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SEVEN PORTALS OF POETRY
A Lyrical Excursion Through Western Culture
VOLUME IV:
A Selection of Poetry from the Romantic Period in
France, Italy, Spain, Russia and Poland
Translated and Edited by:
Arieh Stav
P"TC SGVE \GYVF QZGB .B :FYVFG EGPKT ZES
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ISBN:
965=504=027=5 :C"\SP
ODZ\PNG FBXGFF \KCN \GZGP[ \GKGMHF NM #
P"TC ZGBN FBXGF HGP\
61213 CKCB=N\ ,21337 E"\
[email protected]
www.tammuzbr.co.il
Tammuz Publishers Ltd
POB 21337, Tel-Aviv 61213
Printed in Israel 2005 NBZ[KC SVER
Le belle donne della mia mente
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27 { "ZTXF FCZPN ...\VZX KZZG[P NGED" { GDGF ZGJYKG 1
33 { FNKIP
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34 { HTGC \R[
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42 { \GPN LNGFF CNMF
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44 { FJP[R[ FNTZF
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48 { ?\GGPF BGVB GFP
50 { "OKNNGYPF QGETGP BK[R" { NGGZR FE ZZ'D 2
52 { FYKVNE
Delfica ± 53
Une Alle du Luxembourg ± 53
52 { DZGCPSYGN \ZE[
El Desdichado ± 55
54 { NNPGBF
Le Point Noir ± 55
54 { ZGI[ O\M
Myrtho ± 57
56 { GJZKP
58 { "...KVGE BNN ZZG[P" { FKKJGD NKVGBK\ 3
60 { FPIF \TKY[
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Au Pays ouÁ se Fait la Guerre ± 63
62 { ...O[ KB FPINPN
L'hipopotame ± 65
64 { ZGBKF SGS
66 { "!...FPFGC EGT BN YZ" { F'HZGP KZRB 4
68 { ZCM[P \GCFB
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70 { CKCB
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74 { "\GREVYC \ZZGCP FV[BF CJKP" { ZNEGC NZ[
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78 { BZGYF NB
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82 { \GPN[F
L'Invitation au Voyage ± 85
84 { TSPN FRPHF
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86 { FJ&&N
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88 { GK\S N[ ZK[
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90 { ZM\[F BX
92 { ZKCI\F KBPKMNB { FPZBNP QVJS
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96 { NGJBRBN ZCY
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102 { WKY \DG\
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102 { OK IGZ
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104 { QGBV N[ OKZFXF ZIB
108 { QGVJV \BXPF NT JRJV OG[ZN IM[[ ZZG[PF { SGZY NZ[
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110 { OKPGJZI C\M
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110 { FKKNJBC FRGP\
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112 { ZYGC
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114 { FNKSPC \TNCGP
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114 { \KMGMHF IVRP
116 { FJRGSF \GPN[G SGSRZVF \ZK[ { FKEZB FE FKZP FHGI
Le Lit ± 119
118 { FJKPF
Antoine et Cle opaà tre ± 119
119 { FZJVGBKNYG SGKRGJRB
Le Re cif de Corail ± 121
120 { OKDGPNBF \KRG[
122 { "NM OEGY FYKHGPF" { QNZG NGV
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126 { KNJRPKJRS IK[
Le Bruit des Cabarets ± 127
126 { FVY K\C QGB[
Effet de Nuit ± 129
128 { FNKN JGKS
Femme et Chatte ± 129
128 { FNG\IG F[B
Nevermore ± 131
130 { Nevermore
L'enterrement ± 131
130 { FZGCY SYJ
Le Faune ± 133
132 { ZVGT
Beaute des Femmes ± 133
132 { F[B KVK
Il pleure dans mon coeur ± 135
134 { KCNC \GTPE
136 { \K\VZXF FZK[F NT OYF ZTRF { GCPZ ZG\ZB
Le Bateau Ivre ± 141
140 { FZGMK[F FRKVSF
Bottom ± 147
146 { (\GZBF LG\P) FJPNP
Les Chercheuses de Poux ± 149
148 { OKRKMF \GNGV
5
6
7
8
9
10
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Aube ± 151
Matine e d'ivresse ± 153
150 { ZI[F
152 { NTZGP ZYGC
154 { FJRGSC QRDGSPF UGZKJF { KZB'H EZVNB 11
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OSGYF N[ G\IV[P KSMR F[GN[ :LG\P
Mine ral ± 157
156 { KTCJF
Ve ge tal ± 157
156 { KRGIPXF
Animal ± 159
158 { KZ[CF
Le Homard et la Boite de Corned-Beef ± 161 160 { ZPG[P Z[C N[ \KIV \CFB
163
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165 { 19=F FBPC \KYNJKBF FZK[F NT FZTF
168 { "FNKF\F NBG FNIRF NB BGCB K\GPC" { GNGYSGV GDGB
170 { [P[F NB
Al Sole ± 171
A Zakynthos ± 175
174 { SG\RKYH NB
Alla Sera ± 175
174 { CZTF NB
Il proprio ritratto ± 177
176 { \GBR KPXT QYGKE
178 { "FZK[F \B GZGTKMG G\GMRC SRZ]o KEZVGBN" { KEZVGBN GPGY'D
L'infinito ± 183
182 { UGSRKB
La Sera del Di di Festa ± 183
182 { DI OGK KBXGP
A Silvia ± 187
186 { FKCNKS
A se Stesso ± 191
190 { GPXT NB
Il Sabato del Villaggio ± 193
192 { ZVMC \C[
Alla Luna ± 195
194 { FRCNF NB
196 { JNPRF Z[GBF ZIB K\YNE BGG[N { K'XGEZY FBGHG'D
200 { \CMZ \RI\C GK\S ZYGC
Alla stazione in una mattina d'autunno ± 201
Pianto Antico ± 205
204 { OKPGEY \RKY
Traversando la Maremma Toscana ± 207
206 { FRYSGJ { FPZBP LZE
Fantasia ± 207
206 { FKHF
210 { K'XGEZY N[ GN]XC QJKKVF { KNGYSV KRCG'D
Nevicata ± 215
214 { OKDN[ \VGS
Notte Dolorosa ± 215
214 { \CXT NKN
Italia ± 215
214 { FKNJKB
Ultimo Sogno ± 217
216 { QGZIB OGNI
1
2
3
4
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10
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219 { GKZBE QCGZ QKCN
221 { 19=F FBPC \KEZVSF FZK[F NT FZTF
223 { KEZVSF QGZKKCF { FESRGZVSB FSGI 1
226 { FHZJN \GRGZIB \GZG[
Canto a Teresa ± 227
El Estudiante de Salamanca ± Parte II ± 227
226 { (KR[ YNI) FYRPNSP EKPN\F
Cancio n del Pirata ± 229
228 { OKJZKV ZPH
La Desesperacio n ± 235
234 { [GBK
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238 { "OGDZ\N KGBZF
242 { WIF UGTP
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Rima VII ± 245
244 { FMG[I FRKVC
Rima X ± 245
244 { OKPGJB N[ LGMKI FH
Rima XIV ± 247
246 { LK\KBZ TDZN
Rima XVIII ± 247
246 { NGIPP FVKKT
Rima XXVII ± 249
248 { EZI KRB ,FZT
Rima XXXI ± 253
252 { \KDZJ FSZBV { GR\YG[\
Rima XXI ± 253
252 { FZK[ BKF FP
En la Imponente Nave ± 253
252 { [EYPC FZGEF FPKC NT
Volvera n las oscuras golondrinas ± 257
256 { \KRGRSF CG[\ EGT
Rima LI ± 259
258 { OKZKEB NG[IR
260 { "OKKIF QP NGED QGSB LN QKB" { GKZE# QCGZ 3
Lo fatal ± 265
264 { [GBK
En La Muerte de Rafael NunÄ ez ± 265
264 { ZZG[P N[ G\GP NT
SinfonõÂa a en Gris Mayor ± 267
266 { ZG'HP ZGVBC FKRGVPKS
A Roosevelt ± 269
268 { JNGGHGZ NB
Primaveral ± 273
272 { CKCB
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275 { KYSR&RB KJRY&fRKBN
277 { 19=F FBPC \KSGZF FZK[N OKGGY
284 { "GRIRB BGF TEPF ,KRB BKF FZK[F" { CfSfRfPfN 'WKCNKSG GNKBMKP 1
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292 { FP@\# ZGVKX
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294 { ZK[ \ZGVKX
ÀÕÚÐ ÒàÕÜÕÝ - 295
294 { QPHF ZFR
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296 { ETND
298 { "?FKN[B NEC BNN OKKIF OFP KM" { KYSCGYG'H 'WKCKKZERB KNKSG
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300 { NNPGB QJKKV
»ÐÛÛÐ ÀãÚ - 303
302 { YGZ FNN
308 { "LK\GPGNI FGGS#F ,[Z+IF" { C'XGKJ 'WKCGRCKB ZGEGKV
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310 { \NNPGB ,FTZM FVXZF NT
Silentium ± 311
310 { Silentium
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312 { FZK[
Probleme - 313
312 { Probleme
¿àØàÞÔÐ ú áäØÝÚá - 315
314 { SYRKVS { TCJF
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314 { FRGZIB FCFB
316 { "GCNC ZGEM ...ZZG[PF \P" { CGJRGPZN 'WKCZGK NKBMKP
ÁÜÕàâì ßÞíâÐ - 321
320 { ZZG[PF \GP
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324 { \KIZHP FPBGV { QGPE
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354 { ZGEHGZVC OKZGFZF
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358 { ZYGC
ÁÚÞàÞ áâÐÝã ÔÞÑëçÕî âÛÕ - 360
360 { \GGPF LZC\K LB \GPN F[Y
362 { ENGGKFN OKEYF[ QJKKV N[ \GGPF KGGKB { JV 'WKCKKSRBVB KSRBVB
ºÐÚÐï Óàãáâì! ºÞÝÕæ ÐÛÛÕØ... - 365
364 { FZE[F UGS ,CGXT FPM
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364 { K\BC LKKNB ,KVC FZG[C
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2
3
4
5
6
7
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±ÐÑÞçÚÐ ÓÐ×Ð - 373
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370 { \[YG OKZ\KP
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379 { 'WKCGZVSY QBK QKCN
381 { 19=F FBPC QKNGV \ZK[N FZTF
384 { "TKYZF KFCGD NB BKZPK BN ZVT ET NV[GF BN[ KP" { 'WKCY&XKP OEB
Czaty ± 389
388 { CZBP
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392 { FIK\V :EfZR&N#G EZ#RfY
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398 { OKTZ
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400 { CZFG [GTZVF
402 { KJRPGZF [GNK[C FKKR[F TNXF { KYX#CGNS [GKNGK
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404 { OKZGFZF \T[
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410 { QBKEZGY
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410 { FRG[BZ \GPE { DGNGZV
Druga Osoba Prologu ± 413
412 { FKKR[ \GPE { DGNGZV
Trzecia Osoba Prologu ± 413
412 { \K[KN[ \GPE { DGNGZV
414 { \GCZGIF ZZG[P { KYSRK[Z#Y JRGPDKH
Na Sybir ± 417
416 { ZKCKSN
Przeds wit ± 417
416 { ZI[F \GNT OZJ
Jeszcze kielich mojej doli ± 421
420 { FNTZ\F SGM
422 { "FV[BC NNGD\P NBKEKB" { EKGGZGR NKPY QBKZVKX
426 { FCK[K
Posiedzenie ± 427
Ostatni Despotyzm ± 427
426 { FRGZIBF \GXKZTF
Na Zgon Poezji ± 429
428 { FZK[F \GP
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430 { FRfZ&GGC
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432 { OKCXT
434 { "\KRM[RG \REGTP FZKJBS" { 'WKCGZVSY QBK
436 { NGVRN JPF K\KC
O WalaÎcym SieÎ Domie ± 437
Ballada O Bohaterskim Koniu ± 449
448 { OKSGSC ZGCKDF NT FENC
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2
3
4
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1
.FNGEDF FMVFPF KBXGPC KRKCGYTKF ZGZJF \B ET\N YKVSF BNG ,1794=C
.\KSBNYF FKXZGVGZVF QP OKZHDRF ZESG ZJ[P GR\TEG\C BGVB FRKZYP 18=F FBPF
\KRC\F \B GMK[PF GK[ZGK LB ,FBPF N[ KR[F ZG[TC GPNGTN ORPB LNF 14=F KBGN
JZBYE N[ \KNRGKXZF FCK[IFG QGKDKFF .WKRCKKN ISGRC "\GPNGTF NMC[ CGJF" N[ FZGESF
N[ \KJSKNZGNVF G\GRNCGS QBMP .\GNKTF \NKTG KCKJKRDGY KGGKX QKTPN ,FPDKEZVN GMVF
QBMP .GRG[NC ,esprit ge ne ral=F ,"\KNNMF IGZF" N[ \VGPM \VZX \B DKXPF ,FKKYSJRGP
,FVGY\F KIC[ \B GN[ Le Mondain=C Z[F ,OEYGPF ZJNGG N[ \KSKSCF \GKPKJVGBF
FZK[ KZT[ FTC[
16
\B OKPMSP OKJSKEVGNYKXRBF GKZCIG GZEKE SKRE .OEBF \GZGYC FBKZCF ZHR G\TEN BKF[
BZGYN OK[KDP LMCG ,OKR[ 22 N[ FEGCT KZV ,FKEVGNYKXRBF KMZM 22=C K[GRBF TEKF
G\GG[FN Q\KRG OEBF \GZGYC OKEY\ ZSI BGF[ ,\GBKXPF \RCFN OKRG\R ESP NKM[PF
.GRKPKC JRZJRKBF N[ TEKPF \MVFPN
F[ZPGC QKJSGDGB ZKKVG (Marivaux) GCKZP ZKKV N[ \GRGR[FG \GKJRDNBF \GKEPGYC
OK[CGM OKKR[F LB ,ZKKNGP N[ \KSZBF FZKJBSF QP OGNM BNG ORPB QKB ,(Beaumarchais)
GZDKV \RG\I QMG FKNKCKSP ZVSF ,GCKZPN La Surprise de l'amour .FZTSC SKZV \B
OK\Z[P .18=F FBPF KFN[CG \KXIPC FPZEF N[ ZMKFF KRPKSN OKMVGF ,F[ZPGCN
NGMK BN BGF LB FJ&RZ#fEC \CFGBP \RPGBN \[VGIPF FKCNKS ,LVFNG OKRGEBN OK[VI\P
,FBNF QMG GRGEB F@CK]CP@N#B \B NNG[ LKNGP GZDKV ,\GEPTP KNECF N[C FCFB FN CK[FN
CJKP KV NT OKPZGHF \GHIPFG ,ESIC FPC KRPB OF F[ZPGCG GCKZP .FNGED FIP[FG
BKF LMN \KRKKVGB .OKRPHF NMC KJPZEF ZBGJZVZF CJKPP GKFKG OR]F ,GKF ,OKKJPZEF OKNNMF
CKKI KRB ,KKRZGY N[ EKS=FNC FCGIF ZGYKC KZIB" :ZJNGG N[ ,GMZEM ,\KJSYZSF G\ZTF
,DTNR ZGBC FNGXBF \B OKDKXPF OKRM\F UB NTG ,\BH OT ".GCKZP N[ FKEPGYC [[GB\FN
[TDF ZF NT HGPZN KEM ,OFKPGEG GCKZPG F[ZPGC N[ \GYKZCPF OKCXPF \GKEPGYC QKB
Banquet en Temps) "FVDP \TN F\[P" \RKICC QMB QFG ,1789=C WZV\FN EPGTF
2
.YBKZGP FBGSRZV QKKXN FBZ[ KVM ,(D'e pide mies
\KDZJF F\CFB NT ZVSPF fYS&N QfRP&C (Pre vost) JSGCZV F&CB# LM .QPGZF LMG FPZEF LM
OKSIKC (Laclos) GNYN ZKKV GB ,(Nouvelle He loise) F[EIF FHKGNB C GSGZ LM ,QGRP N[
\GKRKXF \B FDKXPF ,FVGY\F N[ \VGPF \GZKXKP ,(Les Liaisons Dangereuses) OKRMGSP
.K]KJ&ZP& OEPG QfPN#G SMGEF N[ O\GPEC F\ZFJC
N[ FTK\VP \GNEC QKKJXP ,Y\ZP QPGZG FYKZCP FPZE BGZCN TEK[ FRGC\F QEKT ONGB
FBPC \VZX KZZG[P NGED BGF ZJNGG[ FTK\VPF FECGTF NT) .JZVC \KZKNF GHG ,NNMC FZK[
.('C LZMC K\CIZF ZCM ,I"KF
N[ OGESF \JKPP ,KSIK ONB N[ OKR[ \GBP WYP ,OKZTR\P OKRPZDF ,QM KM FRF
\B OKZCIP 'DEKZNGYG \ZGGSEZGG ."DRBZE ERGB OZGJ["F N[ GIGMC ,K\VZXF OHKXKSBNYF
QMG\F KNNMC QKKET FEGMN \K\VZXF FZK[F LB .FBPF KFN[C EGT KJRPGZF JSVKRPF
.KKRZGYG QKSBZ ,EBKNVF KZZG[P \[GZK ,FKEGHGZVFG
\KJRPGZF \GF\[FF N[ FZKIPG 19=F FBPF
N[ ,KDGNGRGZMF ,ZXF FRCGPC QG[BZF KJRPGZF K\VZXF ZZG[PF GRRKB ORPB GDGF ZGJYKG
OE]XN ,FKRJKZCG FKRPZDC \KJRPGZF FZK[F \ZPXC GEKPTFN Q\KR[ EKIKF BGF LB 3,FNPF
\GBGZ ,GDGF N[ G\ZK[ KZGMKC ,\GEfBF ONGB .KN[G SJKY ,QGZKKC ,\ZGGSEZGG ,ZNK[ ,F\D N[
CZY FKNDRBG FKRPZDC KJRPGZF QEKTFG GPNGTN KN[ LNGF FC FR[F ,1822 \R[C YZ ZGB
EZVNB ,GDGF EXN K\VZXF OHKXKJRPGZF \ZPXP OKZZG[PF \[GN[ N[ O\ZKXK CJKP .GVGSN
\GR[C \ZCI\P ,(Musset) F&HeP FE EZVNBG (Nerval) N#GGZ&R FE ZZ#'&H ,(Vigny) KRKG FE
\K\VZXF FZK[F KNG[C \GZTF
17
OHKXKJRPGZF N[ \KP[ZF G\ZKJV ZIBN \GIVN EIB ZG[T :KZY .FBPF N[ OKTCZBF
FH ZVT OKRMG[ KN[G SJKY ,QGZKKC[ ZIBNG ,JGYS ZJNGG N[ G\GP OT \KDKDI ZCYRF KJKZCF
.KJGKVF OIGM \B ZCM FH GXKP 'DEKZNGYG \ZGGSEZGG EGTCG ,QPH
FZK[CG FPZEC FRKV QCB OKGGFPF \GHIP KR[ QKC FBGG[FF BKF B[GRN \KRKKVGB
ETGP .GDGF ZGJYKGGN KR#RZF& NG ZNK[ N[ OKEEG[ N FRGGMF .\VZXCG FKRPZDC \KJRPGZF
.1780 \R[ BGF ,KRPZDF QGZJBK\C KJRPGZF QEKTF \B I\GVF ,QG[BZF FHIPF N[ FZGMCF
BKF LMN FPGE .NMF ZPGB OKR[ 50 N[ FH ECMR ZTV .1830=C SKZVC FPCN FNGT KRRZF
\GZKXKF K\[ QKC .(Chateaubriand) QBKZCGJ[N (Re ne ) F&RZ&G F\DN Z&\Z&G QKC FBGG[FF
.OKR[ 40=N CGZY N[ ZTV TZ\[P
,ZNK[P \GYGPT TV[GF GDGF .\KZYP FRRKB \GZKXKF QKC FBGG[FF[ QKKXN Z\GPN
\KJRPGZF" G\ZKXK ,F&RZ& OD LM .OKEEG[ C[ FHP FCZFC FRG[ GRKB KRRZF N[ KHMZPF CKJGPFG
,"FBPF K]NfI" N[ K\VZXF ISGRC KRPZDF WZP&[JN&GGF \B \ZHIPPF QBKZCGJ[ N[ "Z\GKC
.mal du sieÁ cle=F BGF
FHP \KRPZDF FZKXKF QKC KMZTF ZTVF OD U[IR NGEDF KDGNGRGZMF ZTVF EXN ONGB
K\[[ ,\G[ZGVP ZPBKK ONGB ,K\GZVS IG\KRG FBGG[F \MKZTN OGYPF QBM BN .FHP \K\VZXN
CJKPN LKK[ OKEEG[F .OK\TF QICPC \GIVN ,KRPZDF ZGYPF QP \GNVGR \GK\VZXF \GZKXKF
\GYGIZ OK\TN YZ DZGI ,NNMC OB ,KRRZF .OKZYCN \G[EI DXGPF KJPZEF ZBGJZVZF
\IM[R FNCGR BKF FRZ ,K\GZVS \VGP Z\GRG FKF[ ,Z\ZG \PGTN .\VZX N[ FK\GNGCDP
.\GZVS KZYGIN ZYKTC \ZMGPF
FTV[F \GFHN Q\KR KRKG EZVNB NXB .K\VZXF KJRPGZF ZZG[PF OT CKJKF BN QPHF ,QMBG
OHKPKSVF ,FXKNPF[ BNB .UGZXF ZSGPF [KBG BKCRM ZZG[PF \B G\SKV\C ,KN[ .C.V N[
,KVGZKBF OHKXKJRPGZF N[ OKKJVPKS \GIVF GKRKKVBPP BNKPP OF[ ,KN[ NXB SG\VFG
ECB[ ZIBN ,Z\GK ZIGBP OKR[C \GZ[T OKTKVGP OF QM[ ,KJSKRGZMRB EPP KRKG NXB OKNCYP
FECGT .FKSGZCG FKNJKBC UBG FKNDRB ,FKRPZDC FNGM \KJRPGZF FZK[F OT EIK INMF OFKNT
N[ ZMKRF FYNI[ KZF ,IM[R GRKB OB OD[ ,Z[MGPF K\VZXF ZZG[PF KZMGTC F\KKF GH
.QKMVGF FN QKB[ QCBM \GKZVSC OGKF IR \VYPF G\ZK[
QGDM ,\PEYGPF G\ZK[C \GKRKXFG ZGPGFF \GYZCF \GMHC ZYKTC EZ[@ F&HGP FE EZVNB
OFC ,OKZIGBPF GKZK[ .OGKF ET \K\VZXF FZK[C \GCGFBF \GZKXKF \IB ,(Juana) FRBGI
[YCP OFC ZSGP \GVJF OF ,GRG[NC "[TPPG QMG\P OKYKZF" GKZGTR BJI NT FMP BGF
\GZFJKF :KZY ,EGBP KNG\YF ,K\VZXF OHKXKJRPGZF N[ YFCGPF CKJGPF \B DKXFN ZZG[PF
\MVFP ZIBN FKXZGJSZF KMPG\P OKDGI CZYC ZYKTC ,GRPHC CJKF GNCY\F GNB .OKZGSKKC
.ECNC ZXY QPHN \BH ONGB ,1848
GNG ,Z\GKC CG[IF KJRPGZF ZZG[PF BGF N#GGZ&R FE ZZ#'&H[ YVS QKB ,FZK[F \ZGYKC JCKFP
N[ OHKNGCPKSF NT \GCZ FTKV[F ,GKZK[ \B \RKKVBPF FYGPTF \GKNPSF[ FECGTF \GMHC
.KRIGZF OFKCB \B GC GBZ ,CDB OFKR[ .FPZBNPG ZNEGC
\GCZ\F KEYGP KR[N \KJRPGZF \K\VZXF FZK[F QKC FBKPIP K\NCF FBGG[FF EXN
\KJRPGZF FZK[F BKCR[ BKFG ,\VSGR FTK\VP FECGT QKKXN KGBZF QP ,FVGZKBC OKZIBF
FZK[ KZT[ FTC[
18
BGXPN F[Y .QB#KZCfJ[# FE F&RZ&N FRGGMF .YFCGP QGYKBHGZV OB KM ,NNM ZZG[P GRRKB \VZXC
FNCGRF ,F&RZ& QGDM ,QBKZCGJ[ N[ \GNCGRC BXPR BN G\K[BZ \B[ \KJRPGZF FZK[C CKJGP
ZSGKPF QGYKJRPGZF N[ G\GPE \GPND\F OF GK\GZKXK KZGCKD .NKTN \ZMHRF GP[ NT FKGZYF
NGEDF EZGPF BGF ,QKPBP KNG\Y ,QBKZCGJ[ .OKTCZBFG OK[GN[F \GR[C GKZCIG GDGF \ZK[C
QKC \NNGMF ,(\K\VZX FZFGK N[ \KRKP[P Z\GKC "\KSBNY" FRGMPF) \KSBNY=GBKRF \[ZGPC
.\KPGZ=GRNFF \GNKNBF \XZTF N[ USF NT FKKIE Z\KF
N[ GK\GXNIPC OTVF ,EER \KVGZKBF FZK[F EYGP[ FZY EXKM ,\[YC\PF FNB[F NT
BN ,\IBM \KDGNGRGZMG \KMZT ,DZGCZJV JRSG ZBPKKG ,QGERGNN SKZVP ,KRGZKKCF QGYKJRPGZF
.QGBKNGVR KV\M NT O[BF \B NKJP NCGYPF FRTPF .CK[FN NY
LMN DBE .\KF[GP F\KKF FCGD\F[ BNB ,\KMZT FPEB \EKTZ FNNGI FPXT FMVFPF
SP ORPB ONK[ QGBKNGVR[ QBMP .\PEGYF FBPF KMZT \B FCZ FRGGMC IVKJ[ ,QGBKNGVR
OEB NM" :GKVN ,\KPGBNF FVSBF N[ IZHBFG OEBF \GKGMH \ZFXFC QG[BZF UKTSN OKK\V[
LZEF ,FH NXBR JV[P N[ NTGVC GPG[KK ETG QBMP LB ,"\GG[ \GKGMH NTC BGFG K[VGI ENGR
N[ OKR[ ZIBN FIGGZ \IRB \RKICC FKF "KRGBKNGVRF EGY"F[ ORPB QGMR .FYGIZ F\KKF
\N[G[ N[ ancien re gime=F \B QGBKNGVR CK[F NMF \GNMM KZIB ONGB ,KRKCGYTK ZGZJ
.OKRGCZGCF
19=F FBPF N[ FRG[BZF \KXIPF ,FZK[C KGN\ ZCEF[ NMM ,GF[P \KRGZKB ,QM KM FRF
ZCEF JNGC NMP Z\GK .18=F FBPF N[ KRDZGBF FM[PF FCZ FEKPC BKF ,FMVFPF WZBC
BZGYF KRKTC \K\KKVM \KBZRF ,HZGIPF QKZERSMNBC \K\VZXF \GY+CEF ,F[TPN .FKEGHGZVC
FRKB[ ECNC GH BN ,\KCNSF GB \KRPZDF ,\KSYSGNDRBF FZK[C KEGHGZVF QGGDPF NT QGPBF
OKYFCGP OKZZG[P .OKZ[TF FBPF N[ ECMR YNI UB FVKYP BKF[ BNB ,19=F FBPC FNEI
N[ \GYCEC OK\TN ,OKZPG[ ,F&KKEZJ# QB'HG KZ&N#G NGV ,Z&RKNfV#B OfK]D \PDGE ,\PEGYF FBPF N[
ZYKTC ZCEF (T[T[PG) JNGC .16=F FBPF QP EBKNVF KZZG[P N[ HGZIFG NY[PF NT [PP
NB DKNVFN GCGB LNPF N[ GZCIP GPXTN F[ZP GKZK[ KRM\C ORPB .KZB'H EZVNB NXB
N[ OKIG[YF FKNNM KV NTG \PN[GP FHKZIC ,FBR QKZERSMNBC \BH LB ,UGZKJF \GHGIP
.QMN OEGY OKR[ \GBP TCZB \K\VZXF NB FY\TGF GH[ KVM \KYNJKBF FJRGSF
QGZKKC N[ G\TV[FG ,FIMGF FMKZX FRKB OK\VZXF OKRGYKJRPGZF NT \KJKZCF FTV[FF
\Y\ZP FTVG\ ONGB .\R\GRF BKF KRKG EZVNB NT KN[ .C.V N[G QKJZP##N FE SRGVNB NT
FE OEP \GTXPBC ZYKTC ,\K\VZXF FZK[F NT KRPZDF OHKXKJRPGZF \TV[F BKF FPXT[MN
CGXKTC NBJS FE N[ FPGYP NT C\MR \GCZ ."DRBZE ERGB OZGJ["F \XKZTP ,(StaeÈ l) NBJS
FZGCKI .19=F FBPF N[ FRG[BZF \KXIPC \K\GZVSF \KNKTF N[ KRIGZF FPNGT
NBGJYNJRKBF KRVC U[I ,N&D&N[ ONFNKG N[ G\TV[FC C\MR[ ,(De l'Allemagne, 1810)
ERGB OZGJ["F \ZK[ N[ ZYIPFG \ZGYKCF YPGT \B QFG \KJGKVF FNGDSF \B QF K\VZXF
.F\D N[ JSGBV OGDZ\C \K\GZVSF GMZE \B NKI\P N#GGZR[ FZYP FH QKB ."DRBZE
\K\VZXF FZK[F KNG[C \GZTF
19
FNCGRF WZV \B QKKXN Q\KR ,FPZEF N[ (KSIKF) QGN[KMFG \KJRPGZF FZK[F \GKRGRKC EXN
ZJNGG N[ GK\GZKXK OGDZ\ OT K\CZ FXGB\N CDB FMH[) 19=F FBPF N[ FRG[BZF \KXIPC
IMGGKFN \RP NT ,YHNCG FP&KZP& ZVSGZV ,ERBS 'DZG'D ,NE#RJ&S N[ OFK\GP[ ZGMHBC KE .(JGYS
QKB .\VZX \GZVS N[ FH YZVC FZK[F N[ F\GNE \PGTN FHGZVF KD[KF QKC[ NGEDF ZTVC
QPZM C \NNGI\PF \KJGKVF FPZEN FBGG[F ZC BGF[ ,FVGY\F \C FZK[C ZCE OG[
NT BKF UB FNKVBP ,FP@Z#V ZHRP N[ GB ZGI[FG OGEBF N[ \KDGNGMKSVF \GYEF .FP&KZP&N
FMGH FKF OB CZ YVS ,GDGF ZGJYKGGN FMZTFFG EGCMF NM OTG .KJRPGZF ZZG[PF KZGSKK
1832 \R[P OBE ZJGRP QCKDF P NIF C\M[ OKNGEDF OKRPGZF \ZG[ BNPNB FMH fN OGYPC
.1864 \R[P OKKIF KCGNT ETG
FKKR[F \KXIPF ,19=F FBPF
\KRG[IRF FDZEPF \XKVY F\KKF ,\KJRPGZF FZK[F N[ \KSIKF \GKRGRKCF NT \GBR KGXKV
OZH FNKI\ :OKPZH KR[ FHMZPC Z[BG ,FBPF N[ FKKR[F \KXIPC \K\VZXF FZK[F F\[T[
EGTC .OHKNGCPKSF GKZIBG ,K\VZXF OHKXKJRPGZF N[ EGSKF \GIRFC EZGPF 4,SfSRZ##oF
ET \K\VZX \KJGKV FTGR\ BGF OHKNGCPKSF[ KZF ,\KNG[ F\KKF OHKS#RZVF N[ G\TV[F[
19=F FBPF KFN[C FZK[F NT FKRGPDFF \B \VZXN CK[F[ FH BGFG ,FK\GPXT E[N
.OKZ[TF FBPF \K[BZCG
SGSRZVF OZH
,FC EZGPG \KJRPGZF FZK[F N[ FKXNI BXGK ,Les Parnassiens ,SGSRZVF OZH N[ G\K[BZ \B
Le Parnasse :FXGCYF N[ QG\R[C JSVKRPF OGSZV \R[ BKF ,1866 \R[C TGCYN Q\KR
,F&KKJfD NKVGBK\ N[ G\GP ZIBN ZYKTCG ,\KSIK FIKZV N[ ZG[T ZIBN .Contemporain
FH KJGKV OZH LNGF ,1872 \R[C ,FXGCYF N[ KJZGBK\FG KNGDSF EYGPFG FZKMCF \GK[KBF
,QNZG \PDGE OKZKMCF GKZCIP FPM G\GB OK[JGR OKRGP[FG OKTC[F \GR[ LNFPC .LTGEG
.NPGDF \MZC \B GKNT LZCN Q\KR 90=F \GR[CG ,ZNEGC NZ[G FPZBNP
Z\MN KGBZF ,(Lisle) NKN FE JRfY&N \B N"RF \GP[F NT USGRC \NNGMF ,SGSRZVF \XGCY
G\GP OGK ET QGKTZN QPBR ZB[RF (Heredia) FKEZ&B& FE FKZP FHGI \BG ,OHKSRZVF ESKKP
\B FZKEDFG ,(Comte) JRfY JSGDGB N[ \KJSKCKJKHGVF G\GDF CKCS GRPHC F[CD\F ,1905=C
\BH QKKX[ KVM ,"SGSRZVF KZZG[P N[ O[VR" .OHKXKJRPGZF \GRGZYTC \EZGPM FPXT
,(Lamartine) QJZPN FE SRGVNB ,GDGF NXB OHKNJRPKJRSF UEGTP FTYR" ,FKKJGD NKVGBK\
".FHeP EZVNBG KRKG FE EZVNB
KZY ,"FRGMR" \GBKXPF \B UY[N OKJSKSRZVF G[YKC \KJRPGZF \GR[DZF \NKN[ EXN
KJGJKI ,FPKRV \GSRM\FC BNG ,QPHF \C FHGZVF N[ OKBMEPF ZGVBF KTCXC BN" :OPTJN
K\NC ,\KCKJYKKCGB FCK\MC OB KM ,\KZKNF FZK[F KRKKVBPP OF[ \KPXT FNPIG [VR
C\M[ KVM ,"FKVGSGNKVF ,FKZGJSKFF ,TCJF QP FK\GZGYP \B CB[\[ FZK[C ,\K[KB
FZK[ KZT[ FTC[
20
JCKF USGR ,KJSKSRZVF JSVKRPF N[ QKJK[F QKCP WKXPF JRGYN N[ OHKCKJKHGVF NB .FKEZB
\GCZ TV[GF GPXT FKKJGD .FKKJGD NKVGBK\ N[ G\PGZ\ ZYKT FKF[ ,OHKXKJ\SB N[ TKZMP
ISGRF F[TPN BGFG ,ENKKGG ZYSGB GEKPN\G ZJ&BV ZJNGG \NGMSBP KNDRBF OHKXKJ\SBF QP
FNGMSBF CZYC ZYKTC CXGT[ KVM art for art's sake N[ art pour l'art=F ,K\VZXF
ZCEM NKCGF OHKXKJ\SBF .FBPF \KXIPC GKZCIG KJ&HfZ FNBKZCD FJRE N[ \KJKNBVZ=FZVF
JGKV N[ \GDGS QKC \YKGEP FEZVF LG\ ,\KSBNYF FKEGHGZVF KNNMN FCK[F NB GKNBP QCGPF
,18=F FBPF NB FZHI FCZ FEKPC BGF FZK[C FH OZH[ QBMP .FJ&RGSFG NE&RGZF ,FENCF QGDM
.NNMC OHKXKJRPGZF QP \K\VZXF \IRF KBN KGJKCG
5
LGVFN GEKYV\[ FMBNP NTC BGF ,NKN FE JRGYN C\M[ KVM ,SGSRZVF \SKV\C ZZG[PF
BGVB GRRKB ZZG[PF .CXPG WVI NMC FVKF \B BGXPNG [VIN ,KVGKF \GPND\FN ZK[F \B
\JCKR BN ,(OKRGYKJRPGZF NT CGFB KGPKE) GEKC YKHIP BGF[ FB@ZPF QPG ,FZK[F ZGYP
,ZV[N ZZG[PF N[ GEKYV\P F\GB[ ,NBKEKBM \GBKXP OB KM ,GMG\P \TCGRF \GBKXPF
FVKFG CGJF QKC \GFH BXGPF ,KJRPGZF ZZG[PF N[ OHKXKJ\SBN EGDKRC .IKC[FNG NNM[N
QM[ ,NNM GH FBGG[FN YYHR GRKB SGSRZVF ZZG[P ,\KSBNYF \KRGJNVBF FBGG[PF KV NT
.CGJF \B QFG \PBF \B QF GMG\C NNGM ,CXP NMCG EKP\ ,G\SKV\ KV NT F&VKF
FKDGNG\KPN FEKDSF BGF ,SGSRZVF KZZG[P CGZ NXB KR[F JGIM ZCGTF USGR CKJGP
,SGRY&KPG FKGZJ KEKZ[ \B QP#KN[ LKZRKKF U[I FBPF N[ 70=F \GR[C .\KPGZ=GRNFF
ZHIG QGMK\F OKF KKBCG QGGKC UKYP TSP LZT GPXT FKKJGD .FBK[C F\KKF \KRGGKF FRVGBFG
,"QGYKNFFG SGSRZVF KRMG[ N[ [EGYF IGZ \B GC FIKVF GN[ 'FBSKEGB'" KM TRMG[PG CFNR
.C\M[ KVM
\ZFXFG OKJSVKRP ,ZX KJZGBK\ ESP NT OKRT[RF OKK\GZVS OKPZH N[ OI\VN ,\BH OT
N[ KEGHGZVF QGBVKYF .SREYEF NB FZFPC NDND\PF OHKNPZGVF \BJI \XCGZ ,\GRGGM
QP K[KBF ZGMKRF ,OKJSKNGCPKSF OPXTN G[ZF[ FTGZVF \GZKIF \B NKNTC ED@R[ ,SGSRZVF
N[ F[GI\ GZZGT[ OVGS ,OKKDGNG\KPF OKRM\F NB \EP\PF FCK[FG \KZKNF FZK[F
\KNM\ \B GRPP \TRGPF OGES \JKPC BGNM [I GPXT ZZG[PF .BZGYF NXB \GZHG \GK\GMBNP
NGJBRB N[ GCGZKS FKF (ZGIBN JCPC) LMN T[T[P ZGKB .KGJKCF \GZKI :QJKKVF N[ GPGKY
KM FRTJC ,FPZBNP N[ L'apreÁ s-midi d'un Faune \B FTGR\F N[ \TF C\MC OSZVN SRZ#V
"6.GRPXTP YGIX F[TR ZK[F \B OSZVR OB"
OKT[\F \GR[ \K[BZCG ,SGSRZVF LTE ,80=F \GR[ KFN[C OHKNGCPKSF N[ G[GCKD OT
OKZMKR \KPGZ=GRNFF FEKDSFG SGSRZVF OZH N[ KJRDNBF YZCF ,\BH OT .ZMH GRPP Z\GR BN
FZHT ,JGKNB .S.\ ,KZ&N#G NGV OFKRKC ,\PEGYF FBPC OKJNGCF OKRYKJ\SBF QP FPM NXB
.fKXRGRB'E F&NB&KZCDG ERGBV
OHKNGCPKSF
Q&NZ&G ,FP&ZBNP# ,Z&NEfC :TEGRF JJZGGYF \B NNM OHKNGCPKSF KZZG[P N[ F[YF QKTZDF
F&RZ& ,(Laforgue) DZfV#N NG'H OF \GIV OKTGEK KM UB ,OPXT \GMHC OKRKGXP OKZZG[P .fCPZG
\K\VZXF FZK[F KNG[C \GZTF
21
,Verse Libre=F ,K[VGIF HGZIN G\PGZ\ F\KKF FCZ[ KP ,QFY (QG[ZD) CJSGDG (Ghil) NK'D
.G\ZKXKP ZMKR YNI C\M GCG QFY TCJ[ IRGP
OT .1885 \R[P KJSKNGCPKSF JSVKRPF OGSZVC TGCYN DGFR OHKNGCPKSF N[ GBK[ \B
FYKSBNYF .ZPDGPF NT FPK\I BNB FKF BN ,FNB OKZYPC NCGYPM ,JSVKRPF ,\BH
,(1857) TGZF KIZV LM .OKR[C \GZ[T UB OK\TN ,QMN OEGY FC\MR FCJKPC \KJSKNGCPKSF
FZGMK[F FRKVSF LM ,(Romances Sans Paroles) OKNKP BNN FZK[ ,QNZG N[ G\ZK[ CJKP LM
\KRGZKB[ BNB ,ECNC GH BN .FPZBNPN (1865) QGB@V N[ OKKZFXF ZIB LMG ,(1871) GCPZN
FNIFG KNGDSF FBK[ \B \KJSKNGCPKSF FZK[F FZCT ,ZGB JSVKRPF FBZ OFC OKPKC ,GF[P
OKZG[T KR[ JTPM GPNGTN LNF[ KP ,ZNEGC NT QDFN BC JSVKRPF .SREYEF NB ZEZEKFN
GKZYCP G[P\[F GC IRGPF ,\K\VZXC de cadent FCK\N [K[ CZGXF QGCNTF KRVP ,QMN OEGY
.TGZF KIZV ZCIP N[
NT ZYKTCG GRMG\ NT ,OHKSRZVF \GPMSGPC EZP BGF ,QKKXN Z\GKPG JTPM ,OHKNGCPKSF
C\GMF OB BKF \IBG ,HZGIPF QKZERSMNBF \B [EYPF K\VZXF QGBVKYC FEKZP :KZY ,G\ZGX
EDGSF SGSRZVF ZZG[P GB ,GNZGD \B FMCPF QGYKJRPGZ ,16=F FBPC EBKNVF ZZG[P BGF
OZGJ["F \GRGZYT NT FCZ FEKPC FZHI BKF[ ,EGSKF \IRF .S&NJ&KSYZ#^V N[ GKNSVC OB#G\N
KEGHGZVF ESF KNCMP ZGZI[ KM F\KKF ,\GKRJRGVSC[ \PBN SIKC O\RXYFG "DRBZE ERGB
FBCF" NT [DEF QBMP .OGKYF QKZG\SP \B FNDKG OEBF N[ KPKRVF GPNGT \B ZGBN BKXGK
JSVKRP QG[NC ,(l'expression de la vie inte rieure) "OKKPKRVF OKKIF N[ KGJKC KEKN
.1885 \R[P OKJSKNGCPKSF
\KKHF ,SV\R K\NCF \SKV\" BGF OHKNGCPKSF KM ,GCPZ N[ \KNSYGEZVF G\ZEDF QBMP
De la musique" :FPSKSF \B TCJ[ KPN FBKM ,QNZG ".\GKGHF OKNP \GTXPBC \DXGPF [VRF
BZGYF \B TRM[N GKNT ,OKKNRGKXZ OKRGTKJC LZGX ZZG[PN QKB" KM C\M ,"avant toute chose
".QG[NF N[ KNYKSGPF UG[KMF \GTXPBC
ZPGNM ,K[KB .OKNPSCG \GZGVJPC QKJGNIN K[KBG K[VGI [GPK[C LZGX FKF LM O[N
FCK\MC F&RCGP SNKMB CYT F\KKF[ ,GH FKDGS .BZGYF KEK NT "QCGP" IZMFC BN
JNPRF BDE& ZDEB N[ TGEKF FZYPF LM .OKT[T[P OKKGJKC FZETR BN ,\KJSKNGCPKSF
QKCP BN KRB ,ZCE OG[ QKCP BN KRB ,GNKXF" :FYTHC FPZBNP N[ GKZK[ \BKZY CZTP
"!ZCE OG[
NIF \BHG .Z\GK FYGPT \GTP[P J[VF KZGIBP FGGSPF KNGNKP KGPKE BGF NP+SF
\GRGKTZ OKDXKKPF OKNPSC FNMG ,FTGR\ KZGZP\ \PDGE OKKTP[P=EIG OKJG[V OKNPSC
CNXFG ,YEX \KK[TN NPS OF[ OKKRHBP ,\GEFKF KNPSP BKF[ FZGRPF LM .OKJ[VGP
GKNB FCGZYF FZGVJPF GFGPMG ,NPSF[ QKKXN Z\GPN .\GZXRF N[ FNP]S BGF[
N[ G\TPJFC NKI\P K[GYF .EKP\PG HBP \KJGKVF FZKXKF N[ F\P[RP OF ,F\GTP[PC
ONGTF NM" :ZPGB ZKVSY[ Z[BM .OK[GZKVN Q\KR BGFG KTP[P=EI GRRKB GZGBKC[ NPS
LB .KBHIPF N[ G\RGGM \B QKCR GRCGZ LB ,GH FTKCY OT OKMSFN BN[ Z[VB ,"FPC
:C\GM GSBYKV NT GZK[C KNBE ZGECNS Z[BM
FZK[ KZT[ FTC[
22
\Kv]^Nr#ft#F F@T@VfvF#
\K]DfNfi]aF#
O^HK]aqA#F \&B F@CK]jZ^l#F#
fSBY@K]o Nr&
FB@Z@r^#F CZ# O^HK]N@aK]RY# \#b^S]o BKF]
\fVKB]r^ N#T ZeTr] QKB+^N F@NfT BKF]^G
...\K]Ken]R=\K]RZ^E&fP FY@K]SK]V Nr&
QKC Z[Y&F .\KJZVF G\PID KZV BKF[ \GZGVJPG OKNPS N[ \MZTP BZGYN ZKCTFN [YCP BGF
GKRV NT LZVGP BGF "\KKGSKR FYKSKV"G "GSBYKV N[ OHKCGYF" QKCN "FBZ[F CZ OHKNCKRY"
\KJZV FIKEC BNB GRKB ZK[F .B :\GKGZ[VB ZVSP BGVB GRM\KK .KGXPF BZGYF N[ G\TEG\C
[YCP KNBE .D ;OMI\P]F ZYCPF N[ QRDGSPF DFNF NT FZKJBS BGF ZK[F .C ;ZCIPF N[
OZHC NIF ,GPXTN ZIC[ EGY KV NT \T\T\P OKKGPKE \V[C \BH F[GTG GF[NM QGKTZ TKCFN
.(FBZRF NMM \KRBKEKGZV IGZC) GSBYKV NT KF[NM FSPP] OKKGJKC \NKJRC FNMG FTEG\F
OG[P \BH ,\GRG[BZF \GVGNIF K\[P \IBC ZGICN FKF\ BZGYF N[ \KEKKPF FKKJRF
BGF[ F[TP ,KNBE N[ OKKGPKEF ONGT OT \GFEHFN BZGYF QP \[ZGE \K[KN[F FVGNIF[
.NKNTC KZ[VB K\NC
ZKCI\N FYKH NT \GIVN ZPG[ ,ZGFR KDS QG[NG OKSYGEZVC GZK[ \B [EGDF KNBE ONGB
\GKJRN[RGRC GRPP OKZTR\P OKJSKNGCPKSF QKCP OKEIB[ KBR\ ,JV[PF N[ QKY\F FRCPNG
:NGJBRBN ZCY GZK[C C\GMF FPZBNP \PDGE ,\KJGKV
CB@...
