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FASHION,
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TRENDS
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I
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TEX T: ADA
brok en ribs
man batt les
Nata lie Port diva s in the
and due lling er Blac k Swa n.
tend
Osc ar con
C
M
Y
NOT
YOU THIS: IT’S
“I CAN TELL
-OLD
AX A 28-YEAR
EASY TO CO
THAT STUFF.”
BODY TO DO
CM
MY
CY
CMY
K
throes of a
a woman in the
look
lty of playing
that Portman
Besides the difficu
Swan demanded
d
breakdown, Black
Aronofsky insiste
psychological
ter’s dance steps.
than
ing her charac
ex takes rather
credible execut
ed in long, compl
or 13,
scenes be captur
until I was 12
danced
“I
that the ballet
room.
an.
er in the editing
28,” says Portm
cobbled togeth
g over again at
trainin
g
body to
ly startin
a 28-year-old
but I was basical
not easy to coax
It’s
this:
you
“An I can tell
na,” says
began more
le pas se deux
of being a balleri
do that stuff.”
has fantasies
y toward a plausib
the
very little girl
. “At first, I was
unlikely that
Portman’s journe
rolling
highly
it’s
started
a
But
an.
ng like
the camer
Natalie Portm
six months before
ing look anythi
than a year before
she recalls. “Then
s she’s describ
a
Swan, which
hours a day,”
was eight hours
childhood reverie
thriller, Black
practising two
By the end, it
the
fsky’s juicy new
d it up to five.
began,
Darren Arono
dancer who wins
When filming
we started, I bumpe
d but insecure
dancer’s life.”
d by
as Nina, a talente
really living a
r Benjamin
Overwhelme
casts Portman
day and I was
of Swan Lake.
with choreographe
ny’s performance
(Mila
working closely
Ballet who
ambitious rival
lead in her compa
Portman started
New York City
the
at
ey),
at work by an
are
dancer
both
al
r (Barbara Hersh
film. The pair
the role and hassled
Millepied, a princip
partner in the
overbearing mothe
as Nina’s dance
home by her
even demonic
uninterested in
Kunis) and at
makes a cameo
paranoia and
Portman seems
and tragic
experience severe
–a topic that
film in which
is made vivid
Nina begins to
now a couple
at a scene in the
t into madness
says,
gh she smiles
s. Her descen
drops me,” she
hallucination
discussing, althou
a routine. “He
performance.
Portman
ter screws up
supple and brave
rewarding,” says
by Portman’s
Millepied’s charac
it was also very
in real life.”
do
but
r-old
hard,
never
29-yea
the
“It was very
“which he would
ating may earn
some are specul
which
role,
s.
of the
Best Actres
Oscar nod for
actress her first
queen –
an as the swan
Natalie Portm woman in bird form.
an enchanted
E
48 ELLE CANA
DA
comes alive
black twin
ce.
The villainousPortman’s performan
in Natalie
Portman,
quite tender with
“I
ied had to be
a broken rib.
Actually, Millep
dancing–with
change
weeks acting–and
“so we had to
as she spent three
,” she recalls,
arm, not
take a deep breath
me under my
couldn’t even
an
closely, he’s raising
look
you
If
stabbed.” Portm
all the lifts.
I was getting
it didn’t feel like
the impressive
inform
my side, so that
have helped
of a
the pain may
the main part
now admits that
“Discipline is
ed
performance.
u become obsess
anguish of her
is a big one too–yo
logy, but pain
headspace.”
dancer’s psycho
me get into that
ly
so I think it helped
seem to be a unique
with your body–
ate
headspace would
for being articul
Portman’s own
known
is
grad
The Harvard
ed during her
uncluttered place.
viciously skewer
-an image she
in 2006. As such,
and self-possessed
ay Night Live
turn on Saturd
t losing sight
faux-gangsta-rap
passionately withou
job is to try
discuss her craft
she is able to
the artifice. “My
nt to unravelling
always
of the irony inhere
says. “Actors are
she
life,”
ted
ody else’s
much more interes
to imagine someb
lives, but I’m
own
their
know what
day is going. I
being asked about
about how their
people
other
me.”
in asking
exciting to
and it’s not that
my day is like
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