Laleh Mehran Resume

LALEH MEHRAN
Denver, CO
EDUCATION
1997
.1991
Master of Fine Arts, Carnegie Mellon University, Electronic Time-Based Media, Pisburgh, PA.
Bachelor of Fine Arts, University of Florida, Creative Photography, Gainesville, FL.
SOLO EXHIBITIONS
* invitational exhibitions ** juried exhibitions *** commissioned works
2013*** Constructs of Acquaintance, collaboration with Christopher Coleman, Interactive Installation,
Event for the Association of Internet Researchers, Space Gallery, Denver, CO.
2013*** Terra Synchronized, Single Channel HD Digital Video Animation, Al Riwaq Art Space, Adliya, Kingdom of Bahrain.
2013* W3FI: Denver, CO, Interactive Installation, collaboration with Chris Coleman and the MCA Teen Council,
Museum of Contemporary Art Denver, Denver, CO.
2013*** Transitional Fragments, Digitally Mediated Forms, collaboration with Chris Coleman, Anderson Academic Commons,
University of Denver, Denver, CO.
2012* Men of God, Men of Nature, Interactive Installation, Fuse Box Gallery, Denver Art Museum, Denver, CO.
2012* How to Catch a Moth’s Shadow, New Media Installation, John A. Day Gallery,
University of South Dakota, Vermillion, South Dakota.
2012* W3FI: Arlington, VA, Interactive Installation, collaboration with Chris Coleman,
Terrace Gallery in Artisphere, Arlington, VA.
2012* W3FI: Dome - Arlington, VA, Large-scale Projection, collaboration with Chris Coleman, "Light Up Roslyn,"
Arlington County Culture Fund, Arlington, VA.
2008* The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video Installation,
and The Catalysts, Mixed-media, Menlo Gallery, Napa, CA.
2006* Lines Drawn in the Sand, Mixed-media Installation, Feldman Gallery, Pacific Northwest College of Art, Portland, OR.
2004* The Xerces Society, Installment VI: Sir Samuel Cropia’s Public Laboratory, Installation and Performance,
Georgia Museum of Art, The University of Georgia, Athens, GA.
2002* The Xerces Society, Installment V: Sir Samuel Cropia’s Private Laboratory, Installation, Chatham Gallery,
Chatham College, Pisburgh, PA.
2001* The Xerces Society, Installment V: Sir Samuel Cropia’s Private Laboratory, Installation, Mesaros Gallery,
West Virginia University, Morgantown, WV.
GROUP EXHIBITIONS
2013* The Geometric Boundary Structures, Single Channel HD Video, collaboration with Chris Coleman,
BYOB (Bring Your Own Beamer), RedLine, Denver, CO.
2012* The Geometric Boundary Structures, Single Channel HD Video, collaboration with Chris Coleman,
Video Art ANTI-VIP, Kill Your Idol Lounge, Miami Beach, FL.
2012** W3FI: Rosario, Argentina, Interactive Installation, collaboration with Chris Coleman,
404 International Festival of Art & Technology, Rosario City, Argentina.
2012** W3FI: Santa Fe, NM, Interactive Installation, collaboration with Chris Coleman,
Currents: The Santa Fe International New Media Festival, El Museo Cultural De Santa Fe, Santa Fe, New Mexico.
2012* In the Public Eye: a Mandatory Garment, Textile, Notes on Feeling, curated by Elissa Author,
in conjunction with Off the Beaten Path: Violence, Woman and Art, Redline, Denver, CO.
2012** The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video, Night Festival 2012,
ArtReach Nanoplex, Noingham, United Kingdom.
2012* The Geometric Boundary Structures, Single Channel HD Video, collaboration with Chris Coleman, Faculty Triennial,
Victoria H. Myhren Gallery, University of Denver, Denver, CO.
2012* Raheleh, Single Channel Video, Close to My Heart, CologneOFF, CeC - Carnival of e_Creativity,
Saal in the Himalayan Mountains, India; Digital Marrakech, Marrakech, Morocco.
