Die Fledermaus - Jacobs School of Music

Transcription

October 22, 2010
October 23, 2010
The Sisters
Jo . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Thoreson Laura Wilde
Meg . . . . . . . . . . . . . . . . . . . . . . . . . . Jane Rownd
Ashley Stone
Beth . . . . . . . . . . . . . . . . . . . . . . . . . Catherine O’Rourke Sharon Harms
Amy . . . . . . . . . . . . . . . . . . . . . . . . . Stephanie Nakagawa
Julie Wyma
.
Their Lovers
Laurie (Theodore Lawrence) . . . . . . . Michael Porter David Margulis
John Brooke . . . . . . . . . . . . . . . . . . . Ayron Hyatt Jesse Malgieri
Friedrich Bhaer . . . . . . . . . . . . . . . . . Matthew Opitz Joseph Legaspi
.
Die Fledermaus
(The Bat)
Cast
Their Elders and Others
Alma March . . . . . . . . . . . . . . . . . . . Rachel Wood Emily Smokovich
Gideon March . . . . . . . . . . . . . . . . . . Joseph Mace Luis Gonzalez
Mr. Dashwood . . . . . . . . . . . . . . . . . Stephen Pace Christopher Grundy
Cecilia March . . . . . . . . . . . . . . . . . . Jacquelyn Matava Ursula Kuhar
by Johann Strauss
TO OUR PATRONS: Curtain time for IU Opera Theater is promptly at 8
p.m., by which time all opera goers should be in their seats. Latecomers will be seated
only on the third terrace or at the discretion of the management. Thank you for your
cooperation.
Little Women will conclude at approximately 10:15 p.m.
No Cameras, Flash Equipment, or Audio Recorders
are allowed in the auditorium
of the Musical Arts Center.
What would you do if you
dressed as a bat for a costume
ball and were later abandoned
by your friend to “sleep it off”
on a public bench, to be
awakened by a jeering crowd?
Disguise, deception, and
plenty of drinking ensue as
Dr. Falke carries out the
“revenge of the bat.”
A Bat Scorned
Conductor:
Constantine Kitsopoulos
Stage Director:
Joachim Schamberger
Set & Costume Designer:
C. David Higgins
November
12, 13
19, 20
MAC at 8pm
music.indiana.
edu/opera/
fledermaus
Sung in German with English
supertitles and dialogue
Stellar Performances on Exhibit
MAC Box office: (812) 855-7433 | music.indiana.edu/operaballet
Two Hundred Twenty-Third Program of the 2010-11 Season
____________________
Indiana University Opera Theater
presents
as its 414th production
Little Women
by
Mark Adamo
Libretto by the composer
after the novel by Louisa May Alcott
Little Women was first performed
by the Houston Grand Opera Studio in 1998
and by the Houston Grand Opera in 2000
Kevin Noe, Conductor & English Diction Coach
Michael Ehrman, Stage Director
Robert O’Hearn, Set & Costume Designer
Patrick Mero, Lighting Designer
Commissioned by Houston Grand Opera,
David Gockley, General Director
This production is a joint collaboration
between Indiana University Opera Theater and The Minnesota Opera.
Scenery was constructed at Indiana University and costumes
were constructed at The Minnesota Opera Costume Shop.
_______________
Musical Arts Center
Friday, October Twenty-Second
Saturday, October Twenty-Third
Friday, October Twenty-Ninth
Saturday, October Thirtieth
Eight O’Clock
music.indiana.edu
.Cast
.
Jo The Sisters
. . . . . . . . . . . . . . . . . . . . . . . .
Laura Thoreson, Laura Wilde
Meg . . . . . . . . . . . . . . . . . . . . . . . . . . Jane Rownd, Ashley Stone
Beth . . . . . . . . . . . . . . . . . . . . . Sharon Harms, Catherine O’Rourke
Amy . . . . . . . . . . . . . . . . . . . . . . Stephanie Nakagawa, Julie Wyma
.
Their Lovers
Laurie (Theodore Lawrence) . . . . . . . . . . . . David Margulis, Michael Porter
John Brooke . . . . . . . . . . . . . . . . . . . . . . Ayron Hyatt, Jesse Malgieri
Friedrich Bhaer . . . . . . . . . . . . . . . . . . . Joseph Legaspi, Matthew Opitz
.
Alma March . . . . . . . . . . . . . . . . . . . . Emily Smokovich, Rachel Wood
Gideon March . . . . . . . . . . . . . . . . . . . . . Luis Gonzalez, Joseph Mace
Mr. Dashwood . . . . . . . . . . . . . . . . . Christopher Grundy, Stephen Pace
Cecilia March . . . . . . . . . . . . . . . . . . . Ursula Kuhar, Jacquelyn Matava
Off-Stage Quartet . . . . . . . . . . . . . . . . . . Jessica Beebe, Christine Buras,
Shannon Love, Arwen Myers
Synopsis
The story takes place in the March home in Concord, Mass., and through the
memory of Jo March. The time is circa 1870 and the years following.
Prologue
On a visit back home, 21-year-old Jo March sits in the attic where she used to
play as a girl, writing in her journal. Her childhood friend, Laurie, who has recently
married Jo’s youngest sister, Amy, surprises her. They nostalgically reminisce, until
Laurie casually mentions how perfect life was when they were young. His remark
prompts Jo to retreat into a vivid examination of her life. The opera unfolds in this
dreamtime.
Act I
Scene 1
Jo is younger. Called forth by her memories, her sisters Meg, Beth, and Amy
emerge, and Laurie joins them in a game. When Alma March, the girls’ mother, calls
everyone down for supper, Laurie stays behind to tell Jo he knows the whereabouts
of Meg’s missing glove; John Brooke, Laurie’s tutor, has found it and kept it. He and
Meg have become very friendly.
Scene 2
Jo is forced to confront her greatest fear—that her sisters will leave the nest.
Scene 3
Meg and Brooke dawdle in the garden outside the March home, obviously in
love. Inside, Jo and Laurie spy on the couple, and Jo rudely interrupts. Meg invites
Brooke to speak with her father.
Scene 4
The March family is having an evening at home; Laurie joins them. Beth
sings her new composition, and Jo torments Meg over her infatuation with Brooke.
Brooke arrives, distracted.
Scene 5
While Meg and Brooke are alone, he blurts out a marriage proposal, much
to the dismay of Jo, who is eavesdropping. Aunt Cecilia, Gideon’s wealthy, eccentric
sister, is dismayed by the prospect of a match between Meg and Brooke and threatens
to cut off Meg without a penny. Meg politely defies her and accepts Brooke’s proposal.
Scene 6
The March family gathers on Meg’s wedding day. Meg and Brooke appear
together, contrary to convention, and ask to use the same marriage vows that Alma
and Gideon used, which they wrote themselves. The Marches begin to teach their
old vows to the new bride and groom, accompanied by Beth on piano. Meanwhile,
Laurie has arrived, and inspired by the beauty of the music, suddenly asks Jo to
marry him. She emphatically rejects his proposal. Laurie rushes out, and Amy, who is
secretly in love with him, follows. Beth, who has been ill, collapses in a faint.
Act II
Scene 1
Jo has moved to a boarding house in New York City to pursue her career as a
writer and to give Laurie time to cool off.
Scene 2
Corresponding with her family, Jo recounts her experiences in New York and
receives news from home: Meg and Brooke are the proud parents of twins, Amy is
traveling in England, Beth is bedridden, and Laurie is studying at Oxford. Gideon
wants to know more about a certain Friedrich Bhaer, a German immigrant and
professor of philosophy who wants to take Jo to the opera.
Scene 3
Jo and Bhaer have just returned from the opera. They linger in the hallway of
their boarding house, not wanting to say goodnight. Meanwhile, in London, Amy
is sketching Laurie in a park. As rain threatens, Amy and Laurie exit, hand in hand.
In New York, Jo is on the verge of accepting Bhaer’s friendship and love into her
life when she is abruptly informed that Beth is not expected to live. Jo immediately
returns home.
Scene 4
The family is gathered around Beth’s sickbed when Jo arrives. Beth asks
everyone to leave them alone together. Beth senses what is about to happen and
makes Jo promise to care for their parents. The family mourns Beth’s passing together.
Scene 5
Aunt Cecilia offers a letter for Jo to read: Amy and Laurie have been married.
This news crushes Jo. Aunt Cecilia announces her plan to leave Jo her gated stone
mansion and all its furnishings, representing a life without change, perfect, ordered.
“Essentially dead,” replies Jo and rejects this future life.
Scene 6
Jo is alone, writing, as in the beginning. Laurie enters, asking Jo’s forgiveness
and wondering if things “can go back to the happy old times.” Jo responds with a
firm “no.” She sends Laurie off to his bride and calls up her visions of the past one
last time. Her sisters emerge, young, golden, and beautiful. Jo embraces each one and
gives them her blessing as they fade away. At that moment, Friedrich Bhaer enters.
He has come to Concord to see her under the guise of having business in town. “Is
now a good moment?” he asks. “Now is all there is,” Jo answers, extending her hand.
Program Notes
by Laura Dallman
Shortly after its première with the Houston Grand Opera in 1998, Mark Adamo’s
Little Women was hailed as a stunning success. Several critics predicted that the opera would
become a standard of the operatic literature, and, with over 60 performances to date in the
United States, Europe, Mexico, and Japan, Little Women seems poised to make that prediction
come true.
Adamo’s adaptation of Louisa May Alcott’s nineteenth-century novel condenses several
of the story’s more poignant episodes into a few compact scenes. Throughout the course of
the opera, Jo relives several moments of her life where impending events threaten to alter
her family dynamics. Wishing to avoid change, Jo struggles with the passage of time, often
lashing out against those she loves most. This contrasts with Alcott’s depiction of Jo, who
spends the majority of the novel trying to master her “dreadful temper” and learn the virtues
of self-restraint and patience.
Drawing upon the tradition of reminiscence motives in the operas of Donizetti and
Verdi, which can identify a character or signify a recollection of the past, Adamo associates
two motives with Jo and her reluctance to accept change. The first motive, which is indicated
by Adamo as the “stability” motive, fluidly descends and then ascends and is often paired
with the words “perfect as we are.” Jo hints at this motive at the beginning of the prologue
with the words “the happy, happy band” (the band referring to herself and her sisters), but the
motive does not appear in its full form until the end of the first scene. Here, Jo addresses an
absent Laurie, exclaiming the four sisters are “perfect as we are.” From this moment onward,
the stability motive signifies Jo’s confrontation with change and desire for constancy. For
instance, when Meg assures Jo she does not intend to accept Brooke’s proposal in Act I, scene
ii, the motive appears with Meg’s words “let us but continue as before.” In the next scene,
when Jo refuses Laurie’s proposal of marriage, she uses the motive to exclaim again that she
and Laurie are already “perfect as we are.” In Act II, scene i, the stability motive serves a
slightly different purpose. As Jo and her family write letters to each other, each person pairs
the motive with the words “write soon, write soon,” suggesting that though the members of
the family are far apart, they still provide a sense of constancy and strength for each other.
A second motive, marked by several large melodic leaps, often anticipates the
forthcoming shifts that Jo wishes to avoid. This “change” motive appears in its purest form
in Act I, scene ii, after Meg unexpectedly accepts Brooke’s proposal. Trying to soothe Jo, who
is infuriated by her sister’s acceptance, Meg sings “things change, Jo, things change.” Near
the end of the next scene Laurie uses the change motive to plead for Jo’s hand, declaring that
“things change, Jo, between us.” Before he can finish, though, Jo interrupts his proposal with
an ardent request to “let us but continue as before” (the stability motive). At the beginning
of Act II, when Laurie tentatively approaches Amy with a similar declaration, she does not
cut him off; instead she completes his initiation of the change motive with the words “And
a good thing, too!”
Act II also contains statements of the change and stability motives that may indicate that
Jo herself is changing. She actually sings the change motive in the second scene when she tells
Professor Bhaer that their trip to the opera was the most fun she has had “since I left home,”
thus foreshadowing the role the professor will take. In the fourth and penultimate scene, Aunt
Cecilia alters Jo’s stability motive, adding a series of quick, melodic leaps to the originally
fluid phrase (“You alone / a mansion of stone / Gated with steel”). As Aunt Cecilia attempts
to convince Jo that being alone is best, Jo realizes that she does not desire a solitary life. She
recognizes that if she remains unwilling to embrace change, her life will become bitter and
cold, and she excuses herself from the scene.
