1935 October 1 Art Digest - American Artists Professional League

ffl TifeTffT]Qffl
Combtned
THE
w4th
I:HIS
ARGUS
Of
NEWS-MAGAZINE
Son
Fran¢cisco
OF
ART
-.+
.+
"ST.
ANDREW"
By Jusepe de Ribera
Lent by Maurice Harris to the Exhibition of Spanish
Paintingrs at the Brooklyn Museum, Opening October 5.
See Article on Page 5.
A Compendium
of the Art Neu)s
and Opinion of the WoI.ld
1st OCTOBER 1935
25 CENTS
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\l \l. I\|\-S..Tr.
M. A. McDONALD
RARE ETCHINGS AND ENGRAVINGS BY OLD AND MODERN MASTERS
66r) ItFTII AyE+t|TJ, hTEW YoRK CITY
I
The Art Digest, lst October, 1935
a
SOME COMMENT ON THE NEWS OF ART
By PEYTON BOSWELL
i()Fume I: Starts
one distinguished ..Aryan" connolsseur}
according to the Associated Press, said
that the art dealers' profession in Germany needed cleansing| but that ;I was
not a racial affair.
He continued:
..More than 50 per cent of the §o-
The Art Digest with this number starts
its tenth volume, and at the same timethe art season having started-resumes
the publication of two issues a month instead of one as is its custom in the
Summer.
The new season should be an interesting one, and the magazine will continue to Present to its readers a true
"compendium of the news and opinion
of
down his big stick on the artists of Germany for not falling in line with Nazi
reglmentation.
A special radio dispatch to the chicago /i)rrI'/y..,Tc,«..I. from Wallace R.
called art dealers are what we call picture gangsters.
They had no previous
art education, were formerly carpet salesmen, furniture dealers and hucksters, who
got the idea there might be more money
selling paintings, sculpture and etchings.
We think these men should be weeded
art..,
fided, "and there can be no question that
a change of ideas has occurred) and that
i.his change of ideas calls for a change in
the character of individuals.
In cases
wherein this change of character is impc.ssible because of lack of talent the
state has at least the right to demand
comprehension and loyalty.
"ln view of the indescribable paucity of
out.
.'Amc.ng the Jews affected are people
"Ic,u) B(litiltg ill Al.i
Dr. Goebbels, Minister of Propaganda
and Public Enlightenment in Herr Hitler.s
government, has struck another blow at
art in Germany. He has ordered all a.NonAryan" dealers to cease business.
It is
estimated that more than 70 firms are
affected in Berlin, Munich, Dresden and
Frankfort-on-Main.
In Munich about 20
Jewish dealers were victims' many of them
having international reputations and a
large American clientele.
They were informed that their licenses were suspended,
according to the New York I.Herald Trib-
une", that their bank accounts had been
sequestrated' and that they would not
be permitted to sell their goods either
I.n Germany or abroad.
This ruinous measure was taken under
the guise of "cleansing- the art trade. yet
who for thirty and forty years have been
in this business| who have trained for
it and who are a credit to the profession.
They have been as vigorous as .Aryan'
dealers in denouncing art gangsters.
I
hope these honest Jewish dealers will be
allowed to remain."
Take the Jews out of the art trade,
and the world will lose scores of great
and irreproachable firms.
If the Jews
had never been allowed to write music
or to be artistst the world would have
been deprived of thousands on thousands
of its finest cultural creations.
Dictators
care nothing about such things.
Apparently they give them not a thought. They
are too busy working up hatreds and
promoting the false patriotism necessary
to continue them in power.
Not long ago Dr. Goebbels brought
really productive artists in the whole
world, we certainly cannot afford to lose
any genuine German artist.
But then
that artist must be a real artist and not
a national noisemaker."
Dynamite is contained in Dr. Goebbels'
concluding
remarks.
.'The
time
has
come," he announced, "to set aside those
who have failed to comprehend and subscribe to the National Socialist conception
of life."
The government had allowed
such dissenters a period of probation in
which to adjust themselves to the new
s.ate of affairs.
Those who ''have failed
+o take advanta~e of this period must
EBAINS GALLEE=!ES
(RAINS AUCTION ROOMS, INC.)
]2-I4 EAST 49+h STREET NEW YORK
RARE AMERICAN ANTIQUES
The Property of
MORRIS
BERRY'
Plainville.
ESG).
Conn.
SOLD BY HIS ORDER
IN CONSEQUENCE OF HIS RETIREMENT
unres+Tic+ed
pubic
sale
FRIDAY, OCTOBER ", ]935, AT 2:30 P. M.
EXHIBITION SATURDAY, 9 TO 6 P. M. UNTIL SALE DAY
Fi.sh.trill(lil.S
lilli
(:.
OiI'
water.
color.s?
I
cabinet work of \^/iHiam Savery; a Chippendale Mahogany
claw and ball too+ Card Table New England., 1760' in a
rare and desirable size; a Hepplewhite Inlaid Mahogany
Sideboard, from the collection of Gen. john Stark; and an
important Carved Mahogany Sofa by Duncan Phyfe.
_
---
_
_
WillI'am H. SmI'th, Jr.
/)/'/.(.f/";. (,r' I?"I./`, /J{./¢;i";a"f
-
pl.illtS - diSCuSSe(I
ill
fol.
a
PraCtiC.al
t]1e
W,ar-
h{H11e-
O\+rner.
_
lLLUSTRATED CATALOGUE ONE DOLLAR
_ _
.S,(//a.f C,tl"(/uf/crf dry
Mr. E. Harold I. Thompson
K.
(:hcll_lc.rlon
How To Select A||cI How
To Use PictuI.eS
(SUNDAY 2 TO 5 P. M.)
CLowboy
and aball
feel a fine
example
of|h;
HOICE with
piecesclaw
include
Chippendale
Carved
Mahogany
Deuel
in Berlin gave an epitome of an address
which Dr. Goebbels made at a mass meet_
ing of the h'azi Chamber of Culture.
In
it he Painted a Vivid picture Of the Place
of ar_I and artists in Nazi Germany.
-There has been a revolution,I. he con-
ffi'rile for }.our copy
EE=
EEEE
4
Thc,
Art
I)ige.st.
I.st Oclober, I():-''S
THE
MODERN MOVEMENT
IN PAINTING
now be eliminated from national cut||
lure.
Maybe times have changed. But heretofore, great schools of art have blossomed
only in soil made fertile by freedom.
THE PRINT CORNER
Summer Exhibition
RECENT
with
perfect
DERAIN
SEURAT
MATISSE
ROuAuLT
CHAGALL
accuracy
VANGOGH
BRAQUE
ROY
RENOIR
UTRILLO
from . . .
CEZANNE
P I CASSO
ROUSSEAU
SOuTINE
MODIGLIANI
A book completely unrivalled in
color,
interest
and
value.
Paper, $3.50 - Cloth, $4.50
At your bookseller or
THE STUDIO PUBLICATIONSI INC.
38I Fourth Avenue
New York
VARIED
MEDIA
TWENTY FIVE CONTEMPORARY
ARTISTS
Reltt(ll i()I. P(lilltiIIqS
text by an author who has known
the artists personally) and 16 new
mounted
color
plates reproduced
IN
by
By I.W. Earn
A new book including an important
PRINTS
i)F
383
Main
Hingham
Street
Center,
Jfoar,/.s..
Mass.
Mrs.
Charles
.9.OO
a/.
Director:
- 5.3O
b2/
_,1/o/,a?.,i I,77Z a/i a,
Whitmore
ref...
I/l'7l.ty.
O529-Jf
DURAND - RUEL
miss the point and beg the question when
you imply a fair criticism may lie against
a museum or art society which does not
put.an actual art-salesman in charge of
the display, a go-getter who will . . .
12 East Fifty-seventh Street
NEW YORK
XIX and XX Century
get in touch with connoisseurs and leading citizens of culture and tell them why
they should buy.'
I.Does any one seriously think it iS the
function of a public museum or of a vo1untary| non-profit art association to do
this?
Do you know of any high-class
museums that do it?
Would this not be
infringing on the province of the art dealer, if it were done generally?
I.Here in the office of the Southern
I+TEREST TO:
stu(I(-nts of Pl.int Processes
collc{,tot.a of disting.uished living artists
}Illst.tHn
nil.ectol.s
Planning
coming
exhibitions.
Miss Ethel Hutsont secretary of the
s.outhern states Art League, has written
a reply to the editorial in the last number of The Art Digest in regard to Dr.
Ellsworth Wcodward's criticisms of the
movement of the American Society of
painters, sculptors and Gravers that artists
make a rental charge on works exhibited
by museums and art associations.
..It seems to met- she says' I.that you
French Paintings
PARIS
37 Avenue de Friedland
;i::L+asi-i+::i=+ee++::a=+se++i±-+r+se++i:i=+ae+ii::i={gRI;vy
t#ll[; RALPGELALLM.I.R.ECsHA'T ;i
States Art League, we are in constant
touch with museums and art organizations throughout the South. W'e send out
FERARGIL
F. NEWLIN PRICE, Presf'de7?i
exhibitions to them} from which sales are
made when people wish to buy; but we
find the feeling among these bodies very
strong, that it is not their function primarily to make sales, but to bring the work
of artists before the public in an impartial and non-commercial way; and that
their aim to attract the most influential
portion of their public to a greater interest in art would be defeated, if they
undertook to ,tell them what they should
buy.I
"This
63 East Fifty-Seventh St.
NEW YORK
Enrich - Newhouse
Galleries,
Inc.
PAINTINGS
OLD MASTERS AND
CoNTF\,IPORARY ARTISTS
578 |I..\DISOr\: A\Ti. AT 5TTH STREET
NTEW YORK
Pierre Matisse
MODERN
Madison Aye. and 57th Street
Fuller Building, New york
^T(r D"..1=S:I
art ltC,.CS a"d
PI.Pst"lS...ri[:ll.a"I
()Pi"iO" ()i tit.e.--ct".I(I.
has
been
expressed
very
the legitimate dealer out of business?
I.'hive and let live'-yes, but dealers
must live, tool and the artist whose work
is shown in high-class museums and sold
by legitimate dealers will stand a better
chance professionally'
one would suppose, than he who relies on sales made
by a.go-getter' on the staff of a museum
who is interested only in selling his work
lE(lilori(ll.s
(:lNlti1"C,t!
()a
INlg(: |P,I
;'l EARLY CH,NESE ART '!l
lI.
|1
;drl; GOO Mad.son Ave:
Ne- York Cat, ;ap;:;
(at I;I th Street)
'i';;:ck
BRUMMER GALLERY
55 East Fifty-seventh St.
New York
ANNUAL
WATERCOLOR
EXHIBITION
+rrr. 3>() - a(I. |2
Morton Gallerie
|30 West 57th Sl,ee,
ARGENT
GAI,LE-S
d2i+75Z"Street
New York!
0<.tober
7 [o |9
IJandSC.apes & Fit,trure Paintings
Z}1-
REVINGTON ARTHUR
F R E N C H
I:mE:
idea
vigorously at more than one of our annual conventions b/ representatives of
the governing boarc:s of leading museums'
who have not hesita:ed to say that they
would decline to take exhibitions if they
were expected to use thigh-pressure salesmanship. on their local supporters. Their
attitude may be thigh-brow', but would
the cause of art be benefitted if these
exponents of 'culture for its own sake'
descended into the market-place and put
|||,,.||
lliaS ill(:
T[[l': ^FtT I)IGL.,,ST is
pe.yton Bos\l.all.
I.I.csi(lent;
llubli.¢hcd b.\. The.\lt I)i=e*tl lnc.:
Josepll
I ").hl.I,
Secretar.\'.I Pe.yton
::loeT\l::il:..a ; Jrh;on::le):."u:;'l:`l.le'
S:Il\llli:,"Ol.l\tlll1:I::I 0:ill:i)er St:I:ten:ll)ael:..
I,:(litnr,
.\isistaltt
I.I..I.tol.I
I,:tlitor.
Bo".all: Assot.iatc E(litor, Pl..I.ton Bos\`.all,.lr. :
IIt.len
]Zo.\l.en;
Business
}I:ln:lgl.I.
.Io,it,ph
I".I.hal.,.
a.ireukltion
}Iunagpr,
..\lice
M(.Cttltll\,.
Entered
as
.i".om1 (.1:lss
lmtt(lr Oc.t.
1..-J'
19:i,0,
at the post oflit,a
in
.\.e\l. Toll(,.\'. I.I "mler the ac.t Of }ItlI.(.h a. 1lQT9.
Subs(.riptiom I.nito(I i;tatcs,
a.,LOO the.I,eilr; a:"1tl:l
SL20:
Foreign.
S.a,JO;
single
copies,
2r,
a"Its.
I.:tlitOl.i:ll
:lml
.\d'eI.tiSing
Offi(.r,
1l(;
E:1St
59th
St.I
\'e"I
\'orl`..
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T.
n.l[`l)h"Ill..
\'ol""tom.
:-)-:3.-)T1.
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1,
1.it
I)l.tot)I.I.'
ll'l..3.-).
TRENT ENGRAVING aO.
[cAff »g¢¢¢rC fO THE ART DIGBST]
Specia.lists in
FINE HALF I'ONES
for Artists, Art Dealers and Publishers
Your inquiry solicited
229 S. WARREN ST.I TRENTON' N. I.
7T#¢ ART
Ge."a"1l Office.+:
I)TGESrF
combi"ed with rr±1E: fha`GuS Of Son F].ancisco
ZJ6 EoJf J9f/2 S/
20 Issues
A Co}rpENDIUM OF TIIE i,-\RT NEWS AND OpINION OF TIIE \\,rORLD
Tc)1ume X
Pe;. Fear ¢J
\'c,tl, For/`,, -\. F., I.I.I O(-fo?;(y,, J9_?5
Nc). 1
Brook1}m Museum Opens Great Exhibition of Spanish l\,Iasterpieces
¢Se.lj
6¬Selj Porlr(lit:> b\y I:)iego Roclriguc.z (le Silucl.y Ve.I(ISCluC.Z (I599-]660).
Lellt
bT
]ulC,`S
S.
Last s1"ing the B-)kl)m Muse"m. in cooperation
with
the
city's
park
cll.pal.tme.nl,
un(lertook tlle I.enoya[ion of the
its imposing classical slruclul.e.
enlranc.,a
to
oat. 4
On
Portr(lit:9
br Franci.sco
Jos6 (le
Gorcl ,i Lllcienl.es
(l74f)-]8`28). IJeni, by (:itv Al.i A:IuseuJn Oj St. Louts.
Bcl(.he.
tut.v.
One
of
tlle
first
paimers
of
note
to
wol'.k in the renaissance style was Luis (le
Mol.alas.
IIe combines sf"ne.thing of the mys.
tic qLlalitv rlf Le"1al.(lO With the tragic. rC.aliSm
a.riticism
he
stan(ls out
as
an
ex(I.aor.(liIlary
genius.
Except for his son Jol.ge, wllo sla\¢ish_
]v attempLecl to perpetuate his style. he left
ni) follower....
¬'In the early l7th Cenlul.\. there w(-re nu.
tlle completirm of thI'.a WOl.k Will he a(.Ieb|.alccl
rlf
b). the opening of an exhiI)ition of 58 SpatliSh
paintI'ngS OulSi(IG Of Spain. he has newer I)een
merolIS eager Painters WOrking in Seyille all
paintint_crs. esp(.a.ially salectecl from pri\.:tte aml
given quite the consi(Ierali("1 he (leg(.1.\.eS.
ln
more ol. less color.a(I 1)v
the influence of the
f
public co]lecti"1S [O illllSlrate I"" Sl-lgly
the gl.eat aml neat.-gl.eat nf Lhc-. Spanish Scl"(tl
Mr.
he
al.e I.eprc.senle.(1 in America.
el.a of
will
1,'3tll
aft".(I
i.elopmenl
perin(l`i,
c.1`nlln.Y
a
,.)I
with
in
Calalonia,
1.en.lal.kah1(.
the
-.(li(.\,al
Pal.ljC.lllaL.
lbe exllI'l)iliOn
I.t".iCW
of
aml
llm
(lc.
I.c.naissanc.a
all(.)Ill."1
t"
the
thl.(-(-
T|al.dintlo.'s
As
there are
'.P]'eLa,
in
fc-w
the
of his
cxhihjti(m
c,Perhaps
the
Spain fr"m
tint,tT
stranE.Crest
genius
tO
the I"illjance "I the
Was
/
School of Boll)gna.
Donlem'CO
Cr)me
tO
Italian set-
Thcotocopuli
r.allf.(1
by
ish as he (licl not stu(ly in
so many of his cnmpatriols.
c.ompo.`-itions al.e il".lineal
]")u|.nful alla1.m.
cTn
(.onll.asl
Cl.a(.a
bt.c.ause
of
the
f±lc[
that
Ilo
was
(I(-mliniOn
cl.tlmbli"`=r t-lt.I- ("l.upi g".".lml."" at"I clr-
tl.avagam.a of the gl.(.aE Yeneliam ma,stews.
FTe
genel.ale I."I(.I..`.
The
Gl.eon aml \l.la.`qucz.
snnn cast a-f=i(I(. big Italian mamle1.isms lO rle-
I(1"g
\-elop a style as ol.it-frinal as ir was maste1.ful.
n""1(1
Grc`co
c.ame
senterl hy sixt".n t.xampl(..+ (',ova lnr fi\.a and
ThL-
Telasclu(`Z
]HV.amp
Spani.ch
Of
llle -Venetian
infuse(I
wilh
m"larc.h'
(1i.cplease.(I
th(a
at
rll-sL
with
the
Rt|)uhlic.
a.olor
onLhuQI.aStiC_
um.ol1\mlt]'(Hlal
p("'nL "I i.irm "f Lhi.a I-v a].I.iya1.
EI
museum'.< (1c|)art-,nl or I.ellajSSa"(.a al.I. Wl.Ote
1.t.ljrftl
a
tile forew(ml
()I a+I"l-litlg. Pi(.(ul.t±S.
to the (.aLa1"urut.. which bt1(.allSl.
ln
Tolc"lo
whet.f`
h(.
EI
fig"I.t-.s
e}`.-
F|.a.(l¬.I.ic.k i|..tww.I. a.<si+lanl uH.iLLm. in the
I)a awkwal-(I. Ilo
EI
horn in Cl.(.I(_.-i.ac.ially Gl.eek I)ut lllen willlin
aml
tlll.P(..
ln
paintc.(I wjfh a pi()us (ligtlil}. allCl a S"ne".Ilat
gianre who I.ai=,3(i
.iPain
Lr) (.u1[ul.al
I".iilhtS
|
1\.llen all her olhC.I. Claims to 1\ml.(llY ram(. ".I.a
hT
Italy a1"1g With
Thnut,a.h his gl.Cup
the msithe1. tr"ly Spanish nor. Italian t.pilhet
llle
tl".(.e w(.I.p Gn),:I,
EI
El
(`m.a.a I.s I.epl.e-
Am"lg these was 1+-Iran_
a.isco cle Zul.baran who remaine(I truly Span_
appeal.s at his best.
Begimling with
tit.n flag.menl.a lrv thr. unkl-\,n fresco Painl-
the F'lemings.
Painlr`(I
saint.+
the
alld
the
.
[o
1.C.Sifle"l.a
fat.
n"I.l.
Zm.bat.ants
gl.eat
maI1\.TS
s"Itll-f.asteo'1
.
Of
Rihera.
School
in
um.molI'Oual
I.ealistI't.ally
Of
r\aPlf.s
Jlaliatl
a
conceived
pl.ochlc.I
Talem.ia.
fr".--.(I
of
I-Tis
him
LIlal|.tPatliSh.
in
a
though
]1e always I.etaiI.lS his t"li\.C, i)i(-tY a"(I a"Slel.itv
(.nlil.e]t. fl.c.a fl.om s(_mi-nlalih-..
GI.""
jn
a(.I.if'S
of
The, ¬Bunial r)i Co"nt
arc`
.
a
plea.<a)lL".
phI'l"iOPhCl..a
lca1.ninLr
a"l
\eJ'n
ill
hi.`
aml
otllel.
Tie appeal.s
SLII".rh
(.I(lt-1.lV
tliSti"¥"i.<l".(I
I)"llraitS
men
I".alin.g.
Of
Tlu.ee
of its int(.I.t-st aml "m1[m.hc-n`iI."me.iS jS bet.t-.
O1.g.:lZi I.onlain.< "1(` nf the m"St Su])".I) ("1l-
examples of I")rtl.ail.a a1.t> I(,Pl.e.-lle(I
in
the
repl.in[e(1 at (."lsi(lf.I.al)lL. 1onglh: i.The "-mais-
T"t_Sill"lS "er CXeC.ul(.(I.
I[e us(-fl (.ol".s "nllt-.ar(I nf a"l g.aineCl phenr"l1(mill f.ITec.ls.
Tlis
exhibition
Of
St.
Allcll.ew, whicll. t`l-lg-h gl.i-wsom.a. i`` a glow.i_
appeal.a.(I in um..\pr.a.lecl places (lllc usually to
semse
ous
the pl.eserlCe of I".a.ign maStt.I.S Wlm lla(I Cl"ne
tirln of nature was ne(.fssarv in
sance
peurtl.al"I
fl.om I[ah. ".
lastecl.
sl"I.ly
jnlo.til)din
lhl. nor.lh.
m:".1.[hf.lei.a.
Well
Tlle
I.nco
an(I
r'olhi(.
the
16lh
fiI..St
Spilit
con_
(lesil.a(1
r)I
cmllI")Siliorl
(-.ffc.cl.
Imf(".g.iYal)1e. I"ll
In
]'I1
Was
Ills
hl.illianL
rrml'
the ]ighL
Distol..
g:linin-Lr llmtimes
tlliS
Was
of I".rsenL Clay
hit
as
nf
1\.all
as
Lht.
_\Tarly1.tlOm
painlillg.
.The ill-tempera(I Ht?rl.".a ancl a I(:w months
I:lil.I Pat.heco, I)olh Se\illians of s-lil lalen[,
hall as a pup]'1. Diegl) TclascJueZ.
1rjs talent
tr*p6
Th,a Art Digest- lst October, l93,5
became at once apparent, a.nd his ambiti(ms
to go [o the collrt at Madricl and bee("ne a
painter to the King wc-I.a. soon I.ealize(I.
Wenger Steps from Films to Water Colors
IIis
early works are ge"re subjects paintetl in
strong contl.aslS of light aml shacle with a
faithful rc.ndering of detail.
¬fI[
well
to
is
unforllmale
I.er:t.i\,(.(I
a
life
men
aml
ma(le
uI)
ilL
"I
lhat
com.I.
for
painting.
lhc.
i-ula.sqtlt.,/.
he
tlle
Was
-LILT
"i
SO
tlO(mlt±(I
s("1113t.I.I).-(Ire..-+"I
hizall.(.1\-(ll.t.sac(I
Ll".
1\.a*
Philip.
".omt.n
"i"I
"Ll"-I.
``l".-
ln
roumlinq.a
hc' ".ollbl ha\c., I)t.on far m"I.t. ".1.I
satilc.
the
I-li.`
fil.st
OPF"".I"nil).
of the Villa
tl.ip
Lt)
-\l"li(.i.
of land`scclP(..
tlJ
lt=ll)-
pilint
:ln{l_
0"
aft"llt.(I
I+i."
sll"w
him
hi.i.Se(."I(I
llim
`u[".I.I)
a
Italian
he p(utl.a)."I Pope lnnoc.t..nl -i. i"I
\i"i+
mat-lt...
i"ll.m.).
"m¬a"I-).
personagt1, I"ll -1¢. the lc.s`` a well."m. i.ha"g[from
tl"J
House.
m"nl".rS
f)n(.
is the Elm
in
the
"I
Of
his
Balthaz_ar
a_thillilI.On.
ll"..tP:"1iSh
mo+I
Carlo.a aml
lI(-I.a
llilP+I"".g
nolal)h-
he
I.an\a+(.-
hi.¬
`sllo\\..I
I)waI.I.
i1
.<\m-
pathetic hanclling of a chilcl ancl his uni".tunate pta)m\atc_
I.Eis myl`ho]L)Sic:1l a".m.S arc.
lacking in iclealism, tb("lgh big Pl.al!n.Cruc.i.
fixion, shows
him
capable clf feeljn±. in I.a.
££Su"down Storm;i b,i Jolm fffenger.
ligious scenes.
ITi=` oils hislolical cant.as' ihc.
¬Surrender at Brc.(la,' aml his great pi(.tuI.eS.
£Las Meninas' aml Tlle Spinnel.s.I ¬l")w llim
a master of monmnenta] gl.rlup c."npr"<itj.ms.
At all times lie is a superl) tlraughtsman an(I
a fine colorist.
¬The Sevillian.
Alunzo
Cane.
though
at
heal-I a sculptor, was nevertheless a painter
of considerable merit.
llis figures arc. lroldhconceivecl with weighty garments giving th:
appearance of being carved out of stone. What
he lacks as a colorist he makes up for as a
skillful composer.
.¬Also of the School of Seville we fincl a
man of exceptional talent in Mu1.jllo.
His
fame was gained in his native fit?,, I.ather
than at court.
His series of lives of saints
as well
as
single
c.(mlpositions
]Jl.Ull:-rht
him
ever increasing local fame.
ln c.onll.ast to
Velasquez he uses a colorful pale"a aml is
extravarqant in his emotirmal ran(lrlin±S.
though
hc is incliIleCl
tO
en. "I
A].
lhel.`iClt. rlf
sentimenta]itv.J his ability as a c.(mlP"`el. all(I
a colorist can not be re-futetl....
¬¬Out
t`f
the
clol(ll.uns
of
18th
(:entul.\.
spanish painting. appears a tl).]1amiC a.hal.aC.tCi.
who,
sint=crlehanclecl=
I.e\italizecl
Spanish
al.I.
This man, F'ranc.isc.o de Got,a, through his rm.n
innate bI.imanl..a aCllieYed 'u POSili".i Of gl.eat
sit,a.nifical".a 1")I "1]y thl.Ough his Painting but
li,'atel. colol.s
by John
Wengc`l.,
l`onsisting.
Tn pol.tl.iitul.(- he is
T\-e\.erthc.less he.sh"\t..i
himselfa ruthless port1.aver Of tlle life Of the
people' wl"tse a.hal.ac.teri.sties hC. kn"I. Well.
and a scathillg remlerer Of the flgur(..S Of the
frivolous
couIl
of
equa]]y a\vaL.e.
whose
Jiis
wc-akness
Ill-
Sc.lf p".tl.a]'L
T\.aS
gi\es
us
a
glimpse.1f his imp.`llSi\.e nntul.e all(I Lhr "th\-I.
pot.tl.a].ts cxllibitetl are tf-`=ljmon\liant il"fl.pI.ela[i(" Of C.hal.aC.tel..a
ccAlll""gh
is
]imitc'rl
thc.
a"pe
alm"sL
"I
[o
.iI)i"1iSh
ellLI.I.e1\-
t1)
his lnil-
Pllinting
I.C-1igir"ls
=ub~
jects a"(i I"m.ails. am[ i-n SDI". "i ll". fa(.I
that th(. nl"nbe1. r)I rltltStanriing ma.-tel.S falls
below
lh...ll
ll.ies.
th(I
liste(I
Spain
is
]lal\..
mlli(m.i
n"m.
Lht-
I.c(`(-rat.(lc.(I
ho1(lel.
it
llt-
(1f
no
the
Ft.:"c.a
less
that
I.(l\\-
C:"l"1-
arhit.\f.m9ll.`
lil(.
:ll.C-
an-1g
ller.sc-lf
I'|uI"1:1
womler
(ll.
al.lit;tic
a_`
Lht.
tllt.
(i:1lhOlic.
l|e|.
mi=htif.`<r.
pl.int.ip:ll
faith.
a1.ti.i;lS.
llp-
*u
lilill
1\.itll
the
excepti(m of Vt.1asquez. wel.a zealr"ls in tbeilpol.m),-a] "i I.e]igious emrlticm.
_.\d(lecl Lr) tllis.
the nat1".a] SObl.iety C)i the _SpalliSh tonlPeI.ament
i.J1(I
the
LrenC,I.all
-
use
of
sul)a-|lerJ
tlllle.¬
an,I
while
the
sand
ancl
the 1\-ate1. iS Still \.isjble.
on yiew at the Montross Galler\-. New Yol.k.
until oat. 12.
Wengel., who is 'Russian born,
was formerly a designer for film settings. but
curiously enougll there is only orle picture ill
the clisplay dealing with the stag.e.
The re-
his interpl.elation offel.a both an inter.esting
trea[me11t Of the Subject and an unscrambled
\.few of Coney Islaml.
The artist employs opaque touches in `nis
water colors, and works with vigorous movement and stront=cr color c:oil.traStS. In his earlier
examples this vigor is a little over-emphasized
ancl his uncontro]1e(I force is somewhat re-
mainder reveal Wengefs intel.est in the holiday crowds that gather at amusement place==
an,_I summer play parks.
I.Iis Cone}r Islam(I
scenes arc unlike most rellditiOnS Of the Same
theme ++,hich are usually. crowcle{l tn the frame
with hunclreds of people imlulging in sun
basking and eating.
Wenger goes to this
fam"s resort jn tlle late spring befoi.a the
minclful
in a great man)- painting,a.
Tlle happy and
gay Side of life was seldom pit.tllred.
Their
piety was too deep set to alb"r for an interest in the pagan figu1.eS Of Classical m).thology.
As a resu][ nu(leg we1.a gel(lam Pot.-
traye(I.
Landscape.s. too, hacl ") place in a
of his
frmne1.
As a consequence
Claws aS a
Stage
de-
signer, when much space ilad tO be Covered
I.apidly. His recent water colors show more
control and completeness. heing closer to the
objectI.Ve Which the artist has Set lli-elf.
"st.
1.eSultecl fn a feeling of austelity aml COldneSS
Bat.tho1(mlc.\l.I"
lath
c.entul.y|
WoI'C.eStel`
Al.t. Museum; ..The Aclol.:ltion of the Mat]o.i." b.`I_,o Fillo dos MaestI.a RodI.ig.a, Duveen Bl.othel.s:
"'The Baptism of St. }IaI.tin Of Tout.s." "Mass
oI St. }Ia|.tin
of Tour.S"
anCl
"Entombment an(1
Asc_.ension of St. }Ial.tin." b}, Jaime Huguet. Ml.a.
Ralph M. Cot,; ]6th f.r.ntul..v altar. pief.a. Frenc.h
A.
Co.;
'lSt.
IJa\+.I.our.a.'l
Alon,,,a
Cane.
Nelson
a:llleI..Y Of Al.I; .'PI.in(.eSa {le la Paz'" Go.va. Ml`s.
I. Watson 1,Vebb: ..Self Pal.tI.ail," Goya. Clty A1.i
}[u.scmm of St. Louis; "Don }Iamle1 0sol`io." Goya'
{.ol;I"I.y where p].c.ture$ 1\.el.a. Painle¬l "ll)- for
Jules
c.hurch or court.
\i|1elher the Sitter be a
saint o|. a noble. he is im.ariaI)1y invested
William R. Timken: -Put.ifi(.:ttiOn Of the Tpmple."
Thilh
a
beat.ing
Of
great
(lignily
anCl
al.iS-
toc'I.aC.Y.
".Tllis is ne\fel.
ace(unplisbecl, h(-e\.e1.. 1.y
as a I.estllt of his sc.lies of c.let,.c.fly com.eiye(I
etchings a"l aquatints.
virtua]h. a a.aric.alul.isL
summer stampccle
mt1St]y Of lan(l>capes an(I figu1.C-S.a"bjeCt.a. al.a
jclealizalion
pllvsic.a]
at
beauty
tlle
expense
lt-aS
far.
of
less
naturalism.
CleSired
tllan
piety and nohili[),-.
These qualities wet.e expl.ease(I in a variety of wa)r-a.
No styles coulcl
tliff±r mol.a than those of Rihera. EI Greco_
yelasquez an(I Co)fa. and )..eL th:ir I",I.trait:
:~.a well as I.eligiou`s scene.s are all char.ac.ten.iS[ic.a]]\wl-
Spam.sh.
I.\llhOugll
the.Se
men
hat.e
been 'cbiefly I.e.¬I"mSihl(. I". the. fame Of Spanish paintI.ngS aj host of rtll"{.I.S' man). Of ".lrom
arc.
the
anoI-I-lS:
are
C--.qua11\.
c.nlill(.(I
I(I.`hal.t.
A (.omplele
..st.
uu..\.
list
"I the exhibit+
a"i:lloni"I.
:Iml
Jo+.(1lh
..Thl.(.I.
Bl."mmFI.:
"'. sL A"m... a.1talO"""I. a1""t
I.Thc.
Saillts."
Amlu"""tie"...
1.."h
..Th(1
I..en-
Vi1.=.in
I10o. Dm.Ial.tic.I.
Jll:m
De
But.g`os.
tlo]lm,.I
I.-,th
(.out"I..\.I
]3oston
}Ius(.um;
"The
}ralt}l.tlom of St. Cath(.lint.I- -Baptism of ChI.iSt.``
. st. Jol" on }rt. Palm:lc." ..mtl "Last Judg.m(.nt."
1.-}th (.(.ntul..\.. Tall. Ulli\.m..<,:I.\.; "St. S(.hastian aml
st.
Fabi:ln.
:lml
.`Co...o"ItIO:I
Of
the
Ti1.¬.-in'"
Al.ag`ollf.SC.
S(.hool.
Fl.(mt.h
.t'
Co.
a
IJaCly`"
Go.v`.I.
Women."
Got.a.
Wa(ls\+".th
Ml.a.
"Gossi]1-
Athcneum:
lantl;
"Th(-.
A(lot.atiOn
Of
the
Shcphel.cls."
EI
Gl.c.c.a.
Gt.oI.g.a
I3lumonthal:
"Appal.ition
o£
the
ViI.gin." alld "Yisitiltion of the ViI.g.in." EI Gl'ec.o`
}I. KnoeclleI. & Co.;
.'Cl.urifixion." "Pleth" and
"Pal.tl.ail Of IJa(I.Y'.I EI GI.eCO' Pemls.yh.:tnia Museum,. "A"1ullt.i:ltiOll," EI Gl.a(.a, R:llph
"Ang.el Appeal.in.=. to the Mag.dalen."
EI
M. Cog:
GI.eC.a.
_\[..lul.ic.a IIa1`I.iS; "Tht` Repentilnt PeteI.`" EI Gre(.a.
Hum.an
Phillips:
.`Thc.
Mag.da]en."
F.I
GI.el..0.
1\'ol.c.c.stc.I. Al.t }Iusc"m ; "Cat.tlinal Don Ff.I.n:lmlo
}'mo tie Gur\-al.a,''
an(I .'1.'ie\\. of Tote.tlo," EI
Gl.c.(.a. }Ic.tI.O]lO]it:"1 Museum.
"ilnf'|tlt(.I
}Iat..g.:1l.it:i,"
Jl"]1
tlel
Maze,
.Toll"
}Iol.timrl. Sc.hi ff:
'ilnf..lnt:I
}Lll.g.:ll.ita," Juan (tf,1
}I:lzo, ill..a. FI.C.del.ir. B. Pl...lit; "Pieta'" IJuiS de
_\tol.I.llt.s,
Gc:or.gt.
H:ll.tlin==.;
"Pot.tl.:lit.,u
B:u.tolom¬
E`t:lball }Iul.mo. City AI.i }Iu.scmm of St. IJOui+:
"IIc.a(I
of
Chl.ist"
:lI|d
"IJanCIS(_.ape
\\.ith
JarJOb
Ra(.hel,"
}Ian'`'
}Imillo.
RibeI.:l`
Gt.ogl.aph"..`'
Eu*r.nf.
Dc.tI.Oil
Ribel.a`
Rib(.I.a.
Bol.ass;
:Ill.+titutr£
Bostcm
}taul.it.a
Of
"The Obl
Al.ts;
}Iuseum;
l|,.ll.I.i.S;
"Tht=.
"St.
"I)ol.tI.ail
A"_
Of
a
llusi(.ial]."
Ribel.a`
Toll.tlo
}Iut=clmn..
"Don
Ba1tb:lzal. Gal.lOS :1nd FIis D\\.:".I.'' VehScluez' ]3oston
}Itl<(-um; "St,l£ Pal.tI.ail." Vc`.la.stlueZ' Jules Bat.he..
I,St.
P¬.I(.I.,"
(.Pot.tI.I.lit Of
ll.Oil
`.ELl;?;i\ -.`1l:i."1-\l. ".`i_\\"\l`\`T....\ ".I..` \\\...?:\ll\-:i.i1#\l1\.\\\:1,::,: e..±\i.:\\\.Tl1\t:.±\.i\
a+u call,.I
,.Hltl ..ChI.I.`t Amtm=. th(. Do(.tor.S." 1.5th
['entm.-\., Dl.. Pl.(.stan Poll(. Salt(.I.\`.hitcl; i.The Gil.rJum(.iSiOll'.`
I.~5th
".lltm..\..
I+1l.(."t.h
&
Co.:
"}|a-
Of
".cl.ur.ifixion." EI GI.a,(.a. Cim.innati Al,t Museum:
i.sL Vet.Oni(.a'S lrc,i].9 EI Gl.f.c.o. TheodoI.a Szyaras:
I.IIead of a Man.- EI Gl.ec.a, Dl.. F. H. HiI.a(:.h-
tll.r.\`..''
follow-..
cathc'I.lm.
l)I.othc.I..`:
logc.lllel. witb
.`Pol.t1.ail
GI.C'(~.a. Min"bilIIOliS In.<titute of Al.ts;
ing.
aml
lion(1'L.`+.
the lemlers
EI
Bat.he:
Institute
Ve]a,stluc.z.
a
of
Gil.F!
