PDF

Speakers include
UnConvention:
Voices
Roundhouse, Camden
11th February, 2012
10:30am – 6pm.
PLUS MANY MANY MORE
Un-Convention:
This Un-Convention looks at political voices and social
messages through spoken word, hip hop, social media, art
and culture. It’s about people’s voices and getting them heard.
Two simultaneous events connect Roundhouse, London UK
with The Museum of Modern Art, Medellin Colombia in real
time, to explore the voices and messages of young people
through art and digital. The day explores the sounds, ideas
and projects that help change the world and society, and
make people think differently.
Panels include Female MCs, Hip Hop (live from the barrios
of Medellin), Social Media in Places of War, Digital Innovation,
Latin American Music in the UK (curated by Como No),
intermixed with spoken word and hip hop performance.
It also features ‘The Art of Protest’ exhibition featuring
master works from: Banksy, Turner Prize winner Gillian
Wearing, lyrics from singer songwriter Billy Bragg, imagery
from John and Yoko’s ‘Bed-In’, Fashion Designer Katherine
Hamnett’s ‘58% Don’t Want Pershing’ t-shirt, Stella Vine and
Leading German Artists Joseph Beuys and Thomas Peiter.
Images L-R: Soweto Kinch, John Robb, RoxXxan, Lil’ Simz, Blak Twang, Gilles Peterson
ative
d cr e a r e
n
a
c
h
musi a l ly to s
nd
oots
assr a nd v i r tu ues a rou
r
g
l
a
s
b
y
s
l
i
o
l
l
is a g s physica ti ng edge itates
tion
l
t
t
nven that mee bates cu ; a nd faci
o
C
Un
ity
ity
d de
v
.
n
i
n
s
t
u
a
r
a
e
s
tive
com m d iscusse y a nd cre thei r pe
i n itia
g
;
th
rofit a nges to
p
ideas tech nolo ment w i
r
o
ch
c,
ot-f
ge
yan
musi ers’ enga
ots i n
d a nd
ven b g rassro consu me
b
i
r
m
os t
d
e
m
is
the
he m
ed ,
u n ity n ity for
oduc ds that t on’t
m
r
p
m
u
o
g
t
The c es oppor ic is bei n ndersta n i ns. We d nt.
u
se
rg
va
us
that y that m nvention n the ma nd it rele
a
o
o
fi
lf ’.
e
s
r
the w ned. Un-C happens ust don’t
u
j
i
it yo
ff
susta sti ng stu rea m; we ve i n ‘do
e
t
e
i
s
l
r
ain
i nte
n’t be r’.
the m
does
e
d a re
m i nd vention it togeth
lo a n ore
u
n
a
o
o
P
C
‘d
ao
ym
Une in
a to S a nd ma n rate
eliev
a n se
o
a
We b
b
w
b
a
S
u
l
l
C
m
,
t o co
e fro nezuela
d
r
n
e
a
h
d.
yw
ea s
, Ve
ever
a lfor
re id
frica
ppen obe, i n A er to sha reets of S
a
h
what
s
l
t
t
h
usic, e have
even u nd the g ple toget a to the s
m
9
h
t
2
g w i lenges. W
ade
a ro
g peo
ombi
en i n
l
ave m
bri n os of Col
more
happ e the cha g, Ja r v is
i
We h g on 30 ngs that
s
i
r
r
t
a
a
d
g
r
b
n
h
i
a
a
i
e
r
h
w
t
k
ha
nd a n
ly B
t is
wor . We do t
m th
even ork i ng, w from Bi l Dr u m mo
– f ro
s
e
r
e
h
e
c
t
a
h
l
s
l
t
p
il
o
ith
le w r event
e a ch
ers, B
peop
ore w
w ith
ex pl how a re ved i n ou ia n Trav
e
w
r
t
l
,
a
o
B
s
of wh or tu n itie i nds i nv on Letts,
Pa r t
opp f g reat m ha m, D
e
h
t
a re
ch o
g Old
a bu n d r e w L o o
had
n
are
A
ople
er,
.
