Beethovenfest Simply Strings Mozart Madness
Transcription
Beethovenfest Simply Strings Mozart Madness
Quarter Notes 89.7 WCPE’s member magazine • Winter 2013–14 Beethovenfest Simply Strings Mozart Madness table of contents WCPE Daily Schedule Weekdays 12:00 Sleepers, Awake! with Phil Davis midnight Campbell and Sherman Wallace 5:30 a.m. Rise and Shine with David Ballantyne 9:00 a.m. WCPE Classical Café with David Ballantyne and Dan McHugh 9:00 a.m.– Final Friday of each month: All-Request 10:00 p.m. Friday 1:00 p.m. As You Like It with Tara Lynn 4:00 p.m. Allegro with Dick Storck 7:00 p.m. Mondays through Wednesdays and Fridays: WCPE Concert Hall with Andy Huber, Warner Hall, Larry Hedlund, and Juergen Rathgeber Thursdays: WCPE Opera House with Bob Chapman 8:00 p.m. Mondays: Monday Night at the Symphony with Andy Huber and a variety of hosts 10:00 p.m. Music in the Night with Stanley Ray Hoffman, Dave Stackowicz, Bob Chapman, Howard Burchette, and a variety of hosts Saturdays 12:00 Sleepers, Awake! with Phil Davis midnight Campbell and Sherman Wallace 6:00 a.m. Weekend Classics with Dan McHugh, Helen Halva, Wes Witz, Joyce Kidd, and a variety of volunteer hosts 6:00 p.m. Saturday Evening Request Program with Phil Davis Campbell, Jim Sempsrott, Wes Witz, and a variety of volunteer hosts. Sundays 12:00 Sleepers, Awake! with Phil Davis midnight Campbell and Sherman Wallace 6:00 a.m. Weekend Classics with Alex Ruzzier 7:30 a.m. Sing for Joy with Bruce Benson 8:00 a.m. Great Sacred Music with Rob Kennedy 11:00 a.m. Weekend Classics with Jonathan Bailey, Don Anthony, Steve Thebes, and a variety of volunteer hosts 6:00 p.m. Preview! with Paul Jordan 9:00 p.m. Wavelengths with George Douglas 10:00 p.m. Peaceful Reflections with George Douglas B Quarter Notes Meet Your Host.......................1 WCPE’s member magazine Vol. 35, no. 4 Home Sweet Home.................2 Winter Highlights...................3 WCPE’s mission is to expand the community of Classical music lovers by sharing Classical music with everyone, everywhere, at any time. We entertain, educate, and engage our audience with informative announcers, programs, and publications. We strive to make it easy to appreciate and enjoy Great Classical Music. December Calendar.................4 January Calendar.....................5 February Calendar...................6 Managing editor: Christina Strobl Romano Designer: Deborah Cruz Printer: Chamblee Graphics Mondays This Quarter My Life in Music, Monday Night at the Symphonys, and Renaissance Fare...........................7 WCPE Staff Deborah S. Proctor........................General Manager Chief Engineer David Ballantyne.............................. Assistant to the Program Director* Peter Blume............ Business Development Director Curtis Brothers...........................Facilities Engineer* Howard Burchette.................................. Announcer Phil Davis Campbell............................... Announcer Bob Chapman..............................Opera House Host Patricia Crane............. Director of Member Support Adrienne DiFranco........................Member Support John Graham...........................Engineering Director Rob Kennedy...................... Great Sacred Music Host Tara Lynn.....................Arts & Community Liaison* Eric Maynard..................................... Webmaster/IT Dan McHugh......................................... Announcer Jane O’Connor..................... Volunteer Coordinator Stu Pattison....................................Member Support Christina Strobl Romano.... Director of Publications Alex Ruzzier....................................Traffic Assistant* Jim Sempsrott....Engineering Assistant; Accounting* Dick Storck..................................Program Director* John Taffee.......... Engineering Assistant; Accounting Sherman Wallace..................................... Announcer Rae C. Weaver...................... Development Director Wes Witz................... IT Assistant; Traffic Assistant* William Woltz.................................Music Director* *This staff member is also an announcer. ©Copyright 1978–2014, WCPE Radio, Raleigh, NC. All rights reserved. All material disseminated by WCPE is copyrighted or used under application regulations. Allegro; As You Like It; Classical Cafe; Quarter Notes; Rise and Shine; Sleepers, Awake!; and WCPE are registered or pending trademarks or service marks of WCPE. WCPE P.O. Box 897 Wake Forest, NC 27588 800.556.5178 Information: [email protected] Editor: [email protected] Web site: theclassicalstation.org Meet Your Host: Patty Smyth-Pearce Opera House...........................9 How long have you been an announcer at WCPE, and what attracted you to The Classical Station? I’ve always enjoyed listening to WCPE, for the 25 years plus that I’ve been in the Raleigh area. I’m pretty new at announcing, having started as a volunteer only in the last few months, and I owe it to Tara Lynn for encouraging me to consider it after doing a brief voice spot on behalf of Raleigh Concert Band for the station. Great Sacred Music, Preview, Wavelengths, and Peaceful Reflections.................................10 How did you get involved in broadcasting? From volunteerism in several other community groups, I’ve been called on before to lead and/or to speak, so hosting a radio spot merges these interests nicely with a lifelong love of music. Do you have a background in music performance? My personal musical experience is primarily in instrumental performance, first on the flute, then later on string bass as a second instrument. I have played in local symphonic wind ensembles, like Raleigh Concert Band, which have graced the area for decades with their civic and private performances. What are your goals with your newfound love of announcing? I love being around people at WCPE that have much deeper formal musical backgrounds than I do, and announcing has proven to be a great avenue for me to pick up some of the music history education that I’ve never really had before. And the best way to really learn something is to teach it, so I have high hopes in this being a shared journey with our listeners. Sundays This Quarter Met Broadcast Schedule........12 Program Guide......................13 WCPE in the Community.....25 Lately We’ve Read Sight Reading..............................26 Lately We’ve Heard A Review of Verdi by Plácido Domingo..........................27 On the Cover The Chamber Music of Beethoven.......28 Beethovenfest..........................29 Classical Community............30 What You’re Saying...............32 Donor Spotlight Frank and Marilyn Schiermeier.......32 On the cover: The Cypress Quartet performs Beethoven’s String Quartet in C-sharp Minor on the December 13 Concert Hall. Read about the chamber music of Beethoven on page 28. Photo by Gregory Goode 1 home sweet home I want to thank you for your support of WCPE Radio (theclassicalstation.org). Without your generous gifts, we would not be able to continue our round-theclock broadcasts. This is especially true for our web listeners and listeners to our mini-transmitters. By William Woltz December is a special month for many people. Christmas comes this month, and Chanukah began on Thanksgiving day. All three of these holidays, Thanksgiving Day, Chanukah, and Christmas, symbolize recognition and giving gifts to family members and close friends. I hope you will consider WCPE Radio to be a part of your family and ask that you remember our station in December. Chanukah (Hanukkah) This year is like any year—our expenses go up just as yours do, and we have to meet these expenses. We share our programming without cost or obligation to many cable and public radio stations across the country. We believe that Great Classical Music is a treasure and gift which is important to preserve and protect. This station is unique; we do not have a university, municipality, or government agency to fall back upon during difficult times. We have to depend on you. We are truly a community radio station, because members of each community we serve take the time and effort to help us financially, like local business owners who believe this station is important and worthy of their support. We are blessed in that we are able to operate with a 100,000-watt transmitter, which is the highest broadcast power allowed in the United States for an FM station. Also, we have mini-transmitters in cities where our signal weakens after 75 or 90 miles, we have partner stations rebroadcasting our music, and we have many listeners across the country via the Internet. There is no other radio station in the country that operates a high-power station that has been fortunate enough to have had a quarter-mile–tall tower donated to it. We have many broadcast options that bring you Great Classical Music around the clock, every day of the year. 2 e winter highlights The Metropolitan Opera Seasonal favorites for the Festival of Lights, which continues through December 5. Beethovenfest Martin Luther King Jr. Day December 14–16 January 21 This year we have pre-festival highlights: Bob Chapman presents Ludwig van Beethoven’s Leonore in Opera House on December 12; then we devote the Friday evening Concert Hall to the chamber music of Beethoven. Starting Saturday, December 14, you can enjoy Beethoven’s greatest symphonies, sonatas, concertos, and more, culminating in the glorious Ninth Symphony during Monday Night at the Symphony on December 16. See page 29 for more details about Beethovenfest. We celebrate the legacy of Dr. King with music of American composers and performers. Christmas Black History Month A new season of live broadcasts begins December 7 at 12:30 p.m. ET with Verdi’s Rigoletto. Many people wait until December to make their donations to non-profit organizations that they support. So I ask you to consider a December gift to WCPE Radio if you listen to us in central North Carolina and Southside Virginia, and to theclassicalstation.org if you listen to us on the Internet or on one of the public radio stations which carry our signal. You can donate stocks and bonds to us through Merrill Lynch, Davenport, and EDJones. If you happen to be holding some stock certificates with just a few shares on them, you can sign the backs and mail them to us. Your charitable gifts can help you this coming April. The same goes for that old car or truck that you never use anymore. Wherever you live in the U.S., we can have someone pick it up for donation, and you’ll get a donation verification in return for your generosity. Thank you for your support of this beautiful music and the stations and the people who bring it to you. From all of us here at WCPE Radio, we’ll do our best to bring you Great Classical Music throughout the coming year, and it will all be because you took the time to give us your financial support! Thank you! January 18–19 The Mighty Handful was a group of five 19th-century Russian composers who wrote music steeped in the distinctive traditions of their homeland. We’ll celebrate with favorites from