2 - Steidl Verlag

Transcription

2 - Steidl Verlag

Paper Passion
This season I am working on the oeuvres of
Berenice Abbott
Miles Aldridge
Dirk Alvermann
Lewis Baltz
Koto Bolofo
John Cohen
Bruce Davidson
Jim Dine
William Eggleston
Robert Frank
Chris Killip
Saul Leiter
Boris Mikhailov
Christopher Morris
Trent Parke
and Joel Sternfeld
Gerhard Steidl
Photo by Koto Bolofo
Cover illustrations by Karl Lagerfeld
Index
Artists
Contents
Titles
3
Introduction
4
Index
97
Amanda Harlech Travelling in India
5
Contents
99
Karl Lagerfeld / Carine Roitfeld The Little Black Jacket.
A-chan 115-117
Alber Elbaz, Lanvin 111
Algeria 125
6
How to contact our imprint partners / Press enquiries
Achermann, Beda 95
American Prospects 35
7
How to contact us / How to order
Aldridge, Miles 93
Americans 119
Alvermann, Dirk 125
Arbeit / Work 151
Baltz, Lewis 41-47
Before Color 69
8
Germany, Austria and Switzerland
Barnes, Martin 153
Big Time / Männer Vogue 1984–1989 95
9
USA and Canada / France
Bolofo, Koto 103-107
Black & White 25-29
10
All other territories
109 Shelly Verthime and Pascal Dangin (eds.) Alber Elbaz, Lanvin
Cohen, John 59-61
Blackout 135
Cohen, Lynne 123
The Christmas Tree Bucket. Trent Parke’s Family
11
Steidlville Bookshops
115 A-chan Vibrant Home
13
How to Make a Film with Steidl
117 A-chan Off Beat
Abbott, Berenice 71-77
Dangin, Pascal 109-113
Album 89
Chanel’s Classic Revisited
103 Koto Bolofo
105 Koto Bolofo Lord Snowdon
Distribution
107 Koto Bolofo Dreams
Steidldangin
Davidson, Bruce 23-29
Chromes 63
15
How to Make a Book with Steidl
119 Christopher Morris Americans
Dine, Jim 129
A City in the Mind 133
17
Book Awards 2011/2012
121 Orri Interiors
Dufour, Diane 147
The Complete Film Works / Volumes 4, 5, 6 57
19
Paper Passion
123 Lynne Cohen Nothing is Hidden
Eggleston, William 63-69
Curtis Moffat: Silver Society. Experimental
Elbaz, Alber 109-113
125 Dirk Alvermann Algeria
Photography and Design, 1923–1935 153
STEIDL World Wide Photography
127 Boris Mikhailov From Japan
129 Jim Dine Donkey in the Sea before Us
Frank, Robert 49-57
Documenting Science 77
23
Bruce Davidson
Fraser, Peter 133
Donkey in the Sea before Us 129
25
Bruce Davidson Black & White
Graham, Robert 137
Doug Wheeler 139
31
Joel Sternfeld
Greenberg, Howard 79-83
Dreams 107
33
Joel Sternfeld On This Site
133 Peter Fraser A City in the Mind
Harlech, Amanda 97
Early Black & White 85
35
Joel Sternfeld American Prospects
135 Dan Holdsworth Blackout
Holdsworth, Dan 135
Early Work 1963–1973 137
37
Joel Sternfeld First Pictures
Jouannais, Jean-Yves 147
Fred Sandback 141
39
Joel Sternfeld Walking the High Line
Killip, Chris 151
From Japan 127
41
Lewis Baltz
137 Robert Graham Early Work 1963–1973
Lagerfeld, Karl 99-101
The High and Lonesome Sound. The Legacy of
45
Lewis Baltz Rule Without Exception / Only Exceptions
139 Doug Wheeler Doug Wheeler
47
Lewis Baltz Texts
141 Fred Sandback Fred Sandback
Leiter, Saul 85
Roscoe Holcomb 59
SteidlBG
Steidl David Zwirner
Marchand, Yves 143
Interiors 121
49
Robert Frank
Meffre, Romain 143
James Karales 83
51
Robert Frank You Would
143 Yves Marchand / Romain Meffre The Ruins of Detroit
Mikhailov, Boris 127
Leon Levinstein 81
53
Robert Frank Tal Uf Tal Ab
145 Britt Salvesen (ed.) New Topographics
Moffat, Curtis 153
Lord Snowdon 105
55
Robert Frank Pull My Daisy
147 Diane Dufour / Jean-Yves Jouannais (eds.) Topographies of War
Morris, Christopher 119
The Little Black Jacket. Chanel’s Classic
57
Robert Frank The Complete Film Works / Volumes 4, 5, 6
149 Inka Schube / Thomas Weski (eds.) Photography Calling!
59
John Cohen The High and Lonesome Sound. The Legacy of
151 Chris Killip Arbeit / Work
Roscoe Holcomb
153 Martin Barnes (ed.) Curtis Moffat: Silver Society.
Orri 121
Revisited 99
Parke, Trent 87-91
Minutes to Midnight 91
Roitfeld, Carine 99
New Topographics 145
63
William Eggleston Chromes
Salvesen, Britt 145
Nothing is Hidden 123
69
William Eggleston Before Color
Sandback, Fred 141
Off Beat 117
71
The Berenice Abbott Project
Schube, Inka 149
On This Site 33
73
Berenice Abbott Paris Portraits 1925–1930
Shamis, Bob 81-83
Other Pictures 93
77
Berenice Abbott Documenting Science
Sternfeld, Joel 31-39
Paris Portraits 1925–1930 75
Verthime, Shelly 111
Photography Calling! 149
Weski, Thomas 149
Pull My Daisy 55
81
Howard Greenberg and Bob Shamis (eds.) Leon Levinstein
Wheeler, Doug 139
The Ruins of Detroit 143
83
Howard Greenberg and Bob Shamis (eds.) James Karales
Rule without Exception / Only Exceptions 45
85
Saul Leiter Early Black & White
Texts 47
87
Trent Parke
Topographies of War 147
89
Trent Parke The Christmas Tree Bucket. Trent Parke’s Family Album
Travelling in India 97
91
Trent Parke Minutes to Midnight
Experimental Photography and Design, 1923–1935
155 Backlist
The Howard Greenberg Library
Tal Uf Tal Ab 53
Vibrant Home 115
Walking the High Line 39
You Would 51
Edition 7L
93
Miles Aldridge Other Pictures
95
Beda Achermann Big Time / The Legendary Style of Männer Vogue,
1984–1989
This catalogue is not for sale • © 2011 for the images by the artists • © 2011 for the texts by the authors • Scanning by Steidl’s digital darkroom • Production
and printing by Steidl • Düstere Str. 4, 37073 Göttingen, Germany • Phone +49 551 49 60 60 / Fax +49 551 49 60 649 • [email protected] • www.steidlville.com
4
www.steidl.de • All rights reserved • Printed in Germany by Steidl • ISBN 978-3-86930-478-6
5
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11
How to Make a Film with Steidl
Jörg Adolph and Gereon Wetzel
When we ran into Alex Rühle, he was loading his weekend
said you’re the right people for the job. Rühle’s word is worth
groceries into his bike’s child trailer. He looked tired, more
its weight in gold. I usually can’t bear having anyone with me
than usual. All the same, he immediately began telling us
when I travel – and especially no journalists – but with Rühle
about the crazy time he’d had researching a piece on leg-
things went really well. Nice guy. More later.”
endary photographer Robert Frank for his “At Work” column
So once again, we found ourselves reading and waiting in
in the Süddeustche Zeitung. He’d spent the last three days
the library at Steidlville. Hours later, and just before the last
travelling all over the place with Frank’s publisher Gerhard
train to Munich, the internal line finally rang for us: “Now I
Steidl – to Göttingen, Paris and Nova Scotia! He’d then slept
have a few minutes.” We ran downstairs and entered Steidl’s
on the train for the entire return journey from the airport. And
“paper cave”. He ate his lunch – much too late and while
it was only because the conductor had woken him in Munich
standing – and told us what he thought about the film proj-
that he hadn’t ended up in the train depot. Now he quickly
ect. “The work here at the publishing house is particularly
had to write a good article, a full page in the arts and culture
important. You can take a look at everything here. You can
section. The piece had to do justice to his great encounter
accompany me for a few weeks, we’ll go to London, Paris,
with Frank and Steidl. Perhaps it wouldn’t even be an article
New York… That’s important too, then you can see how I
about Robert Frank, but rather about the work of his amazing
work, ten appointments a day, one after another. You can stay
publisher?
here and see what you want to film, shoot until you have what
After the article was published, Alex was nervous: what
would Steidl think of the portrait? For a while, nothing happened. Alex feared the worse. But finally a call came.
12
And so we did just that – if only filmmaking were always
so easy! With a small but vital budget from 3sat and the
“Gerdsteidlforaxrühle,”
support of FilmFernsehFonds Bayern, we were able to
“Oh, hello, Mr. Steidl, how are you?”
accompany Gerhard Steidl for a year and observe him mak-
“Fine. If you ever want to make a book out of ‘At Work’, you
ing books that are as beautiful as they are important. We
can come by any time.”
Gereon Wetzel and Jörg Adolph, Göttingen, 2009. Photo by Gerald von Foris
you need. That’s your job, something I know nothing about.”
lugged Steidl’s overfilled suitcases from airport to airport and
But instead of immediately planning his book, Alex Rühle
to photographers’ studios, to then quietly film and listen in on
first considered making a documentary film with Steidl: he
their conversations. And together with Joel Sternfeld we
thought that all the frenetic running about, the back and forth
waited for Steidl to continue work on Sternfeld’s iDubai.
between Göttingen and the rest of the world, all the books
As documentary filmmakers, these photographers taught
and people, images and conversations, could be captured
us a great deal about craftsmanship, subject matter and con-
even more impressively in a documentary. So “Axrühle” called
cept. In photography, there is a passionate debate about the
“Gersteidl” and announced the arrival of two documentary
art of the real, as well as an audience that has its eyes open,
filmmakers, who would soon appear at Düstere Strasse 4 in
that is attentive enough to look past the surface. In the varied
Göttingen and wait for Steidl.
world of photography, it’s easy to find perspectives that are
When we arrived, Claudia Glenewinkel, a publicist and
clearer, more honest, and more passionate that many found
editor at Steidl, explained that she would be our guide for the
in contemporary documentary film – which has to provide
day, as Steidl himself had to finish a catalogue for Karl
both information and entertainment (How to Make a Book
Lagerfeld. Walking up and down the stairs, we met each of
with Steidl being the exception). But we also learned that
the 45 employees, or rather, we were introduced to them with
books have to smell good, and that a great deal can be
the words, “These are the two guys that want to make a
achieved in a niche like this one if you proceed as radically,
documentary.” The timid objection that we’d only come to
systematically, and lovingly as Gerhard Steidl does. It’s just
explore ideas and begin an initial dialogue became useless
too bad that the time we spent filming with Steidl flew by so
when Steidl himself appeared from the depths of the
quickly – we would have loved to shoot more material on at
labyrinth. “Hello. No time. Documentary film. Great. Rühle
least two dozen artists and book projects.
13
Gereon Wetzel and Jörg Adolph
Deutscher
Dokumentarfilmpreis
2011
Dokumentarfilmpreis des
Goethe-Instituts
2010
Goldene Taube
Bester deutscher
Dokumentarfilm
Leipzig 2010
German Documentary Film Award
Stuttgart 2011
Documentary Film Prize of the Goethe Institute
Duisburg Film Week 2010
Golden Dove
Best German Documentary Film
DOK Festival, Leipzig 2010
A film by if… Productions. Co-produced by ZDF/3sat, funded by FFF Bayern
Germany 2010, 88 minutes, NTSC/PAL, stereo
Directed by Gereon Wetzel and Jörg Adolph
Produced by Ingo Fliess
ZDF/3sat: Katya Mader, Maik Platzen
Research: Alex Rühle
Cameraman in London: Daniel Schönauer
Photographer: Gerald von Foris
Legal Consultant: Jessica von Saucken
Postproduction Coordinator: Fabian Spang
Colourist: Martina Kiechle
Sound Designer/Mixer: Benedikt Hoenes
Music: The New Lost City Ramblers
DVD Packaging Design: Bernard Fischer, Gereon Wetzel
With: Gerhard Steidl, Martin Parr, Joel Sternfeld, Robert Frank, Ed Ruscha, Karl Lagerfeld,
Khalid Al-Thani, Monte Packham, Günter Grass, John Cohen, Robert Adams, Jeff Wall,
June Leaf and Jonas Wettre
Co-published with DocCollection
Not Distributed by Steidl in
USA, Canada and Japan
ISBN 978-3-86930-119-8 (German)
DVD, documentary, 88 min., NTSC/PAL
Original version: English and German
Subtitles in English and German
With a 48-page booklet in English and German
€ 25.00 / £ 22.00 / US$ 34.95
14
ISBN 978-3-86930-226-3 (English)
15
s
s
2011/2012 Book Awards
2011/2012 Book Awards
Deutscher Fotobuchpreis 2012
Les Rencontres d’Arles 2011
Gold Medal
Yves Marchand and Romain Meffre
The Ruins of Detroit
Thomas Wiegand
Deutschland im Fotobuch
Historical Book Award
Lewis Baltz
WORKS
Paris Photo Book Prize 2011
Best Book from 1997 to 2011
Selected by Antoine de Beaupré, Satoshi Machiguchi,
Silver Medal
Hisako Motoo, Harper Levine and Marcus Schaden
Paulo Nozolino
Makulatur
Winner
Martin Parr (ed.)
The Protest Box
Svenska Fotografers Förbund
Swedish Photobook Prize 2011
Paul Graham
a shimmer of possibility
Runner-up
Malick Sidibé
Chemises
Winner
Nominated
Maria Miesenberger
Sverige/Schweden
Taryn Simon
An American Index of the Hidden and Unfamiliar
Nominated
Alec Soth
Broken Manual
Mikael Olsson
Södrakull Frösakull
Scotiabank Photography Award 2011
Alec Soth
Sleeping by the Mississippi
Lynne Cohen
Juergen Teller
Nackig auf dem Fußballplatz
Aperture Foundation
Lars Tunbjörk
Vinter
Aperture Award 2011
Bruce Davidson
Gerhard Steidl
American Association of Museums
Frances Smyth-Ravenel Prize for Excellence in Publication Design
Cynthia Young (ed.)
The Mexican Suitcase
16
17
Paper Passion will be launched by Wallpaper* Handmade at the Salone Internazionale del Mobile, Milan, 17 to 22 April 2012
These pages tell the story of a passion and a twisting plot to put the particular bouquet of freshly printed books in a bottle.
Paper Passion fragrance, by Geza Schoen, Gerhard Steidl and Wallpaper*, with packaging by Karl Lagerfeld and Steidl.
Photography Koto Bolofo. Writer Emma Moore.
It was Karl Lagerfeld who first alerted the German book
eBooks,” he says preemptively. “There’s no reason to hate
publisher Gerhard Steidl to the aromatic appeal of the
them. But books are physically attractive. I think that to be
freshly printed book. Steidl had worked on a number of PR
able to wear the smell of a book is something very chic.
campaigns for the fashion designer and photographer,
Books are players in the intellectual world, but also in the
producing all the related printed matter when, in 1997,
world of luxury.” It turns out that Steidl, a man who rarely
Lagerfeld asked him to make a book for the press launch of
wears perfume, learnt a lot about fragrance working with
his new perfume, Jako. Lagerfeld took the photographs and
Lagerfeld. He started using his awakened nose to tweak
Steidl printed the book in time for the event in Hamburg.
and tailor the ink compositions he used according to their
“As the books were placed on the seats, I realised they
smelt very strongly of fresh ink on paper, and it didn’t
visual appearance, and also the smell they produce when
interacting with the different papers.
strike me as the ideal situation for a perfume launch,”
“With experience you get to know how each ink smells
recounts Steidl. “I told Karl that I didn’t think we should
on each paper,” he explains. “There are hundreds of ink
put out the books, but he simply replied, ‘Rubbish! The
types: fast drying, which have extra drying agents; high
smell of a freshly printed book is the best perfume in the
gloss, which have lacquers inside; or shiny, with metallic
world.’” Convinced that Lagerfeld would think his books
pigments. All have a basic primer and then various different
stank, he discovered the exact opposite to be true. “That
chemicals added on top. Today, very glossy lacquers are
was the moment when I realised that books should smell,”
fashionable, but they’re full of plastic materials that just smell
he continues. “It took away a barrier, and I started making
really cheap. I only use inks based on vegetable oils, and I
sure my books always smelt good.”
know exactly how to compose a smell with them on paper.”
Forward 13 years, and Steidl’s passion for paper is
Our idea of creating a printer’s perfume was turning out
celebrated in an award-winning documentary, How to
to be more apt than we first imagined. The challenge,
Make a Book with Steidl. For the 61-year-old printer and
though, was to find a perfumer with a corresponding sen-
publisher of some of the world’s most stunning photo-
sibility. It takes a certain unconventionality to want to apply
graphic and art tomes, paper is not only defined by
hard-won perfume-making skills to something so different
weight, feel, appearance and its reactions to inks, but also
as freshly printed paper, and the Berlin-based Geza
by its smell as it goes through the various printing
Schoen struck us as the man. With Jeff Lounds and Paul
processes. “This is your perfume,” says Robert Frank in
White, under the name This Company, Schoen has put out
the film, as the publisher pushes a freshly printed book
some of the most boundary-busting scents of the 21st
under the legendary photographer’s nose.
century, including Escentric 01, a fragrance composed of
The coincidence of two passions of ours in the film’s di-
a single molecule, that reacts with an individual’s
alogues – beautiful books and perfume – didn’t pass un-
pheromones to develop a very personal scent. This Com-
noticed when we viewed the trailer earlier this year and it
pany’s latest venture is a series of scents called The Beau-
got us thinking about the possibility of bottling the se-
tiful Mind that celebrates the intellectual aspect of specific
ductive smell of a freshly printed book. When we put the
muses. Schoen is currently working on the second scent
idea to Steidl, he loved it. So we decided to team the pub-
of the line – for the first, the muse he chose was Chris-
lisher with a perfumer.
tiane Stenger who, at the age of 12, became a Grand-
For Steidl, it was an opportunity to celebrate all the
master of Memory. The second is to be Polina Semionova,
glorious sensuality of books, at a time when many in his in-
the Russian prima ballerina at the Berlin State Opera. This
dustry are turning against them. “I’ve nothing against
man knows how to capture the unusual in scent form.
Photo: The perfume is presented in a book with its pages cut out to leave space for the perfume bottle. Both the name of
the fragrance and the packaging concept were the work of Karl Lagerfeld, a long-time friend and collaborator of Steidl.
19
Like Steidl, Schoen showed little hesitation when the
acclaimed photographer who has some of fashion’s most
project was proposed. “I like the simplicity of the idea – a
coveted advertising campaigns – along with some fine
book captured in scent,” says Schoen, who envisaged a
Steidl tomes – to his name, and he documented the meet-
quite faithful portrayal of the smell. “It’s a form of art in itself.”
ing for these pages. Steidl sprayed on Schoen’s scent
Schoen made his way to the Steidl HQ in Göttingen, in
and smelt it at half-hour intervals. “The longer you wear it,
the heart of Germany, to immerse himself in the inky
the better it gets,” he concluded. “It delivers concentration
paper-filled world of Steidl. Both office and presses are
– all that you need with a book.” While they discussed
based under the same roof, which has helped feed the
tempering some of the stronger alcoholic notes, the
focus that goes into Steidl’s work. That and the pub-
essence of the scent did the trick for Steidl. The antithe-
lisher’s rejection of e-mail. When working with an artist,
sis of a bright scent that excites emotions, he describes it
Steidl insists they come to his HQ, and engage in the pro-
as “heavy, elegant and calm”. “My idea was that it should
duction processes. He introduces them to the multi-sen-
bring you down, like when you read a book, to a level of
sory process of selecting the materials. Exposing them to
meditation and concentration,” says a satisfied Steidl. “It’s
the smells of the paper and the printing room are as es-
a perfume that is perfect for the evening, for wearing when
sential as the edit, if the book is to be the piece of art he
drinking a red wine and reading a good book,” he adds.
demands. Schoen received the same treatment. Steidl
Schoen was also content with the results. “I love the
took him down to the area where the printing fluids are
neatness of the idea,” he says. “You have a book, you
mixed, and they smelt inks, exploring what Steidl calls “the
open it, there’s a bottle inside, it smells of the book. It
elegant notes” and discussing those which he has learnt
might be quirky, but the idea has a simplicity, a linearity.”
to suppress.
And along with a huge sense of pleasure at the surprising
Back in his lab, Schoen worked on nailing the scent,
degree of synergy we found in these creative media, we,
and sourcing the necessary ingredients. “It was hard,” he
too, have a sense of mission accomplished. Paper Pas-
admits. “The smell of printed paper is dry and fatty; they
sion has evolved into something quite beautiful and
are not notes you often work with.” But the art of per-
unique.
fumery is to hold a catalogue of aromas in your head, and
Bring on the red wine and the good book.
he eventually managed to locate the most relevant, and
www.steidlville.com; www.escentric.com
managed to round out the scent with just four or five ingredients, including ethyl linoleate and a selection of
woody ingredients to add dryness. Most perfumes are
more likely to contain between 20 and 100, but Schoen
stuck to his vision of simplicity.
While Schoen worked on the juice, Steidl worked on the
packaging concept. He turned to his friend and some time
co-publisher, Lagerfeld for his opinion. Lagerfeld instantly
visualised the packaging for such a scent as a real book
with real pages and a hidden cut-out compartment to
house the perfume in the middle. He sketched out the idea,
giving the proposed perfume a name, Paper Passion.
