ghana workshop 2012 - Design Network Africa
Transcription
ghana workshop 2012 - Design Network Africa
GHANA WORKSHOP 2012 DEAR DNA FAMILY We at the Danish Center for Culture and Development, CKU (former DCCD) are very excited to finally start up the second phase of Design Network Africa with you at this first workshop in Ghana. Unfortunately the process had been delayed due to new programme procedures in Danida, however, now we go for full speed. It is our hope that we will be able to really prove the way forward and create good business out of good design, work in a professional network where we are all eager to make a change which matters, and where we together can create new and exciting ways for both inspiration and business. We are very happy that Source with Trevyn McGowan as our anchor, her team behind her and our facilitators and media experts continue their marvelous work with us. Thank you so much all of you for joining the Network – together we can make a difference. Looking so forward to meeting with you again for the workshop in Ghana. Best wishes Vibeke Munk Petersen Head of Culture and Development Programmes Danish Center for Culture and Development. DESIGN NETWORK AFRICA DESIGN NETWORK AFRICA IS A DYNAMIC PROGRAMME INITIATED BY CKU, FUNDED BY THE DANIDA AND COORDINATED BY SOURCE. THE SECOND PHASE OF THE PROJECT LINKS SIXTEEN HIGHLY RESPECTED DESIGNERS FROM TEN COUNTRIES FROM EAST, WEST AND SOUTHERN AFRICA WHO HAVE BEEN SELECTED FOR THEIR DIVERSE VOICES, SOPHISTICATED AND ORIGINAL PRODUCT AND UNIQUE GLOBAL IDENTITIES. After a pilot phase last year with 28 design companies, we have focused down to a core group of talents who we believe represent the vibrancy and distinctive voice of the new African identity. The eighteen month programme has been created to bring global retail and media attention to the participating companies, improve business strategy, infrastructure and logistics, review brand identity and expand current product ranges. We want to encourage collaboration and mentorship between the designers, utilizing one anothers manufacturing processes and materials, resulting in a range of new products and a true interchange of aesthetics and narratives. This is not a standard one size fits all programme–rather directed at identifying the specific areas of need for each company - it is an immediate and business orientated initiative to reposition the design companies in particular, and ‘African Design’ ‘in conjunction, in the global arena. SPEAKERS AND FACILITATORS Catherine O’Clery Colleen Pendleton Creative director and award-winning journalist, Cathy is a regular contributor to many international magazines and newspapers. She started her journalism career as Features Editor on World of Interiors becoming a leading authority on the fabric industry. After moving to South Africa she became prominent in the media as editor of Elle Decoration and then Associate Editor of House & Leisure and House & Garden. Her styling and writing has been syndicated in books and journals across the globe. Colleen Pendleton is an innovative professional with 25 years experience in strategic business planning, sales, marketing and vendor development. With an extensive background in the global home furnishings marketplace, she has worked with a variety of artisan enterprises and international buyers in targeted export linkages and she has successfully managed all aspects of wholesale and retail business development and management. Specific areas of Colleen’s expertise include: Cathy has also worked on product development with several leading South African stores and has designed fabric and soft furnishing ranges for St Leger & Viney and Bead. She has curated design exhibitions like The South Africa House and has created many award-winning stands at Rooms on View and Decorex in South Africa and London. Market development, Artisan Enterprise Development, Enterprise capacity analysis, Market launch planning, Social impact assessment, Production sourcing, Sustainable practices planning, Export and Tradeshow management. [email protected] [email protected] Elaine Belezza JAC DE VILLIERS Elaine Bellezza is a seasoned professional with over 20 years experience in artisanal sector development mainly in but not limited to West Africa. She is committed to developing entrepreneurship and supporting the vision, capacity and vitality of entrepreneurs. Her experience includes founding and running the largest artisanal gallery in Mali as well as numerous artisanal consulting assignments around the world. She currently is the artisanal sector lead for the USAID West Africa Trade Hub. Trained in film-making at the London College of Printing, Jac De Villiers opened his photographic studio in Cape Town in the mid 1970s. Specializing in portrait photography, he photographed a diverse range of subjects from Ian Botham, Jane Campion, Paulo Coehlo and FW De Klerk to Gary Kasparov, Phillipe Stark and