Beethovenfest Simply Strings Mozart Madness

Transcription

Beethovenfest Simply Strings Mozart Madness
Quarter Notes
89.7 WCPE’s member magazine • Winter 2013–14
Beethovenfest
Simply Strings
Mozart Madness
table of contents
WCPE Daily Schedule
Weekdays
12:00 Sleepers, Awake! with Phil Davis
midnight Campbell and Sherman Wallace
5:30 a.m. Rise and Shine with David Ballantyne
9:00 a.m. WCPE Classical Café with David
Ballantyne and Dan McHugh
9:00 a.m.– Final Friday of each month: All-Request
10:00 p.m. Friday
1:00 p.m. As You Like It with Tara Lynn
4:00 p.m. Allegro with Dick Storck
7:00 p.m. Mondays through Wednesdays and
Fridays: WCPE Concert Hall with Andy
Huber, Warner Hall, Larry Hedlund, and
Juergen Rathgeber
Thursdays: WCPE Opera House with Bob
Chapman
8:00 p.m. Mondays: Monday Night at the Symphony
with Andy Huber and a variety of hosts
10:00 p.m. Music in the Night with Stanley Ray
Hoffman, Dave Stackowicz, Bob
Chapman, Howard Burchette, and a
variety of hosts
Saturdays
12:00 Sleepers, Awake! with Phil Davis
midnight Campbell and Sherman Wallace
6:00 a.m. Weekend Classics with Dan McHugh,
Helen Halva, Wes Witz, Joyce Kidd, and a
variety of volunteer hosts
6:00 p.m. Saturday Evening Request Program with
Phil Davis Campbell, Jim Sempsrott, Wes
Witz, and a variety of volunteer hosts.
Sundays
12:00 Sleepers, Awake! with Phil Davis
midnight Campbell and Sherman Wallace
6:00 a.m. Weekend Classics with Alex Ruzzier
7:30 a.m. Sing for Joy with Bruce Benson
8:00 a.m. Great Sacred Music with Rob Kennedy
11:00 a.m. Weekend Classics with Jonathan Bailey,
Don Anthony, Steve Thebes, and a variety
of volunteer hosts
6:00 p.m. Preview! with Paul Jordan
9:00 p.m. Wavelengths with George Douglas
10:00 p.m. Peaceful Reflections with George Douglas
B
Quarter Notes
Meet Your Host.......................1
WCPE’s member magazine
Vol. 35, no. 4
Home Sweet Home.................2
Winter Highlights...................3
WCPE’s mission is to expand the community of Classical
music lovers by sharing Classical music with everyone,
everywhere, at any time. We entertain, educate, and
engage our audience with informative announcers,
programs, and publications. We strive to make it easy to
appreciate and enjoy Great Classical Music.
December Calendar.................4
January Calendar.....................5
February Calendar...................6
Managing editor: Christina Strobl Romano
Designer: Deborah Cruz
Printer: Chamblee Graphics
Mondays This Quarter
My Life in Music, Monday Night
at the Symphonys, and
Renaissance Fare...........................7
WCPE Staff
Deborah S. Proctor........................General Manager
Chief Engineer
David Ballantyne.............................. Assistant to the
Program Director*
Peter Blume............ Business Development Director
Curtis Brothers...........................Facilities Engineer*
Howard Burchette.................................. Announcer
Phil Davis Campbell............................... Announcer
Bob Chapman..............................Opera House Host
Patricia Crane............. Director of Member Support
Adrienne DiFranco........................Member Support
John Graham...........................Engineering Director
Rob Kennedy...................... Great Sacred Music Host
Tara Lynn.....................Arts & Community Liaison*
Eric Maynard..................................... Webmaster/IT
Dan McHugh......................................... Announcer
Jane O’Connor..................... Volunteer Coordinator
Stu Pattison....................................Member Support
Christina Strobl Romano.... Director of Publications
Alex Ruzzier....................................Traffic Assistant*
Jim Sempsrott....Engineering Assistant; Accounting*
Dick Storck..................................Program Director*
John Taffee.......... Engineering Assistant; Accounting
Sherman Wallace..................................... Announcer
Rae C. Weaver...................... Development Director
Wes Witz................... IT Assistant; Traffic Assistant*
William Woltz.................................Music Director*
*This staff member is also an announcer.
©Copyright 1978–2014, WCPE Radio, Raleigh, NC.
All rights reserved. All material disseminated by WCPE
is copyrighted or used under application regulations.
Allegro; As You Like It; Classical Cafe; Quarter Notes; Rise
and Shine; Sleepers, Awake!; and WCPE are registered or
pending trademarks or service marks of WCPE.
WCPE
P.O. Box 897
Wake Forest, NC 27588
800.556.5178
Information: [email protected]
Editor: [email protected]
Web site: theclassicalstation.org
Meet Your Host:
Patty Smyth-Pearce
Opera House...........................9
How long have you been an announcer
at WCPE, and what attracted you to The
Classical Station? I’ve always enjoyed
listening to WCPE, for the 25 years plus that
I’ve been in the Raleigh area. I’m pretty new
at announcing, having started as a volunteer
only in the last few months, and I owe it to
Tara Lynn for encouraging me to consider
it after doing a brief voice spot on behalf of
Raleigh Concert Band for the station.
Great Sacred Music, Preview,
Wavelengths, and Peaceful
Reflections.................................10
How did you get involved in broadcasting? From volunteerism in several other
community groups, I’ve been called on
before to lead and/or to speak, so hosting a
radio spot merges these interests nicely with
a lifelong love of music.
Do you have a background in music performance? My personal musical experience
is primarily in instrumental performance,
first on the flute, then later on string bass as
a second instrument. I have played in local
symphonic wind ensembles, like Raleigh
Concert Band, which have graced the area
for decades with their civic and private
performances.
What are your goals with your newfound
love of announcing? I love being around
people at WCPE that have much deeper
formal musical backgrounds than I do, and
announcing has proven to be a great avenue
for me to pick up some of the music history
education that I’ve never really had before.
And the best way to really learn something is
to teach it, so I have high hopes in this being
a shared journey with our listeners.
Sundays This Quarter
Met Broadcast Schedule........12
Program Guide......................13
WCPE in the Community.....25
Lately We’ve Read
Sight Reading..............................26
Lately We’ve Heard
A Review of Verdi by
Plácido Domingo..........................27
On the Cover
The Chamber Music of Beethoven.......28
Beethovenfest..........................29
Classical Community............30
What You’re Saying...............32
Donor Spotlight
Frank and Marilyn Schiermeier.......32
On the cover:
The Cypress Quartet performs
Beethoven’s String Quartet in
C-sharp Minor on the December
13 Concert Hall. Read about the
chamber music of Beethoven on
page 28.
Photo by Gregory Goode
1
home sweet home
I want to thank you for your support of
WCPE Radio (theclassicalstation.org).
Without your generous gifts, we would
not be able to continue our round-theclock broadcasts. This is especially true
for our web listeners and listeners to
our mini-transmitters.
By William Woltz
December is a special month for many
people. Christmas comes this month,
and Chanukah began on Thanksgiving
day. All three of these holidays,
Thanksgiving Day, Chanukah, and
Christmas, symbolize recognition and
giving gifts to family members and
close friends. I hope you will consider
WCPE Radio to be a part of your
family and ask that you remember our
station in December.
Chanukah (Hanukkah)
This year is like any year—our
expenses go up just as yours do, and
we have to meet these expenses. We share
our programming without cost or obligation to many cable and public radio stations
across the country. We believe that Great
Classical Music is a treasure and gift which is
important to preserve and protect.
This station is unique; we do not have a university, municipality, or government agency
to fall back upon during difficult times.
We have to depend on you. We are truly a
community radio station, because members
of each community we serve take the time
and effort to help us financially, like local
business owners who believe this station is
important and worthy of their support.
We are blessed in that we are able to operate
with a 100,000-watt transmitter, which
is the highest broadcast power allowed in
the United States for an FM station. Also,
we have mini-transmitters in cities where
our signal weakens after 75 or 90 miles, we
have partner stations rebroadcasting our
music, and we have many listeners across the
country via the Internet. There is no other
radio station in the country that operates a
high-power station that has been fortunate
enough to have had a quarter-mile–tall tower
donated to it. We have many broadcast
options that bring you Great Classical Music
around the clock, every day of the year.
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winter highlights
The Metropolitan Opera
Seasonal favorites for the Festival of Lights,
which continues through December 5.
Beethovenfest
Martin Luther King Jr. Day
December 14–16
January 21
This year we have pre-festival highlights: Bob
Chapman presents Ludwig van Beethoven’s
Leonore in Opera House on December 12;
then we devote the Friday evening Concert
Hall to the chamber music of Beethoven.
Starting Saturday, December 14, you can
enjoy Beethoven’s greatest symphonies, sonatas, concertos, and more, culminating in the
glorious Ninth Symphony during Monday
Night at the Symphony on December
16. See page 29 for more details about
Beethovenfest.
We celebrate the legacy of Dr. King
with music of American composers and
performers.
Christmas
Black History Month
A new season of live broadcasts begins
December 7 at 12:30 p.m. ET with Verdi’s
Rigoletto.
Many people wait until December to make
their donations to non-profit organizations
that they support. So I ask you to consider a
December gift to WCPE Radio if you listen
to us in central North Carolina and Southside
Virginia, and to theclassicalstation.org if you
listen to us on the Internet or on one of the
public radio stations which carry our signal.
You can donate stocks and bonds to us
through Merrill Lynch, Davenport, and
EDJones. If you happen to be holding some
stock certificates with just a few shares on
them, you can sign the backs and mail them
to us. Your charitable gifts can help you this
coming April. The same goes for that old
car or truck that you never use anymore.
Wherever you live in the U.S., we can have
someone pick it up for donation, and you’ll
get a donation verification in return for your
generosity.
Thank you for your support of this beautiful
music and the stations and the people who
bring it to you. From all of us here at WCPE
Radio, we’ll do our best to bring you Great
Classical Music throughout the coming year,
and it will all be because you took the time
to give us your financial support!
Thank you!
January 18–19
The Mighty Handful was a group of five
19th-century Russian composers who wrote
music steeped in the distinctive traditions of
their homeland. We’ll celebrate with favorites from Mussorgsky, Rimsky-Korsakov,
Rachmaninoff, and others, anchored by the
Met Opera broadcast of Tchaikovsky’s Eugene
Onegin on January 18 at 1:00 p.m. ET.
Saturday, December 7
Deborah S. Proctor
General Manager
Russian Romantics Weekend
Mozart Madness
January 25–27
A child prodigy, Mozart had extraordinary
gifts which culminated in music of profound
beauty, touching the soul in a way that few
others have done. Join WCPE for a celebration of all things Mozart, culminating on his
birthday, January 27.
December 25
February
Music of joy and merriment, wonder and
reverent awe. WCPE brings you the best in
Christmas music from the Classical tradition
this December.
We’ll celebrate music by composers and
performers of African descent throughout
the month.
Valentine’s Day (by advance request)
All-Request Fridays
February 14
December 27, January 31, and February 28
Make a Classical music request in honor of
your sweetie. Requests must be received by
February 7 online or through the U.S. Postal
Service.
You’re the music director from 9:00 a.m. to
10:00 p.m. ET. Submit your requests online
anytime at theclassicalstation.org, or call
WCPE at 919.556.0123 on the morning of
the program.
The New Year, and a New Top 100
From December 26 through New Year’s
Day, we’ll play selections from WCPE’s new
Top 100 list of listener favorites. And on
New Year’s Eve we “ring in the new” with
Viennese waltzes and festive favorites from
9:00 p.m. until midnight ET.
Simply Strings Weekend
February 15–16
Violin, viola, cello, bass, guitar, mandolin,
harp, and more—we explore the variety of
instruments with strings and the performers
who make them go “zing.”
Presidents Day
February 18
Patriotic selections and American music to
honor our leaders through the years.
Planning your end-of-year charitable donation?
Please remember WCPE!