2011*
Entropic Order, Interactive Installation, Ways of Knowing, University of Colorado at Colorado Springs
Gallery of Contemporary Art, Colorado Springs, Colorado.
2011** The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video,
Specific Environments: Landscape as Metaphor, Fort Collins Lincoln Center, Colorado.
2011*
W3FI: Boulder, CO, Interactive Installation, collaboration with Chris Coleman,
BIODOME: an Experiment in Diversity, Boulder Museum of Contemporary Art, Boulder, Colorado.
2011* In the Public Eye: a Mandatory Garment, Textile, Do It!, Philip J. Steele Gallery,
Rocky Mountain College of Art and Design, Colorado; (Dis)covering the Veil: Visible and Invisible Spaces,
Cyrus Running Gallery, Concordia College, Moorhead, MN.
2011* The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video,
BYOB (Bring Your Own Beamer), RedLine, Denver, CO.
2011* Raheleh, Single Channel Video, Close to My Heart, CologneOFF 2011, Cologne, Germany; Arad Art Museum, Romania;
Budapest International Videoart Festival, Budapest, Hungary;
Waterpieces Contemporary & Video Art Festival, Riga, Latvia;
Arteles Tampere & Galleria Rajatila, Tampere, Finland; Szczecin 2016 & OFFicyna
Szczecin, Szczecin, Poland; Sunflower Art Center, Beirut, Lebanon.
2010** Paralytic Conflux, 3D Digital Print, collaboration with Chris Coleman, IDEAS 10:Art and Digital Narrative,
Emily Carr University Gallery, Vancouver, BC.
2010* The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video, EdgeLogue,
Alliance Fraincais New Delhi, New Delhi, India; Peak at the Arts:
Global Artists Exchange Festival, Colorado Springs, Colorado.
2010** The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video,
Cologne Online Film Festival, Cologne, Germany; Manipulated Image, Santa Fe Complex, New Mexico.
2010** Wild Horses, Lost in Translation II, Single Channel Video, Manipulated Image, Santa Fe Complex, New Mexico.
2009** The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video Installation,
Best of Show, Less is More: Simplicity leads to Sustainability,
Connexion Gallery-Design Studio, Dunwoody, GA.
2008** The Xerces Society, Installment VII: From London to Marrakech, Raheleh & Wild Horses,
Single Channel Video Installation, 17 Days, Richmond Center for Visual Arts, Western Michigan University,
Kalamazoo, MI; University of Buffalo, Buffalo, NY;
CEPA Gallery, Buffalo, NY; Digital Media and Animation Gallery, Alfred State College, Alfred, NY; University of Virginia.
2007* Wild Horses, Single Channel Video, Particulate, Vox Populi, Philadelphia, PA; Single Channel Video, Particulate,
LumpWest Gallery, Eugene, OR.
2006* Objects in Mirror are Closer Than They Appear, Mixed-media, Do Not Fold, Bend,
Spindle or Mutilate: Computer Punch Card Art, Visual Arts Center, Washington Pavilion of Arts and Science,
Sioux Falls, SD.
2007 The Xerces Society, Installment VII: From London to Marrakech, Single Channel Video Installation,
Myhren Gallery, University of Denver, Denver, CO.
2005* Taking Sides, Interactive Installation, collaboration with Chris Coleman, Gigantic, The Soap Factory, Minneapolis, MN.
2005* Raheleh, Single Channel Video Installation, two-person exhibition, I Fly, You Fly, Broad Street Gallery,
The University of Georgia, Athens, GA.
2005* The Gi, Gelatin Silver Print, Center for Humanities and Arts Exhibition, The University of Georgia, Athens, GA.
2004* Can You See Us Now?, Multimedia Installation, subRosa collective, The
Interventionists: Art in the Social Sphere, Massachuses Museum of Contemporary Arts, North Adams, MA.
2003* Human Mobility Administration (HMA), Multimedia Performance, collaboration with Nathan Martin,
Next 5 Minutes 4 Tactical Media Festival, Paradiso, Amsterdam, Holland.