Mussorgsky, Rimsky-Korsakov, Rachmaninoff, and others, anchored by the Met Opera broadcast of Tchaikovsky’s Eugene Onegin on January 18 at 1:00 p.m. ET. Saturday, December 7 Deborah S. Proctor General Manager Russian Romantics Weekend Mozart Madness January 25–27 A child prodigy, Mozart had extraordinary gifts which culminated in music of profound beauty, touching the soul in a way that few others have done. Join WCPE for a celebration of all things Mozart, culminating on his birthday, January 27. December 25 February Music of joy and merriment, wonder and reverent awe. WCPE brings you the best in Christmas music from the Classical tradition this December. We’ll celebrate music by composers and performers of African descent throughout the month. Valentine’s Day (by advance request) All-Request Fridays February 14 December 27, January 31, and February 28 Make a Classical music request in honor of your sweetie. Requests must be received by February 7 online or through the U.S. Postal Service. You’re the music director from 9:00 a.m. to 10:00 p.m. ET. Submit your requests online anytime at theclassicalstation.org, or call WCPE at 919.556.0123 on the morning of the program. The New Year, and a New Top 100 From December 26 through New Year’s Day, we’ll play selections from WCPE’s new Top 100 list of listener favorites. And on New Year’s Eve we “ring in the new” with Viennese waltzes and festive favorites from 9:00 p.m. until midnight ET. Simply Strings Weekend February 15–16 Violin, viola, cello, bass, guitar, mandolin, harp, and more—we explore the variety of instruments with strings and the performers who make them go “zing.” Presidents Day February 18 Patriotic selections and American music to honor our leaders through the years. Planning your end-of-year charitable donation? Please remember WCPE! 3 december calendar beethovenfest Christmas Day 25 Wednesday Louis Lane 1923 (90th birthday) 26 Thursday All-Request Friday 27 Friday 28 Saturday João Domingos Bomtempo 1775 Nigel Kennedy 1956 29 Sunday Pablo Casals 1876 Grant Llewellyn 1960 30 Monday Dmitry Kabalevsky 1904 New Year’s Eve 31 Tuesday Nathan Milstein 1903 17 Friday François-Joseph Gossec 1734 18 Saturday César Cui 1835 Emmanuel Chabrier 1841 19 Sunday Simon Rattle 1955 20 Monday Martin Luther King Jr. Day Ernest Chausson 1855 Antonio de Almeida 1928 21 Tuesday Plácido Domingo 1941 Uto Ughi 1944 (70th birthday) 22 Wednesday Myung-whun Chung 1953 23 Thursday 24 Friday Frederick the Great 1712 Muzio Clementi 1752 E.T.A. Hoffmann 1776 25 Saturday Jan Blockx 1851 Wilhelm Furtwängler 1886 26 Sunday Jacqueline du Pré 1945 27 Monday Wolfgang Amadeus Mozart 1756 Édouard Lalo 1823 John Ogdon 1937 Jean-Philippe Collard 1948 28 Tuesday Ferdinand Hérold 1791 Arthur Rubinstein 1887 John Tavener 1944 (70th birthday) 29 Wednesday Frederick Delius 1862 Malcolm Binns 1936 Cho-Liang Lin 1960 30 Thursday Johann Joachim Quantz 1697 Lynn Harrell 1944 (70th birthday) mozart madness Winter begins 21 Saturday Zdeněk Fibich 1850 Michael Tilson Thomas 1944 András Schiff 1953 (60th birthday) 22 Sunday Carl Friedrich Abel 1723 Giacomo Puccini 1858 23 Monday Zara Nelsova 1918 Claudio Scimone 1934 24 Tuesday Peter Cornelius 1824 1 Wednesday New Year’s Day 2 Thursday Mily Balakirev 1837 3 Friday 4 Saturday Giovanni Battista Pergolesi 1710 Josef Suk (composer) 1874 5 Sunday Arturo Benedetti Michelangeli 1920 Alfred Brendel 1931 Maurizio Pollini 1942 6 Monday Giuseppe Sammartini 1695 Max Bruch 1838 Alexander Scriabin 1872 7 Tuesday Francis Poulenc 1899 Günter Wand 1912 Jean-Pierre Rampal 1922 Iona Brown 1941 8 Wednesday 9 Thursday John Knowles Paine 1839 (175th anniversary of birth) 10 Friday Tor Aulin 1866 Jean Martinon 1910 Sherrill Milnes 1935 James Morris 1947 Mischa Maisky 1948 Nadja Salerno-Sonnenberg 1961 11 Saturday Reinhold Glière 1875 Maurice Duruflé 1902 12 Sunday Ermanno Wolf-Ferrari 1876 13 Monday Vasily Kalinnikov 1866 Richard Addinsell 1904 14 Tuesday Mariss Jansons 1943 Nicholas McGegan 1950 Ben Heppner 1956 Andrew Manze 1965 15 Wednesday Malcolm Frager 1935 Joseph Kalichstein 1946 16 Thursday Marilyn Horne 1934 (80th birthday) russian romantics weekend 4 7 Saturday Pearl Harbor Remembrance Pietro Mascagni 1863 (150th anniversary of birth) Daniel Chorzempa 1944 8 Sunday Jean Sibelius 1865 Manuel Ponce 1882 James Galway 1939 9 Monday Émile Waldteufel 1837 Joaquín Turina 1882 Joshua Bell 1967 10 Tuesday César Franck 1822 Olivier Messiaen 1908 Morton Gould 1913 (100th anniversary of birth) Kathryn Stott 1958 (55th birthday) 11 Wednesday Hector Berlioz 1803 Mieczysław Karłowicz 1876 12 Thursday 13 Friday 14 Saturday Capel Bond 1730 Ron Nelson 1929 Christopher Parkening 1947 15 Sunday Michel Richard Delalande 1657 16 Monday Ludwig van Beethoven 1770 Zoltán Kodály 1882 Trevor Pinnock 1946 17 Tuesday Domenico Cimarosa 1749 Arthur Fiedler 1894 18 Wednesday Edward MacDowell 1860 Edmond de Stoutz 1920 William Boughton 1948 (65th birthday) 19 Thursday Fritz Reiner 1888 (125th anniversary of birth) William Christie 1944 20 Friday Mitsuko Uchida 1948 (65th birthday) beethovenfest 1 Sunday Rudolf Buchbinder 1946 2 Monday John Barbirolli 1899 Maria Callas 1923 (90th anniversary of birth) 3 Tuesday José Serebrier 1938 (75th birthday) 4 Wednesday Hamilton Harty 1879 5 Thursday Francesco Geminiani 1687 Vítězslav Novák 1870 José Carreras 1946 Krystian Zimerman 1956 6 Friday Nikolaus Harnoncourt 1929 Henryk Górecki 1933 (80th birthday) january calendar All-Request Friday 31 Friday Franz Schubert 1797 Phillip Glass 1937 Ofra Harnoy 1965 5 e 6 Valentine’s Day 14 Friday Renée Fleming 1959 (55th birthday) 15 Saturday Michael Praetorius 1571 16 Sunday Eliahu Inbal 1936 John Corigliano 1938 (75th birthday) Presidents’ Day 17 Monday Arcangelo Corelli 1653 Henri Vieuxtemps 1820 Edward German 1862 Anner Bylsma 1934 (80th birthday) photo: Michael Zirkle, courtesy N.C. Symphony First Mondays at 7:00 p.m. (Eastern) And additional broadcasts With host Tara Lynn 18 Tuesday 19 Wednesday Luigi Boccherini 1743 20 Thursday Carl Czerny 1791 Charles de Bériot 1802 Christoph Eschenbach 1940 Riccardo Chailly 1953 21 Friday Léo Delibes 1836 Charles-Marie Widor 1844 Andrés Segovia 1893 22 Saturday Niels Gade 1817 Louis Auriacombe 1917 23 Sunday George Frideric Handel 1685 24 Monday Jiří Bělohlávek 1946 25 Tuesday Enrico Caruso 1873 Jesús López-Cobos 1940 26 Wednesday Antonin Reicha 1770 Frank Bridge 1879 27 Thursday Hubert Parry 1848 Marian Anderson 1897 Mirella Freni 1935 Gidon Kremer 1947 All-Request Friday 28 Friday Jean-Baptiste Arban 1825 Gioachino Rossini 1792 (observed) photo: Michael Zirkle, courtesy N.C. Symphony Antoni Wit b. 1944 (70th birthday) Classical music can be enjoyed with little background knowledge, but when you invest some time in the exploration of its history, performance practices and techniques, and great performers you can increase your capacity for appreciation manyfold. That’s why we ask the professional musicians of the North Carolina Symphony to guide us through the recordings that have inspired them most in their tireless efforts to provide listeners with unforgettable musical moments. Increase your appreciation by listening with the pros: WCPE’s My Life in Music, first Mondays on The Classical Station. Kenneth Whitlow Kenneth Whitlow, assistant principal percussion North Carolina Symphony Monday, February 3, 2014, at 7:00 p.m. Catch this program again… Tuesday, February 4, 2014, at 3:00 a.m. Sunday, February 9, 2014, at 5:00 p.m. Rebroadcasts from our 2012 series of My Life in Music Terry Mizesko, bass trombone North Carolina Symphony Sunday, December 22, 2013, at 5:00 p.m. Elizabeth Beilman, assistant principal cello North Carolina Symphony Sunday, January 26, 2014, at 5:00 p.m. John Ilika, principal trombone North Carolina Symphony Sunday, February 23, 2014, at 5:00 p.m. Nathaniel Yaffe photo: Michael Zirkle, courtesy N.C. Symphony simply strings weekend 1 Saturday Johan Agrell 1701 Francesco Veracini 1690 Victor Herbert 1859 Renata Tebaldi 1922 2 Sunday Fritz Kreisler 1875 Jascha Heifetz 1901 Paul O’Dette 1954 (60th birthday) 3 Monday Felix Mendelssohn 1809 4 Tuesday Erich Leinsdorf 1912 5 Wednesday John Pritchard 1921 6 Thursday Claudio Arrau 1903 7 Friday Wilhelm Stenhammar 1871 Antoni Wit 1944 (70th birthday) 8 Saturday André Ernest Modeste Grétry 1741 John Williams (composer/ conductor) 1932 9 Sunday 10 Monday Leontyne Price 1927 11 Tuesday Rudolf Firkušný 1912 Alexander Gibson 1926 12 Wednesday Jan Ladislav Dussek 1760 13 Thursday Fernando Sor 1778 mondays this quarter photo: J. Multarzynski february calendar Nathaniel Yaffe, cello North Carolina Symphony Monday, December 2, 2013, at 7:00 p.m. Catch this program again… Tuesday, December 3, 2013, at 3:00 a.m. and Sunday, December 8, 2013, at 5:00 p.m. Samuel Gold, principal viola North Carolina Symphony Monday, January 6, 2014, at 7:00 p.m. Catch this program again… Tuesday, January 7, 2014, at 3:00 a.m. and Sunday, January 12, 2014, at 5:00 p.m. Samuel Gold 7 mondays this quarter opera house December Join WCPE on December 16 for an allBeethoven edition of Monday Night at the Symphony, in culmination of our three-day Beethovenfest. We’ll feature the Atlanta Symphony Orchestra and Chorus performing the glorious Symphony no. 9 in D Minor, with Donald Runnicles conducting. Don’t miss our annual holiday edition of Monday Night at the Symphony on December 23. And be sure to tune in through the coming year as we spotlight one of the world’s great orchestras each week on Monday Night at the Symphony. R enaissance Fare Second Mondays at 7:00 p.m. (Eastern) With host George Douglas The December edition of Renaissance Fare will be dedicated to the Christmas season and will feature some of the best of recorded seasonal music from this festive time of year. We’ll hear from Early Music New York, Apollo’s Fire, and other groups you will love. Don’t miss the Christmas edition on Monday, December 9, at 7:00 p.m. ET with a repeat broadcast on Sunday, December 15, at 5:00 p.m. ET. For the New Year in 2014, we will introduce some of the latest recordings of Renaissance music from popular groups around the world. What’s new with the London Consort, the New York Renaissance Band, and others you’ve heard before on Renaissance Fare, as well as some you haven’t heard. Listen on Monday, January 13, at 7:00 p.m. ET with a repeat broadcast on Sunday, January 19, at 5:00 p.m. ET. 8 January 6 Cleveland Orchestra 13 Bamberg Symphony Orchestra 20 Rotterdam Philharmonic Orchestra 27 All-Mozart edition February 3 San Francisco Symphony 10 Gothenburg Symphony Orchestra 17 Chicago Symphony Orchestra 24 London Philharmonic Orchestra February is the month of presidents and love, and we’ll feature music for both! We’ll probably substitute music for kings rather than presidents, but fortunately love remains pretty much the same. This edition of Renaissance Fare will be heard on Monday, February 10, at 7:00 p.m. ET with a repeat broadcast on Sunday, February 16, at 5:00 p.m. ET. Listen to Renaissance Fare on the second Monday of each month on WCPE, streaming at theclassicalstation.org, with a