3
december calendar
beethovenfest
Christmas Day
25 Wednesday
Louis Lane 1923 (90th birthday)
26 Thursday
All-Request Friday
27 Friday
28 Saturday
João Domingos Bomtempo 1775
Nigel Kennedy 1956
29 Sunday
Pablo Casals 1876
Grant Llewellyn 1960
30 Monday
Dmitry Kabalevsky 1904
New Year’s Eve
31 Tuesday
Nathan Milstein 1903
17 Friday
François-Joseph Gossec 1734
18 Saturday
César Cui 1835
Emmanuel Chabrier 1841
19 Sunday
Simon Rattle 1955
20 Monday Martin Luther King Jr. Day
Ernest Chausson 1855
Antonio de Almeida 1928
21 Tuesday
Plácido Domingo 1941
Uto Ughi 1944 (70th birthday)
22 Wednesday
Myung-whun Chung 1953
23 Thursday
24 Friday
Frederick the Great 1712
Muzio Clementi 1752
E.T.A. Hoffmann 1776
25 Saturday
Jan Blockx 1851
Wilhelm Furtwängler 1886
26 Sunday
Jacqueline du Pré 1945
27 Monday
Wolfgang Amadeus Mozart 1756
Édouard Lalo 1823
John Ogdon 1937
Jean-Philippe Collard 1948
28 Tuesday
Ferdinand Hérold 1791
Arthur Rubinstein 1887
John Tavener 1944 (70th birthday)
29 Wednesday
Frederick Delius 1862
Malcolm Binns 1936
Cho-Liang Lin 1960
30 Thursday
Johann Joachim Quantz 1697
Lynn Harrell 1944 (70th birthday)
mozart madness
Winter begins
21 Saturday
Zdeněk Fibich 1850
Michael Tilson Thomas 1944
András Schiff 1953 (60th birthday)
22 Sunday
Carl Friedrich Abel 1723
Giacomo Puccini 1858
23 Monday
Zara Nelsova 1918
Claudio Scimone 1934
24 Tuesday
Peter Cornelius 1824
1 Wednesday New Year’s Day
2 Thursday
Mily Balakirev 1837
3 Friday
4 Saturday
Giovanni Battista Pergolesi 1710
Josef Suk (composer) 1874
5 Sunday
Arturo Benedetti Michelangeli 1920
Alfred Brendel 1931
Maurizio Pollini 1942
6 Monday
Giuseppe Sammartini 1695
Max Bruch 1838
Alexander Scriabin 1872
7 Tuesday
Francis Poulenc 1899
Günter Wand 1912
Jean-Pierre Rampal 1922
Iona Brown 1941
8 Wednesday
9 Thursday
John Knowles Paine 1839 (175th
anniversary of birth)
10 Friday
Tor Aulin 1866
Jean Martinon 1910
Sherrill Milnes 1935
James Morris 1947
Mischa Maisky 1948
Nadja Salerno-Sonnenberg 1961
11 Saturday
Reinhold Glière 1875
Maurice Duruflé 1902
12 Sunday
Ermanno Wolf-Ferrari 1876
13 Monday
Vasily Kalinnikov 1866
Richard Addinsell 1904
14 Tuesday
Mariss Jansons 1943
Nicholas McGegan 1950
Ben Heppner 1956
Andrew Manze 1965
15 Wednesday
Malcolm Frager 1935
Joseph Kalichstein 1946
16 Thursday
Marilyn Horne 1934 (80th birthday)
russian romantics
weekend
4
7 Saturday Pearl Harbor Remembrance
Pietro Mascagni 1863 (150th
anniversary of birth)
Daniel Chorzempa 1944
8 Sunday
Jean Sibelius 1865
Manuel Ponce 1882
James Galway 1939
9 Monday
Émile Waldteufel 1837
Joaquín Turina 1882
Joshua Bell 1967
10 Tuesday
César Franck 1822
Olivier Messiaen 1908
Morton Gould 1913 (100th
anniversary of birth)
Kathryn Stott 1958 (55th birthday)
11 Wednesday
Hector Berlioz 1803
Mieczysław Karłowicz 1876
12 Thursday
13 Friday
14 Saturday
Capel Bond 1730
Ron Nelson 1929
Christopher Parkening 1947
15 Sunday
Michel Richard Delalande 1657
16 Monday
Ludwig van Beethoven 1770
Zoltán Kodály 1882
Trevor Pinnock 1946
17 Tuesday
Domenico Cimarosa 1749
Arthur Fiedler 1894
18 Wednesday
Edward MacDowell 1860
Edmond de Stoutz 1920
William Boughton 1948 (65th
birthday)
19 Thursday
Fritz Reiner 1888 (125th
anniversary of birth)
William Christie 1944
20 Friday
Mitsuko Uchida 1948 (65th
birthday)
beethovenfest
1 Sunday
Rudolf Buchbinder 1946
2 Monday
John Barbirolli 1899
Maria Callas 1923 (90th anniversary
of birth)
3 Tuesday
José Serebrier 1938 (75th birthday)
4 Wednesday
Hamilton Harty 1879
5 Thursday
Francesco Geminiani 1687
Vítězslav Novák 1870
José Carreras 1946
Krystian Zimerman 1956
6 Friday
Nikolaus Harnoncourt 1929
Henryk Górecki 1933 (80th
birthday)
january calendar
All-Request Friday
31 Friday
Franz Schubert 1797
Phillip Glass 1937
Ofra Harnoy 1965
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6
Valentine’s Day
14 Friday
Renée Fleming 1959 (55th birthday)
15 Saturday
Michael Praetorius 1571
16 Sunday
Eliahu Inbal 1936
John Corigliano 1938 (75th
birthday)
Presidents’ Day
17 Monday
Arcangelo Corelli 1653
Henri Vieuxtemps 1820
Edward German 1862
Anner Bylsma 1934 (80th birthday)
photo: Michael Zirkle, courtesy N.C. Symphony
First Mondays at 7:00 p.m. (Eastern)
And additional broadcasts
With host Tara Lynn
18 Tuesday
19 Wednesday
Luigi Boccherini 1743
20 Thursday
Carl Czerny 1791
Charles de Bériot 1802
Christoph Eschenbach 1940
Riccardo Chailly 1953
21 Friday
Léo Delibes 1836
Charles-Marie Widor 1844
Andrés Segovia 1893
22 Saturday
Niels Gade 1817
Louis Auriacombe 1917
23 Sunday
George Frideric Handel 1685
24 Monday
Jiří Bělohlávek 1946
25 Tuesday
Enrico Caruso 1873
Jesús López-Cobos 1940
26 Wednesday
Antonin Reicha 1770
Frank Bridge 1879
27 Thursday
Hubert Parry 1848
Marian Anderson 1897
Mirella Freni 1935
Gidon Kremer 1947
All-Request Friday
28 Friday
Jean-Baptiste Arban 1825
Gioachino Rossini 1792 (observed)
photo: Michael Zirkle, courtesy N.C. Symphony
Antoni Wit b. 1944
(70th birthday)
Classical music can be enjoyed with little
background knowledge, but when you invest
some time in the exploration of its history,
performance practices and techniques, and
great performers you can increase your capacity for appreciation manyfold. That’s why we
ask the professional musicians of the North
Carolina Symphony to guide us through the
recordings that have inspired them most in
their tireless efforts to provide listeners with
unforgettable musical moments. Increase
your appreciation by listening with the pros:
WCPE’s My Life in Music, first Mondays on
The Classical Station.
Kenneth Whitlow
Kenneth Whitlow, assistant principal
percussion
North Carolina Symphony
Monday, February 3, 2014, at 7:00 p.m.
Catch this program again…
Tuesday, February 4, 2014, at 3:00 a.m.
Sunday, February 9, 2014, at 5:00 p.m.
Rebroadcasts from our 2012 series
of My Life in Music
Terry Mizesko, bass trombone
North Carolina Symphony
Sunday, December 22, 2013, at 5:00 p.m.
Elizabeth Beilman, assistant principal cello
North Carolina Symphony
Sunday, January 26, 2014, at 5:00 p.m.
John Ilika, principal trombone
North Carolina Symphony
Sunday, February 23, 2014, at 5:00 p.m.
Nathaniel Yaffe
photo: Michael Zirkle, courtesy N.C. Symphony
simply strings weekend
1 Saturday
Johan Agrell 1701
Francesco Veracini 1690
Victor Herbert 1859
Renata Tebaldi 1922
2 Sunday
Fritz Kreisler 1875
Jascha Heifetz 1901
Paul O’Dette 1954 (60th birthday)
3 Monday
Felix Mendelssohn 1809
4 Tuesday
Erich Leinsdorf 1912
5 Wednesday
John Pritchard 1921
6 Thursday
Claudio Arrau 1903
7 Friday
Wilhelm Stenhammar 1871
Antoni Wit 1944 (70th birthday)
8 Saturday
André Ernest Modeste Grétry 1741
John Williams (composer/
conductor) 1932
9 Sunday
10 Monday
Leontyne Price 1927
11 Tuesday
Rudolf Firkušný 1912
Alexander Gibson 1926
12 Wednesday
Jan Ladislav Dussek 1760
13 Thursday
Fernando Sor 1778
mondays this quarter
photo: J. Multarzynski
february calendar
Nathaniel Yaffe, cello
North Carolina Symphony
Monday, December 2, 2013, at 7:00 p.m.
Catch this program again…
Tuesday, December 3, 2013, at 3:00 a.m. and
Sunday, December 8, 2013, at 5:00 p.m.
Samuel Gold, principal viola
North Carolina Symphony
Monday, January 6, 2014, at 7:00 p.m.
Catch this program again…
Tuesday, January 7, 2014, at 3:00 a.m. and
Sunday, January 12, 2014, at 5:00 p.m.
Samuel Gold
7
mondays this quarter
opera house
December
Join WCPE on December 16 for an allBeethoven edition of Monday Night at the
Symphony, in culmination of our three-day
Beethovenfest. We’ll feature the Atlanta
Symphony Orchestra and Chorus performing the glorious Symphony no. 9 in D
Minor, with Donald Runnicles conducting.
Don’t miss our annual holiday edition
of Monday Night at the Symphony on
December 23. And be sure to tune in
through the coming year as we spotlight one
of the world’s great orchestras each week on
Monday Night at the Symphony.
R
enaissance
Fare
Second Mondays at 7:00 p.m.
(Eastern)
With host George Douglas
The December edition of Renaissance Fare
will be dedicated to the Christmas season
and will feature some of the best of recorded
seasonal music from this festive time of year.
We’ll hear from Early Music New York,
Apollo’s Fire, and other groups you will
love. Don’t miss the Christmas edition on
Monday, December 9, at 7:00 p.m. ET with
a repeat broadcast on Sunday, December 15,
at 5:00 p.m. ET.
For the New Year in 2014, we will introduce some of the latest recordings of
Renaissance music from popular groups
around the world. What’s new with the
London Consort, the New York Renaissance
Band, and others you’ve heard before on
Renaissance Fare, as well as some you haven’t
heard. Listen on Monday, January 13, at 7:00
p.m. ET with a repeat broadcast on Sunday,
January 19, at 5:00 p.m. ET.
8
January
6 Cleveland Orchestra
13 Bamberg Symphony Orchestra
20 Rotterdam Philharmonic Orchestra
27 All-Mozart edition
February
3 San Francisco Symphony
10 Gothenburg Symphony Orchestra
17 Chicago Symphony Orchestra
24 London Philharmonic Orchestra
February is the month of presidents and
love, and we’ll feature music for both! We’ll
probably substitute music for kings rather
than presidents, but fortunately love remains
pretty much the same. This edition of
Renaissance Fare will be heard on Monday,
February 10, at 7:00 p.m. ET with a repeat
broadcast on Sunday, February 16, at 5:00
p.m. ET.
Listen to Renaissance Fare on the second
Monday of each month on WCPE, streaming at theclassicalstation.org, with a repeat
broadcast on the following Sunday at 5:00
p.m. ET.
photo: Roger Mastroianni
Mondays at 8:00 p.m. (Eastern)
2 Vienna Philharmonic Orchestra
9 Los Angeles Philharmonic
16 All-Beethoven edition
23 Holiday edition
30 Scottish Chamber Orchestra
Christmas Eve at
the Opera House
Thursdays at 7:00 p.m. (Eastern)
With host Bob Chapman
December 5
December 12
Beethoven’s Leonore
In the original 1805 version of Beethoven’s only
opera, Leonore (Baumann) disguises herself as
a young man to rescue her husband Florestan
(Patzak), who’s been imprisoned for political
reasons by Don Pizarro (Misske).
January 23
December 19
January 30
Puccini’s Tosca
Tosca (Tebaldi) sells herself to Scarpia
(London) in order to save her painter boyfriend
Cavaradossi (Del Monaco)—only to be doublecrossed by the sleazy Roman police chief. (From
the Ruocchio Archives.)
December 24
Christmas Eve at the Opera House
Past and present opera stars sing Christmas
favorites. Includes Alagna, Carreras, Domingo,
Graves, Hampson, Horne, Lanza, Martinelli,
Norman, Pavarotti, Ponselle, Sutherland, Te
Kanawa, Terfel, and Tibbett.
December 26
Verdi’s Aida
Enslaved Ethiopian princess Aida (Chiara)
competes with Egyptian princess Amneris
(Dimitrova) for the love of conquering warrior
Radamès (Pavarotti).
January 2
Moore’s The Ballad of Baby Doe
A beautiful young woman (Sills) and a married
silver baron (Cassel) cause a scandal in this true
tale from 19th-century Colorado.
January 9
Offenbach’s Les Contes d’Hoffmann
Poet Hoffmann (Gedda) is inspired by three
muses (D’Angelo, Schwarzkopf, De Los Angeles),
but several villains (Ghiuselev, London, Blanc)
conspire against him.
January 16
Apollo’s Fire
Rossini’s La Donna del Lago
Uberto (Blake) seeks shelter in the house of
Douglas, whose daughter Elena (Anderson) was
forced to marry Rodrigo (Merritt), who’s later
killed, thus freeing her to marry Malcolm (Dupuy).
A tradition established by longtime Opera House host Al Ruocchio
(1937–2007) is being revived this
year. On December 24 at 7:00 p.m.
Eastern, current host Bob Chapman
will present three hours of seasonal
favorites sung by many of the 20th
century’s finest opera stars.
Donizetti’s Lucrezia Borgia
A femme fatale renowned for her ruthless
pursuit of power, Lucrezia (Caballé) reveals
poignant vulnerability when face to face with
her long-lost son Gennaro (Kraus). (From the
Ruocchio Archives.)
Berlioz’s Béatrice et Bénédict
Based on Shakespeare’s Much Ado About Nothing,
Béatrice (Baker) is initially scornful of Bénédict
(Tear) but gradually realizes she loves him.
Mozart’s La Finta Semplice
Cassandro (Holl) says he hates all women, but
then falls head over heels in love with Rosina
(Donath), while Fracasso (Moser) and Giacinta
(Berganza) hope Rosina can help them solve their
romantic conundrum in this delightful opera buffa
composed by a 12-year-old.
February 6
Orff’s Die Kluge & Der Mond
A pair of fairy tales from the Grimm brothers.