2003* ecard: for Everyone, Everything, Everywhere and Everyday, Multimedia Interactive Installation,
Pisburgh Biennial, Pisburgh Center for the Arts, Vicky Clark and Robert Raczka Jurors, Pisburgh, PA.
2003 Wild Horses, Single Channel Video, Stumps, Orlo Video Slam, Portland, OR.
2003* International Markets of Flesh (IMF), Multimedia Performance, subRosa collective,
Ex Teresa Arte Actual, 11th International Performance Festival, Mexico City, Mexico.
2002* Biopower Unlimited & USA Grade AAA Premium Eggs, Multimedia Performance, subRosa collective,
23 Annual New Music and Art Festival, State University of Ohio at Bowling Green, Bowling Green, OH.
2002* Sex and Gender in the Biotech Century, Performance, subRosa collective,
Hardware, Soware, Wetware, and Women, The Third Annual Women Studies
Colloquium on Women and Technology, St. Mary’s College of Maryland, St. Mary's City, MD.
2001* B.A.Z. (Becoming Autonomous Zone), Performance, subRosa collective, Very Cyberfeminist Symposium,
Hamburg, Germany.
2001*
2001*
2001*
2001*
2001*
2000*
2000*
2000*
1999**
1999
1999*
1999**
1998*
1998*
1998**
1997**
1997
1997
1996**
1996
The Extinction Store, Mixed-media Installation and Performance, collaboration with Shaila Christofferson,
Unbound Ground at Brew House Space 101, You Are Here Exhibition held in conjunction with the international WASTE
(Women Assessing the State of the Environment) conference, Pisburgh, PA.
Parvaneh, Gelatin Silver Prints, Photographs by Artists, Made for a Variety of Purposes,
Artists Image Resource at Foreland Street Studio, Pisburgh, PA.
35° 41' N 51° 25' E, Digital Image, Here and Now, Brooklyn, NY.
M•haüs, Multi-Media event and performance, collaboration with Mike Slaven, Chris Coleman and George Cicci,
organized and directed crew of 15 people, Mesaros Gallery, Morgantown, WV.
Expo EmmaGenics, Performance and Multi-media Trade Show Installation, subRosa collective, ART Happens!
Intermediale Festival, Mainz, Germany.
2001* deNatured, Digital Video, New Artists in the Mountain State, Museum in the Community, Hurricane, WV.
Sex and Gender in the Biotech Century, Performance and Think-tank participant, subRosa collective, Digital Secrets,
Arizona State University, Tempe, AZ.
Lost in Translation II, 16mm Film and Video, Briefcase Exhibition, Institute for Studies in the Arts,
Arizona State University, Tempe, AZ.
Knowing Bodies, Installation and Performance, subRosa collective, Studio for Creative Inquiry’s
Artist in the Research Environment, Virginia Miller Gallery, CarnegieMellon University, Pisburgh, PA.
2000 Moths and Soldier, Gelatin Silver prints, West Virginia University Exhibition, Federal Courthouse, Charleston, WV.
Lost in Translation II, 16mm Film and Video, Experimental Video Festival, Carnegie Museum of Art, Pisburgh, PA.
Re-Designing the Golden Triangle: More Pisburgh Than Pisburgh, Mixedmedia collaboration with members of the
Pisburgh community, The Architect of Reassurance: Designing the Disney Theme Parks, The Andy Warhol Museum,
Pisburgh, PA.
SuZan, Performance and Sound Installation, collaboration with Sallyann Kluz, Watching From the Wings:
Warhol and Dance, The Andy Warhol Museum, Pisburgh, PA.
Passage, Multi-media Installation, collaboration with Sallyann Kluz, First Night Pisburgh, Pisburgh, PA.
Do-It, Performance, collaboration with Jon Dunn, Do It, Pisburgh Center for the Arts, Pisburgh, PA.
The Xerces Society, Installment IV: Manuel’s Disappearance, Multi-media
Installation, Clarion University, Clarion, PA.
