bei fünftausend Meter sieht alles anders aus.
Am
Da gibt's keine Grenzen! Da gibt's keinen Pass!
Em
F#
B7
Der Flieger fliegt und fragt nicht: Wie und was?
Flieger, grüss mir die Sonne...
(Original: F)
FLOWER OF NORTHUMBERLAND, THE
Trad.
C
Am
C
G
The provost`s dochter was walkin‘ her lane C
Am
F
C
Oh but her love it was easy won
F
C
Am
G
When she heard a Scots prisoner a makin‘ his mane
C
Am
F
C
Aye and she was the floo‘er of Northumberland
C
Am
C
G
Oh, gin a lassie would marry me C
Am
F
C
F
C
Am
G
Ì would mak‘ her a lady o‘ high degree
C
Am
F
C
>>> D
If she`d loose me oot fae this prison sae strang`
D
Bm
D
A
Noo she`s gone her ben tae her faither`s bed stock D
Bm
G
D
Oh, but her love it was easy won
G
D
Bm
A
And she’s stolen the keys oot o’ mony stout locks
D
Bm
G
D
For tae loose him oot fae his prison sae strang
D
Bm
D
A
And she’s gone her ben tae her faither’s stable D
Bm
G
D
G
D
Bm
A
And she’s stolen the steed that was baith fleet and able
D
Bm
G
D
For tae carry them over tae bonny Scotland
D
Bm
D
A
But as they were a-ridin’ across the Scots muir, he cried:
D
Bm
G
D
Oh but yer love it was easy won
G
D
Bm
A
Get doon frae my horse, you`re a brazen faced whore
D
Bm
G
D
>>> E
Although ye`re the floo‘er of Northumberland`
E
C#m
E
B7
Ìt`s I hae a wife in my ain country E
C#m
A
E
A
E
C#m
B7
And I cannae do nothing wi a lassie like thee
E
C#m
A
E
So ye need tae gae back tae Northumberland`
FLOWER OF NORTHUMBERLAND, THE 2
E
C#m
E
B7
Ìt`s a cook in your kitchen I surely will be` E
C#m
A
E
A
E
C#m B7
Ànd I`ll serve your lady most reverently
E
C#m
A
E >>> F
For I dare nae go back tae Northumberland`
F
Dm
F
C
But when she gaed in, her faither did frown. He said:
F
Dm
Bb F
Bb
F
Dm
C
Tae gang wi’ a Scotsman when ye’re barely fifteen
F
Dm
Bb
F >>> G
Aye, and ye were the floo’er o’Northumberland`
F
Dm
F
C
Ìt`s cook in my kitchen ye cannae well be F
Dm
Bb F
Bb
F
Dm
C
For my lady, she wadnae hae servants like thee
F
Dm
Bb
F
So ye’ll need tae gae hame tae Northumberland`
G
Em
G
D
But when she gaed in, her mither did smile. She said:
G
Em
C
G
C
G
Em
D
But ye’re no’ the first that the Scots hae beguiled
G
Em
C
G
And ye’re welcome back hame tae Northumberland`
F
Dm
F
C
But laithe was he the lassie tae tyne F
Dm
Bb F
Òh but yer love it was easy won`
Bb
F
Dm
C
So he`s hired an old horse and he`s hired an old man
F
Dm
Bb
F
For tae carry her back tae Northumberland
G
Em
G
D
`Ye winnae want bread and ye winnae want wine G
Em
C
G
C
G
Em
D
And ye winnae want silver tae buy a man wi’
G
Em
C
G
And aye ye’re the floo’er o’ Northumberland`
FLOWER O’ SCOTLAND
Corries
P.
D
Oh Flower of Scotland,
A7
D
When will we see your like again
G
D
That fought and died for
A7
D
Your wee bit hill and glen
D
And stood against him,
G
D
Proud Edward's army
G
D
And sent him homeward
C
D
Tae think again
D
The hills are bare now,
A7
D
And autumn leaves lie thick and still
G
D
O'er land that is lost now,
A7
D
Which those so dearly held
D
That stood against him,
G
D
Proud Edward's army
G
D
C
D >>> E
Tae think again
E
Those days are past now
B7
E
And in the past they must remain
A
E
But we can still rise now
B7
E
And be the nation again
E
That stood against him,
A
E
Proud Edward's army
A
E
D
E
Tae think again
FLY ME TO THE MOON
Bart Howard, 1954
F#m7-5: 2 x 2 2 1 x
Bm7-5 = x 2 3 2 3 x
Capo 3
Intro: | Em7 | Am7 | D7 | Gmaj7 | F#m7-5 - B7 |
Em7
Am7
D7
Gmaj7 - G7
Fly me to the moon and let me play among the stars,
Cmaj7
F#m7-5
B7
Em7 - E7
Let me see what spring is like on Jupiter and Mars
Am7
D7
Gmaj7 - C7 - Bm7 - E7
In other words,
hold my hand
Am7
D7
Gmaj7
F#m7-5 - B7
In other words,
darling, kiss me.
Em7
Am7
D7
Gmaj7 - G7
Fill my heart with song and let me sing for ever more
Cmaj7
F#m7-5
B7
Em7 - E7
You are all I long for, all I worship and adore.
Am7
D7
Bm7
E7
In other words,
please be true
Am7
D7
Gmaj7
F#m7-5 - B7
In other words,
I love you.
Instr.: 2 Zeilen
Am7
D7
Bm7
E7
In other words,
please be true
Am7
D7
Gmaj7
F#m7-5 - B7
In other words,
I love you.
Em7
Am7
D7
Gmaj7 - G7
Fly me to the moon and let me play among the stars,
Cmaj7
F#m7-5
B7
Em7 - E7
Let me see what spring is like on Jupiter and Mars
Am7
D7
Gmaj7 - C7 - Bm7 - E7
In other words,
hold my hand
Am7
D7
Gmaj7
F#m7-5 - B7
In other words,
darling, kiss me.
Em7
Am7
D7
Gmaj7 - G7
Fill my heart with song and let me sing for ever more
Cmaj7
F#m7-5
B7
Em7 - E7
You are all I long for, all I worship and adore.
Am7
D7
Bm7
E7
In other words,
please be true
Am7
D7
G6
In other words,
I love you.
FOGGY DEW, THE
Trad.
Capo 3
Am
G
Am
G Am
'Twas Britannia bade our wild geese go, that small nations might be free.
G
Am
G
Am
But their lonely graves are by Suvla's waves on the shore of the grey North Sea.
Am
G
Am
G Am
'Twas down the glen one Easter morn, to a city fair rode I.
G
Am
G Am
When armed lines of marching men in squadrons passed me by.
C
G
C
Am
F
No pipe did hum, no battle drum did sound its loud tattoo
Am
G
But the Angelus bells o'er the Liffey's swell
Am
Rang out through the foggy dew.
Am
G
Am
G Am
Right proudly high over Dublin town, they hung out a flag of war.
G
Am
G Am
'Twas better to die 'neath an Irish sky, than at Suvla or Sud el Bar.
C
G
C
Am
F
And from the plains of Royal Meath, strong men came hurrying through
Am
G
While Brittania's huns with their long-range guns
Am
Sailed in through the foggy dew.
C
G
C
Am
F
But had they died by Pearse's side, or fought with Valera true,
Am
G
Their graves we would keep where the Fenians sleep
Am
'Neath the hills of the foggy dew.
Am
G
Am
G Am
The bravest fell, and the requiem bell rang mournfully and clear
G
Am
G Am
For those who died that Eastertide, in the springing of the year.
C
G
C
Am
F
And the world did gaze in deep amaze, at those fearless men and true
Am
G
Who bore the fight that freedom's light
Am
Might shine through the foggy dew.
From the Easter Uprising of 1916
FOLSOM PRISON BLUES
Johnny Cash
Capo 1
E7
E
I hear the train a-comin‘, it‘s rollin‘ `round the bend
E7
And I ain‘t seen the sunshine since - I don‘t know when
A
E
I’m stuck in Folsom Prison and time keeps draggin‘ on
B7
E
But that train it keeps a-rollin‘ on down to San Antone.
E
When I was just a baby, my mama told me: „Son,
E7
Always be a good boy, don‘t ever play with guns.“
A
E
But I shot a man in Reno just to watch him die.
B7
E
When I hear that whistle blowin‘ I hang my head and cry.
Instr.: E7
A E B7 E
E
I bet there‘s rich folks eatin‘ in a fancy dining car,
E7
They‘re probably drinking coffee and smoking big cigars
A
E
But I know I had it comin‘, I know I can‘t be free,
B7
E
But those people keep on moving and that‘s what tortures me.
Instr.: E7
A E B7 E
E
Well, if they freed me from this prison, if that railroad train was mine,
E7
I‘d bet I‘d move it on little farther down the line
A
E
Far from Folsom Prison, that‘s where I want to stay
B7
E B7 E
And I‘d let that lonesome whistle blow my Blues away.
FOREVER YOUNG
Bob Dylan
C
Em/B
May God bless and keep you always. May your wishes all come true
Dm/A
F
C
May you always do for others and let others do for you
C
Em/B
May you build a ladder to the stars and climb on every rung
F G
C
May you stay
forever young
C
Em/B
May your hands always be busy. May your feet always be swift
Dm/A
F
C
May you have a strong foundation when the winds of changes shift
C
Em/B
May your heart always be joyful and may your song always be sung
F G
C
May you stay
forever young
G
Am
Forever young, forever young
C G
C
May you stay
forever young.
G
Am
C G
C
May you stay
forever young.
C
Em/B
May you grow up to be righteous. May you grow up to be true
Dm/A
F
C
May you always know the truth and see the lights surrounding you
C
Em/B
May you always be courageous, stand upright and be strong
F G
C
May you stay
forever young
(Original: D)
G
Am
C G
C
May you stay
forever young.
FOR NO ONE
Beatles
Instr.: 1 Verse
Capo 2 P. (Original: B)
Am
E7
And in her eyes you see nothing,
Am
E7
No sign of love behind the tears cried for no one.
Am
D7sus4 D7
A love that should have lasted years.
G
Bm
Your day breaks, your mind aches,
Em
G
Cmaj7
F
You find that all her words of kindness linger on
G
When she no longer needs you.
G
Bm
She wakes up, she makes up,
Em
G
Cmaj7
F
She takes her time and doesn't feel she has to hurry,
G
She no longer needs you.
Am
E7
Am
E7
Am
D7sus4 D7
G
Bm
You want her, you need her,
Em
G
Cmaj7
F
And yet you don't believe her when she says her love is dead
G
You think she needs you.
G
Bm
You stay home, she goes out,
Em
G
Cmaj7
F
She says that long ago she knew someone but now he's gone.
G
She doesn't need him.
G
Bm
You day breaks, your mind aches,
Em
G
Cmaj7
F
There will be times when all the things you said will fill your head
G
You won't forget her.
Am
E7
Am
E7
Am
D7sus4 D7
FOR THE GOOD TIMES
Kris Kristofferson
Dm7 G7
C
Don't look so sad, I know it's over.
Dm7
G7
C
But life goes on and this whole world will keep on turning.
F
G7
C
Let‘s just be glad we had some time to spend together.
F
Dm
G7
There's no need to watch the bridges that we're burning.
Dm7 G7
C
I'll get along, you'll find another
Dm7
G7
C
And I'll be here if you should find you ever need me.
F
G7
C
Don't say a word about tomorrow or forever
F
Dm
G7
There‘ll be time enough for sadness when you leave me.
C
G7
Lay your head upon my pillow.
C
G7
Lay your head upon my pillow.
C
Hold your warm and tender body close to mine.
Em
F
Hear the whisper of the raindrops blowin soft against the window
Dm7
G7
C
And make believe you love me one more time, for the good times.
C
Hold your warm and tender body close to mine.
Em
F
Hear the whisper of the raindrops blowin soft against the window
Dm7
G7
C
And make believe you love me one more time, for the good times.
FOUR STRONG WINDS
Trad.
G (*d)
Am
D7
G
Four strong winds that blow lonely, seven seas that run high,
Am
D7
All these things that won't change, come what may.
G
Am
D7
G
Well our good times are all gone, and I'm bound for moving on.
Am7
C
D7
I'll look for you if I'm ever back this way.
G
Am
D7
G
Think I'll go out to Alberta, weather's good there in the fall.
Am
D7
Got some friends that I can go to workin' for.
G
Am
D7
G
Yet I wish you'd change your mind, if I asked you one more time
Am7
C
D7
But we've been through this a hundred times or more.
G
Am
D7
G
Am
D7
G
Am
D7
G
Am7
C
D7
G
Am
D7
G
If I get there before the snow flies, and if things are looking good.
Am
D7
You could meet me if I sent you down the fare,
G
Am
D7
G
But by then it would be winter, not too much for you to do.
Am7
C
D7
And the winds can sure blow cold way up there.
G
Am
D7
G
Am
D7
G
Am
D7
G
Am7
C
D7 G
FOURTH TIME AROUND
Bob Dylan
C F
C
F
C
F
C
F C F
She.. threw me outside, I stood in the dirt where every one walked.
C F
C
F
C
F
C
F C F
And after finding that I'd forgotten my shirt, I went back and knocked.
Em
Dm
I waited in the hallway, she went to get it, and I tried to make sense,
C
F
C
F
C
F C F
Out of that picture of you in your wheelchair that leaned up against
Capo 2 D-Harp (Original: E)
C F
C F
C
F
C
F
C
When she said, "Don't waste your words, they're just lies,"
F
C
F C F
I cried she was deaf.
C
F
C
F
C
And she worked on my face until breaking my eyes,
F
C
F C F
An' said, "What else you got left?"
Em
Dm
It was then that I got up to leave, but she said, "Don't forget,
C
F
C
F
C
F
Ev'rybody must give something back for something they get."
C F
C
F
C
I....... stood there and hummed, I tapped on her drum
F
C
F C F
I asked her how come.
C F
C
F
C
And she buttoned her boot, and straightened her suit,
F
C
F C F
Then she said, "Don't get cute."
Em
Dm
So I forced my hands in my pockets and felt with my thumbs,
C
F
C
F
C
F C F
And gallantly handed her my very last piece of gum.
C F
C F
C
F
C
F
C
F C F
Her Jamaican rum and when she did come, I asked her for some.
C
F
C
F
C
She said, "No, dear." I said, "Your words aren't clear,
F
C
F C F
You'd better spit out your gum."
Em
Dm
She screamed till her face got so red, then she fell on the floor,
C
F
C
F
C
F C F
And I covered her up and then thought I'd go look through her drawer.
C F
C
F
C
F
C F C F
An...d when I was through, I filled up my shoe and brought it to you.
C
F
C
F
C
F
C F C F
And you, you took me in, you loved me then, you never wasted time.
C F
C
F
C
And I, I never took much, I never asked for your crutch,
F
C
F C F
Now don't ask for mine.
Instr: D-Harp
FRAG DEN ABENDWIND
Francoise Hardy
C
Dm G7
C
Frag' den Abendwind, wo das Glück beginnt,
Am
Dm G7
C
Aber frage nicht, woran es manchmal zerbricht.
Dm G7
C
Frag' den Silbermond, wo die Liebe wohnt,
Am
Dm G7
C
Doch wann sie zerbricht, das frage nicht.
C
Dm
Märchen sind so wunderschön, weil die Kinder sie verstehn,
G
F
C
Und der Prinz am Ende doch den bösen Drachen stets besiegt.
Dm
Wer den Regenbogen fand, der am hohen Himmel stand,
d...
c...
a, a,
c h
g, g, d c
F
G7
C
Der allein weiß, wo der schönste Schatz der Welt begraben liegt.
C
Dm G7
C
Am
Dm G7
C
Dm G7
C
Am
Dm G7
C
C
Dm
Immer bricht der Sommerwind Blüten wie ein kleines Kind,
G
F
C
Das mit seinem schönsten Spielzeug nichts mehr anzufangen weiß.
Dm
Alle Straßen sind so grau, doch die Welt dreht sich im Kreis,
F
G7
C
Immer werden Sterne blind, wenn neu ein junger Tag beginnt.
C
Dm G7
C
Am
Dm G7
C
Dm G7
C
Am
Dm G7
C
Am Dm G7 C
FREIGHT TRAIN
Trad.
Capo 4 E-Harp
Instr.: 1 Verse
C
G7
Freight train, Freight train, goin' so fast,
C
E7
F
Fm
Please don't tell what train I'm on
C
G7
C
So they won't know where I'm gone.
C
G7
Freight train, Freight train, goin' round the bend,
C
Freight train, Freight train, comin' back again,
E7
F
Fm
One of these days turn that train around
C
G7
C
And go back to my home town.
C
G7
One more place I'd like to be,
C
One more place I'd like to see,
E7
F
Fm
To watch them old Blue Ridge Mountains climb,
C
G7
C
When I ride old number nine.
Instr.: 1 Verse E-Harp
C
G7
When I die Lord, bury me deep,
C
Down at the end of Chestnut Street,
E7
F
Fm
Where I can hear old Number Nine
C
G7
C
As she comes down the line.
C
G7
C
E7
F
Fm
Please don't tell what train I'm on
C
G7
C
So they won't know where I'm gone.
FREIHEIT
C Dm G
C
G
Die Verträge sind gemacht
Dm
C
Und es wurde viel gelacht
Em
Dm
Und was Süßes zum Dessert
C G
Am
Freiheit, Freiheit.
C
G
Die Kapelle, rum-ta-ta
Dm
C
Und der Papst war auch schon da
Em
Dm
Und mein Nachbar vorneweg
C G
Am GFreiheit, Freiheit,
F
Em
G
Ist die einzige, die fehlt.
C G Dm Am GFreiheit, Freiheit,
F
Em
G
Ist die einzige, die fehlt.
Dm
Am
Der Mensch ist leider nicht naiv.
F
G
Der Mensch ist leider primitiv.
C G Dm
Am GFreiheit, Freihei-ei-ei-ei-eit,
F
Em
G
Wurde wieder abbestellt.
C
G
Alle, die von Freiheit träumen,
Dm
C
Sollen das Feiern nicht versäumen,
Em
Dm
Sollen tanzen auch auf Gräbern.
C G
Am GFreiheit, Freiheit,
F
Em
G
Ist das einzige, was zählt.
C G Dm Am GFreiheit, Freiheit,
F
Em
G
Ist das einzige, was zählt.
FROM ME TO YOU
Beatles
Capo 2 P. (Original: C)
G
Em
Dada da dada dum dum da
G
Em
G
Em
( From me )
G
D
( To you )
C7
Em
G
D7
G
Just call on me and I'll send it along with love from me to you.
G
Em
G
D
If there's anythin' that you want; if there's anythin' I can do,
C7
Em
G
D7
G
Dm7
G7
C
I´ve got arms that long to hold you and keep you by my side.
A7
D
D+
I´ve got lips that long to kiss you and keep you satisfied.
G
Em
G
D
If there's anythin' that you want, like a heart that's, oh, so true,
C7
Em
G
D7
G
G
Em
G
D
If there's anythin' that you want; if there's anythin' I can do,
C7
Em
G
D7
G
Em
D#+
G
Em
To you, to you, to you
Dm7
G7
C
I´ve got arms that long to hold you and keep you by my side.
A7
D
D+
I´ve got lips that long to kiss you and keep you satisfied. Ooo
G
Em
G
D
If there's anything that you want; if there's anything I can do,
C7
Em
G
D7
G
D+: x00332
FÜR GABY TU ICH ALLES
Gerd Böttcher
Capo 3 (Original: B / C)
| G Em | 4x
g, h
d e
d
G
Em
G
Em
Ich schau im Städtchen, nicht mehr nach den Mädchen,
G D
D7
Für Gaby tu ich alles.
fis, a
c
e
d
D7
Das wird euch neu sein, ich kann plötzlich treu sein,
G
D
G
Em
G
Em
Schön war das Wandern, von einer zu andern,
G
G7
C
Doch tausend mal so schön
c e g a g g, h d fis e
Cm G
Em
Ist es bei Gaby, bei meiner Gaby,
D7
G G/F# E
Ihr solltet Gaby mal se..........hn,
Am
D7
G Em G Em
Dann würdet ihr mich verstehn.
G
Em
G
Em
Ich helf‘ seit Wochen, ihr täglich beim Kochen,
G D
D7
D7
Ich trag auch munter, den Mülleimer runter,
G
D
G
Em
G
Em
G
G7
C
Cm G
Em
Ist es bei Gaby, bei meiner Gaby,
D7
G G/F# E
Ihr solltet Gaby mal se..........hn,
Am
D7
G Em G Em
Dann würdet ihr mich verstehn.
G
Em
G
Em
Einmal da bringe, ich ihr goldne Ringe,
G D
D7
D7
Dann will ich's wagen, ganz laut ja zu sagen,
G
D
Ist es bei Gaby, bei meiner Gaby
Ihr solltet Gaby mal sehn, dann würdet ihr mich verstehn.
FÜR MICH SOLL‘S ROTE ROSEN REGNEN
Hildegard Knef
Capo 2
Riff: g d e g g d e g g d e g g
G
Am7
G
Am7
a, h, h,
h, h, a, d, h, e
Em
D6
Bm
Em
Mit Sechzehn sagte ich still: ich will,
d
e
e
d e e d e e
d e e
Am
D9
G6
Em
Will groß sein, will siegen, will froh sein, nie lügen.
D6
Bm
Em
C
Mit Sechzehn sagte ich still: ich will, will alles
Am7
Dsus D
Oder nichts.
G
Em
Am7 D7
Für mich soll‘s rote Rosen regnen,
Bm
Em
Am7
D7
Mir sollten sämtliche Wunder begegnen,
G Em
Am7 D7
Die Welt sollte sich umgestalten
degg
degg
Bm
A7
D7
G
Am7
G
Und ihre Sorgen für sich behalten.
Em
D6
Bm
Em
Und später, sagte ich noch: Ich möcht
Am
D9
G6
Em
Verstehen, viel sehen, erfahren, bewahren.
D6
Bm
Em
C
Und später, sagte ich noch: Ich möcht nicht allein sein
Am7
Dsus
D
Und doch frei sein.
G
Em
Am7 D7
Bm
Em
Am7
D7
Mir sollten sämtliche Wunder begegnen,
G
Em
Am7
D7
Das Glück sollte sich sanft verhalten,
degg
degg
Bm
A7
D7
G
Am7
G
Es soll mein Schicksal mit Liebe verwalten.
Em
D6
Bm
Em
Und heute, sage ich still: Ich sollt
Am
D9
G6
Em
Mich fügen, begnügen, ich kann mich nicht fügen,
Am
D9
Bm
Em
C
Kann mich nicht begnügen: will immer noch siegen. Will alles,
Am7
Dsus D
Oder nichts.
G Em
Am7 D7
Bm
Em
Am7
D7
Mir sollten ganz neue Wunder begegnen,
G
Em
Am7 D7
Mich fern vom Alten neu entfalten,
degg
degg degg degg
Bm
A7
D7
G
Am7
G
Am7
G
Von dem, was erwartet, das meiste halten.
Ich will,
ich will
Original: Bb
GALA WATER
Trad.
C
Am
C
Bonnie lass o' Gala Water
G
F
G
Braw braw lass o' Gala Water
C
G
F
Am
I would range the mountains sae deep
C
G
F
G
Wi' you bonnie lass o' Gala Water
C
Am
C
Sae fair her hair, sae brent her brow
G
F G
Sae bonnie blue her een and cheerie
C
G
F
Am
The mair I kiss her cherry lips
C
G
F G
The mair I wish upon my dearie
C
Am
C
G
F
G
C
G
F
Am
C
G
F
G
C
Am
C
O'er yonder moor, o'er yonder mountain
G
F G
O'er yon bonnie hills taegether
C
G
F
Am
O, I would range the length o´ the Isle
C
G
F G
My own bonnie lass tae foregather
C
Am
C
G
F
G
C
G
F
Am
C
G
F
G
C
Am
C
Lords and lairds come here tae woo
G
F G
And gentlemen wi' sword and dagger
C
G
F
Am
But the black eyed lass o' Galashiels
C
G
F
G
Would hae nane but the gree o' Gala Water
Bonnie lass o' Gala Water ....
GAMES PEOPLE PLAY
Joe South
E
B
La-den-da da-da da-da-da. La-den-da da-da da-da-dee
A
B
E
>>> F
Talking 'bout you and me and the games people play, now
(Original: A)
D
A
G
A
D
La-den-da da-da da-da-da. La-den-da da-da da
D
A
Oh the games people play now, every night and every day now
G
A
D
Never meaning what they say now, never saying what they mean
D
A
While they whine away the hours in their ivory towers
G
A
D
Till they're covered up with flowers in the back of a black limousine, whoa!
D
A
G
A
D
Talking 'bout you and me and the games people play, now
>>> E
E
B
Oh we make one another cry. Break their hearts and we say goodbye
A
B
E
Cross their hearts and we hope to die, that the other was to blame, whoa
E
B
Neither one will ever give in. So they gaze at an eight by ten
A
B
E
Thinkin' how it might have been and it's a dirty rotten shame, whoa
F
C
People walking up to you, singing Glory Hallelujah
Bb
C
F
And they try to suck it to you in the name of the Lord
F
C
They gonna teach you how to meditate,read your horoscope and teach you faith
Bb
C
F
And further more to hell with hate. Come on and get on board, whoa
F
C
Bb
C
F
>>> G
Talking 'bout you and me and the games people play.... Now wait a minute:
G
D
Look around and tell me what you see, what's happening to you and me
C
D
G
God grant me the serenity to just remember who I am, whoa
G
D
Cause you've given up your sanity for your pride and your vanity
C
D
G
Turn your back on humanity and you don't give a da da da da da
G
D
C
D
G
Talking 'bout you and me and the games people play, now .....
GANZ UND GAR
G
C
Ich würd’ mich für dich erhängen und ich würd’ vom Hochhaus springen
G
C
Ich würd’ mich für dich erschießen, mit Benzin mich übergießen.
Em
D
Em
C
Doch Garantie geb’ ich keine, wenn du mich liebst, dann mich alleine,
G
D
C
G
Drum halt mich fest, ich will dich spüren - ganz und gar.
G
C
Glaubst du deiner Mutter, denn sie schwört auf gute Butter,
G
C
Und glaubst du deinem Vater, der sein Leben nur gespart hat.
Em
D
Em
C
Denn Garantie gibt dir keiner, kein lieber Gott, auch der nicht leider.
G
D
C
G
Wenn du liebst, bist du alleine - ganz und gar.
Em
D
Mein Mädchen komm, lass uns verschwinden.
Em
D
Und frag mich nicht nach einem Sinn.
C
G
Ich liebe dich, ohne zu denken.
C
G
Ich liebe dich. Lass es geschehn.
G
C
Ich glaubte nie an Liebe, die dann immer Liebe bliebe.
G
C
Und ich glaubte nie an Sehnsucht, die mir mein verdammtes Herz
bricht.
Em
D
Em
C
Denn Garantie gibt dir keiner und ein Mann, der soll nicht weinen,
G
D
C
G
Doch ich genieße meine Tränen - ganz und gar.
Instr. Vers
Em
D
Mein Mädchen komm, lass uns verschwinden.
Em
D
Und frag mich nicht nach einem Sinn.
C
G
Ich liebe dich, ohne zu denken.
C
G
Ich liebe dich. Lass es geschehn.
G
C
Vielleicht können wir ja siegen und den Himmel jetzt schon kriegen.
G
C
Ja vielleicht können wir ja siegen, mit dem Leben ohne Lügen.
Em
D
Em
C
Doch Garantie gibt dir keiner, kein lieber Gott, auch der nicht leider.
G
D
C
G
Drum halt mich fest, ich will dich spüren - ganz und gar.
GEE BABY, AIN’T I GOOD TO YOU?
Andy Razaf, Don Redman, 1929
Capo 3
Intro: | A7 F7 | E7 A7 |
| D7 G7 | C E7 |
A7
F7
E7
A7
Love makes me treat you
the way that I do
D7
G7
C6
E7
Gee baby, ain't I good to you?
A7
F7
E7
A7
There's nothing too good for a girl so good and true
D7
G7
C6
C7
F6
F#dim
C
C7
Bought you a fur coat for Christmas,
a diamond ring
F6
F#dim Fdim
E7
A big Cadillac car and
everything
A7
F7
E7
A7
the way that I do
D7
G7
C6
E7
Instr.: Chorus + Verse
A7
F7
E7
A7
the way that I do
D7
G7
C6
E7
A7
F7
E7
A7
There's nothing too good for a girl so good and true
D7
G7
C6
C7
F6
F#dim
C
C7
Bought you a fur coat for Christmas,
a diamond ring
F6
F#dim Fdim
E7
A big Cadillac car and
everything
A7
F7
E7
A7
the way that I do
D7
G7
E7
A7
D7
G7
E7
A7
D7
G7
C6
GEORGIA ON MY MIND
Ray Charles
Capo 2
C
E7
Am
F
Fm
Georgia,
Georgia,
the whole day through
C
A7
Just an old sweet song
Dm7 G7
Em7
A7
Dm7
G7
Keeps Georgia on my mind.
C
E7
Am
F Fm
Georgia,
Georgia,
a song of you
C
A7
Comes as sweet and clear
Dm7
G7
C
Fm
C
As moonlight through the pines.
a, c d
e
c a c
Am E7 Am
F
Other arms reach out to me.
a c d
e
g e
fis
Am E7
Am
F#dim
Other eyes smile tender...........ly.
a c d
e
g
a‘ h
Am E7
Am
B7
Still in peaceful dreams I see
a
g e
g e d
Em
A7
Dm7 G7
The road leads back to you.
E7
C
E7
Am
F Fm
Georgia,
Georgia,
no peace I find
C
A7
Dm7 G7
C
Fm
C
E7
Am E7 Am
F
Other arms reach out to me.
Am E7
Am
F#dim
Other eyes smile tender...........ly.
Am E7
Am
B7
Still in peaceful dreams I see
Em
A7
Dm7 G7
The road leads back to you.
C
E7
Am
F Fm
Georgia,
Georgia,
no peace I find
C
A7
Dm7 G7
E7 A7
Dm7
G7
C
Fm C
GET BACK
Instr. Verse
Beatles
Capo 3 P.
E
C-Harp (Original: A)
D-A
E
Jojo was a man who thought he was a loner
A
E
But he knew it couldn't last
Jojo left his home in Tucson, Arizona
A
E
For some California grass
E
Sweet Loretta Martin thought she was a woman
A
E
But she was another man
All the girls around her say she's got it coming
A
E
But she gets it while she can
Get back .... (Get back Loretta)
Instr. Verse
E7 Em7
E7 Em7
Get back,
get back
A
E
Get back to where you once belonged
E7 Em7
E7 Em7
Get back,
get back
A
E
Get back to where you once belonged
Instr. Verse
C-Harp
Get back .... (Get back, Joe)
C-Harp
C-Harp
Get back .....
D-A
Instr. Verse
C-Harp
Get back ....
D-A E
(Get back Jojo)
Spoken: Get back Loretta, your mother's waiting for you
Wearing her high-heel shoes
And her low-neck sweater
Get on home Loretta
GET DOWN
Gilbert O‘Sullivan
(Original: C#)
Riff: gis>a e fis e fis ....
A
E
A
Told you once before and I won't tell you no more
D
A
Bm
Get down, get down, get down
E7
D
A
E
You're a bad dog baby, but I still want you around
A
You give me the creeps when you - jump on your feet
D
A
Bm
So get down, get down, get down
E7
D
A
Keep your hands to yourself - I'm strictly out of bounds
gis
gis gis e e cis, e
C#m
Once upon a time I drank a lit--tle wine
F#m
Was as happy as could be, happy as could be
Bm
Now I'm just like a cat on a hot tin roof
D
E7
Baby what do you think you're doin' to me
A
D
A
Bm
E7
D
C#m F#m
You're a bad dog baby, but I still want you around around
D
E7 A
E
I still want you around - hey hey hey
A
I don't give a damn and I'd like you if you can to
D
A
Bm
Get down, get down, get down
E7
D
A
E
You're a bad dog baby, but I still want you around
gis
gis gis e e cis, e
C#m
Once upon a time I drank a lit--tle wine
F#m
Was as happy as could be, happy as could be
Bm
Now I'm just like a cat on a hot tin roof
D
E7
Baby what do you think you're doin' to me
A
D
A
Bm
E7
D
C#m F#m
You're a bad dog baby, but I still want you around around
D
E7 A
E
A
E
I still want you around - ooh huh ooh ooh huh ooh ooh huh ooh
F | Bb | G | C | A (Riff .... )
ooh huh ooh ......
GHOST RIDERS IN THE SKY
Johnny Cash
P. Capo 2
Am
C
An old cowboy went ridin' out one dark and windy day,
Am
C
At Bolder Ridge he rested as he went along his way
Am
When all at once a mighty herd of red eyed cows he saw
F
Am
Driving through the ragged sk-----ies and up a cloudy draw.
Am
C
Their brands were still on fire and their hooves were made of steel
Am
C
Their horns were black and shiny and their hot breath he could feel
Am
A bolt of fear cut through him as they thundered through the sky
F
Am
For he saw the riders coming hard... and he heard their mournful cry
Am
C
Am
Yippe-ai - oh, yippee-ai - ay,
F
Am
Ghost riders in the sky.
Am
C
Their faces gaunt, their eyes were blurred their shirts all soaked with sweat
Am
C
They're ridin' hard to catch that herd, but they ain't caught 'em yet'
Am
'Cause they've got to ride forever on that range up in the sky
F
Am
On horses snorting fire, as they ride on, hear their cry
Am
C
Am
F
Am
Am
C
As the riders loped on by him he heard one call his name
Am
C
If you want to save your soul from hell a riding on our range
Am
Cowboy change your ways today, or with us you will ride.
F
Am
Driving with the devils herd.... across this moonlit sky.
Am
C
Am
F
Am
F
Am
GIRL
Beatles
Am (*c') E7
Am
Am7
Is there anybody goin to listen to my story,
Dm
C
E7
All about the girl who came to stay ?
Am
E7
Am
Am7
She's the kind of girl you want so much it makes you sorry,
Dm
Am
Still, you don' t regret a single day.
C
Em
Ah, Girl......
C
Em
Girl...
Dm/A
f f f ...
Dm/A
G7
G7
Am (*c')
E7
Am
Am7
When I think of all the times I've tried so hard to leave her,
Dm
C
E7
She will turn to me and start to cry.
Am
E7
Am Am7
And she promises the earth to me and I believe her.
Dm
Am
After all this time I don't know why.
C
Em
Ah, Girl......
C
Em
Girl...
Dm/A
f f f ...
Dm/A
G7
G7
Dm
A
She's the kind of girl who puts you down when friends are there,
Dm
A
You feel a fool.
Dm
A
When you say she's looking good, she acts as if it' s understood.
Dm
F
She' s cool, cool, cool, cool.
C
Em
Ah, Girl......
C
Em
Girl...
Dm/A
f f f ...
Dm/A
G7
G7
Am (*c')
E7
Am
Am7
Was she told when she was young that fame would lead to pleasure ?
Dm
C
E7
Did she understand it when they said
Am
E7
Am Am7
That a man must break his back to earn his day of leisure ?
Dm
Am
Will she still believe it when he's dead ?
C
Em
Ah, Girl......
C
Em
Girl...
(Original: Cm)
Dm/A
f f f ...
Dm/A
G7
G7
GIRL FROM IPANEMA, THE
Astrud Gilberto
Fmaj - F#maj7
Fmaj7 (*g)
Tall and tan and young and lovely
G7
The girl from Ipanema goes walking
Gm7
F#7
Fmaj7 F#maj7
And when she passes, each one she passes goes - ahhh!
Fmaj7
When she walks, it‘s like a samba
G7
That swings so cool and sways so gentle
Gm7
F#7
Fmaj7
That when she passes, each one she passes goes - ahhh!
F#maj7 (*f)
B9
Oh, but I watch her so sadly,
Amaj7 (*gis)
D9
How can I tell her I love her?
Bbmaj7 (*a)
D#9
Yes, I would give my heart gladly
Am7 (*c‘)
G#7
But each day, when she walks to the sea
Gm7
F#7
She looks straight ahead, not at me
Fmaj7 (*g)
G7
Gm7
F#7
Fmaj7
And when she passes, I smile - but she doesn‘t see
F#maj7
Fmaj7 F#maj7
Fmaj7 F#maj7
She just doesn't see,
no, she just doesn't see
Instr.
Oh, but I watch her so sadly,.....
Fmaj7 (*g)
G7
Gm7
F#7
Fmaj7
And when she passes, I smile - but she doesn‘t see
F#maj7
Fmaj7 F#maj7
Fmaj7 F#maj7
She just doesn't see,
no, she just doesn't see...
Chords:
Fmaj7: 102210
F#maj7: 2x332x
B9:
Amaj7: 202224
(2)21222
Bbmaj7: 30 3335
GIRL FROM THE NORTH COUNTRY
Bob Dylan, Johnny Cash
Intro: 1/2 Verse G-Harp
Bob:
Bm
C
G
If you're travellin' to the north country fair,
Bm C
G
Where the winds hit heavy on the borderline
Bm C
G
Remember me
to one who lives there
Bm C
G
For she once was a true love of mine.
Johnny:
Bm
C
G
See for me, that her hair‘s hanging down
Bm C
G
It curls and falls
all down her breast,
Bm
C
G
See for me, that her hair‘s hanging down
Bm
C
G
That's the way I remember her best.
Bob:
Bm
If you go
C
G
when the snowflakes fall
Bm C
G
When the rivers freeze and summer ends
Bm
C
G
Please see for me if she‘s wearin‘ a coat so warm
Bm
C
G
To keep her from the howlin' winds.
Johnny:
Bm
C
G
I'm a wonderin', if she remembers me at all
Bm C
G
Many times
I've often prayed
Bm
C
G
In the darkness of my night
Bm
C
G
In the brightness of my day.
Instr.: 1/2 Verse G-Harp
Both:
Bm
C
G
If you're travellin' in the north country fair,
Bm
C
G
Where the winds hit heavy on the borderline
Bm C
G
Remember me to one who lives there,
Bm C
G
For she once was a true love of mine.
Bm C
G
True love of mine,
a true love of mine.
Bm C
G
She once was a true love of mine.
Instr.: 1/2 Verse G-Harp
GIVE PEACE A CHANCE
Beatles
Capo 1 P.
A
Everbodys talking about Bagism, Shagism,
Dragism, Madism, Ragism, Tagism,
This-ism, That-ism, isn't it the most?
A
E7
All we are saying
A
E7
All we are saying
A
is give peace a chance
A
A
Everbodys talkin about Ministers, Sinisters,
Banisters, Canisters, Bishops and Fishops,
Rabbits and popeyes, Bye-bye Bye-byes
A
E7
All we are saying
A
E7
All we are saying
A
A
A
Let me tell you now,
Everybodys talking about Revolution, Evolution,
Mastication, Flagellation, Regulations, Integregations,
Meditation, Unitied Nations, Congratulations
A
E7
All we are saying
A
E7
All we are saying
A
A
A
Ok lets stick to it,
Everybodys talkin about John and Yoko, Timmy Leary,
Rosemary, Tommy Smothers, Bobby Dylan, Tommy Cooper,
Derek Taylor, Norman Mailer, Alan Ginsberg,
Hare Krishna, Hare Hare Krishna
A
E7
All we are saying
A
E7
All we are saying
A
A
A
E7
All we are saying
A
E7
All we are saying
A
A
GLORY OF LOVE, THE
F
As long as there's the two of us
C
C7
We've got the world and all its charms
F
And when the world is through with us
G7
We've got each other's arms
Billy Hill 1936
Capo 4
C
G7
You've got to give a little,
take a little
C
C7
F
And let your poor heart break a little
C
That's the story of,
G7
C
C7-F-Fm-G
That's the glory of love
C
G7
You've got to laugh a little,
cry a little
C
C7
F
Until the clouds roll by a little
C
G7
C
C7
F-F#-G7
C
G7
You've got to win a little,
lose a little
C
C7
F
Yes, and always have the blues a little
C
G7
C
A7
C
G7
C
C7-F-Fm-G7-C
GOING UP THE COUNTRY
Canned Heat
P.
Flute (c-cis-e c-cis h a fis, a cis ...)
(Statt Flöte: doo doobn doo...)
A D A
E
A
A
I'm go.....in up the country. Baby don't you wanna go?
D
A
I'm goin up the country. Baby don't you wanna go?
E7
A
I'm goin' to someplace where I've never been before
A
I'm goin', I'm goin' where the water tastes like wine
D
A
I'm goin' where the water tastes like wine
E7
A
We can jump in the water, stay drunk all the time
Flute
A
I'm gonna leave the city, got to get away
D
A
I'm gonna leave the city, got to get away
E7
A
All this fussin and fightin man, you know I sure can't stay
A
Now baby pack the leavin trunk you know we've got to leave today.
Just exactly where were goin I cannot say but
D
A
We might even leave the USA
E7
A
Well its a brand new game, I don't wanna play
Flute
D
A
No use of you running or screaming and crying
E7
A
Cause you've got a home man, long as I‘ve got mine
Flute
(Original: Bb)
GOLDENER REITER
Joachim Witt
(Original: Gm)
Emaj7: 0 2 2 1 4 4
F#m
F#m
A
E
E-F-F#m
An der Umgehungsstraße, kurz vor den Mauern unserer Stadt,
F#m
A
E
E-F-F#m
Steht eine Nervenklinik, wie sie noch keiner gesehen hat.
F#m
A
E
E-F-F#m
Sie hat das Fassungsvermögen sämtlicher Einkaufszentren der Stadt.
F#m
A
E
E-F-F#m
Geh'n dir die Nerven durch, wirst du noch verrückter gemacht.
F#m
E
Hey - Hey - Hey - Ich war der goldene Reiter;
F#m
E
Hey - Hey - Hey - Ich bin ein Kind dieser Stadt.
F#m
E
Hey - Hey - Hey - Ich war so hoch auf der Leiter;
F#m
E
Doch dann fiel ich ab, doch dann fiel ich ab.
E-Emaj7-E E-Emaj7-E
F#m
E
F#m
E
F#m
E
F#m
E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E
F#m
A
E
E-F-F#m
Sicherheitsnotsignale, lebensbedrohliche Schizophrenie
F#m
A
E
E-F-F#m
Neue Behandlungszentren bekämpfen die wirklichen Ursachen nie.
E-Emaj7-E E-Emaj7-E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E
F#m
A
Auf meiner Fahrt in die Klinik
E
E-F-F#m
Sah ich noch einmal die Lichter der Stadt.
F#m
A
E
Sie brannten wie Feuer in meinen Augen
E-F-F#m
Ich fühlte mich einsam und unendlich schlapp.
F#m
E
F#m
E
F#m
E
F#m
E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E E-Emaj7-E
E-Emaj7-E
GOLDWATCH BLUES
Donovan
Capo 2 (Original: Capo 4)
Am
C
C/B Am
I went up for my interview on the fourth day of July,
C C/B Am
Personnel man he questioned me, until I nearly cried.
C C/B
Am
Made me fill in forms, until I shook with fear,
Break
C
C/B
Am
About the colour of my toilet-roll and if my cousin`s queer.
Am
C
C/B
Am
Here`s your goldwatch and the shackles for your chain,
C
C/B
Am
And your piece of paper, sayin’ you left here sane.
C
C/B
Am
And if you’ve a son, who wants a good career,
Break
C
C/B Am
Just get him to sign on the dotted line and work for fifty years.
Am
C
C/B Am
He asked me how many jobs I`ve had before,
C
C/B
Am
He nearly had a heart-attack, when I answered: four!
C
C/B Am
Four jobs in twenty years, oh this can never be,
Break
C
C/B
Am
We only take on men, who`ll work until they die.
Am
C
C/B
Am
Here`s your goldwatch and the shackles for your chain,
C
C/B
Am
And your piece of paper, sayin’ you left here sane.
C
C/B
Am
And if you’ve a son, who wants a good career,
Break
C
C/B Am
Just get him to sign on the dotted line and work for fifty years.
Am
C
C/B
Am
He took me outside to where the gravestones stand in line.
C
C/B Am
This is where we bury them, quick stone and in lime.
C
C/B
Am
And if you come to work for us, then this you must agree,
Break
C C/B Am
That if you`re going to die, please do it during tea-break.
Here`s your goldwatch....
Am
C
C/B Am
This story that you`ve heard, you may think rather queer,
C
C/B
Am
But it`s the truth, you’ll be surprised to hear.
C C/B
Am
I did not want no job upon the board,
Break
C
C/B
Am
I just wanted to take a broom and sweep the bloody floor.
Here`s your goldwatch....
GOOD RIDDANCE
Green Day
Instr: Verse Capo 4 (Original: G)
Am
C
Am
C
It's something unpredictable, but in the end it's right.
Am
G
C | Fadd9 G | C | Fadd9 G |
I hope you had the time of your life.
|C
| Fadd9 G | C
| Fadd9 G |
C
Fadd9
G
Another turning point, a fork stuck in the road
C
Fadd9
G
Time grabs you by the wrist, directs you where to go
Am (*a‘)
G
Fadd9
C
So make the best of this test, and don't ask why
Am
G
Fadd9
C
It's not a question, but a lesson learned in time
Am
C
Am
C
Am
G
I hope you had the time of your life. C
Fadd9
G So take the photographs and still frames in your mind
C
Fadd9
G Hang it on a shelf in good health and good time
Am
G
Fadd9
C Tattoos of memories and dead skin on trial
Am
G
Fadd9
C For what it's worth it was worth all the while
Am
C
Am
C
Am
G
Am
C
Am
C
Am
G
C | Fadd9 G | C | Fadd9 G | C
DAS LEBEN IST NE ACHTERBAHN
Deutscher Text: Jutta Dressler
Die Zeit verging so schnell mit Freunden - und allein
Du denkst darüber nach, was war und was wird sein
In guten Zeiten nutztest du fast jede Chance
Im Sturm vertrautest du der inneren Balance
Das Leben ist ne Achterbahn und du bist stets dabei
Ich wünsche dir, bleib glücklich und frei
Du schaust dir Fotos an und sie berühr‘n dich doch
Darin erkennst du dich, sie wirken immer noch
Erinner‘ dich genau, vergiss nicht diese Zeit
Wir fühlen uns noch jung, das Alter ist noch weit
Das Leben ist ne Achterbahn und du bist stets dabei
Ich wünsche dir, bleib glücklich und frei
GOODBYE BOOZE
Trad.
E
A
E
Well goodbye booze for evermore
B7
E
My boozin' days they're nearly o'er
A
E
We had a good time but we couldn't agree
B7
E
Would you see what booze has done to me
A
E
My mother used to say to me
B7
E
"You're young and foolish, you just can't see"
A
E
She used to fall on her knees and pray
B7
E
Cryin' "Boy, oh please would you change your way"
A
E
If I had listened to what my mama said
B7
E
I'd be at home lying in my bed.
A
E
I wouldn't be here in this jail-cell
B7
E
With an aching heart no tongue can tell.
A
E
So goodbye booze for evermore
B7
E
My boozin' days they're nearly o'er
A
E
We had a good time but we couldn't agree
B7
E
Would you see what booze has done to me
MY CREOLE BELLE
Mississippi John Hurt
E
A
E
My creole belle, I love her well
B7
E
My darling baby, my creole belle
A
E
B7
E
My darling baby, my creole belle
A
E
B7
E
I love her more, anyone can tell
A
E
When the stars do shine, I'll call her mine
B7
E
My darlin' baby, my creole belle
GOODBYE MUIRSHEEN DURKIN
Trad.
C
G
C
In the days I went a courtin', I was never tired resortin'
G
C
To the alehouse and the playhouse or many a house beside,
G
C
I told me brother Seamus I'd go off and go right famous
G
C
And before I'd return again I'd roam the world wide.
C
G
C
So goodbye Muirsheen Durkin, I'm sick and tired of working,
G
C
No more I'll dig the praties, no longer I'll be fool.
G
C
For as sure as me name is Carney, I'll be off to California,
G
C
Where instead of diggin' praties, I'll be diggin' lumps of gold.
C
G
C
Na na na na na na, scoobble oo bee I doo I dah
G
C
Na na na na na na, scoobble oo bee I dah
C
G
C
I've courted girls in Blarney, in Kanturk and in Killarney
G
C
In Passage and in Queenstown, that is the Cobh of Cork.
G
C
But goodbye to all this pleasure, for l'm going to take me leisure
G
C
And the next time you will hear from me will be a letter from New York,
C
G
C
G
C
G
C
G
C
C
G
C
G
C
>>> D
Na na na na na na, scoobble oo bee I dah
D
A
D
Goodbye to all the boys at home, l'm sailing far across the foam
A
D
To try to make me fortune in far America,
A
D
For there's s gold and money plenty for the poor and for the gentry
A
D
And when I come back again I never more will stray
D
A
D
A
D
A
D
A
D
D
A
D
A
D
Na na na na na na, scoobble oo bee I dah .....
GREAT PRETENDER, THE
Platters
C
F
G7
C
G7
C
Oh, yes, I'm the great pretender
F
C
Pretending that I'm doing well
F
G7
C
F
My need is such, I pretend too much
C
G7
C
G7
I'm lonely, but no one can tell.
C
G7
C
F
C
Adrift in a world of my own
F
G7
C
F
I play the game but to my real shame
C
G7
C
C7
You've left me to dream all alone.
F
C
Too real is this feeling of make believe
F
C
G7
Too real when I feel what my heart can't conceal.
C
G7
C
F
C
Just laughing and gay like a clown
F
G7
C
F
I seem to be what I'm not, you see,
C
G7
E7
I'm wearing my heart like a crown
C
G7
C
C7
Pretending that you're still around.
F
C
Too real is this feeling of make believe
F
C
G7
Too real when I feel what my heart can't conceal.
C
G7
C
F
C
Just laughing and gay like a clown
F
G7
C
F
I seem to be what I'm not, you see,
C
G7
E7
I'm wearing my heart like a crown
C
G7
C
C6
Pretending that you're still around.
(Original: G)
GREENBACK DOLLAR
Kingston Trio
Capo 2
Em
G
C
G
Some people say I'm a no count, others say I'm no good,
C
G
But I'm just a natural born travelin man,
D
Em
Doin what I think I should, oh yeah,
D
Em
Doin what I think I should.
G
C
G
C
And I don't give a damn about a greenback dollar,
G
C
G C
Spend it fast as I can,
G
C
G
C
For a wailin song and a good guitar,
D
Em
The only things that I understand, poor boy,
D
Em
The only things that I understand.
Em
G
C
G
When I was a little baby, my mama said: Hey son,
C
G
Travel where you will, and grow to be a man,
D
Em
And sing what must be sung, poor boy,
D
Em
Sing what must be sung.
G
C
G
C
G
C
G C
G
C
G
C
D
Em
D
Em
Em
G
C
G
Now that I'm a grown man, I've travelled here and there,
C
G
I've learned that a bottle of brandy and a song,
D
Em
The only ones who ever care, oh Lord
D
Em
The only ones who ever care
G
C
G
C
G
C
G C
G
C
G
C
D
Em
D
Em
GREEN FIELDS OF FRANCE, THE
Eric Bogle
Capo 2
D (*a,)
Bm
G
Em
How do you do, young Willy McBride?
A
G
D
Do you mind if I sit here down by your graveside
Bm
G
Em
And rest for a while in the warm summer sun
A
G
D
I've been walking all day and I'm nearly done
D (*a')
Bm
G
Em
I see by your gravestone you were only nineteen
A
D
A
When you joined the great falling in nineteen sixteen
D
Bm
G
Em
Well I hope you died quick and I hope you died clean
A
G
D
Or young Willy McBride was it slow and obscene?
A
G
D
Did they beat the drum slowly, did they play the fife lowly ?
A
G
A
Did they sound the death march as they lowered you down ?
G
D
Bm
Did the band play the last post and chorus ?
D
G
A D
Did the pipes play the flowers of the forest ?
Did you leave a young wife or a sweetheart behind
In some faithfull heart is your memory enshrined
And though you died back in nineteen sixteen
To that loyal heart you‘re forever nineteen
Or are you a stranger without even a name
Forever enshrined behind some old glass pane
In an old photograph torn and tattered and stained
And fading to yellow in a brown leather frame.
Did they beat the drum slowly, did they play the fife lowly ...
The sun shines bright on the green fields of France
A warm summer breeze makes the red poppies dance
The trenches have vanished long under the plow
There's no gas, no barbed wire, there's no gun firing now.
But here in this graveyard it's still no mans land
The countless white crosses in mute witness stand
To man's blind indifference to his fellow man
To a whole generation that were butchered and damned
Did they beat the drum slowly, did they play the fife lowly ...
I cant help but wonder, young Willy McBride
Do those who lie here really know why they died
Did they believe when they answered the call
Did they really believe that this war would end wars
Well the sorrow, the suffering, the glory, the shame
The killing and the dying were all done invain
For young Willy McBride it all happened again
And again, and again, and again, and again
GREEN GREEN GRASS OF HOME
Tom Jones
E
A
E
The old hometown looks the same as I step down from the train
B7
And there to meet me is my mama and papa
E
E7
Down the road I look and there runs Mary,
A
Hair of gold and lips like cherries
E
B7
E
A
E
It's good to touch the green green grass of home.
E
E7
A
Yes they've all come to meet me, arms reaching smiling sweetly
E
B7
E
B7
E
A
E
The old house is still standing, though the paint is cracked and dry
B7
And there's that old oak tree that I used to play on
E
E7
Down the lane I'd walk with my sweet Mary,
A
Hair of gold and lips like cherries
E
B7
E
A
E
E
E7
A
Yes they've all come to meet me, arms reaching smiling sweetly
E
B7
E
B7
E
A
E
Then I awake and look around me at four gray walls that surround me
B7
And I realize, I was only dreaming
E
E7
For there's a guard and there's a sad old padre,
A
Arm in arm we'll walk at daybreak
E
B7
E
A
E
Again I'll touch the green green grass of home.
E
E7
A
Yes they'll all come to see me in the shade of that old oak tree
E
B7
E
As they lay me neath the green green grass of home.
(Original: G#)
GREENLAND WHALEFISHERY
Trad.
Capo 3 G-Harp
D
A7 D
G
D
A7
Oh Greenland is an awful place, a place where there’s no green
D
G
Where there's ice and snow, and the whalefishes blow
D
A7
D
A7
D
A7
D
And the daylight's seldom seen, brave boys and the daylight's seldom seen.
D
A7
D
G D
A7
They signed us weary whaler men for the icy Greenland ground
D
G
They said we’d take a score of whales
D
A7
D
A7
D
A7
D
While we was outward bound, brave boys, while we was outward bound
D
A7
D
G
D
A7
The lookout up in the barrel he stood, a spyglass in his hand
D
G
There's a whale, there's a whale, there’s a whalefish, he cried
D
A7 D
A7
D
A7
D >>> E
And she blows at every span, brave boys and she blows at every span.
E
B7
E
A
E
B7
The harpoon struck, the line ran out and the whale gave a flurry with his tail
E
A
And he upset the boat - we lost a half a dozen men
E
B7
E
B7
E
B7
E
And we never caught that whale, brave boys and we never caught that whale
E
B7
E
A
E
B7
The losing of a half a dozen men, it grieved our captain sore
E
A
But the losing of that hundred barrel whale
E
B7
E
B7
E
B7
E
Oh it grieved him ten times more, brave boys, Oh it grieved him ten times more.
E
B7
E
A
E
B7
The winter star it did appear, it was time to anchor weigh
E
A
To stow below our running gear
E
B7
E
B7
E
B7
E
And homeward bear away, brave boys and homeward bear away.
Instr.: 1 Verse G-Harp
Instr.: 1 Verse G-Harp
E
B7
E
A
E
B7
The captain up on the quarter deck, the ice was in his eye:
E
A
Overhaul, overhaul! Let your davit tackles fall,
E
B7
E
B7
E
B7
E
And put your boats to sea, brave boys and put your boats to sea.
E
B7 E
A
E
B7
Oh Greenland is an awful place, a place where there’s no green
E
A
Where there's ice and snow, and the whalefishes blow
E
B7
E
B7
E
B7
E
And the daylight's seldom seen, brave boys and the daylight's seldom seen.
GREENSLEEVES
Trad.
Capo 4
Am
C
G
Em
Alas, my love, you do me wrong,
Am
Am/F E
To cast me off discourteously.
Am
C
G
Em
Am E7
Am
For I have loved you well and long, delighting in your company.
C
G
Em
Greensleeves was all my joy
Am
Am/F E
Greensleeves was my delight,
C
G
Em
Am
E7 Am
Greensleeves was my heart of gold and who but my Lady Greensleeves.
Am
C
G
Em
Your vows you've broken, like my heart,
Am
Am/F
E
Oh, why did you so enrapture me?
Am C
G
Em
Am
E7
Am
Now I remain in a world apart. But my heart remains in captivity.
Greensleeves was all my joy ...
Am
C
G
Em
I have been ready at your hand,
Am
Am/F E
To grant whatever you would crave,
Am
C
G
Em
Am
E7
Am
I have both wagered life and land, your love and good-will for to have.
Am
C
G
Em
If you intend thus to disdain,
Am
Am/F E
It does the more enrapture me,
Am C
G
Em
Am E7
Am
And even so, I still remain a lover in captivity.
Am
C
G
Em
My men were clothed all in green
Am
Am/F E
And they did ever wait on thee;
Am
C
G
Em
Am
E7
Am
All this was gallant to be seen and yet thou wouldst not love me.
Am
C
G
Em
Ah, Greensleeves, now farewell, adieu,
Am Am/F E
To God I pray to prosper thee,
Am C
G
Em
Am E7
Am
For I am still thy lover true, come once again and love me.
The song is supposedly written by Henry VIII for a woman he tried to seduce, called Anne Boleyn.
Lady Greensleeves was a prostitute, green sleeves were worn by prostitutes as a sign of their
profession.
GRIECHISCHER WEIN
Udo Jürgens
Bm
A
D
Es war schon dunkel, als ich durch Vorstadtstraßen heimwärts ging.
Bm
A
Da war ein Wirtshaus, aus dem das Licht noch auf den Gehsteig schien.
F#7
Bm
F#7
Bm
Ich hatte Zeit und mir war kalt, drum trat ich ein.
Bm
A
D
Und dann erzählten sie mir von grünen Hügeln, Meer und Wind.
Bm A
Von alten Häusern und jungen Frauen, die alleine sind.
F#7
Bm
F#7
Bm
Und von dem Kind, das seinen Vater noch nie sah.
Bm
A
D
Da saßen Männer mit braunen Augen und mit schwarzem Haar.
Bm
A
Und aus der Jukebox erklang Musik, die fremd und südlich war.
F#7
Bm
F#7
Bm
Als man mich sah, stand einer auf und lud mich ein.
Bm
A
D
Sie sagten sich immer wieder: Irgendwann geht es zurück.
Bm
A
Und das Ersparte genügt zu Hause für ein kleines Glück.
F#7
Bm
F#7
Bm
Und bald denkt keiner mehr daran, wie es hier war.
G
Griechischer Wein ist so wie das Blut der Erde.
D
Komm', schenk' mir ein und wenn ich dann traurig werde
A7
D
Liegt es daran, dass ich immer träume von daheim. Du mußt verzeih'n.
G
Griechischer Wein und die altvertrauten Lieder.
D
Schenk' noch mal ein, denn ich fühl' die Sehnsucht wieder.
A7
Bm F#7 Bm
In dieser Stadt werd' ich immer nur ein Fremder sein, und allein.
G
Griechischer Wein ist so wie das Blut der Erde.
D
Komm', schenk' mir ein und wenn ich dann traurig werde
A7
D
Liegt es daran, dass ich immer träume von daheim. Du mußt verzeih'n.
G
Griechischer Wein und die altvertrauten Lieder.
D
Schenk' noch mal ein, denn ich fühl' die Sehnsucht wieder.
A7
Bm F#7 Bm
In dieser Stadt werd' ich immer nur ein Fremder sein, und allein.
GUANTANAMERA
Latin
Capo 2
C
a’
F
G
C
F
G
Guantanamera, guajira Guantanamera.
C
F
G
C
F
G
Guantaname…ra, guajira Guantaname…ra.
c,
C
F G
C
F
G
Yo soy un hombre sincero, de donde crece la palma.
C
F
G
C
F
G
Yo soy un hombre sincero, de donde cre…ce la palma
C
F G
C
F G
Y antes de morirme quie…ro, echar mis versos del al…ma.
F
G
C
F
G
C
F
G
C
F
G
C
F
G
C
F
G
Mi verso es de un verde claro, y de un carmin encendido.
C
F
G
C F
G
Mi verso es de un verde claro, y de un carmin encendido.
C
F
G
C
F G
Mi verso es un ciervo herido, que busca en el monte ampa…ro.
F
G
C
F
G
C
F
G
C
F
G
C
F
G
C
F
G
Con los pobrés de la tierra, quiero yo mi suerte echar.
C
F
G
C
F
G
Con los pobrés de la tierra, quiero yo mi suerte echar.
C
F
G
C
F
G
El arroyo de la sierra, me complace mas quel ma.....r.
F
G
C
F
G
C
F
G
C
F
G
F
G
C
F
G
C
F
G
C
F
G
Guajira Guantanamera bedeutet sowohl „Guajira-Lied aus Guantánamo“
als auch „weiße Bäuerin aus Guantánamo“.
Ich bin ein aufrichtiger Mensch von da, wo die Palme wächst, Und bevor ich sterbe, möchte ich mir meine Verse von der Seele singen.
Mein Vers ist von hellem Grün und von entflammtem Rot Mein Vers ist ein verwundeter Hirsch, der im Gebirge Zuflucht sucht
Mit den Ärmsten der Erde will ich mein Schicksal teilen. Der Bach im Gebirge erfreut mich mehr als das Meer
GUINEVERE
Donovan
A
F
G
A
Guinevere of the royal court of Arthur,
F
G G7 A
Draped in white velvet, silk and lace;
F
G G7 A
The rustle of her gown on the marble staircase
e
e e g f d e f
e
F
G
G7 A
Sparkles on fingers slender and pale.
Am
A7
F
The jester he sleeps but the raven he peeps
d d d e f e
A
F
G
G7 A
Through the dark foreboding skies o'er the royal domain.
A
F
G
A
Maroon-colored wine from the vineyards of Charl'magne
F
G G7 A
Is sipped by the queen's lips and so gently,
F
G G7 A
Indigo eyes in the flick'ring candlelight,
e
e e d c, c, h, a, a, g, a,
F
G G7 A
Such is the silence over royal Camelot.
Am
A7
F
A
F
G
G7 A
Instr.: 1 Verse
A
F
G
A
Guinevere of the royal court of Arthur,
F
G G7 A
Draped in white velvet, silk and lace
F
G G7 A
The rustle of her gown on the marble staircase
e
e e d c, c, h, a, g, a,
F
G
G7 A
Sparkles on fingers both slender and pale.
Am
A7
F
A
F
G
G7 A
GUTE NACHT, FREUNDE
Reinhard Mey
A
Bm
E
A
Gute Nacht, Freunde, es wird Zeit für mich zu geh‘n.
D
C#m
Bm
Was ich noch zu sagen hätte, dauert eine Zigarette
E
A
und ein letztes Glas im Steh‘n.
A
Bm
E
Für den Tag, für die Nacht unter eurem Dach habt Dank
A
Für den Platz an eurem Tisch, für jedes Glas, das ich trank,
Bm
E
Für den Teller, den ihr mir zu den euren stellt,
A
D
E
A
Als sei selbstverständlicher nichts auf der Welt.
Bm
E
A
D
C#m
Bm
E
A
A
Bm
E
Habt Dank für die Zeit, die ich mit euch verplaudert hab‘
A
Und für Eure Geduld, wenn‘s mehr als eine Meinung gab.
Bm
E
Dafür, daß ihr nie fragt, wann ich komm‘ oder geh‘,
A
D
E
A
Für die stets offene Tür, in der ich jetzt steh‘.
Bm
E
A
D
C#m
Bm
E
A
A
Bm
E
Für die Freiheit, die als steter Gast bei euch wohnt.
A
Habt Dank, daß ihr nie fragt, was es bringt, ob es lohnt.
Bm
E
Vielleicht liegt es daran, daß man von draußen meint,
A
D
E
A
Daß in euren Fenstern das Licht wärmer scheint.
Bm
E
A
D
C#m
Bm
E
A
A
Bm
E
A
D
C#m
Bm
E
A
GUTEN ABEND, GUT' NACHT
Trad. / Johannes Brahms
Capo 2
Instr.: 1 Strophe
G (*h,)
D
Guten Abend, gut' Nacht, mit Röslein bedacht,
D7
D
G
Mit Näglein besteckt, schlupf unter die Deck!
C
G
D7
G
Morgen früh, wenn Gott will, wirst du wieder geweckt.
C
G
D7
G
Morgen früh, wenn Gott will, wirst du wieder geweckt.
Instr.: 1 Strophe
G
D
Guten Abend, gut' Nacht, von Englein bewacht,
D7
D
G
Die zeigen im Traum dir Christkindleins Baum.
C
G
D7
G
Schlaf nun selig und süß, schau ins Traumparadies.
C
G
D7
G
Schlaf nun selig und süß, schau ins Traumparadies.
Instr.: 1 Strophe
GYPSY ROVER
Trad.
G
D7
G
D7
The gypsy rover came over the hill
G
D7
G D7
Down through the valley so shady,
G
D
G
G/F# Em
He whistled and he sang 'til the greenwoods rang,
G
Am
G
C
G
D7
And he won the heart of a la...............dy.
G
D7
G
D7
Her father saddled up his fastest steed
G
D7
G D7
And roamed the valleys all ov....er
G
D
G G/F# Em
Sought his daughter at great speed
G
Am G
C
G
And the whistling gypsy ro...............ver.
Ah-de-do, ah-de-do-da-day...
G
D7
G
D7
Ah-de-do, ah-de-do-da-day,
G
D7
G D7
Ah-de-do, ah-de-da-ay
G
D
G
G/F# Em
He whistled and he sang 'til the greenwoods rang,
G
Am
G
C
G
D7
And he won the heart of a la...............dy.
G
D7
G
D7
He came at last to a mansion fine,
G
D7 G D7
Down by the river Claydee
G
D
G
G/F#
And there was music and there was
G
Am
G
C
G
For the gypsy and his la...............dy.
G
D7
G
D7
She left her father's castle gates
G
D7
G D7
She left her own fine lo....ver
G
D
G G/F# Em
She left her servants and her
state
G
Am G
C
G
D7
To follow the gypsy ro...............ver.
Ah-de-do, ah-de-do-da-day...
Ah-de-do, ah-de-do-da-day... D7
Em
wine,
D7
G
D7
G
D7
"He is no gypsy, my father" she said
G
D7
G D7
"But lord of these lands all o....ver,
G
D
G G/F# Em
And I shall stay 'til my dy.....ing day
G
Am G
C
G
With my whistling gypsy ro..............ver."
D7
HALLELUJAH
Leonard Cohen, Rufus Wainwright
G
Em
G
Em
I've heard there was a secret chord that David played and it pleased the
Lord
C
D
G
D
But you don't really care for music, do you?
G
C
B7
Em
C
It goes like this, the fourth, the fifth, the minor fall, the major lift
D
B7
Em
The baffled king composing Hallelujah
C
Em
C
G D G
Hallelujah, Hallelujah, Hallelujah, Hallelu……….jah
D
G
Em
G
Em
Your faith was strong but you needed proof, you saw her bathing on the roof
C
D
G
D
Her beauty and the moonlight overthrew you
G
C
B7
Em
C
She tied you to a kitchen chair. She broke your throne, she cut your hair
D
B7
Em
And from your lips she drew the Hallelujah
C
Em
C
G D G
D
G
Em
G
Em
Maybe I've been here before. I know this room, I've walked this floor
C
D
G
D
I used to live alone before I knew you
G
C
B7 Em
C
I've seen your flag on the marble arch. Love is not a victory march
D
B7
Em
It's a cold and it's a broken Hallelujah
C
Em
C
G D G
D
G
Em
G
Em
There was a time you let me know - What's real and going on below
C
D
G
D
But now you never show it to me, do you?
G
C
B7
Em
C
And remember when I moved in you? The holy dark was moving too
D
B7
Em
And every breath we drew was Hallelujah
C
Em
C
G D G
D
G
Em
G
Em
Maybe there's a God above and all I ever learned from love
C
D
G
D
Was how to shoot at someone who outdrew you
G
C
B7
Em
C
It's not a cry you can hear at night. It's not somebody who's seen the light
D
B7
Em
Its a cold and its a broken Hallelujah
C
Em
C
G D G
C
Em
C
G D G
D
HAMBORGER VEERMASTER, DE
Capo 3
d,
G
C
G
D
Ick heff mol en Hamborger Veermaster sehn.
To my hoday, to my hoday!
G
C
G
D7
G
De Masten so scheep as den Schipper sien Been. To my hoday, hoday ho!
G
C
G
Blow boys blow, for Californ-i-o.
C
G
Em
G
D7
G
There is plenty of gold so I am told on the banks of Sacramento.
A
D
A
Dat Soltfleesch weer grön, un de Speck weer vull Moden
E
A
D
A
Köm geff dat bloß an Wiehnachtsobend
E7
A
To my hoday, hoday ho!
A
D
A
D
A
F#m
A
E7
A
G
C
G
Dat Deck weer von Isen, vull Schiet un vull Smeer
D
G
C
G
Dat weer de Schietgäng ehr schönstes Pläseer
D7
G
G
C
G
C
G
Em
G
D7
G
A
D
A
Un wulln wi mol seiln, ick sech dat ja nur
E
A
D
A
Denn lööp he dree vorut und veer wedder retur
E7
A
A
D
A
D
A
F#m
A
E7
A
G
C
G
Dat Logis weer vull Wanzen, de Kombüs weer vull Dreck
D
G
C
G
De Beschütten, de löpen von sülben all wech
D7
G
G
C
G
C
G
Em
G
D7 G
>>> A
A
D
A
As dat Schipp, so weer ok de Kaptein
E
A
D
A
De Lüd for dat Schipp wörn ok bloß schangheit
E7
A
A
D
A
D
A
F#m
A
E7
A
Trad.
HAMBURG, MEINE PERLE
Lotto King Karl
C
Wenn du aus Dortmund kommst,
F
C
Schießt Geld dir keine Tore,
Am
Wenn du aus der Hauptstadt kommst,
D
G
Scheißen wir auf dich und dein Lied.
C
Wenn du aus Leverkusen kommst,
F
C
Dann lass den Torwart gleich zu Hause
Am
Wenn du auf Schalke kommst,
D
G
Ist das für uns 'nen Auswärtssieg.
F
C
F
C
Wenn ich weit, weit weg bin, ob in Juve oder Rom
F
C
Dann denk ich "Hamburg meine Perle" und singe:
D
G
Home sweet home!
C
G
Hamburg meine Perle
F
C
Du wunderschöne Stadt
G
Du bist mein Zuhaus, du bist mein Leben
F
G
C
Du bist die Stadt auf die ich kann, auf die ich kann
C
Wenn du aus Bremen kommst,
F
C
Gibts für dich hier nix zu holen.
Am
Wenn du aus Rostock kommst,
D
G
Bleibst du am besten gleich zu Haus.
C
Wenn du aus Cottbus kommst,
F
C
Kommst du eigentlich aus Polen.
Am
Wenn du aus München kommst,
D
G
Zieh'n wir dir die Lederhosen aus.
F
C
F
C
Wenn ich weit, weit weg bin, in Athen oder auf‘m Dom
F
C
Dann denk ich "Hamburg meine Perle" und singe:
D
G
Home sweet home!
C
G
Hamburg meine Perle
F
C
Du wunderschöne Stadt
G
Du bist mein Zuhaus, du bist mein Leben
F
G
C
Du bist die Stadt auf die ich kann, auf die ich kann
HANG DOWN YOUR HEAD
Tom Waits
Capo 1
g’
C
Dm G7
Csus4 C
Hush a wild violet, hush a band of go……..ld
Dm
G7
C
Hush you're in a story, I heard somebody told
C
Dm
G7
Csus4 C
Tear the promise from my heart, tear my heart toda….….y
Dm
G7
C
You have found another, oh Baby I must go away
Am
Em
Hang down your head for sorrow
F
G
C
Hang down your head for me
F
G
Hang down your head,
C
Am
Tomo….rrow,
Dm
G7
C
Hang down your head, Marie
Instr.: 1 Verse
C
Dm
G7
Csus4 C
Hush my love the rain now - Hush my love was so tru……..e
Dm
G7
C
Hush my love a train now, but it takes me away from you
Am
Em
F
G
C
F
G
C
Am
Dm
G7
C
Am
Em
F
G
C
F
G
C
Am
Dm
G7
C
HANG ON SLOOPY
McCoys
C
F
G7
F
C
F
G7
F
C F G7 F
Ha…..ng on Sloopy, Sloopy hang on
C
F
G7
F
C F G7 F
C
F
G7 F
C F G7 F
Sloopy lives in a very bad part of town
(ooooh……..)
C
F
G7
F
C
F G7 F
And ev'rybody, yeah, tries to put my Sloopy down
(ooooh……..)
C
F
G7
F
C F G7 F
Sloopy, I don't care what your daddy do
(ooooh …….)
C
F
G7
F
C F G7
Cause you know Sloopy girl, I'm in love with you
(ooooh …….)
F
And so I sing on:
C
F
G7
F
C F G7 F
C
F
G7
F
C F G7 F
(Yeah, yeah, yeah, yeah)
C
F
G7
F
C F G7 F
Sloopy, let your hair down, girl, let it hang down on me (ooooh…)
C
F
G7
F
C F G7 F
Sloopy, let your hair down, girl, let it hang down on me (ooooh…)
C
F
G7
Come on Sloopy (come on, come on)
C
F
G7
F
F
C
F
G7
F
C
F
G7
F
C
F
G7
Well it feels so good
(come on, come on)
F
C
F
G7
You know, It feels so good (come on, come on)
F
C
F
G7
Well shake it, shake it, shake it, Sloopy (come on, come on)
F
C
F
G7
Well shake it, shake it, shake it, yeah! (come on, come on)
Aaaaahhh !
C
F
G7
F
C
C
F
G7
F
C
C
F
G7
F
C
F G7 F
F G7 F
F G7 F C
HAPPY TOGETHER
Turtles
e--------3--2--0------0-----0------|
b------------------------3---------|
g----------------------------------|
d-----2------------2---------------|
a---2------------2-----------------|
e----------------------------------|
E
D
A
E
G
I can't see me loving nobody but you - For all my life
E
D
A
E
G
When you're with me, baby the skies will be blue - For all my life
2x
Em
D
Imagine me and you, I do - I think about you day and night, it's only right
C
B7
To think about the girl you love and hold her tight, so happy together
Em
If I should call you up, invest a dime
D
And you say you belong to me and ease my mind
C
B7
Imagine how the world could be so very fine, so happy together
E
D
A
E
G
I can't see me loving nobody but you - For all my life
E
D
A
E
G
When you're with me, baby the skies will be blue - For all my life
Em
D
Me and you and you and me. No matter how they tossed the dice, it had to be
C
B7
The only one for me is you and you for me, so happy together
Em
D
C
B7
Ba ba ba ba, ba ba-ba-ba ba ba ba... (as Refrain, "I can't see me loving...")
Em
D
C
B7
Em
B7
So happy together (bada ba ba, bada ba ba)
Em
B7
How is the weather (bada ba ba, bada ba ba)
Em
B7
Em
B7
(Original: F#m)
HARD TIMES
Trad.
Intro: C-Harp - last 2 lines
C
F
C
Let us pause in life's pleasures and count it‘s many tears
G
C
While we all share in sorrow with the poor.
F
C
There's a song that will linger forever in our ears,
F C
G
C
Oh, hard times, come again no more.
C
F C
It‘s the song, the sigh of the weary.
D
G
Hard times, hard times, come again no more.
C
F
C
Many days you have lingered all around my cabin door.
F C
G
C
C-Harp - last 2 lines
C
F
C
While we seek love and beauty and music light and gay.
G
C
There are frail forms fainting at the door.
F
C
Though their voices are silent, their pleading looks will say.
F C
G
C
C
F C
D
G
C
F
C
F C
G
C
C-Harp - last 2 lines
C
F
C
There's a pale droopy maiden who foils her life away
G
C
With a worn out heart, whose better days are o'er.
F
C
Though her voice it would be merry, it‘s sighing all the day,
F C
G
C
C
F C
D
G
C
F
C
F C
G
C
F C
G
C
C-Harp - last line
HARVEST
Neil Young
C-Harp
| C-G | C-G | C-G | C-G |
C
G
F
C
Did I see you down in a young girl's town
G
With your mother in so much pain?
F
G
Am
D
I was almost there at the top of the stairs
C
With her screamin' in the rain
C
G
F
C
Did she wake you up to tell you that
G
It was only a change of plan?
F
G
Am
D
Dream up, dream up, let me fill your cup
C
With the promise of a man.
C
G
F
C
Did I see you walking with the boys
G
Though it was not hand in hand?
F
G
Am D
And was some black face in a lonely place
C
When you could understand?
C
G
F
C
G
F
G
Am
D
C
Instr.: C-Harp
C
G
F
C
Will I see you give more than I can take?
G
Will I only harvest some?
F
G
Am
D
As the days fly past will we lose our grasp
C
Or fuse it in the sun?
C
G
F
C
G
F
G
Am
D
C
F
G
Am
D
C
(Original: D)
HAUGHS O' CROMDALE, THE
Trad.
Capo 3
Am
G
Am
For I will o'er the hills this day and see the Haughs of Cromdale
Am
G
As I cam in by Auchendoun, just a wee bit frae the toon
C
G
Am
Em
Am
Em
Am
Tae the Hielands I was bound, tae view the Haughs o' Cromdale
G
I met a man in tartan trews, speired at him what was the news
Am
G
Am
Quo' he, "The Hieland army rues that e'er we cam tae Cromdale"
Am
G
They were at dinner, every man, when great Montrose upon them cam'
C
G
Am
Em Am
Em
Am
A second battle then began upon the Haughs o' Cromdale
G
The Grant, Mackenzie and MacKay as Montrose they did espy
Am
G
Am
Then they fought most valiantly upon the Haughs o' Cromdale.
Am
G
We were in bed, Sir, every man when the English host upon us cam
C
G
Am
Em Am
Em
Am
A bloody battle then began upon the Haughs o' Cromdale
G
The English horse they were sae rude,they bathed their hooves in Hielan' blood
Am
G
Am
But oor brave clans they boldly stood upon the Haughs o' Cromdale.
Am
G
The MacDonalds they returned again, the Camerons did their standards join
C
G
Am
Em
Am
Em
Am
MacIntosh played a bloody game upon the Haughs o' Cromdale
G
The Gordons boldly did advance, the Frasers fought with sword and lance
Am
G
Am
The Grahams they made the heads tae dance upon the Haughs o' Cromdale.
Am
G
But alas we could no longer stay and o'er the hills we cam' away
C
G
Am
Em
Am
Em
Am
Sair we did lament that day that e'er we cam' tae Cromdale
G
Thus the great Montrose did say: Hielan' man show me the way
Am
G
Am
For I will over the hills this day to view the Haughs o' Cromdale.
Am
G
Then the loyal Stewarts wi' Montrose so boldly set upon their foes
C
G
Am
Em
Am
Em
Am
Laid them low wi' Hieland blows, layed them low on Cromdale
G
Of twenty thousand Cromwell's men a thousand fled tae Aberdeen
Am
G
Am
The rest o' them lie on the plain, upon the Haughs o' Cromdale.
G
Of twenty thousand Cromwell's men a thousand fled tae Aberdeen
Am
G
Am
The rest o' them lie on the plain, upon the Haughs o' Cromdale.
Am
G
Alas, my Lord, you’re not so strong, you scarcely have two thousand men,
C
G
Am
Em
Am
Em
Am
And there's twenty thousand english men, stand rank and file on Cromdale.
Am
G
Thus the great Montrose did say: Hielan' man show me the way
HAVE A DRINK ON ME
Lonnie Donegan
G
In 1880 down a dusty road,
C
Along came a miner with a big fat load.
D
G
D
Hey, hey, ev'rybody drink on me!
G
He was caked in dirt from his head to his foot,
C
His hair so black, that it look like soot.
D
G
D
G
Well, he reined in his mule and hitched him to the rail,
C
And he said, “Oh fella, it's the end of the trail.”
D
G D
G
Well, he ambled down to the old saloon,
C
He said, “I know a filly and it ain't quite noon,
D
G
D
But hey, hey, ev'rybody drink on me! Everybody !
G
Em
Have a drink, have a drink,have a drink on me, ev'rybody have a drink on me!
D
G
D
G
Em
Have a drink, have a drink,have a drink on me, ev'rybody have a drink on me!
D
G
D
G
Well, I just got a letter from down in Tennessee,
C
It said my uncle died and left an oil well to me.
D
G D
G
I've been diggin' all my life and I nearly got to hell,
C
But my uncle dug potatoes and he struck an oil well.
D
G D
Have a drink, have a drink, have a drink on me ....
G
Well, black gold, yellow gold, guess it’s all the same,
C
Take my tip and give up the mining game,
D
G D
G
Well, sell your shovel and your old Long Johns,
C
You can make a fortune right in Adam Faith’s songs,
D
G
D
Hey, hey, ev'rybody drink on me! One more time!
Have a drink, have a drink, have a drink on me ....
HAVE I TOLD YOU LATELY
Van Morrison
Capo 2
C
Em7
F
G7
Have I told you lately that I love you?
C
Em7
F
G7
Have I told you there's no one else above you?
Fmaj7
Em7
Dm7
Fill my heart with gladness, take away all my sadness
G7
C Dm7 - G7
Ease my troubles that's what you do.
C
Em7
F
G7
Oh, the morning sun in all it's glory
C
Em7
F
G7
Greets the day with hope and comfort, too.
Fmaj7
Em7
Dm7
You fill my life with laughter and somehow you make it better
G7
C
Dm7 - G7
Ease my troubles that's what you do.
Fmaj7
There's a love that's divine
Em7
Dm7 - Em7
And it's yours and it's mine.……like the sun.
Fmaj7
And at the end of the day
Em7
Dm7
G7
We should give thanks and pray……. to the one,
to the one.
C
Em7
F
G7
C
Em7
F
G7
Fmaj7
Em7
Dm7
G7
C Dm7 - G7
Ease my troubles that's what you do
Instr.
Fmaj7
There's a love that's divine
Em7
Dm7 - Em7
And it's yours and it's mine.……like the sun.
Fmaj7
And at the end of the day
Em7
Dm7
G7
We should give thanks and pray……. to the one,
to the one.
C
Em7
F
G7
C
Em7
F
G7
Fmaj7
Em7
Dm7
G7
C Dm7 - G7
Fmaj7
Em7
Dm7
G7
C
HAVE YOU EVER SEEN THE RAIN?
CCR
P.
Em
C
G
Riff: g fis e d d g (Riff 2x)
G
Someone told me long ago there‘s a calm before the storm,
D
G
I know, its been comin for some time.
When its over, so they say, it‘ll rain a sunny day,
D
G
I know, shinin down like water.
C
D
G G/F#
Em Em/D
I wanna know, have you ever seen the rain?
C
D
G G/F#
Em Em/D
I wanna know, have you ever seen the rain
C
D
G
Riff
Comin down on a sunny day?
G
Yesterday, and days before, sun is cold and rain is hot,
D
G
Riff
I know, been that way for all my time.
G
Til forever, on it goes through the circle, fast and slow,
D
G
I know, it can‘t stop, I wonder.
C
D
G G/F#
Em Em/D
C
D
G G/F#
Em Em/D
C
D
G
Riff
Yeah!
C
D
G G/F#
Em Em/D
C
D
G G/F#
Em Em/D
C
D
G
Riff
(Original: C)
HEART OF SATURDAY NIGHT, THE
Tom Waits
Asus: x02230
D
Asus D
Asus
Well you gassed her up, behind the wheel
G/B
G/A
G
G/F#
With your arm around your sweet one in your Oldsmobile
Em7
Barrelin' down the boulevard,
A7
D
Asus D Asus
You're looking for the heart of Saturday night
D
Asus
D
Asus
You got paid on Friday and your pockets are jinglin'
G/B
G/A
G
G/F#
And you see the lights, you get all tinglin'
Em7
Cause you're cruisin' with a 6
A7
D
Asus D Asus
And you're looking for the heart of Saturday night
G
A
Then you comb your hair, shave your face
D
G
Tryin' to wipe out ev'ry trace - of all the other days in the week
Em7
A7
You know that this'll be the Saturday you're reachin' your peak
D
Asus
D
Asus
Stoppin' on the red, you're goin' on the green
G/B
G/A
G
G/F#
'Cause tonight'll be like nothin' you've ever seen
Em7
And you're barrelin' down the boulevard,
A7
D
Asus D Asus
Lookin' for the heart of Saturday nigh
G
A
Tell me is the crack of the poolballs, neon buzzin’?
D
Telephone's ringin’, it's your second cousin
G
Is it the barmaid that's smilin' from the corner of her eye?
Em7
A7
Magic of the melancholy tear in your eye.
D
Asus D
Asus
Makes it kind of quiver down in the core
G/B
G/A
G
G/F#
'Cause you're dreamin' of them Saturdays that came before
Em7
And now you're stumblin',
A7
D
Asus D Asus
You're stumblin' onto the heart of Saturday night
D
Asus D
Asus
Well you gassed her up, behind the wheel
G/B
G/A
G
G/F#
With your arm around your sweet one in your Oldsmobile
Em7
Barrelin' down the boulevard,
A7
D
Asus D Asus
You're looking for the heart of Saturday night
G
A
Tell me is the crack of the poolballs, neon buzzin’?
D
Telephone's ringin’, it's your second cousin
G
Is it the barmaid that's smilin' from the corner of her eye?
Em7
A7
Magic of the melancholy tear in your eye.
D
Asus D
Asus
Makes it kind of quiver down in the core
G/B
G/A
G
G/F#
'Cause you're dreamin' of them Saturdays that came before
Em7
It's found you stumblin',
A7
D
Asus D Asus
You're stumblin' onto the heart of Saturday night
Em7
And you're stumblin',
A7
D
Asus D Asus
Stumblin onto the heart of Saturday night
Em7
A7
D
Asus D Asus
Hmmmhh, hmmmh, hmmmm....
HEARTACHES BY THE NUMBER
Willie Nelson
Capo 2 P.
G
G7
C
C/B
A7
Heartaches by the number, troubles by the score
D
D7
G
Every day you love me less, each day I love you more.
G
G7
C
C/B
A7
Heartaches by the number, a love that I can't win...
D
D7
G
But the day that I stop countin', that's the day my world will end.
G
G7
C
C/B
Heartache number one was when you left me
D
D7
G
I never knew that I could hurt that way.
G7
C
C/B Am
And heartache number two was when you came back again
D
D7
G D7
You came back, but never meant to stay.
Now I've got
G
G7
C
C/B
A7
D
D7
G
G
G7
C
C/B
A7
D
D7
G
G
G7
C
C/B
Heartache number three was when you called me
D
D7
G
And said that you were comin' back to stay
G
G7
C
C/B
Am
With hopeful heart I waited for your knock on my door
D
D7
G D7
I waited, but you must have lost your way.
Yes, I've got
G
G7
C
C/B
A7
D
D7
G
G
G7
C
C/B
A7
D
D7
G
D
D7 C D7 Cdim G
But the day that I stop countin', that's the day my world will
end.
HEIMWEH
Freddy
E
B7
E
B7
(So schön, schön war die Zeit. So schön, schön war die Zeit.)
E
B7
E
B7
Brennend heißer
Wüstensand
(So schön, schön war die Zeit.
So schön, schön war die Zeit.)
E
B7
E
B7
Fern,
so fern dem Heimatland
A
E
B7
E
Kein Gruß, kein Herz, kein Kuß, kein Scherz.
B7
E
B7
A......lles
liegt so weit,
so weit.
A
E
Dort, wo die Blumen blühn, dort wo die Täler grün,
B7
E
E7
Dort war ich einmal zu Hause.
A
E
Wo ich die Liebste fand, da liegt mein Heimatland,
B7
E
B7
E
B7
Wie lang bin ich noch allein? (So schön, schön war die Zeit. So schön, schön ...)
E
B7
E
B7
Viele
Jahre
schwere Fron
E
B7
E
B7
Harte
Arbeit,
karger Lohn.
A
E
B7
E
Tagaus, tagein, kein Glück, kein Heim.
B7
E
B7
A......lles liegt so weit,
so weit.
A
E
Dort, wo die Blumen blühn, dort wo die Täler grün,
B7
E
E7
Dort war ich einmal zu Hause.
A
E
Wo ich die Liebste fand, da liegt mein Heimatland,
B7
E
B7
E
B7
Wie lang bin ich noch allein? (So schön, schön war die Zeit. So schön, schön ...)
E
B7
E
B7
Hö...rt mich an, ihr gold'nen Sterne
E
B7
E
B7
Grü...ßt die Lieben in der Ferne
A
E
B7
E
Mit Freud und Leid - verrinnt die Zeit
B7
E
B7
A......lles
liegt so weit,
so weit.
Dort wo die Blumen blühn.....
HEISSER SAND
Mina
Riff up:
h h cis e-cis-h-h gis-a-gis-fis gis gis gis
Riff down: h h cis e-cis-h-h gis-a-gis-fis-e d e
E (*e)
A
F#m
Heißer Sand und ein verlorenes Land
B7
E
Und ein Leben in Gefahr
A
F#m
Heißer Sand und die Erinn‘rung daran
B7
E
Riff up
Dass es einmal schöner war
E (*h,)
A
B7
E
Schwarzer Tino, deine Lida war dem Rocco schon im Wort
A
B7
E
Weil den Rocco sie nun fanden, schwarzer Tino, musst du fort
Riff down
E (*e)
A
F#m
B7
E
A
F#m
B7
E
Riff up
e e f
E
F
Riff up in F
(Heißer Sand)
F (*c,)
Bb
C7
F
Schwarzer Tino, deine Lida tanzt im Hafen mit den Boys
Bb
C7
F
Nur die Wellen singen leise, was von Tino jeder weiß
F (*f)
Bb
Gm
C7
F
Bb
Gm
C7
F
f f fis
F
F#
B
G#m
C#7
F#
B
G#m
C#7
F#
Riff up
HELLO, MARY LOU
Ricky Nelson
______________________________________________________
P.
(Gerd Böttcher, Jan & Kjeld, Silvio Francesco, Manuela)
A - Asus4 4x
A
D
Hello Mary Lou, good-bye heart
A
E
Sweet Mary Lou, I’m so in love with you
A
C#7
F#m
I knew Mary Lou, we’d never part
B
E
A D A - Asus4
So hello Mary Lou, good-bye heart
A
D
She passed me by one sunny day, flashed those big brown eyes my way,
A
E
And ooo I wanted you forever more,
A
D
Now I’m not one who gets around, swear my feet stuck to the ground,
A
E
A D A - Asus4
And though I never did meet you before,
A
D
Hello, Mary-Lou, sieh mal an
A
E
Dein Kleid ist chic, und chic sind deine Schuh'
A
C#7
F#m
Und du, Mary-Lou, du lachst dazu,
B
E
A D A - Asus4
So wie ein Sonnenschein, Mary-Lou
A
D
Aus dem Hause vis-a-vis, sieht man jeden Morgen früh
A
E
Die Mary-Lou den Weg zur Schule gehn
A
D
Und sie schaut so nett daher, grüßt so freundlich, bitte sehr
A
E
A D A - Asus4
Das finden alle an ihr wunderschön.
I said: Hello Mary Lou, good-bye heart ....
Hello, Mary-Lou, sieh mal an ......
A
D
I saw your face I heard your voice, believe me I just had no choice
A
E
Wild horses couldn’t make me stay away
A
D
I thought about a moon lit night, arms around you good and tight
A
E
A D A - Asus4
Thats all I had to see for me to say
A
D
So viele Mädchen kann man sehn, die in Nietenhosen geh'n
A
E
Doch Mary-Lou hat damit nichts im Sinn.
A
D
In ihrem schönen bunten Kleid, ja da ist sie jederzeit
A
E
A D A - Asus4
Schöner als die schönste Königin
HELP ME MAKE IT THROUGH THE NIGHT
Kris Kristofferson
P.
C
Take the ribbon from your hair
F Dm
Shake it loose and let it fall
G
Laying soft upon my skin
G7
C
Like the shadows on the wall
C
Come and lay down by my side
F Dm
Till the early morning light
G
All I'm taking is your time
G7
C
Help me make it through the night
F
I don't care who's right or wrong
C
I don't try to understand
D7
Let the devil take tomorrow
G
G7 Break
Lord, tonight I need a friend
C
Yesterday is dead and gone
F Dm
And tomorrow's out of sight
G
And it's sad to be alone
G7
C
2-Zeilen Instr. (Mhmmmm)
Dm
G
Lord, it's sad to be alone
G7
C
F
I don't care who's right or wrong
C
I don't try to understand
D7
Let the devil take tomorrow
G
G7 Break
Lord, tonight I need a friend
C
Yesterday is dead and gone
F Dm
And tomorrow's out of sight
G
And it's sad to be alone
G7
C
HENRY VIII
Herman‘s Hermits
A
I'm 'Enery the eighth, I am
D
A
'Enery the eighth, I am, I am
I got married to the widow next door
B7
E
She's been married seven times before
A
E
And every one was an 'Enery ('Enery!)
D
E
She wouldn't have a Willie or a Sam (no Sam!)