In Die Kluge, greed is conquered by love and
intelligence, while in Der Mond, certain characters
steal the moon for their country, which doesn’t
have one.
February 13
Massenet’s Chérubin
Continuing Beaumarchais’ Figaro trilogy,
Chérubin (Von Stade) celebrates his seventeenth
birthday and first military commission by lusting
after each of the female characters and inspiring
general confusion.
February 20
Sullivan’s H.M.S. Pinafore
Captain Corcoran’s (Skitch) daughter Josephine
(Hindmarsh) is in love with lower-class sailor
Ralph Rackstraw (Round), but papa wants her
to marry the First Lord of the Admiralty (Reed),
whose unexpected advocacy of the equality of
humankind encourages Ralph and Josephine to
overturn conventional social order and elope.
(From the Ruocchio Archives.)
February 27
Rossini’s Il Barbiere di Siviglia
Jack-of-all-trades Figaro (Merrill) skillfully helps
Count Almaviva (Valletti) win the hand of old
Dr. Bartolo’s (Corena) beautiful young ward
Rosina (Peters).
9
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sundays this quarter
sundays this quarter
December 1
Bach: Cantata 61
Palestrina: Missa Papae Marcelli
December 8
Bach: Missa Brevis in G major
Byrd: Mass for Five Voices
December 15
Bach: Cantata 141
Monteverdi: Vespers
December 22
Bach: Cantata 132
Carols and Hymns for Advent
December 29
Bach: Cantata 152
Handel: Messiah Part I
Johann Sebastian Bach
(1685–1750)
January 5
Bach: Cantata 153
Poulenc: Gloria
January 12
Bach: Cantata 124
Mozart: Mass in C
January 19
Bach: Cantata 3
Elgar: The Dream of Gerontius
Great Sacred Music
Sundays at 9:00 p.m. (Eastern)
With host George Douglas
Sundays at 10:00 p.m. (Eastern)
With host George Douglas
Every week, WCPE showcases the best
works of contemporary composers on
Wavelengths, our Sunday evening program
of new music. We primarily feature works
written from 1950 to the present, with a
strong focus on the 21st century. But we’ll
also reach farther back into the 20th century
to present important compositions that have
helped pave the way for today’s music.
Each Sunday evening after Wavelengths,
WCPE brings you two hours of relaxing
music on Peaceful Reflections. It’s a thoughtful mix of orchestral, chamber, choral, and
organ works, chosen to help you unwind
from the week just ended and prepare for
the one ahead.
Wavelengths depends upon financial support
from listeners. Please make your tax-deductible gift online at theclassicalstation.org.
Sundays at 8:00 a.m. (Eastern)
With host Rob Kennedy
January 26
Bach: Cantata 72
Haydn: Paukenmesse
February 2
Bach: Cantata 81
Beethoven: Mass in C
February 9
Bach: B Minor Mass
Bruckner: Te Deum
February 16
Bach: Cantata 81
Handel: Dettingen Te Deum
February 23
Bach: Cantata 126
Schubert: Mass in E-flat
George Frideric Handel
(1685–1759)
For an advance copy of our playlist, please
e-mail [email protected].
Sign up for Crescendo, WCPE’s e-newsletter, to receive
bi-weekly reminders about special programming, WCPEsponsored community events, and exclusive giveaways!
10
Preview!
Sundays at 6:00 p.m.
With host Paul Jordan
From symphonies to oratorios, from
ballet to chamber ensembles, you’ll get
a sneak preview of upcoming Classical
events in the Triangle and around the
nation. We sample great performances
from new Classical releases on a variety
of labels and talk to great names in the
world of Classical music.
We’ll speak with pianist András Schiff,
who turns 60 this quarter, on Preview on
December 22 at 7:00 ET.
11
met broadcast schedule
Metropolitan Opera
Broadcast Season 2013–14
Listen to live broadcasts from the
Metropolitan Opera on Saturday afternoons.
December 7
12:30
Rigoletto (Verdi)
Heras-Casado; Kurzak, Volkova, Polenzani,
Hvorostovsky, Kocán
December 14 (HD)
1:00
program guide (december)
February 15 1:00
Die Frau Ohne Schatten (R. Strauss)
Performance from Fall 2013
Jurowski; Schwanewilms, Goerke, Komlósi, Kerl, Reuter
February 22 1:00
Der Rosenkavalier (R. Strauss)
Performance from Fall 2013
Gardner; Serafin, Garanca, Erdmann, Cutler,
Ketelsen, Rose
March 1 (HD)
12:00
Falstaff (Verdi)*
Levine; Oropesa, Meade, Blythe, Cano, Fanale,
Maestri, Vassallo
Prince Igor (Borodin)*
Noseda; Dyka, Rachvelishvili, Semishkur,
Abdrazakov, Petrenko, Kocán
December 21 March 8 1:00
12:00
A Midsummer Night’s Dream (Britten)
Performance from Fall 2013
Conlon; Kim, Wall, DeShong, Davies, Kaiser,
Simpson, Rose
The Enchanted Island (Handel, Vivaldi, Rameau,
and others)
Summers; de Niese, Chuchman, Graham, Daniels,
Costanzo, Domingo, Pisaroni
December 28 March 15 (HD)
12:30
1:00
Tosca (Puccini)
Armiliato; Radvanovsky, Giordani, Gagnidze, Del
Carlo
Werther (Massenet)*
Altinoglu; Oropesa, Garanca, Kaufmann, Bižic,
Summers
January 4 March 22 1:00
1:00
The Magic Flute (Mozart)
Glover; Stober, Lewek, Shrader, Gunn, Shenyang,
Owens
Wozzeck (Berg)
Levine; Voigt, O’Neill, Hoare, Hampson, Bayley
January 11 La Sonnambula (Bellini)
Armiliato; Damrau, Camarena, Pertusi
1:00
Die Fledermaus (J. Strauss II)
(New English language version with lyrics by
Jeremy Sams and dialogue by Douglas Carter
Beane)
Fischer; Phillips, Shäfer, Costanzo, Maltman,
Fabiano, Szot, Carfizzi
January 18 1:00
Eugene Onegin (Tchaikovsky)*
Performance from Fall 2013
Gergiev; Netrebko, Volkova, Beczala, Kwiecien,
Tanovitski
January 25 1:00
L’Elisir d’Amore (Donizetti)
Benini; Netrebko, Vargas, Alaimo, Schrott
February 1 1:00
Madama Butterfly (Puccini)
Auguin; Echalaz, DeShong, Hymel, Hendricks
February 8 (HD)
1:00
Rusalka (Dvorák)
Nézet-Séguin; Fleming, Magee, Zajick, Beczala,
Relyea
12
March 29
1:00
April 5 (HD)
December Featured Works
3 Tuesday
All programming is subject to change. For a
complete list of a specific day’s music, go to
theclassicalstation.org.
9:00 a.m. Chopin: Andante Spianato and
Grand Polonaise in E-flat
11:00 a.m. Delibes: Suite from Coppélia
12:00 p.m. Sibelius: Karelia Suite
2:00 p.m. Chadwick: Suite Symphonique in
E-flat
3:00 p.m. Dvořák: The Golden Spinning Wheel
7:00 p.m. Beethoven: Piano Sonata no. 24 in
F-sharp (For Thérèse)
8:00 p.m. Rimsky-Korsakov: Scheherazade
9:00 p.m. Prokofiev: “Overture on Hebrew
Themes”
10:00 p.m. Garrop: “Lo Yisa Goy”
1 Sunday
7:00 a.m. Handel: Concerto Grosso in G, op.
3, no. 3
11:00 a.m. Beethoven: Violin Sonata no. 9 in A
(Kreutzer)
12:00 p.m. Bullard: Chanukah Suite
1:00 p.m. Rachmaninoff: Rhapsody on a
Theme of Paganini
3:00 p.m. Dvořák: Othello
4:00 p.m. Mozart: Piano Concerto no. 25 in C
5:00 p.m. Bloch: Baal Shem Suite (Three
Pictures of Hassidic Life)
2 Monday
9:00 a.m. Telemann: Overture in D from
Tafelmusik
10:00 a.m. Schumann: Symphony no. 2 in C
12:00 p.m. Bach: Violin Concerto no. 2 in E
1:00 p.m. Haydn: Cello Concerto no. 2 in D
2:00 p.m. Elgar: Symphony no. 2 in E-flat
3:00 p.m. Ravel: Mother Goose Suite
6:00 p.m. Bizet: “L’amour est un Oiseau
Rebelle” (“Habanera”) from Carmen
8:00 p.m. Mozart: Symphony no. 29 in A
10:00 p.m. Delius: In a Summer Garden, a
Rhapsody
1:00
La Bohème (Puccini)
Ranzani; Hartig, Phillips, Grigolo, Cavalletti,
Carfizzi, Gradus, Maxwell
April 12 1:00
Andrea Chénier (Giordano)
Noseda; Racette, Álvarez, Lucic
April 19 12:00
Arabella (R. Strauss)
Auguin; Byström, Kühmeier, Saccà, Volle, Winkler
April 26 (HD)
1:00
1:00
I Puritani (Bellini)
Mariotti; Peretyatko, Brownlee, Kwiecien, Pertusi
May 10 (HD)
1:00
La Cenerentola (Rossini)
Luisi; DiDonato, Flórez, Spagnoli, Corbelli, Pisaroni
* New production.
All times Eastern.
9:00 a.m. Bach: Brandenburg Concerto no. 3
in G
10:00 a.m. Haydn: Piano Concerto in G
12:00 p.m. Brahms: Academic Festival Overture
2:00 p.m. Harty: “In Ireland”
3:00 p.m. Achron: Two Hebrew Pieces
7:00 p.m. Harty: With the Wild Geese
8:00 p.m. Mozart: Piano Concerto no. 17 in G
9:00 p.m. Mendelssohn: Symphony no. 3 in A
Minor (Scottish)
10:00 p.m. Bruch: Kol Nidrei (Adagio on Hebrew
Melodies)
5 Thursday
9:00 a.m. Geminiani: Concerto no. 1 in D
10:00 a.m. Vaughan Williams: Five Variants of
Dives and Lazarus
11:00 a.m. Rachmaninoff: Piano Concerto no. 2
in C Minor
12:00 p.m. Novák: “Lovers” from Slovak Suite
2:00 p.m. Mozart: Symphony no. 41 in C
(Jupiter)
3:00 p.m. Liszt: Piano Concerto no. 1 in E-flat
(Triangle)
6:00 p.m. Verdi: “Di Quella Pira” from Il
Trovatore
10:00 p.m. Geminiani: Concerto no. 5 in G
Minor
6 Friday
Così Fan Tutte (Mozart)
Levine; Phillips, Leonard, de Niese, Polenzani,
Pogossov, Muraro
May 3 4 Wednesday
Maria Callas b. 1923
(90th anniversary of birth)
9:00 a.m. Mozart: Violin Concerto no. 3 in G
11:00 a.m. Corelli: Concerto Grosso in G Minor
(Christmas Concerto)
12:00 p.m. Bach: Brandenburg Concerto no. 1
in F
1:00 p.m. Respighi: Three Botticelli Pictures
3:00 p.m. Dvořák: Symphony no. 8 in G
7:00 p.m. Beethoven: Symphony no. 5 in C
Minor
9:00 p.m. Górecki: Symphony no. 3
10:00 p.m. Biebl: “Ave Maria”
13
photo: Clive Barda
program guide (december)
José Serebrier b. 1938
(75th birthday)
7 Saturday
8:00 a.m. Bach: Orchestral Suite no. 3 in D
9:00 a.m. Tchaikovsky: Suite from The
Nutcracker (for Two Pianos)
10:00 a.m. Schumann: Symphony no. 3 in E-flat
(Rhenish)
11:00 a.m. Dykes: “Eternal Father, Strong to
Save”
12:00 p.m. Mascagni: Intermezzo from
Cavalleria Rusticana
5:00 p.m. Handel: Organ Concerto in F, op. 4,
no. 5
8 Sunday
7:00 a.m.
11:00 a.m.
12:00 p.m.
1:00 p.m.
2:00 p.m.
3:00 p.m.
4:00 p.m.