Richard Rogers for the exhibition “Hands That Shape Humanity”. [email protected] or EMMANUEL ODONKOR [email protected] www.watradehub.com and www.africa-now.org “Portraiture is a complex affair where the photographer shares a very intimate but brief relationship with someone who is, more often than not, a total stranger. When I prepare, I have a rough mental image of the result and I try to create a narrative around my subject. Although the staging can be controlled, the liaison is sometimes unpredictable, often collaborative, always challenging. The challenge to tell a story.” Jac’s work has been published in Condé Nast Traveler, Cosmopolitan, Elle Deco, Food & Wine, Harpers & Queen, House and Garden, House & Leisure, Leadership, National Geographic Traveller, Travel & Leisure and Visi. [email protected] www.jacdevilliers.com MICHAEL COHEN REBECCA HOYES Michael Cohen is a management consultant specializing in sustainable business development. The British designer Rebecca Hoyes has worked with leading European design companies and is currently working with Habitat UK, developing textile and product ranges which bring contemporary design to the British high street. Her work shows a fascination with both traditional and contemporary production processes and explores the crossover between craft and digital manufacturing. Through his experience with global corporations, grassroots businesses and development agencies, he has designed a progressive approach that integrates the discipline of successful international companies with an understanding of the practical challenges faced by growing, small scale enterprises. Michael’s practice features market analysis, strategic planning, commercial capability development, operating process design, marketing and trade facilitation. Michael was born in Buffalo, New York. He was graduated from Brown University with a BA History, magna cum laude. He is based in Cape Town, South Africa and speaks English, Spanish and French. [email protected] In 2011 a project funded by the British Council looking at cultural heritage enabled her to collaborate with silk weavers and hand embroiderers to explore traditional craft techniques and resulted in the creation of distinctive product fusing traditional skills with a contemporary design aesthetic. A working practice that involves exploration of a technique or process combined with an innovative approach to design ensures that her designs are both directional and commercial. Rebecca combines her time as a designer at Habitat with lecturing at the leading design school Central Saint Martins College of Art, London . [email protected] www.habitat.co.uk STEPHEN BURKS TERRY BEHAN Stephen Burks is one of the most recognized American industrial designers of his generation. He and his New York studio, Readymade Projects, have been responsible for creative direction and industrial design on projects ranging from retail interiors and events to packaging, consumer products, lighting, furniture and home accessories. Terry Behan is the CEO of VWV’s EMEA division. He hails from Dublin, Ireland and has lived and worked in England, Greece, Germany and South Africa. He is regularly called upon as a spokesperson for the marketing industry and is highly regarded and acknowledged as an expert on the subject of branding. Behan is a former advisory board member of the World Brand Congress, a board member of the Southern Guild Design Foundation of SA, and a member of the Aspen Global Leadership Network. Readymade Projects have developed innovative concepts for renowned international brands, including Cappellini, Vitra, Missoni, Herman Millar, B&B Italia, Audi, Estee Lauder, Ligne Roset and Swarovski, continuing commitment to sustainable design in the developing world through collaborations with Aid To Artisans, The Clinton Global Initiative and The Nature Conservancy, as well as his ongoing Man Made project. Stephen has served on the trend board of the Cologne Furniture Fair, is a recipient of the Illinois Institute of Technology’s Professional Achievement Award, the A&W, Architektur & Wohnen Audi Mentor Prize and the Target Fellowship United States Artist Grant. [email protected] www.readymadeprojects.com He has worked extensively with many of the world’s bestloved brands and his passions lies with architecting brand experience solutions for clients globally. [email protected] Trevyn and Julian McGowan DNA is coordinated by Source, the primary developers and exporters of Southern African Design to the global marketplace. Since founding the company 10 years ago, husband-and-wife team Trevyn and Julian McGowan have been contracted to supply Southern African design product to many of the major retailers around the world, including the Conran shops, Anthropologie, West Elm, ABC Carpet and Home, Bergdorf Goodman, Li Edelkoort, Jamie Oliver, Selfridges, Liberty and many others. In 2008, they founded Southern Guild, the foremost