Al.tf?:
i-c.I.+all
GallrT.Y
Fl.:ll".isco tl(l
-St.
Jet.omr.."
(-\cEi#"\:\t..'\..? D5\\,.i.li\\1;?\ie\.c.\"L\T\.oi\LITl.=i"
Of
Zul.b:".."l`
"lll
A1.I:
De-
Zm.bat.I.1n`
Cl\il(I+
I:3nl
Jacques SchnielTTeach Sculptul.e
Jac.ques
Schnier.
.tan F1.anCiSC.a SCulptol.,
ltas joine|l the fat.ulty of the Califo1.nia Schocl1
(Jf Al.ts aml C|.arts. bak]aml.
The !1Tt Digests 1st October, 1935
Seeing Red
I
Wright,s Huge lMuraI, 200 Figures, Is in Place
ln the usual sequence_ worcls lead to pistols'
I"ll. accorcling to a clispatcll tO the New York
Sc4ra from Mexico Gt},, a pistol led [o a cluel
oj' words betweell Diego Rivera and David
Alfa1.a Siqueil.os, both raclical painters with
crJmmuniSt iCIeas. Siquei1.OS looks upon Rivera
a.a an opportunist, a compromiser.
Rivera
clenies it.
The troul)le startecl, accorcling to
the dispatcll' when Rivet.a intcl.rupted a lec_
tin.e beint,cr clelivered by his colleague at an
a"Iucational confer.ence by {h.awing a pistol
f1.I,m his pocket, Which CauSeCl an uproar
amo"g the delet]rrates.
\To blood was shecl: and it was al.ranged
that the two should fight the issue out by
means of a cliscussion of Ills question, ¬what
ri
Revolutionary
Art?"
Fiery
pistols, were to be the weapons.
words,
not
The police,
I.Caring violence, close(I the (Ioors of the aucli_
tl.rium at the Fine Arts Palace.
The 500
intellectuals gatllerecl outside threatenecl a riot.
The doors were opened.
Sequeiros opened the cluel ancl made many
+.e1.bar thrusts.
I-Ie accused Rivera of being
an ¬¬opportunist," which is the most insulting thing one commtmist can call another.
He termecl him an £¬entertainer of tourists."
Rivera's murals, he saicI. were not truly revolutionary because they failed to portray the
communist ideal. Particularly did he criticize
the murals for the cortez palace at Cuerna-
"ca, paicl for by the late Ambassador Morrow.
In defense, Rivera saicl the cuernavaca
panels had been painted by arrangement with
a third party. He asserted his painting was
a true product of the Mexican revolution,
wIliCh Was Originally a peasant uprising and is
still in the bourgeois phase.
1mperialism
1`ill continue to be the subject of paintingJ"
lle said, ¬¬unti1 1\Iexico ceases to suffer from
American imperialism. and that will be when
the.
world
revolutI'On
_
_
C(mleS.I,
Art Congress to Be Held
Art_
York,
see_
hunbeing
called fol. concerted actI,On against the clangers
of war and fascist I.eaction. antl for cliscussing
ancl clarifying economic anrl aesthetic questirJllS Of Vital imme(liate
Stanton Macdonalcl Writ,crht's huge mural of
2,000 square feet of colorful brushwork has
just I)eon bolted to the walls of tile Santa
Monica Public Library.. ancl the artist. who
stood the entire expense except for S|,ooo
raised locally for. materials (paint alone cost
_$680l, awaits the reaction of Southem Califol.nia citizenry.
Arthur Millier, critic of the
Log Antao.eles Tz:"es. recallint=rr the bitter con_
tl.oversy over Leo K.atz,s mural in the Wigging
Tl.ado
School,
writes:
¬¬Southel.n
California
no sooner destroys a mural pal"tint,rr than a
bigger one bobs up for contemplation-an(I
public judgment.''
Writght. orit2rrinatOr Of C6Synchronism," rela_
__
Early in December the first American
ists, Congress will assemble in New
accorcling to Stuart Davis_ organizational
retary.
The congress. sponsorec] by one
drecl representative American artists, is
Section of Mural by S. Macdonald, WrightS Sam.tca Mowica hibrar.y> Caltfomia.
a.oncem.
I.It is high lime for Americ.an aliists as a
live of LIenry E. IIuntington, who gave Calf_
fornia its a.real library and art gallery. and
brothel. of Philo Vance's creator., Willard
Huntint,rrton Wl.it3trht (S. S. Van Dinet, llas
completecl in two years time tile largest Oneman undertaking. bet,a.un tmcler the Fe(leral
Public Works of AI.I Project, a continuous
mural painted on 38 ply])oard panels ancl
clepicting the £¬twin streams of man's imagina.
tire ancl inventive (level"pment.''
It crmtairls
mo|.e than 200 figuI.es. inClucling. 47 actual
portraits
of
living
or
bistol.ical
ellal.actel.a.
an-lg them some of Sanla Monica's leaclinggrrJuP tO take Stock Of their common situations" explainecl Ml.. Dawis. wllo is a well
knrJWn abSlraC[ Painter. iW-a are conf|.onted
ciLizens.
TIlus.
wl.ites
Ml..
Mimel..
6¬in
the
moti(1n
woocl. grenius of radio and television.
He
stands across the main cloorway from a pop_
trait of Edgar Allen Poe, w-ham Wl.it=crht re_
gards as the foremost American to ccunbine
imaginative and ilIVentiVe genius.''
The artist, who is known
for his
fluent
bl.ushwo1.k, his brilliant yet COntrOIlecl color
ancl Ills SChOlarly grasp of Oriental philosophy}
has cledicated the mural to his father, the
kte Al.chibald Wrig.ht, al.chitect and builder
oj the Southern Railway, the cledication ap_
pearinljrr in Chinese character.a under a life_
size figure nf a V-ictorian-clad young man.
of special I."terest is the panel-reproduced
herewith.
IIemry Clauson! a professional
wrestler ¬6who reads Goethe and studies Bee_
th(J\..en between bouts." POSed for a majority
of the figures. lie iyas the model for the
figures of Wrig.ht himself and Thomas Hem
tom. whose likeness appeal.a as a prindtive
man I:ropingr" a Chinese dratgon with a lariat.
The dl.at,crrm, explains Mr. Milliel.. is a 'isymbol
of
spI'rit"al
essenc.a
I)ac.ktrfr--I,
as in
taken
the
fl.om
tn
the
Chinese.!'
matt)- Of the
Southel.n
The
Panels, is
Califol.nia
coastal
l`eg.lan.
The
twill
LhclneS
Of
the
mul.a1.
in\-ention
an{l imaginatic"1? Writes |Il.. }Iillil.I., 1.effect
..Wlight's ow\m natul.a. Ills stucI). ancl convic-
tion.
fie regal.tls invc-ntioll aS Primarily an
oc.c.idental
a(1nLl.ibution.
ancl
imag]'nation
as
i+-ith tlle high pl.r)hal)ilit!~ c)I a worI(I cataclysm,
I)jcture sc,ene in whI'Ch the tWr) C|lltural
slleams flow tog.ethel.. appear Ju(lge John I.
threa[enint,fr creative wol.kel.s with the enrol.cecl
I.ale Of instruments of ball)al.ous clestl.uction.
i\'r,'ithin tlliS COuntl.y.. not Only is the great
body of American artists llarassecl by eco_
"-al.
ti"la]I}. b.ol.rowing fl-om eat.Jl Other.a wisclom.
b).. beyoml two huge genii_ rme pink. tbe othel.
The mural may well he seen as the first ex-
blue. wbich represent rbe positive aml nega.
p].essi\..e mr)numenL I() the growing belief that
T\..e.Slel.n PraCtiCali[}. and
eaStel.n
Philosophy
mmic insecurity.. but they have just cause for
alarm in the rapidly- increasing attacks upon
the. liberty of honest artistic el.pl.ession."
The program of discussion will cover such
timely topics as Federal, State an(I Municipal
Art Projects, Changes in Art Patronage, Subject l1/latter in Relation to New. Aesthetic Directions, Problems of Technique ancI Meclium,
}ruseum Policy in the Depression, PIans for
Rental of Pictul.es. Art Criticism, am-I Art
ScllOOIs During the Crisis.
Madge Tennent,s Paris Exhibition
}Iadge Tennent, llonolulu al.list, who ex_
hibited at the Wertheim Galleries. IJOnCIOm in
a.eptember, will hold a show at the Bernheim
Jelme Galleries, Paris. oat. l4-28.
C()1-i]1l)
an(I
hJ'S
famOLIS
SC)n
Leo'
while
tit.e electricity Michael Far.a(lay is pl.ocluc.ing
fl.om his cru(le ¬dynamo,' Mayr)I William EI.
Carter of the 1)each city is shown in the at-I
of speech-making.
Attii-ed as be-ruffecl Flor-
entine gentleman. ITarry Gorham ancl Robert
I.`. Jones. nephews of Senator Jolm P. Jones,
who founclecl Santa Monica, attend Dante in
another. Panel.
£¬GIoria Stuart's b]omle hea(I takes center
ill
tile
Cimema
Panel.
a
typical
sound-stag.e
scene wI'th Frank Tuttle clirecting.
On the
back of the metal light reflector whicll il1llminates Miss Stual.t's chat.ms. the artist has
printecl very small, ¬S)mchl.ome'-the name of
c1`1minanllY Oriental. Witll East aml W'est con-
are clestim-(I for a ne++. creati\.a fllsion on this
Coast.
¬.But Ti.il'ght cloes not separate Beethoven
ancl
Bllclclha
puts
them.
t=trreat
building
ol.
Chinese
nf
Siegfriecl
with
the
ancl
Bach.
(Il.agon,
Royal
Lao-tze.
He
|Iicllelangelo.
the
Boccac.cia.
-\Iosque
at
ancl
the
lspahan.
all into the ¬imaginaLi\.e? half of his lnul.al.
And while primitiye man (licl not itN,.ent the
wheel. lle llontheles.a she"-s him making one
to start the Ions tl.aim of logic and inven_
lion which tl.a\,.elf through Alexancler, Aris_
totle. Zeno ancl Socrates to Rogc.I Baa"I. Co-
the color film process on whicll he bag Th,-OrkeC]
perm'cus,
fol. ten years and by wl".ch the murals al.e
llOW heing COmPletely Photographed.
t]'m. formula for grayitatitm ancl with the cat
and kitten for wllom he cut the big anal little
The last figure ]'n the ¬inventive, half of
tltc huge mural is Lee De Forest of IIollv_
prlss]'b]e this hey-clay of material inventions'"
(loors)
Gallileo.
all(I
the
-T\TeTtlon
]arel.
(show-n
Scientists
with
Who
the
made
ii=
8
TIle Art Digest, lst October, l93J.5
Experts Plan to End Chaos in Knowledge of Early Chinese
Bronze
Elcer
The
oj
tlic,
CJ.cul
IJuCy M(Iud
I),y"(lsty
Bllckimgh(lm
(II'2'2-'2,55
Fascinating aS the literary lore.sul.-mCIing
Conjectul.es haye been
passed along will-lt \'.el.ificati(m, until scholars bave I)eon force(I to (lepeml m".e up("I
inter.Hal evi(Iencc.
superfic].al
writes of 1.eCen[
cllin¬se
lhall
authors.
bronzes
the recorclecl cliCta Of
Charles
Fabens
Keller
I.a.Searches ermCel.ningr early
in
th(.
cf)1Iecti(m
of
The
Towa|.(I
when the Inter.national Exhihiti"1 0f Clliit
is hope(I
thal
in
lighl
IJ(m(Ion
w.ill
this i+.intC"_..
I)a thmwn on
task of (Idling aml classifying hl.("lzes.
nt?se s(.,holars are working on a new chl.onology
lnay a]ler I".eV;a"S a"1.il"lti"lS When
whiall
exbihit.a
mw
in
wi(lflv
sc.att(-rerl
(.oll(3C.tiOm.-
The 21st Annual Exhibition of Northwest
Artists.
comprising
painting
and
SCulpture
frc,m Montana. Idaho. Oregon, Washington
and British Columbia. wm be helcl in the
seattle Art Museum. Oat. 2 to Ncrv..i 3. The
rTmSeum has been SPOnSOring these eXllibitiOnS
siHCe l914, when a small group of Seattle
artists made the initial move in organizing
an annual competitive show. From their efforts dates much of the clevelopment of art
in the Northwest.
Kenneth Ca]lahan, assistant director of the
Museum,
writes
THl..,
ART
DICE.ST:
"The artists of the Northwest are fortunate
in havillg their one important competitive show
of the year. an exhibition ]'n which those
goo(I painters who look to the past al.e exhibits(I as well as lbe. goocl progressive. painters who look into the future.
A 6safe aml
sane'
jury
that
1.i(lea
the
fenc.(..
seeing
all
sides ("lly by ket.ping lhc. mi(I(ll(. grormd.
always emls with an in-c.1")tlS. dllll exhibitirm.
Tbi.s
wesl
amluals
has not
of
th(I.
happem-tl
past
I(.n
I.n
the Art
1c.[.li("I
the
T\1ol.tb-
).c.art.
Thel.t.
ClaSSifiCat]'on
(le(.cn.ation on tile I"ly of !l". (.war. tlu"t,trh
"I
lhC
llrstitule Ml.. Kelley llas
are
I.epl.ocluc.etl
herewith.
Cl")u clynasly
(1122-2'55 B. a.I
usual
h)
censel.
ham(Ill-s.
I)e
carriecl
From
by
two
of Mongolian I)i)e'.i"pI-.i the ":SSCl.
(m
j[
the
i.a
cI"ic.ly
I("nh
sL"`1ie(I
I)y
Also
of
allied
Yo-hang.
Bish()p
willl
'chain
Sl).1is-
the
wlnic.h
like
animal
hamllc-.
in
fc)rln
a
I)eon
bir(Fs
which
h¢.all
slam(ls
art
an(I
(m
Of human beinlrS.
with
thrc.e
The
an
lc.gs
mulct(.(I
Midtown Galleries Move
Margal.et
(lelica.te.
tllC
is
similar
Cent+el..
fig.ures present an inlet.e.sling s"1tly.
staml
their. ham(ls rest on
")
that
The s"pporting
As they
lhc.ir kneeli ''aS if
to bra(.a the bearers for lheil. bur(len.
The)imles(.rI.I"lhlr tyPt± Of gal.ment also
wear an
cleco|.ate(I witll inc.isecl lim.s.
surmol"1te(I
wJ.th
With
OuLspreatl
Wht.[ller
ic.a":e
i.i
]arg1*
Tllc
P1"i.nix
llc.alls al.a
hc:a(ll-ll.(-a-<es
wings..,
lh(-
llea(ltlress
bear.s
an
mu.f|.lilin
maH|-I..
\.eat.s
J
(.al.]ier
I.eI".eSont
any
signif-
Bionzes
the
a
Salnt1
M1.. Kelley says, ,'that tastes (.Jmtinue in C:hind
Painting,
extreme
I)aintinc,fr.
and much go("I a("Iud ex-
Gasll,
more
Si(leg Of
I).pe.
de\..elopment.''
Alan
thLI
:I SP"ut
The Midtown Galleries has openecl its
fourth exhil)iti()n season in new quarters at
60,5 Madison Ave.
Alan D. Grushkin is in
sole charge.
The first exhibition ccunprises paintings aml
sculpture by members of the Midtown group,
incl"(ling M. Azzi Aldrich, Isabel
Bishop.
Minna Cit-I. Francis Criss. Eugene Fitscll.
(I.hest¬.I
on
of finer
pression. but little clull, stupi(I work.
There
is wol.thy nationalism ill these painters. but a
basic regirma]ism that is the faun(Iation of a
TiLa]
cle.cicle(lly
tl""sl"i(1
While.
fl"n the Chorl clynasly I"lt
fashirmecl
fig"res
hat.a
wol.kmanShip is a I".orlzf-. e1\.e1. With
the
the.
is a vet.Y un-
F(lul. little men' (Iresse(I in gal.menl.a
llaS
been Vital
clevel. paintint`tr
Northwest Annual
seattle
ac"1|.ate
macle ("lsitlerable reseal.c|l.
Two of the
objects in the Lucy _\/laud Buckingham col-
lh(-:
Chi-
the
brorlZeS at
[i(.ally
Art Institute of Chicago in its B!l/fc,ff,?.
nese Art takes pla(-.a
The lmcr lil"tld B"chingh(lI" (:Oller:li"1.
are brought together. ft.I further stll(ly.
chinese aralnaeol"gy ma),. be, sc.if.nlific slully
of the remain`s "I anLi(ILljty iS m"V a matlel.
of only a few Teal.s.
Bronze Censor oj the (:I.out I)yn(1Sl.y (11'2'2-255 B.C.)
B.(:.)
ColJ.c>c.til.on.
IIuntint?crton'
~\/Iary E. FT"tchinson, Gurclen I+owe. Paul R.
MeltsneL Paul Mommer. Ol.onzio -\Ialclal.elli,
Wablo pail.ce. William a. Palmer, Dot.is Rosen[hal' Ana[ol Shu]kin, Martha Simpson.
\.uk"ri(.. aml Al.-I(I Wiltz.
Ah.ea(Iy
"le(I alt. rme-man Shows by Isabel
Pram.is fJi.SS. Anatol Shulkin. Dolls
Mar.ko
sc.he(IBi.shop.
Res(.n-
lbal. 1\'im.am Palmer.. }Iomm(-I, Alth.ic.h.
6`It wt"ll(1 probably I". safe I(-I assume_.i
far. Icmger than in the west. instead t)i Ll.)i;lg
to ascribe son|e special
elaborate
significanc(.
to .suc.h
milline1.y."
Southern States League
Before leaving New Orleans for his usual
autumn trip to New E"glan(I. Dr. E]lswrlrth
Wtro(lwarcl. presi(lent of the Southel.n States
Art League, gave out some pertinent figu1.eS
cornpiled in the office of the Leat]frue from
files of previous years.
TlleSe ShC" tllat
tlloutJrrIl there have been Several years Since
the Leagtle bet,Cram its existence in l92| when
no prizes were t,rriven. ancl several in which
there is no record that sales were macle_
yet a total of 118 casll prizes totalling
$6'345.00' besicles me(la]s anci honorable mel1tions, have been t=rriven since the first annual;
an(I that, in the same periotl of |5 years.
over 100 sales, amouIltin!=rr trl S4.649.90' have
been ma(le from the annllal]. circuit` an(I specja]
exhi1)itiMIS.
making
a'
gralMl
i"Lal
of
$10 994.90.
.Thus the artists r)I tllt= South hal.e benefit[e(I to the extent of o\.e|. $10.000 in actual
(.ash h.()m the acti\ities of thl- League-a, notes
Dr. Woe)(lwarcl. ¬iin all(liti(" tn the intantgible
a(l\.antaqf.s tr"ll Puhli(.Ily and lhe Wider COntat.ts "'ith
the I"lhli(.
of
lhe entire
se(.lion."
The
Painting Silence
Pa.<lel
lamls(.apt.s
pit.ttlring
lvilh
Art
I)igc,.st., 1-sl Oclober=
]9:-I;5
9
Bellows, 16 "Brutar Pugilist Prints Shown
Poe".C
hea"ly aml (lelI'(.dry N(n.wegian sc.ene|.t. at all
spa.s"ls
or
the.
veal. were
I.xhiI)itt-(I
i;1
Pall.S
this St"mllc-1. b\r the Amrican a|.tisL William
I-I.
Singel.,
man.
Tlle
Jr... a[
lhe
exllihitioll
C,aleI.ie
a(I(1etl
still
a.
Schustpr-
anolhel.
I")I-
lion lo Ill. Singel.,s internalional I.eputati"I
as a lamlscapc painter of "nusual I.a"gt. aml
sensI|i\.eneSS: the European cri[].cs wet.a fulsam(. I'n their Praise. anCl among the sille.a
1`,aS fme lo the curator r)I the Art Museum Of
CaI'rO. Eg!..pL
Camille Ma"clair. famous French art or.itic.
anfl a member of the American A(.ademy of
Al.ts ±1nd Le[teI.S. gave the following critI.CiSm
of Ill. Singer,a WOI.k:
but the. mol.e or less
natul.a.
It Only really
a wol.k of art if the
"A lan(lscape a.an I)a
clever transcription of
cleserves to be ca]1ecl
artist, with all (lue respect to the truth of its I.m.tI.al theme, rises tn
a personal I.nterPretation Of it, an(I is capal)]e.
having seen jt, [o think i[ anew` then to gil,.a
us tlle h]emle(I result of seIISe and intellect.
Tl`.us llave certaI.n gl.eat masters brought their
mocleFs sorll to shine softly through the car_
poreal s"rface of their portraits.
¬:|h.. Wimam ff. Singer, Jr., has pet.fect]y
¬6A
un(lerstor"I llljs h].gher tD-(le Of Painted ]aml.scapt-.
Norwegian scenery. captivate(I
him.
Ile fell in love with jt.
He fathoms(I its
chat.aCte1..
tie
livecl
and
meditate(I
long
ami(lst it in various seasons, at all hours
aml "mler all aspects.
lie has, so to speak,
leal.ne(I I't by heart.
Then, and then only (li(I
]If a("nPOSe.
f1.Om i[, hI.a Cam,ages, Whiall
are
as many poems, and s[rI.ke us first as poems.
But the.ce pf)ems are true.
They al.e reall.ties wi[Il all the magic of dream...
Eac]l
one of theft- past(.ls be(.omes a stanza ()f some
pastoral an(I ]ylic snug. of a("le hymn to the
h]ue-vallbe(I
Ileat.uns.
t(.re.Qt.Quffic.ienr
Each
lmtO
one
I|SClf.
I")lcls
like
a
I.n-
I)eautiful
A complete set of Geort?tre
all
tog.elliel..
They
(.I"nP]e[e.
(,xp]ain
aml answ(--.I. eat.h ot]le|..
|n Ill(.Se lamls(.apes. b),. I"I.ns int].mate or
lmaj(..a".(..
mil-I).
full
(lf style all(I
appc-aI..I.
1ritllslamling:
I-n.a
A
lm(lis[ul.be(I
pl.(.sew(..a
lha[ of Si]cn(.a.
c.all...ililltll"m.'
I(".
is
s¢T"ll.I)..
ft`ll`
m)[-
W]la[ [h;I Cc.1._
wI".ch
"a
a(leq"ate
3 to
s"ls.
ll10ugh.
in
hi.Q
WOl.k-
yarying
the
sea-
ruSl]ing
Or
18.
The only other. comple[t=
I.a in tlle C:levelan(I Must-"m.
Alrr DI(".:STl
sey
ancl
¬`Th(. Pr(`lim;nat.i(.S..? aml..DenlP-
-\si('lf
from
I.etainitlg.
his
with
nlr,st
at.(.laimc.(1
ti-..s
I)(-.c.n
ill(Iiyi(Iua]is(
rot.le
linke(I
;s
wllh
his
the
I.n
ilrt
lmla]I.[y'
W]mSf
has
a[
lmPl.eSSiOniStS.
I)a
in(.1u(I(.(I.
impel.tance
""-age
al"I
..A
an
allisL
Lht_
L].ur
J
]mp1.eSSiOniStS.
Ills Stroke Was less hampere(I than by etching.
As
I.eVeale(I
in
the
iPIiZe
P`].ng.,
umISual light
(`ffects.
I-Ie relic(I
rm
lheI'r
altemPIS,
they
are
lHl[
Yil.tuOSi
movemelll
an(i
1"Ilk
or
the
fi.grh[ers'
often the model.
Na[i"lal
j\c.il(It.my
jn
1910.
(I(.mamling
fI.a(.d"n of subject ma"(,I for. [lle natiye ar[-
aml weI.t. c.llal.gc.d with \ila;i[\| rl|,sh air and
]'sL
fl.ankness.''
Thl's I.t`rolu"I(mat.y g-1P. lJl1.akI.ng away
i""n Bat.I"'y."I [wjljg|tL` at"I I(-(li"I.i pi(.ll".(`.\
macle art hisl".y.
far
ma[erial
;n
I)ac.k
of
B":au.`t. he g.1.aSPCtl al.Jlp
Ill(.
AI".I.I.(.an.`u.l`.c..
I.c.(.t.i\int=rr
a.i
]909
lu..+
he
I."Sl
was
B(.]lows
:lWar(Is.
tl(.'`".il"`cl
as
(:6.zamt-s
aml
Picasso.a
Amc.lican
soil
aflc.I
lll=lt
the
fluHi=hcYl
o-rnl
or
the,
llu.
goo-try,
ml
1913
.`lr"lglhe.m.ll
an(I
for. him:
).(.I a[
(ll.eW
l."1CenLl.aLing on
hllmall
ZLnCl
ally
IIfalLhy
It was in ]916 rllal he look lip lithograph)..
thal
lim`=
thel.c-
was
a
g.("I(I
mat-krl
r".
an
tile
ll.ue
aI.list.9'
a's""1i`Shin¥
chamber of tile Not.-gian legation at wash.
D.
C.
Inexpensive
There is notl".ng so inexpensive as beaut)-.
if one hqs _v.1SiOn.-Le Baron Cooke in c¢EI;i_
g1.a]11.S
Oj
lhc
JFFeek:.
;n
zlfl.ai(I.
nO1.
lifr
PainteCl
hL"n(")uS.
t]se.(ll
it
a(]nS(I
alJililV
tO
llf
eX-
aml Wlu.[e.
The
ha(I tl.<"-g. a])p(,aj
w.a.` (.apaI)le of a"
lI¬. hall wit. a"l
will"nlt
il.
lit.
was
aCl\.entLlll"l``
ancl
u"-
I-le was icleall'sLI'(.. an(I not
by the. 1.OmantiC.
an\l
C
I)laC.k
ti--.s Ilo
lmrOu(.he(I
Ab".e all. ht. llad al h(".I
at all times."
JOHN LEVY GALLERIESl lnc.
sc`]cl to Norway, [o be hung in the recep[ioI'1
int3rrtOn,
wrote
uniqul- sl`nsc. of (le_
I'n.`linr.liV.
:Lll1"SL fenlinI'Ile ten(lerness.
llCYt-.I.
that
an
lrv
prl..is Ills fee.ling..a in
(lL.amatiC jnSlani jn
Armor.y sl"JW, Bellows slill Hmlaim.'I Bellor\.s,
the thing.i
"lc.(,
.,To Ills ullusHa1
]lalul.al gifts a`s an artist. w".r atl(Jc`(I an amaz_
sis.ll
D(-`spi[e the yarj"l`q m".e-
.+pej(.1ler
I.ng `ir.nsc. of a.llal.ac.lei., a
A.a
lllc 1.mmonSe I""m.-g.I.""i (.lop ol'
Ellgone
an apprfc.ialion,i of Bt.llo\\..+.
Of
Two of Mr. Singer,s paintings were recent]\.
I")(lies.
Ilo whit.Iecl fmm the lithog-
I'.-. a POOL. WhO' Shove all. takes counsel from
of
ex.
jllaliOn an(I mem".y. a"l hc himself "s vc|-v
r"llwal.(I aml lumino"s appeal.ances' aml ton
often sou.q|lt efff.c.I in su].prise.
}[r. singer
what walls calls ¬the cI;+,ellel. in the I.nne|..
most.9 the ("1e ancl orlly guicle and the mark
the
cited expl.essiolrs On the gross face.i rum".ng
around the Prize ring as well as the en[jre
Iit.WeVC.I. aSluni.illing. some of them succee(lecl
ill
collection.
Bellows was greatly I.nterc.ate(I in aha(Iowa and
a chat.aC.lerjSljC Pose.
"lliL= enll"l=ia`SmS Wet.e Pe(.ulial.Iv Am"i(.an,
tllc
At
the
.,\fler
The
"I tlle y("mger g-IP wl") Plll I":hi"l Ll"n
1.ang(-
wilh
"".
rapllc.Fs.`lonc. lo g(.slit.lllate jn the mirror for
an(I I.a-(I-b]-IerL }-"g I-n."(`S :"."."n(I him-.
Singe-I
lj[hogl.aphy llad (I;(..,I
Most of hI.a SllbjeCtS Wet.e (lrawn from imag_
as
al"la(:iLy
along
as
St`lch a (."mp:".I.son. wl.ites Mauclair, is enper_
ficfaI. "for il wonl(1 be an el.rot. imlee,(I to
M1..
etching her.a:
Bellows.
IIa\.ol. of A--I.ic:"I lift`, B(31Inws was also omJ
1tl.ulal.. Bell-.i.
:"1
Will
with lesser. Shown examples ."t.h
ltnoc.k("lt'" herewith I.ep-luce(I.
mt"Its aml
,tI'ng.C.I..
!all.ca(ly 1.eP-luCe(I in Tmi
Car.p("llI'er.''
¬cll.laI'n I"lems of lil.jne. K(,als aml Poe ho](I
LIL..
l\lany of Be1-
ringsi(Ie, such a-i £t`(ilag a[ sharkey!``.' i.Dernp-
sey amI Fit.po'''
loliagr(... wiml aml walt.I. can s(.ar(.a he beat.d.
the same faint aml sln.passing swee[nc.ss."
Se[
1ows' famorls interpretations of lh(. -Amerj|.an
was.sl"tr
nr
GeoI.ge
\igor of hits CIrawing anal the sprmtanei[y of
Oct.
spc.I.C.I.
nag.Cant
Bellows,..PriyJ.,`.
br
hibits(I at the Kc")eI Calleries' New York,
1.aW
the
Ij.thogr(lph
that it was (mc of his fat(".ite -(lilHllS.
h.encll has lreen foumI.
Ail.. SingpJ. know.i
h"`r to gi\.a life to silerlCe, aPPea.q.ng. aml
:1mitlsl
A
Rint3fr" lithOgraPhS' numheling l6, will be ex-
i.eI.Se len a Per.feet POem I"I[ il iS he.q[ lo shfIV
tI".m
Knockorl1:`
PAINTINGS
ONE EAST 57th STREET, NEW YORK
I+
1O
The Art Digest, lsi October, l93S
Hassam,s Impressionistic Etchings Shown
EffeminacyP
Thom[s Cr(luen.? 1Griting im, the New Torl:
Ame,rlcan.. hits tz;rnRd hi-S uilriOl. again.Sl the
widJ3l;y_used. deSCriPtire PI"(lse= ¢cI.a has dell.
ca.te±
sh(lpely h(m(ls? the semsi.lil,a ham.ds of
the arti.st:? and has deal(lred cl ¢cm.orait)rium
on. that a:orcl sensiliue=
I[ i/s an obvious i(ll-
lacv_
I,a
Mr.
Crtlren
a"].s-
a"ssiLme
t]?at
the
su,::ess]ul. practi(.a of th.a aI.i Of lmtnti.ng depends :.nD; On. the Sire Of (I 1-a_:.S_ i.nJ.gltig.;n_Ce
_sri(i.pely=
bu.i on the slender.
si-.a ofh(ImI,.s
I.i.s ha"ds.
clenote
The_th,e
ill.ea
_ sea_sitire
¢¬lh(lt
arti)st
-is;y:? fsM.r.
partCraten...
of tJ.a mod.ern cult of effemin.
I do not know when or whel.e this Superstition originated, but it was probably the
invention of some light-fingered knave with
pretty hands aml imperceptible artistic ability; and it has been kept alive by nellrOtiCS.
lily-painters, she-artists. tea drunkarCIS, and
credulous writers with no respect for hard
facts.
some painters haye well formed bands: the
majority do not; and one of the most di.stinguished of living painters has the hands of
¢¢East Hanipt.on=
An Etching by_ Childe H_assa.m Showing the
a. stone-mason-massive, powerful hands that
have been bruised and knocked out of joint
by the hardest kinds of manual labor.
If small hands and taperingr fingers Were
Hou.se in Which the Artist Died.
the accompaniments
of the artistic facult?..
then the Hindus would be a race of artists.
and the Japanese superior to the Americans:
which they emphatically are not. They ma?.
be more wily and more sensitive-sensitive_
that is, to criticism-but their art, at present.
is the cheapest form of badlv colored prints
and flimsy knick_knacks manu'factured for the
five_and-ten cent stores. And I need not mention the women. They have nev.er figured in
the history of the fine arts, and, their best
work in weaving? pottery and handicraft was
produced in primitive societ].es where
m:H
llddfbhG]Hdd
dddb
-wfi
-
there
was neither soap nor leisure, neither beautt.
doctors nor aesthetes.
The idea that shapely= slender hands denote the sensitive artist is part of the modern
cult of effeminacy. In former times when art
was a thrivingr, legitimate industry the painter
A Book on Typography
Hassam Prints Feature Sale
Typograph]f has enjoyed a Veritable renaissance in the 20th century. To the s'tandard
on the evening of Oat. 10 the Plaza Art
Galleries will hold their first etching sale of
the season. The collection will go on view
caslon and Garamond. mocle1.n CleSignerS have
added numerous faces.retaining the fine quali-
ties of Roman alphabets I"lt sensitive to the
trencls of the present day. wiuiam Longyear has
compiled c.A Dictionary of Moclel.n Type Faces
anal
Lettering"
COnta;ming
about
l60
styles
iJ'. SeVel.a1 Sizes representing cCnnPlete alpha.
bets in capitals and lower case and unmhel.S.
(pelham, N. Y., $2.50; Bl.iclgman Publishers).
while tile ftlassic" type fat.cs Of the Past
are include[1_ }Il.. Longyeal-,a selccticm is largely of slam(I;I.{l styles which haye been clesigned in the spit.it of model.n arc.lliteCtu1.a
ancl fu|.nitul.a. eliminating the extl.a- races
which have I;e¢.n devised in quest of mere
novelty.
Tile dictionary is a spl!-.mli(I WOrk-
ing ref¬l-enc.a for. a1.lists aml Publishers.
oct. 7, to continue until tile evening Of the
sale.
One of the hit=dl spots is a notable
group of chi]cle r[assam's etchings. which
wi]] be solcl along with works by Benson.
Blamp].ed. Bri.scoe. Brockhur.st. Brouet_ Cameron. cols. Cain. Eby? F`orain. Grant. Gl.ay:
Ilein[zelman. McBey,
Pennell. Ro`eenbert-fr.
was content to be an llonest and sober WOI.kman; todaye more often than note be is a Shift.
less
epicene
preten(liIlg
lO.
Or
aCtua]]}
POS-
sessing. almormal sensitivity.
Thus it has
happened that the public, fol- tile last twenty
years. has been inyitecl to a(lmire alrd ac-copt
myst;rious technical machinery instead of pictures; and when the public'has refusecl tfl
be gullelL the angr)- artists have c]ied. c6You
are not sensitive!
you cannot llmleI.Stanr1.
us!"
Thus it ha.-' bappene(I that art llaS PrOCluced
picasso' a painter of the ghosts of Franken.
Whistler and Zorn.
A Studio That Is Also a School
At the Dl.r)gkamp Studios of Art Instruction.
r:arnegie [Ja1]. N. Y.I the methods anal atmos-
phere suggest a professional studio rather
than a school. charles FT. Dl.ogkamp aml Jean
C. Drot=rrkamp al.a the directol.-instructor.i.
Wildenstein dnc] Co./ lnc.
steins, a cliabolical]v sensiti\..e artist -I"lt sensitive only to trifling ingenuities ancl deformed
litter wbicb his pl.ecinus aClmirers h)ld up
as reflections of [heil. r"un sensitive soulsand maybe lbey are.
Ar1(I thus it bag ban.
pened that the 1+.Old al.list ha.a COme lo.signifl.
a refinecl weaklin-rr Th.ith exorbitant men.OuS
irri[abilit`.: that tiie pla+i)oy picasso is csteemec1
-as
more
artistic
than
the
great
rlogal.th; tba[ the millute and inC("lSequelltial
agonies of the vet.(mat-g"77|ing Pl.oust are
more a1.tiStiC than the im.nmPara,hly luc.ill ancl
masculine imagination of }Ial.k Twain.
I[ iS time to declare a m".ator.ilml orl tb:tt
19 East 64+h S+reef
1".d SC,nSitiVC..
It used
tf} be
a g.nod wo1.Cl
before the maniac pailllel.a alrd ad(llecl psy-
New York City
Paris
cllologists began to fool willl i1. I"lL. accOl-tl.
LLha
London
ing to cm.rent usage. its impljl.ations are mol.bid and dial.eputable.
It is about tbe wnr.st
thin_fr that can be saicl of an artist.
The Art Digest, 1st October, 1935
Mrs. Murphy Dies
VibrantPaintings bvHassam Form Exhibition
~
Mrs. W. D. Murphyt portrait painter I"I
whom five presidemts posed. died in New York
at the at,cre of 84 on Sept. 23. An unusual
artist in that she never joined any artistic
societies. associations or clubs or ever held
an exhibition, i|,Irs. Murphy was known as
the ¬6painter of official portraits."
==:i:--i-I
i il. givS -.#P _ke:I
',? "#iil
It is said
that more of her paintings hang in state capi_
tols ancl other public institutions than those
of any other contemporary artist.
Among the
more than 1,000 portraits which she painted
are likenesses of Mckinley) GranL Wilsom
John ITayS Eclison, Russell Sage and Theodore
Roose\dt.
Her. icleal was Rembrandt.
Mrs. -ivlurphy, according to the New York
to
-i:`.
Some.tiIli,a.S a Well:me(lli£Iig frie"l negOti(lie.s the dispo.sat of (i ptct"re jot a.a
-l").
(lrt
Thc'
same
le(lI-nS
(I.a(llc.rs
(lrlist
(ire
llleI.cry
I;a.rfOrm-
Wl.:y
pram(lturely
SO
grey.
wh.a _exlu.a.SSeS.hi.inSe;lf
fls willing to part e¢tlh anyllinlg for any
g"m,I).