The Xerces Society, Installment IV: Manuel’s Disappearance, Multi-media Installation, Pisburgh Biennial,
Pisburgh Center for the Arts, Larry Rinder Juror, Pisburgh, PA.
Trans, Super-8 color sound film, The Andy Warhol Museum, Three Rivers Arts Festival, Pisburgh, PA.
Small Red House, Super–8 color sound film, Wats:on? Festival, Pisburgh, PA.
The Xerces Society, Multi-media installation, 7 Artists, MFA Thesis Exhibition, Carnegie Mellon University,
Associated Artists of Pisburgh Gallery, Pisburgh, PA.
1996-2001 By the Hands of Women, Public Art Sculpture for Mellon Square Park, collaboration with Emily Walazek
and forty homeless residents at the Bethlehem Haven Shelter for Women, Pisburgh, PA.
Trans, Super-8 color sound film, European Media Art Festival, Osnabruck, Germany.
Lost in Translation, Video, Public Domain's Sixth Issue: "Terrorism, Demographics and Propaganda,
" Atlanta Arts Festival, Atlanta, GA.
SELECTEDPROFESSIONALACTIVITIES
Founder | Director | Production
2010
2010
Artistic Director & Steering Commiee, TEDxDU, University of Denver, Denver, CO.
Project Co-Manager & Artistic Director of Experiential/Interactive Design, The Living City Block,
Denver Biennial of the Americas, Denver, CO.
2008 Project Manager, The Green Constitutional Congress: a Symposium on the Future of Environmental Action,
In collaboration with Bruce Mau Design and Dialog:City, and in conjunction with the
Democratic National Convention, Denver, CO.
2008 Visual Media Producer, for Krzysztof Wodiczko, The Veteran Vehicle Project, Denver, CO.
2007- present Co-Founder, with Christopher Coleman, "CO-LAB,” forums and symposia on transdisciplinary and collaborative
approaches to creative work, www.co-lab.info.
2006-2008 Co-Founder, with Isabelle Wallace, "art talk,” forums on contemporary art and culture, www.art.uga.edu/aralk.
2001-2002 Primary Investigator, Personal Property, Interactive Multi-User Virtual Environment, supported in part by the
Virtual Environments Lab, National Science Foundation’s
EPSoR (Experimental Program to Stimulate Competitive Research), West Virginia University, Morgantown, WV.
2000 Co-organizer, Unveiling Iranian Cinema, CMA Cinema Series, Carnegie Museum of Art, Pisburgh, PA.
Visiting Artist Lectures | Presentations | Workshops
2013
2013
2013
2013
2013
2013
2013
2013
2013
2013
2013
2013
2012
2012
2012
2012
2012
2012
2011
2011
2011
2011
2011
2011
2011
2010
2010
2010
2010
2010
2008
2008
2007
2007
2007
2007
2006
Artist Lecture, “When Art Meets Technology,” Invitation by the American Embassy of the U.S. Department of State,
Enhancing Mutual Understanding program, Royal University for Women, Riffa, Kingdom of Bahrain.
Artist Lecture, “When Art Meets Technology,” Invitation by the American Embassy of the U.S. Department of State,
Enhancing Mutual Understanding program, University College of Bahrain, Manama, Kingdom of Bahrain.
New Technologies for Creating Ornate Paerns Workshop, Invitation by the American Embassy of the U.S. Department
of State, Enhancing Mutual Understanding program, Al-Riwaq Gallery, Manama, Kingdom of Bahrain.
Collaborator, IDEAS Salon: Nexus North Design Laboratory, Collaborator with 60 nternational Thinkers and
Entrepreneurs to consider Reimagining Ft. McMurray, Canada, Westerly, RI.
Guest Lecturer, “The Day I Became a Woman,” Iranian film by Marzieh Meshkini, providing context for Iranian woman
filmmaker addressing the lives of Iranian women, Introduction to Film at the University of Colorado, Boulder, CO.