A
C#7
D
F#7
I'm her eighth old man, I'm 'Enery
B7
E7
A
'Enery the eighth I am
Second verse, same as the first:
A
I'm 'Enery the eighth, I am
D
A
I got married to the widow next door
B7
E
She's been married seven times before
A
E
And every one was an 'Enery ('Enery!)
D
E
She wouldn't have a Willie or a Sam (no Sam!)
A
C#7
D
F#7
I'm her eighth old man, I'm 'Enery
B7
E7
A
'Enery the eighth I am
A
H! E! N-R-Y! 'Enery ('Enery!)
F#m
'Enery ('Enery!)
A
E
A
F#7
B7
E7
A
'Enery the eighth, I am
HERE COMES THE SUN
Riff 2:
A (a cis e)
Beatles
Capo 7
D G A7
D G A7
D
Gmaj7
E7
Here comes the sun, doo doo doo doo, here comes the sun,
D9
Riff 1
And I say: it's all right
D
G
A7
Little darling, it's been a long cold lonely winter
D
G
A7
Little darling, it feels like years since it's been here
D
Gmaj7
E7
D9
Riff 1 + D A7
D
G
A7
Little darling, the smiles returning to the faces
D
G
A7
Little darling, it seems like years since it's been here
D
Gmaj7
E7
D9
Riff 1 + D A7
F (f a c‘)
C (c e g‘)
F
C G
D
A7
Sun, sun, sun, here it comes...
G (h d g‘ g h)
D (d)
5x
D
G
A7
Little darling, I feel that ice is slowly melting
D
G
A7
Little darling, it seems like years since it's been clear
D
Gmaj7
E7
D9
Riff 1
D
Gmaj7
E7
Here comes the sun,
here comes the sun,
D9
Riff 1
It's all right
D9
Riff 1 + F C G D (Riff 2)
It's all right
Riff 1:
|-------0--------0--------|--0--------0-------------|| |----3--------3--------3--|--------3-----3\2--------|| |-4--------2--------0-----|-----2-------------4\2---|| |-------------------------|-------------------------|| |-------------------------|-------------------------|| |-------------------------|-------------------------||
A7
HERE, THERE AND EVERYWHERE
Beatles
C
Em
D#
Dm7 - G7
To lead a better life,
I need my love to be here
C
Dm7 Em
F
C
Dm7
Here,
making each day of the year
Em
F
Bm7
E7
Changing my life with a wave of her hand
Bm7
E7 Am
Dm
Dm7 G7
Nobody can deny that there’s something there
C
Dm7 Em
F
C
Dm7
There,
running my hands through her hair
Em
F
Bm7
E7
Both of us thinking how good it can be
Bm7
E7
Am
Dm
Dm7 G7
Someone is speaking but she doesn’t know he’s there
d dis f g b g
f dis f
g gis f
Bb7
D#
Cm
Fm
I want her ev’rywhere and if she’s beside me
G7
Cm
Fm
G7
I know I need never care. But to love her is to meet her...
C Dm7
Em
F
C
Dm7
Ev’rywhere, knowing that love is to share
Em
F
Bm7
E7
Each one believing that love never dies
Bm7
E7
Am
Dm
Dm7 G7
Watching her eyes and hoping I’m always there
Bb7
D#
Cm
Fm
I want her ev’rywhere and if she’s beside me
G7
Cm
Fm
G7
I know I need never care. But to love her is to meet her...
C Dm7
Em
F
C
Dm7
Ev’rywhere, knowing that love is to share
Em
F
Bm7
E7
Each one believing that love never dies
Bm7
E7
Am
Dm
Dm7 G7
Watching her eyes and hoping I’m always there
Gsus4 C
Dm
Em F
To be there
and ev’rywhere,
C
Dm7
Em F
C
Here, there and ev’rywhere
(Original: G)
HEUTE HIER, MORGEN DORT
Hannes Wader
Capo 4
G
C
G
Heute hier morgen dort, bin kaum da, muß ich fort,
Em
D
D7
Hab mich niemals deswegen beklagt
G
C
G
Hab es selbst so gewählt, nie die Jahre gezählt,
Em
D
G
Nie nach gestern und morgen gefragt.
D
C
G
Manchmal träume ich schwer und dann denk ich, es wär
D
C
G
Zeit zu bleiben und nun 'was ganz andres zu tun.
C
G
So vergeht Jahr um Jahr und es ist mir längst klar,
Em
D
G
Daß nichts bleibt, daß nichts bleibt, wie es war.
G
C
G
Dass man mich kaum vermißt, schon nach Tagen vergisst,
Em
D
D7
Wenn ich längst wieder anderswo bin,
G
C
G
Stört und kümmert mich nicht, vielleicht bleibt mein Gesicht
Em
D
G
Doch dem ein‘ oder and‘ren im Sinn.
D
C
G
D
C
G
C
G
Em
D
G
Instr.: 1 Verse
G
C
G
Fragt mich einer warum ich so bin, bleib ich stumm,
Em
D
D7
Denn die Antwort darauf fällt mir schwer,
G
C
G
Denn was neu ist, wird alt und was gestern noch galt,
Em
D
G
Stimmt schon heut oder morgen nicht mehr.
D
C
G
D
C
G
C
G
Em
D
G
C
G
Em
D
G
HEUTE MALE ICH DEIN BILD, CINDY LOU
Drafi Deutscher
(Original: A)
(*e‘)
G
Heute male ich dein Bild, Cindy Lou
D7
Und ich brauch' dich dazu.
Break
Darf ich dich wiederseh'n
G
Wird's noch mal so schön
G
Denn kein Bild auf dieser Welt, Cindy Lou
D7
Ist so schön so wie du.
Break
Und ich schau immer hin
G
Wenn ich einsam bin.
G7
C
G
Em7
Leider finde ich ein Blau so blau, so wie deine Augen ni........e
A7
D7
Am7 D7
Und ein Rot so rot, wie dein Mund so rot, such ich von spät bis früh.
G
D7
Denn ein Girl schön wie du
Break
Find ich nie mehr, Cindy Lou
G
Auf der ganzen Welt!
Instr.: Vers
G7
C
G
Em7
Leider finde ich ein Blau so blau, so wie deine Augen ni........e
A7
D7
Am7 D7
Und ein Rot so rot, wie dein Mund so rot, such ich von spät bis früh.
G
D7
Denn ein Girl schön wie du
Break
Find ich nie mehr, Cindy Lou
G
Auf der ganzen Welt!
G
D7
Und ich brauche dich dazu.
Deine Augen, Cindy Lou
G
Deine Lippen, Cindy Lou
Deine Küsse, Cindy Lou
D7
Und dein Herz, Cindy Lou ...
HEY JOE
Jimi Hendrix
Instr.
P.
E E7
C
G D
A
E
Hey Joe! Where are you gonna run to... now?
C
G D
A
E
Hey Joe! Where‘re you gonna run to now? Where‘re you gonna go?
C
G
I'm goin' way down south
D
A
E
Way down to Mexico way. Alright
C
G
I'm goin' way down south
D
A
E
Way down where I can be free. Ain't no one gonna find me
C
G
Ain't no hangman gonna
D
A
E
He ain't gonna put a rope around me. You better believe it right now.
C
G
D
A
E
Hey Joe! Where‘re you going with that gun in your hand?
C
G
D
A
E
Hey Joe! I said, where‘re you going with that gun in your hand?
C
G
I'm going down to shoot my lady
D
A
E
You know I caught her messing 'round with another man
C
G
I'm going down to shoot my lady
D
A
E
You know I caught her messing 'round with another man
C
G D
A
E
Hey Joe! I heard you shot your woman down, shot her down, down!
C
G D
A
E
Hey Joe! I heard you shot your lady down, shot her down to the ground
C
G
Yes I did! I shot her
D
A
E
You know, I caught her messing 'round, messing 'round town
C
G
Yes I did! I shot her
D
A
E
You know, I cought my lady messing 'round town and I gave her the gun,
I shot her!
I gotta go now
(C)
(G)
(D)
(A)
(E)
A-|------------------|-----------------|--B-|------------------|-----------------|--G-|------------------|-----------------|--D-|------------------|-0-----------0-1-|-2A-|--3---------2-3-4-|---------0-4-----|--E-|----0-1-2-3-------|---2-3-4---------|---
HEY JUDE
Beatles
C
G
Hey Jude don‘t make it bad
Gsus4
C
Take a sad song and make it better
F
C
Remember to let her into your heart
G7
C
And then you can start to make it better
C
G
Hey Jude don‘t be afraid
Gsus4
C
You were made to go out and get her
F
C
The minute you let her under your skin
G7
C
C7
Then you begin to make it better
F
F/E
Dm7
And anytime you feel the pain, hey Jude refrain
/C
G/B
/G
C
C7
Dont carry the world upon your shoulders
F
F/E
Dm7
For well you know that its a fool who plays it cool
/C
G/B
/G C
By making his world a little colder
C7
G7
c g‘ a‘ b‘ b‘ h‘ c‘
Da da da da da Da da
d‘
da
d‘
da
C
G
Hey Jude don‘t let me down
Gsus4
C
You have found her now go and get her
F
C
Remember to let her into you heart
G7
C
C7
Then you can start to make it better
F
F/E
Dm7
So let it out and let it in, hey Jude begin
/C
G/B
/G
C
C7
You´re waiting for someone to perform with
F
F/E
Dm7
And don‘t you know that its just you hey Jude you'll do
/C
G/B /G
C
The movement you need is on your shoulders
C7
G7
c g‘ a‘ b‘ b‘ h‘ c‘
Da da da da da Da da
d‘
da
d‘
da
C
G
Hey Jude don‘t make it bad
Gsus4
C
Take a sad song and make it better
F
C
Remember to let her into your heart
G7
C
And then you can start to make it better, better, better, better, oh....
C
Bb
c e g d' c' d' c'
Na na na Na na na na
F
d' c' d' c'
Na na na na
C
a
g
Hey Jude ...
(Original: F)
HEY, THAT'S NO WAY TO SAY GOODBYE
Leonard Cohen
Capo 1
E
A
I loved you in the morning our kisses deep and warm
F#m
Your hair upon the pillow like a sleepy golden storm
D
Yes, many loved before us I know that we are not new
A
In city and in forest they smiled like me and you
F#m
But now it's come to distances and both of us must try
D
Your eyes are soft with sorrow
E
A
E
Hey, that's no way to say goodbye
A
I'm not looking for another as I wander in my time
F#m
Walk me to the corner our steps will always rhyme
D
You know my love goes with you as your love stays with me
A
It's just the way it changes like the shoreline and the sea
F#m
But let's not talk of love or chains and things we can't untie
D
E
A
E
A
I loved you in the morning our kisses deep and warm
F#m
Your hair upon the pillow like a sleepy golden storm
D
Yes, many loved before us I know that we are not new
A
In city and in forest they smiled like me and you
F#m
But now it's come to distances and both of us must try
D
E
A
E
HI FOR THE BEGGARMAN
Trad.
G
The night being dark and very cold,
D
A woman took pity on a poor old soul,
G
D
G
She took pity on a poor old soul and asked him to come in.
G
D
With a too roo roo roo rantin hi, a too roo roo roo rantin hi
G
D
G
Too roo roo roo rantin hi and hi for the beggarman
G
He sat him down in a chimney nook
D
And hung his coat up on a hook.
G
D
G
He hung his coat up on a hook and loudly he did sing.
G
In the middle of the night, the old woman rose.
D
She missed the beggarman and all his clothes.
G
D
G
She clapped and clapped and clapped again,"He's with my daughter gone!".
G
Three long years had passed and gone,
D
When this old man came back again,
G
D
G
Asking for a charity: "Would you lodge a beggarman?"
G
"I never lodged any but the one,
D
And with that one‘s my daughter's gone!
G
D
G
With that one‘s my daughter's gone and left me here alone!"
G
"Would you like to see your daughter now,
D
With two babies on her knee G
D
G
With two babies on her knee and another one coming on?"
G
"For high she sits and high she stands
D
The finest lady in all the land,
G
D
G
Servants stand at her command, for going with the beggarman!"
HOCH AUF DEM GELBEN WAGEN
Trad.
Capo 3
C
G C
G
C
Hoch auf dem gelben Wagen sitz ich beim Schwager vorn,
GC D
G7
Vorwärts die Rosse traben, lustig schmettert das Horn.
Am
G
C
G
C
Berge, Täler und Auen, leuchtendes Ährengold.
F
C
F G
C
Ich möchte so gerne noch schauen, aber der Wagen, der rollt.
F
C
F G
C
Ich möchte so gerne noch schauen, aber der Wagen, der rollt.
C
G C
G
C
Flöten hör ich und Geigen, lustiges Baßgebrumm.
G C D
G7
Junges Volk im Reigen tanzt um die Linde herum.
Am
G
C
G
C
Wirbelnde Blätter im Winde, es jauchzt und lacht so toll.
F
C
F G
C
Ich bliebe so gern bei der Linde, aber der Wagen, der rollt.
F
C
F G
C
Ich bliebe so gern bei der Linde, aber der Wagen, der rollt.
C
G C
G
C
Postillion in der Schänke füttert die Rosse im Flug,
GC D
G7
Schäumendes Gerstengetränke reicht uns der Wirt im Krug.
Am
G
C
G
C
Hinter den Fensterscheiben lacht ein Gesicht gar hold.
F
C
F G
C
Ich möchte so gerne noch bleiben, aber der Wagen, der rollt.
F
C
F G
C
Ich möchte so gerne noch bleiben, aber der Wagen, der rollt.
C
G C
G
C
Sitzt einmal ein Gerippe hoch auf dem Wagen vorn.
GC D
G7
Hält statt der Peitsche die Hippe, Stundenglas statt Horn.
Am
G
C
G
C
Sag ich ade nun, ihr Lieben, die ihr nicht mitfahren wollt.
F
C
F G
C
Ich wäre so gerne noch geblieben, aber der Wagen, der rollt.
F
C
F G
C
Ich wäre so gerne noch geblieben, aber der Wagen, der rollt.
HOME BOYS HOME
Trad.
D
G
D
Well, who wouldn't be a sailor lad, a sailin'on the main
A
D
To gain the goodwill of his captain's good name
G
D
A
He came ashore, one evening for to be
D
G
A
D
And that was the beginning of my own true love and me, for it's
D
A - D
Home, boys, home, ( clap clap ) home I'd like to be
G
D
A
Home for a while in the old Country
D
G
D
A
Where the oak and the ash and the bonny rowan tree
D
G
A
D
Are all a growing greener in the old Country
D
G
D
Well I asked her for a candle for to light me up to bed
A
D
And likewise for a handkerchief to tie around me head
G
D
A
She tended to me needs like a young maid ought to do
D
G
A
D
So then I says to her, now won't you leap in with me too? And it's
D
A - D
G
D
A
D
G
D
A
D
G
A
D
D
G
D
Well she jumped into bed, making no alarm
A
D
Thinking a young sailor lad could do to her no harm
G
D
A
Well I hugged her and I kissed her the whole night long
D
G
A
D
Till she wished this short night had been nine years long, and it's
D
A - D
G
D
A
D
G
D
A
D
G
A
D
>>>
E
E
A
E
Well early next morning the sailor lad arose
B7
E
And into Mary's apron threw a handful of gold, saying
A
E
B7
“Take this me dear, for the mischief that I've done
E
A
B7
E
For tonight I fear I've left you with a daughter or a son", and it's
E
B - E
A
E
B7
E
A
E
B7
E
A
B7
E
“Well, if it be a girl child, send her out to nurse,
With gold in her pocket and with silver in her purse,
And if it be a boy child he'll wear the jacket blue
And go climbing up the rigging like his daddy used to do", and it's
Chorus
Oh come all of you fair maidens, a warning take by me,
And never let a sailor lad an inch above your knee,
For I trusted one and he beguiled me
He left me with a pair of twins to dangle on me knee, and it's
HOMEWARD BOUND
Simon and Garfunkel
Capo 2 (Original: Bb, Capo 3)
Intro:
e-|-------------------------------------------------B-|--0-h1-p0----------------------------------------G-|--0-h2-p0--2-----0-----0--------0--0-----0-------D-|-----------3-----2--------------0-h2-----0-------A-|-----------------------3-------------------------E-|-----------------------------------------------3--
G
I'm sitting in the railway station.
G/F#
G/F
E
Got a ticket for my destination. Mhmmm
Am
F
On a tour of one-night stands my suitcase and guitar in hand
G
And every stop is neatly planned for a poet and a one-man band.
C
G
C
Homeward bound, I wish I was, Homeward bound,
G
F
C
Home where my thought's escaping,
G
F
C
Home where my music's playing,
G
F
C
D
G
Home where my love lies waiting, silently for me.
G
Every day's an endless stream
G/F#
G/F
E
Of cigarettes and magazines. Mhmmm
Am
F
And each town looks the same to me, the movies and the factories
G
And every stranger's face I see reminds me that I long to be
C
G
C
G
F
C
G
F
C
G
F
C
D
G
G
Tonight I'll sing my songs again,
G/F#
G/F
E
I'll play the game and pretend. Mhmmm
Am
F
But all my words come back to me in shades of mediocrity
G
Like emptiness in harmony I need someone to comfort me.
C
G
C
G
F
C
G
F
C
G
F
C
D
G
HONEY PIE
Beatles
Dm G
Bb
Bbm
F
She was a working girl, North of England way.
Dm
G
Bb Bbm
F
Now she's hit the big time. In the U.S.A.
G7
C7
(c-b-a-g)
And if she could only hear me, this is what I’d say:
F
C#7
Honey Pie, you are making me crazy.
D7
G7
I'm in love but I'm lazy.
C7
F
C#7-C7
So won't you please come home.
F
C#7
Oh, Honey Pie, my position is tragic.
D7
G7
Come and show me the magic
C7
F
Of your Hollywood song.
F6
G
F
You became a legend of the silver screen
F7
Bb
And now the thought of meeting you
D7
Gm C7-Bb-C7
Makes me weak in the knee. T - t - tee.
F
C#7
Oh, Honey Pie, you are driving me frantic.
D7
G7
Sail across the atlantic
C7
F
C#7
C7
F
To be where you belong. Honey Pie, come back to me.
Instr.
F6
G
F
F7
Will the wind that blew her boat across the sea
Bb
D7
Gm
C7-Bb-C7
Kindly send her sailing back to me.
T - t - tee.
F
C#7
Honey Pie, you are making me crazy.
D7
G7
I'm in love but I'm lazy.
C7
F
C#7
C7
F
So won't you please come home. Honey Pie, come back to me.
(Original: G)
HONEYSUCKLE ROSE
Fats Waller, 1928
Em7
Em7
A6
A6
Em7
A7
A6
a’ g’ h, cis fis
Em7
A6 Em7
A6
Ev'ry honey bee fills with jealousy
Em7
A6
Em9
When they see you out with me
A7
D6
D7/F# G6
I don't blame them, goodness knows,
A7
D6 G7 F#m7 B7
Honeysuckle Rose.
Em7
A6 Em7
A6
When you're passing by, flowers droop and sigh,
Em7
A6
Em9
And I know the reason why
A7
D6
D7/F# G6
You're much sweeter, goodness knows,
A7
D6
Honeysuckle Rose.
d
e
f
fis
D7 Gdim G#dim D7 G9
G7
Don't buy
su.........gar - you just have to touch my cup
e
fis
g
gis
E7
F#dim Gdim E7 A7
You're my
su.........gar - it's sweet when you stir it up
Em7
A6 Em7
A6
When I'm takin' sips from your tasty lips,
Em7
A6 Em9
Seems the honey fairly drips
A7
D6
D7/F# G6
You're confection, goodness knows,
A7
D
Fdim D6
Honeysuckle Rose.
HONKY TONK WOMEN
Rolling Stones
P.
>h-d a-c g-h a-c g-h >h-d a-c
g-h g-h
G
C
Csus4 - C
I met a gin soaked, barroom queen in Memphis,
G
A
D
Dsus4 - D
She tried to take me upstairs for a ride.
G
C
Csus4 - C
She had to heave me right across her shoulder
G
D
G
'Cause I just can't seem to drink you off my mind.
G
D
G
Gsus4 - G
It's the ho……….nky tonk women
D
G
Gimme, gimme, gimme the honky tonk blues.
G
C
Csus4 - C
I layed a divorcee in New York City,
G
A
D
Dsus4 - D
I had to put up some kind of a fight.
G
C
Csus4 - C
The lady then she covered me in roses,
G
D
G
She blew my nose and then she blew my mind.
G
D
G
Gsus4 - G
It's the ho……….nky tonk women
D
G
Gimme, gimme, gimme the honky tonk blues.
HORSTI SCHMANDHOFF 1
C
F
G
C
Ihr, die Kumpanen aus demselben Viertel voller Ruß
F
G
C
Aus gleichen grauen Reihenhäusern und aus gleichem Guß
A
Bb
mit gleicher Gier nach hellen Häusern, Rasen, Chrom und Kies
A
F
Nach schlanken Frauen, Kachelbad, Kumpanen, die Ihr dies
C
G
Fast alle heute habt und nur noch ungern rückwärts seht
C
G
Wenn Ihr Euch trefft, per Zufall, irgendwo zusammensteht
F
C
Von neuen Dingen sprecht und über alte Witze lacht
F
C
Und einer von Euch fragt: wer weiß was Horsti Schmandhoff macht?
G
Kumpanen dann, dann fällt Euch ein
G7 C
Ihr wolltet mal genau wie Horsti... Schmandhoff sein
C
F
G
C
Im passenden Kostüm der Zeit, stets aus dem Ei gepellt
F
G
C
Hat er mit knappen Gesten Eure Träume dargestellt
A
Bb
Der Sohn einer Serviererin, der Horsti schmal und blond
A
F
Mit jenem Zug zum Höheren um Nase Kinn und Mund
C
G
Am Tag als er ins Viertel kam und abends vor der Tür
C
G
In Lederhose, weißem Hemd auf dem Schifferklavier
F
C
Sein Stückchen spielte "Bergmannsglück" und beim Glückauf-Tara
F
C
Die Locke aus der Stirne warf und in den Himmel sah
G
Schon da Kumpanen fällt's Euch ein
G7 C
Da wolltet Ihr genau wie Horsti... Schmandhoff sein
C
F
G
C
Auch als er dann als Fähnleinführer, Hand mit Siegelring
F
G
C
Am Fahrtenmesser, das ganz los als Ehrendolch da hing
A
Bb
In Halbschuh'n, weißen Söckchen und mit kurzem Tänzeltritt
A
F
Und Wackelhintern neben seinem Fähnlein einherschritt
C
G
Und bald darauf in Uniform auf Sonderurlaub kam
C
G
Sein Panzerkäppi schiefgesetzt, das EK Zwo abnahm
F
C
Es zeigte und erzählte, wie er kurz vor Stalingrad
F
C
Zwölf Stalinorgeln, fuffzig Iwans plattgefahren hat
G
Kumpanen da, gesteht Euch ein
G7 C
HORSTI SCHMANDHOFF 2
C
F
G
C
Auch als er dann in Khakizeug, das Gummi quer im Mund
F
G
C
Mit Bürstenschnitt, als Küchenhelfer rosig, dick und rund
A
Bb
Bei Strathmanns an der Ecke stand und an 'ner Lucki sog
A
F
Euch "Hello Boys" begrüßte, schleppend durch das Viertel zog
C
G
Und dann im schweren Ledermantel an 'nem Tresen stand
C
G
Hut im Nacken, Halstuch lose, Bierchen in der Hand
F
C
Erzählte, wie er '42 kurz vor Stalingrad
F
C
Den Drecksack General Paulus in den Arsch getreten hat
G
G7 C
C
F
G
C
Auch als er später dann statt Bier nur Möselchen noch trank
F
G
C
Den grün changierten Anzug trug auf weichem Kreppsohlgang
A
Bb
Geschmeidig ins Lokal reinkam, am kleinen Finger schwang
A
F
Der Wagenschlüssel, wenn er dann sein"He Baba Reeba" sang
C
G
Schließlich im offnen Jaguar mit Mütze, Pfeife, Schal
C
G
Ein Mädchen auf dem Nebensitz, sehr blond und braun und schmal
F
C
Im Schrittempo durchs Viertel glitt, genau vor Strathmanns Haus
F
C
Mal eben bißchen Gas zugab, der rechte Arm hing raus
G
G7 C
C
F
G
C
Doch dann verschwand er, niemand wußte, wo er war und blieb
F
G
C
Bis eine Illustrierte über Okalula schrieb
A
Bb
Dort lebte, hieß es, hochgeehrt ein Weißer und der wär
A
F
Ein Häuptling und des Präsidenten einz'ger Ratgeber
C
G
Da stand im Leopardenfell, den Schwanzquast an der Hand
C
G
Die Fäuste in die Hüften g'stemmt und um die Stirn ein Band
F
C
Inmitten dreißig Weibern, alle nackt und schwarz und prall
F
C
Ein fetter Horsti Schmandhoff und der lächelte brutal
G
G7 C
Da wolltet Ihr nochmal wie Horsti... Schmandhoff sein
HOTEL CALIFORNIA
Eagles
Capo 2 (Original: Bm)
A7add9/C#: 0 4 2 0 0 0
Intro: Em
B7 Dadd9
A7add9/C# C G Am7 B7
Em
B7/D#
On a dark desert highway, cool wind in my hair
Dadd9
A9/C#
Warm smell of colitas rising up through the air
C
G
Up ahead in the distance, I saw a shimmering light
Am
B7
My head grew heavy and my sight grew dim, I had to stop for the night
Em
B7
There she stood in the doorway; I heard the mission bell
Dadd9
A9
And I was thinking to myself this could be heaven or this could be hell
C
G
Then she lit up a candle, and she showed me the way
Am
B7
There were voices down the corridor, I thought I heard them say
C
G
Welcome to the Hotel California.
B7
Em e fis g a-h
Such a lovely place, such a lovely face
C
G
Plenty of room at the Hotel California
Am
B7
Any time of year (any time of year) you can find it here
Em
B7
Her mind is Tiffany twisted, she got the Mercedes Benz
Dadd9
A9
She got a lot of pretty, pretty boys that she calls friends
C
G
How they dance in the courtyard, sweet summer sweat
Am
B7
Some dance to remember, some dance to forget
Em
B7
So I called up the captain; "Please bring me my wine."
Dadd9
A9
"We haven't had that spirit here since nineteen sixty-nine"
C
G
And still those voices are calling from far away
Am
B7
Wake you up in the middle of the night, just to hear them say
C
G
Welcome to the Hotel California.
B7
Em e fis g a-h
Such a lovely place, such a lovely face
C
G
They’re livin' it up at the Hotel California
Am
B7
What a nice surprise (what a nice surprise) bring your alibis
Em
B7
Mirrors on the ceiling, the pink champagne on ice
Dadd9
A9
And she said "We are all just prisoners here, of our own device"
C
G
And in the master's chambers, they gathered for the feast
Am
B7
They stab it with their steely knives, but they just can't kill the beast
Em
B7
Last thing I remember, I was running for the door
Dadd9
A9
I had to find the passage back to the place I was before
C
G
"Relax" said the nightman, "We are programmed to receive"
Am
B7
"You can check out anytime you like, but you can never leave"
Instr. ad fin...
Em
B7 Dadd9 A9 C G Am B7 ....
HOUND DOG
Elvis
Instr. (Ahhhhh….)
A
Well, they said you was high classed, well that was just a lie
D
A
E7
Yeah, you ain‘t never caught a rabbit
D
A
And you ain‘t no friend of mine
A
You ain‘t nothing but a hound dog, cryin all the time
D
A
You ain‘t a-nothing but a hound dog, cryin all the time
E7
Well, you ain‘t never cought a rabbit
D
A
A
D
A
E7
D
A
A
You ain‘t nothing but a hound dog, cryin all the time
D
A
You ain‘t a-nothing but a hound dog, cryin all the time
E7
D
A
Instr. (Ahhhhhh….)
A
D
A
E7
D
A
A
You ain´t nothing but a hound dog, cryin all the time
D
A
You ain´t nothing but a hound dog, cryin all the time
E7
Break
D
A
You ain‘t no friend of mine
HOUSE OF THE RISIN' SUN, THE
Trad.
Capo 3
Am
C
D
F
Am
E7
Am
E7
Am
C
D
F Am
C
E7
Oh tell my baby sister not to do as I have done
Am
C
D
F
Am
E7 Am E7
But to shun that house in New Orleans, they call the Risin' Sun
Am C
D
F
Am
C
E7
There is a house down in New Orleans, they call the Risin' Sun
Am
C
D
F
Am
E7
Am E7
And it's been the ruin of many poor girl and me, oh God, I'm a-one
Am
C
D
F
Am
C
E7
Well, it's one foot on the platform and the other foot on the train
Am C
D
F
Am
E7
Am E7
I'm goin' back to New Orleans, to wear that ball and chain
Am C
D
F
Am
C
E7
My mother was a taylor, she sewed these new blue jeans
Am
C
D
F
Am
E7
Am E7
My sweetheart was a gambler, Lord, down in New Orleans
Am C
D
F
Am
C
E7
I'm a-goin' back to New Orleans, my race is almost run
Am C
D
F
Am E7 Am E7
I'm goin' back to end my life, down in the Risin' Sun
Am C
D
F
Am
C
E7
Now the only thing a gambler needs, is a suitcase and a trunk
Am C D
F
Am
E7 Am
E7
And the only time he's satisfied, is when he's on a drunk
Am C
D
F
Am
C
E7
There is a house in New Orleans, they call the Risin' Sun
Am
C
D
F
Am
E7
Am
It's been the ruin of many poor girl and me, oh God, Im a-one
Am
C
D
F
Am
C
E7
He fills his glasses up to the brim and he'll pace the cards around
Am C
D
F
Am
E7
Am E
And the only pleasure he gets out of life, is ramblin' from town to town
HUMAN
Killers
c c d c g d c
C
C/B
F
C
I did my best to notice, when the call came down the line
G
Am
F
G
Up to the platform of surrender I was brought, but I was kind
C
C/B
F
Am
And sometimes I get nervous, when I see an open door
F
|G | G |
Close your eyes, clear your heart.
C
Em
F
C
Cut the cord - Are we human, or are we dancer?
G
Am F
G
My sign is vital, my hands are cold
C
Em
Am
And I'm on my knees looking for the answer
Dm
F
C
Are we human, or are we dancer?
Instr.: 2 Zeilen
C
C/B
F
C
Pay my respects to grace and virtue, send my condolences to good
G
Am
F
G
Give my regards to stolen romance, they always did the best they could
C
C/B
F
Am
And so long to devotion, you taught me everything I know
F
|G | G |
Wave goodbye, wish me well.
C
Em
F
C
You’ve gotta let me go - Are we human, or are we dancer?
G
Am F
G
C
Em
Am
Dm
F
C
Em
e,
g
a
a g f e,
e,
g gis gis e, d, c,
F
G
E/G#
Am
Will your system be alright, when you dream of home tonight?
e,
e, g g
g a
e a g e, g…..
Fmaj7
G
There is no message we're receiving. Let me know, is your heart still beating? C
Em
F
C
G
Am F
G
C
Em
Am ………
C
Em
F
C
You’ve gotta let me know - Are we human, or are we dancer?
G
Am F
G
C
Em
Am
Dm
F…..
C
Are we human,
or are we dancer?
Dm
F
C
Dm
F
C
HUNDERT MANN UND EIN BEFEHL
Freddy Quinn
Capo 1
A
E
A
Irgendwo im fremden Land
E
A
Ziehen wir durch Stein und Sand.
D
A
Fern von zuhaus und vogelfrei,
E
A
Hundert Mann und ich bin dabei.
E
A
Hundert Mann und ein Befehl
E
A
Und ein Weg, den keiner will.
D
A
Tagein, tagaus, wer weiß wohin.
E
A
Verbranntes Land und was ist der Sinn?
E
A
Ganz allein in dunkler Nacht
E
A
Hab' ich oft daran gedacht,
D
A
Dass weit von hier der Vollmond scheint
E
A
Und weit von mir ein Mädchen weint.
E
A
Und die Welt ist doch so schön,
E
A
Könnt' ich dich noch einmal sehn.
D
A
Nun trennt uns schon ein langes Jahr,
E
A
Weil ein Befehl unser Schicksal war.
E
A
Wahllos schlägt das Schicksal zu,
E
A
Heute ich und morgen du.
D
A
Ich hör' von fern die Krähen schrein
E
A
Im Morgenrot. Warum muss das sein?
E
A
Irgendwo im fremden Land
E
A
Ziehen wir durch Stein und Sand.
D
A
Fern von zuhaus und vogelfrei,
E
A
D
Hundert Mann, und ich bin dabei.
A
I CALL YOUR NAME
Beatles
(Original: E)
g b c d’ f’ d’ f’ d’ c b g
C7 | D | G7
| C | G7 |
g
C
C/B
A7
I call your name but you're not there
D7
G7
Was I to blame for bein' unfai……r
(F#dim) C
C/B
A7
Oh I can't
sleep at night since you've been gone
D7
F Fm
C
I never weep at night, I can't go on.
F
Don't you know I can't take it
Am
I don't know who can.
D7
I'm not gonna ma….ke it
G# G7
I'm not that kind of ma…..n.
(F#dim) C
C/B
A7
Oh I can't
sleep at night, but just the same
D7
F Fm
C
I never weep at night, I call your name
2 Zeilen Instr.
F
Don't you know I can't take it
Am
I don't know who can.
D7
I'm not gonna ma….ke it
G# G7
I'm not that kind of ma…..n.
(F#dim) C
C/B
A7
Oh I can't
sleep at night, but just the same
D7
F Fm
C
F7
I never weep at night, I call your name.
C
F7
I call your name
C
F7
I call your name
C
C6
I call your name
I CAN‘T GIVE YOU ANYTHING BUT LOVE
Jimmy McHugh, Dorothy Fields,1928
Instr. 2 Zeilen
Capo 3
| D B7 | Em7 - A7 |
2x
D
Dmaj7 G#dim Em7
I can't give you any - thing but love,
D
Dmaj7 G#dim Em7
That's the only thing I've plenty
of,
d
dis e
e
f fis
D7/9
Am7
D7
Dream a while, scheme a while,
G9
G6 F#7 - F7You're sure to find
E7
Happiness and I guess,
Em7
A7
All the things you've always pined for.
A6 A7
Ba - by
A6 A7
Ba - by
D
Dmaj7 G#dim Em7
A6 A7
Gee, I'd like to see you lookin' swell, Ba - by
D7/9
Am7
Gmaj7 G6
Diamond bracelets Woolworth's doesn't sell,
Baby.
G
Gm6
D
B7
Till that lucky day you know darn well, Baby
Em7
A7
D - B7 - Em7 - A7
I can't give you anything but love.
D7/9
Am7
D7
Dream a while, scheme a while,
G9
G6 F#7 - F7You're sure to find
E7
Happiness and I guess,
Em7
A7
All the things you've always pined for.
D
Dmaj7 G#dim Em7
A6 A7
Gee, I'd like to see you lookin' swell, Ba - by
D7/9
Am7
Gmaj7 G6
Diamond bracelets Woolworth's doesn't sell,
Baby.
d, d d d e
G
Gm6
D B7
Till that lucky day you know darn well, Baby
Em7
A7
I can't give you anything
F#m7
B7
I can't give you anything
Em7
A7
D D#maj7 - Dmaj7
I can't give you anything but love.
I CAN HELP
Billy Swan
G - Em
G - Em
G - Em
D - Dadd9 D - Dadd9 G - Em
G - Em
G - Em
G
Em
G
Em
If you got a problem, I don't care what it is
G
Em
G
Em
If you need a hand, I can assure you this
C Am
C
Am
G - Em
G - Em
I can help,
I got two strong arms, I can help
D
C7 Am Am7
G - Em
G - Em
It would sure do me good, to do you good, let me help
G
Em G
Em
It's a fact that people get lonely, ain't nothing new
G
Em
G
Em
But a woman like you, baby should never have the blues
C Am
C
Am
G - Em
G - Em
Let me help,
I got two for me, let me help
D
C7 Am Am7
G - Em G G7
C
D
G - Em G G7
When I go to sleep at night you're always a part of my dream
C
A7
D
D7
Holding me tight and telling me everything - I wanna hear
G
Em
G
Em
Don't forget me baby, all you gotta do is call
G
Em
G
Em
You know how I feel about ya, if I can do anything at all
C Am
C
Am
G - Em
G - Em
Let me help,
if your child needs a dad, I can help
D
C7 Am Am7
G - Em
G - Em
Instr. G .... D7
G G7
C
D
G - Em G G7
When I go to sleep at night you're always a part of my dream
C
A7
D
D7
Holding me tight and telling me everything - I wanna hear
G
Em
G
Em
Don't forget me baby, all you gotta do is call
G
Em
G
Em
You know how I feel about ya, if I can do anything at all
C Am
C
Am
G - Em
G - Em
Let me help,
if your child needs a dad, I can help
D
C7 Am Am7
G - Em
G - Em
I CAN SEE CLEARLY NOW
Johnny Nash
Capo 1
D
Look all around, there's nothing but blue skies
G
B7
Look straight ahead, there's nothing but blue skies…
E
| D#m | A | D#m | A | D | C#m | B | B7 |
A
E
I can see clearly now the rain is gone
A
B7
I can see all obstacles in my way
E
A
E
Gone are the dark clouds that had me blind
D
A
E
It's gonna be a bright, (bright) bright, (bright) sun shiny day
D
A
E
E
A
E
I think I can make it now the pain is gone,
A
B7
All of the bad feelings have disappeared.
E
A
E
Here is the rainbow I have been praying for.
D
A
E
G
E
A
E
I can see clearly now the rain is gone
A
B7
I can see all obstacles in my way
E
A
E
Gone are the dark clouds that had me blind
D
A
E
D
A
E
I DON'T WANT TO TALK ABOUT IT
Rod Stewart
D… Em7 A7 D
d, d, e,
Em7
A7
D
I can tell by your eyes that you've probably been crying forever
Em7
A7
D
And the stars in the sky don't mean nothing to you, they're a
mirror
G
A7
D
D/C#
Bm
I don't wanna talk about it, how you broke my heart
G
A7
If I stay here just a little bit longer
G
A7
Em7 A7/9 D
If I stay here, won't you listen to my heart, whoa, heart?
Em7
A7
D
If I stand all alone, will the shadow hide the color of my heart
Blue for the tears, black for the night’s fears
Em7
A7
D
The stars in the sky don't mean nothing to you, they're a mirror
G
A7
D
D/C#
Bm
G
A7
G
A7
Em7 A7/9
D
If I stay here, won't you listen to my heart, whoa, my heart?
Instr..: 1 Verse
G
A7
D
D/C#
Bm
G
A7
G
A7
Em7 A7/9
D
Em7
If I stay here, won't you listen to my heart, whoa, my heart?
A7
D
Whoa, my heart
I FALL TO PIECES
Patsy Cline
110 bpm
a,
D
I….
G
A7
A-G#-G
fall to pieces
A7
D
A7
Each time I see you again
D
G
A7
A-G#-G
I….
fall to pieces
A7
D
D-G-D-A7
How can I be just your friend?
a’
D
D7
G
You want me to act like we've never kissed
A7
D
You want me to forget, pretend we've never met
D7
G
A7
D
D7
And I've tried and I've tried but I haven't yet
G
A7
D
D-G-D-A7
You walk by and I fall to pieces
D
I….
G
A7
A-G#-G
fall to pieces
A7
D
A7
Each time someone speaks your name
D
G
A7
A-G#-G
I….
fall to pieces
A7
D
D-G-D-A7
Time only adds to the flame.
D
D7
G
You tell me to find someone else to love,
A7
D
Someone who'll love me too the way you used to do
D7
G
A7
D
D7
But each time I go out with someone new
G
A7
D
D7
G
A7
D
I GET A KICK OUT OF YOU
Cole Porter, 1934
Capo 1
G#m7 C#7 | Gm7 C7 | F#m7 B7 | Fm7 Bb7 |
h,
Em7
A7
Dmaj7 - D6 - F#m7 - B7
I get no kick from champagne
Em7
A7
Dmaj7 - D7 - D6 - Bm7
Mere alcohol doesn't thrill
me at all,
Em7 A7
F#dim - F#m7 - B7
So tell me, why should it be true
Em7 A7
Dmaj7 - D6 - F#m7 - B7
That I get a kick out of you?
Em7
A7
Dmaj7 - D6 - F#m7 - B7
Some, they may go for cocaine.
Em7
A7
Dmaj7 - D7 - D6 - Bm7
I'm sure that if I took ev….…..en one sniff
Em7 A7
F#dim - F#m7 - B7
It would bore me terrific‘lly too.
Em7 A7
D6 - G#m7 - Am7 - D7
Yet I get a kick out of you.
D7sus
Am7
D7sus
I get a kick ev'ry time I see you
Am7
F#m7 B7
Standing there before
me
Em6
F#dim B7
I get a kick, though it's clear to me
h, d, d, d, g g h, d
cis,
E7
Em7 A7
You obviously do not adore me.
Em7
A7
Dmaj7 - D6 - F#m7 - B7
I get no kick in a plane
Em7
A7
Dmaj7 - D7 - D6 - Bm7
Flying too high with some guy
in the sky
Em7 A7
F#dim - F#m7 - B7
Is my idea
of nothing to do
Em7 A7
D6 - G#m7 - Am7 - D7
Yes, I get a kick out of you.
D7sus
Am7
D7sus
I get a kick ev'ry time I see you
Am7
F#m7 B7
Standing there before
me
Em6
F#dim B7
I get a kick, though it's clear to me
h, d, d, d, g g h, d
cis,
E7
Em7 A7
You obviously do not adore me.
Em7
A7
Dmaj7 - D6 - F#m7 - B7
I get no kick from champagne
Em7
A7
Dmaj7 - D7 - D6 - Bm7
Mere alcohol doesn't thrill
me at all,
Em7 A7
F#dim - F#m7 - B7
So tell me, why should it be true
Em7 A7
F#m7
B7
That I get a kick, mhmm
you give me a boot,
Em7
A7
D6 G6 Dmaj7
Yes, I get a kick out of you.
I GOT RHYTHM
Georges Gershwin
G
Em
G
Em
got
Em
got
Em
got
Am7 D7
2x
Am7 D7
I
rhy.....thm,
G
Am7 D7
I
mu.....sic
G
Am7 D7
I
my girl,
A7
D7
G Em Am7 D7
Who could ask for anything more
G
Em Am7 D7
I got dai.....sies
G
Em Am7 D7
In green past..ures
G
Em Am7 D7
I got my girl,
A7
D7
G
B7
E7
Old Man Trouble, I don't mind him
A7
D7
You won't find him 'round my door
G
Em
got
Em
got
Em
got
Am7 D7
I
star...light,
G
Am7 D7
I
sweet dreams
G
Am7 D7
I
my girl,
G
Dm7
E7
A7
D7
G Em Am7 D7
(from the beginning...)
I ONLY WANT TO BE WITH YOU
G
Em
I just want to be beside you ev‘rywhere.
G
Em
As long as we're together, honey, I don't care.
C
D
C
D
Cause you've started something, oh, can't you see?
G
Em
That ever since we met you've had a hold on me.
C
D C
D
G
No matter what you do, I only want to be with you.
Dusty Springfield
G
Em
I don't know what it is that makes me love you so.
G
Em
I only know I never want to let you go.
C
D
C
D
G
Em
C
D
C
D
G
( Em
It happens to be true, I only want to be with you.
G Em )
G
Em
It doesn't matter where you go or what you do.
G
Em
I want to spend each moment of the day with you.
C
D
C
D
Oh, look what has happened with just one kiss.
G
Em
I never knew that I could be in love like this.
C
D
C
D
G
It's crazy, but it's true, I only want to be with you.
g
Cm
G
C
G
You stopped and smiled at me, and asked if I'd care to dance.
A
A7
C
D
I fell into your open arms and I didn't stand a chance. Now listen baby...
Cm
G
C
G
You stopped and smiled at me, and asked if I'd care to dance.
A
A7
C
D
I fell into your open arms and I didn't stand a chance. Now listen baby...
G
Em
I just want to be beside you ev‘rywhere.
G
Em
As long as we're together, honey, I don't care.
C
D
C
D
G
Em
C
D C
D
G
No matter what you do, I only want to be with you.
C
D
I said, no matter, no matter, what you do.
C
D
G
I only want to be with you.
I SAW HER STANDING THERE
Beatles
Capo 3 P.
One, two, three, four !!!
A7
D7
A7
Well, she was just seventeen and you know what I mean
E7
And the way she looked was way beyond compare
A
A7
D
F
So how could I dance with another, woo
A
E7
A7
When I saw her standing there
A7
D7
A7
Well, she looked at me and I, I could see
E7
That before too long I’d fall in love with her
A
A7
D
F
She wouldn’t dance with another, woo
A
E7
A7
When I saw her standing there
D7
Well, my heart went boom when I crossed that room
E7
D7
And I held her hand in mi-i-i-i-i-ne
A7
D7
A7
Oh, we danced through the night and we held each other tight
E7
And before too long I fell in love with her
A
A7
D
F
Now I’ll never dance with another, woo
A
E7
A7
Oh, since I saw her standing there
Instr.
A7
E7
A
A7
D
A
E7
A7
D7
Well, my heart went boom when I crossed that room
E7
D7
And I held her hand in mi-i-i-i-i-ne
A7
D7
A7
Oh, we danced through the night and we held each other tight
E7
And before too long I fell in love with her
A
A7
D
F
Now I’ll never dance with another
A
E7
A7
A
E7
A7
A
E7
D
A A9
Yeah, well since I saw her standing there
(Original: E)
I SHALL BE RELEASED
Bob Dylan
P. D-Harp Intro: 1 Verse
D
Em
They say ev'rything can be replaced,
A
G
D
Yet ev'ry distance is not near.
D
Em
So I remember ev'ry face
A
G
D
Of ev'ry man who put me here.
Em
I see my light come shining
A
G
D
From the west unto the east.
Em
Any day now, any day now,
A G
D
I shall be released.
D
Em
They say ev'ry man needs protection,
A
G
D
They say ev'ry man must fall.
D
Em
Yet I swear I see my reflection
A
G
D
Some place so high above this wall.
Em
A
G
D
Em
A G
D
D
Em
Standing next to me in this lonely crowd,
A
G
D
A man who swears he's not to blame.
D
Em
All day long I hear him shouting so loud,
A
G
D
Crying out that he was framed.
Em
A
G
D
Em
A G
D
(Original: E)
I SHOT THE SHERIFF
Clapton / Marley
• e-d-h-a-g-h-a-g-e,
Em (*h')
Am (*e)
Em
I shot the sheriff,
but I did not shoot the deputy
Am
Em
I shot the sheriff,
but I didn’t shoot the deputy
Cmaj7 (*e') Bm
Em
Cmaj7 Bm
Em
All
around in my hometown, they’re trying to drag me down
Cmaj7
Bm
Em
They say they want to bring me in guilty
Am
Bm Em
Am
Bm Em
For the killing of the deputy - For the life of the deputy
But I say:
• e-d-h-a-g-h-a-g-e
Em
Am
Em
I shot the sheriff,
but I swear it was in self-defence
Em
Am
Em
I shot the sheriff,
then they say it is a capital offence
Cmaj7
Bm
Em
Cmaj7
Bm
Em
Sheriff John Brown always hated me. For what, I don’t know
Cmaj7 Bm
Em
Ev’ry time that I’d plant a seed
Am
Bm Em
Am
Bm Em
He said "Kill it before it grows" - He said "Kill it before it grows"
I say:
Em
Am
Em
I shot the sheriff,
Em
Am
Em
I shot the sheriff,
Cmaj7
Bm
Em
Cmaj7
Bm
Em
Freedom came my way one day and I started out to run there
Cmaj7
Bm
Em
All of a sudden I see sheriff John Brown
Am
Bm
Em
Am Bm
Em
Aiming to shoot me down - So I shot,
I shot him down
I say:
Em
Am
Em
I shot the sheriff,
Am
Em
I shot the sheriff,
Cmaj7 Bm
Em
Cmaj7
Bm
Em
Reflexes got the better of me
and what is to be must be
Cmaj7
Bm
Em
Every day the bucket goes to the well
Am
Bm
Em
Am
Bm
Em
One day the bottom will drop out - Yes, one day the bottom will drop out
But I say:
Em
Am
Em
I shot the sheriff,
but I did not shoot the deputy ....
(Original: Gm)
I STILL HAVEN‘T FOUND WHAT I‘M LOOKING FOR
U2
Capo 2 P. (Original: D#)
B
A
E
Esus4 E
But I still haven't found, what I'm looking for.
B
A
E
Esus4 E
E Esus4 E Esus4
E
I have climbed highest mountains. I have run through the fields,
A
E
Esus4 E
Only to be with you, only to be with you.
I have run, I have crawled. I have scaled these city walls,
A
E
Esus4 E
These city walls. Only to be with you.
B (*h')
A
E
Esus4 E
B
A
E
Esus4 E
E
I have kissed honey lips, felt the healing in her fingertips.
A
E Esus4 E
It burned like fire, this burning desire.
I have spoke with the tongue of an angel. I have held the hand of a devil.
A
E
Esus4 E
It was warm in the nights, I was cold as a stone.
E
I believe in the Kingdom Come, then all the colours will bleed into one,
A
E
Esus4 E
Bleed into one. But, yes I'm still running.
You broke the bonds and you loosed the chains.
A
E
Esus4 E
Carried the cross, of my shame, of my shame, you know I believe it.
B
A
E
Esus4 E
B
A
E
Esus4 E
But I still haven't found, what I'm looking for ...
I STILL MISS SOMEONE
Johnny Cash
Instr.: 1 Verse A-Harp (6. blow)
P. A-Harp (6. blow)
A
D
E
I wonder if she's sorry
D
E
A
For leavin' what we had begun
D
E
There's someone for me somewhere
D
E
A
And I still miss someone
A
D
E
At my door the leaves are falling
D
E
A
A cold wild wind will come
D
E
Sweethearts walk by together
D
E
A
A
D E
I go out on a party
D
E
A
And look for a little fun
D
E
But I find a darkened corner
D
E
A
‘Cause I still miss someone
D
E
A
No, I never got over those blues eyes
D
E
A
I see them everywhere
D
E
A
I miss those arms that held me
D
E
A
When all the love was there
D
E
A
No, I never got over those blues eyes
D
E
A
I see them everywhere
D
E
A
I miss those arms that held me
D
E
A
When all the love was there
A
D
E
At my door the leaves are falling
D
E
A
A cold wild wind will come
D
E
Sweethearts walk by together
D
E
A
I THINK IT‘S GOING TO RAIN TODAY
Randy Newman
Capo 3
| A | D A | D Esus4 |
A
D
A
Broken windows and empty hallways,
F#m
D E7
A
A pale dead moon in the sky streaked with grey.
C#m
F#m
Bm7 A6
D
B7
Human kindness is ov........er......flowing
F#m
B7
D
A
| A | D Esus4 |
And I think it's going to rain today.
A
D
A
Scarecrows dressed in the latest style,
F#m
D
E7
A
With frozen smile, to chase love away.
C#m
F#m
Bm7 A6
D
B7
F#m
B7
D
A
| A | D Esus4 |
e
a,
A
G | A G C Em |
Lonely ....
A
G | A G C Em |
Lonely ....
a, c, g‘ e c,
Am
Tin can at my feet;
a,
a, a, c, e c, a,
Fmaj7
Think I'll kick it down the street.
a,
c, e c, a, g, a,
Am
Am7
Am
That's the way to treat a friend.
A
A
D
A
Bright before me, the signs implore me
F#m
D
E7
A
To help the needy and show them the way.
C#m
F#m
Bm7 A6
D
B7
F#m
B7
D
A
B7
F#m
B7
D
A
I THREW IT ALL AWAY
Bob Dylan
Capo 5 P.
E Am
G C
G D G
G
Em
C
G
I once held her in my arms,
Em
C
D
She said she would always sta......y.
E
Am
G
C
But I was cruel, I treated her like a fool,
G
C
G C
I threw it all away.
G
Em
C
G
Once I had mountains in the palm of my hand,
Em
C
D
And rivers that ran through ev'ry da......y.
E
Am
G
C
I must have been mad, I never knew what I had,
G
C
G C
Until I threw it all away.
C
D
G
Em
Love is all there is, it makes the world go 'round,
C
D
E
Love and only love, it can't be denied.
C
D
No matter what you think about it
G
Em
You just won't be able to do without it.
F
C
D
Take a tip from one who's tri.......ed.
G
Em
C
G
So if you find someone who gives you all of her love.
Em
C
D
Take it to your heart, don't let it str....ay,
E
Am
G
C
For one thing's for certain, you will surely be a-hurtin'
G
C G C
If you throw it all away.
G
D
G
If you throw it all away.
E Am
G C
G D G
I WALK THE LINE
Johnny Cash
Capo 1
e fis gis a e a a h cis d a d d cis h a e a
E
A
D
A
a gis fis e h e e fis e h h h a gis fis e h e h ....
E
B
E
E (*e) B7
E
I keep a close watch on this heart of mine
B7
E
I keep my eyes wide open all the time.
A
E
I keep the ends out for the tie that binds
B7
E e fis gis a e a e .... >>> A
Because you're mine, I walk the line
mmhhmm...
(*a,)
E
A
I find it very, very easy to be true
E
A
I find myself alone when each day is through
D
A
Yes, I'll admit that I'm a fool for you
E
A a h cis d a d a ..... >>> D
mmhhmm...
(*d)
A
D
As sure as night is dark and day is light
A
D
I keep you on my mind both day and night
G
D
And happiness I've known proves that it's right
A
D
d cis h a e a e .... >>> A
mmhhmm...
(*a,)
E
A
You've got a way to keep me by your side
E
A
You give me cause for love that I can't hide
D
A
For you I know I'd even try to turn the tide
E
A
a gis fis e h e h .... >>> E
mmhhmm...
E (*e) B7
E
I keep a close watch on this heart of mine
B7
E
I keep my eyes wide open all the time.
A
E
I keep the ends out for the tie that binds
B7
E
B7
E
I WANT TO HOLD YOUR HAND
Gm7
C7
F
Dm
And when I touch you I feel happy inside
Gm7
C7
F
G
It's such a feeling that my love, I can't hide
F
G
F
G
I can't hide, I can't hide
Beatles
Capo: 4
(Original: G)
Riff: g-g-gis-a
F-G
F-G
F-G
C
G7
Riff Am
E7
Oh yeah, I'll tell you something
I think you'll understand
C
G7
Riff Am
E7
When I'll say that something
I wanna hold your hand
F
G7
C
Am
F
G7
C
C
G7
Oh, please say to me:
C
G7
And please say to me:
F
G7
C
Now let me hold your hand
Riff
Riff
Am
Am
E7
You'll let me be your man
Am
E7
You'll let me hold your hand
F
G7
C
Gm7
C7
F
Dm
And when I touch you I feel happy inside
Gm7
C7
F
G
It's such a feeling that my love, I can't hide
F
G
F
G
I can't hide, I can't hide
C
G7
Riff
Yeah, you got that something,
C
G7
Riff
When I feel that something,
F
G7
C
Am
Am
E7
Am
E7
F
G7
C
C
G7
Riff
Yeah, you got that something,
C
G7
Riff
When I feel that something,
F
G7
C
Am
F
G7
F
C
Am
E7
Am
E7
F
G7
C
---------------------------------------------------------------------------------------------C
G7
Riff Am
E7
Oh du bist so schön,
schön wie ein Diamant
C
G7
Riff Am
E7
Ich will mit dir geh'n.
Komm gib mir deine Hand
F
G7
C
Am F
G7 C
Komm gib mir deine Hand.
Komm gib mir deine Hand
Oh komm doch, komm zu mir. Du nimmst mir den Verstand
Oh komm doch, komm zu mir. Komm gib mir deine Hand
Komm gib mir deine Hand. Komm gib mir deine Hand
Gm7
C7
F
Dm
In deinen Armen bin ich glücklich und froh
Gm7
C7
F
G F
G F
G
Das war noch nie bei einer andern einmal so, einmal so, einmal so
I WANT YOU
Bob Dylan
Capo 5 P. F-Harp (+ 5)
Harp-Intro: C
Em
Am
G
C
Em
The guilty undertaker sighs, the lonesome organ grinder cries,
Am
G
The silver saxophones say I should refuse you.
F
G
The cracked bells and washed-out horns blow into my face with scorn,
Am
G
But it's not that way, I wasn't born to lose you.
C
Em
Am
G
C
I want you, I want you, I want you so bad, honey, I want you.
C
Em
The drunken politician leaps upon the street where mothers weep
Am
G
And the saviors who are fast asleep, they wait for you.
F
G
And I wait for them to interrupt me drinkin' from that broken cup
Am
G
And ask me to open up the gate for you.
C
Em
Am
G
C
I want you, I want you, yes I want you so bad, honey, I want you.
Em
Am
Now all my fathers, they've gone down, true love they've been without it.
Em
F
G
But all their daughters put me down, 'cause I don't think about it.
Harp: C
Em
Am
G
2x
C
Em
Well, I return to the Queen of Spades and talk with my chambermaid.
Am
G
She knows that I'm not afraid to look at her
F
G
She is good to me and there's nothing she doesn't see.
Am
G
She knows where I'd like to be but it doesn't matter.
C
Em
Am
G
C
I want you, I want you, yes I want you so bad, honey, I want you.
C
Em
Now your dancing child with his Chinese suit,he spoke to me,I took his flute.
Am
G
No, I wasn't very cute to him, was I?
F
G
But I did it, because he lied, because he took you for a ride
Am
G
And because time was on his side and because I...
C
Em
Am
G
C
I want you, I want you, I want you so bad, honey, I want you.
Harp-Outro: C
Em
Am
G
I WISH I WAS IN ENGLAND
Trad.
Capo 3
Am C
G
Am
C
G
Am
Oh I wish that I was in England, in France or even in Spain
F
C
G/B
Am
C
G
Am
Or wherever dwells my own true love, for to hold her near again
F
C
G/B
Am
C
G
Am
Wherever dwells my own true love, for to hold her near again
Am C
G
Am
C
G
Am
Oh long time I had been roaming, in country and in town
F
C
G/B
Am C
G
Am
But never in my wandering met, a maid with such renown
F
C
G/B
Am C
G
Am
No never in my wandering met, a maid with such renown
Am C G
Am
C
G
Am
Until I met my true love on the shores of Knocknashee
F
C
G/B
Am
C
G
Am
Her brown hair in the howling wind, a-blowing wild and free
F
C
G/B
Am
C
G
Am
Her brown hair in the howling wind, a-blowing wild and free
Am
C
G
Am
C
G
Am
Oh my true love she did promise me some land with rambling kine
F
C
G/B
Am
C
G
Am
And on her ample pasture land to build a mansion fine
F
C
G/B
Am
C
G
Am
And on her ample pasture land to build a mansion fine
Am C
G
Am
C
G Am
But then my love she left me, and she wandered far away
F
C
G/B Am
C
G
Am
And I've been searching for my love for many's the night and day
F
C
G/B Am
C
G
Am
And I've been searching for my love for many's the night and day
Am C
G
Am
C G
Am
Oh I wish that I was in England, or wherever she may be
F
C
G/B
Am
C
G
Am
That I could go and call her name, and together we could be
F
C
G/B
Am
C
G
Am
That I could go and call her name, and together we could be
I WILL
Beatles
F
G7 Am7
Love you forever and forever.
Dm
G7
C
C7
Love you with all my heart.
F
G7 Am7
Love you whenever we’re together.
D7
G7
Love you when we re apart.
(Original: F)
C
Am7
Dm7
G7
C
Am7
Dm7
G7
Who knows how long I've loved you.
C
Am
Em
You know I love you still.
C7 F
G7
Am
C
Will I wait a lonely lifetime,
F
G7 C Am7 Dm7
If you want me to, I will.
C Am7 Dm7
G7
For if I ever saw you
C
Am
Em
I didn't catch your name.
C7 F
G7 Am
C
But it never really mattered
F
G7
C
C7
I will always feel the same.
G7
C
Am7 Dm7
G7
And when at last I find you,
C
Am7 Em
Your song will fill the air.
C7
F
G7
Am F
C
Sing it loud so I can hear you.
F G7
Am F
C
Make it easy to be near you
F
G7
Am
C
F
For the things you do endear you to me, oh,
G7
G#7
You know I will.
C
C7
I will.
I F C G7 I Am7 I Dm7 G7 I C
I WON'T BACK DOWN
Tom Petty
Capo 2
c,
(Original: Em)
d
e
Am G
C/E
Am G
C/E
Well, I won't back down, no I won't back down
Am
G
F
You can stand me up at the gates of hell
Am G
C
But I won't back down
Am G C/E
Am G C/E
Gonna stand my ground, won't be turned around
Am
G
F
And I'll keep this world from draggin' me down
Am G
C
Gonna stand my ground
Am G
C
And I won't back down
F C
G C F
C
G C
Hey….. baby,
there ain't no easy way out
F C
G
Am G C/E
Hey….. I
will stand my ground
Am G
C
Am G
C/E
Am G C/E
Well I know what's right. I got just one life
Am
G
F
In a world that keeps on pushin' me around
Am G C
But I'll stand my ground
Am G C
F C
G C F
C
G C
Hey….. baby,
F C
G
Am G C/E
Hey….. I
Am G
C
Instr.: 1 Verse
F C
G C F
C
G C
Hey….. baby,
F C
G
Am G C/E
Hey….. I
won't back down
F C
G C F
C
G C
Hey….. baby,
F C
G
Am G C/E
Hey….. I
Am G
C
Am G
C
No, I wont't back down
ICH BIN VON KOPF BIS FUSS ...
Marlene Dietrich
C
Em
Am
Ein rätselhafter Schimmer, ein "je ne sais-pas-quoi"
Em
Am
D7
G7
Liegt in den Augen immer bei einer schönen Frau.
C
Em
Am
Doch wenn sich meine Augen bei einem vis-à-vis
Em
Am D7
G7
Ganz tief in ihre saugen, was sprechen dann sie?:
C C7
F
Fm
C
A7
Dm7
G7
C
F#dim G7
Denn das ist meine Welt und sonst gar nichts.
C C7
F
Fm
C
A7
Das ist, was soll ich machen, meine Natur,
Dm7
G7
C
E7 (*e)
(*d')
Am
Frauen umschwirr'n mich, wie Motten um das Licht.
D7
G7 Gdim G7
Und wenn sie verbrennen, ja dafür kann ich nicht.
C C7
F
Fm
C
A7
Dm7
G7
C
C
Em
Am
Was bebt in meinen Händen, in ihrem heißen Druck?
Em
Am
D7
G7
Sie möchten sich verschwenden, sie haben nie genug.
C
Em
Am
Ihr werdet mir verzeihen, ihr müßt' es halt versteh'n,
Em
Am D7
G7
Es lockt mich stets von neuem. Ich find' es so schön!
Ich bin von Kopf bis Fuß ...
____________________________________
FALLING IN LOVE AGAIN
C C7 F
Fm C
A7
Dm7
G7
C
F#dim G7
C
C7
F
Fm
C
A7
Love's always been my game, play it how I may
Dm7
G7
C
I was made that way, can't help it.
E7 (*e)
(*d')
Am
Girls cluster to me like moths around a flame,
D7
G7
Gdim G7
And if their wings burn, I know I'm not to blame
C C7 F
Fm C
A7
Dm7
G7
C
ICH BIN WIEDER HIER
C
F C
F
Ich hab dich wirklich lieb, wenn es so etwas gibt
C
F
G
Ich hab dich wirklich lieb in meinen Träumen
C
F C
F
Ich find dich wunderschön, zu schön um zu verstehn
C
F
G
Daß alles mal vergeht
in meinen Träumen
(*e')
Am
F
Ich bin wieder hier in meinem Revier
G
C
War nie wirklich weg, hab mich nur versteckt
A
F
Ich rieche den Dreck, ich atme tief ein
G
C
Und dann bin ich mir sicher wieder zu Hause zu sein
C
F C
F
Ich hab dich wirklich lieb, auch wenn ich dir nie schrieb
C
F
G
Und dich verleugnet hab in meinen Träumen
C
F
C
F
Wenn du vergessen kannst, alles vergessen kannst
C
F
G
Dann schenk mir diesen Tanz ich will nichts versäumen
(*e')
Am
F
G
C
A
F
G
C
Instr. Vers (uhhhhuuuu…)
(*e')
Am
F
G
C
A
F
G
C
Am
F
Ich bin wieder da noch immer ein Star
G
C
Noch immer ein Held für kein Geld der Welt
A
F
War nie wirklich weg hab mich nur versteckt
G
C
Und eines ist sicher ich geh nie wieder weg
Am
Ich bin wieder hier…
F
ICH DENK’ ES WAR EIN GUTES JAHR
Reinhard Mey
Capo 2
C
C
Dm
Dm
G7
G7
C
C
Am
Am
Dm
Dm
G7
G7
C
C G7
C
C
G7
C
G7
F
C
G7
C
Der Rauhreif legt sich vor mein Fenster, kandiert die letzten Blätter weiß
G7
C
G7
F
C
G7 C
Der Wind von Norden jagt Gespenster aus Nebelschwaden übers Eis
Em
A7
Dm
G7
C
A7
Dm G7
Die in den Büschen hängenbleiben, an Zweigen wie Kristall so klar
C
Dm
G7
C
Am
Dm
G7
C
Ich hauche Blumen auf die Scheiben und denk' es war ein gutes Jahr
Am
Dm
G7
C
Am
Dm
G7
C
Ich hauche Blumen auf die Scheiben und denk' es war ein gutes Jahr
C
C
Dm
Dm
G7
G7
C
C
Am
Am
Dm
Dm
G7
G7
C
C G7
C
C
G7
C
G7
F
C
G7
C
Sind ein paar Hoffnungen zerronnen, war dies und jenes Lug und Trug
G7
C
G7
F
C
G7
C
Hab' nichts verloren, nichts gewonnen, so macht mich auch kein Schaden klug
Em
A7
Dm
G7 C
A7 Dm G7
So bleib ich nah unter den Toren, hab' ein paar Illusionen mehr
C
Dm
G7
C
Am
Dm
G7
C
Hab' nichts gewonnen und nichts verloren und meine Taschen bleiben leer
Am
Dm
G7
C
Am
Dm
G7
C
Hab' nichts gewonnen und nichts verloren und meine Taschen bleiben leer
C
C
Dm
Dm
G7
G7
C
C
Am
Am
Dm
Dm
G7
G7
C
C
G7
C
C
G7
C
G7 F
C
G7
C
Nichts bleibt von Bildern die zerrinnen, nur eines seh ich noch vor mir
G7
C
G7
F
C
G7
C
Als läg ein Schnee auf meinen Sinnen, mit tiefen Fußstapfen von dir
Em
A7
Dm
G7 C
A7
Dm G7
Mir bleibt noch im Kamin ein Feuer und ein paar Flaschen junger Wein
C
Dm
G7
C
Am
Dm
G7 C
Mehr Reichtum wär mir nicht geheuer und brächte Sorgen obendrein
Am
Dm
G7
C
Am
Dm
G7 C
Mehr Reichtum wär mir nicht geheuer und brächte Sorgen obendrein
C
C
Dm
Dm
G7
G7
C
C
Am
Am
Dm
Dm
G7
G7
C
C G7
C
Em
A7
Dm
G7
C
A7
Dm
G7
Du kommst den Arm um mich zu legen, streichst mit den Fingern durch mein
Haar
C
Dm
G7
C
Am
Dm
G7
C
Denk dran ein Holzscheit nachzulegen, ich glaub es war ein gutes Jahr
Am
Dm
G7
C
Am
Dm
G7
C
Denk dran ein Holzscheit nachzulegen, ich glaub es war ein gutes Jahr
C
Dm
G7
C
Am
Dm
G7
C .........
ICH WAR NOCH NIEMALS IN NEW YORK
Udo Jürgens
P.
Melody: e... a g e c c d c d c d c d c e
A
C
D
E
A (*e)
C
Und nach dem Abendessen sagte er,
D
E
Laß mich noch eben Zigaretten holen geh'n,
A
C
Sie rief ihm nach nimm Dir die Schlüssel mit,
D
E
Ich werd inzwischen nach der Kleinen seh'n
F#m
C#m
F#m
C#m
Er zog die Tür zu, ging stumm hinaus, ins neon-helle Treppenhaus,
D
E
A
Es roch nach Bohnerwachs und Spießigkeit.
F
C
F
C
Und auf der Treppe dachte er, wie wenn das jetzt ein Aufbruch wär,
F
G
E
A
Ich müßte einfach geh'n für alle Zeit, für alle Zeit...
(*e')
D
E
C#m
F#m
Ich war noch niemals in New York, ich war noch niemals auf Hawaii,
Bm
E
A
Ging nie durch San Francisco in zerriss'nen Jeans,
D
E
C#m
F#m
Ich war noch niemals in New York, ich war noch niemals richtig frei,
Bm
E
A
Melody
Einmal verrückt sein und aus allen Zwängen flieh'n.
A
C
Und als er draussen auf der Straße stand,
D
E
Fiel ihm ein, daß er fast alles bei sich trug,
A
C
Den Paß, die Eurochecks und etwas Geld,
D
E
Vielleicht ging heute abend noch ein Flug.
F#m
C#m
F#m
C#m
Er könnt' ein Taxi nehmen dort am Eck oder Autostop und einfach weg,
D
E
A
Die Sehnsucht in ihm wurde wieder wach,
F
C
F
C
Noch einmal voll von Träumen sein, sich aus der Enge hier befrei'n,
F
G
E
A
Er dachte über seinen Aufbruch nach, seinen Aufbruch nach...
Ich war noch niemals in New York....
F#m
C#m
F#m
C#m
Dann steckte er die Zigaretten ein und ging wie selbstverständlich heim,
D
E
A
Durchs Treppenhaus mit Bohnerwachs und Spießigkeit,
F
C
F
C
Die Frau rief "Mann, wo bleibst Du bloß, Dalli-Dalli geht gleich los",
F
G
E
A
Sie fragte ..... "War was?" - "Nein, was soll schon sei......n."
Ich war noch niemals in New York....
Original: G#
ICH WOLLTE WIE ORPHEUS SINGEN
Reinhard Mey
Capo 2
C
Dm
Ich wollte wie Orpheus singen
G7
C Am
Dem es einst gelang
Dm
Felsen selbst zum Weinen zu bringen
G7
C
Durch seinen Gesang
Dm
Wilde Tiere scharten sich
G7
C Am
Friedlich um ihn her
Dm
Wenn er über die Saiten strich
G7
C
Schwieg der Wind und das Meer
e
g
C
Em
Meine Lieder, die klingen nach Wein
Dm
A
Dm
Und meine Stimme nach Rauch
G7
C
Am
Mag mein Name nicht Orpheus sein
F
G
C
Mein Name gefällt mir auch!
C
Dm
Meine Lyra die trag' ich hin
G7
C Am
Bring' sie ins Pfandleihhaus
Dm
Wenn ich wieder bei Kasse bin
G7
C
Lös' ich sie wieder aus
Dm
Meine Lieder sing' ich dir
G7
C Am
Von Liebe und von Ewigkeit
Dm
Und zum Dank teilst du mit mir
G7
C
Meine Mittelmäßigkeit
C
Em
Kein Fels ist zu mir gekommen
Dm
A
Dm
Mich zu hören, kein Meer
G7
C
Am
Aber ich habe dich gewonnen
F
G
C
Und was will ich noch mehr?
C
Em
Kein Fels ist zu mir gekommen ...
ICH ZÄHLE TÄGLICH MEINE SORGEN
Peter Alexander
D7
G
G7
C
C/B
A7
Ich zähle täglich meine Sorgen, denn ich sorg mich sehr
D
D7
D
D7 G
Wenn ich denk du liebst mich nicht, lieb ich dich umso mehr
G7
C
C/B A7
Ich zähle täglich meine Sorgen, und lieb dich wie zuvor
D
D7
D
D7
G
Wenn ich nicht mehr zähle weiß ich dass ich dich verlor
G
G7
C
C/B
Sorge Nummer eins in meinem Leben
D
D7
G
Das ist die Sorge, dass du von mir gehst
G7
C
C/B
Am
Und Sorge Nummer zwei ist, das es bald 'nen andren gibt
D
D7
G
D7
Den besser du verstehst und der dich liebt
G
G7
C
C/B
A7
D
D7
D
D7 G
G7
C
C/B A7
D
D7
D
D7
G
G
G7
C
C/B
Sorge Nummer drei, das ist die Frage:
D
D7
G
Wie halt ich dich und wie gefall ich dir
G7
C
C/B
Am
Und wenn du wirklich bleibst, ja, was erwartest du von mir
D
D7
G
D7
Ja, das ist meine Sorge Nummer vier
D7
G
G7
C
C/B
A7
D
D7
D
D7 G
G7
C
C/B A7
D
D7
D
D7
G
D
D7
D C D7 Cdim G
Wenn ich nicht mehr zähle weiß ich, dass ich dich ver........lor
IF I WERE A CARPENTER
Would you miss your colored blouse,
Tim Hardin
D C G D
C G D
D
C
C/B Am
Am/G
D
If I were a carpenter
and you were a lady
C
C/B Am
Am/G D
Would you marry me anyway,
would you have my baby?
D
C
C/B Am
Am/G D
If a tinker were my trade,
would you still love me?
C
C/B Am Am/G
D
Carrying the pots I made,
following behind me
C G D
D
C
C/B Am
Am/G D
If I worked my hands in wood,
would you still love me
C
C/B Am
Am/G
D
Answer me, babe, yes, I would, I would put you above me
Am/G
C G D
D
C
C/B Am
Am/G
D
If I were a carpenter
and you were a lady
C
C/B Am
Am/G D
Would you marry me anyway,
would you have my baby?
C G D
D
C C/B Am
Am/G
D
If I were a miller
at a mill wheel grinding
C
C/B Am
C(*g)
D
Save my love through loneliness,
C
D
Save my love for sorrow
C C/B Am
Am/G D
I've given you my onliness -- Give me your tomorrow
C G D
C(*g)
D
Save my love through loneliness,
C
D
Save my love for sorrow
C C/B Am
Am/G D
I've given you my onliness -- Give me your tomorrow
C G D
your soft shoe shining?
D
C G D
IF NOT FOR YOU
Bob Dylan
D
D - A - G 3x
D A-G
If not for you,
D
A-G
Babe, I couldn't find the door,
D
A-G
Couldn't even see the floor,
F#m Em
I'd be sad and blue,
D
A-G
D A-G
If not for you.
D A-G
If not for you,
D
A-G
Babe, I'd lay awake all night,
D
A-G
Wait for the mornin' light
F#m
Em
To shine in through,
F#m
Em
But it would not be new
D
A-G
D A-G
If not for you.
G
D
If not for you my sky would fall,
A
D
A-G
Rain would gather too.
G
D
Without your love I'd be nowhere at all,
E
A
A/G A/F# A/E
I'd be lost if not for you.
D
A - G 3x
D A-G
If not for you,
D
A-G
Winter would have no spring,
D
A-G
I couldn't hear the robin sing,
F#m
Em
I just wouldn't have a clue,
F#m
Em
Anyway it wouldn‘t ring true
D
A-G
If not for you.
D
A-G
If not for you.
D
A-G
If not for you..
D
A-G
If not for you......
(2x)
IF YOU COULD READ MY MIND
Gordon Lightfoot
Intro: E
D D6 E
2x
E
D
D6
If you could read my mind, love, what a tale my thoughts could tell
E
D
D6
Just like an old time movie 'bout a ghost from a wishin' well
gis,
E
A
B7
C#m
In a castle dark or a fortress strong with chains upon my feet
A
E
You know that ghost is me
A
A/G#
F#m7
B7
E
And I will never be set free as long as I'm a ghost you can't see
E
D
D6
If I could read your mind love, what a tale your thoughts could tell
E
D
D6
Just like a paperback novel, the kind that drugstores sell
E
A
B7
C#m
When you reach the part where the heartaches come the hero would be me
A
E
But heroes often fail
A
A/G#
F#m7
B7
E
And you won't read that book again because the ending's just too hard to take
2 Lines Instr.: E
D D6 E
gis,
E
A
B7
C#m
I'd walk away like a movie star who gets burned in a three way script
A
E
Enter number two
A
A/G#
F#m7
B7
E
A movie queen to play the scene of bringing all the good things out in me
A
E
But for now love, let's be real
A
A/G#
I never thought I could act this way
F#m7
B7
And I've got to say that I just don't get it
A
A/G#
I don't know where we went wrong,
F#m7
B7
E
But the feelin's gone and I just can't get it back
E
D
D6
If you could read my mind love, what a tale my thoughts could tell
E
D
D6
Just like an old time movie 'bout a ghost from a wishin' well
E
A
B7
C#m
In a castle dark or a fortress strong with chains upon my feet
A
E
But stories always end
A
AG#
F#m7
B7
E
And if you read between the lines you'll know that I'm just tryin' to understand
A
E
The feelin that you lack
A
A/G#
I never thought I could feel this way
F#m7
B7
And I've got to say that I just don't get it
A
A/G#
I don't know where we went wrong,
F#m7
B7
E
D D6 E
But the feelin's gone and I just can't get it back
IF YOU NEED ME
Rolling Stones
Capo 2 ( Original: G)
e
C
G
If you need me, why don't you call me
C
F
Said if you need me, why don't you call me
C
Don't wait too long
G
When things go wrong
Am
C
G
I'll be there, yeah, where I belong
C
G
Said if you want me, why don't you send for me
C
F
Said if you want, want, want, all you gotta do is send for me
C
Don't wait to long
G
Just a pick up your phone
Am
C
G
I'll be there, right there, where I belong
Rezitativ:
People always told me, darling, that you didn't mean me no
good
But I know deep down in my heart, I done the best I could
And one of these days, darling, it won't be long
You're gonna come walking through that door
And I know in my mind these are the very words you're gonna
say to me
C
G
I still love you, always thinking of you
C
F
I still love, love, love, always thinking of you
C
Don't wait too long
G
When things go wrong
Am
C
I'll be there, right there, where I belong
I'LL BE BACK
Beatles
P.
e fis e a ...
A
Am
C
G
F
You know, if you break my heart I'll go,
E7
A
But I'll be back again.
Am
C
G
F
'Cause I told you once before goodbye,
E7
A
But I came back again.
F#m7
Bm
I love you so-oh, I'm the one who wants you,
E7
D E D E
Yes, I'm the one who wants you, oh ho, oh ho,
Am
C
G
F
Oh you could find better things to do,
E7
A
Than to break my heart again.
Am
C
G
F
This time I will try to show that I'm
E7
A
Not trying to pretend.
Bm (*e)
C#m
I thought that you would realize,
F#m
That if I ran away from you,
B7
That you would want me too,
D
E
D E D E
But I've got a big surprise, oh ho, oh ho,
Am
C
G
F
Oh you could find better things to do,
E7
A
Than to break my heart again.
Am
C
G
F
This time I will try to show that I'm
E7
A
Not trying to pretend.
F#m7
Bm
I wanna go-oh, but I hate to leave you,
E7
D E D E
You know I hate to leave you, oh ho, oh ho,
Am
C
G
F
Oh you, if you break my heart I'll go,
E7
A
Am
But I'll be back again.
I'LL BE YOUR BABY TONIGHT
Bob Dylan
D
Close your eyes, close the door
E
E7
You don't have to worry any more
G
A7
D
A7
I'll be your
baby tonight
D
Shut the light, shut the shade
E
E7
You don't have to be afraid
G
A7
D
D7
I'll be your
baby tonight
G
Well, that mockingbird's gonna sail away
D
We're gonna forget it
E
That big, fat moon is gonna shine like a spoon
A7
But we're gonna let it, you won't regret it
D
Kick your shoes off, do not fear
E
E7
Bring that bottle over here
G
A7
D
I'll be your
baby tonight
(Original: F)
I‘LL CRY INSTEAD
Beatles
G
C9 G C9
G - C9 G - C9
And when I do you better hide all the girls
G
C9
G
C9
D
I'm gonna break their hearts all round the world
C7
Bass...
Yes I'm gonna break 'em in two and show you what your lovin man can do
G
D
G - C9 G
Until then I'll cry instead.
P.
G - C9
G - C9
G
C9
G
C9
G - C9 G - C9
I've got every reason on earth to be mad,
G
C9
G C9 D
Cos I‘ve just lost the only girl I had
C7
If I could get my way, I'd get myself locked up today
G
D
G - C9 G - C9
But I can't, so I'll cry instead.
G
C9
G
C9
G - C9
I‘ve got a chip on my shoulder that's bigger than my feet
G
C9
G
C9 D
I can't talk to people that I meet
C7
If I could see you now, I'd try to make you say it somehow
G
D
G - C9 G
But I can't, so I'll cry instead.
G - C9
Bm
Don't wanna cry when there's people there
A
I get shy when they start to stare,
D
E7
A7
D7
I'm gonna hide myself away, but I'll come back again some day
Bm
Don't wanna cry when there's people there
A
I get shy when they start to stare,
D
E7
A7
D7
I'm gonna hide myself away, but I'll come back again some day
G
C9 G C9
G - C9 G - C9
And when I do you better hide all the girls
G
C9
G
C9
D
I'm gonna break their hearts all `round the world
C7
Bass...
Yes I'm gonna break 'em in two and show you what your lovin man can do
G
D
G
Until then I'll cry instead.
C9: x32033
G: 320033
I'LL FOLLOW THE SUN
Beatles
Instr.:
(Original: C)
|G
Am | C
C7
G
A7
G
Bm
A7 D7
G
G7
Yeah, tomorrow may rain, so I'll follow the sun.
G|
a
d
b
e
D7
C7
G
A7
One day you'll look
to see I've gone,
G
Bm
A7 D7
G
For tomorrow may rain, so I'll follow the sun.
D
Am C
G
D7
C7
G
A7
Someday you'll know. I was the one,
G
Bm
A7 D7
G
G7
But tomorrow may rain, so I'll follow the sun.
D7
C7
G
A7
One day you'll find
that I have gone,
G
Bm
A7 D7
G
Am C
Am7
Cm/A
G
G7
And now the time has come and so my love I must go.
Am7
Cm/A
G
Am7
And though I lose a friend, in the end you will know, oh.
D7
C7
G
A7
One day you'll find
that I have gone,
G
Bm
A7 D7
G
Am C
Am7
Cm/A
G
G7
And now the time has come and so my love I must go.
Am7
Cm/A
G
Am7
And though I lose a friend, in the end you will know, oh.
G
G
I‘LL HAVE TO SAY I LOVE YOU IN A SONG
Jim Croce
Amaj7
Amaj7
A6
A6
C#m7 Bm7
C#m7 Bm7
E7
E7
Amaj7 A6
C#m7 Bm7
E7
Well, I know it's kind of late
I hope I didn't wake you,
Amaj7 A6
C#m7
What I got to say can't wait
Bm7
E7
I know you'd understand
D
F#dim
C#7
F#m
D
Ev'ry time I tried to tell you the words just came out wrong
A
E7
D A E7
So I'll have to say I love you in a song.
Amaj7 A6
C#m7 Bm7
E7
Yeah, I know it's kind of strange
ev'ry time I'm near you,
Amaj7
A6
C#m7
I just run out of things to say
Bm7
E7
I know you'd understand
D
F#dim
C#7
F#m
D
Ev'ry time I tried to tell you the words just came out wrong
A
E7
D
A
E7
Amaj7 A6 C#m7 Bm7 E7
D
F#dim
C#7
F#m D
Ev'ry time the time was right all the words just came out wrong
A
E7
D A E7
Amaj7 A6
C#m7 Bm7
E7
Yeah, I know it's kind of late,
I hope I didn't wake you,
Amaj7
A6
C#m7
But there's something that I just got to say,
Bm7
E7
I know you'd understand.
D
F#dim
C#7
F#m
D
Every time I tried to tell you the words just came out wrong,
A
E7
D
A
A
I‘LL NEVER FALL IN LOVE AGAIN
d,
d‘
D7
G7sus4
That is why I'm here to remind you
Burt Bacharach
Cmaj7 Fmaj7
2x
Cmaj7
Am7
What do you get when you fall in love?
Fmaj7
Dm7
G7
A girl with a pin to burst your bubble
Em7
A7
That's what you get for all your trouble
Dm7
G7 Fmaj7 Cmaj7
I'...........ll never fall in love again
Dm7
G7
Cmaj7 Fmaj7
Cmaj7
Am7
What do you get when you kiss a girl?
Fmaj7
Dm7
G7
You get enough germs to catch pneumonia
Em7
A7
After you do, she'll never phone ya
Dm7
G7 Fmaj7 Cmaj7
Dm7
G7
Cmaj7
Cmaj7
G7sus4
Cmaj7
Don't tell me what it's all
about
G7sus4
Cmaj7
'Cause I've been there and I'm glad I'm out
Em
/D#
/D
/C#
Out of those chains, those chains that bind you
Cmaj7 Fmaj7
Cmaj7
Am7
Fmaj7
Dm7
G7
You only get lies and pain and sorrow
Em7
A7
So far at least until tomorrow
Dm7
G7 Fmaj7 Cmaj7
Dm7
G7
Cmaj7
Cmaj7
G7sus4
Don't tell me what it's all
Cmaj7
about ......................
Cmaj7
Am7
Fmaj7
Dm7
G7
You only get lies and pain and sorrow
Em7
A7
So far at least until tomorrow
Dm7
G7 Fmaj7 Cmaj7
Dm7
G7
Cmaj7 Fmaj7
Cmaj7 Fmaj7 Cmaj7
I‘M A BELIEVER
The Monkees
Capo 3
| |
E7
dd
| |
A
Riff:
cis cis h
E----------------------------------------------------B----------------------------------------------------G----------------------------------------------------D--------0-------0-------0--------0-------0-------0--A---0h2-----0h2-----0h2------0h2-----0h2-----0h2-----E-----------------------------------------------------
E
B7
E
I thought love was only true in fairy tales.
B7
E
Meant for someone else but not for me.
A
E
Oh, love was out to get me
A
E
That's the way it seemed;
A
E
B7
Disappointment haunted all my dreams
| |
| |
E7
A E
Then I saw her face
E7
A E
Now I'm a believer
E7
A E
Not a trace
E7
A E
Of doubt in my mind
E A
E
D
Riff
I'm in lo---ve; I'm a believer, I couldn't leave her if I tried.
E
B7
E
I thought love was more or less a givin' thing
B7
E
It seems the more I gave the less I got
A
E
What's the use in tryin'
A
E
All you get is pain
A
E
B7
When I needed sunshine I got rain.
| |
| |
E7
A E
Then I saw her face
E7
A E
Now I'm a believer
E7
A E
Not a trace
E7
A E
Of doubt in my mind
E A
E
D
Riff
I'm in lo---ve; I'm a believer, I couldn't leave her if I tried.
Yes, I saw her face ...
(B7)
Instr.:
E B7 E
E B7 E (2 Zeilen Vers) (oah, the monkees!)
A
E
Oh, love was out to get me
A
E
That's the way it seemed;
A
E
B7
Disappointment haunted all my dreams
Then I saw her face ...
(B7)
I‘M HAPPY JUST TO DANCE WITH YOU
Beatles
(Original: E)
Am Dm-E
Am Dm-E
Am
Dm
E
Before this dance is through, I think I'll love you too,
Dm
G7
C G7
I'm so happy when you dance with me.
C
Am7
Dm7 G7
I don‘t want to kiss or hold your hand,
C
Am7 Dm7 G7
If it's funny try and understand.
F
C Am7
There is really nothing else I'd rather do
Dm
G+
C
G
'Cause I'm happy just to dance with you.
C
Am7
Dm7 G7
I don't need to hug or hold you tight,
C
Am7 Dm7 G7
I just wanna dance with you all night.
F
C Am7
In this world there's nothing I would rather do,
Dm
G+
C
Am7
Dm E
Am
Dm
E
Just to dance with you, (oh oh) - Is everything I need (oh oh)
Am
Dm
E
Before this dance is through - I think I'll love you too,
Dm
G7
C G7
C
Am7
Dm7 G7
If somebody tries to take my place,
C
Am7 Dm7 G7
Let's pretend we just can't see his face.
F
C Am7
Dm
G+
C
Am7
Dm E
Am
Dm
E
Just to dance with you, (oh oh) - Is everything I need (oh oh)
Am
Dm
E
Before this dance is through - I think I'll love you too,
Dm
G7
C G7
C
Am7
Dm7 G7
If somebody tries to take my place,
C
Am7 Dm7 G7
Let's pretend we just can't see his face.
F
C Am7
Dm
G+
Am Dm E
I've discovered I'm in love with you (oh oh)
Dm
G+
Am
Cause I'm happy just to dance with you
Dm7 E Dm G7 C6
oh oh oh oh oh!
I'M LOOKING THROUGH YOU
Beatles
Capo 2 P. (Original: G#)
C
G
C
G
C-F
C-F
C-F
C-F
C F
Dm7
Am
G
I'm looking through you, where did you go?
C F
Dm7
Am
G
I thought I knew you, what did I know?
Am
F
C Dm7 G
You don‘t look different, but you have changed
C F
Dm7
F7
C-F C-F C-F C-F
I'm looking through you, you‘re not the same
C
F
Dm7 Am
G
Your lips are moving, I cannot hear
C
F
Dm7
Am
G
Your voice is soothing, but the words aren‘t clear
Am
F
C
Dm7 G
You don‘t sound different, I've learned the game
C F
Dm7
F7
C-F C-F C-F C-F
F
C
Why, tell me why did you not treat me right?
F
Gsus4
G7
Love has a nasty habit of disappearing overnight
C
F
Dm7 Am
G
You‘re thinking of me, the same old way
C F
Dm7
Am
G
You were above me, but not today
Am
F
C
Dm7 G
The only difference is you‘re down there
C F
Dm7
F7
C-F C-F C-F C-F
I‘m looking through you and you‘re nowhere
C F
Dm7
Am
G
I'm looking through you, where did you go?
C F
Dm7
Am
G
I thought I knew you, what did I know?
Am
F
C Dm7 G
You don‘t look different, but you have changed
C F
Dm7
F7
C-F C-F C-F C-F
F
C
Why, tell me why did you not treat me right?
F
Gsus4
G7
Love has a nasty habit of disappearing overnight
C-F....
Yeah, well, baby you‘ve changed, ah, I‘m looking through you
I'M ON FIRE
Bruce Springsteen
F
Sometimes it´s like someone took a knife Baby, edgy and dull
C
Am
Cut a six-inch valley through the middle of my soul
Capo 4
d.... c d e
Csus2 Am
d.... c g‘ e
Csus2
Am
C
At night I wake up with the sheets soaken wet
C
Hey little girl is your daddy home
F
F
Did he go and leave you all alone
Am
I got a bad desire
F
G
C
Oh, oh, oh, I´m on fire
C
Tell me now baby is he good to you
F
Can he do to you the things I would do, oh no
Am
I can take you higher
F
G
C
d....
cd e
Amsus4
C
d....
c
Amsus4
g‘
C
And a freight train running through the middle of my head.
Am
Only you can cool my desire
F
G
C
F
G
C
F
G
C
d....
cd e
d....
c
Amsus4
C
Amsus4
Huh huh uh.....
g‘
C
4x
I'M SO TIRED
Beatles
A G#
D
E7
I'm so tired, I haven't slept a wink,
A F#m7
D
E7
I'm so tired, my mind is on the blink.
A
C#m
F#m
Dm7
I wonder should I get up and fix myself a drink. No, no, no.
A G#
D
E7
I'm so tired, I don't know what to do.
A F#m7
D
E7
I'm so tired, my mind is set on you.
A
C#m
F#m7
Dm7 Dm6
Dm
I wonder should I call you but I know what you would do.
A
You'd say I'm putting you on.
But it's no joke, it's doin' me harm.
E7
You know I can't sleep, I can't stop my brain.
You know it's three weeks, I'm goin' insane.
D
You know I'd give you ev'rything I've got
A
For a little peace of mind.
A G#
D
E
I‘m so tired, I'm feeling so upset.
A
F#m7 D
E7
Although I'm so tired I’ll have another cigarette
A
C#m
F#m
Dm7
And curse Sir Walter Raleigh. He was such a stupid git.
A
You'd say I'm putting you on.
But it's no joke, it's doin' me harm.
E7
You know I can't sleep, I can't stop my brain.
You know it's three weeks, I'm goin' insane.
D
You know I'd give you ev'rything I've got
A
For a little peace of mind.
D
A
I'd give you ev'rything I've got for a little peace of mind.
D
A
I'd give you ev'rything I've got for a little peace of mind.
I‘M WALKING
Fats Domino
Instr.
A
D
I'm walkin, yes indeed and I'm talkin bout you and me
A
E
A
I'm hopin that you'll come back to me, uh yeah
A
D
A
E
A
I'm hopin that you'll come back to me, uh yeah
A
D
I'm lonely as I can be, I'm waitin for your company
A
E
A
I'm hopin that you'll come back to me.
A
D
I'm lonely as I can be, I'm waitin for your company
A
E
A
I'm hopin that you'll come back to me.
D
A
Whatcha gonna do when the well runs dry
D
A
You‘re gonna run away and hide
D
A
I'm gonna run right by your side
E
For you, pretty baby, I'll even die.
D
A
Whatcha gonna do when the well runs dry
D
A
You gonna sit right down and cry
D
A
Whatcha gonna do when I say bye bye
E
All you're gonna do is dry your eye
A
D
A
E
A
I'm hopin that you'll come back to me
A
D
A
E
A
I'm hopin that you'll come back to me
Instr.