During the final moments of the opera, it becomes clear that Jo has taken a journey
through her memories in order to understand and accept the necessity of change. Jo returns
to where she began, greeting Laurie as she did in the Prologue but now with a lighter and
happier heart. Embracing the memories of her sisters one last time, she accepts that change
is inevitable, and in the last moments of the opera, she extends the final note of the stability
motive upward (“Now is all there is”), eagerly opening the door to the future.
Artistic Staff Biographies
Kevin Noe, Conductor & English Diction Coach
A passionate supporter and promoter of composers, creators, and the
arts of our time, Kevin Noe has commissioned and premièred over 60
new works written for new music ensembles and orchestras. He has a
particular interest in works which employ a variety of art forms,
including music, dance, theater, film, and visual arts, and he serves
regularly as conductor, stage director, actor, and filmmaker for a variety
of mixed-media, operatic, and theatrical productions. He is currently the executive artistic
director and conductor of the Pittsburgh New Music Ensemble, a group which has
experienced tremendous growth under his leadership. Over the last 10 years, attendance
at performances has grown 600%, the group has recorded four new albums, and the
troupe recently returned from an 18-performance run of a new work at the festival in
Edinburgh, Scotland, in the summer of 2008. Noe co-created, staged, directed, and
played the role of Sisyphus in the newly commissioned evening-length multimedia work
titled Just Out of Reach.
Noe has held conducting posts at the University of Texas at Austin, Duquesne
University, the National Repertory Orchestra, and the Pittsburgh Opera Center, and he
works regularly as a guest conductor with a wide variety of ensembles. Noe completed his
graduate studies at Rice University in Houston, Texas, where he received the prestigious
Sally Shepherd Perkins Prize in Music and was the recipient of the Maurice Abravanel
Fellowship as a conductor at the Tanglewood Festival. Noe’s principal conducting teacher
was Larry Rachleff, and he also studied conducting with Robert Spano, Gunther Schuller,
and Seiji Ozawa.
Michael Ehrman, Stage Director
Michael Ehrman is lauded in the current issue of Opera News for his
recent staging of Don Quichotte for Tulsa Opera, called an “artistic
triumph.” He has been a frequent guest at Indiana University, where he
staged Faust, The Ballad of Baby Doe, Roméo et Juliette (2005 &
2009), Manon, Susannah, and Le nozze di Figaro. Ehrman has directed
over 150 opera productions at companies including Houston Grand
Opera, Greater Miami Opera, Minnesota Opera, Wolf Trap Opera, Chautauqua Opera,
Atlanta Opera, Boston Lyric Opera, Virginia Opera, Connecticut Opera, Utah Opera,
and Chicago Opera Theater. He recently staged the acclaimed 2008 Susannah and, in
2006, the 50th anniversary The Ballad of Baby Doe at Central City Opera, a company
where he has directed 20 productions, including a new Vanessa in 2005 and the world
première of Henry Mollicone’s Gabriel’s Daughter in 2003. Other recent works include La
bohème for Indianapolis Opera and Madison Opera, Falstaff, for Indianapolis Opera, Street
Scene for the Minnesota Opera, Noye’s Fludde for the Chicago Symphony Orchestra, Die
Zauberflöte and The Mikado for the Colorado Symphony, and The Barber of Seville and The
Sound of Music for Tulsa Opera. Ehrman’s staging of the musical Carnival was named on
several of Chicago’s “Ten Best” lists for 2005.
Ehrman has extensive experience as a teacher and as author/director of many
education opera programs. He was director of opera at Northwestern University, for
the University of Tennessee, Knoxville, and at Roosevelt University/Chicago College of
Performing Arts. He has also directed at Yale University, The Hartt School of Music,
University of Kentucky, and Shenandoah University. He served on the artistic staffs and
was stage director/acting coach for the young artist programs at Central City Opera,
Chautauqua Opera, Wolf Trap, Greater Miami Opera, Virginia Opera, Lake George
Opera, Utah Opera, The Israeli Vocal Arts Institute, Intermezzo Young Artist Program,
the Brevard Music Center, the Berkshire Opera Festival, The Martina Arroyo Foundation,
and the New National Theater, Tokyo.
In 2009, Ehrman staged The Medium and Trouble in Tahiti for the New England
Conservatory, Albert Herring at University of Colorado, Susannah for Mobile Opera,
and La bohème for The Martina Arroyo Foundation. Ehrman’s other recent projects have
included the Chicago première of Ronald Perera’s The Yellow Wallpaper and The Sound
of Music, Carmen, La bohème, and Camelot at the Brevard Music Center. Engagements
in 2011 include Die Zauberflöte for the Baltimore Symphony Orchestra and The Tales of
Hoffmann for his debut with Tri-Cities Opera.
Ehrman is co-founder and artistic director of The Opera Training Institute of
Chicago, a new training program for singers. michaelehrman.com
Robert O’Hearn, Set & Costume Designer
Robert O’Hearn earned his bachelor’s degree from Indiana University
in 1943. He was a scenic and costume designer for the Metropolitan
Opera, Vienna Staatsoper, Vienna Volksoper, Hamburg Staatsoper, New
York City Opera, Greater Miami Opera, Houston Grand Opera, Santa
Fe Opera, American Ballet Theatre, New York City Ballet, San Francisco
Ballet, and Ballet West. He served as professor for the Studio and Forum
of Stage Design in New York from 1968 to 1988. O’Hearn has also given guest lectures
and classes at Carnegie Mellon, Brandeis, and Penn State University. O’Hearn retired
from IU in the spring of 2008.
Patrick Mero, Lighting Designer
Patrick Mero is the head of lighting for the IU Jacobs School of Music.
He has designed the lighting for La bohème, Tosca, L’italiana in Algeri,
and, most recently, West Side Story. He has also done extensive design
work for the Jacobs School of Music Ballet Department and the African
American Art Institute’s Dance Ensemble. In addition to his work on
the MAC stage, Mero’s designs have been seen in several Cardinal Stage
Company productions, including The Grapes of Wrath, The Diary of Anne Frank, If You
Give a Mouse a Cookie, and Inherit the Wind. Other work around Bloomington includes
the tango opera Maria de Buenos Aires and Transformations, both at the Buskirk-Chumley
Theater. Mero originally hails from Charleston, S.C., but calls Bloomington home.
Cast Biographies
The Sisters
Jo
A native of Vancouver, Wash., mezzo-soprano Laura Thoreson is a
Performer Diploma student at the Jacobs School of Music, where she
recently completed her Master of Music in Voice. She received her Bachelor
of Music in vocal performance from Central Washington University in
Ellensburg, Wash., where she sang several roles, including Dido in Purcell’s
Dido and Aeneas, and performed scenes from W. A. Mozart’s Così fan tutte
(Dorabella) and Adamo’s Little Women (Jo March). During her time in Bloomington,
Thoreson has appeared as a soloist with the Bloomington Chamber Singers as well as IU’s
University Singers, Pro Arte Singers, Contemporary Vocal Ensemble, and Summer Chamber
Choir, and performed the role of Mama Lucia in the Lafayette Symphony Orchestra’s concert
performance of Mascagni’s Cavalleria rusticana. She has participated many times in IU’s
Opera Workshop program, performing in scenes from Puccini’s Madama Butterfly (Suzuki),
Rossini’s Il barbiere di Siviglia (Rosina), Monteverdi’s L’incoronazione di Poppea (Nerone),
Humperdinck’s Hänsel und Gretel (Hänsel), and Bellini’s Norma (Adalgisa). Last spring, she
appeared as Suzy in IU Opera Theater’s production of Puccini’s La rondine, as the soloist for
the world première of Eric Lindsay’s award-winning composition Piano with the New Music
Ensemble, and as the mezzo-soprano soloist in the performance of Mendelssohn’s Elijah. Also
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in spring 2010, she performed the role of Orfeo in the Bloomington production of Gluck’s
Orfeo ed Euridice. This winter, she will appear as the mezzo-soprano soloist in the Indianapolis
Symphony Orchestra’s performance of Handel’s Messiah. Thoreson is a member of several
professional vocal chamber groups and is an active participant in the Bloomington community
as a musical collaborator. She is a student of Timothy Noble and a former student of Patricia
Wise.
Mezzo-soprano Laura Wilde, from Watertown, S.D., is in the third year of
her master’s degree at Indiana University, where she studies with Costanza
Cuccaro. Wilde received a Bachelor of Music from St. Olaf College, where
she studied with Janis Hardy and Mark Calkins. This past year, she
performed the role of Isabella in Rossini’s L’italiana in Algeri at Indiana
University. Her debut was as Prince Charming in Massenet’s Cendrillon in
the fall of 2008. While at St. Olaf, she performed the title role in Carmen, Ramiro in La finta
giardiniera, and Lady Gertrude/Katisha in An Evening with the Mikado. She also created the
role of Sarah in The Binding of Isaac, a BMI award-winning chamber opera. In 2008, Wilde
performed the role of Mrs. Ott in Susannah at the Chautauqua summer voice program.
During her two summers with the Opera Theatre of Saint Louis as a Gerdine Young Artist,
she has covered the roles of Cherubino in The Ghosts of Versailles and Marcellina in The
Marriage of Figaro. This past summer at Opera Theatre of Saint Louis, she performed the role
of Mrs. Segstrom in Isaac Mizrahi’s production of A Little Night Music and will be returning
for the 2011 season to sing the role of Omar in The Death of Klinghoffer. Wilde was a 2010
Metropolitan Opera Competition semi-finalist.
Meg
A native of Hammond, La., mezzo-soprano Jane Rownd is in her
second year of graduate study at the Jacobs School of Music. She received
her Bachelor of Music in vocal performance with honors from
Southeastern Louisiana University, where she studied with Scharmal
Schrock and David Bernard. Rownd was recently seen as Alisa in IU
Opera Theater’s Lucia di Lammermoor as well as the Mother in
Stravinsky’s Mavra with IU Studio Opera. Her previous stage credits include Prince
Orlovsky in Die Fledermaus, Cherubino in Le nozze di Figaro, and Domina in A Funny
Thing Happened on the Way to the Forum. While at Southeastern, Rownd appeared as a
soloist in Handel’s Messiah, Durufle’s Requiem, Pergolesi’s Stabat Mater, and W. A.
Mozart’s Coronation Mass and Vesperae de Domenica. In 2008, she took first place at the
National Association of Teachers of Singing Southern Region auditions. Rownd is a
student of Scharmal Schrock.
Ashley Stone, mezzo-soprano, is a first-year doctoral student at Indiana
University studying with Costanza Cuccaro. She recently received her
master’s degree in vocal performance and literature from the Eastman
School of Music, where she studied with Katherine Ciesinski. While in
Rochester, N.Y., she performed as the Principessa in Eastman Opera
Theater’s Suor Angelica and was a soloist with the Voices Choral
Ensemble, the Gregory Kunde Choral, and the Eastman Chorale. Stone completed her
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undergraduate studies at Texas State University in San Marcos, her hometown. While in
Texas, she was a frequent finalist in the NATS regional and district competitions, a
Metropolitan Opera National Council Auditions regional finalist, and performed as Kate
in San Antonio Opera’s production of The Pirates of Penzance. In 2006, she attended the
Brevard Summer Music Festival, where she performed as Baroness Elsa Shraeder in The
Sound of Music. The following summer at Opera in the Ozarks, she played the roles of
Suzuki from Madama Butterfly and Cherubino from Le nozze di Figaro. This is her first
role at Indiana University.
Beth
Sharon Harms is a third-year master’s student studying with Carol
Vaness and is the recipient of the IU Georgina Joshi Fellowship. A
Colorado native, she received her Bachelor of Music from the University
of Northern Colorado (UNC), where she played the roles of Hexe
(Hänsel und Gretel), Beth (Little Women), Countess Almaviva (Le nozze
di Figaro), and the title role in Busoni’s Turandot. While at UNC, she
was also active in the vocal jazz program and opened for several groups, including New
York Voices and Take 6 at the UNC Greeley Jazz Festival. Little Women marks Harms’
debut with IU Opera Theater. During her time at IU, she has performed as the Widow in
Mendelssohn’s oratorio Elijah and the soprano soloist in Stravinsky’s Les Noces. Harms is
a member of IU’s Contemporary Vocal Ensemble, has been a guest of IU’s New Music
Ensemble, and is active in performing new works by IU faculty and students. In May, she
was a guest of the U.S. Embassy, performing with the Simon Bolivar Orchestra at the
2010 Latin American Festival in Caracas, Venezuela. Recently, she premièred scenes from
Chicago composer Elbio Barilari’s opera The Tenth Muse at the 2010 Chicago Latino
Theater Festival. Future engagements include performing with the Chicago Civic
Orchestra and Pueblo Symphony Orchestra. Catherine O’Rourke made her IU Opera Theater debut last season as
Bianca in La rondine. O’Rourke recently returned from her second
summer as a Gerdine Young Artist at the Opera Theatre of Saint Louis.
