Alien She: Exhibition Checklist.docx

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Alien She
Exhibition Checklist
February 15, 2015- May 24, 2015
1. LTTR - Ginger Brooks Takahashi
LTTR Journals (handleable copies) Collected works (2001-2008), 2013
Assorted paper journals
#1: Lesbians To The Rescue, 2002
#2: Listen Translate Translate Record, 2003
#3: Practice More Failure, 2004
#4: Do You Wish To Direct Me?, 2005
#5: Positively Nasty, 2006
96”(L) x 36”(W) x 40”(H)
Courtesy of the artist
2. LTTR - Ginger Brooks Takahashi
LTTR Collected works, (2001-2008), 2013
A complete collection of LTTR journals with artist multiples
96”(L) x 36”(W) x 40”(H)
Courtesy of the artist
2.28 LTTR - Ginger Brooks Takahashi
LTTR Slideshow, Collected works (2001-2008), 2013
Video slideshow, 13:57 min., NTSC / 4:3 / HD
Courtesy of the artist
(still from slideshow)
3. LTTR - Ginger Brooks Takahashi
A Wave of New Rage Thinking, 2013
Cardboard letters
432”(L) x 26”(H)
Courtesy of the artist
4. Ginger Brooks Takahashi
Feminist Body Pillow, 2013
Hand printed t-shirts, jeans
(tote bag made in a screenprinting workshop led by the artist at Fabulous Independent
Educated Radicals for Community Empowerment (FIERCE); Julius Bootleg
t-shirt and Live And Let Lez tank top by the artist; t-shirt (rainbow fist) by Dean
Daderko;
A Wave of New Rage Thinking t-shirt by LTTR; TheAdvantages of Being a Lesbian
Artist t-shirt by Ridykeulous; Gay Power sweatshirt by Emily Roysdon)
60”(L) x 60”(W) x 8”(H) (platform dimensions)
Courtesy of the artist
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5. Ginger Brooks Takahashi
There is a group, if not alliance, walking there too, whether or not
they are seen, 2013
Driftwood, work boots, socks
18”(L) x 18”(W) x 8”(H) (platform dimensions)
Courtesy of the artist
6. Ginger Brooks Takahashi
Untitled (Diagram of Influences), A personal document of projet MOBILIVREBOOKMOBILE project (2001-2006), 2013
Drawing, color photographs
50 ¼” (L) x 29 ¼” (H) (framed dimensions)
Courtesy of the artist
7. Ginger Brooks Takahashi
Selected recordings, 1996-2011
Music Vitrine
Boys of Now, The Hardest Song to Sing (self-released,1999)
- “One & Only,” 4:14
AKA Harlot #1, 100% Pure Criminal Candy (Ruffian Records, 1996)
- “foxxy brown / with principles like these,” 2:17
- “tongues of fire,” 00:53
Mirah Yom Tov Zeitlyn & Ginger Brooks Takahashi,
Songs from the Black Mountain Music Project (K Records, 2003)
- “The Red Curtain,” 2:40
- “Life You Love,” 2:24
The Ballet, Mattachine! (self-released, 2006)
- “I Hate the War,” 3:37
- “I’m Not Gonna Tell You Anything,” 4:14
MEN, Talk About Body (I AM SOUND, 2011)
- “Who Am I,” 3:56
MEN (Stereogamous remix), Credit Card Babies,(Trouble Records, 2010)
- “Credit Card Babies,” 7:01
24” (L) x 22” (W) x 38” (H)
Courtesy of the artist and record labels
8.1 Tammy Rae Carland
Selections from Archive of Feelings (Sisterhood is Powerful), 2008
Inkjet print (AP)
52 ⅜” (L) x 34 ⅛” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
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8.2 Tammy Rae Carland
Selections from Archive of Feelings (Sisterhood is Powerful), 2008
Inkjet print (AP)
26” (L) x 32” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
8.3 Tammy Rae Carland
Selections from Archive of Feelings (Vaguely Dedicated), 2008
Inkjet print (AP)
42 ⅛” (L) x 52 ⅜” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
9.1 Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #1), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
9. Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #4), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
9.3 Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #5), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
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9.4 Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #6), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
9.5 Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #7), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
9.6 Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #8), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
9.7 Tammy Rae Carland
Selections from Untitled (Lesbian Beds) (Lesbian Bed #13), 2002
Inkjet prints (AP)