I‘VE GOT YOU UNDER MY SKIN
Cole Porter, 1936
Capo 1
Cmaj7… Dm7 G7 Cmaj7 A7
g‘
a‘
g f e e
Dm7
G7
Cmaj7 A7
I've got you
under my skin
g‘ a‘
g
f e d
e e
Dm7
G7
Cmaj7
A7
I've got you
deep in the heart of me
e f ...
e...
d c h a, a,
Dm7
G7
Cmaj7
A7
So deep in my heart, that you're really a part of me
h, c, c,
h, a, g, g,
Dm7
G7
Cmaj7 A7
I've got you
under my skin
g‘ a‘ a‘
g f e e
Dm7
G7
Cmaj7 A7
I tried so
not to give in
g‘ gis‘....
g‘ g‘ f e d e e
Dm7-5
G7
Cmaj7
I said to myself: „This affair never will go so well!"
f fis...
e
e d cis, h, cis, cis,
Bm7
E7
Amaj7
But why I should I try to resist, when Baby I know so well
cis, d, d,
c, h, a, g,
Dm7
G7
Cmaj7
I've got you
under my skin
c, d,....
Dm7
G7
Cmaj7
A7
I'd sacrifice anything come what might for the sake of having you near
Dm7
G7
In spite of the warning voice that comes in the night
Cmaj7
E7
And repeats and repeats in my ear: Am7
Dm7 G7
Cmaj7 Am7
„Don't you know little fool you never can win ?
Dm7 G7
Cmaj7 Gm7 - C7
Use your mentality,
wake up to reality“
Fmaj7
Dm7-5
Cmaj7
Em7-5 A7
But each time I do just the thought of you makes me stop just before I begin
a,
a, f f
a, g, a, c,
Dm7
G7
Cmaj7
'Cause I've got you
under my skin
Instr. 1 Verse (Dm7 G7 Cmaj7 A7 4x)
c, d,....
Dm7
G7
Cmaj7
A7
I'd sacrifice anything come what might for the sake of having you near
Dm7
G7
In spite of the warning voice that comes in the night
Cmaj7
E7
And repeats, how it yells in my ear:
Am7
Dm7 G7
Cmaj7
„Don't you know little fool you never can win ?
Dm7 G7
Cmaj7 Gm7 - C7
Why not use your mentality, step up, wake up to reality“
Fmaj7
Dm7-5
Cmaj7
Em7-5 A7
But each time I do just the thought of you makes me stop just before I begin
a,
a, f f
e d c, c,
Dm7
G7
Cmaj7 A7
'Cause I've got you
under my skin
g,
g, f f
e d c, c,
Dm7
G7
Cmaj7
Yeah, I've got you
under my skin
IMAGINE
John Lennon
P.
g-e g-e g-e h c
a-f a-f a-f a h c
C
Cmaj7 F
g-e g-e ...
C
Cmaj7 F
C
Cmaj7 F
Imagine there's no
heaven.
C
Cmaj7 F
No hell below
us.
F
Am
Dm7 F
Imagine all the people
C
Aha ahaha
C
Cmaj7 F
It's easy if you
try
C
Cmaj7 F
Above us only
sky
G
G7
living for today...
C
Cmaj7 F
Imagine there's no count....ries.
C
Cmaj7
F
Nothing to kill or die
for.
F
Am
Dm7 F
F
You-hoo-oo-hoo-hoo
C
Cmaj7
It isn't hard to
C
Cmaj7
And no religion
G
G7
living life in peace...
F
do
F
too
F
G
C
E7
You may say I'm a dreamer
F
G
C
E7
But I'm not the only one
F
G
C
E7
I hope someday you'll join us
F
G
C
And the world will be as one
C
Cmaj7 F
C
Cmaj7 F
Imagine no posses......sion.
I wonder if you
can
C
Cmaj7 F C
Cmaj7 F
No need for greed or hun......ger.
A brotherhood of
man
F
Am
Dm7 F
G
G7
sharing all the world
F
G
C
E7
You may say I'm a dreamer
F
G
C
E7
But I'm not the only one
F
G
C
E7
I hope someday you'll join us
F
G
C
And the world will be as one
IN MY LIFE
Beatles
G D7
G D7
G
Em
G7
C Cm
There are places I'll remember all my life,
G
Though some have changed,
Em G7
C Cm
Some forever, not for better, some have gone
G
And some remain.
Em
C
All these places had their moments,
F
G
With lovers and friends I still can recall,
Em
A7
Some are dead and some are living,
Cm
G
D7
In my life I've loved them all.
G
Em G7
C Cm
But of all these friends and lovers, there is no one
G
Compares with you,
Em
G7
C
Cm
And these mem'ries lose their meaning when I think of love
G
As something new.
Em
C
Though I know I'll never lose affection
F
G
For people and things that went before,
Em
A7
I know I'll often stop and think about them
Cm
G
In my life I'll love you more.
Instr.
Em
C
Though I know I'll never lose affection
F
G
For people and things that went before,
Em
A7
I know I'll often stop and think about them
Cm
G
Cm
G
G D7 G
(Original: A)
IN MY SECRET LIFE
Leonard Cohen
Capo 1 (Original: F)
Am G
C Am
G
C Am
In my secret life.
In my secret life.
G
C Am
G
C
In my secret life.
In my secret life.
C
Am
I saw you this morning. You were moving so fast.
F
G
Can’t seem to loosen my grip on the past.
C
Am
And I miss you so much. There’s no one in sight.
Fmaj7
G
Am
And we’re still making love, oho oho oh
G
C Am
G
C
In my secret life.
In my secret life.
C
Am
I smile when I’m angry. I cheat and I lie.
F
G
I do what I have to do - to get by.
C
Am
But I know what is wrong and I know what is right.
Fmaj7
G
Am
And I’d die for the truth, oho oho oh
G
C Am
G
C
In my secret life.
In my secret life.
Am
G
F
Am
G
F
Hold on, hold on, my brother. My sister, hold on tight.
Am G
F
I finally got my orders.
Dm7
I’ll be marching through the morning,
Em7
Marching through the night,
Fmaj7
G
Moving cross the borders of my secret life.
C
Am
Looked through the paper. Makes you want to cry.
F
G
Nobody cares if the people live or die.
C
Am
And the dealer wants you thinking, that it’s either black or white.
Fmaj7
G
C
Thank God it’s not that simple in my secret life.
C
Am
I bite my lip. I buy what I’m told:
F
G
From the latest hit, to the wisdom of old.
C
Am
But I’m always alone and my heart is like ice.
Fmaj7
G
Am
And it’s crowded and cold, oho oho oh
G
C Am
G
C Am
In my secret life.
In my secret life.
G
C Am
G
C
In my secret life.
In my secret life. .....
IN THE GHETTO
Elvis Presley
C Csus4-C
Csus4-C
C
Csus4-C
Em7
As the snow flies
on a cold and gray Chicago mornin'
F
G7
C
A poor little baby child is born - In the ghetto
Csus4-C
Em
And his mama cries because if there's one thing that she don't need
F
G7
C
It's another little hungry mouth to feed - In the ghetto
G
F
C
People, don't you understand - The child needs a helping hand
F
G7
C
Or he will grow to be an angry young man some day
G
F
C
Take a look at you and me, are we too blind to see,
F
Em
Dm
G7
Do we simply turn our heads and look the other way?
C
Csus4-C
Em
While the world turns
and a hungry little boy with a runny nose
F
G7
C
Plays in the street as the cold wind blows - In the ghetto (in the ghetto)
Csus4-C
Em
And his hunger burns so he starts to roam the streets at night
F
G7
C
Where he learns how to steal and he learns how to fight - In the ghetto
G
F
C
Then one night in desperation a young man breaks away
F
Em
Dm
G7
He buys a gun, steals a car, tries to run, but he don't get far
C
Csus4-C
Em
And his mama cries
As a crowd gathers 'round an angry young man,
F
G7
C
Face down on the street with a gun in his hand - In the ghetto (In the ghetto)
Csus4-C
Em
As the young man dies
on a cold and gray Chicago mornin',
F
G7
C
Another little baby child is born - In the ghetto….
IN THE NEIGHBORHOOD
Tom Waits
C
F
C
F
Well the eggs chase the bacon round the fryin' pan
C
Am
Dm
G7
And the whinin' dog pigeons by the steeple bell rope
C
F
C
F
And the dogs tipped the garbage pails over last night
C
Am
Dm
G7
And there's always construction work bothering you
C
F
C
F
In the neighborhood, in the neighborhood
C G7 C
G7
In the neighborhood
C
F
C
F
Friday's a funeral and Saturday's a bride
C
Am
Dm
G7
Sey's got a pistol on the register side
C
F
C
F
And the goddamn delivery trucks they make too much noise
C
Am
Dm
G7
And we don't get our butter deliverered no more
C
F
C
F
C G7 C
G7
In the neighborhood
C
F
C
F
Well big Mambo's kicking his old greyhound
C
Am
Dm
G7
And the kids can't get icecream 'cause the market burned down
C
F
C
F
And the newspaper sleeping bags blow down the lane
C
Am
Dm
G7
And the goddamn flatbed's got me pinned in again
C
F
C
F
C G7 C
G7
In the neighborhood
C
F
C
F
There's a couple Filipino girl's gigglin' by the church
C
Am
Dm
G7
And the window is busted and the landlord ain't home
C
F
C
F
And Butch joined the army yea that's where he's been
C
Am
Dm
G7
And the jackhammer's diggin' up the sidewalks again
C
F
C
F
C G7 C
G7
In the neighborhood
C
F
C
F
C G7 C
G7
In the neighborhood
INTO THE GREAT WIDE OPEN
Tom Petty
Em Em+7 Em7 Em6
Em (*h') Em+7
Em7
Em6
Eddie
waited till he finished high school
Em
Em+7
Em7
Em6
He went to Hollywood, got a tattoo
Am
Am/G
Am/F# Am/E
He met a girl out there with a tattoo too
G
F
C
G-C-G
The future was wide open.
Em
Em+7
Em7
Em6
They moved into a place they both could afford
Em
Em+7
Em7
Em6
He found a nightclub he could work at the door
Am
Am/G
Am/F#
Am/E
She had a guitar and she taught him some chords
G F
C
G-C-G
G-C-G D
The sky was the limit.
G
C
Dsus4 G
Em
D
Am
Into the great wide open,
under them skies of blue
G
C
Dsus4 G
F
Em A
Out in the great wide open, a rebel without a clue.
Em
Em+7
Em7
Em6
The papers said Ed always played from the heart
Em
Em+7
Em7
Em6
He got an agent and a roadie named Bart
Am
Am/G
Am/F#
Am/E
They made a record and it went in the charts
G F
C
G-C-G
G-C-G D
The sky was the limit.
Em
Em+7
Em7
Em6
His leather jacket had chains that would jingle
Em
Em+7
Em7
Em6
They both met movie stars, partied and mingled.
Am
Am/G
Am/F#
Am/E
Their A&R man said "I don't hear a single."
G
F C
G-C-G
G-C-G D
The future was wide open.
G
C
Dsus4 G
Em
D
Am
G
C
Dsus4 G
F
Em A
G
C
Dsus4 G
Em
D
Am
G
C
Dsus4 G
F
Em A
G-C-G
Instr.: intro Riff - end with G then A
G-C-G
Em+7: 0 2 1 0 0 0
Em6:
042000
IRENE GOODNIGHT
Leadbelly
P.
E
B7
E
Irene goodnight, Irene goodnight
A
B7
E
Goodnight Irene, goodnight Irene, I'll see you in my dreams
E
B7
E
Sometimes I live in the country, sometimes I live in town
A
B7
E
Sometimes I feel a great notion to jump into the river and drown
E
B7
E
A
B7
E
E
B7
E
Quit ramblin' and quit gamblin', quit stayin' out late at night
A
B7
E
Stay home with your wife and family, sit down by the fireside bright
E
B7
E
A
B7
E
E
B7
E
I asked your mother for you. She told me you was too young
A
B7
E
I wished to God I'd never seen your face. I's sorry you ever was born
E
B7
E
A
B7
E
E
B7
E
I love Irene, God knows I do. I'll love her till the seas run dry
A
B7
E
And if Irene turns her back on me, I'd take morphine and die
E
B7
E
A
B7
E
E
B7
You cause me to weep, you cause me to mourn,
E
You cause me to leave my home
A
But the very last words I heard her say was
B7
E
"Please sing me one more song"
E
B7
E
A
B7
E
IRGENDWIE, IRGENDWO, IRGENDWANN
Irgendwie, irgendwo, irgendwann.
Nena
(Reggae-Feel)
fis
Bm
F#m
G
Im Sturz durch Raum und Zeit, Richtung Unendlichkeit
Bm
F#m
G A
Fliegen Motten in das Licht, genau wie du und ich.
e g a’
Em
C
D
Irgendwie fängt irgendwann irgendwo die Zukunft an,
G
Ich warte nicht mehr lang.
Em
C
Liebe wird aus Mut gemacht,
Am
Am/C
Denk nicht lange nach wir fahr‘n auf Feuerrädern
D
Richtung Zukunft durch die Nacht
e fis g c,
Em
C
D
Bm
Gib mir die Hand, ich bau dir ein Schloss aus Sand,
C
D
G
Em
C
D
Bm
Die Zeit ist reif für ein bisschen Zärtlichkeit,
C
G
D
D
Bm
F#m
G
D
Im Sturz durch Zeit und Raum erwacht aus einem Traum.
Bm
F#m
G A
Nur ein kurzer Augenblick, dann kehrt die Nacht zurück.
Em
C
D
Irgendwie fängt irgendwann irgendwo die Zukunft an,
G
Ich warte nicht mehr lang.
Em
C
Liebe wird aus Mut gemacht,
Am
Am/C
Denk nicht lange nach wir fahr‘n auf Feuerrädern
D
Richtung Zukunft durch die Nacht
Em
C
D
Bm
Gib mir die Hand, ich bau dir ein Schloss aus Sand,
C
D
G
Em
C
D
Bm
Die Zeit ist reif für ein bisschen Zärtlichkeit,
C
G
D
IRGENDWO AUF DER WELT
Comedian Harmonists
C
G7
C
G7
C
Irgendwo auf der Welt gibt's ein kleines bisschen Glück,
G7
C
G7
Und ich träum davon in jedem Augenblick.
C
G7
C
G7 C
Irgendwo auf der Welt gibt's ein bisschen Seligkeit,
G7
C
Und ich träum davon schon lange, lange Zeit.
F
Fm
F
C
Wenn ich wüsst, wo das ist, ging ich in die Welt hinein,
Am
G#
G
Denn ich möchte einmal recht - so von Herzen glücklich sein.
C
G7
C
Em
Am
Irgendwo auf der Welt fängt ein Weg zum Himmel an.
C
G7
C
Irgendwo, irgendwie, irgendwann.
g
f
e
f
f
e d
c d
G7
C
G7
Ich hab so Sehnsucht, ich träum so oft,
c
d
e g
c h a
C
Em A7
Einst wird das Glück mir nah sein.
g f e g
g
f e d e
Dm
G7
Dm
Gm6
Ich hab so Sehnsucht, ich hab gehofft,
d
e
f a d c c
Dm
Am C7
Einst wird die Stunde da sein.
c‘ b gis g c c‘
b gis g
Fm
C
Fm
C
Tage und Nächte wart ich darauf,
a g f e
d c e
d
Am
Dm
G7
Ich geb die Hoffnung niemals auf
Irgendwo auf der Welt gibt's ein kleines bisschen Glück,
Und ich träum davon in jedem Augenblick.
Irgendwo auf der Welt gibt's ein bisschen Selig[keit,
Und ich träum davon schon lange, lange Zeit.
Wenn ich wüsst, wo das ist, ging ich in die Welt hinein,
Denn ich möchte einmal recht so von Herzen glücklich sein.
Irgendwo auf der Welt fängt ein Weg zum Himmel an:
Irgendwo, irgendwie, irgendwann.
ISLAND IN THE SUN
Harry Belafonte
C
F
This is my island in the sun
G7
C
Where my people have toiled since time begun.
Am
Dm
I may sail on many a sea
C
Am
G7
C
Her shores will always be home to me.
C
F
G7
C
Oh, island in the sun, willed to me by my father's hand
Am
F
All my days I will sing and praise
G7
C
Of your forests, waters, your shining sands.
C
F
As morning breaks the heaven on high
G7
C
I lift my heavy load to the sky.
Am
Dm
Sun comes down with a burning glow
C
Am
G7
C
Mingles my sweat with the earth below.
C
F
G7
C
Am
F
G7
C
C
F
I see woman on bended knees
G7
C
Cutting cane for her family.
Am
Dm
I see man at the water side
C
Am
G7
C
Casting nets at the surging tide.
C
F
G7
C
Am
F
G7
C
C
F
I hope the day will never come
G7
C
That I can't awake to the sound of a drum,
Am
Dm
Never let me miss carnival
C
Am
G7 C
With calypso songs philosophical.
C
F
G7
C
Am
F
G7
C
(Original: D)
IT AIN‘T ME, BABE
Bob Dylan
G (*h,)
Am
G
D
G
Go 'way from my window. Leave at your own chosen speed
Am
G
D
G
I'm not the one you want, Babe, I'm not the one you need
Bm
Am
Bm
Am
You say you're lookin' for someone, who's never weak but always strong
Bm
Am
Bm
Am
To protect you an' defend you, whether you are right or wrong
C
D
Someone to open each and every door
G
C
D
G
But it ain't me, Babe. No, no, no, it ain't me Babe
C
D
G
It ain't me you're lookin' for, Babe.
G
Am
G
D
G
Go lightly from the ledge, Babe. Go lightly on the ground
Am
G D
G
I'm not the one you want, Babe, I will only let you down
Bm
Am
Bm
Am
You say you're lookin' for someone, who will promise never to part
Bm
Am
Bm
Am
Someone to close his eyes for you, someone to close his heart
C
D
Someone who will die for you an' more G
C
D
G
C
D
G
G
Am
G
D
G
Go melt back in the night. Everything inside is made of stone
Am
G
D G
There's nothing in here moving an' anyway I'm not alone
Bm
Am
Bm
Am
You say you're looking for someone,who'll pick you up each time you fall
Bm
Am
Bm
Am
To gather flowers constantly, an' to come each time you call
C
D
A lover for your life an' nothing more
G
C
D
G
C
D
G
IT NEVER RAINS IN SOUTHERN CALIFORNIA
Albert Hammond
Intro: Am
D7
G 2x
Am
D7
G
Got on board a west bound seven forty seven
Am
D7
G
Don't think before deciding what to do
Am
D7
G
Oh, their talk of opportunities, T.V., breaks and movies
Am D7
G
Rang true, sure rang true
Am
D7
G
Seems it never rains in Southern California
Am
D7
G
Seems I’ve often heard that kind of talk before
Am
D7
G
It never rains in California, but girl don't they warn ya,
Am
D7
G
It pours, man it pours
Am
D7
Out of work, I'm out of my head,
G
Out of self respect, I'm out of bread
Am
D7
I'm underclothed, I'm underfed
G
I wanna go home
Am
D7
G
Am
D7
G
Intro: Am
D7
G 2x
Am
D7
G
Will you tell the folks back home I nearly made it
Am
D7
G
Had offers but don't know which one to take
Am
D7
Please don't tell them how you found me,
G
Don't tell them how you found me
Am D7
G
Gimme a break, give me a break
Am
D7
G
Seems it never rains in Southern California
Am
D7
G
Seems I’ve often heard that kind of talk before
Am
D7
G
Am
D7
G
IT‘S A HEARTACHE
Bonnie Tyler
P.
G
Bm
It's a heartache, nothing but a heartache
C
G
D
Hits you when it's too late, hits you when you're down
G
Bm
It's a fool's game, nothing but a fool's game
C
G
D
Standing in the cold rain, feeling like a clown
G
Bm
It's a heartache, nothing but a heartache
C
G
Love her till your arms break, then she lets you down
C
D
It ain't right with love to share
Bm
Em
D /C /B /A
When you find she doesn't care for you
C
D
It ain't wise to need someone
Bm
Em D /C /B /A
As much as I depended on - you
D
G
Bm
Oh, it's a heartache, nothing but a heartache
C
G
D
Hits you when it's too late, hits you when you're down
G
Bm
C
G
D
Instr.
C
D
It ain't right with love to share
Bm
Em
D /C /B /A
When you find she doesn't care for you
C
D
It ain't wise to need someone
Bm
Em D /C /B /A
As much as I depended on - you
G
Bm
Oh, it's a heartache, nothing but a heartache
C
G
D
Love her till your arms break, then she lets you down
G
Bm
C
G
D G
(Original: C)
IT'S ALL OVER NOW
Rolling Stones
Capo 5
A G D E
E
D
A
Because I used to love her, but it's all over now
E
D
A
2x
A
Well, baby used to stay out all night long
Instr. Vers + Chorus
She made me cry, she done me wrong
A
Well, I used to wake in the morning, get my breakfast in bed
She hurt my eyes open, that's no lie
When I'd gotten worried she used to ease my aching head
Tables turning, now it’s her turn to cry
But now she's here and there, with every man in town
E
D
A
E
D
A
A
Well, she used to run around with every man in town
Spent all my money, playing a high class game
She put me out, it was a pity how I cried
Tables turning, now it’s her turn to cry
Still trying to take me for that same old clown
E
D
A
E
D
A
E
D
A
IT'S ALL OVER NOW, BABY BLUE
Bob Dylan
Capo 2
G D7
(Original: E)
G
D7 G
a’
D7
G
You must leave now take what you need you think will last
D7
G
But whatever you wish to keep you better grab it fast
Am
C
G
Yonder stands your orphan with his gun
Am
C
G
Crying like a fire in the sun.
B7
D7
Look out the Saints are comin' through
Am
C
G
And it's all over now, Baby Blue.
D7
G
The highway is for gamblers, better use your sense
D7
G
Take what you have gathered from coincidence
Am
C
G
The empty handed painter from your streets
Am
C
G
Is drawing crazy patterns on your sheets
B7
D7
This sky too, is folding under you
Am
C
G
D7
G
All your seasick sailors, they are rowing home
D7
G
All your reindeer armies, are all going home
Am
C
G
The lover who just walked out your door
Am
C
G
Has taken all his blankets from the floor
B7
D7
The carpet too, is moving under you
Am
C
G
D7
G
Leave your stepping stone behind, something calls for you
D7
G
Forget the dead you've left, they will not follow you
Am
C
G
The vagabond who's rapping at your door
Am
C
G
Is standing in the clothes that you once wore
B7
D7
Strike another match, go start a new
Am
C
G
Am
C
G
Yeah, it's all over now, Baby Blue.
IT‘S NOT UNUSUAL
Tom Jones
Capo 4 P. Country-Style (Original: C)
C Dm7
C Dm7
C
Dm7
G
It's not unusual to be loved by anyone
C
Dm7
G
It's not unusual to have fun with anyone
Em
Dm
But when I see you hanging about with anyone
G
C
Dm7
G
It's not unusual to see me cry. I wanna die
C
Dm7
G
It's not unusual to go out at any time
C
Dm7
G
But when I see you out and about it's such a crime
Em
Dm
If you should ever want to be loved by anyone
G
It's not unusual
C
ee edc
It happens every day
Dm
ff fed
No matter what you say
G
C
G
You'll find it happens all the time
C
ee edc
Love will never do
Dm
ff fed
What you want it to
G
Dm7
Em
G
Why can't this crazy love be mi.........ne
Instr.:
h.... e h a
Cmaj7
Dm
h.... e h a
Cmaj7
Dm
G
C
Dm7
G
It's not unusual to be mad with anyone
C
Dm7
G
It's not unusual to be sad with anyone
Em
Dm
But if I ever find that you've changed at any time
G
C
Dm
It's not unusual to find that I'm in love with you
Cmaj7 Dm Cmaj7 Dm
C
Whoa whoa whoa whoa.....
IT‘S NOW OR NEVER
Elvis Presley
E
F#m
It's now or never, come hold me tight
B7
E
Kiss me my darling, be mine tonight
Am
E
Tomorrow will be too late,
B7
E
It's now or never, my love won't wait.
E
F#m
When I first saw you with your smile so tender
B7
E
My heart was captured, my soul surrendered
F#m
I'd spend a lifetime waiting for the right time
E
B7
E
Now that your near the time is here at last.
E
F#m
B7
E
Am
E
B7
E
E
F#m
Just like a willow, we would cry an ocean
B7
E
If we lost true love and sweet devotion
F#m
Your lips excite me, let your arms invite me
E
B7
E
For who knows when we'll meet again this way
E
F#m
B7
E
Am
E
B7
E
IT‘S ONLY LOVE
Beatles
g fis e d h
G
Em 2x
G Bm
F
C
D D+
I get high when I see you go by - My oh my.
G
Bm
F
C
D D+
When you sigh, my, my inside just flies - Butterflies
C
D
G
Em
Why am I so shy when I'm beside you?
F
D
It's only love and that is all,
G
Em
Why should I feel the way I do?
F
D
It's only love, and that is all,
C
D
But it's so hard loving you.
G Bm
F
C
D D+
Is it right that you and I should fight - Ev'ry night?
G
Bm
F
C
D
D+
Just the sight of you makes nighttime bright - Very bright.
C
D
G
Em
Haven't I the right to make it up girl?
F
D
It's only love and that is all,
G
Em
Why should I feel the way I do?
F
D
It's only love, and that is all,
C
D
But it's so hard loving you.
C
D
G
Em
Yes it's so hard loving you - loving you.
G Em
ITSY BITSY TEENY WEENIE HONOLULU STRANDBIKINI
Caterina Valente
c e
g
c‘ c‘ d‘ c‘ h
a
g
Bap-Bap-Bap, Bada Bap-Bap-Bap-Bap-Bap
C (*e)
G7
Am Strand von Florida ging sie spazieren,
C
Und was sie trug hätte keinen gestört,
C7
F
Nur eine einsame, piekfeine Lady,
C
G7
C
Fiel bald in Ohnmacht und war sehr empört.
C7
F
Da lief sie weg und vor Schreck gleich ins Wasser,
C
G7
C
Dabei ertrank sie beinah noch im Meer.
8, 9, 10, na was gab's denn da zu seh'n?
Es war ihr Itsy Bitsy Teeny Weenie ...
1, 2, 3, na was ist denn schon dabei?
(*g)
G7
C
Es war ihr Itsy Bitsy Teeny Weenie Honolulu Strandbikini,
G7
C
Er war schick und er war so modern,
G7
C
Ihr Itsy Bitsy Teeny Weenie Honolulu Strandbikini,
G7
C
Ja der gefiel ganz besonders dem Herrn.
1, 2, 3, na was ist denn schon dabei?
C (*e)
G7
Ja in Venedig war gerade Biennale,
C
Ein Fotograph, der hielt sie für 'nen Star,
C7
F
Doch in der Zeitung stand später zu lesen,
C
G7
C
Dass der Bikini nur Schuld daran war.
Es war ihr Itsy Bitsy Teeny Weenie ...
C (*e)
G7
Die Caballeros am Coca Cabana,
C
Die rannten ihr immerzu hinterher,
C
G7
C
Und da zog sie den Bikini, den sie nirgends tragen kann,
G7
C F-C
Ganz alleine zuhause in der Badewanne an.
I'VE GOTTA GET A MESSAGE TO YOU
Bee Gees
A - D Dsus4 - D
2x
(*g) G
Am
The preacher talked with me and he smiled
D
G
Said to come and walk with me, come and walk one more mile
Am
Now for once in your life you're alone
D
E
But you ain't got a dime, there's no time for the phone
(*a)
A
Bm
D E A
I've just gotta get a message to you. Hold on, hold on
Bm
D E
A
One more hour and my life will be through. Hold on, hold on
A
Bm
D E A
Bm
D E
A
D
>>>> Ganztonwechsel: A >>>>
F#
B
C#m
E F# B
C#m
E F# B
G (*g)
Am
I told him I'm in no hurry
D
G
But if I broke her heart, then won't you tell her I'm sorry
Am
And for once in my life I'm alone
D
E
And I gotta let her know just in time before I go
A
Bm
D E A
Bm
D E
A
(*g)
G
Am
Well, I laughed but that didn't hurt
D
G
And it's only her love that keeps me wearing this dirt
Am
Now I'm crying, but deep down inside
D
E
Well, I did it to him, now it's my turn to die
(Original: C)
D
I‘VE JUST SEEN A FACE
Beatles
P.
g fis e
Em C D
G
I've just seen a face, I can't forget the time or place
Em
Where we first met, she's just the girl for me
C
And I want all the world to see we've met
D
G
Mmm mmm mmm mmm mmm
G
Had it been another day, I might have looked the other way
Em
And I‘d have never been aware
C
But as it is I dream of her tonight
D
G
Dei dei dei da da dei
D
C
Falling, yes I am falling
G
C
G
And she keeps calling me back again
G
I have never known the like of this, I've been alone
Em
And I have missed things and kept out of sight
C
But other girls were never quite like this
D
G
D
C
G
C
G
Instr.: Vers
D
C
G
C
G
G
I've just seen a face, I can't forget the time or place
Em
Where we first met, she's just the girl for me
C
And I want all the world to see we've met
D
G
D
C
G
C
G
3x
JACKSON
Johnny Cash and June Carter
(Both )
C
We got married in a fever, hotter than a pepper sprout,
(He)
C7
We've been talkin' 'bout Jackson ...ever since the fire went out.
F
C
I'm goin' to Jackson, I'm gonna mess around,
F
G7
C
Yeah, I'm goin' to Jackson, look out Jackson town.
'Cos I'm goin' to Jackson. „Goodbye“; that's all she wrote.
C
But they'll laugh at you in Jackson, and I'll be dancin' on a Pony Keg.
C7
They'll lead you 'round town like a scalded hound, with your tail tucked
between your legs,
F
C
Yeah, go to Jackson, you big-talkin' man.
F
G7
C
And I'll be waitin' there in Jackson, behind my Japan Fan.
(She)
C
Well, go on down to Jackson; go ahead and wreck your health.
C7
Go play your hand, you big-talkin' man, make a big fool of yourself,
F
C
Yeah, go to Jackson; go comb your hair!
(He)
(She)
F
G7
C
Honey, I'm gonna snowball Jackson. See if I care.
(Both)
C
Well now, we got married in a fever, hotter than a pepper sprout,
C7
We've been talkin' 'bout Jackson, ever since the fire went out.
F
C
I'm goin' to Jackson, and that's a fact.
F
G7
C
Yeah, I‘m goin' to Jackson, ain't never comin' back.
(He)
C
When I breeze into that city, people gonna stoop and bow.
C7
All them women gonna make me, teach 'em what they don't know how,
F
C
I'm goin' to Jackson, you turn-a loosen my coat.
(She)
F
G7
C
(He)
We got married in a fever, hotter than a pepper sprout,
C7
We've been talkin' 'bout Jackson ...ever since the fire went out.
F
C
I'm goin' to Jackson, I'm gonna mess around,
F
G7
C
Yeah, I'm goin' to Jackson, look out Jackson town.
JAMAICA FAREWELL
Harry Belafonte, 1956
C
F
Down the way, where the nights are gay,
C
G7
C
And the sun shines daily on the mountain top,
F
I took a trip on a sailing ship,
C
G7
C
And when I reached Jamaica, I made a stop.
C
Dm
But I'm sad to say, I'm on my way,
G7
C
Won't be back for many a day,
Dm
My heart is down, my head is turning around,
C
G7
C
I had to leave a little girl in Kingston town.
C
F
Sounds of laughter everywhere,
C
G7
C
And the dancing girls sway to and fro,
F
I must declare, my heart is there,
C
G7
C
Though I've been from Maine to Mexico.
C
Dm
G7
C
Dm
C
G7
C
C
F
Down at the market, you can hear,
C
G7
C
Ladies cry out while on their heads they bear,
F
Aki rice, swordfish are nice,
C
G7
C
And the rum is fine any time of year.
C
Dm
G7
C
Dm
C
G7
C
JAMBALAYA
D
A
Jambalaya and a crawfish pie and fillet gumbo,
G7
D
'Cause tonight I'm gonna see my ma cher a mi-o
A
Pick guitar, fill fruit jar and be gay-oh,
A7
D
>>>
Son of a gun, we'll have big fun on the bayou.
Fats Domino
P.
C
G
Good-bye, Joe, me gotta go, me-oh my-oh,
G7
C
Me gotta go pole the pirogue down the bayou.
G
My Yvonne, the sweetest one, me-oh my-oh,
G7
C
C
G
G7
C
G
G7
C
>>>
D
A
Thibodaux, Fontaineaux, the place is buzzin'
A7
D
Kinfolk come to see Yvonne by the dozen.
A
Dress in style, go hog wild, me-oh my-oh,
A7
D
E
B7
Settle down far from town, bet me a pirogue,
E
And I'll catch all the fish in the bayou
B7
Trade my mon to buy Yvonne what she need-oh,
E
D
E
B
B7
E
B
B7
E
B7
E
E
JEALOUS GUY
John Lennon
G Em D
D7 Em G
d’
G
Em
D D7
Em Em6
I was dreaming of the past
and my heart was beating fast
D Em
C
I began to lose control.
I began to lose control
G
F6
C
I didn' t mean to hurt you
G
F6 Bb
I'm sorry that I made you cry
G
G/F# Em
Em7 C
G
I didn't want to hurt you.
I'm just a jealous guy
d’
G
Em
D D7
Em Em6
I was feeling insecure, you might not love me anymore
D Em
C
I was shivering inside.
I was shivering inside
G
F6
C
G
F6 Bb
G
G/F# Em
Em7 C
G
Instr. (2 Zeilen)
G
F6
C
G
F6 Bb
G
G/F# Em
Em7
C
G
d’
G
Em
D D7
Em Em6
I was tryin' to catch your eyes, thought that you was tryin' to hide
D
Em
C
I was swallowing my pain.
I was swallowing my pain
G
F6
C
G
F6 Bb
G
G/F# Em
Em7
C
G
C
I'm just a jealous guy - watch out
G
C
I'm just a jealous guy - look out, baby
G
JINGLE BELLS
James Pierpont, 1857
Capo 4
C
Dashing through the snow
F
On a one-horse open sleigh
Dm
G7
O'er the fields we go
F
C
Laughing all the way
C
Bells on bob-tail ring
F
Making spirits bright
Dm
G
What fun it is to ride and sing
G7
C
A sleighing song tonight
C
F
C
Oh, Jingle bells, Jingle bells, jingle all the way
F
C
D7
G
Oh, what fun it is to ride in a one-horse open sleigh
C
F
C
Jingle bells, Jingle bells, jingle all the way
F
C
G7
G
Oh, what fun it is to ride in a one-horse open sleigh
JOHNNY B. GOODE
Chuck Berry
Capo 3
Intro-Riff: E(5.) A
E
B
E
E
Deep down in Lousiana close to New Orleans,
Way back up in the woods among the evergreens.
A
There stood a log cabin made of earth and wood,
E
Where lived a country boy named Johnny B. Goode,
B7
Who never ever learned to read or write so well,
E
But he could play a guitar just like a ringin’ a bell.
E
A
Go ! Go ! Go, Johnny Go ! Go ! - Go, Johnny Go ! Go !
E
B7
E
Go, Johnny Go ! Go ! - Go, Johnny Go ! Go ! Johnny B. Goode
E
He used to carry his guitar in a gunny sack,
Go sit beneath the tree by the railroad track,
A
Old engineers would see him sittin’ in the shade,
E
Strummin’ with the rhythm that the drivers made,
B7
When people passed him by they would stop and say:
E
Oh my, that little country boy could play.
E
A
E
B7
E
Instr. 1x mit Breaks
E
His mother told him, Someday you will be a man,
And you will be the leader of a big ol’ band,
A
Many people comin’ from miles around,
E
Will hear you play your music when the sun goes down.
B7
Maybe some day your name will be in the lights,
E
Sayin’ "Johnny B.Goode Tonight".
E
A
E
B7
E
JOHNNIE COPE
Trad. P.
Dm
C
Cope sent a challenge frae Dunbar: “Charlie meet me an’ ye daur
F
C
F
Am
Dm
C
Dm
I'll learn ye the art of war, gin you meet me in the morning"
Dm
C
When Charlie looked the letter upon, he drew his sword the scabbard from
F
C
F
Am
Dm
C
Dm
Follow me, my merry men. We'll meet Johnnie Cope in the morning
F
C
Hey Johnnie Cope are ye walkin yet? Or are your drums a-beating yet?
F
C
F
Am
Dm
C
Dm
If ye were walking I would wait, tae gang to the coals in the morning
Dm
C
Come now Johnnie be as good as your word and let us try both fire and sword
F
C
F
Am
Dm
C
Dm
And dinna run like a frightened bird, that's chased frae its nest in the morning
Dm
C
When Johnnie Cope he heard of this, he thought it wadna be amiss
F
C
F
Am
Dm C
Dm
To hae a horse in readiness, to flee awa’ in the morning
F
C
F
C
F
Am
Dm
C
Dm
Dm
C
Fy now Johnnie get up and rin, the Highland bagpipes mak’ a din
F
C
F
Am
Dm
C
Dm
It's best tae sleep in a hale skin, for it will be a bloody morning
Dm
C
When Johnnie Cope to Dunbar came, they speired at him "Where's a' ye men"
F
C
F
Am
Dm
C
Dm
The deil confound me I dinna ken, for I left them a’ in the morning
F
C
F
C
F
Am
Dm
C
Dm
Dm
C
Now Johnnie, troth, ye werena blate, tae come with the news of your own defeat
F
C
F
Am
Dm C
Dm
And leave your men in sic a strait sae early in the morning
Dm
C
In faith, quo’ Johnnie, I got sic flegs, with their Claymores and philabegs
F
C
F
Am
Dm
C
Dm
Gin I face them again deil break my legs, so I wish you all a good morning
F
C
F
C
F
Am
Dm
C
Dm
JOHNNY I HARDLY KNEW YE
Trad.
Capo 5
Am
Em
While on the road to sweet Athy, hurroo, hurroo
Am
C
E7
While on the road to sweet Athy, hurroo, hurroo
Am
G
F
E7
While on the road to sweet Athy, a stick in her hand and a tear in her eye,
Am
G
F
E7 Am
G
Am
A doleful damsel I heard cry, "Johnny I hardly knew ya".
Am
Em
With your drums and guns and drums and guns, hurroo, hurroo
Am
C
E7
Am
G
F
E7
With your drums and guns and drums and guns, the enemy nearly slew ye
Am
G
F
E7
Am
G
Am
Oh my darling dear, ye look so queer: Johnny I hardly knew ya.
Am
Em
Where are your eyes that looked so mild, hurroo, hurroo
Am
C
E7
Where are your eyes that looked so mild, hurroo, hurroo
Am
g
F
E7
Where are your eyes that looked so mild, when my heart you first beguiled
Am G
F
E7
Am
G
Am
Why did ye run from me and the child? Oh Johnny, I hardly knew ya
Am
Em
Where are your legs that used to run, hurroo, hurroo
Am
C
E7
Where are your legs that used to run, hurroo, hurroo
Am
G
F
E7
Where are your legs that used to run, when you went for to carry a gun
Am
G
F
E7
Am
G
Am
Indeed your dancing days are done. Oh Johnny, I hardly knew ya
Am
Em
Am
C
E7
Am
G
F
E7
Am
G
F
E7
Am
G
Am
Am
Em
Ye haven't an arm, ye haven't a leg, hurroo, hurroo
Am
C
E7
Ye haven't an arm, ye haven't a leg, hurroo, hurroo
Am
G
F
E7
Ye haven't an arm, ye haven't a leg,ye're an armless, boneless,chickenless egg
Am
G
F
E7
Am
G
Am
Ye'll have to put with a bowl out to beg. Oh Johnny I hardly knew ya
Am
Em
Am
C
E7
Am
G
F
E7
Am
G
F
E7
Am
G
Am
Am
Em
They're rolling out the guns again, hurroo, hurroo
Am
C
E7
They're rolling out the guns again, hurroo, hurroo
Am
G
F
E7
They're rolling out the guns again, but they never will take our sons again
Am
G
F
E7 Am
G
Am
No, they never will take our sons again: Johnny I'm swearing to ya
JOHNNY WALKER
C
F
C
Johnny Walker, jetzt bist du wieder da
C
F
G
Johnny Walker, ich zahl dich gleich in bar
C
F
C
Johnny Walker, du hast mich nie enttäuscht
G7
F
C
Johnny, du bist mein bester Freund
C
F
C
Johnny Walker, immer braun gebrannt
C
F
G
Johnny Walker, mit dem Rücken an die Wand
C
F
C
Johnny Walker, komm gieß dich nochmal ein
G7
F
C
Johnny, laß dreizehn g'rade sein
G7
F
C
Ich hab's versucht ich komme ohne dich nicht aus
E
Am
Wozu auch? Du gefällst mir ja
F
C
Kein Mensch hört mir so gut zu wie du
G7
F
C
Und Johnny, du lachst mich auch nie aus
C
F
C
Johnny Walker, ich glaub nicht an den Quatsch
C
F
G
Johnny Walker, du wärst 'ne Teufelsfratz
C
F
C
Johnny Walker, von mir aus röste mich
G7
F
C
Johnny, ich fühl mich königlich
G7
F
C
Ich hab's versucht ich komme ohne dich nicht aus
E
Am
Wozu auch? Du gefällst mir ja
F
C
Kein Mensch hört mir so gut zu wie du
G7
F
C
Und Johnny, du lachst mich auch nie aus
C
F
C
Johnny Walker, na na na na na
C
F
G
Johnny Walker, na na na na na
C
F
C
Johnny Walker, du hast mich nie enttäuscht
G7
F
C
G7
F
C
G7
F
C
JOKER, THE
Steve Miller
P.
Riff 2x
F
Bb
C
Bb
F
Some people call me the space cowboy, yeah
Bb
C
Bb
F
Some call me the gangster of love
Bb
C
Bb
Some people call me Maurice
F
Bb
C
Bb
F
Cause I speak of the pompitous of love
F
Bb
C
Bb
F
People talk about me, baby
Bb
C
Bb
F
Say I'm doin' you wrong, doin' you wrong
Bb
C
Bb
Well, don't you worry, no baby, don't worry
F
Bb
C
Bb
Cause I'm right here, right here, right here, right here at home
F
Bb
C
Bb
You're the cutest thing that I ever did see
F
Bb
C
Bb
F
I really love your peaches want to shake your tree
Bb
C
Bb
Lovey-dovey, lovey-dovey, lovey-dovey all the time
F
Bb
C
Bb
Ooo-eee baby, I'll sure show you a good time
F
Bb
F
Bb
Cause I'm a picker, I'm a grinner, I'm a lover and I'm a sinner
F
Bb
C
Bb
I play my music in the sun
F
Bb
F
Bb
I'm a joker, I'm a smoker, I'm a midnight toker
F
Bb
C
Sure don’t want to hurt noone Wooo Wooooo
Instr.: Riff 4x
People keep talking about me baby ....
F
Bb
F
Bb
Cause I'm a picker, I'm a grinner, I'm a lover and I'm a sinner
F
Bb
C
Bb
I play my music in the sun
F
Bb
F
Bb
I'm a joker, I'm a smoker, I'm a midnight toker
F
Bb
C
I get my lovin' on the run. Wooo Wooooo
Instr.: Riff 4x
You're the cutest thing that I ever did see....
Cause I'm a picker, I'm a grinner ....
Riff:
e--------------------------------------B--------------------------------------G--------------------------------------D-----------------0--------------------A--------0--1-1--3-3-3---0-1-1-1-1-1-0-E-1-1--3---------------3---------------3
JUNGE, KOMM BALD WIEDER
Freddy Quinn
G D7 G
G
D7
Junge, komm bald wieder, bald wieder nach Haus.
G
Junge, fahr nie wieder, nie wieder hinaus.
C
G
Ich mach mir Sorgen, Sorgen um Dich.
D7
G
Denk auch an morgen, denk auch an mich.
D7
e e dis e fis e e g fis a g
G
d,
G
Wohin die Seefahrt mich im Leben trieb,
dis
B7
Ich weiß noch heute, was mir Mutter schrieb.
e
C
G - F# - F - E
In jedem Hafen kam ein Brief an Bord,
e
g
g
g fis g a‘
A7
Am7 - D7
Und immer schrieb sie: “Bleib’ nicht so lange fort!”
G
D7
G
G
Ich weiß noch, wie die erste Fahrt verlief,
B7
Ich schlich mich heimlich fort, als Mutter schlief.
C
G - F# - F - E
Als sie erwachte, war ich auf dem Meer.
A7
Am7 - D7
Im ersten Brief stand: “Komm doch bald wieder her!”
Rezitativ:
G
D7
G
C
G
Ich mach mir Sorgen, Sorgen um Dich.
D7
G
>>> G#
Denk auch an morgen, denk auch an mich.
D#7
G#
JUNIMOND
Rio Reiser
Em Em/D
C
A
Doch jetzt tut´s nicht mehr weh.
Nee, jetzt tut´s nicht mehr weh
D
B7
Alles bleibt stumm und kein Sturm kommt auf, wenn ich dich seh‘
G Cmaj7
D
Die Welt schaut rauf zu meinem Fenster
G
C
D
Mit müden Augen, ganz staubig geschwollen
G Cmaj7
D
Ich bin hier oben auf meiner Wolke
G
C
Bm
Ich seh´ dich kommen, aber du gehst vorbei
Em Em/D
C
D
B7
Alles bleibt stumm und kein Sturm kommt auf, wenn ich dich seh‘
Em Em/D
C
D
Es ist vorbei, bye, bye Junimond
Em Em/D
F F/E D
Es ist vorbei, es ist vorbei, bye, bye
G
Cmaj7
D
2000 Stunden hab´ ich gewartet
G
C
D
Ich hab sie alle gezählt und verflucht
G
Cmaj7
D
Ich hab getrunken, geraucht und gebetet
G
C
Bm
Hab dich flussauf und flussabwärts gesucht
Em Em/D
C
D
Em Em/D
F F/E D
A
Instr.: 1 Verse
Em Em/D
C
A
D
B7
Und alles bleibt stumm und kein Sturm kommt auf, wenn ich dich seh‘
Em Em/D
C
D
Em Em/D
F F/E D
Em Em/D
C
D
Em Em/D
F F/E D
(Original: F#)
JUST A GIGOLO
Marlene Dietrich
Capo 1
D6
D9
Just a gigolo everywhere I go
D
Fdim Em7 A7
People know the part I'm playing
Em
/D#
/D
/C#
Paid for every dance, selling each romance
A7
D
Em7 - A7
Every night some heart betraying
D
D7 G
Gm7
There will come a day, youth will pass away
B7
Em7
Then what will they say about me
G
Gm7
When the end comes I know
D
F#7
B7
They'll say: just a gigo.......lo
Em7
A7
D6
Em7 - A7
As life goes on without me
D6
D9
Schöner Gigolo, armer Gigolo
D
Fdim Em7 A7
Denke nicht mehr an die Zeiten
Em
/D# /D
/C#
Wo du als Husar, goldverschnürt sogar
A7
D
Em7 - A7
Konntest durch die Strassen reiten
D
D7 G
Gm7
Uniform passé, Liebchen sagt Adieu
B7
Em7
Schöne Welt, du gingst in Fransen
G
Gm7
Wenn das Herz dir auch bricht
D
F#7
B7
Zeig ein lachendes Gesicht
Em7
A7
D6
Man zahlt und du mußt tanzen
JUST LIKE A WOMAN
Bob Dylan
Capo 2 P. D-Harp Intro: 1 line (Original: E)
C
F
G C
F
G
C
Nobody feels any pain, tonight as I stand inside the rain
F
G
F
G
Ev'rybody knows, that Baby's got new clothes
F Em Dm C
F
G7
But lately I see her ribbons and her bows
Am C F G7
Have fallen from her curls.
C
Em Dm F
G7
C
And she aches just like a woman, but she breaks just like a little girl.
Riff: F C F G C
E7
C
It was raining from the first and I was dying there of thirst, so I came in here
E7
F
And your long-time curse hurts. But what's worse is this pain in here
G7
I can't stay in here. Ain't it clear that....
C
Em Dm F
She takes just like a woman, yes, she does
C
Em Dm F
She makes love just like a woman, yes, she does
C
Em Dm F
G7
C
And she aches just like a woman, but she breaks just like a little girl.
Riff: F C F G C
C F G C
F
G
C
I just can't fit. Yes, I believe it's time for us to quit
F
G F
G
When we meet again, introduced as friends
F
Em Dm C F
G7
Please don't let on that you knew me when
Am
C F G7
I was hungry and it was your world.
C
F
G C
F
G
C
Queen Mary, she's my friend. Yes, I believe I'll go see her again
F
G
F
G
Nobody has to guess, that Baby can't be blessed
F Em Dm C F
G7
Till she finally sees that she's like all the rest.
Am
C
F
G7
With her fog, her amphetamine and her pearls.
C Em Dm F
Ah, you fake just like a woman, yes, you do
C
Em Dm F
You make love just like a woman, yes, you do
C Em Dm F
G7
C
Then you ache just like a woman, but you break just like a little girl.
Riff: F C F G C
C
Em Dm F
She takes just like a woman, yes,
C
Em Dm F
She makes love just like a woman, yes, she does
Instr.: 1 Verse + Chorus
Riff:
a-c-f g-c-e a-c-f h-d-g
F
C
F
G
C
JUST LIKE TOM THUMB‘S BLUES
Bob Dylan
P. E-Harp
Original: G
C#m-B B-A A-E E
E
A
E
When you're lost in the rain in Juarez and it's Eastertime too
A
E
And your gravity fails and negativity don't pull you through
A
E
Don't put on any airs when you're down on Rue Morgue Avenue
B7
A
E
They got some hungry women there and they really make a mess outa you
E
A
E
Now if you see Saint Annie please tell her thanks a lot
A
E
I cannot move my fingers are all in a knot
A
E
I don't have the strength to get up and take another shot
B7
A
E
And my best friend, my doctor won't even say what it is I've got
E
A
E
Sweet Melinda the peasants call her the goddess of gloom
A
E
She speaks good English and she invites you up into her room
A
E
And you're so kind
and careful not to go to her too soon
B7
A
E
And she takes your voice and leaves you howling at the moon
E
A
E
Up on Housing Project Hill it's either fortune or fame
A
You must pick up one or the other though neither of them are to be what
E
they claim
A
E
If you're lookin' to get silly you better go back to from where you came
B7
A
E
Because the cops don't need you and man they expect the same
E
A
E
Now all the authorities they just stand around and boast
A
E
How they blackmailed the sergeant-at-arms into leaving his post
A
E
And picking up Angel who just arrived here from the coast
B7
A
E
Who looked so fine at first but left looking just like a ghost
E
A
E
I started out on Burgundy, but soon hit the harder stuff
A
E
Everybody said they'd stand behind me when the game got rough
A
E
But the joke was on me there was nobody even there to bluff
B7
A
E
I'm going back to New York City, I do believe I've had enough
C#m-B B-A A-E E
JUST THE WAY YOU ARE
Billy Joel
Although I might not seem to care
G
Em6 Cmaj7 Em G7
I don't want clever conver...sation
Cmaj7 Cm
G
Dm7 G7
I never want to work that hard, mm-mm
Cmaj7
Cm
G
Em
I just want someone that I can talk to
Am7
D7
G
Intro
I want you just the way you are
dghc
Intro: G
Gsus4
d g h e‘ d‘
G
G6
2x
G(*g' h') Em6
Cmaj7
Em
G7
Don't go changing to try and please me
Cmaj7
Cm
G Dm7 G7
You never let me down before, mm-mm
Cmaj7 Cm G
Em
I don't imagine, you're too familiar
Am7
A7
D7sus4 D7
And I don't see you anymore
G
Em6
Cmaj7
Em
G7
I would not leave you in times of trouble
Cmaj7
Cm
G Dm7 G7
We never could have come this far, mm-mm
Cmaj7 Cm
G
Em
I took the good times, I'll take the bad times
Am7
D7
G
Intro
I'll take you just the way you are
G
Em6 Cmaj7
Em
G7
Don't go tryin'
some new fashion
Cmaj7
Cm
G Dm7 G7
Don't change the color of your hair, mm-mm
Cmaj7
Cm
G
Em
You always have my unspoken passion
Am7
A7
D7sus4 D7
Cmaj7 (*e) D7
Bm7 E7
I need to
know that you will always be
Am7
D7
Gmaj7 Dm7
The same old someone that I knew
D# (*g)
F
Dm7 G7
What will it take till you believe in me
Cm7
F
D7sus4 D7
The way that I believe in you
G
Em6
Cmaj7
Em G7
I said I love you, and that's forever
Cmaj7
Cm
G
Dm7 G7
And this I promise from the heart, mm-mm
Cmaj7 Cm
G
Em
I couldn't love you any better
Am7
D7
G
Intro
I love you just the way you are
KALKUTTA LIEGT AM GANGES
Vico Torriani
G
D7
Kalkutta liegt am Ganges, Paris liegt an der Seine,
G
Doch daß ich so verliebt bin, das liegt an Madeleine.
D7
Am schönen Rhein liegt Basel, und Kairo liegt am Nil,
G
Doch ich träum' von Madeleine, an der liegt mir viel!
G7
C
Cm
Die schwarzen Kulleraugen, das ganze Drum und Dran,
A7
D7
Am7-D7
Das schau ich an und sag' mir dann:
G
D7
G
Doch daß ich so verliebt bin, das liegt an Madeleine!
G
D7
Der Tower steht in London, der Louvre an der Seine,
G
Doch ich in meinem Falle, ich steh' auf Madeleine.
D7
New York liegt am Atlantik, Athen am Mittelmeer,
G
Doch ich träum von Madeleine, die liegt mir so sehr!
G7
C
Cm
Sie hat die schönsten Beine, so schlank und wunderbar,
A7
D7
Am7-D7
Die schau ich an und mir wird klar:
G
D7
G
G
D7
Die Nacht ist heiß am Kongo, die Nacht ist kalt am Pol,
G
Bei ihr da wird mir beides, und das tut so wohl.
D7
So dreht sich diese Erde im Kreis und bleibt nicht stehn,
G
Bei mir da dreht sich alles allein um Madeleine.
G7
C
Cm
Wir sind ein schönes Pärchen, seit gestern liebt auch sie
A7
D7
Am7-D7
Nur mich und meine Geographie!
G
D7
G
KEEP ON TRUCKIN’
Donovan
C
A7
D7
G7
C
Keep on truckin’, mama, truckin’ your blues away
A7
D7
G7
Keep on truckin’, mama, truckin’ to the break of day
C
C7
You wake up in the mornin’, I’s wake up late
F
Fm
You go down to the corner, try to get yourself a date
C
A7
D7
G7
C
Can’t stop doing what you do to me, just wanna run me wild
C
A7
D7
G7
C
If you can’t stop doin' what you do to me, mama, I mean just what I say
A7
D7
G7
If you can’t stop doing what you do to me, just wanna run me out
C
C7
You’ve great big legs, pretty little feet
F
Fm
Talkin’ about you sweet, sweet
C
A7
D7
G7
C
E7
A7
Dee dee dah, dee dee dah
D7
G7
Dee dee dah, dee dee dee – dah ...
C
A7
D7
G7
C
Can’t stop doing what you’re doin' to me, mama, just wanna run me wild
A7
D7
G7
Can’t stop doin' what you’re doin' to me, I mean just what I say
C
C7
You wake up in the mornin’, I’s wake up late
F
Fm
You go down to the corner, try to get yourself a date
C
A7
D7
G7
C
KILLICRANKIE
Trad.
E
A
Whaur hae ye been sae braw, lad?
E
B7
Whaur hae ye been sae brankie-o?
E
A
Whaur hae ye been sae braw, lad?
E
B7 A
E
Come 'ye by Killiecrankie-o?
E
A
Aye an' ye had been whaur I hae been
E
B7
Ye wadna been sae cantie-o
E
A
Aye an' ye had seen what I hae seen
E
B7 A
E
On the braes o' Killiecrankie-o
E
A
I fought at land, I fought at sea
E
B7
At hame I fought my auntie-o
E
A
But I met the Devil and Dundee
E
B7 A
E
E
A
The bauld pit cur fell wi‘ a furr
E
B7
And Clavers got a crankie-o
E
A
And I had fed an Athol gled
E
B7 A
E
E
A
Oh fie, MacKay, what gart ye lie
E
B7
In the brush ayont the brankie-o?
E
A
Ye'd better kiss'd King Willie's lofe
E
B7 A
E
Than come tae Killiecrankie-o
E
A
There‘s nae shame, there‘s nae shame
E
B7
There‘s nae shame to shank ye-o
E
A
There's sour slaes on Athol braes
E
B7 A
E
And the de'ils at Killiecrankie-o
Meaning of unusual words: braw=excellent, brave, cantie=cheerful, braes=hillsides,
furr=furrow, gled=buzzardbrankie=violence, lofe=honour, shank=walk,
slaes=blackthorns
The Battle of Killiecrankie was fought in 1689 in the first Jacobite Uprising in 1689
(those in 1715 and 1745 are more well known). John Graham of Claverhouse,
Viscount Dundee, (Clavers) led the charge against General Hugh MacKay and won
the day, but died in the battle.
KING OF THE ROAD
Roger Miller
| B F# | E fis>gis h>cis | F# fis-fis-e dis cis | B
B
E
F#7
B
Trailer for sale or rent, rooms to let, fifty cents,
E
F#7
No phone, no pool, no pets, I ain't got no cigarettes, ah but
B
E
F#7
B
Two hours of pushing broom buys an eight by twelve fourbed room,
E
F#7
B
I'm a man of means by no means,
King of the Road
B
E
F#7
B
Third box car midnight train, destination Bangor, Maine,
E
F#7
Old worn out suit and shoes, I don't pay no union dues, I smoke
B
E
F#7
B
Old stogies I have found, short, but not too big around,
E
F#7
B
King of the Road
Achtung: Halbtonwechsel C
F
I know every engineer on every train,
G7
C
All of the children and all of their names
F
And every handout in every town
G7
And ev'ry lock that ain't locked when no one's around I sing ...
C
F
G7
C
Trailer for sale or rent, rooms to let, fifty cents,
F
G7
No phone, no pool, no pets, I ain't got no cigarettes, ah but
C
F
G7
C
Two hours of pushing broom buys a eight by twelve fourbed room,
F
G7
C
King of the Road
KINGSTON TOWN
UB 40
Capo 2
Intro: g g a h fis fis g a e e fis g h a
G
Bm
C
D
Instr.: G Bm C D
2x
G
Bm
C
D
The night seems to fade, but the moonlight lingers on
C
D G
D
There are wonders for everyone...woo ho
G
Bm
C
D
The stars shine so bright, but they're fading after dawn
C
D
G
There is magic in Kingston Town
Bm
Em
A
Bm
Oh Kingston Town, the place I long to be
Em
If I had me a world, I would give it away
A
D
Just to see the girls at play
G
Bm
C
D
When I am king, surely I would need a queen
C
D
G
D
And a palace and everything, yeah yeah
G
Bm
C
D
And now I am king, and my queen will come at dawn
C
D
G
She'll be waiting in Kingston Town
2x
Bm
Em
A
Bm
Oh Kingston Town, the place I long to be
Em
If I had me a world, I would give it away
A
D
Just to see the girls at play, yeahhhh
G
Bm
C
D
When I am king, surely I would need a queen
C
D
G
D
And a palace and everything, yeah yeah
G
Bm
C
D
And now I am king, and my queen will come at dawn
C
D
G
Em
She'll be waiting in Kingston Town, bye now
C
D
G
Em
She'll be waiting in Kingston Town, oh ya
C
D
G
She'll be waiting in Kingston Town.
KLEINE MÖWE FLIEG NACH HELGOLAND
Hans Albers
C
G7
Kleine Möwe flieg nach Helgoland,
C
F
C
A7
Bring dem Mädel, das ich liebe einen Gruß.
Dm G7
C
Am
Ich bin einsam und verlassen,
Dm7
G7 C
G7
Und ich sehne mich nach ihrem Kuß.
C
G7
Kleine Möwe, wenn der Südwind weht,
C
F
C
A7
Dann erwacht das große Heimweh auch in mir.
Dm
G7
C
Am
Mein Wünsche, meine Träume
Dm7
G7
C G7
Send ich übers weite Meer zu ihr.
g a c
g a c
C
Heimatland, Heimatland,
f
f f g
a e d
F
A7
Dm
Nichts ist doch wie du so schön,
a h d a h d
D7
Einmal nur, einmal nur
g g g g a a d‘
G
Dm7 G7
Möchte ich dich wieder sehn!
C
G7
Kleine Möwe flieg nach Helgoland,
C
F
C
A7
Bring dem Mädel, das ich liebe einen Gruß.
Dm G7
C
Am
Ich bin einsam und verlassen,
Dm7
G7 C
G7
Und ich sehne mich nach ihrem Kuß.
C
G7
Kleine Möwe, wenn der Südwind weht,
C
F
C
A7
Dann erwacht das große Heimweh auch in mir.
Dm
G7
C
Am
Mein Wünsche, meine Träume
Dm7
G7
C G7
Send ich übers weite Meer zu ihr.
KNOCKIN' ON HEAVEN'S DOOR
Bob Dylan
Extra Verses:
Intro: 1 Verse
Mama wipe the blood from my face
I'm sick and tired of the war
Got a lone black feelin', and it's hard to trace
Feel like I'm knockin' on heaven's door
G
D
Am7 G
D
C
Mama take this badge off of me. I can‘t use it anymore.
G
D
Am7 G
D
C
It's gettin' dark, too dark to see.
I feel like I'm knockin on heaven's door
G
D
Am7
Knock, knock, knockin' on heaven's door.
G
D
C
Knock, knock, knockin' on heaven's door
2x
G
D
Am7
G
D
C
Mama put my guns in the ground. I can't shoot them anymore.
G
D
Am7 G
D
C
That long black cloud is comin down.Feel like I'm knockin on heaven's door.
G
D
Am7
Knock, knock, knockin' on heaven's door.
G
D
C
Knock, knock, knockin' on heaven's door
2x
Mama I can hear that thunder roll
Echoin' down from God's distant shore
I can hear it callin' for my soul
Feel I'm knockin' on heaven's door
Mama take these tears out of my eyes
I can't see through them anymore
Just for once, I'd like to see the sunrise
Feel like I'm knockin' on heaven's door
KRIMINALTANGO
Hazy Osterwald Sextett
Capo 3
Dm6
Am
Dm
Am
Kriminaltango in der Taverne, dunkle Gestalten, rote Laterne.
A7
Dm
B7
E7
Glühende Blicke, steigende Spannung. Und in die Spannung, da fällt ein Schuß!
Am (*a,)
Dm6
Am
Dm E7
A
Kriminal........tango in der Taverne, dunkle Gestalten, und rotes Licht.
A
E7
Und sie tanzen einen Tango, Jacky Brown und Baby Miller.
A
Und er sagt ihr leise: "Baby, wenn ich austrink', machst du dicht."
A7
D
Dann bestellt er zwei Manhattan, und dann kommt ein Herr mit Kneifer,
A
E7
Am
Jack trinkt aus und Baby zittert, doch dann löscht sie schnell das Licht.
Dm6
Am
Dm
Am
A7
Dm
B7
E7
Abend für Abend lodert die Lunte, sprühende Spannung liegt in der Luft.
A
E7
Und sie tanzen einen Tango, alle, die davon nichts ahnen,
A
Und sie fragen die Kapelle: "Hab‘n sie nicht was Heißes da?"
A7
D
Denn sie können ja nicht wissen, was da zwischen Tag und Morgen
A E7
Am
In der nächtlichen Taverne bei dem Tango schon geschah.
A
E7
Und sie tanzen einen Tango, Jacky Brown und Baby Miller.
A
Und die Kripo kann nichts finden, was daran verdächtig wär.
A7
D
Nur der Herr da mit dem Kneifer, dem der Schuß im Dunklen galt,
A
E7
Am
Könnt' vielleicht noch etwas sagen, doch der Herr der sagt nichts mehr.
Dm6
Am
Dm
Am
A7
Dm
B7
E7
A
Abend für Abend immer das Gleiche, denn dieser Tango - geht nie vorbei.
D
A
Geht nie vorbei.
Dm6: x00201
KUMPANEI, DIE 1
Capo 3
C F CG C
C
Am
Dm7 G7
C
Am
Dm7 G7
Im Halse rau, im Kopfe leer, im Sack den sauren Sängerlohn,
E7
Am
D7
G7
So kehr ich heim, die Lippen schwer, und höre sie von weitem schon.
F
G7
F
G7
Dies Blechgelächter kenne ich: Sie hab‘n jemanden aufgespießt,
C
Am
F
G
Wahrscheinlich sogar gerade mich. Der Nachbar grinst, als er mich grüßt.
c g g c
c f e d c
g
g c c c d
h
C
Am
F
G
C
Am F
G
Und meine Frau öffnet das Tor. Sie beißt und flüstert in mein Ohr:
C
F
„Da hocken die Kumpanen und saufen deinen Wein.
G
C
Und jeder weiß noch mehr als der And‘re, und sie schrein
Am
F
G
Und sie singen und sie quasseln, lügen sich die Hucke voll.
C
G
C
G
C
G
C
C F CG C
Und jeder weiß, wie’s richtig ist und wie man’s machen soll.“
C
Am
Dm7 G7
C Am
Dm7
G7
Ja, sie sind da, kaum einer fehlt und alle schaun mich lächelnd an.
E7
Am
D7
G7
So aufrichtig - und einer hält das Glas mir hin zum Gruß, und dann
F
G7
F
G7
Erklären sie, wie gut ich sei, wenn nur der Wein so wär‘ wie ich.
C
Am
F
G
Ein Platz ist unterm Tisch noch frei, und dahin schiebt und drückt man mich.
C
Am
F
G
C
Am
F
G
Im Arm das Tischbein klemm ich hier und über, vor und neben mir:
C
F
Da hocken die Kumpanen und saufen meinen Wein.
G
C
Am
F
G
C
G
C
G
C
G
C
C F CG C
Und jeder weiß, wie’s richtig ist und wie man’s machen soll.
KUMPANEI, DIE 2
C
Am Dm7
G7
C
Am
Dm7
G7
Weltpolitik ist schon gemacht, zum Essen komm ich auch zu spät
E7
Am
D7
G7
Mein Vorschlag wird sofort verlacht, dass man jetzt still nach Hause geht
F
G7
F
G7
Die Mädchen, die mal... werd`n gezählt und Motorhauben aufgeklappt
C
Am
F
G
Dann wird erklärt wie man viel Geld sehr schnell verdient und nicht berappt
C
Am
F
G
C
Am
F
G
Und jedem der ein Liedchen singt,dem sagt man, dass man‘s so nicht bringt
C
F
Ja so hocken die Kumpanen und saufen meinen Wein
G
C
Am
F
G
C
G
C
G
C
G
C
C F CG C
C
Am Dm7
G7
C
Am
Dm7
G7
Dann kommt das Mitleid und man spricht von denen, die jetzt nicht hier sind
E7
Am
D7
G7
So schlecht sein sie im Grunde nicht nur unglücklich veranlagt und
F
G7
F
G7
Wenn sie vielleicht ein bisschen mehr - doch keiner könnt aus seiner Haut C
Am
F
G
Wenn bloß nicht,na ihr wisst schon wer undsagen dürft man`s nicht mal laut
C
Am F
G
C
Am
F
G
Egal sie täten einem leid und tiefe Freundschaft macht sich breit ......
C
F
Unter allen den Kumpanen und die saufen meinen Wein
G
C
Am
F
G
C
G
C
G
C
G
C
C F CG C
C
Am
Dm7 G7
C
Am
Dm7 G7
Jetzt stimmt man zu, sagt: Warum nicht? Läßt Fünfe ruhig mal gerade sein
E7
Am
D7
G7
Holt Atem, nickt wenn jemand spricht. Das ist die Zeit - Ich greife ein
F
G7
F
G7
Erklär einen Zusammenhang mit sanften Worten, kurz und klug
C
Am
F
G
Und red vielleicht ein Stündchen lang. Bis alle schrein, nun sei`s genug
C
Am F
G
C
Am F
G
Ich widerlege, werde laut und bis der späte Morgen graut:
C
F
Da hocken wir Kumpanen und saufen uns‘ren Wein
G
C
Und jeder weiß noch mehr als der And‘re, und wir schrein
Am
F
G
Und wir singen und wir quasseln, lügen uns die Hucke voll.
C
G
C
G
C
G
C
C F CG C
L.A. INTERNATIONAL AIRPORT
Susan Raye
C
Standing in that silent hall, waitin' for that final call
G7
Says he doesn't love me anymore
Shakin' hands, I pack a bag; Tremblin' voice, I call a cab
C
Slowly I start walkin' through the door.
C6
Cmaj7
C6
The cab arrives, he blows his horn stumble out in the early morn'
C
G7
Tell him of the place I've got to go
Hit a hundred signal lights; Peterbilts in a traffic fight
C
Gettin' to these doors has been so slow.
F G7
C
L.A. International Airport where the big jet engines roar
Dm G7
C
L.A. International Airport I won't see him anymore.
C
Stewardess in a mini-skirt; Hippie in a leather shirt
G7
Starlet on her way to Naples; Rome
While I'm wonderin' where it's at; I see a Paris diplomat
C
College kids are tryin' to get back home;
C6
Cmaj7
C6
Baggage car goes quickly by; See my case and I start to cry
C
G7
Stumble to the lounge to be alone
And while I'm tryin' to get some rest; I bite my lips and try my best
C
To fight the pain that's makin' me leave home.
F G7
C
Dm G7
C
>>>>> D
D
With Silver wings across the sky; Vapor trails that wave goodbye
A7
To those below who've got to stay at home
I wish that I had flown at night; So I could take that Champagne flight
D
Rid myself of every tear I own
D6
Dmaj7
D6
Soaring high above the heavens; In a seven-forty-seven
D
A7
Fighting back the tears that curse my eyes
Captain's voice so loud and clear; Amplifies into my ear
D
Assuring me I'm flying friendly skies.
G A7
D
Em A7
D
(Original: Bb)
LA PALOMA
Hans Albers
G
D
Ein Wind weht von Süd und zieht mich hinaus auf See.
D7
G
Mein Kind, sei nicht traurig, tut auch der Abschied weh!
D
Mein Herz geht an Bord und fort muß die Reise geh'n,
D7
G
Dein Schmerz wird vergeh'n und schön wird das Wiederseh'n.
G
Gdim
D
Mich trägt die Sehnsucht fort in die blaue Ferne,
D7
G
Unter mir Meer und über mir Nacht und Sterne.
Gdim
D
Vor mir die Welt, so treibt mich der Wind des Lebens.
D7
G
Wein nicht, mein Kind, die Tränen, die sind vergebens!
G
D7
Auf, Matrosen, ohe! Einmal muß es vorbei sein.
Am
D7
G
Nur Erinn'rung an Stunden der Liebe bleibt noch an Land zurück.
D7
Seemanns Braut ist die See und nur ihr kann er treu sein!
Wenn der Sturmwind sein Lied singt, dann winkt mir
Am
D7
G
Der Großen Freiheit Glück
G
D
Wie blau ist das Meer, wie groß kann der Himmel sein?
D7
G
Ich schau hoch vom Mastkorb weit in die Welt hinein.
D
Nach vorn geht mein Blick, zurück darf kein Seemann schau'n.
D7
G
Kap Horn liegt auf Lee, jetzt heißt es Gott vertrau'n.
G
Gdim
D
Seemann, gib acht, im Strahl da als Gruß des Friedens
D7
G
Hell in die Nacht das leuchtende Kreuz des Südens
Gdim
D
Schroff ist das Riff und schnell geht ein Schiff zugrunde,
D7
G
Früh oder spät schlägt jedem von uns die Stunde.
G
D7
Auf, Matrosen, ohe! Einmal muß es vorbei sein.
Am
D7
G
Einmal holt uns die See und das Meer–Gibt keinen von uns zurück.
D7
Seemanns Braut ist die See und nur ihr kann er treu sein!
Wenn der Sturmwind sein Lied singt, dann winkt mir
Am
D7
G
Der Großen Freiheit Glück.
LADY CAME FROM BALTIMORE
Tim Hardin
P.
A
E
D
A
Lady came from Baltimore, all she wore was lace
D
A
Esus4
E
She didn't know that I was poor, she never saw my face
F#m
E
D
A
I was there to steal her money, to take her rings and run
D
A
E
A
Then I fell in love with the lady, got away with none
A
E
D
A
The lady's name was Susan Moore, her daddy read the law
D
A
Esus4
E
She didn't know that I was poor and lived outside the law
A
E
D
A
Her daddy said I was a thief and didn't marry her for love
D
A
Esus4
E
I was Susan's true belief, I married her for love
F#m
E
D
A
D
A
E
A
A
E
D
A
The house she lived in had a wall to keep the robbers out
D
A
Esus4
E
She never stopped to think at all that that's what I'm about
F#m
E
D
A
D
A
E
A
LADY D’ARBANVILLE
Cat Stevens
RIFF 1
RIFF 1:
E -7--7--5--3--5B --------------G -7--7--5--4--5D --------------A --------------E ---------------
RIFF 2:
--5--5--7--5--3-------------------5--5--7--5--4--------------------------------------------------
Em(VII) Flageolet
4x
RIFF 3:
----------------------------------------------------------0---------------------0h2---2-0-------0-2-- 0h2-----------2-0h2---2--------------------------
RIFF 1
Your lips feel like winter
Em
Your skin has turned to white
My Lady D'Arbanville
RIFF 2
Why do you sleep so still?
Bm
And you will be my fill,
RIFF 1
I'll wake you tomorrow
Em
Yes you will be my fill
Em
D - Em
Why does it grieve me so?
Em - D
Bm
But your heart seems so silent
Why do you breathe so low,
Em
Why do you breathe so low
Em - D
D - Em
Em - D
Bm
RIFF 3 (4x)
>>> RIFF 2
D - Em
Em - D
Bm
La la la la la la ...
Em - D
Em
Em - D
RIFF 1
My Lady D'Arbanville,
RIFF 2
You look so cold tonight,
Bm
Your skin has turned to white,
(1 Verse, ohne Riffs)
Em - D
Em - D
But your heart seems so silent
Em
Why do you breathe so low
D - Em
Why do you grieve me so,
Bm
Why do you breathe so low,
Em - D
I loved you my lady
I'll always be with you
Em
This rose will never die
Riff 3 (2x)
D - Em
Though in your grave you lie,
Em - D
Bm
This rose will never die,
2x
dann Riff 3
LADY IN BLACK
Uriah Heep
Am
She came to me one morning, one lonely Sunday morning,
G
Am
Her lo....ng hair flowing in the mid-winter wind.
I know not how she found me, for in darkness I was walking,
G
Am
And destruction lay around me from a fight I could not win.
Am
G Am
G Am
Ahahaaahaahah, ahahaaahahaha !
Riff: a c d dis e g a
Am
She asked me name my foe then. I said the need within some men
G
Am
To fight and kill their brothers without thought of men or god.
And I begged her give me horses to trample down my enemies,
G
Am
So eager was my passion to devour this waste of life.
Am
But she would not think of battle that reduces men to animals,
G
Am
So easy to begin and yet impossible to end.
For she the mother of all men had counciled me so wisely that
G
Am
I feared to walk alone again and asked if she would stay.
Am
"Oh lady lend your hand," I cried, "Oh let me rest here at your side."
G
Am
"Have faith and trust in me," she said and filled my heart with life.
There is no strength in numbers. I've no such misconceptions.
G
Am
But when you need me be assured, I won't be far away.
Am
Thus having spoke she turned away and though I found no words to say
G
Am
I stood and watched until I saw her black cloak disappear.
My labor is no easier, but now I know I'm not alone.
G
Am
I find new heart each time I think upon that windy day.
And if one day she comes to you drink deeply from her words so wise.
G
Am
Take courage from her as your prize and say hello for me.
LADY IS A TRAMP, THE
Richard Rodgers, 1937
Capo 1
A6
A6
F#7 Bm7 E7
F#7
F7 - E7
a’
Amaj7
C7/9 Bm7
E7
She gets too hungry
for dinner at eight
Amaj7
C7/9
Bm7
E7
She likes the theater and never comes late.
Amaj7
Em7 - A7
Dmaj7
G7
She never bothers with people she hates,
C#m7 F#7
Bm7 E7 A6 F#7 Bm7 E7
That's why the lady is a tramp.
Amaj7
C7/9
Bm7
E7
Doesn‘t like crap games with Barons and Earls
Amaj7
C7/9
Bm7
E7
Won't go to Harlem in ermine and pearls,
Amaj7
Em7 - A7
Dmaj7
G7
Won't dish the dirt
with the rest of the girls
C#m7 F#7
Bm7 E7 A6
A7
That's why the lady is a tramp
Bm7 E7
C#m7
F#7
She likes the free, fresh wind in her hair
Bm7
E7
C#m7 F#7
Bm7 E7
Life without care. She's broke, and it's oke.
Amaj7
C7/9
Bm7
C#7
Hates California, it's cold and it's damp
F#m7
Amaj7
C7/9
Bm7
E7
She gets too hungry to wait for dinner at eight
Amaj7
C7/9
Bm7
E7
She loves the theater,
but never comes late.
Amaj7
Em7 - A7
Dmaj7
G7
She never bothers with people she hates,
C#m7 F#7
Amaj7
C7/9
Bm7
E7
She‘ll have no crap games
with Barons and Earls
Amaj7
C7/9 Bm7
E7
Won't go to Harlem
in ermine and pearls,
Amaj7
Em7 - A7
Dmaj7
G7
Won't dish the dirt
with the rest of the girls
C#m7 F#7
Bm7 E7 A6
A7
That's why the lady is a tramp
Bm7 E7
C#m7
F#7
She likes the free, fresh wind in her hair
Bm7
E7
C#m7 F#7
Bm7 E7
Life without care. She's broke, and it's oke.
Amaj7
C7/9
Bm7
C#7
Hates California, it's cold and it's damp
F#m7
Bm7 E7
C#7
That's why the lady,
that's why the lady,
F#m7
Bm7 E7 A6
LADY JANE
Rolling Stones
G
Instr.: 4 Zeilen
a‘ a‘ g‘ fis‘ e‘
D
C
My sweet Lady Jane
g‘ g‘ fis‘ e‘ h > d
D
G
When I see you again
a‘ a‘ g‘ fis‘ e‘
C
Your servant am I
g‘ g‘ fis‘ e‘ h > d
D
G
And will humbly remain
d’
E7
Am
Just heed this plea, my love
D7
G
On bended knees my love,
C
D7
Am
I pledge myself to Lady Jane.
D
C
My dear Lady Anne
G
D
I‘ve done what I can
C
I must take my leave
D
G
D
For promised I am.
E7
Am
This play is run, my love.
D7
G
Your time has come, my love.
C
D7
Am
I've pledged my troth to Lady Jane.
Instr. 1 Verse
D
C
Oh, my sweet Marie,
G
D
I wait at your ease
C
The sands have run out.
G
D
For your Lady and me.
E7
Am
Wedlock is nigh, my love,
D7
G
Her station's right, my love,
C
D7
Am
Life is secure with Lady Jane.
D
D
LADY MADONNA
Beatles
a a cis cis d d e-fis-a‘
A
D
Instr....
a a cis cis d d e-fis-a‘
A
D
C Bm
Esus4
See how they run.
a a cis cis d d e e f f g g a
A
D A F G A
A
D
A
D
Lady Madonna, lying on the bed,
A
D
A
F G
A
Listen to the music playing in your head.
A
D
A
D
Lady Madonna, children at your feet.
A
D
A F
G
A
Wonder how you manage to make ends meet.
A
D
A
D
Who finds the money when you pay the rent?
A
D
A F G A
Did you think that money was heaven sent?
Dm
/c
/h
/a
G /f
/e /d
Friday night arrives without a suitcase.
C
/h
/a
/g
Am /h /c /e
Sunday morning creepin like a nun.
Dm
/c
/h
/a
G7 /f
/e
Monday's child has learned to tie his bootlace.
C Bm
Esus4
E
See how they run……..
A
D
A
D
Lady Madonna, baby at your breast.
A
D
A F G A
Wonders how you manage to feed the rest.
E
Instr.: Intro
/d
Dm
G
Tuesday afternoon is never ending.
C
Am
Wednesday morning papers didn't come.
Dm
G7
Thursday night your stockings needed mending.
C Bm
Esus4
E
See how they run.
A
D
A
D
Lady Madonna, children at your feet.
A
D
A F
G
A
Wonder how you manage to make ends meet.
A
Bm
C - Bm - A
2x
LAMBS ON THE GREEN HILLS, THE
Trad.
C
F
The lambs on the green hills they sport and they play
C
Am
C
G7
And many strawberries grow round the salt sea
C
F
And many strawberries grow round the salt sea
C
G7
F
C
And many's the ship sails the ocean
C
F
The bride and bride's party to church they did go
C
Am
C
G7
The bride she rode foremost, she bears the best show
C
F
But I followed after with my heart full of woe
C
G7
F
C
To see my love wed to another.
C
F
The first place I saw her was in the church stand
C
Am
C
G7
Gold rings on her finger and her love by the hand.
C
F
Says I, 'My wee lassie, I will be the man
C
G7
F
C
Although you are wed to another.'
C
F
The next place I saw her was on the way home.
C
Am
C
G7
I ran on before her, not knowing where to roam
C
F
Says I, 'My wee lassie, I'll be by your side
C
G7
F
C >>> D
Although you are wed to another.'
D
G
'Stop, stop', says the groomsman, 'Till I speak a word,
D
Bm
D
A7
Will you venture your life on the point of my sword?
D
G
For courting so slowly you've lost this fair maid,
D
A7
G
D
So, be gone, for you'll never enjoy her.'
D
G
Oh, make now my grave both large, wide and deep
D
Bm
D
A7
And sprinkle it over with flowers so sweet
D
G
And lay me down in it to take my last sleep
D
A7
G
D
For that's the best way to forget her.
LARK IN THE MORNING, THE
Trad.
P.
Dm
F
C
Am
The lark in the morning she rises off her nest
Dm
F
Dm
C
Dm
And she goes up in the air with the dew all on her breast
F
C
Am
And like the jolly ploughboy she whistles and she sings
Dm
F
Dm
C
Dm
And she comes home in the evening with the dew all on her wings
Dm
F
C
Am
Oh Roger the ploughboy he is a dashing blade
Dm
F
Dm
C
Dm
He goes whistling and singing over yonder leafy shade
F
C
Am
He met with dark eyed Susan, she's handsome I declare
Dm
F
Dm
C
Dm
And she is far more enticing than the birds up in the air
F
C
Am
He met with dark eyed Susan, she's handsome I declare
Dm
F
Dm C
Dm
And he’s bought her rolls of ribbons for to reel around her hair
Dm
F
C
Am
The lark in the morning she rises off her nest
Dm
F
Dm
C
Dm
And she goes up in the air with the dew all on her breast
F
C
Am
And like the jolly ploughboy she whistles and she sings
Dm
F
Dm
C
Dm
And she comes home in the evening with the dew all on her wings
Dm
F
C
Am
As they were coming home from the rakes of the town
Dm
F
Dm
C
Dm
The meadows bein' mown and the grass had been cut down
F
C
Am
As they should chance to stumble all on the new mown hay
Dm
F
Dm
C
Dm
Oh it's kiss me now or never, then this bonnie lass would say
Dm
F
C
Am
When twenty long weeks, they were over and were past
Dm
F
Dm
C
Dm
Her mammy asked the reason why she thickened round the waist
F
C
Am
It was the jolly ploughboy, this bonnie lass did say
Dm
F
Dm
C
Dm
For he caused me for to tumble all on the new mown hay
The lark in the morning ...
Dm
F
C
Am
Here's a health to all you ploughboys wherever you may be
Dm
F
Dm C
Dm
That like to have a bonnie lass a-sitting on each knee
F
C
Am
With a pint of good strong porter, you'll whistle and you'll sing
Dm
F
Dm C Dm
And a ploughboy is as happy as a prince or a king
The lark in the morning ...
LAST THING ON MY MIND, THE
Tom Paxton
G-Harp
G
C
G
It's a lesson too late for the learning,
C
G
D
G
Made of sand, made of sand.
C
G
In the wink of an eye my soul is turning
C
G
D
G
In your hand, in your hand.
D
C
G
Are you going away with no word of farewell,
C
G
D
Will there be not a trace left behind?
G
C
G
Well, I could have loved you better, I didn't mean to be unkind
D7
G
You know that was the last thing on my mind.
G
C
G
You got reasons a plenty for going,
C
G
D
G
This I know, this I know.
C
G
For the weeds have been steadily growing,
C
G D
G
Please don't go, please don't go.
D
C
G
C
G
D
G
C
G
D7
G
Instr. 1 Verse (G-Harp)
G
C
G
As I lie in my bed in the morning
C
G D
G
Without you, without you.
C
G
Each song in my breast dies a borning
C
G D
G
Without you, without you.
D
C
G
C
G
D
G
C
G
D7
G
D7
G
Yes, you know that was the last thing on my mind.
LAST TIME, THE
Rolling Stones
A
Well, this could be the last time, this could be the last time
D
A
E D A
E D
Maybe the last time, I don't know, oh, no
Oh, no
Riff (not too fast):
E
D
A
e|-----------------------------------|
B|-------3------5---------3------2---|
G|----/4------4--------2h4-----/2----|
D|-----------------------------------|
A|-----------------------------------|
E|-----------------------------------|
E
D
A
Well, I told you once and I told you twice
E
D
A
But you never listen to my advice
E
D
A
You don't try very hard to please me
E
D
A
For what you know it should be easy
Instr.: 1 Verse
E
D
A
E
D
A
E
E
A
D
D
A
D
A
E D A
E D
Oh, no
A
A
A
D
A
E D A
E D
Oh, no
E
D
A
E D A
Well I'm sorry girl but I can't stay
E
D
A
E D A
Feelin' like I do today
E
D
A
E
Theres too much pain and too much sorrow
E
D
A
E
Guess I'll feel the same tomorrow
D
A
D
A
A
E
D
A
Well I told you once and I told you twice
E
D
A
Some will have to pay the price
E
D
A
Here‘s a chance to change your mind
E
D
A
Cause I'll be gone a long, long time
E
D
A
E
D
A
E
D
A
E
D
A
A
D
A
E D A
E D
Oh, no
E
D
Last time, Baby ...
A
A
A ...
(Could be the last time...) No No No
LAY DOWN SALLY
Eric Clapton
P.
A (*g)
There is nothing that is wrong
D
In wanting you to stay here with me.
A
I know you've got somewhere to go
D
But won't you make yourself at home and stay with me?
E
And don't you ever leave.
A
D
Lay down, Sally, and rest you in my arms.
E
A
Don't you think you want someone to talk to?
A
D
Lay down, Sally, no need to leave so soon.
E
A
I've been trying all night long just to talk to you.
A (*g)
The sun ain't nearly on the rise
D
And we still got the moon and stars above.
A
Underneath the velvet skies
D
Love is all that matters, won't you stay with me?
E
A
D
E
A
A
D
E
A
Instr.: A only
A (*g)
I long to see the morning light
D
Colouring your face so dreamily.
A
So don't you go and say goodbye,
D
You can lay your worries down and stay with me.
E
A
D
E
A
A
D
E
A
LAY LADY LAY
Bob Dylan
P.
A
C#m
G
Bm :II
A
C#m G
Bm
A C#m G Bm
Lay, lady, lay,
lay across my big brass bed
A
C#m G
Bm
A C#m G Bm
Lay, lady, lay,
E
F#m
A
Asus4-A Asus4-A
Whatever colors you have in your mind
E
F#m A
Asus4-A Asus4-A
I'll show them to you and you'll see them shine
A
C#m G
Bm
A C#m G Bm
Lay, lady, lay,
A
C#m G
Bm
A C#m G Bm
Stay, lady, stay, stay with your man awhile
A
C#m G
Bm
A C#m G Bm
Until the break of day, let me see you make him smile
E
F#m
A
Asus4-A Asus4-A
His clothes are dirty but his, his hands are clean
E
F#m
A
Asus4-A Asus4-A
And you're the best thing that he's ever seen
A
C#m G
Bm
A C#m G Bm
Stay, lady, stay, stay with your man awhile
C#m
E F#m A
Why wait any longer for the world to begin
C#m
A
You can have your cake and eat it too
C#m
E F#m A
Why wait any longer for the one you love
C#m
Bm
When he's standing in front of you
Asus4-A Asus4-A
Asus4-A Asus4-A
A
C#m G
Bm
A C#m G Bm
Lay, lady, lay, lay across my big brass bed
A
C#m G
Bm
A C#m G Bm
Stay, lady, stay, stay while the night is still ahead
E
F#m
A
Asus4-A Asus4-A
I long to see you in the morning light
E
F#m
A
Asus4-A Asus4-A
I long to reach for you in the night
A
C#m G
Bm
A C#m G Bm
Stay, lady, stay, stay while the night is still ahead
A C#m G Bm C#m D A
LAYLA
Eric Clapton
I Dm Bb I C Dm I 4x
Lauf: a c cis
C#m
G#7
What’ll you do when you get lonely?
cis cis cis h gis fis e
C#m C
D
E E7
Noone waiting by your side
F#m
B
E
A
You've been running and hiding much too long.
F#m
B
E
You know it's just your foolish pride
a
d
f
g g f e d
A
Dm Bb
C
Dm
Lay - la,
you got me on my knees.
c
d
f g g
f e d
Dm Bb
C
Dm
Lay - la,
I'm begging, darling, please
c
d
g g
f g
a g f
e d
Dm Bb C
Dm
Dm Bb C
Lay - la,
darling won't you ease my worried mind
Lauf: a c cis
C#m
G#7
I tried to give you consolation
C#m
C
D
E
E7
When your old man had let you down.
F#m B
E
A
Like a fool, I fell in love with you,
F#m
B
E
You turned my whole world upside down.
A
Dm Bb
C
Dm
Lay - la,
you got me on my knees.
Dm Bb
C
Dm
Lay - la,
I'm begging, darling, please
Dm Bb C
Dm
Dm Bb C
Lay - la,
darling won't you ease my worried mind
Lauf: a c cis
Instr.: Refrain
Lauf: a c cis
C#m
G#7
Let's make the best of the situation
C#m
C
D
E E7
Before I finally go insane.
F#m
B
E
A
Please don't say we'll never find a way
F#m
B
E
And tell me all my love's in vain.
Layla.... (2x)
Instr.: Dm Bb C Dm x-mal
Layla.... (2x)
LAZY RIVER
Hoagy Carmichael
Amaj7
F#7
F#7
Adim
B7
B7
E7 - D#7 - D7 - C#7
E7 - D#7 - D7 - C#7
E e - dis - d
cis,
C#7
C#+
Up a lazy river by the old mill run
cis,
F#7
The lazy lazy river in the noon-day sun
h,
B7
Linger in the shade of a kind old tree
gis’
E6
C7
B7 E6
Throw away your troubles, dream a dream of me
C#7
C#+
Up a lazy river where the robin's song
F#7
Awaits a bright new mornin' where we can roll along
cis’
e’
Amaj7
Adim E7 D#7 D7 C#7
Blue skies up above, every one's in love
cis’
e,
F#7
B7
E7
D#7 D7 C#7
Up a lazy river, how happy you could be
cis’
F#7
B7
E6 e - dis - d
Up a lazy river with me
Instr.: 2 Verses
e - dis - d
cis,
C#7
C#+
Up a lazy river by the old mill run
cis,
F#7
The lazy lazy river in the noon-day sun
h,
B7
Linger in the shade of a kind old tree
gis’
E6
C7
B7 E6
Throw away your troubles, dream a dream of me
C#7
C#+
Up a lazy river where the robin's song
F#7
Awaits a bright new mornin' where we can roll along
Amaj7
Adim E7 D#7 D7 C#7
Blue skies up above, every one's in love
F#7
B7
E7
D#7 D7 C#7
Up a lazy river, how happy you could be
F#7
B7
E7 - D#7 - D7 - C#7
F#7
B7
E6
e - dis - d
LEAVIN ON A JET PLANE
John Denver
E
A6
All my bags are packed, I'm ready to go.
E
A6
I'm standing here outside your door
E
F#m
B7
I hate to wake you up to say goodbye.
E
A6
But the dawn is breaking, it's early morn,
E
A6
The Taxi's waiting, he's blowing his horn
E
F#m
B7
Already I'm so lonesome I could cry.
E
A
E
A
So kiss me and smile for me. Tell me that you'll wait for me
E
F#m
B7
Hold me like you'll never let me go.
E
A
E
A
I'm leaving on a jet plane. Don't know when I'll be back again
E F#m
B7
Oh Babe I hate to go
E
A6
There's so many times I've let you down
E
A6
So many times I've played around
E
F#m
B7
I tell you now they don't mean a thing
E
A6
Every place I go I'll think of you
E
A6
Every song I sing I'll sing for you
E
F#m
B7
When I come back, I'll wear your wedding ring.
E
A
E
A
So kiss me and smile for me. Tell me that you'll wait for me
E
F#m
B7
Hold me like you'll never let me go.
E
A
E
A
I'm leaving on a jet plane. Don't know when I'll be back again
E F#m
B7
Oh Babe I hate to go
E
A6
Now the time has come to leave you
E
A6
One more time let me kiss you
E
F#m
B7
Then close your eyes, I'll be on my way
E
A6
Dream about the days to come
E
A6
When I won't have to leave alone
E
F#m
B7
About the times, I won't have to say.
Kiss me and smile for me.....
(Original: G?)
LEAVING OF LIVERPOOL, THE
Trad. P.