Cock Mu rphy
ch pe ted to
u
m
n
n
i
to
e how a and wa
Rois
ed m
k you
n
e
rpris in this ar nt. Than , curatio
u
s
t
I
eve
ping
ted
e
a
s
h
e
h
t
r
s
e
d in d in the
int
ast
volve
e
e,
like l
ing
vent undhous
get in ne involv g.
e
g
reak
n
o
i
o
z
n
R
y
i
a
r
t
m
e
undb ed. We
a
v
o
am
m
y
e
r
a
r
n
g
r
o
a
t
rog
ll be ll involv is
o top ntion Fac
and p
nt wi
a
ard t
the
s eve king for e doing th
i
s
It’s h Un-Conve e…
h
i
t
e
’s
to b
hope ht provo
hous te –
hav
d
d
e
e
e
n
W
r
w
u
year
t Ro on to da
onou
houg
think
i
ces a
and t ce again h
but I
n Voi -Convent s around rt
o
n
i
.
t
o
e
n
are
d the
hous
K Un
n
onve
t to a
ssue
ampe w you ca
ound
Un-C xciting U topical i d conflic g
v
R
e
t
r
a
t
e
y
e
in
o jus b hub. No und the
s
l
most ines man tes of arm and gett
a
b
ave
we
aro
si
es
ore
We h vention
it com ity from bout voic
from
ut m
ople nd find o
v
on
a
i
e
t
C
nd
p
’s
a
a
t
n
e
h
I
h
U
.
cr
ta
wit
wit
ook
tivism
nect re conten . Take a l
rtner uring
n
a
o
p
c
as ac eard.
o
a
n
ble t
on d
h
d, sh onventio think.
are a Conventi explore
worl
them
n-C
you
t we
U
t
e
n
n
t
a
g
e
u
U
w
h
n
v
o
w
r…
ab
d an
linki
his e
Here
know
embe
For t hat hoste olombia. ideas by en
let us
d rem
t
v
n
s
C
e
t
a
y
,
i
t
e
i
n
y
i
d
n
da
ac
ell
e ar s of
ion
city a
os!
y the
: Med
vent
nt. W
Enjo oslo junt
-Con
2010 ogressive t the eve he barrio nd
n
U
,
t
m
r
a
ou
ctor
haga
this p through rect from op crews
Dire
it
di
-h
niel,
a
D
with g a panel g the hip
Ruth
n
in
hosti in featur
l
l
e
d
Me
es.
stori
their
Blak Twang
As Roundhouse Rising 2012 takes on
a distinctly international feel, it’s a real
pleasure to welcome Un-Convention back
to the Roundhouse. Un-Convention Voices
is not just an incredibly exciting day of
interactive performances, workshops
and global exchanges but the programme
really seeks to address just how the
international music community is
responding to the current cultural, political and economic climate.
I want people to come away questioning exactly what music can and
should do and for young artists to be inspired to take their own music
and art to new levels and feel that their ideas can be shared in a wider
artistic community.
Oliver Kluczewski, Producer, Roundhouse Rising.
EACH YEAR THE ROUNDHOUSE WORKS WITH OVER 3,000
11-25 YEAR OLDS ENABLING THEM TO REALISE THEIR
CREATIVE POTENTIAL.
th
ed exclusively wi
editing, we work
eo
vid
of
o
int
rts
d
so
ve
all
Before we mo
voices. We made
sic and re-editing
g about spots
audio, making mu
ephen Fry talkin
St
m
fro
s,
ing
th
of
rts
so
“Go ahead
g
all
people say
to Tony Blair sayin
y Potter’s sheets
rr
Ha
on
k
un
sp
of
y.”
punk, make my da
s from
to construct word
surprisingly easy
s
wa
saying
it
air
at
Bl
th
ny
ed
We learn
ged to find To
s – we never mana
sounds.
”
ble
“K
lla
d
sy
an
al
n”
du
“u
ivi
”
“P
ind
from
re able to make it
find several
“punk”, but we we
rough a speech to
th
ing
wl
tra
of
r
tte
ma
ent
a
t
fer
jus
dif
s
wa
ing
It
then try
unds we needed,
versions of the so
.
ay
til one sounded ok
combinations un
fortunately for
an long ones, and
ke short words th
ear words are
sw
st
mo
,
ng
It is easier to ma
iti
l approach to wr
ica
log
ato
” sound is
sc
ck
ty,
“u
ut
our sm
sound before an
do it
. Putting a “Ffff”
uld
co
We
”.