OKE]K]Y^VP# JY&r&^a OB+
Oei]q#F \B&
O@R^a \&B OKE]Z^fs
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ZeTZ^T] B̀N^N OK]N^aY#P^e
S+oB#P^ \&Gl@#F YZ#^G
Jq@#F rI@^MlA#F \B&
GZK[C NKNM FHGDR ,KNBE N[ FZGBMN OKKEZGSCBF GKRM\N BZGYF QKC FEZ[ EGT[ FYKHF JTP
FZYPC .QMG\ NT ZCEN BN[ ,Z[YF& \GZETR OKNP NKNCM QG[BZ JCPC FBZRF ,FPZBNP N[
N[ G\TPJF Z[GMN WGIP OKKGXP GKZK[P OKCZ .QGGMP ZGMKR BGF YI[PF O[ FPZBNP N[
BN .QTJG ZHI GPXT FPZBNP[ KVM ,FNKI\ FRGGM LG\P BNB \TEF ISKFC BN \BHG ,BZGYF
\K\VZXF FZK[F KNG[C \GZTF
23
ZZG[PF BP[ [[IP QGBV N[ OKKZFXF ZIB \B SKVEFN CZKS SRZV NGJBRB KM BGVB BNVKK
.YGIXN GKFK \TF C\MG
ZZG[PF Q+M[ ,\GZGVJPFG OKNPSF \B [ZVN GNKIEC EGT Q\KR KNBE NXB OB ,QM KM FRF
\GTXPBC \BH \GZ[VB FPZBNP OSGI ,\PMSGP \ZG[Y\ KTXPBM QG[NC [GPK[ F[GT
F[TP BGF GP[C WVI \GRMN" :KM G\ZFXF KV NT \BH NM .FEKI C\MN FPXT FV[F \MKVF
\GTXPBC FZGVJP [ZVN[ QBMP ".FZKXK \MBNP BGF GKNT HGPZNG G\GGSFN ,OHKNERG N[
N[ QGGMPC KZJGHBF NPSF ZYKTCG ,NPSF[ ZIBP .FDZGFN GTP[P ,ZD\BN FPKNF K\NC FV[
LNGF GKNB ZCI\FN KGMKSF ,QJKKVF N[ \GKJZVF GK\GPID NT FRGT ,KJSKNGCPKSF ZZG[PF
ZETRG OKRVP#G LNGF GN[ OKKGPKEF LZTP[ NMM :KZY ,Z\GK "KJSKNGCPKS" QJKKVF[ NMM QJYG
la syntheÁ se de la vie par) "\GRPB \GTXPBC OKKIF N[ FH\RKS"N FH QGKSKR .U\G[P FRMP
,FPZBNP N[ GFZYPC LM OB YVS ONGB ,ZNEGC NXB ON[GP KGJKC KEKN ORPB BC ,(l'art
NPSN ZCMP FH LVF[ ,QGBV N[ OKKZFXF ZIBN FRG[BZG [BZC GPGSZV \B CKKIF
N[ FKVZDGBKZGMF ,KSGKCE& N[ FYKSGPF BNPNB[ \GEGFNP SGRP QKB ONGB .OHKNGCPKSF
EIBNG KRZEGPF JNCF N[ FRKRVN GH FZKXK LVF[ ZKFHP UGZKX ,KYSRK'HKR N[ NGIPFG C&NKDBKE
NMC .GEPTPC FMGH FKF FPZBNP OB YVS ,\PEGYF FBPF \K[BZC OKKNYKSGPF OKJKFNF
NY[PG HGZI NT \ZPG[ ,KEPN \KNRGKXRCRGY G\ZK[ N[ FCGZ[ ZGMHN KGBZF QP ,FZYP
.OKKNPSF FKKGJKCC GNKVB \YVGBPG ,OKKSBNY
FZK[F WCGYN FKF TGZF KIZV .ZNEGC FKF KYSRK'HKRG CNKDBKE ,KSGKCEN YYHR BN[ KP
NKM[F ZZG[PF[ FECGTF \GMHC ,FZK[F \GENG\ NMC OKZMGPF QPG 19=F FBPC Z\GKC TEGRF
FH QCGPC .GZGMKRN OGZDN BNG BZGYN GRKC U\G[PF FRMPN ZCTP GKNPS \B QKXYFN BN[
N[G Z&CfNV CJSGD N[ OEPTPN FPGE \KVGZKBFG \K\VZXF FZK[N SIKC ZNEGC N[ GEPTP
.FRZEGPFG OHKXKJRPGZF QKC \Z[YPF \KHMZP FKNGI :KZY .ZGKXNG QPGZN SIKC F&RBP ZBGEB&
W W W
GDGF ZGJYKG
27
GDGF ZGJYKG
"ZTXF FCZPN ...\VZX KZZG[P NGED"
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,\VZX KZZG[P NGED G\TEN BGF KP NCGR SZV Q\I NB[R[P .EK'H FZERB N[ BKF \Z\GMF
\BH NMC LB ,\ZTXP FECGT QMB ,ZTXF FCZPN ...GDGF ZGJYKG" :NY SGSKF ZIBN CK[F
GKNB[ QXYGPFG KZJSKFF EPKPF QP \GVKKTF NT FEKTP EK'H N[ \KRKXF G\ZTF ".FECGT
QFKRKPN \GKJSKNBKZGSF \GNGMSBF ETG OHKNGCPKSF CN[P \K\VZXF FZK[F FNDND\F
.EK'H N[ GKPKC GIZV[
G\GPEN OKGGY { GDGF
FBPF N[ FCGZ KRV NT NKVBP (Victor Marie Hugo, 1802-1885) GDGF ZGJYKG N[ YRTF GNKX
LG\C .1821 \R[C EGT ZGB GBZ Odes et poe sies diverses \Z\GMF \I\ G\ZK[ KZGMKC .19=F
FZK[ KZT[ FTC[
28
:UKYP FZK[ WCGY QMG OKPGDZ\ KMZM KR[ ,OKRPGZ KR[ ,FZK[ KZVS KR[ EGT GDGF OSZV OKK\R[
OZJC \BH NM .FVGY\F N[ \KJRPGZF FZK[F CJKP NT GPGSZV HBP FRPRF ,Odes et Ballades
OGK NMC C\M [KBF .FEDBN FKF GDGF N[ KNRPGRVF YVSFF ,QMB .(!) OKR[ 22 ZCIPN GBNP
\GZ[T LNFPC \BHG ,OKZ[T EGT ODZ\ QMG ,FHGZV KEGPT 20 QKVGNIN GB ZK[ \GZG[ 100
\GENG\C OKZKFHPF \GIGPF EIBC ZCGEPF[ FECGTF \B UKSGFN [K FH QG\R NB .OKR[C
FZGVF QGYKBHGZV=KBHIP=ZZG[PF BGF GDGF ,F@D&G FE F&VfN N[ GEXN ,QM KM FRF .\GZVSF
GZCT GK\GZKXK NM ,FDG FEN JNGC EGDKRC KM UB .FCK\MF \GRPB N[ FK\GZGY NMC Z\GKC
.ZCIPF N[ \KREVYF GRKTC CG[G ZGHI GRICR OZJC ZGB GBZ BNG ,[GJKNG \KPXT FMKZT
FHIPF BGF G\ZKXKC BCF LZEF QGKX ONGB ,ODZ\NG FZK[G FHGZV CG\MN LK[PF GDGF
ESP IKRFNG OKKJ\SBF GK\GRGKTZ \B TKCFN [YKC GC ,1827 \R[P Cromwell HZGIPF
CMZGPF ,LGZBF FHIPF .ZKKNGPN ZKVSY[ QKC FBNMF \RKICC FKFK[ KJRPGZ QGZJBK\N
.OK[GN[F \GR[P ZBGE \KGND .1827 \R[C GDGF ZGJYKG
GDGF ZGJYKG
29
\R[P Les Orientales ,BCF GKZK[ WCGY .FZK[F NB C[ GDGFG ,ZGPD QGN[KM FKF ,KRZPGKFG
,GRPHC OKKZNGVGVF OKZRB'HF QP ,"KNJRKKZGB" TYZ NT \GPBGVG OKZK[ 100=N CGZY GCG ,1829
KGJKC KEKN OKBC OKZK[C .QMN OEGY \GZGVS OKR[ ZJVR[ ,QGZKKCN FGGIP Z\KF QKC FKF
FRPR O\GMHC ,GDGF N[ OKYFCGP OKRKKVBP KR[ ,KJPZEF CKMZPFG \KJGKVF \GKHGBGJZKGGF
.\K\VZXF FZK[C OKTEGRF NT WCGYF
,Hernani, ou l'Honneur Castillan ,KR#RZF& N[ FZGMCF \TVGF FPKKY\F QMP ZIBN FR[
N[ OKEEG[ N QGKPEF .K\VZXF QGZJBK\C Z\GKC \JNGCF \KJRPGZF FPZEF ,(BNPF GP[C)
NXB .\KZGJSKF FPZE BKF GDGF N[ FKEDZJF OD ,KRPZDF FHIPN FPGEC .QKTN ZMKR ZNK[
KR[C .16=F FBPF N[ EZVSC GDGF NXB ,17=F FBPF N[ FKRPZDC \[IZ\P FNKNTF ZNK[
QBM ODG QBM OD .FZCIF \GTKCXC OIGNG QDGFPF ZGCKXF QP FEGRP FPZEF ZGCKD OKZYPF
JNGC OKKIF KCGNT P QB'HN#G QB'HN QGKPEF[ ZIBP) .ZHDR GNZGDG UGZKJ ET GRZGCKD CFGBP
N[ \KRIGZF FKVZDGKCF OT FCZ FEKPC FFGHP KDZJF ZGCKDF \GPE[ IKRFN ZKCS ,QKTN
ZNK[ N[ YKZCPF GFHIP .OKK\SP ZNK[N GDGF QKC QGKPEF GH FEGYRC[ BNB ,(GPXT ZCIPF
\PGTN ,KRRZF .OGKF OD KJPZEF ZBGJZVZF CJKP NT FRPRG QPHF N[ \KZHMBF FVRC EZ[
BN ONGB ,QCGBPF K\VZXF OHKXKSBNYC KJRPGZF OZHF NFKR[ YCBPC GRPHN FVK FKF ,\BH
GNNGI[ K\CZ FKZGZT[C ORPB F\GGN ,1830 ZBGZCVC 25=C KRRZF \ZGMC .FHN ZC+TP
OKZYCPF GYEX ZCE N[ GEGSKC ONGB ,GKZCIG KBHIPF N[ GPTJP OKKVM KBIGP OKTKXKC
\GKGPEF QP \TCGR FRRKBG KBHIPF KEK NT \C\MGPF FPZE BGF KRRZF .FHIPF \B GNJY[
GDGF N[ FHIPF KKGYKN .SG\VF K[GED OKDGNGRGPFG K\GMBNPF JYKNVRGYF QBMP .QPXT
G\GNEN \GET BGF ,GRPH ZCT[ FHIPF QGN[KM LB ,GH FZXY FPK[Z \GNGCDP ORPB OKDZGI
NGED N[ GJTP BC BGF Z[BM ZYKTC .NNMC \K\VZXF FZKXKC KJRPGZF CKMZPF N[
.FVGY\F KZZG[P
K\[P \IB \TVGF OT NGPDN ZCIPF FMH ,FPCF K[ZY NTP (EGBP KSIKF) QGN[KMF NT
:BGF ,\KZCT NNGM ,\GV[F CGZC OGDZ\F) Notre-Dame de Paris ,FHGZVC G\ZKXK N[ \GDSVF
QCKDF OGDZ\ OT .GKRVN LNGF 38=F QC ZCIPF N[ GP[G ,1841 BKF FR[F .(OBE ZJGRP QCKDF
NT [KBF IR 40 NKDCG ,GNGM ONGTC OSZV\FN GDGF FMGH ,\GKVGZKBF \GV[F CGZN OBE ZJGRP
.\VZXC OKZXGKF NGED N[ ECMRF EPTPC FRVE KZH
,GXZBC OKRGYKBHGZVFG OKBHIPF ,OKZZG[PF ZKMCN FKF[P ,F\T .IR YGKEC BN ,ZPGNM
NNMN \GKZIB GPM[ NT SKPTFN JKNIP BGF ,GBGNPG OGYKF N[ :FNPF N[ K\VZXF [GZKVCG
FTVG\F ORKKRT[ OKB[GRF QGGDP BGNP NT \K\GZVSF G\ZKXK \B [GZVN ,TP[P ,K[GRBF QKPF
QKICF BZGYF OB OD .FVGY\F N[ (La Voix de la Cloche) "QGPTVF NGY" \RKICC ,\K[GRBF
QPH YZVC .\GRKXZF BGNPC FKDGSN SIKK\P GDGF[ KZF ,QGZIBF JV[PC GF[P \KRGZKB FPKRC
.FHIP GB FZK[ WCGY ,QPGZ ZG[TF \GR[P FR[ NMC ZGB FBGZ GKKIC FH
.GDGF N[ \K\GZVSF G\YGV\C K\CZ FTKY[N \GET OF OKTCZBF \GR[ KFN[ ,\BH OT
FXTGPN G\ZKIC OD LMG ,OKKZGCKX OKEKYV\ N[ FZG[ GKNT FNKJP \K\VZXF FKPEYBN G\NCY
BGF ,QKENGVGBN FCGFBF G\C N[ F\GP .SKZV N[ ZKXM ,1848 \MVFP ZIBN ,\YYGIPF
.GKKI NM [[GB\K BN FRPP Z[B FPGNFP
FZK[ KZT[ FTC[
30
W
BNF EXF NT ZPKF[ KP ,GDGF WNBR ,K[KN[F QGBKNGVR N[ QGJN[N G\KKNT OT ,1851 \R[C
O[PG FKDNCN ,QGXZP QMP ZIBNG FKKVMC FNKI\ ,\GNDN \BXN ,KJKNGVF SZ\PF N[ QGMR
N[ Z\GKC \GKZGVF OKR[F GKF ,1870=N 1851 QKC ,\GNDF \GR[ 20 .FNT\C KJKZC KB ,KSRZ&DN
N[ FZG[C ,OKKJKNGVF GKCKZK OT CYGR QGC[I GDGF LZGT ,FBNPF G\GZDCC ,F\T .GDGF
\R[P (OK[RGTF ) Les Chaà timents ,KSZBG KZKJBS OKZK[ WCGYC Z\KF QKC .OKKZGJSKF OKZGCKI
CJKPN C[IRF \KZKNF G\ZK[ WCGY ZGB FBZ 1856=C .K[KN[F QGBKNGVR \B UY\ GC ,1853
OKZGFZFNG G\C ZMHN OK[EYGPF OKZK[ GCG ,(OKZGFZF ) Les Contemplations ,\KJGKVF G\ZKXK
OKR[C .\K\VZXF FZK[F NGEDG QY^H N[ ,SGSRZVF ,ZPGN CJGP GB ,SGVPKNGBF KPGZPP OKDGR
NIF GH WZB KZZG[P CZYC FR[RG ZHGIF) QGKSKRC ,FNGEDF \KVBF G\ZK[ \B GDGF ZCIP GNB
\Z\GM .K\VZXF SBKRB F \B \GIVN GB ,FEBKNKBF \B \VZXN YKRTFN (ZJNGGC FNMG ZBSRGZC
,(1859) La Le gende des SieÁ cles :FBKM BKF ,OKHGZI KVNB \GZ[T KRV NT TZ\[PF ,SGVBF
D[KF BGF SGVBF N[ KJVKNYGVBF CD[F .\G[GRBF \GZGY KRV NT KJGKV JG[P QKTP BGFG
BGF NGNMPF ONGB .QPHF \ZK[ CJKPP BKF ,FPXT KRVC \IB NM ,\GPBGVF .ZKEB KEGHGZV
GB SGKNKDZKG ,SGZPGF \B \VZXN YKRTFN GRGKSKRC ORPB N[GM GDGF ,QM KM FRF .KJGKV QGN[KM
,(Les Mise rables) OKKIF KCGNT \B GKBZGYN YKRTP BGF \BH \I\ ONGB ,QGJNKP \B ZTXPN
.La Le gende N[ (KSIKF) QGN[KMF NT NYRC NKVBPG ,1862=C ZGB FBGZF
G[BZ NT \EZGK ,1870 \PINP N[ FSGC\F KBXGPC ,SKZVN G\GNDP GCG[ ZIBN ZXY QPH
FH OK\P GKRC KR[ ,FPNGTN \MNGF G\[B .\KPGBNF FVZIF NT OKVSGRF ,\GRGSB N[ FZG[
,NEB ,G\]C .\GHIP N[ FZG[ C\M FRTPN[ \KRYI[F ,JKKNG'H FCGZYF G\EKEK OD LMG ,FH ZIB
ET NC\ N[ F\KXIP KRV NT \EEGRG KJKZC QKXY N[ G\CFBC \GMHN [BGR QGKSKRC \IZGC
NB USBRG OKR[ TC[ EGT EZG[ BGF .KIGP WC[ GDGFC TDGV 1878 \R[C .NKNM \VZJR F\TE[
G\ZGCY ETGPG ,OK\VZX QGKNKP K+R[ YNI OKNJGR FKGGNFF TSPC .1885 KBPC 22=C GKPT
.KPGBN NCB N[ OGKM HZMGP QGBK\RVC
GN BC ,G\GP ZIBN ,ZZG[PF GDGF N[ GPGSZV ZYKT ONGB ,GF[P TK\VP ZCEF[ QM\KK
OKRPGZF EIB \GKFNP FRF+ ETG C\MR[ HBP NEI BN OKKIF KCGNT .FHGZVC GK\GZKXKP
LMN OZGDF .\KSIK FIM[] N[ \ZMKR FVGY\ FZCT G\ZK[ NT LB .\GV[F NMC Z\GKC OKBZYRF
\ZK[ ,19=F FBPF N[ FKKR[F \KXIPC \K\VZXF FZK[C FPXGTF KCZ OKPZHF KR[ GKF
[VR UGZKIC GPIN ,O[BZC F&KKJfD NKVGBK\ OT ,SGSRZVF KZZG[P .OHKNGCPKSFG SGSRZVF
\ZJT \B CK[FN QGKSKR NM KM FKF ZGZC ONGB .\Z\GKP \KJRPGZ FPRVFM OEK NT [V\R[ FPC
LB ,FKKJGD EDR ORPB GBXK OKJSKNGCPKSF ,QM KM FRF .QGN[KMN QGEKR FR[GKN OHKXKSBNYF
KJRPGZF QEKTF N[ WZIRFG KVGSF GZCY GKF FZK[C \YXN G[YKC[ OK[EIF FEKPF=KRY
SP GPNK[G GKMZC NT ORPB GMRI\F NMF .NGEDF GBKCR FKF GDGF ZGJYKGG[ ,\K\VZXF FZK[C
N[ FTV[FF \PXGT .GK\I\ GZ\I NMF ,ZFXGPC BN OB OD ,LB ,G\NGEDN OKK\V[
,ZGKXG FZK[ ZYKTC ,\GKGRPBF NNM \B FBPF N[ 70=F \GR[P NIF UKYF[ ,OHKNGCPKSF
G\ZK[ N[ KZJSKFF WZVC ,ZNEGC FRGMPF [TDF ZF .KJGKVF OGKF ZE+SP GDGF \B FYNKS
GDGF ZGJYKG
31
FTEG\F OZHG FPZBNP N[ ZGC[F ZKCI\F ,UGZKJF NGCD NT[ OKNPSG OKCKJNZVGS F[GEDF
\TKY[ OT YZ .FBKZYF ,FZGESF ,\K\NKNTF { GDGF N[ G\ZK[ NT GNKVBF ,GCPZ N[
GEPTP \B SV\G GDGF C[ ,OKZ[TF FBPF \K[BZG FBPF KFN[C ,KGVXF SREYEC OHKNGCPKSF
NT BYGGE ,FRG[BZF ONGTF \PINP ZIBN[ OKR[C .\VZX N[ OKKJRPGZF FKZZG[P NGEDM
,LZEG GCMGM C[ ,OHKNBKZGSCG BEBEC EZGSCB ET FTKDF[ \KJSKNGCPKSF FRXYFF TYZ
.GH FZKYS \Z\GMP EK'H FZERB N[ GKZCE \B \PKB]G
OKRJKJF NT" G\GRP]N OHDGP FH FKFK BNG ,\GZGEF NMC FZK[F KNGED NT FRPR GDGF ZGJYKG
FVYKF \GMHC QF .QGSKRJ EZVNB KZCEM ,"F\DG ZKVSY[ ,FJRE ,SGKNKDZKG ,SGZPGF \NGMSBP
TRPR GDGF .GKZK[ N[ FZK[KF \GJ[VF N[C BYGGE FRG[BZG [BZC ONGB ,G\ZKXK N[ OKFEPF
DF#GRF .KJPDGE WGNKB NMP FV+DP KRVPM YIZ\PG ,OKKEGHGZV ZGRKE KYGYKHP ,FZ+\K FJ[VFP
.SKZV ,GDGF QGBKHGP 1887 ,GDGF ,QEGZ JSGDGB
FZK[ KZT[ FTC[
32
KGVM QGRDS GRRKB GDGF N[ "OHKXKJRPGZF" QM[ ,ECNC GYNIC QGMR ,"KJRPGZ" ZZG[P GC \GBZN
.18=F FBPF N[ FZK[F EDRM FSZ\F GB
N[ GKPKC ,16=F FBPF N[ EBKNVF QEKTC GKZK[ \B CG\MN FEKP F\GBC FKF NGMK GDGF
FZK[F KNGED OT YNGI BGF GH FRGM\ .ZJNGG N[ FRGC\F QEKTC GB ,17=F FBPF KFN[C QKSBZ
.FNGMSB GB FPDP ,OZH KV NT ODKK\N Z[VB KBG LZGX QKB[ FNB ,\GZGEF NMC[
OGDZ\F
,[E+IP GRRKB GDGF .FNPF N[ YGPTF FRCGPC \KJ\SB FKGGI BGF GDGF N[ GK\GZKXK OGDZ\
CJKF OK\Z[PF ,OKJG[VF GKNNM NT K\ZGSPF QKZERSMNBF BKF ,GKZK[ CGZC ,GN[ FKEGHGZVF
FZ[T=OK\[ NT QKZERSMNBF NY[P ,\KZCTN ODZ\PF N[ GNHPN .\K\VZXF QG[NF \B
\G[KZEC EGPTN \GZ[VBF QBMP .IGR FEGCT KNM BGF CPBKF NT \GRT[RF GK\GZCF
.CG\MF N[ GRMG\ BGNP \B KZCTF BZGYN YKRTFN \BH OTG ,ZGYPF N[ \GKEGHGZVF
LPSRF ,La Legende des SieÁ cles N[ QG[BZF YZVC \KTKCZF FPBGVF BKF HTGC N[ G\R[
\NKDP NT LPSRF ZK[C \KEGFKG CYTK ZGMHB .F[EIF \KZCFG L"R\F QP OKRM\ NT GZYKTC
\G[TN KPXTN K\K[ZF .BZYPF N[ \KNNM \ZDSP Q\P OB KM ,OHKRGZMRB IZMFC GRKB ,\GZ
OTJ YKRTFN \RP NT ,"OK\]@C^pF# QP] d@N ek` rv@" \PDGE KBZYPF ZGYPF QP OKKGJKCC [GPK[
.FZKXKN KZCT
FBXK[ ,(1881) Les Quatre Vents de l'Esprit OKZK[F \VGSB LG\P \GPN LNGFF CNMF
HZGIP ZK[F .Z\GKG OKR[ OKZ[T KRV NT GZCI\R[ OKZK[ ZZG[PF WCKY FCG OKMZM KR[C
OGDZ\[ BGVB FPGE .NDZF& BKF ,KEGHGZV IZMF BKF[P Z\GK FH FZYPC FHKZIF ONGB ,ZGYPC
.BZGYF NT FZ[P GH FZKXK[ \KDNBF FZKGGBC TDGV GRKB QCN HGZIC ZK[F
\GBSZKD ZVSP C\M GDGF .FZESC Z[T=EIBF ZK[F BGF ,Les Orientales LG\P FNTZF
,K\TE \GKRTN \GVKSGPF ,GDGF N[ \GJGKJF LG\P OKTJY UZXN K\ZIC OGDZ\C ,TEGRF ZK[N
OKYCBRF OKCZTF OKNZCKNF KEKC KNMN GRKPKC LVF TEGRF ZK[F .CG\MN \KJPZE FPXGT Z\K
.F[BF ZGZI[N
\VGSBC ZGB FBZ ,GDGF N[ OKCMZGPF OKZK[F QP ,\GPF BGVB BGF FP
.1856 \R[P Les Contemplations
W W W
GDGF ZGJYKG
33
F N K IP
B& 3
,B̀N^M]N \#VZ^@X \&B fB Y` RI^#N BP@fZ \
.fBfNP^e E&NI&#a F&gP] BZ@fR BJ^I+ QKB+
,F@K@N^Me WY+ Z` H^D]N ZKT] N#T^G WZ&B& N#T
,F@KeJ^R #TfZ^H]a S` PI^#N Q@\eZI+ \B&
,\K]RI@^G CZ&I&#a W` Z^V]N Bu@]R QKc] \K+a
.\KZ]^MF#^Ne \fIP^]N fP^X#T Y` I#F \B&^G
C@T` \P^ Tr#&o BeF O#T Nr& fIeZ Z` ar^]N
.GK@RK+T O` XTz#K B̀N E&SI& CZ# NB+@F fNeP
,K+T@CE^]j fNeP^b F&KF^]K Z#oAM^K B̀N BJ^I+ K]j
.KBc##G N+CzB JB#^N F&j#K OI+Z# B̀N^N
C+N^DP# ,JftF# fE@K^a ,rB` Z=E#C^j ,B@a BeF F+mF]
.GK@R@o N#T \r&` I^R \fZY+E^P#^a W#arAP^
L'Expiation
"
Le
plus haut attentat que puisse faire un homme,
C'est de lier la France ou de garrotter Rome;
Â,
C'est, quel que soit le lieu, le pays, la cite
à ter l'a
à me a
à chacun, a
Á tous la liberte
Â.
D'o
 pe
 e,
Dans la curie auguste entrer avec l'e
 e,
Assassiner la loi dans son temple frappe
Mettre aux fers tout un peuple, est un crime odieux
à veur, ne quitte pas des yeux.
Que Dieu, calme et re
Á s que ce grand forfait est commis, point de gra
à ce;
De
La Peine au fond des cieux, lente, mais jamais lasse,
Se met en marche, et vient; son regard est serein.
Elle tient sous son bras son fouet aux clous d'airain.
FZK[ KZT[ FTC[
34
H T GC \ R [
r 3
,fNP@TzP+ U+K@T Q̀ rK]N H#T` a C#M @
.GK\@fEs^]a CZ&&T E#T ZfB ZY&` aP] E#C@T
C@jr^P]^N BeF F@N@T HB@P+ fN+bZ^F&^j
.fNeCK]a Fr@eE^b 1FP@Z+Tz@F F+X^Y]a
,Q@K^R]Y^G S&M&R CZ# ,H#T` a OKP]@i#a B@a
.O]K#o#j K]Y^R ,QeDF@ ,fZr^@T \fZP^#N N@CBz
,O]KI#Z+ K+R^C#B eRIzJ@ O` \^Ce Zr&` K^a
.QJ@u@#F \&CF&^Nr# f\@RE^#S N#T FI@^S@o
,EZ+fK fRY@^H UeS@j Q@SK]R^a D&N&o fP^j
.EK]HP+^a CF#Z# B̀N fRZ^@D^a T#X&a B̀N
:EK]bF] GKZ@@T^R]N ,F@kc# Ft@]B FB@Z@
.Jq+#Nv^ Q#TP#^N 2",OK\]@C^pF# QP] d@N ek` r@v"
,ZKr]KF+ fjZ^E#^Ce FP@Z^@TF@ QP] E#N@S
,FI@&X f\P@K]N^De rKB]@F F@K@F ZfFJ@
,F@MZ@^a eBZ@ EKP]v@ fZ^H&T OKr]^q#CP^F#
.ZKT]@F K+i]RTz#N Q@Dc@ Kq+s# xK]Nr^F]
,\fB@R Zs@@a ZB+r^ ,F@K@F CKJ]KP+ QfEB@
x@j N#T ,fE@K WP+]Y B̀N xB# x` SI^#N TE#@K
.I#X O&N&TP+ Z+\fK F@K@F OKr]@R CeFBz
.EfC@j F@R^Y]g#a x#B OKP]eNTz#a QI+ r+K
,ZfYl@F# N&B Ct@#F OKP]@i#a B@a rK]B K]j
.E#T@N KF]^K fEfC^j ,OfK Nr& \fmJ#^Y]N H@a
,EP@I^&R YZ@@a \fVr^fZ OKP]@NTz@F K+RK+T
.ZfB@F KF]^K \P&<B QY+@H K+RK+TP+ xB#
GDGF ZGJYKG
35
Booz Endormi
"
Booz
 tait couche
 de fatigue accable
Â;
s'e
 dans son aire;
Il avait tout le jour travaille
Á sa place ordinaire;
Puis avait fait son lit a
Á s des boisseaux pleins de ble
Â.