_"a"tie: (I.ffronled
[I;lier1. (I. Sale
whenI"I.S
(ln (let;;I"lly
offer hllS
been been
(IC_
comr)lishe{l., l].a I"lin1". oftcm. ;lrcepts tl.e
I,he.slri(.I:"1_ lm,in
(m(I
iIlg a).i. C)i a"C> 1rl"i i.a I)ri,a.g I"lill
d(-;ngillCI.:.a
I.iI."I,C>
OI.
I)rOOd-
Off
for a
".SOIijlijc..'Wily
lo
.s¢,Il
¬=Sl.
Fifteen
of
C!li1(lt+
Germ(lijw,_
IIassam's
Allre1.rot.S:
earli".
painl.
bY
Ch,ilclc
(lt.rlnilt pla(.t- in A".I.iclln I.lrt.
jngs, (lone at the beginning nf his Ions. al"I
"+trong.est
procluctiye.50 year Gal.c.el. as a painlt+I._Plc.ll"..
ai.e on view at lh(. |Iil(.ll 6tll!l(.I.ie.fs. New Yo1.k.
AnLC`l.jC.a`
until oat. lf).
"u[
ot
FIassam's
S"ne of lht. fim-.sl
"r".k
m:lkc
"l7
Llli.+
cxamp]es
I.X].lil)ill"1.
inclucling lamls(.apt.s `1nd Sl-.I turmJ.` ft."n
Blittam,-
and
Pal.is.
halbo1.
SCtmt.i
fl.Om
Glouce_:tel. aml I.ntel.eSting a"I(lil.S Of \-"q"".I
aml the 1`1c tlf SIloals.
in
hi.i
c,lla1.clC.Lf?|isli(.
mallm-.I.
I".()kou a"."kl..s ltf I"".a c."I(".
")
()I
tlr.illi:
pr."tlllc.(--.
th`c.
\.ihl.ation tlml I".illillm.y "I st"1li#.hl. tllt..St. (.=tnvascs al.a I.¢.pl.c-.a"ll:lti\:I: "I il mit.`L
pet.io(I
in
TTassilm.s
]irt..
!r(.
I"-I"(.li\.lL
wit.`.¬ljll
ill
hit
H(lS`s(lm.
exponents
]Tas_saln
"TIP1"l'llg
Li".
him
a
Ll"-(lr).
I":c."llse tt
is
tlal.k
col".s
get_
us(.(I
h\.
the
The colors
lilzlt
a 't"inkli"g
efr,ect
was
]Jl."rl Ll(."I.
As
note(I
G=Ll1"il.a.
in
lhf.
llas.Lam
(.\hihiu'on
ha(I
a[
lhr.
\mch
a.¬lrung I"lnchi"1r
for
lh(. I"ilil|= g:."Jn "lllIIIl.\l3i(Ie llnd(.I. a hi|'"ant
slm. aml fol. an I.xpan.`; of I)I"t. ".ale.r lm(let.
(.h-al..ski(-..+
ill
tl"..-(.
Ills
slutli(I
I)ill"[illit.I
was
]1la)r.
the
)".
o"I_of_cll)ol.s,
f"m(I
hit
CleeP
Nt.\\- Englaml.
+
The McLane Institute's Season
The
}fc[Jane
A1.I
Tns[ilute,
stu"II.a atop thC` H"lei
a
The Morton Water Color Annual
p1.Oft.SSI'rmal
Chc.lsc.a, in
F`Tr-.w i"rk.
Th(-: am"lal
i".Id aL
IIlt-a
".all.I. co]ol. (..{l"i"'li("
}I"1"I
Gallt?I.it-.i
_i--..
cc.n(Iuctecl I)y Naizjf hlt.Lane, has nprm-(I its
ll".nut=frh OcL
fall
te1.m.
opt.ning. lhe winter. al.I season.
Jne.susp;cts thtlt (".lists ¬¬Jm.ol¢ "col.a (lbOut
ing
in
blls."1.a.Sst2
school nffc.I.s p1.at.".Cal WOl.k Ion CnStu-: illu'`_
So;netimes
thcln is poplll(".l]. sMl}POSed.
in
(lf
Lhc. (.am.:i.I. I" =i". stroll-fret. I"ilii(m|,y I" Mlt_
tin". \.all"..`..`l'l
I"I.I fol. \Tl.`lanl
'f":
lht-
wl.I.e mlr mixc.(-I "I the pale."a I"lL 1.alber Cm
"lintel.1."PteCl
rm)I
sm-sse(I
`..al.lit.I. pail-1[el..a. im.Iu(ling Mane[.
a.:"I
V,rrliCh
Om. of the
lmpres.+ionism
ling the I)pp().`ili"1 llf ]igh[ i-I aha(i"\r i+.ith_
forties aml was bt.uillllin# Ill(. m:tnt. \.t.al.i of
a(.li\'il\-
(1f
the best thing he era. dill.¢ or iJle i(lrOI.ice
All
Tn
a(I(lilion
(lrawint-fr'
al"I (1(.sign
[o
clesigrn
anrl
Lration
lim].)lal.ies I" ac.I"ill ("1lP]".-"l[.
I
in
texLjle
tl.a].m-
painlin±..
;holun a i,referem=£ jar llic3 Works Of the
lle["ll.letl. Dent men not o1.I,y tC.Il nc) t(lies.
b"t they spoil no s(lies all.Cl jllggle nO
Coul.ses
aml
fumlamenral
oj Ibis a:xplclins wlr). (lrt. (lc.(llers haue euer
I)rites.
-.L\.
=¥:fri.,!il.ff!l" !m
oj hi.s wijc i)r
molhe1.-i,a-Iirw?
i
tS
lo possess ([l.a"[ys I)1.Ores IO be the a"a the
l>dr"".eCI.
i!j
;tl:iii';.!ii
it tI.(lt the a"a., a(I""I.a (I. I""-i:hrlser (le.sires
"rtist 1.,euCr
,i,:i;f#
_s`ng
Done
I)riac, S; lOni ".S thel.a iS- a.Ot_(i-Sale in
sight, i.s pro"a to a.ssllme tJic pose of or.e
I".a(:x>,ecl`s.lcilh
.:i;i-1
twelve
EVELYN MARIE STUART SAYS:
he
`:..
:.:,I;.,..;
I
at Brighton. Pa., ancl n1"net.OuS fit=rrure Subjects.
bet(luse
S''
lj:\!fha
}!
iRIREI
portraits of prominent men for. the University
of the St:Its of New York, the War Memorial
("lee,
i
:,f
dividual instruction the student is trained to
express himself creatiyely and to know structure and form through observation and practice. One evening a week is devoted to life
drawing from the scu]ptor's viewpoint.
Nicolosi has executed many public works
of art, inclucling the War. Memorial at Morris[own, N. J., the bust of Edgar. Lee Master.s,
lh.a
iiREiii
`ft
-',i
*/
ii\i'
"-.
University for two years? Nicolosi bein eliminating all the unne.cessary schomethods and developing. the student by
and simple instl.uction.
Through in-
1:epe[lt``S
I:.::
i
"J;8ey
er...- i.i| i
Sculptul.e classes by Josepll Nicolosi will
open at his studio, 54 West 74th Street, New
York, on Oct. lO.
An instructor at New
sildom,
/
I
Nicolosi's Sculpture School
Ilo
I
:ii
z -i(fu-
painters who ¬call the splashint3tr On Of bright
colors technique.i"
Born in Liver.pool, the
former. Hal.riet Anclerson Stul)bs, she marriecl
W. D. Mul.phyS an artist. I'n 1887' aml from
that time all their works were signecl ¬6W.
D. Murphy." During the last years of his
life9 Mr. Murphy acted as I)usiness manager
for his wife.
After his death three years
ago, she never painted agaim.
tlrlist.
i
t
clisap-
autllol. of.¬Spoon Ri\,.el. £\nlhology";
"!
~\
'i
:
proved thoroughly of the school of portrait
York
lieves
lastic
direct
-i; /(
iEIE]
com_
plete most of her pot.tl.ails, anal she
L=
I-g;,
rz'mes. aimecl ¬6[o obtain what she called a
cspeakint,cr likeness' of her. subjects.
It took
her from three weeks tc) a month
IT
jn at1\.eL-I).Sint?fT a.s
(lesign,
interior
the
I".f_
12. i` rmc of tllt` majol. events
pn-.`icllt f.xllihilion illC.]uCll.S. ammlg Olller exam_
Steigel.. tat.a Amll.us.
hecca }Ialller. Josepil
The instl.LICti()n
ITaL.Ills.
I.mli\.i(lua1.
trrrrn"P.
ITillr)n
I-eech,
Chat.lps _\Iallin. Clinton Lockw("I, I+a"ood
teclul.a aml hamlc.I.afls anrl lectu|.es nn art
arJPreCiatI.rm al.e also a pal.I nf tlle ctu.ricu1"m.
I..C
E:lch year it
gl.ows ]'n impr)1.lance aml qualI'l).. tlraWing the
a.rmer.nll.al(.(I altenlifm of the :|l.I t.litics.
The
plea, Fllf 1-.k nf lhf
al.chi-
i)ejng
Yol.k,
Jostsph
IJonhCl1.(I. Re_
ITallsrr an(I Stella E.
1.2.
The
Art
I)i&est. lst October. I():)I.5
Carnegie Jury
lJe!50-er, Exponent of Machine Age, Has Show
The jury of awar(I for the 1935 Carnegie
International. I(-)
be held ill Pittsbul.gh from
OCL 17 to De(." 8. was composed of Six artists
-Alexander Brook of New York City; John
sLeuart Curry of Wes[port. Conn.; Colin Gill
®f London: J(mag Lie of New York City;
Ilenrik I-un-(I of Oslo. Norway; aml Isidore Opsomer of Antwerp. Al[hnugh the juror.a met
i:I pittsl"lrgll "I sept. 25, their selections
fr"n am"lg the 350 paintings will not be
made pub]j(. I""]l the opening of the show.
The awar(ls are: first Prize, Sl,000; second,
$600; thir(I. $500; first h(-)Table mention,
.$400; secon(I honorable mention, S300; thil.a
hrmorable menli()n. $200;
fourtll
llonol.able
mention. $100; an(I the Car(len Club of Alle-
gheny county prize of S300.
Poll(lwing its
cHSt(nn. Tm ART DIGI..,ST Will rep-luCe all
]J].iZe Wi)merS in its next issue.
Alexan(ler Brook is ret3rrar(leCl
aS
an
Out-
stamling figllre among the )-lnger Amel-ican
artists.
Tlle first painting he exhil)its(I in a
carnegie lntel.natit"lal was awal.clecl the Albert
a. Lelmlan prize aml purcha`se awal-cl in 1930.
The Carnegie Institute gave him a solo exhiI)ition of 45 paintings in l934.
.John Steuart
c:urry is notecl for his paintings of the Amer"¬I)ejellner:.
b). FerI.(lad
of
IJ6gc,r.
[J.a
IJemt by l1.a+, Ren(Its.s(lace.
[i"iJ:erSilr
Oj
i(.an
Socielr
scene.
Bm.n
(:htC(lgO.
al
espec].ally
of
the
llitI(lle
Dunavant. Kansas, in
West.
1897, he has
portra).a(I Ills nali\r.a state in such pictures as
..R-am`as Tilleat Rant.h.".iBaptism in Kansas',
picasso an(I Braque.
IIis ntlyeSt wol.k iS a
modification of cubistic theol.ies lo a concentl.all("
"p"1 (.("nPl"SiLion.
¬6Fernan(I
L6ger,''
saicl
Atlolphe
Bas-
ami ..Kansas Pastures."
of lxroklu.mling I". lgnatz tlriemelel. aml
models. plans aml.enlarge.(I ph("ogr:lphs b}.
1e].
(Ic.nt of
the
(u||.
tlle
California
matic.al
cubist
painting.i
h}. Fernand
Lt.gel.I
a("l-
tcmpora1-y F"reh arlist, are I)eing sl-tll at
the Museum of }Io(lem Al.I, OcL 2-24.
fit.st
tall
exhihiti(m
inclu(leg
I")I(h
a
laxI"mentS
architect.
his
I".Omim.nt
nf
a.ubiSm.
w".k
I")Siti"1
Tl.aim.(I
I.claills
a
and
h(.
Plo".-.a"
S""I
of exprl.ssi"1 alliC,Cl
all
+I.ith
his
imli\,i(lllal
l'nC.
gr"up.
hast p1(`asr-cl.
china shr)u1(I
an
in g(.""."iL.al
influt--.a(I
ar.hi(-\e(I
(|lal.]es
`sty]c'
nro(It-
t.XP".imt.nt$ Of
I.esI)eCt).Ye
tati\..r.
with
1848
"()I
jmitatt-`
.Sl"1SiLivt>,
l[
BOARD
Carcw 18|8 ARTIST BoARD
I i-nfinishecl ccl|res cm four si|les
. liigh allll Vellum finishes
' Sine_,le to 5 pl)- Past.ed
lh¢.
()I)jc-(`t.
functions.
an(I
BoflI.(I
-
Il..s
sj(I".
mllral
()lh'=I.
I"rm
anima(oJ.
L-.S.jl.
{If
thl1.1.
P(ll).-
1,c,1g.(`Fs
pal.I
as
(lf.t."I.alj\.l`
q"oies
i(tger
paill(ills
"I
flat.
I.SI,`.1)
its
an
al)Sm1(.I
1
willloul
al.i.
(-."I(1l.
m\.
mo(lolling
rt.i,erSC-Cl:
objec.tit..i[y.
I
I)el._+p(-(.lil"`..
ht.rC.
W(.
clon\..
ahsolulc.l\.
I
ra(.I".
I(.a(.lilt+I
¬.Ttl(.hnic
lmlsl
bL.I.Omt-
il."I.("ll".r
"1
:I
Colin
C."u+.\\.
I)+
CAREW MANUFACTURINGCO.
C."l-
FINE ARTISTS' PAPERS
one
tht-
flt".""-
"I
..\l
all
(.i(+-(."ti"1
thc:
mllSt
I)r
"!t-
"1-
(."+L` -i m"sl
u1`t
I"."Lq
(lf
n
]?aintingr
m"lio(.I.a
pi(.-.t.
mOn.
jn-
lmpl.t-1S+iOn-
I)).
p(-.I.I(.(.ll).
I"
th(.
I".c'_`".y:.cl.
p:Lintini[.
Ill.I".mi""I
pit."m.
I".i"llirul
I".
I"`yoml
j`(i(. ". Cuhi*L-Tmlm...+i"li*li(.
I".(.I". a
P".rC-.(1..
I)I-imili\.i-`s.sl""1(I
inl"1Ii"1
I".)(-"1(I
I."I"]li"n,
fxf."llerl
I"lt
n"t
(.xu.lHul.
\tmll(la\-`i a i-.k Of al.I m"SI I".al..
-"u):"i-n
with
Tl"I
f)"h.
al.li``ti(.
lh(I
lai". that
Tan)-
I)it.I".(-`
pi(.I"n.
i.i
wbic.h
(."upari`(m
t"t"rac.Ll"."I
aml
fall.i(i
i`
an
aml
ol)jt1(.I
(.halltmLr(1
(ll"I".i.
"lt-(1hlal(`.
t.an
of llle youn¥rel.
English
i.t.ar
for.
lbe
pt.rmanent
jl".). "I awal.cl in l928.
Lhl.
")ll(_.(.litm
of
Th. set.\.etl "I lht- Cat.net=crie
rTenl.jk IJutltl. "ften
"uLsLan(ling
imp"-=.¬i"list
Nor.-
ha_+
exhil)itin¥
Cat._
I"--en
*inc.(.
l929.
in
IT(?
has
lSi(Iore Opsomel. is (lirect". of the FI'ne Arts
Acatl(-y jn An(w".p.
Ills I"I.ll.ail nf tlre late
King
AIhc.I-t
j`s
(".n(i(I
I)\,
Print.I-.
llllml".1.I.
tl".
S"'`-
lim(..
Childs Joins Goodman-Walkel.
urH fRT rmFR CObRENI
is
pa'lnte(I portl.ails of man\,.I \\.ol.Ill figul.a.a an¢l
is I.epl.esc.ntecl jn imp".tanl E"1.OPean galleries.
souTrI IfADLEY FAIJLS. MASS.
WRITE FOR SAMPLES TO
"g=#
Gill
paime1.a.
lil.S ¬Kel.I.y Flute- Play.el.... which
i+-a.` jn tilt: l934 rntu'.nali(mat. wa.i [nll.chased
an-
semhh.
I.x:I(.I.
lo Gen-
Intc.I.natitmal.<
[h'(.
:lml
was pre-
lLC.Sic
Pl:lSLi(.
mO1.t`
Canal
"n.
c."I-
".ant
Panama
al.tists`
I-Iis series
Paintel..
out.-
".`
NT".way.
1\.(.gian
Fl.(.nc.h
follo`y.i:..I
Dt-sign., is
e.rat Goelhals.
Lc.7.me(I
hu, llle Gas(. of t-.ilst.I-painting
iS
an(I
as
as
al.C.hilC`(..LuI.l\
tl".
an(I
a._\1otlc.rn
of
An.let.ic.an
sente(I lo litfL-St Point as a memolial
i!i"`s
Tl".st- (lo
m"(lL.I.n
his
a
I"
QuAIJT\. P-\pE.RS I_\- TIIE D.`TS OF Till.: QLII.I."
|It1(lr.ln
fly()k(3
Fc-r"ml
in
pr.ohl"ll
illl
i"l)I.a(Imlble.
6R.\h-I)r_\TIIER
I"lt
Raynal,
painter..+'
I
+.au. cull I.uI) all(1.sr.rr:Ipa oI. C{I).t:W
GRE.\T
".hit.ll
imi-
I'n
(lf pal.lltingr.< Of the
Mural Society's Progress
Gt"I+rta
the
Gllal.k-s D. Cllj1(ls. 1`nr rot".tr.tm \lJ:u.S man-
a&". of lhf I".int (I(.Pal.tmont at G:mclspe"I.a.
Bi(lcll(..
Sot.iel\-
t!.`i.*
Finest R:1g Papal..i In The I,anal."
;lI`li.S;I
ma(.hiner\-
and
..\ca(I(mly
kno"m
he was I")rn
Gal.mgrit- ]nSlitute.
tras[
Cat.ew AI.list Boal.cl is m|1de. tO
last fol.e`.el.. b.y the Cat.e\+. }Ifg.
Co.I "SillCe 18*S. MakeI.a Of The
c'TouR
iq
(leseripLivc
I
though
heat
last
lheil.
j(.(.I
ARTIST
is
I\Taliona]
I(I
ll".
BuY
man
of
(.bl.ome consl|.llction wh(.I.c. fol.ms al.a lttluc.etl
sulu.".t
YOU
]")(Il.rn
I
ll.a.il+ of fm.m.
WHEN
mathc--
Comlrllctiye heauly of the ma.
\.Slues.
ta(.t.I in
ON
w1".ch
h(")k?
th(-
bc.(."mr the i(lea1 "I b(-autv_ il.~
l)f
}laurit.a
Mark of Quality
riH
EVERY
the-i1.
lo
imlustry. is (1f COm`i(Ierahlc imp".lam.t-...
LOOK FOR THIS
SHEET
in
"helont=crs
IJ¬gel. lh{-. tllemeS fOl. his Pie"1i(.S.
in\.enLul.
STAMPED
Kunstle1.
lJIo(I".nislst"
among
Vi,fhc.n hc tu"-I I() P:1illling. C6zaI"C
lionri
Ll"ugh
an(I
..Th(.
as
clraughlsman-
]ikc pr(,(;isi(m aml 1..n inLcl.(.sl
for.m§,
Tlle
examples
arc.bilec.ts.
L6ge1.
tbe
also
tlis ,.Torna(Io" was
awal.tle(I Ills secoml prize I'n the 31.il Camegie
lnte1.nati(mat and has i"st helm I"1rChaSe(I by
the Ilac.kley Al.I Gallery.
Jona.i I_ie. presi-
of
newl).
}IuI.al
".ira"-iZali"1
al(.t.t|.tl
P:|inltll..i.
Will
fl"".li"1
pl.a.`i(lent of
hC.1irves
I--t=
that
aCti\.etv
{I"li".a. lht. -minLT )i.ill. th:1n l`l.1. her()rt!. The
I.(1lt. of the -ll.al
I,Ilas
he(."".
+a"L.rlm1(-"I..+
I"I".dI
painl".``. sot.jt.t\..:. Ire `says.
ill".t.aSJ.llgl)..
ar.Ij\.a
I"Ii7(IillLr.+.
flHH.lirHl.A (|f
ilI1[""1:1l'1l
I"."_=1.llll1
J\"(I
ll".I ,cl-)c.jt.ty
*inC.I.
"i
""(.
(lr
,`1"ul(I
IM.
ml".:lls
(I".
h)
t'he
for.
major
:l|.I
aS a
Ill"llLhpjty.t. ". 'lJ.aJ.-" I"I. l"ll.ill =Lt-li``l.` in Lheil.
I.aliLli(ln
I" tlllf g""."".lil.
-\lim). a"a.stirms
(Jl- ill.list.S' c"lc.S. l."lit.:LC.I.I a"(I I"."."I"rf.+ hat.e
aml
1\.ill
ari`<f.
ill
`\.hi(.h
"I".1.ati"1 i`< t.+I(`nlial.
"1.-:*]".(.ial gl.ilLjI"(I(.
I/I.l..a"lL
sLa"1illg.
nf
past
r"".
c."-nI".I.¬llf.(I
"I
ll".
I".eSi(I"1t.
Wil!l
i,`
Lh(I
rI.i(`l1(llirtiL
(lm.
I".
ltl(.I
all(I
Emp.QI
lhe 'P.
W.
[l"..-c.icltV'.S
i"lelli+reI1'Ce
Pt.ix""o.
,A.
c.n-
P.
fl.I"n
Iie
its
inc(.ption al a li-- ".Ill.n tl". id(.a was gal"J-
l&g.(-ll
I", (lth¬.I. all ".`=.:mi,.all"1*;
an(I
i(
iS
|
B`o`Q"m. has jOim.(I [b(. r,00(Imam-Walk". Gal1l,tit.iL;:.I {, I ":hathi(:i:,?ii(.alITc, I,irinL1.:i?all)I::il, i(.a"Slalill]l ]aI.gely (1"e to this tllat ("ll. ".gatli7.all"1 i+ at
I.,I.esellt
3 WEST 2lst STREET. NEW YORK. N. Y.
Am".i(.and.
I.n
q'overnmtmt..'
S"Ch
tliC-mlll-
1.CTati(+n
with
lbc
TIee Art I)iee.st, lst Oc[ober± 1935
Auction Season Opens With Interesting Art
Will Build Gallery
Art
lovers
in
Wilmingtr"1
feel
1B
onlfidenl
that thc. coming erection of the Wilmington
Art Center. in Rockfol.(I Park will mat.k a
new era in th|- a(1\.ancement of the fine arts
il. Delaware's lal.gest city.
The successful
campaign for funds. inaugul.ate(I by the Wi1mington society of' the Fine Arts last May
under. the c.hairmanship of TIarI.y G. ITaskell
seoul.ecl the important PI.e-Raphae]ite collection of the late Samllel Banal.aft to the city.
together with the art center.
The Bancroft
a"llection, containing many fine examples ()i
th(. English Pre-Raphae]ite movement. was
"fferecl to the a()ciety a]"ng with a I)eautiful
plot of grouncl, provi(ling a suitable museum
w.oul(I I)e erccte(I lo house the collection.
The Wilm].ngton Acaclelny C)i Art will I".
sI`eltered ill the new art Centel.. according tn
an a-uncement of Lucille IIowal.d, the di_
rector.
This will gl.eatly enhance the oppol._
tunities of the stu(lents.
The acaclelnyt one
of the most LlnuSual small art schools in the
countI.y, has
CliStinCt iCleaS On
shcllllcl offer. the stuclent.
and
stu(lents much
What
a
SChOOI
It allows its faculty
liberty of thoughL
a"-I
dc-parts I-u conventional methods, I"lt a(lhe]es to (¬the pI.inCiPIes of sane thinking.''
Its use of the l'I)ottega" system has (lemon_
stl.ate(I that without an academic routine'
beginner and advanced stuclent can w()rk si(1e
by side.
At one time. when a beginner. in
the.
mtll.a]
alaSS
announce(I
his
inten[i(m
Gcortgi.(m a(l"ecl Pine Rnom jronI Sl. fi,Ionic(is Prior).,
in
slat.ting his fit.SI OPUS. 1.5 by 7 feet, he was
encoul.age(I by the inslnlct(".s in his ambitious
tmclertaking.
Two years later, writes Miss
flclwaI.CI. he won a European sc.holal.ship largc-l}.
rm
suall
the
quality
of initiative
clevelope(I
I)).
A three-session sale, comprising the property
of chat.leg Robersfm of Lomlon. aml the Au._
tlfrust"a
Roe(I
}Iiss IT("al.d crmtinues: ¬¬AIl who are. c.,on.
(..a.lne(I with art a(lucation. who aI.e themselves
English
century
feel
Italian
[hc etlucative
IlaS
its
systenl
Clangers.
'This
of mam,.
is
art
(.I.C.ate-(I
I)V
the necessity for (IegI.eeS befO|.a.i"lie Of Out
most able young peop]c. can st.cure a job in a
I"1blic ol. priyale a(.I-)I.
I.(.pl.ese"t
I"a
aml
}rrs.
Will
George
Open
lhe
Galleries, Oc.I. 3, 4 aml.5.
{.I.eati\,.c- wol.hers fit.sr, rathel. than pe(lagogues`
sc.bools
Lukeman
collec,tiollS'
R.
V_an
auction
Sea-
stm at the Amt.I.ic.an Art Assoc.iation-Ande1.S(m
libel.ly.
thal
Spell.i.sl"lly= I)oI.Set* EngI(""I.
Of
many
Degrc.es too often
hour.s
of
gl.]'n(1
to
t=freL
al-ld
an(I
furniture
an(I
Inc.ltICle(I Will be
l8th
a"l
an(I
eat.Iy
(lc`c.".all"ls,
`ipani`th
Ge"I.gian
fur.Him.e'
.ii]ve|.,
Fl.etlC.h.
Quee"
Sheffi(.Ill
loth
Anm-
plaL(..
Otiental
I.ugs, tc.xtiles' paintings. I")I.CC-lain a"l a MorL-
lake yer(lllre tapestry.
A s"pclb Ge".gian cat.vc-cl pine I.oom fl.om
.St.
-\Ionic.a`s
c1.a,ditS, I.athel. than the inlC11I'gont (leVelnPment
I+`-nglam|
of tlle stlldent to a consciousness and tm(lcl..+tiln(Ii"g of al.I ill its real meaning. ancl use-
sale.
fulness.
a
The pure approach to art has often
AI".I.jean
is
Its
Pl.i(,"1c.
the
I.icl|
in
Spc.ttishury,
nlitstamlillg
hoiserie
fea"Ire
exc-cute(I
Dorset.
nf
in
the
km"v
lJng]ish pine, with ]al.ge panels finishe(I wi[l'1
torus
molding,
iE
consi.sts
of
I("Ir
Wall.s.
bcen lost.sight nf in the inle]1ectual lnaze I)I
theol.ies ancl isms. offers(I as short c.uts ol.
with three. wiml"v opening..i, two single (1oors_
tLrl.Cat
ma.ntel a"l tw(I fine I"lilt-in (.hind c.UPI")al.(ls.
CliSCOVCrieS.
"£No (me wI"1 ]'S Wrn.ki"g Willl yOlmg artists
I"lay
I:an
help
hut
fl.el
the
bewi](lei.lnent
a I)ail. I)i (I"ul-)le (I"".S, a fit.ePlac.c. with oy(-.I.-
The-,. firt|)lace llas a fl.iez(. plaqut.[te sc."lptul.etl
I.n
high
relief.
Thl.
Catholic
Prior.y
of
Sl.
wlli(.'Il (.Jmfl.OnlS them. eSPeCI.ally after eXam-
M(mica. for.merly callc.(I IIansi"I
jlringr
"(..cut".a.(I "ntil 1.eCenlly. by mms ()I the Ul.su-
th(.
a("1temPan.al.y
eXhibitiOllS.
In
the
fact. of all thc- (lisll.acting avenues ()I thought,
Iim.
m. (.I")il.a of [e(.lmical stucly? the finest scl.v.it.e
(-\lal.chat.' Pram.e.
any sc.h"ol r)I. i11St1.llCL(lr can I.en(lc.1. iS I(i makf±
I".1(I
Lhf-.
a"l
wbi(.h it
was I":(-.upic`(I
feels ]'.i l1-.l? I.mP("1ant I" himst.lf than what
B()1\..Vcr
faI".hL
lh(=
llict'_¬im.1.
stu(lent
rllhc`l.
I.(.alize
man
has
that
all
h(.
thinks
(Inn(`.!'
Ol.Jer.
fOrm|-I.1y
The-
Wh()
coytJ.I.a(I
aml
in
lla(I
}Iary
I
Pt.lil
ill(.1u(lt.
\.±u.ieLy
Lralle".(..` will I)(. ".allsf".I"»tl I)y i"]lir;I. mc.m-
plate
h¢.I.s
Geol.I=friall
jll["
Y(.
a
01(I
[lall
I\'iiI.eml".I.g :""I
chaleau
-\lexi¬.o.
of
NaLjuns
C"I.i"+iLy
Allm-.(.bl
(I.Awl..qrm)n
aml
St.amlina"'a,
wjLh
.f=I"p.
F]f,et
the
Dill.I.Fs b"ls(i
Seene`S
Belgium.
oLhel. pit.I"1.(:.iq"e SeltillgS.
SL|.ce(
slrel.ts
from
IIollancl
(lf
lo
aml
clolls
to
"I
Silk
aml
ill.m.
Oriental
Kit.mall.
Kashan
Silver. an(I Shemeltl
I.al.c.
among
loyt.
(,)ul.t.n
th(.m
ha\-t. bC,C.n
a
ma(I(.
Amlc.
Sil\.el.
hy
aml
Coffee
P\Tatllanil.I
TRAVELING EXHIBITIONS
A jl"i,. will awa1.(I
T-he club -.tls contriI"ltions of thing.a Lo
Lril(.I()rs.
Pitif:eS.
walmll
Spain.
ll:itv.
fr("n
thought
(1i.+-
Lomlml
aI""t
1703.
Amont3Cr
stream]inc-
Circulated by
Wlliel(lnn
aml
StaffoI.CIshil.a
ware
are
I.epre-
The ilflenloons of Oc.I. ll anrl 12 furniture
an(I clccol.aliens. the propel.tT Of }Iaurice Brill
an(I otllers will I)a soltl al 'lhe American Art
This sale will.
AssocI'alfOn-Andel.s(m Galleri{-`s.
inclucle 17th century English Jacobean and
Col.o]ean oak
furm'lul.a. wrrmgln
iron
and
F]¬.mish tapeslries.
The library of the ]a[e
PIli]ip Greely B-m of Port]am.I. Maine' fea_
lu].ing first eclilI.OnS Of Ame1.I.C.an authors, Ilis-
tnt.ical AmeliCam. Engb.sh a"d Am(.rican b].a"e.1.aPhiCal aml gt-alogic.al T\mrks and
aI"""
\raine,
exp]oratifln
books
aml.QPOr[. Will
I)e
.q)]d Ike afterno(ms of Oc.I- l5 aml I6, follow_
ing exI"'hit]'"I fl.orll Oat. ll.
The collection
nf the ]ale Mat.).. Str"ng Shat[uck nf New
Ynl.k. a.ompl.I.Sing Fl.enc.h
]8lb
century furni-
I"I.e ancl ol)jc»ct.s r)f al.L wi]] I)e `-I(I the afLcr_
nlmns of OcL
]7.
18 and
lg.
Kress Old Masters in Show
llaII'an
S"muel
Oltl
\Ia.¬[el.s fnnn the c.olleclion of
Kl.es.i will I)a t.xhihitecl at tlle
l|.
`iql".hI)
Gallc.lil..i. Oc.L
TO
"r wllicll
rccent
pit.tut.eS
Wet.t. Inane(I
exhihiti"n
Tlu.ou+rh
l5-No\l
+rill
(lf
bf.
ll\- |I1..
ltali;ln
l5.
fm
Appl.oxi_
\.few.
seve1.aI
K1.rSS
for the
I)ajnting
in
paris.
lhe coopt:.ralilm of ll": Fine Arts
aml -\Iusic (lepal.tments of -\-"I- i-ark univer_
+il).,
a
pl.r)a.I.am
\-
or
lt.l.lure..i
aml
concerts
lil
")()I)rl.((li("I
I+'1`I.`'1l+Jr1.I(I_I JIIal
II.illl
*l:1I{J(JI.
lilt:
OF
=lR'l`
is
Im.ng. plannerl in c."lnft.li"I +\ilh tllc exhibiIll"I.
Stc.Ellen
.ti.
Pi(.hc.tlo
i+
art-angini=rr
I._\lliI)ill"n.
lFife;`is
ScllultheiS Gallcl.ies
BLANCHE A. BYERLEY
205 East 78th Street, New York City
the
sentecl hy many fine examples.
ll".
tlle I-SI gut-.(.(.SSful al.list a six wet.ks3 trip to
st`]l---e\.el.i.lhintrfr
/
IMlt
thC.
in
m.i,lely
car\t.(I
I.ug.S
an(I Fc1.eghan (.-`amPI(].I.
i-1
in
anal g1.nS POilll
(:luh.
S".el.tll
been
1802. pri()I I"
rest(lta(I
"?eclle\w1.k i.+ a n()Lahh
inclutll.
Montaine
has
limes.
\\.I,()1
a
at
propel.ty
hy- GIL.sc.emlantS nf lb(-
FJi'zal"`lhan
TVilliam
.`(.al
Plans fol. lht, bazaaI- Of the National Arts
N".. ]8-2L al.e. w(.II lm(ler wa\/..
Tllc.
1\rere
hf, ll.l]'gi"us ol.(ll-I.i sinc.c.
A
Naticmal Arts Club's Bazaar
who
lloilse. wa.+
IJOCk
clocks appears an I.mporranl mahot,trany tallcase I.rreking-ship example ma(lC for James
Gal.(1ene1. by EphI.aim Winar(I about ]805.
Dles(len, CllelSea aml B(- porcelains and
By Amertccm and Foreign Artists
14£ FULTON ST., NEW YORK
the
14
The Art Digest, lst Octr)bar. 1935
Europe's Learning
Astonishing Realism in Guzzardi,s Murals
As a devel,)pment of tile reort,tJaniZatiOH "I
New York
liliVerSity3s t3Crraduate department
of the history of the fine arts. Dr. Walter W.
S. Cook, chairman. announces the appoint-
ment of seven outstanding. EuropeaIl art SCIIOl_
ars for lectures un special periods.
The aug.
mentcd faculty offers more tllan forty courses
at the Metr()politan Museum. the Frick A1.I
Reference Lil)rary ancl the Morqan Library.
In l835 Samuel F. B. _\Iorse-'offere(i tw'o
art courses at New York University. Today
the tlcpartmellt is tile largest in th; el"lntr\:.
More than 70 cancliclates for advance(I (li_
glees are enrollecl' while the attendance at tlle
university's courses at the Metropolitan mum_
I)erg over a thousand.
This year's program presents intensive specialization in important perioclS in the I".stor\.
of art. waiter Friedlander. form(-fly professo.rat Freiburt,tr Universit),. and ac.ling (lirector f)I
the K|mst_nislorisclle lnstitut. in Freihur_rr. will
t.onduct an ach.anrefl rolloql".lml in Baroque
painting, coul.sea in Rubens an,I Pal.I\. Baroque
an(I
F1.enCh
Painting
ill
the
l6th'
I(t
18th
centuries®
Another
flll| {ll
I)ecor(llion. by Rudolnlt G. Gu==.(lr(li
A. C,.
E1..ert`S.Pst(lie.
When Ruclulph Guzzar(li was given a com_
for
brlllas. Texrls.
ticall).-
I.(.presented
that
one
(Iistinguishe(I
missirm I() (]ecol.ate the dl.essing rorrms of the
visitor., I)eing shown lhe m"ra]s by Mr. Everts,
private swimmint=cr pool on the estate of A. a.
Everts. Texas oil magnate, in Dallas, he drew
stopped before the panel reproduced above
remarkecl in
tragic tones:
¬¬Oh!
Everts' isI1'r it a Shame!
And after
Mr.
you
spending
so
the
their anvil.onment-a lesson that many r)I the
P. W. A. P. mural painters might cligest with
benefit_ For. the men'S dI.easing -)m he Selects(I scenes fl.om Texas life in the 90's.
walls."
Closer
I-Iandle-bar mustaches appear in gr(.at ahun-
paintimg nf Napoleon, done from the (lea[h
mask in the Cabilclo. New Orleans.
Those
who paints(i Napoleon .,+,llile he was living
llpcm his imagination ancl I""lSual Sense Of
humor. to cl.eate panels peculiarly a"itahle, 1o
rlaiTCe
alrmg
with
other
pet.ulial.ities
()I
times that (1efitlitaly date the painting..i.
the
The
ancl
much
money
to
examination
preserve
revea]ecI.
how-
ever, that the er.acks ancl chir)pe(I plaster were
merely a trick of the Guzzarcli hml§h.
Another
nf
Guz7_ar(li,a
I.eCent
iS
wet.e rae(]iOCre
saloon, I.s typical of the work. Fnr the women's
clressing I.or"n. GuzzarclI. St.I(.cte(I Su(..h imagrina-
ception of Davif1, and triecl too su(.cx=sstuTly
to] flatter- him.
