european master of fine art photography
Transcription
european master of fine art photography
EUROPEAN MASTER OF FINE ART PHOTOGRAPHY iedmadrid.com PROFESSIONAL MASTER 60 Credits* EUROPEAN MASTER OF FINE ART PHOTOGRAPHY iedmadrid.com PROFESSIONAL MASTER 60 Credits* Course Director: Moritz Neumüller. Course Coordination: Yago Bolivar. Credits: 60.* Start Date: April 2017. End Date: March 2018. Schedule: Flexible hours as required for the workshops. Preferably from 15:00 to 18:30 h. The workshops last for one to eight days, on a weekly or biweekly basis. For: Photographers with a professional career, as well as artists in the photography industry who want to break into the art world. People with degrees in Fine Arts, Audiovisual Communications, Advertising, Journalism, Art History or Humanities who want to deepen their knowledge of artistic photography. To access this program, students will be selected based on: ·· Curriculum vitae. ·· Portfolio of one artistic project. ·· Motivation letter, explaining your interest in this programme. ·· Interview in person, by telephone or via Skype siif the course direction considers it necessary. Language: Classes will be held in English (in the event of holding any activity in Spanish, silmutaneous translation into English will be available). Certificate: An accredited certificate will be awarded to students for having successfully completed the course. Attendance: Attendance is mandatory and essential in order to earn this diploma. Class Size: Limited places. Price: 4,000 € registration + 8,500 € course fee. Admissions: +34 91 448 04 44 [email protected] More informations: iedmadrid.com Cover photo: Joan Villaplana Metropolis series, 2002-2007 *The teaching programme of every IED Master course is based on the criteria set by the European Space for Higher Education (ESHE). The IED Master follows a credit system that matches the structure of the European Credit Transfer System (ECTS). The IED Master only offers its own private qualifications. 2 Wawi Navarroza, student of the European Master of Fine Art Photography 2011, series Dominion, 2011 3 Introduction “ The European Master of Fine Art Photography is one of the most ambitious proposals for an education in artistic photography ” The European Master of Fine Art Photography is based on 3 fundamental premises: • Its international nature, with a special focus on the European environment. • The excellence of its faculty. • Orientation towards artistic projects. The Master of Fine Art Photography is a unique program, based on the excellence of its teachers, which include well-renowned photographers, curators and artists such as Alejandro Castellote, Elger Esser, Joan Fontcuberta, Andreas Müller-Pohle, Martin Parr, or Simon Roberts, among others, who encourage the students to develop their individual vision in a creative and collaborative environment. Regular meetings with faculty staff, professional artists, and visiting critics help the students develop their individual points of view to situate their work within the large theoretical and contemporary visual context. Dynamic, multicultural and hospitable, Madrid’s natural openness adds to a welcoming environment that merges education, culture and entertainment, making it the perfect meeting point for exchanging ideas. The students will have meetings with a weekly or fortnightly frequency. In addition, students can benefit from group and individual projects, personalized tutoring and enjoy visits to companies and studios. Today, the European Master of Fine Art Photography is one of the mosts ambitious proposals for an education in artistic photography, which aspires to be a meeting point for artists and professionals to enrich this field in Spain. Ricardo Cases, Tuneros series, 2006 4 5 IED Master Madrid European Master of Fine Art Photography Photography Department The IED Madrid Photography Department prides itself on innovation and a quality faculty, as well as focusing on projects as the fundamental core of learning and understanding the creative experience. We believe that learning photography cannot be understood without the sincere commitment of docents from various backgrounds, who transmit their personal experience and share their creative encounters the younger generation. Similarly, we are convinced that this generous attitude can only be productive if students are able to translate this learning into the development and production of a personal project. Master class with Martin Parr, November 2011 Artistic Workshop with Dinu Li, June 2011 IED Madrid develops its academic offerings and photography courses based on this demanding, ambitious concept, thinking not of amateurs, but rather students’ inspiration to become photographers, professionals and artists. Master class with Elger Esser, November 2011 IED Madrid photography set Theoretical Workshop with Horacio Fernández, May 2011 6 7 European Master of Fine Art Photography Objectives Professional Opportunities The main objetives of this Master course are: Students of this Master typically choose their carreers in