Bach: Flute Sonata in E
Sibelius: Finlandia
Ives: Two American Carols
Mozart: Flute Concerto no. 2 in D
Sibelius: Violin Concerto in D Minor
Ponce: Concierto del Sur
Sibelius: Symphony no. 5 in E-flat
9 Monday
9:00 a.m. Beethoven: Violin Concerto in D
10:00 a.m. Rachmaninoff: Piano Concerto no. 3
in D Minor
12:00 p.m. Manfredini: Christmas Concerto in C
2:00 p.m. Vivaldi: Four Seasons
3:00 p.m. Turina: Symphonic Rhapsody
5:30 p.m. Waldteufel: “Christmas Roses” Waltz
8:00 p.m. Prokofiev: Lieutenant Kijé Suite
10:00 p.m. Lauridsen: “O Magnum Mysterium”
10 Tuesday
9:00 a.m. Gould: “Amber Waves”
10:00 a.m. Mozart: Symphony no. 36 in C (Linz)
12:00 p.m. Franck: The Breezes
14
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program guide (december)
2:00 p.m. Telemann: Trumpet Concerto no. 1
in D
3:00 p.m. Franck: Sonata in A
7:00 p.m. A Suite of English Carols
8:00 p.m. Grieg: Piano Concerto in A Minor
9:00 p.m. Franck: Symphony in D Minor
10:00 p.m. Holst: “In the Bleak Midwinter”
10:00 a.m. Beethoven: Piano Concerto no. 3 in
C Minor
11:00 a.m. Beethoven: Symphony no. 1 in C
12:00 p.m. Beethoven: Piano Sonata no. 8 in C
Minor (Pathétique)
5:00 p.m. Beethoven: Symphony no. 8 in F
11 Wednesday
7:00 a.m. Beethoven: “Andante Favori” in F
11:00 a.m. Beethoven: Symphony no. 7 in A
12:00 p.m. Beethoven: Piano Sonata no. 21 in C
(Waldstein)
2:00 p.m. Beethoven: Symphony no. 3 in E-flat
(Eroica)
3:00 p.m. Beethoven: Violin Concerto in D
4:00 p.m. Beethoven: Piano Concerto no. 4
in G
9:00 a.m. Berlioz: “Le Corsaire” Overture
11:00 a.m. Handel: Music for the Royal
Fireworks
12:00 p.m. Berlioz: L’Enfance du Christ, Part 2
(“The Flight into Egypt”)
2:00 p.m. Karłowicz: Serenade for Strings
3:00 p.m. Brahms: Symphony no. 3 in F
4:00 p.m. Berlioz: Roman Carnival Overture
7:00 p.m. Haydn: Symphony no. 100 in G
(Military)
8:00 p.m. Berlioz: Symphonie Fantastique
10:00 p.m. Anonymous: Three Settings of
“Greensleeves”
12 Thursday
8:00 a.m.
9:00 a.m.
10:00 a.m.
12:00 p.m.
2:00 p.m.
3:00 p.m.
5:00 p.m.
10:00 p.m.
Herbert: “March of the Toys”
Mozart: Symphony no. 39 in E-flat
Dvořák: In Nature’s Realm
Bach: Brandenburg Concerto no. 2
in F
Schubert: Symphony no. 9 in C
(Great)
Mendelssohn: Six Christmas Pieces
Wagner: Prelude to Act 3 of
Lohengrin
Warlock: “Bethlehem Down”
13 Friday
9:00 a.m. Chopin: Piano Concerto no. 1 in E
Minor
10:00 a.m. Haydn: Symphony no. 92 in G
(Oxford)
12:00 p.m. Delius: “Sleigh Ride”
2:00 p.m. Reed: Russian Christmas Music
3:00 p.m. Schumann: Symphony no. 4 in D
Minor
4:00 p.m. Offenbach: Barcarolle from The Tales
of Hoffmann
7:00 p.m. Beethoven: Cello Sonata no. 3 in A
8:00 p.m. Beethoven: String Trio in G, op. 9,
no. 1
9:00 p.m. Beethoven: String Quartet no. 14 in
C-sharp Minor, op. 131
10:00 p.m. Traditional: “There is No Rose of
Such Virtue”
14 Saturday
8:00 a.m. Beethoven: Overture to Fidelio
9:00 a.m. Beethoven: Clarinet Trio in B-flat
15 Sunday
16 Monday
8:00 a.m. Beethoven: Leonore Overture no. 3
9:00 a.m. Beethoven: Symphony no. 6 in F
(Pastoral)
10:00 a.m. Beethoven: Piano Trio in B-flat
(Archduke)
12:00 p.m. Beethoven: Piano Sonata no. 17 in
D Minor (Tempest)
2:00 p.m. Beethoven: Symphony no. 5 in C
Minor
3:00 p.m. Beethoven: Piano Concerto no. 5 in
E-flat (Emperor)
5:00 p.m. Beethoven: Overture to Egmont
7:00 p.m. Beethoven: Piano Sonata no. 14 in
C-sharp Minor (Moonlight)
8:00 p.m. Beethoven: Consecration of the
House Overture
9:00 p.m. Beethoven: Symphony no. 9 in D
Minor (Choral)
12:00 p.m. Traditional: “Sussex Carol” and “In
Dulci Jubilo”
2:00 p.m. Vaughan Williams: Fantasia on a
Theme of Thomas Tallis
3:00 p.m. Ravel: Le Tombeau de Couperin
6:00 p.m. Biebl: “Ave Maria”
7:00 p.m. Mozart: Symphony no. 25 in G Minor
8:00 p.m. Mendelssohn: String Symphony no.
8 in D
9:00 p.m. MacDowell: Piano Concerto no. 2 in
D Minor
10:00 p.m. Vaughan Williams: Fantasia on
Christmas Carols
19 Thursday
8:00 a.m.
9:00 a.m.
10:00 a.m.
12:00 p.m.
2:00 p.m.
3:00 p.m.
5:30 p.m.
10:00 p.m.
Leroy Anderson: “Sleigh Ride”
Bach: Orchestral Suite no. 3 in D
Brahms: Violin Concerto in D
Handel: “For Unto Us a Child is
Born”
Marc-Antoine Charpentier:
Instrumental Carols
Mussorgsky: Pictures at an
Exhibition
Strauss II: “Artists’ Life”
Traditional: “Coventry Carol” (Three
Settings)
20 Friday
9:00 a.m. Mozart: Piano Concerto no. 20 in D
Minor
10:00 a.m. Handel: Suite from Il Pastor Fido
12:00 p.m. Brubeck: “Sleep Holy Infant”
2:00 p.m. Mozart: Piano Sonata no. 8 in A
Minor
3:00 p.m. Saint-Saëns: Carnival of the Animals
17 Tuesday
8:00 a.m. Jessel: “Parade of the Wooden
Soldiers”
9:00 a.m. Telemann: Festive Suite in A
10:00 a.m. Grieg: Norwegian Dances
12:00 p.m. Cimarosa: Concertante in G for Flute
and Oboe
2:00 p.m. Bizet: Children’s Games
3:00 p.m. Rossini: The Fantastic Toyshop
4:00 p.m. Leroy Anderson: “A Christmas
Festival”
8:00 p.m. Saint-Saëns: Christmas Oratorio
9:00 p.m. Mozart: Piano Concerto no. 21 in C
10:00 p.m. Yon: “Gesu Bambino”
18 Wednesday
9:00 a.m. Haydn: Piano Concerto in D
10:00 a.m. Tchaikovsky: Serenade for Strings
in C
Henryk Górecki b. 1933
(80th birthday)
15
program guide (december/january)
5:00 p.m.
7:00 p.m.
9:00 p.m.
10:00 p.m.
Traditional: “Wexford Carol”
Tchaikovsky: The Nutcracker
Schubert: Piano Sonata in A, D. 959
Torelli: Christmas Concerto in G
Minor
21 Saturday
8:00 a.m. Traditional: Christmas Carol Suite
for Brass
9:00 a.m. Schumann: Piano Concerto in A
Minor
10:00 a.m. Fibich: Symphony no. 1 in F
11:00 a.m. Debussy: Toy Box Ballet
12:00 p.m. Schütz: “Magnificat,” with Christmas
Interpolations
5:00 p.m. Mozart: Rondo in A Minor, K. 511
22 Sunday
7:00 a.m. Maasalo: “The Bells of Christmas”
11:00 a.m. Leroy Anderson: Suite of Carols for
String Orchestra
12:00 p.m. Mozart: Serenade no. 13 in G, K.
525 (Eine Kleine Nachtmusik)
1:00 p.m. Liszt: Christmas Tree
2:00 p.m. Tchaikovsky: Symphony no. 1 in G
Minor, op. 13 (Winter Dreams)
3:00 p.m. Puccini: “Un Bel di Vedremo” from
Madama Butterfly
4:00 p.m. Mendelssohn: Vom Himmel Hoch
5:00 p.m. Lovrien: “Minor Alterations
(Christmas Through the Looking
Glass)”
7:00 p.m. Britten: A Ceremony of Carols
8:00 p.m. Bach: Christmas Oratorio, Part One
10:00 p.m. Respighi: “The Adoration of the
Magi”
24 Tuesday
9:00 a.m. Tchaikovsky: “The Christmas Tree”
from The Nutcracker
10:00 a.m. Traditional: Christmas Hymns and
Carols
12:00 p.m. Howells: Three Carol-Anthems
2:00 p.m. Traditional: Christmas Hymns and
Carols
3:00 p.m. Manfredini: Christmas Concerto in C
4:00 p.m. Handel: Messiah
7:00 p.m. Christmas Eve at the Opera House,
with Bob Chapman
10:00 p.m. Britten: “Chorale after an Old French
Carol”
25 Wednesday
Listen throughout the day as WCPE
brings you the finest in carols,
hymns, and seasonal favorites for
Christmas!
December 26 through January 1
WCPE plays selections from our new
Top 100 list of listener favorites!
23 Monday
8:00 a.m. Bach: “Jesu, Joy of Man’s Desiring”
9:00 a.m. Albinoni: Oboe Concerto in D Minor,
op. 9, no. 2
10:00 a.m. Grieg: Holberg Suite
12:00 p.m. Traditional: “Wassail Song”
2:00 p.m. Chopin: Cello Sonata in G Minor
3:00 p.m. Prokofiev: Peter and the Wolf
January Featured Works
All programming is subject to change. For a
complete list of a specific day’s music, go to
theclassicalstation.org.
1 Wednesday
Continuing highlights from WCPE’s
Top 100 survey
2 Thursday
9:00 a.m.
10:00 a.m.
12:00 p.m.
1:00 p.m.
2:00 p.m.
3:00 p.m.
4:00 p.m.
10:00 p.m.
Mozart: Symphony no. 29 in A
Balakirev: Chopin Suite
Pachelbel: Suite in B-flat for Strings
Boccherini: Cello Concerto no. 9 in
B-flat
Balakirev: Symphony no. 2 in D
Minor
Handel: Occasional Suite in D
Balakirev: Islamey, an Oriental
Fantasy
Delius: “A Song Before Sunrise”
3 Friday
Pietro Mascagni b. 1863
(150th anniversary of birth)
16
8:00 a.m. Elgar: Bavarian Dances
10:00 a.m. Respighi: Rossiniana
12:00 p.m. Bach: Orchestral Suite no. 1 in C
program guide (january)
2:00 p.m.
3:00 p.m.
8:00 p.m.
9:00 p.m.
10:00 p.m.
Debussy: Suite Bergamasque
Parry: An English Suite
Schubert: Symphony no. 5 in B-flat
Beethoven: Symphony no. 7 in A
Brahms: Violin Sonata no. 2 in A
4 Saturday
8:00 a.m. Pergolesi: Concerto in C for Two
Harpsichords
9:00 a.m. Handel: Harp Concerto in B-flat, op.
4, no. 6
10:00 a.m. Mozart: Quintet in E-flat for Piano
& Winds
11:00 a.m. Rimsky-Korsakov: Suite from Snow
Maiden
12:00 p.m. Suk: Fantastic Scherzo
4:00 p.m. Pergolesi: Flute Concerto in G
5:00 p.m. Suk: Praga
5 Sunday
7:00 a.m. Haydn: Piano Sonata no. 54 in G
11:00 a.m. Brahms: Piano Concerto no. 2 in
B-flat
1:00 p.m. Beethoven: Piano Concerto no. 3 in
C Minor
2:00 p.m. Mozart: Symphony no. 38 in D
(Prague)
3:00 p.m. Schubert: Four Impromptus, D. 899
4:00 p.m. Wagner: Overture from Tannhäuser
5:00 p.m. Chopin: Polonaise Fantasy in A-flat
6 Monday
9:00 a.m. Sammartini, Giuseppe: Oboe
Concerto in D
10:00 a.m. Bruch: Violin Concerto no. 1 in G
Minor
12:00 p.m. Vivaldi: Cello Concerto in G
1:00 p.m. Saint-Saëns: Havanaise
2:00 p.m. Haydn: Symphony no. 101 in D
(Clock)
3:00 p.m. Bruch: Symphony no. 1 in E-flat
5:00 p.m. Bruch: Swedish Dances
8:00 p.m. Dvořák: Symphony no. 7 in D Minor
10:00 p.m. Scriabin: Piano Sonata no. 2 in
G-sharp Minor (Sonata-Fantasie)
7 Tuesday
9:00 a.m. Schubert: Symphony no. 6 in C
10:00 a.m. Telemann: Suite in A Minor for Flute
and Strings
12:00 p.m. Mozart: Rondo from Serenade no. 7
in D (Haffner)
2:00 p.m. Beethoven: Symphony no. 4 in B-flat
3:00 p.m. Warlock: Capriol Suite
7:00 p.m. Mozart: Flute Concerto no. 1 in G
8:00 p.m. Poulenc: Concerto in D Minor for
Two Pianos
Josef Suk b. 1874
9:00 p.m. Bruckner: Adagio from Symphony no.