The death mask clogs not lie.
ti\/.a
+.ay.a
aS
a
Sunken
Th.a[er i(.ewes |\ith
cn]f".a(I
ei`qht.
flsh.
:_"I(I
a
a
Pit.ate.Chip.
mermaids a"l
c.Jlest
I"I_ge
fillecl
"n(let.-
heautiflI]]y
with
I.ust-enerll.¬tr(I
pieces-of-
\\-alls
o[
tllc
.swimming
atler1(line.
Ibis
rml.k
I"1nl.
g.aVC
making-tr
it
The tliffi"llties
C,uzzill.(li
lht-,
iclea
of in""i"".aring c.I.a(.ke(I aml I:ltlt,(I walls into
big (let.orali"ls.
TlleSf? Cl.I.1(.k` W".e.<O I.r:ills-
BLOCKX COLORS
OIL - WATER POWDER
Ar£isls9 C{mvas
lYr` stof.k (.ant-as for
}[ut.'|1 PllintingS
-
I.T)/6//
-
I,Ellen
one.
1fl/rl//
and
Cornmnnweallh
50
fl.om
yal.cls
ln
the
1
tr)
ffi_
6¬Clouer Brt|"P9
ProdtLC£S
TTrile
foI.
(:utrtlOgue and
Sfll.n ,PleS
ERNST. H. FRIEDRICHS, Inc.
a").
oltly
yew Yo-I.lc Cil1.I
AddI.eSS
129_131 W. 31st STRHE'r. _``E`+I YORK, N. I.
a."1l.Se
seminar wnl.k in pl.oblems of c.la.ssic art.
Erwin Panofsky will preScnt f'erman al.I of
Ills
1.5th
century. and
clurint=o.
tlle se(.(md
sc.-
meSter is tf) tafrive a course on \Ii(.helan!,trelo.
Flo w,.-ls formerly professor jn the hI.Story nf
art at the um.yersi[y of Haml"lrg anal its at
present professor in the Imstitllte for. Ach,.ancecl
Stucly
at
DltLch
Plincetrm.
paintillLr
I)f t!1e
lT(h
cpnrlITT iS
thP
special I.nteI.eS[ ;I.Iulius.a. lrflrl. whi) c"m,._
neat.
cnntI.i]"1tinnS
Mena_
lle
was
A1-k..
hy Citi7.enS
Of
met.]y
cuss
Of
the
Spanish
assistant
tli".c.tor
TTni\.ersitv
al.I
nf
tbf'
(I('-
Iielmu[ .qcbl"nk. for_
of
rluring
Bt?rlin.
the
Tvi]l
(.a1.IT
(liS_
millr`Ht`
L=
Al.kansas 1+.hO i-+rant tO PrrmlO[e the ctllture of
the state.
The I.nstl-uclnrs haye
mere]v maintenance.
Ill)
a-=rreS.
salal.ies.
Aml tllal is cxa(.t]y what
Surrealism in Hollywood Shows
Joe.Tones. self-tan-ffht
SL I"His a1.list. iS -trotI
TTnwaI.(I Purzf.I. for.met.l\- llf the Paul ELcle|.
ting fm. painting a set nf fit.e -n-als fol.'tbe
GalleI.). in Sam Fl.a"eisco.. has g(me tn IIolly_
won(1 to ol.ganize moclern exI]ihi[ions for tI:e
"qtanlev Rose Gallery.
Until OcL ]J, he j§
iIlrel.Pl.t.ting
¬¬A1.kansas
3'S
an
f\1.kansas life.
i(I(.al
state
fnl.
lhe
mural
painter lvith SnC.ial fmlsl.ir)uS-.SS.,, Jnnes flee.1arecl.
The str".LTg.le.a Of tlle t.Oat miners
allowing the rml.k of'Hax Ern<L ancl the rest
aml
Brlth al.a surrealists. MI.. P["gel p1:m`g to al[er-
the
pr")r
fat.mll.a
ag-aim.et
their
Set.e|.al
f}i- the month 1+.m be (let.ntefl i(. Joan Miro.
ff)rms r)i arl\,ercil)-. the ine_scapahle 1.aCial prob_
na[e
lfln aml llre pict(-'al chat.a(.lpr nf lhe state
aI.lists.
SI.mPl)-
".I-
f"Ir
for
mm.al
a-tilibitinns
That th(. painting..a will he pal.I Of common_
hl.nugllt
aeslhflic
Colleg.t..
wllc.I.a
thrt.¢c
fat.lot-.i
inln
inlfllf,(.lual focus. adrls
rigblm-s.` nf the prnjf'c.I."
a|-e
all
tf)
the
Mrs. Gl.een's Bet.eavement
FTnwarrl it(f'. Gl.ec.n. hf`a(I nf one of the best-
knoTun I.eat rSrfltf. anCl insurance OrlraniZafinn,a
by
Califn"lid
ancl
forei_fm
===--
trrarment.
ho
Boris Blai Heads School
BrJl.iS RIaf. well km-n -A-rj(.an sculptm..
has bonl appointed dil.i-a.tot. of the new S[ella
Elkins Tylel. College of F].nl` -,\r[s at Temple
Unit.el-`¬ity.
O!
bilintltTual
director of the Archaeological Museum. }[ue"_
ster University. will offer courses in G|.eek
anal Roman art anal archaeolog].-. painting. aml
pal.lment of painting.
]oniir.
hlam|i{lctu1.¬rS
a
frfml tlle Kaiser Fl.ie(1licll _\I"i"Im Of Berlin.
CoTletlo.e.
]'s supported hv
Th-t.altll
anCI Cotton
piece
the man-e\x.tan
Joe Jones_a= Arkansas
I.I.tC`lf
P_0 feet wicle
In
aerllrale
is
merly I,rOfeSSOr Of C]aSSiCal archaeology anal
wlrel.a
school.
]o/
an
ex-
allCh(ll..
mc.essary to have them especially pl.eparerl to
I".e\."l[ -tl". Se(i)ag(. O[ Watel..
be Ohrainf,tl
lik'ene.es llf Napoleon
mole.
Tile a(.tual pal"tip.g was ml the greatest
of lhe arlist'.a p1.Ohlems.
The wall.i were also
llre
¬uz7artli. :tml
the PnSSil)1e
a
panel 1.eP-luCed abOVe' Sl"Witlg an f)Ill-Limp
sLll)i(I(.tS
al.lists, With
i+.Orbs
innovation
given jointly by Dr. Cook, Henri Foucillon.
professor of meclieval art a[ the S()rbonne.
University of Paris. and }rarcel _luI)err. pr"fes`sor of medieval arcllaeology. Ecole Na_
tionale dos Char.ts, Paris. wlro will c]iscuss
Romanesque art in France and Spain.
Karl Leo Heinricll Lehman_Hart]ebel1` fO|.-
lion
Art
Mr-` Tvler. Vhf) hplcl an exhihi_
of ,ner.¬oulpH1'l.e
Galleries
last
;I
season.
llle
i.s
Cl.and
mle
a)I
central
Blai.a
pupils.
_
___
alongr the ml.th Jet.sew Coast, clie:I in Long
Bl.anch (-m St.pt. 6.
Fie was lhe lulsband of
Mrs. Flnl.ence Topping Gl.een. fr".met. national
a|.I c11ail|uan ()I the General Feclel.alien of
Women9s Clubs ancl at pl.esenl natiorlal cli-
During Oc[obe|. the A]banv lnsti[u[e of
IIisto1.y anCI Al.I will exhibit 2f Impressionist
a.anvases loaned bv the Dlu.ancI_Ruel Galleries.
rectn1. fOl- Wnmen'S aCtiViII'e,a flu. the Ame|ican
New York.
AI.lisle Protes<ioIlal Lea_a.ue.
=fa
Sisley allcl Guilktumin will be inclucled.
Albany Sees Impl.essionist Work
Degas, Monet. Renoir. Morisot:
The Art Digest, lst Oc¢ober, 1935
Prints for Gas
T5
A Portrait Painted by Young,a- Gainsborough
Plight:
one itinerant allist in Laramie,
at
Wy.tl., possesse(I orlly of a for artist?s
rials ancl two Ol.ozco litlrographs no ]£1n:e:.
whicll were negotiable for the ¬/t". a;a'£
:I:
his automobile.
California bent, Set-lop
Valcnc.ia.
Cuba
P|
whr)se
was
¬ommissione(I
forestalled
at
the
painting
behest of
in
the
newly powel.ful NTationalistic pal.ty, hacl llopt`fully
displaye(I
the
prints.
¬¬Grins,
staI-eS.
aml smne appre{:iation" were aecol.clad lhem.
the Lcxramie ReI"bliCan-Boomerang rep"Its.
"-but., alas, no funds.
One Lal.amie passcrby characterize('l tlle art piece as .a I"Inch
of black lines. a hungry dog2 and a Couple
of badly drawn Mexicans.",
Directecl to the c.ampus of the uliVerSily
of Wyoming) Valencia found killClred SPiritS
in the art (leparlment, c¬but, saclly enough,
they had no money either., and there was no
time to draw a requisition on tile fiscal agrent.
Wllile the perplexed kindred spirits were wondering what to do next, the reporter happens(1
in, i+,as soon relieved of $7-as a loan-an(I
SeI-tor Valencia hastened to replenish Ills tank
and be off for California."
The Orozco pl.int? 6The Everlasting Burden," was brought out in an edition of 100
of which tile University of Wyoming now
possess No. 14. Valencia haft strewn valuable
prints across the coumry? among other I)laces
at the Denver Art Museum, when economic
stringrency h£'-d necessitated parting with his
treasures.
He has one more Orozco ]itho_
graph, a"I maybe he will trade that for gas
in Java-
The Fourth Annual Ceramic
The fourth annual national Robineau Me_
morial Ceramic exhibition to be held at the
Syracuse Museum of Fine Arts. Oat. 15-Not.
ll, is enlistingr entries from all sections of
the country.
Riallard I. Bach of the Metropolitan Museum, chairman of the jury. will
give an adclress at the previert,.
Other jurors
are R. Guy Cowan and Cat.I Waiters.
In connection with the exhibition, the art
division of the American Ceramic Society
will hold a convention in Syracuse oat. 25-26.
Certificates of merit will be awarcled by the
society.
The Svl.ac.use Museum of Fine Arts.
¬.JRobert Harley= Barris[,er.ai-L(lw:I by Thom(ls G(linsborough.
Amongst the wealth of paintings, old prints,
modern etchintJrrS, antiques anal rare Si]\.er
r".s rapi(I rise in Bath. Tn l765 he was chars_
which Malco]m Franklin, clirector of the art
p"rtrait is undatc.d. sn there's no knowing to
within 20 gruineas what he pal.cl.
g-alleries of Carson Pirie Scott & Co.. Chicago, broug.ht back from his annual European
buyint=o.
expe(]ition,
the
outstancling
item
the
Ti_
Rem.
dc Broke. in wllose famil\,. ]| bacl remains(I
conning I"'s grocl-a (leyotion that lastecl through
life.
On his clc;.ath bell he was heard to
mul.mul. cyan D),ck! I.epea[e(lly.
Van Dyck,
continuously
trait llaS llOt beeIl I.etOuClle(I (". repaintecl in
College Art Assoc`iation.
some 80 yea1.S.
Tl"1S all the beautiful g.lazes
fnl. which Gainsbo1.Ough Was SO famous are
li;I.k.
has
embarkeC.I,on
a
P1.(JjeCt
Of
Gil.Cu-
latjn+I exhibitions.
Amr"lg
the
collec,lions
are:
IIungra1.fan
painting..a, rc.cent1}- shurun at
the
Bl.nf)klyn
}1ruSeum; WOrk bY \iemlC.Se ChilCll.en: Polish
wclo(lcuts. o1(I alitl modern;
engravings I"7
vi,.inslow Tl("l(ll.. Whose Centenary Will be cele.-
I-teal in 1936; olcl flowcl. pl.inis. l7.50-18.50:
c(!Ior plints by the Re(lfe"1 Society;
b)r the
British
Society
of W-noel
prints
EIlgraVe1.S:
watel. co]n1.S I)y }Ta1.]f PeixotLo an(I
pen
ancl
ink skcttalles by Emest Pejxnttn: painting-s by
-.,i. sheklcm pc.mlt,yer; hangings and CleCOr¬i
tf(ms ]1],- A1.lhur aml Mary E]len Crisp; needle_
it-ark itpailltingS=' hy Georgianfl B1.Own IIal.besoll;
anCI Om.efol.a a.lass.
Sirlney-
I-aufman
is
ol.galliZing
sI.nee
it
Was
PajnLecl,
the
Classes
per_
in
YoI.k. Infol.mation cancel.m.na- his scbool can
lJe haCl fl.Om the llilch Galleiic.s.
l!:a Court Of
King Chat.lc-a I the 6Bri[ish schooF of portrailurt.. wllic.h Gajnsborough 1"illiantly car_
lbe. Cat.s(m galle1.ieS, tOt3Crethel. with such other
imI)OI|anr British paintj]lLrS
aS ¬Tor[rai[ of
*/
ougl1,S
Acimjl.al Charle..Q wirager Pun.is an"(I TIis Wife9*
WOE.k
I.esi(le"ce in
(I"I.ing.
l3a[h:
the
eat.]y
year.a
jn excclllent
Of
I".S
general c.on_
I.ic-(I
un.??
Tlle C,dill.sbol.c"lgh is nrjw I.n exhibition in
FTttgh
Bat.r(-m'? bY Franc.is
b!, Al.lllul.
clition anal frl.e fl.c"n I.estol.alions ancl 1.ePaintS.
Dc.\i.i.
Cotes.
and
£¬Rear
Fine spf.c.imens of Deyis,
wol.k al.e I.are.
lT it is lo be clcane(I it shotllcl net.e|. be mo|.a
than surface aleanecl.
}Iany piclul.es of this
type al.a half 1|lined by
EXHIBITION
loo Cl|.aStiC reunOVal
rtf 1".nigh anCl glazes.,,
Gainsbormlgh9s
¬'Batb
pen.0(I?"
1759-l77d.
A Selected Group of Paintings
js lllc f`pnch nf the winning of big rc.cc)t2rrnilirm.
wl.iles
a.
JVc?¢.±`_
I.
BullI'et
¬T-Terc
in
in
:all
the
Cllicago
aLmospheI.a
Of
IeI'Sul.a aml Cult"I.e,3 C,a].nsbol.nugh pajnLed
the
kr clicl 6RobeI.I lTarlev. Hal.risle|.-at-Law.'
:¬ ¬.\l first I": chat.a.eel 40 guinea.S for a half_
le"glh
an(I
LOO
g.I".ness
fnl.
a
by
I)("./y
1\.ealll.I.
ff±shi("lab]e aclnrs. Cam.ick aml Quin.
Somewltel.a in this prI.I.ml of fl.esh creati\.e energ).
]if¬ (b.awfng' I)a]'nti11g aml COmPOSitiOn in New
thorlgh a DutclmlaI1, fOunll(.(I :I:
be_
pt:I.a ancl brilliant.
Sir Charles IIolmes, Idle pI.a.Si(lent Of the
National Gal]el.y in Lf)1"Ion and a fol.emost
Gainsbol.out`o.h autho].I.ty! has rmitl¬.n the foil(-ing col.tifiCate auth-entiCating the portrait:
6:-.i completely typic.al spec.imen of Gainslrol.-
I".i]]iant set.ies (1f POl.tl.ails. among Lheln
Laufman Opens Al-I Classes
£iGainsborough at tliis time was seeingr orit,tr_
inal pictures by the .great masters' for
pl.obably tlle pot.trait of Ttobert IIal.ICY? Earfirst time. Ilo was copying for practice
l.ister-at-Law,,, by Gainsborougrh.
Coming di- tian. Van Dyck. Vclasquez, Teniers,
re.ctly from the collection of Lor(I Willout,dll"
I".amlt ancl }Ium.ll(). hut Yam Dyck was
of abc)ut 100 entries will he a.iI.C.uite(1 I)y the
B]anc.JIG A. B)..cr]e\-. 205 East 78th St.. New
The Harley
i.=
the onon(laga p'otter). company aml the o-nclaga lio[el hal.a offe-I plizis. A selection
Circuit Exhibitions Organized
ing 60 bcruineas for. a half-lent2Crth.i
flllI_length.!
says a biogI.aPller Of Gainshol.c"lgh I.e-m[inLT
a
CHELDE HASSAM
O<.I. 1 _ '26>
M I I a H :oA8LwL.E5R7IsETS.
NEW YORK
I
\6
The Art I)igc.sl, 1si, Oc[c)beI.. 193.5
Once a Friend
Muskegon Bu?rs Burchfield and Curry Works
w|la[eyer tlle present attit"(le of Japan -ly
he,
ther(I was a
perry
opened
time just
lht.
after Comma(lot.:-
country
to
I(".Sign
Ira(lg
that the l\Tipponesl- were onll"lsiastic. in theil.
a(lmiration for things Oc.ci(lenla1.
flecte(I
in
an
exllibitI.(m
Of
a
This is re-
Se(.litm
Of
the.
owl]ec[ion of 205 Japanes(- prints whit.h lil.S.
Emily Crane aha(ll""l1.ne has PreSerlte(I tO lb¬.
Art
Instil"le
of
(i,hit.atrfro.
Many of the al.lists are pupils of rme mas-
ter.
utagawa Kunipeshi, one of the last
the old tlkiyo-e Schools.
kazu,
yoshitora,
Clf
llis pupils, Yoshi-
yoshitomo,
an(I
Yoshiiku.
wol.king from 1850 to l880. were caught in
the. wave
of western
contagion
ancl
theiI.
work is a dec.i(led
clepart"re
fr(rm
o1(1
c.on-
e(`ptions aml designs.
In July. l853.. Comma(lore Pet.ry's fleet of
cchlack ships.., as the gunboats were calls(I
I)y the Japanese. anchc".eel at the entrance tO
I,clo Bay.
By March. l854, a treat).- hacl been
signed, opening certain ports to American
traders.
This wedge soon releasecl the Whole
crnmtry to outsi{le influences, which tlicl ")I
souuenir oj (:(IrOliml:
seep
A. Water Color I)y Ch(IrI.es E. Bur(.I?!ielll.
at the same time from the \Tacl)elh (;allery.
Another important clocument nf the ¬¬Americ.an scene" has come to the ITa(.kley Al.I
Among the accessi(ms lisle(I in the am"al
report of the liackley Art Gallery, Muskegon.
Mich.. is CllaI.leg E. Burcllfiel(Ps water color.
cisouvenir of Carolina," purchase(I with the
Gallery through the Ferargil Gallel.ies. 'The
Gallery.
Torna(lo" by John Steuart CuI.I.}., PreVi("lSly
completecl I.n 1930' Burchfielcl says of the
il.lg, depiclingr a fat.mar ancl his family burr.r-
Hackley
F"nd
fr(rm
the
Macbeth
I.c.prod"ce(I in TIIE ART DIGI.:ST.
Ne++. York.
work...1 consi(ler ¬Souvenir of Carolina' (me
a_f the best o[ m),. gent.e type of things, perhaps the I)es[ of those in which 1 inlr("I"ce(I
the false fr(mt stores' unless it woul(I I".
"NovemlRT E\mling' in the Metropolitan, whi(.,h
is an oil..?
Because of the growing
tance
of
the
6iAmeI.iCan
Scan(..''
in
imporWhich
This paint-
in quietly I"l[
and whole-heal.ted attitucle.
the
hI.bitiOn
at
ar.(. ]ighl(.(I.io that people can walk witholll
Chicago.
I/.olg commcn[s "1 -\1usket|t}on's purchases:
i.pl-incial museums can never hope to com-
t|ouble.
a("ne
There a1.e market Places Where -m
fl.om
oI.
sl".(i. [hf litll. being change(I will-lt the
(lay
\ictoria: at
arli+I.I kmwle(lg(..
-\Iast c.I.a.
tnt.
Water
C.Ol".
i.a Of
significan(.a.
origj"ll),. sold from th(-. P`ehn Gallel.y to a
collerl".. Ill(. painting was calls(I 'Tll(. Drug
6.The cle.ar. c.ol(I ligrht
{.al.]y summt.I. Ol. Tale
the 'lulil(lillg.i
relief..`
tonal
¬|ml
ll".owitLg
Frank
ITuckl(*r
al""lt
al.l.
lhe
from
Wl")1c
Almy.
wl.ote
I-.e]ati"1ShiPS
COme.Q
thC.
_.\lwoo(I
(`,all(.r\.
re")lv.a
fall
i"I()
I"l1(I
(lil.t.a.I". nf
of 'the
Pit.tut.a.
(lefiniLt.1}.
vI.01el
of
behiml
lh(-
may rise
Furlllc`l.
I()
th(.
I.auk
an(I
u.rH.lh
nT
Ol(1
al.a:
..i".lI
¬toulll.`
I)y
anno"m.r(1
I)\.
`\ll..
\lm\.
J
I_if(i,.
Itv
Pl.eston. Dickin.i"I.
all-aI.lCS
Websrc.r
Hawtl")rm-.
.i_\!em("ics of NT"v F.nglamr hy Daniel Gal.-
in
tl"-
shirt
of "I(. of the
flgur(.s.
B"rc.hfiulfl's
wa[cr colo1...-Th(. Open RoacF' was at.qllil.(..,I
I)er;
I"inl`` i)y
gan,
Alfl.etl
Kent,
llonI.i
ltiv(-I.a.
llo\+.al.(I
!l"tty.
Emit
Matiss(..
Cook,.Ir)lm
GallSn.
Pah]o
Cnsti-
Ro(.kwf.1l
Picasso.
lI"".ietta Dean IJang. P")I".rl
Diego
Rigs.`
all ovel.
`stH(lentS
womer]
aI.c-.
are
the wo1.1(I.
in
gentle-
the
aml
Fifty
tI-l-
uniVel.SitieS.
kiml`
the
Tnt.
men
Saga-
cious aml highl),. ambi[iou.i in I"1Sim-SS."
the
ri(I.ing
a(.c(.s.-ions
..Its
estal)1i.`1re(I
a(.(.ant
The tel.m ¬iWest-
pl.inLs.
g.i"ne by I"lying mo(lt`l.n pit.tut.es whi(.h some
special
a lea(ler.
tbe
The I.nscription
on
one 1.ea(lS:
This is
ing tt) the cyclone edlar in tlle face of an
It is on tlle Riyer Thames aml there
",_cm"'nt,fr tornado, w("I fol. Curl.y the $1,000 Loud(m.
a|.c. a numl"T Of lal.ge mansions. There is a
pI.iZe at the 1933 Carnegie TnteI.nati(-ma1.
Il
1(lng 1"ida.a where in the eyening three lights
+I.as feat"re(I at the Century of Pl.ogl.ess i-x-
sand
iS
fl-led
ern Barharian'. as usecl hy the POliticians
of this day (loos not seem to be compatible
with the frank a(lmi|.ation shown in many of
pete in th(. w".I(F.+ art malts fm. the sol.I of
paintings lhat }Ic.llons and lI".gang like.
But
tbl.y c.an p]a),. another aml mol.a exc.iting
BtH.allfial(I
apparently
port cities. especially E(lo
(Tok\")
whet.e
the greater mlml)er of print clesigners lived.
Evi(lently tbe people of Japan ha(I a frienclly
gentle.
latlies
.qhL.
a"l
Li(-..i
I"")p skirts.
seen
Two
a
the left is a lacly (m bol.sat)ack.
si(lp-sa(I(lle
i.,|!jlp
arc-
ritling
(list.egaT.(li".LT
hc".
P"kC.
in
her. 1.einS
I"I-.t.
All
l\.ear
Tllc. gentlemen aml sol(tiers al.a
almost all hewhiskel.ed.
The\- weal. light peg[l.("ser.i aml g.ally c.rllorerl (.('lats.
Their hats
aml sI"res as (h.awn I)y lhe Japam,.`c.. to wh(rml
su(.h arli(.lets ".I.a new. al.t` sll.angel).. sbape(I.
whiskers.
c.ig.al.s`
lioop-.skit.Ls.
accol.(liom.
1lug.c` w'lLc.h(-.i_ :ln(I 1(mg.-taJ'1o(I (I()grs al.a a"-I.'`r
th(i
most
striking
I(.alures
pit.I"1.I"I
in
th(-Sr3
I"intS Of for(.LLrnfl.i.
A N N a u N C I N a
I.Aesthetic Prattle"
¬Tj(,(.Al.
\i\e(I
ph},chic
(:]a\"l
Hmuuunum
sI.\,(,Ir1788
I () t' lt
.\' E .\ lt k', ST
WATER
GOUACHES
DESCRIPTIVE PRICE
I) E.I tJH I(
F 0 lt
ENnLLMAN
l7O Fifth Avenue
of
color.''
TRADING
Inn(let.niStiC
tlle
high-soun(1il|il'
says
I.c.-
th(.
Th(mlas
iThis
Of the Stl"lies
Painter.a
met.llanical
.states of
ill nor.mat experience.
(Opaque Water Colors)
"LATIN QUARTER" WATER COLORS
AND
hit-i
al-lt
atld
Was
aligmenle(I I)y the suppositi(rms of quack psycl")1ogists.
It was ha(I enougll in the mouths
"f painters: it i.i wm.,tc. wh(.n clressecl up in
flurl.ies an(I
COLORS
jargr)n
of
the
CO.I
I)y
itself.
is
I")
the
soul
has
no
I)asis
A patcll of re(I or blue,
-)re
than
a
meaningless
sI'l""lge, I"lt minds given tO aberl.atiOnS Can
react anything. into smu(lges.
6iColor has no language of its own anal no
m.I)Orlel.,*:
"PORTIEN©
m).stories
success
pl.a"1c-
movie cloctors.
Tlle noti(m thal (Ii"mnccted
color. can he matte to symbolize emotional
:
I,1STS AX'D COT,nR CHARTS ONT REQUEST
I
THE
teclmic.al
aesthetic
in the New York J4mer('crr/L
rlf '(lemellte(I
PAILLARD EXTRA FINE ARTISTS' OIL COLORS
ARTISTS'
o]{l
silly talk o1.iginally Came Out
A complete line of PAILLARD colors and materials is now available in this
market.
In buying a PAILLARD product you have an unconditional guarantee of
satisfaction.
PAILLARD colors have satisfied the needs of the most exacting artists
in France for 150 years.
.\ s l{
5`/itrr/)``s
tlie
lnc.
New York City
\.a]ue in art-any art-unless it is I.elated to
specific forms. to recognizable objects which
al.a pal.I of ("lr daily liyes."
The Art I)igc.st,. lst October= 19:3.5
1J
I)a i(m Klzow Thclt.--
Baltimore, 1795
(:Iul;.I(,.s
Ka.s.slcI.
"""I)(,[ilj("I
i"r
II.
"
I)("s[ ()!Ji(.a. I":Lint.a
I(;.sl.
...
h.is
r'lghj
uI.m
"
pc,ry
WON
jar.
with
in
Rt".is (I,h(t![rl[)in.
i.:
2Chn
"I"r(ll
rhC
(I
r:haniffll
of
the
when
(:I).s.sin_
Ju.
FIill.s
a-XPl()SiOn?
i("n("ls
a(li"lrr?
I"lint.c,tl ih`e 1;OI.I(I`s i(lrgc,`sl
iJ...
-:Ju;ul-cl
\592
feCler(lI
his Ic.jt h"mI- I.(I.:ing
son
I".o!'".ien[
lhe
Be.:erly
...
singe.r.
Tint.ore.Ili)
l)iI. T4 b),. :30
fcc.i.
GH,ek
lcus T4S(.Iujl{n).a,(Ir.S aml
OI(I? ho"or("I
AMERICAN
ART
ASSOCIATIC).N
AN
DERSON
GALLERIES.
lNC.
NEW YORK
(.il;lzerl
oj
oj
T8.
i:I
sl)([i"-
1;i".i(mC.
"I",
Oi
[hC.
G;.eco..)... I:he
I..i.JoJ".
sli[ute
(IiclI
I.a(.ent1).
gI.a(llC..St
I;il;a.
Ar(.hiJc(.I.s
Ike
lC(I.S
lhe
(Ige
[lulI"1riliC.S
Art`s.I,Ic(lcll
Si"gc,r S"rg(."I by
of
(It
On
AmeI.i,C(ln. In-
al.SO
1-..Seated
N"Ira.--Czc.(:hoslou(lk
I"tin.i(,r-
I.oI".i(.tC>ul
`sp+
"".(I
m(m1'./
`scn["1",d
...
im, l]1e
1.a(.a"lil,y
Ill.in"
lO
i,I".ee
.,fil¢,Xi.S
g(I"[e" Oj
I.he
Of
I)eing
ye(lr<
M(liu(lilt.
I;illCI
Public Sale
lO
Dies() R;uar(I!/....Jean
lurl.s
Will Disperse at
(IW(u.(lerl
Fridag, October 1 I
(I
imprison-
l#(I.S
I)ulie(I
M(ls"oil:i, (I(ljoin-
Chinese Textiles
i'ig th.a I-llC.
-s;:,(mish.
""I"ll.()Ip;lilli".
.Jo.si, "ml
M(lri" theSert=frrinCal.S
i(I"-ls
Collection of
blOthC,r-iliJ,ul¢?
. .. E(lg(lr B. I)al:i.s_ rotlmd
¬¬(lager oj 'B"""Iw(lr-.sI)enI i,l50.I)00 in prilLe.S
i(. i."I.IIler (lrt "1lCl, lO ¬J"ly h'ls (leb[=
iljl./ll
jlolu(rs. i-n
".I;il.il
cei.uc,d ili.Sl)irulion
I",
whiJc.
to Te-x(ls
helie.?a.ll he. re-
(II.iIJimg lhe
oi.1.well.s
I#aotn1[1:I(;(::Dh:I::lgI:Is:13.I;I:i;I):(li;I.::'.:;iI;. ::1(I(:lr:iefllicteo
lhe
DIJke
pat.nter
Of
an(i
Wall-:,a.r
IJ).1m.
Gl.ou(:esler, i-s
just.
(ln
held 'a1..
G(lil.eri.es
IJ(Imbd.im.
'm,
.
P(li]iter
.
.
(tnd
h:IcIli.i
Sold bg His Order
the
Robert
an.Ot]1Cr
jade.rat rompc.ti.lion wiJmer= WOrked aS tl
illre illLuSIICltOr O!lr lhe
New York and PeipingI China
(lccomplisl.a(I
eXl.ibitiOn.'(lt
Lou(lou?
murCll
WILLIAMSON a.
MOORE
je(l-
The
Collection
Includes
Antique
Examples from the Imperial Palaces.
K(lnscl.s Ci.ty SL.an?
Will Wish. (I h(lPI)y
birtl;d(I-y
tO
Gu`s-
t(Iue irieg(md- P(li.nter. 'iirn Oat. ,i` 18TO` in
I)esl: ]l("le il"
BclltiJ"Ore, Al)("lI
17C).5-]800.
Germ(u1.y.9
Hclrry
L.
Rtl"I,
1&84. fro.1mSylu(;"i(I..
For.
the
Baltimo1.a
I.00m
in
thf.
A-.ri(.an
wing the lletroI"llilan
Museum of Art
acqujl.a(I
(lt-±.k
a
mahog.any
bag
(listinguisl-I
lrv
sr`.en tTrrlaSS Pane.lS bC.aI.ing figures SeratCht.(I in
got(I
I(,af
in
a
style
cb.al.at.lt-I.islic
crafts-m of thal
c.ity.
al""t
1800.aml
lT95
IXl+.`e.QSir"I
[Hnn
lhr
or
Of
the
of
the
has
I-lal.IiS
bc-en
family.
Of
in
(lp.sk i.s inlai(I with nat.l"r I)amls "f saLinw""I
pie(.a.s
/;uok
tlate(I
aml
(I(.sign
pie.lure(I
]792
has d"ise(I
lHll
his r"un
has a(I(Iecl
is
in
the
a
(.("nhinalion
Shel.alon's
(.OIOnial
patterns I".
(lisks. esc.ulc.he"ls
of
I)rr".I."i,Craftsman
the inlayaml
imlel.
lll.awer. pulls of j\..ol.y..
Glass
panel.i
Ba1[imo1.(_
1"Iinler,
oat.
I_"1.Ski
(:()iSC.).- I)flint(,r.
al.a
a
IJOui`S
(lc.cola"'yc.
WOrkmanShiP,
|0.
T893.
in
C(lliforni(I..
IJOi`S
0(:i. 14. \893.
Ohi(I?
Joseph
fl.alu1.a
D("ms
O[
say.a
MAURICE BRILL
s1"un
llleil.
Will
Center.
jnle1.eSt
iyol.k
t.o11ecti\.ely,
cll.Olln(I
an
much
c.xllihition
_T\_ov..
miltee
ll.
ol.ganiz("I
of
tb(.
hy
the art
T\Tew 'Jc-I.sew
atl\,.isnl.y
.Slate
c.om-
Museum.
Raun|oml
CH)SS."
O'N¬.ill'.+
aWal.(led
tlle
¬¬Descent
fit.St
Pl.iZe
from
al
the
in
fts
effect.
i[
eon\.eys
lmus"al
NTew
thI.Ct=.-
w¬"er (.olor. ¬¬ul)allgi Ty.pc.a..?.wm fit.st place.
]ied I)y newspapers of lhe time.
Wet.e
Car-
Tile Mary.-
]amI /-a;o"/ of oat. 28, l79l announces that
c-xbibit].nn
I-I(-I.I)all
Reynol(ls
Al
the
Olht.I. examples h). llreSe al.lists Will I". shoT\m
Furlher exbihil"..i will he Maxwell Simp-
and Glaziel. lalel}- arriye(I in the.ihip Reptlh-
1ican fr(m| Bremen... is naturally ingenius
aml can (lraw miniatu|.a pictul.es with g"I(I
.a(m.
A](.xan(let- Altcmburg..
William
Pal.her
I1-u(lson. -\Ial.lha C. Bc.rrv' -.\gne.a E. Lval1.
IIelen G. Tabel.. Rol".I.t' Douglas Gol(lilan
orl
an(I B. F1-anklin Whipple.
.
.
''
blue paint. cone.Options I.eminisccnt of Weclgew(N)(I
me(Iallions
whic.h
emI)cJ-lliShe(I
certain
fine pieces of English aml Fl.ench furniture
in tlle ]as[ quartl.r of the 18th centul.y.
On
the pediment is the fig"re ()I Moses, flanks(I
hy two saints.
Temper.ance aI"I Jllstice are
1.tPreSented orl the (lOOrS and Within are Clleru.
him and a fig"re of IIope.
The mo(lels fl.om
which the glass pain[el. ch-ew Ills subjects al.a
as yet unkm-I, though fllrlher research will
|loul)tless reyeal the source of his inspiration.
Pl.ofirrty
Corporation.
Colircied hy
FRANKLIN
Sold
MRS.
a;I Trentrn|.
Both allegol.ical and religious subjects ant
inscribed on. the glass panels backecl with
Illinois
The Late Governor of New jersey
Km'ffin!s
Bincling.... I)y tl.a(1e a Paintt?I.
.
An
the
J(.I.`ey Ga]lel.y. Newa1.k, in 1934. 1vill he a
feallll.a Of the exhibition.
Not unlike. staine(I
t`o.lass
Prudential Service Co. of Chicagol
Ill.
Trcmton.
h:I.a ha\illg I".l.n fr""1(I 1\f,i(h this l")Lil. }Ially
maker.S
163 EAST 63rd
STREET NEW YORK
lllc. ¬1I("IerII Artists of r\Tow Jet.say." Oct. 6-
atl\.erlistmlentS
Gal)inC.I
REMOVED FROM
of
same
glass.
Fine Furnishings
Because New Jl.rsey mo(lt.rnists lla\.a neyel.
(l].mensional mo\.ernenls aml rhtlllm.
¨.i"1o]t"n G"tlip
Saturdag, October I 2
Propert9 Of
New Jersey Modernists
in [Ile muselml.a J3t///c,f/.Ji. Six PieC.eS Of ful.ni-
hy
Public Sale
Belts.
-\I. _\I. E`cliT-.
befo|.a
The
M;I`SS(I(:I";`sett.s:
I)(ljnler? Oat. i). 18T3. 1trl:(".SCIS; IFF(lller TitJle=
elcJ.eI., Ocl. 9` \&8.`3` Ohio; Prc`s(:ott (:h(lplin?
Mar.ylallCl
mus(.LIm.
two
±al67.
`2.
tl"-
_A splemli(I (`xample of c.al)inet making. the.
I")l])..
3.
Oct.
B. Fuller_ etcher..
Th(` (lt.sk was lnaCl(.
Wlm.i(. ties(.emlants it was plll.C.has(.a by
am[
oat.-
_sculptoI._
-Hc.llr;
hy
MURPHY
OI.CIr].
FRANKLIN
of
MURPHY
With Additions
E.xhibition from October 5
And Six Were Sold
F"n an exhil)iti(m of paintings hy Mary
Aubrey Heating. Texas al.tisL held at the estll_te r)I Mrs. Robert Lesley (lul.ing the summe1.
six paintings wt.re sol(I.
"L(.sseh.n a"lrr
affor(le(I a most effective backgrouhd for the
(lisp]ay.
I;__rllihilioll, (Iud
Americcln
AIIderSOm
.Sale
af
the
Ar+ Associa+ion
GaIIeriesI
Inc.
Miss Keating,s wol.k..¬hown at lal.ge
exhibitions over. the Country. has been desc.I.iba(I aS ¬¬-"lorn, original' with a fine rhythmic sense. a pl.ofound instinct for color and
a primitive power ol emotion."