repeat broadcast on the following Sunday at 5:00 p.m. ET. photo: Roger Mastroianni Mondays at 8:00 p.m. (Eastern) 2 Vienna Philharmonic Orchestra 9 Los Angeles Philharmonic 16 All-Beethoven edition 23 Holiday edition 30 Scottish Chamber Orchestra Christmas Eve at the Opera House Thursdays at 7:00 p.m. (Eastern) With host Bob Chapman December 5 December 12 Beethoven’s Leonore In the original 1805 version of Beethoven’s only opera, Leonore (Baumann) disguises herself as a young man to rescue her husband Florestan (Patzak), who’s been imprisoned for political reasons by Don Pizarro (Misske). January 23 December 19 January 30 Puccini’s Tosca Tosca (Tebaldi) sells herself to Scarpia (London) in order to save her painter boyfriend Cavaradossi (Del Monaco)—only to be doublecrossed by the sleazy Roman police chief. (From the Ruocchio Archives.) December 24 Christmas Eve at the Opera House Past and present opera stars sing Christmas favorites. Includes Alagna, Carreras, Domingo, Graves, Hampson, Horne, Lanza, Martinelli, Norman, Pavarotti, Ponselle, Sutherland, Te Kanawa, Terfel, and Tibbett. December 26 Verdi’s Aida Enslaved Ethiopian princess Aida (Chiara) competes with Egyptian princess Amneris (Dimitrova) for the love of conquering warrior Radamès (Pavarotti). January 2 Moore’s The Ballad of Baby Doe A beautiful young woman (Sills) and a married silver baron (Cassel) cause a scandal in this true tale from 19th-century Colorado. January 9 Offenbach’s Les Contes d’Hoffmann Poet Hoffmann (Gedda) is inspired by three muses (D’Angelo, Schwarzkopf, De Los Angeles), but several villains (Ghiuselev, London, Blanc) conspire against him. January 16 Apollo’s Fire Rossini’s La Donna del Lago Uberto (Blake) seeks shelter in the house of Douglas, whose daughter Elena (Anderson) was forced to marry Rodrigo (Merritt), who’s later killed, thus freeing her to marry Malcolm (Dupuy). A tradition established by longtime Opera House host Al Ruocchio (1937–2007) is being revived this year. On December 24 at 7:00 p.m. Eastern, current host Bob Chapman will present three hours of seasonal favorites sung by many of the 20th century’s finest opera stars. Donizetti’s Lucrezia Borgia A femme fatale renowned for her ruthless pursuit of power, Lucrezia (Caballé) reveals poignant vulnerability when face to face with her long-lost son Gennaro (Kraus). (From the Ruocchio Archives.) Berlioz’s Béatrice et Bénédict Based on Shakespeare’s Much Ado About Nothing, Béatrice (Baker) is initially scornful of Bénédict (Tear) but gradually realizes she loves him. Mozart’s La Finta Semplice Cassandro (Holl) says he hates all women, but then falls head over heels in love with Rosina (Donath), while Fracasso (Moser) and Giacinta (Berganza) hope Rosina can help them solve their romantic conundrum in this delightful opera buffa composed by a 12-year-old. February 6 Orff’s Die Kluge & Der Mond A pair of fairy tales from the Grimm brothers. In Die Kluge, greed is conquered by love and intelligence, while in Der Mond, certain characters steal the moon for their country, which doesn’t have one. February 13 Massenet’s Chérubin Continuing Beaumarchais’ Figaro trilogy, Chérubin (Von Stade) celebrates his seventeenth birthday and first military commission by lusting after each of the female characters and inspiring general confusion. February 20 Sullivan’s H.M.S. Pinafore Captain Corcoran’s (Skitch) daughter Josephine (Hindmarsh) is in love with lower-class sailor Ralph Rackstraw (Round), but papa wants her to marry the First Lord of the Admiralty (Reed), whose unexpected advocacy of the equality of humankind encourages Ralph and Josephine to overturn conventional social order and elope. (From the Ruocchio Archives.) February 27 Rossini’s Il Barbiere di Siviglia Jack-of-all-trades Figaro (Merrill) skillfully helps Count Almaviva (Valletti) win the hand of old Dr. Bartolo’s (Corena) beautiful young ward Rosina (Peters). 9 e sundays this quarter sundays this quarter December 1 Bach: Cantata 61 Palestrina: Missa Papae Marcelli December 8 Bach: Missa Brevis in G major Byrd: Mass for Five Voices December 15 Bach: Cantata 141 Monteverdi: Vespers December 22 Bach: Cantata 132 Carols and Hymns for Advent December 29 Bach: Cantata 152 Handel: Messiah Part I Johann Sebastian Bach (1685–1750) January 5 Bach: Cantata 153 Poulenc: Gloria January 12 Bach: Cantata 124 Mozart: Mass in C January 19 Bach: Cantata 3 Elgar: The Dream of Gerontius Great Sacred Music Sundays at 9:00 p.m. (Eastern) With host George Douglas Sundays at 10:00 p.m. (Eastern) With host George Douglas Every week, WCPE showcases the best works of contemporary composers on Wavelengths, our Sunday evening program of new music. We primarily feature works written from 1950 to the present, with a strong focus on the 21st century. But we’ll also reach farther back into the 20th century to present important compositions that have helped pave the way for today’s music. Each Sunday evening after Wavelengths, WCPE brings you two hours of relaxing music on Peaceful Reflections. It’s a thoughtful mix of orchestral, chamber, choral, and organ works, chosen to help you unwind from the week just ended and prepare for the one ahead. Wavelengths depends upon financial support from listeners. Please make your tax-deductible gift online at theclassicalstation.org. Sundays at 8:00 a.m. (Eastern) With host Rob Kennedy January 26 Bach: Cantata 72 Haydn: Paukenmesse February 2 Bach: Cantata 81 Beethoven: Mass in C February 9 Bach: B Minor Mass Bruckner: Te Deum February 16 Bach: Cantata 81 Handel: Dettingen Te Deum February 23 Bach: Cantata 126 Schubert: Mass in E-flat George Frideric Handel (1685–1759) For an advance copy of our playlist, please e-mail [email protected]. Sign up for Crescendo, WCPE’s e-newsletter, to receive bi-weekly reminders about special programming, WCPEsponsored community events, and exclusive giveaways! 10 Preview! Sundays at 6:00 p.m. With host Paul Jordan From symphonies to oratorios, from ballet to chamber ensembles, you’ll get a sneak preview of upcoming Classical events in the Triangle and around the nation. We sample great performances from new Classical releases on a variety of labels and talk to great names in the world of Classical music. We’ll speak with pianist András Schiff, who turns 60 this quarter, on Preview on December 22 at 7:00 ET. 11 met broadcast schedule Metropolitan Opera Broadcast Season 2013–14 Listen to live broadcasts from the Metropolitan Opera on Saturday afternoons. December 7 12:30 Rigoletto (Verdi) Heras-Casado; Kurzak, Volkova, Polenzani, Hvorostovsky, Kocán December 14 (HD) 1:00 program guide (december) February 15 1:00 Die Frau Ohne Schatten (R. Strauss) Performance from Fall 2013 Jurowski; Schwanewilms, Goerke, Komlósi, Kerl, Reuter February 22 1:00 Der Rosenkavalier (R. Strauss) Performance from Fall 2013 Gardner; Serafin, Garanca, Erdmann, Cutler, Ketelsen, Rose March 1 (HD) 12:00 Falstaff (Verdi)* Levine; Oropesa, Meade, Blythe, Cano, Fanale, Maestri, Vassallo Prince Igor (Borodin)* Noseda; Dyka, Rachvelishvili, Semishkur, Abdrazakov, Petrenko, Kocán December 21 March 8 1:00 12:00 A Midsummer Night’s Dream (Britten) Performance from Fall 2013 Conlon; Kim, Wall, DeShong, Davies, Kaiser, Simpson, Rose The Enchanted Island (Handel, Vivaldi, Rameau, and others) Summers; de Niese, Chuchman, Graham, Daniels, Costanzo, Domingo, Pisaroni December 28 March 15 (HD) 12:30 1:00 Tosca (Puccini) Armiliato; Radvanovsky, Giordani, Gagnidze, Del Carlo Werther (Massenet)* Altinoglu; Oropesa, Garanca, Kaufmann, Bižic, Summers January 4 March 22 1:00 1:00 The Magic Flute (Mozart) Glover; Stober, Lewek, Shrader, Gunn, Shenyang, Owens Wozzeck (Berg) Levine; Voigt, O’Neill, Hoare, Hampson, Bayley January 11 La Sonnambula (Bellini) Armiliato; Damrau, Camarena, Pertusi 1:00 Die Fledermaus (J. Strauss II) (New English language version with lyrics by Jeremy Sams and dialogue by Douglas Carter Beane) Fischer; Phillips, Shäfer, Costanzo, Maltman, Fabiano, Szot, Carfizzi January 18 1:00 Eugene Onegin (Tchaikovsky)* Performance from Fall 2013 Gergiev; Netrebko, Volkova, Beczala, Kwiecien, Tanovitski January 25 1:00 L’Elisir d’Amore (Donizetti) Benini; Netrebko, Vargas, Alaimo, Schrott February 1 1:00 Madama Butterfly (Puccini) Auguin; Echalaz, DeShong, Hymel, Hendricks February 8 (HD) 1:00 Rusalka (Dvorák) Nézet-Séguin; Fleming, Magee, Zajick, Beczala, Relyea 12 March 29 1:00 April 5 (HD) December Featured Works 3 Tuesday All programming is subject to change. For a complete list of a specific day’s music, go to theclassicalstation.org. 9:00 a.m. Chopin: Andante Spianato and Grand Polonaise in E-flat 11:00 a.m. Delibes: Suite from Coppélia 12:00 p.m. Sibelius: Karelia Suite 2:00 p.m. Chadwick: Suite Symphonique in E-flat 3:00 p.m. Dvořák: The Golden Spinning Wheel 7:00 p.m. Beethoven: Piano Sonata no. 24 in F-sharp (For Thérèse) 8:00 p.m. Rimsky-Korsakov: Scheherazade 9:00 p.m. Prokofiev: “Overture on Hebrew Themes” 10:00 p.m. Garrop: “Lo Yisa Goy” 1 Sunday 7:00 a.m. Handel: Concerto Grosso in G, op. 3, no. 3 11:00 a.m. Beethoven: Violin Sonata no. 9 in A (Kreutzer) 12:00 p.m. Bullard: Chanukah Suite 1:00 p.m. Rachmaninoff: Rhapsody on a Theme of Paganini 3:00 p.m. Dvořák: Othello 4:00 p.m. Mozart: Piano Concerto no. 25 in C 5:00 p.m. Bloch: Baal Shem Suite (Three Pictures of Hassidic Life) 2 Monday 9:00 a.m. Telemann: Overture in D from Tafelmusik 10:00 a.m. Schumann: Symphony no. 2 in C 12:00 p.m. Bach: Violin Concerto no. 2 in E 1:00 p.m. Haydn: Cello Concerto no. 2 in D 2:00 p.m. Elgar: Symphony no. 2 in E-flat 3:00 p.m. Ravel: Mother Goose Suite 6:00 p.m. Bizet: “L’amour est un Oiseau Rebelle” (“Habanera”) from Carmen 8:00 p.m. Mozart: Symphony no. 29 in A 10:00 p.m. Delius: In a Summer Garden, a Rhapsody 1:00 La Bohème (Puccini) Ranzani; Hartig, Phillips, Grigolo, Cavalletti, Carfizzi, Gradus, Maxwell April 12 1:00 Andrea Chénier (Giordano) Noseda; Racette, Álvarez, Lucic April 19 12:00 Arabella (R. Strauss) Auguin; Byström, Kühmeier, Saccà, Volle, Winkler April 26 (HD) 1:00 1:00 I Puritani (Bellini) Mariotti; Peretyatko, Brownlee, Kwiecien, Pertusi May 10 (HD) 1:00 La Cenerentola (Rossini) Luisi; DiDonato, Flórez, Spagnoli, Corbelli, Pisaroni * New production. All times Eastern. 