This past summer, she covered the roles of Susanna in Il nozze di Figaro
and Mrs. Nordstrom in A Little Night Music. Before starting her studies
at IU just this past spring, O’Rourke made her international debut
remounting the role of Lucienne (Opera Box Soprano) in John Corigliano’s The Ghosts of
Versailles with Wexford Festival Opera in Wexford, Ireland. She first performed the role at
the Opera Theatre of Saint Louis in summer 2009, where she also covered the role of
Marie Antoinette. O’Rourke recently finished her master’s degree at the New England
Conservatory, where she was an apprenticed artist with Opera Boston. Her favorite roles
include Alma in Hoiby’s Summer and Smoke, Countess Almaviva, Madame Herz in The
Impresario, Lucy in The Telephone, Climene in L’Egisto, and Monica in The Medium
(cover). O’Rourke, a native of New Jersey, holds a Bachelor of Music from the University
of North Carolina at Greensboro, where she studied with James Bumgardner, and two
master’s from the New England Conservatory, where she studied with Delores Ziegler.
O’Rourke is currently pursuing doctoral studies at IU under the tutelage of Costanza
Cuccaro.
Amy
Stephanie Nakagawa is from Vancouver, Canada, and is currently
pursuing her master’s degree, studying under Carol Vaness. She received
her Bachelor of Music in opera from the University of British Columbia
(UBC) and was awarded the UBC Medal for highest academic standing
in her faculty. She has won the Western Canada District MONC and
the Gold Medal for highest national ranking from the Royal
Conservatory of Music. Her stage credits include Gretel in Hänsel und Gretel, Musetta in
La bohème, Adele in Die Fledermaus, Zerlina in Don Giovanni, Yvette in La rondine and
Gossip in The Ghosts of Versailles. Nakagawa has also performed Ginastera’s Cantata para
América Mágica at the Aspen Music Festival and as a soloist in Amatsu Kaze by Paul
Chihara with the IU New Music Ensemble. She has won numerous awards in competitions,
including first place at the British Columbia Provincial Festival of the Performing Arts.
She holds ARCT Performance Diplomas in both piano and voice from the Royal
Conservatory of Music. Nakagawa has been awarded the Wesbrook Scholar, Johann
Strauss Foundation Scholarship, Jeunes Ambassadeur Lyriques Laureate, Canada
Millennium Excellence Award and the UBC BMO National Scholarship.
Julie Wyma has a Master of Music in Voice from the University of
Missouri-Kansas City (UMKC) and a Bachelor of Music from the
University of Arizona. Her performance highlights include Norina in
Don Pasquale, Despina in Così fan tutte, Lauretta in Gianni Schicchi,
Alice in Alice in Wonderland, Monica in The Medium, Beauty in Beauty
and the Beast, Frasquita in Carmen, and Lisette in La rondine. Her
concert work includes solos in J. S. Bach’s St. Matthew Passion, Mass in B Minor, and
Magnificat, and Handel’s Messiah. In 2009, she was a Young Artist Assistant Director for
Opera North, where she assistant directed Bizet’s Carmen and directed several opera
scenes. With UMKC, she directed The Three Bears, The Emperor’s Madness, and scenes
from operas including Carmen, Die Entführung aus dem Serail, Die Zauberflöte, A
Midsummer Night’s Dream, and Little Women. She directed Semele for Midwest Early
Opera Works in Kansas City in 2008. She is pursuing a Performer Diploma at IU and
studies with Carol Vaness.
.
Their Lovers
Laurie (Theodore Lawrence)
A native of Florida, tenor David Margulis is in his first year seeking a
Performer Diploma while studying with Patricia Stiles. While working
towards a master’s degree at the University of Washington, he performed
the roles of Lenski (Eugene Onegin) and Cecco (Il mondo della luna). He
was also featured as the tenor soloist in the première of Robert Kyr’s
Pacific Sanctus. A graduate of Florida State University, he performed the
roles of Ferrando (Così fan tutte) and Nanki-poo (The Mikado). Margulis also recently
appeared as Tybalt in Roméo et Juliette at Seagle Music Colony. This is his first role with
IU Opera Theater.
Michael Porter, native of Little Rock, Ark., is a senior pursuing a
Bachelor of Music in Voice. Porter has studied for the past three years
with Scharmal Schrock. He was invited to be a young artist at the Seagle
Music Colony in Schroon Lake, N.Y., where he performed Jack in the
children’s opera Jack and the Beanstalk, Enoch Snow in Carousel, and
Benvolio in Roméo et Juliette. Porter also sang in the chorus of Hello
Dolly and performed Benvolio in IU’s Roméo et Juliette and sang in the choruses of La
bohème and La rondine, in addition to performing as Jack in scenes from Sondheim’s Into
the Woods.
John Brooke
Born and raised in central Iowa, baritone Ayron Hyatt is a second-year
master’s student in voice. Before arriving at IU, he attended Iowa State
University in Ames, Iowa, where he received a Bachelor of Music in
music education and studied with Donald Simonson. Also appearing as
Count Paris in last year’s production of Roméo et Juliette, this is Hyatt’s
second role with IU Opera Theater. Other previous roles include Count
Almaviva in Le nozze di Figaro and Bad Bart in Ruddigore. Hyatt has been a featured
soloist in Handel’s Messiah, Haydn’s Creation, and Orff’s Carmina burana as well as the
musical revue Side by Side by Sondheim. In 2008, he received an Encouragement Award at
the Metropolitan Opera National Council Auditions, Iowa District. Next spring, he will
appear as Betto di Signa in IU’s production of Gianni Schicchi. Hyatt is a student of
Timothy Noble.
Jesse Malgieri, baritone, is a second-year master’s student from
Rochester, N.Y. He completed his bachelor’s at IU. In 2010, Malgieri won
first prize in the Indianapolis Matinee Musicale Competition and was a
finalist in the Classical Idol Competition with the Rochester Oratorio
Society. Previous roles with IU Opera Theater include Zio Bonzo in
Madama Butterfly, Monterone in Rigoletto, Antonio in Le nozze di
Figaro, Keller in She Loves Me, Marchese in La traviata, Joe in The Most Happy Fella, and
Der Sprecher in Die Zauberflöte. While at the Jacobs School, Malgieri has been a soloist
with the University Chorale, Motet Choir, Symphonic Choir, and University Singers and
has appeared as a quartet soloist for Mendelssohn’s Elijah at the MAC last spring. He also
has appeared as a soloist at the Rockefeller Center for the Arts and the Chautauqua
Institution. Malgieri studies with Tim Noble.
Friedrich Bhaer
Joseph David Legaspi completed his Bachelor of Music and Master of
Music at the Jacobs School of Music. His roles with IU Opera Theater
include Luther in Les contes d’Hoffmann, Yamadori in Giacomo Puccini’s
Madama Butterfly, the Innkeeper in Jules Massenet’s Manon, the
Commissioner in Francis Poulenc’s Dialogues des Carmélites, and
Grégorio in Roméo et Juliette. In 2008, he created the role of El Blogger
in the world première of the videopera ¡Únicamente la Verdad!. Legaspi was one of the
featured soloists in the Argento evening in 2005, J. S. Bach’s Actus Tragicus, BWV 106,
and Felix Mendelssohn’s Psalm 115 at IU. Legaspi performed in the Bruno Walter
Auditorium at the Lincoln Center in New York for the Joy in Singing Competition semifinals. He is finishing his doctoral studies at the IU Jacobs School of Music, studying vocal
performance with Robert Harrison.
A native of Arizona, baritone Matthew Opitz has appeared with IU
Opera Theater as Mercutio in Roméo et Juliette, in The Light in the Piazza
as a priest, and in The Love for Three Oranges as the devil Farfarello. At
Indiana University, he appeared a soloist in Szymanowski’s Stabat Mater
and Britten’s Cantata Misericordium. In the summer of 2008, he sang
Sharpless in Madama Butterfly as well as Marcello in scenes from La
bohème in Fidenza, Italy. During his undergraduate program at Northern Arizona
University, his roles included Guglielmo in W. A. Mozart’s Così fan tutte, Count CarlMagnus Malcom in Sondheim’s A Little Night Music, and Dr. Falke in Johann Strauss’s
Die Fledermaus. In 2008, Opitz was a district winner of the Metropolitan Opera National
Council audition in Arizona. In 2007, he was a participant at the Brevard Music Center
and sang the roles of James and the Crook in Bernstein’s Candide. He is in the last year of
his master’s degree and is a student of Timothy Noble.
Alma March
Emily Smokovich, mezzo-soprano, hails from Grand Rapids, Mich.
After just finishing her undergraduate work at the Jacobs School of
Music, she is now in the first year of her graduate studies, working
towards a master’s degree in vocal performance. Little Women marks
Smokovich’s fourth role with IU Opera Theater. She has performed as
Bridesmaid #1 in William Bolcom’s A Wedding, Princess Clarissa in
Prokofiev’s The Love for Three Oranges, and, most recently, in her dream role of Margaret
Johnson in Adam Guettel’s The Light in the Piazza. Smokovich has performed in multiple
master classes, singing for Carol Vaness and Virginia Zeani. She is a student of Andreas
Poulimenos.
Mezzo-soprano Rachel Wood is a native of London, Ontario, where she
received her Bachelor of Music and Master of Music from the University
of Western Ontario (UWO). Recent operatic credits include the role of
Cornelia in Handel’s Giulio Cesare in Egitto (Centre for Opera Studies in
Sulmona, Italy), the Mother in Madama Butterfly (Opera Kitchener),
Dame Doleful in the Canadian première of Edwin Penhorwood’s Too
Many Sopranos (University of Western Ontario Opera), and Emma Jones in Street Scene
(UWOpera). In addition to her studies at UWO, Wood has completed summer training
programs at Wilfrid Laurier University, The University of Manitoba, the Canadian
Operatic Arts Academy, Songfest at Pepperdine University, Mountain View International
Festival of Song and Chamber Music, and the Centre for Opera Studies in Sulmona,
Italy. Upcoming engagements include recitals in Calgary, Alberta, with the Mountain
View Connection concert series, and as alto soloist in Handel’s Messiah with the
Peterborough Singers in Peterborough, Ontario, this December. Wood is a first-year
doctoral student studying with Robert Harrison. This is her first appearance with IU
Opera Theater. Gideon March
Luis Antonio “Tony” Gonzalez, a student of Carol Vaness, is a secondyear graduate student at the Jacobs School of Music, pursuing his Master
of Music in Voice. Gonzalez was born and raised in Odessa, Texas,
where he took an active interest in music and theater. He attained his
Bachelor of Music in Voice at Baylor University in Waco, Texas, where
he developed his love for opera. Roles at Baylor include Mr. Gobineau
in Gian Carlo Menotti’s The Medium, Amida in Francesco Cavalli’s L’Ormindo, Peter in
Engelbert Humperdinck’s Hänsel und Gretel, and Falstaff in Otto Nicolai’s Die lustigen
Weiber von Windsor. Gonzalez then attended a summer performance internship at
Asheville Lyric Opera in 2009 before he began his graduate studies at Indiana University.
In Bloomington, he has performed roles in two operatic premières with independent
companies, Herman Whitfield’s Small Box and Julian Livingston’s Napa DeMonk. The
role of Gideon March is his first role with IU Opera Theater. In the spring of 2010, he
will perform the role of Marco in IU’s production of Giacomo Puccini’s Gianni Schicchi.
When not singing, Gonzalez’s other artistic endeavors include acting and composition of
music, prose, poetry, and plays.
Joseph Mace is a doctoral student in the studio of Patricia Havranek.