30
EAST
57TH
NEW YORK
STREET
18>
TI..a Art Dige.st. lst October= 193.5
New Guild of Craftsmen Opens Annual Show
ReI±tal i()I. PaiI±tingS
EE(lit.ori"1.s i:{nuiruIC,(I from INl.¥e 4l
The
American
Guild
of
C|.aftsmen
was
during the few weeks it appears on the
founded a little mol.a than a }-ear. ago by a
walls of the institution.
group of the out.standing cl.aftsmen in Ampl..
ica, with its aim primarily [o foster an i"-
"There may be 'beams' in the eyes of
museum authorities, but in the South at
least we are provincial enough to feel
that it is not the function of a public
institution' supported by taxes or by voluntary contributions, to 'descend to commercialism,I or employ .go-Setter salesmen,I in art museums' any more than
terest in the best of AInel.iCan C.1.aftSmanShiP
and conversely to L.nCOurage the CraftSmall b).
all incl.easecl appl.ecia(ion of and dema"l for
his wares.
The tlil.ectol.a of the guilcl. reali7r
irlg that cl.aftsmen ha(I for. too long I".c.n
working without benefit of at,frt.rrressive aml
cancel.ted aCLirm, umlertOOk tO Cl.eaLe a I")rt.
in science or history museums,-in art
active
and widespreacl inteI.eSt.
Tllc- sitllation clemancled an orgranization which woulc1.
on I)ehalf of the indi\.iclual, pl.omote his work
throut=frh pLlb]iCity' Sell it
through
some
associations, any more than in historical
and
sLlit-
able outlet, ancl jn general do for the craftsman what art galleries and art publicatiom<
have accomplished for painters, sculptors an(I
print makers.
A statement I)y Raymond Dickinson of th(-.
bt,uilcl follows: 'cCraftsmanship in America has
a long an(i honorable histclry which to(lay
is in clanger of being. forgotten as the fielcI
ot hand crafts is im,.acted by the ubiquitous
products of the machine.
Yet the most chel._
ished pieces ]'n the museums and homes of
today are the work of craftsmen of Colonial
times, work which reveals a firm grasp of the
fundamental
requirements of contemporary
life and whicll stems from the necessity for
beauty in line and color of those harsIler
times. The same necessity for beauty erists
today and is being met by craftsmen whose
work is based on this fine tradition, who reinterpret life in terms of a new era and from
a modern point of view. It is one of the
Guild9s tasks to aitl in harmonizing tlle tl.adi_
NIatuJal Finish. Maple and f3>r(lss
V(l`se by Henrv Kohl.m(In.
tionally ol(I
with tlle creatively new and
cclordinate
with
it
tIle mOClern
trend
to
in
Cle_
tor-Lean Loeb.
Early in
1935
the
Guilcl
ters at the Jacques Seligmann Galleries, New
York, where the annual fall exhibition of
works in silyer, woo(I. pottery, glass, textiles
and other materials is now beinl=rr shown. It
i:.,
the
purpose
of
the
gull(I.
by
constantly
chan(]rring. the objects on exhibition. to offer
thc. creati\.e craftsman an oppol.tunity to ac_
quaint the public with his art an(I fo stimulate
its. interest in acquit-ing a n(-w type of decorative accessctries.
At the same time, these
artist.a
I")int
tlle
ma(;hint--ma(le
Way
trl
Original
(lesign
in
pl.o(lucts.'2
a("let-rte(I efforts hayc been macle to open
Work with permanent and reliable
colors.
WEBER COLORS offer the
finest selected pigments ground in
especially
cleansed
and
purifed
oils)
vehicles and
mediums.
More
than
80 years of color grinding experience enter into each tube of color.
Catalogue sent on request.
WEBER
Fine
Arris+
COLORS
OIL. WATER . TEMPERA . PASTEL
'`'rhe I.olol..a lhi: Ul(I }l".fitel-s Ira,Ill(I lilli.I, I:SXeCI:I
F.
MATERIALS
New York. these excerpts are taken:
"The Arts G"ild attempts to promote tile
general
eclucation of the wIIO]e individual
tllrOutgh the media Of the arts.
It recognizes
that
the
emotirJnal
gI.Ye.
Creative
Est. l853
the
inCliYidual
is
tO
his
feelings_
1?I tile nrost important outlet is tlle new branc.b
which was opened Oc[. I a[ R. ]I. Macy &
tc.llec.tual
Co., I\Tow Yl".k. Locate(I on the. fifth flooi. i[
js being fJPel.atetl in c"lnection witll Ma(.i...a
new cleparlmenl of {.I.aflsmen,s [ools.
|l¢:re
to
lc.c[ures
are
c:I.aftsmen
giv(m
jn
trm.c.(i
\.ari"us
T]le lll.`uri"1iZaI]'"I
nc.n-profit
Any
tl":
making
cl.afls-"
(.t.plc.(I
aml
"1
h\.
"I the guiT(I
is
eligible
ht.ing
ll}+ a
jur!r.
cJXIlihite(I.
for.
tllat
Thl-
:I
OrganiZati("1.
m"libel.ship_
lliS "".k
I".fo"1 ]l
I"1aI.(I
a.an
of
mHS[
I"1
¬lC-
Ch.I.eC1_
lc`l.s,. wllic.h al.so a(.[s as [h(-. jur).. ]'s (.uml"lse(I
of
gut.h
"ll.¬lamling.
c,I.aftsmen
aS
Carl.o]l
Fl.cnch 1-ttl worker. an(I One Of the lorelimlitl".c
makc1.S
-1Iullel.-}llmk.
aml
iml"slria1
CleSigncl.S:
(Iesigner
aml
use
Pt`tc.I.
silTer-
W'h".lot.k. scu]pl".. paint". aml w"o(1 ".orker:
al"I IJe"ll lJ"b. mana`!iing rli".(.I"..
power..s...I.
all
lc.al.ning
eminem
is that of
mcJmbC.I..Chip
rml)..`tip"lati"I
hc? pal.ssc.(I
dail\-
fie](]s.
PA.
St. Lout.s' Mo.
Representative Dealers Everywhere
Of
expression
the
arts
W""nn
.i(lip
Bt".(m i:ocll:¬,
in'!
i"
whet.a
lmm
Pl.abe.-I,¬,
ll.a B()slon, Tr"ns(:ript..
Arts
evoke
Guild
an
seeks
enHJ[iC)Hal
\X/rites a Novel as He Paints
Cc"'m.itlenL with tlle publicalil"I of fll.lil
c-lit.k Wight.s first mJYel ¬¬South." is his ¬.x-
hiltiticm ttf recent painting-`s bc.int]tr held at thcKlt.ernalm Galle1.ieS, -New York. tmtil Oat. l'5.
This i.ounlr Ame|.ican atlist ilas li\r.eel and
lra\eldcl clljling Ills last year. in tile S""hel.l1
_filal|.s. stutl\-inee tile life aml character "I the.
_.\meI.icon..Pool. ".kites."
.Sl=\.el.al of tlle Pit.-
lul.es rln yiew are port1.ails Of tlle People tliLl:t.
llill
I.a"Ilm.
"I
\-i].ginitl
a"I
The
(:ztl.lJ-
]jniLS.
EDM EL"lE)
,rfJ.n'! I-20
]fiiii
BLAMPIED
ALSO
Dipper.s
TIle
I(I
I.a..+I"-mac.."
ETCHINGS
Bat+imore, Md.
life
quite as important a factor. in educaticln as
are the intellectual factors.
Feelings and
attitutleS I.c-lition intellectual respon§eS.
It
is the purpos(. of the Al.ts Guild to a-ssist
eI-lions. aml attitu(leg, ancl to discipline the.se
creali\.(. respcmses hy tlle full use of his in_
I"tll master+' in Iba fi(.I(I of c.i-.I.ami(..a: 1\,.al.I.en
CO.
number 5001.
Frcm the 1935_36 announc.a.ment of the Arts GuiltI. 309 East 34th St._
lhe I."liyjcJual in c]is(.oyez.ing h].a potentialities_
smitll; Tlunl1. Tall.mum Pot". aml Call WaherS.
WEBER
is being more and more emphasized b]. the
art schools of America (whicll now PrObabh.
lo
DRAWING MATERIALS
PHILADELPHIA,
The idea of (leye]oping the freedom of personality of the jncli\..idual through art training
country, aml llegotiations are nowr under way
with seyel.al st'ch i.stablishments.
Uncloubte(i
SCHOOL
SUPPLIES
"Emotional Response"
I".anchl-s in tleI)artmenl Stores thl.OughOut the.
m¢st
ARTIST
societies."
as a whole®
slgn."
The first step was to secure the sol.vices of
a lit..e-wire and expel.iencecl managing direcwas im..I.ted tO make its Permanent headquar_
PERMANENCY
scientific
There are two sides to nearly ever}.
question' and in this one| involving the
proposal of artists to charge rental for
their works when on exhibition| Miss
Hutson has vigorously stated the side of
the museums and art associations insofar
as sales might satisfy the creators of
paintings' sculptures and prints.
Leaving aside the question of dignity
and tradition, The Art Digest may with
a degree of certainty comment on the
attitude of the art dealers. Hardly a one
would object to the museums and art
associations selling pictures' because they
know that one sale means other sales,
not only to the first buyer but to his
friends who see the work of art in his
home, and to members of the communit}.
CHINESE
AND
DRYPOINTS
ANTIQUE
SNUFF
BOTTLES
Guy E. MAYER GALLERY
578
Madison
Avenue,
at
57th
Street
Th.e Art I)tgest> 1st October, lC):3.5
Curry-Benton Tour
A Bible Exhibition
The Ferargil Galleries. New York, have as_
An exhibition that will follow the history
sembled a collection of drawings and water
and development of the Bible, representecl by
colors by Jol"1 Steuart Curry anal Thomas
Gospels and Psa]ters as well as complete
Benton for a tour of tIle American museums.
texts, ranging from rare illuminatecl mann.
Bookings have already been made that will
scripts of the 9th century through early printkeep the dl.splay on the road for two years.
ed works, will open at the W'alters Art GalDuring October it will be on view at the
lery, Baltimore, Oct. 6, to cl"tin"e through
W-illiam RockhiII Nelson GalleryS Kansas
h-oy. 10.
City} Mo., in honor of Thomas Benton's new
The exhibition will be helcl in crlnnection
with the 400th anniversary of the printingr
of the first English Bible, known as the Miles
Co\".(late Bible.
The display will include
about 50 wol.k.a selecte(I from the large col_
]ection which for.meCI Part Of the Waiters
I)equest lo Baltimore.
Inclucled in the gift
wet.e mnl.e than 500 western ancl 200 eastern
maIILISoriPts. ill a(I(litiOn
tO
a ]art,a.e gl.Cup
Of
inc.lmabula, which llave mJt yet been Catalogued.
This collection with its prec.it"ls examples
rlf the llluminists' art ranks. both in sli-i;Ie;
I:
I'mPOrtallCe. next tO the Pierpont
:¬geA¬i:i
gr(1uP, an(i in the coming show will
specimens of I)eautiful books RE a a e
menia, France, Italy) Ent>fTlancl, Germany
tlle Lowlands. In ¬The Gospel of the Translators" there will be displayecl one of the few
loth century Armenian manuscripts in existence.
In recent times it has been in an
Armenian mollaStery near Constantinople. An.
other early specimen is a 9th century wol.k
from NortINVeSt F|.ance, showing classical
models with ornamentation going back to
llerovingrian themes. Put.plc, golcl ancl other
rich color.a CharaCtel.iZe a Gospel from St"tll
Germany. 10-llth century.
Vally Wieselthier to Teach
Wieselthier. wIIOSe name iS almost
a"1CmymOuS With the Wiener Werkstae"a
T\',here She fOtmCled the Ceramic Workshop in
aclditi(m
to
ller Own
atelier, will
conduct
ulasses in potter). anal col.amiCS at the Maslel.
Institute tlf Unitecl Al.ts at the Roel.ich Museum. NTew York.
Miss Wieselthie1..a Pet.s"la]i[y an(I (lecorative style bavp pel.meale(I
c.erami-a expl.ession in \ielma and have place(I
their stamp upon American desjt3trn Since her
ami\al in this cr)untl.y six years ago.
A former pupil of Josef IIoff-1n anrl Anlfm
in
ing- nf I(-ns on the potteFs wheel, builrling
shapes al"1 figLu.e SCulPtu1.a in the I"ll"Y. the
()I
|tl|r)(I
I"in[jngr.
\\all
aml
a"l
limlTe|lm
pta.iter
i)1"(.k.`
ancl
I"1.
Ill
Nnvember the exhibition will I_fro Lo Columbus;
+
in December to the Uni\"-sity of Nebraskcl
at Lincoln.. jn Jal"tlry to the 'Davtn" Art I"_
formers are also included in Curry's group.
EIisabeth Luther Cary of tile New York
Ta.m.es was impressed by Benton's little drawings favorably comparing them with his
murals, which she described as being 6igood
theatre.''
American painter. Whose native bent ClePenCIS
as little as possil)le upon wheatfie]ds. runclown villat,cres, cottoll gins, mulesg sheep herdgrs, coal mines; that depencls insteacl upon
sensitiveness to the inspiration of space anrl
freeclrlm. That is e-ut,frh to make an ol.clinar!.
American. ullCOnf".-I bV COmI)leXitieS r)I an-
stitute; in, FebI.uar.y aL the Wistonsin Univel.sity at Madiscm; ancl so r"1 thrOug.hC"lt the
W-eat unlil jt eventually,returns to the Atlantic
cestl.y} feel at home and at ease.
Snow Painted in Torrid Sun
Both Gum.v and Benton have c1||osen nati\..a
material. B:nton in his nervous ancl energetic
teal"1ique has COnCenLrated on the working.
and loafing Negroes of the South, scenes of
Mid-Western fat.m life. Iumber hands ancl
The
tornaclo
all(I
its CleVaStaLing re-
sults is still very much ill Currv's mind.
In
one drawing particularly the fun'ne1-like clou(I
has wrr)ught its havoc-with vat.ious farm ani.
mats lying clead, stancling he]p]ess in their
barn stalls without the barn, bawlin[=cr their
heads off. as the farmer and his wife point to
the cloucl rollingr by.
Stuclies of farm animals reveal Cul.I.y's knowlcclge of their true
characteristics as is shown in his clrawings
of hogs fighting anal the portra]'t of a Jet.soy
bull.
Iiis sense of satire is echoed in the
But there
js a t!rroo(I (leal mol.a."
seaboard.
mines.
¬¬I confess myself c]efeated b)- such
of the murals as I have seen." wrote Miss
Cary. "but happy and at ease with the beautiful a"d unexacting. drawings which seeln tO
tell me simply ancl clearly that here is an
The hlarie Stet.Her Gall|.ries. _\'ew York. are
Opening the season with an exhil)iti"1 "i gall).
clecorative pictures by foreign artists. some
alreacly well known in America. others clis-
c("'ered bv Mrs. Sterner in Eurnpo last summer.
Serge Feral will he representecl b)- three
lanclscapes with plume-like trees and clelicate
I)lues ancl greens.
Ebihara. Japanese artist
living jn Paris' has two of his familial. birdsin-snow scenes.I
Most of these snow pictures
are painted in July anal Ebihara usually axe.
cures them in the Tuileries Gal.dens in the
blisterint=tr sun.
Peclro
hibitor well k-wn
Pruna is another. ex-
to American collectors.
Among Mrs. Sterner!s i¬cljsc(",eries'. are Marc`mbert and Sanyu. tlle Chinese painter.
chunouncing. a.
ETFBNA
OIL COLORS FOR ARTISTS
her.
jnstruc'lion at the Master. Tnslitute the mak-
LLSe
showing five oil pailltingS lrv eaCll I-nan.
heads of a carni\,.al crowd in a bird shapell
6¬aeroplane." Circus scenes and trapeze per-
sketc.h of lovers s1+-ingint=fr Obliviously over the
Tally
TTanak_ -\Iiss Wieselthiel. Th,ill incluclt-
position as instructor in the Kansas City At.I
"l,Iuseum. Besicles the selected group, ivhich
Its made up of |7 examples each of Benton's
ancl Curl.y's work! tIle P\Telson Gallery is also
T9
# TESTED in the lclbOrCItOry
it PROVED in the studio
Lt.xli1¬
papier-mac.ht,i
fm.
flee.o1.alien.
GENUINE... Eternl a)I,)rs contain no pigment
substitutes. They (".e ge"lli"e cls klbelecl.
Orhe|. lle1\- memb{`|.S Of the \1asler. Insiilute
faeuIL\.
al.a
Erie
Pane
aml
Geo1.g.t=
El--I.
Br("lie.
Skyscrapers as Art
STRONG... Eterna Colt)rs when used aloneor
in mixture are of exceptionally high streng\..h.
BRILLIANT... EternzLColorsare()ft|e highest
brilliancy, compatible with permanence.
"Qk\.sc.lapel.s were listcfl as clefinite American
tt.ea[i.i-a c.(mtl.il"lLions lo the ".Orlcl of al.I I".
Dr. -\1fre(I Ncumeyel., professor of the I".stol.;,
of al.I =lt the University of Eel.tin. upon his
at.rival at Mills Collet-a.e from Germany.
ITe
PERMANENT... Eterna Colors are made from
high quality, lightfast pigments.
Eter"(I. C.olors r".e "eitlle1. too O;iy "Or too Stiff; {|ll
{lre tile proper boc!y for 1.e("ly "Se.
is a member of the |93.5 1\Iills College faculty
as
+isitin_fr ]ectul.er in a1.I.
=.Fl"n lI". pninl of art,=, he saicl. 6¬[he sky+
+r1.alrel. i¢ an l")I.a.SSirm Of the mOClem Ame1.-
ican work life.
It is (listinclly an American
creation
ancl cnnt|.ibulion tot mo{1e|.n
art."
C:r"npal.ing the art of Flu.nI)Can countries and
that of _,\meriea. he sa'lcl the i.e1.y youth Of
the unitecI State's as compal-ecl with the centuries of histo|.y of the countries of the Old
w-o|.1cl pl"|.(lcs- the necessary drive ancl work
fol. the pl.ocluction of real anal modern art.
® The knowledge and skill acquirecl through
Devoe's long yeztrs of c()l{)I--making experience
have gone into the making of Eterna Colors.
Write i()r color czlrd and price list today. Devoe
and Raynolds Co., Inc., 1 West 47th Street,
New York, N. Y.
Actual Size
DEVOE: ARTISTS, MATERIALS
DeulOe also "lakes a COmPlete li"e of Artists, Oil r"ld Wclter Color B"lshes
2f)
The Art
I)i.gesl, lst. Octohcr= JC!:3.5
Among the Print Makers, Old and Modern
Chicago Buys Set of Woodcuts from Durer,.s £¬Great Passion"
1Jr:rT¢¬ Ch,,ri.st
Be(1Ting the
Cros.sf
RICITT.--
e¬Erce
HoIll(;i
ff{tlod(.Ills
by
Di'lrer
(Germ(lr.._
l47I-l528)
fro,m^
The Grc.(lf
P(l`ssion.
In. tl2,a
rFl.c.1m, Memorilll
a,oIJeclion.
/trt
lnstiJll,te
oj
I
-
Chic(lgl).
.__---r~*!It
full "I ).hytIlm an(.I
b11]an".,'' `Laml "lL
forml lo the spiI.it llf the RtJfOrmati"1 in Gt.r-
tl(.pal.tmenl.
the
]n
ma)ly. al.e Dill.el.'.+ i"a(lcuLs fr"n th(. (/'r(,r/I
Diirer. raf.sell the woo(-lcut from a crucle
mc(lil"n of expl.i.ssi"I lo a status of prec.ision
ar"I 1.efinemellt in the grl.aPl"'C arts.
The ol.igin
(liagonals
of
qLliC.I
Epit"lliZing the
Pcrt..I.l'("L
eat.lief.
qllil.eel
Lratrsitj(m
PubliSllC.(I
in
f|mn
I.511
ll.a(litirma]
lnl[
execute(I
Tlle A1.I lmljl"lc of Chic.ago llas a(.a
sllpeI.b
Set
Of twelve
I".OofS
Of
the
I-I.
\R/i.own
tlle
}Ic.mol.ial
++.oo(lout
I'.a
c.ollt.{.ti"l
llnknO\tll.
tll{.
of
the.
pl.int
(.al.lieSt
date,(I
G,cc/( Pfr.s.s/'o", -tal)le. for. theI'r inaSlt,I),. Of c.xampl(-. I)c-.ing lhe famous..St. Chl.iitnpheF?
an(I the tl.¢.InendOuS \italil}- ()f ll".
of l423. which was fouml in the. Cat.thusian
ex¬.cuLjr"I
clesigns_'' wllI'Ch lla\,.t- bC.en a(1(lecl tn
[Ile JoI"l
mona.slefy at Bu.\heim.
MALLETT9S
INDEX OF ARTISTS
IJY
An alphabetical list of about
28,000
artists,
name,
t,a,iving
nationality,
type
full
of
wol.k, years of bit.th and death
ol- present l=lace of residence'
exhibitions
and
active
years.
All countries and all times.
34
pages of ful.ther soul.cos of information refer. to about 1 ,000
-L`ic.g.I.aphical works and biogra-
R.
R.
_
BOWKER
62 WEST 45lh STREET. NEW YORK
.`Pa(.l»
T(."u.(.:1
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and
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of
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Large 8 u>. Ctotl., 527 Page.s
su_I+I(.`t
i(.(.lie. i.(-.I
thC`
x).I"graphic tt.x[ and later. for illllstl.alions for.
ll.I'(,(I
ph_ies of the al.lists.
I"1.
gr"LIP.
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]lt.I.C.With. tinmaZingly I".C.(.ful
ami
Tllil.Ll
|tal". (:ol".,a.
i,,-ill
the
though
n"-\"LIS
\X/ater Colors at Oakland
a
15()0.
(.uls
tut.cc.ssfuI.
1.(.I""hlC(=(I
the
lh(`
I.(.finonlent
of
tee.lmiqll(-.
Tllt`
I)t.g."n in 1497 nl. H,(J8. T\.llile lllr
aI.(`
the.
|\-ith
I:I
hf.
lilt.I(I
OilkliL"l
_\l.I
'L`"
i"slll.(-
_.\llmlal
Par[t-1s.
fl.om
ExbibitI'On
Dl.awl".u.s
Or.L
6
to
aml
\To\..
3
Of
Flints
at
th(i
(;:)1l(.I.\..
(.:Ill")lil.ity
"I
jL"1g.m"lL.
ll"-t-
jl"it.s-(-I.q.r\ali".. ini".m"lid". ¬lml I.a(lit.,al
-will "lt(. upon c.a(.h "Ill.}..
illg. I-allillt? jS emPlo),a(I-
An electl.ic yot-
"l'he Art I)igest= lst Octol)er, lt)35
'?-i
Among The Print Makers} Old and Modern
First Sam Francisco Annual Has 225 Prints
Prints ys. Oils
Natul.alistic painting.. such as.still life piec.es
witll ¬6too perfect fr"it," ass(.I.ts Glenn Wea-
sels, cl.itic of the Sam Francisco J4rgo"c"/.
is now "relegatecl to atlve1.tiSing in its 1(-e.I
forms, and may be fouml in tlle I)ack pages
oI. the more POPulal. mat=crazines. In an article
e]`,titled
¬¬Graphic
Salts:
I.'Not
since
Art
ol(I
vs.
Oil
Daniel
Painting'!
llopfer
of
he
Augs-
hilrg etchecl a pal.trait of K("Ira(I Van Rosen,
jn the year. l504-a (late generally consi(lered
th(. begi1"ling Of etClling-has there been Such
widespreacl interest in the print as an art
fol.m.
Prints, whethc-I. etching, (lry-poinL line-
engraving. woo¢l-cut or wcrocl ongravint]cr, mezzoLint'
aquatint'
COT()I-PI.int
Or
]ithOgrraPhy,
hat.a gains(I aml are gaining in favor in these
days of apaI.tmenL (lwallers aml light bag(=rrage; first' for the simple leas(m that Lheil.
(limensions su].I -)c]ern (lwe1]ings? while thlojl painting of ("lI. falhel.i. With its Weighty'
I)a(1(1O(la(I(le(I
got(I
fl.ame
ancl
its
coating
of
genteel brown-soup? antique \.amish, has beerl
cllnsiglled
to
the.
lumbel.
I.o"m
o1.
aLlic
(ol.
pelbaps to the city musel"n) along with the
cast-iron clee|. wllich used to (laminate the
1.I(mt tat+m. gl.alldmOther'S ca.inOII.ne anal grranC1-
fi\the1.'S t()P
hal
By tIleil. Vl-I.y ambiti(m
for.
1a).a.e1. Cat",,aSl-S. heat,iC-I f1.alneS atrd mO1.C. Pet.-
feet space illusit-ms have the easel paintel.I
almost painll.d tllemselves out of fashion i"
all
but
tllos.+. h("nes where tlle possessi"I
of
a
1.eat
ham(I-painted
crmsiclerc-(I
a
r)il
m`c.essary
pal.nting
mark
of
)'S
Still
cult"re.
The very (legl.ee of illllsi(m p()ssih]e to oil
tc.allnic an(I
LIIe
Lhl.
meClil"n
clngl.I.e
hat,t.
I(I
which
I(ll.gO"(`n
painters in
I""eSty
Lo
theil.=:),/I"I.I:(i
mc.cliunp an(I I.eira"I I". the wall uI"n Whi(.ll
their.
pit.Lul.e
lnu.a(
ag.ainst it.
haniT\
has
also
|leclia whit.h len(I
Thrater-Color. pastel ancl all fnl.ms of drawings
3l.1CI Pl.inlS-I"lt al.a -I as a(laptal)le to illu-
sio".st painL].ng-me(lid whit.h insis( ("i
natul.e'
artI'Sl'
.-.a];
whl'cll.
lO
almost
the
I'"
OhSe1.Vet.
spite
(hell.
Of
the
¬I
am
llOneS[h.:
I".gmC.I" "I a flat I".eCe Of Paper-an(I I,m
talking al""lt
.`uc.h
aml
.iHCll
for.mSL|lave
fo1-I fat.Ol. in tlle llancls of mocll-I.n (le(.orator.s Lo the exc.1usit" (1f that Vi(.tilu (lf l"..SIP-
pr.ehensjon.
i.So.
no
a:1Sly
tht- (IVernaturillisti(., oil painting.
lonLrC-1.
o\/.el.
tlO
th(.
Clea(I
dining
fiSll
table,
dfl b(wls nf loo pet.feel
hang
aml
PreC.ari-
-
longp1.
fl."it appeal. rm the
Th(-. San
as r¬`mat.n I" apt".(.C.late it. is I.eh-g-tL("I I() ;"]in
its
lo\\.t-ll.
fol.ms..a
Blampied Etchings to Be Shown
13 ac the San
[lle
Ro).al
lliI".letl
Yo|.k.
al
lht.
fl.om
]s1(.
(Jf
Ills
life
Sot.icly o[
7
I(.I..sL.),..
"I
a
mam.
"I(.
(1T
slll(lies
[o
-\la).rt.
2ti).
Blam])ie(I
ft".m
of hol.sc.a a"(I the
si(I(-.I-e(I
Elc.her.s, will
Gu).- F-.
OcI.
fslaml
tl"-
of
ha+
l"Lki"g
will
c.:{-
nlOSt
the
Of
SllltlY-
Il(- js c.I-m'-
(`L(.h".a (tf
ht.
New
of
i"LtJn+(.
Ilali".i.
;-I".ill(-`t
whi(.h
llati\.a
+lM.nt
an
1)a
Callt.I.yt
A
Fl.ant.isco
-\.lug(."m
of Al.I. i.i
mlall Wlliall will tmlbl.a(..t-. h(-reafler "1l}. Paint-
ing. aml s(.ulpm.a.
Iult also
from
I(,present
154
of selection
Mainb. from
Calif".nia.
O[llel. art C.(mlt.1.S, 22.5
artist=..
w|-re:
Set.Wing.
Nelson
On
Poolc-.
a-xbibils
the
jut.y
c.hairman:
I")..I(-.a.
im.1u(lr(I
ln
Fi\.(+
pliZ,lq
whjc.II
Wet.t.
Willi:lm
aWartlt-.(I
llcslhal
I"I
was
a
jut.y
Or
filairman,
a`s-
sisted I". Nels"1 Pool(- aml lJee r. P`amlolph.
lP
I)\,
E.<lht.I.
B|.ulone
I.epl.oclucc(I
hat.e\\.I.[h, w`,m [be $30 prize I". c.tching.. Ot!ll.I.
put.a.base plize.i =lwal.flttl i)y th':.tan Franc.isc.o
A1.i Association wtmt to Ralph Slat.knob?. $5()
fol.
(lraWing...I-lf.a(I:''
;I
tO
li"")ur:lob...Fall"I
Ray
Bet.tl.anc1,
\l"I.i".I"`.
$30
aml
"I
Dutchess County Annual
Dutehc`.qs
Counly.
r\ilW
Yol.k.
allisls
a1.t.
I"lding. lbeil. .+i."""I J\nnufll E-`hibitit" at
tbe auditorium of IJUckr\,.. Plall & Co.. in
p{)uq-hke(i)sir. a(.I. 5_]9.
Pr"ious t`xhibil".i.
J\[
the Same
a
I")ttles,
witb
(le(.orate(I
lime
c.oll(.c:li"I
a
[h(.
of
lin.g.a
pot.c.t`1ain
aml
_\la\.H.
anliq"tl
"lil.ly
of
(.ar"-`(I
C'all|.ry 1\.ill
Chimlsr
gl:lss
-`1onrs.
i""fi`
I"lttl(.i_
Dean..S30
for..\rol.:t±a...
ll
woo(I
cn-
gl.dying.
Jose =\1oya (ltd Pine- 1\.On Llle Almc
Bl.i-met. memorial I"Ire.h:tS(- PIiZt- Of S]00 for
;I wa[el. color, 'Sa'mts aml SimltlrS.
Gleml
W'esse1.s, al.I
fouml
that
while
malelia1,
qualiL)..
.6lh(.
(.I.itic of
allow
I"ll
Ll"1 rf/-.gO/i,CrZ+f,
contains
is
mill.h
I)eCulial.I).
Worth
m-."-.
in
T'nel.c al.c lnalrv tl.ite (."nil.il"lti"1S.
goo(I craf[smanlike work of
j(.a.I matl¬r exec.ute(I in a
sllopw".ll suhshopworn I-n-
C"1trilHllil)nS
Whi(.h
ure
C.t`l.lllin]\.-
_/\lny
Flemming_
ltillinm
(;a_=kin.
I.`loron(.l`
Tuf'ts. Fnl.1.eat flibhilS, William Caw, Robert
I-low:lrtl. cl|arle.i I1"I.ilr(I. T"n I.tlYiS. Fl.allC.eS
hi(Jberman.
Xi".itT.
}l:".tim-.7,.
_\Iillo..
(:hiuri1
0hal..I.
p`v(I"..
`i(`l.g(T
`S(.hcl.I)akofl`-
-\T-al.ii"I.+imps("1..+hi71l
ton
Josepll
n"rig
ltapllaeI.
tlmi
rPapers for ulrtists
Drawi12g...Water-Colo1...._Btcbi1,lg
"..w,ood-Cllt...Litboc,graph Pczpers
Hand, Mould and Machine Made
thl.a(1
Pi(.C.eS.
All
enllit.S
Will
ol.gdnizali"1
ol' a|.i,
h(-ing
c(mn[y
vI.al.
as wt,li
(I"1(.
I"-
-\l.lLili
alll.a(.lC-(I
iS
+will
h(.
a.xllibit
for
St`(.king
sal(..
a,i
I".ill
lo
tO
as
m:"ly
inasmuall
(lisplay
al.Li<`ts.
Assoc.iali"I.i
'.3.000
visitor.S.
Slimulale
a
as
as
tl(`-
(:lal.e
Falkenst(.ill.
Soft Japanese and European
i.ommillee
I-1iSC
Wtll.th
Joh(.ph.il"`Ii(laI1_.
l-lSO"mli),a
lllc,
al.ts
n"I
J\]len..I. Yennerst-ll Camlnn. Jolm F1.i.m.Il.
im.i[c.a al.lists am[ oil-.s wh(1Stl W(".k Passes
Ill(=`
lI.fe.
_\Ialc.tt,a
in this l.a[eg"-y ar(. lh9Se Of a. Ililkka I;lilme-
"+).I.c; am"lg. tllc, I"ll)lil. I". "tl1 ".iiLinal won.ks
(lisplay
Br"lo".
]1er..
his drmlinLr
\ t.X]1iI)ill"1. llS rmll :t* his (.hal.:1|tur
peasant
Esther
aml Ray Bertl.and.
slllrlies
of
I)I
william Hpsthal. I.sth(-I. B1.utml. Olis Oldfiel(I
E(i--I B]lam_
pi"I. /Jistin`q"i*I".(I FJngli`+h a.lli+I an(I I"lnbel.
of
Art Asso(.ialilm's Fit.sl
a compl"nent to the associalioIFs sprint-a. an-
rot.. a
Elt.I".ngs and ch.)|mjnls I)i.
Tram.i.s|.o
the v.jsi-
sucll painting.. for such a(mmH.SSCUrS
\+I.1.list.llg
(lI.yPOi.llt.
A-ua] Graphic. _Al.I Exhibition, lhl.ough O(.I.
"¬1\Iarkel
point ()f (ll"n])ing. Lhl.il. a("1LellLq I.ntr)
tor9s lap.
A
mi]iLatcl.(I
lhemselve.s to
clc=co1.ati\.(a CffeC.lS in form and COT(".-gn"ach(..
I"lc.
II:
A largrevariety ofSurfaces,
Tones and Textures. Prices
and Samples on request.
tbr
I"..it wol.k
Can.Tied ill Sloth by
Th(.
DuLchess
JAPAN PAPER COMPANY
(.xbihili"I
last
109 East 31st Street
Nc.w York, N.Y.
2:2
The Art Digests lst Octobere l93S
Great Calendar of U. S. and Canadian Exhibitions
BIRMl_\'GllAM, 1LA.
BirmingLlz"n PuL)lit. Librnr}. Art Gilller}.oat.: Nun-jut.}. show of the Bit.ming.ham
AI.t Club.
++IO+'TGO}IER1., AI..I.
Montgomer.I. Mllseum of r`ille .Arts-t)i.t. I330: Oil p:lintintg set.tion' lath Cil`fuit Exhibition, Southern Stalt.s AI`t lJeag.ue.
DEIJ }IO+.TE. a.1I,.
Del lllonte Art G¬lller.y-To Doc.. I : Pailltings by nati\.e Califol.ni:i aI.lists.
IJOS A-\TGEIJES. Call.
Fouml:|tioI| Of Western Art-Oc.t.-.\-u\-... ..3l.cl
Annual Exhibition of Califol.ni±1 _\ylodernists.
JIoll.ywoo(I Gitller.y o±' }Io{ler" ArtOat.:
Post-Sul.I.ealist
hibition.
Oat. :
I,os
ancl
.+ng{.It.a
Sul.I-eELliSt
_`hl8t.|lm
eX-
Of
Art-
1;-Jth -.\llnual I.`JXhibitiOn Of rJaliforni¬\
colul.s by ChI.iStine NoI.thI.OP ; i+.OOdblOCkS
Dikrl|n Kelekian
(598 Madison A\.e.)-Permanent exhibition
of antique works of al.t.
EiLrhtl| Street
Pltl.i.house (50 1Vest 8th)-To Oat. 12:
Water colors b.\. Anne Eisnel..
Ferargil
Galleries
(63 East 57th)-TrJ Oat.
14:
H. \VoodbuI.}..
BO'*TO\'' }I.ASS.
}IIISeum of rime Arts-Oat.:
_.+I.ehitectur¬+I
dra\`,ing.s
b.i. Milton
S.
Osbol.ne;
early
_.\meI.iC.an
Pot.tl.ails ;
lithogl-aphs
Early
b}. Bl.es-
of art.
IIirsch
}I++SS.
(`'aStOn
IJaOJIKLAS'D, a_.lIJ.
c.haise.
OflklamI _Ltrt GaIIer.+.-Oc.i. : Almual e_T{hibi.qPRI_i(iI.`IEI,n' }I.1SS.
lion ,lf Tl.ateI. C,Olr)I.S, Pastel.i, dl.fl\\.ing.S and Sl.ringfieI(I -ulI8ellm O1. I'`ine _1rtt3-To oat.
20: Out- a(mll¢.c.tic.ut valle}. _lnc.estl".s.
prints.
'qA-i- nIEGO' {'AIJc
_F'ille Arts Gilllt.I.+. of Siln I)ic`L'0-To _\to\..
ll:
C`alift)I.nia-P¬+cific.
Into-atifmal
Exhibition.
(,llz"nber
o1.
(`oml"_I"_-t)c.t. :
|Volk b}. aI.lists Of Sam Dies.o.
S_.1+'
I`R_i+I('ISC'O'
El.nst.
Ro.y \'t.rnon so\\1.rS-To oat. 15:
Etchings b.T Queen Tic.tot.ia and P|.inc.a
AlbeI.i.
S&1ll I+`riLnt.iSt.a }Itlseum of _`trtto oat. 13: FiI.St Annual rJl.aPhiC. _-\I.tS Exhibition.
To Oct. Ilfi: +\Iatisse exhil)ition.
II_tRTFORI). {'O+rS'.
|y!ldswortll .l\tllenc.llm-To Oi.I. 15 : }[assine
collects(m ; Tel.eelltemtl..\. ful.nitul.a
lion.