Digital Fabrication Workshops, Invitation by the American Embassy of the U.S. Department of State,
Enhancing Mutual Understanding program, American Art Space, Manama, Kingdom of Bahrain.
Digital Animation Workshop, Invitation by the American Embassy of the U.S. Department of State,
Enhancing Mutual Understanding program, Bahrain Science Center, Isa Town, Kingdom of Bahrain.
Artist Lecture, Joint lecture with Chris Coleman, “Transitional Fragments,” Anderson Academic Commons,
University of Denver, Denver, CO.
Ignite Speaker, “Men of God, Men of Nature,“ Eyeo Festival, Minneapolis, MN.
Artist Lecture, “Symbolic Interpretations: Intersections of Science, Politics and Religion“,
Florida Atlantic University, Boca Raton, FL.
Teen Council Workshops at the Museum of Contemporary Art Denver, W3FI workshop with Chris Coleman,
Museum of Contemporary Art Denver, Denver, CO.
Artist Lecture, "Men of God, Men of Nature: A Site-Specific Exhibition at the Denver Art Museum,”
Arts Humanities & Social Sciences Salon, University of Denver, Denver, CO.
Artist Lecture, "Men of God, Men of Nature: A Site-Specific Exhibition at the Denver Art Museum,”
Student Salons for Arts Humanities and Social Sciences, University of Denver, Denver, CO.
Collaborator, IDEAS Salon: Re-Discovering Learning 2022, Collaborator with 80 International Thinkers and
Entrepreneurs to consider the future of health education, San Martin, CA.
Presenter, W3FI: Rosario, Argentina, collaboration with Chris Coleman, 404 International Festival of Art & Technology
Conference, Rosario City, Argentina.
Artist Lecture, “How to Catch a Moth’s Shadow,” University of South Dakota, Vermillion, South Dakota.
Artist Lecture, “DIY Fabrication,” El Reactor, Buenos Aires, Argentina.
Artist Lecture, "Men of God, Men of Nature,” with Gwen Chanzit, Denver Art Museum, Denver, CO.
Artist Lecture, "Mechanization,” Industry and Art, University of Colorado at Colorado Springs, Colorado Springs, CO.
Artist Lecture, "Place,” Geography Department, University of Colorado at Colorado Springs, Colorado Springs, CO.
Collaborator, IDEAS Salon: Epic Decade, Collaborator with 60 International Thinkers and Entrepreneurs to
consider the epic decade questions, Westerly, RI.
Artist Lecture, "Entropic Order,” University of Colorado at Colorado Springs, Colorado Springs, CO.
Artist Lecture, "W3FI & Meme,” Boulder Museum of Contemporary Art, Boulder, CO.
Artist Lecture, "W3FI,” Boulder Museum of Contemporary Art, Boulder, CO.
Artist Lecture, "Exploring Diversity in Boulder,” Chautauqua Community House, Boulder, CO.
Artist Lecture, "Strange Place,” Peculiar Denver, Museo De Los Americas, Denver, CO.
Artist Lecture, "Unveiling Ideology,” Santa Fe Complex, Santa Fe, New Mexico.
Presenter, "Going Public: Speaking to Broad Audiences about Feminist Cultural Radicalism,"
National Women's Studies Association, Denver, CO.
Artist Lecture, "The Xerces Society,” Vail Symposium: Rethinking Iran, Vail, CO.
Panelist, "Interactive Narratives & Slicing Time,” DU’s Writing Center Mini- Symposium,
MULTILITERACIES: Modes, Media, Cultures, University of Denver, Denver,CO.
Artist Lecture, "Icons & Myths,” Sonoma State University Valley, Rohnert Park, CA.
Artist Lecture, "The Process,” Napa Valley College, Napa, CA.
Artist Lecture, "Notions of Time,” Massachuses College of Art, Boston, MA.
Artist Lecture, "Considering History,” University of Denver, Denver, CO.
Artist Lecture, "The Future of Art and Arts Administration,” University of Oregon, Eugene, OR.
Artist Lecture and Workshop, "Notions of Time" and "Techniques in Time-Based Media,”
Willamee University, Salem, OR.