these fields: • To become familiarized with present-day photographic production, its subjects and repertoires, artistic practice, cultural value, roots in historic photography and art history, its discourses and limitations, from the perspective of important photographers and theorists. • To learn the main current theories on European photography. • To learn directly and personally from the most prestigious masters in each area. • Photographer • Visual Artist • Creative Director • Producer • Art Director • Curator • Retoucher • Educator • To become familiarized with curatorial practices, collectionism, conservation and ways of presentation/dissemination of contemporary artistic photography. • To reflect on the role of photographers in the art market, the field of European photography, the business of leisure, and the world of entertainment. • To experience, through a personal project, what it’s like to create an original work that is appropriate and worthy of being presented in a photography exhibition. • To exhibit and publish the final project in an internationally renowned prestigious center/magazine, through our European partners. • To break into the world of art, through the network formed by the Master’s professors and students, collaborating institutions, curators and directors. Alena Zhandarova, student of the European Master of Fine Art Photography 2011, series Cornflower tea and concealing chocolate, 2011 8 9 Nikita Pirogov, student of the European Master of Fine Art Photography 2011, series Dipthych, 2011 10 11 IED Master Madrid European Master of Fine Art Photography Methodology The European Masters of Fine Art Photography encompasses a range of different activities that encourage and foster both individual work and team work guided by expert educators, with practical and international experience in the various fields making up the course. Students will build relationships with professionals and colleagues, improve themselves by exchanging knowledge, ideas, opinions, experiences… all part of a stimulating and enriching training experience that will ready them for their imminent professional career and expansion. During the course, students will combine study, work and research, methodologically based on project culture. From this platform, course content of the European Masters of Fine Art Photography is articulated through the following didactic methodology given by three different types of professional figure: •Masters, all prominent figures on the European photography scene. •Professors, all international artists and theorists in photography and the visual arts and all widely recognised for the quality of their teaching. •Tutors, who represent the new generation of photographers with both academic and project experience. 12 A fundamental aspect of the Master’s academic approach is its orientation towards personal projects and showcasing them, along with fully personalized assistance. Throughout the entire process, the close ties and relations with professors and tutors is one of the most rewarding and beneficial aspects of the program. Visits The course is characterized by its approach of tackling and defining a subject from an initial idea, fostering research, reflection and discussion, with this process eventually materialising in a work of art to be displayed at a joint exhibition and in a catalogue. In addition, three students will choose to exhibit their work at one of the European centres or festivals partnered with the course. These meetings want to bring the experiences of some of the sector’s most distinguished professionals into contact with the students, with the aim of learning first hand several examples of today’s reality and answer any questions and concerns. Seminars These seminars help students to solidly ground the knowledge needed to ensure success in the implementation of their ideas. The students will have the opportunity to use case studies and take examples from reality or to develop specific cases on specific topics. They offer the possibility to see in situ the various spaces in which some of the professional activities of the sector are developed. Master classes Nicolás Combarro. La Línea de Sombra series Workshops Group activities where the students put into practice the knowledge acquired during the course and experiment with new tools and new approaches. Dinu Li, series Secret Shadows, 2002 13 IED Master Madrid European Master of Fine Art Photography Program The programme mainly stands out because of the quality of the faculty, the European approach of its contents and the collaboration with international institutions. The syllabus embraces a wide range of subjects and examples allowing students to gain an unclouded professional picture of the sector. The course is divided into subject-based modules corresponding to the skills that each pupil will acquire upon completion. The course modules are as follows: Specific Module All the areas that configure the specific skills of the course. The aim here is to train the students from a professional perspective in the