9:00 a.m. Bach: Brandenburg Concerto no. 3 in G 10:00 a.m. Haydn: Piano Concerto in G 12:00 p.m. Brahms: Academic Festival Overture 2:00 p.m. Harty: “In Ireland” 3:00 p.m. Achron: Two Hebrew Pieces 7:00 p.m. Harty: With the Wild Geese 8:00 p.m. Mozart: Piano Concerto no. 17 in G 9:00 p.m. Mendelssohn: Symphony no. 3 in A Minor (Scottish) 10:00 p.m. Bruch: Kol Nidrei (Adagio on Hebrew Melodies) 5 Thursday 9:00 a.m. Geminiani: Concerto no. 1 in D 10:00 a.m. Vaughan Williams: Five Variants of Dives and Lazarus 11:00 a.m. Rachmaninoff: Piano Concerto no. 2 in C Minor 12:00 p.m. Novák: “Lovers” from Slovak Suite 2:00 p.m. Mozart: Symphony no. 41 in C (Jupiter) 3:00 p.m. Liszt: Piano Concerto no. 1 in E-flat (Triangle) 6:00 p.m. Verdi: “Di Quella Pira” from Il Trovatore 10:00 p.m. Geminiani: Concerto no. 5 in G Minor 6 Friday Così Fan Tutte (Mozart) Levine; Phillips, Leonard, de Niese, Polenzani, Pogossov, Muraro May 3 4 Wednesday Maria Callas b. 1923 (90th anniversary of birth) 9:00 a.m. Mozart: Violin Concerto no. 3 in G 11:00 a.m. Corelli: Concerto Grosso in G Minor (Christmas Concerto) 12:00 p.m. Bach: Brandenburg Concerto no. 1 in F 1:00 p.m. Respighi: Three Botticelli Pictures 3:00 p.m. Dvořák: Symphony no. 8 in G 7:00 p.m. Beethoven: Symphony no. 5 in C Minor 9:00 p.m. Górecki: Symphony no. 3 10:00 p.m. Biebl: “Ave Maria” 13 photo: Clive Barda program guide (december) José Serebrier b. 1938 (75th birthday) 7 Saturday 8:00 a.m. Bach: Orchestral Suite no. 3 in D 9:00 a.m. Tchaikovsky: Suite from The Nutcracker (for Two Pianos) 10:00 a.m. Schumann: Symphony no. 3 in E-flat (Rhenish) 11:00 a.m. Dykes: “Eternal Father, Strong to Save” 12:00 p.m. Mascagni: Intermezzo from Cavalleria Rusticana 5:00 p.m. Handel: Organ Concerto in F, op. 4, no. 5 8 Sunday 7:00 a.m. 11:00 a.m. 12:00 p.m. 1:00 p.m. 2:00 p.m. 3:00 p.m. 4:00 p.m. Bach: Flute Sonata in E Sibelius: Finlandia Ives: Two American Carols Mozart: Flute Concerto no. 2 in D Sibelius: Violin Concerto in D Minor Ponce: Concierto del Sur Sibelius: Symphony no. 5 in E-flat 9 Monday 9:00 a.m. Beethoven: Violin Concerto in D 10:00 a.m. Rachmaninoff: Piano Concerto no. 3 in D Minor 12:00 p.m. Manfredini: Christmas Concerto in C 2:00 p.m. Vivaldi: Four Seasons 3:00 p.m. Turina: Symphonic Rhapsody 5:30 p.m. Waldteufel: “Christmas Roses” Waltz 8:00 p.m. Prokofiev: Lieutenant Kijé Suite 10:00 p.m. Lauridsen: “O Magnum Mysterium” 10 Tuesday 9:00 a.m. Gould: “Amber Waves” 10:00 a.m. Mozart: Symphony no. 36 in C (Linz) 12:00 p.m. Franck: The Breezes 14 e program guide (december) 2:00 p.m. Telemann: Trumpet Concerto no. 1 in D 3:00 p.m. Franck: Sonata in A 7:00 p.m. A Suite of English Carols 8:00 p.m. Grieg: Piano Concerto in A Minor 9:00 p.m. Franck: Symphony in D Minor 10:00 p.m. Holst: “In the Bleak Midwinter” 10:00 a.m. Beethoven: Piano Concerto no. 3 in C Minor 11:00 a.m. Beethoven: Symphony no. 1 in C 12:00 p.m. Beethoven: Piano Sonata no. 8 in C Minor (Pathétique) 5:00 p.m. Beethoven: Symphony no. 8 in F 11 Wednesday 7:00 a.m. Beethoven: “Andante Favori” in F 11:00 a.m. Beethoven: Symphony no. 7 in A 12:00 p.m. Beethoven: Piano Sonata no. 21 in C (Waldstein) 2:00 p.m. Beethoven: Symphony no. 3 in E-flat (Eroica) 3:00 p.m. Beethoven: Violin Concerto in D 4:00 p.m. Beethoven: Piano Concerto no. 4 in G 9:00 a.m. Berlioz: “Le Corsaire” Overture 11:00 a.m. Handel: Music for the Royal Fireworks 12:00 p.m. Berlioz: L’Enfance du Christ, Part 2 (“The Flight into Egypt”) 2:00 p.m. Karłowicz: Serenade for Strings 3:00 p.m. Brahms: Symphony no. 3 in F 4:00 p.m. Berlioz: Roman Carnival Overture 7:00 p.m. Haydn: Symphony no. 100 in G (Military) 8:00 p.m. Berlioz: Symphonie Fantastique 10:00 p.m. Anonymous: Three Settings of “Greensleeves” 12 Thursday 8:00 a.m. 9:00 a.m. 10:00 a.m. 12:00 p.m. 2:00 p.m. 3:00 p.m. 5:00 p.m. 10:00 p.m. Herbert: “March of the Toys” Mozart: Symphony no. 39 in E-flat Dvořák: In Nature’s Realm Bach: Brandenburg Concerto no. 2 in F Schubert: Symphony no. 9 in C (Great) Mendelssohn: Six Christmas Pieces Wagner: Prelude to Act 3 of Lohengrin Warlock: “Bethlehem Down” 13 Friday 9:00 a.m. Chopin: Piano Concerto no. 1 in E Minor 10:00 a.m. Haydn: Symphony no. 92 in G (Oxford) 12:00 p.m. Delius: “Sleigh Ride” 2:00 p.m. Reed: Russian Christmas Music 3:00 p.m. Schumann: Symphony no. 4 in D Minor 4:00 p.m. Offenbach: Barcarolle from The Tales of Hoffmann 7:00 p.m. Beethoven: Cello Sonata no. 3 in A 8:00 p.m. Beethoven: String Trio in G, op. 9, no. 1 9:00 p.m. Beethoven: String Quartet no. 14 in C-sharp Minor, op. 131 10:00 p.m. Traditional: “There is No Rose of Such Virtue” 14 Saturday 8:00 a.m. Beethoven: Overture to Fidelio 9:00 a.m. Beethoven: Clarinet Trio in B-flat 15 Sunday 16 Monday 8:00 a.m. Beethoven: Leonore Overture no. 3 9:00 a.m. Beethoven: Symphony no. 6 in F (Pastoral) 10:00 a.m. Beethoven: Piano Trio in B-flat (Archduke) 12:00 p.m. Beethoven: Piano Sonata no. 17 in D Minor (Tempest) 2:00 p.m. Beethoven: Symphony no. 5 in C Minor 3:00 p.m. Beethoven: Piano Concerto no. 5 in E-flat (Emperor) 5:00 p.m. Beethoven: Overture to Egmont 7:00 p.m. Beethoven: Piano Sonata no. 14 in C-sharp Minor (Moonlight) 8:00 p.m. Beethoven: Consecration of the House Overture 9:00 p.m. Beethoven: Symphony no. 9 in D Minor (Choral) 12:00 p.m. Traditional: “Sussex Carol” and “In Dulci Jubilo” 2:00 p.m. Vaughan Williams: Fantasia on a Theme of Thomas Tallis 3:00 p.m. Ravel: Le Tombeau de Couperin 6:00 p.m. Biebl: “Ave Maria” 7:00 p.m. Mozart: Symphony no. 25 in G Minor 8:00 p.m. Mendelssohn: String Symphony no. 8 in D 9:00 p.m. MacDowell: Piano Concerto no. 2 in D Minor 10:00 p.m. Vaughan Williams: Fantasia on Christmas Carols 19 Thursday 8:00 a.m. 9:00 a.m. 10:00 a.m. 12:00 p.m. 2:00 p.m. 3:00 p.m. 5:30 p.m. 10:00 p.m. Leroy Anderson: “Sleigh Ride” Bach: Orchestral Suite no. 3 in D Brahms: Violin Concerto in D Handel: “For Unto Us a Child is Born” Marc-Antoine Charpentier: Instrumental Carols Mussorgsky: Pictures at an Exhibition Strauss II: “Artists’ Life” Traditional: “Coventry Carol” (Three Settings) 20 Friday 9:00 a.m. Mozart: Piano Concerto no. 20 in D Minor 10:00 a.m. Handel: Suite from Il Pastor Fido 12:00 p.m. Brubeck: “Sleep Holy Infant” 2:00 p.m. Mozart: Piano Sonata no. 8 in A Minor 3:00 p.m. Saint-Saëns: Carnival of the Animals 17 Tuesday 8:00 a.m. Jessel: “Parade of the Wooden Soldiers” 9:00 a.m. Telemann: Festive Suite in A 10:00 a.m. Grieg: Norwegian Dances 12:00 p.m. Cimarosa: Concertante in G for Flute and Oboe 2:00 p.m. Bizet: Children’s Games 3:00 p.m. Rossini: The Fantastic Toyshop 4:00 p.m. Leroy Anderson: “A Christmas Festival” 8:00 p.m. Saint-Saëns: Christmas Oratorio 9:00 p.m. Mozart: Piano Concerto no. 21 in C 10:00 p.m. Yon: “Gesu Bambino” 18 Wednesday 9:00 a.m. Haydn: Piano Concerto in D 10:00 a.m. Tchaikovsky: Serenade for Strings in C Henryk Górecki b. 1933 (80th birthday) 15 program guide (december/january) 5:00 p.m. 7:00 p.m. 9:00 p.m. 10:00 p.m. Traditional: “Wexford Carol” Tchaikovsky: The Nutcracker Schubert: Piano Sonata in A, D. 959 Torelli: Christmas Concerto in G Minor 21 Saturday 8:00 a.m. Traditional: Christmas Carol Suite for Brass 9:00 a.m. Schumann: Piano Concerto in A Minor 10:00 a.m. Fibich: Symphony no. 1 in F 11:00 a.m. Debussy: Toy Box Ballet 12:00 p.m. Schütz: “Magnificat,” with Christmas Interpolations 5:00 p.m. Mozart: Rondo in A Minor, K. 511 22 Sunday 7:00 a.m. Maasalo: “The Bells of Christmas” 11:00 a.m. Leroy Anderson: Suite of Carols for String Orchestra 12:00 p.m. Mozart: Serenade no. 13 in G, K. 525 (Eine Kleine Nachtmusik) 1:00 p.m. Liszt: Christmas Tree 2:00 p.m. Tchaikovsky: Symphony no. 1 in G Minor, op. 13 (Winter Dreams) 3:00 p.m. Puccini: “Un Bel di Vedremo” from Madama Butterfly 4:00 p.m. Mendelssohn: Vom Himmel Hoch 5:00 p.m. Lovrien: “Minor Alterations (Christmas Through the Looking Glass)” 7:00 p.m. Britten: A Ceremony of Carols 8:00 p.m. Bach: Christmas Oratorio, Part One 10:00 p.m. Respighi: “The Adoration of the Magi” 24 Tuesday 9:00 a.m. Tchaikovsky: “The Christmas Tree” from The Nutcracker 10:00 a.m. Traditional: Christmas Hymns and Carols 12:00 p.m. Howells: Three Carol-Anthems 2:00 p.m. Traditional: Christmas Hymns and Carols 3:00 p.m. Manfredini: Christmas Concerto in C 4:00 p.m. Handel: Messiah 7:00 p.m. Christmas Eve at the Opera House, with Bob Chapman 10:00 p.m. Britten: “Chorale after an Old French Carol” 25 Wednesday Listen throughout the day as WCPE brings you the finest in carols, hymns, and seasonal favorites for Christmas! December 26 through January 1 WCPE plays selections from our new Top 100 list of listener favorites! 23 Monday 8:00 a.m. Bach: “Jesu, Joy of Man’s Desiring” 9:00 a.m. Albinoni: Oboe Concerto in D Minor, op. 9, no. 2 10:00 a.m. Grieg: Holberg Suite 12:00 p.m. Traditional: “Wassail Song” 2:00 p.m. Chopin: Cello Sonata in G Minor 3:00 p.m. Prokofiev: Peter and the Wolf January Featured Works All programming is subject to change. For a complete list of a specific day’s music, go to theclassicalstation.org. 1 Wednesday Continuing highlights from WCPE’s Top 100 survey 2 Thursday 9:00 a.m. 10:00 a.m. 12:00 p.m. 1:00 p.m. 2:00 p.m. 3:00 p.m. 4:00 p.m. 10:00 p.m. Mozart: Symphony no. 29 in A Balakirev: Chopin Suite Pachelbel: Suite in B-flat for Strings Boccherini: Cello Concerto no. 9 in B-flat Balakirev: Symphony no. 2 in D Minor Handel: Occasional Suite in D Balakirev: Islamey, an Oriental Fantasy Delius: “A Song Before Sunrise” 3 Friday Pietro Mascagni b. 1863 (150th anniversary of birth) 16 8:00 a.m. Elgar: Bavarian Dances 10:00 a.m. Respighi: Rossiniana 12:00 p.m. Bach: Orchestral Suite no. 1 in C program guide (january) 2:00 p.m. 3:00 p.m. 8:00 p.m. 9:00 p.m. 10:00 p.m. Debussy: Suite Bergamasque Parry: An English Suite Schubert: Symphony no. 5 in B-flat Beethoven: Symphony no. 7 in A Brahms: Violin Sonata no. 2 in A 4 Saturday 8:00 a.m. Pergolesi: Concerto in C for Two Harpsichords 9:00 a.m. Handel: Harp Concerto in B-flat, op. 4, no. 6 10:00 a.m. Mozart: Quintet in E-flat for Piano & Winds 11:00 a.m. Rimsky-Korsakov: Suite from Snow Maiden 12:00 p.m. Suk: Fantastic Scherzo 4:00 p.m. Pergolesi: Flute Concerto in G 5:00 p.m. Suk: Praga 5 Sunday 7:00 a.m. Haydn: Piano Sonata no. 54 in G 11:00 a.m. Brahms: Piano Concerto no. 2 in B-flat 1:00 p.m. Beethoven: Piano Concerto no. 3 in C Minor 2:00 p.m. Mozart: Symphony no. 38 in D (Prague) 3:00 p.m. Schubert: Four Impromptus, D. 899 4:00 p.m. Wagner: Overture from Tannhäuser 5:00 p.m. Chopin: Polonaise Fantasy in A-flat 6 Monday 9:00 a.m. Sammartini, Giuseppe: Oboe Concerto in D 10:00 a.m. Bruch: Violin Concerto no. 1 in G Minor 12:00 p.m. Vivaldi: Cello Concerto in G 1:00 p.m. Saint-Saëns: Havanaise 2:00 p.m. Haydn: Symphony no. 101 in D (Clock) 3:00 p.m. Bruch: Symphony no. 1 in E-flat 5:00 p.m. Bruch: Swedish Dances 8:00 p.m. Dvořák: Symphony no. 7 in D Minor 10:00 p.m. Scriabin: Piano Sonata no. 2 in G-sharp Minor (Sonata-Fantasie) 7 Tuesday 9:00 a.m. Schubert: Symphony no. 6 in C 10:00 a.m. Telemann: Suite in A Minor for Flute and Strings 12:00 p.m. Mozart: Rondo from Serenade no. 7 in D (Haffner) 2:00 p.m. Beethoven: Symphony no. 4 in B-flat 3:00 p.m. Warlock: Capriol Suite 7:00 p.m. Mozart: Flute Concerto no. 1 in G 8:00 p.m. Poulenc: Concerto in D Minor for Two Pianos Josef Suk b. 1874 9:00 p.m. Bruckner: Adagio from Symphony no. 2 in C Minor 8 Wednesday 9:00 a.m. Weber: Clarinet Concerto no. 1 in F Minor 10:00 a.m. Liszt: Piano Concerto no. 1 in E-flat (Triangle) 12:00 p.m. Holst: Brook Green Suite 2:00 p.m. Bach: Concerto in D Minor for Two Violins 3:00 p.m. Verdi: Four Seasons Ballet from The Sicilian Vespers 5:00 p.m. Rossini: Overture to The Silken Ladder 8:00 p.m. Schubert: Selections from Rosamunde 9:00 p.m. Mozart: Symphony no. 40 in G Minor 10:00 p.m. Wagner: Siegfried Idyll 9 Thursday 8:00 a.m. Strauss II: “Emperor Waltz” 9:00 a.m. Mozart: Piano Sonata no. 12 in F 11:00 a.m. Mendelssohn: Symphony no. 3 in A Minor (Scottish) 12:00 p.m. Handel: Suite in G from Water