Steidl worked on a prototype, developing Lagerfeld’s
idea further to resemble a paper swatch book, featuring
different papers, with the grammage of each written in the
Geza Schoen, 42, has notched up almost 20 years as a perfumer. He enjoyed professional success at a young age when
corner. There would be whole pages in the front, that
he won the pitch for the first Diesel fragrance in 1994, while still in education. While working for Haarmann & Reimer, which later
became Symrise, Schoen travelled to Paris, New York, Singapore and Buenos Aires, researching perfumery in local markets. He has
always had an experimental approach to perfume making, which he considers a form of art. This perhaps explains why he eventually
settled in Berlin, where he feels “there is a sense of creative freedom”. His Escentric Molecules series launched in 2005, after Schoen
was introduced to British branding expert Jeff Lounds and his friend graphic designer Paul White, and This Company was formed.
The first scent daringly revolved around one single ingredient: Iso E Super, a subtle, woody note that mixes with an individual’s
pheromones to produce a personalised scent. It had been in Schoen’s mind since the first time he came across the molecule as a
student. This he followed with Wode by Boudicca, a scent based on the smell of “raw opium”, which dyes skin blue on initial contact,
then fades. Schoen is now working on a series of fragrances called The Beautiful Mind, inspired by women admired for their intellect.
would feature words on the subject of paper from Lagerfeld, Steidl, Schoen, and our resident paper fetishist,
Wallpaper* editor-in-chief Tony Chambers. The cover
would be hard, with a linen spine, and white and red in
colour. The print inside would be grey.
Schoen returned to Göttingen in June to compare notes
with Steidl. Into the mix we threw Koto Bolofo, the highly
Photo above by Koto Bolofo
Left: Karl Lagerfeld’s sketch detailing the perfume packaging concept: a book with a white cover, black lettering, red fore
edge and bellyband, and a secret compartment holding the fragrance bottle.
20
Text originally published in Wallpaper*, no. 149, August 2011
21
Bruce Davidson Published by Steidl
Born in 1933, Bruce Davidson began photographing at the age of ten and has not stopped since. Davidson and Steidl
have undertaken an ambitious publishing plan to do justice in book form to this outstanding oeuvre. Davidson, together
with his studio manager Amina Lakhaney and wife Emily Haas Davidon, are painstakingly editing a life’s worth of prints,
negatives and Ektachromes to make these books a reality.
We began our collaboration with the now sold out Outside Inside and have recently published a re-issue of the cult book
Subway. This season we present 40 years of Davidson’s black and white photography in a limited boxed set. The best
is yet to come.
England / Scotland 1960 (revised edition, Fall 2013)
Bruce Davidson in Color (three books in a slipcase, Fall 2013)
Portraits (2014)
Emily Haas Davidson, Gerhard Steidl, Bruce Davidson and Amina Lakhaney. Photo by Koto Bolofo
23
BRUCE DAVIDSON
BLACK & WHITE
CIRCUS · BROOKLYN GANG · TIME OF CHANGE
EAST 100 TH STREET · CENTRAL PARK
Black & White is the definitive collection of Bruce Davidson’s black and white photography, spanning a period of 40 years.
This collectable five-volume set comprises re-prints of classic books of Davidson’s poignant and purposeful imagery, some
of them newly edited and expanded. The seminal bodies of work are Circus (1958), an intimate portrait of a dwarf clown;
Brooklyn Gang (1959), depicting a group of troubled youths; Time of Change (1961–1965), a civil rights documentation in America; East 100th Street (1966–1968), showing life on one block in Spanish Harlem; and Central Park (1992–
1995), exploring layers of life in New York’s famous urban oasis. Black & White is a tribute to Davidson’s unique
photographic achievement, and a powerful document of social change.
Limited Edition of 2,000 sets. A certificate, hand-signed and numbered by the artist, is included in Volume 1.
Texts by Bruce Davidson, Emily Haas Davidson, Mildred Feliciano, Sam Holmes, John Lewis, Elizabeth Barlow Rogers and Deborah Willis
Book design by Gerhard Steidl, Duncan Whyte and Bruce Davidson
Volume 1 / Circus: 104 pages, 82 tritone plates. Volume 2 / Brooklyn Gang: 120 pages, 95 tritone plates. Volume 3 / Time of Change: 168
pages, 144 tritone plates. Volume 4 / East 100th Street: 168 pages, 149 tritone plates. Volume 5 / Central Park: 144 pages, 91 tritone plates
11.6 x 11.4 inches / 29.5 x 29 cm
Five clothbound books, with tipped-in photos and foil embossing, housed in a handmade slipcase
€ 248.00 / £ 220.00 / US$ 345.00
ISBN 978-3-86930-432-8
B R U C E DAV I D S O N , C I R C U S
24
VOLUME 1
VOLUME 2
VOLUME 3
VOLUME 4
VOLUME 5
SLIPCASE
25
B R U C E D A V I D S O N , B R O O K LY N G A N G
26
B R U C E DAV I D S O N , TI M E O F C H A N G E
27
B R U C E D A V I D S O N , E A S T 10 0 T H S T R E E T
28
B R U C E DAV I D S O N , C E NTR A L PA R K
29
Joel Sternfeld Published by Steidl
“Steidl did what I now know he always does: he turned out an impeccably printed, slightly mass-produced artist’s book.”
Joel Sternfeld
Books have played a central role in Joel Sternfeld’s career, and many of his publications are now collectable rarities.
Now Sternfeld with Steidl is publishing definitive editions of his books. These include expanded re-prints of influential
titles such as American Prospects and On This Site, as well as new work. Each book is the result of a close collaboration
between photographer and publisher, shaped by understanding and humour.
30
Joel Sternfeld selecting binding materials for iDubai. Photo by Jonas Wettre
31
NEW REVISED EDITION
Joel Sternfeld
On This Site
“I went to Central Park to find the place behind the Metropolitan Museum of Art where Jennifer Levin had been killed.
It was bewildering to find a scene so beautiful … to see the same sunlight pour down indifferently on the earth. As I
showed the photograph of this site to friends, I realized that I was not alone in thinking of her when walking by the Met.
It occurred to me that I held something within: a list of places that I cannot forget because of the tragedies that identify
them, and I began to wonder if each of us has such a list. I set out to photograph sites that were marked during my
lifetime. Yet, there was something else that drew me to this work. I think of it as the question of knowability. Experience
has taught me again and again that you can never know what lies beneath a surface or behind a façade. Our sense of
place, our understanding of photographs of the landscape is inevitably limited and fraught with misreading.”
Joel Sternfeld
Between 1993 and 1996, Joel Sternfeld photographed 50 infamous crime sites around the US. On This Site contains
images of these unsettlingly normal places, ordinary landscapes left behind after tragedies, their hidden stories
disturbingly invisible. Each photograph is accompanied by a text describing the crime that took place at the location.
This is the first Steidl edition of On This Site, originally published in 1996 to great acclaim.
A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous
awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s
books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008) and
First Pictures (2011).
Joel Sternfeld
On This Site
Book design by Joel Sternfeld and Gerhard Steidl
112 pages
12 x 10 in. / 30.5 x 25.4 cm
50 photographs
Four-colour process
Clothbound hardcover with a tipped-in photo
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-434-2
32
33
NEW REVISED EDITION
Joel Sternfeld
American Prospects
This is the definitive edition of Joel Sternfeld’s seminal American Prospects, developed in close association with
Sternfeld and featuring new photographs, and a revised format and cover. The subjects of the now classic American
Prospects include a fireman shopping for a pumpkin while a house burns behind him; motorcyclists at the side of the
road taking in a stunning, placid view of Bear Lake, Utah; the hi-tech world headquarters of the Manville Corporation in
picturesque Colorado, obscured by a defiant boulder; and a lone basketball net in the desert near Lake Powell in Arizona. The book is a search for the truth of a country not just as it exists in a particular era, but as it is in its ever-evolving
essence. It is a sad poem, but also a funny and generous one that recognizes endurance, poignant beauty and determination within its sometimes tense, often ironic juxtapositions of man and nature, technology and ruin.
Joel Sternfeld
American Prospects
Essays by Kerry Brougher, Andy Grundberg and Anne W. Tucker
160 pages
15.4 x 12 in. / 39 x 30.5 cm
70 photographs
Four-colour process
€ 98.00 / £ 80.00 / distributed in the USA by DAP
ISBN 978-3-88243-915-1
34
35
2 N D EDITION AVAILABLE SOON
Joel Sternfeld
First Pictures
This is the first book of Sternfeld’s largely unseen early colour photographs. In 1969 Sternfeld began working with a
35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld
develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition.
But there are also pictures that bear little relation to his later work: colour arrangements that parallel those of Eggleston,
as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made
at a time when colour photography was struggling to assert itself against the authoritative black and white tradition,
making this book a revelation both in Sternfeld’s oeuvre and in the history of contemporary photography.
books published by Steidl include American Prospects (2003), Sweet Earth (2006) and Oxbow Archive (2008).
Joel Sternfeld
First Pictures
Essay by Jessica May
320 pages
11.6 x 9.6 in. / 29.5 x 24.5 cm
140 photographs
Four colour process
€ 48.00 / £ 42.00 / US$ 78.00
ISBN 978-3-86930-309-3
36
37
3 R D EDITION AVAILABLE SOON
Joel Sternfeld
Walking the High Line
In March 2000 Joel Sternfeld began photographing the High Line, an abandoned elevated railway which runs down the
West Side of Manhattan. Sometimes a river of grass, sometimes more like Canadian wheat fields, this unique ruin
permitted Sternfeld to contemplate nature within the city. Walking the path of this true-time landscape, Sternfeld experienced the seasons as they unfolded in a meandering ribbon within the vertical architecture of New York City, and
he created a suite of images marked by quiet grace and formal rigour. In Walking the High Line, as in all of his work,
landscape is both a social and cultural indicator. In 2009 the High Line was converted into a public park that will preserve the delights of the High Line for future generations. Sternfeld’s book is thus a unique record of the High Line at
a time when it faced demolition, and this re-print follows several sold-out editions.
Joel Sternfeld
Walking the Highline
Essays by Adam Gopnik and John Stilgoe
72 pages
10.2 x 8.4 in. / 26 x 21.5 cm
29 photographs
Clothbound hardcover with dust jacket
€ 28.00 / £ 24.00 / US$ 40.00
ISBN 978-3-88243-726-3
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Lewis Baltz Published by Steidl
“My best moments in recent years, the moments when I least regret my choice of profession, are when I am working
with Steidl. The creativity and high achievement in his atelier – for an atelier it is – are a reminder that being an artist,
even trying to be an artist, is still a noble calling.” Lewis Baltz
Steidl’s ambition to comprehensively publish the oeuvre of Lewis Baltz found its first expression in 2010’s WORKS, the
award-winning – and now sold-out – ten-volume tribute to his most influential photographic series. This season we continue with the retrospective Rule without Exception / Only Exceptions, and Texts, a compendium of Baltz’s writings. Texts
shows Baltz to be a man who chooses his words with care. With equal care, we are insuring that the books we publish
are worthy of the art they contain.
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Baltz’s Candlestick Point on the Steidl press. Photo by Slavica Perkovic
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Lewis Baltz, Rule Without Exception
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Lewis Baltz, Only Exceptions
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Lewis Baltz
Rule Without Exception / Only Exceptions
This progressive book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre.
Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from “The Prototype Works” of 1967 through
to “Sites of Technology” of 1991, showing the range of his images of industrialised landscapes and technological sites.
Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly
Volume 1, Rule Without Exception
commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated
commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the
Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia,
Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
Born in 1945 in Newport Beach, California, Lewis Baltz is a defining photographer of the last half-century. After studying
at the San Francisco Art Institute and Claremont Graduate School, Baltz came to prominence with the New
Topographics movement of the 1970s. His awards include a Guggenheim fellowship and the Charles Pratt Memorial
Award, and his work is held in most major museum collections. Baltz’s books with Steidl include 89–91, Sites of
Technology (2007), WORKS (2010), The Prototype Works (2011) and Candlestick Point (2011).
Exhibitions: Kunstmuseum, Bonn, 10 May to 2 September 2012; Kestnergesellschaft, Hanover, 14 September to 4
November 2012
Lewis Baltz
Rule Without Exception / Only Exceptions
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Volume 2, Only Exceptions
Sleeve
Texts by Mowry Baden, Simon Baker, Gus Blaisdell, Olivier Boissière,
Paolo Costantini, Marco Fincardi, Stefan Gronert, Mark HaworthBooth, Marvin Heiferman, Shirley Irons, Jeff Kelley, Bernard
Lamarche-Vadel, Jane Livingston, Jeff Rian, Christoph Schaden,
Michael Schmidt, Urs Stahel and Igor Zabel
Book design by Connie Wilson and Lewis Baltz
Rule Without Exception:
184 pages
9.4 x 13.1 in. / 23.8 x 33.3 cm
130 photographs
Only Exceptions:
184 pages
9.4 x 13.1 in. / 23.8 x 33.3 cm
130 photographs
Duotone and four colour process
Two otabind softcovers, housed in a cardboard sleeve
€ 75.00 / £ 60.00 / US$ 98.00
ISBN 978-3-86930-110-5
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Lewis Baltz
Texts
This is the long-awaited compendium of Lewis Baltz’s writings from 1975 until 2007, drawn from his critical writing for
magazines such as Art in America, the Times Literary Supplement, L’Architecture d’Aujourd’hui and Purple. The book
includes Baltz’s texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden,
Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko,
among others. This important publication gives Baltz’s literary output the standing it deserves and offers a unique insight
into some of history’s leading photographers.
Born in 1945 in Newport Beach, California, Lewis Baltz is a defining photographer of the last half-century. After studying
at the San Francisco Art Institute and Claremont Graduate School, Baltz came to prominence with the New
Topographics movement of the 1970s. His awards include a Guggenheim fellowship and the Charles Pratt Memorial
Award, and his work is held in most major museum collections. Baltz’s books with Steidl include 89–91, Sites of
Technology (2007), WORKS (2010), The Prototype Works (2011) and Candlestick Point (2011).
Lewis Baltz
Texts
Introduction by Matthew S. Witkovsky
160 pages
5.3 x 8.3 in. / 13.5 x 21 cm
Clothbound hardcover with foil embossing and a bookmark,
with an acetate dust jacket
€ 24.00 / £ 20.00 / US$ 30.00
ISBN 978-3-86930-436-6
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Robert Frank Published by Steidl
Robert Frank is a humble photographer who makes humble books. Despite this humility – or perhaps because of it –
Frank has produced some of the most important books in the history of photography. Steidl has long been committed
to producing with Frank the definitive editions of books such as The Americans and Black White and Things, which have
gone through many re-printings over the years, often without Frank’s approval or knowledge.
This season sees the release of the next instalment of Frank’s Complete Film Works, as well as two books that reveal
Frank’s approach to book-making now. The re-edition of 2010’s Tal Uf Tal Ab and the new You Would combine recent
photographs, classic images and autobiographical texts in two affordable softcover volumes which possess an unassuming authority.
Robert Frank, The Complete Film Works
Currently available:
Volumes 4, 5, 6 (Spring 2012)
Black White and Things
Come Again
Frank Films – The Film and Video Work of Robert Frank
Henry Frank, Father Photographer
London/Wales
Looking In: Robert Frank’s The Americans
Me and My Brother
New York to Nova Scotia
One Hour
Pangnirtung
Paris
Peru
Portfolio
Pull My Daisy
Seven Stories
Storylines
Tal Uf Tal Ab
The Americans
Zero Mostel Reads a Book
Life Dances On... (1980), 32 minutes
Home Improvements (1985), 24 minutes
Energy and How to Get It (1981), 30 minutes
This Song for Jack (1983), 27 minutes
Ginsberg Corso Reading (1984), 17 minutes
Corso Reading (1987), 15 minutes
Hunter (1989), 37 minutes
C’est vrai (One Hour) (1990), 60 minutes
Last Supper (1992), 50 minutes
Run / New Order (1989), 3 ½ minutes
Robert Frank, The Complete Film Works
Volumes 7, 8, 9, 10 (2014)
Moving Pictures (1994), 30 minutes
The Present (1996), 24 minutes
Summer Cannibals/Patti Smith (1996), 4 minutes
Flamingo (1996), 10 minutes
Robert Frank, The Complete Film Works / Volume 1
Pull My Daisy (1959), 28 minutes
The Sin of Jesus (1961), 40 minutes
Me and My Brother (1968), 85 minutes
OK End Here (1963), 30 minutes
Conversations in Vermont (1969), 26 minutes
Liferaft Earth (1969), 37 minutes
What I Remember from My Visit (with Stieglitz)
(1998), 7 minutes
San Yu (2000), 27 minutes
Fragments (2000), 5 minutes
About Me: A Musical (1971), 30 minutes
Keep Busy (1975), 38 Minutes
S-8 Stones Footage from Exile on Main St. (1971), 5 minutes
Paper Route (2002), 30 minutes
Tunnel (2005), 5 minutes
True Story (2004), 30 minutes
Egypt Δ (1995/96–2006)
Robert Frank working on the layout of You Would , Mabou, Nova Scotia, August 2011. Photo by Gerhard Steidl
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Robert Frank
You Would
“Now I like it here OK, something you don’t like that can be the case anywhere.
Of course I have to work a lot and that is how it is.
But here all people tell you in a polite way what isn’t right.” Robert Frank
You Would is a sequel to Robert Frank’s acclaimed Tal Uf Tal Ab of 2010. You Would contains recent images, some
shot on 35 mm, others Polaroids, of Frank’s friends, acquaintances and surroundings in New York and Mabou, Nova
Scotia. In the book are also iconic images from earlier in Frank’s career such as a photo of Delphine Seyrig and Larry
Rivers on the set of Frank’s 1959 film Pull My Daisy. This careful edit of new and old suggests that past experience
tempers Frank’s present, and shows that his life is not only recorded by book-making but shaped by it.
Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known
for his seminal book The Americans, first published in 1959, which gave rise to a distinct new form in the photo-book,
and his experimental film Pull My Daisy, made in 1959. Frank’s other important projects include the books Black White
and Things (1952) and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones.
He divides his time between New York City and Nova Scotia, Canada.
Robert Frank
You Would
Text by Robert Frank
Book design by Robert Frank, A-chan and Gerhard Steidl
48 pages
8.1 x 9.8 in. / 20.5 x 25 cm
41 photographs
Tritone and four colour process
Otabind softcover housed in a slipcase
€ 25.00 / £ 22.00 / US$ 28.00
ISBN 978-3-86930-418-2
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Robert Frank
Tal Uf Tal Ab
“Tal Uf Tal Ab is Swiss-German. It means direction up the valley – down the valley. Now I live and wait and think mostly
in the places I live – New York City and Mabou N.S.” Robert Frank
Tal Uf Tal Ab shows Robert Frank’s life now, an inquisitive existence shaped by memory, and includes photographs of
newsstands, streetscapes, friends, his wife June Leaf, interiors, as well as a self-portrait. Among these images are scattered earlier ones from Frank’s past, for example a candid portrait of Jack Kerouac. As with all Frank’s publications, Tal
Uf Tal Ab is a humble yet important progression in the medium of the photo-book.
for his seminal book The Americans, first published in 1959, which gave rise to a distinct new form in the photo-book,
and his experimental film Pull My Daisy, made in 1959. Frank’s other important projects include the books Black White
and Things (1952) and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones.
He divides his time between New York City and Nova Scotia, Canada.
Robert Frank
Tal Uf Tal Ab
Text by Robert Frank
Book design by Robert Frank, A-chan and Gerhard Steidl
40 pages
8.1 x 9.8 in. / 20.5 x 25 cm
29 photographs
Tritone
€ 25.00 / £ 22.00 / US$ 28.00
ISBN 978-3-86930-101-3
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Robert Frank
Pull My Daisy
Pull My Daisy is a collectable object containing Robert Frank’s famous film of 1959 on DVD; a text booklet with an
introduction, the transcript of the film and lyrics to the opening song; and a photo-magazine of on-set documentary
photos by John Cohen.
Pull My Daisy typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Pull My Daisy was adapted
by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided
improvised narration. It stars Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank’s then infant son. Based on an incident in the life of Neal Cassady and
his wife Carolyn, the movie tells the story of a railway brakeman whose painter wife invites a respectable bishop over
for dinner. However, the brakeman’s bohemian friends crash the party, with comic results. Pull My Daisy was praised
for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned,
rehearsed, and directed by him and Frank.
for his seminal book The Americans, first published in 1959. Frank’s other important projects include the books Black
White and Things (1952) and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling
Stones. He divides his time between New York City and Nova Scotia, Canada.
Robert Frank
Pull My Daisy
Book and object design by Robert Frank and Gerhard Steidl
DVD, text booklet and photo-magazine, housed in a cardboad box
Cardboard box: 5.6 x 7.6 in. / 14.2 x 19.2 cm
Text booklet: 32 pages, 1 photograph
Photo-magazine: 56 pages, 36 photographs
€ 20.00 / £ 16.00 / US$ 28.00
ISBN 978-3-86930-428-1
DVD (NTSC/PAL)
Robert Frank on the set of Pull My Daisy. Photo by John Cohen
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Cardboard box
Photo-magazine
Text booklet
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Robert Frank
The Complete Film Works / Volumes 4, 5, 6
Even though Robert Frank was already a renowned photographer when he started working as a filmmaker at the end
of the 1950s, he remained a well-kept secret within the film community for almost four decades. The Complete Film
Works fills a long overdue gap by presenting every one of Frank’s more than 25 films and videos, some of them classics
of the New American Cinema of the 1950s and 60s.
Life Dances On… (1980), 32 minutes
Robert Frank was born in Zurich in 1924 and immigrated to the United States in 1947. He is best known for his seminal
book The Americans, first published in 1959, which gave rise to a distinct new art form in the photo-book, and his experimental film Pull My Daisy (1959). Frank’s other important projects include the books Black White and Things
(1952) and The Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones. He
divides his time between New York City and Nova Scotia, Canada.