Indiana University appearances include A Wedding, She Loves Me, The
Light in the Piazza and Roméo et Juliette with IU Opera Theater and as
soloist in J. S. Bach’s Christmas Oratorio and Chansonnier in H. K.
Gruber’s Frankenstein!!. In 2008, Mace premièred Marcus Shelby’s jazz
oratorio, Harriet Tubman: Bound for the Promised Land at the San
Francisco Jazz Festival and recorded it on the NOIR label. Other opera appearances
include roles in Cendrillon, Gianni Schicchi, Le nozze di Figaro, Idomeneo, La serva
padrona, and Monteverdi’s Orfeo. Additionally, Mace sang as a chorister with San
Francisco Opera, New Orleans Opera, and San Francisco’s Philharmonia Baroque
Orchestra. Musical theater appearances include roles in The Last Five Years, Annie Get Your
Gun, Phantom, Victor/Victoria, Side by Side by Sondheim, As the World Goes Round, Guys
and Dolls, Godspell, and many others. Mace received his Master of Music in Voice from
the San Francisco Conservatory of Music and holds undergraduate degrees from Tulane
University in French and vocal performance. He is an active member of AGMA.
Mr. Dashwood
Baritone Christopher Grundy is currently pursuing his Master of
Music at the Jacobs School of Music, where he has sung the roles of
Smirnov in The Bear and Crébillon in La rondine. In 2011, he will sing
Dr. Gachet in Vincent. He has recently appeared as a soloist with Amor
Artis, Orchestra New England, the Fairfield County Chorale, and the
Great Neck Choral Society. Recent recitals include the world première
performance of several songs by Neely Bruce with the composer at the piano. He holds a
Bachelor of Arts from Yale University, where he conducted the Yale Russian Chorus.
Grundy is a student of Scharmal Schrock. In pursuit of a wholly different passion, he has
logged 2,000 hours as a commercial helicopter pilot and flight instructor.
Stephen Pace is a first-year graduate student in the Master of Music in
Voice at Indiana University. In 2010, Pace was a studio artist with Wolf
Trap Opera. In 2009, he was featured as the baritone soloist in two
Ballet West productions: Copland’s Old American Songs and Poulenc’s
Les Biches. He also performed the roles of Schlemil and Crespel in Les
contes d’Hoffmann and Mr. Bluff in The Impresario with Brigham Young
University (BYU) Opera Theater. In 2008, he performed the title role in Don Giovanni
and Captain Corcoran in H.M.S. Pinafore, also at BYU. Pace holds a Bachelor of Music
in vocal performance from BYU, where he was a student of Darrell Babidge. He is
currently a student of Andreas Poulimenos.
Cecilia March
A native of Powell, Ohio, mezzo-soprano Ursula Kuhar is completing
her Doctor of Music in Voice, studying with Marietta Simpson. With
IU Opera Theater, she has appeared in The Merry Wives of Windsor (Frau
Reich), Le nozze di Figaro (Marcellina), and Susannah (Mrs. Ott). Past
productions include Gianni Schicchi (Zita), Suor Angelica (La Badessa),
Dido and Aeneas (Sorceress), The Mikado (Katisha), and scenes from
Candide (Old Lady), The Rake’s Progress (Baba the Turk), and Dialogue of the Carmelites
(Madame de Croissy). On the concert stage, she has been the alto soloist in Mahler’s
Symphony No. 2, “Resurrection;” J. S. Bach’s St. Matthew Passion and Mass in B Minor;
Brahms’ Alto Rhapsody; Bernstein’s Symphony No. 1, “Jeremiah;” Handel’s Messiah; Vivaldi’s
Gloria; and the world première of Frank Burch Brown’s Mary with Jesus with the
Indianapolis Symphonic Choir. Kuhar received her bachelor’s degree in arts administration
with honors and her master’s in music education from Butler University, where she
studied with Michael Sells and was a Hampton Scholar, Teaching Fellow, and Concerto
Competition Winner. She also received a Diploma in French from Université de Paris IV
(La Sorbonne) in Paris, France. Additionally, Kuhar is on the faculty of the arts
administration program at IU’s School of Public and Environmental Affairs.
Mezzo-soprano Jacquelyn Matava is a second-year master’s student of
Mary Ann Hart. A native of Farmington, Conn., she received her
Bachelor of Arts cum laude from Vassar College in Poughkeepsie, N.Y.,
double-majoring in music and economics. Matava made her MAC stage
debut last fall as the mezzo-soprano soloist in IU Ballet Theater’s
production of Les noces by Stravinsky, and later this season she will sing
the role of Martha in Faust. She has made several appearances in the IU Opera Workshop,
singing Hermia in Britten’s A Midsummer Night’s Dream and the title role in La Cenerentola.
In this semester’s OpShop, Matava will perform the title role in Mignon as well as the
Secretary in Menotti’s The Consul. This past summer, she traveled to Caracas, Venezuela,
with IU conductor Carmen Helena Téllez and several other soloists from the Contemporary
Vocal Ensemble to participate in a contemporary music festival, where she gave the South
American première of IU composition professor David Dzubay’s song cycle Dancesing in
a Green Bay with members of the Simón Bolívar Orchestra. Matava is currently an
associate instructor in music theory.
Chamber Orchestra
Violin I
Mikaela Holland
Seul Lee
Michael Lim
Anna Roder
Alison Stewart
Hyunjoo Choo
Christina Kim
Violin II
Yerim Lee
Aaron Schwebel
Mariana
Cottier-Bucco
Eun-Kyo Baek
James Choi
Delcho Tenev
Viola
Gerry Varona
Gyeong Jung
Hong Bu
Jonathan Gertner
Cello
Daniel Lelchuk
Alan Ohkubo
Anna Chesson
Jae Yeong Choi
Bass
Daniel Tosky
Andrew Banzhaf
Flute
Peter Kuehl,
Alto/Piccolo
Oboe
Sasha Bachwich,
English Horn
Clarinet
Natalie Allen,
Bass
Bassoon
Skyler Smith,
Contra
Horn
Ryan O’Connell
Timpani
J.J. Pearse
Percussion
Devan Ellet
Harp
Katherine Denler
Piano/Synthesizer/
Celesta
Jennifer Lee
Orchestra Manager
Sarah Paradis
Daniel Tosky, ass’t.
Orchestra Setup
Andrew Banzhaf
Librarian
Mariel Stauff
Student Production Staff
Assistant Conductor . . . . . . . . . . . . . . . . . . . . . . . Brian Onderdonk
Chorus Master. . . . . . . . . . . . . . . . . . . . . . . . . . . Brian Schkeeper
Head Fly Person . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jesse Willet
Deck Supervisors. . . . . . . . . . . . . . . . . . .Kelsey DeWitt, Ashley Hughes
Stage Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abby Leftove
Head Deck Electrician. . . . . . . . . . . . . . . . . . . . . . . . Patrick Dagley
Light Board Operator. . . . . . . . . . . . . . . . . . . . . . . . Jonathan Shull
Prop Master. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Svoboda
Paint Assistants. . . . . . . . . . . . . . . . . . . . . . . Sara Radke, Sarah Stone
Paint Crew. . . . . . . . . . . . . . Hannah Carter, Eric Dagley, Melody Eotvos,
Elizabeth Hadley, Eva Mahon-Taylor, Nolan Moss,
Laura Sibrel, Adam Svoboda
Electrics Crew . . . . . . . . . . . . . . Ryan Boyce, Patrick Clark, Mark Davies,
Heather Forrester, Rebecca Johnstone, Skylar Kooi,
Alyssa Martins, Zach Silverman, Adam Svoboda,
Eric Svoboda, Jordan Tarantino, June Tomastic, Sean Vann
Deck Crew. . . . . . . . . . . . . . . .Jeff Cierniak, Andrew DeVoe, Alana Dion,
Jowi Estava, Rachael Fernandez, Joshua Held,
Ashton Hendrich, Jennifer Kempfer, Robbie Kozub,
Carley Matey, Danielle McClendon, Caitlin Saraceno,
Kurt Semmler, Victoria Scanlan, Eric Schulze,
Alana Shannon, Matthew Storino, Steven Wilson
Costume Assistants. . . . . . . . . . . Molly Fetherston, Charis Peden, Emily Solt
Costume Crew. . . . . . . . . . Colleen Beucher, Paul Dandridge, Lydia Dahling,
Serena Eduljee, Ashleigh Guida, Sara Radke, Joanna Ruszala
Assistant House Managers . . . . . . . . . . .Lindsay Flowers, Jonathan Matthews
Audio Production Crew . . . . . . . . . . . . . . . Devin Bean, Michael Brophy,
Chelsea Crisp, Aaron Frazer, Hank Powell
Supertitle Operator . . . . . . . . . . . . . . . . . . . . . . . . . . Johann Wiese
The
Nutcracker
December
3, 4
8pm
December
4, 5
2pm
Nutcracker “Tea”
After all the magic onstage,
meet Clara and other
characters in a special event.
For parents and children of all ages,
on the mezzanine following each
matinee (approx. 4:30 - 5:30pm).
Tickets available at
the MAC Box Office
music by Peter Ilyich Tchaikovsky
A Bloomington Tradition
Conductor: Jorge Carciofolo
Choreographer: Michael Vernon
Set & Costume Designer: C. David Higgins
music.indiana.edu/
opera/nutcracker
Tickets go on sale November 2.
MAC Box office: (812) 855-7433
music.indiana.edu/operaballet
Jacobs School of Music Honor Roll
Fiscal Year 2009-2010
Individual, Corporate, and Foundation Supporters
The Jacobs School of Music wishes to recognize those individuals, corporations,
and foundations who have made contributions to the school between July 1, 2009,
and June 30, 2010. Those listed here are among the Jacobs School’s most dedicated
and involved benefactors, and it is their outstanding generosity that enables the IU
Jacobs School of Music to continue to be the finest institution of its kind in the nation.
