S O N E Z A K I

Mami & Hiro Flamenco Campany
SONEZAKI The Love Suicide at Sonezaki
Original: Monzaemon Chikamatsu
Starring, Choreography and Direction: Mayumi Kagita “Mami” & Hiroki Sato “Hiro”
Production and Lyrics: Yoko Aki Composition and Music Supervision: Ryudo Uzaki
Program notes
Awesome marriage between flamenco and Japanese classics
“Cante (vocal of flamenco)” sung in Japanese
for the first time ever in the history of flamenco
There are two trials in this work.
MMOne is that how to express Chikamatsu-Monzaemon’s world
of Japanese emotion and pathos. The other is how to play the entire
original work with lyrics in Japanese.
MMMayumi Kagita and Hiroki Sato outline the story at a quick
tempo using boldly dramatic techniques. Furthermore, there are
original movements in the choreography based on the flamenco at
1
every turn in order to explain the story. Clear away
the restrictions of flamenco, and the audience can be
brought into tune with the world of Chikamatsu.
The real significance of flamenco lies in the emotional expressions that are passionate and real. They give power to their choreography, when they express
the emotions and the pathos of Japan.
MMThis work challenges to marry flamenco with a
Japanese classic.
MMKagita and Sato have challenged to depict the Japanese emotional world, “Love Suicide” through
flamenco, which they have been able to do with tremendous success.It is much more than the mixture of
the flamenco techniques and Japanese culture. Here, through this
work, we cannot help but believe that “The Love Suicide at Sonezaki” has to be played by the art of flamenco, because the spirit of
flamenco acts in concert with the spiritual world of
Japanese culture.
MMAnd the dancers’ perfetly trained bodies express
the heartbreaking spiritual world of Chikamatsu.
MMIt has been a taboo to sing flamenco in foreign
languages other than Spanish. Flamenco consists of
Dance, Guitar and Cante (vocal), three in one.
“Cante” is the most crucial part of flamenco. The
rhythm of flamenco is inalienable from that of the
Spanish language.
MMThe lyrics written by Yoko Aki keep this work
within the frameworks of flamenco. The music composed by Ryudo Uzaki is more melodious than usual
flamenco scores, which helps to make this play more appealing. His
music is elaborately arranged by all the other musicians such as pianist Yuji Tanaka and guitarist Takashi Suzuki. Sato’s dance, full of
melody and Uzaki’s free, diligent approach to flamenco are the keys
to the incredible music that compose this play. Apart from the main
flamenco guitar, there are Japanese classical instruments such as
“Wadaiko”(Japanese percussion), “Shinobue” ( Japanese flute), “Tosabiwa”(Japanese guitar) accompanied by the piano and Latin percussions.
2
Synopsis
Tragic story of intense love that actually happened early in the 18th
century. In Sonezaki, Osaka Japan, a young man by the name of
Tokubei who worked at the soy sauce shop of his uncle and Ohatsu, a girl who worked at Tenmaya (brothel) loved each other and
had promised to get married in the future. However Tokubei’s uncle wanted to let his hardworking nephew marry his daughter. Because Tokubei never agreed to this, his uncle gave a great sum
of money to the woman that raised Tokubei, in exchange for her approval—which was against the Tokubei’s will. Knowing this situation, Tokubei insited that Ohatsu was the only girl for him, but his
uncle never listened. Tokubei went to see the woman who raised
him, and went through much trouble to get back the money.
MMOn his way to his uncle’s shop to return the money, Tokubei came across his best friend, Kuheiji. Kuheiji begged Tokubei to lend
him the money saying that he was desperately in need of money and
would return it as soon as possible. Subsequently the kind Tokubei
lent all of the money to his friend.
3
MMAnd it was never returned.
MMIn the meantime, Ohatsu was asked to marry a customer of Tenmaya.
MMSometime later, when Tokubei and Ohatsu met in the grounds
of temple, not knowing what to do with themselves, they came
across Kuheij with a few of the town’s people. Tokubei asked Kuheiji to return the money, but Kuheiji insisted that he never borrowed any money. Additionally Kuheiji told everyone that Tokubei
illegally appropriated the shop’s money. The whole town believed
Kuheiji’s lie.
MMDisappointed, Tokubei hid himself from prying eyes and got inside Tenmaya.Ohatsu hid Tokubei. Later, Kuheiji came to Tenmaya using the money he defrauded from his friend. Everything was
going as Kuheiji wished.