Booz dormait aupre
 dait des champs de ble
 s et d'orge;
Ce vieillard posse
 tait, quoique riche, a
Á la justice enclin;
Il e
Il n'avait pas de fange en l'eau de son moulin;
Il n'avait pas d'enfer dans le feu de sa forge.
 tait d'argent comme un ruisseau d'avril.
Sa barbe e
 tait point avare ni haineuse;
Sa gerbe n'e
Quand il voyait passer quelque pauvre glaneuse:
Á s des e
 pis, disait-il.
± Laissez tomber expre
Cet homme marchait pur loin des sentiers obliques,
à tu de probite
 candide et de lin blanc;
Ve
à te
 des pauvres ruisselant,
Et, toujours du co
Ses sacs de grains semblaient des fontaines publiques.
 tait bon maõÃtre et fide
Á le parent;
Booz e
 tait ge
 ne
 reux, quoiqu'il fu
Ãt e
 conome;
Il e
Les femmes regardaient Booz plus qu'un jeune homme,
Car le jeune homme est beau, mais le vieillard est grand.
Á re,
Le vieillard, qui revient vers la source premie
 ternels et sort des jours changeants;
Entre aux jours e
Et l'on voit de la flamme aux yeux des jeunes gens,
Á re.
Mais dans l'úil du vieillard on voit de la lumie
FZK[ KZT[ FTC[
36
,H#T` a f\K+a K+R^a QK+a Qr#@K Q+M=K]j F+mF]
O]KI#Z+ K+R^CB#^Ne GKZ@P@T>@N xeP@S
.O]K#RK+a \fZeCIz#a eRr^@K OKZ]^XfqF#^G
.HB@P+ \fZfc eV^NI@ ,OK]R@V^N F&H F@KF@
,NB+Z@s^]K N#T OKJ]^Vfr eK@F BKF]#F \+T@a
FP@F+E^\#^a JK]aF] ,E@e#R F@K@F OE@B@
FP@E@Bz#a OKT]eCJ^ Y@RTz \fC^qT]^a
.N+NfI\^]R rP&B& xB# Neal#F# QP] FI@#N
W
,flT] \KE]eFK]G ,C` YTz#K f\@Rr^ \&B O@R
.O]K#jZ^]a UeSBz H#T` a Qr#@K GK@RK+T O#X@T
O]KP#r@ KZ+Tzt#P] Zr+^K#F r#N@b K#HBz
.fPfNIz N+B QfK^HI& ,(OK]YF@` VP^ O+F O#b)
#d` C@b Y+SfR ,H#T` a FB@Z@ fRfHIz#a
,ZP&` v ,#TK]YZ@ KP+r^ NB& GK@X@NIzP+ Zr+^KF#
,ZP&` B #TK]aP# E#a NB& E#a fP^j ZfE^N ZfE^G
.d̀#N<B \P+ F@NT^P#^N ,Zs# x&NP& Fh@P#^N
:Fr@ea C` ZP+ xfC@R NfY^a H#T` a NP+^NP]
,\fZeC^D]N Kv]T^#bF] B̀NFz Cfh#F K]N+B"
,\fZfcF# ek+B \&B BfV+B EK]NfB E#XK+j
.Ft@]B TE#+B B̀N Q+F OK]aZ# OKP]@K F&H^G
HB@P+ Z#C@T CZ# QP#^H ,v@T^E#@K KZ+Fz ,K]NB+
yK&\fTfZ^H]a FZ@Iz@a ,Kv]r^]B FY@^kv#^S]mr&
yK&N+B K]C@jr^l]P] x@M^G ,Kv#I^#v C#jr^]N
.H#T` a Q̀JZ^]N xKr]P^]F ",K#iI# \B& v@^NJ#@R
GDGF ZGJYKG
37
Donc, Booz dans la nuit dormait parmi les siens.
Á s des meules qu'on eu
à t prises pour des de
 combres,
Pre
 s faisaient des groupes sombres;
Les moissonneurs couche
Á s anciens.
Et ceci se passait dans des temps tre
È l avaient pour chef un juge;
Les tribus d'Israe
Á l'homme errait sous la tente, inquiet
La terre, ou
 ants qu'il voyait,
Des empreintes de pieds de ge
 tait encore mouille
 e et molle du de
 luge.
E
W
Comme dormait Jacob, comme dormait Judith,
 s, gisait sous la feuille
 e;
Booz, les yeux ferme
 tant entreba
à ille
Âe
Or, la porte du ciel s'e
à te, un songe en descendit.
Au-dessus de sa te
 tait tel, que Booz vit un che
à ne
Et ce songe e
Qui, sorti de son ventre, allait jusqu'au ciel bleu;
Une race y montait comme une longue chaõÃne;
Un roi chantait en bas, en haut mourait un dieu.
à me:
Et Booz murmurait avec la voix de l'a
Comment se pourrait-il que de moi ceci võÃnt?
 quatre-vingt,
Le chiffre de mes ans a passe
Et je n'ai pas de fils, et je n'ai plus de femme.
Á longtemps que celle avec qui j'ai dormi,
Voila
à Seigneur! a quitte
 ma couche pour la vo
à tre;
O
à le
 s l'un a
Á l'autre,
Et nous sommes encore tout me
Á demi vivante et moi mort a
Á demi.
Elle a
FZK[ KZT[ FTC[
38
K]\fN^C]a F&H xKB+^G ?B+X+K Kfb K]ml&P]"
ZI#r# N@j Z#SIz Zeo]S ,Q+MB@ ,OK]R@a EK]NfB
ZI#r# OT] QfI@p]m#F Bu@]R KP#eNTz#a
?K\]@R^Y]H^a N@CzB .OfK N&B NK+kP] WZ+fo
,Uc@]R F&N@T fP^j \E&&TfZ F@R^Y]gF# QF+
frKZ]Iz#a EE+fa ,N]K#N OT] K]RBz QP@^NB#
.frB` Z SeCB+F@ NB& QK]jZ^P# BP+@X Zfr fP^j
".GK\@fCzB OT] FJ&fR K]a]N ,C#jr^]N Z@C^j OB]
.FP@Tz^V]R I#eZ^a Z` PB+N H#T` a I@S x@j
,GKF̀@N<B N&B Z+ac] O]K#RK+T \P#K]XTz#a
,GK@N^DZ#^N HZ&B&@F \K]N@b]n#a rI@ B̀N
.FP@^N#T fc]X^N K]j H#T` a TE#@K B̀N^G
W
,fPfNIz#a BeF EfT F@N^K#k#F K]XIz#a KF]^K#G
3
N#Dv^ ,JB@k#a BfC@v F@i]C@Bfl#F \eZ
.N@Dr+#F fH C#jr^v] fc]X^Ne GK@N^DZ#
.fPfK E+N+K F&g FP# TE#+K B̀N rK]B F+mF]
,\&C&Mfr flT] \eZ K]j H#T` a TE#@K B̀N^G
,NB+@F QfXZ^ Zv#^S]R \eZ Nr& d@a]kP]e
NK+N OT] F@RfC^Ne Z` P I#fIK]R YZ#^G
.\&Cr&fmF# I#eZ@a N@b^N]b K+R^o N#T Bu@]R
,Ut@AMP^e B@N^V]R ,QK]SeZB+@F NK+N ,dF@
,d@KeN^NF# eZl^]H KBc##G^a Or@ OK]CeZ^j
F@KF@ ,rq+]ar& KP] ,NK+k#F \fXIz#a K]j
.U@R@j Zfo]X \ePE^]a FP@=Z#Cc^ \fBZ^]N NfM@K
GDGF ZGJYKG
39
Une race naõÃtrait de moi! Comment le croire?
Comment se pourrait-il que j'eusse des enfants?
Quand on est jeune, on a des matins triomphants;
Le jour sort de la nuit comme d'une victoire;
Á l'hiver le bouleau;
Mais, vieux, on tremble ainsi qu'a
Je suis veuf, je suis seul, et sur moi le soir tombe,
à mon Dieu! mon a
à me vers la tombe,
Et je courbe, o
Comme un búuf ayant soif penche son front vers l'eau.
à ve et l'extase,
Ainsi parlait Booz dans le re
 s;
Tournant vers Dieu ses yeux par le sommeil noye
Á dre ne sent pas une rose a
Á sa base,
Le ce
Á ses pieds.
Et lui ne sentait pas une femme a
W
Pendant qu'il sommeillait, Ruth, une moabite,
 tait couche
 e aux pieds de Booz, le sein nu,
S'e
 rant on ne sait quel rayon inconnu,
Espe
 veil la lumie
Á re subite.
Quand viendrait du re
 tait la
Á,
Booz ne savait point qu'une femme e
Et Ruth ne savait point ce que Dieu voulait d'elle.
Á le;
Un frais parfum sortait des touffes d'asphode
Les souffles de la nuit flottaient sur Galgala.
 tait nuptiale, auguste et solennelle;
L'ombre e
 ment,
Les anges y volaient sans doute obscure
Car on voyait passer dans la nuit, par moment,
Quelque chose de bleu qui paraissait une aile.
FZK[ KZT[ FTC[
40
\&N&Nfa\^P]e GK]oP] H#T` a \P#r^]R F@NfT
,O]Kl#F# N#T U&XY&^a ,OK]D@N^o#F rI##N^a
Q]KE#Tz xZ#^G OKT]@R d@a T#Ch&#F \+T fH
.\&N&p#CIz \I#Z#fo OKZ]@F \fD^S]o N#T^G
.Z#j#F F@KF@ N+VB@ ,Qr#@K H#T` a ,FZ@FzZ^]F \eZ
,TP#r^]R OK]N@a^RT]F@ NeX^N]X ,QB` X#F C#Mr@
:FP@P@E^]a T#Vr& C` Z OfZP@ KP+r^ eTK]or^F]
.ZF@@mF# N&B F+KZ^#B B+XfK fa JY&r& F&H
.N@b^N]D^a eP@R^G ZeB^a eRr^@K N` jF#
,@FK&RK+T \&B \eZ FI@^Y@o d@VKT]^X FZ@K]SF+
@FK&N@TP+ d#` C@b OK]C@Mfj eYKZ]^CF]
.N@bP#^a ZF##n#F IZ#@H O&FK+RK+Ce
:OK]C@T&a \J+&&aP# F@G+Nr^ FZ@FzZ^]F \eZ
Z&C&b#F F` VKB+ ,NB+@F F&H I#X&m#a F+i#B"
Z&C+TP+ xK]Nr^#K K]j E#T fZr^@T CZ# F` j
"?OK]C@Mfj QK+a CF@@H N#bP# fV\+^M]N
GDGF ZGJYKG
41
La respiration de Booz qui dormait
à lait au bruit sourd des ruisseaux sur la mousse.
Se me
 tait dans le mois ou
Á la nature e
 tait douce,
On e
Les collines ayant des lys sur leur sommet.
 tait noire;
Ruth songeait et Booz dormait; l'herbe e
Les grelots des troupeaux palpitaient vaguement;
 tombait du firmament:
Une immense bonte
 tait l'heure tranquille ou
Á les lions vont boire.
C'e
 rimadeth;
Tout reposait dans Ur et dans Je
 merveillaient le ciel profond et sombre;
Les astres e
Le croissant fin et clair parmi ces fleurs de l'ombre
Á l'Occident, et Ruth se demandait.
Brillait a
Á moitie
 sous ses voiles,
Immobile, ouvrant l'oeil a
 ternel e
 te
Â,
Quel dieu, quel moissonneur de l'e
 gligemment jete
Â
Avait. en s'en allant, ne
 toiles.
Cette faucille d'or dans le champ des e
FZK[ KZT[ FTC[
42
\GPN LNGFF CNMF
^Y 3
FJ@K]a]F O@iF# UfI N#T OKZ]@T^R Nr& F@XeC
.NfI#a W+CfZ \eP@N x+NfF#F C&N&M^a
.O&FK+NzB Kv]r^#b]R ,K]N eBZ^Y@ OKZ]@T^mF#
,O&FK+N^DZ#^N W#CZ@ QY+@g#F C&N&jF#
.OK]k#b#F U&XY& \B& GK@N@T HKv]P# O@iF#
FZ@P^B@ ,C+Mfr BeFr& OKP]@K Fr@fNr^ F&H
GK@N+B Z+aE#^N xZ&` X QK+B ,OK]Dc@#F \Z&&MfP
GK@N@T^a ,Q]K#T I#Y+fo B̀N BeF
,EI@B& QY+@H ZKT]F+ ,O@i#a DK]N^V]F I@kP#
:UK]SfF frB` Z C+aZ^r] K]RfN^o EfT^G
,fRfEBz Q#TP#^N \P+ C&N&jF#
BeF^G NP+@m#N F@TK]bF] f\@RK]V^S F&H
.C&N&j#F \eP@K HB@ E#T J#TP^ EfT #TK]b#K
,N@NP^AB@F C&N&jF# E#K^N T#DZ&^N Kv]E^P#@T
,N&DZ&^G rB` Z #TK]RF+ B̀N N+NfI\^l]#N rZ+I+
.UfIF# N#T Q&CB& fP^j O]K#RK+T OeXTz C#Mr@
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HZ@` HP^ E#T#X^a T#S@o QY+@H I#kP#
.C&N&j#F Or+ \&B ZP#B@ xeP@R NfY^Ce
,F@N^K#k#a \freE^b GK@RK+T IY#@o UfS UfS HB@^G
.\P+e C@nF# fC@R^H UK]RF+ fRfEBz#a JK]aF]
,N` I@jF# #TK]YZ@@N \I#v#P] \B` g#F F@Tt@#a F&H F@KF@
;d#D̀m#F C@Mfj IZ#@H \fNeXl^F# QP] F@NfT F@CF@&N fP^j
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!F@N^K#N fF
GDGF ZGJYKG
43
Un Chien qui CreÁve
"
Un
Á l'heure e
 tait la
Á sur la gre
Á ve,
groupe tout a
Á terre. ± Un chien qui cre
Á ve!
Regardant quelque chose a
 des enfants; voila
Á tout ce que c'est. ±
M'ont crie
Et j'ai vu sous leurs pieds un vieux chien qui gisait.
 an lui jetait l'e
 cume de ses lames.
L'oce
Á trois jours qu'il est ainsi, disaient des femmes,
± Voila
On a beau lui parler, il n'ouvre pas les yeux.
± Son maõÃtre est un marin absent, disait un vieux.
à te a
Á sa fene
à tre,
Un pilote, passant la te
A repris: ± Ce chien meurt de ne plus voir son maõÃtre.
Justement le bateau vient d'entrer dans le port;
Le maõÃtre va venir, mais le chien sera mort. ±
à te
 pre
Á s de la triste be
à te,
Je me suis arre
à te,
Qui, sourde, ne bougeant ni le corps ni la te
 s, semblait morte sur le pave
Â.
Les yeux ferme
Â,
Comme le soir tombait, le maõÃtre est arrive
à me; et, ha
à tant son pas que l'a
à ge casse,
Vieux lui-me
 le nom de son chien a
Á voix basse.
A murmure
 nue
Â,
Alors, rouvrant ses yeux pleins d'ombre, exte
 son maõÃtre, a remue
Â
Le chien a regarde
Á re fois sa pauvre vieille queue,
Une dernie
 tait l'heure ou
Á , sous la vou
à te bleue,
Puis est mort. C'e
 nus luit;
Comme un flambeau qui sort d'un gouffre, Ve
Á vient l'astre? ou
Á va le chien? o
à nuit!
Et j'ai dit: D'ou
FZK[ KZT[ FTC[
44
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,YKT]l+#F O` I#N Kv]T^#R^M]R ,Q+j
.Kl]]B K+R^a KI##B \r̀&Nr^
?Q@C@k#F reaZ^v##a ,Y` Z@iF# Qv@^V#j#a Q@MKF+^G \KB]Z@ KP] \B& :KR[F IBF
GDGF ZGJYKG
45
Le Voile
La Súur
"
Qu'avez-vous,
Á res?
qu'avez-vous, mes fre
Vous baissez des fronts soucieux.
 raires,
Comme des lampes fune
Vos regards brillent dans vos yeux.
 chire
 es;
Vos ceintures sont de
 ja
Á trois fois, hors de l'e
 tui,
De
Á demi tire
 es,
Sous vos doigts, a
Les lames des poignards ont lui.
Le FreÁre AõÃneÂ: N'avez-vous pas leve votre voile aujourd'hui?
La Súur
"
Je
Á res,
revenais du bain, mes fre
Seigneurs, du bain je revenais,
 e aux regards te
 me
 raires
Cache
Des Giaours et des Albanais.
Á s de la mosque
Âe
En passant pre
Dans mon palanquin recouvert,
 e:
L'air de midi m'a suffoque
Mon voile un instant s'est ouvert.
Le Second FreÁre: Un homme alors passait? un homme en caftan vert?
FZK[ KZT[ FTC[
46
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GDGF ZGJYKG
47
La Súur
"
Oui...,
à tre..., mais son audace
peut-e
 voile
 s...
N'a point vu mes traits de
Á voix basse,
Mais vous vous parlez a
Á voix basse vous vous parlez.
A
à me,
Vous faut-il du sang? sur votre a
Á res, il n'a pu me voir.
Mes fre
à ce ! tuerez-vous une femme,
Gra
Faible et nue en votre pouvoir?
Le TroisieÁme FreÁre: Le soleil eÂtait rouge aÁ son coucher ce soir!
La Súur
"
GraÃce!
à ce! gra
à ce!
qu'ai-je fait? gra
Dieu! quatre poignards dans mon flanc!
Ah! par vos genoux que j'embrasse...
à mon voile! o
à mon voile blanc!
O
Ne fuyez pas mes mains qui saignent,
Á res, soutenez mes pas!
Mes fre
 teignent
Car sur mes regards qui s'e
 tend un voile de tre
 pas.
S'e
Le QuatrieÁme FreÁre: C'en est un que du moins tu ne leÁveras pas!
FZK[ KZT[ FTC[
48
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eRB@X@ir& eRI^#RBz x@M^G .F@mZ] NfY^a
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GDGF ZGJYKG
49
Ce Que C'est Que La Mort
"
Ne
dites pas: mourir; dites: naõÃtre. Croyez.
On voit ce que je vois et ce que vous voyez;
à tes;
On est l'homme mauvais que je suis, que vous e
à tes;
On se rue aux plaisirs, aux tourbillons, aux fe
à che d'oublier le bas, la fin, l'e
 cueil,
On ta
 galite
 du mal et du cercueil;
La sombre e
Á re;
Quoique le plus petit vaille le plus prospe
à me pe
Á re,
Car tous les hommes sont les fils du me
à me larme et sortent du me
à me oeil.
Ils sont la me
Á se remplir d'orgueil;
On vit, usant ses jours a
à ve, on souffre, on penche, on tombe,
On marche, on court, on re
On monte. Quelle est donc cette aube? C'est la tombe.
Á suis-je? Dans la mort. Viens! Un vent inconnu
Ou
Vous jette au seuil des cieux. On tremble; on se voit nu,
 des mille noeuds fune
Á bres
Impur, hideux, noue
 ne
Á bres;
De ses torts, de ses maux honteux, de ses te
Et soudain on entend quelqu'un dans l'infini
 ni,
Qui chante, et par quelqu'un on sent qu'on est be
Á tombe a
Á notre a
à me me
 chante
Sans voir la main d'ou
L'amour, et sans savoir quelle est la voix qui chante.
On arrive homme, deuil, glac
Ë on, neige; on se sent
Fondre et vivre; et, d'extase et d'azur s'emplissant,
à tre fre
 mit de la de
 faite e
 trange
Tout notre e
Á re un ange.
Du monstre qui devient dans la lumie
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52
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53
Delfica
"
La
 , cette ancienne romance,
connais-tu, Dafne
Au pied du sycomore, ou sous les lauriers blancs,
Sous l'olivier, le myrte ou les saules tremblants,
Cette chanson d'amour qui toujours recommence?
 ristyle immense,
Reconnais-tu le Temple au pe
Á s'imprimaient tes dents,
Et les citrons amers ou
à tes imprudents,
Et la grotte, fatale aux ho
Á du dragon vaincu dort l'antique semence?
Ou
Ils reviendront, ces Dieux que tu pleures toujours!
Le temps va ramener l'ordre des anciens jours;
 tique
La terre a tressailli d'un souffle prophe
Cependant la sibylle au visage latin
Est endormie encor sous l'arc de Constantin:
 range
 le se
 ve
Á re portique.
± Et rien n'a de
Une AlleÂe du Luxembourg
"
Elle
 , la jeune fille
a passe
Vive et preste comme un oiseau:
A la main une fleur qui brille,
A la bouche un refrain nouveau.
à tre la seule au monde
C'est peut-e
 pondrait,
Dont le coeur au mien re
Qui venant dans ma nuit profonde
 claircirait!
D'un seul regard l'e
FZK[ KZT[ FTC[
54
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6
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7
:QfZ&M@B \&B \K]Rr+ I#+p#RP^]j Kv]I^#N@X
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CG\KM "GK\GKN[BP ZGTR 'NNPGBF'"
FKRPGZC GZGYKC ZIBN NGGZR N[ FZGJYKZYN
Revue de litte rature :LG\P .1855 \R[C
compare e, Paris: Didier
Litte rature, 1991.
C+N \P#esv^]a Q+Rfa\^F]r& KP] N
UI+Z#P^ O\&&jr& QKP]BzP# rP&t&#a
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N#GGZ&R FE ZZ#'&D
55
Mais non, ma jeunesse est finie...
Adieu, doux rayon qui m'as lui,
Parfum, jeune fille, harmonie...
Le bonheur passait, il a fui!
El Desdichado
"
Je
 ne
 breux, le Veuf, l'inconsole
Â,
suis le Te
Á la Tour abolie:
Le Prince d'Aquitaine a
 toile est morte, et mon luth constelle
Â
Ma seule E
 lancolie.
Porte le Soleil noir de la Me
Â,
Dans la nuit du Tombeau, Toi qui m'as console
Rends-moi le Pausilippe et la mer d'Italie,
Á mon coeur de
 sole
Â,
La fleur qui plaisait tant a
Á le Pampre a
Á la Rose s'allie.
Et la treille ou
 bus? ... Lusignan ou Biron?
Suis-je Amour ou Phe
Mon front est rouge encore du baiser de la Reine;
à ve
 dans la Grotte ou
Á nage la Sire
Á ne ...
J'ai re
 l'Ache
 ron:
Et j'ai deux fois vainqueur traverse
Á tour sur la lyre d'Orphe
Âe
Modulant tour a
 e.
Les soupirs de la Sainte et les cris de la Fe
Le Point Noir
"
Quiconque
 le soleil fixement
a regarde
 ment
Croit voir devant ses yeux voler obstine
Autour de lui, dans l'air, une tache livide.
FZK[ KZT[ FTC[
56
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N#GGZ&R FE ZZ#'&D
57
Ainsi, tout jeune encore et plus audacieux,
Sur la gloire un instant j'osai fixer les yeux:
 dans mon regard avide.
Un point noir est reste
à le
Âe a
Á tout comme un signe de deuil,
Depuis, me
à te mon oeil,
Partout, sur quelque endroit que s'arre
Je la vois se poser aussi, la tache noire! ±
Quoi, toujours? Entre moi sans cesse et le bonheur!
Á nous, malheur!
Oh! c'est que l'aigle seul ± malheur a
 ment le Soleil et la Gloire.
Contemple impune
Myrtho
"
Je
Á toi, Myrtho, divine enchanteresse,
pense a
Au Pausilippe altier, de mille feux brillant,
Á ton front inonde
 des clarte
 s d'Orient,
a
à le
 s avec l'or de ta tresse.
Aux raisins noirs me
C'est dans ta coupe aussi que j'avais bu l'ivresse,
 clair furtif de ton oeil souriant,
Et dans l'e
Quand aux pieds d'Iacchus on me voyait priant,
Á ce.
Car la Muse m'a fait l'un des fils de la Gre
Á -bas le volcan s'est rouvert...
Je sais pourquoi la
 d'un pied agile,
C'est qu'hier tu l'avais touche
Et de cendres soudain l'horizon s'est couvert.
Depuis qu'un duc normand brisa tes dieux d'argile,
Toujours, sous les rameaux du laurier de Virgile,
à le Hortensia s'unit au Myrthe vert
Le pa
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59
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61
Soleil Couchant
"
En
passant sur le pont de la Tournelle, un soir
à te
 quelques instants pour voir
Je me suis arre
Á re Notre-Dame.
Le soleil se coucher derrie
Á l'horizon de flamme,
Un nuage splendide a
 ant qui va prendre l'essor,
Tel qu'un oiseau ge
Á l'autre ouvrait ses ailes d'or,
D'un bout du ciel a
 tait des clarte
Âs a
Á baisser la paupie
Á re.
Et c'e
 de dentelles de pierre,
Les tours au front orne
Le drapeau que le vent fouette, les minarets
 le
Á vent pareils aux sapins des fore
à ts,
Qui s'e
 s que surmontent des anges
Les pignons taillade
 tranges,
Aux corps roides et longs, aux figures e
à che
Â,
D'un fond clair ressortaient en noir; l'Archeve
Á re un jeune enfant couche
Â,
Comme au pied de sa me
 glise, dont l'ombre
Se dessinait au pied de l'e
Á l'entour myste
 rieuse et sombre.
S'allongeait a
Plus loin, un rayon rouge allumait les carreaux
 tait doux; les eaux
D'une maison du quai; ± l'air e
Á doux bruit, et la vague;
Se plaignaient contre l'arche a
 berc
De la vieille cite
Ë ait l'image vague;
Et moi, je regardais toujours, ne songeant pas
 toile
 e arrivait a
Á grands pas.
Que la nuit e
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63
Au Pays ouÁ se fait la guerre
"
Au
Á se fait la guerre
pays ou
Â.
Mon bel ami s'en est alle
Á mon coeur de
 sole
Â
Il semble a
Qu'il ne reste que moi sur terre.
En partant au baiser d'adieu,
à me a
Á ma bouche...
Il m'a pris mon a
Qui le tient si longtemps, mon Dieu?
Á le soleil qui se couche,
Voila
Et moi toute seule en ma tour
J'attends encore son retour.
Les pigeons sur le toit roucoulent,
Recoulent amoureusement,
Avec un son triste et charmant;
Les eaux sous les grands saules coulent...
Á s de pleurer,
Je me sens tout pre
 panche,
Mon coeur comme un lys plein s'e
 rer.
Et je n'ose plus espe
Voici briller la lune blanche,
Et moi toute seule en ma tour
J'attends encore son retour...
Á grands pas la rampe...
Quelqu'un monte a
Serait-ce lui, mon doux amant?
Ce n'est pas lui, mais seulement
Mon petit page avec ma lampe...
Vents du soir, volez, dites-lui
 e et mon re
à ve,
Qu'il est ma pense
Toute ma joie et mon ennui.
Á ve,
Voici que l'aurore se le
Et moi toute seule en ma tour
J'attends encore son retour.
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65
L'hippopotame
"
Un
hippopotame au large ventre
Habite aux jungles de Java,
Á grondent, au fond de chaque antre,
Ou
à va.
Plus de monstres qu'on n'en re
 roule et siffle,
Le boa se de
Le tigre fait son hurlement,
Á re renifle,
Le buffle en cole
Lui dort ou paõÃt tranquillement.
Il ne craint ni kriss ni sagaies,
Il regarde l'homme sans fuir,
Et rit des balles des cipayes
Qui rebondissent sur son cuir.
Je suis comme l'hippopotame :
De ma conviction couvert,
Forte armure que rien n'entame,
 sert.
Je vais sans peur par le de
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KRC OKRPBF OF OKJTPG ,FPFGCF QEKT N[ \GZYKF ZGBC \XIGZ \VZXC 19=F FBPF ORPB
F'HZGP KZRB P Z\GK KGBZ[ KP OFKRKC [K OB YVS ONGB ,NKTV YNI FC GNJR BN[ FVGY\F
OFP ,GRPP OKCGJG OKZ[MGP GKF .OKRKKPFGCF QG[BZ Z\MN (Louis Henri Murger, 1822-1861)
LB .GRPP CGJ FVGY\F \B OFKKI QGRDSC GBJKC[ OFP ,GKNT GNKVBF[ OFP ,GN GPEY[
[KBF BGF ,KGJSNGJ KKSMNB LKSRF N[ GZKMHP OKPKNG ,\ZVG\G ZTG[ N[ QGVNEF ORC ,F'HZGP
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F'&HZeP KZRB
67
GNB \GZEDF K\[[ NMM ,"KJRPGZF OHKNBKZF" N[ ZKER CGNK[ G\GBC ,KRKJNF TCGZC QPBF
TCGZF" KGJKCF OXT TP[PN BZGYF NT L+NFPF UG[KMF QBMP .GH \B GH FZGBMN \GZ\GS
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KC\MG OKRG\KT KI\V NT ZHIN C[ FZFPCG ,GKEKN FNVR[ \GRPEHFF \B NXKR BN F'HZGP[
NMC CFB OB OD ,GPXT F'HZGP[ QKKXN QKEF QP EGT .FCK\MP SRZV\FN [BGR QGKSKRC \T
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\GKGPE N[ OHKSKYZRF QP ENS ,G[VR KYPTPC O[=KB KRDZGC ZKTH .YNI OFC \IYN JKTPF
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BN YZ" :\ZGSPF KV NT ,GKF \GRGZIBF GK\GNP ,NNPGBG [[GZP ,EGPND \P [KBF .FC]BC
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,HKBGN[ QKGXK EGT .G\ZK[N \KRKKVGBF FKNGMRNPF QP GF[P TKCFN OK[YCP nuits d'hiver
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FZK[ KZT[ FTC[
68
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N 3
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F'&HZeP KZRB
69
Renovare
"
Avez-vous
 , Louise,
oublie
le coin fleuri du vieux jardin
Á , certain soir, ma main s'est mise
ou
 moi dans votre main?
pleine d'e
Á vres cherchaient nos paroles,
Nos le
nos genoux touchaient nos genoux;
 tions assis sous les saules...
nous e
dites, vous en souvenez-vous?
 , Marie,
Avez-vous oublie
 change de nos deux anneaux,
l'e
les soleils d'or dans la prairie,
le bois plein d'ombre et plein d'oiseaux,
la fontaine au bassin sonore,
Á nous avions nos rendez-vous?
ou
De ces lieux, et d'autres encore,
 , Christine,
avez-vous oublie
Â,
le boudoir rose et parfume
l'humble chambre du ciel voisine,
les jours d'avril, les nuits de mai?
Á les e
 toiles
Ces claires nuits ou
semblaient vous dire: ainsi que nous,
belle, laissez tomber vos voiles...
 las! Marie
Louise est morte, he
Á la de
 bauche tend la main;
a
à le Christine est partie
la pa
refleurir au soleil romain.
FZK[ KZT[ FTC[
70
IZ#@o ,QKJ]^SKZ]^j ,HKB]eN ,KZ]P@
,Z+CfT N+X^j QfZ@j]gF#
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F'&HZeP KZRB
71
Louise, Marie et Christine
pour moi sont mortes toutes trois ;
notre amour n'est qu'une ruine,
et seul j'y pense quelquefois.
PrintanieÁre
"
L'hiver
 ja
Á la cloche,
s'en va; de
douce comme un chant de cristal,
murmure au printemps qui s'approche
l'o filii du jour pascal.
Dans l'air plus doux, les girouettes
tournent au souffle du midi,
et pour un sou de violettes
on fait le bonheur de Nini.
L'hiver au pauvre fut rigide,
 les longs jours,
il en a compte
à cher vide
en mesurant son bu
quand la neige tombait toujours.
Á re branche allume
Âe
Sa dernie
à tre d'un pa
à le e
 clair;
rougit l'a
 cendre et moitie
 fume
 e,
moitie
le vent la dissipe dans l'air.
FZK[ KZT[ FTC[
72
\fVfT O@i#F Kq+I#Z^P&P]
,UZ&&F K]N^a OK]SJ@ IZ@^Hl]F# NB&
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F'&HZeP KZRB
73
Á lerins des grandes mers bleues,
Pe
Á l'Orient vermeil,
voyez, a
les oiseaux qui font mille lieues
entre deux levers de soleil.
Cris joyeux et battements d'ailes
Â,
qui mettent le ciel en gaõÃte
c'est le retour des hirondelles,
 te
Â.
et c'est le retour de l'e
Avec la jeune feuille verte
qui sort du bourgeon printanier
Á sa fene
à tre ouverte,
paraõÃt, a
ma voisine de l'an dernier.
Pendant les mois d'hiver, frileuse,
 son nid.
elle n'a pas quitte
à t pose
 pour Greuze,
Jadis elle eu
maintenant c'est pour Gavarni.
FZK[ KZT[ FTC[
74
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ZNEGC NZ[
75
N[ ZVSF K\C CJKPC EGPNN NZ[ FMH ,LM[ QGGKM .ZGJRSG ZKZD[ ,NZRD \DZEN TKDF ,NKI
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FKKEGFKF FRGHF KM ,QKKXN [K \BH OT .G\GPN FBKCF ZCE N[ GVGSC[ \CDTC ZNEGC YCER
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,GEGFN ZKTXF \B IN[ ,G[BZ NT EKZGP DZGIF GRC[ FVZIF QP DBEGPF CBF .G\ZK[ CJKPC
GZJSKCF NB C[ BGF 1842 ZBGZCVCG ,FRKVSF QP WGVYN NZ[ IKNXP SGKXKZGBP EKN[ BNB
Z[BG LZEC FBZ[ KJGHYBF ONGTF BGF ,TSPF QP KCGKIF YNIF .KRKJNF TCGZC GN[ TGCYF
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\B OK[DFN GN \Z[VBPF F[GZKC FMGH BGFG GNHP ZV[ ,GCG[ ETGPP OKK[EGI WYP
K\RVGB KERE& N[ OKZ[GBPG OKNY OKKIC ZIGC ZNEGC .BKFF \TC QGVNEF ZZG[PF N[ GPGNI
BGF ZXY QPH WYP .FCFBG OGKVGB ,QKK ,\GRGP\ OKZVS ,OKEDC NT GVSM CJKP \B HCHCPF
L[PN ZG[Y FKFK FPT] \KR[GI \KJNGP ,(Duval) NCGE FRB'H BKF ,GKKI \CFB \B [DGV
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G\TEC FNGT BN NNM[ QGGKMG ,GK\GCGI \B ZKHIFN GN Z[VBP GRKB G\G[ZN EPGTF OGMSF
\TF BGCC FRMK[ IGZ CXP ,KEKP\ YI#GE N[ \M[GPP F[ZV GKKI \Z\K FKF\ ,SRZV\FN
.ZKE\ G\GB OKGGNPF STMG FZGI[ FZP F\GB ,spleen=M
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,GEKC FINX BN[ FMBNP ,\GRPB ZYCPM ZYKTC BNB ZZG[PM ZNEGC TEGR BN ,LZTN OKR[
QKTP \GKFN FZGPBF La Fanfarlo FNCGRF .N[@M FHGZV ZGCKIC GRGKSKR .FJTPF QG[NC \BHG
K\NCF FNKNTF LB ,FKVZDGRZGVF NGCD NT OKKJGZB OKRM\ ORPB FRGTJ ,FKVZDGKCGJGB
.G\ZK[ \B \RKKVBPF \KJPZEF \GSKIEF \B FZSI \EYGPP
GP[C OKZVGSPF FZGCDF K[TP OB CZ YVS ONGB ,1848 \MVFPC YNI NJGR ZNEGC
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.OKKJGKVF GKYGSKTN C[ BGFG ETGP \ZXY BKF ZNEGC
ZZG[P" ,GV QNB ZDEB \B ODZ\N ZNEGC JKNIP ,FJGZVF ZIB OKEKP\PF GK[GVKIC
,\K\VZXC OGDZ\F N[ FYKSBNYF CJKPP ,OKPGDZ\F .GKZCEM ,"FPGB\F K\P[R BGF[
FZK[ KZT[ FTC[
76
FYKRTP GV N[ G\ZK[ ,GHP FZ\K .OKPF KRV NT ZNEGC \B YKHIFN OKIKNXPG CJKF OKZMPR
OHKXKJ\SBF OT \KNBGJYNJRKBF \GFEHFF GN FCG[I ZYKTC .GN[ G\ZKXKC QGIJKC ZNEGCN
GC ,Theory of Criticism ,GV N[ GZGCKIC KGJKC KEKN BC ZCEF[ KVM ,KRYKZPBF ZZG[PF N[
1
.\KJ\SBF G\RGPB \KXP\ \B ZNEGC BXGP
GH BN .FVK FNGT GRKB \K\ZGYKCG \KJZGBK\ FCK\MC EK IGN[N GPXT ZNEGC N[ GRGKSKR
YIZF OKNVGR OF[ BNB ,\KJGKVF G\NGDS OT \IB FPZC OKEPGT ORKB ZYCPM GKC\M[ ECNC
\GRPBF NT UKYPF GZGCKI .Q&NZ&G GB F&KKJfD ,FP&ZBNP# \PDGE ,GRPH KRC OKZIB OKZZG[P KC\]MP
IVSR EGT BGF ,G\GP ZIBN ZGB FBGZF ,L'Art romantique Z\GMF \I\ \KJRPGZF FZK[FG
CJKP KEK NT FH QPH YZVC \C\MRF OKZGCKI \ZG[ OT G\GG[FN QKB ONGB ,FNGEDF G\ZK[N
.OKKTGXYPF OKZYCPF
.1857=C TGZF KIZV N[ FRG[BZF FBXGFC FMGZMF FKKZGZT[F BKF GKKIC OKPF \[ZV
ZZG[PF BCGP ,ZVSF \TVGF ZIBN OKK[EGI .OKZVS \BXGF OT FHGI NT O\GI ZNEGC
QP YNSN FGGXP JVG[FG KVSM SRY GKNT NJGP ,JV[R ,FCTG\ ZCE OGSZV \P[BC JV[PN
OZIF ."ZSGPNG \EN QGCNTG FCTG\ ZCE" QKEF YSV KV NT OF[ ,\GIVN OKZK[ 20 ZVSF
,\GZYVF N[ NPSN ZVSF LVGF ,FNBM OKZYPC NKDZM .1949 \R[ ET EPTP YKHIP KP[ZF
.\KRZEGPF FZK[F HGN QF[ \GRGM\F Q\GB NMN :KZY ,NGT \YKZVG \G\KI[
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77
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."La sottise, l'erreur, le pe che , la le sine" :ZGYPN FGG[FG ",CT\]RF ,BJGIF ,OGDVF ,FJG[F"
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3
."With trivialities, mistakes, and sins and vice"
W W W
FZK[ KZT[ FTC[
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,YI@E^]R ,B@a F@GBz#v KZ+fjr] OKE]r+ EeE^D
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ZNEGC NZ[
79
Au Lecteur
"
La
 che
 , la le
 sine,
sottise, l'erreur, le pe
Occupent nos esprits et travaillent nos corps,
Et nous alimentons nos aimables remords,
Comme les mendiants nourrissent leur vermine.
 che
 s sont te
à tus, nos repentirs sont la
à ches;
Nos pe
Nous nous faisons payer grassement nos aveux,
Et nous rentrons gaiement dans le chemin bourbeux,
Croyant par de vils pleurs laver toutes nos taches.
 giste
Sur l'oreiller du mal c'est Satan Trime
Â,
Qui berce longuement notre esprit enchante
 tal de notre volonte
Â
Et le riche me
 par ce savant chimiste.