Robert Frank
The Complete Film Works / Volumes 4, 5, 6
Life Dances On… (1980), 32 minutes
Nine DVDs in film-roll boxes, housed in a cardboard box
€ 98.00 / £ 80.00 / US$ 150.00
ISBN 978-3-86930-480-9
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JOHN COHEN
THE HIGH AND LONESOME SOUND
THE LEGACY OF ROSCOE HOLCOMB
John Cohen
The High and Lonesome Sound
The Legacy of Roscoe Holcomb
“The music of Roscoe Holcomb transcends daily life. Although it is grounded in Appalachia, in East Kentucky, in his little town of Daisy, his music travels like it is on a path towards a distant star.” John Cohen
In 1959 John Cohen travelled to East Kentucky looking for what he calls “old music”. Cohen asked for names at local
gas stations but soon ran out of leads, and drove off the highway onto the next dirt road. Here he stumbled across
Roscoe Holcomb playing the banjo and singing on his front porch in a way says Cohen, “that made the hairs on my neck
stand up on end”. And so by pure chance began the life-long friendship that is the background for The High and
Lonesome Sound.
Cohen visited Holcomb frequently over the next three decades, and made many photographs, films and records of his
music. In time Holcomb, a poor coal miner by trade, became a regular feature on the American concert and festival circuits. The “strange beauty and discomfort” of his music – a mixture of blues, ballads and Baptist hymns, and unique
through his high strained voice – was exposed to a larger audience. Nevertheless Holcomb died alone in a nursing
home in 1981.
The High and Lonesome Sound combines Cohen’s vintage photos, film and musical recordings as well as an anecdotal
text into a multimedia tribute to this underappreciated legend of American music whose every performance was in
Cohen’s words “not just a rendition of music, but a test of something to be overcome”.
John Cohen, born in 1932 in New York, is a photographer, filmmaker, and founding member of the New Lost City
Ramblers. A masters graduate from Yale University, Cohen was active in the artistic circles of late 1950s and early
1960s New York, and worked with Robert Frank on his film Pull My Daisy (1959). Steidl has published Cohen’s Past
Present Peru (2010).
Films
Music
John Cohen
The High and Lonesome Sound
The Legacy of Roscoe Holcomb
Text by John Cohen
Book design by Gerhard Steidl
DVD with two documentary films
on Roscoe Holcomb
CD of Roscoe Holcomb’s music
270 pages
8.3 x 10.2 in. / 21 x 26 cm
158 photographs
Tritone
Softcover book with a DVD and
CD, housed in a cardboard box
€ 45.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86930-254-6
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William Eggleston checking prototypes of Chromes, Memphis, March 2011
Photo by Gerhard Steidl
WI LLI A M E G G LE STO N C H R O M E S VO LU M E 1
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NOW AVAILABLE
William Eggleston
Chromes
William Eggleston’s standing as one of the masters of colour photography is widely acknowledged. But the gradual
steps by which he transformed from an unknown into a leading artist are less well known. Steidl has undertaken to
trace these steps in an ambitious series of publications. Before Color (Steidl, 2010) explored Eggleston’s revelatory
early black and white images, while Chromes is an edit of more than 5,000 Kodachromes and Ektachromes taken from
ten chronologically ordered binders found in a safe in the Eggleston Artistc Trust. This archive had once been used by
John Szarkowski who selected the 48 images printed in Eggleston’s seminal book William Eggleston’s Guide, while the
rest of the archive has remained almost entirely unpublished. This book presents Eggleston’s early Memphis imagery,
his testing of colour and compositional strategies, and the development towards the “poetic snapshot”. In short,
Chromes shows a master in the making.
William Eggleston, born in Memphis in 1939, is one of the most important contemporary American photographers.
From the 1970s onwards, his work has been central to the recognition of colour photography as an artistic medium.
Eggleston has published extensively and has shown in many major exhibitions. Steidl has published Eggleston’s Paris
(2009) and Before Color (2010).
William Eggleston
Chromes
Text by Thomas Weski
Book design by Gerhard Steidl
Vol. 1: 248 pages
Vol. 2: 256 pages
Vol. 3: 224 pages
12.4 x 12.6 in. / 31.5 x 32 cm
364 photographs
Four colour process
Three clothbound hardcover books with tipped-in
photos, housed in a foil-embossed slipcase
€ 248.00 / £ 220.00 / US$ 345.00
ISBN 978-3-6930-311-6
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2 N D EDITION AVAILABLE SOON
William Eggleston
Before Color
A few years ago in the archives of the William Eggleston Artistic Trust in Memphis, a box was found containing
Eggleston’s earliest photography – remarkably in black and white. The photos were subsequently exhibited at Cheim
& Read gallery in New York and sold. This book reunites these photos in their entirety, and shows the artistic beginnings
of a pioneer of contemporary photography.
In the late 1950s Eggleston began photographing suburban Memphis using high-speed 35 mm black and white film,
developing the style and motifs that would come to shape his pivotal colour work including diners, supermarkets,
domestic interiors and people engaged in seemingly trivial and banal situations. Now, 50 years later, all the plates in Before Color have been scanned from vintage prints developed by Eggleston in his own darkroom. In the mid 1960s
Eggleston discovered colour film and was quickly satisfied with the results: “And by God, it worked. Just overnight.”
Eggleston then abandoned black and white photography, but its fundamental influence on his practice is undeniable.
This new edition of Before Color follows the sold-out first print-run.
William Eggleston, born in Memphis in 1939, is one of the most important contemporary American photographers.
From the 1970s onwards, his work has been central to the recognition of colour photography as an artistic medium.
Eggleston has published extensively and has shown in many major exhibitions. Steidl has published Eggleston’s Paris
(2009) and Before Color (2010).
William Eggleston
Before Color
Text by Dave Hickey
Book design by Gerhard Steidl, Thomas Weski, Katharina Staal and
Sarah Winter
200 pages
8.8 x 10 in. / 22.5 x 25.5 cm
152 photographs
Quadrotone
Imitation leather hardcover with a tipped-in photo
€ 56.00 / £ 45.00 / US$ 78.00
ISBN 978-3-86930-122-8
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The Berenice Abbott Project
Berenice Abbott’s career in photography spanned seven decades and during this time she was involved with many
photographic projects. In fact, other than strictly commercial assignments, she rarely took a photograph that was not
part of a specific project, one usually initiated by her.
Portraits, New York City and documenting science are three of Abbott’s most well-known bodies of work. Equally
compelling are her early photographs of rural American life and those of Route 1 from Maine to Florida. A few of her
projects were time-specific but others extended over many years. Abbott took her first photographs in the 1920s and
her last in the 1980s, and while some of her projects are not as well-known as Changing New York, all yielded
exceptional photographs.
Ron Kurtz
Hank O’Neal
The Berenice Abbott Project will feature twelve new books including the reissue of Berenice Abbott (2008).
Edited by Ron Kurtz and Hank O’Neal:
Paris Portraits 1925–1930 (English and French editions, Spring 2012)
Documenting Science (Spring 2012)
New York City – Early Work 1929–30 (Fall 2012)
US Route 1 (Fall 2012)
The American Scene 1930–35 (2013)
Greenwich Village 1935–1950 (2013)
Maine 1951–1981 (2013)
The Unknown Abbott (2014)
New York Retrospective 1929–1953 (2014)
Berenice Abbott (two volumes, second edition, 2015)
Written and edited by Hank O’Neal:
Berenice Abbott Words and Memories (two books in a slipcase, 2013)
Book 1: You’ve Got To Do A Damn Sight Better Than That, Buster! Berenice Abbott in Maine 1972–1991
Book 2: Berenice Abbott In Her Own Words 1933–1991
Berenice Abbott’s Maine. The Colour Photographs 1973–1991 (2014)
Berenice Abbott, Self-portrait, 1926, Paris. Glass plate negative, scanned by Steidl
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Berenice Abbott, Paris Portraits 1925–1930
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Berenice Abbott, Paris Portraits 1925–1930
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Berenice Abbott
Paris Portraits 1925–1930
This is the first in a series of books to be published by Steidl that will explore Berenice Abbott’s exceptional body of
work. Abbott began her photographic career in 1925, taking portraits in Paris of some the most celebrated artists and
writers of the day including Marie Laurencin, Jean Cocteau, Peggy Guggenheim and James Joyce. Within a year her work
was exhibited and acclaimed. Paris Portraits 1925–1930 features the clear, honest results of Abbott’s earliest photographic project and illustrates the philosophy of all her subsequent work. For this landmark book, 115 portraits of 83
subjects have been scanned from the original glass negatives, the full negatives have been printed, and a die-cut
overleaf presents each portrait incorporating Abbott’s cropping instructions.
Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography.
Abbott moved to Paris from New York in 1921, and in 1923, after many false starts, was hired by her friend Man Ray.
He was looking for an assistant who knew nothing about photography whom he could teach. Abbott learned quickly and
within a year was taking her own photographs. Her first solo exhibition in 1926 was a success, and for the next 65 years
Abbott mastered a wide range of subjects. Highlights of Abbott’s career include the monumental project Changing
New York (1935–1938), photographing rural America including US Route 1 from Maine to Florida, photographically interpreting scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first university
photography program in the United States. Steidl published the two-volume retrospective Berenice Abbott in 2008.
Co-published with Commerce Graphics, New York
The grey areas on the left-hand pages indicate where the pages will be die cut. When a left-hand page
is laid over a right-hand page, the image will be cropped to reveal Abbott’s fine-tuned compositions.
Berenice Abbott
Paris Portraits 1925–1930
Edited by Ron Kurtz and Hank O’Neal
Texts by Ron Kurtz and Hank O’Neal
Book design by Steidl Design
368 pages
9.4 x 11.8 in. / 24 x 30 cm
58 photographs
Tritone
€ 98.00 / £ 82.00 / US$ 130.00
ISBN 978-3-86930-314-7
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Berenice Abbott
Documenting Science
Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use
photography as “the friendly interpreter of science”. Documenting Science explores this work, beginning in 1939 with
Abbott’s early experiments with scientific imagery, continuing with science-based commercial assignments, and
culminating in 1958 with the Physical Science Study Project at MIT which illustrated a new series of physics textbooks.
This spectacular body of work is arguably Abbott’s most innovative and creative. Both beautiful and instructive, these
images often illustrate some basic scientific principle. They are a marriage of science and art, and have fundamentally
changed the way thousands of students visualize complex principles of physics.
Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography.
Abbott moved to Paris from New York in 1921, and in 1923, after many false starts, was hired by her friend Man Ray.
He was looking for an assistant who knew nothing about photography whom he could teach. Abbott learned quickly and
within a year was taking her own photographs. Her first solo exhibition in 1926 was a success, and for the next 65 years
Abbott mastered a wide range of subjects. Highlights of Abbott’s career include the monumental project Changing
New York (1935–1938), photographing rural America including US Route 1 from Maine to Florida, photographically interpreting scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first university
photography program in the United States. Steidl published the two-volume retrospective Berenice Abbott in 2008.
Co-published with Commerce Graphics, New York
Berenice Abbott
Documenting Science
Edited by Ron Kurtz
Essays by Julia Van Haaften and John Durant
Book design by Ron Kurtz, Duncan Whyte and Gerhard Steidl
180 pages
11.6 x 12.2 in. / 29.5 x 31 cm
93 photographs and 6 illustrations
Tritone
€ 58.00 / £ 50.00 / US$ 75.00
ISBN 978-3-86930-431-1
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Th e Howard G reenberg L ibr ary
The Howard Greenberg Library has been created to bring
broader recognition and appreciation to the work of great photographers
who have not received the attention they deserve, and may have been overlooked in the canon of the history of photography.
Born out of a shared passion and respect for great photography and fine
photographic books, Gerhard Steidl is proud to introduce the first three
publications in this series.
Howard Greenberg
Howard Greenberg. Photo by Robert Leslie
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Howard Greenberg and Bob Shamis (eds.)
Leon Levinstein
American street photographer Leon Levinstein is much admired within the photographic community, but little known
outside of it. Solo exhibitions at the National Gallery of Canada in 1995 and the Metropolitan Museum of Art in New
York in 2010 brought him to the attention of many, but his dynamic and original work is yet to achieve the recognition
it deserves. Levinstein’s fearless and unsentimental black and white images, whether shot in New York City, Coney
Island, Haiti, Mexico or India, possess in Metropolitan Museum of Art Curator of Photographs Jeff Rosenheim’s words,
“graphic virtuosity – seen in raw, expressive gestures and seemingly monumental bodies – balanced by an unusual
compassion for his off-beat subjects”. In 1975, at the age of 65, Levinstein received a grant from the John Simon
Guggenheim Foundation. His intention, in his own words, was to photograph “as wide a spectrum of the American
scene as my experience and vision will allow”. This long-awaited book fulfils this ambitious goal.
Born in West Virginia in 1910, Leon Levinstein moved to New York in 1946 and studied with Alexey Brodovitch, artistic
director of Harper’s Bazaar, and Photo League founder and teacher Sid Grossman, both important early advocates. By
1950, Levinstein was photographing strangers on the street, a practice he would continue for the next 35 years.
Leon Levinstein
Texts by Jeff L. Rosenheim, Bob Shamis and Carrie Springer
Book design by Gregory Wakabayashi
320 pages
11 x 13.8 in. / 27.9 x 35.1 cm
200 photographs
Duotone and four color process
Hardcover
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-443-4
42nd Street and 8th Avenue. Courtesy of Howard Greenberg Gallery
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James Karales
“James Karales (1930–2002) was big-time in the best time but is not as well known as he should be,” argues
photographic historian Vicki Goldberg. This book will change that. Early in his career, Karales began a photo-essay
documenting Rendville, Ohio, an important stop on the Underground Railroad during the Civil War and one of the few
racially integrated communities in America in the late 1950s. These pictures demonstrate his striking ability to capture
the essential qualities of a community, are reminiscent of images made for the Farm Security Administration in the
1930s, and reflect Karales’ state of mind as he grappled with the racial issues that were to preoccupy him and America
for many years to come.
Karales worked for Look from 1960 until it ceased publication in 1971. Among many important assignments for the
magazine, Karales documented Martin Luther King and the 50 mile, five-day Selma (Alabama) march in 1965. 15 minutes
before the end of the march, the sky darkened and Karales’ wide-angle shot of the protesters silhouetted against the
horizon has since become an emblem of the march and has insured the photographer’s place in this tumultuous period
of American history. Through this new publication we discover that Karales’ stature as a photojournalist and social
documentary photographer par excellence is based on much more than one iconic image from Selma.
James Karales was born in Canton, Ohio in 1930. In 1955, after earning his degree in Fine Arts from Ohio University,
he came to New York and worked as an assistant to the renowned W. Eugene Smith. As a photojournalist, Karales won
numerous awards, among them the Picture of the Year and the Overseas Press Club Award. His photographs are in
numerous collections including the High Museum in Atlanta, the International Center of Photography, and the Museum
of Modern Art, both in New York.
James Karales
Texts by Vicki Goldberg, Howard Greenberg and Sam Stephenson
Book design by Gregory Wakabayashi
176 pages
11 x 9 in. / 27.9 x 22.9 cm
116 photographs
Tritone
Hardcover
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-444-1
82
83
Saul Leiter
Early Black & White
The distinctive iconography of Saul Leiter’s early black and white photographs stems from his profound response to the
dynamic street life of New York City in the late 1940s and 50s. While this technique borrowed aspects of the photodocumentary, Leiter’s imagery was more shaped by his highly individual reactions to the people and places he
encountered. Like a Magic Realist with a camera, Leiter absorbed the mystery of the city and poignant human experiences. Together with Early Color, also published by Steidl, Early Black & White shows the impressive range of Leiter’s
early photography.
Saul Leiter was born in Pittsburgh in 1923, the son of a rabbi. His work is held in the permanent collections of the
Museum of Fine Arts in Houston, the Art Institute of Chicago, the Baltimore Museum of Art, the Victoria and Albert
Museum in London, as well as in other public and private collections.
Saul Leiter
Early Black & White
Edited and introduction by Martin Harrison
Book design by Martin Harrison
Volume 1: 224 pages
Volume 2: 192 pages
7.9 x 7.9 in. / 20 x 20 cm
280 photographs
Tritone
Two clothbound hardcovers in a slipcase
€ 98.00 / £ 80.00 / US$ 145.00
ISBN 978-3-86521-413-3
84
85
I’ve never really been interested in single photographs or collections of photographs.
What I’m interested in is stories. When I photograph, it’s always with the book in
mind as the end result. The book is the work. Each line, photograph, or train of
thought forms another transition in building the narrative. One thing leads to the
next. And even though the work may eventually appear in various forms, only the
book can ever truly deliver the original idea.
Trent Parke
Trent Parke. Photo by Jonas Wettre
86
87
Trent Parke
The Christmas Tree Bucket
Trent Parke’s Family Album
“’Twas the night before Christmas, when all through the house,
Not a creature was stirring, not even a mouse…”
The Christmas Tree Bucket is a modern-day Christmas story with a dark edge. A wordless narrative, Parke’s story is
an ironic take on the typical Australian suburban Christmas. He photographs friends and family, and casts them in a
twisted tale that merges fact and fiction. The viewer is left to make imaginative sense of images of barbeques, screaming children, a burning gingerbread house, and even the photographer himself vomiting into the infamous Christmas Tree
Bucket. Says Parke: “It was there – while staring into that bright red bucket, vomiting every hour on the hour for fifteen
hours straight – that I started to think how strange families, suburbia, life, vomit and in particular, Christmas really was…”
Merry Christmas!
Trent Parke, born in Newcastle, Australia in 1971, joined Magnum Photos in 2002 and has been a full member since
2007. Parke has exhibited internationally and has received numerous awards including World Press Photo Awards in
1999, 2000, 2001 and 2005, and the W. Eugene Smith Grant in Humanistic Photography in 2003. His publications
include Dream / Life (1999), The Seventh Wave with Narelle Autio (2000), Bedknobs & Broomsticks (2010), and the
highly anticipated Minutes to Midnight, also to be published this season by Steidl.
Trent Parke
The Christmas Tree Bucket
Trent Parke’s Family Album
Book design by Trent Parke, Duncan Whyte and Gerhard Steidl
128 pages
10.8 x 8.8 in. / 27.5 x 22.4 cm
61 photographs
Four colour process
Clothbound hardcover with foil embossing
€ 58.00 / £ 50.00 / US$ 75.00
ISBN 978-3-86930-206-5
88
89
Trent Parke
Minutes to Midnight
In 2003 Trent Parke began a road-trip around his native Australia, a monumental journey that was to last two years and
cover a distance of over 90,000 km. Minutes to Midnight is the ambitious photographic record of that adventure, in which
Parke presents a proud but uneasy nation struggling to craft its identity from different cultures and traditions. Minutes
to Midnight merges traditional documentary techniques and imagination to create a dark visual narrative portraying Australia with a mix of nostalgia, romanticism and brooding realism. This is not a record of the physical landscape but of an
emotional one. It is a story of human anxiety and intensity, which although told from Australia, represents a universal
human condition in the world today.
Trent Parke, born in Newcastle Australia in 1971, joined Magnum Photos in 2002 and has been a full member since
2007. Parke has exhibited internationally and has received numerous awards including World Press Photo Awards in
1999, 2000, 2001 and 2005, and the W. Eugene Smith Grant in Humanistic Photography in 2003. His publications
include Dream / Life (1999), The Seventh Wave with Narelle Autio (2000), Bedknobs & Broomsticks (2010), and the
long-awaited Christmas Tree Bucket, also to be published this season by Steidl.
Trent Parke
Minutes to Midnight
Book design by Trent Parke, Duncan Whyte and Gerhard Steidl
96 pages
11.6 x 9.8 in. / 29.5 x 25 cm
48 photographs
Tritone
Clothbound hardcover
€ 58.00 / £ 50.00 / US$ 75.00
ISBN 978-3-86930-205-8
90
91
Miles Aldridge
Other Pictures
Other Pictures is Miles Aldridge’s surreal take on the traditional family album, and an autobiographical sequel to Pictures
for Photographs (Edition 7L, 2009), in which Aldridge presented his fashion drawings and photographs. Other Pictures
opens with seductive black and white images of Aldridge’s then lover, now wife, model Kristen McMenamy. Taken in hotel
rooms after fashion shows from London to New York between 1994 and 1997, the photos are spontaneous and
narcissistic, and show the young Aldridge investigating the medium of 35 mm photography as much as his unfolding
romance with McMenamy. The second part of Other Pictures is an introspective portrait in deep colour of Aldridge’s
married life with children. Cinematic and beautiful but filled with anxiety, these images show Aldridge’s children as
vacant and sometimes corpse-like actors in the photographer’s imagined drama of family life.
Miles Aldridge, born in London in 1964, has published his photographs in such influential magazines as American and
Italian Vogue, Numéro, The New York Times, and The New Yorker. His work has been exhibited in numerous group
shows, and his solo shows include those at Brancolini Grimaldi in Florence, Hamiltons Gallery in London, and Steven
Kasher Gallery in New York. Aldridge’s work is held in the National Portrait Gallery and the Victoria and Albert Museum
in London, and in the International Center for Photography in New York.
Miles Aldridge
Other Pictures
Book design by Miles Aldridge and Gerhard Steidl
140 pages
15.4 x 10.6 in. / 39 x 27 cm
94 photographs
Four-colour process
Clothbound hardcover with tipped-in photos
€ 98.00 / £ 82.00 / US$ 145.00
ISBN 978-3-86930-437-3
92
93
Beda Achermann
Big Time
The Legendary Style of Männer Vogue, 1984–1989
This book is an exciting step back in time to when Männer Vogue was Germany’s leading men’s fashion magazine.
During Männer Vogue’s golden age between 1984 and 1989, Swiss-born Beda Achermann was the magazine’s creative
director and left his iconic style on a generation of graphic designers, typographers, photographers, fashion journalists
and stylists. Commissioning young photographers like Mario Testino, Ellen von Unwerth and Max Vadukul, along with
established talents including Herb Ritts, Peter Lindbergh and Helmut Newton, Achermann set a new benchmark in
fashion editorial.
Big Time is a retrospective of Achermann’s groundbreaking work for Männer Vogue, showing the magazine’s best
spreads which have lost none of their modernity and flair. The book comprises three chapters – “Big Style” (fashion),
“Big Shots” (features and portraits) and “Big Bang” (portfolios) – which together recreate a unique period in fashion
history when international glamour was made in Germany.
Highlights in Beda Achermann’s career include positions as creative director at Männer Vogue in Munich and Donna
in Milan. In 1990 he founded the acclaimed Studio Achermann in Zurich, which combines art in all its forms with
advertising and other commercial projects.