Music 2:00 p.m. Paine: Symphony no. 2 in A 3:00 p.m. Tchaikovsky: Capriccio Italien 5:30 p.m. Dvořák: Prague Waltzes 10:00 p.m. Stanford: Serenade in F 10 Friday 9:00 a.m. Bach: Cello Sonata no. 1 in G 10:00 a.m. Debussy: Petite Suite 1:00 p.m. Beethoven: Piano Sonata no. 15 in D (Pastoral) 2:00 p.m. Tchaikovsky: Variations on a Rococo Theme 3:00 p.m. Dvořák: Slavonic Dances 5:00 p.m. Strauss II: Overture to Die Fledermaus 17 program guide (january) photo: Lorenzo Cicconi Massi 10:00 p.m. Ponce: Sonata Romantica 14 Tuesday Kathryn Stott b. 1958 (55th birthday) 8:00 p.m. Brahms: Violin Concerto in D 9:00 p.m. Ravel: Daphnis et Chloé 10:00 p.m. Aulin: Three Water Colors 11 Saturday 8:00 a.m. Handel: Concerto no. 2 in F for Two Wind Ensembles and Strings 9:00 a.m. Glière: Symphony no. 1 in E-flat 10:00 a.m. Haydn: Symphony no. 45 in F-sharp Minor (Farewell) 11:00 a.m. Chopin: Barcarolle in F-sharp 12:00 p.m. Glière: Red Poppy Suite 5:00 p.m. Rachmaninoff: Prelude in C-sharp Minor 9:00 a.m. Corelli: Concerto Grosso in F 11:00 a.m. Svendsen: Symphony no. 2 in B-flat 12:00 p.m. Vivaldi: Violin Concerto in C (Pleasure) 2:00 p.m. Dvořák: Symphony no. 5 in F 3:00 p.m. Beethoven: Quintet in E-flat for Piano and Winds 6:00 p.m. Richard Strauss: “Di Rigori Armato il Seno” from Der Rosenkavalier 7:00 p.m. Mozart: Violin Concerto no. 5 in A (Turkish) 8:00 p.m. Rachmaninoff: Symphonic Dances 9:00 p.m. Schubert: Piano Quintet in A (Trout) 15 Wednesday 9:00 a.m. Haydn: Piano Trio no. 25 in E Minor 10:00 a.m. Elgar: The Spanish Lady Suite 12:00 p.m. Weber: Concertino in E-flat for Clarinet and Orchestra 2:00 p.m. Dvořák: The Water Goblin 3:00 p.m. Mendelssohn: Piano Trio no. 1 in D Minor 7:00 p.m. Adam: Suite from Giselle 8:00 p.m. Chopin: Piano Sonata no. 3 in B Minor 9:00 p.m. Vaughan Williams: Norfolk Rhapsody no. 1 16 Thursday 7:00 a.m. Gluck: “Dance of the Blessed Spirits” 11:00 a.m. Bach: Brandenburg Concerto no. 4 in G 12:00 p.m. Schubert: Symphony no. 8 in B Minor (Unfinished) 1:00 p.m. Bizet: Carmen Suite no. 1 2:00 p.m. Larsson: “A Winter’s Tale” 3:00 p.m. Mendelssohn: Octet in E-flat 4:00 p.m. Wolf-Ferrari: Intermezzo from Jewels of the Madonna, Act III 9:00 a.m. Bach: Brandenburg Concerto no. 6 in B-flat 11:00 a.m. Mozart: Symphony no. 35 in D (Haffner) 12:00 p.m. Mendelssohn: Hebrides Overture 1:00 p.m. Dvořák: Symphonic Variations 2:00 p.m. Telemann: Suite in D for Trumpet and Strings 3:00 p.m. Brahms: Variations on a Theme by Haydn 6:00 p.m. Bizet: “Pres des Remparts de Seville” (Seguidilla) from Carmen 10:00 p.m. Handel: “Ombra Mai Fu” from Serse (Xerxes) 13 Monday 17 Friday 12 Sunday 9:00 a.m. Holst: St. Paul’s Suite 10:00 a.m. Telemann: Suite in D for Viola da Gamba and Strings 12:00 p.m. Kalinnikov: Intermezzo no. 1 in F-sharp Minor 2:00 p.m. Haydn: Trumpet Concerto in E-flat 3:00 p.m. Kalinnikov: Symphony no. 2 in A 5:00 p.m. Addinsell: Warsaw Concerto 8:00 p.m. Schumann: Symphony no. 1 in B-flat (Spring) 18 9:00 a.m. Gossec: Symphony Concertante for Two Harps 10:00 a.m. Schumann: Introduction and Allegro Concertante in D Minor for Piano and Orchestra 12:00 p.m. Vaughan Williams: “Fantasia on ‘Greensleeves’” 2:00 p.m. C.P.E. Bach: Cello Concerto in A 3:00 p.m. Glazunov: Ballet Scenes 7:00 p.m. Rimsky-Korsakov: Overture to May Night e program guide (january) 8:00 p.m. Tchaikovsky: Symphony no. 3 in D (Polish) 9:00 p.m. Rachmaninoff: Piano Concerto no. 2 in C Minor 10:00 p.m. Scriabin: Andante (Second Movement) from Piano Concerto in F-sharp Minor 18 Saturday 8:00 a.m. Cui: Miniature Suite 9:00 a.m. Rachmaninoff: Rhapsody on a Theme of Paganini 10:00 a.m. Borodin: Symphony no. 3 in A Minor (unfinished) 11:00 a.m. Tchaikovsky: Symphony no. 5 in E Minor 12:00 p.m. Mussorgsky: “Night on Bald Mountain” 5:00 p.m. Glinka: “Kamarinskaya” 19 Sunday 7:00 a.m. Tchaikovsky: “Cherubic Hymn” no. 1 11:00 a.m. Glazunov: The Seasons 12:00 p.m. Tchaikovsky: Piano Concerto no. 1 in B-flat Minor 1:00 p.m. Mussorgsky: Pictures at an Exhibition 2:00 p.m. Balakirev: Tamara 3:00 p.m. Rimsky-Korsakov: Scheherazade 4:00 p.m. Borodin: Overture and “Polovtsian Dances” from Prince Igor 20 Monday 9:00 a.m. Dvořák: String Quartet no. 12 in F (American) 10:00 a.m. Harbach: Veneration for Orchestra 11:00 a.m. Donizetti: Ballet Music from Dom Sébastien 12:00 p.m. Williams: “Song for World Peace” 2:00 p.m. Chausson: A Holiday Evening 3:00 p.m. Copland: Appalachian Spring 5:00 p.m. Bernstein: “Make Our Garden Grow” from Candide 7:00 p.m. Hurwit: “Remembrance” from Symphony no. 1 8:00 p.m. Liszt: Les Préludes 10:00 p.m. Barber: “Agnus Dei” 21 Tuesday 9:00 a.m. 10:00 a.m. 12:00 p.m. 2:00 p.m. 3:00 p.m. 6:00 p.m. 8:00 p.m. 9:00 p.m. 10:00 p.m. Tartini: Violin Concerto in A Minor Weber: Clarinet Quintet in B-flat Bach: Italian Concerto in F Mozart: Serenade no. 10 in B-flat (for Winds) (Gran Partita) Sibelius: Symphony no. 2 in D Verdi: “Di Provenza Il Mar” from La Traviata Mendelssohn: Calm Sea and Prosperous Voyage Bizet: Symphony in C Gershwin: Lullaby for String Quartet 22 Wednesday 9:00 a.m. Mozart: Violin Sonata in E-flat 10:00 a.m. Schubert: Musical Moments 12:00 p.m. Prokofiev: Symphony no. 1 in D (Classical) 2:00 p.m. Schumann: Piano Quintet in E-flat 3:00 p.m. Rossini: Overture to William Tell 7:00 p.m. Saint-Saëns: Piano Concerto no. 2 in G Minor 8:00 p.m. Nielsen: Symphony no. 2 (The Four Temperaments) 9:00 p.m. Schumann: Cello Concerto in A Minor 23 Thursday 9:00 a.m. Vivaldi: Lute Concerto in D 10:00 a.m. Chopin: Krakowiak, Concert Rondo in F 12:00 p.m. Haydn: Violin Concerto no. 1 in C 2:00 p.m. Debussy: Prelude to the Afternoon of a Faun 3:00 p.m. Bach: Violin Concerto no. 2 in E 5:00 p.m. Rossini: Overture to Semiramide 10:00 p.m. Brahms: Three Intermezzi, op. 117 24 Friday 9:00 a.m. Clementi: Symphony no. 3 in G (The Great National) 10:00 a.m. Frederick the Great: Flute Concerto in G 12:00 p.m. Blockx: Flemish Dances 2:00 p.m. Dvořák: Serenade in E for Strings 3:00 p.m. Handel: Music for the Royal Fireworks Do you have friends whose cities have lost their Classical music stations? Tell them that they can stream Great Classical Music 24 hours a day at theclassicalstation.org/listen.shtml! 19 photo: Christian Steiner 2:00 p.m. Mozart: Serenade no. 13 in G (Eine Kleine Nachtmusik) 3:00 p.m. Mozart: Piano Concerto no. 24 in C Minor 5:00 p.m. Mozart: Violin Sonata in C 7:00 p.m. Mozart: Horn Concerto no. 3 in E-flat 8:00 p.m. Mozart: Symphony no. 41 in C (Jupiter) 10:00 p.m. Mozart: Rondo in A Minor 28 Tuesday Lynn Harrell b. 1944 (70th birthday) 7:00 p.m. 8:00 p.m. 9:00 p.m. 10:00 p.m. E.T.A. Hoffmann: Symphony in E-flat Brahms: Symphony no. 1 in C Minor Beethoven: String Quartet no. 2 in G Glazunov: Lyric Poem 25 Saturday 8:00 a.m. Hérold: Overture to Zampa 10:00 a.m. Chopin: Piano Concerto no. 2 in F Minor 12:00 p.m. Ravel: Noble and Sentimental Waltzes 2:00 p.m. Bach: Orchestral Suite no. 2 in B Minor 3:00 p.m. Schubert: Fantasia in C (Wanderer Fantasy) 6:00 p.m. Tavener: “As One Who Has Slept” 7:00 p.m. Respighi: The Birds 8:00 p.m. Brahms: Piano Concerto no. 1 in D Minor 10:00 p.m. Tavener: “Song for Athene” 29 Wednesday 8:00 a.m. Mozart: Overture from The Magic 9:00 a.m. Delius: “The Walk to the Paradise Flute Garden” 9:00 a.m. Mozart: Piano Sonata no. 11 in A 10:00 a.m. Bruch: Scottish Fantasy for Violin 10:00 a.m. Mozart: String Quartet no. 21 in D and Orchestra 11:00 a.m. Mozart: Symphony no. 40 in G Minor 12:00 p.m. Vivaldi: Concerto in G for Two 12:00 p.m. Mozart: Piano Concerto no. 21 in C Mandolins 5:00 p.m. Mozart: Oboe Concerto in C 2:00 p.m. Balakirev: Piano Concerto no. 1 in F-sharp Minor 26 Sunday 3:00 p.m. Delius: Florida Suite 7:00 a.m. Mozart: “Laudate Dominum” from 7:00 p.m. Schubert: Symphony no. 3 in D Solemn Vespers of the Confessor 8:00 p.m. Mendelssohn: Selections from 11:00 a.m. Mozart: Piano Concerto no. 27 in Incidental Music to A Midsummer B-flat Night’s Dream 12:00 p.m. Mozart: Symphony no. 31 in D 9:00 p.m. Debussy: “Spring” (Paris) 30 Thursday 1:00 p.m. Mozart: Violin Concerto no. 3 in G 2:00 p.m. Mozart: String Quintet in G Minor 9:00 a.m. Haydn: Cello Concerto no. 2 in D 3:00 p.m. Mozart: Piano Sonata no. 10 in C 11:00 a.m. Quantz: Flute Concerto in G Minor 4:00 p.m. Mozart: Symphony no. 39 in E-flat 12:00 p.m. Fauré: “Elegie” 1:00 p.m. Schumann: Papillons 27 Monday 2:00 p.m. Brahms: Serenade no. 2 in A 8:00 a.m. Mozart: Overture from The Marriage 3:00 p.m. Schubert: Sonata in A Minor of Figaro (Arpeggione) 9:00 a.m. Mozart: Symphony no. 25 in G Minor 5:00 p.m. Beethoven: Allegretto in B-flat for 11:00 a.m. Mozart: Flute Concerto no. 1 in G Piano Trio 12:00 p.m. Mozart: Adagio in E for Violin and 10:00 p.m. Bach: Cello Suite no. 1 in G Orchestra Did you know? You can listen to Great Classical Music by streaming at any time at theclassicalstation.org/listen.shtml! 20 program guide (january/february) 31 Friday 8:00 a.m. Schubert: Overture from Rosamunde 9:00 a.m. All-Request Friday 10:00 p.m. Schubert: Sonatina in A Minor February Featured Works All programming is subject to change. For a complete list of a specific day’s music, go to theclassicalstation.org. 1 Saturday 8:00 a.m. Agrell: Sinfonia in D 9:00 a.m. Herbert: Five Pieces for Cello and Strings 10:00 a.m. Veracini: Overture no. 3 in B-flat 11:00 a.m. Beethoven: Piano Sonata no. 14 in C-sharp Minor (Moonlight) 12:00 p.m. Herbert: Cello Concerto no. 2 in E Minor 5:00 p.m. Puccini: “O Mio Babbino Caro” from Gianni Schicchi 2 Sunday 7:00 a.m. Dowland: Pavana 11:00 a.m. Kreisler: Violin Concerto in Vivaldi’s Style 1:00 p.m. Brahms: Violin Concerto in D 2:00 p.m. Still: Symphony no. 1 (AfroAmerican) 3:00 p.m. Weber: “Invitation to the Dance” 4:00 p.m. Haydn: String Quartet in C (Emperor) 5:00 p.m. Tchaikovsky: Violin Concerto in D 3 Monday 8:00 a.m. Mendelssohn: Hebrides Overture 10:00 a.m. Mendelssohn: Symphony no. 4 in A (Italian) 12:00 p.m. Vaughan Williams: English Folk Song Suite 1:00 p.m. Mendelssohn: Octet in E-flat 2:00 p.m. Mozart: Sinfonia Concertante in E-flat 3:00 p.m. Mendelssohn: Violin Concerto in E Minor 5:00 p.m. Bach: “Sheep May Safely Graze” 8:00 p.m. Nielsen: Symphony no. 3 (Sinfonia Espansiva) 10:00 p.m. Mendelssohn: Cello Sonata no. 1 in B-flat 2:00 p.m. Debussy: Dances Sacred and Profane for Harp and Orchestra 3:00 p.m. Beethoven: Symphony no. 6 in F (Pastoral) 8:00 p.m. Tchaikovsky: Symphony no. 6 in B Minor (Pathétique) 9:00 p.m. Strauss, R.: Death and Transfiguration 10:00 p.m. Coleridge-Taylor: Romance in G for Violin and Orchestra 5 Wednesday 9:00 a.m. J.C.F. Bach: Sonata in G for Violin, Viola, and Piano 10:00 a.m. Dvořák: Slavonic Dances, op. 46 12:00 p.m. Brouwer: “Cancion de Cuna” 2:00 p.m. Haydn: Symphony no. 104 in D (London) 3:00 p.m. Sowande: African Suite 7:00 p.m. Mozart: Symphony no. 36 in C (Linz) 8:00 p.m. Liszt: Fantasy on Hungarian Folk Themes 9:00 p.m. Brahms: Symphony no. 4 in E Minor 10:00 p.m. Thomas: “Connais-Tu le Pays” from Mignon 6 Thursday 9:00 a.m. Joseph White: Violin Concerto in F-sharp Minor 10:00 a.m. Schubert: Symphony no. 5 in B-flat 11:00 a.m. Mozart: Clarinet Quintet in A 12:00 p.m. Chopin: Nocturne