Est tout vaporise
C'est le Diable qui tient les fils qui nous remuent!
 pugnants nous trouvons des appas;
Aux objets re
Chaque jour vers l'Enfer nous descendons d'un pas,
Á travers des te
 ne
Á bres qui puent.
Sans horreur, a
 bauche
 pauvre qui baise et mange
Ainsi qu'un de
 d'une antique catin,
le sein martyrise
Nous volons au passage un plaisir clandestin
Que nous pressons bien fort comme une vieille orange
 , fourmillant, comme un million d'Helminthes,
Serre
 mons,
Dans nos cerveaux ribote un peuple de De
Et, quand nous respirons, la Mort dans nos poumons
Descend, fleuve invisible, avec de sourdes plaintes.
FZK[ KZT[ FTC[
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ZNEGC NZ[
81
Si le viol, le poison, le poignard, l'incendie,
 de leurs plaisants dessins
N'ont pas encor brode
Le canevas banal de nos piteux destins,
à me, he
 las! N'est pas assez hardie.
C'est que notre a
Á res, les lices,
Mais parmi les chacals, les panthe
Les singes, les scorpions, les vautours, les serpents,
Les monstres glapissants, hurlants, grogrants, rampants,
 nagerie infa
à me de nos vices,
Dans la me
 chant, plus immonde!
Il en est un plus laid, plus me
Quoiqu'il ne pousse ni grands gestes ni grands cris,
Il ferait volontiers de la terre un debris
à illement avalerait le monde;
Et dans un ba
 d'un pleur involontaire,
C'est l'ENNUI! l'oeil charge
à ve d'e
 chafauds en fumant son houka.
Il re
 licat,
Tu le connais, lecteur, ce monstre de
Á re!
Hypocrite lecteur, mon semblable, mon fre
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ZNEGC NZ[
83
Tout EntieÁre
"
Le
 mon, dans ma chambre haute,
De
Ce matin est venu me voir,
à chant a
Á me prendre en faute,
Et, ta
Me dit: ``Je voudrais bien savoir,
Parmi toutes les belles choses
Dont est fait son enchantement,
Parmi les objets noirs ou roses
Qui composent son corps charmant,
à me!
Quel est le plus doux.'' ± O mon a
 pondis a
Á l'Abhorre
Â:
Tu re
``Puisqu'en Elle tout est dictame,
à tre pre
 fe
 re
Â.
Rien ne peut e
Lorsque tout me ravit, j'ignore
 duit.
Si quelque chose me se
 blouit comme l'Aurore
Elle e
Et console comme la Nuit;
Et l'harmonie est trop exquise,
Qui gouverne tout son beau corps,
Pour que l'impuissante analyse
En note les nombreux accords.
 tamorphose mystique
O me
De tous mes sens fondus en un!
Son haleine fait la musique,
Comme sa voix fait le parfum!''
FZK[ KZT[ FTC[
84
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ZNEGC NZ[
85
L'Invitation au Voyage
"
Mon
enfant, ma soeur,
Á la douceur
Songe a
Á -bas vivre ensemble!
D'aller la
Á loisir,
Aimer a
Aimer et mourir
Au pays qui te ressemble!
Âs
Les soleils mouille
Âs
De ces ciels brouille
Pour mon esprit ont les charmes
 rieux
Si myste
De tes traõÃtres yeux,
Á travers leurs larmes.
Brillant a
Á , tout n'est qu'ordre et beaute
Â,
La
Â.
Luxe, calme et volupte
Des meubles luisants,
Polis par les ans,
 coreraient notre chambre;
De
Les plus rares fleurs
à lant leurs odeurs
Me
Aux vagues senteurs de l'ambre,
Les riches plafonds,
Les miroirs profonds,
La splendeur orientale,
Tout y parlerait
Á l'a
à me en secret
A
Sa douce langue natale.
Á , tout n'est qu'ordre et beaute
Â,
La
Â.
Luxe, calme et volupte
Vois sur ces canaux
Dormir ces vaisseaux
FZK[ KZT[ FTC[
86
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ZNEGC NZ[
87
Dont l'humeur est vagabonde;
C'est pour assouvir
 sir
Ton moindre de
Qu'ils viennent du bout du monde.
± Les soleils couchants
à tent les champs,
Reve
Á re,
Les canaux, la ville entie
D'hyacinthe et d'or;
Le monde s'endort
Á re.
Dans une chaude lumie
Á , tout n'est qu'ordre et beaute
Â,
La
Â.
Luxe, calme et volupte
Le LeÂtheÂ
"
Viens
à me cruelle et sourde,
sur mon coeur, a
 , monstre aux airs indolents;
Tigre adore
je veux longtemps plonger mes doigts tremblants
 paisseur de ta crinie
Á re lourde;
Dans l'e
Dans tes jupons remplis de ton parfum
à te endolorie,
Ensevelir ma te
 trie,
Et respirer, comme une fleur fle
 funt.
Le doux relent de mon amour de
à t que vivre!
Je veux dormir! dormir pluto
Dans un sommeil aussi doux que la mort,
 talerai mes baisers sans remord
J'e
Sur ton beau corps poli comme le cuivre.
Âs
Pour engloutir mes sanglots apaise
Rien ne me vaut l'abõÃme de ta couche;
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88
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ZNEGC NZ[
89
L'oubli puissant habite sur ta bouche,
 the
 coule dans tes baisers.
Et le Le
 sormais mon de
 lice,
A mon destin, de
 irai comme un pre
 destine
Â;
J'obe
Â,
Martyr docile, innocent condamne
Dont la ferveur attise le supplice,
Je sucerai, pour noyer ma rancoeur,
 penthe
Á s et la bonne cigue
È
Le ne
È
Aux bouts charmants de cette gorge aigue
 de coeur.
Qui n'a jamais emprisonne
Chant d'Automne
"
Adieu
 de nos e
 te
 s trop courts!
vive clarte
 ja
Á tomber avec des chocs fune
Á bres
J'entends de
 des cours.
Le bois retentissant sur le pave
à tre: cole
Á re,
Tout l'hiver va rentrer dans mon e
Â,
Haine, frisson, labeur dur et force
Et, comme le,
Â.
Mon cúur ne sera plus qu'un bloc rouge et glace
 coute en fre
 missant chaque bu
à che qui tombe;
J'e
 chafaud qu'on ba
à tit n'a pas d'e
 cho plus sourd.
L'e
Á la tour qui succombe
Mon esprit est pareil a
 lier infatigable et lourd.
Sous les coups du be
 par ce choc monotone,
Il me semble, berce
à te un cercueil quelque part.
Qu'on cloue en grande ha
 tait hier l'e
 te
 ; voici l'automne!
Pour qui? ± C'e
 rieux sonne comme un de
 part!
Ce bruit myste
FZK[ KZT[ FTC[
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ZNEGC NZ[
91
Enivrez-Vous
"
Il
à tre toujours ivre. Tout est la
Á:
faut e
c'est l'unique question. Pour ne pas sentir l'horrible fardeau
 paules et vous penche vers la terre,
du Temps qui brise vos e
à ve.
il faut vous enivrer sans tre
Mais de quoi?
 sie ou de vertu,
De vin, de poe
Á votre guise. Mais enivrez-vous.
a
Et si quelquefois,
sur les marches d'un palais,
Â,
sur l'herbe verte d'un fosse
dans la solitude morne de votre chambre,
 veillez, l'ivresse de
 ja
Á diminue
 e ou disparue,
vous vous re
Á la vague, a
Á l'e
 toile, a
Á l'oiseau, a
Á l'horloge,
demandez au vent, a
Á tout ce qui fuit,
a
Á tout ce qui ge
 mit,
a
Á tout ce qui roule,
a
Á tout ce qui chante,
a
Á tout ce qui parle,
a
demandez quelle heure il est;
 toile, l'oiseau, l'horloge,
et le vent, la vague, l'e
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vous re
«Il est l'heure de s'enivrer!
à tre pas les esclaves martyrise
 s du Temps,
Pour n'e
enivrez-vous;
enivrez-vous sans cesse!
 sie ou de vertu,
De vin, de poe
Á votre guise.
a
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Pour un Tombeau d'Anatole
1
"
Enfant
sorti de
nous deux±nous
montrant notre
 al, le chemin
ide
Á nous! pe
Á re
± a
Á re qui lui
et me
en triste existence
survivons comme
à mes
les deux extre
 s en lui
mal associe
 pare
Âs
et qui se sont se
d'ou sa mort±annulant ce petit ``soi'' d'enfant
3
"
malade
au printemps
mort en automne
c'est le soleil
± ± ±
la vague
 e la toux
ide
4
"
fils
 sorbe
Â
re
pas parti
c'est lui
Á re
± ou son fre
moi
je le lui
ai dit
Á res
deux fre
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5
"
refouleÂe
Âe
reste
en flanc±
Á cle
juste sur de moi sie
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ne s'e
juste pour
m'instruire
6
"
pas
connu
Á re, et fils ne
me
m'a pas connu! ±
image de moi
autre que moi
 en
emporte
mort!
8
"
il
 poque de
est e
une
Á nous
l'Existence ou
nous retrouverons,
sinon un lieu ±
± et si vous
en doutez
le monde en
 moin,
sera te
en supposant que
je vive assez vieux
...
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9
"
preÂf.
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pe
 en temps
ne
mauvais avait
 pare
 a
Á son fils±
pre
à che sublime
une ta
±
Á>
<la double a
remplir ± d'enfant
 sire
la sienne ± la douleur le de
Á qui n'est
de se sacrifier a
plus l'emporteront-ils sur
 te
Â)
vigueur (homme qu'il n'a pas e
à che de l'enfant
et fera-t-il la ta
10
"
le
à me
but supre
Ãt e
 te
Â
n'eu
que partir pur
de la vie
tu l'as accompli
d'avance
en souffrant
assez±doux
enfant pour que
Â
Cela te soit compte
pour ta vie perdue±les tiens
 le reste par leur
ont achete
souffrance de ne plus
t'avoir
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Tristesse d'eÂteÂ
"
Le
à lutteuse endormie,
soleil, sur le sable, o
En l'or de tes cheveux chauffe un bain langoureux
Et, consumant l'encens sur ta joue ennemie,
à le avec les pleurs un breuvage amoureux.
± Il me
De ce blanc flamboiement l'immuable accalmie
 e, o
à mes baisers peureux,
T'a fait dire, attriste
``Nous ne serons jamais une seule momie
 sert et les palmiers heureux!''
Sous l'antique de
Á re tie
Á de,
Mais ta chevelure est une rivie
Á noyer sans frissons l'a
à me qui nous obse
Á de
Ou
 ant que tu ne connais pas!
Et trouver ce Ne
à terai le fard pleure
 par tes paupie
Á res,
Je gou
Pour voir s'il sait donner au coeur que tu frappas
 de l'azur et des pierres.
L'insensibilite
Brise Marine
"
La
 las! et j'ai lu tous les livres.
chair est triste, he
Á -bas fuir! Je sens que des oiseaux sont ivres
Fuir! la
à tre parmi l'e
 cume inconnue et les cieux!
D'e
 te
 s par les yeux
Rien, ni les vieux jardins refle
Ne retiendra ce coeur qui dans la mer se trempe
 de
 serte de ma lampe
O nuits! ni la clarte
 fend
Sur le vide papier que la blancheur de
Et ni la jeune femme allaitant son enfant.
à ture,
Je partirai! Steamer balanc
Ë ant ta ma
Á ve l'ancre pour une exotique nature!
Le
 sole
 par les cruels espoirs,
Un Ennui, de
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105
Á l'adieu supre
à me des mouchoirs!
Croit encore a
à tre, les ma
à ts, invitant les orages
Et, peut-e
Sont-ils de ceux qu'un vent penche sur les naufrages
à ts, sans ma
à ts, ni fertiles õÃlots...
Perdus, sans ma
à mon coeur, entends le chant des matelots!
Mais, o
L'ApreÁs Midi D'un Faun
"
Ces
 tuer.
nymphes, je les veux perpe
Si clair,
 ger, qu'il voltige dans l'air
Leur incarnat le
Assoupi de sommeils touffus.
à ve?
Aimai-je un re
Á ve
Mon doute, amas de nuit ancienne, s'ache
 les vrais
En maint rameau subtil, qui, demeure
à me, prouve, he
 las! que bien seul je m'offrais
Bois me
 ale de roses.
Pour triomphe la faute ide
 fle
 chissons...
Re
ou si les femmes dont tu gloses
Figurent un souhait de tes sens fabuleux!
 chappe des yeux bleus
Faune, l'illusion s'e
Et froids, comme une source en pleurs, de la plus chaste:
Mais, l'autre tout soupirs, dis-tu qu'elle contraste
Comme brise du jour chaude dans ta toison?
à moison
Que non! par l'immobile et lasse pa
Suffoquant de chaleurs le matin frais s'il lutte,
à te
Ne murmure point d'eau que ne verse ma flu
 d'accords; et le seul vent
Au bosquet arrose
Á s'exhaler avant
Hors des deux tuyaux prompt a
Qu'il disperse le son dans une pluie aride,
Á l'horizon pas remue
 d'une ride
C'est, a
Le visible et serein souffle artificiel
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107
De l'inspiration, qui regagne le ciel.
 cage
O bords siciliens d'un calme mare
Á l'envi de soleils ma vanite
 saccage
Qu'a
 tincelles, CONTEZ
Tacite sous les fleurs d'e
Âs
« Que je coupais ici les creux roseaux dompte
» Par le talent; quand, sur l'or glauque de lointaines
 diant leur vigne a
Á des fontaines,
» Verdures de
» Ondoie une blancheur animale au repos:
 lude lent ou
Á naissent les pipeaux
» Et qu'au pre
» Ce vol de cygnes, non! de naõÈades se sauve
» Ou plonge... »
à le dans l'heure fauve
Inerte, tout bru
 tala
Sans marquer par quel art ensemble de
 de qui cherche le la:
Trop d'hymen souhaite
 veillerai-je a
Á la ferveur premie
Á re,
Alors m'e
Á re,
Droit et seul, sous un flot antique de lumie
 nuite
Â.
Lys! et l'un de vous tous pour l'inge
Á vre e
 bruite
Â,
Autre que ce doux rien par leur le
Le baiser, qui tout bas des perfides assure,
Mon sein, vierge de preuve, atteste une morsure
 rieuse, due a
Á quelque auguste dent;
Myste
 lut pour confident
Mais, bast! arcane tel e
Le jonc vaste et jumeau dont sous l'azur on joue:
 tournant a
Á soi le trouble de la joue,
Qui, de
à ve, dans un solo long,
Re
[...]
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110
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111
HieÂroglyphe
"
J'ai
à tres a
Á ma chambre:
trois fene
L'amour, la mer, la mort,
Sang vif, vert calme, violet.
 sor!
O femme, doux et lourd tre
Froids vitraux, cloches, odeurs d'ambre.
La mer, la mort, l'amour,
Ne sentir que ce qui me plaõÃt ...
Femme, plus claire que le jour!
 de septembre,
Par ce soir dore
La mort, l'amour, la mer,
Me noyer dans l'oubli complet.
Femme! femme! cercueil de chair!
SceÁne D'atelier
"
Á E
 douard Manet
A
Sachant
Á l'aise
qu'elle est futile, et pour surprendre a
Âa
à tres, des soirs
Ses poses, vous parliez des the
Á s des comptoirs,
Joyeux, de vous, marin, stoppant pre
De la mer bleue et lourde attaquant la falaise.
Autour du cou, papier d'un bouquet, cette fraise,
Ce velours entourant les souples nonchaloirs,
 roglyphes noirs,
Ces boucles sur le front, hie
 cits calmaient l'ardeur mauvaise,
Ces yeux dont vos re
Ces traits, cet abandon opulent et ces tons
 tiez, je crois, au club des Mirlitons)
(Vous en e
FZK[ KZT[ FTC[
112
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Parisienne FZ@fT+R Z#T#X^a F@o#nF# QP]
Q+M^Ce ...K#NeB :FI@^RB&&R ,FJ@K]aF]
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SGZY NZ[
113
 sur la toile en quelques coups de brosse.
Ont passe
Á regret, du sofa
Et la Parisienne, a
 touffa
Se soulevant, dit: ``C'est charmant!''puis e
 roce!''
Ce soupir: ``Il ne m'a pas faite assez fe
Matin
"
Voici
le matin bleu. Ma rose et blonde amie
Lasse d'amour, sous mes baisers, s'est endormie.
Voici le matin bleu qui vient sur l'oreiller
 teindre les lueurs oranges du foyer.
E
L'insoucieuse dort. La fatigue a fait taire
Á re,
Le babil de cristal, les soupirs de panthe
 s.
Les voraces baisers et les rires perle
 roule
Âs
Et l'or capricieux des cheveux de
Á la te
à te qui penche.
Fait un cadre ondoyant a
Á re de ses contours, la gorge blanche
Nue et fie
Á , sur les deux sommets, fleurit le sang vermeil,
Ou
Á ve et s'abbaisse au rhythme du sommeil
Se soule
Á terre est affaisse
 e.
La robe, nid de soie, a
Âe
Hier, sous des blancheurs de batiste froisse
La forme en a jailli libre, papillon blanc,
 e au flanc.
Qui sort de son cocon, l'aile colle
Á co
à te
 , sur leurs hauts talons, sont les bottines
A
Qui font aux petits pieds ces allures mutines,
 s,
Et les bas, faits de fils de la vierge croise
 s.
Qui prennent sur la peau des chatoiements rose
FZK[ KZT[ FTC[
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SGZY NZ[
115
 pars dans tous les coins de la chambre muette
E
 bris de la fie
Á re toilette
Je revois les de
 e hier
Qu'elle portait, quand elle est arrive
 gne
 e encor des senteurs de l'hiver.
Tout impre
Tableau
"
EnclaveÂ
 de scories,
dans les rails, engraisse
Á mes re
à veries.
Leur petit potager plaõÃt a
Á re est aiguilleur a
Á la gare de Lyon.
Le pe
à tement et sans re
 bellion
Il fait honne
 tier. Sa femme, he
 las! qui serait blonde,
Son dur me
Sans le sombre glacis du charbon, le seconde.
 clos dans cet enfer
Leur enfant, ange rose e
à teaux avec du ma
à chefer.
Fait des petits cha
Á quinze ans il vendra des journaux, des cigares
A
à tre le bonheur n'est-il que dans les gares!
Peut-e
Gagne-Petit
"
I
 tiers. Sa simple vie
l a tout fait, tous les me
Se passe loin du bruit, loin des cris de l'envie
Et des ambitions vaines du boulevard.
Pour ce jour attendu, qui s'annonce blafard,
 dit, avant l'heure ou
Á se couche
Les savants ont pre
 clipse. Et sa maõÃtresse accouche,
Le soleil, une e
Apportant un enfant parmi tant de soucis!
Il compte, pour dõÃner, sur ses verres noircis.
Á res de Montmartre, en vos antres de gypse,
Carrie
 clipse!
Abritez le marchand de verres pour e
FZK[ KZT[ FTC[
116
FKEZB FE FKZP FHGI
FJRGSF \GPN[G SGSRZVF \ZK[
ZKTXF FH EXKM BKNVP"
\GE[P GRKNB TKDPF ,KRCGYF
CKJKP ,GDBKJRSC FR\GMF
\GZZGTP GKF[ \GJRGS ZCIN
"ZBSRGZ N[ G\BRKY \B
FKEZB KZK[N FPEYFC
,NKN FE JRGYN
N[ OKNTC ,EKPB KEZVS N[ GRC ,(Jose-Maria de Heredia, 1842-1905) FKEZB FE FKZP FHGI
ZYKT \B LB ,FCGYC[ GDBKJRSP YIZF BN ORPB ENGR ,FKK\VZX OBG FCGYC FVY \GE[
ESKKP ,NKN FE JRfY&N FH FKF .SfS#RZ#oF KZZG[P \ZPX NT FRPR OKPKNG ,SKZVC NCKY GMGRKI
K\ZYGKF \TF C\M ,Le Parnasse Contemporain KZT[ \B IKJCPF ZKTXF KRVC I\V[ ,OZHF
.OKJSKS#RZ#oF \ZGCI N[
Les \Z\GMF \I\ ZGHIPC \GSRGMPF \GJRGS 118 NNGM G\ZK[ NGNMP .JTP C\M FKEZB
,QHGBPG ZDGC [KB ,GKKIN K[K[F ZG[TF \K[BZC BKFF \TC BGFG ,1893 \R[P ,Trophes
F[Y ,QM KM FRF .FKPEYBF ZCIG EZVS N[ \KNBKRGNGYF \GJ[V\FF \B ZYGIF QGKZGJSKF
,QNZG \PDGE \GKGPE N[ ZGPDF OEGDKR ,SKZV N[ FPFGCF [KBP Z\GK FYGIZ \GPE ZB\N
.FPZBNP GB ZNEGC
FKEZB FE FKZP FHGI
117
\K\VZXF FZK[F \GDSV NT FRPR Les Trophes KM TGCYN OHDGP FH FKFK BN ,\BH OT
N[ TGZF KIZVN FKEZB N[ \GJRGSF ZGHIP \B \GG[FN GDFR[ KP GKFG ,19=F FBPF KFN[C
.ZNEGC
KEKN FBKCPF \KJGKVF FDGSF ,FJRGSF \B G\ZK[N KGJKC KNMM ZIC FKEZB[ FZYP FH QKB
FRG[BZG [BZC ,SGSRZVF OZH N[ YFCGP KNM BKF FJRGSF .FZK[C OHKNPZGVF \B \GPN[
NKGGRBC ZGEGBK\ ,F&KKJfD NKVGBK\ N[ O\ZKXK FBZG ,OZHF KZCI ONGB .KSBNYF FZGYP N[C
GB ZBSRGZ FE ZKKV N[ GH \PDGE ,\KSBNYF FJRGSF \B GRYGZ ,GPXT JRGYNG (Banville)
.\KPKJRKB FYKH NMP ,ZKVSY[
,JZVC FJRGSFG NNMC FZK[F N[ KZKNF JCKFF QP QGGMPG JNIGP ZGMKR N[ FH QCGPC
[GPK[ \GIVN OK[GT NKTN OKZMHRF OKZZG[PF \[GN[ .OZHN GKZCI NMP \MN YKIZP FKEZB
FH QVGBC .OKVSGR \GRGRDSC ,\KSBNYF FJRGSN USGRC ,OKC\GMG OFK\GZKXKC QG[BZ UGDC
.CIZPCG QPHC OKYGIZ \GHGIP NB YKIZP ZK[F N[ GRMG\[M GNKVB ,\KZKNF FPKRF \ZP[R
.\IB OTV eNG FTKVGP KRB FNPF QKB GN[ \GJRGSF FZ[T FRGP[G FBP NMC[ ,FKEZB LM BN
\G\KPB F\GTXPBC TKCFN [YCP ,FJRGSF N[ OHKRGKXYVZVF OSYC FC[RF ZZG[PF
GB FYK\TF \TF QP CGZ KV NT ,ZCTF \GENG\C UGNI QC ,YPGI TDZ JGNYN ,\GKNSZCKRGB
OKZETR GKZGBK\ KM UB[ ZPBKK G\GMHN .GF[P GRN ZPGN ,O\GIF JSZ^J+C ,G\GTXPBCG ,SRSRZF
QP ,\GKVGSGNKV \GZKPBG ZSGP \VJFN QGKSKR NM OD OKZETR OF ,\K[KB \GCZGTP NM QKJGNIN
.SGSRZVF \ZK[ N[ OKKJVPKS \GIVF OKJCKFF
KRZGXF QVF \B FKEZB [KDEP ,\K[KB \GCZGTP N[ KZKNF JCKFF QP ZGJV ,LM[ QGGKM
:\K\VZXF FKPEYBN G\NCY NDZN OKJVG[F KYGPKR OT FKF YEXF[ YVS QKB .G\CK\MC
FRPR Les Trophes WCGYF .FZGVJPFG FBKVGJPGRGBF ,FCG\MF FNPF HGBGJZKG BGF FKEZB"
."FRF ETG EBKNVF \ZK[ HBP \K\VZXF FJRGSF CJKP OT
W W W
FZK[ KZT[ FTC[
118
F J KP F
B] 3
,F@VKJ]^Ye Kr]P& fB ,ZP&&X \#T#pPA BK]F O
,QY+ fP^M F@HK]k#T fB \K]RZ@fE^Y Z&CY& fP^j
,F@V@K F@Ne\^Ce Z&C&bF# eD^ec#^H]R d@a
.QY+@gF# ,N#T#aF# ,Ft@]B ,YfRK]v I@R d@a
ÙN^H]N r+K rE&` Y KP+ ,\&GP@ fB \fNeN^j
,ZE+fY C@N^X \I##v fB ,F@MZ@^a K+V^R#T N+X^a
,UfS BK]F Fh@l]F#^G Fh@l]#F BK]F \Kr]BZ+
.Z+R \&CF&^Nr# QfK^N]j E#T ZI#t##F ZfBP+
,K]R@T \h#P] F@n#b ,Jer@o W+T I#ekP]
K]Rr@ CF@@H OeYZ@ ZB+^o QfKZ^]oB# fB
,#TfX^Yl]#a HZ&B&^G ZF@E^]v \fIeN reJ^N
BJ^I+P+ K]Y@R fa]N Qr+@K rKB]@F KZ+r^B#
,JY+r@^G #T+DfZ GK@\fCzB sZ&&T N#T
.#TfG^D]N fa el\#^G O@NfT@N eB@a fa
FZJVGBKNYG SGKRGJRB
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ZfB^i#F WZ&B&^a eJK]a]F FZ@J^^HeH^b OfZl^
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GK@Cfr E#K^a N@iI# fP^Me ,Oc@Z^]mF#
T@bl##F O&SY&^N I#+p#RP^#F C+N SP#@R
.GK@\fTfZ^H]a Y+aI] Ft@]B KY+elI# Nr&
FKEZB FE FKZP FHGI
119
Le Lit
"
Qu'il
 de brocart ou de serge,
soit encourtine
Triste comme une tombe ou joyeux comme un nid,
Á que l'homme naõÃt, se repose et s'unit,
C'est la
 poux, vieillard, aõÈeule, femme ou vierge.
Enfant, e
Á bre ou nuptial, que l'eau sainte l'asperge
Fune
 nit,
Sous le noir crucifix ou le rameau be
Á que tout commence et la
Á que tout finit,
C'est la
Á re aurore au feu du dernier cierge.
De la premie
Humble, rustique et clos, ou fier du pavillon
Triomphalement peint d'or et de vermillon,
à ne brut, de cypre
Á s ou d'e
 rable;
Qu'il soit de che
Heureux qui peut dormir sans peur et sans remords
 ne
 rable,
Dans le lit paternel, massif et ve
Á tous les siens sont ne
 s aussi bien qu'ils sont morts.
Ou
Antoine et CleÂopaÃtre
"
Tous
deux ils regardaient, de la haute terrasse,
 gypte s'endormir sous un ciel e
 touffant
L'E
Á travers le Delta noir qu'il fend,
Et le Fleuve, a
Vers Bubaste ou SaõÈs rouler son onde grasse.
Et le Romain sentait sous la lourde cuirasse,
Soldat captif berc
Ë ant le sommeil d'un enfant,
 faillir sur son coeur triumphant
Ployer et de
 treinte embrasse.
Le corps voluptueux que son e
FZK[ KZT[ FTC[
120
dZ@@Tu^P] ,Z+eI] dI@^XP] ,GK@N+B F@CZ^Y@
,@FK\&@Vs^ \&B F@TK]pF] ,Os&` a I#fIK]R F@N@T
,FZ@@T^S fa \K]p]F Ur+fZ dJ@@aP# rB+
@FK&N@T OI@AKP^#F ZfJZ@&oP^KB]F@ QI#@b
CF@@H K+C^Mfj FB@Z@ @FK&RK+T^Ce JK]aF]
.CI@Z@ O@K^G ,J@NP^]R \fRK]V^S K]X^G
OKDGPNBF \KRG[
P] 3
,QKZ]fv^SP] Nr& F@kF] ,rP&t&#F O@K \I#v#
.\F##DfR OK]qP#TzP#^a OK]bPA^N#B Z#T#K N#T
OKl]I##F O]Kl##a O@i#F \KT]Y@Z^Y# N#T
.\#T#Vfr F@iI]P^]X^G \fB@N^o KZ+eX^K QKP]
ZF+fH N` D@S OKT]^CfX OKI]@NP^ O&FK+NTz#G
,Y` Z@K O@K Cs&+T^G OKE]fo]Y ,\fHeEP&
Z+eI] d@T^C]X F@RK]R^o=OB+^G \fp#B ,\fVE@^X
.Y` P@T QP@@bZ^B#^a B@N^VPA SeVE^]a OKI]r^fP
,C@R@H E#T rB` ZF@ QP] ZB@` VP^e E@a^M]R
ZKF]@K fN J+ir#P^ D̀P^NB#@F K+V^R#T QK+a
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,ZK]o#R^n#F \#jP#^a WKB]@K T\#&V^N xB#
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.\Y&Z&@Ce CF@@H^a Jh+Z#^v F@RK]R^o=OB+
FKEZB FE FKZP FHGI
121
à te pa
à le entre ses cheveux bruns
Tournant sa te
Vers celui qu'enivraient d'invincibles parfums,
Elle tendit sa bouche et ses prunelles claires;
 , l'ardent Imperator
Et sur elle courbe
 toile
 s de points d'or
Vit dans ses larges yeux e
Á fuyaient des gale
Á res.
Toute une mer immense ou
Le ReÂcif de Corail
"
Le
 rieuse aurore,
soleil sous la mer, myste
 claire la fore
à t des coraux abyssins
E
à le, aux profondeurs de ses tie
Á des bassins,
Qui me
à te e
 panouie et la vivante flore.
La be
Et tout ce que le sel ou l'iode colore,
 mones, oursins,
Mousse, algue chevelue, ane
Couvre de pourpre sombre, en somptueux dessins,
 du pa
à le madre
 pore.
Le fond vermicule
 caille e
 teignant les e
 maux,
De sa splendide e
Á travers les rameaux;
Un grand poisson navigue a
à de;
Dans l'ombre transparente indolemment il ro
Et, brusquement, d'un coup de sa nageoire en feu
Il fait, par le cristal morne, immobile et bleu,
 meraude.