“it
an
short and simple
ing a “Shhh” with
low
in a tin
fol
is
ing
itt
as
sh
y,
t
pla
child’s
Bowie sing abou
ll, making David
with songs as we
y.
a most peculiar wa
can and farting in
had to ban
ke – eventually we
en too easy to ma
ev
just too
re
it’s
e
we
s
us
rd
ca
wo
be
”
Some
the word “country
ing
ten
or
rd
sh
wo
m
e
ourselves fro
politicians use th
ly
is was a shame, as
often a tempting
is
easy. In a way th
ion
rs
ve
ed
d its shorten
“country” a lot, an
r.
ke
ription of the spea
appropriate desc
We are made of stories.
(Documentally)
So many people now hav
e a voice that it’s importa
nt to remember the role of
in all this noise.
silence
Take the time listen to oth
er voices. The newly found,
the ones speaking of the
and especially the ones in
past
your head.
Stories fight fear.
There is something intriguing to me about the following quotation from a woman
witness at South Africa’s Truth and Reconciliation Commission. She said:
“I will not speak too long because there are still things unsaid, too terrible for you
to hear, and too terrible for me to say, and my heart is heavy with them. Nkosi”.
And then, in the report of this moment, it says ‘Begins song’. At the very moment
that this woman suggests she can no longer speak she begins to sing. I’ve always
been interested in how the arts can give a voice to different communities, but in
recent years started to worry that this has become clichéd. What does ‘giving a
voice’ really mean, when for some speaking out might be dangerous, limited in
scope or the problem itself. ‘Giving voice’ might not really solve the question of
the heavy heart. This woman did not speak, but instead she sang against what
was too terrible to say. Music was an alternative — it was almost the opposite of
giving voice: it allowed her to remain silent. Perhaps we should stop carelessly
talking about ‘giving voice’ and respect communities who find their own means of
expression — which may not involve words. There is a right to silence — to not
speak out: but this doesn’t mean people won’t sing.
Hearing a voice is abo
ut making someone spe
ak
out in the first place,
as well as making our
selves
listen carefully despit
e the propaganda.
The Space
Programme
The Hub
14:00 – 15:00
Panel
16:00 – 17:00
COLOMBIAGE PRESENTS
Female Voices
Panel
11:30 – 12:30
In Place of War and
Un-Convention presents:
Panel
Female MCs used to get a bad rap, but
a new generation is taking things back
to the street. And if you don’t like them,
they don’t care — because they know
they’re good.
CREATIVITY IN PLACE OF WAR
Panelists:
Lioness
Panelists:
Professor James Thompson
(In Place of War,
The University of Manchester)
Tracey
Moberly
(Interdisciplinary Artist, Author)
Noha Atef
(Citizen Journalist, Egypt)
Christian Payne (AKA Documentally)
Alex Wilks (Avaaz)
Marcel ‘Afroriazz’ (Tiuna El Fuerte)
Moderator:
Andrew Dubber
(New Music Strategies)
Spoken word performance:
Bridget Minamore
bridgetminamore.blogspot.com
12:45 – 13:45
Panel
The
Politicisation
of Music
2011 was a year of change across
the world, from uprisings to riots
to environmental disasters on
a monumental scale. How have
musicians responded to the changing
social environment? Is it possible to be
political with music? Is there an audience
for politicised music? And what is the
point in making music with these
messages?
Panelists:
Jon McClure
Soweto Kinch
Steve Ignorant (Crass)
Dizraeli
Moderator:
John Robb
Spoken word performance:
Zia Ahmed
Andrew Dubber
RoxXxan
NoLay
Lil Simz
RoxXxan
Soweto Kinch
Is Colombia’s new wave of cultural stars
changing the image of a troubled nation?
Moderator:
Chantelle Fiddy (Guardian Journalist)
15:00 – 16:00
Panel
POLITICISED HIP HOP
Curated and moderated by Jon McClure
(Reverend and the Makers, Mongrel)
Panelists:
Pariz-1
Blak Twang
Lowkey
Bridget Minamore
Zia Ahmed
Dean Atta
Moderator:
Jon McClure
With Mexico, Cuba and Argentina
successfully mapping themselves on
the global cultural landscape and now
the world beating a path to Brazil’s door
with the World Cup and the Olympic
Games, how is Colombia changing the
way it is seen on the international scene?
It’s a country that defined Latin America’s
booming literary landscape in the 1980s,
with Gabriel García Márquez and his
friends, but how is the country currently
responsible for Shakira and Juanes
defining itself in a moment of relative
prosperity and safety? And what role does
Colombia’s emerging talent have to play in
all of this? Has Colombia finally learned
how to export its culture? And what will it
mean for its future?
