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PRODUCT SUMMARY ribbon. It’s a subtle thing, and certainly a boutique feature, but that’s what sometimes makes a good recording great. All in all, the Royer R-122 MKII was as I would expect: a great-sounding ribbon built to the Nines in true Royer fashion, this time with a couple of great extras. COMPANY: AEA PRODUCT: N22 WEBSITE: www.ribbonmics.com PRICE: $899 PROS: Extended top end. Great sounding over a range of applications. CONS: You’ll want two. hammers, and about three feet apart. After a while, I found myself trusting this mic across a range of applications. It sounded superb placed on a bass cabinet and as a pair of room mics for a drum kit. This kind of performance makes the N22 a no-brainer buy for a beginner or journeyman engineer who’s looking for a versatile mic that can stand alone, or work with others in the locker on a range of applications like acoustic guitar, guitar amps, upright bass and more. The only downside is that you’ll want two once you hear them in stereo. AEA N22 AEA has not been known for mics costing below $1,000; in fact, the company’s rock star A440 is priced above $5k. But with its new active N22 NUVO, AEA quality design and performance has trickled down below $900. The N22 features 141 dB of signal handling across its 2.35inch Big Ribbon. It features a robust integral windscreen that protects the ele- Kevin Becka is Mix’s technical editor. ment and gives you peace of mind in near-blustery applications. There are no bells and whistles here, just a solid, active ribbon mic with plenty of output gain in a slim design that’s easy to place. It comes in a plastic, foam-lined case with the simple stand mount and mic inside. As mentioned above, ribbon mics sound great on cymbals and percussion and the N22 did as well. In this case, the mics were placed equidistant from the snare April 5 – 8, 2016, Frankfurt, Germany drum, measured with a mic cable. This technique phase prolight-sound.com aligns and pockets the snare in the stereo picture. Because of the extended top, little EQ was needed. In our bench test, the mic proved fairly flat from 50 Hz to 10 kHz, which is not what you’re used to hearing in a ribbon. I put it next to a Royer R-121 on a Fender Deluxe combo amp to hear the differences, and the pair was impressively complementary. The R-121 had a morethroaty midrange, as I’d expect from a Royer, while the N22 handled the high SPL without breaking a sweat and brought out the beautiful high-midrange that make a guitar amp sing in the mix. On hand percussion, tambourine, shakers and wind chimes, the N22 sounded natural, particularly in the top end where those instruments can build up and seem brash. The AEA sounded very good on acoustic guitar, with the bottom end pointing toward the sound hole and paired with a KM84 at the 12th fret. Normally I’ll use a U 67, 251 or something with some more low end to go against a brighter mic at the top, but the N22 performed admirably here and for Discover the technology trends a lot less $$$. On acoustic piaof tomorrow at Prolight + Sound 2016! no, the pair sounded good when paired with an AKG D19 at the Find out first hand how technology can transform third sound hole from the back. entertainment into a unique experience – and explore The mics were placed about a the world’s largest gathering for the event industry! AEA N22 NUVO foot from the strings above the [email protected] Tel. 770.984.8016 Let’s master it.