essential technical and cultural knowledge required by the sector. These areas comprise a host of different subjects and form the main body of the master’s course. We stand out from other the following contents: • Processes of Creativity • Photo-Books & Portfolio Review • Photographic Genres Revisited • Editing & Publishing • Archives and Collections • Authorial Identity • Media Art and Image Culture • New Documentary Style 14 • Theoretical Workshops: The main aim of the theoretical workshops module is to tackle contemporary artistic photography from a theoretical standpoint through two types of workshop. The aim of the first type is to conduct an analysis of the information contained within photographs, how photographs work, how they take shape, and how they have evolved over the years since the invention of photography in the nineteenth century, questioning the different methods employed across the centuries, which have been repeatedly reviewed and reinterpreted based on the geographic, cultural, social, economic and political variables of the photographers and where they come from. The other type is aimed at raising awareness and knowledge of photobooks, exploring the historical and theoretical aspects of artists’ books while also presenting and drawing distinctions between the different uses of photography featuring in artists’ books. Students will analyse and discuss artists in accordance with the main subject areas and good or bad uses of photography in artists’ books. This will help to familiarise them with books in general and with the different uses and functions of photography within artists’ books in particular. • Artistic Workshops: This module is essentially an opportunity to meet prominent figures from the world of contemporary fine art photography, who will accompany students as they carry out their own photographic work through practical exercises featuring course content. This will enable students to incorporate different tools to open up creative alternatives for developing their own work. Cross-Curricular Module Final Project Module The final project, a key part of the program and essential to fulfil it, aims to research, analyze, develop and present a project as an integrating exercise of the abilities acquired during the development of the master. This will entail the experience of creating an original work suitable and fit for a photography exhibition. This module aims to provide useful tools to discuss about the specific modes and capabilities of the contemporary artistic profession, offering the student a content support in two fundamental axes for his/her further professional development: • Multidisciplinary cultural activities: Students will have the opportunity to attend cultural activities developed by IED Madrid where they will enter in contact with different professionals in order to learn other perspectives and visions and broaden their critical training • Knowledge taught through the IED Madrid online Campus platform in important areas of the philosophy of IED as sustainability or design’s historical critical concepts 15 IED Master Madrid European Master of Fine Art Photography Director Moritz Neumüller born in Linz (Austria) www.curator-ship.org lives and works in Barcelona. He has a degree in Art History and Economy, with an interdisciplinary Doctorate in New Media from the University of Vienna. He worked for the Photography Department for the Museum of Modern Art in New York (19992000); he coordinated the project Mapas Abiertos (“Open Maps”), on Latinamerican photography (2003); he directed various activities for the PHotoEspaña festival in Madrid (2004-2007); and he was the Executive Director of LOOP’08 in Barcelona. Since 2010, he is Festival Curator at PhotoIreland in Dublin, and director of the European Master of Fine Art Photography for the IED Madrid. Author, curator of international exhibits, and filmmaker of documentaries that have been shown on television channels and at international festivals. His publications include El otro lado del alma (The other side of the soul), Edition Oehrli, Zurich (2005); Bernd & Hilla Becher speak with Moritz Neumüller, La Fábrica / Fundación Telefónica, Madrid (2005); Import / Export. A photographic dialogue, Cultural Center of Spain, Guatemala (2006); All Inclusive. New Spanish Photography, Lodz Festival, Poland (2007). TO HAVE & TO LOSE. Three projects by Mireia Sallarès, Galleri Image, Aarhus (2008) and Martin Parr’s Best Books of the Decade, PhotoIreland, Dublin (2011). Since 2010, he runs the The Curator Ship, an online resource for visual artists. Simon Roberts, serie Motherland, 2005 Ricardo Cases, La caza del lobo congelado (The hunt of the frozen wolf) series, 2006 16 17 IED Master Madrid European Master of Fine Art Photography Tutors A series of tutorials with professionals from different disciplines will accompany and guide students during the course, ensuring that they know how to recognise and incorporate the value added provided by each experience, thus improving the quality of their end thesis. Ricardo Cases Joan Villaplana