2 in C Minor
8 Wednesday
9:00 a.m. Weber: Clarinet Concerto no. 1 in F
Minor
10:00 a.m. Liszt: Piano Concerto no. 1 in E-flat
(Triangle)
12:00 p.m. Holst: Brook Green Suite
2:00 p.m. Bach: Concerto in D Minor for Two
Violins
3:00 p.m. Verdi: Four Seasons Ballet from The
Sicilian Vespers
5:00 p.m. Rossini: Overture to The Silken
Ladder
8:00 p.m. Schubert: Selections from
Rosamunde
9:00 p.m. Mozart: Symphony no. 40 in G Minor
10:00 p.m. Wagner: Siegfried Idyll
9 Thursday
8:00 a.m. Strauss II: “Emperor Waltz”
9:00 a.m. Mozart: Piano Sonata no. 12 in F
11:00 a.m. Mendelssohn: Symphony no. 3 in A
Minor (Scottish)
12:00 p.m. Handel: Suite in G from Water Music
2:00 p.m. Paine: Symphony no. 2 in A
3:00 p.m. Tchaikovsky: Capriccio Italien
5:30 p.m. Dvořák: Prague Waltzes
10:00 p.m. Stanford: Serenade in F
10 Friday
9:00 a.m. Bach: Cello Sonata no. 1 in G
10:00 a.m. Debussy: Petite Suite
1:00 p.m. Beethoven: Piano Sonata no. 15 in
D (Pastoral)
2:00 p.m. Tchaikovsky: Variations on a Rococo
Theme
3:00 p.m. Dvořák: Slavonic Dances
5:00 p.m. Strauss II: Overture to Die
Fledermaus
17
program guide (january)
photo: Lorenzo Cicconi Massi
10:00 p.m. Ponce: Sonata Romantica
14 Tuesday
Kathryn Stott b. 1958
(55th birthday)
8:00 p.m. Brahms: Violin Concerto in D
9:00 p.m. Ravel: Daphnis et Chloé
10:00 p.m. Aulin: Three Water Colors
11 Saturday
8:00 a.m. Handel: Concerto no. 2 in F for Two
Wind Ensembles and Strings
9:00 a.m. Glière: Symphony no. 1 in E-flat
10:00 a.m. Haydn: Symphony no. 45 in F-sharp
Minor (Farewell)
11:00 a.m. Chopin: Barcarolle in F-sharp
12:00 p.m. Glière: Red Poppy Suite
5:00 p.m. Rachmaninoff: Prelude in C-sharp
Minor
9:00 a.m. Corelli: Concerto Grosso in F
11:00 a.m. Svendsen: Symphony no. 2 in B-flat
12:00 p.m. Vivaldi: Violin Concerto in C
(Pleasure)
2:00 p.m. Dvořák: Symphony no. 5 in F
3:00 p.m. Beethoven: Quintet in E-flat for
Piano and Winds
6:00 p.m. Richard Strauss: “Di Rigori Armato il
Seno” from Der Rosenkavalier
7:00 p.m. Mozart: Violin Concerto no. 5 in A
(Turkish)
8:00 p.m. Rachmaninoff: Symphonic Dances
9:00 p.m. Schubert: Piano Quintet in A (Trout)
15 Wednesday
9:00 a.m. Haydn: Piano Trio no. 25 in E Minor
10:00 a.m. Elgar: The Spanish Lady Suite
12:00 p.m. Weber: Concertino in E-flat for
Clarinet and Orchestra
2:00 p.m. Dvořák: The Water Goblin
3:00 p.m. Mendelssohn: Piano Trio no. 1 in D
Minor
7:00 p.m. Adam: Suite from Giselle
8:00 p.m. Chopin: Piano Sonata no. 3 in B
Minor
9:00 p.m. Vaughan Williams: Norfolk Rhapsody
no. 1
16 Thursday
7:00 a.m. Gluck: “Dance of the Blessed
Spirits”
11:00 a.m. Bach: Brandenburg Concerto no. 4
in G
12:00 p.m. Schubert: Symphony no. 8 in B
Minor (Unfinished)
1:00 p.m. Bizet: Carmen Suite no. 1
2:00 p.m. Larsson: “A Winter’s Tale”
3:00 p.m. Mendelssohn: Octet in E-flat
4:00 p.m. Wolf-Ferrari: Intermezzo from Jewels
of the Madonna, Act III
9:00 a.m. Bach: Brandenburg Concerto no. 6
in B-flat
11:00 a.m. Mozart: Symphony no. 35 in D
(Haffner)
12:00 p.m. Mendelssohn: Hebrides Overture
1:00 p.m. Dvořák: Symphonic Variations
2:00 p.m. Telemann: Suite in D for Trumpet
and Strings
3:00 p.m. Brahms: Variations on a Theme by
Haydn
6:00 p.m. Bizet: “Pres des Remparts de
Seville” (Seguidilla) from Carmen
10:00 p.m. Handel: “Ombra Mai Fu” from Serse
(Xerxes)
13 Monday
17 Friday
12 Sunday
9:00 a.m. Holst: St. Paul’s Suite
10:00 a.m. Telemann: Suite in D for Viola da
Gamba and Strings
12:00 p.m. Kalinnikov: Intermezzo no. 1 in
F-sharp Minor
2:00 p.m. Haydn: Trumpet Concerto in E-flat
3:00 p.m. Kalinnikov: Symphony no. 2 in A
5:00 p.m. Addinsell: Warsaw Concerto
8:00 p.m. Schumann: Symphony no. 1 in B-flat
(Spring)
18
9:00 a.m. Gossec: Symphony Concertante for
Two Harps
10:00 a.m. Schumann: Introduction and Allegro
Concertante in D Minor for Piano
and Orchestra
12:00 p.m. Vaughan Williams: “Fantasia on
‘Greensleeves’”
2:00 p.m. C.P.E. Bach: Cello Concerto in A
3:00 p.m. Glazunov: Ballet Scenes
7:00 p.m. Rimsky-Korsakov: Overture to May
Night
e
program guide (january)
8:00 p.m. Tchaikovsky: Symphony no. 3 in D
(Polish)
9:00 p.m. Rachmaninoff: Piano Concerto no. 2
in C Minor
10:00 p.m. Scriabin: Andante (Second
Movement) from Piano Concerto in
F-sharp Minor
18 Saturday
8:00 a.m. Cui: Miniature Suite
9:00 a.m. Rachmaninoff: Rhapsody on a
Theme of Paganini
10:00 a.m. Borodin: Symphony no. 3 in A Minor
(unfinished)
11:00 a.m. Tchaikovsky: Symphony no. 5 in E
Minor
12:00 p.m. Mussorgsky: “Night on Bald
Mountain”
5:00 p.m. Glinka: “Kamarinskaya”
19 Sunday
7:00 a.m. Tchaikovsky: “Cherubic Hymn” no. 1
11:00 a.m. Glazunov: The Seasons
12:00 p.m. Tchaikovsky: Piano Concerto no. 1 in
B-flat Minor
1:00 p.m. Mussorgsky: Pictures at an
Exhibition
2:00 p.m. Balakirev: Tamara
3:00 p.m. Rimsky-Korsakov: Scheherazade
4:00 p.m. Borodin: Overture and “Polovtsian
Dances” from Prince Igor
20 Monday
9:00 a.m. Dvořák: String Quartet no. 12 in F
(American)
10:00 a.m. Harbach: Veneration for Orchestra
11:00 a.m. Donizetti: Ballet Music from Dom
Sébastien
12:00 p.m. Williams: “Song for World Peace”
2:00 p.m. Chausson: A Holiday Evening
3:00 p.m. Copland: Appalachian Spring
5:00 p.m. Bernstein: “Make Our Garden Grow”
from Candide
7:00 p.m. Hurwit: “Remembrance” from
Symphony no. 1
8:00 p.m. Liszt: Les Préludes
10:00 p.m. Barber: “Agnus Dei”
21 Tuesday
9:00 a.m.
10:00 a.m.
12:00 p.m.
2:00 p.m.
3:00 p.m.
6:00 p.m.
8:00 p.m.
9:00 p.m.
10:00 p.m.
Tartini: Violin Concerto in A Minor
Weber: Clarinet Quintet in B-flat
Bach: Italian Concerto in F
Mozart: Serenade no. 10 in B-flat
(for Winds) (Gran Partita)
Sibelius: Symphony no. 2 in D
Verdi: “Di Provenza Il Mar” from La
Traviata
Mendelssohn: Calm Sea and
Prosperous Voyage
Bizet: Symphony in C
Gershwin: Lullaby for String Quartet
22 Wednesday
9:00 a.m. Mozart: Violin Sonata in E-flat
10:00 a.m. Schubert: Musical Moments
12:00 p.m. Prokofiev: Symphony no. 1 in D
(Classical)
2:00 p.m. Schumann: Piano Quintet in E-flat
3:00 p.m. Rossini: Overture to William Tell
7:00 p.m. Saint-Saëns: Piano Concerto no. 2
in G Minor
8:00 p.m. Nielsen: Symphony no. 2 (The Four
Temperaments)
9:00 p.m. Schumann: Cello Concerto in A
Minor
23 Thursday
9:00 a.m. Vivaldi: Lute Concerto in D
10:00 a.m. Chopin: Krakowiak, Concert Rondo
in F
12:00 p.m. Haydn: Violin Concerto no. 1 in C
2:00 p.m. Debussy: Prelude to the Afternoon
of a Faun
3:00 p.m. Bach: Violin Concerto no. 2 in E
5:00 p.m. Rossini: Overture to Semiramide
10:00 p.m. Brahms: Three Intermezzi, op. 117
24 Friday
9:00 a.m. Clementi: Symphony no. 3 in G (The
Great National)
10:00 a.m. Frederick the Great: Flute Concerto
in G
12:00 p.m. Blockx: Flemish Dances
2:00 p.m. Dvořák: Serenade in E for Strings
3:00 p.m. Handel: Music for the Royal
Fireworks
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19
photo: Christian Steiner
2:00 p.m. Mozart: Serenade no. 13 in G (Eine
Kleine Nachtmusik)
3:00 p.m. Mozart: Piano Concerto no. 24 in C
Minor
5:00 p.m. Mozart: Violin Sonata in C
7:00 p.m. Mozart: Horn Concerto no. 3 in E-flat
8:00 p.m. Mozart: Symphony no. 41 in C
(Jupiter)
10:00 p.m. Mozart: Rondo in A Minor
28 Tuesday
Lynn Harrell b. 1944
(70th birthday)
7:00 p.m.
8:00 p.m.
9:00 p.m.
10:00 p.m.
E.T.A. Hoffmann: Symphony in E-flat
Brahms: Symphony no. 1 in C Minor
Beethoven: String Quartet no. 2 in G
Glazunov: Lyric Poem
25 Saturday
8:00 a.m. Hérold: Overture to Zampa
10:00 a.m. Chopin: Piano Concerto no. 2 in F
Minor
12:00 p.m. Ravel: Noble and Sentimental
Waltzes
2:00 p.m. Bach: Orchestral Suite no. 2 in B
Minor
3:00 p.m. Schubert: Fantasia in C (Wanderer
Fantasy)
6:00 p.m. Tavener: “As One Who Has Slept”
7:00 p.m. Respighi: The Birds
8:00 p.m. Brahms: Piano Concerto no. 1 in D
Minor
10:00 p.m. Tavener: “Song for Athene”
29 Wednesday
8:00 a.m. Mozart: Overture from The Magic
9:00 a.m. Delius: “The Walk to the Paradise
Flute
Garden”
9:00 a.m. Mozart: Piano Sonata no. 11 in A
10:00 a.m. Bruch: Scottish Fantasy for Violin
10:00 a.m. Mozart: String Quartet no. 21 in D
and Orchestra
11:00 a.m. Mozart: Symphony no. 40 in G Minor 12:00 p.m. Vivaldi: Concerto in G for Two
12:00 p.m. Mozart: Piano Concerto no. 21 in C
Mandolins
5:00 p.m. Mozart: Oboe Concerto in C
2:00 p.m. Balakirev: Piano Concerto no. 1 in
F-sharp Minor
26 Sunday
3:00
p.m.
Delius: Florida Suite
7:00 a.m. Mozart: “Laudate Dominum” from
7:00
p.m.
Schubert: Symphony no. 3 in D
Solemn Vespers of the Confessor
8:00
p.m.
Mendelssohn: Selections from
11:00 a.m. Mozart: Piano Concerto no. 27 in
Incidental Music to A Midsummer
B-flat
Night’s Dream
12:00 p.m. Mozart: Symphony no. 31 in D
9:00
p.m.
Debussy: “Spring”
(Paris)
30 Thursday
1:00 p.m. Mozart: Violin Concerto no. 3 in G
2:00 p.m. Mozart: String Quintet in G Minor
9:00 a.m. Haydn: Cello Concerto no. 2 in D
3:00 p.m. Mozart: Piano Sonata no. 10 in C
11:00 a.m. Quantz: Flute Concerto in G Minor
4:00 p.m. Mozart: Symphony no. 39 in E-flat
12:00 p.m. Fauré: “Elegie”
1:00 p.m. Schumann: Papillons
27 Monday
2:00 p.m. Brahms: Serenade no. 2 in A
8:00 a.m. Mozart: Overture from The Marriage
3:00 p.m. Schubert: Sonata in A Minor
of Figaro
(Arpeggione)
9:00 a.m. Mozart: Symphony no. 25 in G Minor
5:00
p.m.
Beethoven: Allegretto in B-flat for
11:00 a.m. Mozart: Flute Concerto no. 1 in G
Piano Trio
12:00 p.m. Mozart: Adagio in E for Violin and
10:00
p.m.
Bach: Cello Suite no. 1 in G
Orchestra
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20
program guide (january/february)
31 Friday
8:00 a.m. Schubert: Overture from Rosamunde
9:00 a.m. All-Request Friday
10:00 p.m. Schubert: Sonatina in A Minor
February Featured Works
All programming is subject to change. For a
complete list of a specific day’s music, go to
theclassicalstation.org.