in G, op. 37, no. 2 2:00 p.m. Bach: Brandenburg Concerto no. 3 in G photo: DECCA/Andrew Weccles program guide (january) 4 Tuesday 9:00 a.m. Vivaldi: Concerto in D Minor for Two Violins and Cello 10:00 a.m. Beethoven: Piano Concerto no. 1 in C 12:00 p.m. Dett: Magnolia Suite Renée Fleming b. 1959 (55th birthday) 21 3:00 p.m. Beethoven: Piano Concerto no. 2 in B-flat 5:00 p.m. Berlioz: Waverly Overture 10:00 p.m. Schumann: Forest Scenes 7 Friday 9:00 a.m. 10:00 a.m. 12:00 p.m. 2:00 p.m. 3:00 p.m. Janáček: Moravian Dances Boccherini: Symphony in C Minor Telemann: Paris Quartet no. 1 in G Berlioz: Harold in Italy Weber: Piano Concerto no. 2 in E-flat 7:00 p.m. Rossini: Overture to The Barber of Seville 8:00 p.m. Dvořák: Piano Concerto in G Minor 9:00 p.m. Stenhammar: Serenade in F for Orchestra 8 Saturday 8:00 a.m. Williams: “Hymn to the Fallen” from Saving Private Ryan 9:00 a.m. Mozart: Piano Quartet no. 1 in G Minor 10:00 a.m. Williams: Three Pieces from Schindler’s List 11:00 a.m. Gretry: String Quartet no. 5 in G 12:00 p.m. Williams: “Throne Room” and Finale from Star Wars 9 Sunday 7:00 a.m. 11:00 a.m. 12:00 p.m. 1:00 p.m. 2:00 p.m. Bach: Trio Sonata in G, BWV 1039 Brahms: Symphony no. 2 in D Still: A Deserted Plantation Saint-Saëns: Carnival of the Animals Copland: Four Dance Episodes from Rodeo 3:00 p.m. Haydn: Symphony no. 100 in G (Military) 4:00 p.m. Berlioz: Symphonie Fantastique 10 Monday 8:00 a.m. Borodin: In the Steppes of Central Asia 9:00 a.m. Mozart: Violin Sonata in B-flat 11:00 a.m. Mendelssohn: Piano Concerto no. 1 in G Minor 12:00 p.m. W.F. Bach: Sinfonia in F 2:00 p.m. Beethoven: Piano Sonata no. 26 in E-flat (Les Adieux) “ Tones sound and roar and storm about me until I have set them down in notes. (Ludwig van Beethoven) 22 ” 3:00 p.m. Rimsky-Korsakov: Capriccio Espagnol 5:00 p.m. Puccini: “Vissi d’Arte” from Tosca 8:00 p.m. Rimsky-Korsakov: Symphony no. 2 in F-sharp Minor (Antar) 10:00 p.m. Bach and Gounod: “Ave Maria” 11 Tuesday 9:00 a.m. Handel: Concerto Grosso in C from Alexander’s Feast 10:00 a.m. Grieg: Three Orchestral Pieces from Sigurd Jorsalfar 12:00 p.m. Alfvén: Swedish Rhapsody no. 1 (Midsummer Vigil) 2:00 p.m. Franck: Symphonic Variations 3:00 p.m. German: Welsh Rhapsody 5:30 p.m. Josef Strauss: “Watercolors” 8:00 p.m. Elgar: Enigma Variations 9:00 p.m. Dvořák: Piano Quintet no. 2 in A 10:00 p.m. Massenet: “The Last Sleep of the Virgin” 12 Wednesday 9:00 a.m. Beethoven: Symphony no. 5 in C Minor 10:00 a.m. Brahms: Serenade no. 1 in D 12:00 p.m. Telemann: Concerto in D for Three Trumpets 1:00 p.m. Dussek: Harp Concerto in E-flat 3:00 p.m. Copland: Lincoln Portrait 6:00 p.m. Joplin: “Elite Syncopations” 7:00 p.m. Grieg: Symphonic Dances 8:00 p.m. Mahler: Symphony no. 1 in D (Titan) 9:00 p.m. Franck: Prelude, Chorale, and Fugue 13 Thursday 9:00 a.m. Rossini: String Sonata no. 5 in E-flat 10:00 a.m. Mozart: Piano Sonata no. 14 in C Minor 11:00 a.m. Schumann: Concert Piece in F for Four Horns and Orchestra 12:00 p.m. Sor: Variations on a Theme by Mozart 2:00 p.m. Mozart: String Quartet no. 14 in G (Spring) 3:00 p.m. Fauré: Dolly Suite 5:00 p.m. Adam: Overture to The Nuremburg Doll 10:00 p.m. Couperin: Pièces en Concert 14 Friday 8:00 a.m. Suppé: “Light Cavalry” Overture 9:00 a.m. Valentine’s Day by Advance Request 10:00 p.m. Schubert: “In Springtime,” D. 882 15 Saturday 8:00 a.m. Beethoven: String Trio in D, op. 9, no. 2 e program guide (february) 9:00 a.m. Mozart: Concerto in C for Flute and Harp 10:00 a.m. Monn: Cello Concerto in G Minor 11:00 a.m. Vivaldi: Mandolin Concerto in C 12:00 p.m. Bach: Sonata no. 3 in E for Violin & Piano 5:00 p.m. Praetorius: Suite in D from Terpsichore photo: J Henry Fair program guide (february) 16 Sunday 7:00 a.m. 11:00 a.m. 12:00 p.m. 1:00 p.m. 2:00 p.m. Mozart: Duo no. 1 in G Dvořák: Violin Concerto in A Minor Nielsen: Little Suite for Strings Beethoven: String Quartet no. 9 in C Tchaikovsky: Serenade for Strings in C 3:00 p.m. Telemann: Viola Concerto in G 4:00 p.m. Elgar: Cello Concerto in E Minor John Corigliano b. 1938 (75th birthday) 17 Monday 8:00 a.m. Sousa: El Capitan 9:00 a.m. Corelli: Concerto Grosso in F, op. 6, no. 2 10:00 a.m. C.P.E Bach: Cello Concerto in B-flat 12:00 p.m. Sousa: “Presidential Polonaise” 2:00 p.m. Dvořák: American Suite 3:00 p.m. German: Three Dances from Nell Gwyn 5:00 p.m. Sousa: “The Stars and Stripes Forever” 7:00 p.m. Brahms: Cello Sonata no. 2 in F 8:00 p.m. Holst: The Planets 10:00 p.m. Vieuxtemps: Romance, op. 40, no. 1 18 Tuesday 9:00 a.m. Mozart: Piano Concerto no. 26 in D (Coronation) 10:00 a.m. Glazunov: Symphony no. 1 in E 12:00 p.m. Handel: Concerto Grosso in G, op. 6, no. 1 2:00 p.m. Grieg: Holberg Suite 3:00 p.m. Tchaikovsky: Suite from Sleeping Beauty 6:00 p.m. Still: “Summerland” from Three Visions Suite 8:00 p.m. Bach: Triple Concerto in A Minor 9:00 p.m. Bizet: Roma 10:00 p.m. Beethoven: Clarinet Trio in B-flat 19 Wednesday 9:00 a.m. Boccherini: Cello Concerto no. 9 in B-flat 10:00 a.m. Rimsky-Korsakov: Suite from The Golden Cockerel 12:00 p.m. Boccherini: “Celebrated” minuet 2:00 p.m. Chopin: Andante Spianato and Grand Polonaise in E-flat 3:00 p.m. Boccherini: Symphony in D Minor (House of the Devil) 7:00 p.m. Bach: Orchestral Suite no. 3 in D 8:00 p.m. Tchaikovsky: Symphony no. 2 in C Minor (Little Russian) 10:00 p.m. Sibelius: The Swan of Tuonela 20 Thursday 9:00 a.m. Grieg: Piano Concerto in A Minor 11:00 a.m. Beriot: Violin Concerto no. 1 in D (Military) 12:00 p.m. Strauss II: “Emperor Waltz” 1:00 p.m. Smetana: “Vysehrad” from Má Vlast 2:00 p.m. Schumann: Symphony no. 3 in E-flat (Rhenish) 3:00 p.m. Czerny: Variations in D for Piano and Violin 5:00 p.m. Beethoven: Overture to Fidelio 10:00 p.m. Copland: Our Town 21 Friday 9:00 a.m. Delibes: Suite from Coppélia 10:00 a.m. Schubert: Adagio for Piano Trio in E-flat (Nocturne) Want to receive less paper mail? Go green! Send an e-mail to [email protected] to request to opt out of paper communications. 23 1:00 p.m. Still: “Mother and Child” from Suite for Violin and Piano 2:00 p.m. Buxtehude: Trio Sonata in G Minor 3:00 p.m. Dvořák: Symphony no. 6 in D 4:00 p.m. Liszt: Hungarian Rhapsody no. 2 7:00 p.m. Novák: Eternal Longing 8:00 p.m. Elgar: Symphony no. 1 in A-flat 10:00 p.m. Beethoven: Cello Sonata no. 2 in G Minor 25 Tuesday Anner Bylsma b. 1934 (80th birthday) 12:00 p.m. Fauré: Ballade for Piano and Orchestra 2:00 p.m. Rodrigo: Fantasia for a Gentleman 3:00 p.m. Delibes: Prelude to Sylvia 5:00 p.m. Widor: Toccata from Symphony no. 5 in F Minor for Organ 7:00 p.m. Bach: Violin Concerto no. 1 in A Minor 9:00 p.m. Dvořák: Symphony no. 9 in E Minor (From the New World) 10:00 p.m. Bach: Three Selections from the Lute Suites 22 Saturday 8:00 a.m. 9:00 a.m. 10:00 a.m. 11:00 a.m. 12:00 p.m. Mozart: Horn Concerto no. 2 in E-flat Vivaldi: Four Seasons Gershwin: An American in Paris Schumann: Symphony no. 2 in C Gade: Symphony no. 1 in C Minor 23 Sunday 7:00 a.m. Handel: “Let the Bright Seraphim” from Samson 11:00 a.m. Handel: Music for the Royal Fireworks 12:00 p.m. Dukas: The Sorcerer’s Apprentice 1:00 p.m. Chopin: Piano Sonata no. 2 in B-flat Minor 2:00 p.m. Dvořák: Scherzo Capriccioso 3:00 p.m. Rachmaninoff: Piano Concerto no. 2 in C Minor 4:00 p.m. Handel: Water Music 24 Monday 9:00 a.m. Mozart: Piano Concerto no. 23 in A 10:00 a.m. Copland: Red Pony Suite 12:00 p.m. Debussy: Two Arabesques 24 9:00 a.m. Haydn: Symphony no. 88 in G 11:00 a.m. Ravel: Le Tombeau de Couperin 2:00 p.m. Schumann: Piano Concerto in A Minor 3:00 p.m. Goldmark: Rustic Wedding Symphony 6:00 p.m. Verdi: “Questa o Quella” from Rigoletto 7:00 p.m. Rachmaninoff: Five Études-Tableaux 8:00 p.m. Mozart: Piano Concerto no. 18, in B-flat 9:00 p.m. Dukas: Symphony in C 10:00 p.m. Borodin: Nocturne String Quartet no. 2 in D 26 Wednesday 9:00 a.m. Beethoven: Piano Sonata no. 15 in D (Pastoral) 10:00 a.m. Chevalier de Saint-George: Violin Concerto in D 12:00 p.m. Price: Dances in the Canebrakes 2:00 p.m. Reicha: Clarinet Quintet in B-flat 3:00 p.m. Bridge: Chamber Concerto for Piano and Strings 5:00 p.m. Joplin: “Solace (a Mexican Serenade)” 8:00 p.m. Schumann: Piano Quartet in E-flat 9:00 p.m. Bridge: Suite for String Orchestra 10:00 p.m. Strauss, R.: Suite in B-flat for 13 Wind Instruments 27 Thursday 9:00 a.m. J.C. Bach: Sinfonia Concertante in C 10:00 a.m. Schumann: Violin Concerto in D Minor 11:00 a.m. Parry: An English Suite 12:00 p.m. Hailstork: Three Spirituals 2:00 p.m. Parry: Lady Radnor’s Suite 3:00 p.m. Brahms: Violin Concerto in D 6:00 p.m. Schubert: “Ave Maria” 10:00 p.m. R. Strauss: “Befreit,” op. 39, no. 4 28 Friday 8:00 a.m. Rossini: Overture to The Thieving Magpie 9:00 a.m. All-Request Friday 10:00 p.m. Rossini: String Sonata no. 5 in E-flat wcpe in the community By Tara Lynn As a member of The Classical Station, you have an opportunity to help others connect to this timeless source of beauty—beyond listening to the radio! Our Education Fund was established in 2010 to allow our donors to unite and elect to champion educational community-based Classical music endeavors. From concert experiences to high-caliber music lessons, from musical summer camps to premiere performance opportunities, mentorships to documentaries, we continue to invest in our community because we know how Classical music can have a positive impact on our lives. To opt in the WCPE Education Fund, you forgo a thank-you gift. With your permission, ten percent of your contribution will be used to sponsor Classical music educational opportunities in North Carolina. Find out more by visiting theclassicalstation.org/education. Meet Allan Friedman and the Women’s Voices Chorus In the words of Dr. Allan Friedman, “The Women’s Voices Chorus (WVC) was founded in 1993 by Mary Lycan as a chorus for women singers to promote music written by and for women. Women’s Voices Chorus is unique as the Triangle’s only community-based Classical chorus for sopranos and altos. We bring to life a wide range of choral music written for women. Our repertoire extends from medieval chant and Renaissance polyphony to opera choruses and contemporary compositions. We delight in unearthing forgotten gems and introducing new works by active composers, especially by women composers, as well as music from folk and world idioms. I’ve been the artistic director of the chorus since 2007.” What goal is the WCPE Education Fund helping Women’s Voices Chorus achieve? WVC is creating a short documentary and concert video of our performance of Vivaldi’s Gloria in January of 2013. Our performance mirrored the original presentations of this piece by featuring chorus consisting entirely of women. The documentary will explore the compositional history of this piece and the process of recreating this music in this special manner and will provide viewers a chance to hear and see this performance. How will this project benefit the ensemble and other music lovers outside of the ensemble? WVC will benefit by having a chance fulfill one of our core missions: to educate the public about our historically informed performances of music composed for women. Music lovers will have a chance to hear this music sung by women and to learn more about the unique circumstances that fostered the composition of Vivaldi’s sacred music. How can we see the finished project? Portions of the film will be available online at womensvoiceschorus.org, as well as at WCPE’s website (theclassicalstation.org). Full-length recordings of the performance will be available by contacting the chorus at womensvoiceschorus.org/contact/. For more information about Women’s Voices Chorus, visit womensvoiceschorus.org. q Dr. Friedman/Women’s Voice Chorus photo: Michael Sarah Shaw & Spots of Time Photography program guide (february) 25 lately we’ve read A review of Verdi by Plácido Domingo Sight Reading By Daphne Kalotay By Bob Chapman Harper Collins; 324 pages In Italianate operas, tenors tend to be handsome young guys, with bright, virile voices. But by the time they hit the half-century mark, their days of portraying dashing dudes who always end up getting the girl are pretty much over. Baritones and basses, by contrast, often hit their vocal and artistic peaks in their fifties, and in the roles they are typically called upon to play—grandfathers, elderly clergymen, villains, etc.