Beda Achermann
Big Time
The Legendary Style of Männer Vogue, 1984–1989
Essays by Karl Lagerfeld, and Angelica Blechschmidt
Interview with Beda Achermann
German language book with an English booklet
Book design by Studio Achermann, Zurich
380 pages
10.4 x 13.8 in. / 26.3 x 35 cm
300 photographs
Four colour process
Softcover in a slipcase
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-445-8
94
95
Amanda Harlech
Travelling in India
“This album is a photographic gesture. It is in the spirit of those intrepid British travel writers like Lady Stanhope who
used words and a sketchbook to record their impressions. I don’t think you can ever capture or explain India, but during my three weeks exploring a fraction of this multifarious, miraculous country I discovered a world as vivid and refined,
as complicated and intensely coloured as an eighteenth-century Mughal miniature. Here was the shifting animation of
life itself, the celebration of humanity and the longing of the soul for the divine in every small act of kindness. Every day
is a festival, every day is a death.” Amanda Harlech
Travelling in India is Amanda Harlech’s photographic record of her travels from Delhi to Mumbai. This is not documentary
photography, but rather an elegant suite of confessional impressions – of people, landscapes, markets, temples, colours
and textures. The book gives shape to aesthetic and emotional responses that resist definition, and suggests in Harlech’s
words, “ the vibrancy and improvised genius of India, alive with prescience, disquiet, grace and yearning”.
Writer and stylist Amanda Harlech was born in 1959 in London. After studying English literature at the University of Oxford, Harlech became a fashion editor at Harpers & Queen. She subsequently worked with John Galliano for twelve years
and today is a consultant for Karl Lagerfeld.
Amanda Harlech
Travelling in India
Text by Amanda Harlech
Book design by Karl Lagerfeld and Gerhard Steidl
192 pages
8.3 x 5.8 in. / 20 x 14.8 cm
88 photographs
Four colour process
Clothbound hardcover with red hand-coloured fore edges
€ 32.00 / £ 25.00 / US$ 40.00
ISBN 978-3-86930-393-2
96
97
Karl Lagerfeld and Carine Roitfeld
The Little Black Jacket
This book is Karl Lagerfeld and Carine Roitfeld’s reinterpretation of Chanel’s iconic little black jacket. Lagerfeld has
redesigned the jacket, transforming it into a modern, adaptable garment to be worn by both sexes of all ages. The Little
Black Jacket contains Lagerfeld’s photographs of celebrities wearing the jacket with individual flair – sometimes
classic, sometimes irreverent, but always Chanel – and each styled by Carine Roitfeld. A range of accomplished
actors, musicians, designers, models, writers and directors gets the little black jacket treatment, including Claudia
Schiffer, Uma Thurman, Kanye West, Tilda Swinton, Baptiste Giabiconi, Yoko Ono and Sarah Jessica Parker. This
book shows the astounding versatility of Chanel’s vision in Lagerfeld’s hands, and ensures the little black jacket’s
future as a timeless classic.
Karl Lagerfeld, fashion designer, book dealer and publisher, began working as a photographer in 1987. Lagerfeld has
received the Lucky Strike Design Award from the Raymond Lewy Foundation, the cultural prize from the German
Photographic Society, and the ICP Trustees Award at the International Center of Photography’s Infinity Awards in
2007. His recent exhibitions include “Konkret Abstrakt Gesehen” at the Langen Foundation in Neuss, and “Metamorphoses of an American – A Cycle of Youth, 2003–8” at Pace/MacGill in New York. Steidl has published most of
Lagerfeld’s books, including Casa Malaparte (1998), A Portrait of Dorian Gray (2004), Room Service (2006) and
The Beauty of Violence (2010).
Alexander Wang, Designer
Daphne Groeneveld, Model
Carine Roitfeld is a fashion writer and stylist, and was editor-in-chief of French Vogue from 2001 to 2011. Roitfeld
began her career as a model before moving to French Elle as a journalist and stylist. Meeting Mario Testino then marked
the beginning of an ongoing collaboration that saw the pair create groundbreaking advertising campaigns and editorial
shoots. Roitfeld worked as a consultant with Tom Ford during his time at Gucci and Yves Saint Laurent, and her book
Irreverent was published in 2011.
Karl Lagerfeld and Carine Roitfeld
The Little Black Jacket
Preface by Karl Lagerfeld
Book design by Karl Lagerfeld, Carine Roitfeld, Eric Pfrunder and
Gerhard Steidl
232 pages
11.4 x 14.6 in. / 29 x 37 cm
112 photographs
Tritone
€ 50.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-446-5
Tilda Swinton, Actress
98
Joshua Jackson, Actor
99
Yoko Ono, Artist
100
Anna Wintour, Editor-in-chief of American Vogue
101
I remember being struck, as a student at college many years ago, by the image of a
lone chair on the cover of Lord Snowdon’s book Sittings. Since then, Lord Snowdon
has been an inspiration for me. My wish in photographing Snowdon was to discover
the man behind the myth, to document how he lives his life now, to show he is alive
and kicking – and still making fantastic photographs. It’s too often the case that
great photographers – Irving Penn, Helmut Newton and Richard Avedon among
them – are ignored in their advancing years. People remember their early work, but
few know how they choose to use their creativity in old age. I hope my book on Lord
Snowdon changes that trend, and preserves his legacy.
Koto Bolofo
Koto “analogue” Bolofo. Photo by Claudia Van Ryssen-Bolofo
103
Koto Bolofo
Lord Snowdon
Lord Snowdon is Koto Bolofo’s photographic portrait of legendary British photographer Antony Armstrong-Jones, known
to the world as Lord Snowdon. The infamous Snowdon has photographed many icons of the twentieth century including David Bowie, Miuccia Prada, and Gilbert and George, and through his 1960 marriage to Princess Margaret, he has
become a privileged photographer to the British Royal Family. This book is Bolofo’s tribute to Snowdon’s life and work,
and a document of the man behind the public persona.
Snowdon and Bolofo hit it off from their first meeting (“Would you like a drink?” asked Snowdon at 11 am), and their
rapport is evident in Bolofo’s portraits of Snowdon in his London home and studio. Lord Snowdon includes images of
old newspaper clippings, as well as Snowdon’s archives and notebooks, making the book the most tender and comprehensive study of Snowdon to date.
Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has photographed and made short
films for magazines such as Vogue, Vanity Fair and GQ. He has created advertising campaigns for brands including
Hermès, Louis Vuitton and Dom Pérignon. Bolofo lives in the Vendée, France, and his books with Steidl include Venus
(2008), I Spy with My Little Eye, Something Beginning with S (2010), Vroom! Vroom! (2010), Grand Complication
(2010) and La Maison (2011).
Koto Bolofo
Lord Snowdon
Text by Kristine Miller Guest
Book design by Koto Bolofo and Gerhard Steidl
208 pages
11.4 x 14.6 in. / 29 x 37 cm
166 photographs
Four-colour process
€ 75.00 / £ 59.00 / US$ 99.00
ISBN 978-3-86930-329-1
104
105
Koto Bolofo
Dreams
Six years ago in rural France Koto Bolofo discovered a treasure trove of vintage linen sheets – some from hospitals and
convents, others from the homes of peasants and aristocrats. For Bolofo, the sheets embodied the dreams and forgotten
histories of those who had once slept in them, and he was inspired to transform these materials into unique handmade
garments. The resulting creations were simple and sophisticated like the photos Bolofo then made of them; but the idea
stopped there, and the clothes were packed away for safekeeping in a trunk.
Since then Bolofo began photographing for the renowned women’s fashion and homeware brand Anthropologie, and
in 2010 the company asked Bolofo if he had a personal project he might like to develop with them. The photographer
immediately thought of his beloved garments and the rest is history: Anthropologie has now produced his collection on
a commercial scale to be launched at New York Fashion Week in Spring 2012 and sold exclusively in their stores. Who
says dreams don’t come true?
Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has photographed and made short
films for magazines such as Vogue, Vanity Fair and GQ. He has created advertising campaigns for brands including
Hermès, Louis Vuitton and Dom Pérignon. Bolofo lives in the Vendée, France, and his books with Steidl include Venus
(2008), I Spy with My Little Eye, Something Beginning with S (2010), Vroom! Vroom! (2010), Grand Complication
(2010) and La Maison (2011).
Koto Bolofo
Dreams
Text by Koto Bolofo
Book design by Koto Bolofo and Gerhard Steidl
144 pages
11.4 x 14.6 in. / 29 x 37 cm
166 photographs
Four-colour process
€ 75.00 / £ 59.00 / US$ 99.00
ISBN 978-3-86930-395-6
106
107
108
Shelly Verthime and Pascal Dangin (eds.)
Alber Elbaz, Lanvin
“I face a blank page each day and I have to fill it with a dream. That’s my work.” Alber Elbaz
In March 2002, Alber Elbaz debuted his first collection for Lanvin, the oldest couture house in Paris. One decade later,
Lanvin has become one of the most coveted houses for its uniquely modern vision and desirable designs.
Alber Elbaz, Lanvin documents the journey of one collection, from the first sketch to the final runway show. With the
camera acting as a secret door, Alber, for the first time, invites the viewer into his own world. These images not only
unveil the continuous process of design, the behind the scenes work in progress, but also the human side of creating
a collection. “Each collection is always different, but the process of creating is always the same,” says Alber.
The monograph is the result of a close collaboration with Pascal Dangin, who edited and created a book that transcends
Alber’s vision and sensibilities – a book that needs no words. Photographer But Sou Lai’s poetic and sensitive images
mirror Alber’s work. His personal, voyeuristic approach allows the viewer to share these intimate moments.
Shelly Verthime and Pascal Dangin (eds.)
Alber Elbaz, Lanvin
Photographs by But Sou Lai
Creative direction by Pascal Dangin
704 pages
11.5 x 9.4 in. / 29.1 x 23.9 cm
300 images
Handmade hardcover book, bound in silk grosgrain cloth, black foil
stamping on front and spine, hand-gilded edging with engraved
typography, delivered in a handmade cardboard box
€ 320.00 / £250.00 / US$ 450.00
ISBN 978-3-86930-447-2
112
113
A-chan
Vibrant Home
Vibrant Home is A-chan’s tender visual diary of the three places in which she has lived since 2000: Tokyo, Fujishiro and
New York City. Wandering the streets with her camera, she captures that which we see but overlook: a grid of power lines
against the sky, magnolia blossoms reaching sunwards over a wall, a self-absorbed child on the subway, rain-lacquered
streets. A-chan explains: “Vibrant Home is the name of the apartment I used to live in in Tokyo. That was my first time to
live alone. There is beauty, slight movement. I stop walking and just follow my intuition.”
Born in 1978 and raised in Japan, A-chan began her career photographing advertisements, CD jackets and magazine editorials.
She has since exhibited her photographs and held slide shows at galleries in Tokyo. In 2006 A-chan moved to New York
City and in 2007 began working with Robert Frank. She has co-edited and co-designed a number of Frank’s books including
Tal Uf Tal Ab (2010), Pangnirtung (2011) and the upcoming You Would.
A-chan
Vibrant Home
Book design by A-chan
104 pages
9.3 x 11 in. / 23.5 x 28 cm
68 photographs
Four colour
Otabind softcover
€ 30.00 / £ 22.00 / US$ 48.00
ISBN 978-3-86930-415-1
114
115
A-chan
Off Beat
“I don’t listen to music while taking photography. Because I sing. I am wondering someday I could find someone who
is singing the same song as me.” A-chan
Off Beat presents photographs taken in New York City in 2008 and 2009, when A-chan began working with black and
white film. The images were made in the same wandering spirit as those in Vibrant Home, also to be published this
season by Steidl. A-chan explored the streets of New York, allowing her compositions to reveal themselves rather than
searching for pre-determined motifs. Pigeons perched on a branch, the lyrical geometry of serviettes on a table, or the
play of shapes created by a bus silhouetted against traffic: such is the material of A-chan’s restless, charming vision.
Born in 1978 and raised in Japan, A-chan began her career photographing advertisements, CD jackets and magazine editorials.
She has since exhibited her photographs and held slide shows at galleries in Tokyo. In 2006 A-chan moved to New York
City and in 2007 began working with Robert Frank. She has co-edited and co-designed a number of Frank’s books including
Tal Uf Tal Ab (2010), Pangnirtung (2011) and the upcoming You Would.
A-chan
Off Beat
Book design by A-chan
64 pages
7.5 x 9.4 in. / 19 x 24 cm
45 photographs
Tritone
Otabind softcover
€ 30.00 / £ 22.00 / US$ 48.00
ISBN 978-3-86930-416-8
116
117
Christopher Morris
Americans
Americans is the second book in a series on America by Christopher Morris. While the first book My America (Steidl,
2006) focused on Republican nationalism, Americans takes a much broader journey across American society. With an
empathetic and critical eye, Morris presents a nation in a state of perpetual loss and its people searching for an identity
– stranded within two long-running wars and an economy on the verge of collapse.
Christopher Morris, born in California in 1958, began his career as a documentary conflict photographer, working
almost exclusively with Time magazine, where he has been on contract since 1990. Parallel to his career as a photojournalist, Morris has recently expanded into the fashion world, working for such clients as Roberto Cavalli and magazines on the collections of Louis Vuitton, Prada and MaxMara. Morris has received many awards including the Robert
Capa Gold Medal, the Olivier Rebbot Award, and the Infinity Award for photojournalism from the International Center
of Photography. Morris is a founding member of the photojournalist agency VII in New York.
Christopher Morris
Americans
Book design by Christopher Morris and Gerhard Steidl
200 pages
7.9 x 9.1 in. / 20 x 23 cm
117 photographs
Four-colour process
Clothbound hardcover with a dust jacket
€ 48.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86930-448-9
118
119
Orri
Interiors
“Useful pictures don’t start from ideas. They start from seeing.” Robert Adams
Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned
farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35 mm
film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously
decaying interiors of deserted houses throughout Iceland for the next twelve years, and Interiors contains the best of
these images from 1999 to 2010. Painterly in colour, rigorous in composition and lacking people, Orri’s photos evoke
the personal histories of the inhabitants who long ago abandoned their homes. Interiors is shaped by an uncanny silence and sense of loss, most poignant in the images of objects people left behind – old buttons, newspapers and
even a hot water bottle – tokens of vanished lives.
Orri Jónsson was born in Reyjavík in 1970, and received his Bachelor of Fine Arts from the School of Visual Arts in New
York in 1996. Orri’s photographs have been published in magazines including Big magazine, and he has exhibited at
institutions including the Museum Folkwang in Essen and the Reykjavík Museum of Photography. Orri is also an
accomplished musician and producer; his albums as half of the duet Slowblow include Quicksilver Tuna (1994) and
Noi Albinoi (2004). In 2011 Orri co-wrote, directed and edited his first film Grandma Lo-Fi: The Basement Tapes of
Sigríður Níelsdóttir.
Orri
Interiors
Text by Dagur Kári Pétursson and Gunnar Þorri Pétursson
Book design by Orri, Duncan Whyte and Gerhard Steidl
144 pages with a 16-page text booklet
11.7 x 12.2 in. / 29.7 x 31 cm
72 photographs
Four-colour process
€ 48.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86930-375-8
120
121
Lynne Cohen
Nothing is Hidden
“I feel as if the world can’t be like it is. It seems full of finished works of art.” Lynne Cohen
Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne
Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has
mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally
arranged uncanny interiors, Cohen’s photographs are sometimes wryly humorous, sometimes bleak, and frequently
both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight.
This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank
Photography Award, Canada’s largest contemporary photography award for an established Canadian artist. Scotiabank
is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities.
The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Lynne Cohen, born in 1944 in the US and living in Canada since 1973, has been photographing public and private
interiors for the past four decades. She has exhibited extensively and has held major retrospectives in Canada, France
and Switzerland. Cohen’s books include Occupied Territory (1988), No Man’s Land (2001), Camouflage (2005) and
Cover (2009). She has received many awards, including the inaugural Scotiabank Photography Award (2011) and the
Governor General’s Award in Visual and Media Arts (2005).
Co-published with Scotiabank, Toronto
Lynne Cohen
Nothing is Hidden
Essay by Jenny Diski
Book design by Barr Gilmore
172 pages
12.4 x 10.3 in. / 31.5 x 26.2 cm
128 photographs
Four-colour process
€ 88.00 / £ 78.00 / US$ 98.00
ISBN 978-3-86930-449-6
122
123
Dirk Alvermann
Algeria
When he went to Algeria in the 1950s Dirk Alvermann was only 18, a rebellious West German teenager thrilled by the
struggle for freedom by the Algerian people against French colonial rule. Together with a unit of the Algerian liberation
army, Alvermann found a way into the Eastern Algerian war zone, determined to keep a photographic record of the
events unfolding there.
After returning to West Germany he set about planning the publication of his work in the most accessible form available:
the book should go from hand to hand like a political manifesto. In 1950 German publishing house Rowohlt had
introduced its paperback series, known by the name of rororo – an ideal format for Alvermann. Rowohlt initially agreed
to publish Algerien – L’Algérie but later cancelled it when any partisanship with the Algerian resistance seemed inappropriate. The book was eventually published by the East Berlin publishing house Rutten & Loening in 1960 as a hardcover, contrary to Alvermann’s vision for the project.
Steidl’s new edition of Algeria gives voice to the artist’s original intentions, adopting the rororo format and softcover
finish. The photographs are accompanied by historical documents, and quotes taken from French military sources,
pamphlets, newspapers and magazines. More than 50 years after its first publication, the book is as relevant as ever as
it tells the story of a people rising up against oppression and despotism: against European colonialism or, like today,
against homemade dictatorial regimes.
Dirk Alvermann was born in Düsseldorf in 1937. Early in his career Alvermann became an influential political
photographer publishing numerous books including Algerien – L’Algérie (1960) and Keine Experimente – Bilder zum
Grundgesetz (1961). Throughout the 1960s he worked as a photographer for magazines including Neue Berliner
Illustrierte, Quick, Das Magazin and Magnum Photos. Since the publication of his seminal book Ich Liebe Dich in 1979
Alvermann has focused on his work as a filmmaker and author.
Dirk Alvermann
Algeria
Text by Dirk Alvermann
Book design by Dirk Alvermann
224 pages
4.3 x 7.1 in. / 10.8 x 18 cm
162 photographs
Tritone
Softcover
€ 24.00 / £ 20.00 / US$ 32.00
ISBN 978-3-86930-255-3
124
125
Boris Mikhailov
From Japan
From Japan is exactly that, Boris Mikhailov’s photographic statement from and on Japan. Best known for images of his
native Ukraine, Mikhailov is concerned with ignored social realities and depicts his subjects with tragicomic compassion. By turning his attention to Japan, Mikhailov has joined other contemporary colour photographers such as Nan
Goldin and Juergen Teller who have been fascinated by the country. Mikhailov’s Japan is comparable to Araki’s vision,
showing sexual desire as an often repressed but underlying social factor.
Volume 1
Volume 2
Boris Mikhailov was born in 1938 in Kharkov, Ukraine, and today lives and works in the Ukraine and Berlin. His work
has been important in documenting the effects of the break-up of the Soviet Union on social structures and the human
condition. Mikhailov has exhibited extensively, at institutions including the Kunsthalle Zurich and the Museum of Modern
Art in New York. In 2000 he received the Hasselblad Award.
Volume 3
Volume 5
Volume 4
Volume 1
Volume 2
Volume 3
Volume 8
Volume 4
Volume 5
Volume 6
Volume 7
Volume 6
Boris Mikhailov
From Japan
Book design by Boris Mikhailov, Bernard Fischer and Gerhard Steidl
Volume 1: 24 pages / Volume 2: 48 pages / Volume 3: 48 pages / Volume 4: 32 pages
Volume 5: 40 pages / Volume 6: 48 pages / Volume 7: 48 pages / Volume 8: 64 pages
8.3 x 5.9 in. / 21 x 15 cm
176 photographs
Four colour process
Eight magazines in a box
€ 78.00 / £ 65.00 / US$ 98.00
ISBN 978-3-86521-817-9
Volume 7
126
Volume 8
Box
127
Jim Dine
Donkey in the Sea before Us
“Donkey in the Sea before Us is a marriage of poetry and water-colour portraits of the boy/puppet, who is on his way
to becoming a human” Jim Dine
This book of new water-colours by Jim Dine continues his life-long obsession with the character of Pinocchio. Dine first
encountered Pinocchio through Disney’s acclaimed animated film which he saw as a child in 1940, and later through Carlo
Collodi’s original text. Says Dine: “I have for many years been able to live through the wooden boy. His ability to hold the
metaphor in limitless ways has made my drawings, paintings and sculpture of him richer by far. His poor burned feet, his
misguided judgment, his vanity about his large nose, his temporary donkey ears all add up to the real sum of his parts. In
the end it is his great heart that holds me. I have carried him on my back like landscape since I was six years old.”
Born in 1935 in Cincinnati, Ohio, Jim Dine is a prolific painter, draughtsman, print-maker and photographer. Initially
associated with the Pop movement, Dine’s career spans over 40 years and his work is held in numerous private and
public collections. His books with Steidl include Birds (2001), The Photographs, so far (2003) and Hot Dream (52
Books) (2008).
Jim Dine
Donkey in the Sea before Us
Poem by Jim Dine
Book design by Jim Dine and Jonas Wettre
56 pages
4.5 x 6.7 in. / 11.5 x 17 cm
24 images
Four-colour process
Hardcover with dust jacket
€ 18.00 / £ 12.00 / US$ 28.00
ISBN 978-3-86930-451-9
128
129
SteidlBG
Brancolini Grimaldi is dedicated to showcasing innovative artists whose work loosens photography from its traditional
and conventional bounds. By introducing a more conceptual context to photography, it aims to redefine the future of
the medium and the way it is displayed and experienced.
Brancolini Grimaldi opened a new gallery in London in April 2011, expanding on its existing galleries in Rome and
Florence. It now represents a broad range of international artists who share a groundbreaking and experimental approach
to photography as a means of artistic expression.