Courir un frisson d'or, de nacre et d'e
FZK[ KZT[ FTC[
122
Q&NZ&G KZBP NGV
"NM OEGY FYKSGPF"
G\ZK[P YNI NT ,GRPP OKNGED GKF
QKB ONGB .FNB[ KRPKS CKXFN Q\KR
NT [KBF \B JGV[N OB[ YVS
ZZG[PF BGF QNZG ,GKKI \GZGY KV
.KCKJPKJNGBF
GJYGY QB'H
\B YIPR OB OD LB .GJYGY N[ BKPIP K\NCF ISGRF QP \IR FGGZ FKF QNZG NGV OB YVS
N[ ZBG\ QNZGGN SIKKPF ,OKKSPF GYNIC FCZ \PB FKF\ QKKET ,GJGPF QP FNB[F KRPKS
.KCKJPKJNGB QJKKV
GKKI \[ZV \B (Paul Marie Verlaine, 1844-1896) QNZG KZBP NGV OMSK Z[BM ,\TF BGCC
NKIC ZJGH QKXYG \KC \ZYT ,GKZGF .FYG[T \GENKC O[BF ZNGY \B \GN\N NMGK BN ,\ZTGSF
,ZTGMPFG KMGRBF ,TKDVF ,YRGVPF ,Z[MGPF ENKN GYKRTF ,QDGFG EKPB ,KRDZGC DGH ,FSERFF
,KZGCKX QGKZJGR ,GCSP [ZK LVMVFFG [BGRF GDHP \B[ BGVB FBZR .\MPG\G \CFGB FCKCS
QGVX N[ NVZGTPFG KNGMRNPF UGRF[ OD QM\KK .FZGI[ FZPG OTH KVY\FC TEGR[ JSKNGFMNB
.HTF TCXFG [P&[F ZZG[P BGVB FKFK BN QNZG .GRGKPE \B CXKT \VZX
KEGPKN .ZNEGCG GDGF N[ O\ZK[C GRKKRT ZYKT QM[ ,CZ WPBPC OKKSP BGF GKEGPKN \B
FNCP GRPH CGZ \B QM[ ,QGJZ[ NT FZFPC OKNGT ,FIV[PF KEKP GKNT OKVMRF ,OKJV[PF
.BKFF \TC OKZZG[PF FY[P ,\RKSCBN ZMP\P BGF O[ ,KRKJNF TCGZC IHZP K\CC ZKTXF
Q&NZ&G KZBP NGV
123
\PSZVP[ \TEF KGNKD KP\GI NT FRPR UBG ,FPZBNPNG ZNEGCN TEGG\P BGF FH QPH YZVC
.(1866) SRZ#V NGJBRBG F&KKJfD NKVGBK\ ,NKN FE JRfY&N N[ O\G[BZC OKJSKS#RZ#oF \ZGCI
Z\GPN .(PoeÁ mes Saturniens) KB\C[ QPKSC OKZK[ ,QG[BZF GKZK[ LZM ZGB FBGZ FR[ F\GBC
N[ G\GP ;ZEZE\P GCXP \RKSCBN ZGMP BGF[M .\KZYP FRRKB \GRGSBF CMGM \ZKIC[ QKKXN
.FNGB[ QGDKC ZZG[PF \B OKEKZGP ,FCGFBF G\EGE \C ,FHKNT N[ F\GP ZYKTCG ,CBF
,FVK OKNGT BN ,FNXF [ZY \RKICC GKCDN GKF[ ,(Fleurville) NKGGZNV FE ENK\PN QKBG[KRF
.FJTPF QG[NC \BHG
.1891 \R[P (Carrie re) ZKKZY Q'HGB N[ ZGKX KV NT ,KRGPNB ,QNZG KZBP NGV
GN ZD[PF ,faPZ ZG\ZB O[N FRGTF 17 QC \GEGPI ONTP C\MP QNZG NCYP 1871 WKYC
,GK\GDG[P NM NT ,QNZG .G\KCN ZZG[PF \B QKPHP ,OKZK[F \GMKBP T\VGPF QNZG .GKZK[ \B
QPH LG\C IKNXPF ,KZJRXSYBF GCPZ EKN \TEF \GKV[ \GPND\F BGF ,GVGZKJG GK\GRGBMKE
[NGDF K\KKVM Z[YC FH NB FH OKZCGI OKKR[F .QNZG \IV[PC FZKGGBF \B NKTZFN ZXY
FRC \B OKK\RKC FENK[ ENK\P ;GFR[PN EIB GZJSKCP EEGR EPXF .\GJKPF ZEI NB FZFPC
OKKR[F .CGIZN OKKR[F \B \[ZDPG F\KCC NNGI\PF JGKSC EGT EGPTN \NDGSP BN ZGMCF
QNZG .FDZEPF NV[N FTKDP OFKRKC OKSIKF \MZTP .FKDNCG \VZX QGVX KRV NT OKERG OKTR
FZK[ KZT[ FTC[
124
QNZG .EKC KIJ[ TXVC ZPDR ZGVKSF GNHPN .GCPZC FZGKG IEYB [MGZ ,GCGFB QECGBP EZIF
\B TKDZP \RKSCBP YG\KRF .ESI GPT F[GT BNMF .KDNC BNMC OKK\R[C LM NT ON[P
,G\KC NB CG[N QNZG [YCP 1875=C GZGZI[ OT .\KNG\Y FRGPBC FGGN[ BXGP BGFG ZZG[PF
FMGHG \VZXN ZHGI ,OKK\R[ FC FFG[ ,FKNDRBN GKPTV O[ BGF ,ONGM KEK NT FIER[ QGGKM LB
,GKEKPN\P EIB ,QKKSGN QKCN GRKC OKSIK \MZTP QMG OHKNGFGMNBN FCK[F ONGB .FZGP \Z[PC
\B TKY[P QNZG .ZVSF \KCP GYGNKSN OKBKCP ,GEKPN\N KRIGZ CB KSIKP FBZRF NMM \DZGIF
fSeZ ISGRC TCJF YKIC FBZCFF QGKSKR ONGB ,KBNYI Y[P \[KMZC GN[ F[GZKF KVSMP JTP
G\GP .OKECM \GCGIG NDZ \JK[V ,OKKRK[ QGKYKRC BXGK QNZGG NGED ESVFC ZMPR Y[PF ,N[GM
OT .BNMN \KR[C G\GB OKBKCP GPB NT OKPGKB]G OTH KXZV .\VSGR FPGNFP BGF QKKSGN N[
K\[ .[VR ZPG FJGZV ZSI ,TNGX ,FNGI ,\GKRSMB QKC O[ ERG TR ,SKZVN BXGK BGF GZGZI[
,CGNTF FRGJKYC .F[BN B[GR BGF ,WRBZY QK'DGK ,QFP \IB .QZEIN G\GB \GVSGB \GNC \GRGH
.1896 ZBGRK \K[BZC G\GP \B BXPK ,IGZCG UGDC ZGC[ ,FJKPN Y\GZP
W
\KPXT FNPI ,FKMZRB ZIB [YCPF .G\ZK[C LM BN ONGB ,GKKIC KCKJPKJNGBF ZZG[PF LM
G\ZK[C O\GB BXPK BN ,ZNEGC \PDGE ,\RDGFP FZCI KNG[C KIF ZZG[P N[ OKZIB \G\GB GB
FKF QNZG .\KJGKVF G\ZKXK \B OKRKKVBP \BHC OKBCGPF OKZK[F FH QCGPC .QNZG N[
.\GKCKJYKKCGBG CIZR TE&K ,\TE NGYK[C QKKJXFG ,FZK[F N[ YFCGP QYKJZGBK\
W W W
OGDZ\F
GNIFG ,1899=N 1866 QKC GC\MR[ FZK[ KMZM FTC[ NNGM QNZG N[ UKYPF G\ZK[ NGNMP
\B QNZG OSZV 1871 \R[ \K[BZC .(PoeÁ mes Saturniens) KB\C[ QPKSC OKZK[ OT ZGPBM
FMKN[F FR[ F\GBC Z\GK ZIGBP ,Le Bonne Chanson ,EK\TN G\[BN FCFBF KZK[ WCGY
Romances sans Parole WCGYF Z\GR GCPZ OT OKEGERF \GR[P .CGIZN ,ZGMHM ,ENK\P G\GB
TKCFN QNZG [YCP ,YVGBPF OHKNGCPKSF IGZC OKCG\MF OKKJSKRGKSZVPKB OKPG[KZC .(1874)
.GCPZ N[ G\ZCIC GKZGSKKG GZ[GB \B
ZCT C ,Jadis et Nagure \Z\GMF \I\ ,ZGB GBZ OZJ[ GKZK[ \B ZZG[PF SRMP 1888 \R[C
.GCPZ OT GKSIK BJI NT FMP BGF ,KJSKNGCPKS ZZG[PM QKJGNIN FFGHP ,F\T . EKP\N \IBG
,FBKNVF FCZPN .ZGIBN GKKI \B ZYGSF ZDGC ZZG[P \BJCP[ ,GF[P \ZFZGFP \GMKB OKZK[N
.\KPXT FNPI N[ CCZP OKKYR OKZK[F ,GKPK CGZ GYNI \RP GKF[ \GNNPGBF KPK IMGR
.ParalleÁ lement \Z\GMF \I\ OKKCKJYGCGZVF GKZK[ WCGY ZGB FBGZ QMP ZIBN FR[
K\CC \GSR\F ,\GPKNB .OFF OKPKF KD[GPC F[YF FKVZDGRZGVF NB \IB BN OK[NGD OKZK[F
N[ G\GK[KBC NVBF QVF \B \GDKXPF ZZG[PF N[ \GKGGI FNBC BXGKMG ,ZMH CM[P ,\GRGH
.QNZG
Q&NZ&G KZBP NGV
125
W
OKZZG[P KEKC GC\MR[ OKRKGXPF OKZGCKIF QP ,Art Poetique ,QNZG N[ G\SPC I\VPF JV[P
CKJKF QNZGG[ BNB ,"De la musique avant toute chose" YVS BNN BGF ,FZK[F \GRPB NT
QBMP ."NMN \PEGY FYKSGPF" FKVN FTKCYF QKCN GKZK[ KRM\ QKC NGY[ OB#G\ NT ZGP[N
,GZGE KZZG[PP OKCZ FM BKCF[ ,\GRPB O[N \GRPB N[ UGZ@XF OHKXKJ\SBF ZIB UISR BN[
U[B ,QNZG N[ \EIGKPF G\GMKB ,\BH OT .ZY@TF SREYEF NB ,FPZBNPG ZNEGC NNGM
GRGKSKRC OKRGB ZSI EPGTF .ODZ\PF N[ GMZE NT UDR QCB BKF ,\K\VZXF \GKNYKSGPF
OB YVS .FV[F N[ F\GFP OXTP OGDZ\ ZC GRRKB[ KNYKSGPF EGIKKF QP ,GF[P GNG YK\TFN
KNGB ,(Chanson d'Automne) GK\S N[ ZK[ C FIK\VF \GZG[ \[[P LMN FCGJ FPDGE \PKKY
:ZZG[PF KZK[ NM QKCP TEGRF
Les sanglots longs
Des violons
De l'automne
Blessent mon coeur
D'une langueur
Monotone
n \GBFG ,\GZG[F 6 LG\P 5 N[ \GPGKSC KR[F JGIM ZCGTF on KRGZDF K\VZXF NKNXF
\K\VZXF \B \RKKVBPF \PN[GP FBKVGJPGRGB OF ,ZK[F \GNKP 13=C OKPTV 10 \ZHGIF
OKNPF ZDBPC [GPK[ \G[TN CKKIF ODZ\PF .\GZIB \GV[C FGCD FM HGMKZC \ZETRFG
\IB FRGTCG \TCG (KRGD EI ,NKNX ,CN ,FTKXV ,GK\S ,ZGRKM ,L[GPP ,KMC) G\G[ZN EPGTF
BNG QGKSKRC EGPTN K\JNIF[ QBMP .USF NT N[MKK ,ZGYPF N[ \GKNYKSGPF QP GF[P YKRTFN
OKZK[F \TCZB .\K\VZXF FZK[F N[ CFH QBX KSMRP BKF[ ,GH \KJGKV FRKRV K\PDZ\
ZK[F ZYKTC ,QNZG N[ G\ZK[C FH EIGKP CKMZP OF UB ORPB OKNNGM QNFN[ OKPDZG\PF
.GK\S N[ ZK[ C Z[BP \GSKIEG HGMKZ \GIVC ONGB ,KNJRPJRS IK[
N[ OKPEYGPF GKZK[ NT OKRPR ,KB\C[ QPKSC OKZK[ LG\P ,FNG\IG F[B QMG Nevermore
FZGCY SYJ G ,La Bonne Chanson LG\P OKIGYN KNJRPKJRS IK[ QMG FVY K\C QGB[ .QNZG
.Jadis et Nagure LG\P
QKZERSMNBC ZGPDF FCGZC QNZG \ZK[ FCG\M ,FNG\IG F[B C KCNKSGJYGB NY[P J+TPN
.KZGYPF NY[PF NT ZGP[N K\[YKC OKZYPF NMC .KSBNYF
W W W
FZK[ KZT[ FTC[
126
KN J R P K J R S I K[
^a 3
,BeVY@^G KZ]KZ]Tz KZ]ea]X Q#D
.eV^NI@^G ,Fv@#T F&H \fKePc^ Kv+r^ eT^S@o
,Q&FK\+^Vs] \fKeVZ^ ,Q&FK+RK+T \f\P+
.Q&FKZ+^Cc] NeP^NP] TP#r^]R YI#` E^a YZ#
,BeVY@^G KZ]KZ]Tz KZ]ea]X Q#D^a
.eV^NI@^G ,Fv@#T F&H \fIeZ Kv+r^ eT^S@o
"?Z@C@T&F KP+^K JF##N \&B EfT Z` j^H\]zF"
"?Z@j^H]R O@a F&KF^B& #TecP#e FP# N#T"
?fN YZ#^G KP]r^ NK]N^X]N y^a]N EfT O#T^V]KzF"
"?OfNIz#a K]a]N \&B FB&Z^\]Fz
"!B̀N@G B̀N"
O@Nr^AP Zr&` B Nr& OKB]@N^VAP OKP]@K ,fF"
"!fH NB& fH eY^Cc@ eRK\+@Vs^ O#b
"?O@RP^AB#F"
".ZfB@G \&N+M^v KP+r^e ,H@B F\@^K@F F@G^Y\]^G"
".Z` Ir@^N F@M^V@F \&N+Mv^#F ,EfT F@G^Yv] QK+B"
,O@VeZJ+ \#Mr^I&^a ,x#C^n]#a OF+ eT^S@o x@j
.O@NfY^N QK]H<B&F EeP^N#b F@N^K#N YZ#^G
F V Y K\ C Q G B [
r^ 3
,\&MZ&E^P] KI]^S ,\&V` mJ] ,F&VY@ Kv+@a QfB
,\&M&kr# K+NTz ,OK]N^CfR OK]X+T ,CeIJ@ ZK]GBz
,N&HZ^#a \B#J@eZ^b Nr& F@VeS ,SeaK]RP^fBF@
,NJ+^Nh#P]e ZZ@^D]R ,GK@k#b^N#b N#T YZ+fI
,JB#^N \fqZAK]G \fkAD^S GK@RK+T \fFfa
OK]VZ^fb ,QfETzfP^N OK]V@S<B&R OfK Kr+^Y
,OKZ]J^ftF# Nr& O@oB#^N \I#v#P] O@oB#
,OK]VeN^Y \fZK]Y ,\fZfPFzP# ,OK]V^Nfc \fb#b
,Ov@^S]R Cei]a ,OK]M@Vr^ ,Y#N^Y#NIz NK]Cr^
.O@VfS^a QE&+T Q#b ,\B` H OT] .K#iI# F+mF]
Q&NZ&G KZBP NGV
127
Colloque Sentimental
"
Dans
Â,
le vieux parc solitaire et glace
 voque
 le passe
Â.
Deux spectres ont e
Á vres sont molles,
Leurs yeux sont morts et leurs le
Á peine leurs paroles.
Et l'on entend a
Â,
Dans le vieux parc solitaire et glace
 voque
 le passe
Â.
Deux spectres ont e
± Te souvient-il de notre extase ancienne
± Pourquoi voulez-vous donc qu'il m'en souvienne?
Á mon seul nom?
± Ton cúur bat-il toujours a
à me en re
à ve? ± Non.
± Toujours vois-tu mon a
± Ah! les beaux jours de bonheur indicible
Á nous joignions nos bouches! ± C'est possible.
Ou
 tait bleu, le ciel, et grand, l'espoir!
± Qu'il e
± L'espoir a fui, vaincu, vers le ciel noir.
Tels ils marchaient dans les avoines folles,
Et la nuit seule entendit leurs paroles.
Le Bruit des Cabarets
"
L
e bruit des cabarets, la fange des trottoirs,
 chus s'effeuillant dans l'air noir,
Les platanes de
L'omnibus, ouragan de ferraille et de boues,
Qui grince, mal assis entre ses quatre roues,
Et roule ses yeux verts et rouges lentement,
Les ouvriers allant au club, tout en fumant
à le-gueule au nez des agents de police,
Leur bru
 gouttent murs suintants, pave
 qui glisse,
Toits qui de
 fonce
 , ruisseaux comblant l'e
 gout,
Bitume de
Á ma route ± avec le paradis au bout.
Voila
FZK[ KZT[ FTC[
128
F N KN J G K S
#N 3
#TeZY@^G \KT]^CP# #TK]YZ@ ,Or&&b ,F@N^K
OKI]KZ]^Xe OK]Nc@^DP] K+N^N]X^a OKZ]@H^D]N
OfcZ^#D^G OKZ]frKP] ,reJ@R K\]fb xZ#^M]a
F@i]Nv^#F K+XTz N#T \fVeb#F \#NJ+^NJ#
OK]X^oY#P^ ,\fVfT Nr& OK]C+TZ^ OKZ]fqP#^N
,fN FP&fc QKB+ EeqZ]^a Z` It@#F ZK]GBz@a
.\fCZ@Tz K+CB+^H]N N@MBzP# O&FK+N^DZ#
F N G\ I G F [ B
F] 3
.F@Ne\Iz OT] FY@Izs] BK
E#XK+j \fBZ^]N OK]S^YP# F@KF@
O]Kv#t^#F F&H CZ&&T^a eH^N@T
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OKs]P+ K]N^aP] F@XZ^@o HB@^G
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.1968 ,QZC ,\KJZV FBXGF Poemes Saturniens LG\P ZGKB
Q&NZ&G KZBP NGV
129
Effet de Nuit
"
La
 chiquette
nuit. La pluie. Un ciel blafard que de
Á ches et de tours a
Á jour la silhouette
De fle
 teinte au lointain gris.
D'une ville gothique e
La plaine. Un gibet plein de pendus rabougris
 s par le bec avide des corneilles
Secoue
Et dansant dans l'air noir des gigues nonpareilles,
à ture des loups.
Tandis que leurs pieds sont la pa
Femme et Chatte
"
Elle
jouait avec sa chatte,
 tait merveille de voir
Et c'e
La main blanche et la blanche patte
 battre dans l'ombre du soir.
S'e
 le
 rate! ±
Elle cachait ± la sce
Sous ses mitaines de fil noir
Ses meurtriers ongles d'agate,
Coupants et clairs comme un rasoir.
Âe
L'autre aussi faisait la sucre
 re
 e,
Et rentrait sa griffe ace
Mais le diable n'y perdait rien
Á , sonore,
Et dans le boudoir ou
 rien,
Tintait son rire ae
Brillaient quatre points de phosphore.
FZK[ KZT[ FTC[
130
Nevermore
]H 3
G\@^n#F Z+br] F+mF] ,rq+#C^v FP# ,QfZ@j
,Efm#F KZ+>o]X \B& OK]R@RTz@F KP+r^]a
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.Ct@l##F BeF Q+RfX Z#T#K \&M&kr#^Ce
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,Z@Ts+ K+TeZ^o ,OK]Ffv ,I#eZ@a Or@ eRT^#S@o
:O` B\^]o K#N+B F\@^R@o ,CF@@H fNK]N^X NfY^a
"?Zt@ABl^F# yP^fK F@K@F FP& ,K]N Z` P<B"
,xB@^NP# NK]N^X]j D̀R@T d@NfY \P#KT]^R]N
,@FKE&@K \&B Kv]^Yt#]R ,\eTK]R^X]a Kv]^M#iI]
:@FKZ&@Cc^ N#T Kv]^Cr#F+ x@M^G \fZfFh^F#
,IY@^V]m#F IZ#&o Nr& I#fIK]mF# I#KZ+ ,d@F"
{ F@Cv+F# QP] F&NfT@F rI##k#F NK]N^Xe
".F@CeFBz@F K]oP] ,F@RfrBZ]F@ 'Q+j'F#
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B+ 3
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,W+R^X#RP^ rfjl#F# ,Zl+#HP^ QZ@^Cq#F#
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.W+XfZ\^P] NF@q@#a FP@K]N^D]a QF+` jF#
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NY#^G xZ# \I+fm#F OKP]I@&F QfZB@F@
,\fB@i#j Z@V@T U#j F&eANP^ ZfaF# NB&
.N@gP#=Z#a ZJ@^V]m#F \eIfR^N F@jZ# \eS^j
Q&NZ&G KZBP NGV
131
Nevermore
"
Souvenir,
souvenir, que me veux-tu? L'automne
Á travers l'air atone,
Faisait voler la grive a
Et le soleil dardait un rayon monotone
Á la bise de
 tone.
Sur le bois jaunissant ou
 tions seul a
Á seule et marchions en re
à vant,
Nous e
 e au vent.
Elle et moi, les cheveux et la pense
 mouvant:
Soudain, tournant vers moi son regard e
«Quel fut ton plus beau jour?» fit sa voix d'or vivant,
 lique.
Sa voix douce et sonore, au frais timbre ange
 plique,
Un sourire discret lui donna la re
 votement.
Et je baisai sa main blanche, de
Á res fleurs, qu'elles sont parfume
 es!
± Ah! les premie
Et qu'il bruit avec un murmure charmant
Á vres bien-aime
 es!
Le premier «oui» qui sort de le
L'enterrement
"
Je
ne sais rien de gai comme un enterrement!
Le fossoyeur qui chante et sa pioche qui brille,
La cloche, au loin, dans l'air, lanc
Ë ant son svelte trille,
à tre, en blanc surplis, qui prie alle
 grement,
Le pre
L'enfant de choeur avec sa voix fraõÃche de fille,
Et quand, au fond du trou, bien chaud, douillettement,
 boulement
S'installe le cercueil, le moi e
 dredon du de
 funt, heureux drille,
De la terre, e
FZK[ KZT[ FTC[
132
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,FZ@\+^K F@oh]P] YeP@n#F fPJ^I@^G
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,OKr]Z^P# xB# x` ZB@ B̀N ,E+o^SF&#F F+mF]^G
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.OKr]Z^fiF# ...
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\+T ,Zec#j YI#s^P] K+T^DZ]^N BeF
x@\fB ,K]\fB QB@M^N BK]CF+
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xv@]R far& F&H T#DZ&^N
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^K 3
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Q&NZ&G KZBP NGV
133
 rite
Â!
Tout cela me paraõÃt charmant, en ve
 courte
Â,
Et puis, tout rondelets sous leur frac e
Les croque-morts au nez rougi par les pourboires,
Et puis les beaux discours concis, mais pleins de sens,
 largis, fronts ou
Á flotte une gloire,
Et puis, coeurs e
 ritiers resplendissants
Les he
Le Faune
"
Un
vieux faune de terre cuite
Rit au centre des boulingrins,
 sageant sans doute une suite
Pre
Á ces instants sereins
Mauvaise a
Qui m'ont conduit et t'ont conduite,
 lerins,''
``Melancoliques pe
Á cette heure dont la fuite
Jusqu'a
Tournoie au son des tambourines
Beaute des Femmes
"
BeauteÂ
des femmes, leur faiblesse, et ces mains pales
Qui font souvent le bien et peuvent tout le mal,
Á plus rien ne reste d'animal
Et ces yeux, ou
à les.
Que juste assez pour dire: ``assez'' aux fureurs ma
FZK[ KZT[ FTC[
134
,ZY&` a OT] NeN@X EKP]v@ ,Q@RTzZ#@F d@NfY
,C+Hfj BeF ek]VBz ,NK+N OT] CZ+@TF& fB
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.CB+^j \#TP^c] YK]RI^P# UKT]@X K+Neo]Y QK+a
,\&N&e]BF@ ,Tr#Z&@F Z&C&b K+iI#^a OK]aZ#
\fYKr]^mF#^G CKZ]@F ZI##B YZ# ekB] fF
.N` M@G N` jP] OK]YKZ+ EE@@a ZB+t@]R B̀N
,E&N&K Nr& fr^V#R O` vP] CfJZ^YA YZ# eN
EfT eR+a]N^a E&SI&^G EfC@j J#TP^
.N` j#F \fN^M]j ZI#B# ,eR+\fP^a eRv@B]
KCNC \GTPE
Il pleut doucement sur la ville
Arthur Rimbaud
^j 3
K]a]N x@j ZKT] N#T Or&&bF# fP
,Gr@^M#T FP@ ,\foJ] #TP+fc
K]aZ^]Y^a OeP@T&F CB+^jF#
?K]a]N \&B JZ+fs ,#T+XfoF#
ZJ@l@#F \foJ] NK]N^X D̀R@T
,WZ&B& N#T^G \fb#b N#T rK]ql#F#
Z@nAKP^#F K]a]N^N F@BeVZ^
.ZJ@l@#F \foJ] NK]N^X BeF
#TecP# #TE+fK KP] F&Mfa BeF
Q+j N#T^G K]a]N^a FE@K]D^a B̀N
#TeD@o#F K]a]N F&g FP# N#T
?#TecP# #TE+fK KP] ,N+aB#\^P]
\#Tc# K]N^aP] NfE@b N&C+S QK+B K]j
,FB@^Rs]^G F@CFz#B B̀N^N x@j
BZ@fm#F CB+^jF# Q@MKF+P+
.\#Tc# K]N^C]a K]a]N^a W+CfZF@
Q&NZ&G KZBP NGV
135
à les,
Et toujours, maternelle endormeuse des ra
à me quand elle ment, cette voix! Matinal
Me
Á ve
à pre, ou frais signal,
Appel, ou chant bien doux a
à les!...
Ou beau sanglot qui va mourir au pli des cha
Hommes durs! Vie atroce et laide d'ici-bas!
Ah! que du moins, loin des baisers et des combats,
Quelque chose demeure un peu sur la montagne,
Quelque chose du coeur enfantin et subtil,
 , respect! Car, qu'est-ce qui nous accompagne
Bonte
Et vraiment, quand la mort viendra, que reste-t-il?
Il pleure dans mon coeur
II pleut doucement sur la ville.
"
Arthur Rimbaud
Il
pleure dans mon coeur
Comme il pleut sur la ville;
Quelle est cette langueur
 ne
Á tre mon coeur?
Qui pe
à bruit doux de la pluie
O
Par terre et sur les toits!
Pour un coeur qui s'ennuie
à le chant de la pluie!
O
Il pleure sans raison
 coeure.
Dans ce coeur qui s'e
Quoi! nulle trahison?...
Ce deuil est sans raison.
C'est bien la pire peine
De ne savoir pourquoi
Sans amour et sans haine
Mon coeur a tant de peine!
FZK[ KZT[ FTC[
136
faPZ ZG\ZB
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,FZ\K \GR[DZ ,OKYKZ OKZGTR
FRF ,YGPT NGMS\ ,EKBN FIP[
.\KNM\ BNN KKI GECB EXKM
GCPZ .B
QVJS ,QNZG NGV OT EIK FRPRF ,(Jean Nicolas Arthur Rimbaud, 1854-1891) GCPZ ZG\ZB
K+CZP+G ,\KJSKNGCPKSF FZK[F \ZPX N[ ZKFHPF JJZGGYF NT ZNEGC NZ[G FPZBNP
NMC \GIVN ,FTCZBF QKCP KZGYPF YVS BNN BGF ,OKZ[TF FBPF N[ FZK[F NT FTV[FF
IZMFC FRRKB "FPKFEP" FH FZYPCG ,GCPZ NXB FPKFEPF FTVG\F .GKKI \[ZVC ZG[YF
.FZK[N [KEYF[ QPHF YZVG ZZG[PF N[ GNKD BKF ,QMG\P YKZ CKJNZVGS
GZK[ ,Le Bateau Ivre ,FZGMK[F FRKVSF C \GBZN DGFR GCPZ N[ G\CK\M \K[BZ \B
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,QKDGZKSN FHGZVG FZK[ KYZV FT[\ N[ WCGY ,(Une Saison en Enfer) OGRKFKDC F@RGT
.1873 KFN[C C\MR ,FZK[N OGN[ \ZKPB QMB BGFG Adieu YZVC OKK\SPF
QC ZTR ,QM KM FRF .19=F FBPC FZK[F KNGEDP EIB N[ KJGKVF GPNGT O\G NKI\F LMCG
,\K\VZXF FZK[C FMVFP NNGIN JKNIP ,OKREZBF NCIC FE[ \ZKKT ,NKGGNZ[ EKNK 16
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137
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ZTRF IZGC ,1870 KNGKC \KSGZV=GYRZVF FPINPF WGZV OT .Z\GK ZIGBP G\GB [P[K FHKZIN
OKPK FPM FNCPG \CMZ SKJZM BNN SV\R ,KRPNBF [CGMF NGP GXZBN TKKSN ,SKZVN 15=F QC
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.\KBSKZVF FRGPGYF N[ FYCBP NB UZJXFN \RP NT ,\G[GRBF KKNGI \B ZG\VK OHKNBKXGSF
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,KGGEF ENIC OEBN G\YRTF KEK NT ,LMCG ,FZK[C G\GB BJCN ,FH EGS \GNDN ,GCPZ ZG\ZB
BGF ,\KVGSGNKVF EGSKF \IRF \B IKRF[ QGGKM .IXRN Z[GB \BZYN \G[GRBF \B LKNGFN
le de reÁ glement de tous :GRG[NC GB ,"OK[GIF NM UGZKJ" BKF BNF ,FEGCTF \JK[ NT JKNIP
FH\RKS QKTP ZGXKN \RP NT EZVRC EIB NM OK[GIF N[ OEGTKK \B JJGPN QGKSR :KZY ,les sens
ZMHRF "inconnu" G\GB GRKKFE ,FM ET OKTEGR K\NC OKRM\ \GNDN FKFK Q\KR F\GTXPBC[
OKPS ,NGFGMNB ,CTZ ,K[VRG KHKV CBMN FVK[I KEK NT DK[FN Q\KR OK[GIF UGZKJ \B .NKTN
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.OKZMGPF
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N[ F\GYCE \PXGT NT ZCEF EKTP ,GCPZ N[ \KJRSNGEBF \GCFN\FN ZC+TP ONGB .FJTPF
\B ,NCDGP QGCZKTC QKKETG ,ZCG[ QMB GCPZ ,\ZIB GB LM .\KSBNYF FKEGHGZVC GKPKC FZK[F
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1
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FZK[ KZT[ FTC[
138
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141
Le Bateau Ivre
"
Comme
je descendais des Fleuves impassibles,
 par les haleurs:
Je ne me sentis plus guide
Des Peaux-Rouges criards les avaient pris pour cibles,
 s nus aux poteaux de couleurs.
Les ayant cloue
 tais insoucieux de tous les e
 quipages,
J'e
 s flamands ou de cotons anglais.
Porteur de ble
Quand avec mes haleurs ont fini ces tapages,
 descendre ou
Á je voulais.
Les Fleuves m'ont laisse
 es,
Dans les clapotements furieux des mare
Moi, l'autre hiver, plus sourd que les cerveaux d'enfants,
 ninsules de
 marre
 es
Je courus! Et les Pe
N'ont pas subi tohu-bohus plus triomphants.
à te a be
 ni mes e
 veils maritimes.
La tempe
 ger qu'un bouchon j'ai danse
 sur les flots
Plus le
 ternels de victimes,
Qu'on appelle rouleurs e
Dix nuits, sans regretter l'oeil niais des falots!
Plus douce qu'aux enfants la chair des pommes sures,
 ne
 tra ma coque de sapin
L'eau verte pe
Et des taches de vins bleus et des vomissures
Me lava, dispersant gouvernail et grappin.
Á s lors, je me suis baigne
 dans le Poe
Á me
Et de
 d'astres, et lactescent,
De la Mer, infuse
 vorant les azurs verts; ou
Á , flottaison ble
à me
De
 pensif parfois descend;
Et ravie, un noye
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.Y&V` B@F K+Neor] E#T ,BZ&&o ZE&+T N#T Z@S^VB#
faPZ ZG\ZB
143
Á , teignant tout a
Á coup les bleuite
 s, de
 lires
Ou
Et rythmes lents sous les rutilements du jour,
Plus fortes que l'alcool, plus vastes que nos lyres,
Á res de l'amour!
Fermentent les rousseurs ame
 clairs, et les trombes
Je sais les cieux crevant en e
Et les ressacs et les courants : je sais le soir,
 e ainsi qu'un peuple de colombes,
L'Aube exalte
Et j'ai vu quelquefois ce que l'homme a cru voir!
 d'horreurs mystiques,
J'ai vu le soleil bas, tache
Illuminant de longs figements violets,
Á des acteurs de drames tre
Á s antiques
Pareils a
Les flots roulant au loin leurs frissons de volets!
à ve
 la nuit verte aux neiges e
 blouies,
J'ai re
Baiser montant aux yeux des mers avec lenteurs,
Á ves inouõÈes,
La circulation des se
 veil jaune et bleu des phosphores chanteurs!
Et l'e
J'ai suivi, des mois pleins, pareille aux vacheries
 riques, la houle a
Á l'assaut des re
 cifs,
Hyste
Sans songer que les pieds lumineux des Maries
 ans poussifs!
Pussent forcer le mufle aux Oce
 , savez-vous, d'incroyables Florides
J'ai heurte
à lant aux fleurs des yeux de panthe
Á res a
Á peaux
Me
D'hommes! Des arcs-en-ciel tendus comme des brides
Á de glauques troupeaux!
Sous l'horizon des mers, a
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faPZ ZG\ZB
145
 normes, nasses
J'ai vu fermenter les marais e
Á pourrit dans les joncs tout un Le
 viathan!
Ou
 croulements d'eaux au milieu des bonaces,
Des e
Et des lointains vers les gouffres cataractant!
Glaciers, soleils d'argent, flots nacreux, cieux de braises!
Echouages hideux au fond des golfes bruns
Á les serpents ge
 ants de
 vore
 s des punaises
Ou
Choient, des arbres tordus, avec de noirs parfums!
J'aurais voulu montrer aux enfants ces dorades
Du flot bleu, ces poissons d'or, ces poissons chantants.
 cumes de fleurs ont berce
 mes de
 rades
± Des e
 par instants.
Et d'ineffables vents m'ont aile
 des po
à les et des zones,
Parfois, martyr lasse
La mer dont le sanglot faisait mon roulis doux
Montait vers moi ses fleurs d'ombre aux ventouses jaunes
Á genoux...
Et je restais, ainsi qu'une femme a
 de brumes violettes,
Libre, fumant, monte
Moi qui trouais le ciel rougeoyant comme un mur
Á tes,
Qui porte, confiture exquise aux bons poe
Des lichens de soleil et des morves d'azur;
Á cinquante lieues
Moi qui tremblais, sentant geindre a
 he
 mots et les Maelstroms e
 pais,
Le rut des Be
 ternel des immobilite
 s bleues,
Fileur e
Je regrette l'Europe aux anciens parapets!
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faPZ ZG\ZB
147
 raux ! et des õÃles
J'ai vu des archipels side
 lirants sont ouverts au vogueur:
Dont les cieux de
± Est-ce en ces nuits sans fonds que tu dors et t'exiles,
à future Vigueur?
Million d'oiseaux d'or, o
 ! Les Aubes sont navrantes.
Mais, vrai, j'ai trop pleure
Toute lune est atroce et tout soleil amer:
à cre amour m'a gonfle
 de torpeurs enivrantes.
L'a
 clate ! O que j'aille a
Á la mer!
O que ma quille e
 sire une eau d'Europe, c'est la flache
Si je de
Á vers le cre
 puscule embaume
Â
Noire et froide ou
à che
Un enfant accroupi plein de tristesse, la
à le comme un papillon de mai.
Un bateau fre
 de vos langueurs, o
à lames,
Je ne puis plus, baigne
Enlever leur sillage aux porteurs de cotons,
Ni traverser l'orgueil des drapeaux et des flammes,
Ni nager sous les yeux horribles des pontons.
Bottom
"
La
 alite
 e
 tant trop e
 pineuse pour mon grand caracte
Á re,
re
 anmoins chez ma dame,
± je me trouvai ne
en gros oiseau gris bleu s'essorant vers les moulures
 e.
du plafond et traõÃnant l'aile dans les ombres de la soire
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148
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149
Je fus, au pied du baldaquin supportant ses
 s et ses chefs-d'oeuvre physiques,
bijoux adore
un gros ours aux gencives violettes et au poil
chenu de chagrin, les yeux aux cristaux et aux argents des consoles.
Tout se fait ombre et aquarium ardent.
Au matin, ± aube de juin batailleuse,
à ne,
± je courus aux champs, a
claironnant et brandissant mon grief,
Á ce que les Sabines de la banlieue
jusqu'a
Á mon poitrail.
vinrent se jeter a
Les Chercheuses de Poux
"
Quand
le front de l'enfant, plein de rouges tourmentes,
à ves indistincts,
Implore l'essaim blanc des re
Á s de son lit deux grandes soeurs charmantes
Il vient pre
à les doigts aux ongles argentins.
Avec de fre
Á s d'une croise
Âe
Elles assoient l'enfant aupre
Á l'air bleu baigne un fouillis de fleurs,
Grande ouverte ou
Á tombe la rose
Âe
Et dans ses lourds cheveux ou
Á nent leurs doigts fins, terribles et charmeurs.
Prome
 coute chanter leurs haleines craintives
Il e
 ge
 taux et rose
Âs
Qui fleurent de longs miels ve
Et qu'interrompt parfois un sifflement, salives
Á vre ou de
 sirs de baisers.
Reprises sur la le
Il entend leurs cils noirs battant sous les silences
 s; et leurs doigts e
 lectriques et doux
Parfume
 piter parmi ses grises indolences
Font cre
Sous leurs ongles royaux la mort des petits poux.
FZK[ KZT[ FTC[
150
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,WK]YF@^a F@K@HFz GK@N@T F@NK]oF] B̀N
T#+DfZ@F Ueh]kF# E#XK+j E&N&i#F rI@
.#T+GfD^G r+Tfb fa \fj^C]N W&VI+#F OT]
ZI[F
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,\fZKT]P^ ,\flI# ,\fZKF]P^ \fPKr]^R ,Kv]^M#NF@
.NK]N^X B̀N^N eY^S@R O]K#V@R^Me ,F@NT^P#^N eJK]aF] \fZY@^K OK]R@CBz
,\fZ^eI] O]K#RZ^Y# Z@C^j WI+fZ@F NK]Ct^#a QfrBZ]@F FZ&^Yl]F#
.fPr^ \&B K]N ZP#B@r& IZ#&o F@KF@
;I#etB#@F K+XTz QK+a TZ@^V]m#F I#p#F O]Kl##F OZ&&gP] Kv]^YI#@X
.F@NB+F@ \ePc^ \&B K]\KF]]H UeS@j#F OfZ@a
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.ZfrKl]#a NfD^RZ^#v K+R^V]a d@\fB #TK]YfP .FZ@E+u^#a K\#fTfZ^H U+VfRP^
,\fi]S+R^j KI+KZ]^Xe \fo]j QK+a F@NfE^b#F ZKT]@a F@S@R BKF]
.r]Kr# \fE^D]a Q@X^aY# fP^j d@\fB Kv]^VE#Z@
,@FK&VKT]^X \#T^Vr]^a d@\fB Kv]^Vq#F] ,F@R^Vc# Z#T#K^N xeP@S ,N@TP+ ,xZ&c&#a
.NfE@b#F d@Veb \&B J#TP^ Kv]r^I#
.Z#T#i#F YP&` T^a eN^V@R E&N&K^G ZI#t#F#
.O]KZ#F>@X \#Tr^ F\@^KF@ ,Kv]P^Y#
faPZ ZG\ZB
151
Á que monte en lui le vin de la Paresse,
Voila
 lirer;
Soupirs d'harmonica qui pourrait de
L'enfant se sent, selon la lenteur des caresses,
 sir de pleurer.
Sourdre et mourir sans cesse un de
Aube
"
J'ai
 l'aube d'e
 te
Â.
embrasse
Rien ne bougeait encore au front des palais.
 tait morte.
L'eau e
Les camps d'ombres ne quittaient pas la route du bois.
 , re
 veillant les haleines vives et tie
Á des;
J'ai marche
Á rent,
et les pierreries regarde
Á rent sans bruit.
et les ailes se leve
Á re enterprise fut,
La premie
 ja
Á empli de frais et ble
Á mes e
 clats,
dans le sentier de
une fleur qui me dit son nom.
 chevela a
Á travers les sapins:
Je ris au wasserfall blond qui s'e
Á la cime argente
 e je reconnus la de
 esse.
a
Á un les voiles.
Alors je levai un a
 e, en agitant les bras.
Dans l'alle
Á je l'ai denonce
 e au coq.
Par la plaine, ou
à mes,
A la grand'ville elle fuyait parmi les clochers et les do
et, courant comme un mendiant sur les quais de marbre,
je la chassais.
Á s d'un bois de lauriers,
En haut de la route, pre
 e avec ses voiles amasse
 s,
je l'ai entoure
et j'ai senti un peu son immense corps.
Á rent au bas du bois.
L'aube et l'enfant tombe
 veil, it e
 tait midi.