\1.-I_+III*'GTO>'. D. (I.
exhibi-
C'orcorlln a:lller}. ol..`rt-To oat. 20: 1Tatelcolors by Janice Hollancl.
CHICAG(). IrJJ®
Art lnstitllte Ol' Chi(.tlgro-To Oc.t.
Krawiec,
1:;: Oneby
William
Sc.h\\.al`tz,
FI.ant.iS Chapin' Waltel.
Harriet
Kl.awiec,
I.
Jeffrey
GI`ant, Julia cle Diego, Cat-I Hoec.kne.., RobeI,t Wolff, Peter.pflul Ott; engraving cTlnd
wooclcuts b.v Albrecht Dill.el.: eta.hings by
Sir Fl.ancis Seymoul. Haclen ; a.hiaroseuro
lf:i:ntSicli#:i.b=`sgo b}`.`'og:;:I:;8 fJ.uh#':begl:}t:
Chic!lfro Galleries -+sso(.ii|tion-Tf) Oet. 23 :
Flower.
Paintings
b}.
Bessie
rlelstl.om:
landscapes c=lml flgure t..omlrositions b}. call.I
R. Krafft; painting.s b}. (ia.q)el. J. Ruffolo ;
sculpture by Maeble a. Per.ly.
RIC'II}TO*fD. I+TD.
Art
Asso(.i:`tion
()1'
Ri{.lH"Hu1-(i(.t.:
Annual I+:xhibiti"1 rJf Pi".nting.S b}.
moncl I)aintt".s.
w#;iiilon._\rt
W'I{'III,I`_.I.
openin_S.
Gal.bet.;
small
I"tinting.s
b}.
b},
Daniel
-\`e\\-
Hr)pe
¬x-
ilj::ct::I;I,a:..+-f,'i't.Jf-Ir.;:t.,.f }l:¬T,,illC(li.,::iS. Exi:#)itilo:1:
TR¥ON. }'. {L
llo".se
.\rt
riall(.I..+.-oat.:
pen.traits
ZLI"I
I"lclsL.al"`S
b.i. Mrs.
=\LJ|31\`*T.
THE
ART
TRADE
JOURNAL
informative
for
all
LuhO
B.
>..
King. Cctul)er_.
I.
I.\Ih:ln.\- IIl.Slit"tc oI. mstor.`. amI _.\rt-Oc.I.:
lira.¥tC.I. Impl.a.qsi"".st painting.s lo:uleCl bT
DuI.and-P`ut.I.
trade
Sell
paper
Pictures
frames and figurines
BItOOKIJTS'. -`~. 1..
B"lo!<I.yn..\I"s"lm='1`o I )t.I. i,I : painting.s b},.
b}r F. S. IJinCOln.
tut.t.
b.\-.\ll
F¢.n"\.slliP
(I,I.Oul)
Of
}Igmul.i:|l
t :allt.I..\..
tel.s.
yearly
Int..
lil:
.\I"8l.[lm--(I(.i.:
I3l."llx
_\1.lists
\\-o1.k
by
hnl")I _||.I ,+(.l"ll
.i-ill:
2, Dorset Buildings, salisbury square,
LoNDON, I. C. 4., ENGLAND.
(1n
IIast
(i.1tht-OcL:
Olc1
_i,tasters.
eXhibitirm.
IJ.\t1'..`S'rEIt. P_i.
pl#llll)ci.`!rbi.#{l::.p-i)c.I. I-" : \T".k b}. }Ifll.I.
PIIII,1DI.:IJPIIr.i.
P""ls.i.I`.alli:I
I._i.
-+Il"i"lm ol. _\rt-To
r)c;I.
1f;:
:ill-¥::i.I.ll iJ.il:S l]TLJ1,I,i.iilc:!ldlt-i`l i,Ill,;ii1:i n!;rtilS);lSi.nti ;-;)g:.s::
pl,ints aml shill mndc.I,i.
{;imI)(.I (;all{_ri{.s
-Oc't..'
-I-'hi1"(lL.1phi:I
b}.
I|I=OYrDI«:_\'C'T+:'
A|.ts
East
OBIl:RIJI+-. a.
OIlc.I.lan Colltlgr(.-Oat. 1::-i)6 : r[andiel-tlft`f; b}.
GleTtJlanCl al.lists (_\. F. j\.).
ItI"I(I(.
Isl:"1d
S(.I"")I
;I):tlit1.1til:;Tg:;I.-.
(=}(H1 \\,I..st rJ7th)
S|ullt.lit exhibition.
(l3S
C'I+~CI+'-`1-\TI. a.
Cillainnati Al.t }hlstmm-Oc.I.: F]Tt}- bnc)ks
ot' the I,ear; printing for. i.OmmeI.a(3: snap
monlbers
-ul,I.I"I"llil:ln +I"st."m o[' .\I.t (RTflh _\\-|1 at
.SL)mU-I+`" ut.I. I..3: F1.intS b}. \\illi"m Iiegal,th.
Galler.T
-\l`t."
(;uilC1.
-\It\Y 1'ORK, +t. Y.
-Ot.i.
.till.(.t.I
Cl-'t`Iaml _llu8"lm (lf _1rt-I() Oc.I. 27.. }[t)dem
t¬+xtiles:
Jr+fl.iC.:1n
X-eg.I.I)
{.Xhibiti(m ;
"Praetic:tl
_|Ianifc.stations
in
Ame,ric.an
Yt)+lil.:It't, _\'. I.
|'oIIk(.I.S
Reinhi-It Galleries (73O
(ill:TI:I-1`'D. a.
Slln.
,.3..
}rE+I I.IILii.
{:Gild
or
I.hilftclelphians."
It.
I.
m`sig.n
}["SCI"n-
(+mt""I-.zLrl\-
A]uet.i"-"1
T]';}T`'.
BI"OkS
-\I(""".iaI
.\r(
(;a]lt.I.}~-C)rfu
2-£P8:
(`rmll.ml-.al.}. [talI.;m PaintillgS (a. _+. A.).
"(,:':j',.!I'{. FJ':iit:r'}i!:":lJ.iT,,1,::'{1s U(,.'i: \i:,,.I;S:-,Tll;i.ii
D-.|IJh_\S. TI.JX.
To u{rt. l9: I+Jxhibiti"n b}. _\'atiunal _\ssoD:lIIa.i }I"a(.m" o1. Pint:I _\rl.q-Tc) oat. 2:i:
c;i:LtiOn ul. \\.omer1 1Jaintl.1.S ;""1 S(,.ulptr".s.
i?.I;I,(I =\mlual E\-hibition nf The, a(1]ifOl.m.a
( )(;t. -I-..31 : Paintings h}. Jo_i:t3Phim3 Paclllo(.k.
Italph lI. ('h:lit.I
(l'lOO -\I!lclison _.l\.c..)-pet.-
-"-1t clXhihition of llhines(i al.I n]JjeC'tS.
tlla.T
§
.Sixtietll
\\'1IITI.: ['IJ_.`I\'S. _i. I.
\\'l..tit(.I".st". (,ol"lt.i- let.".t.:ltio"
C.olmniS8iOn
-1`" tJl.i. l9: I:lintillg`s b_i. Yil.I"I. -\nc1¬r-
of
60tll)--C)c.I.: I:tinting.S imd Prints I)y modeH| al.lists.
}Iarie ,Ste"]er (9 F.1St 57th)
-,J`o oc.I. 2R : Selec.teal f\mel.ic.an paintings.
rpto`"I Gilller}. (glI!1 \Test En(I _\\.a.)-!)ct. 5-r\'o\.. 1: GI.OuP eXh"til)n nf paint"g'S.
IIowilrtl Tot"lg G¬|II(,I.it.s "T7 I.ifth
A`'¬'.)-oat.:
Fine
Prints.
wiI(lt.Il.'tt.in,
.sL.ulPture
;il\';I..;lip :ll.lists.
i)c.t. 5-.."I: Spanish paintIt(){illI.:'+TI+:It, _`+ I.
"\I""ol.iaI AI.I Galltlr}--U(.I. +i).g: Paintings
I")m (i".c.".:"I I?itmnial L\. F. A.) ; sl.ulp-
exhibition
Fifth Ave.)-Fel.manent exhibition of old
't'l.i.`:.,.. :-i:i':1_:::..:::;:?i::,\,I..`:S= liT.I: I:'.i;i,:,i:,,,Ff¢,ii:1i:t55:
$2.50
A\.e.)-Pet.manent
RIilster ancl hlodern FI.enCh a.OntemPr)rar}.
paintings.
Rockef{.Iler
a.outer-alezzflnine
GillleI.}. (3O Rockefellel. plazfl)-oat. : 1:30
Outst'1nding.
_-\melieZtn
Photographers.
Sf'I"lltheI.fi Gilllt.ries (1.I2 Fulton St.)---PerI-nent e_thibition of painting.s.
E. &' _i.
Silbermall (..32 East ;-)Tth)-oat.: Old }Ias-
NEWT.IRK. h'. I.
+'"`.¬lrk. }Iusc."m-,ro Oet. 6: DraLWingS Of
Ro(.k
}[adisnn
i:SePsatl'tg16et'l11t).-a(¥:Ibij,-,i,;i:IC,h60 Cg,I:lot.tro..;raI(,I41g
Bill.
painting.s
(I-J7.Q
bran-y (Fifth Ave. at +2nd)-oat.: Modern
C)tto Rennet., Ma}ma}.a Dixon. I-.`. B. Hf)`\.c1|'Cl, I:utgene Mow.ahan, F. n. Boyle find
A. Lucile Palmel-.
Reflrl{1lC1;
-`I!l.\.(.I
Eta.hing.a ancl dl.I.I")ints
Color prints; I.eeent accessions to the pl.int
RENO, +'EY.
Workshop G!llleritlg-Oct.:
Wol.k by Dan
Muller' m+ximilian Tochl Robert Caper'
W.
I+I.
7-26:
IJegel. ; bOOkbindings b.i- \Tiemelel. ; models,
Plan.S and photographs (1f i+.OI.k by Callfornla al.c.hitec.ts.
>*e". 1'ork Public IJi-
by
_1r-.1+\'C'IIESTER' +i. II.
C'urrier {;ilIIeI..\. Ot, AI.I-Oc.I.: \Tater colors
\\-:1rCI
H1
\Test 53l.a)-Oc,t. 2-2+: \Trn.k by Fe|.naml
Cle\.eland artists.
K11h'SAS ('ITr, }rO.
K!lTost!esrn{]?ilta':1t-.`lF1: I£l#'it`I(t-.er3Ft.J|..3)-.29 : "Our
b}. lil.. and },r1.S. Gal.I.all
(:all(.I.+-
\\'ol`ks b_y (Jld and }Iodel.n Mflstel.a.
liontress GalltJ.r}. (7lq5 F`iftll _+I.a.)-To Oat.
12: Water. c.nl(".,i b.i. John lTengel-. }Iorton
Gillleries
(I.'30 West ;_)7th)-Tr) Oat.
12:
Annual \\.atel. t.olor exhibition
oc.I. 1426: Paintings of tht! South h_\. Bertha Herbelt Potter.
NIusellm 01, }Iodern Art (ll
:ll.list.s.
>'I':\\' ORLTh.`\'.a. I.I.
Isaac Dt.k-a(lo _\r".s(."m nI, Art-Oc.I. : Water
an
I''ifth
Oat. 12-_\Tor-. 12: Amel.ic.flu silt.er fl.om the
Gal.yfln eollec.tit)n.
colnl.s
}Iat.I)eth
i?,.'l'uffEcl1,I:'[tlT.(.:. B_:i'i'I':.Iiie!;:.ll{¬.I:,i:.igqu(e10gh\[l-eeSs;
57th)-To C)ct. 26: Paintings b_y clhilde
Hassam.
-lit.tropolitlln
Galleries
(730
Painting.s, s(.ulptul.el ful.niture anal textiles
fI`r)m the bequt3St Of John R Van Derlip.
\\-ater
Stag.:ti.
Cll.\-
-\\.e.)-Oc.I.
}IUSKI1:6O`'. .`II{'II.
IIackle}-..1rt (i!lIIer.i.--O{.i. : The al.I clt. \\-all
Disne}- (a. A. _i.).
}II|'*' I<I.\PO IJI8' _\II_\-\'.
}IiI"leal")ILq lmgtitllt(. Ot...|rtS-O(,t. 4-Jam. 1 :
Cit.y Art -nruan"n-Oc.I.:
Thrmlas
Amel,ic:¬tllS.
::rfet.:+sfl.:I)lJ.i)mTr;l'Pxali\o.ttg.Ieli:;h.(\)\t,.. I3umngtlm ;
I)I4TROIT. .ill(Ill.
DeftorIOkitarltl,I8ft#illit:ul::.I. ai-l`c:I:sTr\fe¥:.I. : -Amel.idan
+IO.
ex-
F|.itlSeke ; Cl1.a"tings :1nCI In.tnt.fi b.Y Se]e(,.ted
\|'or(.t.`tltt.I .\l.I ,lufioum-oc.t. : (I.ift.i ;1ml be-
IJ()rIS'
51th)-Permanent
]Iast 57th)-a(.I.: +\'e\\. pat"tintgs b}. F. a.
nIO_`'TCIJ_1IR' +~. I.
}Io"t{.lilir _.`rt .\Illst."m-Oat. : \i/-I)rk by E(I3gth
Ric'h-
K.\>~.
"--I-I-oc.I. :
h.y
Pittsfield
IJe¬+)Sue ]2th _~\mlual
I<:xhibition.
\1.OR(`ES'l`ER' _1I-tSS.
'ST.
\\'est
]l:tc.hings :lncl lithog.I.¬tphs h}. ('hi1(ltl' I±asSam.
T'llt,o{lore A. Kolln ct. son (6f)C) Fifth
A\'e.)-To C)c.I. 19: \Y"I.k b\. paul Bu.f5C.h
ztml Je.lT".`\. T`'ing. IJtJYe}..
IJaSalI{_ Galler.i.
(,'3112 I3roacb\.a}.)-To Oc.I. 1lJ..
F.aintings
(I.Ill.
Pilul EI{1er & {,o.-To Oc.I. 1..-,.. \Vol.k b.\. }I¬1X
man
exhibition
Aaron Bohl.od)
Art
b}~
PITTSI.`IEI,n. _\l-+S'+.
-\Iust."m-To Oc.I.
1+:
Berksllire
(;30
hibition of antique WOI.kS Of fll.t.
Keppel
a:lllerieg (16 I,last :i7th)-oat. ;`J-1'q : .lPl.ize
Ring"
lithogl.aphs
br
Geol.g.a
P,elltJ\`.S.
Kleelmllm a:lllt.Fit-a (:3S |T¬.st ;37th)-a(,t. :
IJe.Stet. Stet.ellS.
tot.SO
Gllilt1..trt Gilller}- (..37 West 57th)
AI-thur II.
Ifzlrlow ('o.. Im.. (620 F`ifth A\.a.)-oc.I.:
TVatel. er)lot.s of h'nglish gal.dens;.
'Ja(.ob
I'`IT('IIBrR(i. }IASS.
Fit(.hI"Irg 1`rt Ct.ntt.I-oat. : P=tinting.s b_\. T1-.
Domel:I;
and
French &
tempol.cTll`.Y Amel.ic.an paintel.a.
I.Onteml)Oral`-Y \\/later colol.s ; fine pl.illtS.
Cesal.
etcJ.hingS
--..Oct. 7: Painting.s arncl sculpture by c.(m-
ill(ls-Oc.t. : Pitintings by jr\melic;ul al.lists ;
by
I)aintings;
Co. (210 I.3nst.57th)-Pet.m¬+mmt exhibition
of antique ful.nitu1.el textiles Zu|d WOl.kS
i;iit::`tt.:''sl;}. n:fii;;i:edb}{i,ouBg#llii,,ll:'Smith College }Iuseum oL,..\rt-O(.t. : (=tJll&g.e
lithogI`aPhS hy \\'illiam lVf)ollett.
American
mezzotints by Edwal.a F'eake.
clin and Reclcm; photogl.aphs b}- stieglitz ;
\`.oodc.uts by IIans Baldung.
Doll & RIG.h-
>'ORTII_1+IPTO`'.
|s£,:,i,¬dt,.',Irar'df;
hibition of Old ++Iastel.s.
by the Associatirm of British \Vood Engra\.erg; prillts b}. Jessiejo Ec.kford.
A*'I)OVER, }IASS.
Atldison
Gilllt.r}.
of Americt|n
Art-Oat.:
Paintings, dra\\.ings and Flints by ch¬u.leg
C`Illb
(+
\Tti+st
,\th)-Tto
Oat.
25:
ut.a(ls
IJ.\.
1m.mbt-1l`S
of
the.
Cla}¬lull.
hl"l=lr(1 ('Iit}1""
a:tII{.I.v, In<..
(1r)S E;I.gt
.iTtl1)-t`)t-.1.. : P=`linting.s. cll.awl.ng.S and etc:h-
illgs
hv
Chilcl¢!
Ililssam.
"qrl(.ir.I.i. r)f ]JJ'tC.htT.<.
a:lll".}- of s. D. Polll-(|l.I-.:
ilnd c.h:u.i.nat cll..q\\.ing.s.
't|\'l.:I.:I
m1:.tt.
Dlll.am1-Ruel
(iallt.rips
(F3
I.]ast
.-J7th)-Cl)1leg.(! Al.I Asso(.iation Gil.c.uit Exhihition of moclel.n I``l.eneh p:tinting.s.
j=||
'S. Dre}. (6SO Fifth A\.a.)-Pet.manent ex-
\\.oodblocks
BRI.\R.
(:+.t-.iling. murals
T.i.
s\`I;.'i,;ttF I:,:Jl.,]i_it;I.rT:I(l:::::a,gi'l,=(i( )a::.m:ii.;D(:a:n Ci)I:::If:lt'illll)gPs:
c'("lt(`mI")rar}.
_`l.t8 (i1 \\'tlSt ;ilthJ-To Oct. ]2.. Selectic)ns fl.om tnt. (.one(.lion of Bm.trm Em-
(Jc.I. +-_rtyT :
lit Thrm1,rl`S Nasnn.
fit+_ _i+.TO`1O. TI':+-.
~\III',\1'.\tl{ I':E.
}Iilwa"k-(.e.\I.I
lnstitut(,-Tr)
_\l.I (a. -\. A.).
|TIS.
C)et.
2fl:
So\iet
Ot3t.: Dl.:1Wing.S b}- -\ngna
Entel.s.
OSIIKOSIr.
\YIS.
Osllko.sh I"Itlic }[".set"l`-Clr.I. : Poprhr pieture.i
of
the
?9"J,-f=.
Th.e Art mgest, 1st October9 1935
Starts 111th Year
a. Palll Jennewein, sculptor who was I.ecently appointel-I a member. of the City Art
cc.mmission. has been namecl ail.ector of the
sculpture clepal.tment of the free art school
of the NTatiorlal Academy of Design. Jennewein9s plans for. the coming year include the
The News of Books on Art
An Aquatint Book
B.
F.
Mr)r|.ow.
associate
ti(lito1.
Of
P/.z'n,fs
provision of a.shop where the stuclents can
work with special attention given to ch-awing.
magazine: expells the mystery of one popular
medium in the graphic arts in a volume en-
plaster casts, and the great variety of tools
with which a sculptor must be familiar.
The art school, now emtering its |llth year,
title(I
is free to those qualifyinl=rr students wllO intend to follow art as a profession ancl who'
or. entering} are not under l5 or over so Veal.s
of agre. Among the ten major scholarships
ancl awards made each year are the Pulitze1.
traveling scholarship and the Mooney scholarship, both of which pro\,ide for travel and
study abroad. For those students who wisll
to combine a i,creneral college course with
p|.ofessional stucly of clra".ing, painting and
sculpture, the National Academy of Design
has formed an affiliation with the Collegre
of Fine Arts of New York University.
Other faculty appointments, as announced
by Jonas Lie, president of the National Acad_
emy} are: Karl Anderson, Gifford Beat, Charles
C. Curran, Lean Kroll and Ivan G. Olinskyt
instructors in life painting; Charles L. Hinton,
antique drawing; Alice Murphy9 assistant in
antique drawing and still life drawing; George
Laurence Nelson, antique drawing; Cordon
Samstag) assistant, antique drawing; Arthur
S. Covey and Francis S. Bradford, design and
composition.
The lecturers for the coming
year will be: C. Hayes Spratgue, history of
art; Charles S. Chapman. perspective; John
Taylor Arms, graphic arts; Dr. Maximilian
Toch, chemistry of color; Salvatore Lucari,
mosaics; Charles J. Connick, stained glass.
Z3
6Tlle
Al.I
of
Aquatip.I."
(I\Tew
York,
a. P. Putnam's Sons_ 140 pp., 46 iuuslrations,
'g,3.50\.
seeking to ac.count for the 1.aPidly growing
inleres[ jn I)rim making; Jolm Tay]or Arms
+
in the foreworcl to Mr. Morrow,s treatise sut=cr-
gests that this happy situation eventuates
from the ¢demand for smaller amcl less ex-
tinter at the same time illuminating the pro.
cess to the laymall.
The finished aquatint has the quality Of a
pastel or a wash drawing. Upon I.he resingrounded plate, the artist draws his sketch
with acid just as 'ne would on paper.. The
plate is subjected to further acicl baths and
regroundint3Cr aS the eXegenCieS uf his design
suggest. Mr. Morrow gives formulae as well
as instruction for the achievement of various
effects.
While aquatint is usecl largely in support
of line. i[ has fast.,inating possibilities in its
T`enSiVe orPictures
tO decorate
tlle homes Of
'toclay;
that prints.
being s..ISCePtible
of
pure stale, printed in either gradations of
black or in colors.
For the latter some artists make separate plates for each color while-
multiplication, may be more wiclely distributed
anc]_ therefore more readily obtainable; or that
otIlerS utilize the intensification afforded bV
superimposition.
more and nlore al.lists are turning to this
Through the pages of The Art of the Aqua-
fluent and beautiful means of self-expression;
or that at last judicious and patient guidance
on the pal.I Of Writers On and dealers in fine
tint" one can cliscel.n the presence of a master
prints is beginning to bear fruit."
Graphic processes have a fascination to the
layman, who all too often finds his curiosity
unalleviated by the over-teclmical writings on
the subject. Thus Mr. Morrow's lucid setting
forth of the evolution of an aquatint is welcome. A master printmaker, he is also a
student of the history of the medium and is
familiar with the current practices of outstanding contemporaries.
The reproductions
printmaker whose love of his medium ha=l
motivated his generous sharing of trade secrets.
Mr. Morrow's book can but inspire
a greater appreciation for i.he intricacies of
aquatint as a medium.
An Art Guide to New York
¬'Art in New York.,' a compact ¬¬guide to.
things worth seeing)" compiled by Florence
N. Levy, presents a complete catalogue of
points of interest to the art-minded New
Yorker or out_of_town visitor.
(New York,
The Municipal Art Society, |l9 East 19th
to illustrate tl1.a Process described.
Furthermore, each illustration bears a descrip- St.; l35 pages, illustrated, 25c., by mail 30cJ.
The chief artistic interests are mentioned
tion of the artist,s proc,edure which is helpby sections of the city, then follows a list of
ful in establishing the characteristics of varibuildings with architects and decorators
ous techniques(cllurches and svnagogues, courts and public.
Grand Central Expansion
Aquatint is the "method of engraving a
schools).
Sculpture, fountains and other outPhotography, as related to the painter, metal plate, usually of copper, by means of
door monuments are tabulated, as are the
certain types of morclants and certain types
sculptor and illustrator, has been aclded to
addresses and visiting hours of museums and
of grains so that it will print tonal ancl texthe curriculum of the Grand Central School
galleries, tot,crether with information upon the~
It is most nearly like soft
of Art, New York, in tile eleventh season of tural masses."
nature of their collections. An index of artists
the school, Eclmund Greacen, president, an- ground etching9 in Which the artist Places a
lists the principal works of architects, paintnounces.
Lloycl D. LeMan, former United
paper over a grouncled plate and makes his
ers, sculptors and designers that can be seem
States Al.my photot=crrapllic officer, will conduct
the course. Stress will be laid on the con_
structiye ser\..ice of photogl.aphy to the al.list.
Appointments tq faculty posts for the year
are as follolt,S:
ScilOOI Of Paintingr and Draw_
ing-Edward L. I-Iilderbrandt, P\T. A., Arthur
W. Woe]fle. A. N. A., George W. Bridgman,
Jerry Farnsworth, N. A., Nalmette Van
Beuren,
Gottlob
Briem,
Robert
Philipp.
School of Illustration-IIarvey Dunn, Grant
Reynal-(I. Charles DeFoe.
School of Desit,frnFrank 1±azell, Mac FogartyS Anna L. Hilton.
School of lnterio|. Decoration-Louise Rennie.
Sc.I""ll of Sc."]pLure-Ge".g IJObel..
serve
drawint3O.. The ground aclheres to the Paper
when it is remove(I thus exposing tile Copper
to the subsequent action of the acid.
Aquatint,s other neighbor in the graphic processes
is mezzotint, whereill the entiI.e Surface Of the
plate is treatecl with a 6tockel." applied to
raise an ever. burr.
Various portions of the
but-I.
a1.e
remOVeCl
procluce a variety
i.elyety black.
tO
the
Clegree
of tones
ft.om
CleSil.ed
tO
white
to
Resin is the substance which giyes the
aquatint its unique quality.
It is kept in an
air-tight box into which the artist may slicle
his plate after. the box has been i,.igOl.OuSly
shaken to agitate the resin. a few moments
Academic Sculptul-e Training
Acaclernic training is emphasized at the
Etll Scllool of Sculptul.e, I\Tew York, where
classes in cl.ea[ive sculpture. mocleling aml
canting. are instruc.red by John Ettl.
Stu(lams
a|.e thrJ1.Oughly grOunCled in
expl.a-ssiml, and
excu|-.sir)ns
into
basic Sculptural
ar(. tb-us equippecl for later
jc]iums
of
ihc].I.
own.
b¬.ing allowccl for. the settling nf the lal.gel.
pal.[icles.
gl.afn texture, thougrh the lime will i,.ary with
the tonal effect sought.
Next the resin is liter.ally I.OaSteCl on the
plate which has been transfer.I.ed with the
minimum of disturbance to a stoye.
All
al.Gas not to be tonecl a1.e i.a|.niShe(I Otlt hefOre
tlle plate is suhjecte(I to the action of acid.
Paintings by Josepbine Pact(lock will be
exhiI)ilo(I at the Beekman Tower, New Yorke
Oct. 4.-31.
A former student of Chase, Bel-
(.i[.GIL. which pl.a(luces tile Chat.aCferiStiC (lntteCl
Ea(.b g1.anule Of I.eSI'n iS the mlCleus of a ,limy
textul.a.
Ml.. Mn1.I"Y has PrePal.ed Lest plates
wlliC.h Sh(- the quality Of tone PrOCluee(1 by
i.ariflu.+
publication of a book which will contain over
a hundred reproductions of his water colors,
muralsS portraits anal other. wol.ks.
Thomas
E. Tallmaclge, Chicago architect and personal
friend of tile al.list, announces the Publication
ot- the Jolm W. Norton book to be printed bv/
Domlelley.
A prf)posecl special eclition of
loo or l25 copies, each containing an original
dl.awint=cr ol. water color I)y Norton, already
bag 88 subscl.ibers, accordingr to the Chicago
Tlibu,ne.
The plate is kept in the clustint2rr
box two minutes for an average coat of fine
Josephine PaTink to Exhibit
lows anal I-Ienri. Miss Padcloc.k achieves indi\/.idual a.xpl.ession whether in portraiture o1.
1anclscape.
ITer wol.k is also hung in the
Barna1.CI Club I.OOm at the Barbizon Plaza.
Volume on Norton to Appear
Aclmirers of the art of the late John V;fr.
Norton, Chicago painter, are anticipatintJtr the.
coats
of
resins
ancl
tiomi of expnanI-e tr) the aCi(I.
(1iffel.cnt
tlul.a-
Th(-.se plates
pro\.i(le an accurate time table for the aqua-
DO YOU KNOW?
Bri(]gmzln Publishers hal-a two more
new
books planne{1 for tl|is year?
Th<1t Bridgm.1n Publishers hal-e
brougI|t out foul. new books this }.ear?
Send for c.at:lloglle, llaTe them Put
},our name on their )nailing list. Costs
}-ou nothing? 1`Tite tOdil}. . . .
BRII)G}rAN PUBI,ISIIERS, INC.
_.tI.i
Ecll[(J(atiOlml
Book.a
Pelham, 2\®. I.
24
The Art Dige.sl-.-, I.st 0(.lober± 19:I,5
A Review of the Field in Art Education
When IJiOnel Barrvmore
Studied Art in Paris
~
i\/Iuseum a Teacher
ln etl"call"lal wol.k the Metl.opolitan Mu_--oum of Al.I ha.< I"1.u, I)een COnSiClered a mo(I(.I
I",
many
terest.
Ibis
other
mu`sc.uns.
thel.ef"I.a.
season
i.i
on
the
seyeral
Of
especial
emphasis
a,nut.,tes
it
of
in-
places
(.oml)int.(I
c.blssroorn a:lcl gallt.ry talks (" the print.il)lee
Ill. (lesign' WlliC.h
have lreen ".ganizerl
in a,J-
di(ion I(I a lal+'e numl"-I ()I "the1. C."ll.Sea "1
i.arious phase.a of art.
The),. bat.a been calle(I
:¬slu(ly l"lrs "I (.olo1. aml (leSign'' aml al.a
arrange[I to mr.el the intt.rests of meml)el..¬ of
tl..a museum. of teat.llers in tlle PUI)lie sol"")1s
nf New Tor.k- aml of tht` pllblic. generally.
Tn
the pro;ent sea_son
[herc will be gil.en.
I"-.a to all. a cHnlrSt. (m Sun(lay aftc.mo(ms an(I
three seri|..` (two on Tues(lays and one on
Thurs(lay.s) of tlll.ee short cutlrses: for mem.
hc.I.s'
two
sc.ries
of
three
short
("urges
on
}j"1(lay aftel.nOOnS anCI Friday mtmlings; aml
for
[eachel.s,
two
cou1.SeS.
On
Friclay
afler-
nmms. om,. in lhe autumn aml one'in the
spring.
The short courses for the public aml
fo]- meml)(.rs "nsist "f eight s-ly I"1urS.
T+|lile each course is complete in itself aml
fr"ms a unit. the lmits are arrant3tred aS St.tl.uences to rlm thl.ough the season.
In the Sumlay set.ies alternal¬. lectures will
I":
given
by
outsi(le
sI)C.a.ialists
in
ll__phoiograpl.: I:la-(_lc, _ill _1_909 ej All.eriCCl,nS Sl.ullying art (lt the Acade".ie Julian, Paris.
The stu(len.t I(lbellc.(I ¬T= i.s.Ma.x TF7eber; Ncl. 2 is I_ee SiJliOnSOn.. No. 3. Lionc.i B(lr"_
(Iesign.
-)re;
_.\,mong lhc.se are Etlga]. I. W'illiams. on 1)e-
No. 4= Miche.I I(lcobs;
No. 5, Je("I. Ptllll IJa.urenS, i(lmOuS Fran(:h
I(lenlj,fi(:(lt:itm of the othc.rs prat:ed
sit3trn
in
D"lleSliC.
Ar(.hitec.tlm-":
Eugone
Schoen. 61)esign in Fl".nilurc..: Miss I\Tanc}.
i/I. McClellaml...De.sign in W'all Covet.ingS,.:
New Phases of Teaching
School Starts "Master Class"
I(lhn (:. -\1ilm-, -De.tigm in Textiles": Walter
\`\'
Kantack.
..lmlu.illial
Desit=tJn
To(lay:
a(ljust per.sonality (liffirJIIties as well as a(Iu-
Metals": amI Lc,.on \. Solon. .'ImluSt1.iaI De-
cational
sign Tf)day: P()tuty al"I G]¬1.SS.
sol-)I
of
p£u.tic.ular
il".e1.a.`+I
ar(-
tlle
-\I"ltlay
terno(m sill(h.. houl.a fol. monll)erg.
af-
These arc-
IJlanne(I
esJ)eC.i:LIL).
I".
tl"se?
wl")
hat.,e
alte.mle(I.clu(ly I":Hll.a in Pl.t.viOuS Year.i.
Small
Psycllo]ogical
pl.oblems will
of
Fine
blstilute,
ne.w
examinaticms
ancl
hc.lp
a1.lists
be inLl.OCI"a.a(I
Appliecl
A1.tS
hy
Of
the
PI.att
Brookly.n. this Teal., as an entirely
feaLul.e
in
bag
been
I)ryan
to
art
a(luc.ition.
engage(I
to
Alit.c.
teach
g")up`i wil1'])a f"I.me(I within
l'h(- (.1a.ss I(u.
s]lecja]ize(I stu(1T. ill Whit.h tl")a(-- WhrJ Wish I"
``luclents
aml
make
aml achit-.\Tmonl [e.its.
Dr. Bryan laugh[ last
).rat. at Sarah
(..o]lttfre.
"I).I.(-(.(S
il.1. al"r
lC.(.I"".([u(?
Il".y
a"1
fa-
milial. with will be. gil..en gruilla""a i.n (leSigll
aml a.olol. aml in the sale(.lion of motive-.i; fl.om
Lli(
"ll(-i(.Li"i.i.
hc-.
(lc-y()tc.(I
I"
Th(: a."-.al
fir.St
ln
Ilalf
s"t.h
(1f
1"-.Cling.
Will
`+LIL(l\..
1".Il")(I
(liS(.Over
C.:I(.h
lllt.
elemenl.+
tl". -ul.se.+ j*
Of
tic..+ign
aml
f-n the. (."llclCLi"1* I"."ugh[ I() Ihc. (:lag.i-m1
jllltstrali\e
EPPb.a.ali"1.S
lllalLc.I..
an(I
Of the.
Same
]ate1-
tn
S(u(]Y
\.arie(I
tlernents ant(I
D(.[ailc-(I
imf()rmali"1
InaY
be
I.ega1.(ling all
Obtaine(I
hy
the
fl.a(.
a(I(]l.a.a.`iniLr
th(I
:l"l
:I(l\.|.lm.(.{l
Tot.minx.
fol.
.<tu(lr.tits.
i)(ll..<o"ll
Cl:lssc-s
illStl.ur.Lion
:lI.e
unde].
John F.ttl, famous s..ulptoI. aml tc.:I(.hal.. IJC.al.n
motleling.
his
ne\`-
design
I"-`(-"1
clt.sir.n
it]
I.1:l}..
metho(I.
])I:I.<t(.Iillc.,
1.o\\.
\`.ool1,
I.att.S.
57th
"Tll.e
ptlqitirm
William
(;ootllich.
former.
Al.ts
aml
m:ll.b]e
1T?I.ite
by
fol.
in_
c.rt`ate(I
as.q._q[an[
art
(li-
Stag-a.`'
PORTRAIT..... FIGURE
STILL LIFE..LANDSCAPE
P(,litltitlg in a dm'erent kimt of school
All hr:l".Ilo.i of pnjntil]g taught for the pri(.e of one cla.is
Street,
N.
Y.
C.
Gror.cltI.
of
CIrcle
7-6637
TERM
RUThI
1400 Oceam Avenue
CANE
SCHOOL
the
and
I.ndividual
the
COMMENCES
SEPTEMBER
|8th
STONE,
er.s.
tJ-ugh
a
6¬mas[er"
class
a[
}lc-ml)e1.S mat W(".k in oil nr water co]fn..
DpfiniI(- (-.mphaSi.s'js ]ai(I
upon
fine
(lrawing.
the
philrls(1Phy nf Paintingr a1.f a1.Qn
I.nC1"(Ir(I.
The (lfyt-lnpment of a
professi("lal
umler_
slamling. of fine art.a pl.ohlem is the aim of
Ill(.
(.(1llrSe.
Archipenko's Hollywood School
Ale-xancleI. AI.(.hiPenkO has Opens(I a Stu(Ilo
:lF 130[£, I-a BI.ea -\\.a., Tiollywno(I. Gal where
bc will (."lcluct a("".se.t I.n ;a.ulp[ure, painting
aml (lravI'ng.. ..With Spa(ial attentirm [o [be
(I(.J\.C.I"P--n[
I)I
".(.ati\.a
tiE®ItGH
B AE R
300
1Test
:-)Tth
ART
Art"
n
Cultural
activities
free
to
students.
Exhibitions'
talks,
I.
B.
Neumann.
Museum'
gallery
visits,
Charlot.
Demonstration
cutting
stage
costumes'
Aline
Bernstein.
Rockefeller Confer, Suite 2411g| 127O Sixth Avenue, New Fork City, CIrcle 7_4687
+P E (: I
I_.lSIIIOX:
al".lily
aml
the
ex_
of imli\i(I"ality..?
-\'t". 1l)rk ('it}r
Sec'y
Brooklyll| 2\T. Y.
OF
C:ommunity
r)ffer.Q
I"r
been a(I(le(I to tlle Prall fat."]ty [o leach anolht.I new.`uhject I.n a" (..(Inca-U.(m kmnun as
Address:
Crafts
O:I.klaml. F. I+. l[eve1.. (1irector. an-I"lees.
I(ljlll Al"net i.i in i.hal.ge of the g|.mlp which
meets (m Satm.(lay mnl.m.ngs. The class was
I".-.(I at the illsll.I-fratJ.nn Of Bay Re`qrJ."1 teach_
jmh]s[ria]
ft.c.tor of llle Capitol Thealrt-. -New Yol.k. has
JEAN CHAFiLOT: Painting .
F.resco . Mural Composition.