1 Saturday
8:00 a.m. Agrell: Sinfonia in D
9:00 a.m. Herbert: Five Pieces for Cello and
Strings
10:00 a.m. Veracini: Overture no. 3 in B-flat
11:00 a.m. Beethoven: Piano Sonata no. 14 in
C-sharp Minor (Moonlight)
12:00 p.m. Herbert: Cello Concerto no. 2 in E
Minor
5:00 p.m. Puccini: “O Mio Babbino Caro” from
Gianni Schicchi
2 Sunday
7:00 a.m. Dowland: Pavana
11:00 a.m. Kreisler: Violin Concerto in Vivaldi’s
Style
1:00 p.m. Brahms: Violin Concerto in D
2:00 p.m. Still: Symphony no. 1 (AfroAmerican)
3:00 p.m. Weber: “Invitation to the Dance”
4:00 p.m. Haydn: String Quartet in C
(Emperor)
5:00 p.m. Tchaikovsky: Violin Concerto in D
3 Monday
8:00 a.m. Mendelssohn: Hebrides Overture
10:00 a.m. Mendelssohn: Symphony no. 4 in A
(Italian)
12:00 p.m. Vaughan Williams: English Folk Song
Suite
1:00 p.m. Mendelssohn: Octet in E-flat
2:00 p.m. Mozart: Sinfonia Concertante in
E-flat
3:00 p.m. Mendelssohn: Violin Concerto in E
Minor
5:00 p.m. Bach: “Sheep May Safely Graze”
8:00 p.m. Nielsen: Symphony no. 3 (Sinfonia
Espansiva)
10:00 p.m. Mendelssohn: Cello Sonata no. 1 in
B-flat
2:00 p.m. Debussy: Dances Sacred and
Profane for Harp and Orchestra
3:00 p.m. Beethoven: Symphony no. 6 in F
(Pastoral)
8:00 p.m. Tchaikovsky: Symphony no. 6 in B
Minor (Pathétique)
9:00 p.m. Strauss, R.: Death and
Transfiguration
10:00 p.m. Coleridge-Taylor: Romance in G for
Violin and Orchestra
5 Wednesday
9:00 a.m. J.C.F. Bach: Sonata in G for Violin,
Viola, and Piano
10:00 a.m. Dvořák: Slavonic Dances, op. 46
12:00 p.m. Brouwer: “Cancion de Cuna”
2:00 p.m. Haydn: Symphony no. 104 in D
(London)
3:00 p.m. Sowande: African Suite
7:00 p.m. Mozart: Symphony no. 36 in C (Linz)
8:00 p.m. Liszt: Fantasy on Hungarian Folk
Themes
9:00 p.m. Brahms: Symphony no. 4 in E Minor
10:00 p.m. Thomas: “Connais-Tu le Pays” from
Mignon
6 Thursday
9:00 a.m. Joseph White: Violin Concerto in
F-sharp Minor
10:00 a.m. Schubert: Symphony no. 5 in B-flat
11:00 a.m. Mozart: Clarinet Quintet in A
12:00 p.m. Chopin: Nocturne in G, op. 37, no. 2
2:00 p.m. Bach: Brandenburg Concerto no. 3
in G
photo: DECCA/Andrew Weccles
program guide (january)
4 Tuesday
9:00 a.m. Vivaldi: Concerto in D Minor for Two
Violins and Cello
10:00 a.m. Beethoven: Piano Concerto no. 1
in C
12:00 p.m. Dett: Magnolia Suite
Renée Fleming b. 1959
(55th birthday)
21
3:00 p.m. Beethoven: Piano Concerto no. 2 in
B-flat
5:00 p.m. Berlioz: Waverly Overture
10:00 p.m. Schumann: Forest Scenes
7 Friday
9:00 a.m.
10:00 a.m.
12:00 p.m.
2:00 p.m.
3:00 p.m.
Janáček: Moravian Dances
Boccherini: Symphony in C Minor
Telemann: Paris Quartet no. 1 in G
Berlioz: Harold in Italy
Weber: Piano Concerto no. 2 in
E-flat
7:00 p.m. Rossini: Overture to The Barber of
Seville
8:00 p.m. Dvořák: Piano Concerto in G Minor
9:00 p.m. Stenhammar: Serenade in F for
Orchestra
8 Saturday
8:00 a.m. Williams: “Hymn to the Fallen” from
Saving Private Ryan
9:00 a.m. Mozart: Piano Quartet no. 1 in G
Minor
10:00 a.m. Williams: Three Pieces from
Schindler’s List
11:00 a.m. Gretry: String Quartet no. 5 in G
12:00 p.m. Williams: “Throne Room” and Finale
from Star Wars
9 Sunday
7:00 a.m.
11:00 a.m.
12:00 p.m.
1:00 p.m.
2:00 p.m.
Bach: Trio Sonata in G, BWV 1039
Brahms: Symphony no. 2 in D
Still: A Deserted Plantation
Saint-Saëns: Carnival of the Animals
Copland: Four Dance Episodes from
Rodeo
3:00 p.m. Haydn: Symphony no. 100 in G
(Military)
4:00 p.m. Berlioz: Symphonie Fantastique
10 Monday
8:00 a.m. Borodin: In the Steppes of Central
Asia
9:00 a.m. Mozart: Violin Sonata in B-flat
11:00 a.m. Mendelssohn: Piano Concerto no. 1
in G Minor
12:00 p.m. W.F. Bach: Sinfonia in F
2:00 p.m. Beethoven: Piano Sonata no. 26 in
E-flat (Les Adieux)
“
Tones sound and roar and
storm about me until I have
set them down in notes.
(Ludwig van Beethoven)
22
”
3:00 p.m. Rimsky-Korsakov: Capriccio
Espagnol
5:00 p.m. Puccini: “Vissi d’Arte” from Tosca
8:00 p.m. Rimsky-Korsakov: Symphony no. 2 in
F-sharp Minor (Antar)
10:00 p.m. Bach and Gounod: “Ave Maria”
11 Tuesday
9:00 a.m. Handel: Concerto Grosso in C from
Alexander’s Feast
10:00 a.m. Grieg: Three Orchestral Pieces from
Sigurd Jorsalfar
12:00 p.m. Alfvén: Swedish Rhapsody no. 1
(Midsummer Vigil)
2:00 p.m. Franck: Symphonic Variations
3:00 p.m. German: Welsh Rhapsody
5:30 p.m. Josef Strauss: “Watercolors”
8:00 p.m. Elgar: Enigma Variations
9:00 p.m. Dvořák: Piano Quintet no. 2 in A
10:00 p.m. Massenet: “The Last Sleep of the
Virgin”
12 Wednesday
9:00 a.m. Beethoven: Symphony no. 5 in C
Minor
10:00 a.m. Brahms: Serenade no. 1 in D
12:00 p.m. Telemann: Concerto in D for Three
Trumpets
1:00 p.m. Dussek: Harp Concerto in E-flat
3:00 p.m. Copland: Lincoln Portrait
6:00 p.m. Joplin: “Elite Syncopations”
7:00 p.m. Grieg: Symphonic Dances
8:00 p.m. Mahler: Symphony no. 1 in D (Titan)
9:00 p.m. Franck: Prelude, Chorale, and Fugue
13 Thursday
9:00 a.m. Rossini: String Sonata no. 5 in E-flat
10:00 a.m. Mozart: Piano Sonata no. 14 in C
Minor
11:00 a.m. Schumann: Concert Piece in F for
Four Horns and Orchestra
12:00 p.m. Sor: Variations on a Theme by
Mozart
2:00 p.m. Mozart: String Quartet no. 14 in G
(Spring)
3:00 p.m. Fauré: Dolly Suite
5:00 p.m. Adam: Overture to The Nuremburg
Doll
10:00 p.m. Couperin: Pièces en Concert
14 Friday
8:00 a.m. Suppé: “Light Cavalry” Overture
9:00 a.m. Valentine’s Day by Advance Request
10:00 p.m. Schubert: “In Springtime,” D. 882
15 Saturday
8:00 a.m. Beethoven: String Trio in D, op. 9,
no. 2
e
program guide (february)
9:00 a.m. Mozart: Concerto in C for Flute and
Harp
10:00 a.m. Monn: Cello Concerto in G Minor
11:00 a.m. Vivaldi: Mandolin Concerto in C
12:00 p.m. Bach: Sonata no. 3 in E for Violin &
Piano
5:00 p.m. Praetorius: Suite in D from
Terpsichore
photo: J Henry Fair
program guide (february)
16 Sunday
7:00 a.m.
11:00 a.m.
12:00 p.m.
1:00 p.m.
2:00 p.m.
Mozart: Duo no. 1 in G
Dvořák: Violin Concerto in A Minor
Nielsen: Little Suite for Strings
Beethoven: String Quartet no. 9 in C
Tchaikovsky: Serenade for Strings
in C
3:00 p.m. Telemann: Viola Concerto in G
4:00 p.m. Elgar: Cello Concerto in E Minor
John Corigliano b. 1938
(75th birthday)
17 Monday
8:00 a.m. Sousa: El Capitan
9:00 a.m. Corelli: Concerto Grosso in F, op. 6,
no. 2
10:00 a.m. C.P.E Bach: Cello Concerto in B-flat
12:00 p.m. Sousa: “Presidential Polonaise”
2:00 p.m. Dvořák: American Suite
3:00 p.m. German: Three Dances from Nell
Gwyn
5:00 p.m. Sousa: “The Stars and Stripes
Forever”
7:00 p.m. Brahms: Cello Sonata no. 2 in F
8:00 p.m. Holst: The Planets
10:00 p.m. Vieuxtemps: Romance, op. 40, no. 1
18 Tuesday
9:00 a.m. Mozart: Piano Concerto no. 26 in D
(Coronation)
10:00 a.m. Glazunov: Symphony no. 1 in E
12:00 p.m. Handel: Concerto Grosso in G, op.
6, no. 1
2:00 p.m. Grieg: Holberg Suite
3:00 p.m. Tchaikovsky: Suite from Sleeping
Beauty
6:00 p.m. Still: “Summerland” from Three
Visions Suite
8:00 p.m. Bach: Triple Concerto in A Minor
9:00 p.m. Bizet: Roma
10:00 p.m. Beethoven: Clarinet Trio in B-flat
19 Wednesday
9:00 a.m. Boccherini: Cello Concerto no. 9 in
B-flat
10:00 a.m. Rimsky-Korsakov: Suite from The
Golden Cockerel
12:00 p.m. Boccherini: “Celebrated” minuet
2:00 p.m. Chopin: Andante Spianato and
Grand Polonaise in E-flat
3:00 p.m. Boccherini: Symphony in D Minor
(House of the Devil)
7:00 p.m. Bach: Orchestral Suite no. 3 in D
8:00 p.m. Tchaikovsky: Symphony no. 2 in C
Minor (Little Russian)
10:00 p.m. Sibelius: The Swan of Tuonela
20 Thursday
9:00 a.m. Grieg: Piano Concerto in A Minor
11:00 a.m. Beriot: Violin Concerto no. 1 in D
(Military)
12:00 p.m. Strauss II: “Emperor Waltz”
1:00 p.m. Smetana: “Vysehrad” from Má Vlast
2:00 p.m. Schumann: Symphony no. 3 in E-flat
(Rhenish)
3:00 p.m. Czerny: Variations in D for Piano and
Violin
5:00 p.m. Beethoven: Overture to Fidelio
10:00 p.m. Copland: Our Town
21 Friday
9:00 a.m. Delibes: Suite from Coppélia
10:00 a.m. Schubert: Adagio for Piano Trio in
E-flat (Nocturne)
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23
1:00 p.m. Still: “Mother and Child” from Suite
for Violin and Piano
2:00 p.m. Buxtehude: Trio Sonata in G Minor
3:00 p.m. Dvořák: Symphony no. 6 in D
4:00 p.m. Liszt: Hungarian Rhapsody no. 2
7:00 p.m. Novák: Eternal Longing
8:00 p.m. Elgar: Symphony no. 1 in A-flat
10:00 p.m. Beethoven: Cello Sonata no. 2 in G
Minor
25 Tuesday
Anner Bylsma b. 1934
(80th birthday)
12:00 p.m. Fauré: Ballade for Piano and
Orchestra
2:00 p.m. Rodrigo: Fantasia for a Gentleman
3:00 p.m. Delibes: Prelude to Sylvia
5:00 p.m. Widor: Toccata from Symphony no. 5
in F Minor for Organ
7:00 p.m. Bach: Violin Concerto no. 1 in A
Minor
9:00 p.m. Dvořák: Symphony no. 9 in E Minor
(From the New World)
10:00 p.m. Bach: Three Selections from the Lute
Suites
22 Saturday
8:00 a.m.
9:00 a.m.
10:00 a.m.
11:00 a.m.
12:00 p.m.
