2016 Summer Ballet Programs

2016 Summer
Ballet Programs
at Performing Arts School of Central Pennsylvania
THE PASCP ADVANTAGE
A Joyful Pursuit of Excellence
33 Experienced faculty provides excellent training for ages 3 through adult.
33 PASCP offers the area’s most comprehensive ballet programs, providing
students with a strong dance foundation in a nurturing and enjoyable atmo-
sphere.
33 A wide variety of summer programs offered to conveniently fit busy summer schedules.
33 Our program has earned a national reputation for excellence in dance instruc-
tion.
33 Nationally recognized guest teachers provide students with individual attention
Recommendations for current PASCP students:
The Preschool Ballet (Step 1, 2, 3) and Beginning Ballet (Red-Orange levels)
programs provide the very best atmosphere and training in the area. PASCP
students excel because of our high quality of training, instructors, and studio
environment.
Based on years of development and experience, students taking our intensive
summer programs (workshops and full-day intensives) often see significant improvements in a short period of time. Quite simply, more effort = more progress!
If dancers are considering a national summer intensive program away from
home, we encourage parents and students to discuss their considerations with
the PASCP Artistic Director. We can be a resource for you and would like to help
guide you through the process.
Students attending other summer programs will be the most successful if they
take summer intensives at PASCP before (in preparation for) and after (for retention and strength) their away programs.
Our most successful students have taken the summer intensives starting at the
Orange level and continue to do so through their time as students at PASCP.
STORYBOOK BALLET SERIES
(Step 1 - Red 1)
Students will love this special program, which highlights some of the most beloved
ballets, including Cinderella, Le Corsaire, Giselle, and The Firebird.
The weekly series concludes with a Storybook Ballet Celebration, where students will
have a class demonstration for family and
friends, followed by a reception. Classes are
held on Tuesday/Thursday and Fridays.
Week of:
June 20: Cinderella
August 1: Giselle
June 27: Le Corsaire
August 8: The Firebird
STEP 1 & 2 (ages 3 and 4)
Tuesday/Thursday: 4:30 - 5:15 p.m.
Friday: 4:30 - 5:30 p.m. (Storybook
Celebration)
Cost: $45/week
STEP 3 (age 5)
Tuesday/Thursday: 4:30 - 5:15 p.m.
Friday: 4:30 - 5:30 p.m. (Storybook
Celebration)
Cost: $45/week
RED 1 (ages 6+ with 0-2 years ballet training)
Tuesday/Thursday: 4:30 - 5:30 p.m.
Friday: 4:30 - 5:30 p.m. (Storybook Celebration)
Cost: $50/week
Weeks offered:
June 20-24
August 1-5
June 27 - July 1
August 8-12
Register and pay
in full for all 4
weeks and save
$5 off each week!
BEGINNING BALLET PROGRAMS
Ballet Workshops
Weeks offered:
June 20-24
June 27-July 1 August 1-5
August 8-12
Learn about the great ballets Cinderella, Le Corsaire,
Giselle, and The Firebird! Each week students will
take daily ballet classes, explore a famous ballet, enjoy
snack breaks together, and create a craft for their endof-the-week showcase.
Red 2
Monday - Friday: 9:00 - 12:30 p.m.
Performance: Friday at 12:00 p.m.
Cost: $145/week
Register and pay
in full for all 4
weeks and save
$10 off each
week!
Orange 1 & 2 Monday - Friday: 1:00 - 4:30 p.m.
Performance: Friday at 4:00 p.m.
Cost: $145/week
Dancers should bring a snack and water bottle during ballet workshops.
Evening Programs
Red 1&2 (continuing Red 1 students only)
Monday/Wednesday/Friday: 5:30 - 7:00 p.m.
Cost: $60/week
Weeks offered:
June 20
June 27
July 11
August 1
August 8
Orange 1& 2
Monday/Wednesday/Friday: 5:30 - 7:00 p.m.