MMWorking at Tenmaya, Ohatsu was not able to choose who she
could marry. And poor Tokubei was accused of embezzlement,
which caused him to lose the trust of his uncle and also the reliability as a merchant. Ohatsu urged Tokubei that they should commit
double-suicide and get married in heaven because they would not
be able to do so in their current lives. Realizing situation and, that
Ohatsu was willing to give her life for him, Tokubei decided to commit suicide. The two secretly left Tenmaya and headed to the forest
of Sonezaki, where they pledged eternal love.
The original writer Monzaemon Chikamatsu
1653–1724
The original piece The Love Suicide at Sonezaki
The writer of Japanese puppet shows. Created various masterworks such as “The Love Suicide at Sonezaki” and “The Love Suicide at Amijima” in which he depicted human dramas of the general public in both modern and contemporary history.
Born in the family of a samurai, Chikamatsu soon became a masterless samurai.
MThis caused him to discard his warriorship, and dedicate himself to the performing arts.
MChikamatsu lived in the age of the mature phase of Kabuki and
Bunraku , when Japanese puppet shows and Kabuki were the major forms of entertainments. Chikamatsu soon took on the heading role in these forms of entertainment. Furthermore, he is not
only the founder of Sewajorurim but was the most important writer in Japanese history—helping to form today’s Kabuki and Bunraku styles.
Chikamatsu’s magnum opus actually took place in Sonezaki.
Firstly played at Takemoto theater in 1703, this work went on to
be a huge hit.
M“The Love Suicide at Sonezaki” was the first Puppet show (Sewajoruri) in the Sewakyogen style of Kabuki. There already were
many plays based on the true story from the double-suicides, however Chikamatsu’s pieces differed in the fact that he depicted
the story not as a spectacle but through the eyes of the protagonists. Chikamatsu succeeded in writing the tragedy because he depicted the purity of the young couple who cherished their strong
love and honor even at the dismay of the public. The protagonists
could not avoid the destruction however it shows how passionately they lived as human beings. To fulfill the wants in heaven that
could not had been accomplished in this world is a very Japanese
expression of “salvation.”
4
Sonezaki
The Love Suicide at Sonezaki
Japanese traditional performing arts, Kabuki and Bunraku depicted by flamenco
“Cante (vocal)” in Japanese for the first time ever in the history of flamenco
Dancers that express Japanese classical world of pathos
Unprecedented Flamenco Entertainment accomplished through the fusion of various new ideas
Backgrounds
This work is based on the story “The Love Story at Sonezaki” of
Chikamatsu Monzaemon, the representative of Japan’s Bunraku
and Kabuki authors. The work “The Love Suicide at Sonezaki” has
been performed for over 300 years.
5
MM“Flamenco
The Love Suicide at Sonezaki” was born by the
meeting of the producer, Yoko Aki, the music composer RyudoUzaki and the dancers and choreographers, Mayumi Kagita and
Hiroki Sato. Aki and Uzaki first made the rock version of this story
20 years ago, but after getting acquainted with Kagita and Sato, the
idea of the flamenco version was born.
MMKagita and Sato are Japan’s top flamenco dancers and choreographers. Keeping in touch with the original roots of flamenco, as
Japanese, these two very talented artists also continued to incorporate original ideas into their works while testing the endless possibilities of flamenco. Ironically, when Aki and Uzaki spoke to them
about “The Love Suicide at Sonezaki”, Kagita and Sato were also
thinking about performing one of the double-suicide stories of
Chikamatsu-Monzaemon.
MMThis is how this Japanese love story came to be performed in
the flamenco style. This work was first played in 2001 and was a
great success, which helped it to receive a Cultural Affairs Agency
Art Festival Award and was loved by flamenco and other music and
dance fans in Japan.
MMConsequently, the show was performed at the Theater Space
Zero (three times) in 2002. And in December 2003, it is going to be
performed 7times at the honorable Le Theatre GINZA.
6
Mayumi Kagita
Hiroki Sato
(Director, Choreographer and Dancer) as Ohatsu
(Director, Choreographer and Dancer) as Tokubei
Japan’s most famous flamenco dancer and choreographer. Kagita is well-known for her prominent talent and direction of truly
original works. Over her brilliant career, Kagita has performed
in Spain several times—capturing the eyes of both Spanish newspapers and television, where she has won much acclaim.
MHer dancing career started at the age of six when she began
modern dance. At 18, she began learning flamenco.