Since 2006 Brancolini Grimaldi has collaborated with Steidl in publishing books, special editions and Massimo Vitali’s limited edition portfolio Landscape with Figures. Moreover, the gallery in Florence houses the main Steidl bookshop in Italy.
We are excited to continue and expand our partnership with Steidl by creating books that are an invaluable introduction
the artists’ work and establish a long-lasting legacy for both the artists and the gallery. We decided to launch SteidlBG
by releasing two new publications this season: Peter Fraser’s A City in the Mind and Dan Holdsworth’s Blackout. Both
volumes will be published in conjunction with exhibitions held in London in the Spring and Summer of 2012.
Isabella Brancolini
Camilla Grimaldi
Isabella Brancolini and Camilla Grimaldi in their London Gallery. Photo by Charlie Bibby / Financial Times
130
131
Peter Fraser
A City in the Mind
Many years ago, Peter Fraser was captivated by Italo Calvino’s Invisible Cities (1972). In 2006 he re-read this
extraordinary novel and, struck anew by its emotional charge, began to photograph his current home London with the
aim of creating an imagined “city in the mind”. Calvino’s book is a fictive exchange between the Tartar Emperor Kublai
Khan and the explorer Marco Polo, whom Khan commissioned to collect news from across his massive empire in the
late 1200s. Every evening Polo describes a new city from his travels more fabulous and exotic than the last, thus
philosophising on the myriad creative possibilities of a “city”. (Many believe Calvino’s cities are indeed different interpretations of one and the same place – perhaps Venice.) Fraser recasts Calvino’s notion of an invisible city to create a
poetic vision of London that transcends the physical, and can only be experienced in the imagination.
Peter Fraser was born in Cardiff in 1953 and graduated in photography from Manchester Polytechnic University in
1976. In 1982 Fraser began working with a Plaubel Makina camera, which led to an exhibition with William Eggleston
at the Arnolfini, Bristol, in 1984. Fraser’s many books include Two Blue Buckets (1988), Deep Blue (1997), and Lost
for Words (2010). In 2002 the Photographers’ Gallery, London, staged a twenty-year survey of Fraser’s work, and in
2004 he was shortlisted for the Citibank Photography Prize.
Exhibition: Brancolini Grimaldi, London, 25 May to 21 July 2012
Co-published with Brancolini Grimaldi, London
Peter Fraser
A City in the Mind
Text by Brian Dillon
Book design by Peter Fraser and Gerhard Steidl
80 pages
11.2 x 12.6 in. / 28.5 x 32 cm
50 photographs
Four-colour process
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-453-3
132
133
Dan Holdsworth
Blackout
Occupying a space between the documentary and the make-believe, Dan Holdsworth’s photographs transform Icelandic
glaciers into a strange and futuristic landscape. In Blackout the landscape is present only as a brooding, eerie image
of itself: the blue of the sky has become the deep black of space, while the earth appears in pale negative. This lunarlike terrain humbles the viewer before a foreign, awe-inspiring nature and repositions the notion of the romantic sublime.
Dan Holdsworth, born in 1974 in Welwyn Garden City, England is one of the most innovative British photographers
working with landscape today. Holdsworth studied photography at the London College of Printing, and has exhibited
internationally including solo shows at BALTIC Centre for Contemporary Art, Gateshead, and Barbican Art Gallery,
London; and group shows at Tate Britain, London, and Centre Pompidou, Paris. His work is held in collections including
the Saatchi Collection and the Victoria and Albert Museum, London.
Exhibition: Brancolini Grimaldi, London, 23 March to 12 May 2012
Co-published with Brancolini Grimaldi, London
Dan Holdsworth
Blackout
Essay by Oliver Morton
Book design by Dan Holdsworth and Simon Earith
80 pages
11.3 x 13 in. / 28.6 x 33 cm
33 photographs
Four-colour process
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-454-0
134
135
Robert Graham
Early Work 1963–1973
Early Work 1963–1973 brings together rarely seen works by Robert Graham, providing an overview and reconsideration
of his initial engagement with Minimalism and figurative sculpture. Modelled after images on television or in popular
magazines such as Life, Graham’s early work comprises Plexiglas-encased environments populated by miniature wax
figurines engaged in leisurely or pleasurable activities. The ethereal surfaces of these enclosures evoke the highly
finished and meticulous objects associated with the “Finish Fetish” aesthetic, while their interior spaces suggest the geography of 1960s California as well as the modernist domestic interiors popularized by John Entenza’s Case Study
House Program.
Over the course of his career, Robert Graham developed an exceptionally focused artistic practice preoccupied with
scale and the human figure. Since the early 1970s his works have been exhibited widely at venues including the
Kunstverein, Hamburg, and the Whitney Museum of American Art, New York. Graham’s work is held in major museum
collections and he received numerous public commissions, including the 1984 Olympic Gateway in Los Angeles and
the Duke Ellington Memorial in Central Park, New York, in 1997. Born in Mexico City in 1938, Graham died in Santa
Monica, California, in 2008.
Exhibition: David Zwirner, New York, 7 November to 10 December 2011
Co-published with David Zwirner, New York
Robert Graham
Early Work 1963–1973
Texts by Hunter Drohojowska-Philp, Peggy Fogelman
and Anjelica Huston
Book design by David Chickey and Masumi Shibata
128 pages
8 x 10 in. / 20.3 x 25.4 cm
47 images
Four colour process
Clothbound hardcover with a tipped-in image
€ 48.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86930-985-9
136
137
Doug Wheeler
Trained as a painter, American artist Douglas Wheeler’s Minimalist constructions and installations are characterized by
their singular experimentation with the perception and experience of space, volume and light. Wheeler was a key figure
in the “Light and Space” movement that emerged in Southern California in the 1960s.
This book, along with Wheeler’s 2012 exhibition at David Zwirner, presents a continuation of the artist’s “Light
Encasement” series of innovative light paintings, begun in 1965. These works consist of large squares of plastic, with
neon lights embedded along the squares’ inside edges that blur the distinction between the artwork and its surrounding context. Generally hung on a wall in a pristine white room of precise proportions, these objects create an immersive
environment, absorbing the viewer in the subtle construction of pure space. Like Robert Irwin and James Turrell, Wheeler
explores the materiality of light and the viewer’s physical and emotional reactions to it.
Exhibition: David Zwirner, New York, January to February 2012
Doug Wheeler
Essay by Germano Celant
Book design by David Chickey
128 pages
10 x 11.5 in. / 25.4 x 29.2 cm
70 images
Four colour process
Clothbound hardcover with a tipped-in image
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-455-7
138
139
Fred Sandback
Known for sculptures that outline planes and volumes in space, American artist Fred Sandback’s work is informed by
a minimalist artistic vocabulary. Though Sandback employed metal wire and rod, and elastic cord in his earliest works,
he soon dispensed with mass by using acrylic yarn to create sculptures that produced perceptual illusions while
addressing their physical surroundings – the “pedestrian space”, as Sandback called it, of everyday life. Throughout his
career, yarn enabled the artist to explore the phenomenological experience of space and volume with unwavering
consistency and ingenuity.
The work of Fred Sandback (1943–2003) has been exhibited internationally since the late 1960s. His first solo
exhibitions were at Galerie Konrad Fischer, Düsseldorf, and Galerie Heiner Friedrich, Munich, both in 1968, while the
artist was still a graduate student pursuing his MFA at the Yale School of Art and Architecture. Sandback’s work is on
permanent display at Dia:Beacon, New York, was the subject of a travelling survey exhibition organized in 2005 by the
Kunstmuseum Liechtenstein, Vaduz, and is held in major museum collections in Europe and the United States.
Exhibition: David Zwirner, New York, Spring 2012
Fred Sandback
Essay by James Lawrence
128 pages
10 x 12 in. / 25.4 x 30.5 cm
64 images
Four colour process
Hardcover
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-456-4
140
141
3 R D EDITION NOW AVAILABLE
“The state of ruin is essentially a temporary situation that happens at some point, the volatile result of a change of era
and the fall of empires. Ruins are a fantastic land where one no longer knows whether reality slips into a dream or
whether, on the contrary, dream makes a brutal return into the most violent of realities.”
Over the past generation Detroit has suffered economically worse than any other of the major American cities and its
rampant urban decay is now glaringly apparent. Yves Marchand and Romain Meffre have documented this disintegration,
showcasing structures that were formerly a source of civic pride, and which now stand as monuments to the city’s fall
from grace. This is the third edition of this award-winning book.
Born in 1981 and 1987 in the Parisian suburbs, Yves Marchand and Romain Meffre began to photograph separately
in 2001. They began to work as a duo at the beginning of their project on the ruins of Detroit in 2005.
Texts by Robert Polidori and Thomas J. Sugrue
Book design by Yves Marchand, Romain Meffre, Sarah Winter,
Jonas Wettre and Gerhard Steidl
230 pages
15 x 11.4 in. / 38 x 29 cm
186 photographs
Four-colour process
€ 88.00 / £ 78.00 / US$ 125.00
ISBN 978-3-86930-042-9
142
143
Britt Salvesen (ed.)
New Topographics
This book is dedicated to the exhibition “New Topographics: Photographs of a Man-Altered Landscape”, held in 1975
at the International Museum of Photography, and demonstrates both the historical significance of the show and its
continued relevance in today’s culture.
The exhibition brought together Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas
Nixon, John Schott, Stephen Shore and Henry Wessel. Signalling the emergence of a new approach to landscape, the
exhibition effectively gave a name to a movement. Even today, the catchphrase “New Topographics” is used to
characterize the work of artists not yet born when the exhibition was held. New Topographics has since come to mark
a paradigm shift. The show occurred just as photography took its place within the contemporary art world. Arguably the
last traditionally photographic style, New Topographics was also the first photo-conceptual style. Illustrated with selected
works from the 1975 exhibition, installation views and contextual comparisons, this new edition also includes an
illustrated checklist of the show and an extensive bibliography.
Stephen Shore
Bernd and Hilla Becher
Britt Salvesen (ed.)
New Topographics
With essays by Britt Salvesen and Alison Nordström
Book design by Michael Mack and Joby Ellis
256 pages
11.8 x 15.7 in. / 30 x 40 cm
192 photographs
Four-colour process
Hardcover
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86521-827-8
Lewis Baltz
144
145
Diane Dufour and Jean-Yves Jouannais (eds.)
Topographies of War
Is it possible to represent war other than by images of combat, corpses and rubble? Topographies of War features
photographic and video works that ignore confrontation, injury and death, and instead document war in a disembodied
way through its sites, territories and constructed spaces. This book contains topographical essays that explore war
through its geography, without denying the human cost of fighting. In terms of military strategy, such iconographic
choices coincide with the increased use of simulation techniques and the spread of long-range weaponry, as well as
with the military’s media censorship and the virtual impossibility for photographers and video-makers to operate freely
on the ground.
Has the territory of war become an abstract concept, an ideological construction, a given that cannot be represented?
Topographies of War tackles this question through the work of Jananne Al-Ani, Luc Delahaye, Harun Farocki, An-My Lê,
Paola De Pietri, Walid Raad, Jo Ractliffe, Till Roeskens, Eyal Weizman and Donovan Wylie.
Diane Dufour and Jean-Yves Jouannais (eds.)
Topographies of War
Text by Jean-Yves Jouannais
96 pages
11.4 x 8.3 in. / 29 x 21 cm
110 photographs
Four colour process
Hardcover
€ 25.00 / £ 18.00 / US$ 38.00
ISBN 978-3-86930-421-2
146
147
Inka Schube and Thomas Weski (eds.)
Photography Calling!
Photography Calling! presents the work of some of documentary photography’s most accomplished practitioners,
including acknowledged masters of the medium William Eggleston, Diane Arbus and Robert Adams; a younger generation of international leaders such as Jeff Wall, Andreas Gursky and Thomas Demand; and emerging photographers such
as Laura Bielau. Combining works from the Sprengel Museum Hannover and the collection of the Niedersächsische
Sparkassenstiftung, the exhibition and accompanying book show photography in all its power, beauty and ambition.
Photography Calling! also has a political motive: to increase the prominence of photography in German museum
collections in which it is currently underrepresented. In Thomas Weski’s words, Photography Calling! risks “a precarious balancing act between, on the one hand, surprising the art world and initiating a serious discourse and, on the
other, popularizing high-level contemporary artistic photography and making it accessible to a wider audience”.
Rineke Dijkstra
Stephen Gill
Inka Schube and Thomas Weski (eds.)
Photography Calling!
Texts by Inka Schube and Thomas Weski
Book design by Müller & Wesse, Berlin
460 pages
9.3 x 11.8 in. / 23.5 x 30 cm
450 photographs
Four colour process
Hardcover
€ 45.00 / £ 38.00 / US$ 60.00
ISBN 978-3-86930-379-6
Jitka Hanzlová
148
Hans-Peter Feldmann
149
Chris Killip
Arbeit / Work
This book showcases Chris Killip’s photography from 1969 to 2005, and is a retrospective of a photographer who has
influenced an entire generation of younger documentary photographers. Arbeit / Work presents several of Killip’s longterm projects, primarily in North England, which explore the working and living conditions of people through portraits
as well as images of landscapes and architecture. This comprehensive publication includes Killip’s early portraits for the
first time in book form, as well as images made in Ireland and on the Isle of Man.
Man and Child at Sunday Market, Newcastle, 1975
Helen and her Hula-Hoop, Lynemouth, Nortumberland, 1984
Chris Killip was born on the Isle of Man in 1946 and since 1991 has taught as Professor of Visual and Environmental
Studies at Harvard University. His work is held in institutions including the Museum of Modern Art in New York, George
Eastman House in Rochester, and the National Gallery of Australia in Canberra. Steidl has published Killip’s Pirelli
Work (2006) and Seacoal (2011).
Exhibition: Museum Folkwang, Essen, 4 February to 15 April 2012
Co-published with Museum Folkwang, Essen
Housing and Shipyard, Wallsend, Tyneside, 1975
Terraced Housing, Wallsend, Tyneside, 1975
Supermarket Display of Baked Beans, North Shields, 1981
Mills, Huddersfield, 1974
Chris Killip
Arbeit / Work
Texts by David Campany and Ute Eskildsen
Book design by Tim Loffing
136 pages
11.2 x 10.4 in. / 28.5 x 26.5 cm
84 photographs
Tritone
€ 48.00 / £ 38.00 / US$ 68.00
ISBN 978-3-86930-457-1
Terrace House and Coal Mine, Castleford, 1976
150
Thrashing at Grenaby, 1973
151
Martin Barnes (ed.)
Curtis Moffat: Silver Society
Experimental Photography and Design, 1923–1935
Curtis Moffat created dynamic abstract photographs, innovative colour still-lifes and some of the most glamorous society
portraits of the early twentieth century. He was also a pivotal figure in Modernist interior design. This is the first book
on his work.
Moffat was born in New York in 1887 and died in 1949. He studied painting there and then in Paris, and in 1916
married the English actress and poet Iris Tree, daughter of the actor Sir Herbert Beerbohm Tree. While in Paris, Moffat
collaborated with Man Ray, producing portraits and abstract photograms. Moving to London in the mid-1920s, Moffat
opened an interior design company and avant-garde gallery in Fitzroy Square. The business sold Modernist furniture by
some of the best designers of the day, as well as African sculpture. It was here, throughout the 1920s and early 1930s,
in the era of the “Bright Young Things”, that Moffat produced stylish photographic portraits of leading figures in high
society, stage and theatre, and the arts, including Cecil Beaton, The Sitwells, Nancy Cunard, Lady Diana Cooper,
Tallulah Bankhead and Daphne Du Maurier. The enterprise closed in 1933, largely due to the Depression.
Moffat and his first wife divorced in 1932 and in 1936 he married Kathleen Allan. He returned to the US in 1939 and
turned his attention again to painting until his death ten years later. In 2003 and 2007 Penelope Smail, daughter of Curtis
and Kathleen Moffat, generously gave his extensive archive to the Victoria and Albert Museum. This book is drawn from
that archive and includes digital reconstructions of colour images from original tri-carbro process black and white
negatives. It reveals Moffat’s pioneering but hitherto little-known photography in all its depth and beauty.
Co-published with the Victoria and Albert Museum, London
Martin Barnes (ed.)
Curtis Moffat: Silver Society. Experimental Photography and Design,
1923-1935
Essays by Mark Haworth-Booth and James Stevenson
240 pages
9.1 x 12.6 in. / 23 x 32 cm
140 illustrations and photographs
Four colour process
€ 45.00 / £ 38.00 / US$ 60.00
ISBN 978-3-86930-461-8
152
153
BACKLIST
BACKLIST
Abbott, Berenice
Berenice Abbott
Two clothbound books housed in a
slipcase, 32 x 34 cm
Vol. 1: 264 pp, 118 tritone plates
Vol. 2: 316 pp, 151 tritone plates
€ 100.00 / £ 70.00 / US$ 145.00
978-3-86521-592-5
Adams, Robert
Gone?
Clothbound hardcover with
dust jacket
25.4 x 25.4 cm, 128 pp
118 tritone photographs
€ 49.50 / £ 44.00 / US$ 69.95
978-3-86521-917-6
Adams, Robert
Tree line
dust jacket
25.6 x 27.6 cm, 128 pp
Tritone
€ 35.00 / £ 30.00 / US$ 50.00
978-3-86521-956-5
Ai Weiwei
Interlacing
Otabind softcover with dust jacket
17 x 23.5 cm, 496 pp
Four colour process
€ 39.00 / £ 34.00 / US$ 58.00
978-3-86930-337-6
Bailey, David
Pictures that Mark Can Do
26 x 33 cm, 176 pp
164 colour plates
€ 45.00 / £ 30.00 / US$ 55.00
978-3-86521-367-9
Bailey, David
8 Minutes
26 x 33 cm, 264 pp
Four colour process
€ 44.00 / £ 40.00 / US$ 68.00
978-3-86521-864-3
Bailey, David
Flowers, Skulls, Contacts
Leatherbound hardcover with
a tipped-in photo
26 x 33 cm, 300 pp
€ 56.00 / £ 49.00 / US$ 75.00
978-3-86930-128-0
Bailey, David
Eye
26 x 33 cm, 188 pp
3 colour plates, 89 tritone plates
€ 48.00 / £ 44.00 / US$ 75.00
978-3-86521-708-0
Al Thani, Khalid
Here is My Secret
a tipped-in photo
29 x 24 cm, 160 pp
80 photographs, tritone
978-3-86521-922-0
Alÿs, Francis
Sign Painting Project
Hardcover
26.5 x 14 cm, 220 pp
300 photographs
€ 45.00 / £ 38.00 / US$ 64.00
978-3-86521-290-0
Babeth
Clothbound hardcover in a
slipcase
28.4 x 36.3 cm, 416 pp
200 colour plates
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-482-9
Bacon, Francis
Francis Bacon – New Studies.
Centenary Essays
19.5 x 25.5 cm, 272 pp
260 colour plates
€ 39.00 / £ 35.00 / US$ 58.00
978-3-86521-946-6
Baldessari, John
Miracle Chips
Softcover
20.3 x 24.7 cm, 80 pp
Four colour process
€ 28.00 / £ 24.00 / US$ 34.00
978-3-86521-677-9
Balet, Catherine
Strangers in the Light
dust jacket
29.5 x 29.5 cm, 144 pp
75 photographs, four colour process
€ 48.00 / £ 40.00 / US$ 58.00
978-3-86930-263-8
Baltz, Lewis
Works
Nine clothbound hardcovers housed
in a slipcase
27.9 x 26.8 cm
Quadrotone and four colour process
€ 700.00 / £ 600.00 / US$ 1000.00
978-3-86930-114-3
Baltz, Lewis
The Prototype Works
dust jacket
27.9 x 26.8 cm, 188 pp
€ 58.00 / £ 48.00 / US$ 72.00
978-3-86930-250-8
Bailey, David
Bailey’s Democracy
26 x 33 cm, 160 pp
47 tritone plates
€ 44.00 / £ 30.00 / US$ 55.00
978-3-86521-192-7
Bailey, David
Havana
Leatherbound hardcover
26 x 33 cm, 176 pp
Four colour process
€ 45.00 / £ 30.00 / US$ 55.00
978-3-86521-270-2
Bailey, David
Is That So Kid
Hardcover
26 x 33 cm , 72 pp
51 tritone plates
€ 40.00 / £ 35.00 / US$ 65.00
978-3-86521-632-8
Bailey, David
NY JS DB 62
Hardcover
26 x 33 cm, 72 pp
3 colour and 24 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-414-0
Baltz, Lewis
Candlestick Point
32.2 x 24.5 cm, 128 pp
50 photographs, 72 tritone and 12
colour plates
€ 58.00 / £ 48,.00 / US$ 72.00
978-3-86930-109-9
Banier, François-Marie
Perdre la tête
Hardcover
18 x 24.7 cm, 256 pp
160 tritone plates
€ 26.00 / £ 20.00 / US$ 35.00
978-3-86521-234-4
Beckett
Hardcover
14.5 x 18 cm, 88 pp
Four colour process
€ 18.00 / £ 15.00 / US$ 25.00
978-3-86521-983-1
I Missed You
Hardcover
18 x 24.5 cm, 328 pp
Tritone
€ 45.00 / £ 39.50 / US$ 60.00
978-3-86521-823-0
154
155
BACKLIST
BACKLIST
Grandes Chaleurs
24 x 30 cm, 144 pp
109 tritone plates
€ 45.00 / £ 35.00 / US$ 59.90
978-3-86521-822-3
Boite de dessins
Autocar Volume 1
36 x 26 cm, 96 pp
€ 75.00 / £ 65.00 / US$ 85.00
978-3-86930-066-5
Brioche Lait Pot Poire
Autocar Volume 2
30 x 40 cm, 48 pp
€ 46.00 / £ 76.00 / US$ 110.00
978-3-86930-067-2
To have fun at home
Autocar Volume 3
7.5 x 14 cm, 48 pp
€ 24.00 / £ 20.00 / US$ 32.00
978-3-86930-068-9
Barnett, Mariani (eds.)