Individuals
$100,000 and Up
The Estate of Barbara M. Jacobs
Nina Bernstein Simmons
Alexander S. Bernstein
Jamie Bernstein
The Estate of John D. Winters
Gary and Kathy Anderson
The Estate of Samuel W. Siurua
Marjorie Buell
Mary Kratz Gasser
Christel DeHaan
Virginia Schmucker
Peter and Monika Kroener
Jamey and Sara Aebersold
P. A. Mack
James and Jacqueline Morris
Luba Dubinsky
Hank Bode and Susan Cartland-Bode
Jack and Pamela Burks
Lucy E. Cross
Olimpia F. Barbera
Steve Russell and Mag Cole Russell
Bruce Bergland and
Cynthia Owen-Bergland
Douglas and Margaret Strong
Arthur and Therese Fell
S. Sue Aramian
Marianne L. Ackerson
Donald and Charlene Allen
Atar and Evelyne Arad
Martha Aramian
Robert Barker and Patsy Fell-Barker
Constance K. Bash
F. Dale and Linda Bengtson
Norma B. Beversdorf
Douglass and Ruth Boshkoff
J. Peter Burkholder
William and Anita Cast
William A. Crowle
Jay and Jacqueline Dickinson
Gary and Sandra Dowty
Thomas and Marian Drake
Jeremiah and Chelsea Duggan
D. Kim and Jane Dunnick
Nile and Lois Dusdieker
Thomas and Ellen Ehrlich
Edward and Mary Fox
Susan Fredrickson
Paul and Ellen Gignilliat
Frank C. Graves
Rita B. Grunwald
Alan J. Harris
The Estate of Bernhard C. Heiden
Allan Hershfield and
Alexandra Young
Jerome and Lucinda Hey
William T. Hopkins
Michael S. Insel
David H. Jacobs
Anne L. Jarema
Ross S. Jennings
Kenneth and Linda Kaczmarek
Thomas and Gail Kasdorf
Roberta H. Kletter
Arthur Koch and Stine Levy
Thomas and Theresa Kulb
James and Katherine Lazerwitz
Dennis and Judith Leatherman
Robert and Sara LeBien
The Estate of Harold R. Janitz
The Estate of Thomas L. Gentry
Jack and Dora Hamlin
$50,000 - $99,999
$20,000 - $49,999
Pamela S. Buell
$10,000 - $19,999
William and Carol Fox
Wade and Ann Harrison
Ruth W. Johnson
$5,000 - $9,999
Jay and Karen Goodgold
Stanley and Zelma* Ransom
Susan J. Slaughter
Beth Stoner
$1,000 - $4,999
Charles* and Zelda Leslie
Edward and Terri Martin
Thomas and Penelope Mathiesen
Darby A. McCarty
Clarence and Nancy Miller
John and Geraldine Miller
Terry and Sara Miller
Michael and Noemi Neidorff
Joan C. Olcott
Juan Orozco
James and Carol Orr
Herbert E. Parks
Eleanor R. Peterson
Oswald G. Ragatz
Ellen M. Rainier
Randall L. Tobias
Roy and Marlene Rapp
Edward and Lois Rath
Gwyn and Barbara Richards
James and Mary Rickert
William and Margaret Salin
Randy Schekman and Nancy Walls
Harold and Jeannette Segel
Jefferson S. Shreve
Curtis and Judith Simic
Lorraine E. Sirucek
Phil and Charlotte Slaughter
Catherine A. Smith
Fredric and Roberta Somach
W. Craig Spence
Ellen Strommen
Linda Strommen
Mark A. Sudeith
Charles and Brenda Surack
Vincent Adragna
Robert Althauser and Mary Goetze
Charles and Margaret Athey
Linda A. Baker
Mark and Mary Bauman
Christopher and Ruth Borman
Karen M. Boston-Wright
Harold and Karen Bratton
Roberta Brokaw
Malcolm H. Brown
Philip Caito and Dena Hancock
J. P. and Barbara Carver
Janice L. Clark
James and Carol Clauser
J. Neal Cox
Leo and Kay Drey
Stephen and Barbara Ellis
Jay Fern
Jon and Jann Fujimoto
Norman and Sharon Funk
E. Irene Gallas and Frances Zweig
Jolaine L. Hill
William and Karol Hope
Chester Hublar
Robert J. Hublar
Linda S. Hunt
Jeffrey S. Jepsen
Lynn A. Kane
Michael Lynch and Emilia Martins
Robert and Marcia Mahnken
Francis and Tracey Martin
Jerry and Phyllis McCullough
Beverly A. McGahey
Emily Mitchell
Lawrence and Betty Myers
David and Jean Nanney
Delano and Luzetta Newkirk
Dennis W. Organ
Doreen E. Pearse
Paula J. Amrod
Ann C. Anderson
Donna K. Anderson
Jeffrey and Gail Anthony
Mary I. Arlin
Kenneth and Elizabeth Aronoff
James F. Ault
Mary K. Aylsworth
Sandra C. Balmer
David Y. Bannard
Brian M. Barnicle
Frederick and Beth Behning
Euel Belcher and Margaret Evans
Julian M. Blumenthal
Laura A. Bornholdt
Louise Breau-Bontes
Carl and Lois Brehm
Thomas and Katharine Brunner
Mark and Jody Bruns
David Burkhart and Chris Holmes
John N. Burrows
David and Margery Byrne
Marc and Jeanne Campbell
Phyllip B. Campbell
Philip and Elizabeth Capasso
Kevin A. Casseday
Verne and Gail Chapman
Lloyd and Dorinda Chase
Robert and Gayle Chesebro
Jay L. Cimmer
Jeffrey and Jennifer Cohen
Charles and Ann Conrad
Gordon Cooper and Dorothy Shaw
John and Carol Cornwell
Nora B. Courier
Katherine R. Covington
Mary W. Davidson
William Davis and Dell Harmsen
Mary L. Denne
Christopher and Tonja Deviney
John and Sharon Downey
Jeffrey and Deborah Ewald
Gabriel and Sara Frommer
Michael Gerry
Lorraine Glass-Harris
Halina Goldberg
Alan R. Goldhammer
Glen G. Graber
Selma C. Grant
Anne M. Hagan
Stephen and Jo Ellen Ham
Brooks and Donna Hamm
Ralph E. Hamon
Steven and Leona Handelman
Sheila Hass
Gene and Judith Hedrick
William and Marsha Heil
Harvey B. Holly
Donna Hornibrook
Nancy O. Hublar
Diane S. Humphrey
Mark Hyams and Julia Erdmann
Masanori and Seiko Igarashi
John L. Iltis
Wayne and Kristin Jones
Janet Kelsay
Will and Ann Konneker
George and Cathy Korinek
Jeanne M. Kostiuk
Virginia A. Krauss
Gerald and Shirley Kurlander
Glenda G. Lamont
Adrienne R. Lawrence
Gregory and Veronica Leffler
Eric and Rebecca Lightcap
John and Barbara Lombardo
Julie R. Lustman
Joshua MacCluer
Richard and Geraldine Markus
D. Jason McClellan
Susan C. Thrasher
G. Edward and Cynthia Towson
H. E. and Ruth Trusheim
Ernst Walch
Allen and Nancy White
David L. Wicker
$500 - $999
P. Q. Phan
Nancy P. Rayfield
Robert and Joy Renshaw
Edward and Donna Ronco
Herman E. Rowlett
E. W. and Ruth Ryan
John and Dora Ryan
David D. Schrader
Scharmal K. Schrock
Kenneth and Cecile Schubert
William R. Shindle
John* and Viola Spencer
Mary L. Stein
Bruce C. Trible
Susan E. Trippet
Robert M. Van Besien
John P. Wentworth
Charles and Helga Winold
Laura S. Youens-Wexler
Barrie and Margaret Zimmerman
$250 - $499
Francis and Winnifred McGinnis
Daniel J. McKinley
Steven A. McNeil
Daniel Melamed and Elizabeth Sabga
Brian K. Newell
Jon A. Olson
Elizabeth M. Paine
Sujal H. Patel
Nancy G. Puckett
Philip S. Richardson
Steven L. Rickards
Sanford E. Rosenberg
Byuong and Patine Ryu
Mary L. Sachse
Robert Schneider and Sarah Mitchell
Richard and Ilene Sears
David L. Shea
David and Barbara Sheldon
Sandra K. Sherman
Kerry Krutilla and Chiu Shu-Chuan
Robert and Laurie Silber
Charles and Eleanor Six
Suzanne V. Smith
John L. Snyder
Fredrick and Lori Spencer
Mike St John
Joyce A. Taylor
Frances Tietov
Kenneth L. T’Kindt
Michael and Claudia Walk
Christine J. Ward
Sidney and Kay Wessol
L. Alan and Elizabeth Whaley
Wendy L. Whittemore
Tony J. Wiederhold
Donald H. Wissman
Christopher Young and
Brenda Brenner
Craig and Cathy Zerbe
Larry and Joyce Zimmerman
$100 - $249
Robert and Kara Adams
Lois C. Adams Miller
Nancy J. Agres
Kurt and Susan Alexander
Shirley T. Aliferis
James A. Allison
Mike and Virginia Amick
Joseph D. Amlung
Richard and Evelyn Anderson
Stella N. Anderson
James and Mary Babb
Margaret K. Bachman
Adrienne T. Bailey
Cynthia L. Baker
Joseph T. Banas
Pamela L. Banks
H. Edward and Julia Barnicle
Michael R. Barrett
Patricia W. Barrett
Robert R. Bartalot
Michael and Joan Bartos
James Bates and Jena Huebner
John and Paula Bates
Stephen E. Bates
Charles F. Becker
Martin and Judy Becker
Mary F. Berk
Edward R. Bialon
Lisa A. Billingham
Abbe I. Binstock
David and Judy Blackwell
Fredrick and Ann Blackwell
Ronald and Regina Blais
Heinz H. Blankenburg
Marvin R. Blickenstaff
John and Mary Blutenthal
Michael and Pamela Bobb
Alice M. Bogemann
Christine M. Bohlman
Bruce A. Boissonnault
Lawrence and Mary Bond
William H. Bondurant
Arthur and Karen Bortolini
Bennet and Cynthia Brabson
Elizabeth M. Brannon
Jeffrey L. Bransford
Merry R. Brauch
Clayton and Pauletta Brewer
Joan T. Bricetti
Carl and Connie Brorson
Dorothea M. Brown
Edward P. Bruenjes
Hal and Freddie Burke
Ralph M. and Ann Burns
Doris J. Burton
Giuliana C. Busch
Rebecca C. Butler
Nanette Canfield
Joseph R. Car
James A. Carlson
Christopher and Andrea Carrington
Christopher Carson and
Deborah Bloom
Robert and Susan Cave
Bruce and Cheryl Cazenave
Patricia E. Chambers
Harriet R. Chase
Lee A. Chelminiak
James and Janice Childress
Aileen Chitwood
Matthew Christ and
Sophia Goodman
Lawrence and Dianne Christensen
Marvin and Dolores Christie
Jonathan D. Chu
Cynthia M. Cirome
David Clark and Diane Coutre
Robert and Marcia Coleman
James D. Collier
Mark R. Conrad
Kathryn J. Cooke
Kevin and Laura Cottrill
Connie Coulianos
Gretchen E. Craig
Bettejane Crossen
Janet S. Crossen
Samuel and Mary Crowl
G. Michael and Kathy Cullen
Bradley and Cheryl Cunningham
Michael G. Cunningham
Max Curtis
Edward and Linda Dahm
David and Donna Dalton
John T. Dalton
Eugene B. Daniels
Janice E. Daniels
Gerald and Mary Danielson
John D. Danielson
David and Bette Davenport
Kathryn M. Davidson
James W. Davies
Michael and Leslie Deleget
Richard and Barbara Dell
Robert D. Depoy
John F. DeVivo
Ronald and Audrey DeVore
Thomas Diaz and Mary Diaz-Przybyl
Roger D. Dickerson
Barbara C. Dickey
Richard and Barbara Domek
D. Michael Donathan
Paul T. Dove
David A. Drinkwater
Margaret J. Duffin
Gregory S. Dugan
Silsby S. Eastman
Robert and Robin Eatman
Ruth L. Ebbs
Marjorie A. Eddy
Karin M. Edwards
Joseph E. Elliott
Charles and Anna Ellis
Michael J. Ellis
Herman and Mary Emmert
Stanley and Pamela Engle
Lucille I. Erb
David R. Ernst
David Evenson and Lois Leventhal
Pauline E. Eversole
Gerald F. Falasca
Mark and Jennifer Famous
Elliot Fan and Elaine Chu
Teresa K. Fancher
John and Suzanne Farbstein
Kevin and Carolyn Farrell
John Fearnsides and Margaret Jenny
Jean E. Felix
Salvatore and Carol Ferrantelli
Moira J. Fetterman
Gary P. Field
Jack Fields and Melissa Kevorkian
Mary E. Fine
Donald and Myra Fisher
Elfryda Florek
Felicia Foland
Frank J. Folz
Philip M. Ford
Roger and Jean Fortna
Bruce and Betty Fowler
William and Julie Froude
Charles L. Fugo
Edwin and Melanie Fuhrmann
Mauricio Fuks and
Violaine Gabriel-Fuks
Dennis and Marcie Gamble
Douglass Garibaldi
Paul H. Gebhard
Kathleen A. Gentes
Brice Gerlach and
Michele Byrd-Gerlach
Craig C. Gibson
Robert J. Giesting
Susann Gilbert
Katherine M. Gilbert-O’Neil
Ezekiel and Viola Gilliam
John M. Glover
Duane Goetze and Christine Swanson
Richard S. Gorden
Joyce M. Gouwens
Susan E. Grathwohl
Linda J. Greaf