www.ricardocases.es (Orihuela, Spain, 1971). Lives and works in Madrid and Valencia. Holds a degree in Journalism by the University of The Basque Country. Since 2011 he has been teaching at the European Master of Fine Art Photography in IED Madrid. He is a member of the Blank Paper collective and runs a publishing project called Fiesta Ediciones. His book Paloma al aire has achieved wide recognition since its publication in 2011. (Manresa, Barcelona, 1976). Started his Photography studies at the GrisArt School in Barcelona, extending them afterwards in different forms in the School of the Rencontres Internationales de la Photographie, Arles, France. In 2002 he obtained a BA in Humanities, majoring in philosophy and aesthetics, at the Pompeu Fabra University of Barcelona. He works with photography and video. He is involved in several education programs as Fotografiaencurs, whose aim is to teach the photographic language in elementary and high schools and university levels where he teaches in Barcelona. Since 2011 he has been teaching at the European Master of Fine Art Photography in IED Madrid. His book Metropolis was nominated for best photo book in the New York Photo Festival 2008. Nicolás Combarro (A Coruña, Spain, 1979). Studied Audiovisual Communication in the Universidad Complutense in Madrid where he works as independent artist and curator. Since 2011 he has been teaching at the European Master of Fine Art Photography in IED Madrid. As an artist he has exhibited his work in Spain and internationally in the French Institute, the 42nd International Artist Show in Cartagena de Indias, Colombia CCBA, Buenos Aires or Butzlab, Hamburg, also in international Art fairs as ARCO, CIRCA, Art Brussels or Photo Miami. As a curator, he has worked on monographic projects for artists as Alberto García-Alix: Reina Sophia National Museum in Madrid, UCCA in Beijing, MAAM in Moscow or Miguel Angel Campano in Kiosko de Alfonso/ Palexco. Nicolas Combarro, Untitled (Arquitectura Oculta Series), 2012 18 19 IED Master Madrid European Master of Fine Art Photography Faculty Professionals and professors confirmed to participate in this Master’s program: Lars Blunck Harald Hund Simon Roberts Theorist specializing in the work of Marcel Duchamp, Berlin www.kunstgeschichte.tu-berlin.de Artist, Austria www.hundhorn.com Photographer, UK simoncroberts.com Paul Kranzler Mireia Sallarès Spanish Curator, Bartolomé Ros Award 2006 Photographer, Austria www.paulkranzler.com Artist, Spain lasmuerteschiquitas.blogspot.com Beate Cegielska Dinu Li Alexander Streitberger Director of Image Galleri, Aarhus, Denmark www.galleriimage.dk Visual artist www.dinuli.com Jean-François Chevrier David McRaney Curator of Documenta X Journalist and Researcher www.davidmcraney.com Photography Specialist, Professor of the History of Modern and Contemporary Art www.uclouvain.be www.lievengevaertcentre.be Alejandro Castellote Edmund Clark Photographer www.edmundclark.com Elger Esser Photographer of the emblematic school of Düsseldorf www.elgeresser.com Andreas Müller-Pohle Artist, Germany www.muellerpohle.net www.equivalence.com Silvia Omedes Horacio Fernández Director of Photographic Social Vision, Barcelona www.photographicsocialvision.org Historian of Spanish photography, specialist in photographic books Martin Parr Joan Foncuberta Photographer and theorist Hasselblad Award Winner 2013 www.fontcuberta.com Ángel González Director of PhotoIreland, Dublin www.photoireland.org 20 English photographer and curator, Erich Salomon 2006 Award and PHotoEspaña 2008 Award www.martinparr.com Timothy Prus Director of the Archive of Modern Conflict www.amcbooks.com SImon Roberts during his Workshop Beat Streuli Photographer, Switzerland www.beatstreuli.com Katja Stuke and Oliver Sieber Photographers and editors, Germany www.boehmkobayashi.de www.katjastuke.de www.oliversieber.de Javier Vallhonrat Workshop Irina Tchmyreva Department of artistic books at the Moscow State University of Printing Arts Javier Vallhonrat National Photography Award, 1995 Rosalind Williams Photography Curator, Madrid Visit to Siete de un golpe 21 IED Master Madrid European Master of Fine Art Photography Institutional Partners European Photography Magazine, Berlin International art magazine dedicated to contemporary photography and new media. www.equivalence.com Central European House of Photography, Bratislava Exhibit space, research center and organizing entity for the Festival of Photography in Bratislava, within the framework of the European Month of Photography. www.sedf.sk Galleri Image, Aarhus Exhibit center specializing in contemporary photography. www.galleriimage.dk PhotoIreland, Dublin The new international festival of photography in Ireland. www.photoireland.org PhotoVisa, Krasnodar The promising international festival of photography in Russia www.photovisa.ru Lieven Gevaert Research Centre for Photography, Brussels One of the most prestigious research centers www.lievengevaertcentre.be Yolanda, former guerilla fighter, in front of her own sex-shop business in Iztapalapa, México DF. Photography