Au re
FZK[ KZT[ FTC[
152
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F 3
E+TfP K]m&RK+B d@a OK]\eT]a \#TeZv^ fH ,K]K^V@K fF ,K]NB+ f
UebF#^G F@MB@Nl^P] NJ+@a#F KI]^K eN !Ut@AMP^ KemT] ,Q+j
,OKE]@N^K YfI^X NfY^N N` j OE&` Y NI++F BeF ,B@N^VlAF#
eRKE+KZ]^G]a ZB+t@]K F&gF# N#TZ#@F K]j .f\Z@eC^Y KF]v^ QB@j
.OE&q&P] eF` vF# NB& Cer@R^G F@TeZv^F# Nc#I^v&r&^j
KemT]@N OK]KeBZ^ B̀NFz eRI^#RBz QF+ ,NKI]\^#R F@CF@ xB#
Kr]fR<B Kv]^N]aF# ,Z@g#F ZE&&m#F \&B JF##N^a eR^Xl#]B K]j
!UeZh+F# ,F&g#F ZE&&mF# .r&V&m#N^G Ueb#N F@BKZ]^a#F \#Tr^]a Qv#]mr&
E&SI&^G Tr#Z&@F K]j F@TeCt^#F !\#Tc#F#^G \eBZ@^oF# ,ZE@F@F&
Or@ KB+^N eY^kAS^K \fZ^n#KP^ \fkAD^Se ,N&V` BF@ NB& eEZ^+K
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,EKP]\^F#^N FZ@@X^Y eRI+eZr& Q@GK+j { O\#^G \P&&iASP^ FE@K]N^S]a NI++F F&H
.OKP]s@^a#F \#SeC\^]a ZP#^D]R F&H { F&g#F I#X&m#a Gr@^M#T ,QB@j
OK]R@o#F \P#K+B ,\fNe\^a#F \#G^R#T ,OKE]@CTz \#ReCv^ ,OKE]@N^K \#NF>@X
.U+NfI#F Ofi#F Z&M+H^N yr^B` Z^N F@kF]^a eZJ^#T#K OK]X@VIz Jei]S^G
.ZfV^Me r+B K+MBz^NP# Fv@#T F&H fVfS^G KP]^N@D^G Ot@ADP^ NI+F+r& OfiF#
F&G^Sl##F \eM^H]a eN !Ft@EA^Ye \eZ^Mr] Nr& E+TfP OfK
!x]K#R@V^a OK]HKZ]^MP# eR^RF] ,F@Nfj^SB# .eR@\fB v@E^#a]M fa
.eRK+iI#^a F@Tr@ N@j v^Z^B#+o rP&&B EfT K]j I#jr^]R B̀N
.OfK OfK eRr+^V#R \&B Z` SP^]N xK+B TE#+R .N#TZ#@a eRI+J@^CP]
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faPZ ZG\ZB
153
MatineÂe d'ivresse
"
Ã
o
à mon Beau ! Fanfare atroce ou
Á je ne tre
 buche point
mon Bien ! o
 erique ! Hourra pour l'oeuvre inouõÈe et pour Ie corps !
Chevalet fe
Á re fois ! Cela commenc
merveilleux, pour la premie
Ë a sous les rires des
enfants, cela finira par eux. Ce poison va rester dans toutes nos veines
à me quand, la fanfare tournant, nous serons rendus a
Á l'ancienne
me
inharmonie.
à maintenant nous si digne de ces tortures !
o
Á notre
rassemblons fervemment cette promesse surhumaine faite a
Á notre a
à me cre
Âe
 s:
corps et a
 mence ! L'e
 le
 gance, la science, la violence !
cette promesse, cette de
On nous a promis d'enterrer dans l'ombre l'arbre du bien et du mal,
 porter les honne
à tete
 s tyranniques, afin que nous amenions notre
de de
Á s pur amour.
tre
 gou
à ts et cela finit, ± ne pouvant nous
Cela commenc
Ë a par quelques de
saisir
 ternite
 , ± cela finit par une de
 bandade de
sur-le-champ de cette e
parfums.
 tion des esclaves, auste
 rite
 des vierges,
Rire des enfants, discre
horreur
des
figures
et
des
objets
d'ici,
Âs
sacre
soyez-vous
par
le
souvenir de cette veille.
Cela commenc
Ë ait par toute la rustrerie, voici que cela finit par des
anges de flamme et de glace.
Petite veille d'ivresse, sainte ! quand ce ne serait que pour le masque
Â.
dont tu as gratifie
 thode ! Nous n'oublions pas que tu as
Nous t'affirmons, me
 hier chacun de nos a
à ges. Nous avons foi au poison.
glorifie
Á re tous les jours.
Nous savons donner notre vie tout entie
Voici le temps des Assassins.
FZK[ KZT[ FTC[
154
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FJRGSC QRDGSPF UGZKJF
{ OKKVM \GBKIP
.\GNKSMF EF
KZB'H .B
GFHIPP ,(KZCTF BZGYN ZYKTCG) OKBZGYF CGZN ZMGP (Alfred Jarry, 1873-1907) KZB'H EZVNB
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OT K\CZ FKKZGZT[ FNNGI[ GH \KNZJBK\ FYSJGZD BNPNB[ IKRFN ZKCS .EZGSCBF QGZJBK\
G\GPM OKVNB OT FKK[RF OGF\C FGP\F ZKTXF N[ GP[ NNGX FKF ,(1896) SKZVC F\DXF
.FGGY\G OKZGTR ,\GZGVS \GJGZVC OKPM\SP \GPEB KNT OFKSMR NM Z[BM FZKCN OKTKDPF
ZZGTN [YKC F\GTXPBC[ OKRV \EPTF GKF \TEF UGZKJ US NT[ GKDFRP OB \TEN F[Y
GEGTC ,34 NKDC GPNGTN LNF BGF LM GB LM .GMG\C F&RCGP FKF UGZKJF BP[ GB ,CN \PG[\
FPGEC ,KZB'H .FJGZV ZSIG JGNM ZGMK[ :KZY ,N[PF QP QJKKVF N[ G\GPE NT \GBRYC ZPG[
EGDKRC ONGB ,GRG[NC pataphysique ,GPXT N[P KEZGSCB QGKDKF BKXPF ,KJKZCF NGZY SKBGNN
LM .NGCD BNN GVGZKJ ZIB UZDR KZB'H ,QGTDK[C FJK[ NT ZPG[F KBYKJP\PF ,NGZY SKBGNN
\TCZB .FPGNTF F\GMKBC FTK\VPF FZXYF \KJGKVF G\[ZGPC LM BN ONGB ,QGZJBK\C
Gestes et Opinions du Docteur Faustroll, Pataphysicien LG\P OF \BHC OK[DGPF OKZK[F
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KZB'H EZVNB
155
\B ,FT\VFF FCZPN ,BNGM ,FH LZMC 19=F FBPC \K\VZXF FZK[N BGCPC QKGXPM ,KZB'H
.FN[ K\VZXF ISGRC \KYNJKBF FJRGSF N[ FIG[YF \KEGHGZVF \ZDSPC OKKEZGSCBF GKRM\
FKF NGMK BN KRMG\F EZGSCBFG UGZKJF UB NT[ QTGJ EIBF .LMN \\N Q\KR OKZCSF KR[
BGF ZIB ZCSF .F\K[BZP \K\VZXF FZK[F \B OKGGNPF FKEGHGZVF KNNMP WNIKFN ZZG[PF
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NM FH KZF[ ,FZGPD FZK\S ET QMG\FG FZGXF \GEIB N[ KNJGJSKZBF NNMF \BCF \RKICC
IKRF BN ,OGYP NMP ZZG[PF .QGMRF BGF QG[BZF ZCSFF KM IKRFN ZKCS .EZGSCBF N[ GZYKT
.G\JK[N \GR[ZV GRN
OGDZ\F
ORMG\ QKCN OKZK[F N[ KEGHGZVF QGKYKRF QKC CGNK[F LB ,\GKJ\SB \GKZGBK\ I\KV BN KZB'H
QKC EGCM N[ OGYP ,P"IF N[ G\TE \GKRTN ,GN \GRYFN ZGPB FKF ,UZGJPP Z\GK KSZB BGF[
.FVGY\F KZZG[P
BGF \KIV \CFB .OSGYF KZK[ \[GN[C ZGYPF N[ FJRGSF KNNM NT K\ZP[ OGDZ\C
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W W W
KEKC \ZKGBP eaeB LNPF \ZGMC NT FTEGP
GRPH=QC KJSKBEEF QGRDSF CJKPC ZCIPF
FZK[ KZT[ FTC[
156
KZ[CFG KRGIPXF ,KTCJF :OSGYF N[ G\IV[P KSMR F[GN[ :LG\P
K T CJF
#j 3
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?em&RKB+ ,Ueb#F F` VKB+ ,F@CKs+ Z#Ts^ N@CBz
.CZ# N&NP& Z#Cc^ \BZ#^Y]N \fYeS^o#F yK\&@Vs^
,\fNeNIz O]K#RK+T \faZABz#a JK]aB#
,\fN^j E#T OP@TzrAP^ ,EeP^N#b ,N+p#a YeF]o
.U@mAMP^#F Sen#F \#C+v FY@KZ+ F+mF]
yK&mr] \fRK]a^NP#e ,Z@V@T K]j EfT y^RKB+
,UeYr@ ,I#X CF##N^a \fYZ^fa \fP@XTz#G
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yK&N@T YKT]P+ ,W+CfZ E+C@j Z@K^R NY#r^P]
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.UZ&J&^N ZI+r#P^#F Ct@l#F# NeP SKZ]\^P#
KRGIPXF
F# 3
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r+K^G ,\fi]\fBF@ eB^X@K \K]GTz NfIP^]a
,rB+ Nr& \fXfXK]R fP^j Uc# N#T \fY^Nfc QF&P+
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.OK]Vc@]R^G OKT]eZ^Y ZfI^S ZfI^S OK]C@S
KZB'H EZVNB
157
Les Trois Meubles du Mage SuranneÂs
MineÂral
"
Vase
à tre et vain d'ou
Á l'a
à me est envole
 e,
oliva
à ne, tu tournes un bon visage indulgent
Cra
 nele
 e.
Vers nous, et souris de ta bouche cre
Mais tu regrettes ton corps, tes cheveux d'argent,
Á vres qui s'ouvraient a
Á la parole aile
 e.
Tes le
Á mon regard va plongeant,
Et l'orbite creuse ou
à ille a
Á l'ombre et soupire et s'ennuie esseule
 e,
Ba
Á s nette, vide box d'un cheval voyageant.
Tre
Tu n'es plus qu'argile et mort. Tes blanches molaires
Sur les tons mats de l'os brillent de flammes claires,
Tels les cuivres fourbis par un larbin soigneux.
Et, presse-papier lourd, sur le haut d'une armoire
Serrant de l'occiput les feuillets du grimoire,
à deur tu rechignes, hargneux.
Contre le vent ro
VeÂgeÂtal
"
Le
 lin e
 crit rit et grimace, livide.
ve
Les signes sont dansants et fous. Les uns, flambeaux,
 tillent radieux dans une page vide.
Pe
 s, acrobates corbeaux,
D'autres en rangs presse
 pandue ouvrent leur bec avide.
Dans la neige e
 merge
 des tombeaux.
Le livre est un grand arbre e
Et ses feuilles, ainsi que d'un sac qui se vide,
Volent au vent vorace et partent par lambeaux.
FZK[ KZT[ FTC[
158
,ZfDZ@E^^RP# KePc^ rfR<B ,OE@B@ Q&a T#H&bF#
,ZfD@\K]o Nr& QeV@B F&H QF+ ,Nr+@a fKZ^]o
.NKZ]^oB#^a \I#Z#fo F@NfT f\@G^N#T^G
\fCeF^He \fZ@H GK@\fBeC^R HZ# \B&
,NKI]^G FP@KB+ B̀N^N BZ@^Y]K CfB N#T#a YZ#
.\fXIz NK+N^a YZ#^G ,UZ@s@ EK]o#N ZfB^N
KZ[CF
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.CF@@H UY#r^P] rePI@ K\]eM^Nl#F# foB#
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\E@@G QKc]#j NY+fr ,fRKc] Y#S^V]a F&DfF
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FB&@R yTzKE]fF^N Uer^R#i#F B@a CKE]B@
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.FI@fm]R FJ@^S&i]S^a \KP]r^Z] OK]CeNr^
KZB'H EZVNB
159
Et son tronc est humain comme la mandragore;
Á ves de Pythagore;
Ses fruits vivants sont les fe
Des feuillets verdoyants lui poussent en avril.
 dictions d'or qu'il emmagasine,
Et les pre
 cromant peut les lire sans pe
 ril,
Seul le ne
Á la lueur des torches de re
 sine.
La nuit, a
Animal
"
Tout
à tu de drap d'or frise
 , contemplatif,
ve
à ne.
Besicles d'or armant son nez bourbon, il tro
Á l'entour se presse un corte
Á ge admiratif
A
Que fait trembler le feu soudain de son oeil jaune.
Á s sage, et rend justice sous un aulne
Il est tre
(jadis Pallas en fit son conseil Privatif);
 diter l'arre
à t, esprit actif,
Il a pour me
 cuter griffes longues d'une aune.
Et pour l'exe
 venir
Doux, poli, le hibou viendra vous pre
Quand l'heure sonnera que la Mort vous emporte;
Á travers la porte.
Et crõÃra trois fois son nom a
 chiffre sur les tombes l'avenir,
Car il de
à vant la nuit devant les X philosophales
Re
 murs croise
 s en siestes triomphales
Des longs fe
FZK[ KZT[ FTC[
160
ZPG[P Z[C N[ \KIV \CFB
GRGT[ \Z[Z[ NT NfZJSGBV Z"EN GN OKGN\F ZPG[PF Z[CF \KIVG QJZSF
#o 3
\&VY&r^P] Nr& fH fP^j \Z&r&Z^r# N#T Zl@rAP^ Zs@@a Nr& \KI]
.B@a#B \K+a d@N ZK]j^HF]r& QJ@Z^#S @FK&R@o N#T U+NfI F\@BzZ@
eF+HI@ N#T Q@nIAP^ QfKZ^r]^a F&nAMP^
\fP@XTz QKB+ ,xZ# OK]R^oF#r& Cv@^M]R Or@
(Boneless & economical)
FB&Z^]m#j ,N@oYAP^F# fC@R^H \I#\#^G
.F&S^Ml]#F \I#K\]^V]N KeXP@ I#v+^VP#
QfrBZ] :KZ]^Y ,J@al#P] F@CFzB# Q+MB@
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KZB'H EZVNB
161
Le Homard et la Boite de Corned-Beef Que Portait le Docteur
Faustroll en Sautoir
"
Une
 e comme une lorgnette,
boõÃte de corned-beef, enchaõÃne
Vit passer un homard qui lui ressemblait fraternellement.
Il se cuirassait d'une carapace dure.
 tait e
 crit qu'a
Á l'inte
 rieur, comme elle, il e
 tait sans are
à tes,
Sur laquelle e
(Boneless and economical);
Âe
Et sous sa queue replie
 destine
Âe a
Á l'ouvrir.
Il cachait vraisemblablement une cle
 d'amour, le corned-beef se
 dentaire
Frappe
 clara a
Á la petite boõÃte automobile de conserves vivante
De
Á s'acclimater,
Que si elle consentait a
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165
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FTV[F \GCZ \GZGSPG \GKJ\SB \GZG\ ,OKRKGXP OKZZG[P \GZXI G[CD\F OCKCS ,QKNGVC
FZK[F CJKP NT OF UB OKNKVBP ,\KRZEGPF FZK[F FRGMP[ FP \B \TF BGCC GCXTK[
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N[ KCKJPKJNGBF \VGPN GKF FYZZJVG FJRE \PDGE FKRJKKV[ ,GCGR NKJSF \NNGIP
I"KF \GBPC \KVGZKBF FZK[F \KHIC FKGXP FRRKB CG[ { FNGM \KVGZKBF FZK[F
NT TKCXFN Q\KR \BH OT .GH FZXY FZKYSN ZCTP \DZGIF \Y\ZP FTVG\ BKF ,J"KFG
.\GRG[NF CKZG KRKEPF DGNKVF .B .\KYNJKBF FZK[F N[ F\NGDSC OKTDGVF OKCKMZP KR[
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GJSGKZBG KJGZRBGC ETG 13=F FBPC FJREG KJRY#N#GGY# \NGMSBP \KRYSGJF \KYNJKBF
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KRKKVGBF UXY UX[C NFR\P \GRG[NF CKZG ,KPG KPF NM GYRKH ,KJRGP I\GV[ FZGERVF
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GZJKKV ,GRPH N[ OKKJRPGZF OKZZG[PF \ZPX NT FRPRF ,(
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Ultime Lettere di Jacopo
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Al Sole
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Alfin tu splendi, o Sole, o del creato
Anima e vita, immagine sublime
Di Dio che sparse la tua faccia immensa
Di sua luce infinita! Ore e stagioni,
Tinte a varj color danzano belle
Per l'aureo lume tuo misuratore
De' secoli, e de' secoli scorrenti.
Alfin tu splendi! tempestoso e freddo
Copria nembo la terra; a gran volute
Gravide nubi accavallate il cielo
Empiean di negre liste, e brontolando
Per l'ampiezza de l'aere tremendi
Rotolavano i tuoni, e lampi lampi
Rompeano il buio orribile. ± Tacea
Spaventata natura; il ruscelletto
Timido e lamentevole fra l'erbe
Volgeva il corso, neÁ stormian le frondi
Per la foresta, neÁ da l'atre tane
Sporgean le belve l'atterrita fronte. ±
Ulularono i venti, e ruinando
Fra grandini, fra folgori, fra piove
La bufera lanciosse, e rõÈotoso
Diffuse il fiume le gonfie e spumose
Onde per le campagne, e svelti i tronchi
Striderono volando, e da' scommossi
Ciglion de l'ondeggianti audaci rupi
PiombaÁr torrenti che spiccati massi
Co l'acque strascinarono. Dal fondo
D'una caverna i fremiti e la guerra
De gli elementi udii; morte su l'antro
Mi s'affaccioÁ gigante, ed io la vidi
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173
Ritta: crolloÁ la testa: e di natura
L'esterminio additommi. ± In ciel spiegasti,
O Sol, tua fronte, e la procella orrenda
Ti vide e si nascose, e i paurosi
Irti fantasmi sparvero.... ma quanti
Segni di lutto su i vedovi campi,
OimeÁ, il nembo lascioÁ! Spogli di frutta,
Aridi, e mesti sono i pria sõÁ vaghi
Alberi gravi, e le acerbette e colme
Promettitrici di liquor giocondo
Uve giacciono al suol; passa l'armento,
E le calpesta; e istupidito e muto
L'agricoltore le contempla e geme.
Intanto scompigliata, irta, e piangente
Te, o Sol, ripriega la Natura; e il tuo
Di pianto asciugator raggio saluta;
E tu la accendi, e si rallegra e nuovi
Promette frutti e fior. Tutto si cangia!
Tutto pere quaggiuÁ! Ma tu giammai,
Eterna lampa, non ti cangi? mai?
Pur verraÁ dõÁ che ne l'antiquo voto
Cadrai del nulla, allor che Dio suo sguardo
RitireraÁ da te: non piuÁ le nubi
Corteggeranno a sera i tuoi cadenti
Raggi su l'OceaÁno; e non piuÁ l'alba
Cinta di un raggio tuo verraÁ su l'orto
Ad annunziar che sorgi. Intanto godi
Di tua carriera: oimeÁ! ch'io sol non godo
De' miei giovani giorni, io sol rimiro
Gloria e piacere, ma lugubri e muti
Sono per me, che dolorosa ho l'alma.
Sul mattin della vita io non mirai
Pur anco il sole; e omai son giunto a sera
FZK[ KZT[ FTC[
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175
Affaticato; e sol la notte aspetto
Che mi copra di tenebre e di morte.
A Zakynthos
"
Ne piu mai tocchero le sacre sponde
Ove il mio corpo fanciulletto giacque,
Zacinto mia, che te specchi nell'onde
Del greco mar, da cui vergine nacque
Venere, e fea quell'isole feconde
Col suo primo sorriso, onde non tacque
Le tue limpide nubi e le tue fronde
L'inclito verso di colui che l'acque
Canto fatali, ed il diverso esiglio,
Per cui, bello di fama e di sventura,
Bacio la sua petrosa Itaca Ulisse.
Tu non altro che il canto avrai del figlio,
O materna mia terra: a noi prescisse
Il fato illacrimata sepoltura.
Alla Sera
"
Forse percheÁ della fatal quõÈete
tu sei l'immago, a me sõÁ cara vieni,
o sera! E quando ti corteggian liete
le nubi estive e i zeffiri sereni,
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177
e quando dal nevoso aere inquõÈete
tenebre e lunghe all'universo meni,
sempre scendi invocata, e le secrete
vie del mio cor soavemente tieni.
Vagar mi fai co' miei pensier su l'orme
che vanno al nulla eterno; e intanto fugge
questo reo tempo, e van con lui le torme
delle cure onde meco egli si strugge;
e mentre io guardo la tua pace, dorme
quello spirto guerrier ch'entro mi rugge.
Il proprio ritratto
"
Solcata ho fronte, occhi incavati intenti,
crin fulvo, emunte guance, ardito aspetto,
labbro tumido acceso, e tersi denti,
capo chino, bel collo, e largo petto;
giuste membra; vestir semplice eletto;
ratti i passi, i pensier, gli atti, gli accenti;
sobrio, umano, leal, prodigo, schietto;
avverso al mondo, avversi a me gli eventi:
talor di lingua, e spesso di man prode;
mesto i piuÁ giorni e solo, ognor pensoso,
pronto, iracondo, inquieto, tenace:
di vizi ricco e di virtuÁ, do lode
alla ragion, ma corro ove al cor piace:
morte sol mi daraÁ fama e riposo.
FZK[ KZT[ FTC[
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L'infinito
"
Sempre caro mi fu quest'ermo colle,
e questa siepe, che da tanta parte
dell'ultimo orizzonte il guardo esclude.
Ma sedendo e mirando, interminati
spazi di laÁ da quella, e sovrumani
silenzi, e profondissima quiete
io nel pensier mi fingo; ove per poco
il cor non si spaura. E come il vento
odo stormir tra queste piante, io quello
infinito silenzio a questa voce
vo comparando: e mi sovvien l'eterno,
e le morte stagioni, e la presente
e viva, e il suon di lei. CosõÁ tra questa
immensitaÁ s'annega il pensier mio:
e il naufragar m'eÁ dolce in questo mare.
La Sera del Di di Festa
"
Dolce e chiara eÁ la notte e senza vento,
E queta sovra i tetti e in mezzo agli orti
Posa la luna, e di lontan rivela
Serena ogni montagna. O donna mia,
GiaÁ tace ogni sentiero, e pei balconi
Rara traluce la notturna lampa:
Tu dormi, che t'accolse agevol sonno
Nelle tue chete stanze; e non ti morde
Cura nessuna; e giaÁ non sai neÁ pensi
Quanta piaga m'appristi in mezzo al petto.
Tu dormi: io questo ciel, che sõÁ benigno
Appare in vista, a salutar m'affaccio,
E l'antica natura onnipossente,
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Che mi fece all'affanno. A te la speme
Nego, mi disse, anche le speme; e d'altro
Non brillin gli occhi tuoi se non di pianto.
Questo dõÁ fu sollene: or da' trastulli
Prendi riposo; e forse ti rimembra
In sogno a quanti oggi piacesti, e quanti
Piaquero a te: non io, no giaÁ ch'io speri,
Al pensier ti ricorro. Intanto lo chieggo
Quanto a viver mi resti, e qui per terra
Mi getto, e grido, e fremo. O giorni orrendi
In cosõÁ verde etate! Ahi, per la via
Odo non lunge il solitario canto
Dell'artigian, che riede a tarda notte,
Dopo i sollazzi, al suo povero ostello;
E fieramente mi si stringe il core,
A pensar come tutto al mondo passa,
E quasi orma non lascia. Ecco eÁ fuggito
Il dõÁ festivo, ed al festivo il giorno
Volgar succede, e se ne porta il tempo
Ogni umano accidente. Or dov'eÁ il suono
Di que' popoli antichi? or dov'eÁ il grido
De' nostri avi famosi, e il grande impero
Di quella Roma, e l'armi e il fragorio
Che n'andoÁ per la terra e l'oceano?
Tutto eÁ pace e silenzio, e tutto posa
Il mondo, e piuÁ di lor non si ragiona.
Nella mia prima etaÁ, quando s'aspetta
Bramosamente il dõÁ festivo, or poscia
Ch'egli era spento, io doloroso, in veglia,
Premea le piume; ed alla tarda notte
Un canto che s'udia per li sentieri
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Lontanando morire a poco a poco,
GiaÁ similmente mi stringeva il core.
A Silvia
"
Silvia, rimembri ancora
quel tempo della tua vita mortale,
quando beltaÁ splendea
negli occhi tuoi ridenti e fuggitivi,
e tu, lieta e pensosa, il limitare
di gioventuÁ salivi?
Sonavan le quiete
stanze, e le vie d'intorno,
al tuo perpetuo canto,
allor che all'opre femminili intenta
sedevi, assai contenta
di quel vago avvenir che in mente avevi.
Era il maggio odoroso: e tu solevi
cosõÁ menare il giorno.
Io gli studi leggiadri
talor lasciando e le sudate carte,
ove il tempo mio primo
e di me si spendea la miglior parte,
d'in su i veroni del paterno ostello
porgea gli orecchi al suon della tua voce,
ed alla man veloce
che percorrea la faticosa tela.
Mirava il ciel sereno,
le vie dorate e gli orti,
e quinci il mar da lungi, e quindi il monte.
Lingua mortal non dice
quel ch'io sentiva in seno.
Che pensieri soavi,
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che speranze, che cori, o Silvia mia!
Quale allor ci apparia
la vita umana e il fato!
Quando sovviemmi di cotanta speme,
un affetto mi preme
acerbo e sconsolato,
e tornami a doler di mia sventura.
O natura, o natura,
perche non rendi poi
quel che prometti allor? perche di tanto
inganni i figli tuoi?
Tu pria che l'erbe inaridisse il verno,
da chiuso morbo combattuta e vinta,
perivi, o tenerella. E non vedevi
il fior degli anni tuoi;
non ti molceva il core
la dolce lode or delle negre chiome,
or degli sguardi innamorati e schivi;
ne teco le compagne ai dõÁ festivi
ragionavan d'amore.
Anche perõÁa fra poco
la speranza mia dolce: agli anni miei
anche negaro i fati
la giovinezza. Ahi come,
come passata sei,
cara compagna dell'etaÁ mia nova,
mia lacrimata speme!
Questo eÁ il mondo? questi
i diletti, l'amor, l'opre, gli eventi,
onde cotanto ragionammo insieme?
questa la sorte delle umane genti?
All'apparir del vero
tu, misera, cadesti: e con la mano
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la fredda morte ed una tomba ignuda
mostravi di lontano.
A se Stesso
"
Or poserai per sempre,
Stanco mio cor. PerõÂ l'inganno estremo,
Ch'eterno io mi credei. PerõÂ. Ben sento,
In noi di cari inganni,
Non che la speme, il desiderio eÁ spento.
Posa per sempre. Assai
Palpitasti. Non val cosa nessuna
I moti tuoi, ne di sospiri eÁ degna
La terra. Amaro e noia
La vita, altro mai nulla; e fango eÁ il mondo.
T'acqueta omai. Dispera
L'ultima volta. Al gener nostro il fato
Non donoÁ che il morire. Omai disprezza
Te, la natura, il brutto
Poter che, ascoso, a comun danno impera,
E l'infinita vanitaÁ del tutto.
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Il Sabato del Villaggio
"
La donzelletta vien dalla campagna,
In sul calar del sole,
Col suo fascio dell'erba; e reca in mano
Un mazzolin di rose e di viole,
Onde, siccome suole,
Ornare ella si appresta
Dimani, al dõÁ di festa, il petto e il crine.
Siede con le vicine
Su la scala a filar la vecchierella,
Incontro laÁ dove si perde il giorno;
E novellando vien del suo buon tempo,
Quando ai dõÁ della festa ella si ornava,
Ed ancor sana e snella
Solea danzar la sera intra di quei
Ch'ebbe compagni dell'etaÁ piuÁ bella.
GiaÁ tutta l'aria imbruna,
Torna azzurro il sereno, e tornan l'ombre
GiuÁ da' colli e da' tetti,
Al biancheggiar della recente luna.
Or la squilla daÁ segno
Della festa che viene;
Ed a quel suon diresti
Che il cor si riconforta.
I fanciulli gridando
Su la piazzuola in frotta,
E qua e laÁ saltando,
Fanno un lieto romore:
E intanto riede alla sua parca mensa,
Fischiando, il zappatore,
E seco pensa al dõÁ del suo riposo.
Poi quando intorno eÁ spenta ogni altra face,
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E tutto l'altro tace,
Odi il martel picchiare, odi la sega
Del legnaiuol, che veglia
Nella chiusa bottega alla lucerna,
E s'affretta, e s'adopra
Di fornir l'opra anzi il chiarir dell'alba.
Questo di sette eÁ il piuÁ gradito giorno,
Pien di speme e di gioia:
Diman tristezza e noia
Recheran l'ore, ed al travaglio usato
Ciascuno in suo pensier faraÁ ritorno.
Alla Luna
"
O graziosa luna, io mi rammento
che, or volge l'anno, sovra questo colle
io venia pien d'angoscia a rimirarti:
e tu pendevi allor su quella selva
siccome or fai, che tutta la rischiari.
Ma nebuloso e tremulo dal pianto
che mi sorgea sul ciglio, alle mie luci
il tuo volto apparia, che travagliosa
era mia vita: ed eÁ, ne cangia stile,
or mia diletta luna. E pur mi giova
la ricordanza, e il noverar l'etate
del mio dolore. Oh come grato occorre
nel tempo giovanil, quando ancor lungo
la speme e breve ha la memoria il corso,
il rimembrar delle passate cose,
ancor che triste, e che l'affanno duri!
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Alla stazione in una mattina d'autunno
"
Oh quei fanali come s'inseguono
accidiosi laÁ dietro gli alberi,
tra i rami stillanti di pioggia
sbadigliando la luce su `l fango!
Flebile, acuta, stridula fischia
la vaporiera da presso. Plumbeo
il cielo e il mattino d'autunno
come un grande fantasma n'eÁ intorno.
Dove e a che move questa, che affrettasi
a' carri foschi, ravvolta e tacita
gente? a che ignoti dolori
o tormenti di speme lontana?
Tu pur pensosa, Lidia, la tessera
al secco taglio daÁi de la guardia,
e al tempo incalzante i begli anni
daÁi, gl'istanti gioiti e i ricordi.
Van lungo il nero convoglio e vengono
incappucciati di nero i vigili,
come ombre; una fioca lanterna
hanno, e mazze di ferro: ed i ferrei
freni tentatuÈ rendono un lugubre
rintocco lungo: di fondo a l'anima
un'eco di tedio risponde
doloroso, che spasimo pare.
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203
E gli sportelli sbattuti al chiudere
paion oltraggi: schemo par l'ultimo
appello che rapido suona:
grossa scroscia su' vetri la pioggia.
GiaÁ il mostro, conscio di sua metallica
anima, sbuffa, crolla, ansa, i fiammei
occhi sbarra; immane pe `l buio
gitta il fischio che sfida lo spazio.
Va l'empio mostro; con traino orribile
sbattendo l'ale gli amor miei portasi.
Ahi, la bianca faccia e `l bel velo
salutando scompar ne la teÁnebra.
O viso dolce di pallor roseo,
o stellanti occhi di pace, o candida
tra' floridi ricci inchinata
pura fronte con atto soave!
Fremea la vita nel tepid'aere,
fremea l'estate quando mi arrisero;
e il giovine sole di giugno
si piacea di baciar luminoso
in tra i riflessi del crin castanei
la molle guancia: come un'aureola
piuÁ belli del sole i miei sogni
ricingean la persona gentile.
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205
Sotto la pioggia, tra la caligine
tomo ora, e ad esse vorrei confondermi;
barcollo com'ebro, e mi tocco,
non anch'io fossi dunque un fantasma.
Oh qual caduta di foglie, gelida,
continua, muta, greve, su l'anima!
io credo che solo, che eterno,
che per tutto nel mondo eÁ novembre.
Meglio a chi `l senso smarroÈ de l'essere,
meglio quest'ombra, questa caligine:
io voglio, io voglio adagiarmi
in un tedio che duri infinito
Pianto Antico
"
L'albero a cui tendevi
la pargoletta mano,
il verde melograno
da' bei vermigli fior,
nel muto orto solingo
rinverdõÁ tutto or ora
e giugno lo ristora
di luce e di calor.
Tu fior de la mia pianta
percossa e inaridita
tu dell'inutil vita
estremo unico fior,
sei ne la terra fredda,
sei ne la terra negra;
ne il sol piuÁ ti rallegra
ne ti risveglia amor.
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207
Traversando la Maremma Toscana
"
Dolce paese, onde portai conforme
L'abito fiero e lo sdegnoso canto
E il petto ov'odio e amor mai non s'addorme,
Pur ti riveggo, e il cuor mi balza in tanto.
Ben riconosco in te le usate forme
Con gli occhi incerti tra `l sorriso e il pianto,
E in quelle seguo de' miei sogni l'orme
Erranti dietro il giovenile incanto.
Oh, quel che amai, quel che sognai, fu invano;
E sempre corsi, e mai non giunsi il fine;
E dimani cadroÁ. Ma di lontano
Pace dicono al cuor le tue colline
Con le nebbie sfumanti e il verde piano
Ridente ne le pioggie mattutine.
Fantasia
"
Tu parli; e, de la voce a la molle aura
Lenta cedendo, si abbandona l'anima
Del tuo parlar su l'onde carezzevoli,
E a strane plaghe naviga.
Naviga in un tepor di sole occiduo
Ridente a le cerulee solitudini:
Tra cielo e mar candidi augelli volano,
Isole verdi passano,
E i templi su le cime ardui lampeggiano
Di candor pario ne l'occaso roseo,
Ed i cipressi de la riva fremono,
E i mirti densi odorano.
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209
Erra lungi l'odor su le salse aure
E si mesce al cantar lento de' nauti,
Mentre una nave in vista al porto ammaina
Le rosse vele placida.
Veggo fanciulle scender da l'acropoli
In ordin lungo; ed han bei pepli candidi,
Serti hanno al capo, in man rami di lauro,
Tendon le braccia e cantano.
Piantata l'asta in su l'arena patria,
A terra salta un uom ne l'armi splendido:
EÁ forse Alceo da le battaglie reduce
A le vergini lesbie?
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.1891 \R[P ,KNGYSV KZK[ N[ FRG[BZF FBXGFF
KNGYSV KRCG'D
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215
Nevicata
"
Nevica: l'aria brulica di bianco;
la terra eÁ bianca; neve sopra neve:
gemono gli olmi a un lungo mugghio stanco:
cade del bianco con un tonfo lieve.
E le ventate soffiano di schianto
e per le vie mulina la bufera;
passano bimbi: un balbetto di pianto;
passa una madre: passa una preghiera.
Notte Dolorosa
"
Si muove il cielo, tacito e lontano:
la terra dorme, e non la vuol destare;
dormono l'acque, i monti, le brughiere.
Ma no, che sente sospirare il mare,
gemere sente le capanne nere:
v'eÁ dentro un bimbo che non puo dormire;
piange; e le stelle passano pian piano.
Italia
"
"Ioe, bona cianza!..." "Ghita, state bene!..."
"Good bye." "L'avete presa la ticchetta?"
"Oh yes." "Che barco?" "Il prinzessin Irene."
L'un dopo l'altro dava a Ioe la stretta
lunga di mano. "Salutate il tale."
"Yes, serviroÁ." "Come partite in fretta!"
Scendean le donne in zoccoli le scale
per veder Ghita. Sopra il suo cappello
c'era una fifa con aperte l'ale.
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217
"Se vedete il mi' babbo... il mi' fratello...
il mi' cognato..." "Oh yes" "Un bel passaggio
vi tocca, o Ghita. Il tempo eÁ fermo al bello."
"Oh yes." Facea pur bello! Ogni villaggio
ridea nel sole sopra le colline.
Sfiorian le rose da' rosai di maggio.
Sweet sweet... era un sussurro senza fine
nel cielo azzurro. Rosea, bionda, e mesta,
Molly era in mezzo ai bimbi e alle bambine.
Il nonno, solo, in laÁ volgea la testa
bianca. Sonava intorno mezzodõÁ.
Chiedeano i bimbi con vocõÁo di festa:
"Tornerai, Molly?" Rispondeva: ± SõÁ! ±
Ultimo Sogno
"
Da un immoto fragor di carriaggi ±
ferrei, moventi verso l'infinito
tra schiocchi acuti e fremiti selvaggi...
un silenzio improvviso. Ero guarito.
Era spirato il nembo del mio male
in un alito. Un muovere di ciglia;
e vidi la mia madre al capezzale:
io la guardava senza meraviglia.
Libero!... inerte sõÁ, forse, quand'io
le mani al petto sciogliere volessi:
ma non volevo. Udivasi un fruscio
sottile, assiduo, quasi di cipressi;
quasi d'un fiume che cercasse il mare
inesistente, in un immenso piano:
io ne seguiva il vano sussurrare,
sempre lo stesso, sempre piuÁ lontano.