Jane C. Greenberger
Charles and Theresa Greenwood
David E. Greiwe
William and Robin Gress
Teddy and Phyllis Gron
John and Nola Gustafson
Holli M. Haerr
Laurel K. Hagerman
Rebecca B. Hall
Anthony J. Halloin
Stanley and Hilary Hamilton
Josephine Hansen
Charlene A. Harb
Harvey and Judith Harris
Stephen and Martha Harris
Betty J. Hedges
William and Constance Hegarty
Jay and Carolyn Henges
Michael Henoch and Louise Dixon
Laura B. Hentges
Thomas and Suzanne Herendeen
Florence E. Hiatt
Leslie W. Hicken
Joe and Margaret Hickman
J. William and Karen Hicks
Carlton L. Higginbotham
Ford D. Hill
Lowell and Ruth Hoffman
Marilyn L. Hoffman
Edith Holm
Nicholas and Katherine Holzmer
Bernard and Helen Hoogland
Dennis and Judith Hopkinson
Ray and Phyllis Horton
Emily L. Hostetter
Robert and Jacqueline Hounchell
Ivan and Anne Hughes
John and Cindy Hughes
Craig D. Hultgren
James and Janet Humphrey
Lois Humphrey
Gregory A. Imboden
Gayle Jackson
Carole L. James
Jathan and Marjorie Janove
Warren W. Jaworski
Robert and Kathryn Jessup
Earl and Shirley Johnson
Kathleen L. Johnson
Thomas and Marilyn Johnson
Anne S. Jones
Clark and Nancy Jones
Russell L. Jones
Kenneth and Elyse Joseph
Scott and Mary Joseph
Michael W. Judd
James R. Kallembach
Kathleen Katra
Patricia A. Katterjohn
Lawrence P. Katzenstein
Carol R. Kelly
Karen L. Keltner
Steven and Kristin Kessler
Robert and Stephanie Keys
Myrna M. Killey
Calvin and Margaret Kindig
John and Julianne King
Laura J. King
Cheryl Kinney
Curtis J. Kinney
Joan Kirchner
W. John and Sarah Kitzmiller
Karen L. Klages
Marilyn J. Kloss
Dean and Christy Kluesner
John and Barbara Knipp
Philip L. Knoeppel
Robert Knowlton and Mary Edwards
Thomas and Linda Koch
Moon S. Koh
Kimberly J. Koons
Marilyn L. Kouba
Joel S. Krueger
Scott W. Kunkel
Glen Kwok
Larry and Judy Lafferty
Eric Lai and Grace Lok
Betty E. Landis
Lois B. Lantz
Aldis and Susan Lapins
Jaime Laredo and Sharon Robinson
Robert L. Larsen
C. Howard Larson
Scott R. Latzky
George Lawrence and Judith Auer
Glorianne M. Leck
Paul and Linda Lee
James A. Leick
Robert B. Lennox
Kristin M. Lensch
Amy L. Letson
Jerry and Jane Lewis
Joseph J. Lewis
Barbara Liberman
Thomas and Nancy Liley
Lillian G. Livingston
Susan M. Llewellyn
Paul and Donna Love
Patricia D. Lust
Marie T. Lutz
Alma E. Lyle
Ian Lytle and Marija Grahovac
Frances M. Madachy
Robert W. Magnuson
Joseph Manfredo
Rochelle G. Mann
John L. Maple
Brian D. Marcus
Nancy R. Marron
Rose M. Martin
Thomas and Mary Martz
Richard and Susan Marvin
John M. Maryn
Joel and Sandra Mathias
Joseph V. Matthews
Andrea Matthias
Barbara E. Mayhew
Marjorie E. McCall
Cullen and Rachel McCarty
Scott McCray
Herm and Carol McCreary
Ellen L. McGlothin
Carmen J. McGrae
Jerry and Jane McIntosh
Eric L. McIntyre
Larry S. McKee
P. Douglas McKinney
James and Nelia McLuckie
Mary Jo McMillan
Robin McNeil
Edwin B. Meissner
Stephen P. Merren
H. Patricia Merrill
Emanuel and Kathleen Mickel
Lydia P. Milham
Ben F. Miller
Donald A. Miller
James and Sylvia Miller
Judith E. Miller
Ronald and Joyce Miller
Clara M. Millett
Patrick and Frances Mitchell
Richard J. Mlynarski
Philip and Patty Moreau
Isabelle Moretti
Ruth E. Morrow
Lynwood and Kristine Mueller
Paul F. Mueller
Frieda E. Myers
Timothy and Dana Myers
Andrea Myslicki
Jennifer L. Naab
George and Diane Nadaf
Emery and Patricia Nagy
Emile G. Naoumoff
Falle D. Nelson
Joan Newton
Patricia B. Newton
Kenneth H. Nichols
Omar and Julia Nielsen
Carol L. Noe
Margaret V. Norman
Douglas and Roma North
Philip and Jennifer Nubel
Philip R. Ohriner
Melinda P. O’Neal
Adrienne Ostrander
Elayne Ostrower
Russell L. Otte
Stephen and Elise Overcash
Mary A. Owings
Tracey L. Paddock
Gerry Pagano
Hyung-Sun Paik
Donald and Jeanette Palla
Leila S. Palmer
Carol L. Pampalone
Lois F. Pardue
Robert and Sandra Parker
Kenneth D. Pennington
Don Perkins
Kathie I. Perrett
Frederick and Velma Peterson
E L. Petrulis
Edward Petsonk
Deborah E. Phelps
Cheryl L. Phillips
Alexander and Anne Pickard
George W. Pickering
Robert Plank and T. Earline Moulder
Richard and Carolyn Pollak
Gregory Powell and
Miriam McLeod Powell
Patricia A. Powell
Daniel Powers and Martha Krasnican
Sylvanna T. Prechtl
Karen Pritchard
Jan E. Prokop
Derrick M. Purvis
Manuel and Catherine Ramos
Susanna M. Rast
John A. Rathgeb
Alan and Diana Rawizza
Donald M. Rebic
Lincoln and Marlene Record
Phyllis E. Relyea
Carolyn J. Rice
Thomas and Kathryn Rice
Joann Richardson
Mary A. Rickert
Susan M. Rider
Thomas Ritchie and
Joyce Ruple Ritchie
Donald and Lucy Ritter
Leon L. Rix
Alice E. Robbins
Rosella Roberts
Jerry and Cynthia Robinson
Joy E. Robinson
Kenneth Rodbell and
Kathleen Moonan
Helmut J. Roehrig
Bruce E. Ronkin
Linda J. Rosenthal
Gerald J. Rudman
Ruth F. Ruggles Akers
Joseph and Rebecca Russell
John and Judith Ryan
David and Ann Samuelson
Robert and Barbara Sanderman
Anne E. Sanders
Michael and Susan Sanders
Thomas and Martha Sands
Virginia G. Sarber
John and Donna Sasse
Norin F. Saxe
Mark and Erin Schaaf
Vicki J. Schaeffer
John and Sarah Schaffer
Richard and Barbara Schilling
Charles H. Schisler
Nancy J. Schmidt
Michael D. Schroeder
Matthew R. Schuler
Bradley and Jennifer Schulz
Christopher and Janet Schwabe
Monte Schwarzwalder and
Rebecca Henry
Daniel E. Scott
John A. Seest
Richard Sengpiehl and Mary Adams
Danny and Sarah Sergesketter
Stephen and Nancy Shane
Nadine E. Shank
Merry M. Shapiro
Wayne and Lois Shipe
W. Robert and Jill Siddall
Roger S. Simmons
Alan and Jackie Singleton
Arvi Sinka
Robert V. Slack
Kevin and Jennifer Slaughter
John and Donna Slinkard
John W. Smallshaw
Eliot and Pamela Smith
John and Juel Smith
Marvin K. Smith
Timothy and Kristin Smith
Lucille Snell
Susan E. Snortland
James and Carolyn Sowinski
Paul V. Spade
Susan E. Spell
Barry R. Springer
Peter and Ann Spurbeck
Marcus G. St Julien
Darell and Susan Stachelski
Judith L. Stahlhut
Howard and Eve Steinberg
Paul Stephenson and Maria Schmidt
Natalie N. Sterba
Scott Stewart and Jeffrey Clanton
Janis M. Stockhouse
Robert and Virginia Stockton
Ernestine Stoop
James L. Strause
Lawrence A. Strieby
Lester Suehiro and
Bunnie Au-Suehiro
Jerry and Joy Suhrheinrich
Gregory and Rhonda Swanson
William and Diana Taggart
Yasuoki Tanaka
Richard and Lois Tappa
James and Janet Tate
Lawrence S. Tavel
Jerry Telgheder
Helen C. Templeton
James J. Teutemacher
Amy R. Tharp
Neil Theobald and Sheona Mackenzie
Ross A. Thompson
Carol A. Timmerman-Yorty
Diana Tompa
Jennifer A. Tompa
Jonathan Towne and Rebecca Noreen
Philip and Alice Trimble
Myrna D. Trowbridge
Noelle M. Turner
John and Alice Tweedle
Michael J. Valenti
Charles J. Van Tassel
Robert C. VanNuys
Lawrence A. Vanore
Dianne Vars
William and Shirley Vessels
Scott Wagenblast and Nancie Nelson
Larry and Charlotte Wagner
Frederick P. Waible
Barbara J. Waite
Raymond and Cheryl Waldman
Jane E. Walker
Susan L. Walker
Sarah F. Ward
Haruka and Ayako Watanabe
Stephanie C. Wayland
Paul and Mary Waytenick
James R. Wehrman
Grace C. Wei
George Weremchuk
Roger and Barbara Wesby
Miriam E. Whaples
Mark and Jan Wheeler
James T. White
John White and Martha Brand
Mark Wiedenmayer
Thelma J. Wilcox
Dolores Wilson
Lawrence A. Wilson
Joseph and Arlita Winston
Carl and Donna Wiuff
Peter and Teresa Wolf
Gregory Wolfe and Julie Hochman
Earl S. Woodworth
Danny and Karen Wright
Giovanni Zanovello
Henry and Carol Zeiter
Conrad and Debora Zimmermann
Corporation and Foundation Donors
$100,000 and Up
Dorothy Richard Starling Foundation
Theodore W. Batterman Family
Foundation, Inc.
Christel DeHaan Family Foundation
Summer Star Foundation
for Nature, Art, and Humanity
Avedis Zildjian Company
Bloomington Classical Guitar
Society, Inc.
Crown Management
Bloomington, Inc.
David G. Monette Corporation
Enterprise Holdings Foundation
International Women’s Brass
Conference, Inc.
Juan Orozco LTD, Inc.
$10,000 - $99,999
$1,000 - $9,999
Kuehn Foundation
Martin and Son, Inc.
Saint Louis Symphony Orchestra
Salin Bank and Trust Company
Sweetwater Sound, Inc.
Up to $999
Blackburn Trumpets
Bloomington Chamber Singers
Bruce Meredith, Inc.
Buckin’ Hamm’s, Inc.
Christ Church
City Optical Company, Inc.
Four Walls LLC
Helios, Inc.
Pentreath House Bed and Breakfast
TIS Group
Dean’s Circle
The Indiana University Jacobs School of Music Dean’s Circle includes
individuals dedicated to making a difference in the cultural life of our nation.
These unrestricted gifts of opportunity capital support the areas of greatest
need, including financial aid, faculty, academic opportunity, and visiting artists.
Visionary Members - $10,000 and Up
Christel DeHaan
David H. Jacobs, Jr.
Harold R. Janitz*
Strategic Members - $5,000 to $9,999
S. Sue Aramian
Jay and Karen Goodgold
Ruth W. Johnson
Beth Stoner
Supporting Members - $2,500 to $4,999
Frank C. Graves
Edward and Terri Martin
Mark A. Sudeith
Contributing Members - $1,000 to $2,499
Martha Aramian
Constance K. Bash
F. Dale and Linda Bengtson
William A. Crowle
Jeremiah and Chelsea Duggan
D. Kim and Jane Dunnick
Nile and Lois Dusdieker
Edward and Mary Ann Fox
Alan J. Harris
William T. Hopkins
Ross S. Jennings
Thomas and Gail Kasdorf
George and Cathy Korinek
Thomas and Theresa Kulb
Charles* and Zelda Leslie
P. A. Mack
Darby A. McCarty
Terry and Sara Miller
Joan C. Olcott
James and Carol Orr
Perry G. Parrigin
Herbert E. Parks
Gary and Christine Potter
Edward and Lois Rath
James and Mary Rickert
Randy Schekman and Nancy Walls
Harold Segel and Jeannette Jung Segel
Jefferson S. Shreve
Fredric and Roberta Somach
W. Craig Spence
Charles and Brenda Surack
Randall L. Tobias
Charles H. Webb, Jr.
David L. Wicker
Leadership Circle
Members of the Leadership Circle have contributed lifetime gifts of $100,000 or
more to the Indiana University Jacobs School of Music. We gratefully acknowledge the
following donors, whose generosity helps the school reach new heights and build a sound
financial framework for the future.
More than $1,000,000
The Lilly Endowment
The Estate of Barbara M. Jacobs
Dorothy Richard Starling Foundation
David H. Jacobs, Jr.
Cook, Incorporated
Jack and Linda Gill
Georgina Joshi Foundation, Inc.
Yatish Joshi and
Louise Addicott-Joshi*
The Estate of Mrs. Juana Mendel
The Estate of Clara L.