C
F
C
Am
G7
Farewell to Princes' landing stage, River Mersey fare thee well
C
F C
G7
C
I am bound for California, a place I know quite well.
C
F C
Am
G7
I am bound for California, by way of stormy Cape Horn,
C
F
C
G7
C
And I will write to thee a letter, love, when I am homeward bound.
G7
F
C
So fare thee well my own true love
G7
When I return united we will be.
C
F
C
It's not the leaving of Liverpool that grieves me
G7
C
But my darling when I think of thee.
C
F
C
Am
G7
I’ve sailed on a Yankee clipper ship, "Davy Crockett" was her name;
C
F
C
G7
C
And Burgess was the captain of her, and they say she's a floating
shame.
C
F
C
Am
G7
I have sailed with Burgess a hundred times, I think I know him well.
C
F
C
G7
C
If a man's a sailor, he will get along, if not, then he's sure in hell.
G7
F
C
G7
C
F
C
G7
C
C
F
C
Am
G7
Oh the sun is on the harbour love, and I wish I could remain.
C
F
C
G7 C
For I know it will be a long, long time, before I see you again.
G7
F
C
G7
C
F
C
G7
C
LEEZIE LINDSAY
Trad.
C
Am
Will ye gang to the Hielands, Leezie Lindsay?
C
F
G
Will ye gang to the Hielands wi’ me?
C
Am
F
G
C
My bride and my darling to be
C
Am
To gang to the Hielands wi’ you, Sir
C
F
I dinna ken how that may be
G
C
Am
For I ken nae the land that ye live in
F
G
C
Nor ken I the lad I’m gaun wi’
C
Am
Leezie lassie, ‘tis little that ye ken
C
F
If sae be that ye dinna ken me
G
C
Am
For my name is Lord Ronald MacDonald
F
G
C
A chieftain o’ high degree
C
Am
C
F
G
C
Am
F
G
C
C
Am
She has kilted her coats o’ green satin
C
F
She has kilted them up to the knee
G
C
Am
And she’s aff wi’ Lord Ronald MacDonald
F
G
C
His bride and his darling to be
C
Am
C
F
G
C
Am
F
G
C
F
G
C
LET IT BE
Beatles
G
G
D
D
Em
C
C C6-G
G
D
Em
C
When I find myself in times of trouble, Mother Mary comes to me,
G
D
C
C6-G
Speaking words of wisdom, let it be.
G
D
Em
C
And in my hour of darkness, she is standing right in front of me,
G
D
C
C6-G
Em
D
C
G
Let it be, let it be, let it be, let it be.
D
C C6-G
Whisper words of wisdom, let it be.
G
D
Em
C
And when the broken hearted people living in the world agree,
G
D
C
C6-G
There will be an answer, let it be.
G
D
Em
C
For though they may be parted, there is still a chance that they will see,
G
D
C
C6-G
Em
D
C
G
D
C
Yea, there will be an answer, let it be.
C6-G
Em
D
C
G
D
C C6-G
c h
a g
C Cmaj7-C6-G
c h
a g
C Cmaj7-C6-G
f e d
G7-G6-D
f e d
G7-G6-D
c,
C
c,
C
d
G
d
G
G
D
Em
C
And when the night is cloudy, there is still a light that shines on me,
G
D
C
C6-G
Shine until tomorrow, let it be.
G
D
Em
C
I wake up to the sound of music, Mother Mary comes to me,
G
D
C
C6-G
Em
D
C
G
D
C C6-G
Em
D
C
G
D
C C6-G
C Cmaj7-C6-G
(Original: C)
G7-G6-D C G
LET IT SNOW
Dean Martin
(*g')
C
G7
C
Oh, the weather outside is frightful,
F#dim G7
But the fire is so delightful,
Dm
A7
Dm
And since we've no place to go,
G7
C
Let it snow, let it snow, let it snow.
C
G7
C
Man, It doesn't show signs of stopping,
F#dim G7
And I brought some corn for popping.
Dm
A7
Dm
The lights are turned way down low,
G7
C
h,
c
ded g
g
d
G
When we finally kiss good night,
e
d c c h a, g, a, h
Am
D7
G
How I'll hate going out in the storm.
h, c d e d g
g e d
G
A7
But if you really hold me tight,
fis...................... e d g'
D7
G7
All the way home I'll be warm.
C
G7
C
And the fire is slowly dying,
F#dim G7
And, my dear, we're still good-bye-ing,
Dm
A7
Dm
But as long as you love me so.
G7
C
LET‘S DANCE
E (e-gis-h-d)
Chris Montez
A7
E
G#m F#m
G#m F#m
E
Capo 2
h h
NC
Hey Baby won't you take a chance.
NC
Say that you'll let me have this dance.
e
E
A
D-A
E
A-E
Well let's dance,
let's dance.
B
A
We'll do the twist, the stomp, the mashed potatoes too,
B
A
Any old dance that you wanna do.
E
A-E
A-E
Well let's dance,
oh let's dance.
Hey Baby, yeah, you thrill me so
Hold me tight, don’t you let me go.
A
D-A
E
A-E
Well let's dance,
let's dance.
B
A
B
A
E
A-E
A-E
Well let's dance,
oh let's dance.
Hey Baby if you're all alone
Maybe you'll let me walk you home
A
D-A
E
A-E
Well let's dance,
let's dance.
B
A
B
A
E
A-E
A-E
Well let's dance,
oh let's dance.
Hey baby things are swinging right.
Yes I know, that tonight's the night.
A
D-A
E
A-E
Well let's dance,
let's dance.
B
A
B
A
E
A-E
A-E
Well let's dance,
oh let's dance.
E
A-E
A-E
Well let's dance,
well let's dance
4x
LET’S DO IT, LET’S FALL IN LOVE
Cole Porter
G6 G#dim Am7 D+ 2x
G6 G#dim Am7 D7
Birds do it,
bees do it
G6 G7
C6 Cm
Even educated fleas do it
G G#dim Am7 D7 Bm7 E7 A7 D+
Let's do it,
let's fall in love.
In Spain …
G6 G#dim Am7 D7
The best upper
sets do it
G6 G7
C6 Cm
Lithuanians and Letts do it
G G#dim Am7 D7 G C7 G
Let's do it,
let's fall in love.
B7+
Em
Am7 Am6
The Dutch in old Amsterdam do it
Bm
Dm7 G7
Not to mention the Finns
C
Cm F7
Folks in Siam do it
Bb6
Am7
Think of Siamese twins.
D+ G6 G#dim Am7 D7
Some Argentines, without means do it
G6
G7
C6 Cm
People say in Boston even beans do it
G
G#dim Am7 D7 G C7 G6
Let's do it,
let's fall in love.
G6
G#dim Am7 D7
Romantic spon…ges they say do it
G6
G7
C6 Cm
Oysters down in Oyster Bay do it
G G#dim Am7 D7 Bm7 E7 A7
D+
Let's do it, let's fall in love.
Cold Cape Cod …
G6
G#dim
Am7 D7
Clams, 'gainst their wish, do it
G6 G7
C6 Cm
Even lazy jellyfish do it
G
G#dim Am7 D7 G C7 G
Let's do it,
let's fall in love.
B7+ Em
Am7 Am6
Electric eels, I might add, do it
Bm
Dm7 G7
Though it shocks 'em I know
C Cm F7
Why ask if shad do it?
Bb6
Am7
Waiter, bring me shad roe.
D+
G6
G#dim Am7 D7
In shallow shoals, English soles do it
G6
G7
C7
Goldfish in the privacy of bowls do it
G
Em7 Am7 D7 G6 C7 G6
Let's do it, let's fall in love.
LET’S FALL IN LOVE
Harold Arlen, 1933
Capo 2
G6/9: 3 2 2 2 3 x
Bm7: x 2 0 2 0 2
G6/9
Am7
Bm7 G#dim
I have a feeling, it's a feeling,
Am7
D7
Gmaj7 Dm7 G6
I'm concealing, I don't know why
Cmaj7
Cm6 Bm7 Gdim Am7 D7
G6 Em7
It's just a mental, sentimental a……..li….….bi
Am7
D7 G6/9 Em7 G#dim
Am9
D7
But I adore you,
so strong for you
G6
F#7
F
E7
Why go on stalling, I’m falling
Am7 D7
G6
Our love is calling, why be shy?
G6 G#dim Am7 D7
G6 G#dim Am7
Let's fall in love. Why shouldn't we fall in love?
D7
Bm7
E7
Am7
Our hearts are made of it, let’s take a chance
D7
B7
E7 - A7 - D7
Why be afraid of it
G6 G#dim Am7 D7
G6 G#dim Am7
Let's close our eyes and make our own para…..dise
D7
Bm7
E7
Am7
Little we know of it, still we can try,
D7
F#dim - B7 F#dim - E7
to make a go of it
h’
Em7
Em/D#
Em/D
A7/C#
We…. might have been meant for each other
Bm7 Em7
F7
E7 D#7 D7
To be or not to be, let our hearts dis…co…ver
Gdim
G6 G#dim Am7 D7
G6 G#dim Am7
D7
Bm7
E7
Am7
Now is the time for it, while we are young
D7
G6 G#dim Am7 D7
Let’s fall in love
Instr.: Verse 2
G6 G#dim Am7 D7
G6 G#dim Am7
(Let’s close our eyes and make our own para…..dise)
D7
Bm7
E7
Am7
(Little we know of it, still we can try
D7
F#dim - B7 F#dim - E7
(to make a go of it)
h’
Em7
Em/D#
Em/D
A7/C#
We…. might have been meant for each other
Bm7 Em7
F7
E7 D#7 D7
To be or not to be, let our hearts dis…co…ver
G6 G#dim Am7 D7
G6 G#dim Am7
D7
Bm7
E7
Am7
Now is the time for it, while we are young
D7
G6 G#dim Am7
D7
G6 G#dim Am7
D7
G6 G#dim Am7
D7
G6
Gdim
LETTER, THE
Box Tops
Capo 3
e-g-a-h-a-g-fis
Em
C
Give me a ticket for an aeroplane,
Em7
A7
Ain't got time to take the fast train
Em
C
Lonely days are gone, I'm a-goin' home,
B7
Em
My baby just wrote me a letter.
Em
C
I don't care how much money I gotta spend,
Em7
A7
Got to get back to my baby again
Em
C
B7
Em
G
D
Well she wrote me a letter
C
G
D
Said she couldn't live without me no more.
G
D
Listen mister can't you see
C
G
D
B7
I got to get back to my baby lonesome home. Anyway, yeah!
Em
C
Em7
A7
Em
C
B7
Em
G
D
Well she wrote me a letter
C
G
D
Said she couldn't live without me no more.
G
D
Listen mister can't you see
C
G
D
B7
I got to get back to my baby lonesome home. Anyway!
Em
C
Em7
A7
Em
C
B7
Em
LIEBESKUMMER LOHNT SICH NICHT
Siw Malmquist
E
B
Mit achtzehn traf sie Jim, sie träumte nur von ihm,
E
Zum ersten Mal verliebt, das war so schön!
A
Doch Jim, der war nicht treu und alles war vorbei.
E
B
E
Da konnte sie es lange nicht verstehn:
Capo 3 (als Rock `n Roll ! Original: C#)
D
A
Liebeskummer lohnt sich nicht, my Darling,
D
Schade um die Tränen in der Nacht.
G
D
A
D
Weil schon morgen dein Herz darüber lacht.
D
A
Im Hof, da spielte sie mit Joe von vis-a-vis.
D
Doch dann zog er in eine andre Stadt.
G
Wie hat sie da geweint um ihren besten Freund.
D
A
D
Da gab ihr die Mama den guten Rat:
D
A
D
G
D
A
D
>>> E
E
B
E
A
E
B
E
Weil schon morgen dein Herz darüber lacht. >>>> F
F
C
Bis dann der eine kam, der in den Arm sie nahm.
F
Nun gehn sie durch ein Leben voller Glück!
Bb
Und gibt's von Zeit zu Zeit mal einen kleinen Streit,
F
C
F
Dann denkt sie an das alte Lied zurück:
Liebeskummer lohnt sich nicht, my Darling, oh no!
Schade um die Tränen in der Nacht. Yeah yeah!
LIGHT MY FIRE
Doors
Am7
F#m7
You know that it would be untrue
Am7
F#m7
You know that I would be a liar
Am7
F#m7
If I was to say to you
Am7
F#m7
Girl, we couldn't get much higher
G
A
D
Come on baby, light my fire
G
A
D
G
F#m7 E
Try to set the night on fire
Bm
Bm
E7
Am7
F#m7
The time to hesitate is through
Am7
F#m7
No time to wallow in the mire
Am7
F#m7
Try now we can only lose
Am7
F#m7
And our love become a funeral pyre
G
A
D
G
A
D
G
F#m7 E
Bm
Bm
E7
Am7
F#m7
The time to hesitate is through
Am7
F#m7
No time to wallow in the mire
Am7
F#m7
Try now we can only lose
Am7
F#m7
And our love become a funeral pyre
G
A
D
G
A
D
F
C
D
F
C
D
F
C
D
F
C
D
Bm
LIKE A ROLLING STONE 1
Bob Dylan
C
F G
C
F G
C
Dm7
Once upon a time you dressed so fine
Em
F
G
Gsus4
You threw the bums a dime in your prime - didn't you?
C
Dm7
Em
People'd call, say, "Beware doll, you're bound to fall"
F
G
Gsus4 G
You thought they were all kiddin' you
F
G
You used to laugh about
F
G
Everybody that was hangin' out
F
Em Dm7 C
Now you don't talk so loud
F
Em Dm7
C
Now you don't seem so proud
Dm7
F
G
About having to be scrounging for your next meal.
C
F G
How does it feel?
C
F G
How does it feel?
C
F G
To be without a home
C
F G
Like a complete unknown
C
F G
C
Like a rolling stone?
F G
G
C
Dm7 You've gone to the finest school all right, Miss Lonely
Em
F
G
Gsus4 G
But you know you only used to get juiced in it
C
Dm7
Em
And nobody has ever taught you how to live on the street
F
G
Gsus4 G
And now you find out you're gonna have to get
used to it
F
G
You said you'd never compromise
F
G
With the mystery tramp, but now you realize
F
Em
Dm7 C
He's not selling any ali------bis
F
Em
Dm7 C
As you stare into the vacuum of his eyes
Dm7
F
G
And say do you want to make a deal?
C
F G
How does it feel?
C
F G
How does it feel?
C
F G
C
F G
C
F G
C
F G
LIKE A ROLLING STONE 2
C
Dm7
Em
You never turned around to see the frowns on the jugglers and the
clowns
F
G
Gsus4 G
When they all did tricks for you
C
Dm7
You never understood that it ain't no good
Em
F
G
Gsus4 G
You shouldn't let other people get your
kicks for you
F
G
You used to ride on the chrome horse with your diplomat
F
G
Who carried on his shoulder a Siamese cat
F
Em
Dm7 C
Ain't it hard when you discover that
F
Em
Dm7
C
He really wasn't where it's at
Dm7
F
G
After he took from you everything he could steal.
C
F G
How does it feel?
C
F G
How does it feel?
C
F G
C
F G
C
F G
C
F G
C
Dm7
Princess on the steeple and all the pretty people
Em
F
G
Gsus4 G
They're drinkin', thinkin'
that they - got it made
C
Dm7
Exchanging all precious gifts
Em
F
G
Gsus4 G
But you'd better take your diamond ring, you'd better pawn it babe
F
G
You used to be so amused
F
G
At Napoleon in rags and the language that he used
F
Em
Dm7 C
Go to him now, he calls you, you can't refuse
F
Em
Dm7
C
When you ain't got nothing, you got nothing to lose
Dm7
F
G
You're invisible now, you got no secrets to conceal.
C
F G
How does it feel?
C
F G
How does it feel?
C
F G
To be on your own
C
F G
With no direction home
C
F G
C
F G
C
F G
LILI MARLEEN
C
Em Dm7
G
Vor der Kaserne, vor dem großen Tor,
G7
C
Stand eine Laterne, und steht sie noch davor.
F
G
C
Em
So woll‘n wir uns da wiedersehn,
Am7 Dm7 C
Em
Bei der Laterne wolln wir stehn,
Dm7 G7
C Gdim
Dm7 G7 C
Wie einst Lili Marleen,
wie einst Lili Marleen.
Mit dir, Lili Marleen,
mit dir Lili Marleen.
C
Em
Dm7
G
Deine Schritte kennt sie, deinen schönen Gang,
G7
C
Aller Abend brennt sie, doch dich vergaß sie lang.
F
G
C
Em
Und sollte mir ein Leid geschehn,
Am7
Dm7 C
Em
Wer wird bei der Laterne stehn,
Dm7 G7
C Gdim
Dm7 G7 C
Mit dir, Lili Marleen,
mit dir Lili Marleen.
C
Em
Dm7
G
Unsre beiden Schatten sah'n wie einer aus,
G7
C
Daß wir so lieb uns hatten, das sah man gleich daraus.
F G
C
Em
Und alle Leute soll'n es sehn,
Am7 Dm7 C
Em
Wenn wir bei der Laterne stehn,
Dm7 G7
C Gdim
Dm7 G7 C
C
Em
Dm7
G
Aus dem stillen Raume, aus der Erde Grund,
G7
C
Hebt mich wie im Traume dein verliebter Mund.
F
G
C
Em
Und wenn sich die späten Nebel drehn,
Am7 Dm7 C Em
Werd ich bei der Laterne stehn,
Dm7 G7
C Gdim
Dm7 G7 C
Marlene Dietrich
C
Em
Dm7
G
Schon rief der Posten, sie bliesen Zapfenstreich.
G7
C
Es kann 3 Tage kosten, Kamerad, ich komm ja gleich.
F
G
C
Em
Da sagten wir auf Wiedersehn,
Am7 Dm7
C
Em
Wie gerne würd ich mit dir gehn,
Dm7 G7
C Gdim
Dm7 G7 C
In 1915 Gardefueselier Hans Leip wrote a farewell poem for his two girl friends, Lili and
Marleen.
Shortly before WWII it was set to music by Norbert Schultze.
It became the most popular song of WWII; it's said to have been translated into 48
languages.
LILI MARLEEN
Engl. Version
C
Em
Dm7
G
Underneath the lantern by the barrackgate
G7
C
Darling I´ll remember the way you used to wait
F
G
C
Em
T´was there that you whispered tenderly
Am7
Dm7
C
Em
That you’ll love me, you’d always be
Dm7 G7
C Gdim
Dm7 G7 C
My Lili of the lamplight, my own Lili Marleen
Time would come for warcall, time for us to part
Darling, I´d caress you und press you to my heart
And there neath that far off lantern light
I´d hold you close, we´d kiss goodnight
Orders came for sailing somewhere over there
"All confine to barracks" was more than I could bare
I knew that you were waiting in the streets
I heard your feet but could not meet
Resting in the billet just behind the light
Even though we´re parted, your lips are close to mine
You wait where that lantern softly gleams
Your sweet face seems to haunt my dreams
Marlene Dietrichs engl Version:
Outside the barracks, by the cornerlight
I´ll always stand and wait for you at night
We will create a world for two
I´ll wait for you the whole night through
For you, Lili Marleen, for you, Lili Marleen
Bugle tonight, don´t play the call to arms
I want another evening with her charms
Then we will say goodbye and part
I´ll always keep it in my heart
With me, Lili Marleen, with me, Lili Marleen
Give me a rose to show how much you care
Tie to the stem a lock of golden hair
Surely tomorrow you´ll feel blue
But then will come a love that´s new
For you, Lili Marleen, for you, Lili Marleen
When we are marching in the mud and cold
And when my pack seems more than I can hold
My love for you venues my mind
I´m warm again, my pack is light
It´s you, Lili Marleen, its you, Lili Marleen
My love for you venues my mind
I´m warm again, my pack is light
It´s you, Lili Marleen, its you, Lili Marleen
LILY OF THE WEST, THE
Trad. (Mark Knopfler)
e d
c a' g' d d e e
C
G
C
F
C
When first I came to Ireland, some pleasure for to find
G
Am Em
C
F
It’s there I spied a damsel fair, most pleasing to my mind
C G
Am
Em
C
F
Her rosy cheaks and sparkling eyes like arrows pierced my breast
C
G
Am
F
C
And they called her lovely Molly-O, the Lily of the west
C
G
C
F
C
One day as I was walking down by a shady grove
G
Am
Em
C
F
I spied a lord of high degree conversing with my love
C
G
Am Em
C
F
And she sang a song there lightfully while I was sore oppressed
C
G
Am
F
C
Sayin’ I bid adieu to Molly-O, the Lily of the west
C
G
C
F
C
Well, I stepped up with my rapier and my dagger in my hand
G
Am Em
C
F
And I dragged him from my false love and boldly bade him stand
C
G
Am Em C
F
But beein mad with despera.....tion, I swore I’d pierce his breast
C
G
Am
F
C
I was then deceived by Molly-O, the Lily of the west
C
G
C
F
C
I then did stand my trial and boldly I did plea
G
Am
Em
C
F
A flaw was in my endignement found and that soon had me free
C
G
Am Em
C
F
That beauty bright, I did adore, the judge did her address
C
G
Am
F
C
Now go you faithless Molly-O, the Lily of the west
C
G
C
F
C
Now that I’ve gained my liberty, a-roving I will go
G
Am Em
C
F
I’ll ramble through old Ire.....land and travel Scotland o’er
C
G
Am Em
C
F
Though she thought to swear my life away, she still disturbs my rest
C
G
Am
F
C
I still must smile at Molly-O, the Lily of the west
LINCOLN DUNCAN
Paul Simon
Am
G
Couple in the next room bound to win a price,
C
D
G
They've been going at it all night long.
F
C
F
C
Well I'm tryin to get some sleep but these motel walls are cheap.
F
C
G
Am
Lincoln Duncan is my name and here's my song, here's my song.
Am
G
My father was a fisherman, my mama was a fisherman's friend
C
D
G
And I was born in the boredom and the chowder.
F
C
F
C
So when I reached my prime, I left my home in the Maritimes.
F
C
G
Am
Headed down the turnpike for New England, sweet New England.
acde acagag egede acd e dc h
a
Instr.: | F C | F
|C
| F C Am | G | Am
Am
G
Holes in my confidence, holes in the knees of my jeans.
C
D
G
I was left without a penny in my pocket.
F
C
F
C
Oo hoo hoo wee, I' s about destituted as a kid could be
F
C
G
Am
And I wished I wore a ring so I could hock it. I'd like to hock it.
Am
G
A young girl in the parking lot was preaching to a crowd
C
D
G
Singing sacred songs and reading from the Bible.
F
C
F
C
Well, I told her I was lost and she told me all about the Pentecost
F
C
G
Am
And I've seen that girl as the road to my survi...........val
a
Instr.: | F C | F
|C
| F C Am | G | Am
Am
G
Just later on that very same night when I crept to her tent with a flashlight
C
D
G
My long years of innocence ended.
F
C
Well she took me to the woods, saying:
F
C
Here comes something and it feels so good.
F
C
G
Am
And just like a dog I was befriended, I was befriended.
Am
G
Oh, oh, oh, what a night, oh, what a garden of delight
C
D
G
Even now that sweet memory lingers.
F
C
F
C
I was playing my guitar lying underneath the stars,
F
C
G
Am
Just thanking the Lord for my fingers, for my fingers.
a
Instr.: | F C | F
|C
| F C Am | G | Am
LITTLE OLD WINE DRINKER ME
Dean Martin
E
A
E
I'm praying for rain in California
B7
So the grapes can grow and they can make more wine
E
A
E
And I'm sittin’ in a honkey in Chicago
B7
E
A E
With a broken heart and a woman on my mind
B7
E
I ask the man behind the bar for the jukebox
B7
And the music takes me back to Tennessee
E
A
E
And they ask who's the fool in the cor…ner, cry…ing
A
B7
E
>>> F
I say: a little ole wine drinker me
F
Bb
F
I came her last week from down in Nashville
C7
'Cos my baby left for Florida on a train
F
Bb
F
I thought I'd get a job and just forget her
C7
F
Bb
But in Chicago a broken heart is still the same
F
C7
F
I ask the man behind the bar for the jukebox
C7
And the music takes me back to Tennessee
F
Bb
F
When they ask who's the fool in the cor…ner, cry…ing
Bb C7
F
Bb C7
F
Bb F
LITTLE TIN SOLDIER
G
Donovan
Capo 1
h a g fis e d h > cis
Em
2x
G
Em
C
D
Once in a town in the black forest a little white toy-shop stood,
G
Em
C
D
And a little tin soldier with only one leg lived in a castle of wood.
C
D
C
D
And across the room on another shelf stood a little glass case,
G
Em
C
D
And a tiny ballerina lived in there all in a dress of lace.
C
D
And from where the little tin soldier stood,
C
D
They could see each other so clear.
G
Em
And the little tin soldier watched over her,
C
D
With a love that was so dear.
Bm
G
Bm
Then one day sadness came: the tiny ballerina was sold.
G
Bm
Am7
The little tin soldier was thrown away, and into the gutter he rolled.
Em
Am7
Em
The water carried him to the sea and many far-off lands,
Am7
Em
Am7
Em
He made many children happy as he passed through their tiny hands.
G
Em
G
Em
And then one day they met again in a house in the land of Eire.
G
Em
And when the clocks on the wall struck the midnight hour,
C
F
D
They jumped into a fire.
G
Em
G
Em
And in that fire they shall stay, forever and a day,
G
Em
For the fire, Lord, is the fire of love,
h a g fis e d h > cis
C
D
Em
G
Just like the peaceful dove.
LIVING DOLL
Cliff Richard
Instr. 1 Verse
Bass: e-fis-e-d-cis-h-a
Tacet
D
Well, take a look at her hair, it's real
A
A7
And if you don't believe what I say, just feel
D
F#dim
Gonna lock her up in a trunk so no big hunk
B7
E7
Can steal her away from me
A
Got myself a cryin', talkin', sleepin', walkin', livin' doll
B7 E7
Got to do my best to please her just cause she's a livin' doll
A
B7
F#7
Got a rovin' eye and that is why she satisfies my soul
A
B7
A
Got the one and only walkin', talkin', livin' doll
Tacet
D
Well, take a look at her hair, it's real
A
A7
And if you don't believe what I say, just feel
D
F#dim
Gonna lock her up in a trunk so no big hunk
B7
E7
Can steal her away from me
A
B7 E7
A
B7
F#7
A
B7
A
A
B7 E7
A
B7
F#7
A
B7
A
F#dim: xx1212
LIVING NEXT DOOR TO ALICE
Smokie
G
Sally called when she got the word
C
D
G
D
She said: "I suppose you've heard about Alice"
G
Well I rushed to the window, well I looked outside
C
I could hardly believe my eyes,
D7
G
D
As a big limousine rolled up to Alices drive
G
We grew up together, two kids in the park
C
D
G
We carved our initials deep into the bark - Me and Alice
G
Now she walks through the door, her head held high
C
Just for a moment I caught her eye
D7
G
D
The big limousine pulled out of Alices drive
D
I don't know why she's leaving...
G
I don't know why she's leaving or where she's gonna go
C
I guess she's got her reasons but I just don't want to know
D
G
D7
'Cos for twenty four years I've been living next door to Alice
G
Twenty four years waiting for the chance
C
To tell her how I feel and maybe get a second glance,
D
C
G
D7
Now I've got to get used to not living next door to Alice
G
Sally called back and asked how I felt
C
D
G
And she said: "Hey, I know how to help - get over Alice"
G
She said: "Alice is gone, but I'm still here
C
You know I've been waiting for twenty four years
D7
G
D
And the big limousine disappeared
I don't know why she's leaving...
D
C
G
I will never get used to not living next door to Alice
(Original: A)
D
LOCH LOMOND
Trad.
C
Am
F
G
By yon bonnie banks and by yon bonnie braes,
C
Am
F G
Where the sun shines bright on Loch Lomond,
F
C
F
Am
Where me and my true love were ever won't to gae
C
F
G C
On the bonnie bonnie banks o' Loch Lomond
C
Am
F
G
O' ye'll tak the high road and I'll tak the low road,
C
Am
F G
And I'll be in Scotland afore ye
F
C
F
Am
But me and my true love will never meet again,
C
F
G C
C
Am
F
G
Twas there that we parted in yon shady glen,
C
Am
F G
On the steep steep side o' Ben Lomond,
F
C
F
Am
Where in deep purple hue, the Hieland hills we view,
C
F
G
C
And the moon coming oot in the gloaming.
C
Am
F
G
C
Am
F G
F
C
F
Am
C
F
G C
C
Am
F
G
The wee birdies sing, and the wild flowers spring,
C
Am
F
G
And in sunshine the waters are sleeping,
F
C
F
Am
But the broken heart it ken nae second spring again,'
C
F
G C
Though the waefu' may cease fae their greeting
C
Am
F
G
C
Am
F G
F
C
F
Am
C
F
G C
C
F
G C
LOCKE HOSPITAL
Trad.
Capo 3
C
Am
Dm
G
As I was a-walking down by the Locke Hospital
C
Em
Am
G
Cold was the morning and dark was the day
C
Em
Am
G
I spied a young squaddie wrapped up in white linen
C
F
G
C
Wrapped up in white linen as cold as the day
C
Am
Dm
G
So play the drums slowly and play the fifes lowly
C
Em
Am
G
Sound a dead march as you carry him along
C
Em
Am
G
And over his coffin throw a bunch of white laurels
C
F
G
C
For he's a young soldier cut down in his prime.
C
Am
Dm
G
Oh mother, dear mother, come sit ya down by me
C
Em
Am
G
Sit ya down by me and pity my sad plight
C
Em
Am
G
For my body is injured and sadly disordered
C
F
G
C
All by a young girl my own heart's delight
C
Am
Dm
G
So play the drums slowly and play the fifes lowly
C
Em
Am
G
Sound a dead march as you carry him along
C
Em
Am
G
And over his coffin throw a bunch of white laurels
C
F
G
C
For he's a young soldier cut down in his prime.
C
Am
Dm
G
Get six of me comrades to carry my coffin
C
Em
Am
G
Get six of me comrades to carry me on high
C
Em
Am
G
And let every one hold a bunch of white roses
C
F
G
C
So no-one will notice as we pass them by
C
Am
Dm
G
And over his headstone these words they were written
C
Em
Am
G
"All ye young fellows take warning from me.
C
Em
Am
G
Beware of the flash girls that roam through the city
C
F
G
C
For the girls of the city were the ruin of me."
--------------------------------------------------------recorded by Christy Moore on "Prosperous" (1972)
Christy writes: "There have been many British garrisons around the world through the years
and each one has had its own Locke Hospital for soldiers who caught the dreaded disease.
I believe this is a Dublin song, but if not its musical origins are certainly Irish."
LODI
CCR
Riff
E-------------------------------|-----------------------------------|
B--0--0--1--1/3--3--3-----------|--0--1--1--1----1---0--------------|
G--0--0--2--2/4--4--4-----------|--0--2--2--2r0--0---0--------------|
D-------------------------------|------------------------0-2-0---0--|
A-------------------------------|----------------------2-------2----|
E-------------------------------|-----------------------------------|
G
C
G
Just about a year ago, I set out on the road
G/F#
Em
C
D
Seekin' my fame and fortune, looking for a pot o‘ gold
G
G/F#
Em
C
G
Things got bad and things got worse, I guess you‘ll know the tune
D
C
G
Oh Lord, stuck in Lodi again
G
C
G
I rode in on a Greyhound, I'll be walking out if I go
G/F#
Em
C
D
I was just passing through, must be seven months or more
G
G/F#
Em
C
G
Ran out of time and money, looks like they took my friends
D
C
G
Riff 2x
G
C
G
The man from the magazine said I was on my way
G/F# Em
C
D
Somewhere I lost connection, ran out of songs to play
G
G/F#
Em
C
G
I came into town on a one night stand, looks like my plans fell through
D
C
G
|D |A |E |A|
A
D
A
If I only had a dollar for every song I‘ve sung
A/G# F#m
D
E
Every time I had to play, while people sat there drunk
A
A/G#
F#m
D
A
You know I'd catch the next train, back to where I live
E
D
A
E
D
A
Riff 4x
LONG AND WINDING ROAD, THE
Beatles
Am (c')
F/G
The long and winding road
C
C7
F
That leads to your door
Em
Am
Will never disappear
Dm7
G
Csus4 C
I‘ve seen that road before..........
Em
Am
It always leads me here
Dm7
G
Csus4 C
Lead me to your door..........
Am
F/G
The wild and windy night
C C7
F
That the rain washed away
Em
Am
Has left a pool of tears
Dm7 G
Csus4 C F
Crying for the day..........
Em
Am
Why leave me standing here
Dm7 G
Csus4 C
Let me know the way...........
F
C
F
Many times I‘ve been alone
Em
F/G
And many times I‘ve cried
C
F
Any way you‘ll never know
Em
F/G
The many ways I‘ve tried
Am
F/G
But still they lead me back
C C7
F
To the long winding road
Em
Am
You left me standing here
Dm7
G
Csus4 C
A long long time ago...........
Em
Am
Don‘t leave me waiting here
Dm7
G
Csus4 C
Lead me to your door...........
Instr. (Bridge)
But still they lead me back ....
(Original: Cm)
F
LONG BLACK VEIL
Trad.
E
Ten years ago on a cold dark night
B7
A
E
Someone was killed 'neath the townhall light
There were few at the scene and they all agreed
B7
A
E
That the man who ran looked a lot like me
A
E
A
E
She walks these hills in a long black veil
A
E
A
E
She visits my grave when the night winds wail
A
E
Nobody knows, nobody sees
A
B7
A E
Nobody knows but me
E
The judge said "Son, what is your alibi?
B7
A
E
If you were somewhere else then you don't have to die"
I spoke not a word `though it meant my life
B7
A
E
I‘d been in the arms of my best friend's wife
A
E
A
E
A
E
A
E
A
E
A
B7
A E
Nobody knows but me
E
The scaffold is high and eternity nears
B7
A
E
She stands in the crowd and sheds not a tear
But sometimes at night when the cold wind moans
B7
A
E
In a long black veil she cries over my bones
A
E
A
E
A
E
A
E
A
E
A
B7
A E
Nobody knows but me
LOOK WHAT THEY DONE TO MY SONG
Melanie Safka
Capo 4
C
Am
F
Look what they done to my song, Ma. Look what they done to my song.
C
D7
F
Well, it's the only thing that I could do half right, and it's turnin' out all wrong, Ma.
C
G7
C
G7
Look what they done to my song.
C
Am
F
Look what they done to my brain, Ma, look what they done to my brain.
C
D7
F
Well, they picked it like a chicken bone and I think I'm half insane, Ma.
C
G7
C
G7
Look what they done to my brain.
I wish I could find a good book to live in, wish I could find a good book.
Well, if I could find a real good book, I´d never have to come out and look at
What they done to my song.
But maybe it'll be alright, Ma, maybe it'll all be o. k.
Well, if the people are buying rears, I’ll be rich some day, Ma.
Look what they done to my song, Ma, look what they done to my song.
Well, they tied it up in a plastic bag and turned it upside down, Ma.
Look what they done to my song, Ma, look what they done to my song.
It's the only thing I could do alright and they turned it upside down.
Look what they done to my song
WER HAT MEIN LIED SO ZERSTÖRT?
Daliah Lavi
C
Am
F
Wer hat mein Lied so zerstört, Ma? Wer hat mein Lied so zerstört,
C
D7
F
Ich wollte singen,was ich niemals sagen kann, doch darauf kommt's nicht an,Ma
C
G7
C
G7
Wer hat mein Lied so zerstört.
Wer hat den Sinn so verdreht, Ma? Wer hat den Sinn so verdreht?
Jedes Wort das legten sie falsch aus und dafür gab es Applaus, Ma.
Ich wünsche mir einen Traum zum träumen, ich wünsche mir einen Traum
Hätte je ein Traum mich froh gemacht, dann wäre ich niemals aufgewacht
Und fänd' mein Lied nicht zerstört, Ma . Wer hat mein Lied so zerstört?
Vielleicht werd' ich bald versteh'n, Ma. Vielleicht sag' ich bald okay.
Irgendwann sind Tränen glockengleich, dann bin ich wirklich reich, Ma.
Bald wird es Zeit zu versteh'n, Mama. Bald wird es Zeit zu versteh'n.
Würden alle Tränen der Welt zu Geld, vielleicht wär' diese Welt... oh Mama,
LOOKIN OUT MY BACK DOOR
CCR
P. Schrapp....
G-Harp: G
Em
C
G
D
G
G
Em
Just got home from Illinois. Lock the front door oh boy.
C
G
D
Got to set down take a rest on the porch.
G
Em
Imagination sets in, pretty soon I'm singin
C
G
D
G
Doo doo doo lookin out my back door.
G
Em
There‘s a giant doin cart wheels. A statue wearing high heels.
C
G
D Look at all the happy creatures dancing on the lawn.
G
Em A dinosaur Victrola - listenin to Buck Owens,
C
G
D
G
Doo doo doo lookin out my back door. D
C
G
Tambourines and elephants are playin in the band.
Em
D
Won't you take a ride on the flyin spoon? Doo doo doo.
G
Em
Wonderous apparition provided by magician,
C
G
D
G
Doo doo doo lookin out my back door.
Instr. 1 Verse G-Harp (blow 3)
D
C
G
Tambourines and elephants are playin in the band.
Em
D
Won't you take a ride on the flyin spoon? Doo doo doo.
G
Em Bother me tomorrow, today I'll buy no sorrows,
C
G
D
G Doo doo doo lookin out my back door Schrapp... G-F#-F-E
D
A
F#m
E
A
F#m
Forward troubles Illinois. Lock the front door, oh boy.
D
A
E
(Halftime)
Look at all the happy creatures dancing on the lawn.
A
F#m
Bother me tomorrow, today I'll buy no sorrows.
D
A
E
A
Doo doo doo lookin out my back door
Schrapp....
(Original: Bb)
D
A
E
A
LORD FRANKLIN
D
G
In Baffin’s Bay where the whalefish blow
Em
A
The fate of Franklin no man may know
D
G
D
The fate of Franklin no tongue can tell
Em
G
D
Lord Franklin along with his sailors do dwell
Trad.
C
F
It was homeward bound one night on the deep
Dm
G
Swinging in my hammock I fell asleep
C
F
C
I dreamed a dream and I thought it true
Dm
F
C
Concerning Franklin and his gallant crew
C
F
With one hundred seamen he sailed away
Dm
G
To the frozen ocean in the month of may
C
F
C
To seek that passage around the pole
Dm
F
C
Where we poor seamen do sometimes go
D
G
Through cruel hardship they mainly strove
Em
A
Their ship on mountains of ice was drove
D
G
D
Only the Eskimo in his skin canoe
Em
G
D
Was the only one who ever came through
>>> D
E
A
And now my burden it gives me pain
F#m
B
For my long lost Franklin I’d cross the main
E
A
E
Ten thousand pounds I would freely give
F#m
A
E
To say on earth that my Franklin do live
>>> E
LORD OF THE DANCE
Sydney Carter
Capo 2
C
Am
Em
Am
I danced in the morning when the world was begun
G
F
G
I danced in the moon and the stars and the sun
C
Am
Em
Am
I came down from heaven and I danced on earth
G
C F C
At Bethlehem I had my birth.
C
Am
C
Dance, then, wherever you may be
Am7
G
I am the Lord of the dance, said he
C
Am
Em
And I’ll lead you all wherever you may be
G
C
F
C
And I’ll lead you all in the dance said he.
C
Am
Em Am
I danced for the scribe and the Pharisee
G
F
G
They would not dance and they wouldn’t follow me
C
Am
Em
Am
So I danced for the fishermen, for James and John
G
C
F
C
Came with me and the dance went on.
C
Am
C
Dance, then, wherever you may be…
C
Am
Em
Am
I danced on the Sabbath and I cured the lame
G
F
G
The holy people said it was a shame C
Am
Em
Am
They whipped and they stripped and they hung me high
G
C
F C
Left me there on a cross to die
C
Am
C
C
Am
Em
Am
I danced on a Friday when the sky turned black
G
F
G
It's hard to dance with the devil on your back.
C
Am
Em
Am
They buried my body and they thought I'd gone,
G
C F C
But I am the Dance and I still go on.
C
Am
C
C
Am
Em
Am
They cut me down and I leapt up high
G
F
G
I am the life that'll never, never die
C
Am
Em Am
I'll live in you, if you'll live in me
G
C
F
C
I am the Lord of the Dance, said he.
C
Am
C
Dance, then, wherever you may be
Am7
G
I am the Lord of the dance, said he
C
Am
Em
And I’ll lead you all wherever you may be
G
C
F
C
And I’ll lead you all in the dance said he.
G
C
F
C
Yes, I’ll lead you all in the dance said he.
LORELEI
Heinrich Heine, 1823 / Friedrich Silcher 1838
Engl. Version
Capo 2
I cannot determine the meaning of sorrow that fills my breast:
A fable of old, through it streaming, allows my mind no rest.
The air is cool in the gloaming and gently flows the Rhine.
The crest of the mountain is gleaming in fading rays of sunshine.
G
C
G Am
G
D7
G
Ich weiß nicht, was soll es bedeuten, dass ich so traurig bin?
C G Am
G
D7
G
Ein Märchen aus alten Zeiten, das kommt mir nicht aus dem Sinn
D
Em
A7
D
D7
Die Luft ist kühl, und es dunkelt, und ruhig fließt der Rhein.
G
C
G Am G
D7
G
Der Gipfel des Berges funkelt im Abendsonnenschein.
G
C
G Am
G
D7
G
Die schönste Jungfrau sitzet dort oben wunderbar;
C
G Am
G
D7
G
Ihr goldnes Geschmeide blitzet, sie kämmt ihr goldnes Haar.
D
Em
A7
D
Sie kämmt es mit goldnem Kamme und singt ein Lied dabei,
G
C
G Am
G
D7 G
Das hat eine wundersame, gewaltige Melodei.
D7
G
C
G Am
G
D7
G
Den Schiffer im kleinen Schiffe ergreift es mit wildem Weh,
C
G Am G
D7
G
Er schaut nicht die Felsenriffe, er schaut nur hinauf in die Höh.
D
Em
A7
D
D7
Ich glaube, die Wellen verschlingen am Ende Schiffer und Kahn,
G
C
G Am
G D7 G
Und das hat mit ihrem Singen die Lorelei getan.
The loveliest maiden is sitting up there, so wondrously fair;
Her golden jewelry is glist'ning; she combs her golden hair.
She combs with a gilded comb, preening, and sings a song, passing time.
It has a most wondrous, appealing and pow'rful melodic rhyme.
The boatman aboard his small skiff, - enraptured with a wild ache,
Has no eye for the jagged cliff, - his thoughts on the heights fear forsake.
I think that the waves will devour both boat and man, by and by,
And that, with her dulcet-voiced power was done by the Loreley.
LOVE IS ALL AROUND
Troggs
G
Em
You know I love you I always will
G
D
My mind's made up by the way that I feel
G
Em
There's no beginning, there'll be no end
A
>>> E
'Cause on my love you can depend
a-h-cis
D
Em
G
A
D Em G A
I feel it in my fingers,
I feel it in my toes
D
Em
G
A
D
Em G A
Love is all around me
and so the feeling grows
D
Em G
A
D Em G A
It's written on the wind,
it's everywhere I go
D
Em
G
A D
Em G A
So if you really love me, come on and let it show
e-d-h-a
G
Em
You know I love you I always will
G
D
My mind's made up by the way that I feel
G
Em
There's no beginning, there'll be no end
A
'Cause on my love you can depend
a-h-cis
D
Em
G
A
D Em G A
I see your face before me, as I lay on my bed
D
Em
G
A
D
Em G A
I kinda get to thinking of all the things we said
D
Em G
A
D Em G A
You gave your promise to me, and I gave mine to you
D
Em
G
A
D
Em G A
e-d-h-a
I need someone beside me in everything I do
h-cis-dis
E
F#m A
B
E F#m A B
It's written on the wind,
it's everywhere I go
E
F#m
A
B
E
F#m
So if you really love me, come on and let it show
A
B
E
F#m
Come on and let it show,
A
B
E
F#m
Come on and let it show
A
B
E
cis-h gis-fis E
Come on and let it show
LOVE ME TENDER
Elvis
Capo 2
C
D7
Love me tender, love me sweet,
G7
C
Never let me go.
D7
You have made my life complete,
G7
C
And I love you so.
C
E7
Am
C7
Love me tender, love me true,
F
Fm
C
All my dreams fulfilled.
A7 D7
For my darlin' I love you,
G7
C
And I always will.
C
D7
Love me tender, love me long,
G7
C
Take me to your heart.
D7
For it's there that I belong,
G7
C
And we'll never part.
C
E7
Am
C7
F
Fm
C
A7 D7
G7
C
And I always will.
C
D7
Love me tender, love me dear,
G7
C
Tell me you are mine.
D7
I'll be yours through all the years,
G7
C
Till the end of time.
C
E7
Am
C7
F
Fm
C
A7 D7
G7
C
And I always will.
LOVE MINUS ZERO/NO LIMIT
Bob Dylan
P.
Instr.: Lines 3 + 4
E-Harp (blow 4)
E
A
E
My love she speaks like silence, without ideals or violence,
A
E
F#m7
B
She doesn't have to say she's faithful, yet she's true, like ice, like fire.
E
A
E
People carry roses and make promises by the hours,
A
E
F#m7 B7
E
My love she laughs like the flowers, Valenti--------nes can't buy her.
E
A
E
In the dime stores and bus stations, people talk of situations,
A
E
F#m7
B
Read books, repeat quotations, draw conclusions on the wall.
E
A
E
Some speak of the future, my love she speaks softly,
A
E
F#m7
B7
E
She knows there's no success like failure an that failure's no success at all.
E
A
E
The cloak and dagger dangles, Madams light the candles.
A
E
F#m7
B
In ceremonies of the horsemen, even the pawn must hold a grudge.
E
A
E
Statues made of match sticks, crumble into one another,
A
E
F#m7 B7
E
My love winks, she does not bother, she knows too much to argue or to judge.
Instr.: Lines 3 + 4
E-Harp
E
A
E
The bridge at midnight trembles, the country doctor rambles,
A
E
F#m7
B
Bankers' nieces seek perfection, expecting all the gifts that wise men bring.
E
A
E
The wind howls like a hammer. The night blows rainy
A
E
F#m7
B7
E
My love she’s like some raven at my window with a broken wing.
Instr.: 1 Verse
E-Harp
LOVE POTION No. 9
Searchers
Em
Am
I took my troubles down to Madam Ruth
Em
Am
You know the gypsy with the gold-capped tooth
G
Em
She’s got a pad down at thirty-fourth and Wine
Am
B7
Em
Sellin’ little bottles of Love Potion No.9
Em
Am
I told her that I was a flop with chicks
Em
Am
I’ve been this way since nineteen fifty six
G
Em
She looked at my palm and she made a magic sign
Am
B7
Em
She said: "What you need is Love Potion No.9"
Am
She bent down and turned around and gave me a wink
F#7
She said: "I’m gonna make it up right here in the sink"
Am
It smelled like turpentine and looked like Indian ink
B7
I held my nose, I closed my eyes, I took a drink
Em
Am
I didn’t know if it was day or night
Em
Am
I started kissin’ ev’rything in sight
G
Em
But when I kissed the cop down on Thirty-fourth and Wine
Am
B7
Em
He broke my little bottle of Love Potion No.9
Instr.:
Am
F#7
Am
B7
I held my nose, I closed my eyes, I took a drink
Em
Am
I didn’t know if it was day or night
Em
Am
I started kissin’ ev’rything in sight
G
Em
But when I kissed the cop down at Thirty-fourth and Wine
Am
B7
Em
He broke my little bottle of Love Potion No.9
B7
Em
Love Potion No.9
B7
Em
Love Potion No.9
B7
Em
Love Potion No. Ni-i-i-i-ine
LOWLANDS OF HOLLAND, THE
Trad.
P.
C
F
C
Am
My love has built a bonnie ship and he set her on the sea
C
F
C
G
C
With seven score good mariners to bear her company
G
F C
F
C
Am
There’s three score is sunk and three score dead at sea
F
C Am
Dm7
F
C
And the Lowlands of Holland hae twined my love and me
C
F
C
Am
My love he built another ship and he set her on the main
C
F
C
G
C
And nane but twenty mariners for to bring her safely hame
G
F
C
F
C
Am
But the weary wind began to rise and the sea began to rout
F
C
Am
Dm7 F
C
My love then and his bonnie ship turned withershins about
C
F
C
Am
There shall neither coif come on my head nor comb come tae my hair
C
F
C
G
C
There shall neither coal nor candle light shine in my bower mair
G
F
C
F
C
Am
Nor will I love another one until the day I dee
F
C
Am
Dm7
F
C
For I never loved a love but ane and he’s drowned in the sea
C
F
C
Am
Oh, haud your tongue my daughter dear be still and be content
C
F
C
G
C
There are mair lads in Galloway ye needna sair lament
G
F
C
F
C
Am
Oh, there is nane in Galloway there’s nane at a’ for me
F
C
Am
Dm7
F
C
For I never loved a love but ane and he’s drowned in the sea
LUCILLE
Kenny Rogers
G
In a bar in Toledo across from the depot
D7
On a bar stool she took off her ring
Am
D7
I thought I'd get closer so I walked on over
Am
D7
G
I sat down and asked her her name
When the drinks finally hit her she said
G7
C
“I'm no quitter but I finally quit livin on dreams
D7
I'm hungry for laughter and here ever after
G
I'm after whatever the other life brings”
G
In the mirror I saw him and I closely watched him
D7
I thought how he looked out of place
Am
D7
He came to the woman who sat there beside me
Am
D7
G
He had a strange look on his face
The big hands were callused he looked like a mountain
G7
C
For a minute I thought I was dead
D7
But he started shaking his big heart was breaking
G
He turned to the woman and said:
G
C
You picked a fine time to leave me Lucille
G
With four hungry children and a crop in the field
C
I've had some bad times lived through some sad times
G
But this time your hurting won't heal
D7
G
>>>>>> A
You picked a fine time to leave me Lucille.
A
After he left us, I ordered more whisky
E7
I thought how she'd made him look small
Bm
E7
From the lights of the bar room to a rented hotel room
Bm
E7
A
We walked without talking at all. She was a beauty but when she came to me
A7
D
She must have thought I'd lost my mind
E7
I couldn’t hold her 'cos the words that he told her
A
Kept coming back time after time
A
D
You picked a fine time to leave me Lucille
A
With four hungry children and a crop in the field
D
I've had some bad times lived through some sad times
A
E7
A
But this time your hurting won't heal. You picked a fine time to leave me Lucille.
MACKIE MESSER
Kurt Weill
h
Capo 2
gis, h, cis,
E6
F#m
B7
E6
Und der Haifisch, der hat Zähne und die trägt er im Gesicht
C#m
F#m
B7
E6 B7
Und MacHeath, der hat ein Messer, doch das Messer sieht man nicht.
E6
F#m
B7
E6
Ach, es sind des Haifischs Flossen rot, wenn dieser Blut vergießt
C#m
F#m
B7 E6
Mackie Messer trägt 'nen Handschuh, drauf man keine Untat liest.
a,
c,
b,
cis,
> C7
d,
F6
Gm
C7
F6
An ‘nem schönen blauen Sonntag liegt ein toter Mann am Strand
Dm
Gm
C7
F6
> C#7
Und ein Mensch geht um die Ecke, den man Mackie Messer nennt.
dis,
F#6
G#m
C#7 F#6
Und Schmul Meier bleibt verschwunden, wie so mancher reiche Mann
D#m
G#m
C#7 F#6 > D7
Und sein Geld hat Mackie Messer, dem man nichts beweisen kann.
d, e’
G6
Am
D7
G6
Jenny Towler ward gefunden, mit ‘nem Messer in der Brust
Em
Am
D7
G6
Und am Kai geht Mackie Messer, der von allem nichts gewusst.
Instr.: 1 Verse
> D7
> E7
cis, e’ fis’
A6
Bm
E7 A6
Und die minderjährige Witwe, deren Namen jeder weiß
F#m
Bm
E7 A6
Wachte auf und war geschändet. Mackie, welches war dein Preis?
A6
Bm
E7
A6
Denn die einen sind im Dunkeln und die andern sind im Licht
F#m
Bm
E7 A6 E7
Und man siehet die im Lichte, die im Dunkeln sieht man nicht.
F#m
Bm
E7 A6
Ja, man sieht nur die im Lichte, die im Dunkeln sieht man nicht.
E7
MACK THE KNIFE
Frank Sinatra
Capo 2
gis, h, cis,
E6
F#m
B7
E6
Oh the shark has pretty teeth, dear, and he shows them pearly white
C#m
F#m
B7
E6 B7
Just a jack knife has MacHeath, dear, and he keeps it out of sight
E6
F#m
B7
E6
When the shark bites with his teeth, dear, scarlet billows start to spread
C#m
F#m
B7
E6 >
C7
Fancy gloves though wears MacHeath, dear, so there's not a trace of red
a, c,
d,
F6
Gm
C7
F6
On the sidewalk, Sunday morning, lies a body oozing life
Dm
Gm
C7
F6 > C#7
Someone's sneaking round the corner, is the someone Mack the knife?
b,
cis, dis,
F#6
G#m
C#7
F#6
From a tug boat by the river, a cement bag's dropping down
D#m
G#m
C#7
F#6 > D7
The cement's just for the weight, dear, bet you Mack is back in town
h d, e’
G6
Am
D7
G6
Louie Miller disappeared, dear, after drawing out his cash
Em
Am
D7
G6 > D7
And MacHeath spends like a sailor, did our boy do something rash?
Instr.: 1 Verse
> E7
cis, e’ fis’
A6
Bm
E7 A6
Sukey Tawdry, Jenny Diver, Polly Peachum, Lucy Brown
F#m
Bm
E7
A6 E7
Oh the line forms on the right, dear, now that Mack is back in town
A6
Bm
E7 A6
Sukey Tawdry, Jenny Diver, Polly Peachum, Lucy Brown
F#m
Bm
E7
A6 F#m
Oh the line forms on the right, dear, now that Mack is back in town
Bm
Yeah, yeah Mackie,
F#m
You know Mackie,
Bm
E7
A6
Bad ol’ Mack, he’s back in town.
MacPHERSONS LAMENT
Trad.
Capo 2
C
G
C
F
G
Fareweel, ye dungeons dark and strong, fareweel, fareweel tae thee.
C
G
C
F
G
MacPherson's time will ne'er be lang, on yonder gallows tree
C
G
C
Am
Sae rantingly, sae wantonly and sae dauntingly gaed he
C
G
C
F
G
He played a tune an' he danced aroon, below the gallows tree
C
G
C
F
G
It was by a woman's treacherous hand that I was condemned to dee,
C
G
C
F
G
Beneath her window sill I stood, and a blanket she threw over me.
C
G
C
Am
C
G
C
F
G
C
G
C
F
G
Some come here tae see me hang and some to buy my fiddle,
C
G
C
F
G
But before that I'll pairt wi' her, I'll brak' her through the middle.
C
G
C
F
G
He took his fiddle in both his hands and he broke it o’ er a stone,
C
G
C
F
G
Saying there's nae a han' shall play on thee when I am dead and gone.
C
G
C
Am
C
G
C
F
G
C
G
C
F
G
O what is death but parting breath? On many a bloody plain
C
G
C
F
G
I've dar'd his face, and in this place I'll scorn him yet again.
C
G
C
F
G
Little did my mother think when first she cradled me,
C
G
C
F
G
That I would turn a rovin' boy and die on the gallows tree.
C
G
C
Am
C
G
C
F
G
C
G
C
F
G
The reprieve was comin' o'er the brig o' Banff, tae set MacPherson free,
C
G
C
F
G
But they put he clock a quarter afore, and they hung him from the tree.
C
G
C
Am
C
G
C
F
G
The words are based on the real Jamie MacPherson's farewell which
MacPherson wrote before the outlaw was hanged on November 16, 1700.
He reportedly played this tune on the gallows and offered his fiddle to anyone
who could play it. Since no one took him up on the offer, he broke the fiddle.
MAD WORLD
Gary Jules
g h fis g e fis d cis a
Em
A
g h fis g e fis g a' a'
Em
A
Em
G
D
A
All around me are familiar faces. Worn out places, worn out faces
Em
G
D
A
Rising early for the daily races. Going nowhere, going nowhere
Em
G
D
A
The tears are filling up their glasses. No expression, no expression
Em
G
D
A
Hide my head I wanna drown my sorrow. No tomorrow, no tomorrow
Em
A
Em
And I find it kind of funny, I find it kind of sad
A
Em
The dreams in which I’m dying are the best I’ve ever had
A
Em
I find it hard to tell you, I find it hard to take
A
Em
When people run in circles it’s a very, very
A
Em
A
Mad world.
Mad world
Em
G
D
A
Children waiting for the day they feel good. Happy birthday, happy birthday
Em
G
D
A
And I feel the way that every child should. Sit and listen, sit and listen
Em
G
D
A
Went to school and I was very nervous. No one knew me, no one knew me
Em
G
D
A
Hello teacher, tell me what’s my lesson. Look right through me, look right
through me
Em
A
Em
And I find it kind of funny, I find it kind of sad
A
Em
The dreams in which I’m dying are the best I’ve ever had
A
Em
I find it hard to tell you, I find it hard to take
A
Em
When people run in circles it’s a very, very
A
Em
A
Mad world.
Mad world
Em
A
I‘m watching you!
Mad world.
MAGGIE MAY
Rod Stewart
gg gahcdd dchacc chag g
G
Am
C
G
2x
C-G
D (*a')
C
G
Wake up, Maggie, I think I got something to say to you:
D
C
G
It's late September and I really should be back at school.
C
G
C
D
I know I keep you amused, but I feel I'm being used.
Am
Bm
Am7-Bm7
Oh, Maggie, I couldn't have tried any more.
Am
D
Am
D
You lured me away from home, just to save you from being alone.
Am
D
G
You stole my heart and that's what really hurts.
D
C
G
The morning sun, when it's in your face really shows your age.
D
C
G
But that don't worry me none; in my eyes you're everything.
C
G
C
D
I laughed at all of your jokes, my love you didn't need to coax,
Am
Bm
Am7-Bm7
Oh, Maggie I couldn't have tried any more.
Am
D
Am
D
You lured me away from home, just to save you from being alone.
Am
D
G
You stole my soul that's a pain I can do without.
D
C
G
All I needed was a friend to lend a guiding hand.
D
C
G
But you turned into a lover and Mother what a lover your wore me out.
C
G
C
D
All you did was wreck my bed, and in the morning kick me in the head,
Am
Bm
Am7-Bm7
Oh, Maggie I couldn't have tried any more.
Am
D
Am
D
You lured me away from home, 'cause you did'nt want to be alone.
Am
D
G
You stole my heart I couldn't leave you if I tried.
D
C
G
I suppose I could collect my books and get back to school.
D
C
G
Or steal my daddy's cue and make a living out of playing pool.
C
G
C
D
Or find myself a Rock and Roll band that needs a helping hand,
Am
Bm
Am7-Bm7
Oh, Maggie, I wish I'd never seen your face.
Am
D
Am
D
You made a first class fool out of me, but I'm as blind as a fool can be.
Am
D
G
You stole my heart, but I love you anyway.
G
Am
C
G
Maggie, I wish I never seen your face.
Am C
G
I'll get on back home one of these days.
MAIDS WHEN YOU‘RE YOUNG
Trad.
Capo 2
c,
C
Am
Dm
G7
An old man came courting me, hey ding doorum dow,
C
Am
Dm
G7
An old man came courting me, me being young,
C
G7
C
G7
An old man came courting me, wanted to marry me,
C
F
G7
C
Maids, when you`re young, never wed an old man.
C
Am
Dm
G7
For he`s got no faloorum faliddle aye oorum
C
Am
Dm
G7
He`s got no faloorum faliddle aye ay,
C
G7
C
G7
He`s got no faloorum, he‘s lost his ding doorum,
C
F
G7
C
C
Am
Dm
G7
When we went to church, hey ding doorum down,
C
Am
Dm
G7
When we went to church, me being young,
C
G7
C
G7
When we went to church, he left me in the lurch,
C
F
G7
C
C
Am
Dm
G7
For he`s got no faloorum faliddle aye oorum,
C
Am
Dm
G7
C
G7
C
G7
C
F
G7
C
C
Am
Dm
G7
When we went up to bed, hey ding doorum dow,
C
Am
Dm
G7
When we went up to bed, me being young,
C
G7
C
G7
When we went up to bed, he lay like he was dead,
C
F
G7
C
C
Am
Dm
G7
For he`s got no faloorum faliddle aye oorum,
C
Am
Dm
G7
C
G7
C
G7
C
F
G7
C
C
Am
Dm
G7
But as he lay asleep, hey ding, doorum dow,
C
Am
Dm
G7
But as he lay asleep, me being young,
C
G7
C
G7
But as he lay asleep, out of bed I did creep,
C
F
G7
C
Into the arms of a handsome young man.
C
Am
Dm
G7
For he`s got faloorum faliddle aye oorum,
C
Am
Dm
G7
Yes, he`s got faloorum, faliddle aye ay.....,
C
G7
C
G7
Yeah, he`s got faloorum, he‘s got his ding doorum,
C
F
G7
C
MAIRI'S WEDDING
Trad.
E
A
B7
Step we gaily on we go, heel for heel and toe for toe
E
A
B7
Arm in arm and row on row. All for Mairi's wedding
E
Over hillways up and down
A
B7
Myrtle green and bracken brown
E
Past the sheiling through the town
A
B7
All for sake of Mairi
E
A
B7
E
A
B7
E
Plenty herring plenty meal
A
B7
Plenty peat tae fill her creel
E
Plenty bonny bairns as weel
A
B7
That's the toast for Mairi
E
A
B7
E
A
B7
E
Cheeks as bright as rowans are
A
B7
Brighter far than any star
E
Fairest of them all by far
A
B7
Is my darling Mairi.
E
A
B7
E
A
B7
E
Over hillways up and down
A
B7
Myrtle green and bracken brown
E
Pas the sheiling through the town
A
B7
All for sake of Mairi
E
A
B7
E
A
B7
Mhàiri/Mairi = Gaelic form of "Mary"
shieling = hut in the hills for people looking after animals.
creel = basket
MAKE YOU FEEL MY LOVE
Bob Dylan
Capo 3
A
E7/G#
When the rain is blowing in your face
Em/G
D/F#
And the whole world is on your case
Dm/F
A/E
I could offer you a warm embrace
B7
D/E
A
To make you feel my love
A
E7/G#
When evening shadows and the stars appear
Em/G
D/F#
And there is no one there to dry your tears
Dm/F
A/E
I could hold you for a million years
B7
D/E
A
D
A
I know you haven't made your mind up yet
A+
D
A
But I would never do you wrong
D
A
I've known it from the moment that we met
Bm7
E7
No doubt in my mind where you belong
A
E7/G#
I'd go hungry, I'd go black and blue
Em/G
D/F#
I'd go crawling down the avenue
Dm/F
A/E
There's nothing that I wouldn't do
B7
D/E
A
D
A
The storms are raging on the rolling sea
A+
D
A
And on the highway of regret
D
A
The winds of change are blowing wild and free
Bm7
E7
You ain't seen nothing like me yet
A
E7/G#
I could make you happy, make your dreams come true
Em/G
D/F#
Nothing that I wouldn't do
Dm/F
A/E
Go to the ends of the earth for you
B7
D/E
A
MAKIN´ WHOOPEE
Donaldson / Kahn
Capo 3
a h a
D F#dim
Em7
A7
2x
a h a fis'
A7 (*a,) D F#dim
Em7 A7
Dmaj7 D7 G
Gm
Another bride,
another June
Another sunny honeymoon
D
B7
Em7
Another season, another reason
A7
D
F#dim7 Em7 A7
For making whoopee
D
F#dim
Em7 A7
Dmaj7 D7
G Gm
A lotta shoes,
a lotta rice The groom is nervous, he answers twice
D
B7
Em7
It’s really killin´, that he’s so willin´
A7
D
F#dim Em7 A7
To make whoopee
F#dim (a')
Em7
Gm7
D
Picture a little lovenest, down where the roses cling
F#dim
Em7
Gm7
D
A7
Picture the same sweet lovenest, think what a year can bring
D
F#dim
Em7 A7
He’s washing dishes
and baby clothes
Dmaj7 D7
G
Gm
He’s so ambitious,
he even sows
D
B7
Em7
But don’t forget, folks, that’s what you get, folks,
A7
D
F#dim Em7 A7
From making whoopee
D F#dim
Em7 A7
Another year,
or maybe less
Dmaj7 D7
G
Gm
What’s this I hear?
Well, can’t you guess?
D
B7
Em7
She feels neglected
and he’s suspected
A7
D
F#dim Em7 A7
Of making whoopee
D F#dim
Em7 A7
She sits alone
most ev´ry night
Dmaj7 D7
G Gm
He doesn’t phone,
he doesn’t write
D B7
Em7
He says he’s busy, but she says "Is he
A7
D
F#dim Em7 A7
Making whoopee?"
F#dim (a')
Em7 Gm7
D
He doesn’t make much money. Only 5000 per
F#dim
Em7 Gm7
D
A7
There’s a judge that thinks he’s funny. He says: "Pay six to her."
D
F#dim
Em7 A7
And he says: "Judge,
supposed I fail".
Dmaj7 D7
G Gm
The judge says: "Budge
right into jail.
D
B7
Em7
A7
D
F#dim Em7 A7
You better keep her, I think it’s cheaper than making whoopee.
D
B7
Em7
A7
D
Gdim D6
You better keep her, I think it’s cheaper than making whoopee."
MAMA, YOU BEEN ON MY MIND
Bob Dylan
C-Harp
Instr.: 1 Verse C-Harp
C
Perhaps it's the color of the sun cut flat
Am
F
Am
An' cov'rin' the crossroads I'm standing at,
C
F
Am
Or maybe it's the weather or something like that,
G
C
But mama, you been on my mind.
C
I don't mean trouble, please don't put me down or get upset,
Am
F
Am
I am not pleadin' or sayin', "I can't forget"
C
F
Am
I do not walk the floor bowed down an' bent, but yet,
G
C
Mama, you been on my mind.
C
Even though my mind is hazy an' my thoughts they might be narrow
Am
F
Am
Where you been don't bother me, nor bring me down in sorrow.
C
F
Am
It don't even matter where you're wakin' up tomorrow,
G
C
But mama, you're just on my mind.
Instr.: 1 Verse C-Harp C
I am not askin' you to say words like "yes" or "no",
Am
F
Am
Please understand me, I got no place for you to go.
C
F
Am
I'm just breathin' to myself, pretendin' not that I don't know,
G
C
Mama, you been on my mind.
C
When you wake up in the morning, baby, look inside your mirror.
Am
F
Am
You know I won't be next to you, you know I won't be near.
C
F
Am
I'd just be curious to know if you can see yourself as clear
G
C
As someone who has had you on his mind.
MAN GAVE NAMES TO ALL THE ANIMALS
Bob Dylan
Capo 3
Am
E7
Am
Man gave names to all the animals, in the beginning, in the beginning.
E7
Am
Man gave names to all the animals, in the beginning, long time ago.
Am
E7
He saw an animal that liked to snort,
Am
Horns on his head and they weren't too short,
D
It looked like there was nothin' that he couldn't pull,
E7
Am
Ah, think I'll call it a bull.
Am
E7
He saw an animal that liked to growl,
Am
Big fury paws and he liked to howl.
D
Great big fury back and fury hair,
E7
Am
Ah, think I'll call it a bear.
Am
E7
He saw an animal leavin' a muddy trail,
Am
Real dirty face and a curly tail,
Am
E7
Am
E7
Am
Am
E7
Am
E7
Am
Am
E7
He saw an animal up on the hill,
Am
E7
Next animal that he did meet,
Am
Chewing up so much grass until it was filled.
D
He saw milk coming out, but he didn't know how,
E7
Am
Ah, think I'll call it a cow.
Am
E7
Am
E7
Am
D
He wasn't too small, and he wasn't too big,
E7
Am
Ah, think I'll call it a pig.
Am
Had wool on his back and hooves on his feet,
D
Eating grass on a mountain side so steep,
E7
Am
Ah, think I'll call it a sheep.
Am
E7
He saw an animal as smooth as glass,
Am
Slithering his way through the grass,
D
Saw him disappear by a tree near a lake,
E7
Am
Ah, think I'll call it a snake.
MAN ON THE MOON
REM
C Dsus2/sus4 4 x
( Dsus2/sus4: x 5 4 0 3 0 )
C (*g)
Dsus2/sus4
Mott the Hoople and the game of Life
C
Dsus2/sus4
Andy Kaufman in the wrestling match
(*c')
Dsus2/sus4
Monopoly, Twenty-One, checkers and chess
(*g)
Dsus2/sus4
Mister Fred Blassie in the breakfast mess
(*c')
Dsus2/sus4
Let's play Twister let's play Risk
(*g)
Dsus2/sus4
See you in heaven if you make the list
C (*c)
- Yeah yeah yeah yeah
C
C (*e)
C (*c)
C (*e)
C (*c)
Am
G
Am
G
Now, Andy did you hear about this one. Tell me are you locked in the punch
Am
G
C
D
Andy are you goofing on Elvis, "Hey Baby", are we losing touch
G
Am C
D7
G
Am
D
If you believe, they put a man on the moon, man on the moon
G
Am C
C/B
Am
If you believe, there's nothing up their sleeve, then nothing is cool
C (*g)
Dsus2/sus4
Moses went walking with the staff of wood
C
Dsus2/sus4
Newton got beaned by the apple good
(*c')
Dsus2/sus4
Egypt was troubled by the horrible asp
C (*c)
C
C (*e)
(*g)
Dsus2/sus4
Mister Charles Darwin had the gall to ask
C (*c)
Am
G
Am
G
Am
G
C
D
Instr.: Em | D | Em | D | Em | D | D |
C (*g)
Dsus2/sus4
Here's a little agit for the never-believer
C
Dsus2/sus4
Here's a little ghost for the offering
(*c')
Dsus2/sus4
Here's a truck stop instead of Saint Peter's
(*g)
Dsus2/sus4
Mister Andy Kaufman's gone wrestling
C (*c)
C
C (*e)
C (*c)
Am
G
Am
G
Am
G
C
D
Instr.: Em | D | Em | D | Em | D | D |
G
Am C
D7
G
Am
D
If you believe, they put a man on the moon, man on the moon
G
Am C
C/B
Am
If you believe, there's nothing up their sleeve, then nothing is cool 3x Em
MARINA
Rocco Granata / Vico Torriani
Intro: 1 Vers G-Harp
G
Bei Tag und Nacht denk ich an dich, Marina,
D7
Du kleine zauberhafte Ballerina.
Oh wärst du mein, du süße Caramia,
G
Aber du gehst ganz kalt an mir vorbei.
G
D7
G
Marina, Marina, Marina, dein Chic und dein Charme der gefällt.
D7
G
Marina, Marina, Marina, du bist ja die Schönste der Welt.
D7
G
Wunderbares Mädchen, bald sind wir ein Pärchen,
D7
G
Komm und laß mich nie alleine, oh no no no no no.
D7
G
D7
G
Instr.: 1 Vers G-Harp
G
D7
G
D7
G
D7
G
D7
G
D7
G
D7
G
G
Doch eines Tages traf ich sie im Mondschein.
D7
Ich lud sie ein zu einem Glase Rotwein.
Und wie ich frage, Liebling willst du mein sein?
G
Gab sie mir einen Kuß und das hieß ja!
G
D7
G
D7
G
D7
G
D7
G
D7
G
D7
G
D7
G
Komm und laß mich nie alleine, oh no no no no no. Oh no no no no no.
MARMOR, STEIN UND EISEN BRICHT
Drafi Deutscher
D
Weine nicht, wenn der Regen fällt,
A
D
Dam, dam, dam, dam
Es gibt einen, der zu dir hält,
A
D
Dam, dam, dam, dam.
D
G
Marmor, Stein und Eisen bricht,
A
D
Aber unsere Liebe nicht !
G
Alles, alles geht vorbei,
A
D
Doch wir sind uns treu.
D
Kann ich einmal nicht bei dir sein,
A
D
Dam, dam, dam, dam
Denk’ daran du bist nicht allein
A
D
Dam, dam, dam, dam
Marmor, Stein und Eisen bricht ....
Uptempo:
D
G
Marmor, Stein und Eisen bricht,
A
D
Aber uns‘re, uns‘re Liebe nicht !
G
Alles, alles, alles, alles geht vorbei,
A
D
Doch wir sind uns treu.
D
Nimm den goldenen Ring von mir,
A
D
Dam, dam, dam, dam
Bist du traurig dann sagt er dir
A
D
Dam, dam, dam, dam
Marmor, Stein und Eisen bricht ...
Uptempo:
Marmor, Stein und Eisen bricht ...
(Original: E > F)
Everybody now!
MASSACRE OF GLENCOE, THE
Jim McLean
G
C
G
Oh, cruel is the snow that sweeps Glencoe
D7
And covers the grave o' Donald
G
C
G
And cruel was the foe that raped Glencoe
C
D7
G
And murdered the house of MacDonald
G
D7
G
They came in a blizzard, we offered them heat
Am
D7
G
D7
A roof oér their heads, dry shoes for their feet
G
D7
G
Em
We wined them and dined them, they ate of our meat
C
D7
G
And they slept in the house of MacDonald
Oh, cruel is the snow ...
G
D7
G
They came from Fort William with murder in mind
Am
D7
G
D7
The Campbells had orders King William had signed
G
D7
G
Em
"Put all to the sword " - these words underlined
C
D7
G
"And leave none alive called MacDonald"
G
D7
G
They came in the night when the men were asleep
Am
D7
G
D7
This band of Argyles, through snow soft and deep
G
D7
G
Em
Like murdering foxes amongst helpless sheep
C
D7
G
They slaughtered the house of MacDonald
G
D7
G
Some died in their beds at the hand of the foe
Am
D7
G
D7
Some fled in the night and were lost in the snow
G
D7
G
Em
Some lived to accuse him who struck the first blow
C
D7
G
But gone was the house of MacDonald
The attempted genocide of the MacIans, a branch of the Clan Donald, took
place in February 1692, when 38 of the clan were put to the sword by
government forces, on the orders of King William of Orange. If the military
organisation had not been so incompetent, even more would have been killed.
The horror at the incident was even more intense because the soldiers, led by
Captain Robert Campbell of Glengoyn, had betrayed the Highland hospitality
they had been given beforehand. The song was written as recently as 1963 by
Jim McLean
MAXWELL'S SILVER HAMMER
Beatles
(Original: D)
C
A7
Dm
Joan was quizzical, studied pataphysical science in the home,
G7
C
G
Late night all alone with a test tube, oh, oh, oh, oh.
C
A7
Dm
Maxwell Edison, majoring in medicine, calls her on the phone.
G7
C
G
Can I take you out to the pictures, Jo-o-o-oan?
D7
G7
But, as she's getting ready to go, a knock comes from the door:
e
g
c’
h’ a g
c’
C
D7
Bang! Bang! Maxwell's silver hammer came down upon her head.
d,
g
d’
c’ h’ a
G7
Dm
G7
C
Clang! Clang! Maxwell's silver hammer made sure that she was dead.
| E7 | Am C7 | F G7 | C G7 C |
C
A7
Dm
Back in school again, Maxwell plays the fool again, teacher gets annoyed.
G7
C
G
Wishing to avoid an unpleasant sce-e-e-ene.
C
A7
Dm
She tells Max to stay when the class has gone away, so he waits behind.
G7
C
G
Writing fifty times "I must not be so-o-o-o.
D7
G7
But, when she turns her back on the boy, he creeps up from behind:
C
D7
G7
Dm
G7
C
Clang! Clang! Maxwell's silver hammer made sure that she was dead.
| E7 | Am C7 | F G7 | C G7 C |
C
A7
Dm
P.C. thirtyone said "We've caught a dirty one." Maxwell stands alone.
G7
C
G
Painting testimonial pictures, oh, oh, oh, oh.
C
A7
Dm
Rose and Valerie, screaming from the gallery, say he must go free.
G7
C
G
The judge does not agree. And he tells them so-o-o-o.
D7
G7
But, as the words are leaving his lips, a noise came from behind:
C
D7
G7
Dm
G7
C
Clang! Clang! Maxwell's silver hammer made sure that she was dead
C E7 Am C7 F G7 C
Silver hammer!
ME AND BOBBY McGEE
Kris Kristofferson
Capo 2
G
Busted flat in Baton Rouge, headin' for the train,
D
Feelin' nearly faded as my Jeans.
Bobby thumbed a diesel down, just before it rained,
G
Took us all the way to New Orleans.
I took my harpoon out of my dirty red bandanna
G7
C
And was blowin' sad, while Bobby sang the blues.
G
With them windshield-wipers slappin' time and Bobby clappin hands
D
G
We finally sang up ev'ry song that driver knew.
C
G
Freedom's just another word for nothing left to lose
D
G
Nothing ain't worth nothing, but it's free.
C
G
Feeling good was easy, Lord, when Bobby sang the blues
D
Feeling good was good enough for me,
D7
G
>>> A
Good enough for me and Bobby McGee.
A
From the coalmines of Kentucky to the California sun,
E
Bobby shared the secrets of my soul.
Standin' right beside me, Lord, through everything I done,
A
Every night she kept me from the cold.
Then, somewhere near Salinas, Lord, I let her slip away,
A7
D
Searching for the home I hope she'll find.
A
And I'd give all my tomorrows for a single yesterday,
E
A
Holdin' Bobby's body close to mine.
D
A
Freedom's just another word for nothing left to lose
E
A
Nothing ain't worth nothing, but it's free.
D
A
Feeling good was easy, Lord, when Bobby sang the blues
E
Feeling good was good enough for me,
E7
A
Good enough for me and Bobby McGee.
Nanana nanana na ....
ME AND JULIO DOWN BY THE SCHOOLYARD
Paul Simon
G C G D 2x
G
Mama pajama rolled outta bed
C
And she ran to the police station
D
D7
When the papa found out he began to shout
G
C G
And started the investigation
D
G
It's against the law, it was against the law
D
G C G
What the mama saw, it was against the law
G
The mama looks down and spits on the ground
C
Every time my name gets mentioned
D
D7
The papa said "Oy, if I get that boy,
G
C G
I'm gonna stick him in the house of detention"
C
G
Well I'm on my way, I don't know where I'm goin'
C
G
A7
D7
I'm on my way, takin' my time, but I don't know where
C
G
Goodbye to Rosie, the queen of Corona
F
C
D
G C G D
Seein’ me and Julio down by the schoolyard
G
F
C
D
G
C G D
Seein' me and Julio down by the schoolyard
Instr.
G
In a couple of days they’re gonna take me away,
C
But the press let the story leak
D
D7
And when the radical breach comes to get me released
G
C G
Appears all on the cover of Newsweek
C
G
Well I'm on my way, I don't know where I'm goin'
C
G
A7
D7
I'm on my way, takin' my time, but I don't know where
C
G
Goodbye to Rosie, the queen of Corona
F
C
D
G C G D
Seein’ me and Julio down by the schoolyard
G
F
C
D
G
C G D
G
F
C
D
G
C G D G
MEIN KLEINER GRÜNER KAKTUS
Comedian Harmonists
C
e c h c d G7
Bam Padam Padam ... Paaa
g f e d
C (*e)
G5+ C
G5+
Blumen im Garten, so zwanzig Arten
C
A7
Von Rosen, Tulpen und Narzissen,
Dm
A7 Dm
A7
Leisten sich heute die kleinsten Leute,
D7
Dm7 G7
Das will ich alles gar nicht wi.......ssen.
C
G7
Mein kleiner grüner Kaktus steht draußen am Balkon,
C chag
Hollari, hollari, hollaro.
G7
Was brauch ich rote Rosen, was brauch ich roten Mohn,
C
F
C
Und wenn ein Bösewicht was Ungezognes spricht,
D7
G7
Dann hol ich meinen Kaktus und der sticht, sticht, sticht.
C (*e)
G5+
C
G5+
Man find gewöhnlich die Frauen ähnlich,
C
A7
Den Blumen, die sie gerne tragen.
Dm
A7
Dm
A7
Doch ich sag täglich, das ist nicht möglich,
D7
Dm7 G7
Was soll'n die Leut sonst von mir sa.......gen.
Mein kleiner grüner Kaktus steht draußen am Balkon ...
(HollaHollari, hollahollari, hollahollaro)
C (*e)
G5+ C
G5+
Heute um viere klopft's an die Türe.
C
A7
Nanu, Besuch so früh am Tage?
Dm
A7
Dm
A7
Es war Herr Krause vom Nachbarhause,
D7
Dm7 G7
Der sagt: "Verzeih'n se, wenn ich fra.......ge,
C
G7
Sie hab'n doch einen Kaktus, auf ihr'm klein' Balkon,
C chag
G7
Der fiel soeben runter, was halten se davon?
C
F
C
Er fiel mir auf's Gesicht, ob's glauben oder nicht,
D7
G7
Nun weiß ich, daß ihr kleiner grüner Kaktus sticht.
C
G7
Bewahr'n sie ihren Kaktus gefälligst anderswo,
C
Hollari, hollari, hollaro
Bam Padam Padam .... Paa
G5+: x2100x
MELLOW YELLOW
Donovan
D
G
D
A7
I’m just mad about Saffron, Saffrons’s mad about me.
-G
G7
A7
I’m just mad about Saffron, she’s just mad about me.
D7 (*c')
G
They call me Mellow Yellow (quite rightly)
A7
D7
G
A7
D7
G
A7
They call me Mellow Yellow.
A - G# -
D
G
D
A7
A - G# I’m just mad about Fourteen, Fourteen’s mad about me.
-G
G7
A7
I’m just mad about a Fourteen, she’s just mad about me.
D7 (*c')
G
They call me Mellow Yellow
A7
D7
G
A7
D7
G
A7
D
G
D
A7
A - G# Born high forever to fly, wind velocity nil.
-G
G7 A7
Born high forever to fly, if you want your cup I will fill
D7 (*c')
G
A7
D7
G
A7
D7
G
A7
D
G
D
A7
A - G# Electrical banana, is going to be a sudden grace,
-G
G7
A7
Electrical banana is bound to be the very next phase.
D7 (*c')
G
A7
D7
G
A7
D7
G
A7
D
G
D
A7
A - G# I’m just mad about Saffron, I’m just mad about her.
-G
G7
A7
I’m just mad about Saffron, she s just mad about me.
D7 (*c')
G
A7
D7
G
A7
D7
G
A7
MEMPHIS BLUES AGAIN 1
Bob Dylan
Capo 4
C
Am C
Am
Oh, the ragman's drawing circles up and down the block.
C
Am
F
G
I'd ask him what the matter was but I know that he don't talk.
F
C
Am
C
And the ladies treat me kindly and furnish me with tape,
Am
C
F
C
But deep inside my heart I know I can't escape.
Em (*h')
Oh, mama, can this really be the end,
C
Em
Am
C
F
C
To be stuck inside of Mobile with the Memphis blues again.
C
Am
C
Am
Well, Shakespeare, he's in the alley with his pointed shoes and his bells,
C
Am
F
G
Speaking to some French girl, who says she knows me well.
F
C
Am
C
And I would send a message to find out if she's talked,
Am
C
F
C
But the post office has been stolen and the mailbox is locked.
Em
C
Em
Am
C
F
C
C
Am
C
Am
Mona tried to tell me to stay away from the train line.
C
Am
F
G
She said that all the railroad men just drink up your blood like wine.
F
C
Am
C
An' I said "Oh, I didn't know that, but then again, there's only one I've met
Am
C
F
C
An' he just smoked my eyelids an' punched my cigarette".
Em
C
Em
Am
C
F
C
C
Am
C
Am
Grandpa died last week and now he's buried in the rocks,
C
Am
F
G
But everybody still talks about how badly they were shocked.
F
C
Am
C
But me, I expected it to happen, I knew he'd lost control
Am
C
F
C
When he built a fire on mainstreet and shot it full of holes.
Em
C
Em
Am
C
F
C
MEMPHIS BLUES AGAIN 2
C
Am
C
Am
Now the senator came down here showing ev'ryone his gun,
C
Am
F
G
Handing out free tickets to the wedding of his son.
F
C
Am
C
An' me, I nearly got busted an' wouldn't it be my luck
Am
C
F
C
To get caught without a ticket and be discovered beneath a truck.
Em
Oh, mama, is this really the end,
C
Em
Am
C
F
C
C
Am
C
Am
Now the preacher looked so baffled when I asked him why he dressed
C
Am
F
G
With twenty pounds of headlines stapled to his chest.
F
C
Am
But he cursed me when I proved to him, then he whispered, "Not even you
C
Am
C
F
C
can hide. You see, you're just like me, I hope you're satisfied."
Em
C
Em
Am
C
F
C
C
Am
C
Am
Now the rainman gave me two cures, then he said, "Jump right in".
C
Am
F
G
The one was Texas medicine, the other was just railroad gin.
F
C
Am
C
An' like a fool I mixed them an' it strangled up my mind,
Am
C
F
C
An' now people just get uglier an' I have no sense of time.
Em
C
Em
Am
C
F
C
C
Am
C
Am
When Ruthie says come see her in her honky-tonk lagoon,
C
Am
F
G
Where I can watch her waltz for free neath her Panamanian moon.
F
C
Am
C
An' I say, "Ah, come on now, you must know about my debutante".
Am
C
An' she says, "Your debutante just knows what you need,
F
C
But I know what you want".
Em
C
Em
Am
C
F
C
C
Am
C
Am
Now the bricks lay on Grand Street where the neon madmen climb.
C
Am
F
G
They all fall there so perfectly, it all seems so well timed.
F
C
Am
C
An' here I sit so patiently waiting to find out what price
Am
C
F
C
You have to pay to get out of going through all these things twice.
Em
Oh, mama, is this really the end......
MERCEDES BENZ
Janis Joplin
D
G
D
Oh Lord, won't you buy me a Mercedes Benz ?
A7
My friends all drive Porsches, I must make amends.
D
G
D
G
Worked hard all my lifetime, no help from my friends,
D
G
A7
D
E
So Lord, won't you buy me a Mercedes Benz ?
G
C
G
Oh Lord, won't you buy me a Mercedes Benz ?
D7
My friends all drive Porsches, I must make amends,
G
C
G
C
Worked hard all my lifetime, no help from my friends,
G
C
D7
G
So Lord, won't you buy me a Mercedes Benz ?
Original: D
E
A
E
Oh Lord, won't you buy me a color TV ?
B7
„Dialing for Dollars“ is trying to find me.
E
A
E
A
I wait for delivery each day until three,
E
A
B7
E
So Lord, won't you buy me a color TV ?
F
F
Bb
F
Oh Lord, won't you buy me a night on the town ?
C7
I'm counting on you, Lord, please don't let me down.
F
Bb
F
Bb
Prove that you love me and buy the next round,
F
Bb
C7
F
G
Oh Lord, won't you buy me a night on the town ?
MICHELLE
Beatles
(Original: F)
d-a‘
Dm
cis-a‘
A+5
c-a‘
Dm7
h-a‘
Dm6
a‘ g‘ f‘ e‘
Gm
A
D
Gm7
Michelle,
ma belle,
C
G#dim
A7 G#dim A7
These are words that go together well, my Michelle.
D
Gm7
Michelle,
ma belle,
C
G#dim
A7
G#dim
A7
Sont les mots qui vont tres bien ensemble, tres bien ensemble.
a d‘ c‘ a d‘ c‘ a e‘ d‘
Dm
I love you, I love you, I love you,
Cm7
Bb A7
Dm
That s all I want to say, until I find a way,
Dm
A+5 Dm7 Dm6
Gm
A7
I will say the only words I know that you'll understand.
D
Gm7
Michelle,
ma belle,
C
G#dim
A7
G#dim
A7
Dm
I need to, I need to, I need to,
Cm7
Bb A7
Dm
I need to make you see, oh, what you mean to me,
Dm A+5 Dm7 Dm6
Gm
A7
Until I do I'm hoping you will know what I mean. ( I love you !)
Melody:
D Gm7 C G#dim A7 G#dim A7
Dm
I want you, I want you, I want you,
Cm7
Bb A7
Dm
I think you know by now, I'll get to you somehow,
Dm A+5 Dm7 Dm6 Gm
A7
Until I do I'm telling you so you'll understand.
D
Gm7
Michelle,
ma belle,
C
G#dim
A7
G#dim
A7
Dm
A+5 Dm7 Dm6
Gm
A7
And I will say the only words I know that you'll understand.
D
My Michelle.
Melody:
D Gm7 C G#dim A7 G#dim A7 ....
MIDNIGHT SPECIAL
Leadbelly
P. D-Harp
D
A
Let the Midnight Special shine it's light on me
E7
A
Oh let the Midnight Special shine it's ever loving light on me
A
D
A
When you wake up in the morning, you hear the ding dong ring
E7
A
You go marching to the table, you see the same old thing
D
A
Knife and fork are on the table, there ain't nothin in my pan
E7
A
And if you say a word about it, you‘re in trouble with the man
D
A
E7
A
D
A
Yonder comes Miss Rosie, how in the world do you know
E7
A
I can tell her by her apron and the dress that she wore
D
A
Umbrella on her shoulder, apiece of paper in her hand
E7
A
I heard her tell the captain: "Turn loose my man"
D
A
If you ever go to Houston, boy, you'd better walk right
E7
A
You better not gamble and you better not fight
D
A
Cuz the sheriff will arrest you and his men will take you down
E7
A
And before you even know it, you‘re penitentary bound
D
A
E7
A
D
A
E7
A
MIGHTY QUINN
Bob Dylan
P.
G
D
G
Come all without, come all within
D
C
G
You'll not see nothing like the Mighty Quinn
G
D
G
D
C
G
G
C
G
C
Ev'rybody's building ships and boats
G
C
G
C
Some are building monuments, others jotting down notes.
G
C
G
C
Ev'rybody's in despair, ev'ry girl and boy
G
D
C
G
But when Quinn the Eskimo gets here, ev'rybody's gonna jump for joy.
G
D
G
D
C
G
G
D
G
D
C
G
G
C
G
C
I like to go just like the rest, I like my sugar sweet
G
C
G
C
But jumping queues and making haste, just ain't my cup of meat.
G
C
G
C
Ev'ryone's beneath the trees, feeding pigeons on a limb
G
D
C
G
But when Quinn the Eskimo gets here, all the pigeons gonna rum to him.
G
D
G
D
C
G
G
D
G
D
C
G
G
C
G
C
Let me do what I wanna do, I can recite 'em all
G
C
G
C
Just tell me where it hurts and I'll tell you who to call.
G
C
G
C
Nobody can get no sleep, there's someone on ev'ryones toes.
G
D
C
G
But when Quinn the Eskimo gets here, ev'rybody's gonna wanna doze.
Come all without, come all within......
(Original - Manfred Mann -: B)
MINGULAY BOAT SONG
Trad.
Capo 1
E
B7
C#m
Heel ya ho, boys, let 'er go, boys, keep her head 'round and all together
E
B7
A E
Heel ya ho, boys, let her go, boys, sailing homeward to Mingulay......
E
What care we how white the Minch is,
B7
C#m
What care we, boys, for wind and weather?
E
Bring her 'round, boys, for every inch is
B7
A E
Sailing homeward to Mingulay.......
E
B7
C#m
E
B7
A E
E
When the wind is wild with shouting
B7
C#m
And the waves mount ever higher
E
Anxious eyes turn ever seaward
B7
A E
To see us home, boys, to Mingulay......
E
B7
C#m
E
B7
A E
E
Wives are waiting on the bank, boys,
B7
C#m
Looking seaward from the heather
E
Bring her 'round, boys, and then we'll anchor,
B7
A E
Ere the sun sets on Mingulay.......
E
B7
C#m
E
B7
A E
E
Ships return now, heavy laden
B7
C#m
Mothers holdin' bairns a-cryin'
E
They'll return, though, when the sun sets
B7
A E
They'll return to Mingulay......
E
B7
C#m
E
B7
A E
Mingulay is an uninhabited island with high cliffs with nesting seabirds, at the
southern end of the Outer Hebrides. Fishermen returning home from the Atlantic
would feel that they were nearly home when they passed by the islands.
MINNIE THE MOOCHER
Cab Calloway
e g h‘ a g a h‘
Em
B7
Em
e g h‘ a - g
e
D7/9 C7/9 Em
e g h‘ a g a h‘
Em B7
Em
h, g-g e-e h-h g,-g, g‘ - fis‘
e,
C7/9 B7/9 Em
Em
Am
Em
Hey folks, here's the story 'bout Minnie the Moocher
Am
B7
Em
She was a red-hot hootchie-cootcher
Am
Em
She was the roughest, toughest frail
B7
C7/9 B7/9 Em
But Minnie had a heart as big as a
whale.
Em
Hi-de-hi-de-hi-di-hi!
Ho-de-ho-de-ho-de-ho!
He-de-he-de-he-de-he!
Hi-de-hi-de-hi-de-ho!
(Hi-de-hi-de-hi-di-hi!)
(ad lib Variations!)
(Ho-de-ho-de-ho-de-ho!)
(He-de-he-de-he-de-he!)
(Hi-de-hi-de-hi-de-ho!)
Em
Am
Em
She messed around with a bloke named Smoky
Am
B7
Em
She loved him - though he was cokie
Am Em
He took her down to Chinatown
B7
C7/9 B7/9 Em
And he showed her how to kick the gong
a - round.
Em
Ho-de-ho-de-ho-de-ho!
He-de-he-de-he-de-he!