MIn 1990, Kagita was awarded the Kawakami Suzuko Spanish
Dance New Performers’ Award. In 1996, she was awarded a prize at the Yokohama Competition of Ballet and Modern Dance for
the first time as a flamenco dancer. Then the next year in 1997,
she was awarded both the Most Outstanding Dancer Award, and
the Kanagawa Governor’s Award at the Yokohama Competition
of Ballet and Modern Dance.
MIn 1998, Kagita was awarded the “Cultural Affairs Agency Art
Festival Award for New Dancers” for her performance in
“Lemon Aika.“ This production is based on the famous novel
“Chieko-sho” by Takamura Kotaro, and was performed in collaboration with Noh artists.
MIn 2001, Kagita’s work entitled “The Love Suicide at Sonezaki” was awarded the ”Cultural Affairs Agency Art Festival Best
Award in the Theater Category.”
MIn both 1999 and 2000, Kagita was selected as one of the “Best
Dancers” of all genre by the Japanese Music Dance Newspaper.
MIn 1992, Kagita opened the doors to her successful dance studio “Arte y Solera”. Together with her partner Hiroki Sato, Kagita dedicates herself to teaching dance.
Kagita has released numerous books and videos on flamenco, and
currently teaches dance and choreography, while also making
guest appearances on television.
Sato is most known for being “a young and hopeful flamenco
dancer and choreographer” because of his excellent sensitivity
that shines through his flamenco.
MSince “Lemon Aika” in 1998, Sato has worked in unison with
Mayumi Kagita as her partner.
MSato’s great talent in direction and choreography shown
through his new works has brought new influence to the world
of flamenco. Accordingly, Sato’s proven ability is highly recognized in Spain as well.
MIn 1996 Sato was awarded the Kawakami Suzuko Spanish
Dance New Dancer Award. That same year, he was the first
newcomer to receive a Special Incentive Award during the Japan
Flamenco Association competition. As a direct result of the talent that Sato showed as a new dancer, he also quickly caught the
eyes of those in Spain. To add to his awards, Sato was also captured the top award given at the Yokohama Competition of Ballet and Modern Dance. At that same competition, in 1997, Sato
received both the top award, and the Governor of Kanagawa
Award. In 2001, “The Love Suicide at Sonezaki” was awarded
the ”Cultural Affairs Agency Art Festival Best Award”.
MCurrently, Sato along with partner Mayumi Kagita head their
dance studio “Arte y Solera.” Along with his videos and books
on Flamenco, Sato supervises and appears on television programs.
7
Yoko Aki
Ryudo Uzaki
( Producer and Lyricist)
(Music Supervision and Composition)
Yoko Aki currently works as both a lyricist and writer. Aki’s
debut work was the lyrics for the song “Yoko of the Seaport in
Yokohama” by “Down Town Boogie Oogie Band,” which is led
by Ryudo Uzaki.
MSince then, Aki has provided lyrics for numerous top singers
in Japan, whose songs eventually went on to be huge hits.
MIn 1976, Aki was awarded the “Japan Record Grand Prix” for
the lyrics to “Yokosuka Story”. Then in 1997, she was honored
with the “Japan Record Grand Prix” for “Miserarrete.” She then
went on to capture the same award in1986 for “Desire.”
MRecently, Aki has kept considerably busy writing both novels
and essays, to include “Bed no kishimi”, and “Ran, Ran, Ran”.
Aki’s first cook book, “Hoppeta pororin rescipe” was published
in the spring.
MIt was Aki that laid the ground work for the flamenco version
of “The Love Suicide at Sonezaki,” by using all Japanese lyrics
based on Ryudo Uzaki’s rock version. Aki has been a fan of
flamenco for more than 10 years, so her aesthetic feelings for flamenco and plays are reflected through this work.
Ryudo Uzaki currently works as both a musician and composer.
MSince his debut with the “Down Town Boogie Oogie Band,”
Uzaki has played a leading role in the music scene of Japan. In
1984, Uzaki formed the band called “Ryudo-gumi.” This band,
which toured throughout the world, incorporated Japanese taiko drums into rock music creating a sound unheard in the past.
MApart from his work in music bands, Uzaki has made music for
other singers, that have consequently gone on to be very successful. In 1996, Uzaki received the “Japan Record Grand Prix” in
the music category.
MUzaki also has showcased his talents by acting in movies and
television dramas, while making music for the plays written by
such people as Yukio Ninagawa.