Cost: $60/week
Weeks offered:
June 20
June 27
July 11
July 18
August 1
August 8
INTERMEDIATE & ADVANCED BALLET
(Yellow-IVG)
Full-Day and Half-Day Intensives
Weeks offered: June 20-24*
June 27-July 1
July 5-8
July 11-15
August 1-5
August 8-12*
This weekly intensive will focus on clean, sound technique and the artistry of ballet. Ballet and pointe/pointe
prep classes will offer a summer filled with proficient ballet
training. Daily classes will include ballet technique and
pointe/pointe prep with supplemental classes in ballet
variations, modern, and jazz.
FULL DAY
Monday - Friday: 9:00 - 4:30 p.m.
p.m. Cost: $250
HALF DAY
Monday - Friday: 9:00 am. - 12:15
Cost: $170
*Indicates Guest Faculty week
Dancers participating in half-day programs should bring a snack and water bottle daily. For those participating in full-day intensives, a snack, lunch, water bottle, and extra leotard are recommended.
Choreographer’s Workshop
Offered 1:00 - 4:30 during week of July 5 and July 11 -13. PASCP’s Choreographers Workshop offers dancers the unique and fun opportunity
to participate in a creative part of their art form. Students will work with choreographers to set a dance piece during this week and will learn some of the techniques
choreographers use to create movement for the stage. A performance will be
Wednesday, July 13. Location TBA (submitted request to perform at ArtsFest).
Dancers will receive ballet technique, pointe, or variations on July 14 & July 15.
Evening Programs
Weeks offered: July 18
July 25
August 29**
Classes will be held Monday - Friday. Cost is $75/week
Yellow
Green - IVG*
5:30 - 7:00 p.m.
5:30 - 7:00 p.m. T/TH (*Arron Scott - 7/18 & 7/25)
7:00 - 8:30 p.m. M/W/F
*Guest Teacher Arron Scott will be teaching T/TH weeks of July 18 & 25.
**Recommended for placement for fall levels. Those who do not take class this week will be
evalutated during the first few weeks of the full session.
2016 SUMMER GUEST FACULTY
Erin Stiefel-Inch
June 20 - 25 (9:00-12:15 p.m.)
Erin was born in New Haven, Connecticut and
at age 9 began ballet classes at the Monona
Academy of Dance in Madison, Wisconsin. Erin
continued her ballet study, under scholarship,
with Milwaukee Ballet School, Central Pennsylvania Youth Ballet, Carlisle Project and School of
American Ballet (the official school of The New
York City Ballet) in New York City. Erin was professionally contracted by Basel Ballet in Basel,
Switzerland under the direction of Heinz Spoerli shortly after turning 17 years old. She also
danced professionally with Bonn Ballet and Zurich Ballet where she danced numerous principal
roles under the direction of Bernd Roger Bienert
and Heinz Spoerli. Erin has an extensive repertoire in classical ballet having danced many of
the great classics such as Swan Lake, Giselle, Don Quixote, La Vivandiere, Raymonda, The Merry Widow and more. She is well versed in contemporary and
modern ballets having danced ballets from such eminent choreographers as Hans
Van Manen, William Forsythe, Mats Ek, Balanchine, Nijinsky, Amanda Miller, Ed
Wubbe and Bejart.
Upon retirement, due to a knee injury, Erin returned to the U.S. Eleven years ago
she opened a small studio in Lewisburg, Pennsylvania to provide coaching and
specific ballet instruction to serious ballet students. She has seen many students
who have passed through her doors go on to dance professional ballet. She has
also given numerous master classes at Bucknell University, as well as, has rehearsed ballets for them.
2016 SUMMER GUEST FACULTY
Timothy Fox
June 20 - 24 (1:00 - 4:30 p.m.)
Mr. Fox began his training in Tulsa, Oklahoma with
Moscelyne Larkin and Roman Jasinski, who founded Tulsa Ballet, and went on to be a Principal Dancer with that company. He studied at both School of
American Ballet and American Ballet Theatre School
in NYC under a Ford Foundation Scholarship. Mr.