Nothhacksberger
The Estate of Juanita M. Evans
Krannert Charitable Trust
$500,000 to $999,999
The DBJ Foundation
Col. Jack I. and Mrs. Dora Hamlin
The Estate of Eva M. Heinitz
The Estate of Ione B. Auer
W. W. Gasser* and Mary Kratz Gasser
The Estate of George A. Bilque, Jr.
Ann and Gordon Getty Foundation
Alexander S. Bernstein
Jamie Bernstein
Nina Bernstein Simmons
The Estate of Ruth E. Thompson
Arthur R. Metz Foundation
Robert O’Hearn
$250,000 to $499,999
The Estate of Wilfred C. Bain
The Estate of Lucille de Espinosa
The Estate of David H. Jacobs
The Estate of Maidee H. Seward
John* and Marilyn Winters
The Estate of Nina Neal
Paul and Cynthia S. Skjodt
Deborah J. Simon
The Estate of Emma B. Horn
David and Jacqueline Simon
Melvin* and Bren Simon
The Estate of Herman B Wells
The Estate of Harold R. Janitz
The Presser Foundation
Olimpia F. Barbera
The Estate of Alvin M. Ehret
Christel DeHaan Family Foundation
Richard E. Ford
Jamey and Sara Aebersold
The Estate of Sylvia F. Budd
Beatrice P. Delany Charitable Trust
Irwin-Sweeney-Miller Foundation
The Estate of Angeline M. Battista
IBM Corporation
Rudolph and Joy Rasin
Murray and Sue Robinson
The Estate of Lee E. Schroeder
Herbert Simon
$100,000 to $249,999
The Estate of Frances A. Brockman
Charlotte Reeves
Marianne W. Tobias
The Estate of Mavis M. Crow
Smithville Telephone Company
Betty Myers Bain
Fred and Arline Simon
The Estate of Marvin and
Joan Carmack
The Estate of Eugene and
Eleanor Knapik
The Estate of Samuel and
Martha Siurua
The Estate of Margaret E. Miller
The Estate of Mary C. Tilton
The Estate of Robert A. Edwards
Scott and Kathryn Schurz
The Estate of Eva Sebok
Bob Barker and Patsy Fell-Barker
The Estate of Jean P. Nay
Thomson, Inc.
The Estate of Majorie Gravit
Penn Asset Equity LLC
Artur Balsam Foundation
Jean Creek and Doris Shoultz-Creek
The Estate of William H. Earles
The Estate of Robert D. Aungst
Cole and Kate Porter Memorial
Graduate Fellowship in Music Trust
Leonard Phillips and
Mary Wennerstrom
Summer Star Foundation for Nature,
Art, and Humanity
Bennet and Cynthia Brabson
The Estate of Ursula Apel
The Estate of Thomas L. Gentry
The Estate of Jascha Heifetz
Hank Bode and Susan Cartland-Bode
The Estate of Margaret H. Hamlin
Brabson Library and
Education Foundation
Georgia Wash Holbeck Living Trust,
Robert J. Harrison, Trustee
William D. Rhodes Foundation
Ford Meter Box Foundation, Inc.
David and Neill Marriott
The Estate of Dagmar K. Riley
Vicky Felton
Kenneth C. Whitener, Jr.
P. A. Mack
The Estate of Dorothy Rey
Fred C. Arto
Theodore W. Batterman
Foundation, Inc.
Robert J. Harrison
The Legacy Society
The Legacy Society at the Indiana University Jacobs School of Music honors the
following individuals, who have included the Jacobs School as a beneficiary under their wills,
trusts, life insurance policies, retirement plans, and other estate-planning arrangements.
Anonymous (5)
Richard L. and Ann T. Alden
Mildred Frazee Allen
Janette Amboise-Chaumont
Ione Breeden Auer
Dennis Bamber
Olimpia F. Barbera
Christa-Maria Beardsley
Colleen Benninghoff
Michael E. Bent
Richard and Mary Bradford
Eileen T. Cline
John and Doris Curran
Susie Dewey
D. Michael Donathan
H. Campbell Engles
Eleanor Fell
Marianne V. Felton
Philip C. Ford
Frederick G. and
Mary Moffatt Freeburne
Mr. and Mrs. Howard M. Gabbert, II
Erika Gabor and David Marshall
Marcella Schahfer Gercken
Dr. M. A. Gilbert
Harold and Lucille Goodman
Ken W. Grandstaff
Mary J. Griffin
Jonathan L. Gripe
Jack and Dora Hamlin
Charles Handelman
Mr. and Mrs. Gerald W. Hedman
Clara Hofberg
Rona Hokanson
David Holcenberg
William T. and Kathryn R. Hopkins
David Huggins
Verna L. Johnson
M. Bernice Jones and Charles C. Jones
Lynn Vaught Lewis
Ann M. and Dr. Richard Lilly
Bill and Brenda Little
Harriett Block Macht
Hon. P. A. Mack, Jr.
Charles Jeffery Marlatt
Susan Sukman McCray
Douglas and Jean McLain
Sylvia McNair
Donald and Sonna Merk
William F. Milligan
Robert A. Mix
Dale and Cynthia Nelson
Del and Letty Newkirk
Robert O’Hearn
Fred Opie and Melanie Spewock
Eleanor Osborn
Charles F. Peters
Leonard Phillips
and Mary Wennerstrom
Judit Pless
Jack Wallace Porter
Ben B. Raney, Jr.
Stanley Ransom
Clare Rayner
Charlotte Reeves
Albert and Lynn Reichle
Naomi Ritter
Eleanor Roehr
Roy and Mary Samuelsen
Morton and Virginia Schmucker
Hubert and Norma Seller
Odette Fautret Shepherd
Donald G. Sisler
Samuel W. and Martha K. Siurua
Catherine A. Smith
George P. Smith II
Mary Todd Snider
William D. and
Elizabeth Kiser Strauss, Jr.
Douglas and Margaret Strong
Hans and Alice Tischler
Henry A. and Celicia Upper
Nicoletta Valletti
Robert J. Waller
Charles Webb
Michael Weiss
Patricia and Robert Williams
Ross A. Wingler
Friends of Music Honor Roll Fiscal Year 2009-2010
The mission of the Society of the Friends of music is to raise scholarship funds for
deserving, talented students at the Indiana University Jacobs School of Music. The society
was established in 1964 by a small group led by Herman B Wells and Wilfred C. Bain.
We are pleased to acknowledge outright gifts made between July 1, 2009, and June 30,
2010. We are grateful to these donors whose gifts help support scholarships in the 20102011 academic year.
Guarantor Scholarship Circle
Hoagy Carmichael
$10,000
Cole Porter
$5,000 - $9,999
Susie J. Dewey
John and Adele Edgeworth
Stephen and Jo Ellen Ham
Ross S. Jennings
Jeanette C. Marchant and
Nelda Christ
Raymond H. Tichenor
Friends of Music
$10,000 and Above
James and Laura Byrnes
Herman B Wells Circle
Gold
$2,500 – 4,999
Charles and Julia McClary
P. Michael and Patricia Miller
Edward and Janet Ryan
Silver
$1,000 - $2,499
David* and Ruth Albright
Richard E. Bishop
Eleanor J. Byrnes
Jean Creek and Doris Shoultz-Creek
John and Beth Drewes
Don and Suzanne* Earnhart
Frank Eberle and Cathy Cooper
William and Katherine Estes
Harvey and Phyllis Feigenbaum
Richard E. Ford
James and Joyce Grandorf
Frank and Athena Hrisomalos
Lawrence and Celeste Hurst
Peter P. Jacobi
Harold R. Janitz*
Ned and Wendy Kirby
Robert and Andra Klemkosky
Ronald and Linda Maus
Mark and Alora McAlister
Darby A. McCarty
Michael McRobbie and
Laurie Burns McRobbie
Dale and Cynthia Nelson
Kenneth and Debra Renkens
Phyllis C. Schwitzer
Jefferson S. Shreve
Jean M. Smith
L. Robert and Sylvia Stohler
Gregg and Judith Summerville
J. William and Joan Whitaker
John and Linda Zimmermann
Dean Wilfred Bain Circle
Patrons
$500 - $999
James and Ruth Allen
Margaret K. Bachman
A. James Barnes
Mark and Mary Bauman
David and Ingrid Beery
Leland and Helen Butler
John and Cathleen Cameron
Fred and Suzanne Dahling
Lee and Eleanore Dodge
Mary P. Doyle
Barbara J. Dunn
David B. Edgeworth
Stephen A. Ehrlich
Alan and Sara Feldman
Jay Fern
Richard S. Forkner
Howard and Virginia Gest
Ralph E. Hamon
Jeffrey and Lesa Huber
Diane S. Humphrey
Robert and Doris Johnson
Marilyn J. Keiser
Sandra S. Kirby
George and Catherine Korinek
Ronald and Carolyn Kovener
Herbert Kuebler and Phil Evans
Howard and Carolyn Lickerman
Michael Molenda and
Janet Stavropoulos
Edward Mongoven and
Judy Schroeder
Ambrose Ng
Carol R. Nicholas
Vera M. O’Lessker
James and Carol Orr
Leonard Phillips and
Mary Wennerstrom
John and Dora Ryan
L. David Sabbagh and Linda Simon
Anthony and Jan Shipps
George and Viola Taliaferro
Henry and Celicia Upper
Susan B. Wallace
Jack R. Wentworth
Jerry and Joan Wright
Sustainers
$300 - $499
S. Christian and Mary Albright
Rodger N. Alexander
James and Susan Alling
Olimpia F. Barbera
Marian K. Bates
Mark and Ann Bear
Ronald and Dee Bloom
Paul W. Borg
Donald and Debbie Breiter
Paul and Carolyn Brinkman
Gerald and Elizabeth Calkins
Sarah Clevenger
Charles and Helen Coghlan
Esther R. Collyer
Bruce Corner and Gaye Gronlund
James and Cinda Culver
Sterling and Melinda Doster
Michael and Cheryl Engber
J. Robert and Betty Fields
Edward and Mary Anne Fox
Donald and Sandra Freund
Robert Goulet and Barbara Wolf
Kenneth R. Gros Louis
Robert and Martha Gutmann
Robert and Julie Hammel
R. Victor and Martha* Harnack
Pierrette Harris
Steven L. Hendricks
Ernest Hite and Joan Pauls
Michael Larsen and
Ayelet Lindenstrauss
Jon and Susan Lewis
David J. McClellan
Jerry and Phyllis McCullough
Dennis and Beverly McGuire
Howard and Carolee Mehlinger
Rosemary G. Messick
William and Diana Miller
Herbert and Judy Miller
Dawn E. Morley
Gerald and Anne Moss
Frieda E. Myers
Leonard and Louise Newman
Martin and Shirley Newman
Roger and Ruth Newton
David and Barbara Nordloh
Donald Orr and Caryl Thompson
James and Helen Pellerite
John and Lislott Richardson
Albert and Kathleen Ruesink
Dennis Senchuk and Karen Hanson
John and Lorna Seward
Karen Shaw
Odette F. Shepherd
Richard Small and Elizabeth Hewitt
Catherine A. Smith
Janet S. Smith
Lewis H. Strouse
Paula W. Sunderman
Kenneth and Marcia VanderLinden
Armen Vartian and Candice Foss
Martha F. Wailes
Steven and Judith Young
Donors
$100 - $299
Robert Agranoff and Susan Klein
David and Melanie Alpers
Miriam Alpert
Ethan and Sandra Alyea
Robert and Patricia Anker
S. Sue Aramian
John and Dianna Auld
John and Teresa Ayres
Richard and Adrienne Baach
Donna M. Baiocchi
Nicholas and Jean Balaguras
William and Honey Baldwin
Kenneth and Sarah Barker
Robert and Patricia Bayer
Shirley Bell
Ernest and Eva Bernhardt-Kabisch
Fay Blackburn
Donald P. Bogard
Charles and Nancy Bonser
Ellen R. Boruff
William Bosron and Sheila Barton
Herbert and Juanita Brantley
Bill and Jaclyn Brizzard
Carl and Connie Brorson
Laurence and Mary Brown
Alexander and Virginia Buchwald
Pamela S. Buell
Ann and Richard Burke
Derek and Marilyn Burleson
Roger Byers
James and Carol Campbell
Barbara Carlson
Marvin Carmack*
Lee Chapman
Jay and Nancy Cherry
Nelda M. Christ
Milford and Margaret Christenson
John and Joan Cochran
Lenora G. Cohen
Clyde and Mary Conger
Edmond* and Maxine Cooper
Gordon Cooper and Dorothy Shaw
Steven and Karin Coopersmith
J. Robert Cutter
Mark and Holly Dame
John and Carol Dare
Jefrey and Pamela Davidson
Linda Degh-Vazsonyi
Diantha V. DeGraw
Theodore R. Deppe
Dominic and Susan Devito
Barbara M. Dixon
Marjorie D. Dogan
Jack Doskow and Jean Person
John and Elizabeth Droege
Jon and Sarah Dunn
Peter and Pearl Ekstrom
Joe and Gloria Emerson
Mary I. Emison
James and Jacqueline Faris
Marianne Y. Felton