Artist Lecture, "Past Imperfect,” Pacific Northwest College of Art, Portland, OR.
2005
2004
2003
2003
2003
2003
2001
2002
2002
2001
2000
2000
1997
1995
Panelist, "Agents of Change: Alternative Networks and New Visions for Research in the Arts,”
ARTspace, College Art Association, Atlanta, GA.
Speaker, Methodologies in Making Art, University Woman's Club, the Georgia Museum of Art, Athens, GA.
Lecturer, Matrixial Technologies: Art and Science, Rensselaer Polytechnic Institute, Troy, NY.
Speaker, Location, Location, Location: Cyberfeminism, “Women of Vision and Courage,”
Women’s Studies Program, The University of Georgia, Athens, GA.
Workshop Leader, Cloning Cultures, subRosa collective, “Art + Biology Talks,” La Salle-SIA College of Arts, Singapore.
Workshop Leader, The Integrated Circuit? Embodiment, Difference, Resistance, subRosa collective,
Version>03 Digital Arts Convergence: Technotopia vs. Technopocalypse, Museum of Contemporary Art, Chicago, IL.
Artist Lecture/Performance, “Tion” vs. “Ness,” concepts and methods in my work, organized and directed 30 Division
of Art and Theatre students for the performance aspect of the lecture, West Virginia University, Morgantown, WV.
Panelist, Biotech, “Digital/Media/Poetics,” Humanities Computing and Virtual Reality Symposium,
SUNY at Buffalo, Buffalo, NY.
Panelist, The Digital Commons, subRosa collective, “Developing a Tactical Language:
Relevant approaches to Aesthetics and Everyday Life,” Version>02 Digital Arts
Convergence, The Museum of Contemporary Art Chicago, Chicago, IL.
Presenter, Personal Property, “Expanding Horizons,” Eighth Annual West Virginia National Science Foundation’s EPSoR
(Experimental Program to Stimulate Competitive Research) State Conference, Charleston, WV.
Panelist, Image, Text and the Built Environment: Gendered Space, “The Female Gaze in Literature and Film,”
Twenty-fih Annual Colloquium on Literature and Film, Morgantown, WV.
Panelist, Artist as Interpreter: Interpretation as Art, 95th American Association of Museums Conference, Baltimore, MD.
Artist Lecture, Artist Lecture Series, Associated Artists of Pisburgh Gallery, Pisburgh, PA.
Artist Lecture, Unveiled: Cultural Identity, “International Week,” Carnegie Mellon University, Pisburgh, PA.
Professional Service
2013
2008
2006
2004
Reviewer, Re-new 2013 Media Arts Conference and Festival, Copenhagen, Denmark.
Grant Reviewer, Creative Capital Foundation, New York, NY.
Juror, ”Sprockets Film Festival, ” Athens, GA.
External MFA Critiques, Rensselaer Polytechnic Institute, Troy, NY.
SELECTEDBIBLIOGRAPHY
Books edited
2003 “Domain Errors: Cyberfeminist Practices!,” book, Maria Fernandez, Faith Wilding,
Michelle M. Wright, eds., (New York: Autonomedia, 2003). A subRosa anthology of essays and artist’s pages on
cyberfeminism, difference, and digital technologies. 288 p. paperback with illustrations.
Chapters in Books
2007
2004
2013
2013
2012
2012
2012
2012
“The Object of Labor: Art, Cloth, and Cultural Production,” book, edited by Joan Livingstone and John Ploof,
The MIT Press and School of the Art Institute of Chicago Press, 2007, 446 p. hardback with illustrations.
“The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life,” book, edited by Joseph Thompson,
Nato Thompson, and Gregory Sholee, Massachuses: MIT Press, 2004, 154 p. hardback with illustrations.
Exhibition Catalog | Article & Website Coverage About Creative Research
“Art Exhibit Explores Our Digital Selves,” Voice of America, Interview for “American Mosaic” with Caty Weaver
about W3FI project (collaboration with Chris Coleman).