Hiroshima Ground Zero 1945
Otabind softcover
25.4 x 30.9 cm, 248 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 68.00
978-3-86930-334-5
Barney, Tina
Players
30.5 x 22.9 cm, 96 pp
€ 35.00 / £ 30.00 / US$ 45.00
978-3-86521-995-4
Bartos, Adam
Boulevard
Hardcover
29.4 x 24.5 cm, 120 pp
59 colour plates
€ 48.00 / £ 35.00 / US$ 65.00
978-3-86521-159-0
Joseph Beuys, Klaus Staeck
Honey is flowing in all directions
Clothbound
21 x 29.6 cm, 104 pp
93 duotone plates
€ 24.50 / £ 17.50 / US$ 29.95
978-3-88243-538-2
On n’est jamais tranquile
Autocar Volume 4
33 x 19 cm, 64 pp
€ 58.00 / £ 48.00 / US$ 68.00
978-3-86930-073-3
I am Fascinated
Autocar Volume 5
Leporello fold with a cardboard cover
15.5 x 29.3 cm, 24 pp
€ 48.00 / £ 58.00 / US$ 58.00
978-3-86930-074-3
Etoiles
Autocar Volume 6
32 x 37.5 cm, 92 pp
Four colour process
€ 98.00 / £ 80.00 / US$ 125.00
978-3-86930-159-4
Poaime
Autocar Volume 7
35 x 29.5 cm, 80 pp
Four colour process
€ 98.00 / £ 80.00 / US$ 125.00
978-3-86930-160-0
Blaufuks, Daniel
Terezín
20.5 x 25.5 cm, 192 pp
126 photographs, four colour
process
€ 42.00 / £ 35.00 / US$ 50.00
978-3-86521-699-1
Bolofo, Koto
Venus Williams
Clothbound hardcover with dust
jacket, 29.7 x 34 cm, 100 pp
90 colour and b/w plates
€ 42.00 / £ 30.00 / US$ 60.00
978-3-86521-602-1
Bolofo, Koto
Vroom! Vroom!
Hardcover
29 x 37 cm, 96 pages
84 colour plates
€ 58.00 / £ 52.00 / US$ 75.00
978-3-86521-961-9
Bolofo, Koto
Große Komplikation / Grand
Complication
Three clothbound hardcovers housed
in a slipcase
29 x 37 cm, 274 pp
€ 98 / £ 80.00 / US$ 118.00
978-3-86930-055-9
Follow me
Autocar Volume 8
17.5 x 25 cm, 60 pp
Four colour process
€ 48.00 / £ 40.00 / US$ 58.00
978-3-86930-161-7
A 2 Doigts
Autocar Volume 9
25.5 x 32 cm, 32 pp
Four colour process
€ 48.00 / £ 40.00 / US$ 58.00
978-3-86930-162-4
Optimisme
Autocar Volume 10
10 x 14.5 cm, 196 pp
Four colour process
€ 38.00 / £ 30.00 / US$ 45.00
978-3-86930-163-1
Pense à moi
Autocar Volume 11
34 x 31.5 cm, 48 pp
Four colour process
€ 48.00 / £ 40.00 / US$ 58.00
978-3-86930-164-8
Bolofo, Koto
La Maison
11 hardcover books, bound in craft
paper with tipped-in photos, housed
in a slipcase
18 x 23.2 cm, 864 pp
€ 175.00 / £ 149.00 / US$ 238.00
978-3-86521-912-1
Bolofo, Koto
Horse Power
29 x 37 cm, 144 pp
process
€ 68.00 / £ 60.00 / US$ 98.00
978-3-86930-129-7
Bourdin, Guy
In Between
Hardcover
29.4 x 24.5 cm, 272 pp
process and tritone
€ 56.00 / £ 48.00 / US$ 78.00
978-3-86930-033-7
Manuel Alvarez Bravo, Henri CartierBresson, Walker Evans
Documentary and Anti-Graphic
Photographs
Hardcover, 20 x 24 cm
192 pages, 89 tritone plates
€ 30.00 / £ 20.00 / US$ 35.00
978-3-86521-072-2
156
157
BACKLIST
BACKLIST
Brohm, Joachim
Ohio
dust jacket, 29.5 x 25 cm
120 pp, 40 colour plates
€ 40.00 / £ 36.00 / US$ 59.95
978-3-86521-698-4
Brohm, Joachim
Areal
20.4 x 26.6 cm, 264 pp
206 colour plates
€ 35.00 / £ 22.50 / US$ 35.00
978-3-88243-878-9
Brohm, Joachim
Ruhr
29 x 32 cm, 160 pp
50 colour plates
€ 50.00 / £ 35.00 / US$ 65.00
978-3-86521-389-1
Brynner, Victoria (ed.)
YUL
Yul Brynner: A Photographic Journey
Four softcover books in a slipcase
21.6 x 28.2 cm, 800 pp
€ 98.00 / £ 88.00 / US$ 150.00
978-3-86930-131-0
Carter, William
Causes and Spirits
jacket, 24 x 28 cm
289 pp, tritone
€ 50.00 / £ 52.00 / US$ 78.00
978-3-86930-123-5
Christenberry, William
Working from Memory
jacket, 23 x 25 cm
€ 35.00 / £ 22.50 / US$ 45.00
978-3-86521-593-2
Clarke, Brian
WORK
Seven clothbound hardcover books
housed in a slipcase
25.4 x 36.5 cm
€ 180.00 / £ 150.00 / US$ 249.90
978-3-86521-633-5
Chuck Close
Scribble Book: Self Portrait
Two accordion-fold books and a saddle-stiched booklet in a clamshell box
25.4 x 36.5 cm. Books: 2 x 9 pp,
booklet: 8 pp, 9-colour printing
€ 75.00 / £ 64.00 / US$ 99.90
978-3-86521-492-8
Burtynsky, Edward
China
38.1 x 30.5 cm, 180 pp
80 colour plates
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-130-9
Burtynsky, Edward
Oil
37.5 x 29.5 cm, 140 pp
100 colour plates
€ 98.00 / £ 85.00 / US$ 128.00
978-3-86521-943-5
Burtynsky, Edward
Quarries
38.1 x 30.4 cm, 176 pp
80 colour plates
€ 68.00 / £ 60.00 / US$ 88.00
978-3-86521-456-0
Callahan, Harry
Eleanor
Hardcover
26 x 31 cm, 160 pp
121 tritone and 3 colour plates
€ 50.00 / £ 34.00 / US$ 65.00
978-3-88243-464-5
Cohen, John
Past Present Peru
Two clothbound hardcover books,
3 music CDs with a text booklet and
5 film DVDs, housed in a slipcase
27.5 x 28 cm, 284 pp
€ 125.00 / £ 110.00 / US$ 175.00
978-3-86930-103-7
Cole, Ernest
The Photographer
Hardcover
27 x 29 cm, 256 pp
€ 45.00 / £ 38.00 / US$ 56.00
978-3-86930-137-2
Collins, Michael
Record Pictures: Photographs from
the Archive
30 x 25.5 cm, 218 pp
60 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-031-9
Colom, Joan
RAVAL
Hardcover
20 x 24 cm,156 pp
85 duotone plates
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-324-2
Callahan, Harry
Nature
Hardcover
19.5 x 22.5 cm, 32 pp
13 tritone plates
€ 20.00 / £ 13.00 / US$ 25.00
978-3-88243-437-9
Callahan, Harry
Seven Collages
28 x 32.4 cm, 32 pp
7 tritone plates
€ 40.00 / £ 34.00 / US$ 50.00
978-3-86930-140-2
Calle, Sophie
True Stories
The Hasselblad Award in
Photography 2010
25.6 x 27.6 cm, pp 128
€ 45.00 / £ 40.00 / US$ 65.00
978-3-86930-156-3
Carroll, Mary Ellen
Mary Ellen Carroll
Softcover housed in a slipcase
17.5 x 24.5 cm, 360 pp
400 colour and b/w illustrations
€ 35.00 / £ 28.00 / US$ 50.00
978-3-86521-618-2
Cowin, Daniel
Modernist Photography: The Daniel
Cowin Collection at ICP
Hardcover
22.3 x 25.4 cm, 112 pp
70 colour plates
€ 40.00 / £ 32.00 / US$ 60.00
978-3-86521-158-3
D'Agati, Mauro
Alamar
29.5 x 25 cm, 156 pp
87 colour plates
€ 45.00 / £ 35.00 / US$ 59.95
978-3-86521-954-1
D'Agati, Mauro
Napule Shot
Hardcover
29.5 x 20.2 cm, 408 pp
286 colour plates
€ 56.00 / £ 48.00 / US$ 80.00
978-3-86521-955-8
D'Agati, Mauro
Palermo Unsung
Hardcover
22 x 30 cm, 104 pp
55 tritone plates
€ 45.00 / £ 39.50 / US$ 60.00
978-3-86521-918-3
158
159
BACKLIST
BACKLIST
Davidson, Bruce
England / Scotland, 1960
23.5 x 27 cm, 192 pp
120 tritone plates
€ 32.00 / £ 22.00 / US$ 40.00
978-3-86521-127-9
Davidson, Bruce
Subway
29.5 x 29 cm, 140 pp
€ 58.00 / £ 52.00 / Distributed in the
USA by Aperture
978-3-86930-294-2
Davidson, Bruce
Outside Inside
Three clothbound hardcover books
23 x 30 cm, 944 pp
Tritone
€ 185.00 / £ 158.00 / US$ 195.00
978-3-86521-908-4
Dean, Tacita
Darmstädter Werkblock
Softcover, signed and numbered by
the artist
6 x 15.3 cm, 80 pp
80 colour plates
€ 85.00 / £ 70.00 / US$ 100.00
978-3-86521-703-5
Dewitz, Bodo von (ed.)
La Bohème
25 x 28 cm, 320 pp
€ 54.00 / £ 52.00 / US$ 75.00
978-3-86930-139-6
Dine, Jim
Birds
29.5 x 31.5 cm, 88 pp
36 tritone plates
€ 49.00 / £ 35.00 / US$ 50.00
978-3-88243-240-4
Dine, Jim
Entrada Drive
29.5 x 31.5 cm, 48 pp
44 tritone plates
€ 50.00 / £ 35.00 / US$ 70.00
978-3-86521-080-7
Dine, Jim
The Photographs,
So Far (vols. 1-4)
Four books housed in
a slipcase, 21.3 x 28.5 cm
1046 pp, 548 plates
€ 150.00 / £ 100.00 / US$ 150.00
978-3-88243-905-2
Dean, Tacita
Seven Books Grey
Seven softcover books in a slipcase
19.2 x 26 cm, 488 pp
Four colour process
€ 78.00 / £ 65.00 / US$ 98.00
978-3-86930-299-7
De Keyser, Raoul
Terminus Drawings and Recent
Paintings
Hardcover
23.6 x 29.8 cm, 144 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 75.00
978-3-86930-054-2
Delehaye, Luc
2006 – 2010
Otabind softcover
21 x 26 cm, 80 pp
13 photographs, 8 details
Four colour process
€ 24.00 / £ 20.00 / US$ 30.00
978-3-86930-228-7
Demarchelier, Patrick
Patrick Demarchelier
jacket, 27 x 31 cm
408 pp, 410 colour and b/w plates
€ 68.00 / £ 48.50 / US$ 99.00
978-3-86521-736-3
Dine, Jim
Jim Dine
Softcover
14.8 x 21 cm, 64 pp
Four colour process
€ 14.00 / £ 11.00 / US$ 19.95
978-3-86930-038-2
Dine, Jim
Hot Dream (52 books)
52 hardcover books housed in a
cardboard box, 17 x 23.5 cm
b/w, tritone and four colour process
€ 380.00 / £ 327.00 / US$ 480.00
978-3-86521-693-9
Dine, Jim
This Goofy Life of Constant
Mourning
Clothbound flexible hardcover
21.5 x 25 cm, 296 pp
181 colour plates
€ 70.00 / £ 48.00 / US$ 80.00
978-3-88243-967-0
Dine, Jim
Night Fields, Day Fields – Sculpture
Softcover
23 x 28 cm, 144 pp
€ 35.00 / £ 29.00 / US$ 42.00
978-3-86930-204-1
Depardon, Raymond
Hear Them Speak
Hardcover
15.9 x 21 cm, 168 pp
94 colour plates
€ 32.00 / £ 25.00 / US$ 45.00
978-3-86521-837-7
Depardon, Raymond
Villes / Cities / Städte
Hardcover
30 x 42 cm, 130 pp
Four colour process
€ 38.00 / £ 25.00 / US$ 45.00
978-3-86521-292-4
Depardon, Raymond
Manhattan Out
29.5 x 20.5 cm, 120 pp
97 tritone plates
€ 30.00 / £ 25.00 / US$ 49.50
978-3-86521-704-2
Derges, Susan
Elemental
Hardcover
25 x 35 cm, pp 240
€ 54.00 / £ 48.00 / US$ 75.00
978-3-86930-150-1
Dine, Jim
This Is How I Remember Now
Hardcover
21 x 24.5 cm, 350 pp
Four colour process
€ 48.00 / £ 33.00 / US$ 70.00
978-3-86521-603-8
Dine, Jim
L’Odyssée de Jim Dine
29.7 x 31.3 cm, 192 pp
Four colour process
€ 60.00 / £ 40.00 / US$ 75.00
978-3-86521-370-9
Diserens, Corinne (ed.)
Contemporary African Photography
from the Walther Collection
Appropriated Landscapes
Hardcover, 24 x 32 cm, 448 pp
Four colour process
€ 78.00 / £ 72.00 / US$ 98.00
978-3-86930-387-1
Disfarmer, Mike
Original Disfarmer Photographs
Hardcover
20 x 25 cm, 240 pp
209 colour and 4 b/w plates
€ 35.00 / £ 25.00 / US$ 45.00
978-3-86521-189-7
160
161
BACKLIST
BACKLIST
Doisneau, Robert
From Craft to Art
Hardcover
17 cm x 24 cm, 160 pp
Tritone
€ 38.00 / £ 34.00 / US$ 55.00
978-3-86930-025-2
Dom Pérignon
I am Drinking Stars! History of a
Champagne
dust jacket
14 x 20.5 cm, 140 pp
€ 28.00 / £ 24.00 / US$ 34.00
978-3-86521-750-9
d'Orgeval, Martin
Pâques
Softcover
18.5 x 23.5 cm, 120 pp
66 tritone plates
€ 20.00 / £ 14.50 / US$ 28.00
978-3-86521-262-7
D’Orgeval, Martin
The Soul
42 x 34.3 cm, 80 pp
Four colour process
€ 65.00 / £ 57.00 / US$ 88.00
978-3 -86930-072-6
Enwezor, Okwui (ed.)
Archive Fever: Uses of the Document
in Contemporary Photography
Softcover
22.8 x 27.9 cm, 224 pp
185 plates
€ 30.00 / £ 22.50 / US$ 45.00
978-3-86521-622-9
Snap Judgments: New Positions in
Contemporary African Photography
24 x 32 cm, 300 pp
250 colour plates
€ 55.00 / £ 40.00 / US$ 65.00
978-3-86521-224-5
Events of the Self:
Contemporary African Photographs
from The Walther Collection
24 x 32 cm, 352 pp
€ 65.00 / £ 58.00 / US$ 88.00
978-3-86930-157-0
Epstein, Mitch
Berlin
Clothbound hardcover in a slipcase
24.5 x 29.5 cm, 72 pp
Four colour process
€ 45.00 / £ 36.00 / US$ 55.00
978-3-86930-224-9
Earhart, Amelia
Image and Icon
Hardcover
22.8 x 28 cm, 160 pp
120 tritone plates
€ 25.00 / £ 17.50 / US$ 28.00
978-3-86521-407-2
Edström, Anders
waiting some birds a bus a woman /
spidernets places a crew
26.8 x 21 cm, 128 pp
80 colour plates
€ 45.00 / £ 30.00 / US$ 55.00
978-3-86521-032-6
Eggleston, William
Paris
22 x 28 cm, 184 pp
70 colour photographs and
50 drawings
€ 39.00 / £ 35.00 / US$ 50.00
978-3-86521-915-2
Eggleston, William
Before Color
Hardcover
22.5 x 25.5 cm, 200 pp
Quadrotone
€ 48.00 / £ 40.00 / US$ 65.00
978-3-86930-122-8
Epstein, Mitch
Recreation: American Photographs
1973–1988
28 x 42 cm, 144 pp
66 colour plates
€ 60.00 / £ 40.00 / US$ 75.00
978-3-86521-084-5
Epstein, Mitch
Work
Hardcover
22.9 x 26.6 cm, 276 pp
226 duotone and 138 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-281-8
Epstein, Mitch
American Power
dust jacket, 29.5 x 26.5 cm
€ 58.00 / £ 48.00 / US$ 72.00
978-3-86521-924-4
Eskildsen, Ute
Photography Collection Museum
Folkwang
Hardcover
22.5 x 28 cm, 312 pp
€ 34.00 / £ 30.00 / US$ 45.00
978-3-86930-071-9
Elkoury, Fouad
Be ... Longing
Hardcover
18 x 24 cm, 160 pp
Four colour process and tritone
€ 28.00 / £ 25.00 / US$ 45.00
978-3-86930-345-1
Eneroth, Joakim
Swedish Red
17 x 25.6 cm, 48 pp
32 colour plates
€ 38.00 / £ 30.00 / US$ 45.00
978-3-86521-613-7
Engström, JH
CDG / JHE
Hardcover
29.7 x 23 cm, 112 pp
66 colour plates
€ 38.00 / £ 28.00 / US$ 48.00
978-3-86521-538-3
Engström, JH
Haunts
jacket, 24.2 x 30.5 cm, 216 pp
127 colour and duotone plates
€ 50.00 / £ 35.00 / US$ 65.00
978-3-86521-297-9
Eskildsen, Joakim / Rinne, Cia
The Roma Journeys
Hardcover with a CD of field
recordings and music recorded on
the journeys, 23.3 x 26.6 cm
€ 60.00 / £ 52.00 / US$ 78.00
978-3-86521-371-6
Evans, Walker
Lyric Documentary
23.7 x 24.4 cm, 260 pp
200 tritone plates
€ 48.00 / £ 32.00 / US$ 60.00
978-3-86521-022-7
Fäldt, Tobias
Year One
dust jacket
18.5 x 25 cm, 128 pp
120 colour plates
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86521-537-6
Flick, Robbert
Trajectories
29.6 x 30 cm, 304 pp
225 colour plates
€ 70.00 / £ 45.00 / US$ 85.00
978-3-86521-018-0
162
163
BACKLIST
BACKLIST
Foster, Heiting, Stuhlman
Imagining Paradise
Hardcover
30.4 x 35.5 cm, 264 pp
Four colour process
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-462-1
Forsslund, Maja
AKT
29.5 x 23.6 cm, 80 pp
40 tritone plates
€ 48.00 / £ 42.00 / US$ 65.00
978-3-86521-410-2
Franck, Martine
Women / Femmes
a tipped-in photo
20.5 x 22.5, 152 pp
€ 35.00 / £ 31.00 / US$ 50.00
978-3-86930-149-5
Frank, Robert
The Americans
dust jacket
20.9 x 18.4 cm
180 pp, 83 tritone plates
€ 30.00 / £ 20.00 / US$ 39.95
978-3-86521-584-0
Frank, Robert
The Complete Film Works
Vol. 2: OK End Here, Conversations,
Liferaft Earth
Three DVDs in a film-roll box
€ 78.00 / £ 75.00 / US$ 140.00
978-3-86521-525-3
Frank, Robert
Vol. 3: Keep Busy, About me: A
Musical, S-8 Stones
€ 78.00 / £ 75.00 / US$ 140.00
978-3-86521-591-8
Frank, Robert
London/Wales
Hardcover
20 x 24.5 cm, 128 pp
70 tritone plates
€ 47.50 / £ 30.00 / US$ 74.50
978-3-86521-362-4
Frank, Robert
Me and My Brother
Softcover with DVD
25 x 32.5 cm, 56 pp
100 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-363-1
Frank, Robert
Looking In: Robert Frank’s The
Americans – Expanded Edition
Hardcover, 24 x 29.2 cm, 528 pp
108 colour, 168 tritone, 210 duotone
plates
€ 69.00 / £ 49.90 / US$ 85.00
978-3-86521-806-3
Frank, Robert
Henry Frank, Father Photographer
14 x 16.5 cm, 88 pp
Tritone
€ 24.00 / £ 20.00 / US$ 28.00
978-3-86521-814-8
Frank, Robert
Portfolio
Brochure in printed envelope
20.5 x 27.3 cm, 48 pp
40 tritone plates
€ 18.00 / £ 12.00 / US$ 20.00
978-3-86521-813-1
Frank, Robert
Tal Uf Tal Ab
Otabind softcover housed in
a slipcase
20.5 x 25 cm, 40 pp
Tritone
€ 25.00 / £ 22.00 / US$ 28.00
978-3-86930-101-3
Frank, Robert
New York to Nova Scotia
Hardcover
22.7 x 30.4 cm, 112 pp
€ 25.00 / £ 17.50 / US$ 30.00
978-3-86521-013-5
Frank, Robert
Zero Mostel reads a book
Hardcover
14.4 x 21.5 cm, 40 pp
36 tritone plates
€ 17.50 / £ 14.00 / US$ 27.50
978-3-86521-586-4
Frank, Robert
Frank Films – The Film and Video
Work of Robert Frank
Softcover
17 x 24 cm, 304 pp
B/w photographs throughout
€ 32.00 / £ 27.00 / US$ 45.00
978-3-86521-815-5
Frank, Robert
Paris
18.5 x 22 cm
€ 30.00 / £ 25.00 / US$ 45.00
978-3-86521-524-6
Frank, Robert
Black White and Things
Softcover
20 x 20.7 cm, 80 pp
37 tritone plates
€ 22.00 / £ 18.00 / US$ 29.95
978-3-86521-808-7
Frank, Robert
One Hour
10.5 x 15 cm, 96 pp
14 tritone plates
€ 18.00 / £ 12.50 / US$ 20.00
978-3-86521-364-8
Frank, Robert
Come Again
Sewn softcover
21.5 x 28 cm, 48 pp
Colour matt inks with polaroid varnish
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-261-0
Frank, Robert
Vol. 1: Pull My Daisy, The Sin of
Jesus, Me and My Brother
€ 78.00 / £ 75.00 / US$ 140.00
978-3-86521-365-5
Frank, Robert
Pull My Daisy
Hardcover
13.7 x 20.2 cm, 64 pp
53 tritone plates
€ 17.50 / £ 14.00 / US$ 27.50
978-3-86521-673-1
Frank, Robert
Seven Stories
Seven stapled softback albums
14 x 10 cm, 124 pp
93 colour plates, four colour process
€ 25.00 / £ 20.00 / US$ 35.00
978-3-86521-789-9
Frank, Robert
Pangnirtung
23 x 30.5 cm, 40 pp
27 photographs, quadrotone
€ 25.00 / £ 22.00 / US$ 32.00
978-3-86930-198-3
Frank, Robert
Storylines
Softcover
24.5 x 28 cm, 240 pp
225 duotone and 25 colour photos
€ 35.00 / £ 25.00 / US$ 40.00
978-3-86521-041-8
164
165
BACKLIST
BACKLIST
Frydman, Julien and Pontbriand,
Chantal (eds.)