Panelists:
Oscar Guardiola-Rivera
(Author of What if Latin America
Ruled the World?)
Cristina
Fuentes La Roche
(Director of Hay Festival Cartagena
de Indias, Colombia)
Maya
Jon McClure
A panel exploring creativity in places of
armed conflict and social hardship and
how those communities use the web/
social media to gain exposure for their
creative and political responses to their
situation. What are the difficulties of
working in those contexts? Why is it
important to be creative in difficult social
contexts? What is the impact of digital as
a means to get voices heard?
CULTURE IS PROPAGANDA
Special performance of
‘I Am Nobody’s Nigger’ by Dean Atta.
Colombiage is the leading, independent platform for
the promotion of Colombian art and culture in the UK.
It was conceived as a “collage” of artistic expressions,
cultures and audiences; an alternative space for
stimulating dialogues between Colombia and the rest
of the world. Today Colombiage is considered to be one
Jaggi
(Award-winning cultural journalist and
critic, who writes for the Guardian
Review, Independent, Financial Times,
Economist and Newsweek International
among other publications)
Jenny
Addlington
(Head of Marketing at Because Music)
Moderator:
Landa Acevedo-Scott
(Founder/Artistic Director of Colombiage)
of the most influential celebrations of contemporary
Colombian culture internationally and remains
wholeheartedly committed to giving Colombia’s
artistic talent a meaningful voice on the global stage
while forging a strong cultural identity for Colombians
living outside their homeland.
Programme:
Studio Theatre
11:00 – 11:30
Introduction and music/spoken word: Un-Convention
introduces the day.
11:30 – 12:00
Performance 1
The Rise of
African Music
SHAKING OFF THE WORLD MUSIC TAG
CASSETTEBOY (a special one-off performance)
Cassetteboy are a semi-anonymous duo from Essex who have been making jokes by
re-editing the rich and famous since the mid-nineties. They released five albums between
2002 and 2008, before moving onto video cut-ups. Their Youtube channel has amassed
nearly 13 million views, and their most popular video ‘Cassetteboy vs The Bloody
Apprentice’ has been watched over three and a half million times. Their live show with
DJ Rubbish has become a firm favourite at the Glastonbury Festival, and they have also
performed in America, Canada, Poland, Greece and Colchester. They sum up their work as
“cutting up celebrities to make them talk about sex or drugs”, but alongside the smut and
the scatological jokes there is also a political aspect to much of their work. In 2011 they
became regular contributors to Amnesty International’s ‘Amnesty TV’, causing controversy
with re-edits of President Obama and Prime Minister Netanyahu.
12:00 – 13:15
COMO NO PRESENTS:
Panel
LATIN AMERICAN
MUSIC IN THE UK
13:45 – 14:30
Panel
13:15 – 13:45
Performance 2
THE JUICE MEDIA: RAP NEWS
(a special unseen specially recorded film)
Phil Manzanera
Panelists:
Jose Luis
(DJ & Promoter of La Bomba Club Nights)
Phil
Manzanera
(Producer of many Latin Alternative
artists, Leader of Group Corroncho,
Guitarist with Roxy Music)
Cal
Jader
(Promoter of Movimientos Live
Events and DJ)
Lewis
Robinson
(Label manager for London Brazilian
label Mais Um Discos and DJ)
Moderator:
Andy Wood (Como No)
The Juice Media Rap News – the news
source for the discerning viewer, delivering
a bulletin to restore your faith in the fourth
estate, make you nod your head to the beat
even as you shake it in disbelief.
An off-beat musical, current-affairs
programme, ‘Rap News’ is responsible for
turning bollocks-news into socio-poetic/
comedic analyses which everyone can
relate to and understand.
The Juice Media: Rap News is written and
created by Hugo Farrant and Giordano
Nanni in a home-studio/suburban backyard
in Melbourne, Australia.
thejuicemedia.com
With the likes of D’Banj from Nigeria
being signed by Kanye West’s label
and selling out shows in Europe
alongside Wizz Kid, P square, Seun
Kuti and Amadou & Mariam all
crossing over, Damon Albarn’s
Africa Express project, plus
African electronic dance
music hitting the
dancefloors across the
globe, is African music
the new frontier?