Fox danced with the New York City Ballet under the
direction of George Balanchine, Jerome Robbins and
Peter Martins. He was also a Principal Dancer with
the San Francisco Ballet under Helgi Tomasson. He
performed Principal roles in Jiri Kylian’s Forgotten
Land, Michael Smuin’s Romeo & Juliet, Paul Taylor’s
Sunset, James Kudelka’s Dreams of Harmony, Val
Caniparoli’s Connotations, Jerome Robbins’ Interplay and Fancy Free, George
Balanchine’s Symphony in C, Four Temperaments, Divertimento #15, Midsummer Night’s Dream and Serenade, as well as Les Sylphides,Coppelia, Prodigal
Son, The Nutcracker and Swan Lake.
Mr. Fox has taught at the request of many of the finest dance institutions in the
U.S. including: Boston Ballet School, Boston Ballet II, Philadelphia Ballet School,
Ballet Fleming, Dance Arts (Cherry Hill, NJ), MMAC-Manhattan Movement and
Arts Center/Manhattan Youth Ballet (NYC), Ballet Academy East (NYC) Talent
Unlimited Performing Arts High School(NYC), Sudbrook Arts Centre, Goucher
College, Towson University, Maryland Youth Ballet,, Ballet Guild of Lehigh Valley/ PA Youth Ballet, The Allegheny Ballet, The Washington Ballet, Washington
School of Ballet and The Berrend Dance Centre.
2016 SUMMER GUEST FACULTY
Arron Scott
Soloist, American Ballet Theatre
Tuesday & Thursday (5:30-7:00) July 18-22
Tuesday & Thursday (5:30-7:00) July 25-29
Raised in State College, Pennsylvania, Arron
Scott started his training at the Ballet Theatre of
Central Pennsylvania at nine. He has danced
on full scholarships at American Ballet Theatre,
Pacific Northwest Ballet School and the School
of American Ballet summer programs as well
as being 2002-2003 ABT National Training
Scholar. He trained for two years at the School
of American Ballet where he was awarded the
Rudolf Nureyev Scholarship.
Scott joined ABT’s Studio Company in September 2003 and the main Company as a
member of the corps de ballet in April 2004.
He was promoted to Soloist in 2015. His roles
with the Company include Mercutio in Romeo
and Juliet, the Bronze Idol and the Head Fakir in La Bayadère, Lead Fieldworker
in The Bright Stream, the Jester and Napoleon in Frederick Ashton’s Cinderella,
Birbanto in Le Corsaire, Lead Gypsy in Don Quixote, the peasant pas de deux in
Giselle, the Young Soldier in The Green Table, the Beggar Chief in Manon, Kolia
in A Month in the Country, a Carnival Dancer in Othello, the Wolf in The Sleeping
Beauty, the Neapolitan Dance in Swan Lake, Eros in Sylvia and leading roles in
Airs, Bach Partita, The Brahms-Haydn Variations, Brief Fling, Company B, Drink
to Me Only With Thine Eyes, Duets, Dumbarton, Everything Doesn’t Happen at
Once, Gong, In the Upper Room, The Leaves Are Fading, Mozartiana, Seven
Sonatas, Sinfonietta and Symphony #9. He created a Fairy Cavalier in Alexei
Ratmansky’s The Sleeping Beauty and roles in After You and AfterEffect.
Mr. Scott’s performances with American Ballet Theatre are sponsored by Avery
and Andrew F. Barth, in memory of Rudolph Barth.
2016 SUMMER GUEST FACULTY
Gennadi Vostrikov
August 8-12
Gennadi Vostrikov was born in Siberia, Russia, and received his early training in Perm.
Vostrikov studied with the renowned ballet
teachers Plaht and Asaular. He was awarded
the first degree diploma in the Leningrad Ballet
Competition. Upon graduation he was asked to
join the Moiseyev Classical Ballet Company.
With the the Moiseyev Company he was
coached by the legendary ballet masters,
Igor Moiseyev, Asaff Messerer, and Sulamif
Messerer. The Moiseyev Classical Ballet Company traveled worldwide. It was during one of
their many tours that Vostrikov saw the possibility for freedom and defected while in Mexico.
The Mexico Ballet Company invited him to join their company as a principal and
teacher when Nicholas Petrov, Pittsburgh Ballet Theatre (PBT) director, heard
about Vostrikov’s defection and requested that he join PBT. While with PBT, he
performed numerous principal roles in such ballets as Nutcracker, Prince Igor,
Rite of Spring, Swan Lake, Les Sylphide, Romeo and Juliet, Corsaire Pas de
Deux, La Bayadere, and Don Quixote, and also appeared with the Pittsburgh
Opera. Vostrikov was also a principal with Chicago Ballet and Milwaukee Ballet.