”Ten Colorado Artists You Should Know About – They Happen to be Women,” article on the top ten women artists
in Colorado, by Leanne Goebel, hp://adobeairstream.com/art/ten-colorado-artists-you-should-know-about-theyhappen
-to-be-women, March 8, 2013.
"See the Digital Distance for Yours3lf" by Maura Judkis for washingtonpost.com, December 14, 2012
"W3FI: A Digital Experience Revealing the Connections Between Our Online and Offline Selves," text by Rachel Pafe
& photos by Laura Turner for brightestyoungthings.com, December 10, 2012.
"W3FI at Artisphere", by Kriston Capps for www.washingtoncitypaper.com, December 7, 2012.
“Outside the Lines: The Intellectual,” Featured Denver Artist, article by Daliah Singer, 5280: The Denver Magazine,
Print magazine and online, Fall Issue, 2012.
2012
2012
2012
2012
2012
2012
2012
2012
2012
2012
2011
2011
2011
2011
2005
2004
2003
2001
1998
1998
1998
1996
1995
“Ideas para sacudir el mundo en ‘intervalos de un minuto’,” (Ideas to shake the world in one-minute intervals),
article on W3FI, by Javier Hernández, El Ciudadano in-print and online, October 15, 2012.
“El arte es una manera de revolucionar,” (Art is a way of revolutionizing), article on W3FI, by Edgardo Pérez Castillo,
Rosario|12 in-print and online, October 13, 2012.
"At DAM, Contemplating Faith, its Comfort and Perils," article on Men of God, Men of Nature, by Ray Mark Rinaldi ,
The Denver Post, July 22, 2012.
"Men of God, Men of Nature," exhibition essay for Men of God, Men of Nature, by Isabelle Loring Wallace,
Denver Art Museum.
"Men of God, Men of Nature Makes Denver Art Museum A Mecca,” article on Men of God, Men of Nature,
by Leanne Goebel, adobeairstream.com, July 6, 2012.
"W3FI Weaves A Tangled Web Of Santa Fe's Social Media Interactions," article on W3FI, by An Xiao,
thecreatorsproject.com, July 11, 2012.
"Santa Fe Grows Its New Media Festival," article on “Currents” exhibition, by An Xiao, hyperallergic.com, July 6, 2012.
"Santa Fe Takes on International New Media Festival," article on “Currents” exhibition, by Hannah Hoel,
adobeairstream.com, June, 29 2012.
"DU artist places new installation at Denver Art Museum," article on Men of God, Men of Nature, by Greg Glasgow,
DU Today online magazine, May 25, 2012.
"The Cosmopolitanism of the Networked Biodome," exhibition catalog essay on W3FI, by Adrienne Russell and
John Tomasic, BIODOME: an Experiment in Diversity, Boulder Museum of Contemporary Art.
“Specific Environments: The Landscape as Metaphor,” article on The Xerces Society, Installment VII:
From London to Marrakech, by Leanne Haase Goebel. hp://open.salon.com, December 28, 1011.
“Black Sand & Pinatas,” article on Entropic Order exhibit, by Edie Adelstein, Colorado Springs Independent,
October 20, 2011.
“Boulder Museum of Contemporary Art challenges expectations” article on W3FI exhibit, by Mahala Proc,
CU Independent.com, Sept 2, 2011.
“Shades of White: BMoCA Exhibit Explores Diversity in the Community,” article on W3FI exhibit, by Krystal Baugher,
Boulder Weekly, July 7, 2011.
“Under Xerces Wings: Laleh Mehran’s Laboratory Politics,” special feature article on The Xerces Society,
Installment VI: Sir Samuel Cropia’s Public Laboratory, by Lizzie Zucker Saltz, pp 17-19, Art Papers, v. 29, no 2,
March/April 2005.
“Reining in Our Freedoms: Two Artists Explore Mechanisms of Control,” article on Wild Horses,
by Sharmila Venkatasubban, pp 33-34, Pisburgh City Paper.