Hi-de-hi-de-hi-de-ho!
(Ho-de-ho-de-ho-de-ho!)
(He-de-he-de-he-de-he!)
(Hi-de-hi-de-hi-de-ho!)
Em
Am
Em
She had a dream about the King of Sweden
Am
B7
Em
He gave her things that she was needin'
Am
Em
He gave her a home built of gold and steel
B7
C7/9 B7/9 Em
A diamond car with a plati - num wheel.
Em
...
Em
Am Em
He gave her his townhouse and his racing horses
Am
B7
Em
Each meal she ate was a dozen courses
Am
Em
She had a million dollars worth of nickels and dimes
B7
C7/9 B7/9 Em
She sat around and counted them a milli - on
times.
Em
Em
Poor Min
Am
Poor Min
B7 Em
Poor Min.
...
MISS OTIS REGRETS
Cole Porter, 1934
Capo 3
Amaj7
Bbdim: x 1 2 0 2 0
Bm7: x 2 0 2 0 2
E7
2x
Amaj7
Bbdim Bm7 E7
Amaj7 Bbdim Bm7 - E7
Miss Otis regrets she's unable to lunch today,
Madam
A
Amaj7
E7
e - d - cis - h
Miss Otis regrets she's unable to lunch today
A
Amaj7 A7
She is sorry to be de....layed
D6
G#dim F#dim
But last evening down in Lover's Lane she strayed.
Madam
Amaj7
Bbdim Bm7 E7
Amaj7
Bbdim
Bm7
E7
Amaj7 Bbdim
When she woke up and found, that her dream of love was gone.
Bm7 - E7
Madam
A
Amaj7
E7
e - d - cis - h
She ran to the man who had led her so far astray
A
Amaj7 A7
And from under her velvet
gown
D6
G#dim F#dim Amaj7 Bbdim Bm7 - E7
She drew a gun and shot her lover down,
Madam
Amaj7
Bbdim Bm7 E7
Amaj7
Bbdim Bm7
E7
Amaj7 Bbdim
When the mob came and got her and
dragged her from the jail,
Bm7 - E7
Madam
A
Amaj7
E7
e - d - cis - h
They strung her from the old willow across the way
A
Amaj7 A7
And the moment before she died
D6
G#dim F#dim
She lifted up her lovely head and cried,
Madam
Amaj7
Bbdim Bm7 E7
Amaj7
Bbdim Bm7 E7
Amaj7
Bbdim Bm7 E7
Amaj7
MISTY
Errol Garner
Capo 2
E7
Amaj7
Em7
A7
Dmaj7
Look at me,
I‘m as helpless as a kitten up a tree
Dm7
G7
And I feel like I‘m clingin to a cloud,
Amaj7
F#m7
I can‘t understand
Bm7
E7
C#m7 F#7 Bm7 E7
I get misty, just holding your hand.
Amaj7
Em7
A7
Dmaj7
Walk my way
and a thousand violins begin to play,
Dm7
G7
Or it might be the sound of your hello,
Amaj7
F#m7
That music I
hear,
Bm7 E7
Amaj7
I get misty,
the moment you’re near.
A6
Em7
Can‘t you see that you‘re leading me on?
A7
Dmaj7
But it‘s just what I want you to do
D6
G#7
Don‘t you notice how hopelessly I‘m lost
B7
E7 F#dim E7
That‘s why I‘m following you.
Amaj7
Em7
A7
Dmaj7
On my own, when I wander through this wonderland alone,
Dm7
G7
Never knowing my right foot from my left
Amaj7
F#m7
My hat from my glove
Bm7
E7
C#m7 F#7
Im too misty and too much in love.
Bm7
E7
Amaj7
Too misty - and too much in love.
A6
Em7
Can‘t you see that you‘re leading me on?
A7
Dmaj7
But it‘s just what I want you to do
D6
G#7
Don‘t you notice how hopelessly I‘m lost
B7
E7 F#dim E7
That‘s why I‘m following you.
Amaj7
Em7
A7
Dmaj7
On my own, when I wander through this wonderland alone,
Dm7
G7
Never knowing my right foot from my left
Amaj7
F#m7
My hat from my glove
Bm7
E7
C#m7 F#7
Im too misty and too much in love.
Bm7
E7
Amaj7 .....
Too misty - and too much in love.....
MIT 17 FÄNGT DAS LEBEN ERST AN
Ivo Robic
(Save The Last Dance For Me)
C
Du wirst rot - wenn ein Mann zu Dir sagt,
G7
Du bist wunderschön und dir Rosen schenkt
Du wirst rot - wenn ein Mann zu Dir sagt,
C
C7
Dass er Tag und Nacht nur an Dich noch denkt
F
C
Doch nimm das alles nur nicht so schwer und denke stets daran
G7
C
Mit 17 fängt das Leben erst an
C
Und Dein Herz - wie es schlägt, wenn ein Mann
G7
Deine Hand ergreift und sie zärtlich hält
Und Dein Herz - wie es schlägt, wenn er sagt
C
C7
Dass ihm nichts so gut wie Dein Mund gefällt
F
C
Doch nimm das alles nur nicht so schwer und denke stets daran
G7
C
G7
C
Denn Du weißt noch nicht, was Liebe ist, weil Dein Leben erst begann
G7
C
Später sieht das alles anders aus, liebst Du erst einen Mann
C
Wenn Du weinst, weil Du plötzlich erfährst
G7
Dass der selbe Mann eine and‘re küsst
Wenn Du weinst, weil das Glück dich verließ
C
C7
Und Dein Herz jetzt weiß, was Enttäuschung ist
F
C
Dann nimm das alles nur nicht so schwer und denke stets daran
G7
C
G7
C
G7
C
MITTELPUNKT DER WELT
Sven Regener
Em
Capo 2
Pattern:
a’-h’-a’-h’ h’’ a’-h’-a’-h’ h’’ a’-h’-a’-h’ fis’ a’-h’-a’-h’ fis
Emsus4
| Emsus4
| D6
| D6
|
4x
g
Em
D6
Kaufst du Schuhe, nimmst du die - mit den Nägeln unten dran
Em
D6
Und dazu den Arztroman, in dem die blonde Schwester immer wenn sich ihr
h’
Em
D6
Der fiese Chefarzt nähert, ihn sich mit dem Injektionsbesteck vom Leibe hält
e fis e d h
d
d
Em
D6
Wo deine Füße steh‘n, ist der Mittelpunkt der Welt
Em
D6
Im Lotto spielst du immer nur die Zahlen zwischen fünf und zehn
Em
D6
Und als Zusatzzahl dein Lebensalter, denn als Lottospieler, sagst du, darf
Em
D6
Man höchstens 49 Jahre alt sein, später wär‘ es schade um das Geld
Em
D6
Instr.:
Emsus4
| Emsus4
| D6
| D6
|
4x
D6
Fad und ohne Lustgewinn ist dir die immer gleiche Jagd
Em
Nach Ruhm und Ehre auf dem Schlachtfeld der Geschlechter,
D6
hast du doch vor Jahren schon
Em
D6
Den seither gültigen Rekord im Schnellvergessen eines Ex-Freunds aufgestellt
Em
D6
Instr.:
Emsus4
| Emsus4
| D6
| D6
|
4x
Em
D6
Frag mich nicht woher ich komme, sag du freust dich mich zu seh‘n
Em
Ich will nicht hör‘n dass du bereust was einmal war
D6
und schon gar nicht was du bist
Em
Ich bin der Wischmop für die Tränen und der alte Hund,
D6
der für dich beißt und bellt
Em
D6
Instr.:
Emsus4
| Emsus4
| D6
| D6
|
4x
MOLLY MALONE
Trad.
G
D7
In Dublin's fair city where the maids are so pretty,
G
D7
I first set my eyes on sweet Molly Malone,
G
D7
As she wheeled her wheel barrow thro' streets broad and narrow,
G
D7 G
Crying: Cockles and mussels! A-live, a-live, o!
G
D7
A-live, a-live, o! A-live, a-live o!
G
D7 G
Crying: Cockles and mussels, a-live, a-live, o!
G
D7
She was a fishmonger, but sure it was no wonder,
G
D7
For so were father and mother before
G
D7
And they each wheeled their barrow through streets broad + narrow,
G
D7 G
G
D7
G
D7 G
G
D7
She died of a fever, and no one could save her
G
D7
And that was the end of sweet Molly Malone
G
D7
But her ghost wheels her barrow through streets broad and narrow,
G
D7 G
Crying: Cockles and mussels, a-live, a-live o!
G
D7
G
D7 G
G
D7
G
D7 G
MONEY FOR NOTHING
Dire Straits
C
G
C
D
Got to install microwave ovens, custom kitchen deliverieieiees
Em7
A
B
C#7
We got to move these refridgerators, we got to move these color TV's
Capo 3
h h a h d‘ h a g e d
Intro: Em7
A
e e d h d e e ....
Em7
G-A
Em7
D - Em7
Intro
Em7
A
Look at them yo-yo's that's the way you do it
Em7
G A Em7
You play the guitar on the MTV. That ain't working that's the way you do it
D
Em7
Money for nothing and yo chicks for free
Em7
A
I should have learned to play the guitah
Em7
G
A
I shoudda learned to play them drums
Em7
D
Em7
Look at that mama she got it stickin' in the camera, man, we could have some ...
Em7
A
Now that ain't working that's the way you do it
Em7
G
A
Em7
Lemme tell ya, them guys ain't dumb, maybe get a blister on your little finger,
D Em7
Maybe get a blister on your thumb
Em7
A
And who's up there what's that? Hawaiian noises?
Em7
G
A
Bangin' on the bongos like a chimpanzee
Em7
Oh that ain't working that's the way you do it
D
Em7
Get yor money for nothing get yar chicks for free
C
G
C
D
We got to install microwave ovens, custom kitchen deliverieieiees
Em7
A
B
C#7
Em7
A
See the little faggot with the earring and the makeup
Em7
G
A Em7
Yeah, buddy, that's his own hair, that little faggot got his own jet airplane,
D Em7
That little faggot he's a millionaire
C
G
C
D
Got to install microwave ovens, custom kitchen deliverieieiees
Em7
A
B
C#7
Intro
That ain't working that's the way you do it
You play the guitar on the MTV. That ain't working that's the way you do it
Money for nothing and yo chicks for free
Money for nothing and your chicks for free.
(I want my, I want my, I want my MTV) ....
MOON RIVER
ohnny Mercer & Henry Mancini, 1961
e
h‘ a‘ gis fis e d e
Amaj7 F#m7 Dmaj7
Amaj7
Mo....on River, wider than a mile,
Dmaj7
Amaj7
G#m7 C#7
I'm crossing you in style some day;
F#m7 A7
Dmaj7 C#m
Oh, dream maker, you heart breaker,
F#m7
G#7
F#7
Bm7 E7
Wherever you're goin', I'm goin' your way.
Amaj7 F#m7 Dmaj7
Amaj7
Two
drifters, off to see the world
Dmaj7
Amaj7 G#m7 C#7
There's such a lot of world to see!
F#m F#m7 Adim D6
Amaj7
We're af........ter the same rainbow's end,
Dmaj7
Amaj7
Waitin' 'round the bend,
Dmaj7
C#m7
My huckleberry friend
F#m7 Bm7 E7
A6 Dmaj7 A6
Moon River
and me.
Amaj7 F#m7 Dmaj7
Amaj7
Mhmmm mhmmm…
Dmaj7
Amaj7
G#m7 C#7
Mhmmm mhmmm…
F#m7 A7
Dmaj7 C#m
Oh, dream maker, you heart breaker,
F#m7
G#7
F#7
Bm7 E7
Wherever you're goin', I'm goin' your way.
Amaj7 F#m7 Dmaj7
Amaj7
Two
drifters, off to see the world
Dmaj7
Amaj7 G#m7 C#7
There's such a lot of world to see!
F#m F#m7 Adim Dmaj7 Amaj7
We're af........ter the same rainbow's end,
Dmaj7
Amaj7
Waitin' 'round the bend,
Dmaj7
C#m7
My huckleberry friend
F#m7 Bm7 E7
A6
Moon River
and me.
MOONLIGHT SHADOW
Mike Oldfield, Maggie Reilly
Em (*g)
C
D
G
D
The last that ever she saw him, carried away by a moonlight shadow
Em
C
D
G
D
He passed on worried and warning, carried away by a moonlight shadow
G
D
Em C
D
Lost in a river last Saturday night - Far away on the other side.
G
D
He was caught in the middle of a desperate fight
Em
C
D
And she couldn't find how to push through
Em
C
D
G
D
The trees that whisper in the evening, carried away by a moonlight shadow
Em
C
D
G
D
Sing a song of sorrow and grieving, carried away by a moonlight shadow
G
D
Em C
D
All she saw's a silhouette of a gun - Far away on the other side.
G
D
He was shot six times by a man on the run
Em
C
D
And she couldn't find how to push through
D
G
C
D
I stay, I pray - I see you in heaven far away
D
G
C
D
Em
C
D
G
D
Four a.m. in the morning, carried away by a moonlight shadow
Em
C
D
G
D
I watched your vision forming, carried away by a moonlight shadow
G
D
Em C
D
Star was light in a silvery night - Far away on the other side
G
D
Will you come to talk to me this night
Em
C
D
But she couldn't find how to push through
D
G
C
D
D
G
C
D
G
(Original: C#m)
MORNING HAS BROKEN
D Em
Mine is the sunlight,
F#m Bm
Born of the one light,
D
G
Praise with elation,
A
D G
God's recreation
Cat Stevens
D
G
A
F#
Bm
C Dm
Morning has broken,
Em Am
Blackbird has spoken,
C
F
Praise for the singing,
G
C
F
Praise for them springing
F
G
E
Am
G
E
Am
C
F
C
G
F C
like the first morning
D7sus D G
like the first bird
C
Am D
praise for the morning
G7
C
fresh from the world
G7
C Dm
Sweet the rain's new fall,
Em Am
Like the first dewfall,
C
F
Praise for the sweetness
G
C F
Sprung in completeness
F
G7
C
G
Bm
G7sus
G
D
F#
Bm
G7
C Dm
Morning has broken,
Em Am
Blackbird has spoken,
C
F
Praise for the singing,
G
C
F
Praise for them springing
G
F C
sunlit from heaven
D7sus D G
on the first grass
C
Am D
of the wet garden
G7
C
where his feet pass
F#
A
A
G D
mine is the morning
E
A
Eden saw play
D
Bm E
praise every morning
A7
D
of the new day
C
A7
D
F
E
Am
C
F
C
G
F C
like the first morning
D7sus D G
like the first bird
C
Am D
praise for the morning
G7
C
fresh from the world
F#
Bm
G
D
A7
D
MOTHER‘S LITTLE HELPER
Rolling Stones
Dm
G
Am
What a drag it is getting old
Riff: h‘ c‘ d‘ c‘ h‘ c‘
2x
Am
Kids are different today, I hear every mother say
Bb G
Mother needs something today to calm her down
C
F
F/E Dm
And though she's not really ill, there's a little yellow pill
Dm
G7
She goes running for the shelter of a mother's little helper
Am
Riff 2x
And it helps her on her way, gets her through her busy day
Am
Things are different today, I hear every mother say
Bb G
Cooking fresh food for her husband's just a drag
C
F
F/E Dm
So she buys an instant cake and she burns a frozen steak
Dm
G7
And goes running for the shelter of a mother's little helper
Am
Riff 2x
And two help her on her way, get her through her busy day
a, h,
c,
c,
e e g
F
G
Doctor, please, some more of these
d
f
f
e
c, g g
f
C
F
Outside the door she took four more
Dm G
Am Riff 1x
What a drag it is getting old
Am
Men just aren't the same today, I hear every mother say
Bb G
They just don't appreciate that you get tired
C
F
F/E
Dm
They're so hard to satisfy, you can tranquilize your mind
Dm
G7
So go running for the shelter of a mother's little helper
Am
Riff 2x
And four help you through the night, help to minimize your plight
F
G
Doctor, please, some more of these ....
Am
Life's just much too hard today, I hear every mother say
Bb G
The pursuit of happiness just seems a bore
C
F
F/E Dm
And if you take more of those, you will get an overdose
Dm
G7
No more running for the shelter of her mother's little helper
Am
They just help you on your way through your busy dying day
C F C
Hey!
Riff 2x
MOTHERLESS CHILD
Trad.
Capo 5
Am
Dm
Am
Sometimes I feel like a motherless child.
Dm
Am
Dm
Am
F
C
E7
F
E7
Am
E7
A long way from home. A long way from home.
Am
Dm
Am
Sometimes I feel like I'm almost gone.
Dm
Am
Dm
Am
F
C
E7
F
E7
Am
E7
Am
Dm
Am
Sometimes I feel like a mournin' dove.
Dm
Am
Dm
Am
F
C
E7
F
E7
Am
E7
Am
Dm
Am
Sometimes I feel like an eagle in the air.
Dm
Am
Dm
Am
F
C
E7
F
E7
Am
Am
Dm
Am
Dm
Am
Dm
Am
F
C
E7
F
E7
Am
E7
MR. BOJANGLES
Jerry Jeff Walker
C C/B Am Am/G
C
C/B
Am
Am/G F
G
I knew a man Bojangles and he’d dance for you
in worn out shoes
C
C/B
Am
Am/G F
G
The silver hair, a ragged shirt and baggy pants,
the old soft shoe
F
G E7
Am
Am/G D9/F#
G
He’d jump so high,
jump so high.
Then he’d lightly touch down
C
C/B
Am
Am/G
F
G
I met him in a cell in New Orleans, I was
down and out
C
C/B
Am
Am/G
F
G
He looked to me to be the eyes of age,
as he spoke right out.
F
G E7
Am Am/G D9/F#
G
He talked of life,
talked of life,
he laughed, slapped his leg a step.
Am (*a') G
Am
G
Mr. Bojangles, Mr. Bojangles,
Am
G
C
C/B
Am
Mr. Bojangles, dance!"
Am/G
C
C/B
Am
Am/G F
G
He said his name: ”Bojangles”, then he danced a lick
across the cell,
C
C/B
Am
Am/G
F
G
He grabbed his pants for a better stance,
oh, he jumped up high,
F
G E7
Am Am/G D9/F#
G
He clicked his heels, he let go a laugh,
shook his cloth all around.
C
C/B
Am
Am/G F
G
He danced for those at Minstrel-Shows and county fairs - throughout the south
C
C/B
Am
Am/G F
G
He spoke with tears of fifteen years, how his dog and he traveled around.
F
G E7
Am Am/G D9/F#
His dog up and died,
up and died,
G
After so many years he still grieved.
Am (*a') G
Am
G
Am
G
C
C/B
Am
Am/G
C
C/B
Am
Am/G F
G
He said I dance now at every chance on Honky-Tonks for drinks and tips.
C
C/B
Am
Am/G F
G
But most of the time I spent behind these country bars he said - ”I drinks a bit."
F
G E7
Am Am/G D9/F#
He shook his head and as he shook his head,
G
I heard someone say: ”Please...”
Am (*a') G
Am
G
Am
G
C
C/B
Am
Am/G
MR. TAMBOURINE MAN 1
Bob Dylan P. (Original: F, Capo 3)
Byrds-Riff:
D
A
d a h a g fis e d e d e
G (*d') A
D
G
Hey! Mr. Tambourine Man, play a song for me,
D
G
A
I'm not sleepy and there is no place I'm going to.
G
A
D
G
D
G
A
D
In the jingle jangle morning I'll come followin' you.
G
A
D
G
Though I know that evenin's empire has returned into sand,
D
G
D
G
A
Vanished from my hand, left me blindly here to stand but still not sleeping.
G
A
D
G
D
G
My weariness amazes me, I'm branded on my feet, I have no one to meet
D
G
A
And the ancient empty street's too dead for dreaming.
G
A
D
G
D
G
A
G
A
D
G
D
G
A
D
G
A
D
G
Take me on a trip upon your magic swirlin' ship,
D
G
D
G
My senses have been stripped, my hands can't feel to grip,
D
G
D
G
A
My toes too numb to step, wait only for my boot heels to be wanderin'.
G
A
D
G
D
G
I'm ready to go anywhere, I'm ready for to fade, into my own parade,
D
G
A
Cast your dancing spell my way, I promise to go under it.
G
A
D
G
D
G
A
G
A
D
G
D
G
A
D
MR. TAMBOURINE MAN 2
G
A
D
G
Though you might hear laughin', spinnin', swingin' madly across the sun,
D
G
D
G
It's not aimed at anyone, it's just escapin' on the run
D
G
A
And but for the sky there are no fences facin'.
G
A
D
G
And if you hear vague traces of skippin' reels of rhyme
D
G
D
G
To your tambourine in time, it's just a ragged clown behind,
D
G
D
G
A
I wouldn't pay it any mind, it's just a shadow you're seein' that he's chasing.
G
A
D
G
D
G
A
G
A
D
G
D
G
A
D
G
A
D
G
Then take me disappearin' through the smoke rings of my mind,
D
G
D
G
Down the foggy ruins of time, far past the frozen leaves,
D
G
D
G
The haunted, frightened trees, out to the windy beach,
D
G
A
Far from the twisted reach of crazy sorrow.
G
A
D
G
Yes, to dance beneath the diamond sky with one hand waving free,
D
G
D
G
Silhouetted by the sea, circled by the circus sands,
D
G
D
G
With all memory and fate, driven deep beneath the waves,
D
G
A
Let me forget about today until tomorrow.
G
A
D
G
D
G
A
G
A
D
G
D
G
A
D
MRS. ROBINSON
Simon & Garfunkel
G
Em
Koo koo ka choo, Mrs. Robinson
G
Em
C
Am
Jesus loves you more than you will know, wo wo wo
G
Em
God bless you please, Mrs. Robinson
G
Em
C
Heaven holds a place for those who pray,
Am
E7 Riff 4x
Hey hey hey, hey hey hey
Riff: a>h>d e-d-h-e E7 6x
E7 (*d‘)
We'd like to know a little bit about you for our files
A
(*a‘)
A7
We'd like to help you learn to help yourself
D
G
C
C/B Am
Look around you all you see are sympathetic eyes
E7
D
D7
Stro---ll around the grounds until you feel at home
G
Em
And here's to you Mrs. Robinson
G
Em
C
Am
Jesus loves you more than you will know, wo wo wo
G
Em
God bless you please, Mrs. Robinson
G
Em
C
Heaven holds a place for those who pray,
Am
E7 Riff 4x
E7
Hide it in a hiding place where no one ever goes
A
A7
Put it in your pantry with your cupcakes
D
G
C
C/B
Am
It's a little secret just the Robinsons' affair
E7
D
D7
Mo---st of all you've got to hide it from the kids
D7
D7
E7
Sitting on a sofa on a Sunday afternoon
A
A7
Going to the candidates debate
D
G
C
C/B
Am
Laugh about it shout about it when you've got to choose
E7
D
D7
Every way you look at it you lose
G
Em
Where have you gone, Joe DiMaggio
G
Em
C
Am
A nation turns its lonely eyes to you, woo woo woo
G
Em
What's that you say Mrs. Robinson
G
Em
C
Joltin' Joe has left and gone away,
Am
E7 Riff 4x
D7
MULL OF KINTYRE
Paul McCartney
P. (Original: A, 2. Vers: D, 3. Vers: A)
G
C
G
Mull of Kintyre, oh mist rolling in from he sea,
C
G
My desire is always to be here, oh Mull of Kintyre.
G
Far have I travelled and much have I seen
C
G
Dark distant mountains with valleys of green.
Past painted deserts the sunset's on fire
C
D
G
As he carries me home to the Mull of Kintyre.
G
C
G
C
G
Instr. G D
G D
G
Sweep through the heather like deer in the glen
C
G
Carry me back to the days I knew then.
Nights when we sang like a heavenly choir
C
D
G
Of the life and the time of the Mull of Kintyre.
G
C
G
C
G
>>> A
Instr. A E
A E
A
Smiles in the sunshine and tears in the rain
D
A
Still take me back where my memories remain
Flickering ambush grow higher and higher
D
E
A
As they carry me back to the Mull of Kintyre.
A
D
A
Mull of Kintyre, oh mist rolling in from the sea,
D
A
>>> C
C (*g)
F
C
Mull of Kintyre, oh mist rolling in from the sea,
F
C
MY BABY JUST CARES FOR ME
D
Bm
G
A
My baby don't care for shows
D
Bm
G
A
My baby don't care for clothes
D
Bm
G
Em7 A7
My baby just cares for me
F#
Bm
My baby don't care for cars and races
E
E7
A
My baby don't care for - high-tone places
Nina Simone
d cis h a
D
g fis e a
Bm | G
A
4x
D
Bm
G
A
My baby don't care for shows
D
Bm
G
A
My baby don't care for clothes
D
Bm
G
Em7 A7
F#
Bm
My baby don't care for cars and races
E
E7
A
My baby don't care for - high-tone places
Bm
G
A
Richard Gere is not her style
D
Bm
G
A
And even George Clooney‘s smile
D
Bm
G
Em7
Is somethin' she can't see
g g a h cis a fis a
h
G
C#7 D7 B7
My baby don't care, wh..o knows it
Em7
A7
D Bm | G A | D Bm | G
D
D
A
Bm
G
A
Richard Gere is not her style
D
Bm
G
A
And even George Clooney‘s smile
D
Bm
G
Em7
Is somethin' she can't see
g g a
h
cis
a fis a h
G
C#7 D7 B7
I wonder what's wrong wi..th baby
Em7
A7
My baby just cares for
F#m7
B7
My baby just cares for
Em7
A7
D
MY BACK PAGES
Bob Dylan
(Original: D#)
C - Csus4 (repeat 4 times)
C
Am
Em
F
G
C
Crimson flames tied through my ears rollin' high and mighty traps
Am Em
F
G
Pounced with fire on flaming roads using ideas as my maps
Am
Em
F
G
"We'll meet on edges, soon," said I, proud 'neath heated brow.
C
F
C
F
G
C - Csus4 …
Ah, but I was so much older then, I'm younger than that now.
C
Am
Em
F
G
C
Half-wracked prejudice leaped forth "Rip down all hate," I screamed
Am Em
F
G
Lies that life is black and white spoke from my skull. I dreamed
Am
Em
F
G
Romantic facts of musketeers foundationed deep, somehow.
C
F
C
F
G
C - Csus4 …
C
Am
Em
F
G
C
Girls' faces formed the forward path from phony jealousy
Am Em
F
G
To memorizing politics of ancient history
Am
Em
F
G
Flung down by corpse evangelists unthought of, though, somehow.
C
F
C
F
G
C - Csus4 …
C
Am
Em
F G
C
A self-ordained professor's tongue too serious to fool
Am
Em
F
G
Spouted out that liberty is just equality in school
Am
Em
F
G
"Equality," I spoke the word as if a wedding vow.
C
F
C
F
G
C - Csus4 …
C
Am
Em
F
G
C In a soldier's stance, I aimed my hand at the mongrel dogs who teach
Am
Em
F
G
Fearing not that I'd become my enemy in the instant that I preach
Am
Em
F
G
My existence led by confusion boats mutiny from stern to bow.
C
F
C
F
G
C - Csus4 …
C
Am
Em
F
G
C
Yes, my guard stood hard when abstract threats too noble to neglect
Am Em
F
G
Deceived me into thinking I had something to protect
Am
Em
F
G
Good and bad, I define these terms quite clear, no doubt, somehow.
C
F
C
F
G
C - Csus4 … C
MY BOY LOLLIPOP
Millie Small
SOLO: E A E E7
Riff: gis h e‘ cis
A
I love you, I love you, I love you so
E
E7
But I don't want you to know
A
I need you, I need you, I need you so
B
B7
And I'll never let you go-o
||
E
(*gis) E
Riff A
B
E
Riff A
My girl Lollipop,
you make my heart go giddyup
B
E
Riff A
B
E
Riff A
You are as sweet as candy,
I‘m your sugar dandy
Whoa oh
B
E
Riff A
B
E
Riff A
My girl Lollipop,
you never ever leave me
B
E
C#m F#m
B7
E E7
Because it would grie....ve me, my heart told me so
A
I love you, I love you, I love you so
E
E7
But I don't want you to know
A
I need you, I need you, I need you so
B
B7
And I'll never let you go-o
(*gis) E
Riff A
B
E
Riff A
My girl Lollipop,
B
E Riff A
B
E Riff A
You set the world on fire,
you are my one desire
Whoa
B E
My Lollipop
(*gis) E
Riff A
B
E
Riff A
My girl Lollipop,
B
E Riff A
B
E Riff A
You set the world on fire,
you are my one desire
Whoa
B E
My Lollipop
A
B E
Whoa, my Lollipop
A
B E
My girl Lollipop
A
B E
My girl Lollipop
A
B E
My girl Lollipop
(Original: G)
MY GIRL
C
D
D7
Talkin' 'bout my girl. (My girl) Ooooh, Hoooo.
Temptations
Intro: d g-g 4x
g a>h d>e g‘ 2x
G
C
G
C
I've got sunshine on a cloudy day.
G
C
G
C
When it's cold outside, I've got the month of May.
G Am C
D
I guess you'll say
G
Am
C
D
What can make me feel this way?
G
My girl. (My girl, my girl)
C
D
D7
Talkin' 'bout my girl. (My girl)
G
C
G
C
I've got so much honey, the bees envy me.
G
C
G
C
I've got a sweeter song than the birds in the trees.
G Am C
D
I guess you'll say
G
Am
C
D
G
G
C
G
Hey, hey, hey.
G
C
Hey, hey, hey.
C
| A | D | Bm | E |
A
D
A
D
I don't need no money, fortune or fame.
A
D
A
D
I've got all the riches, baby, one man can claim.
A Bm D
E
I guess you'll say
A
Bm
D
E
A
D
E
E7
Talkin' 'bout my girl. (My girl)
A
D
A
D
Hey, hey, hey.
A
D
A
Hey, hey, hey.
MY HEART WILL GO ON
Celine Dion (Titanic)
Capo 3
c-d-e d c d g‘ f e c a g
Intro:
Am
G
F G
c-d-e d c d g‘ e g‘ a‘ g‘ e d
Am
G
F
G
C
G
F
C G
Every night in my dreams I see you, I feel you
C
G
F G
That is how I know you go on.
C
G
F
C
G
Far across the distance and spaces between us.
C
G
F
G
You have come to show you go on.
Am G
F
G
Near, far, wherever you are
Am
G
F G
I believe that the heart does go on.
Am
G
F
G
Once more, you open the door
Am
Em
And you're here in my heart
F (*c)
G
C
And my heart will go on and on.
Am
G
F
G
C
G
F
C G
Love can touch us one time and last for a lifetime
C
G
F G
And never let go till we're gone.
C
G
F
C G
Love was when I loved you, one true time I hold to.
C
G
F G
In my life we'll always go on
Am G
F
G
Am
G
F G
Am
G
F
G
Am
Em
F (*c)
G
C
Am
G
F
G
Am G
F
G
Am
G
F G
Am
G
F
G
Am
Em
F (*c)
G
C
MY MIND‘S EYE
Small Faces
Em
G
G/F#
Everybody I know, says I've changed, yeah,
Em
D
C-D
Laughing behind their hands, I think they're strange.
(Original: A)
G
D
--------------------|--------------10-----0--1--0-----0-----|--3-----10-----------0--0--0--2--0--0--|--2------------------0--0--0-----0-----|--0------------------------------------|---------------------3-----3--3--3-----|--------------------
G
D
Em
I sit here every day, looking at the sky,
D
Ever wond‘ring why,
C
I dream my dreams away,
D
G
And I'm living for today, in my minds eye.
2x
1x Intro
G
D
Em
Things are clearer than before, showing me the way,
D
Asking me to stay,
C
I'll never close the door,
D
To all these things and more,
G Gsus - G Gsus - G Gsus - G
G/F#
In my minds eye.
G
D
Em
People running everywhere, running through my life,
D
I couldn't give a care,
C
Because they'll never see
D
G
1x Intro
All that I can see, with my minds eye.
Aah - ha - ha - ha ....... (in my minds eye)
MY VERY GOOD FRIEND THE MILKMAN
Fats Waller
Capo 1
D/F# Fdim Em7 A+
D
Dmaj7
D6
Bm
My very good friend the milkman says
Em7
A7
That I've been losing too much sleep
Em7
A7
He doesn't like the hours I keep
B7
E7
Em7
A7
D/F# Fdim Em7 A+
And he suggests that you should marry me
D
Dmaj7
D6
Bm
My very good friend the mailman says
Em7
A7
That it would make his burden less
Em7
A7
If we both had the same address
B7
E7
Em7
A7
D Em7
And he suggests that you should marry me.
fis‘
g‘
gis‘ a’
F7
F9
Then there's a very friendly fellow who prints
Bb
Bbmaj7 Bb
Bbmaj7
All the latest real estate news
F7
F9
And every day he sends me blueprints
Bb
A7 - A+
Of cottages with country views
D
D
Dmaj7
D6
Bm
My very good friends the neighbours say
Em7
A7
That they've been watching little things I do
Em7
A7
And they perceive that I love you
B7
E7
Em7
A7 D/F# Fdim Em7 A+
So I suggest that you should marry me.
Instr.: Verse 2
fis‘
...... D
Em7
D
g‘
gis‘ a’
F7
F9
Then there's a very friendly fellow who prints
Bb
Bbmaj7 Bb
Bbmaj7
All the latest real estate news
F7
F9
And every day he sends me blueprints
Bb
A7 - A+
Of cottages with country views
D
Dmaj7
D6
Bm
My very good friends the neighbours say
Em7
A7
That they've been watching little things I do
Em7
A7
And they perceive that I love you
B7
E7
Em7
A7 D/F# Fdim Em7 A+
B7
E7
Em7
A7 D
Dmaj7 - D6
MY WAY
Frank Sinatra, 1953
C
Em
Em7
A7
And now the end is near, and so I face the final curtain;
Dm
Dm7
G7
C
My friend, I'll say it clear, I'll state my case of which I'm certain.
C7
F
Fm
I've lived a life that's full, I've traveled each and every highway,
C Am7
Dm G7
Dm C
And more, much more than this, I did it my way.
Em
Em7
A7
Regrets? I've had a few...but then again, too few to mention;
Dm
Dm7
G7
C
I did what I had to do, and saw it through without exemption.
C7
F
Fm
I planned each charted course, each careful step along the byway;
C
Am7
Dm G7
Dm C
But more, much more than this, I did it my way.
C
C7
Yes, there were times, I'm sure you knew,
F
When I bit off more than I could chew;
Dm7
G7
But through it all, when there was doubt,
Em
Am Am7
I ate it up and spit it out.
Dm7
G7
Dm
I faced it all, and I stood tall, and did it my
Em
Em7
A7
I've loved, I've laughed and cried; I've had my fill, my share of losing.
Dm
Dm7
G7
C
And now, as tears subside, I find it all so amusing.
C7
F
Fm
To think, I did all that...and may I say, not in a shy way,
C Am7
Dm G7
Dm C
Oh no, oh no not me, I did it my way.
C7
For what is a man? What has he got?
F
If not himself, then he has naught.
Dm7
G7
To say the things he truly feels,
Em
Am Am7
And not the words of one who kneels;
Dm7
G7
Dm
The record shows I took the blows and did it my
(Original: D)
C
way.
C
way.
NANCY WHISKEY
Trad.
Capo 2
D
G
A7
I'm a weaver, a Calton weaver,
D
G
A7
I'm a rash and a roving blade
G
D
Bm
Em A7
I've got silver in my pocket, I gang and follow the roving trade
D
G
A7
D
A7
D
O whiskey, whiskey, Nancy Whiskey. Whiskey, whiskey, Nancy-o
D
G
A7
As I gaed in by Glesca City,
D
G
A7
Nancy Whiskey I chanced tae smell
G
D
Bm
Em
A7
I gaed in, sat doon beside her, seven lang years I loved her well.
D
G
A7
D
A7
D
D
G
A7
The mair I kissed her the mair I lo'ed her,
D
G
A7
The mair I kissed her the mair she smiled
G
D
Bm
Em
A7
An' I forgot my mither's teaching, Nancy soon had me beguiled.
D
G
A7
D
A7
D
D
G
A7
As I awoke early in the morning,
D
G
A7
To slake my thirst it was my need
G
D
Bm
Em
A7
I tried to rise but I wasna able, Nancy had me by the heid.
D
G
A7
D
A7
D
D
G
A7
I'll go back to the Calton weaving,
D
G
A7
I'll surely mak the shuttles fly
G
D
Bm
Em A7
I'll mak mair at the Calton weaving, than ever I did in a roving way.
D
G
A7
D
A7
D
D
G
A7
So come all ye weavers, Calton weavers,
D
G
A7
All ye weavers where'er ye be
G
D
Bm
Em A7
Beware of whiskey, Nancy Whiskey, she'll ruin you as she ruined me.
D
G
A7
D
A7
D
„The Calton Weaver“ is a variant of Nancy Whisky. Nancy Whisky first appeared
in print in the early 1900s.
Calton is a district of Glasgow which used to be famous for its weaver's
workshops.
NASHVILLE CATS
Lovin‘ Spoonful
A (*e)
E7 A
Nash......ville Cats, play clean as country water
A
E7 A
Nashville Cats, play wild as mountain dew
A
E7 A
Nashville Cats, been playin' since they's babies
A
E7 A
Nashville Cats, get work before they're two
A
E7 A
Nashville Cats, play clean as country water
A
E7 A
A
E7 A
A
E7 A
Nashville Cats, get work before they're two
A
E7
Well, there's thirteen hundred and fifty two guitar pickers in Nashville
A
An they can pick more notes than the number of ants on a Tennessee anthill
D
Yeah, there's thirteen hundred and fifty two guitar cases in Nashville
E7
A
And any one that unpacks his guitar could play twice as better than I will
A
E7
Well, there's sixteen thousand eight hundred twenty one mothers from
Nashville
A
All their friends play music, and they ain't uptight if one of the kids will
D
Because it's custom made for any mother's son to be a guitar picker in
Nashville
E7
And I sure am glad I got a chance to say a word about
A
the music and the mothers from Nashville.
And...
A
E7
Yeah, I was just thirteen, you might say I was a musical proverbial knee-high
A
When I heard a couple new-sounding tunes on the tubes and they blasted
me sky-high
D
And the record man said every one is a yellow Sun Record from Nashville
E7
A
And up north there ain't nobody buys them and I said, but I will. And it was
A
E7 A
Nashville Cats, play clean as country water
A
E7 A
A
E7 A
A
E7 A
Nashville Cats, get work before they're two.
Pick it: A D E7 A
NEUNUNDNEUNZIG LUFTBALLONS
Nena
Capo 2 P.
D
Em
G
A
Hast du etwas Zeit für mich, dann singe ich ein Lied für dich
D Em
G
A
Von 99 Luftballons auf ihrem Weg zum Horizont.
D
Em
G
A
Denkst du vielleicht gerad an mich, singe ich ein Lied für dich
D Em
G
A
D Riff
Von 99 Luftballons, und dass sowas von sowas kommt.
D Em
G
A
99 Luftballons auf ihrem Weg zum Horizont
D
Em
G
A
Hielt man für UFOs aus dem All, darum schickte ein General
D
Em
G
A
`ne Fliegerstaffel hinterher, Alarm zu geben, wenn`s so wär,
D
Em
G A
D
Dabei war`n dort am Horizont nur 99 Luftballons.
D Em
G
A
99 Düsenflieger, jeder war ein großer Krieger,
D
Em
G
A
Hielten sich für Captain Kirk, das gab ein großes Feuerwerk.
D
Em
G
A
Die Nachbarn haben nichts gerafft und fühlten sich gleich angemacht,
D
Em
G A
D Riff
Dabei schoß man am Horizont auf 99 Luftballons.
D Em
G
A
99 Kriegsminister, Streichholz und Benzinkanister,
D
Em
G
A
Hielten sich für schlaue Leute, witterten schon fette Beute,
D
Em
G
A
Riefen Krieg und wollten Macht, Mann, wer hätte das gedacht
D
Em
G A
D
Dass es einmal soweit kommt, wegen 99 Luftballons.
D Em
G
A
99 Jahre Krieg ließen kleinen Platz für Sieger,
D
Em
G
A
Kriegsminister gibt`s nicht mehr und auch keine Düsenflieger
D
Em
G
A
Heute zieh ich meine Runden, seh die Welt in Trümmern liegen,
D
Em
G
A
Hab' `nen Luftballon gefunden, denk` an dich und lass ihn fliegen.....
(Original: E)
NEVER GOING BACK AGAIN
Fleetwood Mac
C*: x x 5 5 8 8
C
G
|C
G
You don't know what it means to
G7/9: x x 5 5 6 7
Capo 5
|C G
| G6
| G6
|C
| G6
|C
|C
G
|C
|C
C
G
|C G |C
She broke down and let me in
| G6
| G6
|C
|C
C
G |C
G |C
G
Made me see where I've been
| G6
| G6
|C
|C
|C
| G6
|
|
|C
|
|
| C* G7/9 | C*
| C* G7/9 | C*
| C* G7/9 | C*
Been down one time,
been down two times
| Am - Em7/G - Am
-G | C G |C
|C
| C
|
I’m never going back again
Instr.:
| G6
| G6
|C
|C
|C G |C
|C G |C
| G6
| G6
|C
|C
| C* G7/9 | C*
| C* G7/9 | C*
| Am - Em7/G - Am - G |
|C
|C
C
G
|C G |C G
Come down and see me again
|
|
G
| G6
|
|
|
| C* G7/9 | C*
| G6
|C G
win
|C
|C
|
|
|C
|C
|
|
| C* G7/9 | C*
| C* G7/9 | C*
| C* G7/9 | C*
Been down one time,
been down two times
| Am - Em7/G - Am
-G | C G |C
|C
| C
|
I’m never going back again
| G6
| G6
|C
|C
|
NEW YORK GIRLS
Trad.
P.
C
F
G
C
As I walked down on Broadway, one evening in July
F
G
C
I met a maid, she asked my trade and a sailor John says I
C
F
G
C
And away you Santee, my dear Annie.
F
G
C
Ah, you New York girls, can't you dance the polka?
C
F
G
C
To Tiffany's I took her, I did not mind expense
F
G
C
I bought her two gold earrings and they cost me fifteen cents
C
F
G
C
F
G
C
C
F
G
C
Says she, 'You Limejuice sailor, now see me home you may'
F
G
C
But when we reached her cottage door, she this to me did say:
C
F
G
C
„My flash man he's a Yankee with his hair cut short behind
F
G
C
He wears a pair of long sea-boots and he sails in the Blackball Line“
C
F
G
C
F
G
C
C
F
G
C
„He's homeward bound this evening and with me he will stay
F
G
C
So get a move on, sailor-boy, get cracking on your way“
C
F
G
C
So I kissed her hard and proper afore her flash man came
F
G
C
And fare ye well, me Bowery gal, I know your little game
C
F
G
C
F
G
C
C
F
G
C
I wrapped me glad rags round me and to the docks did steer
F
G
C
I'll never court another maid, I'll stick to rum and beer
C
F
G
C
F
G
C
NEW YORK MINING DISASTER 1941
Bee Gees
D
G
D
Have you seen my wife, Mr. Jones?
G
C
Do you know what it's like on the outside
B7
Em
Don't go talking too loud, you'll cause a landslide, Mr. Jones
(*h,)
Em
In the event of something happening to me
A7
There is something I would like you all to see
D
Em
It's just a photograph of someone that I knew
A7
D
G
D
G
C
B7
Em
Don't go talking too loud, you'll cause a landslide, Mr. Jones
Em
I keep straining my ears to hear a sound
A7
Maybe someone is digging underground
D
Em
Or have they given up and all gone home to bed
A7
D
Thinking those who once existed must be dead
C
Em
In the event of something happening to me
A7
There is something I would like you all to see
D
Em
It's just a photograph of someone that I knew
A7
D
G
D
G
C
B7
Don't go talking too loud, you'll cause a landslide
Em - D - C - B7 - Em/D
Mr. Jones..............................
NEW YORK, NEW YORK
Instrumental:
Frank Sinatra
| D
B-String: -----33--2--3--0------| D
| D
| D
| Em7 | A7
(*d,)
D
Em7 A7
Start spreadin' the news,
I'm leavin' today
D
Em7
A7
I want to be a part of it - New York, New York
D
Em7 A7
These vagabond shoes,
are longing to stray
D
Dmaj7
Am7 D7
Right through the very heart of it - New York, New York
h‘...
G
Gm
D
I wanna wake up, in a city that doesn‘t sleep
F#m
B7
F#m
Em7
And find I'm king of the hill - top of the heap
A7
D
Em7 A7
These little town blues,
are melting away
D
Am7 D7
I'll make a brand new start of it - in old New York
d‘
h
b
G
Gm
D
B7
If I can - make it there, I'll make it - anywhere
Em7 F#m Gmaj7 A7 D
It's up to you, New York, New York
| D | Em7 | A7
d‘ a
d‘
a
|
Dmaj7
D7
New York - New York
g a
b h
g
G
Gm
D
I want to wake up, in a city that never sleeps
a h c cis h a cis cis h a cis
F#m
B7
And find I'm A-Number-One, top of the list
d c b d cis h a cis
Gm7
A7
King of the hill, A-Number-One ....
D
Em7 A7
These little town blues,
all melting away
D
Am7 D7
I'll make a brand new start of it - in old New York
G
Gm
D
B7
If I can - make it there, I'll make it - anywhere
Em7 F#m Gmaj7 A7 | D | D | Em7 | D
It‘s up to you, New York... New York.
New York !!!
NIGHT AND DAY
Cole Porter, 1932
74 bpm
Capo 3
D#m7-5: x x 1 3 3 3
Amaj7...
Fmaj7 E7 Amaj7
2x
Fmaj7 E7
Amaj7
Night and day,
you are the one
Fmaj7
E7
Amaj7
Only you beneath the moon and under the sun
D#m7-5
Dm7
Whether near to me, or far
C#m7
F#dim/C
It‘s no matter darling where you are
Bm7
E7
Amaj7
I think of you - night and day
Fmaj7 E7
Amaj7
Day and night,
why is it so
Fmaj7
E7
Amaj7
That this longing for you follows wherever I go
D#m7-5
Dm7
In the roaring traffic‘s boom
C#m7
F#dim/C
In the silence of my lonely room
Bm7
E7
Amaj7
I think of you - night and day
Cmaj7
Amaj7
Night and day, under the hide of me
Cmaj7
Amaj7
There‘s an oh such a hungry yearning burning inside of me
D#m7-5
Dm7
And this torment won‘t be through
C#m7
F#dim/C
`Til you let me spend my life making love to you
Bm7
E7
Amaj7
Day and night, night and day
Instr.: 1. Strophe
Cmaj7
Amaj7
Night and day, under the hide of me
Cmaj7
Amaj7
There‘s an oh such a hungry yearning burning inside of me
D#m7-5
Dm7
And this torment won‘t be through
C#m7
F#dim/C
`Til you let me spend my life making love to you
Bm7
E7
Amaj7
Day and night, night and day
End-Loop: Fmaj7 E7 Amaj7 ...
NIGHT THEY DROVE OLD DIXIE DOWN, THE
The Band
(Original: C)
d>e g‘ g‘ e g‘ ( 2x ) g a h d e
G
Em
Em G
C
Em
Virgil Caine is the name and I served on the Danville train
G
Em
C
Em
'Til Stoneman's cavalry came and tore up the tracks again
G
In the winter of sixty-five
Em
C
We were hungry just barely alive
Em
C
By May the tenth Richmond had fell
G
Em
A
It was a time I remember oh so well
G
Em
C
G
Em
The night they drove old Dixie down and all the bells were ringing
G
Em
C
G
Em
The night they drove old Dixie down and all the people were singing, they
went
G
Em
A
C
G (g a h d e) Em
Na na-na na na-na, na-na na-na na-na na na-na na-na-naa
Em
G
C
Em
Back with my wife in Tennessee when one day she called to me
G
Em
C
Em
Virgil, quick come see, there goes Robert E. Lee
G
Now I don't mind choppin' wood
Em
C
And I don't care if the money's no good
Em
C
You take what you need and you leave the rest
G
Em
A
But they should never have taken the very best
G
Em
C
G
Em
The night they drove old Dixie down and all the bells were ringing
G
Em
C
G
Em
The night they drove old Dixie down and all the people were singing, they
went
G
Em
A
C
G (g a h d e) Em
Na na-na na na-na, na-na na-na na-na na na-na na-na-naa
Em
G
C
Em
Like my father before me I‘m a working man
G
Em
C
Em
And like my brother above me I took a rebel stand
G
He was just eighteen, proud and brave
Em
C
When a Yankee laid him in his grave
Em
C
I swear by the blood below my feet
G
Em
A
You can't raise a Caine back up when he's in defeat
The night they drove old Dixie down ...
NIGHT VISITING SONG
Trad.
Capo 5
G
C G
D
G
I must away love, I can no longer tar…….ry
C G
D
This morning's tempest, I have to cross
G
C D
I will be guided without a stumble
G
D
G
Into the arms I love the best
G
C
G
D G
And when he came to his true love's dwelling
C G
D
He knelt down gently upon a stone
G
C D
And through her window he's whispered lowly
G
D
G
Is my true love within at home?
G
C G
D G
Wake up, wake up love, it is your own true lover
C G
D
Wake up, wake up love, and let me in
G
C D
For I am tired love and oh, so weary
G
D
G
And I am drenched on tae the skin
G
C G
D G
She's raised her u....p with the greatest of pleasure
C G
D
She's raised her u....p and she's let him in
G
C D
And then they kissed and embraced each other
G
D
G
Till in the morning they lay as yen
G
C
G
D G
And when that long night was past and over
C
G
D
And when the small clouds began to grow
G
C D
He took her hand and they kissed and parted
G
D
G
Then he saddled and mounted and away did go
G
C G
D
G
I must away love, I can no longer tar…….ry
C G
D
This morning's tempest, I have to cross
G
C D
I will be guided without a stumble
G
D
G
Into the arms I love the best
NIGHTS IN WHITE SATIN
D
F
And I love you, yes, I love you,
Am
G
Am
G
Oh, how, I love you. Oh, how, I love you.
Moody Blues
Am G
Am G
Am (*e)
G
Am
G
Nights in white satin,
never reaching the end,
F
C
Bb
Am
Letters I've written,
never meaning to send.
Am
G
Am
G
Beauty I'd always missed
with these eyes before,
F
C
Bb
Am
Just what the truth is
I can't say anymore.
D
F
Cause I love you, yes, I love you,
Am
G
Am G
Oh, how, I love you.
Am (*e) G
Am
Gazing at people,
F
C
Bb
Just what I'm going thru,
G
some hand in hand,
Am
they can‘t understand.
Am (*e)
G
Am
G
Some try to tell me
thoughts they cannot defend,
F
C
Bb
Am
Just what you want to be
you will be in the end,
Instr.: a‘ e c a
Am G F E7
Am G F E7
Am F
Am F
Dm E7 Dm E7
Am G F Am G
Am G
Am (*e)
G
Am
G
Nights in white satin,
never reaching the end,
F
C
Bb
Am
Letters I've written,
never meaning to send.
Am
G
Am
G
Beauty I'd always missed
with these eyes before,
F
C
Bb
Am
Just what the truth is
I can't say anymore.
D
F
Yes, I love you, yes, I love you,
Am
G
Am
G
Yes, I love you, yes, I love you,
Am
G
Am
G
NIGHTINGALE, THE
Trad.
Capo 2
C
G
C
As I went a walking one morning in May,
G
I met a young couple who fondly did stray,
C
G
And one was a young maid so sweet and so fair,
C
F
G
C
And the other was a soldier and a brave grenadier.
C
F
G
C
And they kissed so sweet and comforting as they clung to each other.
C
G
They went arm in arm along the road like a sister and brother.
C
G
They went arm in arm along the road till they came to a stream,
C
F
G
C
And they both sat down together, love, to hear the nightingale sing.
C
G
C
From out of his knapsack he took a fine fiddle
G
And he played her such merry tunes that you ever did hear
C
G
And he played her such merry tunes that the valley did ring
C
F
G
C
C
F
G
C
And they kissed so sweet and comforting as they clung to each other.
C
G
They went arm in arm along the road like a sister and brother.
C
G
They went arm in arm along the road till they came to a stream,
C
F
G
C
C
G
C
O soldier, o soldier will you marry me
G
O no said the soldier, how ever could that be?
C
G
For I have me wife at home in my own country
C
F
G
C
And she is the finest little maid that you ever did see.
And they kissed so sweet and comforting ...
C
G
C
Now I'm off to India for seven long years
G
Drinking wines and strong whiskey instead of strong beer
C
G
And if ever I return again it'll be in the spring
C
F
G
C
And we'll both sit down together, love, and hear the nightingale sing.
And they kissed so sweet and comforting ...
NO MATTER WHAT
Boyzone
E E7 A F#m E ( Chica cha ha ha...)
E
F#m
No matter what they tell us, no matter what they do
B
E
No matter what they teach us, what we believe is true
E
F#m
No matter what they call us, however they attack
B
E
No matter where they take us, we'll find our own way back
E
E7
A
F#m
I can't deny what I believe, I can't be what I'm not
B
E
I know I‘ll love forever, I know, no matter what
E
F#m
If only tears were laughter, if only night was day
B
E
If only prayers were answered, then we would hear God say
E
F#m
No matter what they tell you, no matter what they do
B
E
No matter what they teach you, what you believe is true
E
E7
A
F#m
And I will keep you safe and strong and shelter from the storm
B
E
No matter where it's barren, a dream is being born
>>> G Instr. 1 Verse
G
Am
No matter who they follow, no matter where they lead
D
G
No matter how they judge us, I'll be everyone you need
G
G7
C
Am
No matter if the sun don't shine, or if the skies are blue
D
G
No matter what the end is, my life began with you
G
G7
C
Am (Break)
I can't deny what I believe, I can't be what I'm not
D
D7
G
I know this love's forever, that's all that matters now, no matter what
G
Em
G
Em ....
No matter what, no, no matter, that's all that matters to me .....
NO MILK TODAY
Herman‘s Hermits
e e dis e e fis’ g’ g’ a’ h’ h’ d’ e’
Em
e
Em
G
No milk today, my love has gone away.
B7
Em
B7
Em
The bottle stands forlorn, a symbol of the dawn.
G
No milk today, it seems a common sight,
B7
Em
B7
Em
But people passing by don't know the reason why.
E
D
How could they know just what this message means,
A
B7
E
The end of all my hopes, the end of all my dreams,
D
How could they know, a palace there had been,
A
B7
E
Behind the door where my love reigned as queen.
Em
G
No milk today, it wasn't always so,
B7
Em
B7
Em
The company was gay, we turned night into day.
E
B7
A
B7
But all that's left is a place dark and lonely
E
B7
A
C#m
A terraced house in a mean street back of town
E
B7
A
B7 A
B7
Becomes a shrine when I think of you only. Just two up two down.
Em
G
No milk today, it wasn't always so,
B7
Em
B7
Em
The company was gay, we turn'd night into day.
G
As music played the faster did we dance
B7
Em
B7
Em
We felt it both at once, the start of our romance.
E
D
How could they know just what this message means,
A
B7
E
The end of all my hopes, the end of all my dreams,
D
How could they know, a palace there had been,
A
B7
E
Behind the door where my love reigned as queen.
Em
G
No milk today, my love is gone away.
B7
Em B7
Em
E
B7
A
B7
But all that's left is a place dark and lonely
E
B7
A
C#m
A terraced house in a mean street back of town
E
B7
A
B7 A
B7
Becomes a shrine when I think of you only. Just two up two down.
Em
G
No milk today, my love is gone away.
B7
Em B7
Em
NO REPLY
Beatles
(Original: C)
h‘
n.c.
C
D7
G
This happened once before when I came to your door: No reply
C
D7
G
They said it wasn't you but I saw you peep through your window
Em
Bm
I saw the light
Cmaj7 Bm
I saw the light
Am7
D7
G
I know that you saw me 'cause I looked up to see your face
C
D7
G
I tried to telephone they said you were not home. That's a lie
C
D7
G
Cause I know where you've been, I saw you walk in your door
Em
Bm
I nearly died
Cmaj7 Bm
I nearly died
Am7
D7
G
'Cause you walked hand in hand with another man in my place
G
B7
E7
If I were you I'd realize that I
Am
C
G
Love you more than any other guy
B7
E7
And I'll forgive the lies that I
Am
C
G
Heard before when you gave me no reply
C
D7
G
I tried to telephone they said you were not home. That's a lie
C
D7
G
Cause I know where you've been, I saw you walk in your door
Em
Bm
I nearly died
Cmaj7 Bm
I nearly died
Am7
D7
G
'Cause you walked hand in hand with another man in my place
Em Bm
No reply
Cmaj7 Gmaj9
No reply
Gmaj9: x20202
NO WOMAN NO CRY
Bob Marley
G
D
Em C
G
No
G
No
D
Em C
woman no cry.
D
Em C
woman no cry.
G
D/C /B
/A
G
D7
G
No
G
No
D/C /B
wo....man
D/C /B
wo....man
/A G D7
no cry.
/A G D7
no cry.
G
D
Em
C G
Yes I remember when we used to sit
D
Em
C G
In the government yard in Trenchtown
D
Em
C G
Oba-observing the hypocrites
D
Em C G
As they would mingle with the good people we meet
D
Em
C G
Good friends we had, oh, good friends we’ve lost
D
Em C G
Along the way
D
Em
C G
In this great future you can't forget your past.
D
Em C
So dry your tears I say. Yeah!
G D
Em C
No woman no cry.
G
D
Em
C
My little darlin' don't shed no tears.
G
No
G
No
D/C /B /A
wo....man no
D/C /B /A
wo...man no
G D7
cry.
G D7
cry
G
D
Em
C G
Say I remember when we used to sit
D
Em
C G
In the government yard in Trenchtown
D
Em C G
And Georgie would make a fire light
D
Em C G
Like a log wood burnin’ through the night.
D
Em
C
G
Then we would cook cornmeal porridge
D
Em C G
Of which I'll share with you
D Em
C G
My feet is my only carriage.
D
Em
C
So I've got to push on through. But while I'm gone:
G
D
Em
C
D
Everything's gonna be all right
Everything's gonna be all right
G D
Em C
G
No woman no cry.
No
G
D
Em
C
G
My little darlin' don't shed no tears. No
G D
Em C
G
No woman no cry.
No
G
D
Em
C
Oh my little darlin' don't shed no tears
G
D
Em
C
Little darlin' don't shed no tears
G
D
Em
C
Little sister don't shed no tears
Original: C
D/C /B /A G D7
wo....man no cry.
D/C /B /A G D7
wo...man no cry
D/C /B /A G D7
wo....man no cry.
G D/C /B /A G D7
No woman no cry.
G D/C /B /A G D7
No woman no cry.
G D/C /B /A G
No woman no cry.
4x
NOBODY KNOWS YOU
Jimmy Cox, 1923
G
B7
E7
Once I lived the life of a millionaire,
Am
E7
Am
Spend all my money, didn't have any care.
g’
C
Gdim
G
E7
Took all my friends out for a mighty good time,
A7
D7
Bought bootleg liquor, champagne and wine.
G
B7
E7
Then I began to fall so low,
Am
E7
Am
Lost all my good friends, and nowhere to go.
C
Gdim
G
E7
If I get my hands on a dollar again,
A7
D7
I'll hang on to it 'til that ol' eagle grins, because:
G B7 E7
Nobody knows you,
Am
E7
Am
When you're down and out,
C
Gdim G
E7
In your pocket not one penny,
A7
D7
And as for friends you don't have any.
G
B7
E7
When you get back on your feet again,
Am
E7
Am
Everybody wants to be your long lost friend.
C
Gdim
G
E7
I said it's strange without any doubt,
A7
D7
Nobody knows you when you're down and out.
G B7 E7
Nobody knows you,
Am
E7
Am
When you're down and out,
C
Gdim G
E7
In your pocket not one penny,
A7
D7
And as for friends you don't have any.
G
B7
E7
When you get back on your feet again,
Am
E7
Am
Everybody wants to be your long lost friend.
C
Gdim
G
E7
I said it's strange without any doubt,
A7
D7
G C7 G D7 G
Nobody knows you, when you're down and out
NORTH COUNTRY BLUES
Bob Dylan
Capo 2 (Original: Capo 3)
Am
G
Come and gather round friends and I'll tell you a tale
Am
G
Am
Of when the red iron ore pits run a-plenty
G
But the cardboard filled windows and old men on the benches
Am
G
Am
Tell ya now that the whole town is empty
In the north end of town my own children are grown
But I was raised on the other
In the wee hours of youth my mother took sick
And I was brought up by my brother
The iron ore poured as the years passed the door
The drag lines and shovels, they was hummin'
'Til one day my brother failed to come home
The same as my father before him
With a long winters wait from the window I watched
My friends, they couldn't have been kinder
And my schooling was cut as I quit in the spring
To marry John Thomas, a miner
Oh the years passed again and the giving was good
With the lunch bucket filled every season
But with three babies born, the work was cut down
To half a day's shift with no reason
An' the shaft was soon shut and my work was cut
And the fire in the air, it felt frozen
'Til a man come to speak and he said in one week
That number eleven was closing
They complain in the east they are payin' to high
They say that your ore ain't worth diggin'
That it's much cheaper down in the South American towns
Where the miners work almost for nothin'
So the minin' gates locked and the red iron rotted
And the room smelled heavy from drinkin'
When the sad silent song made the hour twice as long
As I waited for the sun to go sinking
I lived by the window as he talked to himself
The silence of tongues, it was building
'Til one morning's wake, the bed it was bare
And I's left alone with three children
The summer is gone, the ground's turning cold
The stores one by one they are a-folding
My children will go as soon as they grow
For there ain't nothin' here now to hold them
NORWEGIAN WOOD
Beatles
Capo 2
2 Zeilen Melodie
D
C
G D
I once had a girl, or should I say, she once had me.
C
G D
She showed me her room, "Isn't it good, Norwegian wood ?"
Dm
G
She asked me to stay and she told me to sit anywhere.
Dm
Em7 A7
So I looked around and I noticed there wasn't a chair.
D
C
G D
I sat on a rug, biding my time, drinking her wine.
C
G D
We talked until two, and then she said: "It's time for bed"
2 Zeilen Melodie
Dm
G
She told me she worked in the morning and started to laugh.
Dm
Em7 A7
I told her I didn't and crawled off to sleep in the bath.
D
C
G D
And when I awoke, I was alone, this bird had flown.
C
G D
So I lit a fire, isn't it good, Norwegian wood ?
1 Zeile Melodie
NOT FADE AWAY
Buddy Holly
E-A-E 4x
N.C.
E
A
Im gonna tell you how its gonna be
E
A
E
You‘re gonna give your love to me
E
A
I wanna love you night and day
E
A
E
You know my love not fade away
E
A
E
Well you know my love not fade away
E
A
My love is bigger than a Cadillac
E
A
E
I try to show it and you drive me back
E
A
Your love for me has got to be real
E
A
E
For you to know just how I feel
E
A
E
A love for real not fade away
Instr.:
Git.
A-D-A
A A-D-A
E E-A-E
A A-D-A
E E-A-E 4x
E-A-E
A-D-A
E-A-E
E-A-E 4x
A-D-A
E-A-E
A-D-A
E-A-E
E-A-E 4x
E
A
Im gonna tell you how its gonna be
E
A
E
You‘re gonna give your love to me
E
A
A love to last more than one day
E
A
E
A love that's love not fade away
E
A
E
A love that's love not fade away
A-D-A
E-A-E
A-D-A
E-A-E
E-A-E 4x
NOTHING RHYMED
Capo 2
Em
B7
Em
C
G
Em
B7
If I give up the seat I've been saving
Em
C
To some elderly lady or man
D
D7
G
Am I being a good boy, am I your pride and joy
C
F
G
Mother please if you’re pleased say I am
Em
B7
And if while in the course of my duty
Em
C
I perform an unfortunate take
D
D7
G
Would you punish me so, unbelievably so
C
F
G
Never again will I make that mistake
Csus4
G7
This feeling inside me could never deny me
C
The right to be wrong if I choose
Cm
G
F
G
And this pleasure I get from say winning a bet is to lose
Em
B7
When I'm drinking my Bonaparte Shandy,
Em
C
Eating more than enough apple pies
D
D7
G
Will I glance at my screen and see real human beings
C
F
G
Starve to death right in front of my eyes
Em
B7
Nothing old, nothing new, nothing ventured,
Em
Em7
C
Nothing gained, nothing still-born or lost
D
D7
G
Nothing further than proof, nothing wilder than youth
C
D
Nothing older than time, nothing sweeter than wine
B7
Em
Em7
Nothing physically, recklessly, hopelessly blind
C
Am
D7
G
Nothing I couldn't say, nothing why 'cos today nothing rhymed
(Original: Cm)
NOWHERE MAN
Beatles
D
A
He's as blind as he can be,
G
D
Just sees what he wants to see,
G
Gm
D
Nowhere man can you see me at all?
(Original: E)
D
A
He's a real nowhere man,
G
D
Sitting in his nowhere land,
G
Gm
D
Dsus4 D
Making all his nowhere plans for nobody.
D
A
Doesn't have a point of view,
G
D
Knows not where he's going to,
G
Gm
D
Dsus4 D
Isn't he a bit like you and me?
D
A
Doesn't have a point of view,
G
D
Knows not where he's going to,
G
Gm
D
Dsus4 D
Isn't he a bit like you and me?
F#m
G
Nowhere man, please listen,
F#m
G
You don't know what you're missing,
F#m
G
A
Nowhere man, the world is at your command.
Instr. Verse
Dsus4 D
(aaaah la lala)
F#m
G
Nowhere man, don't worry,
F#m
G
Take your time, don't hurry,
F#m G
A
Leave it all 'till somebody else lends you a hand.
(aaaah la lala)
(aaaah la lala)
D
A
He's a real nowhere man,
G
D
Sitting in his nowhere land,
G
Gm
D
Dsus4 D
G
Gm
D
Dsus4 D
(aaaah la lala)
(aaaah la lala)
(aaaah la lala)
OCTOPUS‘S GARDEN
Beatles
Capo 3 P. (Original: E)
C
Am
I'd like to be,
under the sea
F
G
In an Octopus's garden in the shade
C
Am
He'd let us in,
knows where we've been
F
G
In his Octopus's garden, in the shade.
Am
Am/G F
G
I'd ask my friends to come and see
an Octopus's garden with me
C
Am
I'd like to be
under the sea
F
G
C
In an Octopus's garden in the shade.
C
Am
We would be warm,
below the storm
F
G
In our little hideaway beneath the waves
C
Am
Resting our head,
on the sea bed
F
G
In an Octopus's garden near a cave
Am
Am/G F
G
We would sing and dance around,
because we know we can't be found
C
Am
I'd like to be under the sea
F
G
C
In an Octopus's garden in the shade.
Instr:
F Dm Bb C
F Dm Bb C - F - G
C
Am
We would shout
and swim about
F
G
The coral that lies beneath the waves (Lies beneath the ocean waves)
C
Am
Oh what joy
for every girl and boy
F
G
Knowing they're happy and they're safe (Happy and they're safe)
Am
Am/G F
G
We would be so happy you and me,
no one there to tell us what to do
C
Am
I'd like to be
under the sea
F
G
Am
In an Octopus's garden with you
F
G
Am
In an Octopus's garden with you
F
G
C G C
In an Octopus's garden with you.
ODE TO BILLIE JOE
Bobbie Gentry
P. (Original: D)
G7
(*d,)
G7
It was the third of June, another sleepy, dusty Delta day
I was out choppin' cotton and my brother was balin' hay
C7
And at dinner time we stopped and walked back to the house to eat
G7
And Mama hollered at the back door "Y'all remember to wipe your feet"
C7
And then she said "I got some news this mornin' from Choctaw Ridge.
G7
F7
G7
Today Billy Joe MacAllister jumped off the Tallahatchie Bridge"
G7
'n' Papa said to Mama as he passed around the blackeyed peas
"Well Billy Joe never had a lick of sense, pass the biscuits, please.
C7
There's five more acres in the lower forty I've got to plow"
G7
'n' Mama said, it was shame about Billy Joe, anyhow
C7
Seems like nothin' ever comes to no good up on Choctaw Ridge
G7
F7
G7
And now Billy Joe MacAllister's jumped off the Tallahatchie Bridge
G7
'n' Brother said he recollected when he and Tom and Billie Joe
Put a frog down my back at the Carroll County picture show
C7
And wasn't I talkin' to him after church last Sunday night?
G7
"I'll have another piece-a apple pie, you know it don't seem right.
C7
I saw him at the sawmill yesterday on Choctaw Ridge
G7
F7
G7
And now ya tell me Billie Joe's jumped off the Tallahatchie Bridge"
G7
'n' Mama said to me "Child, what's happened to your appetite?
I've been cookin' all morning and you haven't touched a single bite.
C7
That nice young preacher, Brother Taylor, dropped by today,
G7
Said he'd be pleased to have dinner on Sunday, oh, by the way,
C7
He said he saw a girl that looked a lot like you up on Choctaw Ridge.
G7
F7
G7
And she and Billy Joe was throwing somethin' off the Tallahatchie Bridge"
>>> evtl. Ganztonwechsel >>>> A7
A year has come 'n' gone since we heard the news 'bout Billy Joe
'n' Brother married Becky Thompson, they bought a store in Tupelo
There was a virus going 'round, Papa caught it and he died last Spring
And now Mama doesn't seem to wanna do much of anything
And me, I spend a lot of time pickin' flowers up on Choctaw Ridge
And drop them into the muddy water off the Tallahatchie Bridge
OH SUSANNA
James Taylor
Capo 3
Amaj7
Bm7 C#m7 F#m7
Well, I come from Ala....bama...........
A
F#m7 Bm7 Bm7/E
With my banjo on my knee
Amaj7 Bm7 C#m7 F#m7
And I'm bound for Louisi...ana...........,
Bm7
E7
A9 E7
My own true love for to see
Amaj7 Bm7
Cmaj7 F#m7
It did rain all night the day I left
A
F#m7
Bm7 Bm7/E
The weather was bone dry
Amaj7
Bm7 C#m7
F#m7
The sun was so hot I froze myself
Bm7
E7
A9 Asus4 A
Suzanne don't you go on and cry
Dmaj7 Bm7 Bm7/E
I said: Oh Suzanna................
A
F#m7 Bm7 Bm7/E
Now don't you cry for me
Amaj7
Bm7 C#m7 F#m7
As I come from Ala....bama...........
Bm7 E7
A9 Asus4 A
With this banjo on my knee
Amaj7
Bm7
C#m7 F#m7
Well, I had myself a dream the other night
A
F#m7
Bm7 Bm7/E
When everything was still
Amaj7
Bm7 C#m7 F#m7
I dreamed that I saw my girl Suzanne
Bm7
E7
A9 E7
She was coming around the hill
Amaj7
Bm7
C#m7 F#m7
The buckwheat cake was in her mouth
A
F#m7 Bm7 Bm7/E
A tear was in her eye
Amaj7
Bm7
C#m7 F#m7
I said that I come from Dixie....land
Bm7
E7
A9 Asus4 A
Suzanna don't you break down and cry
Dmaj7 Bm7 Bm7/E
I said: Oh Suzanna................
A
F#m7 Bm7 Bm7/E
Now don't you cry for me
Amaj7
Bm7 C#m7 F#m7
Cause I come from Ala....bama...........
Bm7 E7
A9 Asus4 A
With my banjo on my knee
OHNE KRIMI GEHT DIE MIMI NIE INS BETT
Bill Ramsey
C (*c')
Am
G7
Am
Ohne Krimi geht die Mimi nie ins Bett, nie ins Bett, nie ins Bett
C
Am
G7
C
Ohne Krimi tut's die Mimi leider nicht, und es brennt die ganze Nacht das Licht.
C
Em
Am
G7
Jeden Abend geht die Mimi in die Heia um Halb Zehn,
C
Aber niemals ohne vorher an den Bücherschrank zu geh'n.
Em
Am
G7
Keinen Goethe, keinen Schiller holt sie aus dem Schrank heraus,
Am
Em
D7
G
Nein, einen superharten Thriller sucht sich Mimi aus.
C
Am
G7
Am
C
Am
G7
C
D
G
C
Ich möchte schlafen, doch die Mimi will lesen.
D
G7
Ich möchte schlafen, doch die Mimi ist erst auf Seite 104,
C
Em
Am
G7
Wo der Killer von Manhattan Zyankalisuppe kocht,
C
Für den Richter, der ihn damals in Chicago eingelocht.
Em
Am
G7
Ich muß alles miterleben, denn das Beste liest sie laut.
Am
Em
D7
G
Ich liege zitternd neben ihr und hab 'ne Gänsehaut.
C
Am
G7
Am
C
Am
G7
C
D
G
C
Ich kann nicht schlafen, denn die Mimi muß lesen,
D
G7
Die nächste Leiche wart' ich gar nicht erst ab und schleiche aus dem Bett,
C
Em
Am
G7
Aus dem Zimmer, aus der Wohnung, auf die Straße in die Bar,
C
Denn dort machen ein paar Klare mir den Schädel wieder klar.
Em
Am
G7
Bei dem Mixer an der Theke bin ich Dauerabonnent,
Am
Em
D7
G
Bei ihm bleib ich, solang bei mir zu Haus das Licht noch brennt.
C
Am
G7
Am
C
Am
G7
C
1 Zeile Instr.
C
Am
G7
C
Mimi hat den Krimi und die Interpol und ich den Alkohol.
C
Am
G7
C
Mimi hat den Krimi und die Interpol und ich den Alkohol. Prost!
(Original: D)
OLD FOLKS AT HOME, THE
Stephen Collins Foster
P.
C
F
C Am7 D7 G7
Way down, upon the Swanee River, far, far away,
C
F
There's where my heart is turning ever,
C
G7
C
There's where the old folks stay.
F
C Am7 D7 G7
All up and down the whole creation, sadly I roam,
C
F
C
G7
C
Still longing for the old plantation and for the old folks at home.
G
F
C
F
Dm7 D7 G7
All the world is sad and dreary, every where I roam
C
F
C
G7
C
Oh, darkeys, how my heart grows weary, far from the old folks at home!
C
F
C Am7 D7 G7
All round the little farm I wandered, when I was young.
C
F
Then many happy days I squandered,
C
G7
C
Many the songs I sung.
F
C Am7 D7 G7
When I was playing with my brother, happy was I
C
F
C
G7
C
Oh, take me to my kind old mother! There let me live and die.
G
F
C
F
Dm7 D7 G7
C
F
C
G7
C
C
F
C Am7 D7 G7
One little hut among the bushes, one that I love,
C
F
Still sadly to my memory rushes,
C
G7
C
No matter where I rove.
F
C Am7
D7 G7
When will see the bees a-humming, all round de comb?
C
F
C
G7
C
When will I hear the banjo tumming, down in my good old home?
G
F
C
F
Dm7 D7 G7
C
F
C
G7
C
"This well-known song by Stephen Collins Foster is a great favorite with many singers and
expresses the feelings of a Southern negro after the desolation of the Civil War had swept
the South bare, and thrown the negroes out into the world to depend almost entirely upon
their own resources."
OLD TIME ROCK AND ROLL
Bob Seger
D-Harp
Intro: a a a a a g fis e 2x
(*cis')
A
Just take those old records off the shelf
D
I'll sit and listen to 'em by myself
E
Today's music ain't got the same soul
A
E
I like that old time Rock n' Roll
A
Don't try to take me to a disco
D
You'll never even get me out on the floor
E
In ten minutes I'll be late for the door
A
E
A
Still like that old time Rock n' Roll
D
That kind of music just soothes the soul
E
I reminisce about the days of old
A
E
With that old time Rock n' Roll
A
Won't go to hear them play a tango
D
I'd rather hear some blues or funky soul
E
There's only one sure way to get me to go
A
E
Start playing old time Rock n' Roll
A
Still like that old time Rock n' Roll
D
That kind of music just soothes the soul
E
I reminisce about the days of old
A
E
With that old time Rock n' Roll
Instr. 1 Chorus D-Harp
A
Call me a relic, call me what you will
D
Say I'm old-fashioned, say I'm over the hill
E
Today's music ain't got the same soul
A
E
Still like that old time Rock n' Roll....
ON THE ROAD AGAIN
Willie Nelson
Capo 2
C
Em
On the road again, just can't get wait to get on the road again.
Dm
I find love is makin' music with my friends.
F
G
C
And I can't wait to get on the road again.
C
Em
On the road again, going places that I've never been.
Dm
Seein' things that I may never see again.
F
G
C
F
On the road again,
C
Like a band of gypsies we go down the highway
F
We're the best of friends,
C
G7
Insisting that the world keeps turnin' our way, and our way.
C
Em
Is on the road again, just can't get wait to get on the road again.
Dm
F
G
C
Instr.: 1 Verse
F
On the road again,
C
Like a band of gypsies we go down the highway
F
We're the best of friends,
C
G7
Insisting that the world keeps turnin' our way, and our way.
C
Em
On the road again, just can't get wait to get on the road again.
Dm
F
G
C
F
G
C
ON THE ROAD AGAIN
Canned Heat
E5
Flageolet 12. : E A D G B E
E5
G D5 E5
3x
E5
Well I'm so tired of cryin' but I'm out on the road again
G D5 E5
I'm on the road a.....gain.
E5
Well I'm so tired of cryin' but I'm out on the road again
G D5 E5
I'm on the road a.....gain.
E5 (*d')
G D5 E5
I ain't got no woman just to call my special friend.
E5
You know the first time I travelled out in the rain and snow
G D5 E5
In the rain and snow.
E5
You know the first time I travelled out in the rain and snow
G D5 E5
In the rain and snow.
E5
G D5 E5
I didn't have no fellow, not even no place to go.
E5
And my dear mother left me when I was quite young
G D5 E5
When I was quite young.
E5
And my dear mother left me when I was quite young
G D5 E5
When I was quite young.
E5
G D5 E5
She said "Lord have mercy on my wicked son."
Instr.
E5
Take a hint from me mama, please don't you cry no more
G D5 E5
Don't you cry no more.
E5
Take a hint from me mama, please don't you cry no more
G D5 E5
Don't you cry no more.
E5
G D5 E5
Cause it's soon one morning down the road I'm gone.
E5
G D5 E5
But I ain't going down that long and lonesome road - All by myself.
E5
G D5 E5
But I ain't going down that long and lonesome road - All by myself.
E5
G D5 E5
I can't carry you baby, gonna carry somebody else.
Instr.
E5: 0 7 9 9 0 0 / G: x x 0 0 0 x / D5: x 5 7 7 0 x
ON THE SUNNY SIDE OF THE STREET
Jimmy McHugh, Dorothy Fields, 1930
Capo 2
156 bpm
G
B7
Grab your coat and get your hat,
C
C/B
Am7 D7
Leave your worries on the door - step
Em
A7
Am7 D7
G
D7
Just direct your feet to the sunny side of the street.
G
B7
Can't you hear the pitter-pat?
C
C/B
Am7 D7
And that happy tune is your step!
Em
A7
Am7 D7
G
Life can be complete on the sunny side of the street.
G7 Dm7 G7
C
G7 C6
I used to walk in the shade with those blues on parade
A7 Em7
A7
D7
Am7 - D7
But I'm not afraid -- this rover crossed over!
G
B7
If I never had a cent,
C
C/B Am7 D7
I'd be rich as Rockefel - ler,
Em
A7
Am7 D7
G
D7
Gold dust at my feet on the sunny side of the street.
Instr.:
1 Verse
G7 Dm7 G7
C
G7 C6
I used to walk in the shade with those blues on parade
A7 Em7
A7
D7
Am7 - D7
But I'm not afraid -- this rover crossed over!
G
B7
If I never had a cent,
C
C/B Am7 D7
I'd be rich as Rockefel - ler,
Em
A7
Am7 D7
Em
Gold dust at my feet on the sunny side of the street.
Am7 D7
G
D7 G
On the sunny side of the street.
ONE
Johnny Cash
Am
D
F
G
Is it getting better, or do you feel the same
Am
D
F
G
Will it make it easier on you now. You got someone to blame. You said:
C
Am
Did I ask too much, more than a lot.
F
C
You gave me nothing, now it's all I got
C
Am
We're one, but we're not the same.
F
C
We hurt each other, then we‘re doin‘ it again.
C
You say:
| Am | D | F | G |
Am
F
C
One love, one life, when it's one need in the night
C
Am
F
C
One love. We get to share it. It leaves you baby, if you don't care for it
| Am | D | F | G |
Am
D
F
G
Did I disappoint you, or leave a bad taste in your mouth
Am
D
F
G
You act like you never had love and you want me to go without
C
Am
F
C
Well it's too late,
tonight to drag the past out into the light
C
Am
We're one, but we're not the same.
F
C
We get to carry each other, carry each other
Am D F G
One
Am
D
F
G
Have you come here for forgiveness, have you come to raise the dead
Am
D
F
G
Have you come here to play Jesus to the lepers in your head
C (*g‘)
Am
Love is a temple, love a higher law
C
Am
Love is a temple, love the higher law
C
G
You ask me to enter, but then you make me crawl
F
And I can't be holding on to what you‘ve got
C
When all you got is hurt
C
Am
F
C
One love,
one blood, one life, you‘ve got to do what you should
C
Am F
C
One life, with each other, sisters, brothers
C
Am
One life, but we're not the same.
F
C
We get to carry each other, carry each other
C
Am F
C
One
One.
C
Am F
C
One
One.
ONE OF US CANNOT BE WRONG
Leonard Cohen
Capo 2
G
Am
C
G
I lit a thin green candle, to make you jealous of me.
Am
C
D
But the room just filled up with mosquitos, they heard that my body was free
Em
Bm
Then I took the dust of a long sleepless night
C
G
And I put it in your little shoe.
Am
F
And then I confess that I tortured the dress
Am
G
F
G
That you wore for the world to look through.
G
Am
C
G
I showed my heart to the doctor, he said I‘d just have to quit.
Am
C
D
Then he wrote himself a prescription and your name was mentioned in it!
Em
Bm
Then he locked himself in a library shelf
C
G
With the details of our honeymoon,
Am
F
And I hear from the nurse that he's gotten much worse
Am
G
F
G
And his practice is all in a ruin.
G
Am
C
G
I heard of a saint who had loved you, so I studied all night in his school.
Am
C
D
He taught that the duty of lovers is to tarnish the golden rule.
Em
Bm
And just when I was sure that his teachings were pure
C
G
He drowned himself in the pool.
Am
F
His body is gone but back here on the lawn
Am
G
F
G
His spirit continues to drool.
G
Am
C
G
An Eskimo showed me a movie, he'd recently taken of you
Am
C
D
The poor man could hardly stop shivering, his lips and his fingers were blue.
Em
Bm
I suppose that he froze when the wind took your clothes
C
G
And I guess he just never got warm.
Am
F
But you stand there so nice, in your blizzard of ice,
Am
G
F
G
Oh please let me come into the storm.
La lalala la la lala ....
ONE MORE NIGHT
Bob Dylan
Capo 2
(Original: C)
|C G | F-G| C
|
C
One more night, the stars are in sight
F
G
C
But tonight, I'm as lonesome as can be
F (*a')
C
F
G
Oh, the moon is shining bright, lighting everything in sight
C
F
G
C
But tonight, no light will shine on me
C
Oh it's shameful and it's sad, I lost the only pal I had
F
G
C
I just could not be what she wanted me to be
F
C
F
G
I will turn my head up high, to that dark and rolling sky
C
F
G
C
G (*h')
F
C
Dm
I was so mistaken when I thought that she'd be true
C
Em
F
G
I had no idea what a woman in love would do
C
One more night, I will wait for the light
F
G
C
While the wind blows high above the tree
F
C
F
G
Oh I miss my darling so, I didn't mean to see her go
C
F
G
C
Instr.: Bridge
G
C
F
Em
C
F
Dm
G
C
One more night, I will wait for the light
F
G
C
While the wind blows high above the tree
F
C
F
G
Oh I miss that woman so, I didn't mean to see her go
C
F
G
C
ONE TOO MANY MORNINGS
Bob Dylan
E-Harp
C
F
C
Down the street the dogs are barking and the day is getting dark
G
As the night comes in a-fallin, the dogs will lose their bark
C
F
C
And the silent night will shatter from the sounds inside my mind
F
G
C
As I'm one too many mornings and a thousand miles behind
D
G
D
From the crossroads of my doorstep, my eyes start to fade
A7
And I turn my head back to the room where my love and I have laid
D
G
D
And I gaze back to the street, the sidewalk and the sign
G
A7
D >>>> E
And I'm one too many mornings and a thousand miles behind
E
A
E
It's a restless hungry feeling that don’t mean no one no good
B7
When everything I'm a-saying you can say it just as good
E
A
E
You're right from your side and I'm right from mine
A
B7
E
We're both just one too many mornings and a thousand miles behind
(Original: C)
ONLY A BROKEN HEART
Tom Petty
Capo 1
Em7 Am D G
2x
Em7 (*g)
Am
Here comes that feeling
Em7
Am
Back in the old days
D
G
I've seen in your eyes
D
G
Before the hard times
B7 (*a‘)
Em Em/D
A/C#
But I'm not afraid any......... more
G
D
G
It's only a broken heart
Em7
Am
I know the place where
Em7
Am
Out of the sunshine
D
G
You keep your secrets
D
G
Down in a valley
B7
Em Em/D
A/C#
But I'm not afraid any......... more
G
D
G
F (*a‘)
Em
What would I give
F
Em
To start all over again
F
Em
D Dsus4 D
To clean up my mistakes
Em7
Am
Stand in the moonlight
Em7
Am
Wait for an answer
D
G
Stand under heaven
D
G
Hold out forever
B7
Em Em/D
A/C#
But don't be afraid any......... more
G
D
G
F (*a‘)
Em
What would I give
F
Em
To start all over again
F
Em
D Dsus4 D
To clean up my mistakes
Em7
Am
I know your weakness
Em7
Am
The end of the rainbow
D
G
You've seen my dark side
D
G
Is always a long ride
B7
Em Em/D
A/C#
But don't be afraid any......... more
G
D
G
D
G
D
G
(Original: Am)
ONLY SIXTEEN
Sam Cooke
C
Am F
G
She was only sixteen only sixteen
F G7
C
I loved her so
Am
F
G
But she was too young to fall in love
F
G7
C
G7
And I was too young to know
C
Am
F
G
We'd laugh and we'd sing and do the little things
F
G7
C
That made my heart glow
Am
F
G
F
G7
C
Dm7
G7
C
Am
Why did I give my heart so fast
Dm7
G7
C
It never will happen again
Dm7
G7 C
Am
But I was a mere lad of sixteen
D7
G7
I've aged a year since then
D
C
Am F
G
She was only sixteen only sixteen
F
G7
C
With eyes that would glow
Am
F
G
F
G7
C
ONTARIO BOUND
Rosemary Hardman
Capo 3
C
Em Am
G7 C
Come what may come what will tomorrow I'm Ontario bound
Em
F
G
Riding on the wind as the clouds come following me down
F
Em
Dm
Em
Then it’s over to Newfoundland, northwestward I will go
C
G7
C Dm G
Till I reach the western shore of Lake Ontario
C
Em
F
G
A silver bird is rising on Runway 17
F
Em
Dm
G
Soon there’ll be no trace where a hundred lies have been
F
Em
Dm
Em
They're carried on the wind beyond the western skies
C
G7
C
And come tomorrow morning with them I will fly
C
Em Am
G7 C
Em
F
G
F
Em
Dm
Em
C
G7
C Dm G
C
Em
F
G
The tall timber mountains call me to travel on
F
Em
Dm
G
A voice is calling me to follow close the setting sun
F
Em Dm
Em
And when the daylight dies, I see a face that smiles
C
G7
C
And there lies my reason to go 3000 miles
C
Em Am
G7 C
Em
F
G
F
Em
Dm
Em
C
G7
C Dm G
C
Em
F
G
I’ve friends who are doing all they can to make me stay
F
Em
Dm
G
But I’ve heard it all before and there’s nothing left to say
F
Em
Dm
Em
Except the last goodbye as we’re standing in the rain
C
G7
C
We slowly climb on board our transatlantic plane
Come what may come what will tomorrow
OUT OF TIME
Rolling Stones
c g g c c c c d c h g g h h h h c h a f f a a a gis a b h g g g a h c
C
G
F
G
C
You don't know what's going on
G
You've been away for much too long
F
C
You can't come back and think you are still mine
F
You're out of touch, my baby
G
C
My poor old-fashioned baby
F
G
C
I said, baby, baby, baby, you're out of time
C
G
Well, baby, baby, baby, you're out of time
c c h h a a g
f g g f
Am
F
C
Yes, you are left out
F
Out of there without a doubt
C
G
C
'Cause baby, baby, baby, you're out of time
C
You thought you were a clever girl
G
Giving up your social whirl
F
C
But you can't come back and be the first in line
F
You're obsolete my baby
G
C
My poor unfaithful baby
F
G
C
I said baby, baby, baby you're out of time
C
G
Well, baby, baby, baby, you're out of time
c c h h a a g
f g g f
Am
F
C
Yes, you are left out
F
Out of there without a doubt
C
G
C
'Cause baby, baby, baby, you're out of time
Instr.:
c g g c c c c d c h g g h h h h c h a f f a a a gis a b h g g g a h c
C
G
F
G
C
G
Well, baby, baby, baby, you're out of time ...
OVER THE RAINBOW
F#7
Away above the chimney tops,
Bm
D Am7 D7
That's where you’ll find me.
Harold Arlen, Judy Garland, "The Wizard of Oz", 1939
Capo 3
G Em Am7 D7
G
Em Bm
G
Somewhere over the rainbow,
Cmaj7 Gdim Bm7-5 E7
Blue
birds fly.
Am7 C Bm
E7
Birds fly over the rainbow
Am7
D7
G6 Am7 - D7
Why, then, oh why can't I?
g,
G
Em Bm
G
Cmaj7 Gdim Bm7-5 E7
Way
up
high,
Am7 C Bm
E7
There’s a land that I heard of
Am7
D7 G6 Am7 - D7
Once in a lul-la-by.
Instr. 1 Verse
G
Em Bm
G
Cmaj7 Gdim Bm7-5 E7
Skies are
blue,
Am7 C Bm
E7
Am7
And the dreams that you dare to dream
D7
G6 Am7 - D7
Really do come true.
G6
Someday I'll wish upon a star
Am7
D7
Bm E7
And wake up where the clouds are far behind me,
G6
Where troubles melt like lemon drops,
G
Em Bm
G
Cmaj7 Gdim Bm7-5 E7
Blue
birds fly.
Am7 C Bm
E7
Birds fly over the rainbow
Am7
D7
G6 Am7 - D7
Why, then, oh why can't I?
Am7 - D7
G
If happy little bluebirds fly
Am7
D7
Gmaj7
Beyond the rainbow why, oh why can’t I?
PAINT IT BLACK
Rolling Stones
Capo 2 P.
Dm (*d,)
A7
I see a red door and I want it painted black.
Dm
A7
No colors anymore I want them to turn back.
Dm (*d') C
F
C
Dm
I
see the girls walk by dressed in their summer clothes.
C
F
C
D9
A7
I have to turn my head until my darkness goes.
Dm
A7
I see a line of cars and they're all painted black.
Dm
A7
With flowers and my love, both never to come back.
Dm C
F
C
Dm
I see people turn their heads and quickly look away.
C
F
C
D9
A7
Like a newborn baby it just happens ev'ryday.
Dm
A7
I look inside myself and see my heart is black
Dm
A7
I see my red door and I want it painted black
Dm
C
F
C
Dm
Maybe then I’ll fade away and not have to face the facts
C
F
C
D9
A7
It's not easy facing up when your whole world is black.
Dm
A7
No more will my green sea go turn a deeper blue
Dm
A7
I could not forsee this thing happening to you
Dm C
F
C
Dm
If
I look hard enough into the setting sun
C
F
C
D9
A7
My love will laugh with me before the morning comes
Dm
A7
I see a red door and I want it painted black.
Dm
A7
No colors anymore I want them to turn back.
Dm C
F
C
Dm
I
see the girls walk by dressed in their summer clothes.
C
F
C
D9
A7
I have to turn my head until my darkness goes.
Dm
A7
Mhmm Mhmmmm Mmmm .... X-mal
(I wanna see your face painted black, black as night, black as
coal
Don't wanna see the sun, flying high in the sky
I wanna see it painted, painted, painted, painted, black, yea.)
PAPER DOLL
Mills Brothers (Johnny Black, 1915)
Gm7 C7 F
C#7 - C7
F
F#dim
Gm7
I'm gonna buy a paper doll that I can call my own
C7
C+5
F6 C#7 - C7
A doll that other fellows cannot steal
g‘ g‘ f
F9
G#dim
C
C/B A7
And then the flirty, flirty guys with their flirty, flirty eyes
D7
G7
C7 - B7 - C7
Will have to flirt with dollies that are real
c‘
Gm7
C7
F
When I come home at night she will be waiting
Gm7
C7 C/Bb A7
She'll be the truest doll in all this world
Bb
Fdim F A D7
I'd rather have a paper doll to call my own
Gm7
C7
F
(faster!)