collectable design gallery in South Africa, showcasing one-of-a kind design pieces locally and internationally at exhibitions including Design Miami, Design Days Dubai and the London Design Festival. They also established the Southern Guild Design Foundation, a non profit organization aimed at bringing powerful change to the local design industry. [email protected] [email protected] www.source-sa.com www.southernguild.co.za MEMBER PROFILES Adele Dejak Adèle Dejak’s line of inventive women’s fashion accessories has its roots in the heart of Kenya, where she creates her unique contemporary ranges of ostrich egg and West African bead sandals, earrings, bracelets, Congolese kuba fabric and leather handbags, and more. Ultra contemporary, yet rooted in African tradition, her jewellery is intended to make a statement. Born in Kanu and brought up in Cambridge, Dejak graduated in Typographic Design from the London College of Printing and worked as Art Director of the bestselling Italian Pop Magazine before launching her label in Nairobi. [email protected] / www.adeledejak.com Nulangee Design A veritable explosion of newness, Babacar M’Bodj Niang’s designs are as abundant as they are spectacularly multiform – from tables with fragile bowed legs that look like a giraffe taking its first steps, to moulded and plaited leather chairs with a pagan West African sensuality. The adventure of Nulangee Design began about a dozen years ago when Niang began working with wood and improbable shapes, combining it with various materials – either recuperated or natural (wood, leather, horn, fish skin) – to create objects charged with identity. Today Nulangee’s contemporary furniture and fashion accessories are distributed throughout the world for the pleasure of fans and collectors. [email protected] / www.lixow.com/babacar_mbodj_niang Le Ndomo Boubacar Doumbia’s Le Ndomo textile workshop specialises in natural fabric staining and dyeing techniques, drawing on traditional Ndomo work habits of a shared collective as well as individual responsibility – but with a modern twist. Doumbia has overhauled the traditional model of youth apprenticeship in Mali by placing young people in a central, entrepreneurial role from the outset. Rather than simply training students in various methods of textile production, such as bogolon (traditional mud cloth), he teaches them professional and life skills, encouraging his apprentices to become self-sufficient, independent, creative, and innovative. His model is highly sought after within villages around his native Segou region and is expanding to other organisations, both within and outside the artisanal field. [email protected] / www.ndomo.net Diallo DESIGN ‘I don’t have an interest in design if it is only to remake that which already exists,’ declares Cheick Diallo, whose impeccably finished furniture and objects are designed to interrupt rote perception with their mix of ancient wisdom and modern sensuality. A wizardly creative risktaker, trainer and manager, Diallo trained as an architect and designer in Paris, before establishing his studio in the suburban hills above his birthplace, Bamako. There, a team of artisans works in semiorganised chaos to manufacture ecstatically chic domestic objects from salvaged materials (bottle tops and computer batteries to old tyres) riffing on notions of luxury. Diallo participated in the seminal exhibition, Africa Remix, in London, Paris, Düsseldorf, Tokyo and Joburg. He has exhibited at the Milan Furniture Fair and at at Design Biennales around the world. [email protected] / www.diallo-design.com dokter and misses Husband and wife team, Adriaan Hugo and Katy Taplin make up South African furniture and fashion duo Dokter and Misses, which operates out of Joburg producing a selection of furniture, lighting and innovative interior objects. Inspired by the idiosyncracies of their surroundings, their modernist furniture pieces with angular lines have a boldly upbeat energy that makes them immediately desirable and very, very cool. They opened their first outlet at 44 Stanley Avenue in 2007 and, have now expanded to three outlets including CO-OP, a space in Braamfontein in conjunction with Whatiftheworld Gallery, and a shop in Cape Town with fashion designer David West. In a very short time, Dokter and Misses have grown to be considered leading players in the South African design industry. [email protected] / www.dokterandmisses.com Gone Rural An accredited World Fair Trade Organisation, Gone Rural fully embraces the new spirit of social and environmental awareness along with the creative spirit of about 750 rural Swazi women to create of its covetable décor products. Inspired by the vision of designer Philippa Thorne, indigenous grass has been transformed into a globally sought after range of products. Innovative and soulful, Gone Rural’s exquisite range of homemade woven accessories is in constant development as innovative designs and techniques are introduced to keep things fresh and dynamic. [email protected] / www.goneruralswazi.com Hamed DESIGN INTERNATIONAL ‘I’m always working to bring out a design that reflects the realities of Africa,’ says painter and furniture designer Hamed Outtara of his wildly original mixed media furniture pieces. ‘My goal is to provide a key point in a continent which suffers from imports and all kinds of imitation furniture, especially of poor quality and which does not reflect our culture. As inspiration from traditional furniture carved by our artisans is disappearing, my work makes a difference and is a modern African design luxury.’ Having trained in accountancy, Outtara’s switch to being an artist and designer proved to be a sound decision; he has exhibited widely – from Bilbao, Spain to Miami, USA – and supplies his products to France, Spain, Switzerland, Burkina Faso and Ghana. [email protected] / www.coroflot.com/hamedouattara HEATH NASH Heath Nash, who holds a BA in Fine Art (sculpture) from the University of Cape Town, was the Elle Decoration SA designer and lighting designer of the year in 2006, has been in business since 2004 making products with a uniquely South African, environmentally conscious edge and a playful spirit. His range, ‘Other People’s Rubbish’, a gloriously lighthearted example of his recycling, is made from plastic bottles and galvanised wire. He draws inspiration from the idea of ‘designing with a conscience through limitations in design’. In 2010, he won an eco-lighting award judged by Ingo Maurer at Finland’s premiere interiors show, Habitare. He has, for several years, been working with grassroots artisans around Southern Africa, forging productive learning exchanges. [email protected] / www.heathnash.com IMISO Andile Dyalvane and Zizipho Poswa are the winning team behind the Imiso Ceramics Studio. Located in a buzzing Woodstock atelier, Imiso is known for its handmade collectors’ items and exquisite functional ceramic ware. The Xhosa word ‘imiso’ means tomorrow, and their designs are distinctly African with a future-minded edge, drawing inspiration from local culture, tradition and nature. In addition to their store at the Old Biscuit Mill, their products are stocked at a wide variety of independent retailers and the bulk of their exports are to New York, London, Paris and Milan. [email protected] / www.imisoceramics.co.za KITENGELA HOT GLASS Sea glass vessels, crushed ice coffee tables, a constellation of glowing orbs, magically twisted jewel-coloured goblets… all form part of the huge range of expertly blown and produced glass pieces from Anselm Kitengela’s Hot Glass Studios. Each piece is unique, 100 percent recycled and 100 percent Kenyan. Anselm Croze trained in Holland with glass masters Willem and Bernard Heesen, before opening his studio in a red-bricked dome bordering the Nairobi National Park, where he now employs 35 people. ‘This is where the magic happens,’ he says. ‘Our dome has more than 1 000 glass stars inset into the ceiling in an accurate rendition of the night sky. It’s a real planetarium.’ [email protected] / www.kitengela.com Kpando POTTERY Inspired by the passion of designer Joseph Nii Noi Dowuona, 70 talented Ghanaian women shape rich clay into striking contemporary pieces featuring sensual, organic forms and tactile surface detailing. Kpando Pottery is named after the region known for distinctive pottery made by local women, often with their babies by their side. The business grew out of the Aid to Artisans’ Ghana project and now exports its innovative designs to Europe and North America. The clay is shaped without a potter’s wheel, and the unique black patina finish is created by firing their pieces over a bamboo bonfire instead of using a clay oven. Ancient wisdom truly ignites contemporary beauty. [email protected] / www.kpandopottery.com MARJORIE WALLACE Having graduated with a degree in painting from Michaelis School of Art at the University of Cape Town, Marjorie Wallace is a gifted ceramic artist who produces fine porcelain objects, which she scratches, presses and incises with linear designs and decoration. ‘I have loved baskets since I was quite young. I have memories of the people who made them, how they sat and where they collected the grass – what they were looking for when they collected it. We had baskets hanging on the wall in the house, and we used them,’ she says. ‘When I started decorating pottery I thought more and more about baskets, how they look and how they are woven. They too are vessels. I saw my task as being no different from the basket makers. They too, are women, leading a domestic life.’ [email protected] Mutuba Based in Kampala, Mutuba designs, produces and markets fashion and home accessories (laptop sleeves, handbags, writing cases…) crafted from bark cloth. ‘The material we work with is an indigenous fabric, previously relegated to ceremonial functions and petty curios. We make innovative and functional products out of this fabric,’ says trailblazer Sara Katebalirwe, who launched her company back in the Eighties. ‘Bark cloth is harvested from a (Ficus Natalensis) fig tree which regenerates its bark and can be harvested annually, making it ecologically sustainable.’ The company, which now has more than 50 product designs, provides training in tree planting and bark cloth processing (skills which were dying out), as well as equipping artisans with production skills. [email protected] / www.mutuba.com RONEL JORDAAN Inspired by the fluency and serenity of nature, Ronél Jordaan uses natural fibres, mostly 100 percent merino wool, to create her imaginative collection of rock cushions, pebble ‘riverbed’ carpets, delicately nuanced ‘falling leaves’ wall hangings, floral patterned throws and more. Entirely self-taught and following her own creative instincts, she began to turn fine gossamer thread into robust felted forms, which found an immediate market. Her range is continually expanding, from accessories, scarves, shawls and wraps to household objects, carpets, lamps, and throws. Her label can be found in outlets ranging from Canada, to the US, London, Paris, through Germany, the Netherlands and Italy. [email protected] / www.roneljordaan.com SABAHAR Sabahar is an Ethiopian company that produces hand woven textiles to wear- such as scarves and shawls as well as fine textiles for your home such as cushions, throws, blankets, tablecloths and placemats. Sabahar is also a member of the World Fair Trade Organization. Sabahar buys locally-produced Eri silk from farmers as well as Ethiopian cotton in the markets, spin it, dye it and then hand weave the locally-sourced thread into beautiful textiles. Buying a Sabahar product means you support a truly Ethiopian product, cared for by skilled artisans at each stage of the process. All of our products are individually hand spun on drop spindles and spinning wheels, hand woven on traditional looms and many of our products are naturally dyed with flowers, trees, insects and plants. We sell both in Ethiopia and export to more than 10 different countries. Email: [email protected] / www.sabahar.com TEKURA Known for its contemporary interpretations of legendary Ashanti and Fanti cultural artistry, each of Tekura’s beautiful and functional furniture designs in wood is created by master artisans under the direction of Josephine and Kweku Forson. Tekura’s respect for heritage and quality of life extends to the environment, with pieces being produced exclusively from carefully selected wood found lying on the ground following reforestation. Tekura currently exports to the US, Canada, Holland, Brazil and the UK. [email protected] / www.designtekura.com SCHEDULE WED/ THURS WEDNESDAY 17TH OCT Time Full group talks - all facilitators 9.00 - 9.15 Vibeke Munk Petersen 9.15 - 10.00 Trevyn McGowan 10.00 - 11.00 Michael Cohen 11.00 - 11.15 Coffee break 11.15 - 12.00 Cathy O'Clery 12.00 - 12.45 Elaine Belezza 12.45 - 1.45 LUNCH 1.45 - 2.30 Colleen Pendleton 2.30 - 3.15 Rebecca Hoyes 3.15 - 3.30 Coffee break 3.30 - 4.30 Stephen Burks 4.30 - 5.30 Terry Behan 5.30 Trevyn McGowan - wrap up THURSDAY 18TH OCT Time DNA planning + small group facilitation 9.00- 10.15 Terry Behan workshop 10.15 - 11.30 10 min talk by each of the 16 particpating design companies : “plans and goals for my company, what would I like to achieve through DNA” 11.30 - 11.45 Coffee break 11.45 - 1.00 10 min talk by each of the 16 particpating design companies : “plans and goals for my company, what would I like to achieve through DNA” 1.00 - 2.00 LUNCH 2.00- 6.00 Small group and ‘one on one’ sessions with the various facilitators + photography/interviews. timetable to be issued 15.10.12 SCHEDULE FRI/SAT/ SUN FRIDAY 13TH OCT Time Small group facilitation 9.30- 1.00 Small group and 'one on one' sessions with the various facilitators + photography/interviews. timetable to be issued 15.10.12 1.00 - 2.00 LUNCH 2.00- 5.00 Small group and ‘one on one’ sessions with the various facilitators + photography/interviews. timetable to be issued 15.10.12 5.00 - 6.00 Full group catch up session SATURDAY 15TH OCT Time Studio visits and continuation of collaboration projects 9.00 - 11.00 Studio visit to Tekura 12.00- 1.00 LUNCH 1.00 - 3.30 Small group and 'one on one' sessions with the various facilitators + photography/interviews. timetable to be issued 15.10.12 3.30- 5.00 Full group catch up session SUNDAY 16TH OCT Ongoing collaborative projects CONTACT DNA coordinators HOTEL TREVYN MCGOWAN LA PALM ROYAL BEACH HOTEL [email protected] Mobile: + 27 82 825 6697 Location: No. 1 Bypass, Accra Main Telephone: +233 (0) 302 215100 Email: [email protected] www.gbhghana.net/la-palm LEZANNE VAN HEERDEN [email protected] Mobile: +27 82 490 6747 www.designnetworkafrica.org DNA HOSTS WEST AFRICA TRADE HUB ELAINE BELEZZA [email protected] +233.21.782.231 EMMANUEL ODONKOR [email protected] +233.302.773.39