He was an associate professor of dance with the University of Alabama in Birmingham, Shenandoah University, as well as director of Ballet Zulia in Maracaibo,
Venezuela.
Currently, Vostrikov is director of the Virginia Youth Ballet and Vostrikov’s Academy of Ballet. He is also a guest teacher and choreographer with Cumberland Ballet, New Castle Ballet, Williamsburg Chamber Ballet, Louisiana Dance Theatre,
Pittsburgh Ballet Theatre School, Pittsburgh Youth Ballet, Central Pennsylvania
Youth Ballet, and a master teacher with National and Regional Ballet festivals.
2016 SUMMER GUEST FACULTY
Rafael Grigorian
August 8-12
Master Grigorian received his ballet
training at the Kirov Ballet School and
the Baku Choreographic Institute. For
twenty years, he was the principal
dancer with the Baku Theater of Opera
and Ballet, dancing lead roles in such
ballets as Don Quixote, Giselle, Swan
Lake, Sleeping Beauty, The Nutcracker, and more.
Several ballets were made expressly
for Master Grigorian. As a performer,
he toured the world with stars of the
Bolshoi and the Kirov Ballet Companies. Master Grigorian was awarded
two highly prestigious awards for his
performances: The People’s Artist of Azerbaidzhan and Laureate of State Prize of
the USSR; both are extraordinary honors for an artist. He was the choreographer
for the European, World, and Olympic Ice Dancing group Linichyk, and a teacher
for the Moscow Theatre Studio of Musical Art.
Master Grigorian served as the choreographer for the Russian Stars Ensemble
in the Mark Twain Musical Drama from 1989-1995. In 1991, he opened the Rafael Grigorian School of Classical Ballet in the Elmira and Corning area of NY.
In 1998, the school expanded to the Binghamton area. The Arts of the Southern
Finger Lakes of NY has recently honored Master Grigorian with an award for his
outstanding work in the community.
ADULT BALLET PROGRAMS
(Ages 13+)
Teen/Adult Beginning Ballet
Weeks offered:
June 20-24
June 27-July 1
July 11-15
August 1-5
July 5-8
August 8-12
Tuesday and Thursday: 5:30 - 7:00 p.m.
Cost: $40/week
Teen/Adult Intermediate and Advanced Ballet
Weeks offered:
June 20-24
June 27-July 1
July 11-15
August 1-5
July 5-8
August 8-12
Tuesday and Thursday: 7:00 - 8:30 p.m.
Cost: $40/week
CONTACT US
Performing Arts School of Central Pennsylvania
3006 Research Drive, Suite D-1
State College, PA 16801
PH: 814.234.4961
Fax: 814.234.1164
E-mail: [email protected]
www.pascp.org
ENROLLMENT INFORMATION
The PASCP Summer Program has been designed to give families the greatest flexibility and value combined with excellence in training. Students may enroll for as little
as one complete week or as many as eight weeks!
PASCP encourages all students to enroll in as many weeks of our program as possible. More classes=more progress!
REGISTRATION DEADLINES
Friday, May 27, 2016 for programs held between June 20 - July 15.
Friday, July 1, 2016 for programs held between July 22 - August 15. As long as there are spaces left in the class, we will accept students up until the week
of the selected program. However, we do request that students register as early as
possible, as this will help determine the feasibilty of each program. Low enrollment
in the 2 weeks prior to any given program may result in cancellation of that program.
REGISTRATION FEES
For new or former students not enrolled at the end of the 2015-2016 Full Session,
there is a $50 registration fee per student. The maximum family registration fee is
$100. This registration fee will also be applied to the 2016-2017 Full Session.
Summer-only Registration Fee: New students who enroll for the
summer only may pay a $25 registration fee. If students decide to enroll
for the 2016-2017 Full Session, this registration fee can be applied.
TUITION PAYMENT DEADLINES
Tuition for the 2016 Summer Program may be paid in full at registration or in two
equal payments. Please arrange payments directly through the front desk.