Than have a fickle-minded real live girl
C7
F
Oh, I guess I‘ve had a million dolls or more
A7
Dm
I guess I've played the doll game o'er and o'er
C7
F
I just quarreled with Sue, that's why I'm blue
G7
C7 B7 C7
She's gone away and left me just like all dolls do
C7
F
I'll tell you boys, it's tough to be alone
f
A7
Dm
And it's tough to love a doll that's not your own
e
g
a h a g
e g a h a g
C7
Gdim
Am7
A7
I'm through with all of them. I'll never fall again
Dm7 G7
C7 - B7 - C7
Cause this is what I‘ll do
F
F#dim
Gm7
I'm gonna buy a paper doll that I can call my own
C7
C+5
F6 C#7 - C7
A doll that other fellows cannot steal
g‘ g‘ f
F9
G#dim
C
C/B A7
And then the flirty, flirty guys with their flirty, flirty eyes
D7
G7
C7 - B7 - C7
Will have to flirt with dollies that are real
c‘
Gm7
C7
F
When I come home at night she will be waiting
Gm7
C7 C/Bb A7
She'll be the truest doll in all this world
Bb
Fdim F A D7
I'd rather have a paper doll to call my own
Gm7
C7
F
F6
Than have a fickle-minded real live girl
PAPER MOON
Harold Arlen, E.Y. Harburg, 1933
Capo 3
Intro: 1 Verse instr.
C
Gdim Dm7 G7
Say, it's only a paper moon,
G
G7
C G7
C
G7 - C
Sailing over a cardboard sea,
Gdim
Dm7
G7
But it wouldn't be make believe,
Dm7 G7
C G7
If you believed in me.
C
Gdim Dm7 G7
Yes, it's only a canvas sky,
G
G7
C G7 C
G7 - C
Hanging over a muslin tree,
Gdim
Dm7
G7
Dm7 G7
C C7
Dm7 F#dim Em Em7
Without your love,
Dm7 G7
C
C7
It's a honky tonk parade,
Dm7 F#dim Em Em7
Without your love,
Gdim A7
Dm7
G7
It's a melody played at a penny arcade.
C
Gdim
Dm7 G7
It's a Barnum and Bailey world,
G
G7
C G7 C
G7 - C
Just as phony as it can be,
Gdim
Dm7
G7
Dm7 G7
C C7
Dm7 F#dim Em Em7
Without your love,
Dm7 G7
C
C7
It's a honky tonk parade,
Dm7 F#dim Em Em7
Without your love,
Gdim A7
Dm7
G7
It's a melody played at a penny arcade.
C
Gdim
Dm7 G7
It's a Barnum and Bailey world,
G
G7
C G7 C
G7 - C
Just as phony as it can be,
Gdim
Dm7
G7
Dm7 G7
C
G7 - C
Gdim
Dm7
G7
No, it wouldn't be make believe,
Dm7 G7
C C6
PARTISAN, THE
Leonard Cohen
Am
C
E/B
Am
When they poured across the border
C
E/B Am
I was cautioned to surrender
C
G
This I could not do
F
C
E Am
I took my gun and vanished
Am
C
E/B
Am
I have changed my name so often,
C
E/B
Am
I've lost my wife and children
C
G
But I have many friends,
F
C
E
And some of them are with me.
Am
C
E/B
Am
An old woman gave us shelter,
C
E/B Am
Kept us hidden in the garret,
C
G
Then the soldiers came
F
C
E
She died without a whisper.
Am
Am
Am
C
E/B
Am
There were three of us this morning
C E/B
Am
I'm the only one this evening
C
G
But I must go on
F
C
E Am
The frontiers are my prison.
Am
C
E/B
Am
Oh, the wind, the wind is blowing
C
E/B
Am
Through the graves the wind is blowing,
C
G
Freedom soon will come
F
C
E Am
Then we'll come from the shadows.
PEGGY SUE
A
D
I love you, Peggy Sue,
A
D
A
With a love so rare and true.
D
A
D
A
Oho Peggy, my Peggy Sue-ahu
E7
D
A D
Oh, well, I love you gal, I want you, Peggy Sue.
Buddy Holly
A D A E
2x
A
D
If you knew Peggy Sue
A
D
A
Then you'd know why I feel blue
D
A
D
A
Without Peggy, my Peggy Sue
E7
D
A D
Oh, well, I love you gal, yes, I love you, Peggy Sue.
A
D
Peggy Sue, Peggy Sue,
A
D
A
Oh, how my heart yearns for you,
D
A
D
A
Oh, Peggy, my Peggy Sue,
E7
D
A D
Oh, well, I love you gal, yes, I love you, Peggy Sue.
A
F
A
Pretty, pretty pretty, pretty Peggy Sue,
D
A
D
A
E7
D
A D
Oh, well, I love you gal, and I need you, Peggy Sue.
A
A
A
E7
E7
E7
A
E7
Instr.
A
F
A
Pretty, pretty pretty, pretty Peggy Sue,
D
A
D
A
E7
D
A D
Oh, well, I love you gal, yes I need you, Peggy Sue.
A
D
I love you, Peggy Sue,
A
D
A
With a love so rare and true.
D
A
D
A
Oho Peggy, my Peggy Sue
E7
D
A D
Oh, well, I love you gal, yes, I want you, Peggy Sue.
E7
D
A D
Oh, well, I love you gal and I want you, Peggy Sue.
A
E7
A
E7
A
PENNY LANE
Beatles
A
F#m
Bm7
E7
Penny Lane: There is a barber showing photographs
A
F#m
Am7
Of ev'ry head he's had the pleasure to know.
Am/F#
Am/F
E7
And all the people that come and go, stop and say hello.
A
F#m
Bm7
E7
On the corner is a banker with a motor car.
A
F#m
Am7
The little children laugh at him behind his back.
Am/F#
Am/F
E7
D (*a' fis a')
And the banker never wears a "mac" in the pouring rain,
very strange.
(*h') G
C
Penny Lane is in my ears and in my eyes.
G
C
E
There beneath the blue suburban skies I sit and meanwhile back
A
F#m
Bm7
E7
In Penny Lane: There is a fireman with an hour glass.
A
F#m
Am7
And in his pocket is a portrait of the Queen.
Am/F#
Am/F
E7
He likes to keep his fire engine clean, it's a clean machine.
Instr.
(*h') G
C
G
C
E
A four of fish and finger pies, in summer, meanwhile back
A
F#m
Bm7
E7
Behind the shelter in the middle of the roundabout
A
F#m
Am7
A pretty nurse is selling poppies from a tray.
Am/F#
Am/F
E7
And though she feels as if she's in a play, she is anyway
A
F#m
Bm7
E7
In Penny Lane: The barber shaves another customer.
A
F#m
Am7
We see the banker sitting, waiting for a trim.
Am/F#
Am/F
E7
D
And then the fireman rushes in from the pouring rain, very strange.
(*h') G
C
G
C
E
There beneath the blue suburban skies I sit and meanwhile back:
(*cis') A
D
A
D a h cis-d-a-g-fis A
There beneath the blue suburban skies.
Penny Lane !
(Original: B)
PERCY'S SONG
Bob Dylan
C
F
C
Bad news, bad news come to me where I sleep
F
C
G
- Turn, turn, turn again.
C
F
Sayin' one of your friends is in trouble deep,
Dm
F
G
- Turn, turn to the rain and the wind.
C
F
C
Tell me the trouble, tell me once to my ear
F
C
G
C
F
Joliet prison and ninety-nine years
Dm
F
G
C
F
C
Oh what's the charge of how this came to be
F
C
G
C
F
Manslaughter in the highest of degree
Dm
F
G
>>> A
D
G
D
I sat down and wrote the best words I could write
G
D
A
D
G
Explaining to the judge I'd be there on wednesday night
Em
G
A
D
G
D
Without a reply I left by the moon
G
D
A
D
G
And was in his chambers by the next afternoon
Em
G
A
D
G
D
Could ya tell me the facts ? I said without fear
G
D
A
D
G
That a friend of mine would get ninety-nine years
Em
G
A
>>> B7
PERCY'S SONG 2
E
A
E
A crash on the highway flew the car to a field
A
E
B7
E
A
There was four persons killed and he was at the wheel
F#m
A
B7
E
A
E
That may be true, he's got a sentence to serve
A
E
B7
E
A
But ninety-nine years he just don't deserve
F#m
A
B7
>>> C
E
A
E
But I know him as good as I'm knowin' myself
A
E
B7
E
A
And he wouldn't harm a life that belonged to someone else
F#m
A
B7
F
Bb
F
Too late, too late, for his case it is sealed
Bb F
C
F
Bb
His sentence is passed and it cannot be repealed
Gm
Bb
C
E
A
E
The judge spoke out of the side of his mouth
A
E
B7
E
A
Sayin', "The witness who saw, he left little doubt"
F#m
A
B7
F
Bb
F
But he ain't no criminal and his crime it is none
Bb F
C
F
Bb
What happened to him could happen to anyone
Gm
Bb
C >>> D
PERCY'S SONG 3
G
C
G
And at that the judge jerked forward and his face it did freeze
C
G
D
G
C
Sayin', "Could you kindly leave my office now, please"
Am
C
D
G
C
G
Well his eyes looked funny and I stood up so slow
C
G
D
G
C
With no other choice except for to go
Am
C
D
G
C
G
I walked down the hallway and I heard his door slam
C
G
D
G
C
I walked down the courthouse stairs and I did not understand
Am
C
D >>> E
A
D
A
And I played my guitar through the night to the day
D
A
E
A
D
And the only tune my guitar could play was
Bm
D
E
"Oh the cruel rain and the wind"
PIANO MAN 1 (Guitar Man)
Billy Joel
C-Harp:
C C/B Am Am/G F C
D9/F#: 200210
D G
C C/B Am Am/G F G7 C
( F C G7 C
F C G7 )
C
C/B
Am
Am/G
F
C
D G
Sing us a song you‘re the piano man.
Sing us a song tonite
C
C/B
Am Am/G
F
G7
C
Well, we’re all in the mood for a melody
and you got us feeling allright
Harp: C C/B Am Am/G F G7 C
( F C G7 C
C
C/B
Am
Am/G
It’s nine o’clock on a saturday.
F
C
D G
The regular crowd shuffles in
C
C/B Am
Am/G
There’s an old man sitting next to me
F
G7
C
Making love to his tonic and gin
C
C/B
Am
Am/G
Now John at the bar he’s a friend of mine,
F
C
D G
He get’s me my drinks for free. And he’s ...
C
C/B
Am
Am/G
...quick with a joke or a light of your smoke
F
G7
C
F C G7
But there’s some place that he’d rather be
C
C/B
Am
Am/G
He says Bill I believe this is killing me
F
C
D G
As the smile ran away from his face
C
C/B
Am
Am/G
Well I‘m sure that I could be a movie star
F
G7
C
If I could get out of this place
C
C/B
Am
Am/G
He says son can you play me a memory?
F
C
D G
I’m not really sure how it goes
C
C/B
Am
Am/G
But it’s sad an' it’s sweet and I knew it complete
F
G7
C
When I wore a younger man’s clothes
Am Am/G
D9/F# F
La la la
dede da
Am Am/G
D9/F# G7 g-f-e-d
La la dede da da da
Am Am/G
D9/F# F
Oh La la la
dede da
F C G7)
Am Am/G
D9/F# G7 g-f-e-d
La la dede da da da
PIANO MAN 2 (Guitar Man)
C
C/B
Am
Am/G
Now Paul is a real estate novelist
F
C
D G
Who never had time for a wife
C
C/B
Am
Am/G
And he’s talking with Davy who’s still in the navy
F
G7
C
And probably will be for life
C
C/B
Am
Am/G
It’s a pretty good crowd for a saturday.
F
C
D
G
And the manager gives me a smile
C
C/B
Am
Am/G
Cause he knows that its me they've been coming to see
F
G7
C
F C G7
To forget about life for a while
C
C/B
Am
Am/G
And the piano sounds like a carnival
F
C
D
G
And the microphone smells like a beer
C
C/B
Am
Am/G
And they sit at the bar and put bread in my jar
F
G7
C
And say man what are you doing here?
C
C/B
Am
Am/G
And the waitress is practising politics,
F
C
D
G
As the businessmen slowly get stoned
C
C/B
Am
Am/G
Yes they're sharing a drink they call loneliness
F
G7
C
But its better than drinking alone
Am Am/G
D9/F# F
Oh La la la
dede da
( F C G7 C
Am Am/G
D9/F# G7 g-f-e-d
La la dede da da da
F C G7 )
C
C/B
Am
Am/G
F
C
D G
C
C/B
Am Am/G
F
G7
C
C
C/B
Am
Am/G
F
C
D G
C
C/B
Am Am/G
F
G7
C
( F C G7 C
F C G7 )
( F C G7 C
F C G7 C )
PLAY WITH FIRE
Rolling Stones
G D G C Em
Em (*d)
Well, you've got your diamonds
And you've got your pretty clothes
And the chauffeur drives your car
You let everybody know
Em
Your old man took her diamonds
And tiaras by the score
Now she gets her kicks in Stepney
Not in Knightsbridge anymore
G D G
C
Em
But don't play with me, 'cause you're playing with fire
G D G
C
Em
Em
Now you've got some diamonds
And you will have some others
But you'd better watch your step, girl
Or start living with your mother
Em
Your mother she's an heiress
Owns a block in Saint John's Wood
And your father‘d be there with her
If he only could
G D G
C
Em
G D G
C
Em
G D G
C
Em
POETRY IN MOTION
Neil Sedaka
d e fis g
e fis g a
G
Am
When I see my baby,
what do I see?
ahdh
gahc
dchag
Bm
C
D
Poetry,
poetry in motion.
G
Em
C
D
Poetry in motion, walking by my side.
G
Em
C
D
Her lovely locomotion, keeps my eyes open wide.
G
Em
C
D
Poetry in motion, see her gentle sway,
G
Em
C
D7
G
A wave out on the ocean, could never move that way.
IIIII
IIIII
IIIII
IIIII
B
C
B
C
I love every movement, there's nothing I would change
IIIII
IIIII
I
B
C
A7
D7
She doesn't need improvement, she's much too nice to rearrange.
G
Em
C
D
Poetry in motion, dancing close to me,
G
Em
C
D7
G
A flower of devotion, swaying gracefully.
G
Whoa.....
G
Whoa.....
Em
whoa,
Em
whoa,
Am
D7
whoa..... whoa,
Am
D7
whoa..... Whoa
G
Em
C
D
Poetry in motion, see her gentle sway,
G
Em
C
D7
G
A wave out on the ocean, could never move that way.
IIIII
IIIII
IIIII
IIIII
B
C
B
C
I love every movement, there's nothing I would change
IIIII
IIIII
I
B
C
A7
D7
She doesn't need improvement, she's much too nice to rearrange.
G
Em
C
D
Poetry in motion, all that I adore.
G
Em
C
D7
G
No Number Nine love potion, could make me love her more.
G
Whoa.....
G
Whoa.....
Em
whoa,
Em
whoa,
Am
D7
whoa..... whoa,
Am
D7
whoa..... Whoa...............
POLK SALAD ANNIE
Tony Joe White
Intro-Riff:
h’…
E7
Lauf: g, a, b, h, e,
h’ cis’ d’
d’ cis’ h’
gis>a
g>gis
E7...
h‘
a g a a gg
E7
Down in Lou-i-si-ana, where the alligators grow so mean
Break
Lived a girl that I swear to the world, made the alligators look tame
A7
E7
Polk salad Annie, Polk salad Annie
G
A7
Everybody said it was a shame
G
A7
Cause her mama was working on a chain-gang
E7
(Spoken: a mean, vicious woman, mhhm)
E7
Now, everyday before suppertime, she'd go down by the truck patch
Break
And take her a mess of Polk salad and carry it home in a tote sack
A7
E7
Polk salad Annie, the 'Gators got your granny
G
A7
G
A7
E7
(Spoken: A wretched, dispiteful, straight-razor totin' woman, Lord have
mercy)
Instr.: Intro Riff
E7
Her daddy was lazy and a no-count, claimed he had a bad back
Break
All her brothers were fit for, was stealing watermelons out of my truck
patch
A7
E7
Polk salad Annie, the 'Gators got your granny
G
A7
G
A7
E7
Suck a little Polk salad to me
You know I need a mean mess of it
Come on, Whooo, good girl ....
E7
POSITIVELY 4TH STREET
Bob Dylan
Capo 2 P. (Original: F#)
D
Em
G
D
You got a lotta nerve to say you are my friend
A
G
Bm
A
When I was down you just stood there grinning
D
Em
G
D
You got a lotta nerve to say you got a helping hand to lend
A
G
Bm
A
You just want to be on the side that's winning
D
Em
G
D
You say I let you down, you know its not like that
A G
Bm
A
If you're so hurt why then don't you show it?
D
Em
G
D
You say you've lost your faith but that's not where it's at
A
G Bm
A
You had no faith to lose and you know it
D
Em
G
D
I know the reason that you talk behind my back
A
G
Bm
A
I used to be among the crowd you're in with
D
Em
G
D
Do you take me for such a fool
to think I'd make contact
A
G
Bm
A
With the one who tries to hide what he don't know to begin with?
D
Em
G
D
You see me on the street
you always act surprised
A
G
Bm
A
You say how are you? Good luck! but you don't mean it
D
Em
G
D
When you know as well as me you'd rather see me paralyzed
A
G
Bm
A
Why don't you just come out once and scream it?
D
Em
G
D
No, I do not feel that good, when I see the heartbreaks you embrace
A
G
Bm
A
If I was a master thief perhaps I'd rob them
D
Em
G
D
And now I know you're dissatisfied with your position and you place
A
G
Bm
A
Don't you understand it's not my problem?
D
Em
G
D
I wish that for just one time you could stand inside my shoes
A
G
Bm
A
And just for that one moment I could be you
D
Em
G
D
Yes I wish that for just one time you could stand inside my shoes
A
G
Bm A
You'd know what a drag it is to see you.
PROUD MARY
CCR
P. Capo 2
E-Harp
(Original: D)
G-E G-E G-E-D-C
C-D
A
A (*a')
Left a good job in the city,
Workin' for the man ev'ry night and day,
And I never lost one minute of sleepin',
Worryin' 'bout the way things might have been.
E (*h')
Big wheel keep on turnin',
F#m
Proud Mary keep on burnin',
A
(cis cis h a h a)
Rollin', rollin', rollin' on the river.
Cleaned a lot of plates in Memphis,
Pumped a lot of pain down in New Orleans,
But I never saw the good side of the city,
'Til I hitched a ride on a river boat queen.
E
F#m
A
(cis cis h a h a)
G-E G-E G-E-D-C
C-D
A
E
F#m
A
(cis cis h a h a)
G-E G-E G-E-D-C
C-D
A
If you come down to the river,
Bet you gonna find some people who live.
You don't have to worry if you have no money,
People on the river are happy to give.
E
F#m
A
(cis cis h a h a)
G-E G-E G-E-D-C
C-D
A
PUFF, THE MAGIC DRAGON
Peter, Paul & Mary
Capo 2
G
Bm
C
G
Puff, the magic dragon lived by the sea
C
G
Em
A7
D7
And frolicked in the autumn mist in a land called Honah Lee,
G
Bm C
G
Little Jackie Paper loved that rascal Puff,
C
G
Em
A7 D7 G
D7
And brought him strings and sealing wax and other fancy stuff, oh
G
Bm
C
G
C
G
Em
A7
D7
G
Bm
C
G
C
G
Em
A7
D7
G D7
And frolicked in the autumn mist in a land called Honah Lee.
G
Bm
C
G
Together they would travel on a boat with billowed sail
C
G
Em
A7
D7
And Jackie kept a lookout perched on Puff’s gigantic tail,
G
Bm
C
G
Noble kings and princes would bow whenever they came,
C
G
Em
A7
D7
G
D7
Pirate ships would lower their flags when Puff roared out his name, oh!
G
Bm
C
G
C
G
Em
A7
D7
G
Bm
C
G
C
G
Em
A7
D7
G D7
And frolicked in the autumn mist in a land called Honah Lee.
G
Bm
C
G
A dragon lives forever but not so little boys
C
G
Em
A7
D7
Painted wings and giant‘s rings make way for other toys.
G
Bm
C
G
One grey night it happened, Jackie Paper came no more
C
G
Em
A7
D7
G
And Puff that mighty dragon,
he ceased his fearless roar.
G
Bm
C
G
His head was bent in sorrow, green scales fell like rain,
C
G
Em A7
D7
Puff no longer went to play along the cherry lane.
G
Bm C
G
Without his life-long friend, Puff could not be brave,
C
G
Em A7
D7
G
D7
So Puff that mighty dragon, sadly slipped into his cave, oh!
G
Bm
C
G
C
G
Em
A7
D7
G
Bm
C
G
C
G
Em
A7
D7
G C G
And frolicked in the autumn mist in a la....nd called Ho...nah Lee.
QUANDO QUANDO
Caterina Valente
P.
G (*h,)
Am7 D7
Sag' mir quando, sag' mir wann,
Am7
D7
G
Sag' mir quando, quando, quando.
Am7 D7
Ich dich wiedersehen kann.
Am7
D7
G
Ich hab immer für dich Zeit.
Am7 D7
Am7
D7
G
Am7 D7
Ich dich wieder küssen kann,
Am7 D7
G
Unter Palmen so wie heut'. Dm7
G7
Laß uns träumen am Meer
Dm7 G7
C
Einen Traum von Amor,
Em7 A7
Denn so schön wie ein Traum
Em7
A7
Am7
Kommt mir dann das Leben vor.
D7
G
Am7 D7
Am7
D7
G
Am7 D7
Ich dich wiedersehen kann.
Am7
D7
G
Em
Sag' mir quando, sag' mir wann.
Am7
D7
G
Sag' mir quando, sag' mir wann.
QUE SERA
Doris Day
C
When I was just a little boy,
Dm7 G7
I asked my mother, "What will I be?
Dm7
G7
Dm7
G7
Will I be handsome? Will I be rich?"
F
G7
C C7
Here's what she said to me:
F
C
"Que sera, sera, whatever will be, will be
G7
The future's not ours to see.
C Dm7
G7
C
Que sera, sera, what will be, will be."
C
When I was just a child in school,
Dm7 G7
I asked my teacher, "What should I try?
Dm7
G7
Dm7
G7
Should I paint pictures? Should I sing songs?"
F
G7
C C7
This was her wise reply:
F
C
G7
C Dm7
G7
C
C
When I grew up and fell in love.
Dm7 G7
I asked my sweetheart, "What lies ahead?
Dm7
G7
Dm7
G7
Will we have rainbows day after day?"
F
G7
C C7
Here's what my sweetheart said:
F
C
G7
C Dm7
G7
C
C
Would I have Children of my own.
Dm7 G7
And they‘d ask their father, "What will I be?"
Dm7
G7
Dm7
G7
Will I be handsome? Will I be rich?"
F
G7
C C7
I‘d tell them tenderly:
F
C
G7
C Dm7
G7
C
RAGGLE-TAGGLE GYPSY, THE
Trad.
Capo 3 P.
Am
There were three auld gypsies came to our hall door.
G
Em
They came brave and boldly-o.
C
Am
Em
Am
And one sang high and the other sang low.
G
Am
And the other sang a raggle taggle gypsy-o.
Am
It was upstairs, downstairs the lady went,
G
Em
Put on her suit of leather-o,
C
Am
Em
Am
And it was the cry all around her door;
G
Am
"She's away with the raggle taggle gypsy-o"
Am
It was late that night when the lord came in,
G Em
Enquiring for his lady-o,
C
Am
Em
Am
And the servant girl's reply to him was:
G
Am
"She's away with the raggle taggle gypsy-o"
"Then saddle for me my milk-white steed.
Me big horse is not speedy-o
And I will ride and I'll seek me bride,
She's away with the raggle taggle gypsy-o"
He rode east and he rode west,
He rode north and south also,
And when he rode to the wide open field
T'was there that he spied his lady-o.
"Arra, why did you leave your house and your land,
Why did you leave your money-o?
Why did you leave your only wedded lord
All for the raggle taggle gypsy-o?"
"Yerra what do I care for me house and me land?
What do I care for money-o?
What do I care for me only wedded lord?
I'm away with the raggle taggle gypsy-o"
"It was there last night you'd a goose feather bed,
Blankets drawn so comely-o.
But tonight you lie in a wide open field
In the arms of the raggle taggle gypsy-o"
"Yerra, what do I care for me goose feather bed?
Yerra, what do I care for blankets-o?
What do I care for me only wedded lord?
I'm away with the raggle taggle gypsy-o"
"Oh, for you rode east when I rode west,
You rode high and I rode low.
I'd rather have a kiss of the yellow gypsy's lips
Than all the cash and money-o"
RAINDROPS KEEP FALLING ON MY HEAD
Burt Bacharach
C
Cmaj7
Raindrops keep falling on my head
C7
Fmaj7
Em
But that doesn't mean my eyes will soon be turning red
A7
Em A7
Crying's not for me, cause
Dm7
G7
I‘m never gonna stop the rain by complaining
Capo 3
| C G | F G |
2x
C
Cmaj7
h‘
C7
Fmaj7
Em
And just like the guy whose feet are too big for his bed
A7
Em A7
Nothing seems to fit,
those
g‘
Dm7
G7
Raindrops are falling on my head, they keep falling
C G7
C
Because I'm free, nothing's worrying me
Instr.:
F
G
Em7
(The blues they send to meet me won't defeat me)
c,
C
Cmaj7
So I just did me some talking to the sun
C7
Fmaj7
Em
And I said, I didn't like the way he got things done
A7
Em A7
Sleeping on the job, those
Dm7
G7
Raindrops are falling on my head, they keep falling
C
Cmaj7
But there's one thing, I know
F
G
Em
The blues they send to meet me won't defeat me
A7
Dm7
F-G
It won't be long till happiness stands up to greet me
Cmaj7
A7
Dm7
F-G
It won't be long till happiness stands up to greet me
F-G
C
Cmaj7
C7
Fmaj7
Em
But that doesn't mean my eyes will soon be turning red
A7
Em A7
Crying's not for me, cause
Dm7
G7
I‘m never gonna stop the rain by complaining
C
G7
C
Because I'm free, nothing's worrying me
F-G
RAINY DAY WOMEN #12 & 35
Bob Dylan
P. A-Harp
(Original: F)
Instr.: 1 Verse A-Harp
E
Well, they'll stone ya when you're trying to be so good,
They'll stone ya just like they said they would.
A
They'll stone ya when you're tryin' to go home.
E
Then they'll stone ya when you're there all alone.
B7
E
But I would not feel so all alone, everybody must get stoned.
E
Well, they'll stone you and say that it's the end.
Then they'll stone you and then they'll come back again.
A
They'll stone you when you're riding in your car.
E
They'll stone you when you're playing your guitar.
B7
E
Yes, but I would not feel so all alone, everybody must get stoned.
E
Well, they'll stone ya when you're walkin' 'long the street.
They'll stone ya when you're tryin' to keep your seat.
A
They'll stone ya when you're walkin' on the floor.
E
They'll stone ya when you're walkin' to the door.
B7
E
E
Well, they'll stone you when you walk all alone.
They'll stone you when you are walking home.
A
They'll stone you and then say you are brave.
E
They'll stone you when you are set down in your grave.
B7
E
E
They'll stone ya when you're at the breakfast table.
They'll stone ya when you are young and able.
A
They'll stone ya when you're tryin' to make a buck.
E
They'll stone ya and then they'll say, "good luck."
B7
E
Tell ya what, I would not feel so all alone, everybody must get stoned.
Instr.: 1 Verse A-Harp
E-Riff
A-Riff
: . . .
:
: . . .
:
|-4-----3--2-|-0----||-9-----8--7-|-5---|
|-0-----2--1-|-0----||-8-----7--6-|-5---|
|-4-----3--2-|-1----||-9-----8--7-|-6---|
|------------|-2----||------------|-7---|
|------------|-2----||------------|-7---|
|------------|-0----||------------|-5---|
RAMBLIN‘ BOY
Tom Paxton
G
D
G
He was a man and a friend always
D
G
He stuck with me in the hard old days.
C
G
He never cared if I had no dough
D
G
We rambled 'round in the rain and snow.
G
C
G
And here's to you my ramblin' boy
D
G
May all your ramblin' bring you joy
C
G
D
G
May all your ramblin' bring you joy.
G
D
G
In Tulsa town we chanced to stray
D
G
We thought we'd try to work one day
C
G
The boss said he had room for one
D
G
Says my old pal, "We'd rather bum!"
G
C
G
D
G
May all your ramblin' bring you joy
C
G
D
G
May all your ramblin' bring you joy.
G
D
G
Late one night in a jungle camp
D
G
The weather it was cold and damp
C
G
He got the chills and he got 'em bad
D
G
They took the only friend I had.
G
D
G
He left me here, to ramble on
D
G
My ramblin' pal, is dead and gone
C
G
If when we die, we go somewhere
D
G
I'll bet you a dollar, he's ramblin' there.
And here's to you my ramblin' boy ....
RAMONA
Blue Diamonds
P.
C
G7
Ramona, zum Abschied sag' ich dir goodbye
C
Ramona, ein Jahr geht doch so schnell vorbei
Am
G
Verzag nicht und frag nicht, denn in Gedanken bin ich bei dir
G7
C
Bei Tag bringt die Sonne, bei Nacht der Mond die Grüße von mir.
C
G7
Ramona, denk jeden Tag einmal daran
A7
Ramona, daß nichts vergeht, was so begann
F
C
A7
Nach einem Jahr steh ich mit Blumen vor der Tür
F
G
C
G7
Ramona, dann bleib ich bei dir.
Instr. 2. Strophe
C
G7
Ramona, zum Abschied sag' ich dir goodbye
C
Ramona, ein Jahr geht doch so schnell vorbei
Am
G
Verzag nicht und frag nicht, denn in Gedanken bin ich bei dir
G7
C
Bei Tag bringt die Sonne, bei Nacht der Mond die Grüße von mir.
C
G7
Ramona, denk jeden Tag einmal daran
A7
Ramona, daß nichts vergeht, was so begann
F
C
A7
Nach einem Jahr steh ich mit Blumen vor der Tür
F
G
C
G7
Ramona, dann bleib ich bei dir.
(Original: F)
RAVE ON
Buddy Holly
(Original: G)
E
A-we-e-ell the little things you say and do,
E7
Make me want to be with you hoo-hoo.
A
Rave on: It's a crazy feeling
E
B7
And I know it's got me reeling when you say: 'I love you,'
E
A E B7
Rave on.
E
The way you dance and hold me tight,
E7
The way you kiss and say good-ni-hi-hight
A
Rave on: It's a crazy feeling
E
B7
And I know it's got me reeling when you say: 'I love you,'
E
A E E7
Rave on.
A
Oh-well rave on: It's a crazy feeling
E
And I know it's got me reeling
B7
E A E E7
I'm so glad that you're revealing your love for me!
A
Rave on, rave on and tell me,
E
Tell me not to be lonely,
B7
E
A
E E7
Tell me you love me only, rave on to me
Instr.: Chorus
A
Oh-well rave on: It's a crazy feeling
E
And I know it's got me reeling
B7
E A E E7
I'm so glad that you're revealing your love for me!
A
Rave on, rave on and tell me,
E
Tell me not to be lonely,
B7
E
A
E
Tell me you love me only, rave on to me
E
A E
Ah ah ah
E
A E
Ah ah ah
E
A E
Ah ah ah
REAL OLD MOUNTAIN DEW
Trad.
Capo 2
C
F
Let grasses grow and waters flow
C
G7
In a free and easy way
C
F
But give me enough of the fine old stuff
C
G7
C
That’s made near Galway Bay.
Am
Oh, peelers all, from Donegal, Galway and Etrim too
C
F
C
G7
C
We’ll give them the slip and we’ll take a sip of the real old Mountain Dew.
C
F
C
G7
Hah doodlee ab’n dah, hah doodlee ab’n dah, hah dah dah doodlee ah day
C
F
C
G7
C
C
F
At the foot of the hill there’s a neat little still
C
G7
Where the smoke curls to the sky.
C
F
By the smoke and the smell you can plainly tell
C
G7
C
There’s whiskey brewin’ near by. Am
For it fills the air with odor rare and betwixt both me and you
C
F
C
G7
C
When home you roll you can take a bowl or a bucket of Mountain Dew.
C
F
C
G7
C
F
C
G7
C
Hah doodlee ab’n dah, hah doodlee ab’n dah, hah dah dah doodlee ah day C
F
Now learned men who use the pen
C
G7
Have wrote your praises high
C
F
This sweet pocheen from Ireland’s green
C
G7
C
Distilled from wheat and rye.
Am
Throw away your pills, it’ll cure all ills of Pagan, Christian, Jew
C
F
C
G7
C
Take off your coat and free your throat with the real old Mountain Dew
C
F
C
G7
C
F
C
G7
C
REASON TO BELIEVE
Tim Hardin
C
G
Am
If I listened long enough to you
F
G
C
I'd find a way to believe that it's all true
D
G
F
C
Knowing that you lied straight faced while I cried
Am Am/G F
G
Still I look to find a reason to believe
F
G
Am G
Someone like you makes it hard to live without somebody else
F
G
Am
G
Someone like you makes it easy to give never think about myself
C
G
Am
If I gave you time to change my mind
F
G
C
I'd find a way to leave the past behind
D
G
F
C
Am Am/G F
G
Instr.: Chorus
C
G
Am
If I listened long enough to you
F
G
C
I'd find a way to believe that it's all true
D
G
F
C
Am Am/G F
G
F
G
Am G
F
G
Am
G
F
G
Am G
F
G
Am
G
RED RED WINE
UB 40
P.
(*e)
A
D E
A
D
Red, red wine,
goes to my head
A
D E
Makes me forget that I
A
D E
Still need her so
E
(*cis)
A
D E
A
Red, red wine,
stay close to me
A
D E
Don`t let me be in love,
A
D E
It`s tearin` apart
A
D E
My blue, blue heart
Instr.:
A
D E
A
Red, red wine,
it`s up to you
A
D E
All I can do, I`ve done,
A D E
But mem`ries won`t go
A
D E
No, mem`ries won`t go
D
E (*gis)
A
I`d have sworn, that with time
D
A
Thoughts of you would leave my head
E
A
I was wrong, now I find
D
E
Just one thing makes me forget
E
A
D
E
D
E
2x
E
A
I`d have sworn, that with time
D
A
Thoughts of you would leave my head
E
A
I was wrong, now I find
D
E
Just one thing makes me forget
Red, red wine,
stay close to me
It`s tearin` apart
My blue, blue heart
Instr.:
A
D
E
2x
Red, red wine,
stay close to me
It`s tearin` apart
My blue, blue heart
Original: C#
RED RIVER VALLEY
Trad. (James Kerrigan, 1896)
Instr.: 1 Vers in C
C
From this valley they say you are going.
G
I will miss your bright eyes and sweet smile.
C
F
For they say you are taking the sunshine.
C
G
C
>>> D
That has brightened our path for a while.
D
Come and sit by my side 'ere you leave me,
A
Do not hasten to bid me adieu
D
G
But remember the Red River Valley
D
A
D
And the man that has loved you so true.
Instr.: 1 Vers in D
>>> E
E
I've been waiting a long time my darling
B7
For the sweet words you never would say.
E
A
Now at last all my fond hopes have vanished.
E
B7
E
>>> F
For they say you are going away.
F
Do you think of the valley you're leaving?
C
O how lonely and drear it will be!
F
Bb
Do you think of the kind heart you're breaking.
F
C
F
>>> G
And the pain you are causing to me?
G
As you go to your home by the ocean,
D7
May you never forget those sweet hours
G
C
That we spent in the Red River Valley,
G
D
G
And the love we exchanged mid the flowers.
Instr.: 1 Vers in G
RHINESTONE COWBOY
Glen Campbell
A
I've been walkin' these streets so long, singin' the same old song
E
Esus4 E
I know every crack in these dirty sidewalks of Broadway
D
Where hustle's the name of the game
A D-A
And nice guys get washed away like the snow and the rain
E
There's been a load of compromisin'
D
A
On the road to my horizon
D
B7
E Esus4 E
But I'm gonna be where the lights are shinin' on me
D
E
A
D-A
Like a rhinestone cowboy
Amaj7
Bm E
Riding out on a horse in a star-spangled rodeo
D
E
A
D-A
Like a rhinestone cowboy
Amaj7
Bm
Getting cards and letters from people I don't even know
E
D
A
And offers comin' over the phone
A
Well, I really don't mind the rain and a smile can hide all the pain
E
But you're down when you're ridin' the train that's takin' the long way
D
And I dream of the things I'll do
A D-A
With a subway token and a dollar tucked inside my shoe
E
There'll be a load of compromisin'
D
A
On the road to my horizon
D
B7
E Esus4 E
But I'm gonna be where the lights are shinin' on me
Like a rhinestone cowboy....
Like a rhinestone cowboy....
RHYTHM OF THE RAIN
E6
E
A
The only girl I care about has gone away,
E6
E
B
Looking for a brand new start;
E6
E
A
But little does she know that when she left that day,
E
B7
E
Emaj7 E7
Along with her she took my heart.
Cascades, 1963
E6
E
A
Listen to the rhythm of the falling rain,
E6
E
B
Telling me just what a fool I've been;
E6
E
A
I wish that it would go and let me cry in vain
E
B7
E
B7
And let me be alone again.
A
G#m
Rain, please tell me now, does that seem fair,
B7
E
For her to steal my heart away when she don't care?
C#m
A
B
E
I can't love another when my heart's somewhere far away.
E6
E
A
The only girl I care about has gone away,
E6
E
B
Looking for a brand new start;
E6
E
A
But little does she know that when she left that day,
E
B7
E
Emaj7 E7
Along with her she took my heart.
A
G#m
Rain, please tell me now, does that seem fair,
B7
E
For her to steal my heart away when she don't care?
C#m
A
B
E
I can't love another when my heart's somewhere far away.
Listen to the rhythm of the falling rain...
E6
E
A
Listen to the rhythm of the falling rain,
E6
C#m C#m7
Pitter-patter, pitter-patter, ooooh.
B7
B7
RIDERS ON THE STORM
Instr.
Doors
Main bass line:
|----------------------------|
|.--------------------------.|
|.-----2-----2-----0--4--0--.|
|---0-----3-----0------------|
Em
A
Em7 A
Em
A
Em7 A
Riders on the storm
Em
A
Em7 A
Riders on the storm
Am
Bm
C
D
Into this house we're born
Em
A
Em7 A
Into this world we're thrown
D
C
Like a dog without a bone, an actor out alone
Em
A
Em7 A
Riders on the storm
Em
A
Em7 A
There's a killer on the road
Em
A
Em7 A
His brain is squirmin' like a toad
Am
Bm
C
D
Take a long holiday
Em
A
Em7 A
Let your children play
D
C
If you give this man a ride, sweet family will die
Em
A
Em7 A
Killer on the road,
yeah
Em
A
Em7 A
Girl, you gotta love your man
Em
A
Em7 A
Girl, you gotta love your man
Am
Bm
C
D
Take him by the hand
Em
A
Em7 A
Make him understand
D
C
The world on you depends, our life will never end
Em
A
Em7 A
Gotta love your man,
yeah
Instr.
Em
A
Em7 A
Riders on the storm
Em
A
Em7 A
Riders on the storm
Am
Bm
C
D
Into this house we're born
Em
A
Em7 A
Into this world we're thrown
D
C
Like a dog without a bone, an actor out alone
Em
A
Em7 A
Riders on the storm
Em
A
Em7 A
Riders on the storm (5x)
RING OF FIRE
A
D
A
The taste of love is sweet
D
A
When hearts like our's meet
D
A
I fell for you like a child
D
A
Oh, but the fire went wild.
Johnny Cash
A-D-A
A - E - A 2x
A
D
A
Love is a burning thing
D
A
And it makes a firery ring
D
A
Bound by wild desire
D
A
I fell in to a ring of fire...
I fell in to a burning ring of fire ....
_______________________________________
E
D
A
I fell in to a burning ring of fire
E
I went down, down, down
D
A
And the flames went higher.
And it burns, burns, burns
D
A
The ring of fire
D
A
A-D-A
The ring of fire.
A - E - A 2x
Ja, die Liebe ist ein wildes Tier
Und gierig wie ein Vampir
Sie packt dich und sie kocht dich gar
Und sie frisst dich auf mit Haut und Haar
Ja, mein Herz ist so eine leichte Beute
Gestern frei, frei frei
Doch in Flammen steht es heute
Es tut weh, weh, weh
Und brennt wie Feuer - Und brennt wie Feuer
Die Liebe macht dich taub und blind
Und so hilflos wie ein kleines Kind
Nimmt sie dich erst einmal auf‘s Korn
Oh. Hast du schon verlor‘n
Text: Johnny Ketzel
RISING OF THE MOON, THE
Trad.
P.
C
G
Oh, then tell me Sean O'Farrell tell me why you hurry so
F
C
G
C
Husha buachaill (boogle) hush and listen and his cheeks were all a glow
G
I have orders from the captain get you ready quick and soon
F
C
G
C
For the pikes must be together by the rising of the moon
C
G
By the rising of the moon, by the rising of the moon
F
C
G
C
For the pikes must be together by the rising of the moon
C
G
Oh, then tell me Sean O'Farrell where the gath'rin is to be
F
C
G
C
At the old spot by the river, right well known to you and me
G
One more word for signal token whistle out the marchin' tune
F
C
G
C
With your pike upon your shoulder by the rising of the moon
C
G
F
C
G
C
With your pike upon your shoulder by the rising of the moon
C
G
Out from many a mud wall cabin eyes were watching through the night
F
C
G
C
Many a manly heart was beating for the blessed morning light
G
Murmurs rang along the valleys like the banshees lonely croon
F
C
G
C
And a thousand pikes were flashing by the rising of the moon
C
G
F
C
G
C
And a thousand pikes were flashing by the rising of the moon
C
G
All along that singing river a black mass of men was seen
F
C
G
C
High above their shining weapons hung their own beloved green
G
Death to every foe and traitor! Forward strike the marching tune
F
C
G
C
And hurrah, me boys, for freedom, 'tis the rising of the moon
C
G
'Tis the rising of the moon, 'tis the rising of the moon
F
C
G
C
And hurrah, me boys, for freedom, 'tis the rising of the moon
This song relates to the Rebellion of 1798. The air is an O'Carolan
melody also known as "Wearing Of The Green" and the lyrics were
written by J. K. Casey (1846 - 1870) a Fenian from Mullingar.
RIVER, THE
Bruce Springsteen
| Am | C | G | F | Dm C | F |
Am
C
G
F
I come from down in the valley, where mister, when you're young
Am
C F
C
They bring you up to do like your daddy done
F
F9
C
C/B Am
Me and Mary we met in high school, when she was just seventeen
Dm
C
F
We'd drive out of this valley down to where the fields were green
Am
F
G
C
We'd go down to the river and into the river we'd dive
Am
F
G
F9
Oh down to the river we’d ride
Am
C
G
F
Then I got Mary pregnant and man, that was all she wrote
Am
C
F
C
And for my 19th birthday I got a union card and a wedding coat
F
F9
C
C/B Am
We went down to the courthouse and the judge put it all to rest
Dm
No wedding day smiles, no walk down the aisle,
C
F
No flowers, no wedding dress
Am
F
G
C
That night we went down to the river and into the river we'd dive
Am
F
G
F9
Oh down to the river we’d ride
Instr.: Verse
Am
C
G
F
I got a job working construction for the Johnstown Company
Am
C
F
C
But lately there ain't been much work on account of the economy
F
F9
Now all them things that seemed so important,
C
C/B Am
Well mister they vanished right into the air
Dm
C
F
Now I just act like I don't remember, Mary acts like she don't care
Am
C
But I remember us riding in my brother's car,
G
F
Her body tan and wet down at the reservoir
Am
C
At night on them banks I'd lie awake
F
C
And pull her close just to feel each breath she'd take
F
Now those memories come back to haunt me,
C
C/B Am
They haunt me like a curse
Dm
C
F
Is a dream a lie if it don't come true, or is it something worse
Am
F
G
C
That sends me down to the river, though I know the river is dry
Am
F
G
F9
That sends me down to the river toni...............ght
Am
F
G
C
Down to the river, my baby and I
Am
F
G
F9
Oh down to the river we ri........de Ooh...
ROAD TO DUNDEE, THE
Trad.
C
F
C
Cauld winter was howlin' o'er moor and o'er mountain
F
C
D7
G7
And wild was the surge of the dark rolling sea,
C
F
C
When I met about daybreak a bonnie young lassie,
F
C
G7
C
Wha asked me the road and the miles to Dundee.
C
F
C
Says I, "My young lassie, I canna' weel tell ye
F
C
D7
G7
The road and the distance I canna' weel gie.
C
F
C
But if you'll permit me tae gang a wee bittie,
F
C
G7
C >>> D
I'll show ye the road and the miles to Dundee".
D
G
D
At once she consented and gave me her arm,
G
D
E7
A7
Ne'er a word did I speir wha the lassie might be,
D
G
D
She appeared like an angel in feature and form,
G
D
A7
D
As she walked by my side on the road to Dundee.
D
G
D
At length wi' the Howe o' Strathmartine behind us,
G
D
E7
A7
The spires o' the toon in full view we could see,
D
G
D
She said "Gentle Sir, I’ll never forget ye
G
D
A7
D >>> E
For showing me so far on the road to Dundee".
E
A
E
So I took the gold pin from the scarf on my bosom
A
E
F#7
B7
And said "Keep ye this in remembrance o' me
E
A
E
Then bravely I kissed the sweet lips o' the lassie,
A
E
B7
E
E'er I parted wi' her on the road to Dundee.
E
A
E
So here's to the lassie, I’ll never forget her,
A
E
F#7
B7
And ilka young laddie that's list'ning to me,
E
A
E
O never be sweer to convoy a young lassie
A
E
B7
E
Though it's only to show her the road to Dundee.
A
E
B7
E
Though it's only to show her the road to Dundee.
ROAD TO HELL
Chris Rea
Instr.:
cdedc defed c dc h ch a
Am
Dm
Fmaj7 E7
Am
Am
Am
Dm
Fmaj7 E7
Am
2x
Am
Dm
Well I'm standing by a river, but the water doesn't flow.
Fmaj7
E7
Am
It boils with every poison - you can think of.
Dm
And I'm underneath the street light, the delight of joy I know,
Fmaj7
E7
Am
Scared beyond belief - way down in the shadows.
C
G
And the perverted fear of violence chokes the smile on every face,
F
E7
Common sense is ringing, out the bells.
Am
Dm
This ain't no technological breakdown
Fmaj7
E7
Am
Oh-no, this is the road to hell.
2x
C
G
And all the roads jam up with credit and there's nothing you can do,
F
E7
It's all just bits of paper - flying away from you.
Am
Dm
Oh look out world take a good look, look who's down there,
Fmaj7
E7
Am
You must learn this lesson fast, and learn it well.
Am
Dm
This ain't no upwardly mobile freeway,
Fmaj7
E7
Oh-no, this is the road
Fmaj7
E7
This is the road,
Fmaj7
E7
Am
This is the road ... to hell.
Instr.:
Am
Dm
Fmaj7 E7
Am
x-mal
ROCK AROUND THE CLOCK
Bill Haley
E
1, 2, 3 o’clock, 4 o’clock rock,
B7
We’re gonna rock - around – the clock tonight:
E
Put your glad rags on and join me, hon
Instr. 1
When the chimes ring 5, 6 and 7,
We’ll be right in seventh heaven,
A
We’re gonna rock around the clock tonight,
E
We’re gonna rock, rock, rock, ‘til broad daylight,
B7
E
We’re gonna rock, gonna rock around the clock tonight.
We’ll have some fun when the clock strikes 1,
A
E
B7
E
When it's 8, 9, 10, 11 too
I'll be goin' strong and so are you
When the clock strikes 2 and 3 and 4
A
E
B7
E
If the band slows down we’ll yell for more,
Instr. 2
A
E
B7
E
When the clock strikes 12, we'll cool off then
Start rockin' round the clock again
We’re gonna rock around the clock tonight,.......
ROCKY RACCOON
Beatles
e
Em7
Now somewhere in the black mountain hills of Dakota
A7
There lived a young boy named Rocky Raccoon
D7
G
G/F#
Em7
And one day his woman ran off with another guy, hit young Rocky in the eye
A7
Rocky didn't like that, he said I'm gonna get that boy
c
D7
So one day he walked into town.
G
G/F#
Booked himself a room in the local saloon.
a‘ a‘ h‘ e
Em7
A7
D7
G
G/F#
Rocky Raccoon checked into his room, only to find Gideon's bible
Em7
A7
Rocky had come equipped with a gun
D7
G
G/F#
To shoot off the legs of his rival
Em7
A7
D7
G G/F#
His rival it seems had broken his dreams, by stealing the girl of his fancy.
Em7
A7
Her name was Magil and she called herself Lil
D7
G
G/F#
But everyone knew her as Nancy.
Em7
A7
Now she and her man who called himself Dan
D7
G
G/F#
Were in the next room at the hoe down
Em7
A7
Rocky burst in and grinning a grin
D7
G
G/F#
He said: Danny boy this is a showdown
Em7
A7
But Daniel was hot - he drew first and shot
D7
G
G/F#
And Rocky collapsed in the corner.
Instr. Em7 A7 D7 G G/F# 2x
Em7
A7
D7
G G/F#
Now the doctor came in stinking of gin and proceeded to lie on the table
Em7
A7
He said: Rocky you met your match and Rocky said: Doc it's only a scratch
D7
G
G/F#
And I'll be better, I'll be better doc as soon as I am able.
And now...
Em7
A7
D7
G
G/F#
Rocky Raccoon, he fell back in his room, only to find Gideon's bible
Em7
A7
Gideon checked out and he left it no doubt
D7
G
G/F#
To help with good Rocky's revival.
Instr. Em7 A7 D7 G G/F#
Em7 A7 D7 G
ROLL OVER BEETHOVEN
Chuck Berry
Capo 3 P.
Instr. 1 Verse
F-Harp
(Original: D)
A
D
A
I'm gonna write a little letter, gonna mail it to my local DJ
D
A
It‘s a rockin' little record I want my jockey to play
E
D
A
Roll over Beethoven, gotta hear it again today
A
D
A
You know, my temperature's risin' and the jukebox blows a fuse
D
A
My heart's beatin' rhythm and my soul keeps on singin' the blues
E
D
A
Roll over Beethoven and tell Tchaikovsky the news
A
D
A
I got the rockin' pneumonia, I need a shot of rhythm and blues
D
A
I caught the rollin' arthritis, sittin' down by the rhythm review
E
D
A
Roll over Beethoven, rockin' in two by two
A
Well, if you feel you like it, go get your lover, then reel and rock it, roll it over
D
A
And move on up just a trifle further and reel and rock it, roll it over
E
D
A
Roll over Beethoven, rockin' in two by two
F-Harp
A
D
A
Well, early in the mornin' I'm a-givin' you the warnin': don't you step on my
blue suede shoes
D
A
Hey diddle diddle, I'm a-playin' my fiddle, ain't got nothin' to lose
E
D
A
Roll over Beethoven and tell Tchaikovsky the news
A
D
A
You know she wiggles like a glow worm, dance like a spinnin' top
D
A
She‘s got a crazy partner. oughta see 'em reel and rock
E
D
A
Long as she got a dime, the music will never stop
A
Roll over Beethoven, Roll over Beethoven
D
A
Roll over Beethoven, Roll over Beethoven
E
D
A
Roll over Beethoven and dig these rhythm and blues
ROLLING HOME
Trad.
G
(Gdim) G
G7
C
Und unsen hilligen stillen Freedach, wat doch uns höchste Festdach is
G
D7
G
Und unsen hilligen Buß- und Beeddach, dor seggt de Ool: Dat giff dat nich.
h, gis, a,
h, h, b, h, cis, h, h, gis, h, e‘ gis‘ fis‘ e‘ cis,
E
(Gdim) E
E7
A
Von Hamborch fohr so‘n ohlen Kassen, mit Namen heet he Magellan,
E
B7
E
Dor weer bi Dag keen Tied ton Brassen, dat leet man allns bit Avends stahn
G
(Gdim) G
G7
C
Jedoch so recht bi Licht bekeeken, do weer uns Ool noch lang nicht slecht.
G
D7
G
Harr Smutje mol een Swien afsteken, trangscheer he sülben dat torecht.
E
(Gdim) E
E7
A
Bi Dag dor kunn dat weihn un blasen, dor wör noch lang keen Hand anleggt.
E
B7
E
Doch so an Avend no veer Glasen, dann wör de ganze Plünnkram treggt.
G
C
G
Rolling home, rolling home, rolling home across the sea,
C
G
D7
G >>> A
Rolling home to di old Hamborch, rolling home, mien Deern to di.
E
A
E
A
E
B7
E >>> F
A
(F#dim) A
A7
D
De Lüüd de kreggn so recht dat Lopen. Se högen sick, ik weet nich wie.
A
E7
A
Se kregen vun dat Swien de Poten un geele Arfensupp dorbi.
F
(Fdim)
F
F7
Bb
Dat weer so recht den Ooln sien Freeten, dat güng em öber Danz und Ball,
F
C7
F
Harr Janmaat graad de Piep ansteken, denn rööp de Ohl: Pull Grootmarsfall.
F
(Fdim) F
F7
Bb
Dat kunn de Kerl verdüvelt ropen, dat weer em jüst so na'n Strich,
F
C7
Man schraal de Wind denn noch söss Streeken, wat weer de Kerl denn
gnatterich,
F
Bb
F
Bb
F
C7
F >>> G
F
A
(F#dim) A
A7
D
Oh, Magellan, du olen Kassen, dit Leed schall di een Denkmol sien.
A
Bi Snee und Regn wascht Janmaat de Masten,
E7
A
und achtern suupt se unsen Kööm.
A
D
A
D
A
E7
A
ROSE GARDEN
Lynn Anderson
Intro:
eee gga
E
h‘ h‘ h‘ a a g
G
eee aag
A
e
E
gis
E
F#m B7
E
I beg your pardon, I never promised you a rose garden
F#m
B7
E
Along with the sunshine, there's gotta be a little rain, sometimes.
a‘
cis‘
A
F#m
When you take you got to give, so, live and let live, or let go..ho..ho..ho..ho
B7
E
I beg your pardon, I never promised you a rose garden.
E
I could promise you things like big diamond rings
F#m
But you don't find roses growing on stalks of clover
B7
So you better think it over
E
Well, if sweet talking you could make it come true
F#m
I would give you the world right now on a silver platter
B7
But what would it matter?
F#m
B7
Bm
C#7
So, smile for a while and let's be jolly, love shouldn't be so melancholy
F#m
A B7
Come along and share the good times while we ca.....n
E
F#m B7
E
F#m
B7
E
E
I could sing you a tune and promise you the moon
F#m
But if that's what it takes to hold you, I'd just as soon let you go
B7
But there's one thing I want you to know
E
You better look before you leap, still waters run deep
F#m
And there won't always be someone there to pull you out
B7
And you know what I'm talking about
F#m
B7
Bm
C#7
So, smile for a while and let's be jolly, love shouldn't be so melancholy
F#m
A B7
Come along and share the good times while we ca.....n
E
F#m B7
E
F#m
B7
E
E
F#m B7
E
F#m
B7
E
ROSIN THE BEAU
Trad.
Capo 2 P.
C
Am
I've traveled all over this world and now to another I go
C
F C
G
C
And I know that good quarters are waiting to welcome old Rosin the Beau
F
C
Am
To welcome old Rosin the Beau, to welcome old Rosin the Beau
C
F C
G
C
And I know that good quarters are waiting to welcome old Rosin the Beau
C
Am
When I'm dead and laid out on the counter, a voice you will hear from below
C
F C
G
C
Saying: Send down a hogshead of whiskey to drink with old Rosin the Beau
F
C
Am
To drink with old Rosin the Beau, to drink with old Rosin the Beau
C
F C
G
C
Saying: Send down a hogshead of whiskey to drink with old Rosin the Beau
C
Am
Then get a half dozen stout fellows and stack them all up in a row
C
F
C
G
C
Let them drink out of half gallon bottles to the memory of Rosin the Beau
F
C
Am
To the memory of Rosin the Beau, to the memory of Rosin the Beau
C
F
C
G
C
Let them drink out of half gallon bottles to the memory of Rosin the Beau
C
Am
Then get this half dozen stout fellows and let them all stagger and go
C
F C
G
C
And dig a great hole in the meadow and in it put Rosin the Beau
F
C
Am
And in it put Rosin the Beau and in it put Rosin the Beau
C
F C
G
C
And dig a great hole in the meadow and in it put Rosin the Beau
C
Am
Then get ye a couple of bottles. Put one at me head and me toe
C
F C
G
C
With a diamond ring scratch upon them the name of old Rosin the Beau
F
C
Am
The name of old Rosin the Beau, the name of old Rosin the Beau
C
F C
G
C
With a diamond ring scratch upon them the name of old Rosin the Beau
C
Am
I feel that old tyrant approaching, that cruel remorseless old foe
C
F
C
G
C
And I lift up me glass in his honor, take a drink with old Rosin the Beau
F
C
Am
Take a drink with old Rosin the Beau, take a drink with old Rosin the Beau
C
F
C
G
C
And I lift up me glass in his honor, take a drink with old Rosin the Beau
ROTE LIPPEN SOLL MAN KÜSSEN
Cliff Richard
E
Dah dup dah dah dup dah dup dah dah dup
A
B7
Dah dup dah dah dup oh oh oh oh
E
A
B7
E
B7
Ich sah ein schönes Fräulein im letzten Autobus
E
Sie hat mir so gefallen, drum gab ich ihr 'nen Kuß
E7
A
Doch es blieb nicht bei dem einen, das fiel mir gar nicht ein,
B7
(tacet)
E
Und hinterher hab ich gesagt, sie soll nicht böse sein.
B7 E
B7
Rote Lippen soll man küssen, denn zum Küssen sind sie da
E
Rote Lippen sind dem siebten Himmel ja so nah
E7
A
Ich habe dich gesehen, und ich hab mir gedacht
B7
(tacet)
E
B7
So rote Lippen soll man küssen Ta-a-ag und Nacht.
E
A
B7
E
B7
Heut' ist das schöne Fräulein schon lange meine Braut
E
Und wenn die Eltern es erlauben, werden wir getraut
E7
A
Jeden Abend will sie wissen, ob es auch so bleibt bei mir,
B7
(tacet)
E
Dass ich sie küsse Tag und Nacht, dann sage ich zu ihr:
B7 E
B7
Rote Lippen soll man küssen, denn zum Küssen sind sie da
E
Rote Lippen sind dem siebten Himmel ja so nah
E7
A
Ich habe dich gesehen, und ich hab mir gedacht
B7
E A E
So rote Lippen soll man küssen Ta-a-ag und Nacht.
ROUTE 66
Chuck Berry
D-Harp
Intro: D-Harp: A
D
A
A
D
A
If you ever plan to motor west,
D
A
Travel my way, take the highway that's the best.
E7
D
A
Get your kicks on Route sixty-six.
D
A
It winds from Chicago to LA,
D
A
More than two thousand miles all the way.
E7
D
A
E7
Get your kicks on Route six-six.
A
D
Well it goes through Saint Louis, down to Missouri,
A
Oklahoma City looks oh so pretty.
D
A
You see Amarillo, Gallup, New Mexico,
E7
Flagstaff, Arizona, don't forget Winona,
Kingman, Barstow,San Bernardino.
A
D
A
Won't you get hip to this timely tip:
D
A
When you make that California trip
E7
D
A
A
D
Well it goes through Saint Louis, down to Missouri,
A
Oklahoma City looks oh so pretty.
D
A
You see Amarillo, Gallup, New Mexico,
E7
Flagstaff, Arizona, don't forget Winona,
Kingman, Barstow,San Bernardino.
A
D
A
Won't you get hip to this timely tip:
D
A
When you make that California trip
E7
D
A
E7
D
A
RUBY, DON‘T TAKE YOUR LOVE TO TOWN
Kenny Rogers
Capo 5 P.
G (*d,) tacet
C
D7
You've painted up your lips and rolled and curled your tinted hair.
G
C
D7
Am
Ruby are you contemplating going out somewhere?
C
G
D7
Am
The shadow on the wall tells me the sun is going down
G
C C/B C/A Am
G
Oh Ru.....by,
don't take your love to town
Am
Am
G
It wasn't me that started that old crazy Asian War
Am
C
D7
Am
But I was proud to go and do my patriotic chore
C
G
D7 Am
And yes, it's true that I'm not the man I used to be...
G
C C/B C/A Am
G
Oh Ru.....by,
I still need some company.
G
C
D7
Am
Its hard to love a man whose legs are bent and paralysed
G
C
D7 Am
And the wants and the needs of a woman your age, well Ruby I realize
C
G
D7
Am
But it won't be long I've heard them say until I‘m not around
G
C C/B C/A Am
G
Oh Ru.....by,
G (schrapp..)
C
D7
Am
She's leavin' now 'cause I just heard the slammin' of the door
G (schrapp..)
C
D7
Am
The way I know I've heard it slam one hundred times before
C
G
D7
Am
And if I could move I'd get my gun and put her in the ground
G
C C/B C/A Am
G
Oh Ru.....by,
G
C C/B C/A Am
G
(schrapp..)
Oh Ru.....by,
for God's sake turn around!
RUBY TUESDAY
Rolling Stones
Em (*e,) D
C D
G Gsus4 G
She would never say, where she came from
Em D
C
D Dsus4 D
Yesterday don't matter if it's gone
Em
A7
D
While the sun is bright
Em
A7
D
Or in the darkest night
G
Gsus4 G
D Dsus4 D
No one knows,
she comes and goes
G (*h') D C
G
D
C
G
Good....bye, Ruby Tuesday, who could hang a name on you?
D
C
D
C
G D
When you change with every new day, still I'm gonna miss you
Em
D
C
D
G Gsus4 G
Don't question why she needs to be so free
Em
D
C
D Dsus4 D
She'll tell you it's the only way to be
Em
A7
D
She just can't be chained
Em
A7
D
To a life where nothing's gained
G
Gsus4 G
D Dsus4 D
And nothing's lost at such a cost
G (*h') D C
G
D
C
G
D
C
D
C
G D
Em
D
C
D
G Gsus4 G
There's no time to lose, I heard her say
Em
D
C
D Dsus4 D
Catch your dreams before they slip away
Em A7
D
Dying all the time
Em
A7
D
Lose your dreams and you
G
Gsus4 G
D Dsus4 D
Will lose your mind ain't life unkind
G (*h') D C
G
D
C
G
D
C
D
C
G
RUBY’S ARMS
Tom Waits
| F C | E7 Am | F C | Dm7 G7 |
(2x)
F(*a') C
E7
Am
F
C
Dm7
G7
I will leave behind all of my clothes I wore when I was with you
F C
E7
Am F
C
Dm7 G7
All I need's my railroad boots and my leather jacket
F
C
E7(*e')
Am
F
C
Dm7
G7
As I say goodbye to Ruby's
Arms although my heart is breaking
F
C
E7
Am
F
C
Dm7 G7
I will steal away out through your blinds for soon you will be waking
G
C
A
Dm
The morning light has washed your face
G7
C
Dm7 G7sus4 G7
And everything is turning blue now
G
C
A
Dm
Hold on to your pillow case,
G7
C
Dm7 G7sus4 G7
There's nothing I can do
now
F
C
E7(*e')
Am
F
C
Dm7 G7
As I say goodbye to Ruby's
Arms you'll find another soldier
F
C
E7
Am
F
C
Dm7 G7
And I swear to God by Christmas time there'll be someone else to hold you
G C
A
Dm
The only thing I'm taking is
G7
C
Dm7 G7sus4 G7
The scarf off of your clothes line
G
C
A
Dm
I'll hurry past your chest of drawers
G7
C
Dm7 G7sus4 G7
And your broken wind chimes
F
C
E7
Am
As I say goodbye, I'll say goodbye
Dm7 G7sus4 F
C | E7 Am | F C | Dm7 G7 |
Say goodbye to Ruby's Arms
F
C
E7
Am F
C
Dm7
G7
I will feel my way down the darkened hall out into the morning
F
C
E7
Am
F
C Dm7
G7
The Hoboes at the freightyards have kept their fires burning
F
C
E7(*e')
Am
F
C
E7(*e') Am
Jesus Christ this God damn rain, will someone put me on a train
F
C
E7(*e') Am Dm7
G7sus4 G7
I'll never kiss your lips
again or break your heart
F
C
E7
Am
As I say goodbye, I'll say goodbye
Dm7 G7sus4 F C | E7 Am | F C | Dm7 G7 |
Say goodbye to Ruby's Arms
RUDOLPH THE RED-NOSED REINDEER
Johnny Marks, 1949
F
Em7
A7
Then one foggy Christmas Eve
Dm7 G7
C
Santa came to say:
G7
Em
Rudolph with your nose so bright
Am7
D7
Dm7
G7
Won't you guide my sleigh tonight?
Fmaj7
Em7
You know Dasher and Dancer
Dm7
Cmaj7
And Prancer and Vixen,
Fmaj7
Em7
Comet and Cupid
Dm7
Cmaj7
And Donner and Blitzen.
Am E7 Am
But do you recall
D9
G4
G7
The most famous reindeer of all?
C
Rudolph the red-nosed reindeer
G7
Had a very shiny nose
C
Then all the reindeer loved him
G7
And they shouted out with glee
reindeer)
(like a light bulb)
And if you ever saw it
(saw it)
C
You would even say it glows
(like a flash light)
C
All of the other reindeer
(reindeer)
G7
Used to laugh and call him names
They wouldn't let poor Rudolph
C
Play in any reindeer games
(like Pinochio)
(Rudolph)
(like Monopoly)
Rudolph the red-nosed reindeer
C
You'll go down in history
(Ho Ho Ho)
(loved him)
(yippee)
(reindeer)
(like Columbus)
SAG MIR, WO DIE BLUMEN SIND
Marlene Dietrich
Capo 3
G
Em
C
D
Sag mir, wo die Blumen sind, wo sind sie geblieben,
G
Em
C
D7
sag mir, wo die Blumen sind, was ist geschehn?
G
Em
C
D7
Sag mir, wo die Blumen sind, Mädchen pflückten sie geschwind.
C
G
C
D7
G
Wann wird man je verstehn, wann wird man je verstehn?
Sag mir, wo die Mädchen sind ...
...Männer nahmen sie geschwind ...
Sag mir, wo die Männer sind ...
...Zogen fort, der Krieg beginnt ...
Sag, wo die Soldaten sind ...
...Über Gräbern weht der Wind ...
Sag mir, wo die Gräber sind ...
...Blumen wehn im Sommerwind ...
Sag mir, wo die Blumen sind...
...Mädchen pflückten sie geschwind ...
WHERE HAVE ALL THE FLOWERS GONE
Pete Seeger
Where have all the flowers gone, long time passing,
Where have all the flowers gone, long time ago.
Where have all the flowers gone, young girls picked them
everyone,
When will they ever learn, when will they ever learn?
Where have all the young girls gone...
...Gone to husbands everyone
Where have all the husbands gone...
...Gone to soldiers everyone, . . .
Where have all the soldiers gone...
...Gone to graveyards everyone
Where have all the graveyards gone...
...Gone to flowers everyone,
Where have all the flowers gone. . .
...Young girls picked them everyone.
SAILING
C
Am
F
C
I am sailing, I am sailing home again 'cross the sea.
D7
Am
Dm7
G7
C
I am sailing stormy waters, to be near you,
to be free.
G7
C
Am
F
C
I am flying, I am flying like a bird 'cross the sea.
D7
Am
Dm7
G7
C >>> D
I am flying passing high clouds, to be near you,
to be free.
D
Bm
G
D
Can you hear me, can you hear me, thru the dark night far away?
E7
Bm
Em7
A7
D
A7
I am dying, forever trying to be with you; who can say?
D
Bm
G
D
Can you hear me, can you hear me, thru the dark night far away?
E7
Bm
Em7
A7
D >>> E
I am dying, forever trying to be with you;
who can say?
E
C#m
A
E
We are sailing, we are sailing home again 'cross the sea.
F#7
C#m
F#m7 B7
E
We are sailing stormy waters, to be near you, to be free.
B7
F#m
B7
E
Oh Lord, to be near you, to be free.
B7
F#m
B7
E
Oh Lord, to be near you, to be free.
SAILING TO PHILADELPHIA
Mark Knopfler
Capo 5 (Original: F#m)
Em G Em D
(*d) Em
I am Jeremiah Dixon, I am a Geordie boy
G
Em C
A glass of wine with you, Sir, and the ladies I’ll enjoy
D
Em
C
D
Em
C
All Durham and Northumberland is measured up by my own hand
D
Em
C
G
Em
D
It was my fate from birth to make my mark upon the earth
Em
He calls me Charlie Mason, a stargazer am I
G
Em
C
It seems that I was born to chart the evening sky
D
Em
C
D
Em
C
They’d cut me out for baking bread, but I had other dreams instead
D
Em
C
G
Em D
This baker’s boy from the west country would join the Royal Society
G
Bm
Em C G
Bm
C
D
We are sailing to Philadelphia, a world away from the coaly Tyne
Bm
Em C G Em
D
C
G Em G Em D
Sailing to Philadelphia, to draw the line, the Mason-Dixon-Line
Em
Now you’re a good surveyor, Dixon, but I swear you make me mad
G
Em
C
The West will kill us both you gullible Geordie lad
D
Em C
D
Em
C
You talk of liberty, how can America be free?
D
Em
C
G
Em D
A Geordie and a baker’s boy in the forests of the Iroquois
Em
Now hold your head up, Mason, see America lies there
G
Em C
The morning tide has raised the capes of Delaware
D
Em
C
D
Em
C
Come up and feel the sun, a new morning has begun
D
Em
C
G
Em
D
Another day will make it clear why our stars should guide us here
G
Bm
Em C G
Bm
C
D
We are sailing to Philadelphia, a world away from the coaly Tyne
Bm
Em C G Em
D
C
Em
Sailing to Philadelphia, to draw the line, the Mason-Dixon-Line
C
G
Em G Em D :||
The Mason-Dixon-Line
Jeremiah Dixon und Charles Mason vermaßen von 1763 - 1767 die Grenze
zwischen Maryland und Pennsylvania. Die Mason-Dixon Line markierte
mehr als 50 Jahre später die Grenze zwischen Sklavenhalter- und freien
Staaten.
SALLY GARDENS, THE
Trad.
Capo 3
g‘ d e‘ d h a g g
G
D/F# C G
C
D
C
G
It was down by the Sally Gardens, my love and I did meet.
D/F# C G
C D
C
G
She passed the Sally Gardens with little snow-white feet.
e‘
d h d e‘ g‘ a‘ g‘
Em D C
Bm
C
G D
G
She bid me: take love easy, as the leaves grow on the tree,
D/F#
C G
C
D
C
G
But I beeing young and foolish, with her did not agree.
G
D/F# C G
C
D
C
G
In a field down by the river, my love and I did stand
D/F# C G
C
D
C
G
And on my leaning shoulder, she laid her snow-white hand.
Em D C
Bm
C
G D
G
She bid me: take life easy, as the grass grows on the weirs
D/F#
C G
C
D
C
G
But I was young and foolish, and now I am full of tears.
G
D/F# C G
C
D
C
G
Down by the Sally Gardens, my love and I did meet.
D/F# C G
C D
C
G
She passed the Sally Gardens with little snow-white feet.
Em D C
Bm
C
G D
G
She bid me: take love easy, as the leaves grow on the tree,
D/F#
C G
C
D
C
G
But I beeing young and foolish, with her did not agree.
Written by W.B. Yeats.
A sally is a willow tree, and they used withes of the willow tree to fasten
thatching on roofs back in the old days in Ireland. Each village had a bush
of willow trees on the outskirts, primarily to provide the necessary material
for thatching, and this bush was called the "sally gardens." It was also the
19th century equivalent of a "lovers' lane" where the young folk would go to
be alone.
SANTIANO
Santiano
Soweit die See und der Wind uns trägt ...
h‘ e
e fis
g
g
a h‘
h‘ h‘ a
Em
D
Der Abschied fällt schwer, sagt mein Mädchen ade
d‘ d‘ h‘
e‘ fis‘ e‘ d‘
Em
D
Leinen los ( Volle Fahrt ) Santiano
h‘ c‘ c‘ c‘ c‘ fis, g a fis, e fis, ( d,)
Am
D
Bm
Die Tränen sind salzig und tief wie das Meer
e
fis, g
h‘ a
fis, e e e
Em
D
Em
Doch mein Seemannsherz brennt lichterloh
Em
D
Ich brauche kein zuhaus' und ich brauch kein Geld
Em
D
Am
D
Bm
Unser Schloss ist die ganze Welt
Em
D
Em
Unsere Decke ist das Himmelszelt
Em
D
Soweit die See und der Wind uns trägt
Em
D
Segel hoch ( Volle Fahrt ) Santiano
Am
D
Bm
Geradeaus wenn das Meer uns ruft
Em
D
Em
Fahr'n wir raus hinein ins Abendrot
Em
D
Die Segel aufgespannt und dann vor dem Wind
Em
D
Am
D
Bm
Siehst Du dort wo der Mond versinkt
Em
D
Em
Woll'n wir sein bevor der Tag beginnt
Em
D
Instr.: 1 Vers
Em
D
langsam:
Em
D
Der Abschied fällt schwer, sagt mein Mädchen ade
Em
D
Am
D
Bm
Die Tränen sind salzig und tief wie das Meer
Em
D
Em
Doch mein Seemannsherz brennt lichterloh
Em
D
SANTY ANNO
Kingston Trio
Em
D
We're sailin' 'cross the river from Liverpool,
Em
D
Heave away, Santy Anno
Am
D
Bm
Around Cape Horn to 'Frisco Bay,
Em D Em
'Way out in Californio.
Em
D
So, heave her up and away we'll go,
Em
D
Am
D
Bm
Heave her up and away we'll go,
Em D Em
Em
D
There's plenty of gold, so I've been told,
Em
D
Am
D
Bm
Plenty of gold, so I've been told,
Em D Em
So, heave her up and away we'll go ....
Em
D
Well, back in the days of forty-nine,
Em
D
Am
D
Bm
Back in the days of the good old times,
Em D Em
Em
D
So, heave her up and away we'll go,
Em
D
Am
D
Bm
Heave her up and away we'll go,
Em D Em
SAN FRANCISCO
Scott McKenzie
Capo 2
D
Bm (*d) G
D
A
If you're going to San Francisco
Bm
G
D
A
Be sure to wear some flowers in your hair
Bm
F#m
G
D
If you're going to San Francisco
Bm
F#m
Bm7
A
You're gonna meet some gentle people there
Bm
G
D
A
For those who come to San Francisco
Bm
G
D
A
Summertime will be a love-in there
Bm F#m
G
D
In the streets of San Francisco
Bm
F#m
Bm7
A
Gentle people with flowers in their hair
C
Am C
Am
All across the nation such a strange vibration
D
People in motion
C
Am C
Am
There's a whole generation with a new explanation
D
A
People in motion, people in motion
Bm
G
D
A
For those who come to San Francisco
Bm
G
D
A
Be sure to wear some flowers in your hair
Bm F#m
G
D
If you come to San Francisco
Bm
F#m
Bm7
D
Bm C#m
Summertime will be a love-in there
E
A
E
If you come to San Francisco
G#m C#m
E
Summertime will be a love-in there E6
A
E
SAN FRANCISCO BAY BLUES
Jesse Fuller
Capo 2
G
C
G
G7
I got the blues from my baby down by the San Francisco Bay,
C
G
Where the ocean liners aren't so far away.
C
G
E7
I didn't mean to treat her so bad, she was the best girl I ever have had,
A7
D7
I said goodbye, had to take a cry,
I wanna lay down and die.
G
C
G
G7
I ain't got a nickel and I ain't got a lousy dime.
C
B7
If she don't come back, I think I'm gonna lose my mind.
C
G
E7
If I ever get back to stay, it's gonna be another brand new day,
A7
D7
G
D7
Walkin' with my baby down by the San Francisco Bay.
Instr.
G
C
G
C
G
Sittin' down lookin' from my back door, wondrin' which way to go,
C
G
The woman I'm so crazy about, she don't love me no more.
C
G
E7
Think I'll catch me a freight train, 'cause I'm feelin' blue,
A7
D7
I'll ride all the way to the end of the line,
thinkin' only of you.
G7
G
C
G
C
G
G7
Meanwhile, livin' in the city, just about to go insane,
C
B7
Thought I heard my baby's voice, the way she used to call my name.
C
G
E7
If I ever get back to stay, it's gonna be another brand new day,
A7
D7
G
E7
Walkin' with my baby down by the San Francisco Bay, hey hey,
A7
D7
G
E7
Walkin' with my baby down by the San Francisco Bay,
A7
D7
G C G D7 G
Yeah, walkin' with my baby down by the San Francisco Bay.
SATISFACTION
Rolling Stones
P.
Riff 1: h h h cis d
d d cis h h
E
Asus4
E
Riff 2: cis e cis h a
Riff 3: cis e cis h e
E (*gis)
Riff 2 A
Riff 3 E
I can't get no
satisfaction
Riff 2 A
I can't get no
satisfaction
E
B7
E
A
'Cause I try and I try and I try and I try
Riff 1:
E
Asus4
E
Asus4
I can't get no,
I can't get no
E
Asus4
E
Asus4
When I'm drivin' in my car and a man comes on the radio
E
Asus4
E
Asus4
He's tellin' me more and more about some useless information
E
Asus4
Supposed to fire my imagination
E
Asus4
E (Break)
I can't get no,
oh no no no
E Asus4
E Asus4
Hey hey hey,
that's what I say
I can't get no satisfaction...
When I'm watchin' my TV and a man comes on to tell me
How white my shirts can be. But he can't be a man 'cause he
doesn't smoke
The same cigarettes as me
I can't get no, oh no no no
Hey hey hey, that's what I say
I can't get no satisfaction
I can't get no girl with action
'Cause I try and I try and I try and I try
I can't get no, I can't get no
When I'm ridin' round the world and I'm doin' this and I'm signin' that
And I'm tryin' to meet some girl, who tells me: Baby better come
back later next week
'Cause you see I‘m on losing streak
I can't get no, oh no no no
Hey hey hey, that's what I say
Riff 1 ...
I can't get no, I can't get no
I can't get no satisfaction
No satisfaction, no satisfaction, no satisfaction
SAVE THE LAST DANCE FOR ME
Drifters
D
You can dance - every dance with the guy
A7
Who gives you the eye, let him hold you tight
You can smile - every smile for the man
D
D7
Who held your hand neath the pale moonlight
G
But don't forget who's takin' you home
D
And in whose arms you're gonna be
A7
D
So darlin', save the last dance for me
D
Oh I know that the music’s fine
A7
Like sparkling' wine, go and have your fun
Laugh and sing, but while we're apart
D
D7
Don't give your heart to anyone
G
'Cause don't forget who's taking you home
D
A7
D
So darling, save the last dance for me
A7
Baby don't you know I love you so
D
Can't you feel it when we touch
A7
I will never ever let you go
D
I love you oh so much
D
You can dance, go and carry on
A7
Till the night is gone and it's time to go
If he asks if you're all alone
D
D7
Can he take you home, you must tell him no
G
And don't forget who's takin' you home
D
A7
D
So darlin', save the last dance for me
A7
D
Oh darlin', save the last dance for me
(Original: F)
SCARBOROUGH FAIR
Trad.
Am
G
Am C
Am
C D
Am
Are you going to Scarborough fair? - Parsley, sage, rosemary and thyme
C
G
Remember me to one who lived there
Am
G
Am
She once was a true love of mine
Am
G
Am C
Am
C D
Am
Tell her to make me a cambric shirt - Parsley, sage, rosemary and thyme
C
G
Without any seam or fine needlework
Am
G
Am
And then she´ll be a true love of mine
Am
G
Am
C
Am
C D
Am
Will you reap it with sickle of leather - Parsley, sage, rosemary and thyme
C
G
And tie it all up with a peacock's feather
Am
G
Am
Or never be a true love of mine
Am
G
Am C
Am
C D
Am
Will you find me an acre of land - Parsley, sage, rosemary and thyme
C
G
Between the sea foam and the sea sand
Am G
Am
Am
G
Am C
Am
C D
Am
Will you plough it with a lamb's horn - Parsley, sage, rosemary and thyme
C
G
And sow it all over with one peppercorn
Am G
Am
Am
G
Am C
Am
C D
Am
Tell her to wash it in yonder dry well - Parsley, sage, rosemary and thyme
C
G
Where water ne'er sprung, nor drop of rain fell
Am
G
Am
Then she'll be a true love of mine
Am
G
Am
C
Am
C D
Am
Tell her to dry it on yonder thorn - Parsley, sage, rosemary and thyme
C
G
Which never bore blossom since Adam was born
Am
G
Am
And then she'll be a true love of mine
Am
G
Am
When you’ve done and finished your work
C
Am
C D
Am
Parsley, sage, rosemary and thyme
C
G
Then come to me for your cambric shirt
Am
G
Am
And you shall be a true love of mine
SCHAU MICH BITTE NICHT SO AN
Nana Mouskouri (La Vie En Rose)
Capo 2
h, h,
a, g, fis, g, a, h,
G
Warum gehst du denn mit mir aus
c, c, h, a, gis, a, h, c,
Am
Ist es nicht schöner doch zu Haus
d, d, c, h, a, h, c, d,
G
E7
Wo niemand unsre Liebe sieht
d,
d, d, d,
d, a, h,
d,
G#dim
Am7 D7
Und nur der Mond weiß was geschie.......ht
G
Bm
Schau mich bitte nicht so an
Em
Du weißt es ja ich kann
Am7 D7
Dir dann nicht widersteh.....en
Am
D7
Schau mir nicht so auf den Mund
Am
Du kennst genau den Grund
D7
G6 D7
So kann's nicht weitergeh.....en
G
Bm
Schau die Leute ringsumher
Em
Sie wundern sich schon sehr
G7 C
Wir sind doch nicht allei.....n
Cm
G
Was mir dein zärtliches Lächeln verspricht
Gdim
Am
Am7 - D7
Sollst du erst wenn wir alleine sind hal.......ten
G
Bm
Schau mich bitte nicht so an
Em
C
Am D7 G
Du weißt es doch ich kann - nicht wi.....der...steh‘n
G
Ein jeder merkt an deinem Blick
Am
Wir sind verliebt, beseelt vom Glück
G
E7
Und jeder Druck von deiner Hand
G#dim Am7
D7
Wird als Liebkosung gleich erkannt
G
Bm
Schau mich bitte nicht so an ....... bis Ende
SCHOOLDAYS OVER
Ewan McColl
Capo 2
g,
C
Am
Schooldays over, come on then John
Dm
F
G
Time to be getting your pitboots on
C
Am
Em
On with your sack and your moleskin trousers,
Am
Em
F
It’s time you were on your way
C
Am
Dm
G
Time you were learning the pitman's job and earning the pitman's pay.
C
Am
Come on then Jim, it's time to go
Dm
F
G
Time you were working down below
C
Am
Em
Time to be handling a pick and shovel,
Am
Em
F
You start at the pits today
C
Am
Dm
G
Time you were learning the collier's job and earning a collier's pay.
C
Am
Come on then Dai, it's almost light
Dm
F
G
Time you were off to the anthracite
C
Am Em
The morning mist is on the valley.
Am
Em
F
It's time you were on your way
C
Am
Dm
G
Time you were learning the miner's job and earning a miner's pay
C
Am
Schooldays over, come on then John
Dm
F
G
Time to be getting your pitboots on
C
Am
Em
On with your sack and your moleskin trousers,
Am
Em
F
It’s time you were on your way
C
Am
Dm
G
Time you were learning the pitman's job and earning the pitman's pay.
C
Come on then John
SCHÖNER FREMDER MANN
Connie Francis
Capo 4 (Original: G#)
G (*d,)
Ahh...
G (*d,)
Ohh...
Em
Aha
Em
Oho
C (*e,)
D
Ohh...
Oho oho
C (*e,)
D
Ohh...
Oho oho
G
Em
C
D
Schöner fremder Mann, du bist lieb zu mir
G
Em
C
D
Schöner fremder Mann, wenn ich träum von Dir
G
Em
C
D
G
Doch am Tag gehst Du mit einer andren Frau vorbei.
Em
C
D
Ohh...
Oho oho
G
Em C
D
Du gehörst zu ihr und ich bin allein
G
Em C
D
Nur in meinem Traum darf ich glücklich sein
G
Em
C
D
G C G G7
Glücklich sein mit Dir, denn nur im Traum gehörst Du mi..........r
C
D
G
Und werden auch Jahre vergehen
C
D
G
Ich weiß ich liebe nur Dich
C
D
G Em
Breaks:
Es wird so lange ich lebe
A
D
Keinen andern geben für mich
G
Em
C
D
Schöner fremder Mann, einmal kommt die Zeit
G
Em C
D
Und dann wird mein Traum endlich Wirklichkeit
G
Em
C
D
G C G G7
Schöner fremder Mann, dann fängt für uns die Liebe a...........n
C
D
G
Und werden auch Jahre vergehen
C
D
G
Ich weiß ich liebe nur Dich
C
D
G Em
Breaks:
Es wird so lange ich lebe
A
D
Keinen andern geben für mich
G
Em
C
D
Schöner fremder Mann, einmal kommt die Zeit
G
Em C
D
Und dann wird mein Traum endlich Wirklichkeit
G
Em
C
D
G
Schöner fremder Mann, dann fängt für uns die Liebe an
Em
C
D
Ohh...
G (*d,)
Ohh...
Em
Oho
Oho oho
C (*e,)
Ohh...
D
Oho oho ...
SCHULD WAR NUR DER BOSSA NOVA
Manuela
D
A
Als die kleine Jane gerade achtzehn war,
A7
D
Führte sie der Jim in die Dancing Bar.
D7
G
Doch am nächsten Tag fragte die Mama:
D
A
D
Kind, warum warst du erst am Morgen da?
A
D
Schuld war nur der Bossa Nova, was kann ich dafür?
A
D
Schuld war nur der Bossa Nova, bitte glaube mir.
D7
G
Denn wenn einer Bossa Nova tanzen kann,
D
Dann fängt für mich die große Liebe an.
A
D
Schuld war nur der Bossa Nova, der war schuld daran.
A
War's der Mondenschein? (No, no, der Bossa Nova)
D
Oder war's der Wein?
(No, no, der Bossa Nova)
A
Kann das möglich sein?
(Yeh, yeh, der Bossa Nova)
D G
D
War schuld daran.
D
A
Doch die kleine Jane blieb nicht immer klein
A7
D
Erst bekam sie Jim, dann ein Töchterlein.
D7
G
Und die Tochter fragt heute die Mama:
D
A
D
Seit wann habt ihr euch gern, du und Papa?
A
D
Schuld war nur der Bossa Nova, was kann ich dafür?
A
D
Schuld war nur der Bossa Nova, bitte glaube mir.
D7
G
Denn wenn einer Bossa Nova tanzen kann,
D
Dann fängt für mich die große Liebe an.
A
D
Schuld war nur der Bossa Nova, der war schuld daran.
A
War's der Mondenschein? (No, no, der Bossa Nova)
D
Oder war's der Wein?
(No, no, der Bossa Nova)
A
Kann das möglich sein?
(Yeh, yeh, der Bossa Nova)
D G
D
War schuld daran.
SEASONS IN THE SUN 1
But the hills that we climbed were just seasons out of time
E
Goodbye papa please pray for me.
F#m
I was the black sheep of the family
E
You tried to teach me right from wrong.
F#m
Too much wine and too much song
B
E
Wonder how I got along
Terry Jacks / Westlife
P. (Original: F#)
g gis a g
G
g gis a g
G
g gis a e
E
E
Goodbye to you my trusted friend,
F#m
We've known each other since we were nine or ten
E
Together we've climbed hills and trees,
F#m
Learned of love and ABC‘s
B
E
Skinned our hearts and skinned our knees
E
Goodbye papa its hard to die
F#m
When all the birds are singing in the sky
E
Now that the spring is in the air.
F#m
Little children everywhere.
B
E
When you see them I'll be there
E
Goodbye my friend its hard to die,
F#m
E
Now that the spring is in the air,
F#m
Pretty girls are everywhere
B
E
Think of me and I'll be there
E
F#m
We had joy we had fun we had seasons in the sun
B
E
g gis a E
E
F#m
B
E
But the wine and the song like the seasons have all gone
G
Am
D7
G
g gis a E
SEASONS IN THE SUN 2
E
Goodbye Michelle my little one.
F#m
You gave me love and helped me find the sun
E
And every time that I was down,
F#m
You would always come around
E
And get my feet back on the ground
E
Goodbye Michelle its hard to die,
F#m
E
Now that the spring is in the air,
F#m
With the flowers everywhere
E
I wish that we could both be there
E
F#m
B
E
But the stars we could reach were just starfish on the beach
G
Am
D7
G
But the stars we could reach were just starfish on the beach
G#
Bbm
D#
G#
Bbm
All our lives we had fun we had seasons in the sun
D#
G#
But the hills that we climbed were just seasons out of time
SEE YOU LATER, ALLIGATOR
Bill Haley
Riff: d g fis d
Falsetto: „See you later, Alligator“
N.C (*d‘)
D
Riff
Riff
Well, I saw my baby walkin'
with another man today.
(*f‘)
G
Riff
D Riff
Well, I saw my baby walkin'
with another man today.
A7
Now when I asked her, 'What's the matter?'
D Riff Break
This is what I heard her say:
D Riff
Riff
See ya later alligator,
after awhile, crocodile.
G Riff
D Riff
after awhile crocodile.
A7
Now don‘t you know, you're in my way now?
D
Riff Break
Can‘t you see, you cramp my style?
D
Riff
Riff
When I thought of what she told me, nearly made me lose my head.
G
Riff
D Riff
When I thought of what she told me, nearly made me lose my head.
A7
Oh, the next time that I saw her,
D
Riff Break
Reminded her of what she said...
D Riff
Riff
G Riff
D Riff
after awhile crocodile.
A7
Now don‘t you know, you're in my way now?
D
Riff Break
Can‘t you see, you cramp my style?
Instr.
D
Riff
Riff
She said I'm sorry pretty daddy,
I know you mean it just for play.
G
Riff
D Riff
She said I'm sorry pretty daddy,
I know you mean it just for play.
A7
Now don't you know you really hurt me?
D
Riff Break
And this is all I have to say:
D
Riff
Riff
G Riff
E
A7
D G7 D C#-D D7
farewell... so long... good..b...................ye.
Falsetto: „Oh, my!“
SEEMANN (DEINE HEIMAT IST DAS MEER)
Lolita
(Original: G)
A
D
A
Seemann, deine Heimat ist das Meer!
A
D
A
E
E7
Seemann, laß das Träumen, denk nicht an zuhaus.
A
D
A
E7
A
Seemann, Wind und Wellen rufen dich hinaus.
A7
D
A
Deine Heimat ist das Meer, deine Freunde sind die Sterne,
E E7
A
Über Rio und Shanghai, über Bali und Hawaii.
A7
D
A
Deine Liebe ist dein Schiff, deine Sehnsucht ist die Ferne,
E
E7
A
Und nur ihnen bist du treu, ein Leben lang.
A
D
A
E
E7
Seemann, laß das Träumen, denke nicht an mich.
A
D
A
E7
A
Seemann, denn die Fremde wartet schon auf dich.
A7
D
A
Deine Heimat ist das Meer, deine Freunde sind die Sterne,
E
E7
A
D A
Und nur ihnen bist du treu, ein Leben la --------- ang.
SEEMS SO LONG AGO, NANCY
Leonard Cohen
Capo 2
Am
E
Am Em
Bm Em
It seems so long ago,
Nancy was alone
G
Am
G
D
G
Looking at the late late show through a semi-precious stone
B7
Em
C
G
In the house of honesty her father was on trial
D
Em
B7
C
In the house of mystery there was no one at all
G
D
Em
There was no one at all.
Am
E
Am Em
Bm
Em
none of us were strong
G
Am
G
D G
Nancy wore green stockings and she slept with ev'ryone
B7
Em
C
G
She never said she'd wait for us, although she was alone
D
Em
B7 C
I think she fell in love for us in 19....61
G D Em
In 19......61.
Am
E
Am Em
Bm Em
Nancy was alone
G
Am
G
D G
A forty-five beside her head, an open telephone
B7
Em
C
G
We told her she was beautiful, we told her she was free
D
Em
B7
C
But none of us would meet her in the house of mystery
G
D
Em
The house of mystery.
Am
E
Am
Em
Bm Em
And now you look around you,
see her ev'rywhere
G
Am G
D
G
Many used her body, many combed her hair
B7
Em
C
G
And in the hollow of the night when you are cold and numb
D
Em
B7
C
You hear her talking freely then, she's happy that you've come
G
D
Em
She's happy that you've come.
SEI MAL VERLIEBT
Hildegard Knef
G6 G#dim Am7 D7 Bm7 E7 A7 D+
e,
G6 G#dim Am7 D7
Ochs tut es, Kuh tut es,
G6
G7
C6 Cm
Ein gesundes Känguru tut es.
e,
h,
G G#dim Am7 D7
Bm7 E7 A7
D+
Tu du es, sei
mal verliebt.
Denn Fink und …
G6 G#dim Am7 D7
Star auf dem Dach tun es,
G6
G7
C6 Cm
Bachforellen ohne Bach tun es,
G G#dim Am7 D7
G C7 G
Ach, tu es, sei mal verliebt.
g’ …
B7+
Em
Am7 Am6
Ein Krokodil tief im Nil
tut es
Bm
Dm7 G7
Bitte, frag' mich nicht, wie.
C
Cm F7
Nerz mit viel Herz tut es
Bb6
Am7
Für die Pelzindustrie.