31 ¾” (L) x 40” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
10.1 Tammy Rae Carland
Selection from I’m Dying Up Here, (Double Spot), 2010-ongoing
Inkjet print (AP)
49 ¼” (L) x 39 ⅝” (H) (framed dimensions)
Courtesy of the artist and Jessica SilvermanGallery, San Francisco
10.2 Tammy Rae Carland
Selection from I’m Dying Up Here, (Open Mic), 2010-ongoing
Inkjet print (AP)
49 ¼” (L) x 39 ⅝” (H) (framed dimensions)
Courtesy of the artist and Jessica SilvermanGallery, San Francisco
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10.3 Tammy Rae Carland
Selection from I’m Dying Up Here, (Glitter Drapes), 2010-ongoing
Inkjet print (AP)
49 ¼” (L) x 39 ⅝” (H) (framed dimensions)
Courtesy of the artist and Jessica Silverman Gallery, San Francisco
11. Miranda July & Harrell Fletcher
Learning to Love You More,, 2002-2009
Exhibition prints from web project and archive
Dimensions variable
Website by Yuri Ono
Courtesy of the San Francisco Museum of Modern Art
12. Miranda July
Joanie 4 Jackie (1995-2003), 2003
Organized by Vanessa Haroutunian
Video cassettes, letters, postcards, posters.
Chainletter Tapes:
The Velvet Chainletter, 1995
The Underwater Chainletter, 1996
U-Matic Chainletter, 1997
Silver Chainletter, 1998
The Cherry Cherry Chainletter, 1998
The Break My Chainletter, 1999
The M.I.A. Chainletter, 1999
Ball and Chainletter, 2000
The Banana Cremeletter, 2000
Perfect 10: The Chainletter, 2000
2001: A Chainletter, 2001
Me and my Chainletter, 2002
Who Stole My Chainletter?, 2002
The Sugar Caneletter, 2003
The Chain of Love Letter, 2003
The Newborn Chainletter, 2004
The Frozen Chainletter, 2005
Girafferator: A Chainletter, 2006
Transformer Chainletter, 2007
Co-Star Tapes:
Joanie 4 Jackie 4Ever, 1998
I Saw Bones, 2000
Some Kind of Loving, 2000
96”(L) x 36”(W) x 40”(H)
Courtesy of Bard College, Annandale-on-Hudson, Organized by Vanessa Haroutunian
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12.1 Miranda July
Selected videos from Joanie 4 Jackie, (1995-2003)
Organized by Vanessa Haroutunian
Single Channel video, audio
1 hour 54 minutes, NTSC / 4:3 / SD
1. Joanie4Jackie4Ever Intro, Miranda July & Vanessa Renwick, 1998, 2 min
2. Two Become One, Lola Sinreich, c. 2006, 3:51 min
3. Goddess Kring, Shannon Kringen, 1996, 13:38 min
4. Becky, 1977, Tammy Rae Carland, 1996, 5 min
5. Kristy, Stephanie Gray, 2005, 6:48 min
6. The Delta, Daughters of Houdini (Carolyn Cooley & Zoey Kroll), 1998, 3:25
min
7. The Electronic Cafe, Daughters of Houdini (Carolyn Cooley & Zoey Kroll),
1998, 2:19 min
8. Horror Movie, Jan Tranum & Brittany Goodin, 1999, 5:24 min
9. All I Can Be, Erica Hill, 2001, 6:25 min
10. The Slow Escape, Sativa Peterson, 1998, 20 min
11. 1,2,3 This Is Me, Wynne Ryan (aka Wynne Greenwood), 1998, 15:27 min
12. The Yo-Yo Gang (Trailer), G.B. Jones, 1997, 1:49 min
13. Mary Jane’s Not A Virgin Anymore (Trailer), Sarah Jacobson, 1997, 6:11
min
14. How the Miracle of Masturbation Saved me from Becoming a Teenage
Space
Alien, Dulcie Clarkson, 1998, 21:18 min
Organized by Vanessa Haroutunian Courtesy of Bard College, Annandale-on-Hudson,
(still from video)
13. Miranda July
Missing Movie Report, c. 1996
Photocopy master
21 ⅛” (L) x 52 ¼” (H) (framed dimensions)
Organized by Vanessa Haroutunian
Courtesy of Bard College, Annandale-on-Hudson,
14. Miranda July
Selected Videos 1996-2001
Videoworks: Vol. 1 (57:30)
NTSC / 4:3 /SD
Single-channel video with sound, 57:30 minutes
1. Atlanta, 1996, 10 minutes
2. The Amateurist, 1998, 14 minutes
3. Nest of Tens, 1999, 27 minutes
4. Getting Stronger Every Day, 2001, 6:30 minutes
Courtesy of the artist and Video Data Bank, Chicago
(still from video)
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15. Miranda July
Selected recordings, 1996-2002
Music vitrine
The CeBe Barnes Band, The CeBe Barnes Band (Horsekitty, 1995)
- “Height of Fashion,” 2:08
Miranda July w/ The Need, Margie Ruskie Stops Time (Kill Rock Stars,1996)
- Track B, 4:49
Miranda July, 10 Million Hours a Mile (Kill Rock
Stars, 1997)
- “How’s My Driving,” 11:24
Miranda July, The Binet-Simon Test (Kill Rock
Stars, 1998)
- “Lena Beamish,” 10:33
- “WSNO,” 9:22
- “The Co-Star,” 6:38
IQU with Miranda July, Girls On Dates (K Records,1999)
- “Girls On Dates,” 10:50
- “Kid Co-Coma,” 4:03