Mutations (Paris Photo 2011)
Hardcover
21 x 29.7 cm, 200 pp
Four colour process
€ 28.00 / £ 22.00 / US$ 35.00
978-3-86930-356-7
Garb, Tamar (ed.)
Figures and Fiction
Contemporary South African
Photographs
Hardcover
24 x 32 cm, 256 pp, 280 images
€ 48.00 / £ 40.00 / US$ 58.00
978-3-86930-266-9
Garner, Philippe / Mellor, David Alan
Antonioni’s Blow-Up
Hardcover
24.5 x 28.6 cm, 144 pp
€ 38.00 / £ 32.00 / US$ 49.00
978-3-86930-023-8
Gearon, Tierney
Daddy, where are you?
32.5 x 26.8 cm
€ 75.00 / £ 50.00 / US$ 80.00
978-3-86521-309-9
Grass, Günter
Günter Grass Catalogue Raisonné 2
- The Lithographs
24 x 31 cm, 742 pp
356 illustrations
€ 98.00 / £ 70.00 / US$ 125.00
978-3-86521-566-6
Gray, Colin
In Sickness and in Health
16 x 20 cm, 96 pp
€ 28.00 / £ 22.00 / US$ 39.00
978-3-86521-940-4
Haas, Ernst
Color Correction
Ewing, William A. (ed.)
25 x 25 cm, 200 pp
163 photographs
€ 48.00 / £ 43.00 / US$ 65.00
978-3-86930-136-5
Gundlach, F.C.
The Photographic Work
24 x 30 cm, 304 pp
process
€ 65.00 / £ 48.00 / US$ 88.00
978-3-86521-594-9
Goldberg, Jim
Open See
Four volumes in a printed sleeve
16.5 x 26.1 cm, 200 pp
Tritone and four colour process
€ 40.00 / £ 36.00 / US$ 50.00
978-3-86521-826-1
Gonzalez-Torres, Felix
Felix Gonzalez-Torres
21.2 x 27.3 cm, 320 pp
Four colour process
€ 70.00 / £ 48.00 / US$ 85.00
978-3-86521-196-5
Gossage, John
The Thirty-Two Inch Ruler / Map of
Babylon
Clothbound with dust jacket
23.5 x 28.6 cm, 80 pp
180 colour plates
€ 45.00 / £ 40.00 / US$ 68.00
978-3-86521-710-3
Gowin, Emmet
Photographs
24 x 26 cm, 102 pp
Tritone
€ 40.00 / £ 32.00 / US$ 60.00
978-3-86521-863-6
Hajek-Halke, Heinz
Artist, Anarchist
26 x 33 cm, 224 pp
108 tritone plates
€ 65.00 / £ 45.00 / US$ 80.00
978-3-86521-134-7
Hara, Cristóbal
Autobiography
Hardcover
18 x 24 cm, 96 pp
69 colour plates
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-472-0
Hara, Cristóbal
An Imaginary Spaniard
18 x 24 cm, 96 pp
63 colour plates
€ 25.00 / £ 17.50 / US$ 30.00
978-3-88243-901-4
Evelyn Hofer
Breidenbach, Susanne (ed.)
24 x 29 cm, 312 pp
€ 65.00 / £ 42.00 / US$ 80.00
978-3-86521-057-9
Graham, Paul
Paul Graham
Hardcover
22.5 x 28 cm, 376 pp
250 colour plates
€ 48.00 / £ 42.00 / US$ 64.00
978-3-86521-858-2
Graham, Paul
a shimmer of possibility
Softcover
24.2 x 31.8 cm, 376 pp
176 colour plates
€ 48.00 / £ 42.00 / US$ 64.00
978-3-86521-862-9
Grant, Alexandra / Reeves, Keanu
Ode to Happiness
Singer stitched brochure, printed in
quadrotone on Somerset book paper,
housed in a clothbound slipcase
20 x 32.5 cm, 40 pp
€ 38.00 / £ 32.00 / US$ 55.00
978-86930-209-6
Grass, Günter
Günter Grass Catalogue Raisonné 1
- The Etchings
24 x 31 cm, 608 pp
303 illustrations
€ 98.00 / £ 70.00 / US$ 125.00
978-3-86521-565-9
Hoogland Ivanow, Martina
Far Too Close
29.7 x 25 cm, 80 pp
€ 34.00 / £ 29.00 / US$ 46.00
978-3-86521-735-6
Horn, Roni
Another Water
Otabind softcover
19.7 x 30 cm, 112 pp
Four colour process
€ 38.00 / £ 35.00 / US$ 58.00
978-3-86930-318-5
Horn, Roni
Haraldsdóttir, part two
foil embossing, 20.8 x 26 cm, 144 pp
€ 88.00 / £ 75.00 / US$ 98.00
978-3-86930-317-8
Horn, Roni
Haraldsdóttir, part two
Special edition in slipcase
Clothbound hardcover with foil
embossing, 20.8 x 26 cm, 144 pp
€ 380.00 / £ 330.00 / US$ 540.00
978-3-86930-429-8
166
167
BACKLIST
BACKLIST
Horn, Roni
If on a Winter’s Night...
Softcover
17.2 x 22.9 cm, 128 pp
62 colour plates
€ 20.00 / £ 14.50 / US$ 20.00
978-3-88243-911-3
Horn, Roni
Doubt Box (Book IX of To Place)
Boxed set, 20.3 x 25.4 cm
28 two-faced cards
56 colour plates
€ 85.00 / £ 55.00 / US$ 100.00
978-3-86521-276-4
Horn, Roni
Cabinet of
Hardcover
30.5 x 35.6 cm
€ 65.00 / £ 40.00 / US$ 65.00
978-3-88243-864-2
Horn, Roni
Her, Her, Her, & Her
Softcover
24 x 24 cm
128 pp, 120 duotone plates
€ 35.00 / £ 24.00 / US$ 45.00
978-3-86521-035-7
Horn, Roni
Roni Horn aka Roni Horn
Two volumes housed in
a paper slipcase
19 x 24 cm, 430 pp
375 colour plates
€ 50.00 / £ 42.00 / US$ 70.00
978-3-86521-831-5
Iturbide, Graciela
asor
21 cm x 21 cm, 200 pp
115 tritone plates
€ 45.00 / £ 39.00 / US$ 49.90
978-3-86521-681-6
Iturbide, Graciela
The Hasselblad Award 2008
25 x 27 cm, 144 pp
Tritone
€ 35.00 / £ 25.00 / US$ 45.00
978-3-86521-733-2
Jacob, John P. (ed.)
Kodak Girl
Hardcover
21.7 x 26 cm, 336 pp
Four colour process
€ 58.00 / £ 48.00 / US$ 78.00
978-3-86930-324-6
Horn, Roni
Index Cixous
Softcover
14 x 20.5 cm, 116 pp
€ 22.50 / £ 15.00 / US$ 30.00
978-3-86521-135-4
Horn, Roni
Rings of Lispector (Agua Viva)
Two softcover books in a slipcase
28.6 x 22.4 cm, 144 pp
47 colour plates
€ 28.00 / £ 20.00 / US$ 35.00
978-3-86521-149-1
Horn, Roni
This is Me, This is You
Hardcover
18.5 x 23 cm, 192 pp
96 colour plates
€ 28.00 / £ 18.00 / US$ 25.00
978-3-88243-798-0
Horn, Roni
A Kind of you
Softcover
20.9 x 22.8 cm, 96 pp
Colour and b/w plates
€ 20.00 / £ 15.00 / US$ 30.00
978-3-86521-583-3
Jasper, Texas
The Community Photographs of
Alonzo Jordan
Hardcover
29.5 x 23 cm, 160 pp
€ 48.00 / £ 42.00 / US$ 65.00
978-3-86930-151-8
Jeppesen, Adam
Wake
Hardcover
16 x 20.3 cm, 48 pp
27 colour plates
€ 32.00 / £ 22.00 / US$ 48.00
978-3-86521-645-8
Johansson, Gerry
Deutschland
a tipped-in image
17 x 24 cm, 448 pp
222 tritone plates
€ 48.00 / £ 42.00 / US$ 65.00
978-3-86521-534-5
Johns, Jasper
Catenary
dust jacket
25 x 30 cm, 128 pp
51 colour plates, 30 illustrations
€ 48.00 / £ 35.00 / US$ 58.00
978-3-86521-162-0
Horn, Roni
bird
28.4 x 30.5 cm, 36 pp
20 colour plates
€ 35.00 / £ 25.00 / US$ 50.00
978-3-86521669-4
Horn, Roni
Her∂ubrei∂ at Home
Softcover
15.2 x 21.6 cm, 128 pp
60 colour plates
€ 20.00 / £ 13.00 / US$ 25.00
978-3-86521-457-7
Horn, Roni
VATNASAFN / LIBRARY OF WATER
23 x 17 cm
€ 35.00 / £ 30.00 / US$ 45.00
978-3-86521-942-8
Horn, Roni
AKA
28.4 x 30.5 cm, 36 pp
€ 35.00 / £ 25.00 / US$ 50.00
978-3-86930-133-4
Judd, Donald
Donald Judd
Hardcover
25.4 x 29.2 cm, 128 pp
Six colour process
€ 48.00 / £ 38.00 / US$ 65.00
978-3-86930-390-1
Karel, Betsy
Bombay Jadoo
24 x 22.5 cm, 91 pp
53 tritone plates
€ 32.00 / £ 22.00 / US$ 30.00
978-3-86521-376-1
Kirkland, Douglas / Lagerfeld, Karl
Mademoiselle – Coco Chanel /
Summer 62
26 x 21.5 cm, 104 pp
Tritone
€ 35.00 / £ 30.00 / US$ 45.00
978-3-86521-865-0
Kasher, Steven / Michaelson, Mark
Least Wanted: A Century of
American Mugshots
Hardcover
22 x 28 cm, 288 pp
330 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-291-7
168
169
BACKLIST
BACKLIST
Keita, Seydou
Photographs, Bamako, Mali,
1948–1963
a tipped-in photo, 27.5 x 35.5 cm
€ 98.00 / £ 86.00 / US$ 148.00
978-3-86930-301-7
Killip, Chris
Pirelli Work
35 x 28 cm, 128 pp
50 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-317-0
Killip, Chris
Seacoal
dust jacket
27 x 23 cm, 112 pp
116 tritone plates
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-256-0
Koudelka, Joseph
Roma
dust jacket
32 x 24 cm, 224 pp
109 quadrotone plates
€ 48.00
978-3-86930-388-8
Lagerfeld, Karl
Work in Progress
Softcover
20 x 25 cm, 192 pp
120 colour photographs
€ 20.00 / £ 17.00 / US$ 25.00
978-3-86930-261-4
Lassnig, Maria
The Pen is the Sister of the Brush Diaries 1943-1997
jacket, 17.8 x 23.4 cm
208 pp, 80 b/w plates
€ 30.00 / £ 27.00 / US$ 44.00
978-3-86521-739-4
Lauffs, Helga and Walther (eds.)
The Helga and Walther Lauffs
Collection
Two hardcover books housed in
a slipcase, 28 x 31.8 cm
508 pp, four colour process
€ 120.00 / £ 120.00 / US$ 175.00
978-3-86521-850-6
Leaf, June
Record 1974/75
18.3 x 30 cm, 188 pp
Four colour process
€ 40.00 / £ 35.00 / US$ 59.95
978-3-86930-045-0
Kuhn, Mona
Bordeaux
29.2 x 31 cm, 102 pp
Four colour process
€ 58.00 / £ 50.00 / US$ 78.00
978-3-86930-308-6
Kuhn, Mona
Evidence
29.2 x 31.1 cm, 108 pp
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-372-3
Kuhn, Mona
Native
29 x 31 cm, 96 pp
65 colour plates
€ 36.00 / £ 30.00 / US$ 50.00
978-3-86521-913-8
Kuhn, Mona
Photographs
26.5 x 28.5 cm, 108 pp
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-008-1
Lebeck, Robert
Tokyo / Moscow / Leopoldville
Three hardcover books in a slipcase
21 x 29 cm, 576 pp
380 b/w plates
€ 65.00 / £ 55.00 / US$ 85.00
978-3-86521-527-7
Leiter, Saul
Early Color
20 x 20 cm, 168 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 65.00
978-3-86521-139-2
Leong, Sze Tsung
History Images
34.2 x 27.9 cm, 144 pp
80 colour plates
€ 75.00 / £ 50.00 / US$ 90.00
978-3-86521-274-0
Lemos, Kalliopi
Crossings
Two softcover books in a slipcase
24 x 32 cm, 144 pp
€ 35.00 / £ 29.00 / US$ 45.00
978-3-86930-052-8
Lagerfeld, Karl
The Beauty of Violence
Softcover in a slipcase
29 x 37 cm, 68 pp
Tritone
€ 34.00 / £ 30.00 / US$ 50.00
978-3-86930-046-7
Lagerfeld, Karl
Body Freedom
Two softcover books housed in
a slipcase, 34.3 x 42 cm, 88 pp
Quadrotone
€ 48.00 / £ 40.00 / US$ 58.00
978-3-86930-260-7
Lagerfeld, Karl
Byzantine Fragments
Singer-stitched brochure housed in
a slipcase, 30 x 40 cm, 52 pp
25 photographs, 7-colour process on
ivory parchment
€ 85.00 / £ 72.00 / US$ 110.00
978-3-86930-246-1
Lagerfeld, Karl
Metamorphoses of an American
Four clothbound hardcover books
15.2 x 20 cm, 1144 pp
864 tritone plates
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-522-2
Lynch, David
Works on Paper
Hardcover in a sleeve
28.5 x 39.5 cm, 528 pp
Four colour process
€ 145.00 / £ 125.00 / US$ 195.00
978-3-86930-130-3
Man Ray
Trees + Flowers - Insects Animals
Hardcover
22 x 26 cm, 370 pp
320 drawings and photographs
€ 45.00 / £ 42.00 / US$ 65.00
978-3-86521-696-0
Marchand, Yves / Meffre, Romain
38 x 29 cm, 200 pp
150 colour plates
€ 89.00 / £ 82.00 / US$ 125.00
978-3-86930-042-9
Mark, Mary Ellen
Falkland Road: Prostitutes
of Bombay
32.6 x 28.4 cm, 106 pp
65 colour plates
€ 55.00 / £ 40.00 / US$ 75.00
978-3-86521-128-6
170
171
BACKLIST
BACKLIST
McCarthy, Paul
Vol. 1: Piccadilly Circus / Vol. 2:
Bunker Basement
Two-volume hardcover box set
30.5 x 31 cm, 348 pp
Four colour throughout
€ 80.00 / £ 60.00 / US$ 120.00
978-3-86521-626-7
McDean, Craig
Lifescapes
Hardcover
38 x 26.7 cm, 88 pp
40 colour plates
€ 70.00 / £ 45.00 / US$ 85.00
978-3-86521-033-3
Meiselas, Susan
Carnival Strippers
27.3 x 23.4 cm, 164 pp
78 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-88243-954-0
Meiselas, Susan
Encounters with the Dani
Hardcover
21.1 x 27.7 cm, 176 pp
300 colour plates
€ 40.00 / £ 25.00 / US$ 40.00
978-3-88243-930-4
Michener, Diana
Figure Studies
Softcover sewn with red thread,
housed in a black slipcase
29 x 37 cm, 64 pp
Quadrotone
€ 28.00 / £ 24.00 / US$ 39.50
978-3-86930-213-3
Mik, Aeronout
Communitas
Otabind softcover
24.5 x 31 cm, 232 pp
Four colour process
€ 35.00 / £ 32.00 / US$ 48.00
978-3-86930-297-3
Mikhailov, Boris
Salt Lake
Hardcover
40 x 30 cm, 80 pp
65 tritone plates
€ 68.00 / £ 45.00 / US$ 65.00
978-3-88243-815-4
Mikhailov, Boris
Maquette Braunschweig
Hardcover
24 x 34 cm, 272 pp
Four colour process
€ 48.00 / £ 43.00 / US$ 68.00
978-3-86521-834-6
Meiselas, Susan
In History
Hardcover
17.7 x 24.7 cm, 264 pp
200 b/w and colour plates
€ 50.00 / £ 40.00 / US$ 75.00
978-3-86521-685-4
Mettig, Klaus
Don’t Be Left Behind
dust jacket
23.5 x 31 cm, 328 pp
Four colour process
€ 48.00 / £ 42.00 /US$ 75.00
978-3-86521-595-6
Meunier, Sébastien
Visual Pollution
dust jacket
29.5 x 32 cm, 120 pp
€ 58.00 / £ 52.00 / US$ 78.00
978-3-86521-093-7
Michals, Duane
Foto Follies
Softcover
16 x 24 cm, 96 pp
€ 22.50 / £ 15.00 / US$ 29.95
978-3-86521-275-7
Mocafico, Guido
Movement
Hardcover
35.5 x 35.5 cm, 96 pp
60 colour plates
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-455-3
Morath, Inge
First Color
25 x 32 cm, 336 pp
Four colour process
€ 38.00 / £ 34.00 / US$ 49.95
978-3-86521-930-5
Morath, Inge
The Road to Reno
Hardcover
24 x 25 cm, 144 pp
€ 45.00 / £ 30.00 / US$ 55.00
978-3-86521-203-0
Morris, Christopher
My America
20 x 23 cm, 180 pp
112 colour plates
€ 35.00 / £ 24.00 / US$ 40.00
978-3-86521-201-6
Michals, Duane
A Visit with Magritte
Flexible hardcover
15.5 x 20.5 cm, 64 pp
Four colour process
€ 25.00 / £ 22.00 / US$ 32.00
978-3-86521-987-9
Michals, Duane
Photographs from the Floating World
Softcover
24 x 16 cm, 64 pp
Four colour process
€ 25.00 / £ 22.00 / US$ 32.00
978-3-86521-986-2
Michener, Diana
Dogs, Fires, Me
Softcover
22 x 27 cm, 160 pp
100 tritone plates
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-123-1
Michener, Diana
Sweethearts
Softcover
17 x 11.5 cm, 224 pp
Four colour process
€ 15.00 / £ 14.00 / US$ 22.00
978-3-86521-713-4
Munkacsi, Martin
Martin Munkacsi
Hardcover
24 x 29 cm, 416 pp
318 tritone plates
€ 48.00 / £ 35.00 / US$ 65.00
978-3-86521-269-6
Muybridge, Eadweard
Helios: Eadweard Muybridge in a
Time of Change
Excluding UK and Irish markets
Hardcover, 27.9 cm x 21.6 cm, 300
pp, 200 photographs and illustrations
€ 65.00 / US$ 85.00
978-3-86521-926-8
Nádas, Péter
Own Death
18.5 x 26.2 cm, 288 pp
161 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-010-4
Nickerson, Jackie
Faith
Hardcover
22 x 27 cm, 224 pp
140 colour plates
€ 50.00 / £ 34.00 / US$ 65.00
978-3-86521-484-3
172
173
BACKLIST
BACKLIST
Nixon, Nicholas
Live Love Look Last
Hardcover
24.5 x 30 cm, 148 pp
Tritone
€ 42.00 / £ 37.00 / US$ 59.95
978-3-86930-026-9
Nozolino, Paulo
bone lonely
Hardcover
18 x 26 cm, 72 pp
Four colour process
€ 34.00 / £ 32.00 / US$ 50.00
978-3-86521-861-2
Nozolino, Paulo
Far Cry
24.8 x 32 cm, 136 pp
78 tritone plates
€ 45.00 / £ 30.00 / US$ 60.00
978-3-86521-122-4
Nozolino, Paulo
Makulatur
Singer-stiched brochure
18 x 26 cm, 20 pp
Tritone
€ 24.00 / £ 21.00 / US$ 35.00
978-3-86930-327-7
Paulsen, Susan
Tomatoes on the Back Porch
20 x 22 cm, 74 pp
€ 20.00 / £ 12.95 / US$ 25.00
978-3-86521-056-2
Picardie, Justine
Chanel - Her Life
dust jacket, housed in a sleeve
15.4 x 23.5 cm, 400 pp
€ 38.00 / £ 40.00 / US$ 58.00
978-3-86930-262-1
Pigozzi, Jean
Catalogue Deraisonné
Hardcover
23.6 x 28.6 cm, 400 pp
€ 56.00 / £ 48.00 / US$ 78.00
978-3-86930-034-4
Pol, Andri
Where is Japan
Hardcover
24.2 x 30 cm, 320 pp
Four colour process
€ 40.00 / £ 28.00 / US$ 45.00
978-3-86521-993-0
Odermatt, Arnold
On Duty
28 x 31.2 cm, 336 pp
Four colour process
€ 65.00 / £ 45.00 / US$ 80.00
978-3-86521-271-9
Odermatt, Arnold
Off Duty
28 x 31.2 cm, 358 pp
347 colour plates
€ 65.00 / £ 58.00 / US$ 95.00
978-3-86521-694-6
Olsson, Mikael
Södrakull Frösakull
Clothbound hardcover with French
fold jacket printed recto/verso
25 x 26 cm 208 pp
Four colour process
€ 58.00 / £ 48.00 / US$ 72.00
978-3-86930-059-7
Packham, Monte
Concentric Circles
A Chronicle of Steidl Publishers
17 x 23 cm, 160 pp
€ 20.00 / £ 17.00 / US$ 27.50
978-3-86930-024-5
Polidori, Robert
Havana
38.5 x 30 cm, 160 pp
152 colour plates
€ 74.00 / £ 48.00 / US$ 75.00
978-3-88243-333-3
Polidori, Robert
Robert Polidori’s Metropolis
29.2 x 27.3 cm, 144 pp
92 colour plates
€ 45.00 / £ 30.00 / US$ 55.00
978-3-86521-078-4
Polidori, Robert
After the Flood
38.6 x 30 cm, 320 pp
300 colour plates
€ 75.00 / £ 50.00 / US$ 90.00
978-3-86521-277-1
Polidori, Robert
Zones of Exclusion: Pripyat
and Chernobyl
38.5 x 30 cm, 112 pp
190 colour plates
€ 60.00 / £ 40.00 / US$ 75.00
978-3-88243-921-2
Parr, Martin (ed.)