TUITION DISCOUNTS
Payment in Full (PIF)
Students who pay in full for the entire summer session (min. two weeks of registration
required) at the time of registration will receive 5% off total tuition.
Sibling/Male Dancer Discount
10% discount for second family member and 15% discount for each additional family
member. All male dancers receive a 25% tuition discount.
All tuition paid is non-refundable unless PASCP cancels a class or in case
of student emergency. PASCP accepts Check, Cash and Credit Card
(American Express, Visa, Mastercard, Discover).
DRESS CODE
Ballet Classes
NOTE: Fridays are colored leotard and skirt day!
Females:
• Ballet pink tights - footed.
• Underwear should not be worn with tights and leotards.
• Pink ballet shoes with elastic straps (straps worn on top of foot, not under foot)
• Hair secure in a bun and off the face or secured back with clips in a low ponytail if
hair is too short for a bun.
Step I, II, II:
Red-Green Levels:
Blue Levels:
Indigo/Violet/Gold:
Black leotard and any color/pattern demi skirt (optional)
Black leotard with hip alignment belt *
Black leotard with hip alignment belt *
Blue leotard, complimenting demi skirt
Black leotard with hip alignment belt *
Any color leotard, complimenting demi skirt
Form fitting t-shirts, camisoles, and dance/bike pants or shorts are not permitted in
ballet classes, except for Teen/Adult classes (see below).
Males:
• Black tights, black knee-length bike shorts, or dance pants (no loose clothing)
• Black ballet shoes with elastic
• Dance belt or equivalent
• White socks
Step I, II, II: Levels Red - Green:
Blue-IVG:
Plain white form fitting dance t-shirt or athletic shirt
Plain white form fitting dance t-shirt or athletic shirt
Plain form fitting t-shirt or athletic shirt in any color
*Belts can be purchased at the PASCP front desk. Cost is $8 each.
Teen/Adult Classes
We recommend following the ballet dress code, however, the following options are
permitted:
• Black tights or fitted leggings
• Fitted athletic shirt
Performing Arts School of Central Pennsylvania
2016 Summer Program Registration Form
Date
____/_____/________
Family Last Name ____________________________________________________
Parent/Guardian _____________________________________________________
Email _________________________________ Ph _________________________
Address ____________________________________________________________
Emergency Contact ____________________________ Ph ____________________
Registration #1 Student Name ___________________________ DOB __________
Program
Week of:
Tuition
Discounts
______________________ __________
$__________
PIF $_________
______________________ __________
$__________
Male $________
______________________ __________
$__________
______________________ __________
$__________
Note: Pay In Full discount ONLY applies to 2 or more weeks of classes.
Reg Fee $______
Discounts $__________
Final Tuition Due $__________
Registration #2 Student Name ___________________________ DOB __________
Program
Week of:
Tuition
Discounts
______________________ __________
$__________
PIF $_________
______________________ __________
$__________
Male $________
______________________ __________
$__________
______________________ __________
$__________
Note: Pay In Full discount ONLY applies to 2 or more weeks of classes.
Reg Fee $______
Discounts $__________
Final Tuition Due $__________
Please enter payment Information and additional student registration on reverse side.
Registration #3 Student Name __________________________ DOB __________
Program
Week of:
Tuition
Discounts
______________________ __________
$__________
PIF $_________
______________________ __________
$__________
Male $________
______________________ __________
$__________
______________________ __________
$__________
Note: Pay In Full discount ONLY applies to 2 or more weeks of classes.
Reg Fee $______
Discounts $__________
Final Tuition Due $__________
PAYMENT INFORMATION
TOTAL FAMILY TUITION DUE: $__________
Payment Options:
Full Payment or
Payment Type: Check
Cash
2 Installments
Credit Card (AMEX, Visa, MasterCard, Discover) Check # _________
Credit Card # ___________________________________________ Type _____________
Security Code (3 digit on back of card) ________ Exp. Date ______________
Billing Address __________________________________________ Billing Zip _________
Name on Card _____________________________________
How did you hear about PASCP?
A Joyful Pursuit of Excellence
3006 Research Drive, Suite D-1
State College, PA 16801