—their graying hair and lined faces are generally not liabilities. A review by R. C. Speck A symphony becomes a plot device, and a violin solo a literary conceit, in Sight Reading, the latest novel from awardwinning novelist Daphne Kalotay. The classic love triangle gets the Classical music treatment from Kalotay when Nicholas, the introspective and brilliant composer, is forced to choose between Hazel, his beautiful wife and mother of his child, and the free-spirited violinist Remy. Set in Boston, Sight Reading focuses on how these characters keep looking back to their own histories as they tend to their lonely, roving hearts. Weddings, divorces, affairs, secrets, lies, confessions, and music, lots of music…it’s all in there. Remy wants to live like Oscar Wilde, but she also forces herself to the painful limits of her technical ability on the violin. Hazel keeps seeing her own doppelgänger before pivotal moments in her life and wonders if she is losing her mind. Meanwhile Nicholas, a world-renowned composer, struggles with his great symphony for nearly twenty years. He’s trying to capture the spontaneity and passion in his work that he once witnessed during a Gypsy street concert in his youth. Kalotay gives us much technical information on the violin, especially during Remy’s rehearsals and lessons with Conrad Lesser, a world-famous teacher of the violin. Who knew how brutal that instrument can be on the shoulder and wrists when you take it seriously? Who knew how maddening it can e lately we’ve heard be when you are sight-reading an excruciatingly difficult solo piece, and your teacher tosses the sheet music to the floor, forcing you to deal with it in real time, forcing you to improvise? Kalotay delves deepest with Nicholas. Absent-minded to the people who love him, he slowly loses them one by one. Finishing that symphony is what he needs to do to become whole again, and he discovers he has to go to some pretty dangerous places, literally and emotionally, to do this. Will Nicholas, Hazel, and Remy free themselves from past betrayals and broken hearts, or will they get lost in the romantic complications they’ve created for themselves? And will their common love for music save them in the end? These are some of the themes Daphne Kalotay has taken on in Sight Reading. q WCPE is listenersupported Classical radio. Which brings us to the case of septuagenarian Spanish tenor Plácido Domingo, who’s lately switched over to baritone. Domingo’s earliest roles were as a lyric baritone in his parents’ Zarzuela company. By the time he made the switch to the higher tessitura in his twenties, Domingo’s voice had a “baritonal” timbre, making him ideal for many of the heavier Verdi and Puccini tenor roles. As late as 1995, Domingo’s repertoire still included the principal tenor role in Simon Boccanegra. But in 2009, the 68-year-old began turning to more age-appropriate baritone characters: the title role in Boccanegra, Giorgio Germont in La Traviata, the court jester in Rigoletto, and Giacomo in Giovanna d’Arco. Last summer I saw him draw a huge crowd to Verona’s Arena, where he was the Babylonian king in Nabucco. But shouldn’t these roles be performed by a true “Verdi baritone” instead of a “bari-tenor”? In this new CD, Verdi, he sings eighteen baritone arias from nine operas. In a theater, Domingo’s marvelous acting skills—honed by five decades in the world’s greatest opera houses—may convince viewers that he really is Germont père, but on a recording one hears the inappropriate sound of a darkvoiced tenor singing baritone. This recording is for Domingo fans with encyclopedic collections. Those interested in authentic Verdi baritone fare are better served by Warren, Merrill, MacNeil, Milnes, Bruson, Pons, or Hvorostovsky. q Join us on Saturday, December 7, at 3:00 p.m. for Carnival of the Animals, a family event, presented with and at Quail Ridge Books & Music. Also co-sponsored by the North Carolina Symphony and WCPE. Help us continue providing this wonderful service! Donate by going to theclassicalstation.org or calling 800.556.5178. 26 27 photo: Gregory Goode on the cover passed away. There are three things that I want to mention about this piece. First, it surprisingly begins with a fugue. (Classical composers had abandoned the fugue in favor of sonata form.) Second, it contains seven movements. (Normally a string quartet has four.) Finally, the entire piece is to be played without interruption. How were the musicians to remain in tune for 40 minutes without a break? Beethoven simultaneously embraced the musical style of his predecessor Johann Sebastian Bach while he pushed the Classical style to its limits. The opus 131 is Beethoven’s response to a changing world, looking back in time while moving forward. Beethovenfest Next, we devote the Friday evening Concert Hall to the chamber music of Beethoven. Beginning December 13 at 7:00 p.m. ET, we’ll feature works for strings, winds, and piano, leading to one of his most forwardlooking works, the String Quartet no. 14 in C-sharp minor, opus 131, at 9:00 p.m. ET. December 14–16 By William Woltz The Cypress Quartet The Chamber Music of Beethoven By Dan McHugh Many people have heard Beethoven’s Fifth and Ninth Symphonies. Some people are familiar with his piano sonatas, such as the Moonlight or the Pathétique. But fewer are aware of Beethoven’s more intimate works— his chamber music. Chamber music is music written for a smaller group of musicians and is played in a smaller venue like a private home or a parlor, as opposed to the concert hall. String quartets, piano trios, octets for wind ensembles, and quintets are a few examples of chamber music. These pieces are performed without a conductor so that the individual musicians are in control of dynamics and articulation. (Piano sonatas are generally not included as chamber pieces because only one musician is playing.) Though less popular than his major works, Beethoven’s chamber pieces are just as groundbreaking and important as his symphonies. In fact, the first pieces published by the young Beethoven were three piano trios. 28 Beethoven published the Piano Trio in C Minor, op. 1, no. 3, in 1795. Like the piano trios of Franz Josef Haydn, this piece is dominated by the piano part. This shouldn’t come as a surprise—Beethoven not only played the piano but also was a pupil of the much older and experienced “Father of the Symphony.” Accented by the violin and cello, Beethoven wrote a piece for piano that is merely accompanied by the other instruments. Beethoven expounded on the abilities of the pianoforte by writing virtuosic passages directed by a wide range of dynamics from pianissimo to fortissimo, all within bars of each other. Squarely grounded in the Classical style, this piece helped launch Beethoven’s composing career and led to his greatest piece in C Minor—the Fifth Symphony. If the Piano Trio in C Minor represents a continuation of the style of Haydn in the Classical era, then the String Quartet in C-sharp Minor, op. 131, is the antithesis. Beethoven wrote this piece in 1826, when he was completely deaf, two years after he wrote his Ninth Symphony and shortly before he Ludwig van Beethoven, as a man, was coarse, abrasive, and lonely, ultimately isolated by his temperament and his growing deafness. Yet his music is a soaring declaration of courage, individuality, and the indomitable human spirit. WCPE’s annual Beethovenfest is a celebration of that spirit and the music it inspired. This year, our festival gets off to an early start with Opera House. On Thursday, December 12, at 7:00 p.m. ET, join host Bob Chapman as he presents Beethoven’s Leonore, an early version of the opera that would come to be known as Fidelio. I invite you to pay special attention to the chamber music of Beethoven, as well as his much-loved symphonies and sonatas, on WCPE’s Beethovenfest this December. We will broadcast a new recording of the opus 131 by the Cyprus Quartet—you will not want to miss it. Hear all of your favorite Beethoven pieces online at www.theclassicalstation.org. q The body of our festival gets underway on Saturday, December 14, as we present Beethoven’s greatest symphonies, sonatas, concertos, and more through the weekend, culminating in the glorious Ninth Symphony on Monday Night at the Symphony on December 16 from 8:00 to 10:00 p.m. ET. Whether you’re a longtime Beethoven fan or a new listener, you’ll find something to like in WCPE’s Beethovenfest. q 29 e classical community classical community WCPE salutes its business partners! These public-spirited companies, organizations, and individuals have joined the friends of WCPE in supporting Great Classical Music. Advanced Technical Support, Inc. Authorized sales and service provider for Canon, Xerox, and Hewlett-Packard imaging products 100 Southcenter Ct. Suite 500 Morrisville, N.C. 27560 919.462.3000 A.J. Fletcher Foundation 909 Glenwood Ave. Raleigh, N.C. 27605 919.322.2580 ajf.org The Alternative Serving central North Carolina for more than 20 years in mailing and shipping solutions 335 Sherwee Dr. Suite 111 Raleigh, N.C. 27603 919.779.8828 Arts Council of Winston-Salem and Forsyth County Cary Skin Center Offering comprehensive services through its Skin Cancer Center and Aesthetic Surgery and Laser Center At the corner of N.C. 55 and High House Rd. Cary, N.C. 27519 919.363.7546 The Chamber Orchestra of the Triangle 1213 E. Franklin St. Chapel Hill, N.C. 27514 919.360.3382 thecot.org Chamblee Graphics Printer of WCPE’s Quarter Notes 1300 Hodges St. Raleigh, N.C. 27604 919.833.7561 Chapel Hill Violins 206 N. Spruce St. Winston-Salem, N.C. 27101 336.722.2585 intothearts.org Fine instruments and sound advice 120 Old Durham Rd. Chapel Hill, N.C. 27517 919.968.8131 chapelhillviolins.com Bel Canto Company Choral Society of Durham A choral ensemble of professional singers 200 North Davie St. Suite 337 Greensboro, N.C. 