EMILlO AMERO: Color Lithography . Modern Photography.
F.LORENCE CANE::
Creative
Expression
Childrenl Teachers.
EMELINE
F!OCHE:
Scenic
Drafting
and
Stage
Technics.
GLARE
DIEMAN:
Sculpture
in
clay,
Wood,
and
stone.
FALL
m.w
of
a"n-
jn
Atelier Club, I]lc.
FLORENCE
u
-\IanllfaCtm.int`rr
inStrlICt(".
art
Wes[-
gl.(JWing (lenlamlS in tl".,i lmlfe.qsion fol. whici]
fc.w aI.lists are llOW I".Spared.
ET"rIJ 'S{'IIOOIJ OF' 'fi(Ill.PTrRE
West
of tlle
."per.visnl.
who fe(.I the nee(I for per.sonal growth jn []le
"subject they teach. the calif(H-nia School nf
I"lt a.rl]r".. cmllPO,qlinn. aml some I.efel.ences to
(lil(.Clot. Of
an(I
the.
ap[ilu(Ie
form.I.
aPP()inttYl
a
(m
art
(Iepal.tment
an(I
("ntat:I.i.
jllfo].m`1tiOn_
250
D(mne1..
EleclliC
has
I.CSt-arc.llC.S
fr".-llatjng
Lawren(.a
imlivi(lHal
Fm. proles.`l.("lals lulm e]1jOy the stimu]at;(m
of working. with a groupt and fo1. teachers
I--.S`Si(m
LEARN SCULPTURE UNDER A MASTER
Am:LteuI.S
R.
of
engim-(ring
clustrial
i.Th(.
n| uS(1utn.
now
pally.
pl.I.n-
(iplfs jn many othfl. ol)i(.cts in th(- ga]leri(-.i.
""I.se.+
lllt-
iI`.gI""lsd
i'n all
till. I".i:ll.iP]eS "I "1". by anal),._Sis "I (thje(.I.`
a,.s
D"laI(I
i"
cmnrluc.I
pl.ojecr
with
psyal"1-
.ctlbjects,
lo
a.m|sult
I..
I(`gica1
I"srjtutc.'s
lo
Dr.
instr"c[;r.
[or) diffirll[t.
L
St.
F
I
C
LA S S
PAINTING
ART
CLASS
School
®f Art
-.I I.
(:I._.tSs
BRENDA
I
PORTRAIT
ADVERTISING
CHILDREN'S
PUTNAM
A Class in
Portrait Sculpture
Monday and Tuesday Afternoons
EVENING CLASS NOW FORMING;
356
|Test 22nd
Street,
New
York city
The Art I-)ige.st,, lst October, I.935
¥5
A Review of the Field in Art Education
Ciko\-sky Joins Cincinnati Academy Staff
i
_
_
ZZE
*
Nicolai Ciko\,sky? consiclelc.(I b).- c.I.itics (me
of the "uLstan(h'ng painters in
A
STARTING
Foumli(I more tllan 60
artI'SliC
traim'n_fr.
of
llaS 1"1g brCn il
a..f]at]'Ve
For catolr)gbl address Exerutivp Dr""
AltllOugh
I.eSidCnL
DAY
a"I
spite.
in
of
Europe,
many
he
AmeI.iCan
yc-zlrs
is
"I
a1.riStiC.
ct.eclitc`(I
SCenCI
With
with
tl.e
t1.ainjnt-rr
I)aillLing
CrmYiCtiOn
arLjst horn all(I trainer] in Amrri(.a.
th(I
Of
a
¬¬fin'e
PiCtOl.ial
of in\.ention" and
color.,'
a
Sense,"
6¬feeling
a
¬Clive]iness
for |iall.
lligh
Others have. a-I)ser\..CCI (|'kovsk\..?a Tine
N i(-.ol{li
Ci.I:()u.sl:y.
= 6l EAST77th ST., NEWYORK ±
people
lo
obsel.yc works of al.I
under.standinc,rr
al.lists
to
of
attain
the
ntt=ans
Lheil.
encls,
with some
use(I
ancl
I)y
tu
the
(let.elop
fancy I.il twisting facts al)Out I(t Suit a'deC()ra-
critical stan(lards I()I. forming an estimate of
tive
quality.
urge
that
is
inevitably
pI.C-S(-"1t
in
his
paintingr."
On oat. I th(. Cinc.innati Must.I"n open.e its
Sat.a :he -I.scum?s B"//t,/I:":
£One
i-l]d- not b: aI)le to res(I a mrvel. appreciate
new experimental cowl.Se in art appreciation
poetl.y or tlnclerslan(I a tlrama \vitl""1t Sl"ne
cfmcepti(m of cp(-llI'ngS PlmCluali"I. Senlt.nee
h"
structul.a,
aclulLs.
whit.I.1
iS
being.
Ofl'e1.eel
for
tlle
next thI.a.e years through a $4.5.000 grant
fI.Om the Carnf`gI.e Corporati(m of New York.
Fit,.e galleries in the museum hat.-e been I.enovatecl for use in thi.a course. one as a lecture
hall, two as class rooms where the ]al)oratory
exercises will he carriecl out and two as exhib].tion ga1]eliPS-One fr.I Selects(I rliSPlayS
r)I
origiml
paintillt-rrS
an(I
COIOred
1.ePrOduC-
tjons. and the. (1lhel. for a large I1(.I.manent exhibition
illu.stl-ate.(I
hv
pl")tograp]1S.
Color
oI.
Poetic
forms.
Too
frequently
courses for a(Iu]ts (let,.elop into men.e passiye
listening..'
-No
cants.
The
tl.ainitlg
first
year..
iS
rC.rT"il.et1
1935-36,
(lf
will
he
cle-
\mted I() an intensive StuCly Of the ftln(lamenLal
The third yt.a1. Will cleat with an
outline
works of art_ sue.ll as line, form, color and
abstract ancl PictOl.ial design.
There will be 25 meetings {)I the rJass
each year.
A nominal fee of SlO Th,ill be
charge(I to cover part of the (")sl of materials.
iS
tO
Cncourat,rye
Sculpture Clqsse_a
ModellingI Drawingl Wood & Stone
Carying
Address: 5 Washington Mews
T{.Iepho)le
GRzltner(.}.
of
al.I.
7-1151
a
West 86th St.,
OF
N.
a
Y.
ALLIED
C.
TeI.
a
ARTS
SChuyler 4-12|6
TRAPHAGEN SCHOOL OF FASHION
I(:8(I
Rr(lzL(I".:t}.
(near
5'Z(I
*t.)
>'tl\`.
Y"I.k
Illtt.rn!ltitlnal1.T
Celt.bl.:ltetl
Grit(Ill:ttr=
K(.Lri*f(.r }T()\\, i'()rF:lil.i. 1\'infeI. (`t"]r*<'S
A][
The Eclward Bruce scholarship in fine art
at the Finch School, entitling the winner to
two years of stucly there, has been awarcle(I
tn Beth Anderson of Brooklyn. Lean KroIl
an(I John O,I.Iara Cosgrave servecl with Mr.
Bruce as jurors.
]lhnses of F,1ShiOn
I)e.fiig.n.
De(.ol.ation'
D1.:I))in=.
Other.
St:lg.a
:LILLI
(.oI.I)OI.ate(I
lllustl.atioI\
{.lassc.i
in
aml Tt.Stile
Colt.<t1.u{.tiOll.
umlC-I.
:"ttl
|nt(.I.i("I
D(.sii!.ll.
S(.hoot
Rc.a.(mts.
in-
Te:I(.hc.I..<
Alel.tress Cl.etht.t5. B of E.. i!.ill.n. S(.lul
foI. Oil.I.ulaI. D. oI. Phone Col. 5.:3()7T.
L\'VESTrr;.\T»
Bruce Scholarship Is Awarded
HEINZ WARNEKE
Reqistl.al.ion llOtl) OPen - Send, for ctltaloque 8T
ACADEMY
The see(-I year will he
bl.sIOriC.al
Course
Arrives f1.Om Pal.iS On Oct. 15
(Ic.v.olc,d to a discussion an(I study of good, bacl
an(I incliffeI.enL taste and tfl techniques and
materials.
tllC
GREG®EEEEFF
to take up his duties as Dean of A1.I and
instructor of the classes in painting.
prI.nCjPleS under.I)ing art aS demonstrate(I in
(lrawint,cr. paI'nting., SCulPtul.e. aI.ChiteCture aml
the decorative arts.
aaRI S
appli-
prints_ charts ar.(I ilh"n'inatel1 -.(.llaniCal CliS-
nf
'ITnhteel.E)ist::nngaYi}:I_I.:eqi.wned
349
pl`evi("ls
p]ays sl"-ing the fundamental principles of
The obie1.I
RESIDENT
_SCHCDL±
an
Cl.k(n,,cikv
is c.lasse(I by critics a.-. all '¬a(1\.anced talerlr
Th,ith
AND
FINCH
naturalize(I citizen of the UIlile(I Slates. aml
i)I
IN
The regular two-year course at I.`inch,
for preparatory-school graduates, will
continue.
This
consists
of cultural
studies combined with a vocational
major in Art, Dramatics, Music) Writing} FIome Making! or Secretarial \\'ork.
bnl.n in Rus<].a. a[ Pinske in what' is now, pat.I
of PolaTl(le hC
lsT
Illustration, Graphic Advertising} Life
Class, Sculpture.
Criticisms by distinguished artists.
the tjniyel.sity nf Cjncimlati until transfer.roll
in 1884 to tlle Cincinnati Museum Associa.
lion.
Day anal evening classe.e art- given I'n
drawint=rr. paiflting. mnCleling and dee].gn.
Cik()ysky come-s lo Cincinmti wilh a nota_
of
OcTOBER
Interior Architecture and Decoration,
History of Art, Costume Design and
years ago. the aca(lc.my was first a part of
recol.(I
CouRSE
FINE AND APPLIED ART
Her.man FI. Weasel, Jol"1 E. Weir, Frank Tl.
Myers, ilenrI.et[a Wilson. Charle.a W
L.
Sc.hlapp. Carl Zilnmerman, William E. Hent_
schel, Arthur. IIelwig+ and Mver Al)el. Walte..
achie\.emenL find ()i te:1Cher ability.
TwcLYEAR
Fox YouNG \\.lO_\mN
ginning ancl a(Ivanced pal.nting.
Tie joins a
group of well known artist tcaclleI.S Such aS
b]e
SpECIAI.
Amer].cat llas
been appointed to the fa(.uhy of tlle Art
Acaclemy of Cincinnati as inslruc.tor in be-
siple I.S the (Iirec.tor.
U±OunCIng
BHfl'UltE
RH(:Ism:Ill.\'r:
|6th
YEAR
LAYTON
Painting..
SCHOOL
tl.i:Ill
OF
ART
Hl.SE\\'IIENtl`:
NOW
BEGINN"G
S(.ull)tut.a.
De-
r:ig.n-Acl\l.I.tiring.I I"1us_
Costume.
nn(1
In-
t(.I.iol.-Teilc.heI. TI.ainitlg.
lllustl.:ltion.
Not
opal.:|ted for. PI.Ofit.. }IocleI.ate
tuition. Se"l fol' a.:lt:1lOtt-..
Charlotte R. Partridge'
Director
28Layton Art Calleryt Milwaukee, Wisconsin
MIAMI ART INSTITUTE
I.
THE
o[
classes
HANS
line
in
HOFMANN
arts
drawing
in
and
SCHOOL
new
painting
-
york
.
BORDEH
a
WEWmAN,
DIRECT®R
Outstanding
Faculty.
A1#.LLELDL P:odi:::Loanla I I nssttar:cdtairodns :
for irI.formation, ad,dress:
PHASES
see. R.a. Hardin,39SE. 6St.. miami, Flo.
morningsl
;:t.earTniOo: n:,o. ,esVee ndiencgeS+ b eSra 1 u6rTdla-y Si a ,.u a ,CyO "Ielg+:
.
lectures
.
school
term:
october
lst
may
3lst
.
tuition
monthly
or
by
the
term.
137 EAST 57+h STREET
FINE
PLAZA 3-7439
e
ROMANOVSKY
e
PAINTING
CLASS
Portrait, I+igure and Still IJifO
Studio 605, The Lincoln Arcade' |947 Broadway,
between 65 and 66 Street, New York City
Hours93C A.M. to|2:30 I.M.dail} exceptSat. &Sun.
Telepholie Rh:eI.Si[1e i)-.35}G31
'26
The Art mgest, 1sb October. l9.3.5
Getting a Focus
ART
In the October Bzt//c.+I:n, of his Design Wol.kshop- Ralph M. Pearson cliscusses 66Effects rlf
the New Art Eclucation on People."
FTis
school.
EDUCATIONAL
now nine years olcl. he says. ¬¬is an
Thomas Ben+on for pain+ing. a+ller
accomplished ins+rue+ors for sculp.
+ure' illus+ration' in+erior design.
adver+ising and cos+ume. Fall +elm
begins Sop+ember 30. Catalogue.
4407 Warwick Bou]evard'
Kansas
Ci+y'
Missouri
c)f
tile
futu1.e.
'29th
Fall
i-rl\\.
in
('mll..ws
lltliil«
:lml
to
ll`ine
.\rt,
:lml
Session
lp:ltlini:
ill
the
Arts,
I:tlucation.
(lil)1nrlm
t':lmT)Its
I(.r|n
Tl'I.ilo
+.\rts.
ccrtifi(.ilt9
coup.its.
flPlightrul
t illt!"i*lll'tl
Bachelol.'s
-\l)T)lil.ll
Also
I3|.aLltiful
¢limata,.
(ti*-
I;I('Lllt.I..
F.
II.
FoI.
Me?lel`.
(:rlllllOrI
Oakland
I)iI.a(.Ioi.
"D-
£alifornI.a
EgrELL+lfiJffiJrisfl#+rir*ENLTsS'.fflqui:NNREil
7O21 Grand Central Terminal, Now York City
i,:,;._:
with
gl.eat
C(ln-
MOORE
of Art, Science and Indus+ry
SCHOOLof DESIGN forWOMEN
its
effects
on
(lisctlss wh:1t he tel.mS
I.eSultS Of the WOl.k-
people.
\R,1len
an),-one
asks
wllat these eft'ects are, -- attempt to picture
painting pl.obably ]'s that you bt-.gin to see all
lun1.e
umlel..¬tandingl)-.
Also.
Broad
the gal]eI.ieS Of Em.ape haye enthusiastically
I(--stifiec1, ).ou 6see Ills old mastel.s and the
ART
S;,-
a
stl.eel
scene
SCHOOL
STANLEY
RINGLINGSCHOOL
FACULTY
OF
OUTSTANDING
PHASES
The school
all winter.
quarters.
Dondtories.
ARTISTS
OF
ART
OF
TEACHING
ALL
ART
of the Ringling Museum.
outdoor classes
Animal study at Ringung circus i7intCr
Junior
College
write
for
and
Music
catalog.
school
connected.
Address:
Prealdent,
SARASOTA,FLORIDA
Tuition
for
Evening
_.1c7d/.e6.S..
- COURSES
FOR
TEACHERS -
Folders illu.strating each Department on request.
Address Dent_ AA. The Art Institute of Chicago, Chicago, lll.
WO.RKSHOP GALLERIES
Exhibition of Arts and Crafts
Lucile Palmer
231 West 2nd Street, Reno| Nevada
Space, in a flash,I llaS beell
and realizing that arrangements of branches
can be abstractecl from nature by selecting
rllythmic sequences out of the meclley before
h]'m.
The meaning of clesign evolved fl.om
-
Boardman
Warren
Robinson
ChappelI
each
class,
$15.00
per
month
Life
CIass,
$8.00
per
month
LOTHROP,
WEST
DALE
STREET
SCULPTURE
Life - Bas-Relief Individual Instruction
Drawing
54 W. 74th Sr., N. Y., Tel. SU. 7-2943
1825 - BALTIMORE _ |935
Course)a ln Fine Arts. Teacher Training| CraltB'
AdvortiBing and Costume Design' Interior Deco_
ration' Stage Craft. eta. Catalog.a on requ®Bt.
and one that has wicle I.everberations, is that
life and lbint,crs c.an be seen and tben eXPl.eSSeCI
WORCESTER ART MUSEUM
SCHOOL
24 HIGHLAND ST., WORCESTER, MASS.
Thrcc-year courses in Design, Drawing and
Painting. Modeling. Metal Work. Jcwclry.
Pottery. Weaving. Day and Evening Classes.
till we hal/.e crfatecl our own symbols in paint.
Cata.logrlC SCnt On rCquCSt.
clay o1. an).. meClium. To clo that is an exciting
thing.. ancl' e\.en when (lone cl.u(laly9 t3CriVeS )ml
that sense of i.ictol.y over. the chaos about y()u
t]lal will dispell the 1+-.St Case Of the blues
o|. I.oil.esh the weal.lest of net.i.es.
¬¬In
all
the
Wr)1.kShOP
a.lasses
the
is thl.own on llis own 1.eSOu1.COS.
H. STUART MICHIE, Pr£'#ct.PfzZ
SCHOOL
StuClent
each
gil.f.n
pet.son
mnl.a
]'s
sat..e(I.
impo1.lam.(.
This forces
ellCOurageCl
tllan
lealmil.al
OF
BOSTON
FINE
ARTS
DRAIVm\'G . PAINTmJG . SCULPTURE
METAL \\'O|tK . APPLIED DErsIGN
Staff:
A.
1aLCOVle£f.
Director
oI
Drawing
&
Pr+!'7i!3'7!O,. F. Allen. Sclf/pzac,.e,. W. Huchthausen.
De8iqTb:
I. Shoanrocke` JeacelI.1y
c£
Melcllworle.
235
in the excitements of that pI.OCeSS.
In thi,s
way the pl.ecious thintlfr that is the imlividuality
r)f
OF THE
MUSEUM
a self-I.eljance
that is infinitely rewal.cling
both in the clevelopment of creative poll.eI. and
Fenwa_v,
aml
Boston,
-|Iassachusetts
NAUM M. Log
SkilF
SCHOOL OF ART
SCULPTURE - DRAWING - PAINTING
MASTER INSTITUTE OF
UNITED ARTS
MEDALLIC
BALLET
_
-
OPEFZA
DRAMA
-
I)Ill.I
(lllrl E.ue.I.inn
Un(1e.I. E1-I..i,ne11t'
Cfleveflamd
Sch®ofl of AIf¢
EENnd
Cleveland. Ohio
_4Ze,.!72CSS
Four-year Courses in the
Fine and Applied Arts
C',.cda.zs /or
f'er{c^e/.S
tl}r
-
ELMER
EDW.
B.
Catalog
riOW
EDWARDS-D.ymmlic
-
{=lllcllo(lue,
"ctcI:I.a,SS
S.mlmetr)',
Illustration.
Re(liSll`lli.,
ANATOMY
ANIMALS
on 7`erluegt.
Corcoran School of Art
I)ratTitlg.
LOU IS SLOBODl(IN-Hc.lllpture.
AUERBACH - LEVY-+i:tc.hint}r'.
:310 Riyersi(leDriye, i-. I. a,it.+-
OF
LECTURES
Teachers.
BROWNE--P:linting|
PAPE-Pailltillg,
CONSTRUCTIVE
Cl(I.s.seS
Design.
EPIC
-
22 East fiOtll Street, }Te\1. York Cit.T
CLASS
Regi,.stl.{I.ti,a.1?.
GEO.
ART
MODELLING
Individual inst1.uCtiOn day and evening.
MUSIC - PAINTING - SCULPTURE
ARCHITECTURE
IZlu8trOltedCatatoq A ot| Request
.
I.eVealecl and all things he sees tllereafter take
on a new meaning. Another t=crains this space
sense by perceivint,cr the aI.eaS between trees
CIJASSES BY
In Sculptm.c.. Cc.I.amil.s. Cl.:lrt.s. Et{.hing. & Je\Tell.y
|936
ROBINSON
Art I)il.ector
STANLEY
Portrait -
suclclenly
wol.cl cloes nr)I penet|.ate nut. intellectual sllell
Drawingl Paintintg) lllusfration, Sculpture,
Industrial, AdvertI.Sing, Gr Interior Design
27th,
EVENING CLASSES IN
ing. to tIle degree Of Bachelor of Fine Arts.
THE ART INSTITUTE of CHICAGO
- FINE AND INDuSTRIAL ART -
May
BOARDMAN
CREATIVE
ORATION. I)ESIGN. ARCI[I-CTURE. Ill,US"AtrION
AND CoMMERCIAL ART' Pus. ScIIOOL ART. LeadSyRACUSE' N. Y.
to
professionals
N I Colas I
s`JunbOIically.
We all see symbolic interpretations of life in the theatl.e. in music, poetl.y
am't fiction, but somehow, tile meaning of the
HAROLI) L. BuTI-ER. I)ef!7!
Colorado
23rd
and
Life Classes - - Applied
Graphic
Art
¬¬Another surplisint3rr CliSCOYet.y you Can make.
Four-Weal. couI.SOS in Pi\1X"XG` =NmBL"\ I)nC-
September
I)eginners
Gellel.aE DiI.eelC)i
nature I.s for llle first tilne COmPrehemleCl.
COLLEGE OF FINE ARTS
SYRACUSE UNIVERSI_TY
PhI'IadelphI'a
CENTER
LOTHROP
realizes the space relationships of the sicle-Th,a]k flagStOneS.
Of
SPRINGS
ARTS
for
this color aclventure and give you an underslandint3rr Of expressions in dark-light and form.
The understanding woulcl apply to the stage.
to pictures, sculptures an(1 architecture.
¬Then space reveals its m)..stories.
A busiGIL.awint,cr
dog.I.ee
91st lUear.
Streets,
Colorado SprI'ngSt
Prt1-
picture w-hick is your own expression of expe.rjence. You have estal)lished an experience
cclntact with the work of these artists in the
one most effective way.
man
tO
[foI.met.I.V Broaclmoor Art Aeaclemy]
founclly.
You are playing creati\,.elf with relationships of color. and form ancl I)uilc]ingr a
ff|ness
Master
FINE
simple amateur way th.e same thing the masancl model.n. have Clone more
a
COLORADO
Tllis llappens
in both cases I)ecause 1,.Oil a1.e Clr)jug in yr)u1.
ters, olcl
]eatliflg.
Sencl fol. Cclraloq.
as
set.eral pet.I"lS Who llaCI IIfen I)rO"t:frht uP On
pl.imiti\..es for the fir.st time.'
Distint,a.uishecl Fac.ult}rc Pl.aetieal Com.sos in all
bI.ant.heS Of Fine ancl Appliecl A1.t, Ae.c,I.edited
Bat.helol. of Fine Al.ts. Eul.one:m ancl other
Pl.ize Fellowsllil)S. Residence houses for outof-tot+.n stuclents.
¬The lnost imme(liate t.ffect of the abstract
a1.I
INSTITUTE
Te:1C.hal. Tl.:Lining CoLu.Se
t]lem in war(]s I.LmS S"11't-thing like this:
¬cCreative GIL.awint,cr an(I modelling rouncl out
Individual talent developed by successful mod_
eI.n a.rtiStS.
Drawing. painting' sculptul.e' Illustration. AdveI.tiSing, Genel.al I)esigm' Costume
Desig.n'
ancl
Interior
Decoration.
I}ay and EJCentng Classes - -- - i-ctJ;(jl-JJJ6
i:I
this
INDUSTRIAL
I-Te then pl.oceecls to
6Ethe most impel.taut
GhaNDCENTRALScHcoLot;ART
r1:,.-
say
OF DESIGN FOR WOMEN
fidence botl| bet.au.se c.)I mall-I.a and results..'
lnodel.Il
California School of Arts and Crafts
I
COMMERCIAL
THE PHILADELPHIA SCHOOL
expel.imental la])ou.atou.v in which we are cliscovering. the nlajn tre11'Cl.< Of the art education
y3l`d
ftool`
ACi|d. 2-3860
Tultlon
WASHINGTON, D. C.
Free-Annual Eintrance
Fee
$25.00-Day and Evening Classes in
Drawing, Painting' Sculpture' Composition. For information and prospectus'
address
MISS AGNES MAYO. SeergSc|rey
II_)
The Art I)igesl, 1st October, l935
T|
A Cultural Focus
Discussing a IleW C.uniCulmll
TJze ST. LouIS ScHOOL
a/ FINE ARTS
of
Washington University
Drawing,
Painting,
at Washing_
ton Square College of F\.ew York Unit.ersity.
Dean -\Iiltoll E. L-His emphasize.(I the stucly
a1.I
a
both
libel-al
aS
a
fit.Ill
c-(luc.atj(-"1
fOI.
an(I
aS
a.OnCentralinn
a
(.ulLul.al
g1.Olm(I I". Pl.OffSSiOnal a(.lI.\it\L
:This "s". c."lli(.ll]lml. takinfLr aS i[
Mod-
Cling,
Sculpture,
Commercial Design,
Magazine
Illustration,
Interior Decoration, Design, Costume,
Weavingl
Book-binding,
Leather,
Metal,
Pottery
and Chinal Composition,
Perspective,
Anatomy,
Etching, History of Art.
E.
II.
WuerT)el,
Director'
Room 110, T1|ashington
Uniuel.sitzl.
St.
Louie,
hlo.
Fall Term Begins
September %,
1985
ART
liml.
1.f.rlC.(.I.I
sl!own
in
a
the
g(mtTal
jn".(.a.Gin.±r
I.et.llnl
)Tat.S=
I"Ill"rat
e(Iu(.a-
i"I"i,`L
in
Pal.".a.ularly
all
PARK
MONTANA
WRITE FOR BOOKLET
CARVING
NOT)ELING'
DRAWING,
PAINTING'
INTERIOR
ARCHITECTURE
AND
I)ECORA-
HARTFORD
ART
TION
SCHOOL
in
AND
APPI,Inn
ARTS.
MUSEUM
AND
I,IBRARY
FACIIJITIES.
ENROLLMENT IJIMITEI).
the
g.ra(I":ll"I
I.I"
rl.mm
ll".
(.n]legt+'
(.tl"c.alo1.
there
D(lan
iS
IJ("mlj``
(Ic.(`p
Avery Memorial
-
-
Conn.
Col
A\Tt
ill
s a H a a IJ tS¬#Oo'oI.
of the
AND
lI`i"a
EVENING
Art*'
COURSES
_.\(l\'el.tisirlg
Fa*hioll
Dc.iigI1.
(]tlstriaL
^l.I.
Illustrntion.
IlhotogI.:LPl|\.J
Art'
InIn-
0.,'itl.llll.I!:il;]0.n. \\inl:rTogl::I
a"mmr c'lassc's. St.ml for c.atalog.
(.XfmlPlt..
]'n
th(l
rill.I
that
"I Al.L
Eq"ally- siLrnjfiCan[
t.O-Ol.ttm'.ltr.ll
(-OLtl.`t3C.
Pc.ImS.\.l\.:llli..I.
:mCI
l3.F.A.
other.
School--l',I(7:Lti
Springs
I()I.
Summer
faC-
1)eg-illnel.s.
\\.ith
the
Uni_
tlt..L=TCle.
Eul.a-
pl.ize.s.
:lull
l'hl.I.r`\.
School-1tit*itlt.tlt
WRITE
FOR
BOOI(LET
OF
INTERESTS
I.
T.
FRASER'
Stl-eels.
all(I
I):1y
SCHOOL
Curator
\\-imam -\I. OclfJm, Pl.a.si(lent
impel.lance
tllcll.eby
to
many
CIIltu1.ally
¬'Emphasis in
people whose
FINE AND APPLIED ART
l}z.oil-_ssiot]t1]
lives aI.'e
erln.tile(I.
Curri(,ulum will
be gil,.en to the oultul.a1, 1listolicaI. ancl cl.it]._
(parsons)
f.Out.SC'S
in
Inte1-iO1.
Al.(.hit(.a.tm.c. & Dc.t,ol.atioll : Costume
Dc.Sig.n & Illust1.atiOll; Gl.allhic. AcI-
STUDY
the new a1.I
WHICH
YOU
Jr..
NEW YORK SCHOOL OF
Thgl.e can no I"lger I)e
the fine al.[s are r)I daily
IN
i.".ti.<mi!.:
NEW YORK
OFi
Tc.:I(.h(-I.
TI.:linin+g-.
tinelltal
Stud}.
im.lutleS
ln
lt:ll.v.
Semi
for.
Address
PARIS
sc.ulpture. a(.col.CI]'ng to imliviclual prefer.Once.
for most Stu(lentS tO the ex-
ENROLL NOW FOR FALL COURSES
economic
opportunitI.eS
rhl.OughOut
the
pro_
fessions generally, il is becoming increasingly
true tIlat those PrOfeSSiOmal people whose vocational preparalic"1 lla.S been COmb;ned with
a broacl (.u]tural a(luc.alion are bettel. equipped
to capitalize thai.I vocational nPPOl.tunities."
A, 2239
Broadway,
New York
DRAWING. PAINTING. DESIGN. INDUSTRIAL
AND STAGE ARTS. DRESS ARTS. INTERIOR
DECORATION.CARTcoNINC.SCHcoL-anT ivrE"ODS
COMMERCIAL ART. ILLUSTRATION
F'OR TIMELY nNSrmtJ'erIO|\' J|+'D CUID^NCE: ^mE)rD
CHICAGO ACAI|E.tIY ®F
FIi|TE ARTS
on in some form of al.I cI.ealiOn ShOulCl fiml
tl".a basic program of cultural studies of future economI'C aS Well as intellectual aml
spiritual Ta]ue.
For. with the tightening nf
Box
Con-
I.eSearC.h
Catalog.ues,
cat apprr)ach ln the fine arts.
practice an(I
teclmic in such appb'ed al.[s as painting and
CARL WERr\'TZ. PnES|OSWt
l8 SOUTH
OTIS
ART
MICHIGAN
AVENUE
INSTITUTE
A SCHOOL OF' Fnl'E AND APPLIED ARTS MAINTAINED BI
THE COUrl'TY OF Log AFl'GEI.ES AS A I)EPARTMEINT Or
THE Log ANOEIJES MUSEUM
2401 Wils]Iit.e Boulevard' Log Ang.eles. California
"1irt.y-eight Classes beginnint=o. :Lnd advanced.
Thro1.k OuLdool.s or inc]ooI.a 12 months in the
year..
Date of entraIICe and Pet.tod Of Study
optional.
A genuine Art Spit.it pervades this
art sc=hoo1.
Illustrated catalog upon request
Smith to Teach Wood Block
Was
Staff
al.t].st
fol.
lhe
UIlste;n
Press.
c.I.ealo1. Of th(,
PI.I'ntS." 1t-I")
CUL
book.
Will
C6Olcl
tea(.h
Yil.t_t,im'a
the art
in
Block
of the TtmCI
staff `1l.¢- C:amI.lO Egas. "i painljng. aml (lraw_
ing:
ST.
PETERSBuRG
WINTER
SCHOOL OF ART continue your
Painting in Florida - - - Jam. 1 -April I
DflnlnriSC.OtLI
SIHllmt.I.
S<.hoot
of
Art
.r|t Dn7n'.|riS<.Otti| }Iz|i". .. . Jll]}. 1-Sent. 1
Fc;J,.
(:rltrllrJ(lil a
(ltlf]].a.*.S
S. Patc.I \Tagnel. I . ' Ro(.k`.ille, }Iar}.Iam|
Among the names that reappea1. On the
Jrlse
de
¬re¢.ft,
sc.lllpture:
Elika
Gio-
Kul.I
(:ollmll)ia
Fni\TI.Sity-?
WI.ll
join
PAINTERS' CRAFT SCHOOL
perfects
vision
and
technique
for
artists'
appreciation
for
amateurs,
and
original
expression
for students
by
discarding customary measures, theories and copies.
Home
Roesc.h. all p1.OblemS.
Ilo).rll. Shapiro aml Jet.rune Klein. both of
MAUD M. MASON, Director
Di.stills.uiShetl
I.I:tS_<Cfo.S
pt-.,..manenr i.alue.
an), question !ba[
I.aphy:
New York Ceramic Studios
:t1.tl.it.
(Eat.
unex-
1t1.OfeSSiOn-
are I.a_
bIIF\'r\'E/IPOIJIS
MIh'rl'ESOT,I
(.()mt)letc.
c.(nt ac."."ls of lht. I"let.:I g"`ernmel" giving.
flmc.I.al supI"m tO a"iSIS aml al.I projec.[s o'f
200 East Twenty-fifth Street
I
Chest¬r
appl.oxim:l[ely
yamla Kb'en. applie(I tles]'gn ancl pal.ntint.cr;
It.at IJ(-all. eta.hingr: Bet.eniCe Ahbott. photng_
nIInmiREAI)OLIS INSTITUTE ofARTS
I.I
OI.
I.Goo p-plc. am"ally lla"- all""1(,cl tllc rali._
clus all ""n..a(.a.qI"m:S".t.(I bV New i-nrk Uni-
Bellin. aml Charles W. Smitll. Virgin;a am.`stI)AY
the
(Summer)
±!mll.tlt*_
1.,bO
-
the
St.holaI.ShillS
Philadelphia
Sdi(i.
Hartford
-
:ll.-O
p(."II
Signific.am-.a.
25 Atlleneum Square No.
Frederic S. Hynd, Director
Of
I-ol.
I)I.c.ltI"m."._Y
\.el.,Tiit`\'
yorm`#. mow :1mI "."m.n a"""Hng. (". 1.eCenllY
Amrmg the a(ldit]'ons to the art faculty of
tIle New School fol. Soc].a] ResearchQ New
York. are FrI.lZ Eic.hunberg.. German illust1.atOr
Catalog upon,i.equest.
tI.amim!.
!Ili2':
a-mg-
SCHOOL
NATIONAL
c-("lil)I"ll]t
ll]L\'.
lo
Those gjftecl stuclents who wish aml are
enc.ouraged by the faculty to specialize later
Summer SchooL
GLACIER
I.{»!l(.cl
Pa.
AmeI.ir.:I.
]o(.:ttiont=:
..ll
ba`q.t.
RE[SS
log WEST l6th STREET, NEW YORK
Springs,
film al.tS St.hOOls ill
Clt}.
:"i(1
Colmtl.`v
S]lL.,.l{.l]
I.\-(.llmi:.
(.I..l*srs.
De])..u.tmc.nts
of
P..I,intil1¥.I S(.ullltu1.C`. IIIu.stl.atioll. }Iul.:ll Plaint-
aS
ttmt neecled for a c]earel. unclel.standing of aI.I
an(I the problems of the artist.
COURSES IN DRAWING PAINTING, DECORATIVE DESIGNING,
MURAL PAINTING, SCULPTURE
Chester
m.7CCl
will be ]imI.teCl
WINOLD
FINE ARTS
(Winter),
rme ails as a fo(.u.i for Ill(. I"lmanilies I.('c.o|r_
Muse"m
w`rite
OI_DEBT
]'i(1.-).I
(1oes the
t.(.I.si[y lllning. pa.`l )r(.aLQ al- lllr. -\Iel")o]i[an
catalog
Philadelphia
bat.k-
® Teachers of art may
Fa).
OF THE
in
now receive B. S. degree t1|rough St. Louis
school of Fine Arts in
=ooperation with other
departments of Washington Universitv.
PENNSYLVANIA ACADEMY
the
mercial
Maine'
-
lecture
A.
fat.u]tv.
Courses
art
and
Summers,
I{.
prepare
for
I]Ortra'lture,
landSCaPe'
advanced
study
in
Boothbay
or in St. Petersburg| FIorida'
I () i ll,
(1ROSS
i a (I. .I.
-.1RT
COm-
Harbor,
Winters.
-
SC`I-IOO I'd|
Darv arLd Evening Clas8e8.
THE PR"CIPLES OF DESIGN I BUILDING Awl) I)EGO_
RATmG OF POTTERY FORMS I CERAMIC SCULPTURE
114 I,ASP 39tll STREET
hTEW7 1.ORI£ CITY
Woods+oak
School of Painting
I nstructors
CONRAD CRAMER
HENRY MATTSON
YASUO KUNIYOSHI
CHAS. ROSEN
JUDSON SMITH
Salary Increment Credits.
NEW YORK SCHOOL OF APPLIED
DESIGN FOR WOMEN
For Cat,aloq WI.ilo:
JUDSON SMITH, Dt.rector, Woodstock, N. Y.
leo LexI'ngtOn Aye., N. Y. CityI 44th Year
Textile Desiglling' Interior Arcllitecture|
F¬tshion
I]lustratiom,
IJife
Clnss|
Decor:ltive Design, Poster
Po.silioms
a7ld
Oi.dei.a
filled.
THE: Alit DIGF:.Srr I)re.SentS (I COmPendtuln Oj
the (lJt nelCS (mCl. i1}iniOI.. Oj the i¢Orld Witl;out bi"s.
I)I.i{.e S'3.Ob per.).a;1r.
®W A:HMAIIN AIDAIM£ ®
|Yinter
Portrait
Taxco,
Clnss
RIexioo
Second Season
Ja.nua.I.y| FebruanyI March,
A(ldress Secretary: Elizal,ethtown, N. I.
New Orleans
Art School
CONDUCTED BY
THE ARTS AND CRAFTS CLUB
OF NEW ORLEANS
COURSES IN THE FINE a APPLIED ARTS
CataZoque8 On Request
712 Royal Street
New Orleans' La.
Art Academy of Cincinnati
Founded 1869
Moderate tuition fees.Day and
night classes. Professional
traininginfineandappfied arts.
Winter and summer sessionso
For information address
WALTER H. SIPLE' Director
Art Academy
Cincinnati' Ohio
2R
TliI>
Art
I)ige.sl-
lsl
October?