Panelists:
Stephen Budd
(Stephen Budd Management and
Africa Express co-founder)
Ian Birrell
(Ex-Deputy editor of The Independent
and Africa Express co-founder)
Mark
Antoinne Moreau
(Manager of Amadou and Mariam)
Gilles
Peterson
(Expert DJ from BBC Radio 1 and 3)
DJ
Edu (Expert DJ from BBC Radio 1 Xtra)
Caspar
Llewellyn Smith
(Music editor of The Observer and Guardian)
Moderator:
Andy Morgan
(Journalist and ex-manager of Tinariwen)
Gilles Peterson
14:30 – 15:00
Performance lecture 3
by Tracey Moberly
Comedian, activist and author Mark
Thomas first met with socio-political
artist, activist and author Tracey
Moberly (formerly Sanders-Wood) in
2004 at The Foundry, Shoreditch London
that Tracey co-owned.
He wanted to hold a wrap party there for
a TV programme he had just finished based
on the Iraqi national debt. From this first
introduction and conversation they
uncovered a lot of shared ground, similar
interests and ways of working. The ultimate
bonding factor, which struck up their
friendship and working partnership being
that they had both used military missiles in
their work. Tracey acquiring hers for free
whilst Mark having paid for his.
They soon began organizing a number of
projects using art as activism; collaborating
in different formats through an artistic
vehicle to promote and highlight serious and
contentious issues. These were presented to
a global audience. The duos first
collaboration was called the Coca Cola Nazi
Advert Exhibition — which they co-curated
following the deaths of eight union workers
at a Coca Cola bottling plant in Colombia.
With an investigation into the companies
past they centered the exhibition on the
companies association with Nazi Germany
around the period of the 1936 Olympics,
which were held in Germany.
They looked at how Fanta was produced for
the Nazi market.
Mark and Tracey invited ex-students,
artists and designer friends to contribute to
the exhibition. The exhibition soon amassed
hundreds of contributors from Banksy to
Jimmy Cauty and continued to grow.
Artistic licence was used to recreate the
adverts the company may have used, whilst
other originals were bastardized. This was
then toured in areas from Siberia and
Moscow to Colombia, Venezuela and Mexico.
Their forth-coming book highlights several
other collaborative projects where Mark
and Tracey use art as activism as a medium
to highlight many other local to global
issues. Some of these include stopping
a particular Club 18-30 Billboard
advertisement campaign; Socpa — Serious
Organised Crime and Police Act 2005;
forming McDemos — a protest solutions
company; interacting with a project on
the fourth Plinth…
Programme
Live stream
livestream :
especiales .com/
telemedel
lin
Bloomberg Studio
15:00 – 16:15
Comuna 13 presents
Panel
14:00 – 14:45
Presentation of
MUSIC FOR SOCIAL
TRANSFORMATION
Tiuna el fuerte
venezuela
by Marcel ‘Afroriazz’
Tiuna El Fuerte is a liberal space where
people are able to be experimental and
are trying new ways to change the
injustice that is happening today
in Venezuela.
In 2005 many street artists were able
to live out a dream of having a space
where they could experiment and express
themselves without fear of being outcast
or rejected by the elitists who control what
people are exposed to with regards to art,
music etc. in Venezuela, in particular
Caracas. Tiuna El Fuerte is in a popular
part of the city called El Valle, but
thousands of the people who live
there are living in poverty or in
dangerous situations.
Tiune El Fuerte were able to find a space,
thanks to many young artists, where they
could experiment and continue with their
creative development. This is one of the
most inspirational projects in the world
and it’s leader presents the work at
Un-Convention.
The Colombian city of Medellin has a history
of drug, gang and paramilitary violence
during the decades of civil war. It is still
recognised as one the most dangerous cities
in Latin America. Cultural activists,
embedded in hip hop culture, have developed
hip hop schools for young people in the
neighbourhoods or barrios across the city.
Set up by local hip hop collectives, the schools
provide young people a safe place to learn the
four elements of hip hop: MC-ing, DJ-ing,
graffiti and breakdancing. But is not just music
that is taught, but life long learning skills —
self expression and self esteem, literacy and
arithmetic, and social and cultural heritage
awareness — in the belief that these skills will
all play a role in changing and empowering
their communities ensuring that younger
generations do not become victims of gang
and paramilitary violence.