Miranda July, The Drifters (recorded for the Whitney Biennial, 2002)
- “Crowd,” 1:16
- “The Phone Call #1,” 00:45
- “God’s Love,” 00:58
- “Thea,” 1:09
- “The Phone Call #2,” 1:04
Miranda July (commissioned by NPR member station WNYC for program
“The Next Big Thing,” 2002)
- “Bruce Lee,” 1:39
24” (L) x 22” (W) x 38” (H)
Courtesy of the artist and record labels; Music ephemera courtesy of Ceci Moss and
Astria Suparak
16. Miranda July
Excerpts from performance documentation, 1998-2002
Single Channel video, audio 17:00
NTSC / 4:3 / SD
Love Diamond, 1998-2000
The Swan Tool, 2000-2002
Courtesy of the artist
(still from video)
17.1 Faythe Levine
Time Outside of Time (bridge), 2010-ongoing
inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.2 Faythe Levine
Time Outside of Time (library), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
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17.3 Faythe Levine
Time Outside of Time (bulletin board) ), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.4 Faythe Levine
Time Outside of Time (net) ), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.5 Faythe Levine
Time Outside of Time (band) ), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.6 Faythe Levine
Time Outside of Time (food), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.7 Faythe Levine
Time Outside of Time (tabletop), 2010-ongoing
inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.8 Faythe Levine
Time Outside of Time (hands), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.9 Faythe Levine
Time Outside of Time (meal), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
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17.10 Faythe Levine
Time Outside of Time (windows), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.11 Faythe Levine
Time Outside of Time (yellow), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
17.12 Faythe Levine
Time Outside of Time (beer) ), 2010-ongoing
Inkjet print (AP)
22” (L) x 16 ¾” (H) (framed dimensions)
Courtesy of the artist
18. Faythe Levine
Sign Painters, 2012
Video slideshow
Video length: 3:00 min
Dimensions variable
Courtesy of the artist
19. Faythe Levine
Handmade Nation: The Rise of DIY, Art, Craft, and Design, 2008
Book by Levine and Cortney Heimerl (PrincetonArchitectural Press, 2008)
Dimensions variable
Courtesy of the artist
20. Allyson Mitchell
Women’s Studies Professors Have Class Privilege / I’m with Problematic, from the
series Creep Lez, 2012
Altered t-shirts with iron-on transfer and vinyl letters
33” (L) x 41” (H) each (framed t-shirt diptych)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
21.1
Allyson Mitchell
Lady Sasquatch (Oxana) ) from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
85” (L) x 53” (W) x 55” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
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21.2 Allyson Mitchell
Lady Sasquatch (Bunny) ) from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
48” (L) x 38” (W) x 108” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
21.3 Allyson Mitchell
Lady Sasquatch (Midge) from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
72” (L) x 58” (W) x 80” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.1 Allyson Mitchell
Sasquatch Familiars, from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
9” (L) x 6” (W) x 10” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.2 Allyson Mitchell
Sasquatch Familiars (Christina), from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
21 ½” (L) x 7 ½” (W) x 12 ½” (H)
Courtesy of the artist and Katharine MulherinGallery, Toronto
22.3 Allyson Mitchell
Sasquatch Familiars, from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
9 ½” (L) x 4” (W) x 4 ½” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.4 Allyson Mitchell
Sasquatch Familiars (Deanne), ) from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
15” (L) x 10 ½” (W) x 13” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.5 Allyson Mitchell
Sasquatch Familiars,from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
10” (L) x 6” (W) x 5” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
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22.6 Allyson Mitchell
Sasquatch Familiars, from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