19=F FBPC \KEZVSF FZK[F NT FZTF
221
\KEZVSF FZK[F NT FZTF
19=F FBPC
QFG GVYKFC QF { OKBK[F QP BGF ,Siglo de oro=F ,CFHF \BP M TGEKF \KEZVSF FZKXKF WZV
\B UKYP ,FYKZPB \B FNDP (KHDGJZGVFG) KEZVSF .CZTPF \GCZ\ N[ { KNGDSF GMZTC
FHGZV C\GM ,BKXPP ,ZKKXP ,[EIF ONGTC \GKXHKNKGGKX CKZIPG FKZVPKB OKYP ,WZBF ZGEM
N[ ,SZGEJSKYRGYF \ZGCIG SJZGY QBRZF N[ FBPF KFGH .GBGNPG ONGTC OINFN BXGKG FZK[G
.GYZD NBG HYSNG ,SNZGP FE SKBGN \PDGE ZGKX KRGBD N[ ,SGCPGNGYG FPBD FE GYSG ,QNDP
,FZZF GERRZV ,FRENB FE GYSKSRZVP NIF .FPZEFG FZK[F N[ EZVS GH NMP Z\GK ONGB
FYZC FN FE QGZENYC FNMG ,FDG FE FVGNG GEGGY FE ,SJRGGZSC ZGCT FZGDRGD FE SKBGN
FNGDSC KJGKV QGZ[M N[ GRKPC EKIK WZV GFH ,17=F FBPF KFN[C HGZY FN FE FRBGIG
ETG ZKVSY[G GNZP QKC[ NKCYPF QPHF YZVC FKRJKZCC YZ FNKCYP GN BGXPN Q\KR[ UYKFCG
.QEKKZEG QGJNKP
BN Z\GR[ JTPF .FPPE FZZ\[F ,ZTK \VKZ[ WYP GPM ,[TDF \GXZV\F" ZIBN ONGB
HV GKCJYGB TNGY QVGBC \BH ZKEDF[ KVM "OKBVZ \GIGZ N[ \GVY\[F ,Q[T WPZ BNB FKF
1
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NT FCZ FEKPC ISGV ,CZTPF \GCZ\C FZKXKF \DSV ,KJRPGZF QEKTF ,QM KM FRF .19=FBPF
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OKJSKNRGKXZF \NGMSBP FRGC\F QEKT N[ OHKCKJYKKCGBF NT ,18=F FBPF TXPB N[
[V\R[ FPC QPBF EZPC BGVB ZCGEP .LNKBG JZBY FEP ,FZK[F \B OKSZSPF OKNGEDF
NB FCK[F QBMP .QCGBP OHKXKSBNYGBKRG \KEGHGZV FKKVM ,\ZMGRPG \RRGX \GIK[YM GKRKTC
FZK[ ,KRBFG JZVF NT EGYKPF ,OKKRKCF KPK N[ OKSG\KPF NB ,GK[MTFG QBMF NB ,TCJF YKI
FRG[BZG [BZCG OKKIN \GRPBF QKC[ ZGCKIF ,\KSBNYF \KVBF FZK[F NGP \K[KB \KZKN
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222
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F\KKF { SKZVP \KEZVSF FXGV\F N[ FCG[G FRKRIF \HZMF ,7=F GERRZV N[ OHKJGNGSCBF
EZVS \B \RKKVBPF \K\GCZ\F FTKY[F .\KVGZKBF \GCZ\F KEYGP ZB[C[ GHP FEGSKC FRG[
OD QBMP .FKRJKZCC GB \VZXC FRGC\F QEKTN FPGEF ZCE OG[ FNNGI BN 18=F FBPC
,"DRBZE ERGB OZGJ[F" QP GRN \ZMGPF FPXGT \EKP F\GBC WZV BN KJRPGZF FRTPF[
N[) KGYKI NNGI\R KJYNBKEF EGDKRF N[ GZETFP .K\VZXF OHKNGCPKSF GB KJKZCF OHKRGZKKCF
N[ FZGJYKZYN \PKGSP FEKPC LVF[ OHKZKKRPN FZFPC [ND Z[B (ZYKTC \K\VZXF FZK[F
FMVF GSGZ YB'H Q'H NXB OKRBKERKBF \XZTF N[PN LM .EZVSP FRGVX \KJRPGZF FTGR\F
NMM) GRXYGF GV QNB ZDEB N[ QKZG\SPFG K\GDF CKJGPF ;EKZEPC GKRKKYI NXB IZHPN FEKDSN
K\C ,OK[EYP N[ \GCZGI BNN NGMK GRKB[ KEZVSF ZZG[PF NXB ,(GV \B QKXYFN Q\KR[
\ZGSPF CJKPM { FHF ONGTF QP BN[ \GTVG\ ZB[G ,OK \GNGXP ,OKBVZ \GIGZ ,\GZCY
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,\GZEY ,\GZCY K\C :TP[P) Oy!, sombras, histe rico, languidez, duda, suspira, la grimas
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223
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224
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N[ QKT UZFC ,FSGI .F\GP \B \BXGPG \GRHN \EZGK ,KEZVSF GZSRPGZF N[ OKIG[YF GKNNM
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;QGZKKCN QBG'H QGE \TV[FC (FYRPNSP EKPN\F ) El estudiante de Salamanca ;JGYS ZJNGG
YVS BNN \GKFN FETGR Z[B \IB FZGPD K\NC FZKXK ;Poesias=C OKXCGYPF OKRG[ OKZK[
F\DN JSGBV N[ GZGVKS NT \SSGCPF ,(KRJ[F ONGTF ) El Diablo Mundo :G\ZKXK \DSV
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Canto a Teresa
"
¡Oh!
¡Cruel! ¡Muy cruel!... ¡Ay! yo, entretanto,
dentro del pecho mi dolor oculto,
 rpados el llanto
enjugo de mis pa
y doy al mundo el exigido culto;
È enza mi quebranto,
yo escondo con vergu
mi propia pena con mi risa insulto,
y me divierto en arrancar del pecho
 n pedazos hecho.
mi mismo corazo
Gocemos, sõÂ; la cristalina esfera
gira ban
Ä ada en luz: ¡bella es la vida!
 n a parar alcanza la carrera
¿Quie
del mundo hermoso que al placer convida?
Brilla radiante el sol, la primavera
 n florida;
los campos pinta en la estacio
 quese en risa mi dolor profundo...
true
 ver ma
 s, ¡que
 importa al mundo!
Que haya un cada
El Estudiante de Salamanca (Parte II)
"
Blanca
nube de la aurora,
 palo y grana,
ten
Ä ida de o
naciente luz te colora,
refulgente precursora
 ndida man
da la ca
Ä ana.
Â
Mas, ¡ay!, que se disipo
tu pureza virginal,
Â
tu encanto el aire llevo
cual la ventura ideal
Â.
que el amor te prometio
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 rbol caõÂdas,
Hojas del a
juguetes del viento son;
las ilusiones perdidas,
¡ay!, son hojas desprendidas
 rbol del corazo
 n.
del a
CancioÂn del Pirata
"
Con
diez can
Ä ones por banda,
viento en popa, a toda vela,
no corta el mar, sino vuela
un velero bergantõÂn.
Bajel pirata que llaman,
por su bravura, El Temido,
en todo mar conocido
del uno al otro confõÂn.
La luna en el mar riela,
en la lona gime el viento,
y alza en blando movimiento
olas de plata y azul;
 n pirata,
y va el capita
cantando alegre en la popa,
Asia a un lado, al otro Europa,
 a su frente Estambul:
y alla
± Navega, velero mõÂo, sin temor,
que ni enemigo navõÂo
ni tormenta, ni bonanza
tu rumbo a torcer alcanza,
ni a sujetar tu valor.
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Veinte presas hemos hecho
 s,
a despecho del ingle
y han rendido sus pendones
cien naciones a mis pies.
Que es mi barco mi tesoro,
que es mi dios la libertad,
mi ley, la fuerza y el viento,
 nica patria, la mar.
mi u
 muevan feroz guerra
Alla
ciegos reyes por un palmo maÂs de tierra;
que yo aquõÂ tengo por mõÂo
cuanto abarca el mar bravõÂo,
a quien nadie impuso leyes.
Y no hay playa, sea cualquiera,
ni bandera de esplendor,
que no sienta mi derecho
 pecho a mi valor.
y de
Que es mi barco mi tesoro,
que es mi dios la libertad,
mi ley, la fuerza y el viento,
 nica patria, la mar.
mi u
A la voz de ``¡barco viene!''
es de ver como vira y se previene
a todo trapo a escapar;
que yo soy el rey del mar,
y mi furia es de temer.
En las presas yo divido
lo cogido por igual;
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FE&SRfZVSB& FE FSGI
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 lo quiero por riqueza
so
la belleza sin rival.
Que es mi barco mi tesoro,
que es mi dios la libertad,
mi ley, la fuerza y el viento,
 nica patria, la mar.
mi u
¡Sentenciado estoy a muerte!
Yo me rõÂo; no me abandone la suerte,
y al mismo que me condena,
 de alguna entena,
colgare
 en su propio navõÂo.
quiza
 es la vida?
Y si caigo, ¿que
Por perdida ya la di,
cuando el yugo del esclavo,
como un bravo, sacudõÂ.
Que es mi barco mi tesoro,
que es mi dios la libertad,
mi ley, la fuerza y el viento,
 nica patria, la mar.
mi u
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FE&SRfZVSB& FE FSGI
235
La DesesperacioÂn
"
Me
gusta ver el cielo
con negros nubarrones
y oõÂr los aquilones
horrõÂsonos bramar,
me gusta ver la noche
sin luna y sin estrellas,
 lo las centellas
y so
la tierra iluminar.
Me agrada un cementerio
de muertos bien relleno,
manando sangre y cieno
que impida el respirar;
y allõÂ un sepulturero
 trica mirada
de te
con mano despiadada
 neos machacar.
los cra
Me alegra ver la bomba
caer mansa del cielo,
 vil en el suelo,
inmo
sin mecha al parecer,
y luego embravecida
que estalla y que se agite
y rayos mil vomite
y muertos por doquier.
Que el trueno me despierte
con su ronco estampido,
y al mundo adormecido
le haga estremecer;
FZK[ KZT[ FTC[
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FE&SRfZVSB& FE FSGI
237
que rayos cada instante
 l sin cuento,
caigan sobre e
que se hunda el firmamento
me agrada mucho ver.
La llama de un incendio
que corra devorando
escombros apilando
quisiera yo encender;
tostarse allõÂ un anciano,
volverse todo tea,
oõÂr como vocea,
 gusto!, ¡que
 placer!
¡que
Me gusta una campin
Äa
de nieve tapizada,
de flores despojada,
sin fruto, sin verdor,
 jaros que canten,
ni pa
ni sol haya que alumbre
 lo se vislumbre
y so
la muerte en derredor.
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243
Rima II
"
Saeta
que voladora
cruza, arrojada al azar,
 nde
sin adivinarse do
Â;
temblando se clavara
 rbol seca
hoja que del a
arrebata el vendaval,
sin que nadie acierte el surco
Â
donde a caer volvera
Gigante ola que el viento
riza y empuja en el mar,
y rueda y pasa, y no sabe
 playa buscando va.
que
Luz que en cercos temblorosos
 xima a expirar,
brilla, pro
 ndose cua
 l de ellos
ignora
 ltimo brillara
Â.
el u
Eso soy yo, que al acaso
cruzo el mundo, sin pensar
 nde vengo, ni ado
 nde
de do
 n.
mis pasos me llevara
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Rima VII
"
Del
 n en el a
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salo
de su duen
Ä o tal vez olvidada,
silenciosa y cubierta de polvo
veõÂase el arpa.
 nta nota dormõÂa en sus cuerdas
¡Cua
 jaro duerme en la rama
como el pa
esperando la mano de nieve
que sabe arrancarlas!
 -, ¡Cua
 ntas veces el genio
¡Ay! -pense
asõÂ duerme en el fondo del alma,
 zaro, espera
y una voz, como La
 ntate y anda!
que le diga: Leva
Rima X
"
Los
 tomos del aire
invisibles a
en derredor palpitan y se inflaman,
el cielo se deshace en rayos de oro,
la tierra se estremece alborozada.
Oigo flotando en olas de armonõÂa
rumor de besos y batir de alas,
 rpados se cierran...¿Que
 sucede?
mis pa
¿Dime?... ¡Silencio!... ¿Es el amor que pasa?
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Rima XIV
"
Te
vi un punto, y, flotando ante mis ojos,
Â,
la imagen de tus ojos se quedo
como la mancha obscura, orlada en el fuego,
que flota y ciega si se mira al sol.
Adondequiera que la vista fijo,
torno a ver tus pupilas llamear;
mas no te encuentro a ti; que es tu mirada:
 s.
unos ojos, los tuyos, nada ma
 ngulo los miro
De mi alcoba en el a
 sticos lucir;
desasidos fanta
cuando duermo los siento que se ciernen
de par en par abiertos sobre mõÂ.
 que hay fuegos fatuos que en la noche
Yo se
llevan al caminante a perecer:
yo me siento arrastrado por tus ojos
Â.
pero a donde me arrastran, no lo se
Rima XVIII
"
Fatigada
del baile,
encendido el color, breve el aliento,
apoyada en mi brazo,
 n se detuvo en un extremo.
del salo
Entre la leve gasa
que levantaba el palpitante seno,
una flor se mecõÂa
en compasado y dulce movimiento.
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249
 car
Como cuna de na
 firo,
que empuja al mar y que acaricia el ce
tal vez allõÂ dormõÂa
al soplo de sus labios entreabiertos.
 n asõÂ, pensaba,
¡Oh! ¡Quie
dejar pudiera deslizarse el tiempo!
¡Oh, si las flores duermen,
 dulcõÂsimo suen
que
Ä o!
Rima XXVII
"
Despierta,
tiemblo al mirarte:
dormida, me atrevo a verte;
por eso, alma de mi alma,
 duermes.
yo velo cuando tu
Despierta, rõÂes y al reõÂr tus labios
inquietos me parecen
 mpagos de grana que serpean
rela
sobre un cielo de nieve.
Dormida, los extremos de tu boca
pliega sonrisa leve,
suave como el rastro luminoso
que deja en sol que muere.
``¡Duerme!''
Despierta miras y al mirar tus ojos
 medos resplandecen,
hu
como la onda azul en cuya cresta
chispeando el sol hiere.
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251
 s de tus pa
 rpados, dormida;
Al trave
tranquilo fulgor vierten
cual derrama de luz templado rayo
 mpara transparente.
la
``¡Duerme!''
Despierta hablas, y al hablar vibrantes
tus palabras parecen
lluvia de perlas que en dorada copa
se derrama a torrentes.
Dormida, en el murmullo de tu aliento
acompasado y tenue,
escucho yo un poema que mi alma
enamorada entiende.
``¡Duerme!''
 n la mano
Sobre el corazo
me he puesto porque no suene
su latido y en la noche
turbe la calma solemne:
 n las persianas
De tu balco
 ya porque no entre
cerre
el resplandor enojoso
de la aurora y te despierte.
``Duerme!''
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253
Rima XXXI
"
Nuestra
 n fue un tra
 gico sainete
pasio
 bula
en cuya absurda fa
 mico y lo grave confundidos
lo co
risas y llanto arrancan.
Pero fue lo peor de aquella historia
que al fin de la jornada
 grimas y risas
a ella tocaron la
 lo las la
 grimas.
y a mõÂ, so
Rima XXI
"
¿QueÂ
es poesõÂa?, dices mientras clavas
en mi pupila tu pupila azul.
 es poesõÂa?, ¿Y tu
 me lo preguntas?
¿Que
Â.
PoesõÂa... eres tu
En la imponente nave (Rima LXXVI)
"
En
la imponente nave
del templo bizantino,
 tica tumba a la indecisa
vi la go
luz que temblaba en los pintados vidrios.
Las manos sobre el pecho,
y en las manos un libro,
una mujer hermosa reposaba
sobre la urna, del cincel prodigio.
Del cuerpo abandonado
al dulce peso hundido,
cual si de blanda pluma y raso fuera,
se plegaba su lecho de granito.
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De la postrer sonrisa,
el resplandor divino,
guardaba el rostro, como el cielo guarda
del sol que muere el rayo fugitivo.
Del cabezal de piedra
sentados en el filo,
 ngeles, el dedo sobre el labio,
dos a
imponõÂan silencio en el recinto.
No parecõÂa muerta;
de los arcos macizos
parecõÂa dormir en la penumbra,
y que en suen
Ä os veõÂa el paraõÂso.
 de la nave
Me acerque
 ngulo sombrõÂo,
al a
como quien llega con callada planta
junto a la cuna donde duerme un nin
Ä o.
 un momento,
Le contemple
y aquel resplandor tibio,
aquel lecho de piedra que ofrecõÂa
 ximo al muro otro lugar vacõÂo,
pro
en el alma avivaron
la sed de lo infinito,
el ansia de esa vida de la muerte,
para la que un instante son los siglos ...
Cansado del combate
en que luchando vivo,
alguna vez recuerdo con envidia
 n oscuro y escondido.
aquel rinco
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257
 lida
De aquella muda y pa
mujer, me acuerdo y digo:
 amor tan callado el de la muerte!
``¡Oh, que
 suen
¡Que
Ä o el del sepulcro tan tranquilo!''
VolveraÂn las oscuras golondrinas (Rima LIII)
"
VolveraÂn
las oscuras golondrinas
 n sus nidos a colgar,
en tu balco
y otra vez con el ala a sus cristales,
 n;
jugando llamara
pero aquellas que el vuelo refrenaban
tu hermosura y mi dicha al contemplar;
aquellas que aprendieron nuestros nombres,
 n!
esas... ¡no volvera
 n las tupidas madreselvas
Volvera
de tu jardõÂn las tapias a escalar,
 s hermosas,
y otra vez a la tarde, aun ma
 n;
sus flores abrira
pero aquellas cuajadas de rocõÂo,
 bamos temblar
cuyas gotas mira
 grimas del dõÂa...
y caer, como la
 n!
esas... ¡no volvera
 n del amor en tus oõÂdos
Volvera
las palabras ardientes a sonar;
 n, de su profundo suen
tu corazo
Äo
Â;
tal vez despertara
pero mudo y absorto y de rodillas
como se adora a Dios ante su altar,
Ân
como yo te he querido... desenga
Ä ate,
 n!
¡asõÂ no te querra
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Rima LI
"
Olas
 is bramando
gigantes que os rompe
en las playas desiertas y remotas,
 bana de espumas,
envuelto entre la sa
¡llevadme con vosotras!
 fagas de huraca
 n que arrebata
 is
Ra
del alto bosque las marchitas hojas,
arrastrado en el ciego torbellino,
¡llevadme con vosotras!
Nubes de tempestad que rompe el rayo
y en fuego encienden las sangrientas orlas,
arrebatado entre la niebla oscura,
¡llevadme con vosotras!
 rtigo
Llevadme por piedad a donde el ve
 n me arranque la memoria.
con la razo
¡Por piedad!, ¡tengo miedo de quedarme
con mi dolor a solas!
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Lo fatal
"
Dichoso
 rbol, que es apenas sensitivo,
el a
 s la piedra dura porque e
 sa ya no siente,
y ma
 s grande que el dolor de ser vivo,
pues no hay dolor ma
ni mayor pesadumbre que la vida consciente.
Ser, y no saber nada, y ser sin rumbo cierto,
y el temor de haber sido y un futuro terror ...
Y el espanto seguro de estar man
Ä ana muerto,
y sufrir por la vida y por la sombra y por
lo que no conocemos y apenas sospechamos,
y la carne que tienta con sus frescos racimos,
 nebres ramos,
y la tumba que aguarda con sus fu
 nde vamos,
¡y no saber ado
 nde venimos! ...
ni de do
En la muerte de Rafael NuÂnÄez
"
El
 a la barca negra;
pensador llego
y le vieron hundirse
en las brumas del lago del Misterio,
los ojos de los Cisnes.
Su manto de poeta
reconocieron, los ilustres lises,
y el laurel y la espina entremezclados
sobre la frente triste.
 banse los muros
A lo lejos alza
 gica, en que vive
de la ciudad teolo
la sempiterna Paz. La negra barca
 a la ansiada costa y el sublime
llego
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 la suma gracia;
espõÂritu gozo
Ân
y, ¡oh Montaigne!, Nu
Ä ez vio la cruz erguirse,
 al pie de la sacra Vencedora
y hallo
 ver de la Esfinge.
el helado cada
SinfonõÂa en gris mayor
"
El
mar como un vasto cristal azogado
 mina de un cielo de zinc;
refleja la la
 jaros manchan
lejanas bandadas de pa
 lido gris.
el fondo brun
Ä ido de pa
El sol como un vidrio redondo y opaco
con paso de enfermo camina al cenit;
el viento marino descansa en la sombra
teniendo de almohada su negro clarõÂn.
Las ondas que mueven su vientre de plomo
debajo del muelle parecen gemir.
Sentado en un cable, fumando su pipa,
 un marinero pensando en las playas
esta
de un vago, lejano, brumoso paõÂs.
Es viejo ese lobo. Tostaron su cara
los rayos de fuego del sol del Brasil;
los recios tifones del mar de la China
le han visto bebiendo su frasco de gin.
La espuma impregnada de yodo y salitre
ha tiempo conoce su roja nariz,
sus crespos cabellos, sus bõÂceps de atleta,
su gorra de lona, su blusa de dril.
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En medio del humo que forma el tabaco
ve el viejo el lejano, brumoso paõÂs,
adonde una tarde caliente y dorada
 el bergantõÂn ...
tendidas las velas partio
 pico. El lobo se duerme.
La siesta del tro
Ya todo lo envuelve la gama del gris.
Parece que un suave y enorme esfumino
del curvo horizonte borrara el confõÂn.
 pico. La vieja cigarra
La siesta del tro
ensaya su ronca guitarra senil,
 tono
y el grillo preludia un solo mono
 nica cuerda que esta
 en su violõÂn.
en la u
A Roosevelt
"
¡Es
con voz de la Biblia, o verso de Walt Whitman,
que habrõÂa que llegar hasta tõÂ, Cazador!
¡Primitivo y moderno, sencillo y complicado,
con un algo de Washington y cuatro de Nemrod!
Eres los Estados Unidos,
eres el futuro invasor
 rica ingenua que tiene sangre indõÂgena,
de la Ame
 n reza a Jesucristo y au
 n habla en espan
que au
Ä ol.
Eres soberbio y fuerte ejemplar de tu raza;
 bil; te opones a Tolstoy.
eres culto, eres ha
Y domando caballos, o asesinando tigres,
eres un Alejandro ± Nabucodonosor.
(Eres un profesor de EnergõÂa,
como dicen los locos de hoy.)
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271
Crees que la vida es incendio,
 n,
que el progreso es erupcio
que en donde pones la bala
el porvenir pones.
No.
Los Estados Unidos son potentes y grandes.
Cuando ellos se estremecen hay un hondo temblor
 rtebras enormes de los Andes.
que pasa por las ve
 is, se oye como el rugir del leo
 n.
Si clama
Ya Hugo a Grant lo dijo: ``Las estrellas son vuestras''.
 ndose, el argentino sol
(Apenas brilla, alza
y la estrella chilena se levanta...) Sois ricos.
 is al culto de He
 rcules el culto de Mammo
 n;
Junta
 cil conquista,
y alumbrando el camino de la fa
la Libertad levanta su antorcha en Nueva York.
 rica nuestra, que tenõÂa poetas
Mas la Ame
desde los viejos tiempos de Netzahualcoyotl,
que ha guardado las huellas de los pies del gran Baco,
 nico en un tiempo aprendio
Â;
que el alfabeto pa
 los astros, que conocio
 la Atla
 ntida,
que consulto
 n,
cuyo nombre nos llega resonando en Plato
que desde los remotos momentos de su vida
vive de luz, de fuego, de perfume, de amor,
 rica del grande Moctezuma, del Inca,
la Ame
 rica fragante de Cristobal Colo
 n,
la Ame
 rica cato
 lica, la Ame
 rica espan
la Ame
Ä ola,
 rica en que dijo el noble Guatemoc:
la Ame
 rica
``Yo no estoy en un lecho de rosas''; esa Ame
que tiembla de huracanes y que vive de Amor;
 rbara, vive.
hombres de ojos sajones y alma ba
Y suen
Ä a. Y ama. Y vibra; y es la hija del Sol.
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273
 rica Espan
Tened cuidado. ¡Vive la Ame
Ä ola!
 n Espan
Hay mil cachorros sueltos del Leo
Ä ol.
Se necesitarõÂa, Roosevelt, ser, Dios mismo,
el Riflero terrible y el fuerte Cazador,
 rreas garras.
para poder tenernos en vuestras fe
 is con todo, falta una cosa: ¡Dios!
Y, pues conta
Primaveral
"
Mes
de rosas. Van mis rimas
en ronda, a la vasta selva,
a recoger miel y aromas
en las flores entrebiertas.
Amada, ven. El gran bosque
es nuestro templo; allõÂ ondea
y flota un santo perfume
 jaro vuela
de amor. El pa
 rbol a otro y saluda
de un a
tu frente rosada y bella
como un albe; y las encinas
robustas, altas, soberbias,
 pasas agitan
cuando tu
 mulas,
sus hojas vedes y tre
y enarcan sus ramas como
para que pase una reina.
¡Oh amada mõÂa! Es el dulce
tiempo de la primavera.
19=F FBPC \KSGZF FZK[N OKGGY
277
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,\KRG[NG \K\GCZ\ \GMZTKF N[ FVGY\ ZYKTC BKF ,CZTPF N[ FRGC\F QEKT \B \PKGSP
GNKBMKP YVS BNN ONDP FH QEKT \RKKVBPF \KHMZPF \GPEF \B .KGYKIG \GZDSP \TKCY
FRKB \KSGZF QG[NF CGXKTN G\PGZ\ Z[B ,ZZG[PG TEP [KB N[ Y\ZP CGNK[ ,CfSfRfPfN
\[ZGPC FCGNK[G \KVGZKBF FZKXKF NGNMP OGDZ\ N[ FVGY\ GH .TEPN G\PGZ\P \NVGR
FCZ FPXGTC \ZMKR GHG ,\TZMPF BKF \K\VZXF \KSBNY=GBKRF FTV[FF ,KGVXM .\KSGZF
FRPRF ,(Trediakovsky) KYSCGYKKEZJ KNKSG BGF LMN \YFCGP FPDGE .KSGZF ZZG[PF KC\MC
.18=F FBPF N[ OKRJKKVF \ZPX NT CGSGRGPGN OT EIK
\GKNBGJYNJRKB \GVKB[ ,(1762) OKZBXF SMN F\KKNT OT ,TGEKM GKF ,FNGEDF FRKZJYKN
.\GCZ KRP FPDGE BKF GZEKE SKREG ZJNGG OT FXKZBXF N[ FVRTF \GC\M\FFG ,\MN \GYKIZP
TKDF[ ZZG[P ,(Derzhavin) QKCB'HZE F@NKZCD N[ GEPTPG ,FZK[N ESI N[ \T GH F\KKF
,QG[BZF ZERSMNB N[ GZXIC OKJV[PF Z[ FKFG FRKZJYK N[ \KJZVF FM[NF NFRP EPTPN
OEGY EGTG ,\K\VZXF FMVFPF N[ TGHTHF .FZXY F\KKF ESIF \VGY\ ONGB .LMN \GET BGF
N[ ZGBRF OHKJGNGSCBC K\CZ FDKSR ZZGT ,(Cf'X#Deo EZP) OKYHGYFG OKZMKBF EZP QMN
N[ ZXCPN ,FPEY]G \GIK\V N[ EYfPP FZFPC FDGSR DZGCZJV JYRSC ZXIFG ,FRKZJYK
N[ OKRRGIPF OKZVGSF QP ,(Radishchev) C'X[KEZ ZERSMNB Z[BM .\GRZP[G FKJZYGJGB
,OKZMKBF EGCTK[ NT \ZGYKC GCG ,FCYSGPN DZGCSZJVP TSP GZGCKI \B OSZV ,BKFF \TF
G[RGT \B FRKZJYK FZKPF ,KCZTP WIN \I\ ,QGZIBF TDZC YZ .\GGPN QGEKRG JV[R BGF
.ZKCKSC \GNDN
CFHF ZG\
QEKT \ZK[ QKC EKZVFN FZGPBF ,\KSGZF FZK[F N[ "CFHF ZG\" \B \I\GV 19=F FBPF
\SGC\ QKC ,CGZKYC OKZG[T FTCZB KRV NT TZ\[P QPHF YZV .\KJRPGZF FZK[N FRGC\F
NGEDF QGIXKRF .OK[KPIF \GR[C OKZY \PINPC FKSGZ \SGC\ QKCN ,1812 UZGIC QGBKNGVR
"IZHP K\MZKC O[ KB \N[MR \K\BKSB \GREGZ" N[ KGPKEP \IBC FKSGZ \B WNKI 1812 N[
FZK[ KZT[ FTC[
278
FPKRF QBMP .FNTPC FRG[BZ \KVGZKB FPXTP N[ EPTP FN YKRTFG ,(NKP JZBGKJS QG'D)
.\CYGRF \K\ZCIF \ZGYKCFG FIMG\F CKJGP UB NT ,\KSGZF CFHF ZG\ \ZK[C \KJGKZJVF
.ZYKTC KJKZCFG KRPZDF { OHKXKJRPGZF QP OKPGDZ\ N[ FZG[C \RKKJXP FBPF \K[BZ
\TGR\ N[ OKRYKJZGBK\F \B ZYKTCG ,QGZKKC EZGN \B ,KKZD SPG\ \B ODZ\P KYSCfYe'H KNKSG
FZK[F \GRGZYT \B IKRP LMCG ,O[BZC N&D&N[ LKZEKZVG ONFNKG OKIBF OT "WZVFG ZTSF"
FKDNBC KJRPGZF ZZG[PF N[ GK\GRGM\ \B KYSCGYG'H TCGY QGIJKC Z\KN .GXZBC \KJRPGZF
(.L[PFC KYSCGYG'H NT YZVF FBZG) .1811 \R[P ,ZZG[PF \TEGRF
"QKY[GV N[ E#BK+NoF" \XGCY \[CD\P ,OK[GN[F \GR[ \K[BZG OKZ[TF \GR[ KFN[C
KRDCKG (Batiushkov) CGY[GKJC QKJRJSRGY \PDGE OKYFCGP OKRGYKJRPGZ Z\KF QKC \NNGMF
N[ OKKHMZPF OKNTVPF EIB ."UGSGNKVF QJKKVF" ZG\C TEGRF ,(Baratinsky) KYSRKJZC
YKRPZ&CfS .FKSGZC FZKXKF EYGPN FZFPC LVGFF ,K\GZVS \T C\M \PYF BGF FXGCYF
N[ G\MKZTC 1836 \R[C ESGR ,(GRK\GPGYPP IGYNF OGDZ\C "GK[MT" { Sovremennik)
N[ QKKRT BN ,1866 ET EPTP YKHIFN IKNXF \TF C\M .FCZF G\ZYGK \B GN YKRTF[ ,QKY[GV
\C \PDGE ,\TF C\MC ZGB GBZ[ \GRG[BZF \GZKXKF .\KSGZF FZGHRXC C[I\FC LMC FP
G\GP OT .FGCDF KNGDSF UZF \B GTCY ,UBF NGDGD N[ GZGVKS QMG GPXT QKY[GV N[ QJKVYF
EYGP \GGFN LK[PF \TF C\M .(Pletnev) CGRJNV ZJGKV FMKZTF \B NJR ,1837=C QKY[GV N[
.NDZ \JK[V US NB G\GB BKCF N[GM NGFKR LB ,\GCK[I CZ K\GZVS
GK\GNGDS NT USGRC[ ,(Nekrasov) CGSZYR KBNGYKR \TF C\M \B [MZ ,(1847) FH CN[C
\B Z\KF QKC OSZV ,G\[KMZ OGKP YKRPZ&CfS \B LZT[ ,CGSZYR .KZISP [GIC QIKR ZZG[PM
\GR[ KFN[C .KYSCKKGJSGEG KGJSNGJ N[ FHGZVF KZGMKC \BG (\MZTPF ZCI FKF[) CKKRDZGJ
FECGTF N[C Z\KF QKC .QKXY]FG LNF[ KESPP=KJRB FRVP \TF C\M NCKY ,OK[K[FG OK[KPIF
OKRYKJZGBK\F QP ,KYSCr
& KRZ'&X KBNGYKR N[ GEKPN\ ,(Dobrolubov) ,CGCGKNGZCGE KBNGYKR[
,GVM\G GMNF ZGHRXF \GZFHB .(\KRNJYF) \ZGYKCF ZGEP \B LZT ,GRPHC \GZVSF N[ OKZKMCF
ZJ[P \B \G[Y \VYG\F ,NHZCF \NKSP ,GPXT CGSZYR N[ FPBGVF OGSZV OT Z[B ET
.\KVGS ZDSR \TF C\M ,\KZBXF FKSGZC NGXKRF
OKCZ \TEN BGF[ ,CfJRfPZ&N NKBMKP N[ GCMGM LZGE ,1837=C QKY[GV N[ G\GP OT
.LMN \GET BKF ,QfPE& \VGPF \ZKXKG ,FTKEKF 'FC KJRPGZF KSGZF ZZG[PF
\ZETRF ,EGBP \K[KB ,\KPKJRKB FZK[ N[ EPKP \KJRPGZF FZK[N YKRTP C'&XeKJ ZGEGKV
\C \KJKZCF GB \KRPZDF FZK[F QP BZGYN \ZMGPF \GKCKSRJRKBC GXZB KRC \ZK[P CGZN
.FVGY\F
\KJRPGZF FZK[F \MTGE GC QPH YZV { 19=F FBPF TXPBC C\GMF ,CGSZYR KBNGYKR
N[ KCGKIF QCGPC BYGGE GBN \BHG ,FKSGZ KZZG[P NMP Z\GKC "KJRPGZ"F KNGB BGF ,FVGZKBC
GKZGBK\C ZZG[PF \B \IB BN \GNK[MP \K\ZCIF ZSGPF \VJFG \KNGMRNPF FHZVFF .FNPF
.KSGZF ZVMF N[ OKKJSNVF
,KYSC[KRZ'X KBNGYKR OT KBEGGC YEXF ,K\PMSF ,KDGNGRGZMF JCKFF NB SIKK\FN OB
OKKJRPGZF OKZZG[PF QGZIB" (Fet) JV KSBR#VB \B FRMPF ,\KSGZF FZK[F NT GZGCKIC
,\GGP KGGKBG FZGI[ FZP JV N[ G\ZK[ NT OKZG[ ,LM GB LM ".FKSGZC OKJSKNGCPKSF QG[BZG
19=F FBPC \KSGZF FZK[N OKGGY
279
ZNEGC ISGR \MN \GYKIZP \GZGVJPC GB \KRGZKKC FPKNDC O\GB [KCNP BGF OB BKF \IBG
.FPZBNPG
W W W
USMF ZG\N BGCPF { FBPF KFN[
,OKZY \PINPC FZKVIPF FSGC\F OT OK[K[F \GR[C NNGI\P \KSGZF FZK[C NGEDF TS[F
FYKPTPG \MNGF \IB FRGTCG \TC .FKSGZ N[ K\ZCIFG KDGNGRMJF ZGDKVF \B FV[I[
\KNKTF .QG[BZF KBNGYKR ZBXF N[ \N[GMF \KZZDBF FPZGVZF \GCYTC \K\ZCIF FSKS\F
FGGN\P FH YFCGP KSGZ IRGPN[ ODF { "FKXRDKNJRKB"M OKPKN \TEGRF \KNBGJYNJRKBF
.ZJ[PC F\PINPC IGDKR KNMN \GZVSF \B LGVFN \[YCP { NGHNH N[ OZGX NKNX ECTKEC
\TGR\ ESKKP ,Q&XZF& ZERSMNB ,KYSRKN+a QfKZ#SKG \PDGE OKRYKJZGBK\ N[ \RKGXP FZG[
NGYK[F \B NGN[N OK[YCP ,NKTN OKZMHRF KYSC[KRZ'XG CfaeKNfZafE QMG ,OKYKREGZ@RF
N[ FKEKC Y[R KNMN" \GZVSF \B LGVFN \RP NT ,KNBKXGSF EGTKKF \CGJN KJ\SBF
NT GK\GSPP \IBC CGCGKNGZCGE YNIG EI C\M[ KVM ,"\KJKNGVFG \K\ZCIF FERDVGZVF
F\KKF ,QPHF \GCKSRC C[I\FN OB ,FKXRDKNJRKBF \TV[F .FZK[FG \GZVSF N[ FEKYV\
.KYSR&RBG CGM'X ,KYSCKKGJSGE LM ,KGJSNGJ LM .FRPP GENS FHGZVFG FZK[F KNGED KM UB ,FCZ
QP G\EKNS \EKPN Z[K SIKC OKEPGT G\NGEDG ZZG[PF N[ G\NGDS" KM ZKTF[ KP FKF
."FKXRDKNJRKB"F
FMVFPN FKZIBNG 1905 \MVFPN FNKCGF[ ,OKT[\F \GR[ N[ OKZC[PF \ZG[
QPH YZVC FZZ\[R[ ,ZYKTC \KJGKVF ,\K\GZVSF FPGFPC FK\G\GB \B FR\R ,\KJSKRGPGYF
FZK[C USMF ZG\ [GCKD NT \TZMP FTV[F F\KKF K\VZXF OHKNGCPKSN KM YVS QKB .FH
\GRPB O[N \GRPBG OHKXKJ\SB N[ \GRVGB GZEI ,ZNEGCG QNZG N[ OKKGYKI EXN LB .\KSGZF
\GTV[GPF \GKJSKP \GPDP ,GRZGVF NGCD NT[ OHKXKJGZB ,OHKSYZP ,ENKKGG ZYSGB ISGR
.KYSCfY'HZ&P& KZJKPE \NGMSBP \KCNSGCZVF FKKSRMF N[ \GKRGXKY \GRKZJYGEP
OKZXGK \KSGZF FZK[N GYKRTF BN OKZ[TF FBPF N[ QG[BZF ZG[TF QMG OKT[\F \GR[
\B ZZI[ ,\GZVSC FH ZXY YZV QKKVBPF "WZVFG ZTSF" ONGB .FNTPG OPM[P OKJNGC
\KSGZF FZK[F FSV\ FZFPCG ,BGCN ZIKB BN LMN KGJKCF .CFHF ZG\ N[ \ZGSPF QP FZK[F
\RCGBPF GR\ZK[ \B LKN[FN" G[YKC[ OKZXGK OT ,\KPNGTF FZK[F \ZPXC FPGYP \B
ZERSMNB ,KN&KKC KKZERB .KJSKZGJGVF JSVKRPC C\MR[ KVM ,"FRZEGPF N[ ZGJKYF \RKVSP
\GP[F OF OBJ[NE&RP# oKSfBG KYSCGYBKP# ZKPKENG ,FCGJPIB FRB ,C&NKPGD KBNGYKR ,YfNC
FKFK ,ZCTC GPDZG\ OCGZ[ ZIBP .\KSGZF FZK[C "USMF ZG\" FRGMPF FVGY\C OKJNGCF
.GH FKDGNG\RB N[ OKBCF OKMZMC \KSIK OXPGXP ODGXKK
W W W
FZK[ KZT[ FTC[
280
BKCRF ZZG[PF
GH FPK[ZN BCGPF GJGPC KYSCKKGJSGE N[ EDKFF \B BXPK KGXPF BZGYF KM IKRFN ZKCS
LM BN[ BNB .GXZB \ZK[ \B ZKEBFN [YCPF KSGZ JGKZJV N[ FDNVF \RKICC ,GF[P HZVGP
,GPXT [KBF KM UB ,KYSCKKGJSGE 'WCGNKBMKP ZGEGKV OT ,(FRGGMF KJGKVF FHN) YEXFG ,ZCEF
.CXYPG HGZIC GEK \B IN[ BN TGEK ZCEF[ NMM
,BKCR ,K\ZCI QY\#P N[ EKYV\ BNPP ,CZTPC GFTZP Z\GK FCZF ,KSGZF ZZG[PFG ZVGSF
\GEZVR \GRKNVKXSKE \GGFPF ,FKDGNGKXGSFG FKVGSGNKVF ,FKDGNGBK\F .OKCZ \C ZT[C TKZ\P
.\VZXC GB FKRPZDC ,FKRJKZCC NCGYPF QP Z\GK FCZF \KSGZF FZK[C \GCZGTP ,CZTPC
\ZK[ N[ F\GKRGD CZG F\PXGT \PGTN ,\KSGZF \KZKNF FZK[F N[ \KSIKF F\GNE QBMP
Z\GKF FKBJCPP OF YGNC ZERSMNBG KYSGCGYKKP ZKPKENGG[ ,FJ[VFFG \GDFF ,FIMG\F
.OKZ[TF FBPC OKTEGR
:19=F FBPF \K[BZP QGYKJRPGZ ,KYSRKJZ##a KRDCK FRF
C@X^Yl
]F
#^G HeZI
@&F OB
#` \^a ,ZZ+frl
^#F NfY