27401 336.333.2220 belcantocompany.com Blue Cross and Blue Shield of North Carolina P.O. Box 2291 Durham, N.C. 27702 800.324.4973 bcbsnc.com Carolina Ballet 3401-131 Atlantic Ave. Raleigh, N.C. 27604 919.719.0800 carolinaballet.com Carolina Performing Arts at Memorial Hall Fulfilling UNC-Chapel Hill’s commitment to the arts since 2005 Box office: 919.843.3333 carolinaperformingarts.org The Carolina Theatre of Durham, Inc. 309 West Morgan St. Durham, N.C. 27701 919.560.3040 carolinatheatre.org 120 Morris St. Durham, N.C. 27701 919.560.2733 choral-society.org Church Street Galleries Highway 301 South Wilson, N.C. 27895 252.246.0808 Concerts at St. Stephen’s 82 Kimberly Dr. Durham, N.C. 27707 919.493.5451 ssecdurham.org Concert Singers of Cary 101 Dry Ave. Cary, N.C. 27511 919.678.1009 concertsingers.org Duke Performances Box 90757 Durham, N.C. 27708 919.660.3356 dukeperformances.org Duke University, Chapel Music P.O. 90883 Durham, N.C. 27708 919.684.3855 www.chapel.duke.edu/music.html Duke University, Dept. of Music Box 90665 Durham, N.C. 27708 919.660.3300 music.duke.edu Duke University Graduate Liberal Studies 2114 Campus Dr. Box 90095 Durham, N.C. 27708 919.684.3222 mals.duke.edu Durham Academy 3601 Ridge Rd. Durham, N.C. 27705 919.493.5787 da.org Durham Savoyards Ltd. 108 Barenwood Cr. Durham, N.C. 27704 durhamsavoyards.org John P. Fernandez, Attorney at Law 4030 Wake Forest Rd., Suite 300 Raleigh, N.C. 27609 919.719.2722 johnfernandezlaw.com Fidelity Investments Fidelity Brokerage Services Member NYSE, SIPC 800.Fidelity fidelity.com French Connections French antiques, African art, and fabrics 178 Hillsboro St. Pittsboro, N.C. 27312 919.545.9296 Great Outdoor Provision Co. 2017 Cameron St. Raleigh, N.C. 27605 919.834.2916 greatoutdoorprovision.com Hamilton Hill International Designer Jewelry Brightleaf Square 905 West Main St. Durham, N.C. 27701 919.683.1474 hamiltonhilljewelry.com Hillyer Memorial Christian Church 718 Hillsborough St. Raleigh, N.C. 27603 919.832.7112 For information on becoming a business partner, contact Peter Blume at 800.556.5178 or [email protected]. 30 Holy Trinity Evangelical Lutheran Church 2723 Clark Ave. Raleigh, N.C. 27607 919.828.1687 ibiblio N.C. Museum of Natural Sciences 11 West Jones St. Raleigh, N.C. 27601 919.733.7450 naturalsciences.org The Internet’s library 213 Manning Hall UNC Campus Chapel Hill, N.C. 27599 919.962.5646 N.C. State University Master of Arts in Liberal Studies Tom Keith & Associates, Inc. New Orleans Opera Assn. Serving the Carolinas for over 43 years in the valuation of corporations, partnerships, professional practices, and sole proprietorships 121 S. Cool Spring St. Fayetteville, N.C. 28301 910.323.3222 keithvaluation.com L&D Self Storage A self-storage facility specializing in residential and commercial needs and located near RTP and RDU airport 10802 Chapel Hill Rd. Morrisville, N.C. 27560 919.469.2820 Louise Beck Properties, Inc. 319 Providence Rd. Chapel Hill, N.C. 27514 919.401.9300 louisebeckproperties.com Michael M. Lakin, Attorney at Law 8 Cauldwell Ln. Durham, N.C. 27705 919.937.9723 Mallarmé Chamber Players 120 Morris St. Durham, N.C. 27701 919.560.2788 mallarmemusic.org Timothy Mowrey, CFP, AAMS Mowrey Investment Mgmt. Private, experienced, fee-only wealth management and financial planning services Raleigh, N.C. 27613 919.846.2707 mowreyinvest.com National Alliance on Mental Illness (NAMI) North Carolina 309 W. Millbrook Rd., Suite 121 Raleigh, N.C. 27609 919.788.0801 naminc.org National Humanities Center 7 T.W. Alexander Dr. Research Triangle Park, N.C. 27709 919.549.0661 nationalhumanitiescenter.org Raleigh, N.C. 27695 919.513.1831 ids.chass.ncsu.edu/mals 616 Girod St. Suite 200 New Orleans, La. 70130 504.529.3000 neworleansopera.org North Carolina Museum of Art 2110 Blue Ridge Rd. Raleigh, N.C. 27607 919.839.6262 ncartmuseum.org North Carolina Museum of History 5 East Edenton St. Raleigh, N.C. 27601 919.807.7900 ncmuseumofhistory.org North Carolina Opera 612 Wade Ave. Suite 100 Raleigh, N.C. 27605 919.792.3850 ncopera.org North Carolina Symphony 3700 Glenwood Ave. Suite 130 Raleigh, N.C. 27612 919.733.2750 ncsymphony.org The Raleigh Concert Band P.O. Box 20932 Raleigh, N.C. 27619 thercb.org Raleigh Wealth Management Group UBS Financial Services, Inc. 3737 Glenwood Ave., Suite 200 Raleigh, N.C. 27612 919.785.2537 ubs.com/team/raleighwm Resurrection Lutheran Church 100 Lochmere Dr. Cary, N.C. 27518 919.851.7248 SearStone 106 Walker Stone Dr. Cary, N.C. 27513 919.466.9366 searstone.com Springmoor Life Care Retirement Community 1500 Sawmill Rd. Raleigh, N.C. 27615 919.848.7080 springmoor.org St. Philip Lutheran Church 7304 Falls of the Neuse Rd. Raleigh, N.C. 27615 919.846.2992 Triangle Community Foundation Inspiring thoughtful giving 324 Blackwell St. Suite 1220 Durham, N.C. 27701 919.474.8370 Trinity School of Durham and Chapel Hill 4011 Pickett Rd. Durham, N.C. 27705 919.402.8262 trinityschoolnc.org The Umstead Hotel and Spa 100 Woodland Pond Cary, N.C. 27513 919.447.4000 theumstead.com UNC-Greensboro School of Music, Theatre, and Dance 100 McIver St. Greensboro, N.C. 27402 336.334.5789 performingarts.uncg.edu UNC-TV 10 TW Alexander Dr. RTP, N.C. 27709 919.549.7000 unctv.org University of North Carolina School of the Arts 1533 South Main St. Winston-Salem, N.C. 27127 336.770.3399 uncsa.edu WakeMed Health & Hospitals 3000 New Bern Ave. Raleigh, N.C. 27610 919.350.8000 wakemed.org Wake Radiology 60 years of comprehensive radiology care and advanced imaging for your family 3949 Browning Pl. Raleigh, N.C. 27609 919.232.4700 wakerad.com Wood Wise Design & Remodeling Providing design and full-service renovations for Raleigh homeowners since 1990 3121 Glen Royal Rd. Raleigh, N.C. 27617 919.783.9330 woodwisedesign.com 31 Let Me Help! What You’re Saying WCPE is making my early morning so much more bearable by letting me listen to Beethoven’s Emperor Concerto! Thanks, guys, you’re great! (Uli) Thanks for coming with me on another trip and making my hotel room feel more like home! (Cynthia) Oh, WCPE, you know how to halt a deadline in its tracks: “In the Hall of the Mountain King”! Gotta get up and airconduct! (Dolly) I recently won a CD from WCPE during Preview. I received the CD, Alessio Bax Plays Mozart, put it in the player…and haven’t listened to anything else! I have so enjoyed the music. Thank you! (Linda) Thank you, George Douglas, for Renaissance Fare. Speciality programming like this makes WCPE truly unique and valuable! (Roxanne) I just have to tell you how much I am enjoying today’s choral and organ music. It brings back so many memories for me. My dad played the organ…and most of my Classical music memories are from the music that my mother played while I was a young child. Never knew what a lasting impression that it made on me until moving to North Carolina and finding WCPE on the radio. (Beverly) WCPE is licensed by the Federal Communications Commission to broadcast on 89.7MHz with 100,000 watts. WCPE programming is carried on the following FM channels in North Carolina and Virginia: • W202BQ on 88.3 MHz (Aberdeen, Pinehurst, Southern Pines) • W205CA on 88.9 MHz (Foxfire Village) • W210BS on 89.9 MHz (New Bern) • WZPE on 90.1 MHz (Bath) • WBUX on 90.5 MHz (Buxton) • WURI on 90.9 MHz (Manteo) • W237CM on 95.3 MHz (Fayetteville) • W247BG on 97.3 MHz (Greenville) • W275AW on 102.9 MHz (Danville, VA) • W292DF on 106.3 MHz (Martinsville, VA) name WCPE programming is carried on partner stations across America listed at: theclassicalstation.org/ partners.shtml. telephone WCPE programming is carried on cable systems across America listed at: theclassicalstation.org/ cable.shtml. WCPE streams on the Internet in Windows Media, MP3, and Ogg Vorbis at theclassicalstation.org/ internet.shtml. 32 address city statezip Yes! I want to support WCPE with a: o single donation or o monthly donation of: o $10 o $20 o $25 o $50 o $100 o $250 o Other $_______ WCPE streams on Ku-band satellite AMC1 at 103°WL, transponder 12K vertical polarity, DVBcompliant, free-to-air, downlink frequency 11942 MHz, IF 1192 MHz, FEC 3/4, symbol rate 20 MSps, audio PID 5417, channel 81. See theclassicalstation.org/satellite.shtml. o I would like to use my gift of $250 or more as an angel challenge. WCPE grants blanket permission to retransmit and rebroadcast its programming in real time without charge or royalty to WCPE, to any entity that may legally disseminate programming to the general public. This permission includes AM, FM, and television stations and translators; cable TV systems; closed-circuit TV systems; common carriers; directbroadcast satellite systems; Internet service providers and audio services; multipoint distribution systems; pay-TV systems; subscription TV systems; satellite master antenna TV systems; and similar licensed or authorized entities. o My check is enclosed, or o Please charge to my: o Visa o MasterCard o AmEx o Discover It is a violation of law to record copyrighted music or performances without authorization; please use WCPE’s programs and services properly. Please use: o My full name, o My first name & city card number print your name as it appears on your card expiration date signature May your new year be filled with Great Classical Music! o I want to be a WCPE volunteer. My matching gift employer is: # After moving to Cary in 1979, we became supporters of WCPE Radio. Listening to the classics in general and Russian compositions in particular, we were motivated to explore the home turf of composers and performers during our visits to St. Petersburg and Moscow beginning in 1985. In St. Petersburg’s Alexander Nevsky Cemetery, we viewed the final resting places of Tchaikovsky, Mussorgsky, Borodin, Balakirev, Glinka, Rubenstein, and Rimsky-Korsakov. Historical performance venues included the Kirov (Mariinsky) Theatre, Great Hall of the Shostakovich Philharmonia, Mikhailovsky Theatre, and perhaps most impressive, the recently restored Imperial Bolshoi Theatre in Moscow. Who can say that, without our introduction by WCPE to the Russian composers, we would have been able to understand and appreciate this exquisite Classical culture in person? Currently, our home and car stereos are tuned to WCPE to enjoy great music whenever and wherever. We support the station by contributing and by volunteering during the semi-annual fundraisers and encourage others to do the same to ensure the sustainability of WCPE.— Frank and Marilyn Schiermeier Fill out this form and send it to WCPE. Thank you for your support! Please mail to: WCPE PO Box 897 Wake Forest, NC 27588 33 Dated material—do not delay ADDRESS SERVICE REQUESTED Non-Profit Org. US Postage PAID Permit No. 1348 Raleigh, NC WCPE P.O. Box 897 Wake Forest, NC 27588 PLEASE NOTE: Don’t forget to renew your WCPE membership before the date shown below. Ring in the New Year with a New Top 100! From December 26 through New Year’s Day, we’ll play selections from WCPE’s new Top 100 list of listener favorites. And on New Year’s Eve we “ring in the new” with Viennese waltzes and festive favorites from 9:00 p.m. until midnight ET.