D+
G6 G#dim Am7 D7
Von Tetuan bis Luzern
tun sie’s,
G6
G7
C6 Cm
Und ich möchte sagen: gern tun sie’s
G G#dim Am7 D7
G C7 G6
Tu du es, sei mal verliebt.
G6 G#dim Am7 D7
Ein alter Walfisch im Tran tut es,
G6
G7
C6
Cm
Mir sagt Leda, jeder Schwan tut es.
G
G#dim Am7 D7
Bm7 E7 A7
Dann tu es, sei
mal verliebt.
G6 G#dim Am7 D7
Ein Eskimo ohne Licht tut es,
G6
G7
C6 Cm
Fürstinmutter mit der Gicht tut es,
G G#dim Am7 D7
G C7 G
Ich tu es,
ich bin verliebt.
B7+
Em
Am7 Am6
Es scheint mir, jeder Agent tut es,
Bm
Dm7 G7
Ob in Ost oder West.
C
Cm F7
Manch ein Student tut es
Bb6
Am7
Ohne jeden Protest.
D+ G6 G#dim Am7 D7
Ein jeder Goldfisch im Glas macht es,
G6
G7
C7
Ein Betriebsausflug im Gras macht es.
h’ a’ g’
G
Em7
Am7 D7
G6 C7 G6
Spaß macht es, sei mal verliebt!
D+
SENTIMENTAL JOURNEY
Les Brown, Ben Homer, Arthur Green, 1944
Capo 1
Intro: 1 Verse Instr.
A
Gonna take a sentimental journey,
C#m F E7
Gonna set my heart at ease;
A
D7
D6
Gonna take a sentimental journey
A
C#m E7 A
To renew old mem - o - ries.
A
Got my bag, I got my reservation
C#m F E7
Spent each dime I could af - ford.
A
D7
D6
Like a child in wild anticipation,
A
C#m E7 A
Long to hear that "All
a - board!"
gis
a
C# > D
D6
Amaj7
Sev-----en... that's the time we'd leave, at seven.
A
B7
I'll be waitin' up for Heaven,
E7
Bm7
Gdim
E7
Countin' ev'ry mile of railroad track that takes me back.
A
Never thought my heart could be so yearny
C#m F E7
Why did I decide to roam?
A
D7
D6
Gotta take a sentimental journey,
A
C#m E7 A
Sentimental jour.....ney home.
Instr.: 1 Verse
C# > D
D6
Amaj7
Sev-----en... that's the time we'd leave, at seven.
A
B7
I'll be waitin' up for Heaven,
E7
Bm7
Gdim
E7
Countin' ev'ry mile of railroad track that takes me back.
A
Never thought my heart could be so yearny
C#m F E7
Why did I decide to roam?
A
D7
D6
Gotta take a sentimental journey,
A
Bm7 A - F#dim - Fdim A6
Sentimen----tal jour-------------ney home.
SEPTEMBER SONG
Kurt Weill
Capo 1
g, h, fis, e
Gmaj7
C
Cm7
Gdim
Gmaj7 Bm7
Oh, it's a long, long while
from May to December,
Em7
A7 Am7
D7
Gmaj7
But the days grow short when you reach September
C
Cm7
Gdim
Gmaj7 Bm7
When the autumn weather turns the leaves to flame,
Em7
A7 Am7
D7
Gmaj7
One hasn't got time
for the waiting game.
g‘
g‘
a‘
Cm6
Gdim
Oh, the days dwindle down
to a precious few
Cm6
Gdim
Gmaj7
Sep-tem-ber...No-vem-ber...
C
Cm7 Gdim
Gmaj7 Bm7
And these few precious days I'll spend with you,
Em7
A7
Am7 F#dim Gmaj7
These precious days I'll spend with
you.
Instr.: 1 Verse
Cm6
Gdim
Oh, the days dwindle down
to a precious few
Cm6
Gdim
Gmaj7
Sep-tem-ber...No-vem-ber...
C
Cm7 Gdim
Gmaj7 Bm7
And these few precious days I'll spend with you,
Em7
A7
Am7 F#dim Gmaj7 Bm7
you.
Em7
A7
Am7 F#dim Gmaj7
you.
SEVEN DRUNKEN NIGHTS 1
Trad.
(Original: A)
C
Am
As I went home on Monday night, as drunk as drunk could be,
F
C
F
I saw a horse outside the door where my old horse should be.
C
F
Well, I called my wife and I said to her: Will you kindly tell to me,
C
G7
F
C
Who owns that horse outside the door where my old horse should be?
C
Are you drunk, you drunk, you silly old fool? Still you cannot see,
G7
C
That's a lovely sow that my mother sent to me.
C
Well, it's many a-day I travelled, a hundred miles and more,
G7
C
But a sattle on a sow sure I never saw before.
C
Am
As I went home on Tuesday night,
as drunk as drunk could be,
F
C
F
I saw a coat behind the door, where my old coat should be.
C
F
C
G7
F
C
Who owns that coat behind the door where my old coat should be?
C
G7
C
That's the woolen blanket that my mother sent to me.
C
G7
C
But buttons in a blanket sure I never saw before.
C
Am
As I went home on a Wednesday night, as drunk as drunk could be,
F
C
F
I saw a pipe upon the chair, where my old pipe should be.
C
F
C
G7
F
C
Who owns that pipe upon the chair where my old pipe should be?
C
G7
C
That's a lovely tin whistle that my mother sent to me.
C
G7
C
But tobacco in a tin whistle sure I never saw before.
SEVEN DRUNKEN NIGHTS 2
C
Am
As I went home on Thursday night,
F
C
F
I saw two boots beneath the bed, where my old boots should be.
C
F
C
G7
F
C
Who owns that boots beneath the bed where my old boots should be?
C
G7
C
That's two lovely geranium pots my mother sent to me.
C
G7
C
But laces in geranium pots sure I never saw before.
C
Am
As I went home on Saturday night,
F
C
F
I saw two hands upon her breasts, where my two hands should be.
C
F
C
G7
F
C
Who owns that hands upon your breasts where my two hands should be?
C
G7
C
That's a lovely new night-gown my mother sent to me.
C
G7
C
But fingers in a night-gown sure I never saw before.
C
Am
As I went home on a Friday night, as drunk as drunk could be,
F
C
F
I saw a head upon the bed, where my old head should be.
C
F
C
G7
F
C
Who owns that head upon the bed where my old head should be?
C
G7
C
That's a lovely baby-boy my mother sent to me.
C
G7
C
But a baby boy with his whiskers on sure I never saw before.
C
Am
As I went home on Sunday night,
F
C
F
I saw a thing in her thing, where my old thing should be.
C
F
C
G7
F
C
Who owns that thing in your thing where my old thing should be?
C
G7
C
That's that lovely tin whistle that my mother sent to me.
C
G7
C
But hair on a tin whistle sure I never saw before.
SHA LA LA LA LEE
Small Faces
A G6
A G6
A (*cis)
E
A
D
E A E
Picked her up on a Friday night, Sha la la la lee, yeh
A
E
A
D
E
A D
I knew everything gonna be alright, Sha la la la lee, yeh
E
A E
Sha la la la lee
A
E
A D
E
A E
I asked her 'where do you wanna go? Sha la la la lee, yeh
A
E
A
D
E
A D
Well we went someplace, I don't know, Sha la la la lee, yeh
E
A
Sha la la la lee
B
I held her close and I asked her if she was
E
Gonna be my baby
B
It felt so good when she answered me
E
Oh yeh, oh yeh, oh yeh, oh yeh, oh yeh
A
E
A
D
E
A E
She looked good and she moved so fine, Sha la la la lee, yeh
A
E
A
D
E
A D
And all the guys knew she was mine, Sha la la la lee, yeh
E
A
Sha la la la lee
B
I held her close and I asked her again if she was
E
Gonna be my baby
B
It felt so good when she answered me
E
Oh yeh, oh yeh, oh yeh, oh yeh, oh yeh
A
E
A
D
E
A E
Wanna know how my story ends? Sha la la la lee, yeh
A
E
A
D
E
A D
Well we invited just a few close friends, Sha la la la lee, yeh
E
A E
Sha la la la lee
A
D E A
D E
Sha la la la la la lee, Sha la la la la la lee
dann:
E /A /G# /F#
(2x)
A
D E A
D E
Sha la la la la la lee, Sha la la la la la lee ....
(2x)
SHAKE HANDS
Drafi Deutscher
(Original: A)
G
C
G
D
Shake Hands, Shake Hands, dein Herz liebt einen ander'n
G
C
G
C
G
Shake Hands, a-Shake Hands, drum gebe ich dich frei
C
G
D
Shake Hands, a-Shake Hands, mein Herz muss weiterwandern
G
C
G
C
G
Shake Hands, a-Shake Hands, auf Wiederseh'n, Good Bye
Breaks:
g d
g
h
d‘ e‘ d‘ h a g e
g h a
G
Em
C
D
Du gehst gern zum Tanz mit mir, ich darf dich auch mal küssen
G
Em
C
D
Doch du hast in Wahrheit einen ander'n Mann im Sinn
G
Em
C
D
Drum werd' ich wohl in den sauren Apfel beißen müssen
C
G
C
D G
Laß mich von dir geh'n, bevor ich ganz verloren bin
G
C
G
D
Shake Hands, a-Shake Hands, dein Herz liebt einen ander'n
G
C
G
C
G
C
G
D
G
C
G
C
G
Instr.: Chorus
G
Em
C
D
Überall wohin ich geh', seh' ich gebrochene Herzen
G
Em
C
D
Erst heißt es: "Ich liebe Dich!" und dann ist man allein
G
Em
C
D
Mit der Liebe spielt man nicht, sonst gibt es meistens Schmerzen
C
G
C
D
G
Und ich glaube das kann nicht der Sinn der Liebe sein
G
C
G
D
Shake Hands, a-Shake Hands, dein Herz liebt einen ander'n
G
C
G
C
G
C
G
D
G
C
G
C
G
C
G
C
G
Auf Wiederseh'n, Good Bye, auf Wiederseh'n, Good Bye
SHE CAME IN THROUGH THE BATHROOM WINDOW
Beatles
h a gis fis ( Oh, look out!) e
h‘
cis‘
h‘
E
A
She came in through the bathroom window
E
A
Protected by a silver spoon
E
A
But now she sucks her thumb and wonders
E
By the banks of her own lagoon
Am
Didn't anybody tell her?
E
Am
Didn't anybody see?
D7
G
G/F#
Sunday's on the phone to Monday
D7
G E
Tuesday's on the phone to me
E
A
She said she'd always been a dancer
E
A
She worked at fifteen clubs a day
E
A
And though she thought I knew the answer
E
Well, I knew what I could not say
E
A
And so I quit the police department
E
A
And got myself a steady job
E
A
And though she tried her best to help me
E
She could steal but she could not rob
Am
Didn't anybody tell her?
E
Am
Didn't anybody see?
D7
G
G/F#
Sunday's on the phone to Monday
D7
G
E
Tuesday's on the phone to me - oh yeah!
SHE LOVES YOU
Beatles
Am
D7
She loves you, yeah, yeah, yeah, she loves you, yeah, yeah, yeah,
F
C
She loves you, yeah, yeah, yeah, yeah
C
Am7
Em
G
You think you‘ve lost your love, well, I saw her yesterday
C
Am7
Em
G
It's you she's thinking of and she told me what to say
C
Am A9 Am
She said she loves you and you know that can't be bad
Fm
G
Yes she loves you and you know you should be glad
C
Am7
Em
G
She said you hurt her so, she almost lost her mind
C
Am7
Em
G
But now she said she knows you're not the hurting kind
C
Am A9 Am
She said she loves you and you know that can't be bad
Fm
G
Ooh
Am
D7
Fm
G
C
With a love like that, you know you should be glad
C
Am7 Em
G
You know it's up to you, I think it's only fair
C
Am7 Em
G
Pride can hurt you too. Apologize to her
C
Am A9 Am
Because she loves you and you know that can't be bad
Fm
G
Ooh
Am
D7
Fm
G
C Am
Fm
G
C Am
Fm
G (tacet)
C c-h-a
Am
F
C6
Yeah, Yeah, Yeah, Yeah, yeah, yeah, yeah
SHE‘S LEAVING HOME
Beatles
G (Arpeggio)
d,
G
Dm7/F
Am7/E
Em
A7
Wednesday morning at five o'clock as the day begins
c,
Am7
D9
Silently closing her bedroom door
Am7
D9
Leaving the note that she hoped would say more
G Dm7/F
Am7/E
Em
A7
She goes downstairs to the kitchen clutching her handkerchief
Am7
D9
Am7
D9
Quietly turning the backdoor key. Stepping outside she is free
h,
G
She
(We gave her most of our lives)
G
Is leaving
(Sacrificed most of our lives)
G
Dm6
Em
Home
(We gave her everything money could buy)
e
Em
A7
Em
A7
She's leaving home after living alone for so many years
(Bye
bye)
G
Dm7/F
Am7/E
Em
A7
Father snores as his wife gets into her dressing gown
Am7
D9
Picks up the letter that's lying there
Am7
D9
Standing alone at the top of the stairs
G
Dm7/F
Am7/E
Em
A7
She breaks down and cries to her husband "Daddy our baby's gone
Am7
D9
Am7
D9
Why would she treat us so thoughtlessly? How could she do this to me?
G
She
(We never thought of ourselves)
G
Is leaving
(Never a thought for ourselves)
G
Dm6
Em
Home
(We struggled hard all our lives to get by)
Em
A7
Em
A7
She's leaving home after living alone for so many years
(Bye
bye)
G
Dm7/F
Am7/E
Em
A7
Friday morning at nine o'clock she is far away
Am7
D9
Waiting to keep the appointment she made
Am7
D9
Meeting a man from the motor trade
G
She
(What did we do that was wrong)
G
Is having
(We didn't know it was wrong)
G
Dm6
Em
Fun
(Fun is the one thing that money can't buy)
Em
A7
Em
A7
Something inside that was always denied for so many years
(Bye
bye)
h, g, a, e,
h, g,
Em
A7
C
G
She's leaving home. (Bye bye)
SHE‘S THE ONE
Robbie Williams
e e fis gis cis
e e fis gis cis
E
Amaj7 E
Amaj7
(*e) E
Amaj7
E
Amaj7
I was her, she was me, we were one, we were free
F#m7
B7
E
Amaj7
And if there's somebody calling me on, she's the one
F#m7
B7
E
Amaj7
If there's somebody calling me on, she's the one
E
Amaj7
E
Amaj7
We were young, we were wrong, we were fine all along
F#m7
B7
E
E7
A6 (*fis,)
When you get to where you wanna go
E E7
And you know the things you wanna know, you're smiling
A6
When you've said what you wanna say
And you know the way you wanna play, yeah,
F#m7 (*fis,)
Bsus4 B
You'll be so high you'll be fly............ing
E
Amaj7
E
Amaj7
Though the sea will be strong, I know we'll carry on
F#m7
B7
E
Amaj7
'Cos if there's somebody calling me on, she's the one
F#m7
B7
E
E7
A6
When you get to where you wanna go
E E7
And you know the things you wanna know, you're smiling
A6
When you've said what you wanna say
And you know the way you wanna say it
F#m7
Bsus4 B
You'll be so high you'll be fly............ing
E
Amaj7
E
Amaj7
I was her, she was me,
we were one, we were free
F#m7
B7
E
E7
F#m7
B7
E
E7
F#m7
B7
Amaj7
A
If there's somebody calling me on, she's the one, she's the one
F#m7
B7
E
Amaj7 E
(Original: Bb)
SIE LIEBT DICH
Beatles
Am
D7
Sie liebt dich, yeah, yeah, yeah, sie liebt dich, yeah, yeah, yeah,
F
C
Sie liebt dich, yeah, yeah, yeah, yeah
C
Am7
Em
G
Du glaubst, sie liebt nur mich, gestern hab' ich sie gesehen
C
Am7
Em
G
Sie denkt ja nur an dich und du solltest zu ihr gehen
C
Am A9 Am
Oh ja sie liebt dich, schöner kann es gar nicht sein
Fm
G
Ja sie liebt dich und da solltest du dich freu‘n
C
Am7 Em
G
Du hast ihr weh getan, sie wusste nicht warum
C
Am7
Em
G
Du warst nicht schuld daran und drehtest dich nicht um
C
Am A9 Am
Fm
G
Ooh
Am
D7
Fm
G
C
Denn mit dir allein kann sie nur glücklich sein
C
Am7
Em
G
Du musst jetzt zu ihr geh‘n. Entschuldig dich bei ihr
C
Am7
Em
G
Ja, das wird sie versteh‘n und dann verzeiht sie dir
C
Am A9 Am
Fm
G
Ooh
Am
D7
Fm
G
C Am
Fm
G
C Am
Fm
G (tacet)
C c-h-a
Am
F
C6
Yeah, Yeah, Yeah, Yeah, yeah, yeah, yeah
SIEBZEHN JAHR´, BLONDES HAAR
Udo Jürgens
C
Am
Ein Tag wie jeder, ich träum' von Liebe,
F
G
C
F G
Doch eben nur ein Traum. Oh, oh!
C
Am
Menschen, wohin ich schau', Großstadtgetriebe,
F
G
C E
Und auf einmal sah ich sie - sie A
F#m
Siebzehn Jahr', blondes Haar,
D
E
So stand sie vor mir!
A
F#m
D
E
F
G
Wie find' ich zu ihr?
C
Am
Sie hat mich angelacht und war vorüber,
F
G
C
F G
Da war's um mich gescheh'n. Oh, oh!
C
Am
Menschen, wohin ich schau', Großstadtgetriebe,
F
G
C
E
Und überall Such' ich sie - sie A
F#m
D
E
A
F#m
D
E
F
G
A
F#m
D
E
A
F#m
D
E
F
G
SINGIN‘ IN THE RAIN
Gene Kelly
Capo 2
Riff: fis d e d h>d fis d e d ...
D
D
Doo dee dup doo ...
D
Dmaj7 A7
I'm singin' in the rain,
D
Dmaj7 A7
Just singin' in the rain!
D
Dmaj7
Em7
A7
What a glorious feelin', I'm happy again!
Em7 A7 Em7 A7 Em7 A7
Em7 A7
I'm laugh - in' at clouds, so dark up above
Em7 A7 Em7 A7
D Bm7
D A7
The sun's in my heart and I'm rea - dy for love
D
Dmaj7 A7
Let the stormy clouds chase,
D
Dmaj7 A7
Everyone from the place
D
Dmaj7
Em
Em7
A7
Come on with the rain, I've a smile on my face
Em7 A7
Em7 A7
Em7 A7 Em7 A7
I walk down the lane with a hap - py refrain
Em7
A7
D
Just singin', singin' in the rain
D
Doo dee dup doo ...
SINGIN THE BLUES
Guy Mitchell
Capo 3
G
C
Well, I never felt more like singing the blues
G
C > C# > D7
C
Cause I never thought that I’d ever lose your love, dear
D7
G
C G D7
Why’d you do me this way?
G
C
Well, I never felt more like crying all night
G
C > C# > D7
C
Cause ev’rything’s wrong and nothing ain’t right without you
D7
G
C G G7
You got me singing the blues
C
G
The moon and stars no longer shine
C
G
The dream is gone I thought was mine
C
G
There’s nothing left for me to do
D
D7
But cry-ay-ay-ay over you ( cry over you )
G
C
Well, I never felt more like running away
G
C > C# > D7
C
But why should I go cause I
couldn’t stay without you
D7
G
C G D7
Instr.: 1 Verse
G
C
G
D7
C
G
The moon and stars no longer shine
C
G
The dream is gone I thought was mine
C
G
There’s nothing left for me to do
D
D7
But cry-ay-ay-ay over you ( cry over you )
G
C
Well, I never felt more like running away
G
C > C# > D7
C
But why should I go cause I
couldn’t stay without you
D7
G
C G
D7
G
C G
D7
G
C G
D7
G
f-d e-cis dis-c G D7 - G
SISTERS OF MERCY
Leonard Cohen
Capo 2
A
D
A
E
A D A
Oh the sisters of mercy, they are not departed or gone
C#m
G#m
C#m
G#m
E
They were waiting for me when I thought that I just can't go on
D
A
G
F#m
E
And they brought me their comfort and later they brought me this song
A
D
A
E
A D
Oh I hope you run into them, you who've been travelling so long
D.. Dsus4 D D9 | D.. Dsus4 D D9 |
D.. A9
A. | A9 A. E..
|E |E |
A
D
A
E
A D A
Yes, you who must leave everything that you cannot control
C#m
G#m
C#m
G#m
E
It begins with your family, but soon it comes round to your soul
D
A
G
F#m
E
Well I've been where you're hanging, I think I can see how you're pinned
A
D
A
E
A
D
When you're not feeling holy, your loneliness says that you've sinned
D.. A9
A. | A9 A. E..
|E |E |
A
D
A
E
A D A
Well, they lay down beside me, I made my confession to them
C#m
G#m
C#m
G#m
E
They touched both my eyes and I touched the dew on their hem
D
A
G
F#m
E
If your life is a leaf that the seasons tear off and condemn
A
D
A
E
A
D
They will bind you with love that is graceful and green as a stem
D.. A9
A. | A9 A. E..
|E |E |
A
D
A
E
A D A
When I left they were sleeping, I hope you run into them soon
C#m
G#m
C#m
G#m
E
Don't turn on the lights, you can read their address by the moon
D
A
G
F#m
E
And you won't make me jealous if I hear that they've sweetened your night
A
D
A
E
A D
We weren't lovers like that and besides it would still be all right
A
D
A
E
A D
We weren't lovers like that and besides it would still be all right
D.. A9
A. | A9 A. E..
|E |E |
SIXTEEN TONS
If ya see me a-comin' ya better step aside
A lotta men din't an' a lotta men died
One fist of iron an' the other of steel
If the right one don' getcha then the left one will.
Merle Travis / Tennessee Ernie Ford
Capo 2 P.
d‘-a‘-f‘-d a-c-cis-d
(Original: Bm)
Dm /C
/Bb
/A
Some people say a man is made outa mud
Dm
/C
/Bb
/A
A poor man's made outa muscle 'n blood...
Dm
/C
Gm
Muscle an' blood an' skin an' bones
Dm
A7
Dm
A mind that's weak and a back that's strong
(*d,)
Dm
/C
/Bb
/A
You load sixteen tons an' whaddya get?
Dm
/C
/Bb
/A
Another day older an' deeper in debt
Dm
/C
Gm
Saint Peter doncha call me 'cause I can't go
Dm
A7
Dm
I owe my soul to the company sto'
SIE HIEß MARY ANN
Freddy / Ralf Bendix
Mit 14 fing er als Schiffsjunge an
Er war der Jüngste doch er war schon ein Mann
Ein Mann wie ein Baum und stark wie ein Bär
So fuhr er das erste Mal übers Meer
Sie hieß Mary Ann und war sein Schiff
Er hielt ihr die Treue, was keiner begriff
Es gab so viele Schiffe, so schön und groß
Die Mary Ann aber ließ ihn nicht los
d‘-a‘-f‘-d a-c-cis-d
Als Seemann hatte er seine 18 Karat
Nach der dritten Reise, da war er schon Maat
Und jeder Kap´tän war hinter ihm her
Doch fiel ihm das Wechseln so furchtbar schwer
I was born one mornin' when the sun didn't shine
I picked up my shovel and I walked to the mine
Loaded sixteen tons of number nine coal
And the straw boss said, "Well, Bless my soul!"
Und als er eines Tags erster Steuermann war
Da liebte er ein Mädchen mit strohblondem Haar
Er gab ihr sein Herz, doch sie war nicht treu
So fuhr er bald wieder zur See - Ahoi
I was born one morning it was drizzlin' rain
Fightin' and trouble are my middle name
I was raised in the canebreak by an' ol' mama lion
Ain't no high-tone woman make me walk the line.
Nach jeder Reise schwor er: Jetzt muster ich ab
Er schwor´s als Kapitän doch sie wurde sein Grab
Die Mary Ann sank am 19ten Mai
Bei einem Orkan vor der Hudson Bay
(Original: Dm)
SKYE BOAT SONG
Trad.
Capo 2
D
A7
D
Em7 A7
Speed bonnie boat, like a bird on the wing, onward, the sailors cry
D
A7
D
Em7 A7
Carry the lad that's born to be king, over the sea to Skye
D
A7
G
A7
Loud the winds howl, loud the waves roar, thunder clouds rend the air
D
A7
G
A7
Baffled our foe's stand on the shore, follow they will not dare
D
A7
D
Em7 A7
D
A7
D
Em7 A7
D
A7
G
A7
Though the waves leap, soft shall ye sleep, ocean's a royal bed
D
A7
G
A7
Rocked in the deep, Flora will keep watch by your weary head
D
A7
G
A7
Many's the lad fought on that day, well the claymore could wield
D
A7
G
A7
When the night came, silently lay dead on Culloden's field
D
A7
D
Em7 A7
D
A7
D
Em7 A7
D
A7
G
A7
Burned are our homes, exile and death scatter the loyal men
D
A7
G
A7
Yet, e'er the sword cool in the sheath, Charlie will come again.
D
A7
D
Em7 A7
D
A7
D
Em7 A7
D
G
D
Over the sea to Sky.......e
-----------------------------------------------------------------
D
A7
D
Em7 A7
D
A7
D
Em7 A7
Words by Sir Harold Boulton, Bart., 1884. Music by Annie MacLeod.
Charles Edward Stewart, the Young Pretender, was routed by the Duke of
Cumberland on Culloden Moor in 1745.
Aided by a Jacobite heroine, Flora MacDonald, Bonnie Prince Charlie
escaped to the island of Skye in the inner Hebrides. He was finally taken
by a French vessel to Morlaix on the coast of Bretagne.
SLOOP JOHN B.
Trad.
Capo 2
E-Harp
D
We‘d come on the sloop John B
My grandfather and me
A
Around Nassau town we did roam
D
G Em
Drinking all night, got into a fight
D
A
D
Well, I feel so broke up. I wanna go home
D
So hoist up the John B's sails, see how the mainsail sets
A
Call for the Captain ashore, let me go home
D
G
Em
Let me go home, I wanna go home
D
A
D
D
The first mate he got drunk
And broke up the Captain's trunk
A
The constable had to come and take him away
D
G Em
Sheriff John Stone, why don't you leave me alone
D
A
D
D
A
D
G
Em
D
A
D
D
The poor cook he caught the fits
And threw away all my grits
A
And then he took and he ate up all of my corn
D
G
Em
Let me go home, why don't they let me go home
D
A
D
This is the worst trip I've ever been on
D
A
D
G
Em
D
A
D
A
D
SMOKE GETS IN YOUR EYES
Platters
C
Dm7
They asked me how I knew
G7
C C7 F
My true love was true, oh, o---oh
Fm
Em
I of course replied
Am
Dm7 G7
C
Dm7 - G7
Something here inside cannot be denied
C
Dm7
They said someday you'll find
G7
C
C7 F
All who love are blind' oh, o---oh
Fm
Em
When your heart's on fire
Am
Dm7 G7
C
F
You must realize, smoke gets in your eyes
C
G#
So I chaffed them and I gaily laughed
D# D D#
To think they would doubt our love
G#
Fm
Yet, today, my love has flown away
G7
C
G7
I am without my love.
C
Dm7
Now, laughing friends deride
G7
C
C7 F
Tears I cannot hide, oh, o---oh
Fm
Em
So I smile and say
Am
Dm7 G7
C
"When a lovely flame dies, smoke gets in your eyes."
Dm7 C
Em
(Smoke gets in your eyes, Smoke gets in your eyes)
Dm
C
Smoke gets in your ey---------es.
(Original: D#)
SNOWBIRD
Elvis Presley
C Cmaj7
C Cmaj7 ...
C
Cmaj7
Dm
Beneath this snowy mantle cold and clean
G
G7
C
The unborn grass lies waiting for its coat to turn to green
Cmaj7
Dm
The snowbird sings a song he always sings
G
G7
C
And speaks to me of flowers that will bloom again in spring
C
Cmaj7
Dm
When I was young my heart was young then too
G
G7
C
Anything that it would tell me, that's the thing that I would do
Cmaj7
Dm
But now I feel such emptiness within
G
G7
C
For the thing that I want most in life, is the thing that I can't win
C
Cmaj7
Dm
Spread your tiny wings and fly away
G
G7
C
And take the snow back with you, where it came from on that day
Cmaj7 Dm
The one I love forever is untrue
G
G7
C
And if I could you know that I would fly away with you
C
Cmaj7
Dm
The breeze along the river seems to say
G
G7
C
That she'll only break my heart again, should I decide to stay
Cmaj7
Dm
So little snowbird take me with you when you go
G
G7
C
To that land of gentle breezes, where the peaceful waters flow
C
Cmaj7
Dm
Spread your tiny wings and fly away
G
G7
C
And take the snow back with you, where it came from on that day
Cmaj7 Dm
The one I love forever is untrue
G
G7
C
And if I could you know that I would fly away with you
G
G7
F
Yeah, and if I could, you know that I would fly....
G7
C Cmaj7 C Cmaj7 C
away with you
SOLITARY MAN
Johnny Cash
e
f
e
a,
Am
Dm
C
Dm
Belinda was mine 'til the time that I found her
C
Dm C
Dm
Holdin' Jim
and lovin' him
Am
Dm
C
Dm
Then Sue came along, loved me strong, that's what I thought
C
Dm C
Dm
Me and Sue,
but that died, too.
C
F
C
G
Don't know that I will, but until I can find me
C
F
C
G
A girl who will stay and won't play games behind me
Am Riff: a a c e d
I'll be what I am
G
Am
aa ce d
A solitary man
G
Am
Solitary man
Am
Dm
C
Dm
I've had it to here - being where love's a small word
C
Dm C
Dm
A part time thing,
a paper ring
Am
Dm
C
Dm
I know it's been done havin' one girl who loved me
C
Dm C
Dm
Right or wrong,
weak or strong
C
F
C
G
C
F
C
G
Am Riff: a a c e d
I'll be what I am
G
Am
aa ce d
A solitary man
G
Am
Solitary man
Instr.
C
F
C
G
C
F
C
G
Am Riff: a a c e d
I'll be what I am
G
Am
aa ce d
A solitary man
G
Am
Solitary man
Original: Gm
SO LONG, MARIANNE
Leonard Cohen
Capo 2
P.
G
Am
C
G
Come over to the window my little darling, I'd like to try to read your palm
F
C
I used to think I was some kind of gypsy boy
Em
D
Before I let you take me home.
G
Em
Now so long, Marianne,
it's time that we began
D
G
C G CG
To laugh and cry, and cry and laugh about it all again.
G
Am
C
G
You know that I love to live with you, but you make me forget so very much
F
C
I forget to pray for the angels
Em
D
And then the angels forget to pray for us.
G
Am
C
G
We met when we were almost young, deep in the green lilac park
F
C
You held on to me like I was a crucifix
Em
D
As we went kneeling through the dark.
G
Am
C
G
Your letters they all say that you're beside me now,then why do I feel alone?
F
C
I'm standing on a ledge and your fine spider web
Em
D
Is fastening my ankle to a stone.
G
Am
C
G
For now I need your hidden love, I'm cold as a new razor blade
F
C
You left when I told you I was curious
Em
D
I never said that I was brave
G
Am
Oh, you are really such a pretty one
C
G
I see you've gone and changed your name again
F
C
And just when I climbed this whole mountainside
Em
D
To wash my eyelids in the rain.
G
Am
C
G
Oh, your eyes, well, I forgot your eyes, your body's at home in every sea
F
C
How come you gave away your news to everyone
Em
D
That you said was a secret for me.
SO SIND HIER DIE LEUTE 1
Capo 2
Am
C
G
F
E
He Fremd...er mit dem Hinkefuß, ich bin der Wirt, kommt tretet ein.
Am
D
E
Am
Ich sah wie ihr die Kurve nahmt, ihr rutschet in den Graben rein.
C
G
F
E
Ein hübscher Wagen, schnell und rot. Wir ziehn ihn morgen früh heraus.
Am
D
E
Am
Trinkt einen Schnaps, vielleicht auch zwei. Ich rat euch, bleibt in meinem Haus.
Am
Die sind voll Misstraun hier die Leut‘ und haben Hunde scharf gemacht.
G
Die spüren jeden Fremden auf und dies ist eine Höllennacht.
F
G
Ja sagt, wir leben doch heute...
E
Am
Ja, gewiss, aber so sind hier die Leute.
G
E
Am
So....... sind hier die Leute.
Am
C
G
FaE
Die Leute sind verbittert weil die Ernte fault und auch das Geld.
Am
D
E
Am
Die suchen den, der schuldig ist an all dem Unglück in der Welt.
C
G
F
E
August der Schäfer hat den Mann im Traum geseh‘n und in der Tat
Am
D
E
Am
Der gleiche ist's, der Papst Johann und Kennedy ermordet hat.
Am
Und der hat einen Hinkefuß
wie ihr und rotes Haar wie ihr.
G
Fährt einen Wagen schnell und rot, trägt einen Kinnbart, so wie ihr.
F
G
E
Am
G
E
Am
Am
C
G
F
E
Hört, ihre Hunde haben die Spur. Sie kommen, werft den Mantel um.
Am
D
E
Am
Warum ist euer Wagen auch so rot, das spricht sich schnell herum.
C
G
F
E
Sie haben ihre Forken mit, der Schulze führt den Haufen an.
Am
D
E
Am
Der Mond ist voll, das ist die Zeit, wo keiner nachts hier schlafen kann.
Am
Geht raus, die Flucht hat keinen Zweck, denkt nur an euren Hinkefuß.
G
Und ihre Hunde sind sehr schnell. Nein, ihr erreicht nicht mehr den Fluss.
F
G
E
Am
G
E
Am
SO SIND HIER DIE LEUTE 2
Am C
G
F
E
Sie haben ihn noch eingeholt, die Uferböschung war zu hoch.
Am
D
E
Am
Zu hoch für seinen Hinkefuß, zu weit, zu hoch, ich sagt‘ es doch.
C
G
F
E
An einem Telegrafenmast, da hängt schon morgen früh ein Mann.
Am
D
E
Am
Erhängt an einem Hinkefuß, am andern hängt ein Zettel dran.
Am
Und wenn die Leute morgen früh zum Hochamt gehn, dann lesen sie
G
"Hier hängt der, der der Mörder war von Papst Johann und Kennedy."
F
G
E
Am
G
E
Am
G
E
Am
SOLSBURY HILL
Peter Gabriel
P.
(Original: B)
Guitar Riff 6x >>> G D G
G D G
Em D Em
Climbing up on Solsbury Hill
I could see the city lights
Em D Em
G D G
Wind was blowing, time stood still
Eagle flew out of the night
G D G
Em D Em
He was something to observe
Came in close, I heard a voice
Em D Em
Cmaj7
Standing, stretching every nerve
I had to listen; had no choice
D
Cmaj7
D
Cmaj7
Em
I did not believe the information
Just had to trust imagination
D
Cmaj7
My heart going boom boom boom
D
C
G
D
G
Son - he said,
grab your things I've come to take you home
D
Cmaj7
D
Cmaj7
Em
I was feeling part of the scenery
I walked right out of the machinery
D
Cmaj7
D
C
G
D
G
Son - he said,
grab your things I've come to take you home
G D G
Em D Em
When illusion spin her net
I'm never where I want to be
Em D Em
G D G
And liberty she pirouette
When I think that I am free
G DG
Em D Em
Watched by empty silhouettes Who close their eyes but still can see
Em D Em
Cmaj7
No one taught them etiquette
So I will show another me
D
Cmaj7
D
Cmaj7
Em
Today I don't need a replacement I'll tell them what the smile on my face meant
G
D G
Em D Em
To keep in silence I resigned
My friends would think I was a nut
Em D Em
G D G
Turning water into wine
Open doors would soon be shut
G D G
Em D Em
So I went from day to day
Though my life was in a rut
Em D Em
Cmaj7
Till I thought of what I'd say
And which connection I should cut
D
Cmaj7
D
C
G
D
G
Hey - I said, you can keep my things they've come to take me home
E||--------|-----------|----------|
B||--------|-1---3--0--|-1---0--3-|
G||----0-2-|--0-----0-0|--0--0--2-|
D||--4-----|---2----0--|---2-0--0-|
A||--------|-----------|----------|
E||--------|-----------|----------|
D
C
G
C
G D
Guitar Riff
SOMETHING
Beatles
a-c-a b - h - c
F
D# - G - C
C
Cmaj7
Something in the way she moves
C7
F
F/E
Attracts me like no other lover
D
D7
G
Am7 - G/B
Something in the way she woos me
Am
Am/G#
I don't want to leave her now
Am/G
Am/F#
You know I believe in how
a-c-a b - h - c
F
D# - G - C
C
Cmaj7
Somewhere in her smile she knows
C7
F
F/E
That I don't need no other lover
D
D7
G
Am7 - G/B
Something in her style that shows me
Am
Am/G#
Am/G
Am/F#
a-c-a b - h - cis
F
D# - G - A
A
C#m
F#m /E
You're asking me will my love grow
D
G
A
a-gis-g-fis-f-e
I don't know, I don't know
A
C#m
F#m /E
You stick around and it may show
D
G
C
c-h-a-g-e-d-c
I don't know, I don't know
Instr.: 1 Verse
a-c-a b - h - c
F
D# - G - C
C
Cmaj7
Something in the way she knows
C7
F
F/E
And all I have to do is think of her
D
D7
G
Am7 - G/B
Something in the things she shows me
Am
Am/G#
Am/G
Am/F#
a-c-a b - h - cis
F
D# - G - A
a-c-a b - h - c
F
D# - G - C
SOMETHING SO RIGHT
Paul Simon
(Original: F)
D13: 0 5 4 5 7 7 / Dmaj7: x 5 7 6 7 5 / Am9: x 0 5 5 5 7 / Gm6: x x 2 3 3 3
| D13 Dmaj7 - Am9 | D7 | G |
d e fis g e
| Gm6 - D - Em7 F#m7 | G>G6 Bm | A
fis’ a’
|
a’
h’
D13 Dmaj7 - Am9
D
G Gm6 - D - Em7
You got the cool water
when the fever runs high,
h’
cis’ d’ e’
F#7
Bm
G7
You've got the look of lovelight in your eyes,
D13 Dmaj7 Am9
G7
Gm7 D
And I was in crazy motion,
'til you calmed me down,
Em7 A7
D
It took a little time,
but you calmed me down.
A
G7
D - D9 - G7
When something goes wrong, I'm the first to admit it,
D Em7
A7
I'm the first to admit it
and the last one to know.
D
A
G7
D
F#7 - G7
When something goes right, oh, it's likely to lose me, mm,
D
Em7
F#m7 Bm F# G
It's apt to confuse me, it's such an unusual sight, oh I can't,
D
E7
A7
G
D-G
I can't get used to something so right,
something so right.
D | Em7 F#m7 | G>G6 Bm | A |
D13 Dmaj7 - Am9
D
G Gm6 - D - Em7
They've got a wall in China,
it's a thousand miles long,
F#7
Bm
G7
To keep out the foreigners, they made it strong,
D13 Dmaj7 Am9
G7
Gm7
And I've got a wall around me,
that you can't even see,
Em7 A7
D
It took a little time,
to get next to me.
D
A
G7
D - D9 - G7
D Em7
A7
D
A
G7
D
F#7 - G7
D
Em7
F#m7 Bm F# G
D
E7
A7
D Em7 F#m7 | F#7
something so right.
fis,
Bm
F#
Some people never say the words, "I love you,"
D9
G F#7
It's not their style to be so bold.
Bm
F#
Some people never say those words, "I love you,"
Bm
E
Asus4 A7
But like a child they're longing to be told,
mm
D
A G7
D - D9 - G7
D Em7
A7
D
A
G7
D
F#7 - G7
D
Em7
F#m7 Bm F# G
D
E7
A7
G
D
something so right.
SOMETHING STUPID
Frank & Nancy Sinatra / Robbie Williams & Nicole Kidman
Intro: (E)
F#m B F#m B E E6 Emaj7 E
E
E6
Emaj7
E
I know I stand in line until you think you have the time
F#m7
B7
F#m7 B7
To spend an evening with me
F#m7
B7
F#m7
B7
And if we go some place to dance, I know that there's a chance
Emaj7
E6
Emaj7
E6
You won't be leaving with me
E7
Bm7
E7
Then afterwards we drop into a quiet little place
A
F#m C
And have a drink or two
F#m7
B7
F#m7
B7
And then I go and spoil it all by saying something stupid
E
Emaj7
E6
Like I love you
E7
Bm7
E7
I can see it in your eyes you still despise the same old lines
A
F#m A F#m
You heard the night before
F#7
C#m7
And though it's just a line to you
F#7
B7
For me it's true and never seemed so right before
E
E6
Emaj7
E
I practice every day to find some clever lines to say
F#m7
B7
F#m7 B7
To make the meaning come true
F#m7
B7
F#m7
B7
But then I think I'll wait until the evening gets late
Emaj7
E6
Emaj7
E6
And I'm alone with you
E7
Bm7
E7
The time is right, your perfume fills my head, the stars get red
A
F#m C
And oh the night's so blue
F#m7
B7
F#m7
B7
E
Emaj7
E6
Like I love you
Instr.: 1. Strophe
E E6 Emaj7 E
F#m7 B7
F#m7 B7
F#m7 B7
( F#m7 B7 )
Emaj7 E6 ( Emaj7 E6 )
E7
Bm7
E7
The time is right, your perfume fills my head, the stars get red
A
F#m C
And oh the night's so blue
F#m7
B7
F#m7
B7
E
C
Like I love you
E
C
E
C
E
C
E
E6
I love you
I love you
I love you
I love you
SONDERZUG NACH PANKOW
Udo Lindenberg
Capo 1 P.
A
Entschuldigen Sie, ist das der Sonderzug nach Pankow?
E D
A
Ich muss mal eben dahin, mal eben nach Ost-Berlin.
A
Ich muss da was klär‘n, mit euerm Oberindianer,
E D
A
Ich bin ein Jodeltalent, und will da spielen mit ner Band.
D
A
D
Ich hab‘n Fläschchen Cognac mit und das schmeckt sehr lecker,
D
A
D
Das schlürf ich dann ganz locker mit dem Erich Honecker.
G
D
B7
Und ich sag: Ey, Honny, ich sing für wenig Money
E
A
Im Republikpalast, wenn ihr mich lasst.
D
A
D
All die ganzen Schlageraffen dürfen da singen,
D
A
D
Dürfen ihren ganzen Schrott zum Vortragen bringen,
G
D
B7
Nur der kleine Udo, nur der kleine Udo,
E
E7
Der darf das nicht und das versteh‘n wir nicht.
A
Ich weiß genau, ich habe furchtbar viele Freunde,
E D
A
In der DDR, und stündlich werden es mehr.
A
D
Dm
Och, Erich ey, bist du denn wirklich so ein sturer Schrat,
A
F#m
Bm
E
A
Warum lässt du mich nicht singen im Arbeiter- und Bauernstaat?
A
Ist das der Sonderzug nach Pankow?
Ist das der Sonderzug nach Pankow?
Tschuldigung, der Sonderzug nach Pankow?
Ich hab‘n Fläschchen Cognac mit ...
A
Honny, ich glaub‘ du bist doch eigentlich auch ganz locker.
E D
A
Ich weiß, tief in dir drin, bist du doch eigentlich auch‘n Rocker.
A
D
Dm
Du ziehst dir doch heimlich - auch gerne mal die Lederjacke an.
A
F#m
Bm
E A F#m
Und schließt dich ein auf‘m Klo und hörst West-Radio.
A
F#m Bm
E
A
Hallo, Erich kannst‘ mich hör‘n, Hallohalöchen - Hallo.
A
F#m Bm
E
A
Hallo, Honny kannst‘ mich hör‘n, Hallololöchen - Hallo.
F#m
SONG SUNG BLUE
Neil Diamond
C F C F ....
G
C
G
Song sung blue, everybody knows one
G7
C
Song sung blue, every garden grows one
C7
F
Me and you are subject to the blues now and then
G
But when you take the blues and make a song
C
Dm
G7
You sing them out again, sing them out again
C
G
Song sung blue, weeping like a willow
G7
C
Song sung blue, sleeping on my pillow
C7
F
Funny thing, but you can sing it with a cry in your voice
G
And before you know, it get to feeling good
C
G7
You simply got no choice
Instr.: 2-Lines Verse
C7
F
Me and you are subject to the blues now and then
G
But when you take the blues and make a song
C
Dm
G7
You sing them out again, sing them out again
C
G
Song sung blue, weeping like a willow
G7
C
Song sung blue, sleeping on my pillow
C7
F
Funny thing, but you can sing it with a cry in your voice
G
And before you know, it get to feeling good
C
G7
You simply got no choice
Song sung blue .....
Song sung blue .....
SOUND OF SILENCE
Simon and Garfunkel
Capo 2 (Original: D#m)
Riff: a e' h e' ...
Am
G
Am
Hello darkness my old friend, I've come to talk with you again
C
F
C
Because a vision softly creeping
F
C
Left it's seeds while I was sleeping,
F
C
Am
And the vision that was planted in my brain, still remains
C
G
Am
Within the sound of silence.
Am
G
Am
In restless dreams I walked alone, narrow streets of cobble stone.
C
F
C
'Neath the halo of a street lamp,
F
C
I turned my collar to the cold and damp,
F
C
Am
When my eyes were stabbed by the flash of a neon light, that split the night
C
G
Am
And touched the sound of silence.
Am
G
Am
And in the naked light I saw, ten thousand people, maybe more.
C
F
C
People talking without speaking,
F
C
People hearing without listening,
F
C
Am
People writing songs that voices never share and no one dared
C
G
Am
Disturb the sound of silence.
Am
G
Am
"Fools!" said I, "you do not know, silence like a cancer grows.
C
F
C
Hear my words that I might teach you,
F
C
Take my arms that I might reach you."
F
C
Am
But my words like silent raindrops fell... mhm mhm mhm
C
G
Am
And echoed in the wells of silence.
Am
G
Am
And the people bowed and prayed, to the neon gods they made.
C
F
C
And the sign flashed out its warning,
F
C
In the words that it was forming,
F
And the sign said, "The words of the prophets are written on the subway
C
Am
walls and tenement halls."
C
G
Am
Riff: a e' h e' ...
And whispered in the sounds of silence.
SPACE ODDITY
David Bowie
(Original: C)
A
C#m ....
A
C#m A
C#m
Ground control to Major Tom.
Ground control to Major Tom
F#m
F#m7
B7
Take your protein pills and put your helmet on (10)
A
C#m
Ground control (9) to Major Tom (8, 7, 6)
A
C#m
Commencing countdown (5), engines on (4, 3, 2)
F#m
F#m7
B7
Check ignition (1) and may God‘s (Liftoff) love be with you
A
C#7
D
This is ground control to Major Tom, you've really made the grade!
Dm
A
D
And the papers want to know whose shirts you wear
Dm
A
D
Now it's time to leave the capsule if you dare
A
C#7
D
This is Major Tom to ground control, I'm stepping through the door
Dm
A
D
And I'm floating in a most peculiar way
Dm
A
D
And the stars look very different today
cis
Dmaj7
C#m
Dmaj7
C#m
For here am I sitting in a tin can, far above the world
Gmaj7
F#m
E
D
Planet Earth is blue and there's nothing I can do
Instr.:
| |
A-D-E
F# -F#
| |
A-D-E
F# -F#
| Dmaj7 | C#m | F#
|
A
|
B7 | C#7 |
A
C#7
D
Though I'm past one hundred thousand miles, I'm feeling very still
Dm
A
D
And I think my spaceship knows which way to go
Dm
A
D
Tell my wife I love her very much, she knows
E
C#7
F#m
F#m7
Ground control to Major Tom, your circuits dead, there's something wrong
B7
Can you hear me, Major Tom?
A9
Can you hear me, Major Tom?
E
Can you hear me, Major Tom? Can you...
Dmaj7
C#m
Dmaj7
C#m
Here am I floating round my tin can, far above the moon
Gmaj7
F#m
E
D
Planet Earth is blue and there's nothing I can do
Instr.:
| |
A-D-E
F# -F#
| |
A-D-E
F# -F#
| Dmaj7 | C#m | F#
|
A
|
B7 | C#7 | Dmaj7
SPANISH LADY, THE
Trad.
P.
G
C
D
As I came down thru Dublin city at the hour of twelve at night
G
C
D
Who should I see but a Spanish Lady, washing her feet by candlelight
G
D7
G
Am D
First she washed them, then she dried them over a fire of amber coal
G
C
D
In all my life I ne'er did see a maid so sweet about the soul
G
C
D
Whack for the toora loora laddy, whack for the toora loora lay
G
C
D
G
C
D
As I came back thru Dublin city as the sun began to set
G
C
D
Who should I see but the Spanish lady, catching a moth in a golden net
G
D7
G
Am
D
When see saw me, then she fled me, lifting her pettycoat over her knee
G
C
D
In all my life I ne'er did see a maid so shy as the Spanish Lady
G
C
D
G
C
D
G
C
D
As I came back thru Dublin city at the hour of half past eight
G
C
D
Who should I see but the Spanish lady brushing her hair in broad daylight
G
D7
G
Am D
First she tossed it then she combed it, on her lap was a silver comb
G
C
D
In all my life I ne'er did see a maid so fair since I did roam
G
I've wandered north and I've wandered south
C
D
Thru stormy batter and Patricks Close
G
Up and around by the Glouster Diamond
C
D
And back by Napper Tandy's house
G
D7 G
Am D
Old age has laid her hand on me, cold as a fire of ashy coals
G
C
D
In all my life I ne'er did see a maid so sweet as the Spanish Lady
G
C
D
G
C
D
Whack for the toora loora laddy, whack for the toora loora lay G
C
D
G
C
D
SPICKS AND SPECKS
Bee Gees
G
D7
Em
Bm
Where is the sun that shone on my head
C
G
A
D
The sun in my life, it is dead, it is dead
G
D7
Em
Bm
Where is the light that would play in my street
C
G
D7
|G
D7 |
And where are the friends I could meet, I could meet
G
D7 Em
Bm
Where are the girls I left far behind
C
G
D7
|G
The spicks and the specks of the girls on my mind
G
D7
Em
Bm
Where is the sun that shone on my head
C
G
D7
G
D#7
The sun in my life, it is dead, it is dead
D7 |
G#
D#7 Fm
Cm
Oh, where are the girls I left far behind
C#
G#
D#7
G# E7
A
E7 F#m
C#m
Where are the girls I left far behind
D
A
E7
A
tacet
A
E7 F#m
C#m
Where is the girl I loved all along
D
A
E7
A
The girl that I love, she is gone, she is gone
A
E7 F#m
C#m
All of my life I call yesterday
D
A
E7
A E7
The spicks and the specks of my life gone away
A
E7 F#m
C#m
All of my life I call yesterday
D
A
E7
A
E7
The spicks and the specks of my life gone away. Everybody:
D
A
Spicks and Specks
D
A
Spicks and Specks
D
A
Spicks and Specks ...
A
SPIEL NICHT MIT DEN SCHMUDDELKINDERN 1
Capo 3
a’ h’ cis’ d’ h’ cis’ d’ h’ cis’ d’ d’ e’ cis’ d’
| D - G-A | D - G-A | D A
D |
D
A
D
Spiel nicht mit den Schmuddelkindern, sing nicht ihre Lieder
C
D
C
D
C
D CA D
Geh doch in die Oberstadt, mach's wie deine Brü-ü-ü-der
D
C
G
D
So sprach die Mutter, sprach der Vater, lehrte der Pastor
C D
C
D
C
D
Er schlich aber immer wieder durch das Gartentor
G
D
Und in die Kaninchenställe, wo sie 66 spielten
G
D
Um Tabak und Rattenfelle, Mädchen unter Röcke schielten
C
G
Wo auf alten Bretterkisten Katzen in der Sonne dösten
C
G
Wo man, wenn der Regen rauschte, Engelbert dem Blöden lauschte
A7
D
A7 D
Der auf einen Haarkamm biss, Rattenfängerlieder blies
C
G
Abends am Familientisch, nach dem Gebet zum Mahl
A
D
Da hieß es dann: "Schon wieder riechst du nach Kaninchenstall."
D
A
D
C
D
C
D
C
D C A D D-G-A-D D-A-D
D
C
G
D
Sie trieben ihn in eine Schule in der Oberstadt
C
D
C
D
C
D
Kämmten ihm die Haare und die krause Sprache glatt
G
D
Lernte Rumpf und Wörter beugen und statt Rattenfängerweisen
G
D
Mußte er das Largo geigen und vor dürren Tanten, Greisen
C
G
Unter roten Rattenwimpern, Parker-Kinderszenen klimpern
C
G
Und verklemmt in Viererreihen, Knochen morsch und morscher schreien
A7
D
A7
D
Zwischen Fahnen aufgestellt, brüllen, daß man Freundschaft hält
C
G
Schlich er manchmal abends zum Kaninchenstall davon
A
D
Dann hockten da die Schmuddelkinder, sangen voller Hohn
SPIEL NICHT MIT DEN SCHMUDDELKINDERN 2
D
A
D
C
D
C
D
C
D
C
G
D
Aus Rache ist er reich geworden in der Oberstadt
C
D
C
D
C
D
Da hat er sich ein Haus gebaut, nahm jeden Tag ein Bad
G
D
Roch, wie bessere Leute riechen, lachte fett, wenn alle Ratten
G
D
Ängstlich in die Gullis wichen, weil sie ihn gerochen hatten
C
G
Und Kaninchenställe riss er ab, an ihre Stelle
C
G
Ließ er Gärten für die Kinder bauen, liebte hochgestellte Frauen
A7
D
A7 D
Schnelle Wagen und Musik, blond und laut und honigdick
C
G
Kam sein Sohn, der Nägelbeißer, abends spät zum Mahl
A
D
Dann roch er an ihm, schlug ihn, schrie: stinkst nach Kaninchenstall!
D
A
D
C
D
C
D
C
D
C
G
D
Und eines Tages hat er eine Kurve glatt verfehlt
C
D
C
D
C
D
Man hat ihn aus einem Ei von Schrott herausgepellt
G
D
Als er später durch die Straßen hinkte, sah man ihn an Tagen
G
D
Auf 'nem Haarkamm Lieder blasen, Rattenfell am Kragen tragen
C
G
Hinkte hüpfend hinter Kindern, wollte sie am Schulgang hindern
C
G
Und strich um Kaninchenställe, eines Tags in aller Helle
A7
D
A7
D
Hat er dann ein Kind betört und in einen Stall gezerrt
C
G
Seine Leiche fand man, die im Rattenteich rumschwamm
A
D
Und drumherum die Schmuddelkinder bliesen auf dem Kamm:
D
A
D
C
D
C
D
C
SPORTING LIFE BLUES
Trad.
Capo 3 G-Harp
Instr. 1 Verse G-Harp
E
E7
I'm getting tired of hanging round
A
Am
I think I'll marry or settle down
E
B7
Cause this old nightlife it is a mean life
E E7-A-Am-E A-Bb-B7
It's killing me
E
E7
I've got a letter from my home
A
Am
They told me my friends were dead and gone
E
B7
This made me worry, it made me wonder
E
E7-A-Am-E A-Bb-B7
'Bout days to come
E
E7
My mother used to say to me:
A
Am
"Oh boy, you're foolish, you just can't see"
E
B7
Now I've got no mother, my sister and brother
E E7-A-Am-E A-Bb-B7
Won't talk to me
E
E7
She used to fall on her knees and pray
A
Am
These little words mother, she used to say:
E
B7
"Oh boy, oh boy,
E
E7-A-Am-E A-Bb-B7
Change your ways"
Instr. 1 Verse G-Harp
E
E7
You know I'm gonna change my ways,
A
Am
I'm getting older each and every day
E
B7
When I was young and foolish I was easy
E E7-A-Am-E A-Bb-B7
Easy led astray
E
E7
I've been a drinker, I've been a gambler too
A
Am
But now my gamblin' days are through
E
B7
This old sportin' life it's got the best end
E E7-A-Am-E B7-E7
What can I do
ST. JAMES INFIRMARY
Trad.
Instr.: 1 Verse
Capo 3
Am
E7
Am
E7
Am F7
E7
It was down in old Joe's Barroom, on the corner by the square
Am
E7
Am Fdim
F7
E7
Am E7
The drinks were served as usual,
and the usual crowd was there
Am
E7
Am
E7
Am
F7
E7
When I die, when I die, please bury me, with my high top Stetson hat
Am
E7
Am
Fdim
Put a twenty dollar gold piece on my watch-chain
F7
E7
Am E7
So the gang will know I'm standing pat
Am
E7
Am
E7
Am
F7
E7
On my left stood Joe McKennedy, his eyes were bloodshot red
Am
E7
Am
Fdim
F7
E7
Am E7
He turned to the crowd around him, and these very words he said:
Am
E7
Am
E7
Am
F7
E7
I want six crap shooters for pall bearers,
a chorus girl to sing me a song
Am
E7
Am
Fdim
F7
E7 Am E7
Put a Jazz Band on my hearse waggon, to raise hell as we roll along
Am
E7
Am
E7
Am F7
E7
Let her go, let her go, god bless her,
wherever she may be
Am
E7
Am Fdim
F7
E7
Am E7
She may search this wide world over, never find another man like me
Am
E7
Am
E7 Am
F
E7
I went down to St. James Infirmary,
I saw my baby there
Am
E7
Am Fdim F7
E7
Am
Stretched out on a long white table, so sweet, so cold, so fair
E7
Am
E7
Am
E7
Am F7
E7
wherever she may be
Am
E7
Am Fdim
F7
E7
Am
E7
Am
E7
Am
E7
Am F7
E7
wherever she may be
Am
E7
Am Fdim
F7
E7
Am E7
Am
E7
Am E7
Am F7
E7
And now that you've heard my story,
I'll take another shot of booze
Am
E7
Am
Fdim
F7
E7
Am E7
If anyone should happen to ask you, well, I've got those drinker's blues
Am
E7
Am
E7
Am F7
E7
wherever she may be
Am
E7
Am Fdim
F7
E7
Am E7
Am
E7
Am Fdim
F7
E7
Am
STAND BY ME
Ben E. King
Capo 4 E-Harp (Original: A)
g-h-c C g-h-c C c-h-a Am e-g-a Am
a-g-f F f-a-g G g-h-c C g-h-c C
C
Am
When the night has come,
and the land is dark
F
G
C
And the moon is the only light we’ll see
Am
No, I won’t be afraid, no, I won’t be afraid
F
G
C
Just as long as you stand, stand by me. So darling, darling:
C
Am
Stand by me, oh, stand by me
F
G
C
Oh, stand, stand by me, stand by me
C
C
Am
F
G
C
Am
If the sky that we look upon,
should tumble and fall
F
G
C
Or the mountains should crumble to the sea
Am
I won’t cry, I won’t cry, no, I won’t shed a tear
F
G
C
Just as long as you stand, stand by me. And darling, darling
Darling, darling:
C
Am
F
G
C
Oh, stand now, stand by me, stand by me
Whenever you’re in trouble won’t you:
C
Am
F
G
C
STAND BY YOUR MAN
Tammy Wynette
F
Em Dm
Give him two arms to cling to
C
A7
And something warm to come to
D
G7
When nights are cold and lonely
C
E
Stand by your man
F
Em Dm
And show the world you love him
C
G7
E7
A
Keep giving all the love you can
F
G
C F C
G7
Stand by your man
P.
C
G
Sometimes its hard to be a woman
Dm
G7
C
Giving all your love to just one man
F
You'll have bad times
C
And he'll have good times
D
G
Doing things that you don't understand
C
G
But if you love him you'll forgive him
Dm
G7
C
Even though he's hard to understand
F
And if you love him
C
F
Oh be proud of him
C
G7
C F C
Cause after all he's just a man
C
E
Stand by your man
G
C
E
Stand by your man
F
Em Dm
And show the world you love him
C
G7
E7
A
Keep giving all the love you can
F
G
C F C G7 C
Stand by your man
STAR OF THE COUNTY DOWN, THE
Trad.
Capo 2 P.
Em
G
D
Em
D
In Banbridge Town in the County Down, one morning last July
Em
G
D
From a boreen green came a sweet colleen
Em
D
Em
And she smiled as she passed me by.
G
D
She looked so sweet from her two bare feet
Em
D
To the sheen of her nut brown hair.
Em
G
D
Such a coaxing elf, sure I shook myself
Em
D
Em
For to see I was really there.
G
D
Em
D
From Bantry Bay up to Derry Quay and from Galway to Dublin Town
Em
G
D
Em
D
Em
No maid I've seen like the brown colleen, that I met in the County Down.
Em
G
D
As she onward sped, sure I scratched my head,
Em
D
And I looked with a feelin' rare
Em
G
D
And I say's, say's I, to a passer-by,
Em
D
Em
"Who‘s the maid with the nut brown hair"?
G
D
He smiled at me and he says's, say's he,
Em
D
"That's the gem of Ireland's crown.
Em
G
D
Young Rosie McCann from the banks of the Bann,
Em
D
Em
She's the star of the County Down".
G
D
Em
D
Em
G
D
Em
D
Em
Em
G
D
Em
D
At the Harvest Fair she'll be surely there and I'll dress in my Sunday clothes
Em
G
D
With my shoes shone bright and my hat cocked right
Em
D
Em
For a smile from my nut brown rose.
G
D
No pipe I'll smoke, no horse I'll yoke
Em
D
Till my plough turns rust coloured brown.
Em
G
D
Till a smiling bride, by my own fireside
Em
D
Em
Sits the star of the County Down.
G
D
Em
D
Em
G
D
Em
D
Em
STARS FELL ON ALABAMA
Frank Perkins, 1934
Gmaj7 Fdim
Am7
D+
Gmaj7 Fdim
Am7 D+
We
lived our little drama,
h‘
G
Gmaj7 Gdim
We kissed in a field of white,
Am7
F#dim D7 G Cm G D+
And stars fell on Alabama last night.
Gmaj7 Fdim
Am7 D+
I
can't forget the glamor
G
Gmaj7 Gdim
Your eyes held a tender light,
Am7
F#dim D7 G Cm G G7
Am7
D7
Bm7 Gdim
I never planned in my imagination
Am7 D7
Gmaj7 G#dim
A situation
so heavenly,
Am7
D7
Em Em/D#
A fairyland where no one else could enter
g h‘ g fis fis fis b fis dis
d
C#m7 F#7
Bmaj7 D+
And in the center, just you and me.
Gmaj7 Fdim
Am7
D+
My
heart beat like a hammer
G
Gmaj7 Gdim
My arms wound around you tight,
Am7
F#dim D7 G
Gmaj7
STEEL RAIL BLUES
Gordon Lightfoot
C
Well, I got my mail late last night
C7
F
A letter from a girl who found the time to write
C
To her lonesome boy somewher's in the night
F
C
She sent me a railroad ticket too, to take me to her lovin' arms
Am
G7
C Em Am G7
And the big steel rail gonna carry me home to the one I love
a
g
F
Em
Ooh ooh
a
h
F
Em
Ooh ooh
a
Am
ooh
c
Am
ooh
a‘‘ a‘‘ g‘‘
C
i hi hi
d e c
G7 C
ooh ooh
C
Well I‘ve been out here man long days
C7
F
I haven't found a place that I could call my own
C
Not a two-bit bed to lay my body on
F
C
I‘ve been stood up, I‘ve been shook down, I‘ve been dragged into the sand
Am
G7
C Em Am G7
Ooh ooh ooh i hi hi.....
C
Well, I‘ve been up tight most every night
C7
F
Walkin' around the streets of this old town
C
Not a friend around to tell my troubles to
F
C
My good old car she done broke down, 'cause I drove it into the ground
Am
G7
C Em Am G7
Ooh ooh ooh i hi hi....
C
Well, look over yonder across the plain
C7
F
The big drive wheels a-poundin' along the ground
C
Gonna get on board and I'll be homeward bound
F
C
Now I aint' had a home cooked meal and Lord, I need one now
Am
G7
C Em Am G7
Ooh ooh ooh i hi hi.....
Now here I am with my hat in my hand
Standin' on the broad highway, will you give a ride
To a lonesome boy who missed the train last night
I went in town for one last round and I gambled my ticket away
And the big steel rail won‘t carry me home to the one I love
STILL CRAZY AFTER ALL THESE YEARS
Paul Simon
(Original: G)
Intro: | Dmaj7 | Amaj7 | Ammaj7 |
| Dm7
| Fmaj7 |
C C - Dm7 - C |
C C7
F
Fm6
I met my old lover on the street last night
C
G#dim
E7
Am7 - G#m7 - Gm7
She seemed so glad to see me I just smiled
C
C7
And we talked about some old times
F
F#dim
And we drank ourselves some beers
C
G7
Am F#dim
Still crazy after all these years, oh
C
G7
Fm | Em | Dm7 - C C - Dm7 - C |
Still crazy after all these years
C
C7
F
Fm6
I'm not the kind of man who tends to socialize
C
G#dim
E7
Am7 - G#m7 - Gm7
I seem to lean on old familiar ways
C
C7
And I ain't no fool for love songs
F
F#dim
That whisper in my ears
C
G7
Am F#dim
C
G7
| C7/9 |
|
|
cis’
Dmaj7
Amaj7
Ammaj7
4 in the morning, crapped out, yawning
C#m7
F#7
Bmaj7
Longing my life a…..way
c’
Am7
E-F
E-F
C
I'll never worry why should I
C7
F
E
| Dm7 | G7 | C C - Dm7 - C |
It's all gonna fade
C
C7
F
Fm6
Now I sit by my window and I watch the cars
C
G#dim
E7 A7
I fear I'll do some damage one fine day
d, d, fis, a’
D
D7/F#
G
G#dim
But I would not be convicted by a jury of my pears
D
A7
Bm G#dim
D Dsus - D
G Gsus - G
Still crazy,
still crazy,
D
A7
D
Dsus - D
STILL THE SAME
Bob Seger
P.
G
Bm D
2x
G
Bm D
You always won, ev'ry time you placed a bet.
G
Bm
You're still damn good; no one's gotten to you yet.
C
D
G
Ev'ry time, they were sure they had you caught,
Bm
Em
You were quicker than they thought.
Am
D
/C /B /A
You'd just turn your back and walk.
D
G
Bm D
You always said, the cards would never do you wrong.
G
Bm D
The trick, you said, was never play the game too long.
C
D
G
A gambler's share; the only risk that you would take,
Bm
Em
The only loss you could forsake,
Am
D
/C
The only bluff you couldn't fake.
D/B
/A
G
And you're still the same.
B7
E
I caught up with you yesterday.
(Still the same, still the same)
Am
D
/C
Movin' game to game; no one standin' in your way.
D/B /A
G
B7
E
Turnin' on the charm - long enough to get you by. (Still the same, still the same)
Am
D
/C /B /A
You're still the same. You still aim high.
Instrumental:
G
Bm D
2x (Still the same, still the same)
C
D
G
There you stood; ev'ry body watched play.
Bm
Em
I just turned and walked away.
Am
D
/C
I had nothing left to say.
D/B
/A
G
`cause you're still the same.
Bm
D
(Still the same, baby, baby, still the same) .....
Original: C
STILLE NACHT
Joseph Mohr, Franz Gruber, 1818
G
D7
G
Stille Nacht, heilige Nacht, alles schläft, einsam wacht
C
G
Nur das traute hochheilige Paar
C
G
Holder Knabe im lockigen Haar
D7
Em Em/G
Schlaf in himmlischer Ruh,
G
D7
G
Schlaf in himmlischer Ruh
G
D7
G
Stille Nacht, heilige Nacht, Hirten erst kund gemacht
C
G
Durch der Engel Halleluja
C
G
Tönt es laut von fern und nah:
D7
Em Em/G
Christ, der Retter ist da
G
D7
G
Christ, der Retter ist da
G
D7
G
Stille Nacht, heilige Nacht, Gottes Sohn, oh wie lacht
C
G
Lieb aus deinem göttlichen Mund
C
G
Da uns schlägt die rettende Stund’
D7
Em Em/G
Christ in deiner Geburt,
G
D7
G
Christ in deiner Geburt
SILENT NIGHT
Silent night, holy night! All is calm, all is bright
Round yon virgin mother and child
Holy infant so tender and mild
Sleep in heavenly peace,
sleep in heavenly peace.
Silent night, holy night, shepherds quake at the sight,
Glories stream from heaven afar
Heavenly hosts sing Alleluia
Christ the savior is born
Christ the savior is born.
Silent night, holy night, son of God, love's pure light.
Radiant beams from Thy holy face,
with the dawn of redeeming grace,
Jesus, Lord, at Thy birth;
Jesus, Lord, at Thy birth.
STORMY MONDAY
T-Bone Walker
G9
C9
G9 - G#9 - G9
They call it stormy Monday, but Tuesday's just as bad
C9
| G9 Am7 | Bm7 Bbm7 |
They call it stormy Monday, but Tuesday's just as bad
Am7
Am7 - G#m7 - Cm7
Lord and Wednesday's worse,
G9 - C9 - G9 c-cis-d D+
Thursday's oh so sad
Alternate Chord Version:
G7
C9
G7 - G#13 - G7
The eagle flies on Friday, Saturday I go out to play
C9
| G7 Am7 | Bm7 Bbm7 |
The eagle flies on Friday, Saturday I go out to play
D9
D#9
Sunday I go to church,
G7 - C9 - G7 c-cis-d D+
I get down to pray
or:
G9
C9
G9 - G#9 - G9
Lord have mercy, Lord have mercy on me
C9
| G9 Am7 | Bm7 Bbm7 |
Lord have mercy, Lord have mercy on me
D9
D9 - C#9 - C9
You know I tryin' to find my baby
G9 - C9 - G9 D+ - G9
Please send her on home to me
G9:
(3) 2 3 2 3 x
/ xx3233
G#13: 4 x 4 5 6 6
D+ (Daug): x 5 4 3 3 x
STORMY WEATHER
Harold Arlen, Ted Koehler, 1933
Capo 3
Amaj7
Bbdim: x 1 2 0 2 0
Bm7: x 2 0 2 0 2
E7
2x
Amaj7
Bbdim
Bm7
E7
Don't know why
there's no sun up in the sky
Amaj7
Bbdim Bm7
E7
Amaj7
Stormy weather,
since my girl and I ain't together,
Bm7
E7
Amaj7
Bbdim
Bm7
E7
Keeps raining all the time
Amaj7
Bbdim
Bm7
E7
Life is bare,
gloom and mis'ry ev'rywhere
Amaj7 Bbdim Bm7
E7
Amaj7
Stormy weather,
just can't get my poor self together,
Bm7
E7
A6 D7
C#m7 Gdim
I'm weary all the time,
the time,
Bm7
E7
A6 A7
So weary all the time.
fis,
D6
F#dim A6
A7
When she went away, the blues walked in and met me.
D6
F#dim A6
A7
If she stays away, old rockin' chair will get me.
D6
F#dim A6
F#7
All I do is pray, the Lord above will let me
A6
F#m7
B7
E7
Walk in the sun once more.
Bbdim
Bbdim
tief !
Amaj7 Bbdim
Bm7
E7
Can't go on,
ev'rything I had is gone
Amaj7
Bbdim Bm7
E7
Amaj7
Stormy weather,
Bm7
E7
A6
D7
C#m7 Gdim
Bm7
E7
A6
A7
D6
F#dim A6
A7
When she went away, the blues walked in and met me.
D6
F#dim A6
A7
If she stays away, old rockin' chair will get me.
D6
F#dim A6
F#7
All I do is pray, the Lord above will let me
A6
F#m7
B7
E7
Walk in the sun once more.
Bbdim
tief !
Amaj7
Bbdim
Bm7
E7
Don't know why
there's no sun up in the sky
Amaj7
Bbdim Bm7
E7
Amaj7
Stormy weather,
Bm7
E7
Amaj7
Bbdim
Bm7
E7
Amaj7
Keeps raining all the time.
Bbdim
STRAWBERRY FIELDS FOREVER
Beatles
Capo 2
e|--2-2---2-2---2-2---0--2------3-----2---0--3------|
B|--3-3---2-2---1-1---1--4~---5-5~--3-3~--1--3~-----|
G|--2-2---2-2---2-2---2~-4~---4-5---2-----0--0~-----|
D|-----~-----~-----~--------------------------------|
A|--------------------------------------------------|
E|----------------------------------------------3---|
D
Dmaj7 D7
Am-B
Em-C D
C G
G (*h‘)
F6
Let me take you down, 'cos I'm going to Strawberry Fields
E7
C(*d‘)
E
Cmaj7
G
Nothing is real, and nothing to get hung about - Strawberry Fields forever
D
Dmaj7 D7 Am7-B7 Em7
Living is easy with eyes closed
Cmaj7
Misunderstanding all you see
C
D7
G
G/F#
Em
It's getting hard to be someone, but it all works out
C
D
C G
It doesn't matter much to me...
G
F6
E7
C(*d‘)
E
Cmaj7
G
D
Dmaj7 D7
Am7-B7 Em7
No-one, I think, is in my tree
Cmaj7
I mean, it must be high or low
C
D7
G
G/F# Em
That is, you can't, you know, tune in, but it's all right
C
D
C G
That is, I think it's not too bad
G
F6
E7
C(*d‘)
E
Cmaj7
G
D
Dmaj7
D7
Am7-B7 Em7
Always, no, sometimes think it's me
Cmaj7
But you know I know when it's a dream
C
D7
G
G/F# Em
I think, a no, I mean a yes, but it's all wrong
C
D
C G
That is, I think I disagree
G
F6
E7
C(*d‘)
E
Cmaj7
G Em
Cmaj7
G Em
Strawberry Fields forever
Cmaj7
G
Strawberry Fields forever
STREETS OF LONDON
Capo 3
C
G
Am
Em
Have you seen the old man, in the closed-down market
F
C
D7
G7
Kicking up the papers, with his worn-out shoes?
C
G
Am
Em
In his eyes you see no pride, and held loosely by his side
F
C
G7
C
Yesterday's papers, telling yesterday's news
F
Em
C
Am
So how can you tell me, you're lo - ne - ly
D7
G
G7
And say for you that the sun don't shine?
C
G
Am
Em
Let me take you by the hand, and lead you through the streets of London
F
C
G7
C G Am Em F C G7 C
I'll show you something, to make you change your mind
C
G
Am
Em
Have you seen the old gal, who walks the streets of London
F
C
D7
G7
Dirt in her hair, and her clothes in rags?
C
G
Am
Em
She's no time for talking, she just keeps right on walking
F
C
G7
C
Carrying her home, in two carrier bags
F
Em
C
Am
So how can you tell me, you're lo - ne - ly
D7
G
G7
And say for you that the sun don't shine?
C
G
Am
Em
Let me take you by the hand, and lead you through the streets of London
F
C
G7
C G Am Em F C G7 C
I'll show you something, to make you change your mind
C
G
Am
Em
And in the all-night cafe, at a quarter past eleven
F
C
D7
G7
Same old man sitting there, all on his own
C
G
Am
Em
Looking at the world, over the rim of his tea-cup
F
C
G7
C
Each tea lasts an hour, then he wanders home alone
So how can you tell me, you're lo - ne - ly ....
C
G
Am
Em And have you seen the old man, outside the seaman's mission?
F
C
D7
G7
His memory's fading, with those medal ribbons that he wears
C
G
Am
Em
And in our winter city, the rain cries a little pity
F
C
G7
C
For one more forgotten hero, and a world that doesn't care
So how can you tell me, you're lo - ne - ly ....
STUCK IN THE MIDDLE WITH YOU
Stealers Wheel
E7
Well, I don't know why I came here tonight
I got the feeling that something ain't right
A7
I'm so scared in case I fall off my chair
E7
And I'm wondering how I'll get down those stairs
fis …
e g e e g…
e g
B7
Dsus4
A7
Clowns to the left of me, jokers to the right
e
g e
e
d
cis
cis-h
E7
Here I am, stuck in the middle with you
E7
Yes, I'm stuck in the middle with you
And I'm wondering what it is I should do
A7
It's so hard to keep this smile from my face
E7
Losing control, I'm all over the place
B7
Dsus4
A7
E7
A7
Well, you started off with nothing
E7
And you're proud that you're a self-made man
A7
And your friends, they all come crawling
E
E9
Slap you on the back and say: plea…….se, plea…….se
E7
Tryin' to make some sense of it all
But I can see it makes no sense at all
A7
Is it cool to go to sleep on the floor
E7
I don't think that I can take any more
B7
Dsus4
A7
E7
Instr.: Verse + Chorus
A7
Well, you started off with nothing
E7
And you're proud that you're a self-made man
A7
And your friends, they all come crawling
E
E9
Slap you on the back and say: plea…….se, plea…….se
E7
Well, I don't know why I came here tonight ...
SUGAR BABY
Peter Kraus
Capo 3
A One, a Two, a Three, a Four!
A
D
Sugar-Sugar-Baby, (oh Baby) oh-oh, Sugar-Sugar-Baby, (oh Baby)
E
A
Mmmhhh, sei doch lieb zu mir
A
D
E
A
Mmmhhh, dann bleib ich bei dir.
A
Dam didi damdam
A
Dam didi damdam
A
Dam didi damdam
E
Dam didi damdam
D
Dam didi damdam
E
Dam didi damdam
D
Dam didi damdam
A
Dah
A
Ich kenn Susi und Marleen, kenn die Mary und die Jane,
E
Auch Diana ist bezaubernd und nett
A
D
Und das eine ist mir klar, ich bin dauernd in Gefahr,
E
A
Wenn ich dich nicht hätt', Sugar-Baby!
A
D
E
A
A
D
E
A
Dam didi damdam Dam didi damdam ...
A
Du hast Charme und du hast Chic und dein Lächeln und dein Blick
E
Raubten schon am ersten Tag mir die Ruh'
A
D
Wenn ich dich bekommen kann, schau ich keine andre an,
E
A
Denn so bist nur du, Sugar-Baby!
A
D
E
A
A
D
E
A
SULTANS OF SWING
Dire Straits
Capo 5
Am
G
F
E
You get a shiver in the dark, it’s raining in the park but meantime
Am
G
F
E
South of the river you stop and you hold ev’rything
C
G
A band is blowing Dixie, double four time
F
Am
F-G
You feel alright when you hear the music ring
Am
G
F
E
Now you step inside but you don’t see too many faces
Am
G
F
E
Coming in out of the rain to hear the Jazz go down
C
G
Competition in other places
F
Am F - G
F-G
Ah, but the horns they’re blowing that sound
way on downsouth,
Am
Am - F - G Am - F - G
Way on downsouth London town
Am
G
E
You check out Guitar George,
he knows all the chords
Am
G
F
E
Mind he’s strictly rhythm, he doesn’t want to make it cry or sing
C
G
And then an old guitar is all he can afford
F
Am
F-G
When he gets up under the lights to play his thing
Am
G
And Harry doesn’t mind
F
F
E
if he doesn’t make the scene
Am
G
F
E
He’s got a daytime job, he’s doing alright
C
G
He can play the Honky Tonk like anything
F
Am F - G
F-G
Saving it up for friday night
with the Sultans,
Am
Am - F - G Am - F - G
With the Sultans of Swing
Am
G
F
E
And a crowd of young boys they’re fooling around in the corner
Am
G
F
E
Drunk and dressed in their best brown baggies and their platform soles
C
G
They don’t give a damn about any trumpet playing band
F
Am F - G
F-G
It ain’t what they call Rock’n Roll
and the Sultans,
Am
Am - F - G Am - F - G
Yeah, the Sultans play Creole (Creole)
Instr. Vers (long)
Am
G
F
E
And then the man he steps right up to the microphone
Am
G
F
E
And says at last just as the time bell rings
C
G
Good night, now it’s time to go home
F
Am F - G
F-G
Then he makes it fast with one more thing
we are the Sultans,
Am
Am - F - G Am - F - G
We are the Sultans of Swing
Instr.: Am - F - G .....
SUMMER IN THE CITY
Lovin Spoonful
Capo 2
f-f’ > e-e’ 3x g
c’
Am
/G
/F#
/F
E
Hot town, summer in the city. Back of my neck getting dirty and gritty
Am
/G
/F#
/F
E
Been down, isn't it a pity, doesn't seem to be a shadow in the city
E
E7
All around, people looking half dead
Am
A
Walking on the sidewalk, hotter than a match head
D
G
D
G
But at night it's a different world, go out and find a girl
D
G
Come-on come-on and dance all night
D
G
Despite the heat it'll be alright
Bm
E
And babe, don't you know it's a pity
Bm
E
That the days can't be like the nights
Bm
E
Bm
E
In the summer, in the city, in the summer, in the city
Am
/G
/F#
/F
E
Cool town, evening in the city. Dressed so fine and looking so pretty
Am
/G
/F#
/F
E
Cool cat, looking for a kitty. Gonna look in every corner of the city
E
E7
Till I'm wheezing like a bus stop
Am
A
Running up the stairs, gonna meet you on the rooftop
D
G
D
G
But at night it's a different world, go out and find a girl ...
Instr.:
e d c d e d c d e f dis c dis f dis c dis f
Am
F
2x
Am
/G /F# /F
E
2x
Am
/G
/F#
/F
E
Hot town, summer in the city. Back of my neck getting dirty and gritty
Am
/G
/F#
/F
E
Been down, isn't it a pity, doesn't seem to be a shadow in the city
E
E7
All around, people looking half dead
Am
A
Walking on the sidewalk, hotter than a match head
D
G
D
G
But at night it's a different world, go out and find a girl
D
G
Come-on come-on and dance all night
D
G
Despite the heat it'll be alright
Bm
E
And babe, don't you know it's a pity
Bm
E
That the days can't be like the nights
Bm
E
Bm
E
In the summer, in the city, in the summer, in the city
Instr.
SUMMER OF 69
Bryan Adams
P.
A
E
I got my first real six-string, bought it at the five-and-dime
A
E
Played it til my fingers bled. It was the summer of 69
A
E
Me and some guys from school - had a band and we tried real hard
A
E
Jimmy quit and Jody got married. I shoulda known we'd never get far
F#m
E
A
D
Oh when I look back now, that summer seemed to last forever
F#m
E
A
D
And if I had a choice. Yeah I'd always wanna be there
F#m
E
A
Riff 1x
Those were the best days of my life
A
E
Ain't no use in complainin', when you got a job to do
A
E
Spent my evenings down at the drive-in - and that's where I met you
F#m
E
A
D
Standin on your mama's porch, you told me that you'd wait forever
F#m
E
A
D
Oh and when you held my hand, I knew that it was now or never
F#m
E
A Riff 2x
Those were the best days of my life
O yeah, back in the summer of 69
C
F
Man we were killing time
G
F
C
we were young and restless we needed to unwind
F
G
I guess nothin' can last forever- forever; no!
Riff 2x
A
And now the times are changing,
E
Look at everything that‘s come and gone
A
Sometimes when I play that old six-string,
E
I think about you, wonder what went wrong
F#m
E
A
D
Standin on your mama's porch, you told me that you'd last forever
F#m
E
A
D
Oh and when you held my hand, I knew that it was now or never
F#m
E
A
Riff ...
Those were the best days of my life Back in the summer of 69
Riff:
A: a-cis-d-cis-h-cis
E: e-gis-a-gis-fis-gis
Original: D
SUMMER WIND
Johnny Mercer
C
Cmaj7
C
Cmaj7
C
Cmaj7
Gdim
Dm7
G7
The summer wind
came blowing in from across the sea,
Dm
A+
Dm7
Dm6
Cmaj7
C6
It lingered there to touch your hair and walk with me.
C7
C7/9
F
F/E
Dm7
All summer long we sang a song and then we strolled that golden sand.
C
Am7
Dm7 G7
Cmaj7
Em7 - A7
Two sweethearts and
the summer wind.
D
Dmaj7
F#dim
Em7
A9 - A7
Like painted kites
those days and nights they went flying by.
Em
Em/D#
Em/D Em/C# Dmaj7
D6
The world was new
beneath a blue umbrella sky.
D7
D7/9
G
G/F#
C9
Then, softer than a piper man, one day it called to you.
D Bm7-5 Em7 A7
Dmaj7
F#m7 - B7
I lost you to
the summer wind.
E
E/D#
Fdim
F#m7
B7
The autumn wind
and the winter winds have come and gone
F#m
B7
F#m7 B7
E
E6 - E
And still the days, those lonely days go on and on
E7
Bm7-5 E7
A
Amaj7 D9
And guess who sighs his lulla........bies through nights that never end.
E
C#m7-5 F#m B7
E
E/D# F#m B7
My fickle
friend,
the summer wind,
E
E/D# F#m B7
The summer wind
E
E/D# F#m B7 E6
The summer wind.
SUMMERTIME
George Gershwin
Capo 5
Bm*: x 0 4 4 3 0 / Em/D: x 0 0 4 5 3
Am Bm*
4x
Am Bm* Am
Bm*
Am
Bm* Am Bm*
Summertime,
and the livin' is ea........sy
Dm
Em/D Dm
F7
Bm7-5 E7
Fish are jumpin',
and the cotton is high.
Am Bm* Am
Bm*
Am Bm* Am Bm*
Yo' daddy's rich
and yo' mama's good-lookin',
Cmaj7
Am7 Fmaj7
E7
Am Bm* Am Bm*
So hush, little baby,
do…n’t you cry.
Am
Bm* Am
Bm*
Am Bm* Am Bm*
One of these mornin's,
you're gonna rise up singin'
Dm Em/D Dm
F7
Bm7-5 E7
You‘ll spread your wings
and you‘ll take the sky.
Am Bm* Am
Bm*
Am
Bm* Am Bm*
But 'til that mornin',
there‘s nothin' can harm you
Cmaj7
Am7
Fmaj7
E7 Am Bm* Am Bm*
With daddy and mammy
sta… ndin’ by.
SUMMERTIME BLUES
Eddie Cochrane
dis>e dis>e dis>e dis>e
| E ...
| E ...
| E A B E
E A B E
E (*e')
E A B E
I'm gonna raise a fuss, I'm gonna raise a holler
E
E A B E
About a workin' all summer just to try to earn a dollar
A
Every time I call my baby, and try to get a date
E (tacet)
My boss says, "No dice son, you gotta work late"
A
Sometimes I wonder what I'm a gonna do
E (tacet)
E ... E A B E
But there ain't no cure for the summertime blues
E A B E
E
E A B E
Well my mom and pappa told me:"Son you gotta make some money,
E
E A B E
If you want to use the car to go ridin' next Sunday"
A
Well I didn't go to work, told the boss I was sick
E (tacet)
"Well you can't use the car 'cause you didn't work a lick"
A
E (tacet)
E ... E A B E
E A B E
E
E A B E I'm gonna take two weeks, gonna have a fine vacation
E
E A B E
I'm gonna take my problem to the United Nations
A
Well I called my congressman and he said, quote:
E (tacet)
"I'd like to help you son but you're too young to vote"
A
E (tacet)
E ... E A B E
E A B E
SUMMERWINE
Am
G
Strawberries, cherries and an angel's kiss in spring.
Am
G
My Summerwine is really made from all these things
Am
G
My eyes grew heavy and my lips they could not speak
Am
G
I tried to get up, but I couldn't find my feet
F
Am
She reassured me with an unfamiliar lie
Dm
Am
Dm G
Am
And then she gave to me more summerwine - Oh, oh! summerwine
Am
G
I walked in town on silver spurs that jingle too,
Am
G
A song that I had only sang to just a few.
F
Am
She saw my silver spurs and said 'let's pass some time
Dm
Am
Dm G
Am
And I will give to you summerwine‘ - Oh, oh! summerwine
Am
G
Am
G
F
Am
Take off your silver spurs and help me pass the time
Dm
Am
Dm G
Am
Am
G
Am
G
F
Am
Take off your silver spurs and help me pass the time
Dm
Am
Dm G
Am
Am
G
When I woke up the sun was shining in my eyes,
Am
G
My silver spurs were gone, my head felt twice it's size
F
Am
She took my silver spurs, a dollar and a dime
Dm
Am
Dm G
Am
And left me craving for more summerwine - Oh, oh! summerwine
Nancy Sinatra / Lee Hazelwood
Strawberries, cherries and an angel's kiss in spring...
a c g' fis'
SUNDOWN
Gordon Lightfoot
Capo 1 P. (Original: F#)
E
I can see her lyin' back in her satin dress
B7
E
In a room where you do what you don't confess
E
A
Sundown, you'd better take care
D
E
If I find you've been creeping 'round my back stairs
E
A
D
E
E
She's been looking like a queen in a sailor's dream
B7
And she don't always say what she really means
E
A
Sometimes I think it's a shame
D
E
When I get feeling better when I'm feelin' no pain
E
A
D
E
E
I can picture every move that a man could make
B7
E
Getting lost in her lovin‘ is your first mistake
E
A
D
E
E
A
Sometimes I think it's a sin
D
E
When I feel like I'm winning when I'm loosing again
Instr.
E
I can see her looking fast in her faded jeans
B7
E
She's a hard lovin' woman got me feelin' mean
E
A
D
E
E
A
D
E
Sometimes I think it's a sin
When I feel like I'm winning when I'm loosing again
SUNNY
Bobby Hebb
Am C7
Fmaj7
E7
Sunny, yesterday my life was filled with rain.
Am C7
Fmaj7
E7
Sunny, you smiled at me and really eased the pain.
Am
C7
Oh, the dark days are gone and the bright days are here,
Fmaj7
Fm
My Sunny one shines so sincere,
Am7
E7
Am Dm7 - E7
Oh, Sunny one so true, I love you.
Am C7
Fmaj7
E7
Sunny, thank you for the sunshine bouquet.
Am C7
Fmaj7
E7
Sunny, thank you for the love you've brought my way.
Am
C7
You gave me your all and all
Fmaj7
Fm
And now I feel ten feet tall.
Am7
E7
Am Dm7 - E7
Oh, Sunny one so true, I love you.
Instr.: 1 Verse
Am C7
Fmaj7
E7
Sunny, thank you for the truth you've let me see.
Am C7
Fmaj7
E7
Sunny, thank you for the facts from A to Z.
Am
C7
My life was torn like windblown sand,
Fmaj7
Fm
Then a rock was formed when we held hands.
Am7
E7
Am Dm7 - E7
Sunny one so true, I love you.
Am C7
Fmaj7
E7
Sunny, thank you for the smile upon your face.
Am C7
Fmaj7
E7
Sunny, thank you for the gleam that flows with grace.
Am
C7
You're my spark of nature's fire,
Fmaj7
Fm
You're my sweet complete desire.
Am7
E7
Am Dm7 - E7
Sunny one so true, I love you.
SUNNY AFTERNOON
Kinks
Capo 2 (Original: Dm)
a’- a’ g’- g’
Am Am7
fis’- fis’ f’- f’
Am6
Am+5
e’- e’
E
d’- d’ c’- c’ h’- h’
E7 E7+5 E
Am
G
C
G
The taxman's taken all my dough and left me in my stately home
E
/D /C
/B Am
Lazing on a sunny afternoon
G
C
G
And I can't sail my yacht, he's taken ev'rything I've got
E
/D
/C
/B Am
e - fis - gis -a
All I've got's this sunny afternoon.
A
A7
D7
Save me, save me, save me from this squeeze,
G7
C
E7
I've got a big fat momma tryin' to break me.
Am
D9
A7
D7
And I love to live so pleasantly, live this life of luxury
C
E7
Am
Am7 Am6 Am+5
E
E7
E7+5 E
In summertime
Am
Am7 Am6 Am+5
In summertime,
E
E7
E7+5 E
In summertime
Am
G
C
G
My girlfriend's run off with my car and gone back to her Ma and Pa
E
/D
/C
/B
Am
Telling tales of drunkenness and cruelty
G
C
G
Now I'm sitting here, sipping at my ice-cold beer
E
/D /C
/B
Am
e - fis - gis -a
A
A7
D7
Help me, help me, help me sail away
G7
C
E7
Oh, give me two good reasons why I ought to stay
Am
D9
A7
D7
'Cause I love to live so pleasantly, live this life of luxury
C
E7
Am
Am7 Am6 Am+5
E
E7
E7+5 E
In summertime
Am
Am7 Am6 Am+5
In summertime,
E
E7
E7+5 E
In summertime
A
A7
D7
Save me, save me, save me from this squeeze,
G7
C
E7
I've got a big fat momma tryin' to break me.
Am
D9
A7
D7
And I love to live so pleasantly, live this life of luxury
C
E7
Am
Am7 Am6 Am+5
E
E7
E7+5 E
In summertime
Am
Am7 Am6 Am+5
In summertime,
E
E7
E7+5 E
Am
In summertime
SUNRISE
Norah Jones
Capo 3
| Am G | C | 3x F
(*g, d, c, c,)
G
Am
F
C
Sunrise sunrise, looks like morning in your eyes
Am
/G
F
C
But the clocks had nine fifteen for hours
Am
Em
C
F
Hooohooo hooohooo hooohooo ( x 3 )
D
Do you
Instr. : Vers 1 + 2
Bridge:
D
Am
F
C
Sunrise sunrise, couldn’t tempt us if it tried
Am /G
F
C
Cause the afternoon’s already come and gone - And I said
(*d c c)
D
F
D
F
C
Now the night throws its cover down - mmm on me again
D
F
D
F
Ooo and if I’m right, it’s the only way - to bring me back
Am
Em
C
F
D
Do you
Am
Em
C
F
D
Do you
G
Am
F
C
Surprise surprise, couldn’t find it in your eyes
Am
/G
F
C
But I’m sure it’s written all over my face
D
Am
F
C
Surprise surprise, never something I could hide
Am
/G
F
C
When I see we've made it through another day - Then I say
SUNSHINE SUPERMAN
Donovan
Riff: b>c c g b dis c b>c
C7
Sunshine came softly through my - a-window today
Coulda tripped out easy, but I've - a-changed my ways
F
It'll take time, I know it, - but in a while
C7
You're gonna be mine, I know it, - we'll do it in style
G7
F
C7
'Cause I've made my mind up you're going to be mine. I'll tell you right now
Any trick in the book now, baby, - all that I can find
C7
Superman or Green Lantern ain't got - a-nothin' on me
I can make like a turtle and dive for - a-pearls in the sea
F
A-you can just sit there thinkin' - on your velvet throne
C7
Yes, about all the rainbows a-you can - have for your own
G7
F
C7
C7
Everybody's hustlin' just to - have a little scene
When I say we'll be cool, I think that - you know what I mean
F
We stood on a beach at sunset - do you remember when
C7
I know a beach where, baby, - a-it never ends
G7
F
C7
When you've made your mind up forever to be mine - Hm-m-m-m-m
I'll pick up your hand and slowly - blow your little mind
G7
F
C7
Instr.