of the project series Las Muertes Chiquitas de Mireia Sallarès. Photographed by Diego Pérez, 2007 Photographic Social Vision, Barcelona Emblematic foundation for the documentation and dissemination of social subjects www.photographicsocialvision.org 22 23 Welcome to the IED Madrid “ The IED Madrid is a cultural institution for the dissemination of design and its connections with other disciplines ” M ore than forty-five years ago, the IED emerged as an educational institution working in all design disciplines, visual communication and fashion, and boasts nine schools in Spain, Italy and Brazil. aware of the time they are living in and the environmental, social, economic and political needs that will define future societies. The IED has been present in Madrid for more than fifteen years, with two schools that serve 1,400 students. They are both set in the city centre, next to the neighbourhoods of Malasaña and Gran Vía. Thanks to the constant relationship between our school and the business world, all of the courses enjoy the support of a range of companies and institutions, such as: Apple, Canal+, Fun&Basics, iGuzzini, Missoni, Philips, Audi, Inditex, Electrolux, VIPS, Lancia, Alitalia, Sony, Vitra, Havaianas and Bombay Sapphire. At present, the IED Madrid is a Private Centre for Higher Education in Design, offering Higher Qualifications that are equivalent to university degrees, as well as MA and postgraduate courses, one-year courses, Executive, specialisation and summer courses. In addition, the IED Madrid is a cultural institution disseminating design and its connections with other disciplines, such as architecture, art, film and music. We organise exhibitions, conferences and events linked to our vision of the future, through innovation and experimentation. The IED Madrid offers comprehensive training for new design professionals, who are 24 25 The Excellence of the IED Master T he IED Master is the postgraduate school of the IED Madrid, a dynamic and innovative laboratory, focusing on debate and research, which offers the best conditions to learn in a strategic environment: a place in which to think about the present and design the future. The programmes at the IED Master have been designed to offer continuous education, to provide students with efficient training in the fields of design and communication, to face an increasingly demanding market. The training journey we offer combines a cultural context, transverse knowledge and technical specialisation. All of the courses are characterised by offering students a multidisciplinary and international vision which involves carrying out real world projects in collaboration with companies and professionals from the sector. We promote multidisciplinary knowledge in the context of design and communication, achieving a wider perspective in terms of the personal and professional development of our students. We provide rigorous specialisation in each specific professional area, with a teaching methodology that combines theory and practice, to culminate in a final project tutored by the best professionals in the sector. We teach our students to develop high-quality communication and management skills with regard to the knowledge acquired. The IED Master programmes are aimed at students holding diplomas and degrees, as well as professionals and freelancers working in the fields of design and communication, and the corporate world. They are designed to offer high-quality training that ensures an opportunity for personal and professional growth. At the IED Master we aim to train future professionals who can boast innovative and creative profiles, which is essential nowadays in order to successfully face the demands of the current work market. 26 27 The IED Visual Communication School “ This circumstance requires a constant generation and updating of visual systems, which decide the communication link between individuals, companies, platforms and networks ” M an has always used the image to communicate. Understood as reality and symbol, it represents the whole and the parts, the real and the fictitious, it transmits emotion and meaning. It is also the link between the word and our experience of the world, as well as being a socialising element. It occupies the most important place in communication and involves people, society and culture. The multiplication of electronic devices and the diversity of communication channels present us with an almost uninterrupted flow of images. An invasion which determines our way of communicating and has involved a change in our culture. This circumstance requires a constant generation and updating of visual systems, which decide the communication link between individuals, companies, platforms and networks. 