Mozart: Horn Concerto no. 2 in E-flat
Vivaldi: Four Seasons
Gershwin: An American in Paris
Schumann: Symphony no. 2 in C
Gade: Symphony no. 1 in C Minor
23 Sunday
7:00 a.m. Handel: “Let the Bright Seraphim”
from Samson
11:00 a.m. Handel: Music for the Royal
Fireworks
12:00 p.m. Dukas: The Sorcerer’s Apprentice
1:00 p.m. Chopin: Piano Sonata no. 2 in B-flat
Minor
2:00 p.m. Dvořák: Scherzo Capriccioso
3:00 p.m. Rachmaninoff: Piano Concerto no. 2
in C Minor
4:00 p.m. Handel: Water Music
24 Monday
9:00 a.m. Mozart: Piano Concerto no. 23 in A
10:00 a.m. Copland: Red Pony Suite
12:00 p.m. Debussy: Two Arabesques
24
9:00 a.m. Haydn: Symphony no. 88 in G
11:00 a.m. Ravel: Le Tombeau de Couperin
2:00 p.m. Schumann: Piano Concerto in A
Minor
3:00 p.m. Goldmark: Rustic Wedding
Symphony
6:00 p.m. Verdi: “Questa o Quella” from
Rigoletto
7:00 p.m. Rachmaninoff: Five Études-Tableaux
8:00 p.m. Mozart: Piano Concerto no. 18, in
B-flat
9:00 p.m. Dukas: Symphony in C
10:00 p.m. Borodin: Nocturne String Quartet
no. 2 in D
26 Wednesday
9:00 a.m. Beethoven: Piano Sonata no. 15 in
D (Pastoral)
10:00 a.m. Chevalier de Saint-George: Violin
Concerto in D
12:00 p.m. Price: Dances in the Canebrakes
2:00 p.m. Reicha: Clarinet Quintet in B-flat
3:00 p.m. Bridge: Chamber Concerto for Piano
and Strings
5:00 p.m. Joplin: “Solace (a Mexican
Serenade)”
8:00 p.m. Schumann: Piano Quartet in E-flat
9:00 p.m. Bridge: Suite for String Orchestra
10:00 p.m. Strauss, R.: Suite in B-flat for 13
Wind Instruments
27 Thursday
9:00 a.m. J.C. Bach: Sinfonia Concertante in C
10:00 a.m. Schumann: Violin Concerto in D
Minor
11:00 a.m. Parry: An English Suite
12:00 p.m. Hailstork: Three Spirituals
2:00 p.m. Parry: Lady Radnor’s Suite
3:00 p.m. Brahms: Violin Concerto in D
6:00 p.m. Schubert: “Ave Maria”
10:00 p.m. R. Strauss: “Befreit,” op. 39, no. 4
28 Friday
8:00 a.m. Rossini: Overture to The Thieving
Magpie
9:00 a.m. All-Request Friday
10:00 p.m. Rossini: String Sonata no. 5 in E-flat
wcpe in the community
By Tara Lynn
As a member of The Classical Station, you
have an opportunity to help others connect
to this timeless source of beauty—beyond
listening to the radio! Our Education Fund
was established in 2010 to allow our donors
to unite and elect to champion educational
community-based Classical music endeavors.
From concert experiences to high-caliber
music lessons, from musical summer camps
to premiere performance opportunities,
mentorships to documentaries, we continue
to invest in our community because we
know how Classical music can have a positive impact on our lives.
To opt in the WCPE Education Fund,
you forgo a thank-you gift. With your permission, ten percent of your contribution
will be used to sponsor Classical music
educational opportunities in North
Carolina. Find out more by visiting
theclassicalstation.org/education.
Meet Allan Friedman and the
Women’s Voices Chorus
In the words of Dr. Allan Friedman, “The
Women’s Voices Chorus (WVC) was
founded in 1993 by Mary Lycan as a
chorus for women singers to promote
music written by and for women.
Women’s Voices Chorus is unique as
the Triangle’s only community-based
Classical chorus for sopranos and
altos. We bring to life a wide range
of choral music written for women.
Our repertoire extends from medieval
chant and Renaissance polyphony
to opera choruses and contemporary
compositions. We delight in unearthing forgotten gems and introducing
new works by active composers, especially by women composers, as well
as music from folk and world idioms.
I’ve been the artistic director of the
chorus since 2007.”
What goal is the WCPE Education
Fund helping Women’s Voices
Chorus achieve? WVC is creating a
short documentary and concert video
of our performance of Vivaldi’s Gloria
in January of 2013. Our performance
mirrored the original presentations
of this piece by featuring chorus consisting entirely of women. The documentary
will explore the compositional history of
this piece and the process of recreating
this music in this special manner and will
provide viewers a chance to hear and see this
performance.
How will this project benefit the ensemble
and other music lovers outside of the
ensemble? WVC will benefit by having
a chance fulfill one of our core missions: to
educate the public about our historically
informed performances of music composed
for women. Music lovers will have a chance
to hear this music sung by women and to
learn more about the unique circumstances
that fostered the composition of Vivaldi’s
sacred music.
How can we see the finished project?
Portions of the film will be available online
at womensvoiceschorus.org, as well as at
WCPE’s website (theclassicalstation.org).
Full-length recordings of the performance
will be available by contacting the chorus at
womensvoiceschorus.org/contact/.
For more information about Women’s Voices
Chorus, visit womensvoiceschorus.org. q
Dr. Friedman/Women’s Voice Chorus
photo: Michael Sarah Shaw & Spots of Time Photography
program guide (february)
25
lately we’ve read
A review of Verdi by Plácido
Domingo
Sight Reading
By Daphne Kalotay
By Bob Chapman
Harper Collins; 324 pages
In Italianate operas, tenors tend to be handsome young guys, with bright, virile voices.
But by the time they hit the half-century
mark, their days of portraying dashing dudes
who always end up getting the girl are pretty
much over. Baritones and basses, by contrast,
often hit their vocal and artistic peaks in
their fifties, and in the roles they are typically
called upon to play—grandfathers, elderly
clergymen, villains, etc.—their graying hair
and lined faces are generally not liabilities.
A review by R. C. Speck
A symphony becomes a plot device, and
a violin solo a literary conceit, in Sight
Reading, the latest novel from awardwinning novelist Daphne Kalotay. The
classic love triangle gets the Classical music
treatment from Kalotay when Nicholas,
the introspective and brilliant composer, is
forced to choose between Hazel, his beautiful wife and mother of his child, and the
free-spirited violinist Remy. Set in Boston,
Sight Reading focuses on how these characters keep looking back to their own histories
as they tend to their lonely, roving hearts.
Weddings, divorces, affairs, secrets, lies,
confessions, and music, lots of music…it’s all
in there.
Remy wants to live like Oscar Wilde, but
she also forces herself to the painful limits
of her technical ability on the violin. Hazel
keeps seeing her own doppelgänger before
pivotal moments in her life and wonders if
she is losing her mind. Meanwhile Nicholas,
a world-renowned composer, struggles with
his great symphony for nearly twenty years.
He’s trying to capture the spontaneity and
passion in his work that he once witnessed
during a Gypsy street concert in his youth.
Kalotay gives us much technical information on the violin, especially during Remy’s
rehearsals and lessons with Conrad Lesser,
a world-famous teacher of the violin. Who
knew how brutal that instrument can be on
the shoulder and wrists when you take it
seriously? Who knew how maddening it can
e
lately we’ve heard
be when you are sight-reading an excruciatingly difficult solo piece, and your teacher
tosses the sheet music to the floor, forcing
you to deal with it in real time, forcing you
to improvise?
Kalotay delves deepest with Nicholas.
Absent-minded to the people who love him,
he slowly loses them one by one. Finishing
that symphony is what he needs to do to
become whole again, and he discovers he has
to go to some pretty dangerous places, literally and emotionally, to do this.
Will Nicholas, Hazel, and Remy free
themselves from past betrayals and broken
hearts, or will they get lost in the romantic
complications they’ve created for themselves? And will their common love for
music save them in the end? These are some
of the themes Daphne Kalotay has taken on
in Sight Reading. q
WCPE is listenersupported
Classical radio.
Which brings us to the case of septuagenarian Spanish tenor Plácido Domingo, who’s
lately switched over to baritone. Domingo’s
earliest roles were as a lyric baritone in his
parents’ Zarzuela company. By the time he
made the switch to the higher tessitura in his
twenties, Domingo’s voice had a “baritonal”
timbre, making him ideal for many of the
heavier Verdi and Puccini tenor roles.
As late as 1995, Domingo’s repertoire still
included the principal tenor role in Simon
Boccanegra. But in 2009, the 68-year-old
began turning to more age-appropriate baritone characters: the title role in Boccanegra,
Giorgio Germont in La Traviata, the court
jester in Rigoletto, and Giacomo in Giovanna
d’Arco. Last summer I saw him draw a huge
crowd to Verona’s Arena, where he was the
Babylonian king in Nabucco.
But shouldn’t these roles be performed by a
true “Verdi baritone” instead of a “bari-tenor”? In this new CD, Verdi, he sings eighteen
baritone arias from nine operas. In a theater,
Domingo’s marvelous acting skills—honed
by five decades in the world’s greatest opera
houses—may convince viewers that he really
is Germont père, but on a recording one
hears the inappropriate sound of a darkvoiced tenor singing baritone.
This recording is for Domingo fans with
encyclopedic collections. Those interested
in authentic Verdi baritone fare are better
served by Warren, Merrill, MacNeil, Milnes,
Bruson, Pons, or Hvorostovsky. q
Join us on Saturday, December 7, at
3:00 p.m. for Carnival of the Animals,
a family event, presented with and
at Quail Ridge Books & Music. Also
co-sponsored by the North Carolina
Symphony and WCPE.
Help us continue providing this wonderful service! Donate by going to
theclassicalstation.org or calling 800.556.5178.
26
27
photo: Gregory Goode
on the cover
passed away. There are three things that I
want to mention about this piece. First, it
surprisingly begins with a fugue. (Classical
composers had abandoned the fugue in
favor of sonata form.) Second, it contains
seven movements. (Normally a string quartet
has four.) Finally, the entire piece is to be
played without interruption. How were the
musicians to remain in tune for 40 minutes
without a break? Beethoven simultaneously
embraced the musical style of his predecessor
Johann Sebastian Bach while he pushed the
Classical style to its limits. The opus 131 is
Beethoven’s response to a changing world,
looking back in time while moving forward.
Beethovenfest
Next, we devote the Friday evening Concert
Hall to the chamber music of Beethoven.
Beginning December 13 at 7:00 p.m. ET,
we’ll feature works for strings, winds, and
piano, leading to one of his most forwardlooking works, the String Quartet no. 14 in
C-sharp minor, opus 131, at 9:00 p.m. ET.
December 14–16
By William Woltz
The Cypress Quartet
The Chamber Music of
Beethoven
By Dan McHugh
Many people have heard Beethoven’s Fifth
and Ninth Symphonies. Some people are
familiar with his piano sonatas, such as the
Moonlight or the Pathétique. But fewer are
aware of Beethoven’s more intimate works—
his chamber music.
Chamber music is music written for a
smaller group of musicians and is played in a
smaller venue like a private home or a parlor,
as opposed to the concert hall. String quartets, piano trios, octets for wind ensembles,
and quintets are a few examples of chamber
music. These pieces are performed without a
conductor so that the individual musicians
are in control of dynamics and articulation.
(Piano sonatas are generally not included as
chamber pieces because only one musician is
playing.) Though less popular than his major
works, Beethoven’s chamber pieces are just
as groundbreaking and important as his symphonies. In fact, the first pieces published by
the young Beethoven were three piano trios.
28
Beethoven published the Piano Trio in C
Minor, op. 1, no. 3, in 1795. Like the piano
trios of Franz Josef Haydn, this piece is
dominated by the piano part. This shouldn’t
come as a surprise—Beethoven not only
played the piano but also was a pupil of the
much older and experienced “Father of the
Symphony.” Accented by the violin and
cello, Beethoven wrote a piece for piano that
is merely accompanied by the other instruments. Beethoven expounded on the abilities
of the pianoforte by writing virtuosic passages directed by a wide range of dynamics from pianissimo to fortissimo, all within
bars of each other. Squarely grounded in
the Classical style, this piece helped launch
Beethoven’s composing career and led to
his greatest piece in C Minor—the Fifth
Symphony.
If the Piano Trio in C Minor represents a
continuation of the style of Haydn in the
Classical era, then the String Quartet in
C-sharp Minor, op. 131, is the antithesis.
Beethoven wrote this piece in 1826, when he
was completely deaf, two years after he wrote
his Ninth Symphony and shortly before he
Ludwig van Beethoven, as a man, was coarse,
abrasive, and lonely, ultimately isolated by
his temperament and his growing deafness.
Yet his music is a soaring declaration of
courage, individuality, and the indomitable
human spirit. WCPE’s annual Beethovenfest
is a celebration of that spirit and the music it
inspired.
This year, our festival gets off to an early
start with Opera House. On Thursday,
December 12, at 7:00 p.m. ET, join host
Bob Chapman as he presents Beethoven’s
Leonore, an early version of the opera that
would come to be known as Fidelio.
I invite you to pay special attention to
the chamber music of Beethoven, as well
as his much-loved symphonies and sonatas,
on WCPE’s Beethovenfest this December.
We will broadcast a new recording of the
opus 131 by the Cyprus Quartet—you will
not want to miss it. Hear all of your favorite Beethoven pieces online at
www.theclassicalstation.org. q
The body of our festival gets underway
on Saturday, December 14, as we present
Beethoven’s greatest symphonies, sonatas,
concertos, and more through the weekend,
culminating in the glorious Ninth Symphony
on Monday Night at the Symphony on
December 16 from 8:00 to 10:00 p.m. ET.
Whether you’re a longtime Beethoven fan or
a new listener, you’ll find something to like
in WCPE’s Beethovenfest. q
29
e
classical community
classical community
WCPE salutes its business partners! These public-spirited companies, organizations, and individuals have joined the friends of WCPE in supporting Great Classical Music.
Advanced Technical Support, Inc.
Authorized sales and service
provider for Canon, Xerox, and
Hewlett-Packard imaging products
100 Southcenter Ct. Suite 500
Morrisville, N.C. 27560
919.462.3000
A.J. Fletcher Foundation
909 Glenwood Ave.
Raleigh, N.C. 27605
919.322.2580
ajf.org
The Alternative
Serving central North Carolina for
more than 20 years in mailing and
shipping solutions
335 Sherwee Dr. Suite 111
Raleigh, N.C. 27603
919.779.8828
Arts Council of Winston-Salem
and Forsyth County
Cary Skin Center
Offering comprehensive services
through its Skin Cancer Center and
Aesthetic Surgery and Laser Center
At the corner of N.C. 55 and
High House Rd.