Superman or Green Lantern ain't got - a-nothin' on me......
G7
F
C7
When you've made your mind up forever to be mine - Hm-m-m-m-m
I'll pick up your hand and slowly blow your little mind
G7
F
C7
When you've made your mind up forever to be mine - Hm-m-m-m-m ....
SUSIE Q
CCR
A-Harp
E7
Riff: d a g e
x-mal
E7 (*h)
Oh Susie Q, oh Susie Q
A7
C7
Oh Susie Q, baby I love you
B7 E7
Susie Q
E7
I like the way you walk, I like the way you talk
A7
C7
I like the way you walk, I like the way you talk
B7 E7
Susie Q
E7
Say that you'll be true, say that you'll be true
A7
C7
Say that you'll be true and never leave me blue
B7 E7
Susie Q
Instr.: A-Harp
E7
Say that you'll be mine, say that you'll be mine
A7
C7
Say that you'll be mine, baby, all the time
B7 E7
Susie Q
E7
Oh Susie Q, oh Susie Q
A7
C7
Oh Susie Q, baby I love you
B7 E7
Susie Q
Instr.: A-Harp
SUZANNE
Leonard Cohen
Riff: h gis a gis h 3x
E
Suzanne takes you down to her place near the river
F#m
You can hear the boats go by, you can spend the night beside her
E
And you know, she's half crazy, but that's why you want to be there
G#m
A
And she feeds you tea and oranges that come all the way from China
E
F#m
And just when you mean to tell her that you have no love to give her
E
F#m
Then she gets you on her wavelength and she lets the river answer
E
Riff 2x
That you've always been her lover.
G#m
A
And you want to travel with her and you want to travel blind
E
And you know, she will trust you
F#m
E
Riff 2x
For you've touched her perfect body with your mind.
E
And Jesus was a sailor when he walked upon the water
F#m
And he spent a long time watching from his lonely wooden tower
E
And when he knew for certain only drowning men could see him
G#m
A
He said: "All men will be sailors then until the sea shall free them"
E
F#m
But he himself was broken, long before the' sky would open
E
F#m
E
Riff 2x
Forsaken, almost human, he sank beneath your wisdom like a stone.
G#m
A
And you want to travel with him and you want to travel blind
E
And you think maybe you'll trust him
F#m
E
Riff 2x
For he's touched your perfect body with his mind.
E
Now Suzanne takes your hand and she leads you to the river
F#m
She is wearing rags and feathers from salvation army counters
E
And the sun pours down like honey on our lady of the harbour
G#m
A
And she shows you where to look among the garbage and the flowers
E
F#m
There are heroes in the seaweed, there are children in the morning
E
F#m
They are leaning out for love and they will lean that way forever
E
Riff 2x
While Suzanne holds the mirror.
G#m
A
And you want to travel with her and you want to travel blind
E
And you know that you can trust her
F#m
E
Riff 2x
For she's touched your perfect body with her mind.
SWEET BABY JAMES
James Taylor, 1970
Dm7/F /E
/D
G7/D
C
G
F
Em
There is a young cowboy he lives on the range.
Am
F
C
Em
His horse and his cattle are his only companions.
Am
F
C
Em
He works in the saddle and he sleeps in the canyons.
F
C
G
Dm
G
Waiting for summer, his pastures to change.
F
G
C
And as the moon rises he sits by his fire.
Am
F
C
G
Thinkin' about women and glasses of beer.
F
G
C
Closing his eyes as the dogies retire
Am
F
C
He sings out a song which is soft but it's clear
D
G
As if maybe someone could hear.
C
F
G C
Goodnight you moonlight ladies.
Am
F
C
Rock-a-bye Sweet Baby James.
Am
F
C
Deep greens and blues are the colors I choose.
D
G
Won't you let me go down in my dreams.
F
G
C
And rock-a-bye Sweet Baby James.
C
G
F
Em
Now the first of December was covered with snow.
Am
F
C
Em
And so was the turnpike from Stockridge to Boston.
Am
F
C
Em
Lord the Berkshires seemed dreamlike on account of that frosting.
F
C
G
Dm
G
With ten miles behind me and ten thousand more to go.
F
G
C
There's a song that they sing when they take to the highway.
Am
F
C
G
A song that they sing when they take to the sea.
F
G
C
A song that they sing of their home in the sky.
Am
F
C
Maybe you can believe it if it helps you to sleep.
D
G
But singing works just fine for me.
(Original: D)
SWEET GEORGIA BROWN
Kenneth Casey, Ben Bernie, Maceo Pinkard, 1925
Capo 2
C > B > Bb > A
a h cis
a e‘ cis fis‘ e‘ a‘ e‘ cis a
A7
No gal made has got a shade on sweet Georgia Brown,
a
h c
a e‘ c fis‘ e‘
a‘
fis‘ e‘ d
D7
Two left feet, but oh, so neat, has sweet Georgia Brown!
g
a h
g d h e‘ d g‘
d h g
G7
They all sigh, and wanna die, for sweet Georgia Brown!
g a g a e‘
C
G7
I'll tell you just why,
g
a g a e‘
C
E7
You know I don't lie, not much:
A7
It's been said she knocks 'em dead, when she lands in town!
D7
Since she came, why it's a shame, how she cools them down!
e‘ e‘ d h
e‘ e‘
Am7 E7
Fellas she can't get, are
e‘ e‘ d h
e‘
Am7 E7
Fellas she ain't met!
g
a h
d e‘ g‘ a‘
e‘
C
B
Bb
A7
Georgia claimed her, Georgia named her,
d
g‘ e‘
c
D7
G7
C
C > B > Bb > A
Sweet Georgia Brown!
Instr.: Verse 1 & 2
A7
No gal made has got a shade on sweet Georgia Brown,
D7
Two left feet, oh, so neat, has sweet Georgia Brown!
G7
They all sigh, and want to die, for sweet Georgia Brown!
C
G7
I'll tell you just why,
C
E7
You know I don't lie, not much:
A7
All those gifts those courters give, to sweet Georgia Brown,
D7
They buy clothes at fashion shows, with one dollar down,
Am7
E7
Oh, boy! Tip your hat!
Am7
E7
Oh, joy! She's the cat!
C
B
Bb
A7
Who's that, mister? It ain't a sister!
D7
G7
C
Sweet Georgia Brown!
SWEET HOME ALABAMA
Lynyrd Skynyrd
Riff 1
|------------------|------------------|------------------|------------------|
|-------3----------|--------3---------|-----------3------|------------------|
|----------2-------|-----------0------|-----------0------|-------------2p0--|
|-0--0----------0--|------------------|-----------0------|-----0h2p2--------|
|------------------|-3p0h3--------3---|-----------2------|-0h2-------2------|
|------------------|------------------|--3p0h3----3------|------------------|
|------------------|------------------|------------------|------------------|
|-------3----------|---------3--------|---------3--------|------------------|
|----------2-------|------------0-----|---------0--------|0-0-2p0-0-4h0-0-5b|
|-0--0--------0----|------------------|---------0--------|------------------|
|------------------|--3p0h3--------3--|---------2--------|------------------|
|------------------|------------------|-3p0h3---3--------|------------------|
Riff 2
|------------------|------------------|------------------|----------------------|
|------------------|------------------|------------------|----------------------|
|----------7----7--|------------5--5--|------------------|-------0--------------|
|----------7----7--|------------5--5--|------------------|-----0-------------0--|
|-7h8h9------------|--9\7—-5/7--------|---7\0—(let ring)-|-0h2-----------0h2----|
|------------------|------------------|------------------|---------3p0h3--------|
D (* fis‘) C9
G
Big
wheels keep on turning,
D
C9
G
Carry me home to see my kin
D
C9
G
Singing songs about the southland.
D
C9
G
Riff 2 2x
I miss ole Bamy once again. And I think it's a sin.
Well, I heard Mister Young sing about her.
Well, I heard ol‘ Neil put her down.
Well, I hope Neil Young will remember:
A southern man don't need him around, anyhow.
D
C9
G
Sweet home Alabama,
D
C9
G
Sweet home Alabama,
D
C9
G
where the skies are so blue.
D
C9
G
Lord, I'm coming home to you.
D
C9
G
F
C D
In Birmingham they loved the Gov'nor. Booh Boo Boo.
D
C9
G D
C9
G
Now we all did what we could do. Now Watergate does not bother me.
D
C9
G
Does your conscience bother you, tell the truth.
D
C9
G
Sweet home Alabama,
D
C9
G
Sweet home Alabama,
Instr.:
D
C9
G
D
C9
G
Lord, I'm coming home to you.
Riff 2 x-mal
Now Muscle Shoals has got the Swampers
And they‘ve been known to pick a song or two.
Lord, they get me off so much
They pick me up when I'm feeling blue. Now how about you.
D
C9
G
Sweet home Alabama,
D
C9
G
Sweet home Alabama,
D
C9
G
D
C9
G
Lord, I'm coming home to you.......
SWEET LITTLE SIXTEEN
Chuck Berry
D (*c')
A7
D
They're really rockin' in Boston, and Pittsburgh, PA
A7
D
Deep in the heart of Texas and round the Frisco Bay
G
D
All over St. Louis, and down in New Orleans
A7
D |
All the cats wanna dance with Sweet Little 16
A7 |
D |
Sweet Little 16, she just got to have
A7 |
D |
About a half a million framed autographs
G|
D |
Her wallet's filled with pictures; she gets them one by one
A7 |
D
Becomes so excited; won't you look at her run, boy?
G
D
"Oh Mommy, Mommy, please may I go?
A7
D
It's such a sight to see; somebody steal the show
G
D
Oh Daddy, Daddy, I beg of you
A7
D
Whisper to Mommy it's all right with you"
D
A7
D
Cause they’ll be rockin' on Bandstand, Philadelphia, PA
A7
D
G
D
All over St. Louis, way down in New Orleans
A7
D
Instr. 1 Chorus
D
A7
D
Cause they’ll be rockin' on Bandstand, Philadelphia, PA
A7
D
G
D
All over St. Louis, way down in New Orleans
A7
D|
A7 |
D |
Sweet Little 16, she's got the grownup blues
A7 |
D |
Tight dresses and lipstick She's sportin' high-heeled shoes
G |
D |
Oh, but tomorrow mornin' She'll have to change her trend
A7 |
D
And be sweet 16 and back in class again
Well, they’ll be rockin' in Boston, and Pittsburgh, PA ...
SWEET SIXTEEN
Billy Idol
Capo 5
C
Em7
Well, memories will burn you. Memories grow older as people can
D
Em7
They just get colder like sweet sixteen
C
D
Break
Oh, I see it's clear, baby, that you are all through here.
Oh, oh, oh, oh.
Emsus2: 0 2 4 0 0 0
Riff: h d‘ h a g e d e
Em7 (*g)
Riff
Oh, I'll do anything
Riff
And I'll do anything
for my sweet sixteen,
Break
for little run away child
C
Em7
Gave my heart an engagement ring. She took (left) ev'rything.
D
Em7
Ev'rything I gave her, oh sweet sixteen.
C
Built a room for a rocking chair.
D
Break
I never guessed it would rock her far from here.
Oh, oh, oh, oh.
C
D
Emsus2
Someone's built a candy castle for my sweet sixteen.
C
D
Emsus2
Someone's built a candy brain and filled it in.
Em7
Riff
Well, I'll do anything
for my sweet sixteen,
Riff
Oh, I'll do anything
for little run away child
Break
C
D
Emsus2
Someone's built a candy castle for my sweet sixteen,
C
D
Emsus2
Someone's built a candy house to house her in.
C
D
Emsus2
Someone's built a candy castle for my sweet sixteen.
C
D
Emsus2
Someone took that candy girl and drew her in.
Em7
And I‘d do anything
Riff
for my sweet sixteen
Riff
Break
Yes, I‘d screw anything
for that run away child.
C
G D
Yeah, sad and lonely and blue.
C
G D
Yeah, gettin' over you.
C
G
D
How, how do you think it feels, yeah,
C
G D
To get up in the morning, sweat over you.
Up in the morning, sweat over you.
Wipe away the tears, get over you, get over, get over...
My sweet sixteen,
oh runaway child ...
( from the beginning...)
SYMPATHY FOR THE DEVIL
Rolling Stones
A-Harp
E
D
A
E
Please allow me to introduce myself: I'm a man of wealth and taste
D
A
E
I've been around for a long, long year, stole many a man's soul and faith
D
A
E
I was 'round when Jesus Christ had his moment of doubt and pain
D
A
E
Made damn sure that Pilate washed his hands and sealed his fate
B7
E
Pleased to meet you, hope you guess my name
B7
E
But what's puzzling you is the nature of my game
E
D
A
E
Stuck around St. Petersburg, when I saw it was a time for a change
D
A
E
Killed the Czar and his ministers, Anastasia screamed invain
D
I rode a tank, held a general's rank,
A
E
When the Blitzkrieg raged and the bodies stank
B7
E
Pleased to meet you, hope you guess my name, oh yeah!
B7
E
But what's puzzling you is the nature of my game, ah yeah!
(Ooh ooh Begin:) E
D
I watched with glee while your kings and queens
A
E
fought for ten decades for the Gods they made
D
A
E
I shouted out, who killed the Kennedys, when after all, it was you and me
D
A
E
Let me please introduce myself: I'm a man of wealth and taste
D
A
E
And I lay traps for troubadours who get killed before they reached Bombay
B7
E
B7
E
But what's puzzling you is the nature of my game, oh yeah!
Instr.: Verse + Chorus A-Harp
B7
E
B7
E
But what's confusing you is the nature of my game
Just as every cop is a criminal and all the sinners saints
As heads is tails, just call me Lucifer 'cause I'm in need of some restraint
So if you meet me, have some courtesy, have some sympathy and some taste
Use all your well learned politesse, or I'll lay your soul to waste, mm yeah
B7
E
B7
E
But what's puzzling you is the nature of my game
TAKE HER OUT OF PITY
Capo 3
g,
C
Am
F
G
I had a sister Sally, she was younger than I am.
C
Am
F
G
Had so many sweethearts, she had to deny them.
C
Am
F
G
But as for sister Sarah, you know she hasn't many.
C
Am
F
G
And if you knew her heart, she'd be grateful for any.
g,…
a, c,
C
Am
F
G
Come a lands man, a pins man, a tinker or a tailor;
C
Am
F
G
A doctor, a lawyer, a soldier, or a sailor.
C
Am
F
G
Rich man, a poor man, a fool or a witty,
C
Am
F
G
Don't let her die an old maid but take her out of pity.
C
Am
F
G
And I had a sister Susan, she was ugly and missshapen.
C
Am
F
G
By the time she was sixteen years old she was taken.
C
Am
F
G
By the time she was eighteen, a son and a daughter.
C
Am
F
G
Sarah's almost twenty-nine, never had an offer.
g,
C
Am
F
G
C
Am
F
G
C
Am
F
G
C
Am
F
G
C
Am
F
G
She never would be scoldin', she never would be jealous.
C
Am
F
G
Her husband would have money to go to the alehouse.
C
Am
F
G
While he was there a-spendin', she'd be home a-savin'
C
Am F
G
And I leave it up to you if she is not worth havin'.
C
Am
F
G
C
Am
F
G
C
Am
F
G
C
Am
F
G
TAKE IT EASY, ALTES HAUS
Truck Stop
Riff:
a‘ a‘>h>cis cis>d‘>e‘ e‘>fis‘a‘‘
cis,
A
Strahlend blauer Himmel, durch mein Fenster scheint die Sonne wie noch nie
g‘
A7
D
Halb verschlafen lieg ich noch im Bett, zieh' mir die Decke übers Knie mh mh
gis‘
E
Caesar kommt mit seiner weichen Schnauze an und möchte Gassi geh‘n
A
D
E
A
a‘>h‘ a‘ Break
Doch es gibt nichts schlimmeres, als morgens aufzusteh‘n
A
Take it easy altes Haus, mach dir nichts draus
Bm
Und schlaf dich erst mal richtig aus - bleib zu Haus
E
A Riff
Morgenstund hat Gold im Mund doch damit siehst du auch nicht besser aus
Break
D
Take it easy altes Haus, wer morgens länger schläft, hält's abends länger aus
E
A
Riff
Fang deinen Tag doch später an, dann bleibst Du länger dran
A
Brötchen mit Kaffee und bei Musik die Zeitung lesen, das wär' schön
A7
Und bei diesem Wetter könnt ich hinterher vielleicht mal baden geh‘n
D
Doo doo doo
E
Könnt mich dann mit Judy treffen doch von alledem wird nichts gescheh‘n
A
D
E
A a‘>h‘ a‘ Break
Denn es gibt nichts schlimmeres als morgens aufzusteh‘n
A
Bm
E
A Riff
Break
D
Take it easy altes Haus, wer morgens länger schläft, hält abends länger aus
E
A
Riff
A
Bm
E
A Riff
Break
D
Take it easy altes Haus, wer morgens länger schläft, hält's abends länger aus
E
A
Riff
TANZE MIT MIR IN DEN MORGEN
Gerhard Wendland
(Original: D# > E)
E (*h,)
B
Tanze mit mir in den Morgen,
E
Tanze mit mir in das Glück,
E7
A
In deinen Armen zu träumen,
E
B
E
Ist so schön bei verliebter Musik.
E
A
E
Darf ich bitten zum Tango um Mitternacht? ( tum tum )
B
Fragte ich Susann, ( tum tum )
E
Sie sah mich nur an ( tum tum )
A
E
Und ich wusste, dass sie mich so glücklich macht, ( tum tum )
B
E
gis h a
Wie‘s nur eine im Leben kann.
E (*h,)
B
E
E7
A
E
B
E
Ist so schön bei verliebter Musik
E
A
E
B
Sprach ein Kavalier, ( tum tum )
E
Nachts darauf zu ihr. ( tum tum )
A
E
Er war schneller und hat sie nach Haus gebracht, ( tum tum )
B
E
gis h a
Doch ich träumte nur noch von ihr.
Mhmmm Mhmmmmm ..... Halbtonwechsel E >>> C7
F
Bb
F
C7
Ruf ich bei Susann, ( tum tum )
F
Schon am Morgen an. ( tum tum )
Bb
F
Hat sie mich auch deswegen oft ausgelacht, ( tum tum )
C7
F
a c b
Wenn es zwölf ist, lacht sie mich an.
F (*c,)
C7
F
F7
Bb
F
C7
F
Ist so schön bei verliebter Musik.
TEDDY BEAR
Elvis
Capo 3
E7 ....
A
D
A
Baby let me be your lovin' Teddy Bear
D
A
Put a chain around my neck and lead me anywhere
E
Break
A
Oh let me be (oh let him be)
your Teddy Bear
D
E
D
E
I don't wanna be a tiger, 'cause tigers play too rough
D
E
D
E
A Break
I don't wanna be a lion, 'cause lions ain't the kind you love enough
D
E
D
E
I don't wanna be a tiger, 'cause tigers play too rough
D
E
D
E
A
Break
I don't wanna be a lion, 'cause lions ain't the kind you love enough
A
Just wanna be, your Teddy Bear
D
A
E
Break
A
your Teddy Bear
E
Break
A
your Teddy Bear
I just wanna be your Teddy Bear
A
Just wanna be, your Teddy Bear
D
A
E
Break
A
your Teddy Bear
A
D
A
Baby let me be, around you every night
D
A
Run your fingers through my hair and cuddle me real tight
E
Break
A
your Teddy Bear
TELL ME THAT IT ISN’T TRUE
Bob Dylan
Capo 3 P.
D Dsus-D Dsus-D
D
A
Em7
D
I have heard rumors
all over town
A
Em7
D
They say that you’re planning
to put me down
G
F#m
A
All I would like you to do
B7
Em7 D Dsus-D Dsus-D
Is tell me that it isn’t true
D
A
Em7
D
They say that you’ve been seen
with some other man
A
Em7
D
That he’s tall, dark and handsome
and you’re holding his
hand
G
F#m
A
Darlin’, I’m a-countin’ on you
B7
Em7 D Dsus-D Dsus-D
Tell me that it isn’t true
G
F#m
Em7
D
To know that some other man is holdin’ you tight
F#7
Bm Em7
F#m
Em7
It hurts me all over,
it doesn’t seem right
D
A
Em7
D
All of these awful things
that I have heard
A
Em7
D
I don’t want to believe them,
all I want is your word
G
F#m
A
So darlin’, you better come through
B7
Em7 D Dsus-D Dsus-D
Instr: Bridge
G
F#m
Em7
D
...........................................................................
F#7
Bm Em7
F#m
...........................................................................
Em7
D
A
Em7
D
All of these awful things
that I have heard
A
Em7
D
I don’t want to believe them,
all I want is your word
G
F#m
A
So darlin’, you better come through
B7
Em7 D Dsus-D Dsus-D
TENNESSEE WALTZ
TENNESSEE WALTZ
Trad.
3/4 Country-Waltz!
A (*a,)
A7
D
I was dancin' with my darlin to the Tennessee Waltz
A
F#m
B7
E7
When an old friend I happened to see.
A
A7
D
I introduced him to my darlin' and while they were dancin'
A
E7
A
My friend stole my sweetheart from me.
A
C#7
D
A
I remember the night and the Tennessee Waltz
F#m
B7 E7
Now I know just how much I have lost
A
A7
D
Yes I lost my little darlin' the night they were playin'
A
E7
A
That beautiful Tennessee Waltz
Instr.: 1 Verse
A
C#7
D
A
I remember the night and the Tennessee Waltz
F#m
B7 E7
Now I know just how much I have lost
A
A7
D
Yes I lost my little darlin' the night they were playin'
A
E7
A
That beautiful Tennessee Waltz
A
A7
D
Now I wonder how a dance like the Tennessee Waltz
A
F#m
B7
E7
Could have broken my heart so complete
A
A7
D
Well I couldn't blame my darlin', and who could help fallin'
A
E7
A
In love with my darlin' so sweet
A
C#7
D
A
Well it must be the fault of the Tennessee Waltz
F#m
B7
E7
Wish I'd known just how much it would cost
A
A7
D
But I didn't see it comin', it's all over but the cryin'
A
E7
A
F#m
Blame it all on the Tennessee Waltz
A
E7
A
A6
Blame it all on the Tennessee Waltz
TEQUILA SUNRISE
Eagles
G-Am7-G 4x
Am7
D7
G-Am7-G 2x
G
It's another Tequila Sunrise
D
Am D7
G-Am7-G G-Am7-G
Starin' slowly 'cross the sky,
a sad goodbye
G
He was just a hired hand
D
Am D7
G-Am7-G G-Am7-G
Workin' on the dreams he planned to try, the days go by
Em
C
Every night when the sun goes down
Em
C
Em
Just another lonely boy in town
Am
D7
And she's out runnin' rou......nd
G
She wasn't just another woman
D
Am D7
G-Am7-G G-Am7-G
And I couldn't keep from comin' on, it's been so long
G
Oh and it's a hollow feelin'
D
Am D7
G-Am7-G G-Am7-G
When it comes down to dealin' friends, it never ends
Instr.: ½ Verse
Am
D
Take another shot of courage
Bm
E
Am B7
Wonder why the right words never co….me,
Em7 A
you just get numb
G
It's another Tequila Sunrise
D
Am D7
G-Am7-G
This old world still looks the same, another frame
5x
THAT LUCKY OLD SUN
Frankie Laine, 1949
C
Am
Up in the mornin',
out on the job,
C
F
C
C7
Work like the devil for my pay,
F
Fm C
Am
But that lucky old sun
got nothin' to do
C
Dm7 G7 C G7
But roll around heaven all day.
C
Am
Fuss with my woman, toil for my kids,
C
F
C
C7
Sweat till I'm wrinkled and gray,
F
Fm C
Am
While that lucky old sun
has nothin' to do
C
Dm7 G7 C
Am Em
Dm7 C
Dear Lord above, don‘t you see I'm pining,
Dm7 C
Tears all in my eyes
Am
Em
Dm7 C
Send down that cloud with the silver lining,
D7
G7
Lift me up to Paradise
C
Am
Show me that river, take me across,
C
F
C
C7
Wash all my troubles away
F
Fm
C
Am
Like that lucky old sun, give me nothing to do
C
Dm7 G7 C
THAT‘LL BE THE DAY
Buddy Holly
Blues-Riff: A
D-D#-E
(*c') D
Well, that'll be the day when you say goodbye
A
A7
Yes, that'll be the day, when you make me cry
D
You say you're gonna leave, you know it's a lie
A
E
A
Cause that'll be the day when I die
D
A
Well you give me all your loving and your turtle doving
D
A
All your hugs and kisses and your money too
D
A
Well, you know you love me baby, still you tell me, maybe
B7
E7
That someday well I'll be through
D
A
A7
D
A
E
A
Instr.
D
A
A7
D
A
E
A
D
A
When Cupid shot his dart, he shot it at your heart
D
A
So if we ever part and I leave you
D
A
You sit and hold me and you tell me boldy
B7
E7
That someday well I'll be blue
D
A
A7
D
A
E
A
D
Ah that'll be the day wooh-ooh-ooh
A
That'll be the day woo-ooh-ooh
D
A
g fis f e A7
That'll be the day woo-ooh-ooh - That'll be the day
THAT‘S ALRIGHT, MAMA
Elvis
Instr.
E
Well, that's alright now mama, that's alright for you
E7
That's alright mama, just anyway you do
A7
Well, that's alright, that's alright.
B7
E
That's alright now mama, anyway you do
E
I'm leaving town, baby, I'm leaving town for sure
E7
Well, then you won‘t be bothered with me hanging 'round your door
A7
But that's alright, that's alright.
B7
E
E
Mama she done told me, Papa done told me too
E7
'Son, that gal your foolin' with, she ain't no good for you'
A7
But, that's alright, that's alright.
B7
E
E
Ah da da, dee dee diddy, dee dee diddy,
E7
Dee dee diddy,
A7
I need your love, babe, that's alright.
B7
E
THAT‘S AMORE
Dean Martin
Am
Dm
In Napoli where love is King,
Am
E7
When boy meets girl, here's what they say:
A (*cis)
When the moon hits your eye like a big-a pizza pie,
E7
That's amore
When the world seems to shine like you've had too much wine,
A
That's a....more.
A
Bells will ring ting-a-ling-a-ling, ting-a-ling-a-ling
E7
And you'll sing "Vi----ta bella."
Hearts will play tippi-tippi-tay, tippi-tippi-tay
A
Like a gay tarantella.
A
When the stars make you drool joost-a like pasta fazool,
E7
That's amore
When you dance down the street with a cloud at your feet,
C#7 F#m
You're in love
D
Dm
A
When you walk in a dream but you know you're not dreamin', signore,
E7
A
'Scusa me, but you see, back in old Napoli, that's amore.
( Wiederholen von Anfang )
THEY CAN‘T TAKE THAT AWAY FROM ME
George Gershwin, 1937
Capo 2
G7sus4: x 3 3 0 1 1
c,
Cmaj7 Dm7 - Em7
The way you wear your hat
F#dim Dm7 G7sus4
The way you sip your tea
Gm7
The memory of all that
C6
Fmaj7
Em7 A7
Dm7 G7sus4
No, no, they can‘t take that away from me
Cmaj7 Dm7 - Em7
The way your smile just beams
F#dim Dm7 G7sus4
The way you sing off key
Gm7
The way you haunt my dreams
C6
Fmaj7
G7
C6 B7
Em7 B7
Em7 B7
Em7 Gdim F#dim B7
We may never, never meet again, on that bumpy road
to
love
Em7 B7
Em7
A7
D7 G7sus4
Still I‘ll always, always keep the mem‘ry of...
Cmaj7 Dm7 - Em7
The way you hold your knife
F#dim
Dm7 G7sus4
The way we danced till three
Gm7
The way you‘ve changed my life
C6
Fmaj7
G7
C6
Fm6
E7
A7 D7 G7 C6 B7
No, they can‘t take that away from me
Em7 B7
Em7 B7
Em7 Gdim F#dim B7
We may never, never meet again, on that bumpy road
to
love
Em7 B7
Em7
A7
D7 G7sus4
Still I‘ll always, always keep the mem‘ry of...
Cmaj7 Dm7 - Em7
The way you hold your knife
F#dim
Dm7 G7sus4
The way we danced till three
Gm7
The way you‘ve changed my life
C6
Fmaj7
G7
C6
Fm6
E7
A7 D7 G7 C6 B7
Fm6
E7
A7 D7 G7 C6
THINGS WE SAID TODAY
Beatles
Em
Bm
Em
Bm
Em
You say you will love me, if I have to go.
Bm
Em
Bm Em
You'll be thinking of me, somehow I will know.
G
G9
C
F
Someday when I'm lonely, wishing you weren't so far away.
Em Bm Em
Bm
Em
Then I will remember, things we said today.
Em
Bm
Em
Bm
Em
You say you'll be mine girl, 'till the end of time.
Bm Em
Bm
Em
These days such a kind girl, seems so hard to find.
G
G9
C
F
Someday when we're dreaming, deep in love, not a lot to say.
Em
Bm Em
Bm Em
Then we will remember, things we said today.
E
A
F#7
B7
E
Me I'm just the lucky kind, love to hear you say that love is love,
A
F#7
F7
And though we may be blind, love is here to stay and that's e--
Em
Bm
Em
Bm Em
'nough to make you mine girl, be the only one.
Bm Em
Bm
Em
Love me all the time girl, we'll go on and on.
G
G9
C
F
Em
Bm Em
Bm Em
Then we will remember, things we said today.
E
A
F#7
B7
E
Me I'm just the lucky kind, love to hear you say that love is love,
A
F#7
F7
And though we may be blind, love is here to stay and that's e-Em
Bm
Em
Bm Em
'nough to make you mine girl, be the only one.
Bm Em
Bm
Em
Love me all the time girl, we'll go on and on.
G
G9
C
F
Em
Bm Em
Bm Em
Then we will remember, things we said today
THIS WHEEL'S ON FIRE
Bob Dylan
Dm
Capo 3
Am
Fdim
If your mem'ry serves you well, we were goin' to meet again and wait,
E7
Dm
F
Am
So I'm goin' to unpack all my things and sit before it gets too late.
C
Am
C
Am
No man alive will come to you with another tale to tell,
C
Am
Dm
F
Am
And you know that we shall meet again, if your mem'ry serves you well.
F
C
G
This wheel's on fire, rolling down the road,
C G
F
C F
G
A
Best notify my next of kin, this wheel shall explode!
F
C
G
C G
F
C F
G
A
Am
Fdim
If your mem'ry serves you well, you'll remember you're the one,
E7
Dm
F
Am
That called on me to call on them to get you your favors done.
C
Am
C
Am
And after ev'ry plan had failed and there was nothing more to tell,
C
Am
Dm
F
Am
You knew that we would meet again, if your mem'ry served you well.
Dm
Am
Fdim
If your mem'ry serves you well, I was goin' to confiscate your lace,
E7
Dm F
Am
And wrap it up in a sailor's knot and hide it in your case.
C
Am
C
Am
If I knew for sure that it was yours, but it was oh so hard to tell.
C
Am
Dm
F
Am
But you knew that we would meet again, if your mem'ry serves you well.
Dm
F
C
G
C G
F
C F
G
A
THREE LITTLE BIRDS
Bob Marley
Riff
Riff: c-d-c g‘- e‘ d-c
4x
C
Riff
Riff
"Don't worry
about a thing,
F
C
Riff
'Cause ev‘ry little thing gonna be all right.
Riff
Riff
Singin': "Don't worry
about a thing,
F
C
Riff
'Cause ev‘ry little thing gonna be all right!“
c,
d, c,
e, e,
C
G
Rise up this mornin', smiled with the risin' sun,
C
F
Three little birds sit by my doorstep
C
G
Singin' sweet songs of melodies pure and true,
F
C
Sayin', "This is my message to you-ou-ou:"
Riff
about a thing,
F
C
Riff
Riff
Riff
about a thing,
F
C
Riff
C
G
Rise up this mornin', smiled with the risin' sun,
C
F
Three little birds pitch by my doorstep
C
G
Singin' sweet songs of melodies pure and true,
F
C
Sayin', "This is my message to you-ou-ou:"
Riff
Riff
about a thing,
F
C
Riff
Riff
Riff
about a thing,
F
C
Riff
'Cause ev‘ry little thing gonna be all right!“ .................
THREE STEPS TO HEAVEN
A
D
A
E-D-A
The formula for Heaven's very simple
D
E E7
Just follow the rules and you will see
A
A7
D
Dm
And as life travels on and things do go wrong
E
A
E-D-A
Just follow steps one, two and three
Eddie Cochran
Capo 2
A E-D-A 3x
A
E7
A
D
A
E-D-A
Now there are Three Steps To Heaven
D
E E7
Just listen and you will plainly see
A
A7
D
Dm
And as life travels on and things do go wrong
E
A
E-D-A
Just follow steps one, two and three
D
E
A A7
Step one - you find a girl to love
D
E
A A7
Step two - she falls in love with you
D
E
A
Step three - you kiss and hold her tightly
E
A
Yeah! that sure seems like heaven to me
E-D-A 3x
D
E
A A7
Step one - you find a girl to love
D
E
A A7
Step two - she falls in love with you
D
E
A
Step three - you kiss and hold her tightly
E
A
Yeah! that sure seems like heaven to me
E
A
Just follow steps one,two and three
A
E7
E-D-A
E-D-A 3x
TIDE IS HIGH, THE
Blondie
G C D 4x
G
C
D
The tide is high but I'm holding on
G
C
D
I'm gonna be your number one
G
C
D
G
C D
I'm not the kind of guy who gives up just like that. Oh, no......
G
C
D
It's not the things you do that tease and hurt me bad
G
C
D
But it's the way you do the things you do to me
G
C
D
G
C D
G
C
D
G
C
D
C
D
/C /B /A
Number one.
G
C
D
Every guy wants you to be his girl
G
C D
But I'll wait my dear 'til it's my turn
G
C
D
G
C D
G
C
D
G
C
D
C
D
/C /B /A
Number one.
Instr.
G
C
D
Every guy wants you to be his girl
G
C D
But I'll wait my dear 'til it's my turn
G
C
D
G
C D
G
C
D
G
C
D
C
D C
D
/C /B
Number one, number one
G
C
D
G
C
D
C
D
/C /B /A
G
Number one.
(Original: B)
/A
TILL THERE WAS YOU
Beatles
Capo 3
(Original: F)
I G Fdim I Am7 D7 I
:II
G
Fdim
There were bells on a hill,
Am7
Cm
But I never heard them ringing,
G
Bm7 Bbm7 Am7
No, I never heard them at all,
D7
G Am7 D7
Till there was you.
G
Fdim
There were birds in the sky,
Am7
Cm
But I never saw them winging,
G
Bm7 Bbm7 Am7
No, I never saw them at all,
D7
G
G7
Till there was you.
C
Cm
G G/F#
E7
Then there was music
and wonderful roses,
they tell me,
Am7
A7
D7 D+5
In sweet fragrant meadows of dawn
and dew.
G
Fdim
There was love all around
Am7
Cm
But I never heard it singing,
G
Bm7 Bbm7 Am7
No, I never heard it at
all,
D7
G Am7 D7
Till there was you.
Instr.:
G
G
G
Fdim Am7 Cm
Bm7 Bbm7 Am7
G7
G#7
C
Cm
G G/F#
E7
Then there was music
and wonderful roses,
they tell me,
Am7
A7
D7 D+5
In sweet fragrant meadows of dawn
and dew.
G
Fdim
There was love all around
Am7
Cm
But I never heard it singing,
G
Bm7 Bbm7 Am7
No, I never heard it at
all,
D7
G
Till there was you.
D
C#
D
G
D#
Till...................there was you.
G
G6
TIME AFTER TIME
Cindy Lauper
Capo 1 (Original: F)
Intro:
| G | A | F#m | Gmaj7 |
| G | A | F#m | Gmaj7 |
G6 D
G6 D
G6 D
G6
D
Lyin' in my bed I hear the clock tick and think of you
G6
D
G6 D
G6 D
G6
D
Caught up in circles confusion is nothing new
G
A F#m G
A
F#m
Flash back warm nights almost left behind
G A
F#m G
G/A
Suitcase of memories, time after...
G6 D
G6
D
G6 D
G6 D
Sometimes you picture me. I'm walkin' too far ahead
G6
D
G6 D G6 D G6
D
You're calling to me, I can't hear what you've said
G A F#m G A
F#m
Then you say go slow, I fall behind
G A
F#m
G
The second hand unwinds
A
Bm
If you're lost you can look and you will find me
G
G/A D
Time after time
A
Bm
If you fall I will catch you, I'll be waiting
G
G/A D
Time after time
Instr.:
| G | A | F#m | Gmaj7 |
| G | A | F#m | Gmaj7 |
G6 D
G6
D
G6 D
G6
D
Aft...er my picture fades and darkness has turned to grey
G6 D
G6 D
G6 D
G6 D
Watchin' through windows you're wondering if I'm okay
G
A F#m G
A
Fm
Sec...rets sto...len from deep inside
G
A
F#m G
The drum beats out of time
A
Bm
If you're lost you can look and you will find me
G
G/A D
Time after time
A
Bm
If you fall I will catch you, I'll be waiting
G
G/A D
Time after time
Instr.: Chorus
G
A F#m G
A
F#m
You say go slow, I fall behind
G
A
F#m
G
The second hand unwinds
A
Bm
If you're lost you can look and you will find me ....
2x
G
G/A D
Time after time...
Time after time...
Time after time...
2x
TIMES THEY ARE A-CHANGIN‘, THE
Bob Dylan
Capo 4 E-Harp Interludes ad lib (Original: G)
C
Am
F
C
Come gather 'round people wherever you roam
Am
F
G
And admit that the waters around you have grown
C
Am
F
C
And accept it that soon you'll be drenched to the bone.
Dm
G
If your time to you is worth savin'
/F
/E
/D
Then you better start swimmin' or you'll sink like a stone
C
F
G
C
Am F C
For the times they are a-changin'.
C
Am
F
C
Come writers and critics who prophesize with your pen
Am
F
G
And keep your eyes wide the chance won't come again
C
Am
F
C
And don't speak too soon for the wheel's still in spin
Dm
G
And there's no tellin' who that it's namin'.
/F
/E
/D
'Cause the loser now will be later to win
C
F
G
C
Am F C
C
Am
F
C
Come senators, congressmen, please heed the call
Am
F
G
Don't stand in the doorway, don't block up the hall
C
Am
F
C
For he that gets hurt, will be he who has stalled
Dm
G
There`s a battle outside and it‘s ragin'
/F
/E
/D
It‘ll soon shake your windows and rattle your walls
C
F
G
C
Am F C
C
Am
F
C
Come mothers and fathers throughout the land
Am
F
G
And don't criticize what you can't understand
C
Am
F
C
Your sons and your daughters are beyond your command
Dm
G
Your old road is rapidly agin'.
/F
/E
/D
Please get out of the new one, if you can't lend your hand
C
F
G
C
Am F C
C
Am
F
C
The line it is drawn, the curse it is cast
Am
F
G
The slow one now will later be fast
C
Am
F
C
Dm
G
As the present now will later be past, the order is rapidly fadin'.
/F
/E
/D
And the first one now will later be last
C
F
G
C
Am F C
TIPITIPITIPSO
Caterina Valente
Capo 4
C
Dm
G
C
Coco kauft sich, bitte sehr - eines Tages Schießgewehr,
Am
Dm
G
C
Weil ein' Mexicano das - macht so großen Spaß.
Dm
G
C
Coco zielt und schießt sogar - Loch in Wand von Billys Bar,
Am
Dm
G
C
So entsteht ganz nebenbei - schöne Schießerei!
C
F
Tipitipitipso, beim Calypso ist dann alles wieder gut
G
C
Ja, das ist mexikanisch.
F
Tipitipitipso, beim Calypso sind dann alle wieder froh
G
C
Im schönen Mexiko.
C
Dm
G
C
Coco sieht als kleiner Mann - gern sich große Frauen an,
Am
Dm
G
C
Solche, die so schön gebaut - wie Don Pedros Braut.
Dm
G
C
Pedro sieht von Coco das - wirft ihn dann durchs Fensterglas,
Am
Dm
G
C
Rein auf Schreibtisch von Kanzlei - bei der Polizei.
C
F
G
C
F
G
C
Im schönen Mexiko.
C
Dm
G
C
Coco liebt von ungefähr - gut gebratenes Beefsteak sehr,
Am
Dm
G
C
Und weil Beefsteak teuer ist - kommt ihm eine List:
Dm
G
C
Sonntag fehlt mit einem Mal - großes Pferd in Billys Stall,
Am
Dm
G
C
Billy geht der Nase nach - und dann gibt es Krach.
C
F
G
C
F
G
C
Im schönen Mexiko.
TO LOVE SOMEBODY
Bee Gees
a-h-d-h e-d-h-g h - a
D
C
G-D
(*d)
D Em
G
D
There's a light,
a certain kind of light, that never shone on me
C
D
A7
G
I want my life to be, lived with you, lived with you
D Em
G
D
There's a way,
everybody say, to do each and every little thing
C
D
A7
G
But what does it bring, if I ain't got you, ain't got you, baby
D
A7
G
D
(N.C.)
You don't know what it's like, Baby, you don't know what it's like
A7
G
D
To love somebody, to love somebody, the way I love you
a-h-d-h e-d-h-g h - a
D
C
G-D
D
Em
G
D
Mmm, in my brain,
I see your face again, I know my frame of mind
C
D
A7
G
You ain't got to be so blind and I'm blind, so so so blind
D Em
G
D
I'm a man,
can't you see what I am, I live and I breathe for you
C
D
A7
G
But what good does it do, if I ain't got you, ain't got you, baby
D
A7
G
D
(N.C.)
A7
G
D
To love somebody, to love somebody, the way I love you. Ahh no no
D
A7
G
D
(N.C.)
A7
G
D
A7 >>> E
To love somebody, to love somebody, the way I love you. No no no...
E
B7
A
E
B7
A
E
To love somebody, to love somebody, the way I love you
h-cis-e-cis fis-e-cis-a cis-h
E
D
A-E
(N.C.)
TOM DOOLEY
Kingston Trio P.
Throughout history there have been many songs written about the eternal triangle.
This next one tells the story about a Mr. Grayson, a beautiful woman and a
condemned man named Tom Dooley. When the sun rises tomorrow Tom Dooley
must hang.
E
B7
Hang down your head Tom Dooley, hang down your head and cry
E
Hang down your head Tom Dooley, poor boy you're bound to die
E
B7
I met her on the mountain. There I took her life
E
I met her on the mountain. Stabbed her with my knife
E
B7
This time tomorrow reckon where I'll be
Das ist die Geschichte von Tom Dooley aus Tennessie und seinem Ende. Er liebte
die Frau eines Anderen, doch weil sie nichts von ihm wissen wollte, da erdolchte er
sie.
Ich, der Sheriff musste Tom Dooley zum Tode verurteilen. Und morgen, ja , morgen
da muß er hängen.
Alles vorbei Tom Dooley noch vor dem Morgenrot,
Ist es geschehn, Tom Dooley, morgen dann bist du tot.
Keiner wird um dich weinen, auf deinem letzten Gang
Wird keine Sonne scheinen, klingt dir kein Glockenklang.
Hinter den blauen Bergen, wartet ein kleines Haus
Hinter den blauen Bergen, bist du nicht mehr zuhaus.
Nimm dir noch einen Whiskey, trink ihn mit dir allein,
Das ist ein harte Whiskey, er wird dein letzter sein.
E
Hadn't a been for Grayson I'd a been in Tennesee
Nie mehr in deinem Leben, siehst du das Sonnenlicht.
Gnade, die kanns nicht geben. Gnade die gibt es nicht.
E
B7
Hang down your head Tom Dooley, hang down your head and cry
E
Hang down your head Tom Dooley, poor boy you're bound to die
Willst du noch etwas sagen? Bald ist der Tag erwacht.
Hörst du die Turmuhr schlagen? Das ist die letzte Nacht.
E
B7
This time tomorrow reckon where I'll be
E
Down in some lonesome valley hanging from an wide oak tree
Hang down your head Tom Dooley......
TOM TRAUBERT’S BLUES 1
Tom Waits
Capo 3 (Original: F, Capo 5)
C Dm Em7 F
Em7 Dm7 G7
(wie Chorus)
F (*a)
Em7
Wasted and wounded, it ain't what the moon did,
Dm
G7
C Dm – Em
I've got what I paid for now
F
Em7
See you tomorrow, hey Frank, can I borrow
D9
G7
A couple of bucks from you
e d e
e e e c e
g g g f
C
Dm7 Em
F
To go waltzing Mathilda, waltzing Mathilda,
Em
Dm7
G7
You'll go waltzing Mathilda with me
F
Em7
I'm an innocent victim of a blinded alley
Dm
G7
C Dm – Em
And I'm tired of all these soldiers here
F
Em7
No one speaks English, and everything's broken,
D9
G7
And my Stacys are soaking wet
C
Dm7 Em
F
Em
Dm7
G7
F
Em7
Now the dogs are barking and the taxi cab's parking
Dm
G7
C Dm – Em
A lot they can do for me
F
Em7
I begged you to stab me, you tore my shirt open,
D9
G7
And I'm down on my knees tonight
F
Em7
Old Bushmill's I staggered, you'd bury the dagger
D9
G7
In your silhouette window light
C
Dm7 Em
F
Em
Dm7
G7
F
Em7
Now I lost my Saint Christopher now that I've kissed her
Dm
G7
C Dm – Em
And the one-armed bandit knows
F
Em7
And the maverick Chinamen, and the cold-blooded signs,
D9
G7
And the girls down by the strip-tease shows, go
C
Dm7 Em
F
Waltzing Mathilda, waltzing Mathilda,
Em
Dm7
G7
TOM TRAUBERT’S BLUES 2
F
Em7
No, I don't want your sympathy, the fugitives say
Dm
G7
C Dm – Em
That the streets aren't for dreaming now
F
Em7
And manslaughter dragnets and the ghosts that sell memories,
D9
G7
They want a piece of the action anyhow
C
Dm7 Em
F
Go waltzing Mathilda, waltzing Mathilda,
Em
Dm7
G7
F
Em7
And you can ask any sailor, and the keys from the jailer,
Dm
G7
C
Dm – Em
And the old men in wheelchairs know
F
Em7
And Mathilda's the defendant, she killed about a hundred,
D9
G7
And she follows wherever you may go
C
Dm7 Em
F
Waltzing Mathilda, waltzing Mathilda,
Em
Dm7
G7
F
Em7
And it's a battered old suitcase to a hotel someplace,
Dm
G7 C Dm – Em
And a wound that will never heal
F
Em7
No prima donna, the perfume is on an
Dm
G7
C
Dm – Em
Old shirt that is stained with blood and whiskey
F
And goodnight to the street sweepers,
Em7
The night watchmen flame keepers
Dm7
G7
C
And goodnight to Mathilda, too
Dm7
Em F
Em Dm7 G7 C
TOMORROW IS A LONG TIME
Bob Dylan
C-Harp
Intro: 1 Verse C-Harp
C (*e)
F
C
If today was not an endless highway,
F
C
If tonight was not a crooked trail,
F
G
C
Am
If tomorrow wasn't such a long time,
F
G
C
Then lonesome would mean nothing to you at all.
F
G
C
Yes, and only if my own true love was waitin',
F
G
C
If I could hear her heart a-softly poundin',
F
G
C
Am
Yes, and only if she was lyin' by me,
F
G
C
I'd lie in my bed once again.
C
F
C
I can't see my reflection in the waters,
F
C
I can't speak the sounds that show no pain,
F
G
C
Am
I can't hear the echo of my footsteps,
F
G
C
Or can't remember the sound of my own name.
F
G
C
F
G
C
Yes, and if I could hear her heart a-softly poundin',
F
G
C
Am
Only if she was lyin' by me,
F
G
C
Then I'd lie in my bed once again.
Instr.: 1 Verse C-Harp
C
F
C
There's beauty in the silver, singin' river,
F
C
There's beauty in the sunrise in the sky,
F
G
C
Am
But none of these and nothing else can touch the beauty
F
G
C
That I remember in my true love's eyes.
F
G
C
F
G
C
Yes, and if I could hear her heart a-softly poundin',
F
G
C
Am
Only if she was lyin' by me,
F
G
C
Then I'd lie in my bed once again..
TONIGHT WILL BE FINE
Leonard Cohen
A
E
A
Sometimes I find I get to thinking of the past
E
A
We swore to each other then our love would surely last
E
A
You kept right on loving I went on to fast
E
A
Now I am too thin and your love is too vast.
D
A
But I know from your eyes
D
A
And I know from your smile
D
A
That tonight will be fine, will be fine, will be fine
E
A
Will be fine - for a while.
A
E
A
I choose the rooms that I live in with care
E
A
The windows are small and the walls almost bare
E
A
There's only one bed and there’s only one chair
E
A
And I listen all night for your step on the stair.
D
A
But I know from your eyes
D
A
D
A
E
A
A
E
A
Sometimes I see her undressing for me
E
A
She's a soft naked lady love meant her to be
E
A
And she's moving her body so brave and so free
E
A
If I’ve got to remember that's a fine memory .
D
A
And I know from your eyes
D
A
D
A
E
A
TOWN I LOVED SO WELL, THE 1
Phil Coulter
Capo 2
G
D/F# C/E
G
In my memory I will always see
C
G
D
The town that I have loved so well
G
D/F#
C/E
G
Where our school played ball by the gasyard wall
C
G
D
G
And we laughed through the smoke and the smell.
C
D
G
G/F# Em
Going home in the rain running up the dark lane
C C/B Am7
D
Past the jail and down behind the fountain
G
D/F#
C/E
G
C
G
D G
Those were happy days in so many many ways in the town I loved so well.
G
D/F#
C/E
G
In the early morn the shirt factory horn
C
G
D
Called the women from Creggan, the Moor and the Bog
G
D/F#
C/E
G
While the men on the dole played a mothers role,
C
G D
G
Fed the children and then trained the dog
C
D
G G/F# Em
And when times got rough, there was just about enough
C C/B Am7
D
But they saw it through without complaining
G
D/F#
C/E
G
C
G
D G
For deep inside was a burning pride in the town I loved so well.
G
D/F#
C/E G There was music there in the Derry air
C
G
D
Like a language that we all could understand
G
D/F#
C/E
G
I remember the day when I earned my first pay
C
G
D
G
As I played in a small pickup band
C
D
G G/F#
Em
There I spent my youth and to tell you the truth
C
C/B
Am7 D
I was sad to leave it all behind me
G
D/F#
C/E
G
C
G
D G
For I'd learned about life and I'd found a wife in the town I loved so well.
G
D/F#
C/E
G
But when I returned how my eyes were burned
C
G
D
To see how a town could be brought to it's knees
G
D/F#
C/E
G
By the armoured cars and the bombed out bars
C
G
D
G
And the gas that hangs on to every tree
C
D
G G/F#
Em
Now the army's installed by that old gasyard wall
C
C/B
Am7
D
And the damned barbed wire gets higher and higher
G
D/F#
C/E
G
With their tanks and guns, oh my God, what have they done
C
G
D G
To the town I loved so well.
TOWN I LOVED SO WELL, THE 2
G
D/F#
C/E G
Now the music's gone but they carry on
C
G
D
For their spirit's been bruised, never broken
G
D/F#
C/E
G
Oh, they'll not forget but their hearts are set
C
G
D
G
On tomorrow and peace once again
C
D
G G/F# Em
Now what's done is done and what's won is
won
C
C/B
Am7 D
And what's lost is lost and gone forever
G D/F#
C/E
G
C
G
D G
I can only pray for a bright brand new day in the town I loved so well.
TRUE LOVE
Big Crosby
G
D7
G
Fdim D7
Suntanned, windblown, honeymooners at last alone
G
C
Cm G
A7
Am7
D7
Feeling far above par, oh how lucky we are
G (*d,) C
F#
G
While I give to you and you give to me
D
D7 G
True love, true love
G
C
F#
G
So, on and on it will always be
D
D7 G
True love, true love
Cm(*g) D#
Bb
G7
Cm
Dm
Bb D7
For you and I have a guardian angel on high with nothing to do
G
C
F#
G D
D7 G
But to give to you and to give to me love forever true
Cm
D#
Bb
G7
Cm
Dm
Bb D7
For you and I have a guardian angel on high with nothing to do
G
C
F#
G D
D7 G Gdim
But to give to you and to give to me love forever true
D
D7 G
Love forever true
(Original: D#)
TRY TO REMEMBER
Ames Brothers
Capo 4
C
Am
Dm
G7
Try to remember the kind of September
C
Am
Dm
G7
When life was slow and oh, so mellow;
C
Am
Dm
G7
C
Am
Dm
G7
When grass was green and grain so yellow;
Em7
Am7
Dm7
G7
Cmaj7
Fmaj7
Bb
G7
When you were a young and a callow fellow.
C
Am
Dm
G7
C
Am Fmaj7
Try to remember, and if you remember, then follow,
follow
C
Am
Dm
G7
Try to remember when life was so tender,
C
Am
Dm
G7
That no one wept except the willow;
C
Am
Dm
G7
C
Am
Dm
G7
That dreams were kept beside your pillow;
Em7
Am7
Dm7
G7
Cmaj7
Fmaj7 Bb
G7
That love was an ember about to billow.
C
Am
Dm
G7
C
Am Fmaj7
G7
G7
Try to remember, and if you remember, then follow,
C
Am
Dm
G7
Deep in December, it's nice to remember,
C
Am
Dm
G7
Although you know the snow will follow;
C
Am
Dm
G7
C
Am
Dm
G7
Without a hurt the heart is hollow;
Em7
Am7
Dm7
G7
Cmaj7
Fmaj7
Bb
G7
The fire of September that made you mellow.
C
Am
Dm
G7
Deep in December our hearts should remember,
C
Am Fmaj7 Fdim C
Then follow,
follow,
follow
follow
TURN, TURN, TURN
Pete Seeger, Byrds (Altes Testament, Prediger 3, „Das Hohe Lied des Salomo")
Capo 2
G
C G D
G
C
Bm D
To everything,
turn, turn, turn
G
C
Bm D
There is a season, turn, turn, turn
C
C/B D
G
C G
And a time to every purpose under heaven
D
G
A time to be born, a time to die
D
G
A time to plant, a time to reap
D
G
A time to kill, a time to heal
C Bm Am D7
G
C G D
A time to lau…gh, a ti…..me to weep.
G
C
Bm D
To everything,
turn, turn, turn
G
C
Bm D
C
C/B D
G
C G
D
G
A time to build up, a time to break down
D
G
A time to dance, a time to mourn
D
G
A time to cast away stones
C Bm Am D7
G
C G D
A time to ga…ther sto…nes together.
G
C
Bm D
To everything,
turn, turn, turn
G
C
Bm D
C
C/B D
G
C G
D
G
A time of love, a time of hate
D
G
A time of war, a time of peace
D
G
A time you may embrace
C Bm Am D7
G
C G D
A time to refrain from embracing
G
C
Bm D
To everything,
turn, turn, turn
G
C
Bm D
C
C/B D
G
C G
D
G
A time to gain, a time to lose
D
G
A time to rend, a time to sow
D
G
A time for love, a time for hate
C Bm Am
D7
G
A time for pea…ce, I swear it's not too late
C G
TWA RECRUITIN‘ SERGEANTS
Trad.
And it's over the mountains ...
Capo 3 P.
D
Em
And its into the barn and oot o' the byre,
G
D
A
This ole farmer, he thinks ye never tire.
G
D
Em
Bm
It's slavery job of low degree.
D
G
D
Sae list my bonnie laddie and come awa with me
D
Em
Twa recruiting sergeants come frae the Black Watch
G
D
A
Tae markets and fairs, some recruits for tae catch.
G
D
Em
Bm
But a' that they 'listed was forty and twa:
D
G
D
Sae list my bonnie laddie an' come awa.
D
Em
And it's over the mountains and over the Main,
G
D
A
Through Gibraltar, to France and to Spain.
G
D
Em
Bm
Get a feather tae your bonnet and a kilt aboon your knee,
D
G
D
Enlist my bonnie laddie and come awa with me.
D
Em
And laddie if ye hae a sweetheart an' a bairn,
G
D
A
Ye'll easily get rid o' that ill-spun yarn.
G
D
Em
Bm
Twa rattles o' the drum and that will pay it a'.
D
G
D
Sae list my bonnie laddie and come awa.
D
Em
Well, laddie ye dinna ken the danger that yer in.
G
D
A
If yer horses was to fleg, and yer owsen to rin,
G
D
Em
Bm
This greedy ole farmer, he wouldna pay yer fee.
D
G
D
Sae list my bonnie laddie and come awa wi' me
twa=two, awa=away, aboon=above, bonnie=handsome, fleg=take fright,
owsen=oxen, rin=run
Even before the 1745 Jacobite Uprising, the government were using the fighting
qualities of the Highlanders in British regiments. Even so, they had to sometimes
work hard to persuade the young lads to sign up and take the king's shilling
TWIST IN MY SOBRIETY
Tanita Tikaram
Capo 1
Em
Am
B7
Em
All God's children need travelling shoes, drive your problems from here
Am
B7
Em
All good people read good books, now your conscience is clear
B7
Em
I hear you talk girl, now your conscience is clear
Em
Am
B7
Em
In the morning when I wipe my brow, wipe the miles away
Am
B7
Em
I like to think I can be so willed and never do what you say
B7
Em
I'll never hear you, and never do what you say
Em
B7
Em
Look my eyes are just holograms
B7
Em
Look your love has drawn red from my hands
Am
Em
From my hands you know you'll never be
B7
Em
More than twist in my sobriety
B7
Em
B7
Em
Am
B7 Em
Em
Am
B7
Em
We just poked a little empty pie for the fun that people had at night
Am
B7
Em
Late at night don't need hostility, timid smile and pause to free
Am
B7
Em
I don't care about their different thoughts, different thoughts are good for me
Am
B7
Em
Up in arms and chaste and whole, all God's children took their toll
Look my eyes are just holograms…
Em
Am
Em
Am
Cup of tea, take time to think, yeah. Time to risk a life, a life, a life
Em
Am
Sweet and handsome, soft and porky
B7
Em
You pig out 'til you've seen the light
B7
Em
Pig out 'til you've seen the light
Em
Am
Half the people read the papers,
Am
Pretty people, nervous people,
Em
The news you have to sell
B7
Em
read them good and well
B7
Em B7
people have got to sell,
Look my eyes are just holograms…. 2x
TWIST AND SHOUT
Beatles
e-fis-gis a a d-fis-e
A
D
E7
2x
A
D E7
Well, shake it up baby now
Twist and shout
Come on, come on, come on, come on baby now
Come on and work it on out
Well work it on out, honey
You know you look so good
You know you got me goin' now
Just like I knew you would
Well, shake it up baby now
Twist and shout
You know you twist, little girl
You know you twist so fine
Come on and twist a little closer now
And let me know that you're mine,
woo
a a-d-fis-e cis-d-cis-h a
A D
E7
A:|| x4
E
E7
Ah, ah, ah, ah
Yeah, shake it up baby now
Twist and shout
You know you twist, little girl
You know you twist so fine
Come on and twist a little closer now
And let me know that you're mine
Well shake it, shake it, shake it, baby now 3x
Ah, ah, ah, ah
Original: D
ÜBER DEN WOLKEN
Reinhard Mey
430044
G (*d,)
Am D
G
Wind Nord/Ost Startbahn null drei, bis hier hör ich die Motoren,
Am D
G
Wie ein Pfeil zieht sie vorbei,
und es dröhnt in meinen Ohren,
Am D
G
Und der nasse Asphalt bebt.
Wie ein Schleier staubt der Regen,
Am
D
G
Bis sie abhebt, und sie schwebt der Sonne entgegen.
G
Am D
G
Über den Wolken muß die Freiheit wohl grenzenlos sein.
Am
D
Alle Ängste, alle Sorgen, sagt man,
G
C
Blieben darunter verborgen, und dann
G
D
Würde, was hier groß und wichtig erscheint,
G
Plötzlich nichtig und klein.
G
Am D
G
Ich seh' ihr noch lange nach, seh' sie die Wolken erklimmen,
Am D
G
Bis die Lichter nach und nach ganz im Regengrau verschwimmen.
Am D
G
Meine Augen haben schon jenen winz'gen Punkt verloren.
Am D
G
Nur von fern klingt monoton
das Summen der Motoren.
G
Am D
G
Am
D
G
C
G
D
Würde, was uns groß und wichtig erscheint,
G
G
Am D
G
Dann ist alles still, ich geh', Regen durchdringt meine Jacke,
Am D
G
Irgend jemand kocht Kaffee
in der Luftaufsichtsbaracke.
Am D
G
In den Pfützen schwimmt Benzin,
schillernd wie ein Regenbogen.
Am D
G
Wolken spiegeln sich darin.
Ich wär gern mitgeflogen.
G
Am D
G
Am
D
G
C
G
D
Würde, was uns groß und wichtig erscheint,
G
430044 G
ÜBER SIEBEN BRÜCKEN MUSST DU GEHN
Maffay / Karat
D G-D
A-D
D
G
D
G
D
A-D
Manchmal geh‘ ich meine Straße ohne Blick
D
G
D
C
Manchmal wünsch‘ ich mir mein Schaukelpferd zurück
A
Em
D
Bm
Manchmal bin ich ohne Rast und Ruh‘
A
Em
F#m-A-D
Manchmal schließ‘ ich alle Türen nach mir zu
D
G
D
G D
A-D
Manchmal ist mir kalt und manchmal heiß
D
G
D
C
Manchmal weiß ich nicht mehr, was ich weiß
A
Em
D
Bm
Manchmal bin ich schon am Morgen müd‘
G
F#m A
D
Und dann such ich Trost in einem Lied
A
D
A
Über sieben Brücken mußt du gehn
D
G
A
Sieben dunkle Jahre überstehn
F#m
Bm
Siebenmal wirst du die Asche sein
G
A
D
Aber einmal auch der helle Schein
G-D
A-D
D
G
D
G
D
Manchmal scheint die Uhr des Lebens still zu stehn
D
G
D
C
Manchmal scheint man immer nur im Kreis zu gehn
A
Em
D
Bm
Manchmal ist man wie von Fernweh krank
A
Em
F#m-A-D
Manchmal sitzt man still auf einer Bank
A-D
D
G
D G D
A-D
Manchmal greift man nach der ganzen Welt
D
G
D
C
Manchmal meint man, dass der Glücksstern fällt
A
Em
D
Bm
Manchmal nimmt man, wo man lieber gibt
G
F#m
A
D
Manchmal haßt man das, was man doch liebt
A
D
A
Über sieben Brücken mußt du gehn
D
G
A
Sieben dunkle Jahre überstehn
F#m
Bm
Siebenmal wirst du die Asche sein
G
A
D
Aber einmal auch der helle Schein
G-D
A-D G-D
A-D
UMLEITUNG
G
Und du wartetest auf Marlon Brando und die andern Jungens aus Brooklyn
Capo 1
g c-h-c d e f e f-e-d d e h c
C
G
C
2x
Und du rauchtest so wie Richard Widmark,
C
Stand‘st wie Frankie wiegend in den Knien
C
Du wirst umgeleitet, von der großen Straße musst du ab,
E
fährst kreuz und quer
C
G
C
Träumtest von der großen Stadt, von der Stadt, von der Stadt.
G
C
Träumtest von der großen Stadt, von der Stadt, von der Stadt.
Durch die Landschaft, und dann bleibst du stehn.
F
Nichts ist los, nur der Benzintank leer.
C
G
C
Guckst dich um, es ist Samstag Nachmittag,
G
Es ist still, es riecht nach Milch und Mist.
C
E
Den Benzinkanister in der Hand, ziehst du die Dorfstraße entlang.
Und die Kirchentür steht offen und dann merkst du,
C
Dass es noch genau wie früher ist.
C
Als man dich so wie ein Nutztier hielt,
E
Nur Samstagnachmittag, da warst du frei.
Erst um acht begann der Film, doch vor dem Kino
F
Stand‘st du schon um drei.
Und der Bauer drüben sitzt genauso wie dein Vater
F
Dick und fest auf seiner Bank.
Und genauso wie dein Vater sieht er dich nicht,
G
Raucht und träumt von Korn und Speck.
Du wirst schwindelig und deine Hand verkrampft sich,
C
Doch dann rauchst du einfach und schaust weg.
UMLEITUNG 2
C
E
In den Himmel zeichnet grad ein Starkampffighter lautlos eine weiße Maus.
Ein paar Kinder hüpfen, woll‘n zum Beichten
F
Und sie tauschen ihr Sünden aus.
Die Benzinzapfstelle. Und da schellst du. Und da kommt was
G
Du stehst starr, mit off‘nem Mund:
Lange schwarze Haare, Äpfel, Pflaumenhintern
C
und du siehst in ihre Augen und
C
G
C
Die träumen von der großen Stadt, von der Stadt, von der Stadt.
G
C
Die träumen von der großen Stadt, von der Stadt, von der Stadt.
"Nimm mich mit", hat sie gesagt.
G
Gewitterhagel schlug die Fensterscheiben aus.
Und die Bürschchen auf den Fotos an den Wänden
C
Flatterten zum Fenster raus.
C
E
Glocken läuten. Es ist Maiandacht. Schwalben zappeln lustlos überm Mist.
Eine Ehrenrunde drehst du, winkst noch einmal
F
Und glaubst wirklich, dass du sie nicht mehr vergisst.
Hinterm Regenbogen, auf der großen Straße,
G
Hupen Wagen wütend auf dich ein.
C
G
C
Doch du fährst ganz langsam weiter, summst ein Liedchen,
C
Lässt dich ruhig mal „reaktionär“ sein
C
"Den Kanister", sagst du, "bitte voll", sie lächelt,
E
"Super", fragt sie, "oder einfach", du sagst "Ja"
C
G
C
Träumst von einem kleinen Dorf, einem Dorf, einem Dorf.
C
G
C
Träumst von einem kleinen Dorf, einem Dorf, einem Dorf....
"Es ist heiß hier", sagst du, "Och, es geht noch", sagt sie.
F
Ihre Eltern waren nicht da.
UNCHAIN MY HEART
Joe Cocker
Capo 3 P.
Em
Am
Em
Unchain my heart, baby let me be
C7
B7
Em
‘Cause you don’t care, yeah please, set me free
Em
Unchain my heart, baby let me go
Am
Em
Unchain my heart, ‘cause you don’t love me no more
Am
Em
Every time I call you on the phone
Am
Em
Some fellow tells me that you’re not at home
C7
B7
Em
Unchain my heart, set me free
Em
Unchain my heart, baby let me be
Am
Em
Unchain my heart, ‘cause you don’t care about me
Am
Em
You got me sewed up like a pillowcase
Am
Em
But you let my love go to waste
C7
B7
Em
Unchain my heart, set me free
Am
Em
I’m under your spell, like a man in a trance
Am
B7
Oh, but you know darn well, that I don’t stand a chance
Em
Unchain my heart, let me go my way
Am
Em
Unchain my heart, you worry me night and day
Am
Em
Why lead me through a life of misery
Am
Em
When you don’t care a bag of beans for me
C7
B7
Em
Unchain my heart, set me free….
alright!
Instr.: Am
Em
Am
Em
C7
B7
Em
Am
Em
I’m under your spell, like a man in a trance
Am
B7
Oh, but you know darn well, that I don’t stand a chance
Unchain my heart, let me go my way....
Em
Unchain my heart
(repeat ad lib)………
C7
B7
Em
(rubato) You don’t care, so please set me free
Original: Am
UNDER THE BOARDWALK
Rolling Stones
Capo 2
c e g‘ g, 2x
C
G
When the sun beats down on the tar upon the roof
G7
C
And your shoes get so hot, wish your tired feet were fireproof
F
C
Under the boardwalk, down by the sea, yeah
G
C F-C
On a blanket with my baby
that’s where I’ll be
Am
(Under the boardwalk)
G
Am
G
Am
Under the boardwalk
Out of the sun
We’ll be having some fun
People walking above
We were falling in love
e a d
boardwalk
g, c d e g‘ e < d c
C
G
On the park you hear the happy sound of a carousel
G7
C
You can almost taste the hot dogs and French fries they sell
F
C
G
C F-C
Am
G
Am
G
Am
Under the boardwalk
Out of the sun
(tacet)
boardwalk
Instr.
2 Zeilen
F
C
G
C
Am
G
Am
G
Am
Under the boardwalk
F-C
Out of the sun
(tacet)
boardwalk
UNDER MY THUMB
Rolling Stones
Capo 2
e g a h e e d fis g a d d c e f g c c
Intro: Em
D
C
cefg cc
2x
(*e g c‘) Em
D
C
Under my thumb -- the girl who once had me down.
Em
D
C
Under my thumb -- the girl who once pushed me around.
G Am7 G Am7 C
A
It's down to me
the difference in the clothes she wears.
Em
D
C
G Am7
Down to me, the change has come: she's under my thumb.
G Am7
G
Am7 G Am7
(Ain't it the truth, babe?)
Em
D
C
Under my thumb's a squirmin' dog who's just had her day.
Em
D
C
Under my thumb -- a girl who has just changed her ways.
G Am7 G Am7 C
A
It's down to me,
yes it is, the way she does just what she's told.
Em
D
C
G Am7
G Am7
G Am7 G Am7
(Say it's all right ...)
Em
D
C
Under my thumb's a Siamese cat of a girl.
Em
D
C
Under my thumb -- she's the sweetest
pet in the world.
G Am7 G Am7 C
A
It's down to me
the way she talks when she's spoken to.
Em
D
C
G Am7
G Am7 G
Am7 G Am7
(Take it easy, babe...)
e g a h e e d fis g a d d c e f g c c
Instr.: Em
D
C
cefg cc
2x
G Am7 G Am7 C
A
It's down to me,
oh yeah, the way she talks when she's spoken to.
Em
D
C
G Am7
G
Am7
G Am7 G Am7
(Yeah it's all right ...)
Em
D
C
Under my thumb -- her eyes are just kept to herself.
Em
D
C
Under my thumb -- Well, I, I can still look at someone else.
G Am7
G
Am7 C
A
It's down to me,o that's what I said,the way she talks when she's spoken to.
Em
D
C
G Am7
G Am7 G Am7 G Am7 G
Am7
(Say it's all right ...
Take it easy, babe...
Take it, take it easy, babe.)
G Am7 G Am7 ....
It's all right.
VERONIKA DER LENZ IST DA
Comedian Harmonists
c' a g g
C
Veronika...
g, c d e f g a h c
d
c
h
G7
Veronika, Veronika, der Lenz ist da
Dm7 G7 Dm7 G7 Dm7
G7 Dm7 G7 C
Vero.........ni.......ka, der Lenz ist da,
die Mädchen singen tralala.
G7
C
Die ganze Welt ist wie verhext, Veronika, der Spargel wächst!
Dm7 G7 Dm7 G7 Dm7 G7 Dm7
Ach du, Vero........ni.......ka, die Welt ist grün,
G7 C
A7
Drum lass uns in die Wälder ziehn.
Dm7
F
G
A7
Dm7
G7
C
Sogar der Großpapa sagt zu der Großmama: "Veronika, der Lenz ist da“
C C# D C# C
Ahh...
c h a g
c h a g
C
F#dim
Mädchen lacht, Jüngling spricht: "Fräulein wolln Sie oder nicht,
G7
C
Draußen ist Frühling." Ha ha
C
A7
Der Poet, Otto Licht, hält es jetzt für seine Pflicht,
G
D7
G7
Er schreibt dieses Gedicht:
Dm7 G7 Dm7 G7 Dm7
G7 Dm7 G7 C
G7
C
G7 C
A7
Dm7
F
G
A7
Der liebe alte Großpapa sagt zu der guten Großmama:
Dm7
G7
C
"Veronika, der Lenz ist da“
Dm7 G7 Dm7 G7 Dm7
G7 Dm7 G7 C
G7
C
G7 C
A7
Dm7
F
G
A7
Sogar der liebe gute alte Großpapa sagt zu der lieben guten alten Großmama
Dm7
G7
C
Dm7 G7 Dm7 G7 Dm7
G7 Dm7 G7 C
G7
C
Dm7
G7
C
VINCENT
Don McLean
(Original: G)
E
Esus - E
F#m
Starry, starry night,
paint your palette blue and gray
Amaj7
B7
E
Look out on a summers day with eyes that know the darkness in my soul
Esus - E
F#m
Shadows on the hills
sketch the trees and the daffodils
Amaj7
B7
E Esus - E
Catch the breeze and the winter chills in colors on the snowy linen land
F#m B7
E
Now I understand
what you tried to say to me
C#m
F#m B7
And how you suffered for your sanity
C#m
And how you tried to set them free
F#7
F#m
They would not listen they did not know how
B7
E Esus - E
Perhaps they listen now
E
Esus - E
F#m
flaming flowers that brightly blaze
Amaj7
B7
E
Swirling clouds in violet haze reflect in Vincent’s eyes of chinablue
Esus - E
F#m
Colors changing hue
morning fields of amber grain
Amaj7
B7
E
Weathered faces lined in pain are soothed beneath the artists loving hand
F#m B7
E
Now I understand
C#m
F#m B7
C#m
F#7
F#m
They would not listen they did not know how
B7
E Esus - E
Perhaps they listen now
F#m
B7
E
For they could not love you, but still your love was true
C#m
F#m
Am
And when no hope was left inside on that starry, starry night
E
C#7
You took your life as lovers often do
F#m
But I could have told you, Vincent,
Amaj7
B7
E Esus - E
This world was never meant for one as beautiful as you
E
Esus - E
F#m
portraits hung in empty halls
Amaj7
Frameless heads on nameless walls
B7
E
With eyes that watch the world and can't forget
Esus - E
F#m
Like the strangers that you met,
the ragged man in ragged clothes.
Amaj7
B7
E
The silver thorn of bloody rose lie crushed and broken on the virgin snow
F#m B7
E
And now I think I know
C#m
F#m B7
C#m
F#7
F#m
B7
E
They would not listen, they’re not listening still,
perhaps they never will
WALK ON THE WILD SIDE
Lou Reed
C
F(9) C
F(9)
Little Joe never once gave it away. Everybody had to pay and pay
C
D
F
D
A hustle here and a hustle there. New York City is the place where.They say
P.
Bass-Slides: c > g
g>a
C
F(9) C
F(9)
Holly came from Miami, FLA.
Hitchhiked her way across the USA
C
D
F
D
Plucked her eyebrows on the way, shaved her legs and then he was a she.
She says:
C
F(9)
Hey babe, take a walk on the wild side
C
F(9)
Said: Hey honey, take a walk on the wild side
C
F(9)
C F(9)
C
F(9)
Candy came from out on the island
C
F(9)
In the backroom she was everybody's darling
C
D
F
D
But she never lost her head, even when she was giving head. She says:
C
F(9)
C
F(9)
Said: Hey, babe, take a walk on the wild side. And the colored girls go:
C
F(9)
Do do-do do-do do-do-do-do Do do-do do-do do-do-do-do Dooo...
C
F(9)
C
F(9)
Said: Hey Joe, take a walk on the wild side
C
F(9)
C F(9)
C
F(9)
Sugar Plum Fairy came and hit the streets
C
F(9)
Looking for soul food and a place to eat
C
D
F
D
Went to the - Apollo, you should ha' seen him go, go go. They said:
C
F(9)
Hey Sugar, take a walk on the wild side
C
F(9)
C F(9)
C
I said: Hey babe, take a walk on the wild side. All right... Huh!
F(9)
C
F(9) C
F(9) Jackie is just speeding away. Thought she was James Dean for a day
C
D
F
D
Then I guess she had to crash. Valium wouldn't helped that fast.She said
C
F(9)
C
F(9)
I said: Hey honey, take a walk on the wild side. And the colored girls say:
C
F(9)
Do do-do do-do do-do-do-do Do do-do do-do do-do-do-do Dooo...
WALKING IN MEMPHIS
Marc Cohn
P.
C
D
G
Em
C
D
G
Em
C(*g) D
G
Em
C
D
G
Em
Put on my blue suede shoes and I boarded the plane
C
D
G
Em
C
D
G Em
Touched down in the land o' the Delta Blues in the middle of the pouring rain
C D G
Em
C
D
G
Em
W. C. Handy,
won't you look down over me?
C
D
G Em
C
D
G
Yeah, I got a first class ticket,
but I'm as blue as a boy can be...
Em
C
D
G
Then I'm walking in Memphis,
Em
C
D
G
Em
C
D G
I was walking with my feet ten feet off of Beale, walking in Memphis,
Em
C
D
Dsus G
Em
But do I really feel the way I fe.........el?
C
D
G Em C
D G Em
C
D
Saw the ghost of Elvis on Union avenue, followed him up to the gates of
G
Em
C
D
G
Em
Graceland, then I watched him walk right through
C
D
G
Em
C
D
G Em
Now, security they did not see him, they just hovered around his tomb.
C
D G
Em C
D
G
But there's a pretty little thing waiting for the King down in the jungle room
Em
C
D G
I was walking in Memphis,
Em
C
D
G
Em
C
D G
Walking with my feet ten feet off of Beale, walking in Memphis,
Em
C
D
Dsus G
Em
But do I really feel the way I fe..........el?
Gsus
G Gsus-G
Gsus
G Gsus-G
They’ve got catfish on the table
They've got gospel in the air
B7
C
Gdim
D7
And Reverend Green be glad to see you, when you haven't got a prayer
C
D
G
Em
But boy you got a prayer in Memphis...
C
D
G Em
C
D
G
Em
Now, Muriel plays piano,
every friday at the Hollywood
C
D
G
Em
C
D G
Em
And they brought me down to see her and they asked me if I would
C
D G
Em C
D
G
Em
Do a little number and I sang with all my might
C
D
G
Em
C
D
G
She said: Tell me, are you a Christian,child? And I said: Ma'am, I am tonight.
I was walking in Memphis....
C
D
G
Em
C
D
G
Em
Put on my blue suede shoes and I boarded the plane
C
D
G
Em
C
D
G Em
C
D
G
Em
C
D
G
WALTZING MATILDA
Trad. Australian
P.
C
Am
Dm7
G7
Once a jolly swagman camped by a billabong
C
Am
Dm7
G7
Under the shade of a cool-i-bah tree
Am
Em
F
G7
And he sang as he watched and waited till his billy boiled
C
Am
G7
C
You'll come a waltzing Matilda with me
C
Am Dm7
G7 C
Am
Dm7
G7
Waltzing Matilda, Waltzing Matilda, you'll come a waltzing Matilda with me
Am
Em
F
G7
And he sang as he watched and waited till his billy boiled
C
Am
G7
C
C
Am
Dm7
G7
Down came a jumbuck to drink at the billabong
C
Am
Dm7
G7
Up jumped the swagman and grabbed him with glee
Am
Em
F
G7
And he sang as he stowed that jumpbuck in his tuckerbag
C
Am
G7
C
You'll come a-waltzing Matilda with me
C
Am Dm7
G7 C
Am
Dm7
G7
Am
Em
F
G7
And he sang as he stowed that jumpbuck in his tuckerbag
C
Am
G7
C
C
Am
Dm7
G7
Down rode the Squatter, mounted on his thoroughbred
C
Am
Dm7
G7
Up came the troopers, one , two, three
Am
Em
F
G7
Whose that jolly jumbuck you've got in ya tuckerbag?
C
Am
G7
C
You'll come a-waltzing Matilda with me
C
Am Dm7
G7 C
Am
Dm7
G7
Am
Em
F
G7
Whose that jolly jumbuck you've got in ya tuckerbag?
C
Am
G7
C
C
Am
Dm7
G7
Up jumped the Swagman and sprang into the billabong
C
Am
Dm7
G7
You'll never catch me alive said he,
Am
Em
F
G7
And his ghost may be heard as you pass by that billabong
C
Am
G7
C
C
Am Dm7
G7 C
Am
Dm7
G7
Am
Em
F
G7
And his ghost may be heard as you pass by that billabong
C
Am
G7
C
Swag = Bündel = Matilda / Billabong = Tiefer Tümpel / Billy = Wasserkessel
Jumbuck = Schaf / Tuckerbag = Proviantbeutel / Squatter = Landbesitzer
WAS WOLLEN WIR TRINKEN?
Bots
h
h h a g e e a a g fis
Em
D
Was wollen wir trinken, 7 Tage lang
Em
D
Em
Was wollen wir trinken, so ein Durst.
D
Was wollen wir trinken, 7 Tage lang
Em
D
Em
Was wollen wir trinken, so ein Durst.
G
D7 G
Em
D
Es wird genug für alle sein. Wir trinken zusammen, roll das Fass mal rein
Em
D
Em
Wir trinken zusammen, nicht allein.
G
D7 G
Em
D
Es wird genug für alle sein. Wir trinken zusammen, roll das Fass mal rein
Em
D
Em
Wir trinken zusammen, nicht allein.
Em
D
Dann wollen wir schaffen, 7 Tage lang
Em
D
Em
Dann wollen wir schaffen, komm fass an.
D
Dann wollen wir schaffen, 7 Tage lang
Em
D
Em
Dann wollen wir schaffen, komm fass an.
G
D7
G
Em
D
Und das wird keine Plackerei. Wir schaffen zusammen, 7 Tage lang
Em
D
Em
Ja, schaffen zusammen, nicht allein.
G
D7
G
Em
D
Und das wird keine Plackerei. Wir schaffen zusammen, 7 Tage lang
Em
D
Em
Ja, schaffen zusammen, nicht allein.
Em
D
Jetzt müssen wir streiten, keiner weiß wie lang
Em
D
Em
Ja, für ein Leben ohne Zwang.
D
Jetzt müssen wir streiten, keiner weiß wie lang
Em
D
Em
Ja, für ein Leben ohne Zwang.
G
D7
G
Dann kriegt der Frust uns nicht mehr klein
Em
D
Wir halten zusammen, keiner kämpft allein
Em
D
Em
Wir gehen zusammen, nicht allein
G
D7
G
Dann kriegt der Frust uns nicht mehr klein
Em
D
Wir halten zusammen, keiner kämpft allein
Em
D
Em
Wir gehen zusammen, nicht allein
Was wollen wir trinken, 7 Tage lang .....
La la la lala....
WATER IS WIDE, THE
Trad.
Capo 3
D
G
D
The water is wide, I cannot cross o’er
Bm
Em7
A7
F#m Am
Bm G
Give me a boat that can carry two
F#m A7
D
And we shall row,
my love and I
D
G
D
There is a ship and she sails the sea
Bm
Em7
A7
She's loaded deep as deep can be
F#m Am
Bm
But not as deep as the love I'm in
F#m A7
D
I know not if
I sink or swim
D
G
D
I leaned my back against an oak
Bm Em7 A7
Thinking it was a trusty tree.
F#m Am
Bm G
But first it bent and then it broke
F#m A7
D
Just as my love
prove false to me.
G
D
G
D
Oh love is gentle and love is kind
Bm
Em7 A7
The sweetest flower when first it's new
F#m Am
Bm G
But love grows old and waxes cold
F#m A7
D
And fades away
like the morning dew
D
G
D
The water is wide, I cannot cross o’er
Bm
Em7
A7
F#m Am
Bm G
Give me a boat that can carry two
F#m A7
D
And we shall row,
my love and I
WATERLOO
Abba
a’
D
E
A
G
A
My my, at Waterloo Napoleon did surrender
D
E
A
G A
Bm
Oh yeah, and I have met my destiny in quite a similar way
The history book on the shelf
E7
A7
Is always repeating itself
D
G
Waterloo - I was defeated, you won the war
A
D
A
Waterloo - promise to love you forever more
D
G
Waterloo - couldn’t escape if I wanted to
A
D
Waterloo - knowing my fate is to be with you
A
D
Wow, wow, wow, wow, Waterloo - finally facing my Waterloo
D
E
A
G
A
My my, I tried to hold you back but you were stronger
D
E
A G
A
Bm
Oh yeah, and now it seems my only chance is giving up the fight
And how could I ever refuse
E7
A7
I feel like I win when I lose
D
G
A
D
A
D
G
A
D
A
D
Bm
So how could I ever refuse
E7
A7
I feel like I win when I lose
D
G
A
D
A
D
G
A
D
A
D
WATERLOO SUNSET
Kinks
(Original: E)
Intro:
a‘ g fis e d cis h a
Guitar-Melody 1x:
a h a d‘ h a fis fis e a fis e a, h, a, fis e d h,
D
A
G
D
A
G
Dirty old river, must you keep rolling, flowing into the night
D
A
G
People so busy, makin’ me dizzy, taxi light shines so bright
g a h
fis‘ e h
Em
B
Em7
A
But I don't
need no friends
D
A
G
g-fis-e
As long as I gaze on Waterloo Sunset, I am in paradise
E7
A
D
Everyday I look at the world from my window
E7
But chilly, chilly is evening time.
A
A7
Waterloo Sunset’s fine
(Waterloo Sunset’s fine)
As long as I gaze on Waterloo Sunset I am in paradise
E7
A
D
g-fis-e
Everyday I look at the world from my window
E7
But chilly, chilly is evening time.
A
A7
(Waterloo Sunset’s fine)
D
A
G
Millions of people, swarming like flies round Waterloo Underground
D
A
G
But Terry and Julie cross over the river where they feel safe and sound
Em
B
Em7
A
And they don't
need no friends
D
A
G
As long as they gaze on Waterloo Sunset they are in paradise
g-fis-e
D
A
G
Terry meets Julie, Waterloo station, every friday night
D
A
G
But I am so lazy, I don't like to wander, I stay at home at night
Em
B
Em7
A
But I don't
feel afraid
D
A
G
g-fis-e
Guitar-Melody 1x:
a h a d‘ h a fis fis e a fis e a, h, a, fis e d h,
D
A
G
>>> A
A
A7
(Waterloo Sunset’s fine) ........
WAY YOU LOOK TONIGHT, THE
Frank Sinatra
Capo 2
C
Am7
Dm7
G7
C
Am7 Dm7
G7
Some day, when I'm awfully low,
C
C/B
Am7 Am/G
When the world is cold,
Dm7
G7
C C7
I will feel a glow just thinking of you...
F6
G6
C Am7 Dm7 G7
And the way you look tonight.
C
Am7 Dm7
G7
You're so lo.......ve'ly
with your smile so warm
C
C/B
Am7 Am/G
And your cheeks so soft,
Dm7
G7
C C7
There is nothing for me but to love you,
F6
G6
C Fdim C
And the way you look tonight.
Cmaj7 (*e) Gdim
Dm7
G7
With each
word your tenderness grows,
C9 (*d)
Am7 F7 G
Tearing my fears apart...
Cmaj7 A7
Dm7
G7
And that laugh that wrinkles your nose,
Am
Am7 G7
Touches my foolish heart.
C
Am7 Dm7
G7
Yes, you‘re lo...........ve'ly Never, ever change.
C
C/B
Am7 Am/G
Keep that breathless charm.
Dm7
G7
C C7
Won't you please arrange it? 'Cause I love you
F6
G6
C Am7 Dm7 G7
Just the way you look tonight.
F6
G6
C
Fdim Cmaj7
Just the way you look to-night.
WEIL ICH DICH LIEBE
P.
C F G
C F G
C
F
G
Die Wüste war heiß, die Berge war'n hoch
C
F
G
Das Wasser war tief, und ich fand Dich doch
Am
F
G
C
Ich habe Dir geschworen, daß Du mir nicht entkommst
Am
F
G
Du bist für mich geboren, ich lebe nicht umsonst
C
F
G
Bin kein Rockefeller und bin auch kein Beau
C
F
G
Ich kann auch nicht treu sein, und ich lüg' sowieso
Am
F
G
C
Ich habe Dir geschworen, bei Dir wird's anders sein
Am
F
G
Du bist für mich geboren, bist meine Ewigkeit
C Am
G
Weil ich Dich liebe, noch immer und mehr
C
Am
G
Weil ich Dich brauche, ich brauch Dich so sehr
C
Am
G
Ich habe Sehnsucht, ich verzehr mich nach dir
Am
Fm
Verzeih mir
bleib bei mir
C
F
G
Nimm mich in die Arme, sieh mir ins Gesicht
C
F
G
Versuch mir zu sagen, ich liebe Dich nicht
Am
F
G
C
Es wird Dir nicht gelingen, der Preis wäre zu hoch
Am
F
G
Du bist für mich geboren, Du wirst mich nie mehr los
C Am
G
C
Am
G
C
Am
G
Am
Fm
Verzeih mir
bleib bei mir
Instr.: Vers
C Am
G
C
Am
G
C
Am
G
Am
Fm
Verzeih mir
bleib bei mir
Weil ich Dich liebe......
WEISSE ROSEN AUS ATHEN
Nana Mouskouri
Capo 2
P.
C
Der Tag erwacht, die Sonne, sie kommt wieder,
G7
C
Und wieder kommt nun auch der Abschied für uns Zwei.
Nun fährt dein Schiff hinaus mit Wind und Wogen,
G7
C
Doch es sind Grüße aus der Heimat mit dabei!
C
G
Weiße Rosen aus Athen,
G7
C
Sagen dir, komm recht bald wieder,
G
Sagen dir "Auf Wiedersehn",
G7
C
>>> D
Weiße Rosen aus Athen!
D
Im fernen Land, wo keiner auf dich wartet,
A7
D
Da seh'n die Sterne in der Nacht ganz anders aus.
Dort ist die Welt dir fremd und du bist einsam,
A7
D
Darum begleiten dich heut' Blumen von zu Haus'.
D
A
Weiße Rosen blüh'n an Bord
A7
D
In der weiten, weiten Ferne,
A
Blühn für dich allein so schön,
A7
D
>>> E
E
B7
Weiße Rosen aus Athen,
E
Sagen dir, komm recht bald wieder,
B7
Sagen dir "Auf Wiedersehn",
E
B7
E
B7
E
Auf Wiedersehn! Auf Wiedersehn!
WE SHALL OVERCOME
Bob Seeger
C
F C Am
We shall overcome.
C
F C Am
We shall overcome.
C
G Am D
G D G7
We shall overcome someday.........
F
G
C F G
Em
Oh, deep in my heart I do believe,
C
F C
G
C F
That we shall overcome someday
We'll walk hand in hand ...
We shall live in peace ...
We shall all be free ...
We are not afraid ... today ...
We shall overcome ...
C
G7
WE‘LL MEET AGAIN
Johnny Cash, Vera Lynn
| G G#dim | Am7 D7 |
2x
G (*d)
B7
E
E7
We'll meet again, don't know where, don't know when
A
A7
D7 D7sus4
But I know we'll meet again some sunny day.
G
B7
E
E7
Keep smiling through, just like you always do
A
A7
D7 G C G
Till the blue skies drive the dark clouds far away
g
a
b
h
B7
And will you please say hello to the folks that I know
C
Tell ’em that I won’t be long
A
A7
A
A7
And they’ll be happy to know that as you saw me go
D
D7
I was singing this song
D7
G
B7
E
E7
A
A7
D7 D7sus4
G
B7
E
E7
Keep smiling through, just like you always do
A
A7
D7 G C G
Till the blue skies drive the dark clouds far away
g
a
D7
b
h
B7
So would you please say hello to the folks that I know
C
Tell ’em that I won’t be long
A
A7
A
A7
And they’ll be happy to know that as you saw me go
D
D7
I was singing this song
G
B7
E
E7
A
A7
D7 D7sus4
G
B7
E
E7
A
A7
D7
G C G G6
D7
WENN EIN MENSCH LEBT
Puhdys
Capo 2 (Original: F#, G, G#)
C
G
Am Em
Wenn ein Mensch kurze Zeit lebt,
F
C
D G
Sagt die Welt, dass er zu früh geht
C
G
Am Em
Wenn ein Mensch lange Zeit lebt,
F
C
D G
C G7
Sagt die Welt, es ist Zeit, .....
C
G
Am Em F
C
D G
Meine Freundin ist schön.
Als ich aufstand ist sie gegangen
C
G
Am Em F
C
D G
C G7
Weckt sie nicht, bis sie sich regt.
Ich hab mich in ihren Schatten gelegt
C
G
Am Em F
C
D G
Jegliches hat seine Zeit.
Steine sammeln, Steine zerstreu'n
C
G
Am Em F
C
D G C G7
Bäume pflanzen, Bäume abhau'n,
leben und sterben und Streit
C
G
Am Em
Wenn ein Mensch kurze Zeit lebt,
F
C
D G
Sagt die Welt, dass er zu früh geht
C
G
Am Em
Wenn ein Mensch lange Zeit lebt,
F
C
D G
C
G7
Sagt die Welt, es ist Zeit...., dass er geht
C
G
Am Em F
C
D G
Jegliches hat seine Zeit.
S

(*a`) /G - Wolfgang Buck

Transcription

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