28 Because of all this, the IED Master Visual Communication School supplies the tools and theoretical and technical foundations necessary to cope with this new scene, based on the following objectives: • To analyze the current role of the image and pose possible alternatives for the immediate future. • To delve into theoretical, technical and projectual knowledge of the different fields of audiovisual design. • To provide the students with a creative vision. The IED Master Visual Communication School trains competent professional for their incorporation into the work market and entrepreneur activity, by means of the tools and the vision to interact directly with the world as a generating agent of value and change. 29 Student Services “ Education and business come together in each of the courses, enriching the experience of our students ” Companies Professional Guidance The IED Master is constantly in contact with the business world as part of its curriculum, with a relationship that runs parallel to the training course. The Professional Guidance Department is a service offered by the IED Madrid to its students in order to advise them and bring them closer to the business sector in a personal and professional way. Teaching and business are intertwined in each of the courses, enriching the educational experience of the students with case studies, competitions, involvement in projects, etc. This link is consolidated in most programmes with the completion of a final project in which the student makes use of all the knowledge acquired during the course. To promote these synergies, the IED Madrid has a Business Bureau where agreements with public and private entities are activated, to develop educational content as part of our Career Guidance. The aim is to facilitate access to the employment market and to create a network of professional contacts from the start of the academic year. 30 The services on offer are useful to those who want to carry out practical experience, or are seeking work, and for those who are interested in exploring and defining their work and study options following their studies. This department provides students with contacts, opportunities and meetings with companies, on the basis that this will help students enter the work market. This service can be enhanced by the attitude and initiatives of the students themselves. How to take part? •Students should submit their CV in Word or PDF. They will be included in our database and will take part in all of our selection processes, depending on their personal and professional profile. •Students are advised to send a motivation letter describing their interests and objectives. •We offer the chance to hold a personalised meeting with any students who are interested in this service, to offer them guidance, help them tweak their CV, and manage their entry in the work market. Always by prior appointment. Operation The IED carries out personalised monitoring of the students and former students who have been through this department and the companies who might be interested in them, in order to share the results of the selection processes. 31 Studying in Madrid “ Living in Madrid means taking part in an intense and varied student environment ” M adrid is the “campus” of the IED Master. A dynamic, accessible and sustainable city based on an Avant Garde cultural model. Thanks to its location in the city centre and the collaboration agreements established with local institutions, such as the Madrid City Hall, the students and collaborators of the IED Madrid enjoy privileged access to the large public centres for culture, arts and education: the Biblioteca Nacional, La Casa Encendida, the Museo Nacional Centro de Arte Reina Sofía, the Museo del Prado, etc. Living in Madrid also offers the chance to take part in a lively and varied student atmosphere. The city boasts a rich educational choice (seven public universities, eight private universities) as well as research centres, summer courses, forums, seminars and specialisation courses, to name just a few. 32 The cultural life of Madrid, the quality and quantity of its museums, cultural centres, theatres, auditoriums and cinemas turn it into a very active cultural centre, which hosts some of the most important cultural events of the year in Spain, such as ARCO and PHotoEspaña. Dynamic, multicultural, hospitable and tolerant, its character as an open city enhances its image as a space for the exchange of ideas and cultures, and favours a welcoming atmosphere that combines education, culture and fun. As an economic and financial centre, the home of the main national and international institutions and companies, the daily life in Madrid brings together professionals from all sectors, to constantly generate new professional opportunities. It is an important link between Europe and Latin America, the North of Africa and the Middle East, thanks to its historic past and its privileged geo-strategic position. Its geographical position, infrastructures and human capital, along with its quality of life and projection to the future, turn Madrid into one of the most attractive cities in which to live, study or work. Hospitality Department The IED Madrid has launched a new service for international students and for those who live outside Madrid, situated in the Palacio de Altamira. If you have any doubt or question, please contact us by