MThe flamenco version of “The Love Suicide at Sonezaki,” in
which Uzaki supervises the music, is based on the original rock
version. The entire lyrics for this production were written by Yoko Aki in Japanese, which has helped to create a whole new atmosphere for flamenco from Japan.
8
Yoshio Yano
Troupe of Kagita and Sato
(Dance) as Kuheiji
(Dance)
Yano is a young and promising dancer, who is best known for his
sharpness, and strong “sapateado (music made by the feet),”
along with his abundant power of expression.
MA top dancer of the “Troupe of Kagita and Sato,” Yano is one
of the top flamenco stars in Japan.
MIn the “The Love Suicide at Sonezaki,” Yano plays the unique
character of Kuheiji, which to date, has received great acclaim.
MIn 1999, Yano was awarded the Best Prize from the Japan Flamenco Association.
This troupe was organized in 1998.
MThis group of powerful dancers have well-trained bodies and
are masters in the art of expression.
MAlthough the troupe is beautifully controlled as a group, each
possesses their own originality—which helps make the troupe
one of the most import pieces of the puzzle to this production.
Several of the members of this troupe have been awarded accolades for their performances as new dancers.
Masanobu Takimoto
Keiko Kawashima
(Flamenco Singer) as Tokubei
(Flamenco Singer) as Ohatsu
Takimoto enthusiastically sings flamenco with a heavy voice,
which has helped him earn the title of “Japan’s leading flamenco singer.” Takimoto not only sings for the dance but performs
solos as well.
MIn 1998, Takimoto performed at the largest flamenco festival
in Sevilla, Spain that takes place each year. At this festival, Takimoto became the first Japanese to win an award as a singer.
MTakimoto also sings in live house of traditional flamenco
“Los Cavares” in Spain, as well as keeping active as a singer.
Kawashima is a singer full of esprit of flamenco.
MIn her very first performance, Kawashima captured the hearts
of the audience which helped her receive much acclaim.
MKawashima repeatedly visits Spain, and maintains a close relationship with the distinguished family of flamenco “Agujeta,”
where she continues to learn the native flamenco that has been
carried on through the gipsy family.
MKawashima received the 5th Prize of the Japan Flamenco Association.
Takamitsu Ishizuka
Takashi Suzuki
(Flamenco Singer) as Kuheiji
(Flamenco Guitar and Arrangement)
Ishizuka, the most popular flamenco singer in Japan, sings the
part of Kuheiji with his prominent sense of flamenco.
MAfter graduating from university, Ishizuka departed for
Spain and where he learned flamenco from the gypsies of Jerez.
MIshizuka now shares his time living in both Spain and Japan.
MIshizuka appeared as the first foreign singer in live houses in
Barcelona.
MIn 1997, he received the prize of Japan Flamenco Association.
And then in 1999, he received the prize at the competition of
Madrid, Spain.
Suzuki is the leading guitarist of flamenco in Japan.
MSuzuki left Japan in 1984, and went to Spain to play at festivals
and live houses there.
MHe often visits Jerez, the home of flamenco, to continue working on music, and to maintain close relationships with the
town’s people.
MSuzuki creates his original music emphasizing the tradition of
flamenco.
9
Masahiro Obara
Gen Ogimi
(Flamenco Guitar)
(Percussion)
Obara is a guitarist who is not bound by genre.
MWith fingers and picks, Obara creates both vivid and strong
sounds.
MObara has profound relationships with those in flamenco.
MIn 1985, Obara stayed in Sevilla for three years and a half,
where he forged friendships with Changuito and other native artists. Apart from playing the guitar, Obara also makes music
for e recordings.
Ogimi is one of the top percussionists in the world.
MIn 1984, Ogimi formed a salsa band called “Orquesta de la
Luz” that helped salsa boom in Japan. In 1990, his band’s album was released at the same time throughout the world. Soon
afterwards, it hit the top of the billboards of the Caribbean Category for ten weeks in a row.
MAfter leaving his band, Ogimi went to N.Y. where he lived
from 1990-1996. Later he formed the new salsa band called
“SALSA SWIN’GOZA.” Apart form his own salsa music band,
Ogimi challenges to have sessions with other musicians of other genres that range from jazz to contemporary.
Hiroshi Tanaka
Jiro Murayama
(Piano and Arrangements)
(“Shinobue” Japanese Flute)
Tanaka is a international pianist that creates original music both
in jazz and flamenco
MTanaka is well respected for his tremendous talents and the
beautiful touch of his piano.