Cary, N.C. 27519
919.363.7546
The Chamber Orchestra
of the Triangle
1213 E. Franklin St.
Chapel Hill, N.C. 27514
919.360.3382
thecot.org
Chamblee Graphics
Printer of WCPE’s Quarter Notes
1300 Hodges St.
Raleigh, N.C. 27604
919.833.7561
Chapel Hill Violins
206 N. Spruce St.
Winston-Salem, N.C. 27101
336.722.2585
intothearts.org
Fine instruments and sound advice
120 Old Durham Rd.
Chapel Hill, N.C. 27517
919.968.8131
chapelhillviolins.com
Bel Canto Company
Choral Society of Durham
A choral ensemble of professional
singers
200 North Davie St. Suite 337
Greensboro, N.C. 27401
336.333.2220
belcantocompany.com
Blue Cross and Blue Shield
of North Carolina
P.O. Box 2291
Durham, N.C. 27702
800.324.4973
bcbsnc.com
Carolina Ballet
3401-131 Atlantic Ave.
Raleigh, N.C. 27604
919.719.0800
carolinaballet.com
Carolina Performing Arts at
Memorial Hall
Fulfilling UNC-Chapel Hill’s
commitment to the arts since 2005
Box office: 919.843.3333
carolinaperformingarts.org
The Carolina Theatre
of Durham, Inc.
309 West Morgan St.
Durham, N.C. 27701
919.560.3040
carolinatheatre.org
120 Morris St.
Durham, N.C. 27701
919.560.2733
choral-society.org
Church Street Galleries
Highway 301 South
Wilson, N.C. 27895
252.246.0808
Concerts at St. Stephen’s
82 Kimberly Dr.
Durham, N.C. 27707
919.493.5451
ssecdurham.org
Concert Singers of Cary
101 Dry Ave.
Cary, N.C. 27511
919.678.1009
concertsingers.org
Duke Performances
Box 90757
Durham, N.C. 27708
919.660.3356
dukeperformances.org
Duke University, Chapel Music
P.O. 90883
Durham, N.C. 27708
919.684.3855
www.chapel.duke.edu/music.html
Duke University, Dept. of Music
Box 90665
Durham, N.C. 27708
919.660.3300
music.duke.edu
Duke University Graduate
Liberal Studies
2114 Campus Dr. Box 90095
Durham, N.C. 27708
919.684.3222
mals.duke.edu
Durham Academy
3601 Ridge Rd.
Durham, N.C. 27705
919.493.5787
da.org
Durham Savoyards Ltd.
108 Barenwood Cr.
Durham, N.C. 27704
durhamsavoyards.org
John P. Fernandez,
Attorney at Law
4030 Wake Forest Rd., Suite 300
Raleigh, N.C. 27609
919.719.2722
johnfernandezlaw.com
Fidelity Investments
Fidelity Brokerage Services
Member NYSE, SIPC
800.Fidelity
fidelity.com
French Connections
French antiques, African art, and
fabrics
178 Hillsboro St.
Pittsboro, N.C. 27312
919.545.9296
Great Outdoor Provision Co.
2017 Cameron St.
Raleigh, N.C. 27605
919.834.2916
greatoutdoorprovision.com
Hamilton Hill International
Designer Jewelry
Brightleaf Square
905 West Main St.
Durham, N.C. 27701
919.683.1474
hamiltonhilljewelry.com
Hillyer Memorial Christian
Church
718 Hillsborough St.
Raleigh, N.C. 27603
919.832.7112
For information on becoming a business partner, contact
Peter Blume at 800.556.5178 or [email protected].
30
Holy Trinity Evangelical Lutheran
Church
2723 Clark Ave.
Raleigh, N.C. 27607
919.828.1687
ibiblio
N.C. Museum of Natural
Sciences
11 West Jones St.
Raleigh, N.C. 27601
919.733.7450
naturalsciences.org
The Internet’s library
213 Manning Hall
UNC Campus
Chapel Hill, N.C. 27599
919.962.5646
N.C. State University
Master of Arts in Liberal Studies
Tom Keith & Associates, Inc.
New Orleans Opera Assn.
Serving the Carolinas for over 43
years in the valuation of corporations,
partnerships, professional practices,
and sole proprietorships
121 S. Cool Spring St.
Fayetteville, N.C. 28301
910.323.3222
keithvaluation.com
L&D Self Storage
A self-storage facility specializing in
residential and commercial needs and
located near RTP and RDU airport
10802 Chapel Hill Rd.
Morrisville, N.C. 27560
919.469.2820
Louise Beck Properties, Inc.
319 Providence Rd.
Chapel Hill, N.C. 27514
919.401.9300
louisebeckproperties.com
Michael M. Lakin,
Attorney at Law
8 Cauldwell Ln.
Durham, N.C. 27705
919.937.9723
Mallarmé Chamber Players
120 Morris St.
Durham, N.C. 27701
919.560.2788
mallarmemusic.org
Timothy Mowrey, CFP, AAMS
Mowrey Investment Mgmt.
Private, experienced, fee-only wealth
management and financial planning
services
Raleigh, N.C. 27613
919.846.2707
mowreyinvest.com
National Alliance on Mental
Illness
(NAMI) North Carolina
309 W. Millbrook Rd., Suite 121
Raleigh, N.C. 27609
919.788.0801
naminc.org
National Humanities Center
7 T.W. Alexander Dr.
Research Triangle Park, N.C. 27709
919.549.0661
nationalhumanitiescenter.org
Raleigh, N.C. 27695
919.513.1831
ids.chass.ncsu.edu/mals
616 Girod St. Suite 200
New Orleans, La. 70130
504.529.3000
neworleansopera.org
North Carolina Museum of Art
2110 Blue Ridge Rd.
Raleigh, N.C. 27607
919.839.6262
ncartmuseum.org
North Carolina Museum of History
5 East Edenton St.
Raleigh, N.C. 27601
919.807.7900
ncmuseumofhistory.org
North Carolina Opera
612 Wade Ave. Suite 100
Raleigh, N.C. 27605
919.792.3850
ncopera.org
North Carolina Symphony
3700 Glenwood Ave. Suite 130
Raleigh, N.C. 27612
919.733.2750
ncsymphony.org
The Raleigh Concert Band
P.O. Box 20932
Raleigh, N.C. 27619
thercb.org
Raleigh Wealth Management Group
UBS Financial Services, Inc.
3737 Glenwood Ave., Suite 200
Raleigh, N.C. 27612
919.785.2537
ubs.com/team/raleighwm
Resurrection Lutheran Church
100 Lochmere Dr.
Cary, N.C. 27518
919.851.7248
SearStone
106 Walker Stone Dr.
Cary, N.C. 27513
919.466.9366
searstone.com
Springmoor Life Care
Retirement Community
1500 Sawmill Rd.
Raleigh, N.C. 27615
919.848.7080
springmoor.org
St. Philip Lutheran Church
7304 Falls of the Neuse Rd.
Raleigh, N.C. 27615
919.846.2992
Triangle Community Foundation
Inspiring thoughtful giving
324 Blackwell St. Suite 1220
Durham, N.C. 27701
919.474.8370
Trinity School of
Durham and Chapel Hill
4011 Pickett Rd.
Durham, N.C. 27705
919.402.8262
trinityschoolnc.org
The Umstead Hotel and Spa
100 Woodland Pond
Cary, N.C. 27513
919.447.4000
theumstead.com
UNC-Greensboro
School of Music, Theatre, and
Dance
100 McIver St.
Greensboro, N.C. 27402
336.334.5789
performingarts.uncg.edu
UNC-TV
10 TW Alexander Dr.
RTP, N.C. 27709
919.549.7000
unctv.org
University of North Carolina
School of the Arts
1533 South Main St.
Winston-Salem, N.C. 27127
336.770.3399
uncsa.edu
WakeMed Health & Hospitals
3000 New Bern Ave.
Raleigh, N.C. 27610
919.350.8000
wakemed.org
Wake Radiology
60 years of comprehensive radiology
care and advanced imaging for your
family
3949 Browning Pl.
Raleigh, N.C. 27609
919.232.4700
wakerad.com
Wood Wise Design & Remodeling
Providing design and full-service
renovations for Raleigh homeowners
since 1990
3121 Glen Royal Rd.
Raleigh, N.C. 27617
919.783.9330
woodwisedesign.com
31
Let Me Help!
What You’re Saying
WCPE is making my early morning so
much more bearable by letting me listen
to Beethoven’s Emperor Concerto! Thanks,
guys, you’re great! (Uli)
Thanks for coming with me on another trip
and making my hotel room feel more like
home! (Cynthia)
Oh, WCPE, you know how to halt a
deadline in its tracks: “In the Hall of the
Mountain King”! Gotta get up and airconduct! (Dolly)
I recently won a CD from WCPE during
Preview. I received the CD, Alessio Bax Plays
Mozart, put it in the player…and haven’t
listened to anything else! I have so enjoyed
the music. Thank you! (Linda)
Thank you, George Douglas, for Renaissance
Fare. Speciality programming like this makes
WCPE truly unique and valuable! (Roxanne)
I just have to tell you how much I am enjoying today’s choral and organ music. It brings
back so many memories for me. My dad
played the organ…and most of my Classical
music memories are from the music that my
mother played while I was a young child.
Never knew what a lasting impression that it
made on me until moving to North Carolina
and finding WCPE on the radio. (Beverly)
WCPE is licensed by the Federal Communications
Commission to broadcast on 89.7MHz with
100,000 watts.
WCPE programming is carried on the following FM
channels in North Carolina and Virginia:
• W202BQ on 88.3 MHz (Aberdeen, Pinehurst,
Southern Pines)
• W205CA on 88.9 MHz (Foxfire Village)
• W210BS on 89.9 MHz (New Bern)
• WZPE on 90.1 MHz (Bath)
• WBUX on 90.5 MHz (Buxton)
• WURI on 90.9 MHz (Manteo)
• W237CM on 95.3 MHz (Fayetteville)
• W247BG on 97.3 MHz (Greenville)
• W275AW on 102.9 MHz (Danville, VA)
• W292DF on 106.3 MHz (Martinsville, VA)
name
WCPE programming is carried on partner stations
across America listed at: theclassicalstation.org/
partners.shtml.
telephone
WCPE programming is carried on cable systems
across America listed at: theclassicalstation.org/
cable.shtml.
WCPE streams on the Internet in Windows Media,
MP3, and Ogg Vorbis at theclassicalstation.org/
internet.shtml.
32
address
city
statezip
Yes! I want to support WCPE with a:
o single donation or o monthly donation of:
o $10 o $20 o $25 o $50
o $100 o $250 o Other $_______
WCPE streams on Ku-band satellite AMC1 at
103°WL, transponder 12K vertical polarity, DVBcompliant, free-to-air, downlink frequency 11942
MHz, IF 1192 MHz, FEC 3/4, symbol rate 20 MSps,
audio PID 5417, channel 81. See theclassicalstation.org/satellite.shtml.
o I would like to use my gift of $250 or more as an angel challenge.
WCPE grants blanket permission to retransmit and
rebroadcast its programming in real time without
charge or royalty to WCPE, to any entity that may
legally disseminate programming to the general
public. This permission includes AM, FM, and television stations and translators; cable TV systems;
closed-circuit TV systems; common carriers; directbroadcast satellite systems; Internet service providers and audio services; multipoint distribution
systems; pay-TV systems; subscription TV systems;
satellite master antenna TV systems; and similar
licensed or authorized entities.
o My check is enclosed, or
o Please charge to my:
o Visa
o MasterCard
o AmEx
o Discover
It is a violation of law to record copyrighted music
or performances without authorization; please use
WCPE’s programs and services properly.
Please use:
o My full name, o My first name & city
card number
print your name as it appears on your card
expiration date
signature
May your new year
be filled with
Great Classical Music!
o I want to be a WCPE volunteer.
My matching gift employer is:
#
After moving to Cary in 1979, we
became supporters of WCPE Radio.
Listening to the classics in general and
Russian compositions in particular, we
were motivated to explore the home
turf of composers and performers
during our visits to St. Petersburg
and Moscow beginning in 1985. In
St. Petersburg’s Alexander Nevsky
Cemetery, we viewed the final resting
places of Tchaikovsky, Mussorgsky,
Borodin, Balakirev, Glinka, Rubenstein,
and Rimsky-Korsakov. Historical
performance venues included the
Kirov (Mariinsky) Theatre, Great Hall
of the Shostakovich Philharmonia,
Mikhailovsky Theatre, and perhaps
most impressive, the recently restored Imperial Bolshoi Theatre in Moscow.
Who can say that, without our introduction by WCPE to the Russian
composers, we would have been able to understand and appreciate this
exquisite Classical culture in person? Currently, our home and car stereos are
tuned to WCPE to enjoy great music whenever and wherever. We support the
station by contributing and by volunteering during the semi-annual fundraisers
and encourage others to do the same to ensure the sustainability of WCPE.—
Frank and Marilyn Schiermeier
Fill out this form and send it to WCPE.
Thank you for your support!
Please mail to:
WCPE
PO Box 897
Wake Forest, NC 27588
33
Dated material—do not delay
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Raleigh, NC
WCPE
P.O. Box 897
Wake Forest, NC 27588
PLEASE NOTE:
Don’t forget to renew your WCPE membership before the date shown below.
Ring in the New Year
with a New Top 100!
From December 26 through New Year’s
Day, we’ll play selections from WCPE’s new
Top 100 list of listener favorites. And on
New Year’s Eve we “ring in the new” with
Viennese waltzes and festive favorites from
9:00 p.m. until midnight ET.