email at [email protected] or by phone on +34 91 448 04 44. All of the information regarding administrative procedures and student services in Madrid is available in our online Student Guide, at studentguide.es. 33 General Information ISTITUTO EUROPEO DI DESIGN. C/ Larra, 14 - 28004 Madrid. Mercantile register: Tome 7617, Book 0, Folio 201, Section 8, Page no. M - 123199, 1st registration. Director IED Madrid: Riccardo Marzullo. the causes, formalities and consequences of the resolution of the contract, is included in the general regulations, available to the public at the offices of the Information and Guidance Service and Administration Department. The IED offers Official Degrees in Design – Graphic Design, Product Design, Interior Design (code 28073045), whose training leads to the obtaining of an official and recognized qualification by the Education Department of the Madrid Region, order number 364/2010, of the 2nd of February, 2011. Provisional study plans, pending approval. Itineraries in the process of being regulated by the Madrid Region. The IED also teaches courses leading to its own qualifications, which do not lead to an official qualification, – three-, two- and one-year courses, MAs, advanced training, specialization and summer courses. In some cases, special technical skills will be required. The IED organizes a yearly competition to offer a grant which may cover the course fee. As of the publication of this leaflet, the IED Master Madrid has a faculty of active professionals made up of 15 PhDs, 145 graduates and 53 professionals with other qualifications. The prices of the courses depend on their duration, the credits offered, the language in which they are taught and the provenance of each student. For more information please write to [email protected]. All courses are attendance-based. For any information on the duration of each course, start and end dates, number of teaching hours and practical hours, please see the leaflets for each department, available to all students. The cost of school material varies depending on the course chose, ranging between €20 and €160. Additionally, the cost of the necessary materials to carry out projects ranges, depending on the course chosen, between €30 and € 270. The cost of this material will be the responsibility of each student, taking into account that the IED offers its students the use of its IT, fashion and product design workshops. The courses are taught from Monday to Friday at the premises of the IED, and, occasionally, on Saturdays. The timetable runs from 9:00 to 23:00. The minimum number of registrations to carry out a course is 15 students. The hours mentioned in each programme include teaching hours, project tutorials, practical classes in laboratories and cultural visits, depending on each course. The IED offers a Professional Guidance Service to its students, as well as the practical experience agreement form (a maximum of 400 hours) and the list of available companies. The registration period opens eleven months before the start of the course, and closes once the available places have been filled. The annual fee is divided into a registration fee and a course fee. The reservation of each place will be formalized by means of the payment of the registration fee. The IED recognizes students’ right to drop out of a course in certain cases. This information, as well as that describing 34 REGISTRATION FEE PAYMENT: BANK DEPOSIT AND SUBMISSION OF THE BANK RECEIPT BY FAX TO 91 448 01 22 OR E-MAIL TO [email protected] SPECIFYING THE NAME OF THE STUDENT. Payments from Spain: Banco Popular Español. C/ Génova, 20 · 28004 Madrid. Istituto Europeo di Design. Account Number: 00750322-81-0600446618. Payments from abroad: Banco Popular Español. C/ Génova, 20 · 28004 Madrid · Spain. Istituto Europeo di Design. Swift code: POPUESMM. IBAN Code: ES65 0075-0322-81-0600446618. In cash: CHEQUE MADE OUT TO ISTITUTO EUROPEO DI DESIGN S.L. CREDIT CARD (VISA, MASTERCARD). PAYMENT OF THE COURSE FEE: A single payment of the total course fee (by means of one of the payment options listed for the registration fee), to be paid one month prior to the start of the course. Payment in instalments by financing the course fee through a financial institution, processed one month prior to the start of the course, as described in the information leaflet available to students at the Information and Guidance Service and Administration offices of the IED Madrid. Acceptance is subject to approval by the financial institution. The ISTITUTO EUROPEO DI DESIGN, S.L reserves the right to update, modify or remove the information contained in this information leaflet. Additionally, the company fulfils all personal data protection security measures as stated in RD 1720/2007. 35 IED Madrid Flor Alta 8, 28004 Madrid IED Master Madrid Larra 14, 28004 Madrid T. +34 91 448 04 44 F. +34 91 189 24 02 [email protected] Skype: master.iedmadrid facebook.com/iedmadrid twitter.com/iedmadrid tuenti.com/iedmadrid IED Network: Milano, Roma, Torino, Firenze, Venezia, Cagliari, Madrid, Barcelona, São Paulo