MHis well trained techniques are very appealing. Tanaka has released several c.d.s to date.
Murayama is the Japanese traditional flutist of great talent and
shows the possibilities of the instrument through his original
musical style.
MIn 1989, his career started as a member of the Japanese Wadaiko Group called “Kodo.”
MIn 1991, his own band “Rebunkamui” was formed.
MMurayama works on recordings of other artists such as Takako Shirai and Eiichi Arai. He plays overseas as well and is
highly acclaimed.
Gessui Kuroda
Hibiki Doen
(“Tosabiwa” Japanese Guitar)
(“Wadaiko” Japanese Percussion)
Kuroda is the grand master of “Tosabiwa”, traditional guitar of
Japan. She is known for the sensitive tune of “Tosabiwa” and her
rich voiceful expressions.
MThe scene of “Michiyuki” (the walking scene of the two before
executing a double-suicide)” is accompanied by her “Tosabiwa”
and the vocal is the most dramatic part of this “The Love Suicide
at Sonezaki.” Kuroda started learning “Biwa” under the grand
master of “Satsumabiwa”, Josui Nakatani.
MIn 1996, Kuroda went back to her hometown in Kochi (Tosa)
in order to start her original style “ Tosabiwa.” Apart fom playing solos, Kuroda actively collaborates with the musicians of
other genres.
Hibiki started his career in Japan’s leading “Wadaiko” grurp called “Kodo,” which tours the world.
MIn 1997, Hibiki became independent from the group and started sessions with other musicians of other genres, pursuing the
possibilities of “Wadaiko.”
MIn “The Love Suicide at Sonezaki,” Hibiki shows us the new
spatial and musical possibilities of “Wadaiko.”
10
S TAFF
Production and Lyrics
Yoko Aki
Music supervision and Composition
Ryudo Uzaki
Direction, Arrangement and Choreography
Mayumi Kagita,
Hiroki Sato
Stage design
Ryonen Egashira
Stage lighting
CAT Hiroko Yoshikawa
Sounds
Freeway Yukihisa Kaneda
Costume tie-up
Chacott
Costume
Renko Yamamoto
Shoes
Gallardo Dance S.L
Hair and Make-up
Chacott, Jin Sakaya
Construction coordination
Union Stage Company
Special effects
Spark
Stage direstion
Hideo Aoki
Stage supervision
Tomomasa Akagi
Promotion design
Fumitoku
Photograph
Yuki Ohmori
Hiroyuki Kawashima
Stage cooperation
Mieko Nishiwaki
Stade production
Office Dragon
Arte y Solera
11
Recent Main Activities
With every collaboration, Mayumi Kagita and Hiroki Sato create
something new that turns the heads of those around the world.
The most sensational flamenco artists
ever from Japan
Arte y Solera
Dance: Mayumi Kagita / Hiroki Sato / Enrique Pantoja /
El troupe of Mayumi Kagita
Vocal: Antonio de la Malena / Juaniarez
Guitar: Malena Hijo / Curo de Jerez
Direction and Choreography: Mayumi Kagita / Hiroki Sato
It is a theatrical flamenco production by their studio “Arte y Solera.” “Arte y Solera” means “Arts and Tradition” in English.
This name shows Kagita and Sato’s will to emphasize on the
roots and history of flamenco while pursuing the new possibilities of flamenco. The “Arte y Solera” consists of major numbers of flamenco. They dance with the music of the artists from
the mecca of flamenco“Jerez.”
2002 /2003
13
Blue ni somayu yume
Dance: Mayumi Kagita / Hiroki Sato / El troupe of Mayumi Kagita
Noh Dance: Taijiro Tsumura / Keigo Suzuki
Percussio: Gen Oogimi
Violin: Keiji Oota
Vocal: Manolo Sevilla
Guitar: Ikko Yagi / Junichi Takagi
Direction and Choreography: Mayumi Kagita / Hiroki Sato
Kagita and Sato show us the original world of the story “Kanni”
from the traditional Japanese Noh through flamenco. The collaboration with Noh in “Lemon Aika” evolved into new world
in “Blue” pursuing the possibilities of flamenco. They created
the new stage of theatorical flamenco in the fusion of Japanese
traditional art and flamenco.