Richard and Susan Ferguson
George and Jo Fielding
Elfryda Florek
Charles R. Forker
Anne T. Fraker
Sarah E. Frey
Bernardino and Caterina Ghetti
Jeffrey and Toby Gill
Robert and Elizabeth Glassey
Michael and Patricia Gleeson
James and Constance Glen
Vincent M. Golik
James and Roberta Graham
Henry and Alice Gray
Jerry and Linda Gregory
Samuel L. Guskin
Jay and Sandra Habig
Hendrik and Jacobina Haitjema
Stanley and Hilary Hamilton
Kenneth and Judy Hamilton
Kenneth and Janet Harker
Robert and Ann Harman
Robert and Emily Harrison
James R. Hasler
Lenore S. Hatfield
Carol L. Hayes
Carter and Kathleen Henrich
James and Sandra Hertling
David and Rachel Hertz
John D. Hobson
Patricia H. Hodge
Cynthia R. Hogan
Rona Hokanson
Richard Holen and
Anne Kojola-Holen
Richard and Lois Holl
Jean C. Holsinger
Norman and Judy Holy
Donna Hornibrook
Ruth D. Houdeshel
Robert and Jacqueline Hounchell
Owen and Annette Hungerford
Amel A. Istrabadi
Marley Jesseph
Martin D. Joachim
Lora D. Johnson
Donald and Margaret Jones
Burton and Eleanor Jones
Gwen J. Kaag
Berkley Kalin
Patricia C. Kellar
Janet Kelsay
Thomas and Mary Kendrick
John and Julianne King
Robert and Rita Klausmeier
Howard and Linda Klug
Thomas and Linda Koch
Ernest and Dawn Koenig
Rosey Krakovitz
William and Mary Kroll
Shirley Krutilla
Ronald and Cynthia Land
David and Suzanne Larsen
Merritt and Naomi Lawlis
John and Julia Lawson
Edoardo A. Lebano
Phillip and Linda Leckey
Leslie and Kathleen Lenkowsky
Harlan Lewis and Doris Wittenburg
Mitzi A. Lewison
Arthur J. Lindeman
George and Brenda Little
Lena D. Lo
John and Constance Long
Peter and Carol Lorenzen
William and Violet Lynch
P. A. Mack
Kenneth Mackie and Yvonne Lai
James and Jeanne Madison
William and Eleanor Mallory
Mayer and Ellen Mandelbaum
Nancy G. Martin
Perry J. Maull
Michael and Ann McAlexander
Jerry and Jane McIntosh
James L. McLay
Emily Meade
Stephen and Sandra Moberly
John and Patricia Mulholland
Frank T. Nagler
Lee and Ardith Nehrt
Delano and Luzetta Newkirk
Daniel and Gale Nichols
Timothy and Donna Noble
Gloria G. Noone
Wesley and Patricia Oglesby
Joan C. Olcott
Marcus R. Oliphant
Richard and Jill Olshavsky
Robert and Mary Orben
Dan F. Osen
Steven E. Osen
James and Amelia Pearce
Harlan and Joanna Peithman
Dorothy L. Peterson
Lloyd Peterson and
Margaret Intons-Peterson
Doris M. Philbrick
Eleanor B. Phillippe
Carol Pierce
Philip and Debra Ponella
Foster and Nancy Poole
Ronald and Frona Powell
Earl and Dorothy Prout
Mildred R. Reich
Joseph and Roberta Rezits
Myfanwy Richards
Betty Rieger
Joyce H. Ritter
Roger and Tiiu Robison
Allan and Barbara Ross
Jerard and Nancy Ruff
Ruth L. Rusie
Helen Sauer
Lynn L. Schenck
Arthur and Norma Schenck
Fredric and Nancy Schroeder
John and Silvana Schuster
Richard C. Searles
Christian and Mary Seitz
Richard and Denise Shockley
Lorraine E. Sirucek
Ruth Skernick
David Smith and Marie Libal-Smith
Eliot and Pamela Smith
Alan and Kathryn Somers
Stephen T. Sparks
Alan and Donna Spears
Janis Starcs
Janos and Rae Starker
Donald and Dorothy Stejskal
Malcolm and Ellen Stern
M. Dee and Rozella Stewart
Robert and Virginia Stockton
Monique J. Stolnitz
Bruce and Shannon Storm
Linda Strommen
William and Gayle Stuebe
Stella V. Tatlock
Charlotte H. Templin
Neil Theobald and Sheona Mackenzie
Charles E. Thompson
Sarah V. Thorelli
Aaron M. Tosky
Rebecca M. Troyer
Linda J. Tucker
Judith Walcoff
George Walker and
Carolyn Lipson-Walker
Donovan R. Walling
Robert and Patricia Webb
Eugene and Frances Weinberg
Ewing and Kay Werlein
Mark Wiedenmayer
Virginia N. Wightman
G and Frances Wilhoit
Hana B. Wilson
James and Ruth Witten
Thomas and Sara Wood
Robert and Judy Woodley
Virginia A. Woodward
William and Margaret Yarber
Corporations and Foundations
Argonaut Club
Meadowood Retirement Community
Ochsner Revocable Trust
Psi Iota Xi Bloomington Thrift Shop
Planned Gifts
We are grateful to those individuals who have expressed their interest in ensuring
scholarship support for tomorrow’s students today, by making a planned gift through
a testamentary gift in their estate planning by a will or trust, charitable gift annuity, or
retirement plan. We are pleased to acknowledge here those individuals who have provided
gift documentation and to remember those whose gifts have been received.
David and Ruth Albright
Margaret K. Bachman
Anita Hursh Cast
Esther Ritz Collyer
Douglas and Virginia Jewell
Jeanette Calkins Marchant,
in memory of Velma
and Emerson Calkins
Judith C. Simic
Memorials and Tributes
Each year, we receive gifts in honor or in memory of individuals whose leadership
and good works have enriched the lives of so many. We are pleased to recognize those
special individuals for their leadership and the donors whose gifts they have inspired.
Argonaut Club,
in honor of Robert and
Patricia Williams
Gertrude Bates,
in honor of Charles Webb
Ellen Boruff,
in memory of Katherine Boruff
Leland and Helen Butler,
in memory of Kenda Webb
Dominic and Susan Debito,
in honor of Donna Gallo
Stephen Ehrlich,
in honor of John and
Beth Drewes
Alan and Sara Feldman,
in honor of Louise Newman
Jay Fern,
in honor of Mary Goetze
Cynthia Hogan,
in memory of Ruth Rhinehart
Ruth Houdeshel,
in memory of Harry Houdeshel
Stephen and Jo Ellen Ham,
in memory of Jeanne Forkner
John and Julianne King,
in memory of Charles Leslie
Winston and Helen May,
in memory of Doris Neumann
Virginia and Jerrold Myerson,
in memory of Albert Lazan
Ambrose Ng,
in honor of Vanessa Ng
David and Barbara Nordloh,
in memory of Maidee Seward
Allan and Barbara Ross,
in memory of Kenda Webb
Jerard and Nancy Ruff,
in memory of Glenn Mather
Lorraine Sirucek,
in memory of Jerry Sirucek
Monique Stolnitz,
in memory of George Stolnitz
Lewis Strouse,
in memory of Cora Strouse
Leonard and Phyllis Van Lue,
in memory of Harold Janitz
Kay and Ewing Werlein,
in memory of Kenda Webb, and in honor of Malcolm Webb
Steven and Judith Young,
in honor of Richard Saucedo
Donations received between July 1, 2009, and June 30, 2010, will support
scholarships for the 2010-2011 school year.
They enrich your life;
won’t you enrich theirs?
The performances of Jacobs School of Music students add immeasurably to our cultural
life, but many of them could not be here without scholarship assistance. The Society of the
Friends of Music is a volunteer organization whose mission focuses on providing
scholarships for deserving, talented students at the Jacobs School of Music. Your annual
membership contribution helps to fund these scholarships, and to thank you for your donation, you will receive:
•The Libretto, the Friends of Music newsletter
•IU Music, the Jacobs School of Music magazine
•Prelude, the Jacobs School of Music monthly performance calendar
•Invitations to special events
Guarantor Scholarship Circle
$10,000 Hoagy Carmichael** $5,000 Cole Porter**
Herman B Wells Circle
Dean Wilfred Bain Circle
$2,500 Gold** $1,000 Silver**
*
**
$500 Patron* $300 Sustainer* $100 Donor*
$25 Explorer (age 50 and younger)
Contributors admitted to
designated dress rehearsals.
Contributors additional
eligible for reserved parking
upon request (812)855-5342
Name (s):_______________________________________________________________
Address ________________________________________________________________
City _______________________________ State _________ Zip ___________________
Email ______________________________________
New member
Renewal
Checks should be made payable to the Friends of Music (I32I002430).
Please mail this form to:
Friends of Music, Jacobs School of Music, Indiana University, Bloomington, IN 47405.
IU Opera Theater Production Staff
General Manager. . . . . . . . . . . . . . . . . . . . . . . Dean Gwyn Richards
Executive Administrator of Strategic Planning. . . . . . . . . . . . Maria L. Levy
Director of Production. . . . . . . . . . . . . . . . . . . . . . Timothy Stebbins
Administrator of Music for Opera and Ballet. . . . . . . . . . . Kimberly Carballo
Operations Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . Jim Lile
Guest Stage Manager. . . . . . . . . . . . . . . . . . . . . . . . . Joe Gladstone
Assistant Stage Managers. . . . . . . . . . . . . . . . .Miguel Flores, Becki Smith
Coaches/Accompanists. . . . . . . . . . . . . Stefano Sarzani, Shuichi Umeyama,
Piotr Wisniewski
Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . Alissia Lauer
Technical Assistants . . . . . . . . . . . . . . . . .Zac Goodwin, Nikolaus Miller
Executive Administrator of Instrumental Ensembles
and Special Performance Activity. . . . . . . . . . . . . Thomas Wieligman
Director of Choral Studies and Chorus Master. . . . . . . . . . William Jon Gray
Faculty Director of Opera Choruses . . . . . . . . . . . . . . . . . . Sue Swaney
Scenic and Properties Charge . . . . . . . . . . . . . . . . . . . . Mark F. Smith
Scenic Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . Makenzie Kus
Painting Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shane Cinal
Lead Costume Specialist. . . . . . . . . . . . . . . . . . . . . . . Dana Tzvetkov
Guest Wig and Make-up Designer. . . . . . . . . . . . . . . . . Kelly Holterhoff
Costume Specialist. . . . . . . . . . . . . Soraya Noorzad, Magdalena Tortoriello
Part-Time First Hands. . . . . . . . . . . . . . . . Swallow Leach, Sara Nordling
Head of Lighting. . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Mero
Electrical Maintenance. . . . . . . . . . . . . . . . . . . . . . . . . Dennis Long
Stage Carpenters. . . . . . . . . . . . . . . . . . Ken D’Eliso, Andrew Hastings
Audio Technician . . . . . . . . . . . . . . . . . . . . . . . . . . Wayne Jackson
Coordinator of Audio Production . . . . . . . . . . . . . . . . . . Fallon Stillman
Production Administrative Assistant. . . . . . . . . . . . . . . . . Elsa Finnegan
Box Office and House Manager. . . . . . . . . . . . . . . . . . . . . . Tridib Pal
Director of Marketing and Publicity. . . . . . . . . . . . . . . . . . Alain Barker
Publicity Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . .Linda Cajigas
Office of Marketing and Publicity Editor . . . . . . . . . . . . . . . . Skip Sluder

Die Fledermaus - Jacobs School of Music

Transcription

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