The impact of music and digital technology
on changing people’s lives is clear – in 5 years
the city has transformed from the most
dangerous city in Latin America to a safer
place with less crime and more opportunity
for all. Music literally saves people’s lives in
this city.
This panel will be in Spanish
(with simultaneous translation in UK)
Panelists in Colombia:
Lucia Gonzales (Rights Campaigner)
Faber Andrés Ramírez
(Comuna Seis Rock Festival, Productor)
Carlos Desadaptadoz
(Musician and Social manager)
Altavoz (Festival of Young People’s Music)
Red De Escuelas De Musica
(Cultural Network)
Juan Antonio Agudelo (Cultural promoter)
Panelist in UK:
Jez Collins (Birmingham City University
and Birmingham Music Archive)
Medellin, Colombia
16:30 – 17:45
Museo de Antioquia presents
Panel
Programme: Other locations
Digital tools and digital
infrastructure for musical
and cultural cities
11:00 – 18:00
Video workshop: How to make a wi-fi
router out of a tin can
Medellin provides a progressive cultural
and digital vision. Medellin has a larger
cultural spend than the rest of Colombia
put together. It also has an outstanding
commitment to the use of digital technology
to educate and empower people, especially
in the poorer barrios – the whole city is
wi-fi enabled; free laptops are given to
children (and they are encouraged to teach
their parents how to use them); adverts on
the TV show how to make a wi-fi connection
from a tin can; and there are many projects
around recording and mapping the sounds
of the city.
11:00 – 18:00
Results from labsurlab: Video installation
The different sounds of the city play on a
loop as recorded in the mapping Medellin
project, with a map of Medellin.
What strategies do cities need to
introduce to make change, empower
people and ultimately create cultural
and creative cities?
This panel will be in English
Panelists in Colombia:
Mauricio Mosquera (Director, Telemedellín Channel)
Juliana Restrepo
(Director, The Museum of Modern
Art of Medellín)
Alejandro Vélez
(Musician and Producer, Seriesmedia)
Federico López
(Sound engineer and producer)
Panelists in UK:
Andrew Dubber
Andrea Goetzke
Steve Lawson
Small Room 1
Small Room 2
Small Rooms
15:00 – 17:00
Speed networking: with panelists from the
UK (announced on sign-up sheets outside
rooms)
Media Lab 1
11:00 – 18:00
Webcams from the City of Medellin –
the computers will show live webcam
broadcasts from the hip hop schools and
cultural centres.
Media Lab 2
11:00 – 18:00
Great digital projects from the UK.
A showcase of 8 of the most interesting
digital cultural projects in the UK with
presentations from those who created
them.
Upstairs Bar
Sounds from the City Project: Featuring
the sounds recorded across the city of
Medellin as part of a social music project.
Live stream
livestream :
especiales .com/
telemedel
lin
Various locations around Roundhouse
11:00 – 18:00
EXHIBITION: THE ART OF PROTEST
Exhibition featuring master works from:
Banksy Turner Prize winner Gillian Wearing Lyrics from singer songwriter Billy Bragg
Imagery from John and Yoko’s ‘Bed-In’ Fashion Designer Katherine Hamnett’s ‘58% Don’t Want
Pershing’ t-shirt Stella Vine Leading German Artists Joseph Beuys and Thomas Peiter
THANKS
Thank-you to our partners: In Place of War, NOISE Festival,
El MaMM, Medellin Digital and Tiuna El Fuerte.
Oliver Kluczewski, Dave Gaydon, Ed Frith, Sylvia Harrison,
Scott Parker, Marta Sala Font, Bea Hankey, Juliana Restrepo,
Yan Camilo Vergara, Martin Giraldo, Andy Wood, Denise
Proctor, Jon McClure, Kate Tempest, Chantelle Fiddy,
James Thompson, Stephen Budd, JuiceMedia Rap News,
Cassetteboy, Andrew Dubber, Ev Sekkedis, William Williamson,
Leo Fawkes, Emma Reynolds, Allison Schnackenberg,
Mark Brown.
Thank you to all the panelists and artists involved, all are
mentioned in the programme.
Special thanks to all who make this event possible:
www.unconventionhub.org
Team Un-Convention: Ruth Daniel, Elliot Callard, Jeff
Thompson, Richard Cassar, Alex Butcher, Jeroen Sjoers
and Nicole Rennick.
www.roundhouse.org.uk/rising
Design: markbrownstudio.co.uk