“Tandem Surfing Part 3: SubRosa,” article on subRosa, by Ryan Griffis, Amsterdam: Next Five Minutes Organization,
pp. 100-110. Next 5 Minutes 4 Reader.
“Zebrastreifen Gegen Identitatsverlust,” (Loss of Identity), article on subRosa at the Intermediale Festival,
by Anne Moschinski, Mainz Rheinzeitung.
“A Banner Biennial,” article on the Pisburgh Biennial, by Graham Shearing, Pisburgh Tribune Review.
“Searching for the Edge in Art Show,” article on the Pisburgh Biennial, by Donald Miller, Pisburgh Post-Gazee.
“Biennial Buzz,” article on the Pisburgh Biennial, by Mary Thomas, Pisburgh Post- Gazee.
“Downtown Sculpture Gives a Hand to Baered Women,” article on By the Hands of Women, by Patricia Lowry,
Pisburgh Post-Gazee.
“Artists, Homeless Join Hands to Shape Sculpture,” special feature on By the Hands of Women, by Heather Hannan,
Pisburgh Tribune Review.
Media Appearances
2013
2013
2012
2012
2012
2011
Television Interview, Voice of America, Interview for "Shabahang" (Late Edition) with Mandana Tadayon about W3FI.
Radio Interview, Voice of America, Interview for “American Mosaic” with Caty Weaver about W3FI project
(collaboration with Chris Coleman).
Television Interview, Voice of America, Interview with Siamak Dehghan Pour during First Presidential Debate 2012,
focus on presidential political debate and Men of God, Men of Nature.
Television Interview, Canal 5 de Rosario, Interview with Marcelo Tapia about W3FI, Rosario, Argentina.
Radio Interview, Untitled Art Show, Independent online streaming and podcast radio show about art,
Radio interview about Men of God, Men of Nature project, Denver CO.
Radio Interview, Untitled Art Show, Independent online streaming and podcast radio show about art,
Radio interview about W3FI project, Denver CO.
2010
2010
2009
Television Panelist, "Wireside Chat with Lawrence Lessig: Fair Use, Politics and online Video,"
live television panel discussing Fair Use issues following Lawrence
Lessig presentation, Denver Open Media, Denver CO.
Radio Interview, Untitled Art Show, Independent online streaming and podcast radio show about art,
Radio interview about my creative research, Denver CO.
Radio Interview, Untitled Art Show, Independent online streaming and podcast radio show about art,
Radio interview about my creative research, Denver CO.
SELECTEDAWARDS&GRANTS|RESIDENCIES
2013
2013
2011
2010
2005
2003
2002
2002
2002
2001
2001
1996
1996
Mission Strategic Resource Plan goal for Enhancing Mutual Understanding, The Embassy of the USA,
Manama, Kingdom of Bahrain.
Mission Strategic Resource Plan goal for Enhancing Mutual Understanding, The Embassy of the USA,
Manama, Kingdom of Bahrain.
Artist-in-Residence, W3FI, Boulder Museum of Contemporary Art and Chautauqua Institute, Boulder, CO.
National Endowment for the Humanities, Institute for the Digital Humanities, Creator and Leader for Digital Video
workshops, University of Denver.
Artist-in-Residence, The University of Georgia Cuba Program, Cuba.
Artist-in-Residence, Matrixial Technologies, subRosa collective, La Salle-SIA College of Arts and National
University of Singapore, Singapore.
Creative Capital Foundation Grant, awarded to subRosa collective, New York, NY.
Grant for Individual Artist, West Virginia Commission on the Arts, West Virginia.
Pennsylvania Council on the Arts, awarded to subRosa collective, Pisburgh Filmmakers.
Pennsylvania Council on the Arts, Individual Artist Grant, Pisburgh Filmmakers.
Experimental Program to Stimulate Competitive Research, National Science Foundation, Virtual Environments Lab,
West Virginia University.
Pisburgh Filmmakers’ First Film Grant, Pisburgh Filmmakers.
Kodak Grant, Pisburgh Filmmakers.