The Protest Box
Five books and a text booklet in
a cardboard box
Limited edition of 1,000 boxed sets
€ 380.00 / £ 338.00 / US$ 500.00
978-3-86930-142-6
Parry, Eugenia / Model, Lisette
Shooting Off My Mouth. Spitting Into
the Mirror. Lisette Model – A
Narrative Autobiography
Hardcover
20.3 x 24 cm, 128 pp
€ 34.00 / £ 30.00 / US$ 45.00
978-3-86521-920-6
Petersen, Anders
City Diary
Stapled brochure with a cloth-covered
spine, housed in a sleeve
23.4 x 31 cm, 192 pp
Quadrotone
€ 75.00 / £ 68.00 / US$ 98.00
978-3-86521-536-9
Paulsen, Susan
Sarah Ryhmes with Clara
23.5 x 27 cm, 128 pp
Four colour process
€ 40.00 / £ 34.00 / US$ 48.00
978-3-86930-244-7
Polidori, Robert
Parcours Muséologique Revisité
Three hardcover books housed in a
slipcase, 29 x 29 cm
€ 98.00 / £ 85.00 / US$ 124.90
978-3-86521-702-8
Polidori, Robert
Points in between...Up till now
Hardcover
25 x 30 cm, 192 pp
Four colour process
€ 30.00 / £ 27.00 / US$ 45.00
978-3-86521-994-7
Prinz, Bernhard
Latifundia
Hardcover
22.8 x 27.9 cm, 180 pp
114 colour plates
€ 50.00 / £ 34.00 / US$ 65.00
978-3-86521-487-4
Raad, Walid
I might die before I get a rifle
25.6 x 27.8 cm, 120 pp
Tritone
€ 35.00 / £ 32.00 / US$ 48.00
978-3-86930-336-9
174
175
BACKLIST
BACKLIST
Rautert, Timm
Josef Sudek, Prag 1967
24 x 28 cm, 98 pp
42 b/w plates
€ 35.00 / £ 25.00 / US$ 45.00
978-3-86521-712-7
Rautert, Timm
No Photographing (English)
Clothbound hardcover with a belly
band, 22 x 28 cm,156 pp
Four colour process and duotone
€ 38.00 / £ 32.00 / US$ 48.00
978-3-86930-322-2
Reed, Lou
Romanticism
36 x 25 cm, 68 pp
45 quadrotone plates
€ 42.00 / £ 41.00 / US$ 68.00
978-3-86521-728-8
Rodchenko
MacGill, Peter / Steidl, Gerhard (eds.)
24.5 x 33 cm, 104 pp
€ 88.00 / £ 74.00 / US$ 115.00
978-3-86930-245-4
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 2: 1971-1982
Clothbound hardcover housed in a
slipcase, 24 x 29.2 cm, 526 pp
Four colour process
€ 160.00 / £ 110.00 / US$ 200.00
978-3-86521-138-5
Ruscha, Ed
Volume 3: 1983-1987
Four colour process
€ 160.00 / £ 110.00 / US$ 210.00
978-3-86521-368-6
Ruscha, Ed
Volume 4: 1988-1992
Four colour process
€ 148.00 / £ 135.00 / US$ 219.90
978-3-86521-833-9
Ruscha, Ed
Volume 5: 1993 – 1997
Clothbound hardcover housed in
a slipcase, 24 x 29 cm, 504 pp
Four colour process
€ 165.00 / £ 138.00 / US$ 220.00
978-3-86930-251-5
Rovner, Michal
Fields
Hardcover
21 x 16 cm, 400 pp
Four colour process
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-216-0
Rovner, Michal
Histoires / Histories
Hardcover
24 x 30 cm, 160 pp
Four colour process
€ 40.00 / £ 38.00 / US$ 48.00
978-3-86930-343-7
Ruetz, Michael
Eye on Infinity
Hardcover
29.5 x 29.5 cm, 252 pp
112 tritone plates
€ 48.00 / £ 35.00 / US$ 70.00
978-3-86521-766-0
Ruetz, Michael
Eye on Time
29.7 x 21 cm, 360 pp
290 tritone plates
€ 48.00 / £ 35.00 / US$ 70.00
978-3-86521-577-2
Ruscha, Paul
Paul Ruscha’s Full Moon
Softcover
16.5 x 24 cm, 184 pp
Four colour process
€ 15.00 / £ 10.00 / US$ 20.00
978-3-86521-231-3
Schaller, Matthias
The Mill
Hardcover
29 x 23.5 cm, 120 pp
55 colour plates
€ 50.00 / £ 35.00 / US$ 65.00
978-3-86521-378-5
Schaller, Matthias
Purple Desk
dust jacket, 25 x 29 cm
€ 38.00 / £ 32.00 / US$ 49.90
978-3-86521-597-0
Schmid, Joachim
Photoworks 1982–2007
dust jacket, 26 x 21 cm
€ 45.00 / £ 30.00 / US$ 55.00
978-3-86521-394-5
Ruetz, Michael
Spring of Discontent: 1964-1974
Hardcover
24.6 x 29 cm, 192 pp
Tritone
€ 40.00 / £ 30.00 / US$ 55.00
978-3-86521-866-7
Ruscha, Ed
Photographer
20.5 x 25.5 cm, 184 pp
214 illustrations
€ 30.00 / £ 20.00 / US$ 35.00
978-3-86521-206-1
Ruscha, Ed
THEN & NOW
Slipcased
45 x 32 cm, 152 pp
Four colour process
€ 120.00 / £ 80.00 / US$ 175.00
978-3-86521-105-7
Ruscha, Ed
Volume 1: 1958-1970
24 x 29.2 cm, 436 pp
Four colour process
€ 160.00 / £ 110.00 / US$ 200.00
978-3-88243-972-4
Schmidt, Michael
Berlin nach 45
dust jacket
29 x 23.5 cm, 144 pp
54 duotone plates
€ 45.00 / £ 30.00 / US$ 55.00
978-3–86521–090–6
Schneider, Gregor
Die Familie Schneider
17 x 24 cm, 184 pp
Tritone
€ 30.00 / £ 19.99 / US$ 35.00
978-3-86521-236-8
Schorr, Collier
Neighbors
Forest and Fields Volume 1.
Hardcover
32 x 26 cm, 88 pp
58 tritone plates
€ 38.00 / £ 25.00 / US$ 45.00
978-3-86521-303-7
Schorr, Collier
Blumen
Forest and Fields Volume 2.
Hardcover
25 x 31.4 cm, 104 pp
€ 35.00 / £ 35.00 / US$ 50.00
978-3-86521-687-8
176
177
BACKLIST
BACKLIST
Schorr, Collier
There I Was
Hardcover
25 x 31.4 cm, 72 pp
Four colour process
€ 27.50 / £ 20.00 / US$ 40.00
978-3-86521-616-8
Schuh, Gotthard
A Kind of Infatuation. Gotthard
Schuh – Photographic Work
Hardcover
24 x 30 cm, 240 pp
200 b/w plates
€ 65.00 / £ 58.00 / US$ 78.00
978-3-86521-830-8
Scully, Sean
Glorious Dust
Hardcover
21 x 16 cm, 232 pp
201 colour plates
€ 32.00 / £ 24.00 / US$ 47.00
978-3-86521-081-4
Sekaer, Peter
Signs of Life
Hardcover
25 x 27.5 cm, 200 pp
€ 48.00 / £ 43.00 / US$ 65.00
978-3-86930-120-4
Sheikh, Fazal
Moksha
26.7 x 33 cm, 220 pp
170 tritone plates
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-125-5
Sheikh, Fazal
The Circle
17 x 22.5 cm, 114 pp
108 tritone plates
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-599-4
Sidibé, Malick
Photographs
29.6 x 30 cm, 108 pp
64 tritone plates
€ 60.00 / £ 42.00 / US$ 68.00
978-3-88243-973-1
Sieff, Jeanloup
Les indiscrètes
dust jacket
23.8 x 30 cm, 200 pp
160 tritone, 150 b/w plates
€ 49.00 / £ 44.00 / US$ 58.00
978-3-86521-460-7
Serra, Richard
Dirk’s Pod
24.5 x 26 cm, 128 pp
50 tritone plates
€ 30.00 / £ 20.00 / US$ 35.00
978-3-86521-089-9
Serra, Richard
Torqued Spirals,
Toruses and Spheres
24 x 29.5 cm, 64 pp
44 duotone plates
€ 28.00 / £ 18.00 / US$ 24.95
978-3-88243-633-4
Serra, Richard / Reinartz, Dirk
Te Tuhirangi Contour
24 x 22 cm, 76 pp
40 duotone plates
€ 28.00 / £ 20.00 / US$ 35.00
978-3-86521-014-2
Serra, Richard
Notebooks
Five books housed in a cardboard box
Limited edition of 1,050, signed and
numbered by the artist
€ 420.00 / £ 350.00 / US$ 550.00
978-3-86930-253-9
Signer, Roman
Travel Photos
Hardcover
24 x 30 cm, 240 pp
Four colour process
€ 38.00 / £ 25.00 / US$ 45.00
978-3-86521-282-5
Simon, Taryn
An American Index of the Hidden
and Unfamiliar
Clothbound
25 x 34 cm, 150 pp
Four colour process
€ 65.00 / £ 40.00 / US$ 80.00
978-3-86521-380-8
Simon, Taryn
Contraband
Softcover
24.5 x 16.5 cm, 224 pp
€ 45.00 / £ 40.00 / US$ 58.00
978-3-86930-134-1
Singh, Dayanita
Dream Villa
Flexible plastic softcover
10 x 20 cm, 136 pp
Four colour process
€ 28.00 / £ 24.00 / US$ 38.00
978-3-86521-985-5
Sescz, Maria
Inter esse
Berlin 1985 – 87
29.5 x 23.6 cm, 80 pp
€ 45.00 / £ 40.00 / US$ 58.00
978-3-86521-788-2
Shafran, Nigel
Edited Photographs 1992-2004
Flexible hardcover
22 x 29 cm, 112 pp
€ 30.00 / £ 19.99 / US$ 35.00
978-3-88243-976-2
Sheikh, Fazal
Ladli
26.7 x 33 cm, 140 pp
70 tritone plates
€ 30.00 / £ 25.00 / US$ 45.00
978-3-86521-381-5
Sheikh, Fazal
Portraits
dust jacket
19.7 x 25 cm, 304 pp
142 photographs, quadrotone
€ 48.00 / £ 42.00 / US$ 65.00
978-3-86521-819-3
Singh, Dayanita
Go Away Closer
Softcover
16 x 20 cm, 32 pp
31 tritone plates
€ 12.00 / £ 8.50 / US$ 15.00
978-3-86521-386-0
Singh, Dayanita
Sent a Letter
Seven softcover volumes housed in
a handmade clothbound box
9 x 15.5 cm, 126 pp
Tritone
€ 65.00 / £ 45.00 / US$ 90.00
978-3-86521-454-6
Smoliansky, Gunnar
One Picture at a Time
dust jacket
28.9 x 28.9 cm, 256 pp
230 tritone plates
€ 65.00 / £ 59.00 / US$ 82.00
978-3-86521-615-1
Soth, Alec
Dog Days Bogotá
Hardcover
21.5 x 22.5 cm, 60 pp
50 colour plates
€ 25.00 / £ 22.00 / US$ 34.00
978-3-86521-451-5
178
179
BACKLIST
BACKLIST
Soth, Alec
Sleeping by the Mississippi
a tipped-in photo
28.5 x 27.5 cm, 120 pp
Four colour process
€ 40.00 / £ 35.00 / US$ 54.00
978-3-86521-753-0
Soth, Alec
Niagara
Hardcover with a tipped-in photo
23 x 26.5 cm, 144 pp
Four colour process
€ 48.00 / £ 35.00 / US$ 65.00
978-3-86521-233-7
Soth, Alex
Broken Manual
Softcover with gatefolds and UV finish
21 x 29.7 cm, 68 pp
17 colour plates, 33 b/w plates
€ 40.00 / £ 32.00 / US$ 50.00
978-3-86930-199-0
Spagnoli, Jerry
Daguerreotypes
Softcover
29 x 29 cm, 56 pp
112 colour plates
€ 30.00 / £ 20.00 / US$ 40.00
978-3-86521-200-9
Strömholm, Christer
In Memory of Himself
Hardcover
20.5 x 25 cm, 144 pp
100 duotone and colour plates
€ 38.00 / £ 25.00 / US$ 45.00
978-3-86521-298-6
Sultan, Larry
Katherine Avenue
Hardcover
21.0 x 29.7 cm, 120 pp
€ 48.00 / £ 43.00 / US$ 65.00
978-3-86930-135-8
Taylor, Al
Al Taylor
25.4 x 31.8 cm, 172 pp
Four colour process
€ 48.00 / £ 38.00 / US$ 65.00
978-3-86930-389-5
Taylor-Wood, Sam
Still Lives
Two books in a sleeve
23.4 x 29.9 cm, 192 pp
€ 38.00 / £ 51.00 / US$ 34.00
978-3-86521-323-5
Spero, David
Churches
23 x 29.7 cm, 144 pp
65 colour plates
€ 38.00 / £ 25.00 / US$ 45.00
978-3-86521-308-2
Staeck, Klaus
Pornografie
Softcover
20 x 25 cm, 392 pp
295 b/w plates
€ 35.00 / £ 24.00 / US$ 45.00
978-3-88243-124-7
Sternfeld, Joel
Sweet Earth: Experimental Utopias in
America
30.5 x 25.5 cm, 136 pp
60 colour plates
€ 60.00 / £ 40.00 / US$ 65.00
978-3-86521-124-8
Sternfeld, Joel
When it Changed
Softcover
22.3 x 15 cm, 144 pp
54 colour plates
€ 25.00 / £ 17.50 / US$ 35.00
978-3-86521-278-8
Teller, Juergen
Märchenstüberl
Hardcover
27 x 21 cm, 144 pp
140 colour plates
€ 22.00 / £ 14.00 / US$ 25.00
978-3-88243-863-5
Teller, Juergen
Nackig auf dem Fußballplatz
Softcover
27.3 x 20.4 cm, 184 pp
9 colour plates and 1 duotone plate
€ 25.00 / £ 18.00 / US$ 30.00
978-3-88243-963-2
Teller, Juergen
Zimmermann
Clothbound hardcover housed
in a slipcase
23.5 x 29 cm, 56 pp
€ 45.00 / £ 39.00 / US$ 65.00
978-3-86521-996-1
Teller, Juergen
Nürnberg
35 x 28 cm, 120 pp
60 colour plates
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-132-3
Sternfeld, Joel
American Prospects
Excluding US Market
36.8 x 29.8 cm, 140 pp
65 colour plates
€ 75.00 / £ 50.00 / US$ 75.00
978-3-88243-915-1
Sternfeld, Joel
iDubai
20.3 x 25.4 cm, 160 pp
70 colour plates
€ 20.00 / £ 18.00 / US$ 28.00
978-3-86521-916-9
Sternfeld, Joel
First Pictures
Clothbound with a tipped-in photo
29.5 x 24.5 cm, 320 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 78.00
978-3-86930-309-3
Sternfeld, Joel
Walking the High Line
Clothbound with dust jacket
26 x 21.5 cm, 72 pp
€ 28.00 / £ 25.00 / US$ 30.00
978-3-88243-726-3
Teller, Juergen / Jacobs, Marc
Marc Jacobs Advertising 1998-2009
dust jacket
30 x 38 cm, 576 pp
700 colour plates
€ 88.00 / £ 78.00 / US$ 120.00
978-3-86521-715-8
Teller, Juergen
The Master
Stapled softcover
17.5 x 23 cm, 26 pp,
33 colour plates
€ 100.00 / £ 80.00 / US$ 160.00
978-3-86521-104-0
Teller, Juergen
The Master II
Stapled softcover
17.5 x 23 cm, 56 pp
31 colour plates
€ 16.00 / £ 14.00 / US$ 19.95
978-3-86930-056-6
Tichý, Miroslav
Miroslav Tichý
Hardcover
21.6 x 32.4 cm, 328 pp
364 colour plates
€ 58.00 / £ 50.00 / US$ 75.00
978-3-86930-102-0
180
181
BACKLIST
BACKLIST
Philip Trager
25.2 x 31.2 cm, 312 pp
156 tritone plates and 50 illustrations
€ 60.00 / £ 40.00 / US$ 75.00
978-3-86521-239-9
Tuggener, Jakob
Fabrik
dust jacket
22.8 x 30.9 cm, 62 pp
€ 65.00 / £ 45.00 / US$ 85.00
978-3-86521-493-5
Tunbjörk, Lars
I Love Borås!
Hardcover in a slipcase
27.4 x 34.4 cm, 168 pp
175 colour plates
€ 75.00 / £ 50.00 / US$ 90.00
978-3-86521-296-2
Tunbjörk, Lars
Vinter
22.5 x 27.8 cm, 192 pp
135 colour plates
€ 40.00 / £ 27.50 / US$ 50.00
978-3-86521-497-3
Weiner, Lawrence
Something to Put Something On
Hardcover
25 x 21 cm, 44 pp
Four colour process
€ 25.00 / £ 20.00 / US$ 35.00
978-3-86521-491-1
Welling, James
Light Sources: 1992-2005
19 x 26 cm, 144 pp
€ 40.00 / £ 36.00 / US$ 55.00
978-3-86521-859-9
Wessel, Henry
Waikiki
a tipped-in photo and dust jacket
29.5 x 29.5 cm, 60 pp
€ 58.00 / £ 50.00 / US$ 85.00
978-3-89630-300-0
Wetzel, Gereon / Adolph, Jörg
DVD, documentary, 90 min
Original version: English / German
with subtitles
€ 25.00 / £ 22.00 / US$ 34.95
978-3-86930-119-8
Turbeville, Deborah
Past Imperfect
dust jacket
29.7 x 24.5 cm, 192 pp
Four colour process
€ 48.00 / £ 38.00 / US$ 59.00
978-3-86521-452-2
van der Meer, Hans
European Fields: The Landscape of
Lower League Football
dust jacket, 26.8 x 38 cm
€ 85.00 / £ 55.00 / US$ 100.00
978-3-86521-191-0
Verburg, JoAnn
Interruptions
Hardcover
24 x 33 cm, 28 pp
19 photographs
€ 25.00 / £ 22.00 / US$ 30.00
978-3-86930-118-1
Vitali, Massimo
Landscape with Figures
38.5 x 30 cm, 200 pp
process
€ 85.00 / £ 69.00 / US$ 98.00
978-3-86930-197-6
Wiedenhöfer, Kai
Perfect Peace
Hardcover
24.5 x 33 cm, 174 pp
125 duotone plates
€ 42.00 / £ 28.00 / US$ 40.00
978-3-88243-814-7
Wiedenhöfer, Kai
The Book of Destruction
dust jacket
22.7 x 30.5 cm, 160 pp
€ 34.00 / £ 30.00 / US$ 48.00
978-3-86930-207-2
Wood, Tom
Photie Man
21.5 x 28 cm, 224 pp
€ 40.00 / £ 28.00 / US$ 50.00
978-3-86521-083-8
Wylie, Donovan
British Watchtowers
Hardcover
30.3 x 23.5 cm, 72 pp
49 colour plates
€ 40.00 / £ 27.50 / US$ 50.00
978-3-86521-499-7
Vitali, Massimo
Landscape with Figures / Natural
Habitats
Two hardcover books housed in a
slipcase, 38.5 x 30 cm, 344 pp
192 plates, four colour process
€ 145.00 / £ 125.00 / US$ 198.00
978-3-86930-257-7
Vollmer, Jurgen
On Filmsets and Other Locations
dust jacket
24 x 33 cm, 183 pp
€ 38.00 / £ 34.00 / US$ 59.00
978-3-86521-598-7
Waddell, Stephen
Hunt and Gather
dust jacket
25 x 28.7 cm, 96 pp
41 colour plates
€ 35.00 / £ 32.00 / US$ 50.00
978-3-86930-115-0
Warhol, Andy / Colacello, Bob
Andy Warhol: Unexposed Exposures
Softcover
22 x 17 cm, 132 pp
70 tritone plates
€ 20.00 / £ 18.00 / US$ 30.00
978-3-86930-116-7
Wylie, Donovan
Maze
Two hardcover books and
a singer-stitched booklet, housed in
a slipcase, 29.5 x 23.5 cm
€ 48.00 / £ 44.00 / US$ 65.00
978-3-86521-907-7
Wylie, Donovan
Outposts / Kandahar Province
dust jacket
29.5 x 23.5 cm, 64 pp
€ 32.00 / £ 28.00 / US$ 45.00
978-3-86930-321-5
Wylie, Donovan
Scrapbook
Softcover
20.5 x 29.5 cm, 112 pp
€ 24.00 / £ 22.00 / US$ 37.00
978-3-86521-910-7
Young, Cynthia (ed.)
The Mexican Suitcase
Two softcover books in a sleeve
25.4 x 30.9 cm, 750 pp
€ 85.00 / £ 70.00 / US$ 98.00
978-3-86930-141-9
182
183
ISBN 978-3-86930-478-6

2 - Steidl Verlag

Transcription

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