10 ¼” (L) x 4” (W) x 4 ½” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.7 Allyson Mitchell
Sasquatch Familiars, from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
7” (L) x 4” (W) x 5” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.8 Allyson Mitchell
Sasquatch Familiars, from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
4 ½” (L) x 1 ¾” (W) x 2” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
22.9 Allyson Mitchell
Sasquatch Familiars, from Ladies Sasquatch, 2006-2010
Found textiles, taxidermy supplies, applique borg, styrofoam, wood
4 ½” (L) x 1 ¾” (W) x 2” (H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
23. Allyson Mitchell
Recommended Reading, 2010
Wallpaper from photocopied drawings
388”(L) x 120”(H)
Courtesy of the artist and Katharine Mulherin Gallery, Toronto
24. Allyson Mitchell and Deirdre Logue
FAG Slide Show, 2013
Video slideshow, audio, 5:00 minutes. NTSC / 4:3 / SD
Courtesy of the artists and Vtape, Toronto
25.1 L.J. Roberts
Gay Bashers Come And Get It, 2011
Jacquard-Woven Cotton and Lurex, hand-dyed fabric,
Crank-knit yarn, thread
48” (L) x 120” (H)
Courtesy of the artist
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25.2 Blanca Garcia
Photograph of Roberts’ banner used during the Dyke March in NYC, 2011
Inkjet print
8 ¼” (L) x 6 ¼” (H) (framed dimensions)
Courtesy of the photographer
26.1 L.J. Roberts
Mom Knows Now, 2003
Hand-knit yarn
88” (L) x 180” (H)
Courtesy of the artist
26.2 Unknown Photographer
Photograph of Roberts’ guerilla banner drop on the
steeple of the Ira Allen Chapel, University of Vermont, 2003
5 ¾”(L) x 8 ¼”(H) (framed dimensions)
Courtesy of the photographer
27. L.J. Roberts
Sisters Are Doing It For Themselves, 2011
Jacquard-Woven Cotton and Lurex, hand-dyed fabric,
Crank-knit yarn, thread.
48” (L) x 120” (H)
Courtesy of the artist
28. L.J. Roberts
We Couldn’t Get In. We Couldn’t Get Out. 2006-7
Crank-Knit Yarn, Hand-Woven Wire, Steel Poles, Assorted Hardware.
360” (L) x 10” (W) x 120” (H) (3 - 120”[L] x 120”[H] segments
Courtesy of the artist
29.1 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Burberry Scarf by Jennie Lute
Yarn
58” (L) x 12 ¼” (W) x 3/8” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.2 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Prada bag by Stephanie Syjuco
Yarn
12” (L) x 4” (W) x 19” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
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29.3 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Fendi Bag by Wendy Yip
Yarn
12” (L) x 3 ¼ “ (W) x 11” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.4 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a PoliticalEconomy), 2006- ongoing
Gucci Bag (large) by Stephanie Syjuco
Yarn
14” (L) x 3 ½” (W) x 22 ½” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.5 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Brown Chanel bag # 2 by Stephanie Syjuco
Yarn
12” (L) x 2 ½” (W) x 17 5/8” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.6 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Brown Murakami Papillon bag by Kate Furuyama
Yarn, felt, sequence
12” (L) x 6” (W) x 13 ¾” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.7 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Marc Jacobs bag by Angela Simione
Yarn
14” (L) x 6” (W) x 15” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.8 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
YSL Mombasa bag by Suzy Baldwin
Yarn
13 ¾” (L) x 3 3/8” (W) x 15 ¾” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.9 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Dolce Gabbana bag by Nicole Stowe
Yarn
15” (L) x 5” (W) x 20” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
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29.10 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Dior bag by Carrie Suchman
Yarn
13 ¾” (L) x 4 ½” (W) x 22” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.11 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
White Murakami bag by Stephanie Syjuco
Yarn
11 ¼” (L) x 3 ½” (W) x 19 ½” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.12 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Black Chanel bag by Suzy Baldwin