2000, Komaba Eminas
. Obra participante en el Festival Artístico del Ministerio de
. Cultura del año 2000
Forest of Mazenta
Dance: Mayumi Kagita / Hiroki Sato / El troupe of Mayumi Kagita
Vocal: Enrique Pantoja / Gomez de Jerez
Guitar: Juan Serrano / Pepe Macía Marote
Direction and Choreography: Mayumi Kagita / Hiroki Sato
Hideharu Ohawa dedicated a poem “Forest of Mazenta” to the
dance of Kagita and Sato. Kagita and Sato made the anthology
of flamenco based on his poem. It is a challenging work to bringing out the essence of traditional flamenco into the spatial theater. The singers of flamenco who worked in the troupe of the
world famous Antonio Gadez of Spain.
. Obra participante en el Festival Artístico del Ministerio de
. Cultura del año 1999
1999, Session Suginami
14
Lemon Aika—Life of Chieko
Dance: Mayumi Kagita / Hiroki Sato / El troupe of Mayumi Kagita
Noh Dance: Taijiro Tsumura / Keigo Suzuki
Oodutumi (Japanese traditional percussion): Shonosuke Ookura
Kodutumi: Masahiro Sakata
Sho (Japanese traditional flute): Satoshi Tsukitaku
Guitar: Ikko Yagi
Harmonica: Katunori Arai
Direction and Choreography: Mayumi Kagita / Hiroki Sato
Magnum opus of Kagita and Sato
Kagita and Sato depict the life of Chieko who is the wife of the
famous poet Kotaro Takamura in which they challenge to collaborate with Noh and harmonica. Sato joined the direction and
choreography of Kagita. Kagita was awarded the Cultural Affairs Agency’s prize which is the most honorable prize given to
great artists in Japan.
1998, Shinjuku Space Zero
2000, Kannai Hall
“Cultural Affairs Agency Art Festival Award for New Dancers”
AY, LE JANO…
Dance: Mayumi Kagita / Antonio el Toleo / Miguel el Toleo
Vocal: Lolo / Esmeralda / Yuri Ooki
Guitar: Chicuelo / Takashi Suzuki
Flute: Shunji Yamamoto
Direction and Choreography: Mayumi Kagita / Antonio el Toleo
Kagita depicts the ancient love in the scene of Spain. Invited
members from the honorable gipsy family Toreo. Appealing debut work of Kagita as a talented stage creator
1993, Kitazawa Town Hall
15
Activities of MAMI & HIRO in Spain
High appraisal in Spain. Crossing over boundaries...
Mayumi Kagita and Hiroki Sato take an active part not only in flamenco productions in Japan but also in Spain.
Since the show at a live house in Madrid in1999,
they have often performed flamenco in Spain which has been highly acclaimed by audiences and media alike.
Below are excerpts from newspapers of flamenco mecca Jerez,
when they accomplished their performances at two widelyknown flamenco live houses, “Pena Flamenca la Buleria” and
“Pena Los Cernicalos.”
“A crowd gathered at the place to see the performance of Mayumi Kagita and Hiroki Sato who came far away from the
oriental country, Japan.
Their accurate techniques and dramatic expressions captured
the hearts of audiences, leading to a huge roar of applause that
never stopped.
Their major performances at traditional live houses in Spain
Infanta Isabel
Madrid
Kagita and Sato danced in the Theater of Isabel as the only dancers from Japan, among the Lore and other history-making
flamenco artists.
2001
16
Pena
Jerez
The most honorable pena of flamenco mecca of Jerez invited
Kagita and Sato. Sato says the joy he gets from dancing there,
he cannot find anywhere else. Although a very tough audience
to please, their applause never ceased.
2000 /2002 /2003
Casa Patas
Madrid
The most popular live house in Madrid. Kagita and Sato’s career
in Spain began in this live house. The show which they performed twotimes, was a huge success.
1999 /2000 /2002
17
Mami & Hiro Flamenco Company
“SONEZAKI” Organizing Committee
Mieko“KIRIKO” Nishiwaki
JAPAN
2-48-14 Daisawa Setagaya-ku Tokyo 155-0032 Japan
Telephone: 81 (0)80 5513 2251
Facsimile: 81 (0)3 5453 0016
E-Mail: Miekokiriko @ hotmail.com
Kaoru Togaki
SPAIN
C/Lucano, 46 28022 Madrid
Telephone: 91 320 04 77
Facsimile: 91 324 91 55
E-mail: kaoru @ retemail.es
©2004 ARTE Y SOLERA ©2004 OFFICE DRAGON
1