J`).-3D
.-)0(.
Where to Show
rSociJ:lies_
(lskc.(I
it.s
nlu.S(,Ilm.S
lo
c.a-opcr(lie,
(I(ll(I
:ln(I
in
Ibis
1.||1.*l
(l!.a
list,
(I"d
tllc.
JIX+l`.lI.
Closilrf
IX'I`I.;ltX.l'rl(IX_-lr
I.:_IIIlbrrI().I
tot.i..llist.a
of
!i(lum" I:"1.
¢,I
'r:Tit:
I,oc
A"*.a.lc.i
at
Oll(.ll
tO
:Ill.
(1'.lt(l'
X'oT.
I:-).
St*..
fol.
.|I.lliH,It.*
infol.l"l-
Pit.tot.ialist.i.
IJOS
P[.".k.
1,o=
An-
I.:XIIIBI'|Ir)+
ol
tt|c±
Et(.hinfs, (mgl.,.l\.ills.s. blo(.k pl.ints. in blac.k ancl
\`.hit(.
ol.
(.oloI..
.Jm.`\..
N`()
I(.es.
Chi(.ag.a.
I)I.CSent
metli:I.
..u1(I fOI.met.
Closing. (late
..f\t
tine
1-,0_9.
'|l.:("|['1t;lI.
I,I.:jl(:l'I+,
()I.'
()F
to
()F
rT(I.NI.:X
h`e\`.
pl.tnt.
..\t GT:..|n\|
all.
Fn-.
A(I-
TIIE
St.,
Sit:I.EXTII
_.lXrr.-ll_
O(.t.
Of
OF.
Clo.fsini!.
The
._)Ot.
fol.
tw.a
of
O(.I.
9.
M.yel..<.
of the
Fine
Philadelphia.
exhibition
MiniatuI.a
Pa.
Of
Closillg.
date
anCI
Chf'l.I.`y
StI.eels.
I.
All
Art
¬'Pal.I
6 yards, i5.00. Postage prepaid. Sample
upon request. Payment with order. Artists'
supply price list sent free. New York Central
Supply Companyt 64 Third Avenue, New
Philaclelphia.
morlia:
wol.ks
Pot.thn(I
Oprn
}rusSum
of
tbe
M:L1.(.h
A\+.al.ds:
}lil(lI.(.d
.?-,I),I.
13oeI.i(.ke
PICTURE FRAMES in raw woodl 30,/ x 40W'
3W wide} $1.95. Many patterns. Ask for
free
Mtlseum
lit.tnt
lithePI.tnt
Of.t.
:35.
I..ln.
r)I.'
nownecl artists.
Yol.k. will
collectI.()n
Of
of
Opt.n
to
:lll.
PI.iZC.
Of
$7'r).
sent
anywhere.
Offlces. flmllerlV
Sold by all dealer.S.
(See
ad\'. nag.e 30).
the
Dr. Denman lX/. Ross Dead
Dl.. Denman Waldo Ross! famous aut]1Ol.ity
on Oriental art ancl a leclure|. at I-Iarvarcl Uni.
\f.ersity since 1899, (lied in Lonclon, Sept. |2,
OCCu-
at the ag.a of 3l.
Ilo hall been on a tour
of Europe with his associate, Al.thur E. Brown.
ica Kauffman. Hoppner, Mor]an(I. Pollssin.
Macs. Inness, Jan Van Goven' Berne-Bellecour,
Ross collected the;usands ()i valuable art ob-
_\I"nkacsy ancI
jects, many of which he later gave
FTuclson.
Dr. Ross was hal.n in
from
CincI.nnati
ITa1.VarCl in
aml tlfrrad-
1875.
Dul.ing his many t1.lps tO the Far East_ D1..
Amon[3fr the hrOnZeS
to
the
aml 6The Painters Palette." Ilo was a fellow
of the American Aca(lemv of A|.ls ancl
selection of A(lam, Queen Amle, Ch]'ppenclale
10.
;I+lF:Itlr_.lX
Pl.int Club
Frames
Boston Museum of Fine Art, of which he
al.e signed examI)leg by Cocorico. P].neclo,
Lelieyra, Bayre, Carlellier' Gradier, Ballin, llad been a t|.ustee since 189.5. A collection
of O|.ienlal art in that institution beat.a his
GuiI]aunne, Pai1]et an(I Bofi]1.
Fine porcelains
Among. his books a1.e i6A Theory of
jnclu(le D1.eSCIen, French, Eng]isb, Chinese anal name.
Pure Design," "On Dl.awjrlg and Painting"
Italian piec.es.
Tn furniture there is a witle
to all.
Jut.-y.
Of $7.-).
Fee:
date.
samples.
.lRUBENS,,
ARTISTS,
BRUSHES :-Supreme in quality. Universally used by re-
g.]jsh. Amelican and French silverware. Sheffie1(I plate;
aml Flemish, Renaissance aml
tI(ill)hi.1'
The
York.
not
Braxton Art Companyt 353 E. 58, New York.
Galleries, Nfew
29
Durex Art Company,
DOCK CANVAS' excellently prepared. 46W I
/}'/.fL/f'7l' I)Jl'/-Y7'j`'
:lt
ors) special oils, eta.
317 East 14, Ne\\' Yo1.k.
uate(I
A(1-
Flint Club of Phila-
I+XIIIBI'l'I()+
GF.SSO P_l±hTELS, all.tiStS' materials' dry col-
foI. entI..V
and She].at,".
:|XXr..U.
ARTISTS| MATERIAIJS.
Orders
filled
promptly anywhere. Joseph Mayer Company| 5 Union Square, New York City.
the
Paintel.`<.
All(lI.eSS for. infOI.matiOn: "|C PI.int Club. loll
I,atimel. St., Philade]phi:I. P:L
'1'I.:r'rII
craftsmanship work and prompt, personal
service at low cost. For a quotation on your
orinting
needs
John
Hopkins
.217 Center
St.) address:
New York
City'
r`T. Y. Press'
The paintings inclu(le callyases 1)v Jules
DIIPr6' Ziem. gal.gent, Weir, 1ierring.t Van
Dyck. Lawrence, Reynol(ls, Tinto1.ettO, AngreI_
PIIII,_.I-
dat(..
pI.iZe
Closillg.
pl.ints.
PRINTING of catalogueS, brOChureSl announcements for. galleries, artists, schools.
\\.OOtl
W:1tel.
pied Inn Mr. Wanamke|.. I(u. ("b,.eni;nee of
sale.
Atl(h.oss fol. infol.mation: Th(. PI.int Club, 161T±
I_atimel. St.. Philaclelphia. Pa.
..1XX[.Jll, E,XIIIBITI()r r)F JllIE,Rlr..1X
//,/I//Ofi'flt.IP//I. at
amlllal
6-Dr,(-..
Pllilaclelph].a
I.JIr;lITII
tlelphia. Jan. !30-Fc.h. 8.
A\`,ill,{ls: Mal..y S. Collin.i
York City.
objects have been I.emO`..eCl from tlle p1.iVate
Pa.
I.IXIIIBITIOr
S.-,0.
counted as one word. Col)y lmtSt I". Irrl,written or printed clearly1. Address.. 'r l+FALRT DIGEST, L16 East 59th Street..New
Clo.+-
estate of the ]a[e John Wanamake1.I Jl.., the
afternoons of oat. 1. 2, 3. 4 aml ,5.
The
I)FItl}1II..1 'PRIX'f .|[..lliI.IR.*_..ut rrt|c. Pr'mt C^Tin
m.I.ZC.
A(-.aclenl.y
miniatuI.e.
The PIa7,a
Fee:
£5.
of Phi]aclelphia.
O[)ell
tO
Phil:1df.Iphi:I
makel.s.
Metlia:
BIo(.kpl.illts'
etc.hills;.s.
s!.I.at)hs.
Fee:
50(.
pet.
I)1.tnt.
Jut..V.
Club
Jm.`\..
Term.s.. cash with or(lr1..
Each word,.initial and whole number is
~
t1:1tr'
Pllila(loll)hid..
IIOn-m(`mb(.I.,i=_
Sot.iety
Not,.
(lispel.sc
=lX])
(Il.es.i fol. infol.m'.ltion: Al.t Alliam.a. :I).I)1 South
18th
charge $1.50.
PIIILJ|-
Wanamaker Art in Auction
I:JITIOttAI,
I).H.X'rl.JIIS
Media: Pl.ints.
Closin=.
I.()I.
a{l(lI,f..i.i: Anna B. Cl.a(.k"..
of AI.t` Pal.thncl. OI.a.
Yo1.k.
Open to all.
I)el.
'I`II[:
I';I:''i(?,:l[:.I}.:, I:lI:,:.'[':I; i8{.I.poi'.t-;I.amli.,. cli:lil(;,,..:;,a([i.ot,i
TIIIIl'l'EI,lX'rII
:|X X |' _.I I,
EXIIIRTI()X
uF
-I.I//JflJ//I..I -Y JJft,/.\'7''`'. Pllila(lr.lPhia A1.t Alli:lm.c..
No`'. 4-£8.
i)I:
Portland, Ore.
PhiladelphiaJ Pa.
:3:-)(-.
The rate for Classified Aduertisinn is
lot Pe). word. Per insertion; ndnim.um
Chel.I.I.
P:I.
P(.-sylvania
BI.OaCl
A1.t.
Open to mcrmb(.1..i;.
Me(lia: S(.ulptul.a. Oil. i+.I.ltt.I.
I.ol()I..
Jm..y.
A\+.al.(I.a.
Adcb.es.it
fol. illfol.ma_
lion: The S(.(.I.(.tal..I.. Al.g.eat. a:llle1.i(.S. 1.3 W(.st
St..
ilml
Z'O7'/?7'// .,I.Y.Yf'J1/J ,I,//fJll.-Pot.Gland Muscmm of
`'/'f./,/)7'///l'I`'. :lt the. Am".i(.:m Fjnc' AI.tS Gallel.`y. _'315 We'it 57th St.. N. Y.. Jail. ,._,:3-Fab. ll.
._)7,th
.*1.
The
AI.tS.
JIIi('III~
YORIi
E. +Oth St.. Nc-\\. l'o1.k.
..tXX|`:ll, I.i.XIIIBITI()X oil
l3l"l(I
Pa.
dI.I.SS fOl. infOl.matiOn : The Al.(.hitet.tut.al 1.{.art-."e'
.I.X.a()(.IJITI(Ir
A1.t.i.
blank.` Oc.I. ..-).. fol. exhibits. ot.t. 19.
Adtb.esi
fol. infoI.matiOn: John
A.mh.-. M.veI._f!.
Set.I.r.
tal..y' The Penn.s.vlyania Sot.let.v of the Fine
All
fol.
C(mt1.al
Pala(.r.`
Fc'b.
10-19.
Opell
to
Meclia:
Al.I.ti
I)(.I.tat"ini!.
to
al.(.bite(.till.(..
hibiLi I.c.f.t.iy(.tl F¢.b.
3.
Jut..y.
A\+.al.ds.
115
!I5IIIl
F(.c.:
mf`l,itoI.ious
loit|n
Open
rill.`J
rFITit:
Advertisements
to
s(.u1])tut.c..
umlel. joint manag.(ml(tnt of The Pems.vh.ania
I.eSid(.ntS Of I"1i:ll".
for. c.al.(ls. F(.b.
17:
F`,_IIIInITI()I
Oprm
:mll
A(.atlemy of the Fine Al.ts. Not. ,.3-De(.. 8 at
Th(. Pellnsylv:lnia A(.aden.y.
Opfln to all.
}'o
fee.
A\`.aI.dS: Sot.iety's Meclal of rlonol.. the
D. a. M(¢a...thy Pl.ize of $100 foI. the. mO.<t
New York, N. Y.
;lf+l`illJ
rim-
I.:.XIIlnI'rI()i
Penns.ylvania
Mar.ch
1.
Oil
A1.tS. Bl.oatl an(I CheI.I.y Sts.I
entl.ie.i.
Feb.
.!1.
Adch.e_is
fol. infol.nation:
1Vm"I. D. Peat.. Oil.ec.tot.. JoI" Hc.I.I.on Al.I
lnstitlLte. Inclianapolis. Iud.
5()lil.
thc.
-I//.Y/-.I,/'f'/?/,,I,`'-.'3Ith
Ill.
I.JIIIIBI'l'I()+
Iu.¬titute.
ol.
=l+X(-;ll.
Se(...
Institute. Penns.vh.ani:I an(I Sixteenth Sts.I InAl.i
.3li.M..l1.(.h
M(`tlI.:1:
Closing. (Tat(.
t.ill.ds.
O(.I. 7;
fol. \`'ol.k.
A(I(ll.c..fLS fOl. infOI.matiOIl: John Antll.e\\.
Hndianapolis, End.
Hc.I.I.all
Classified
Co]oI. Club
Pl.izc,;
Dana
Vat(.I. Colol. }[t.(h1:
E}Te }Iellal: .Jo.iel)h Pennell MrmloI.ial }[Cl(lal.
(:(IT'rI.I.NP()R_.lily _.11[FIRI(:llf OI I.'H ..ut tr|c: Joitx+A
Her.I.oll AI.i Institute.. I:ln. I-:?t3.
Exhi1)il< inI.itecl
an(I s(.lectc(1.
FoI. illfOl.m:ltiOn
atltlI.eSS:
Wilbul.
D.
Peat.
Di1.(.(.tOl..
John
Hal.I,On
Al.t
tli;lnapolis. In(1.
lil)I_nix..L
_.lllT1.N'r.H'
JIXr)
W:lt(.I.
(.olol..
bla(.k
and
Th.hit(..
Pastels,
blo(.k`<.
'Jut..v.
A\`.:".(h3:
Phil:ldf'1phizl
Chicago, Ill.
A\.(...
i)IL
A(.a(lcm|y of
////}I/,/I///-\' at thr. Pc.llns.i.l\.ania A(.:I(I(`my of thtl
Fim. AI.tS. }'O\....i-De(.. 8.
Open to all.
Me(lid:
A\`.I.Il.llS.
atltlI.(.sS:
_-1XX{;..tI, IfTF;1trJITI()fill, I.I_XIIIBI.fI(If Ot ttnC.
Chi(.:lit.a
So(.i(.I.\.
of
Etrhel.s
at
Roulli(`!.
a:lllcl.ic.'s'
Chit.:lg.a.
A])I.il.
O".lt
to
mc`nlbel..+.
Me(lia:
Et(.hin`=.. tl1..\.Point. enr.I.a\.ing.. at|u..1tint.
mc`zzotint.
_\`o fees.
A\`.aI.(lS_
Addl.a.is fol.
illfoI.m:ltiOn: Bc.I.tha E. Ja(.qu(.i, Set.I.t.tat..v, 1.'310
GI.t.tm\`.OOtl
1li1|
ing (bite. Noy.
15.
A{ltll.es.ti fo1. illfOI.matiOn:
Hot.I(.nS(. lil.I.m`. Phi]a(I(.lphi" Sot.i(.t.v or lit(.hel'.i`
10 South
lt!th St.. Phil..Ill('lphia. Pa.
TIIIJ?'rY-'rIIIR")
;lX+rill. rT_J'rI.:1t
('()lf)ll
I.:I_
T3y'\nt
ol. Calil.ol.nia
at
the.
IJOS AnMat.(.h.
Opt.n
to
all.
}Ietli,.I:
CID.<illg. tlatr.. F(.b. 7.
Fol. infol.mation
Lf)lti`i(.
U])toll.
L()'<
An;=.(`lc-I
}lu*(.um.
.Jam.
:?1.
Club.
lIIr,I.Pill _.I S()(:II.`:I.I. ()F I.`,'l`(`lII.`,ll* .ut ttl(` *c:vNmall
Gallc.I..y.
Phil:ltlc.1pbia.
Dr.I..
7'-:39.
OI)en
to ,,Ill.
}I(.(li:I: I.itho=.I.:ll)h.I "ill \\.Ot.k* in met..ll
Ill..lt(..
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I.(-lc.s Must.llm.
IX
the. P(.mls.ylyani..I
Phil:1llr.]J)hi'l.
+Ir'l`lI
Cab
PItIX'r
Al.ts.
Ft'b.
PI.int
P:I.
I.;XIIIIuTI()X
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Al.:l{lenl}.
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Clo.<im=.
clatc'
fol.
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Tan_
.'!:
fol.
t`x.hibits.
.Jail.
1.
Atl(ll.ess
fol.
infol.m'.ltlo": .Iohll Amll.c.w M.\.c.I..i. S(.c... Pc.nhs.i.l\-anin
1,IIO'rO-
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Los Angeles} Cat.
1(.:llI
t\`.O
fOI.
L:ltil"-I.
imliuitlllllI.s
""lI:ing
foI.
AtltlI.t.sS
Phila.Jm..v.
The catalogue lists fine En-
Brussels I:lpestries anal
Fc.(.:
sciences. an lronorary fe11o1+..I Of the Fogs A1.I
|Iusel"n. alrd I-lorary i,ice-p1.eSi(lellt Of the
lmlia Society in Lonclon.
Oriental I.ug`<.
z?ayczJ, G#,.dr¬ zo THE ART DIGEST,S J4c7¢cr,z.JerJ
Addres8e8 Will Be Found in Advertlsements. Firms listed here Will be glad to send announcements Or Cata.rogues tO raader8 On rOqueBt.
JIIiT
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ETC.
- Foultded 185!I -
FEZANDIE
8
205 Fulton Street
SpERRLE,
INC.
New York City
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PLASTER CAST
STUDIES
Send for illustrated catalogue
144 pages, $1.00
(.I).(.lLmf.
FLORENTINE ART PLASTER CO.
J. C. Sloan =P|inceton Staff
(,(7t.I.C-1(.I
.*tel)
GE\'tiINE
tJi.sI)a.+itiOn
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t...lt.h
YEI,LOWS
REDS
b'I.TItAMARINES
VERMILIONS
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Summ.."..I.
CADMIUM
CAD}IIUM
COBALT BLUES
COBAI,I GREENS
COBAI,I VIOLETS
CERtj'I,BAN
BI,UES
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GENUINE DRY FIGMENTS FOR
ARTISTS CoLORS
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(:. ,|loan has hc.c.n appoints(I ins[I.uCtOr
the ll(.pal.tment "I aI.I a"1 al.c.haeolot2rry at
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Unit.el.sit\..
Last year he was on
ll".a staff of c")pe.r' uni"I Museum.
2217 Chestnut Street, PhI.Iadelphia' Pa.
I"a finIT D±c.I:-SIT Offal.i a Vast enarket for
dealers and. ma,mlfactul.crs of artists' materials.
1.`or rates, cid(Il.cs;.. 116 East 59th St., N. Y. a.
30
The Art Di.gest, lst Octoberg l935
THE AMERICAN
PROFESSIONAL
iFrOMEN'S
ARTISTS
LEAGUE
ACTIVITIES
NatioIlal Director: Florence Topping Grecll9
remains
|04 Franklin Avenue3 Irons Branch, N. J.
AMERICAN ART AND THE V\rOMEN
REHEQUALLED
in ethically restricting
ALL MATERIALS
to conscientiously
fit its name
NATIONAL ART \VEEK
l`ht.
s"i
niLli"llal
}Ia1.+h.
I()
lbt.re
OFFERIn'G
zlnd
scieIILi'flt.ally. p".an pcrmimem.i. =1mtl
reliabilit`..
®
C{mlPICte Guarantee{l St±|temcIlt Of
jn
(ll".in#.|
1L
no
I".
OI.i-..
aI.I
pln".(I
sh"p
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col".leo"sly ofrcTe(1 their rim..l\.t+ Gall".it..i
wllc.I.c tht.'main :lt.I a,\hihjti"1
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fully
i.()nL1.iI)lltiHn
lil.1c.
I"lblislF`.d
Wilfol.tl
JL.".as
in
AMERICA
-I(.(.(.i".cl
`St.c.lion
il:uqll.ut.lion
()I Pail"ingS a"l
OF
the
the
(:um."w.`
aml
Tlle
C"lg.I.t._`S
I)i-
I"
1\.a.i
pllP".
al.-
\\TiltUl
1\.ill
I"
I.t1"ll.I.
At the CmlL|.ass P|.of. I.eon \I"lit".I spoke
Composition on ever+. ite- sold-com-
sc.ulptll1.i. Will lJt` hC.I(I.
plete an{l =1CCur=tte i;1fOrmatiOn On nll
mz|Lerials*
m¬.I.ce, E(Iwa1.t1 -T\. Wt.inhallm. a.hairman Of tlle
to lhe quesli"1..llllal al.tl tl".
li"1.a "f I)1.r)fas.¬i"1al tl.ai"i"g
retail -.rc.Jlanl.i: COmmittee` Ilas seoul.ed \\.in_
o[
cl(m spat"- in tlle (lorn_town slot.eS for. Paint-
lie
ing aml.`(."1ptuI.a.
1\-hiCh thC- art I(=achel. (loos nr)I C-tlj"). the Same
®
Careful followillg Of all specifications and requests of the National
Committee on Technic of the Ameri_
can Artists Professional League.
®
Reasonable pI.ices Offering maXi_
mum +..alue to the Artist anal Student.
a
The "Scientific Record", a means of
knowing in the future the materials
and technic usecl in Sac.h paim[ing.
®
TechI|iCal Informatiom im the free
booklets obtainable from our dealers
or from us:
"Enduring Colors for the Artist"
"WJater Colors"
"Dr1- Colors and their uses in Tem_
perae Fresco? Oil"
a
Application of these primciples of
stri{.I permanency.? reliability? scienti_
The (Jli"nl)er of C"n-
Go\trnor -\Ial.tin of Ore-
gon. will send notices to the pl.ess about
oat. 20. askint`o. for obsel.yance of the week.
The usual amlual Nalinnal Al.I Week banquet
will be be]cl the e\.ening (Jf N",.. 1. as a brilliant e\.ent lo open tlle wl-c.k.
Sponsorint,tr the
event are Mrs. William Shel-man Nicholson.
p1.eSi(lent
Of
the
Oregon
Fede1.atiOn
Of Wo:
men,s Clubs, ancl J\Irs. Olin J. IIosfol.d. preside.nt of the Portla"l City Fedel.ation.
.I.
®|I
®.t
+t|
®|+
tllc:
a|.I
sai(I:
tea(.I":I.§
,The?I.e
in
a(.I"al onmli:-I thl. status
differ.Llll
al.e
still
COuntl.ieS?.?
mam
nations in
cmlSi(let.atiOn m1. the Same StalllS aS his Cl.Jl]ea!=crues in
ge]1eral
a(lllC.alien.
the
I.eason
as-
signs(I being that so high a ``tamlard of gen.
eI.al
Cuhllre
jS
m)I
(lemanCled
f1.Om
an
a|.i
teachel.. not. a a.CluI.Se Of Sever.al 1.a-arS in uni-
t.el-sit),- stu(Iy.
that
a
Ilowe\.er. one has- to consicler
keeI'l
\isual
Perception
iS
requil.eel:
sLlbL]e senSiti\.l-ness; prompt juclgment; a col.-
lain
(lexteritv
c)I
hand;
mol.Cover,
the
al.I
teacher must pusse§s considel.able knowleclge
|||
Mrs. J. Bertram I-Ieryey? chairman of thcdivision of art, Pennsylvania
Slate Federatirm.
|
has sent out fol(let-a giv.ing complete clirections
for the celebration (/I National A1.I WFeek.
The list of hono1.ary Chail.men include about
tllirty Prominent men anCI Th"nen, Who hat.Cbeen k]'ml enough to (a-operate for. the succ.ess
ol
geometry
and
its
(lepen(lent
t3rrl.aPhiC
SC.f-
ences.
Flo must giye pl.oof of a twofold aptitu(le-al.tistic ancl sc.ientific
(rat.elf to
be
form(I)-an(I be C("nPetent in his teaching tO
make equal use c)I the na[tll.al mo(le of e-i_
pl.ession
(al.tistic. (lra\+.ing)
ti(lnal motle of expressi(m
As
tlle
orl1}.
wa),
lo
an(I the
(tecllnical
rc.mecly
con`.entlesignl.
this
unjust
fie honeslyS anal full imformation to
tlf the Project. inCIu(ling Got.ernol. Hal.Ie, D]..
paint materials for all the Fine Arts
Lester K.
A(lc. supe1.intenClent Of Public
in-
situation. Prof. -\lontfort sdi(I a general cer-
Brl|sh Te{.hnics.
sLnlctI'On,
anCI
al.I
tificate
llllllllIIulHmllllllllllllmllluI
llllllllllHllllllmllHIIlllllHmlI
Col,ORS I+I
PI|tI.: IJl\'|<El.:D
STUDI()
T\`.ellt}--I.'i\.a
lyot.}.
Cents
Tut.-
Yellow.q.
Cadmium
Ol.anit.(.
tl l10i*C;
Ult.I.:lmilI.itlC.
]3
I
u f.
Caclmium
De(,p
Chl.ome
O_tidr_.
Vet.clc.
IJig.ht Tc.Ilo\`.. Yc.llo\\
Ram:m.
all(I
Goltlr.ll
Ati7,,.ll.iIIe
I
0(?hI.es
&
Bul.Ill
Sic.ml+
&
Ol.:ulg.(..
Rr.t1
Tiolf,i
S(.:H.I(,i
Ill.1.am:1l.ill(. R(.t1
I 1 I I. :I maI.illC
Rc,cl
Sr.:tl.1et
Ra``. & BuI.nt Tmb(-I._`
V¬mr.ti:m Reel
lil:lI..i
Yf.llc".,
I,irht
Ol...lllgC..
R a (1 s -
I,ight'
JIIc.cl i um
IJii.ht. }k?djum, Dc.(.p
ct. Violet
GI.eC.II
Dull
TeI.1.:1
R:t\\.
fil'/,I.:
I1'ift}. C|ents
Cadmitml
Pl.iml.ose'
Golden,
aml
Deep
Bl..I(.k
I 1 i I. :1 m(ll.il)a
OIIJ
VIE.itli;ln
G I. (. a n
IJ]'g.ht
B:I).ium
ll,t. m () rl\
i.f.llow
Thirt.\--ri`.I.
{`¬.nts
Zim. Chl.omat(. Yc.llo\\'
Zim.. T\'hit(--I/-, ]b.
()Ilo
Gc.lluilH.
I}ollz|r
Cob'.lit
StI.Ontium
I3lu(.`
of
cities.
Yello\`.
The
cxc.(.uliv.e
(len|amlecl
our.
a
from
periocl
the
art
equal
to
tliat of a unit.el..sI|\. C.OurSC..
TF.e art teacher
shuulcl
tlt.sc.ripLive
stu(ly.
at
a' I"lit.el..SiLy,
and
gl.aphic 1+.Ol.k. a1.C.haeOIOgy anCl the history Of
art, an¢l L1.ainint3Cr jn teat:I"'ng.? an(I at an al.I
acaclc.1aI.I
he
Shnlll(I
hat.a
a
I)(.rJ'"I
"i
rga]
StuCly.
Jolm C:harle.a hunk. lil..a. Alston B. Moulton.
Ml.a. lieI.Yey ul.gas the Oblainintq Of Public.itv.
In her ]eafle[ she says: "The Amel._
ican' Artists Pl.ore.ssional IJC-ag"a -.anS "I
I)()lli|t.
]aLion
:1
Col):LIE
IInlf
Cc.I.u-
1r.I.Ill
a1.t]'St
in
Amerjc,a
what
Lhc.
mADE
MARK-REG.
U.
S.
PAT.
OFF.
GGThe99 Artists9 B-sh Supreme
aLIL()mubile
is
lit-a.r)I.("lsly
I-c-sc.nte(I
tht.
In
"ill
a).li`iiL
amI
N".onlbo.,
t]1e
bc.
]a\.man
al.a
Leag-rru(-.
I"(tkl--(I
lhc- -Iso(.ln.omali(.
Gil.a"]ale(I
L'n1.()ui:h
|It
||I
®t|
|®|
FRESCO
by
paints al.e examillerl I" (l¢.Lcrmjn(. l\.hf'lhet. tit(-y
1\,ill SLancl the tf.st (lf tit",. a"l the iTll«|.S't
of
WATER COLORS
AND TESTED
DRY COLORS
consislS
I)(.
c.xtemling
a.]ub is to the clrivtT-PrOtCC.lion. tTnjusl legis-
Standard size tubes at twenty-five
and fifty cents.
TEMPERA
committee
.shoul(I
t¬.ac.her.
E(lwa1.d Lrldhol7., -i,Il..a. John Br".owskiS Ml.s.
i\_f' N. Com.a(I. Mrs. Thomas F. Millet.. 1/Il.a.
the
:ul(I
of
of clubwomen. al.lists aml ]a\m|en fl.om the
fat. col.net.$ Of Pen"l\ania, '6:the Craclle of
American Art."
Tllose heatlint:tr the i.arious gl.Cups al.e ill.s.
rlt"ma1.ine Gl.eon
Zinc lVhite-1 1b.
(i('mli".
c.hief
ens, -i/Il.a. Rnl)erL- a..i)all.iSh.
D(.(.I)
P(.I.m:LIL(?nt
Kill)yt
_\1rs. E. CIinton Rh(;a(Is. _\[l..i Ti. Chilcls I-Iodg_
}If.(1ilu11
Vil.i(li'ln
Valentine
of the schools of the slate, MI.S. .John M.
Pllilips. presiclent of the State FecleI.atiOn Of
Wonlen2s Clubs. aml the mayor.a ancl burgesses
after.
I-:x]lilH.tiOl
P"1n`\.l\-a"liiL
I|t
||t
ill-a...i. I. \Iaul.el.. Kanca.+ (:ihf. 1tlilt.i lhal
lbr..<t."lpull..
as well as
-\lrS.
Tit.allace
Ro,i:.nhautl-.
ll(.lp 1\.ilh -T\Tati"1al Art Tl'ec.k.
1\ill
Tlle Cc".(1l.nor
Pure Whole Egg-Linseel Oil Tem-
Fla.s ht|m a.eked for. Ills |roo(I
offiL.eS aml a ra(liO
\
pera Emusion.
I"."a(I(.asL
A
Gesso Ground Material.
_*pjll¬r.
HIHllllfllllMlllHILmlHIHlllllllI
i.¬
]c.llfl.
0.
c.xpec.tell.
wa`<
B.
E..
n.cei\.a(I
fl.I)m
llrmol.al.v
lTiss
E.
|T.
sect.elal.i.
of
lh(.
lullllllllllllllulllulHIlllullllul
BI.ill.+ll Cl"nmi"ee tlml (lc.legate I() till. Inm._
PERMANENT PIGMENTS
ll.2?
\l-.
I+I_\'I`II
ST.I
(`I-\CI+'`-,`TI.
a.
naljonal
Saicl
Co1|gl.eSS
for.
the artic'le, cThe
Al.I
Etluc.ati(m.
Pc`ntagrJn
`iht`
Po.¢L---i+`em_
UNITED
BRUSH
MANUFACTORIES
116 a 1|8 TrOOSTER STREET' nTETV YORK
/.
I
The Art Digest, lst October, 19:3,5
THE AMERICAN ARTISTS
PROFESSIONAL
LEAGUE
hyntio"ll {'hairl"ln : F. B:Ill:1rd \Yi]li:llt|S
15'3 West 51,th Stl.eec. New YoI.k City
+i-:LtiOnal Vice-Chairman : All)crt 'J'. Reid
log Park A\-cmue. h_ew Yol.k City
_\':ltiontlI Set.rotary : |t,ilfoI.ll S. CollI.OW
154 West 57th Slreet' _T\T(,.w YoI.k Cit}.
rlT:ttional Treasurer : Gordon H. Grant
-\'aLtiOmal
ltegional
CllilPterS
\-:1tiOnal Committee on Tc¢nnic :tnd FJduCatiOn
CllnirmaLn : \\'!I]ter Beck
"Innisfl.eel" .lIllbrOOk' N. Y.
SyllUneirY
nr
rlf
D1..
="lilt,(lliI`C,.
I)()
(:Ill(I(:hilh
Sc¥c.I:
1rhfllSne..er
-.'.... ,,\ri....,ire-,+
-,+-
GRUM BACH ER`^f\TrsTS'.+tA|'t=.n.lil
the
m{ly
(:oil.(lbI-[tiun
be
nj
pe`SSil)Ie
OIllel.`s.
ilt`]"lr
giu".
tor `som,ai,atilm.a_
oj lilt ;l'"1eri""I.;lrliSl.S
j[lr gr(:(llC.I. im'l-ta."ce
ll;.a bec'(lu.se
work a.i.Ike
-;Ill?eri""b
()i flmrif.(I.
(".i.S
more.
(m:I.
juI[).
a;-".il.salulrc.a.sl)I,;.i"Ill
oj l]Ie Worth
n! tCOrl;S
Oj
Prnfcs`sio"ll
I".od"cad. ilk rout I"lrt. Of l]li i-a";Ir!..
(:elibr(ltiins
of
NT(llii1.at
I lF#
re-
}I"thcmr;tic.(Ii !tmllT:ieS "I"I `S""-"rif..s oi fllr.
{:a"rolv?s fimding.i laili. "PPC,i". On. ihi.i 1}age
Io.s[(lee
"S-:?.,I
r
I..
..:`,±';.:iT+. _
!1mcrican art a.nd artists.
Trl more rcgrlrdiJlg I,Ir. (:(""."":'s n.x(,"i(.ll
Bod.ily
;-.,:
rlmCriCa,1L flr[iStS and, art lOrUerS, Working POSitively and, impersonally
tor contt"lporary
nn
THE
OuTSTANDING
|37 East 66th St.rc.et' hTew Yol,k City
¬IW"1tittee
Ch:tirman: George Hearse Enltis
681 5th Avenue' New Yol.k Cits.
rl natio,"nl oI.gani=atiOn Of
FF]OM
EVEFiYWHERE
Art
:I.-.I.,
i,_:
ff=cek
with
lhe
ol)jC(.I
nj
I"{lI..iI..g
th(,,
lleO1)le
:-..£`
I,r(I.g".a
oj
lI".
a(lil(""I.ill(.
relcs-
I.I
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il1.fltiOn
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r+<
Tva gil.f beb- a.eccl-I ins[allmrmt nf the
NATIONAL ART WEEK
November 2nd to llth, 1935
tligest- of the material
pl.esentecL at
_t"-'es
~`.,.--
;:;-i.fi.I
-`;`.
I,
=t.
_
`
Bl.ussels
i-:,-
i
i, " -.-': :::,:';-.:-:::';::,.=:.:
b\,. Mrs. lied(lbu1.Ql. aS tlle fit..I I)I.OnnunCt=ment
(Please note {lefiniti\.a flats)
ni the fimlings ofL resraI.Ch lb:1t hall OCCuPied
Ml.._ C(1m.f)W for. mr)I.a tllall lWenh- Veal.§.
-1ll IJe(lg"a meml)er.S (m. llrge{I to "se lhc.il.
3t
*
An Encyclopedia
3E
ADDITIONAL NOTES ON BODILY SYMMETRY
ALL ORIGINAL MEASUREMENTS, DIAGRAMS AND ILLUSTRATIONS
By Wilford S. Conrow
__ __
__
_
of ,AJftiSLs' Material
_=
MATHEMATICAL ANALYSIS AND SUMMARY
By William Churchill, Ph.D.
All
I.i'L:.ht._
nf
I.elll.Olhl{.tiOll
I.C`iC-I.\.C"I.
metI.`\.
THE BIOMETRIC PATTERN
s.TmmetI..V implies 1.elati`it}..
It is a 1.er)etitiOn
an iclentic;.al I.ntio in suCet`.fiSiVe multiPli{:atiOn
()i that FqtlO by a faCtOl.-gut?h aS 1.(3|80,'34 or
().61gO34; :'. ol. #j; .,3 ol. 1..;-for.ming. a
|`r- :l`(.f`nding ol. tic.st:emling. numel.i(:al tc.I.ms.
193.-)
Wilrol.(I
im.lutleS
an
S.
THEof Grumbacher
catalog
Brushes, Colors,
and
Conl.ow.
iClerltit.V
Of
me:lSul`ement
Ol.
1`:ltiO.
DEF.IS|TIO}' OF SY_`n[ETRY.
ot
®
set.ieS
gym-
pHNTAGO>'AT.
SYM}IETRT
AStI)
THE
"GOIJDEN }IEAN."
Thf` "Golclen Me,1n" O|. "Gold(" Cut" ratio
I.1'.r;..i/u*t is the basis of the /,t"/¢r/a,",/ .q?/"I-
tContiJmeCl b(ICE On Page '9-9l
Artists' Material is frequently referred to as an encyclopedia of artists. material because it so completely illus-
trates and describes all of the
supplies especially created and
manufactured for artists' use
in Easel and Mural Painting.
lNVALuABLE
TO
INSTRUCTORS
AND
ART
ON
MURAL PROJECTS.
If
your
favorite
source of
supply cannot provide you
with a copy of this 300-page
Spiral-bound
book,
pleasL,
write for it direct, mention-
ing THE ART DIGEST and
the
name
of
your
nearest
dealer.
®
Address Dept. OD
M.
GRuMBACHER
Brushes,
Colors, Artists'
Material
iE
468 WEST 34th STREET
NEW YORK' N. Y.
3L
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+
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ORIGINAL
LITHOGRAPHS
/?!/
¬TTITJT)E
TTASSAM
From $15 UD.
Write for Folder
Sole Publishers
KLEEMANN GALLERIES
38 EAST 57TH STREET, NEW YORK
..TIIE BR()..,\D ClltT-\l\". [15" _i llJ/j" IIilt,h] S-?+.
.`SP_\R SIIOP. GI,Ol.CIiSTl.`Jt..
[1.3"
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