Yarn, plastic buttons
12” (L) x 3 ½” (W) x 18” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.13 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Louis Vuitton belt by Katherine Mok
Yarn, ribbon
38 ½” (L) x 1 ½” (W) x ½” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.14 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Small Gucci bag
Yarn
4 ½” (L) x 3” (W) x 7 ¾” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.15 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Burberry pouch
yarn
6 ¼” (L) x 3 ¼” (W) x ½” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
29.16 Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing
Gucci watch
Yarn
7” (L) x 1 ½” (W) x ½” (H)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
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30. Stephanie Syjuco
FREE TEXTS, 2011-2012, updated 2014
Varying sized printouts Free downloadable PDF files of texts found online and tear-off
tab flyers
192”(L) x 96”(H) (bulletin board dimensions)
Courtesy of the artist and Catharine Clark Gallery, San Francisco
31. Stephanie Syjuco
Proxy Audio Manifestation (Total Bootleg Collection), 2010
Inkjet prints of images downloaded from Amazon.com,
wood, paint, plastic wrappers, stickers
129 handmade “bootleg” objects
Courtesy of the artist and Catharine Clark Gallery, San Francisco
32. Various Artists, Lenders
Zine Archive, 1991-2013
276 original zines and 27 handleable reproductions
From the personal collections and archives of:
The Riot Grrrl Collection at the Fales Library& Special Collections, NYU, Elisa
Gargiulo, Sara McCool, Ceci Moss, Maaike Muntinga, Mimi Thi Nguyen, Astria
Suparak, Cookie Woolner
33. Various Artists, Lenders
Flyer Wall, c. 1991-present
A sampling of poster designs from Riot Grrrlrelated shows, conventions and meetings
solicited from institutional and personal archives through open calls, word-of-mouth
and invitations
Approximately 200
To submit posters, visit www.bit.ly/AlienShe for instructions.
From the archives and personal collections of:
Ginger Brooks Takahashi, Cecil Castellucci, George Chen, Sharon Cheslow, Paul
Costuros,Vega Darling, dumba collective, Eli and Kuña Fest Paraguay, EMP Museum,
Seattle, the Riot Grrrl Collection at the Fales Library & Special Collections, NYU, Elisa
Gargiulo, Hallwalls, Interference Archive, Jabberjaw,
Joanie 4 Jackie Collection at Bard College, Leesa Johnson, Dayv Jones, GB Jones
and Caroline Azar, Sara Marcus, Ceci Moss, Maaike Muntinga, Nina Nijsten, Rachel
Pollard-Busch, Lilian Radovac, Jean Smith, Tamra Spivey,
Astria Suparak, Cookie Woolner, Stella Zine and future contributors
34.
Music Vitrine - American South + Mr. Lady Records
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curator: Tammy Rae Carland
35. Music Vitrine - Belgium + the Netherlands
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curators: Maaike Muntinga + Jessica Gysel
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36. Music Vitrine- Brazil
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curator: Elisa Gargiulo
37. Music Vitrine – California
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curators: Ceci Moss + Astria Suparak
38. Music Vitrine – Canada
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curators: Lynne T + Bernie Bankrupt
39. Music Vitrine - D.C., Olympia, + Influences
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curator: Allison Wolfe
40. Music Vitrine – England
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curator: Pete Dale
41. Music Vitrine - Pacific Northwest and Chainsaw Records
96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions
Curator: Donna Dresch
42. Video Interviews
Selections from EMP Museum’s online exhibit Riot Grrrl
excerpts from Grrrl, a forthcoming feature
Single Channel video NTSC / audio / 4:3 / 42 minutes
Documentary (directed by Vega Darling)
Retrospective and
.
43. Riot Grrrl Census, 2013- ongoing
online census produced by the Miller Gallery for Alien She
44. Riot Grrrl Chapters Map, 2013-ongoing
online, collaborative map produced by the Miller Gallery at Carnegie Mellon University
for Alien She
45. Riot Grrrl Manifesto banner, undated (c. 1992)
Text from ‘what is riot grrrl’ by unknown author
Spray paint on canvas