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\IN[R GH QM NTG ,"\ZGGKT ,\KBZV FBR[" ONGTF QP YNSN FETGR FZK[F ,C'&XeKJ ZfEfKV NXB
:\RKICC ,FID[FF EKC TKYZF QP Z[KKF
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& ,K P
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\Y&&XfK ,EZ+fP ,r+Tfb O@K N#T
.JY&r
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+ KZ]>X
FKFG G\TE NT EPT GC TDZF QPG ,"[GEYF HGZIF" N[ CKJGPF ZHGI KYSCfYe'H KNKSG NXB
...G FRKM[F GKNT F\IR ,ZZG[PN
,K]V` i#F F@N^D]R \fBv
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...FB
@Z@r
^ F#^G rfEY@ QfK@gI
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^ #F O` v
BGG[N \KI[P ,LM NT EPT OZJ[ ZZG[PG .GTP[PM GJG[V BKCR BGF ZZG[PF ,QKY[GV NXB
K[KB QGSB \GCYTC ZZGT\FN GKNT FRPP ,"FYGPT ZGVM \R["C KGZ[ BGFG GPGKY \KNM\ \B
QPGBP ,NBZ[K KBKCRN FPGEC ."FNTPNP FZBF" \GTXPBC \GIVF NMN GB ,KPGBN GB
:BKCRF QP \GZG[ FRF .FPXT FRKM[F KEKC GEKYV\N ZZG[PF
19=F FBPC \KSGZF FZK[N OKGGY
281
,r&V&m#F \#kA
B^D]N^G \eE^V]N BP
B
+@X ,N@NP
^A
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#@R K]NeP O` B\
^]o OK]MZ@c^ \r
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,K#N+B U+VfR GK@V@R^j rr
+ ^a .QfK^N&T xB
@^NP
#
K#RK+T Kv
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^ ]a T#D@R fT@a^XB
&^a \fkY#
|...~
,\fBZ^]N K#RK+T eI^Y^V]R^G
|...~
.#T` Pr
^ ]N K#R^HB@ eI^Y^V]R^G ,T#D@R K#R^HB
@^a BeF
Kv
]^Cr
# ^Y]F OKT]K]YZ^@F \#T^Cr
] NK]N^X]N ,O@T^V]R
Kv
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^ OfF\
^]a F@Dc@#F rI
#Z#^N
.YP
&+T@a F&NfTF@ Q&V&bF# NfY^N
|...~
\Z#@j K]Rfr^N \B& ,K]o \&B I\
#@o BeF^G
.\Bh
@I
# Qfr^N ,FE@K]D^Ce N&CF& Nr
& Qfr@N
N[ G\GP HBP FNY FT[N eNG NEI BN[ ,QKY[GV QINGV BKF GH FTVG\N \KRGXKYF FPDGEF
N[ ZZG[PF \GP ZK[F .[EGYF NGNKIN FNG[P QKY[GV NT \KNKN[ \ZGYKC .1837=C ZZG[PF
FZGPD \GKRGPNBP CGJRGPZN \B YKRHF ,CZY=GEC QKY[GV N[ G\GPN LGPSC C\MR[ CfJRfPZ&N
.QKY[GV ZIBN "FKSGZ KZZG[P NGED" N[ EPTPN
DZGCZJV JYRSC DGIR[ KPGBN NCKJSVN FKF ZZG[PF N[ G\ENGFN OKK\BP \R[ NCGK
.NGEDF QJKKVF KZK[ \B B[KR SG\VC GBZYG GEPT ,FHP ZKTF [BZG ,FHP QKXNK SKZGC .1999=C
Q\KR BN ,G\NGEDC YVS NKJFN GHTF[ ,\KSGZF OKZVGSF \EGDB KZCI OKZRGKXKHGVGB \XGCYN
.ONGBN SRMKFN
F\KKF FZK[F .\KJZYGPE GB \KJKKCGS ,\KZBX FKSGZ GH OB BKF \IBG ,FKSGZC LM
IZMFC FRRKB FZK[F[ QGGKM ONGB ."\KSGZF FPGBF N[ FPGKY \KNM\" ,FBZRF NMM ,FZ\GRG
N[ FNGEDF \KSGZF FHGZVF \B ZKMPF ,ZHF BZGYF ,ONGTF \GPGB ZB[ N[ QPGKY \KNM\
QP \NVGR FRRKB FVGY\F \C FZK[F ,OPXT OKSGZF KRKTC[ \TEN CGZN T\VGK ,19=F FBPF
,KYSCKKGJSGE ,NGDGD :\GZVSF KYRT \B OKZKYGPG OKZKMP NMF .ZXYF ZGVKSFG FNCGRF ,QPGZF
ONGB .OFKRKCP OKTEGRF N[ \PXPGXP FPK[Z JGYRN OB ,CGM'X ,CfZ'#XRfD ,CKKR&DZeJ ,KGJSNGJ
,J&V ,C'&XeKJ ,KYSCfYe'H ,QKCB'HZE& :\GP[F ,CGJRGPZN JTPG QKY[GVP ECN OB CZ YVS
.BZGYN FP=ZCE OKZPGB ,Z\GKC \PXPGXP FPK[ZF QBM ODG ,KYSR&RB# ,CfSZ@YKKR
FZK[ KZT[ FTC[
282
"QGJN[N FNGT FKF BN KBNGYKR ZBXF ,\KSGZ BZY QGZKKC GNKB"
[KDEFN F\KKF G\RGGM ONGB .\TE \GIKECC FZPBR KYSC[KRZ'X N[ GH FZTF[ JNIFC QM\KK
BZGYF N[ KRIGZF GPNGTP JTPM ZGPDF FZETF \BG \KSGZF FZK[F N[ F\GZKDS \B
(\KCfRP#fZF \GXKZTF \GPND\F ,QG[BZF) KBNGYKR ZBXFG \KSGZ BZY BN QMB QGZKKC .KCZTPF
.\GKGRTZGV N[ FZG[ GXZB N[ F[BZ NT BKCFG ,QGJN[N FNT
FECGTC KBEGGC FRGPJ ,ZEDN WGIP \KSGZF FZK[F \GKFN \KZYKTF FNKTF ,LM GB LM
QP \KNJRPG \K\GCZ\ FYGIZF ,\KSGZ FZK[ ZPGIG NY ,FHGZVP OGDZ\N Z\GK F[Y FZK[[
,FXRZKV :FVGZKB N[ OKKHMZPF \GCZ\F KEYGP QKC ZHGIF QeHKFFG FYKHF .KCZTPF BZGYF
QKB .FHP FH OKRGHKRF N[ ,\KYZJfB ,FZGDS \MZTP QKTP OKZXGK ,EKZEP ,ZBPKKG ,QGERGN ,SKZV
,KRKJRZGNVF ZGYPF BNN \KJKZCFG \KEZVSF ,\K\VZXF FJRGSF \B \TEF NT \GNTFN NNM
ZNK[C YGEF Z[Y F\GB ZG[YN KNCP FKNJKB N[ \KJRPGZF FZK[F \B ZB\N QKB[ O[M
NZ[N GV QNB ZDEB QKC \KEEFF FTV[FF BKF \JNGC FPDGE .FHP QGZKKC EZGNG FHP F\DG
.FBNFG FBNF QMG ,ZNEGC
FZK[ OGDZ\ ,19=F FBPF KFN[ ET .\KSGZF FZK[C [IZ\F BN LMN FPGE ZCE OG[
Z\KF QKC \BH .BXPRC GRKBG JTPM CZTPF \GV[P \IBN ,QKY[GV N[ G\ZK[ \GCZN ,\KSGZ
NCGYP .\YFCGP FPDGE QMB BKF QKY[GV N[ G\ZK[G ,OP[N OKKGBZ OKPDZ\P ZETF OG[P
(QCGPM ,\KSIK) \GKRGPNBP QKY[GV \B UGS UGS NBD CfYfa#R ZKPKENG N[ GPGDZ\[ IKRFN
FEGP GPXT BGFG .HGZI BNN QKD&KKRfB KR&DC&K \B ODZ\ CGYGCR ONGB .KSYSGNDRBF CIZPC \GIVN
TV[F UB NT ,OGKF OD ,\BH OT ."FKF BNM FKF OSYF QP [KN[" LMC KM OGDZ\N BGCPC
EGCM ZIBN ,CGZN FIRF FZK[ KFGH ,19=F FBPF QP \KSGZF FZK[F KPGDZ\ N[ KSIKF
(.GKZCEC[ FKRGZKBN ZT \BHC[ FKDGNG\RBF ZCIPG) ,\GKDGNG\RBC
BKF 19=FG 18=F \GBPC \KVGZKBF FZK[F KEYGP NB \KSGZF FZK[F \YKH[ QBMP
,\GKNKZKY \GK\GBC NMN USGRC \C\MRF \KSGZF GHG ,\KCNSF \GCZ\F .FZYKTC \KRGGKM=EI
UKYPF \GPZGVZF LZTP .\KCZTPF FKXHKNKGGKXF N[ KPKRVF NDTPN WGIP BKFF \TC FKGXP
CZTPF \PGTN FKSGZ N[ FZGDKV KM FIRF LG\P BXK ,18=F FBPF \K[BZC NGEDF ZJV N[
,NKM[PF FNGXBF ECGZ N[ ZGCKEF \V[ .\GZVSFG \GKGRPBF NT OD NI ,JZVC \VZXG NNMC
FRKZJYK N[ FZXIC KJPGNVKEFG KRKEPF IK[F ZPGIG NY ,FKBZGYG FZK[F KC\GM :KZY
N[ GRGJN[ KFN[ ET \GIVN Z\GRG CXPF FKF LM .\K\VZX F\KKF ,(1796=1762) FNGEDF
,\K\VZXC OGN[G FPINP \B I\GV KGJSNGJ[ FECGTF .(1855=1825) QG[BZF KBNGYKR ZBXF
N[ GRGIJKCP OB KM ,FZKXKF \NKNT \[IZ\P FC FVGY\N OKK\V[ SPP YZ \TCGR FRRKB
BNB ,QGBKNGVR \GPINP QEKTC BN \BHG ,CG\MF \V[ OT EEGP\FN K[GY GKBZGYN QKB[ ZVGSF
\GP[F \B \GRPN OB ,QKReY#a NKBMKPG KYSRKNC QGKZSKG ,QXZF ZERSMNB .19=F FBPF KFN[C
,OKNKVGCNSF EDR GBXK[ \KCZTPF \GRGeMPF KMPG\ OKSGZF OKNBGJYNJRKBF QKCP OKJNGCF
ZIB\R[ K\VZXF OHKXKSBNYF KRVC \GNJC\F LG\ KGYKIF QBMP .\K\VZX GC\MG GZCKE
.KCKJPKJNGBF \VGPF \RKICC NCY\RG ,OKR[C \GZ[T FKSGZC
90=F \GR[C FNGEDF FMVFPF OT FK\GRM[ NTG \VZX NT FZCT[ FPEBF \EKTZ OD LM
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Pojrza l , zadrz
Ç a l , nie znalaz l nikogo.
/
/
/
 ci /l ku ziemi i re
Wzrok opus
Î kami drz
Ça
Î cemi
Siwe wa
Î sy pokre
Î ca i duma,
/
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Ç a odwro
Wzrok od l oz
I zawo l a l kozaka Nauma.
/
/
«Hej, kozaku, ty chamie, czemu w sadzie przy bramie
Nie ma noca
Î ni psa ni pacho l ka?
/
 mi torbe
Wez
Î borsucza
Î i janczarke
Î hajducza
Î,
/
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I ma
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Wzie
Î li bronie, wypadli, do ogrodu sie
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Ke
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Kle
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Ten, s
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Î cza l , tylko trzosem zabrze
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On nie kocha l , nie je
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Tys
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Î c w puchy l abe
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/
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/
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Dobrej nocy i d l ugiej pieszczoty!»
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Ona jeszcze nie s l ucha, on jej szepce do ucha
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Nowe skargi czy nowe zakle
Î cia:
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Az
Ç wzruszona, zamdlona, opus
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Wojewoda z kozakiem przyklekne
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I dobyli zza pasa naboje,
I odcie
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Î bami i przybili steflami
Âc
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Prochu gars
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Î napada,
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Ja nie moge
Î zastrzelic
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 /l kurcze odwodzi /l , zimny dreszcz mie
Î przechodzi l
Gdym po
I stoczy l a sie
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/
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 paznokciem krzesiwo,
Podsyp zapa l , a z
Ç ywo sczys
 j /l eb lub w te
Potem palnij w two
Î dziewke
Î.
«Wyz
Ç ej... w prawo... poma l u, czekaj mego wystrza l u,
/
/
/
 pan m /l ody«.
Pierwej musi w l eb dostac
/
 d /l , wyceli /l , nie czekaja
Kozak odwio
Î c wystrzeli l
I ugodzi l w sam l eb Ð wojewody.
/
/
Konrad Wallenrod
Wste
Îp
"
Sto
lat mija l o, jak Zakon krzyz
Ç owy
/
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 /l nocnego brodzi /l ;
We krwi pogan
Juz
Ç Prusak szyje
Î uchyli l w okowy
/
Î uchodzi l ;
Lub ziemie
Î odda l , a z dusza
/
/
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Niemiec za zbiegiem rozpus
Ç do granic Litwy.
Wie
Î zi l , mordowa l , az
/
/
 w od wrogo
 w:
Niemen rozdziela Litwino
/
 wia
 szczyty
Po jednej stronie b l yszcza
Î s
Î tyn
 w;
I szumia
Î lasy, pomieszkania bogo
 rku wbity
Po drugiej stronie, na pago
/
 w, czo /l o kryje w niebie,
Krzyz
Ç , god l o Niemco
 ne ku Litwie wycia
Groz
Î ga ramiona,
Jak gdyby wszystkie ziemie Palemona
/
 ry obja
 i garna
 pod siebie.
Îc
Îc
Chcia l z go
Ç y,
Z tej strony t l umy litewskiej m l odziez
/
/
/
 wiedziej odziez
Ç y,
W ko l pakach rysich, w niedz
/
/
/
 w,
Z l ukiem na plecach, z d l onia
Î pe l na
Î groto
 ledza
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Snuja
Î sie
Î, s
Î c niemieckich obroto
Po drugiej stronie, w szyszaku i zbroi,
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/
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/
/
/
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Z
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Dzia l a zagrzmia l y, w be
Î bny uderzono;
/
/
 uroczysty w krzyz
Dzien
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 piesza
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Ke
Î dy, zebrani w kapitu l y gronie,
/
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Wezwawszy Ducha S
Î tego uradza
Î,
Na czyich piersiach wielki krzyz
Ç zawiesza
Î
I w czyje re
Î ce wielki miecz oddadza
Î.
/
/
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Na radach sp l yna
Î l dzien
 w staje do zawodu,
Bo wielu me
Îz
Ço
 wnie wysokiego rodu
A wszyscy ro
 wne w Zakonie zas /l ugi;
I wszystkich ro
Dota
Î d powszechna mie
Î dzy bracia
Î zgoda
Nad wszystkich wyz
Ç ej stawi Wallenroda.
On cudzoziemiec, w Prusach nieznajomy,
S l awa
Î nape l ni l zagraniczne domy,
/
/
/
Âw s
 ciga /l na kastylskich go
 rach,
Czy Mauro
Czy Otomana przez morskie odme
Î ty,
W bitwach na czele, pierwszy by l na murach;
/
 co
 w okre
Pierwszy zahacza l pohan
Î ty;
/
I na turniejach, skora wsta
Î pi l w szranki,
/
Â,
Jez
Ç eli raczy l przy l bice
Î ods l onic
/
/
/
/
Â
Nikt sie
Î nie waz
Ç y l na ostre z nim gonic
Pierwsze mu zgodnie uste
Î puja
Î c wianki
Nie tylko mie
Î dzy krzyz
Ç owymi roty
Ws l awi l ore
Îz
Ç em m l odociane lata,
/
/
/
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Âc
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Ubo
Î l w przydwornym nacisku
Konrad nie s l yna
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 cia
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Nie przeda l w s l uz
/
/
 wie
Klasztornym murom wiek pos
Î ci l m l ody.
/
 rne urze
Wzgardzi l oklaski i go
Î dy;
Nawet zacniejsze i s l odsze nagrody:
/
 w hymny i pie
 ci wzgle
Minstrelo
Î knos
Î dy,
Nie przemawia l y do zimnego ducha.
/
Î tnie s l ucha,
Wallenrod pochwa l oboje
/
/
 ne lica pogla
Na kras
Î da z daleka,
Od czaruja
Î cej rozmowy ucieka.
Czy by l nieczu l ym, dumnym z przyrodzenia,
/
/
/
 jeszcze m /l ody,
Î z wiekiem Ð bo choc
Czy sta l sie
Juz
Ç w l os mia l siwy i zwie
Î d l e jagody,
/
/
/
 cia
Napie
Î tnowane staros
Î cierpienia.
Przyjaciele
"
Nie
 wiecie;
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masz teraz prawdziwej przyjaz
/
 skim powiecie.
Ostatni znam jej przyk l ad w oszmian
Tam z
Ç y l Mieszek, kum Leszka, i kum Mieszka Leszek.
/
Z tych, co to: gdzie ty, tam ja, ± co moje, to twoje.
 wiono o nich. z
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Mo
Ç e gdy znalez
Ziarnko dzielili na dwoje;
S l owem, tacy przyjaciele,
/
Jakich i wtenczas liczono niewiele.
/
 ; dwo
 jduch w jednym ciele.
Rzek l bys
O tej swojej przyjazni raz w cieniu da
Î browy
Î cza
Î c swojo czu l e mowy
Kiedy gadali, l a
/
/
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Do kukan
/
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 rykne
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/
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Mieszek tej sztuki nie umie,
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/
Kum juz
Ç wylaz l na wierzcho l ek.
/
/
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Ç yc
Ledwie Mieszkowi by l czas zmruz
/
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Âc
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 wiedz
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Zbladna
Îc
Ç niedz
Ç y;
Trafia na cia l o, maca: jak trup lez
/
Wa
Î cha: a z tego zapachu,
 ry mo
 g /l byc
 skutkiem strachu.
Kto
 wiez
Wnosi, z
Ç e to nieboszczyk i z
Ç e juz
Ç nies
Ç y.
Wie
Î c mrukna
Î wszy ze wzgarda
Î odwraca sie
Î w knieje
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 wiez
 wiedz
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Bo niedz
Î s nies
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Î krucho! ±
Dopieroz
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/
/
 cie, Mieszku, z
Wo l a kum, ± szcze
Îs
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Î nie zadrapa l !
/
/
Î sapa l .
Ale co on tak d l ugo tam nad toba
/
/
 mia /l powiadac
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Jak gdyby cos
/
/
/
 wiedzie:
"Powiedzia l mi ± rzek l Mieszek ± przys l owie niedz
Ç e prawdziwych przyjacio
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Z
Pch l a I Rabin
/
"
Pewny
rabin w Talmudzie ka
Î pia
Î c sie
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/
/
 cu sie
Î obruszy:
Cierpia
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Dalej czatowac
Î ta,
 wke
Î i noz
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Î ta:
Kre
Î ci sie
Î , wycia
Î gaja
Î c g lo
/
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Î gniewac
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Potomkowi Lewito
Ç naz
Ç krew przelewac
"Krew za krew! ± wrzasna
Î l Rabin ± Belijala p l odzie!
/
Filistynko, na cudzej wytuczona szkodzie!
 wki snuja
Mro
Î szpichlerze; pracowite roje
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Znosza
Î miody i woski, a trucien
 ro
 d ludzi z liwarem uwijasz,
Ty sie
Î jedna s
Pijaczko tym szkodliwsza, iz
Ç cudze wypijasz".
 czy /l , i gdy wie
 ci d /l abi,
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Zakon
Îz
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Î l a: "A czym z
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Pch l a konaja
/
/
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cierpia
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Sa
Î hymnem tego s
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Zb l a
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Wpada mie
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Î ce przed Jehowa
Î sfery
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Î ta,
 piewem w sen ko /l ysze.
Co nas takim piastunki s
/
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Szcze
Îs
Î w ciemnych marzen
Î l cisze
Î,
 nionych pamie
Kto ma sny i o chwilach przes
Î ta.
/
 w dwie wielkie po
 /l owy,
Trzeba z
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Âc
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Jedna
Î godzina
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/
Âc
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/
/
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Pe l ny poblad l ych twarzy, ku s l on
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I s
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Tam Ð pod okiem pamie
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Pie
Î kne rodzinne miasto wiez
Ç ami wytryska
Z doliny, wa
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/
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Gdy s l on
Î dem bia l e ukazuje domy,
/
/
/
 w przesnute.
Jak per l y szmaragdami ogrodo
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Tam zima
Î leca
Î z lodo
I z szumem w kre
Î te ulic wpadaja
Î za l omy.
/
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Tam stoi go
Wie
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/
/
Âz
Ro
Ç ne przybiera kszta l ty Ð chmur l amany wirem;
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A w nocy jak korona, kryta z
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Siedzia l o dwoje dzieci ± nie zmie
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Î t l ej postaci, marmurowo biali.
/
M l odszy wiekiem nadzieje mniejsze zapowiada l ,
/
/
/
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Piers
Î podnosi l a cie
Îz
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Ludzie nieraz: "On umrze" ± mo
Î;
Wtenczas matka patrza l a d l ugo w dziecka oczy
/
/
/
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I przeczy l a z us
 spad /l a trwoga,
Kiedy na serce matki przeczuc
/
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Î ka l a sie
Î nieszcze
Îs
Î c o synie
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Nie s
Î dzieje wola Boga".
 gora
Bo w czarnych oczach dziecka p l omien
Î czkowy,
/
 nie zapalony, trawi /l m /l ode z
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Przedwczes
 ro
 d ciemnej szkolnej sali by l/ o drugie dziecie
Î.
Ws
W l os mia l o jasny, kolor oczu lazurowy.
/
/
Ludzie na nim nadzieje budowali szczytne.
/
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Poz
Ç era l ksie
Î gi, mo
Ç ne narody,
Do licznych nauk dziennie pala
Î ce czu l g l ody,
/
/
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Î kitne,
/
/
Jak polne dzwonki l zawym kryszta l em pokryte
/
/
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I godzinami mys
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Tona
Î c w otch l an
/
/
Za okresy widzenia, za wzroku przedmioty.
Gdy patrza l w nie widziane oczyma obrazy,
/
Âc
 w oczach widzieli ± lecz skazy
Ludzie ob l e
Î dnos
/
Ç adnej dostrzec nie mogli. M /l oda pamie
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Z
Îc
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 , z mys
 li uwita /l an
Ogromna pamie
Îc
 wiadczy /l a o istnos
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S
Ç ywotnej ducha;
A przeczuciami z
Ç ycie widzieli do grobu.
I nic ich nie dziwi l o, co z lat posz l o biegiem,
/
/
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I smutni nad przepas
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/
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Obracali na strone
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Î d przyjs
I pierwszy powiew pili ustami jak z
Ç ycie.
Potem, gdy w wiosennego powietrza b l e
Î kicie
/
/
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W balsamy sie
Î rozla l a czarna laso
 w zmie
Znudzeni wonia
Î kwiato
Î szana
Î , stokrotna
Î,
 te
 li won
Wynalez
Î skna
Î ± dzika
Î i ulotna
Î;
[...]
Nieraz starszy, b l e
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Î c w ziemie
Î oczy,
/
 j luby, jak obecna chwila
 wi /l : "S /l yszysz, mo
Mo
/
Âc
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 wie
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Î k te
Î skny, uroczy,
 ci, ona nas nachyla
Ona nigdy nie wro
Âc
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Smutniejszymi twarzami w przesz l os
Î.
/
/
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 li s
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Î,
Szcze
Îs
 li gasna
Niz
Ç gdy w sercu zamknie
Î te ± moje mys
Î,
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S lo
Î ± lecz nieraz w godzinie tajemnic
/
Î
T l umnymi s l owy w piersiach jak szatany wrzasna
/
/
/
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I wo l aja
Î , az
Ç ebym je wypus
 wiat ± s /l o
 w otworzy /l droge
 d /l na s
Î.
Abym je wywio
 wiat da poezja
 mu jej nie moge
Niech mi s
Î ± dac
Î ."
[...]
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Kordian
Pierwsza Osoba Prologu
"
BozÇe!
 j wyniszczony bojem,
zeszlij na lud two
Sen cichy, sen przespany, z pociech jasnym zdrojem;
 nie go nie dre
Niechaj widmo rozpaczy we s
Î czy.
 nad nim kotare
Rozwies
Î z ra
Î bka niebios te
Î czy,
Niech sie
Î we l zach nie budzi, przed dniem zmartwychwstania:
/
Î ki niespania,
A mnie daj l zy ogromne i me
/
Po me
Î kach wre
Î cz mi tra
Î be
Î sa
Î dnego Anio l a;
/
A kogo przed tron Boga ta tra
Î ba zawo l a,
/
Niechaj stanie przed toba
Î . Daj mi si l e
Î , Boz
Ç e,
/
 stw na czo l o po /l oz
Çe
Î,
A komu palec przeklen
/
 l, Panie, tuszyc
Â,
Niech nosi znak na czole... Pozwo
Ç e s /l owem zdo /l am cielce z /l ote gia
 i kruszyc
 ...
Z
Îc
Z bra
Î zu wzniose
Î posa
Î gi, gdzie pokrusze
Î gipsy.
A kto ja jestem? Ð Jestem duch ApokalipsyÂc
 cie ku mnie oczu zamglonych i twarzy...
Obro
 ro
 d siedmiu z /l ocistych lichtarzy
Oto stoje
Î ws
Âc
 szczodra
Podobny do cz l owieka... szata w d l ugos
/
/
/
/
 p; pas z /l oty przewia
Î za l mi biodra,
Sp l ywa do sto
/
/
/
 niegi, jak we /l na;
G l owa kryje w l os bia l y, jak s
 w dyjamentu pe /l na,
Z oczu skra leci ognio
 wiez
 s
Nogi mam jak miedz
Ç em ogniskiem czerwona,
G l os huczy jako woda wezbraniem szalona,
/
W re
Î ku siedem gwiazd niose
Î , a z ust mi wytryska
Miecz ostry obosieczny, a twarz moja b l yska
/
 ce w ca l e
 j mocy wys
 wiecone ko /l em.
Jak s l on
/
/
A gdy przede mna
Î na twarz upadniecie czo l em,
/
Powiem wam... Jestem pierwszy... i ostatnim be
Î de
Î ...
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Druga Osoba Prologu
"
Ja
wam zapa l poety na nici rozprze
Î de
Î,
/
/
 mie
 jcie sie
Wy s
Î z zapa l u mego towarzysza...
Kto on? ± Do tureckiego podobny derwisza;
 w,
Owe siedem lichtarzy, jest to siedem grodo
 w,
 ro
 d siedmiu z /l otem nalanych narodo
Stoi ws
/
Âc
 mu zamienia
Wygnaniec. ± A w l os czarny w siwos
Nie wiek, ale zgryzota... W oczach blask natchnienia,
 li, z kto
 rych jasnos
Âc
 dniowa;
W re
Î ku gwiazdy... to mys
Miecz w ustach obosieczny, jest to sztylet s l owa,
/
 w.
 rym zabija ludzi g l upich... albo wrogo
Kto
/
Trzecia Osoba Prologu
"
ZwasÂnionych
 w.
obu spe
Î dzam ze scenicznych progo
 j urnie,
Dajcie mi proch zamknie
Î ty w narodowe
Z prochu lud wskrzesze
Î , stawiam na mogi l koturnie,
/
/
/
 w wyz
I mam aktoro
Ç szych o ca l e mogi l y.
Z przebudzonych rycerzy zerwe
Î ca l un zgni l y,
/
/
Î kitem,
Wszystkich obwieje
Î nieba polskiego b l e
/
 wiece
 witem
Wszystkich os
Î duszy promieniem, i s
Urodzonych nadziei ± az
Ç przejda
Î przed wami,
/
 miechem, poz
Pozdrowieni us
Ç egnani l zami.
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Na Sybir
"
Sprzed
/
 cz wam znikne
o
Î : ± jak fala, sprzed l odzi ±
 cz wam znikne
Sprzed o
Î ± jak ptak, co odlata ±
 cz wam znikne
Sprzed o
Î ± jak sen, co odchodzi ±
 czonos
Âc
 s
 wiata!
Odejde
Î od was w nieskon
Odejde
Î od was cicho, niespodzianie,
Odejde
Î od was pewnie noca
Î ciemna
Î,
 cis
 nie ra
Nikt mi nie s
Î k na poz
Ç egnanie
/
 jdzie ze mna
I, jak z umar l ym, nikt nie po
Î!
/
Âz
 be
Na pro
Ç no sk l adac
Î dziecie narady!
/
 sie
Pytac
Î , p l acza
Î c: "Ke
Î dy jego droga?"
 lady,
Bo wam ukryte, zostana
Î me s
 lad dusz, z trumny leca
Jak s
Î cych do Boga!
Lecz nie polece
Î ku wiecznej krainie ±
Lecz nie odejde
Î ku kwiecistym brzegom ±
 niegom
Kat mnie pope
Î dzi ku Sybiru s
 moja z serc waszych up l ynie!
I pamie
Îc
/
 wit
Przeds
"
Z
 w mych ziemi przez wroga wygnany,
ojco
 musia /l em obcych ludzi /l any
Deptac
/
 z dala tych szatano
 w wycia,
I s l yszec
Co ziemie
Î moja
Î okuli w kajdany;
Jak Dant ± przez piek l o przeszed l em za z
Ç ycia!
/
/
 g mi l osierny
Ç e Bo
Zrazu jam ufa l , z
/
/
Na pyszne pyszny, ale wiernym wierny!
Zrazu jam ufa l , z
Ç e za dni niewiele
/
/
/
 ciciele
Zleca
Î zes l ane Anio l y ms
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Ty za hojnym pore
Î kawicznym s l awisz po gazetach narodowe zas l ugi
/
/
pospolitych
 w.
wydrwigroszo
A ty ±
 j wala
O mo
Î cy sie
Î domie!...
W W W
Nie wywyz
Ç szam sie
Î nad innych;
nie jestem ani lepszy, ani gorszy od tamtych
 nie be
Î de
Î nad toba
Î,
i dlatego tez
Ç p l akac
/
 j wala
o mo
Î cy sie
Î domie!
Lecz z Marginy lub Folies-Bergere zabiore
Î dziewke
Î,
pysznia
Î ca
Î sie
Î w przechodzonym p l aszczu
/
 bogatej damy, albo ± szczerzej i otwarciej ±
jakiejs
najlichszego Cabaret au Coq
/
 dnicy
w tandetnej, we l nianej spo
i oplote
Î ja
Î resztkami bluszczu,
/
 j dach,
 ry tak bujnie i smutnie pia
Î wczoraj az
Ç pod two
kto
Î l sie
/
 w i pastucho
 w,
a dzisiaj pad l ofiara
Î kro
 czyc
 kankana...
i kaz
Çe
Î jej tan
Niech potok przewala po g l azach roztopy seledynu!
/
Î sie
Î na czarnej,
Niech krzewy g l ogu krwawia
/
/
 cianie!
l upkowej, prostopad l ej s
/
Niech mz
Ç e sierpniowego po l udnia
/
/
 rom:
Î kach i owsach ku niebotycznym go
snuja
Î sie
Î po l a
/
 be
Ja klaskac
Î de
Î w d l onie,
z
Ç e moca
Î byka wiedzionego na arene
Î,
 ry,
obramowana
Î strusimi pio
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s
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z
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/
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zdoby l s
z
Ç e Duch zapanuje nad chlebem,
 g zamieszka w cz /l owieku...
z
Ç e Bo
W W W
 j wala
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"
Panie
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Oto kon
zwycie
Î skim dowodzi l pu l kiem przeciwko
/
/
zbuntowanemu ch l opstwu w Transwalu.
/
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Î b l yszcza
Î ce.
Z
/
/
 lna
Î ki genera l owej, szczego
Î
Jada l cukier z re
Î jego pana,
obdarzaja
Î cej l aska
/
 ci miss Ellen
Î knos
a s l ynna z pie
/
Î w wsta
Îz
Ç ki,
zaplata l a mu grzywe
/
nabyte w znanym z doborowych
 w magazynie J. M. Freebody & Debenham
towaro
 ci i cztery!).
na Wigmorestreet 44 (czterdzies
/
 ten z /l ociste nosi /l podkowy.
Ç e kon
By l czas, z
Na g l os surmy uderza l nimi o ziem,
/
/
 dzienice
parskaja
Î c niecierpliwie i gryza
Î c uz
Î,
Â
 g /l sie
Î doczekac
albowiem nie mo
chwili,
 rej sie
w kto
Î rzuci na wroga.
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Î b l yszcza
Î ce.
Z
W takt orkiestry wracaja
Î c po odniesionym
tryumfie do miasta, szed l jak baranek:
/
Âc
 kraju.
spokojny by l o przysz l os
/
/
Î owsa i nie bryka l : w wojennej
Najad l sie
/
/
/
 bohaterski
Î ten kon
tylko wrzawie rwa l sie
/
/
 g /l osem,
i pieni l , jakby chcia l wieszczym krzyczec
/
 mierci.
iz
Ç z
Ç ycie jest tylko droga
Î do wspania l ej s
/
Ç o /l nierze Jej Kro
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 ci guziki maja
Î b l yszcza
Î ce.
Z
Âc
 jego, stosowana w odpowiedniej godzinie,
Ta l agodnos
/
/
 wnie bohaterski
Ç e ro
sprawia l a, z
 wnie /l agodny pu /l kownik
i w odpowiedniej godzinie ro
da l go pod wierzch
/
 lubionej z
swej niedawno zas
Ç onie, jak wiadomo,
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 rce w /l as
 ciciela kantoru wymiany b. p. sir Izaaka Hanfstaengla.
bogatej co
Dosiada l a go pani pu l kownikowa i o jutrzni, po snach niespokojnych,
/
/
pe
Î dzi l a ku parkom, ranna
Î zlanym rosa
Î,
/
gdzie woda w szerokim srebrzy sie
Î korycie, gdzie ±
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Î b l yszcza
Î ce ±
Z
/
 ciele sie
Î kanego we
Î drowca; gdzie ±
trawa jako aksamit s
Î pod stopy zab l a
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Z
Î b l yszcza
Î ce ± pote
Îz
Ç ne
 w tajemniczym szepca
konary de
Î bo
Î
Ân
 o nieskon
 czonos
 ci.
pogwarem, pies
Uwia
Î zany do odwiecznego pnia ogryza l krzak
/
 dz
 czyni wczytywa /l a sie
Î
berberysu, a subtelna jez
w "Dziewice
Î jeziora".
 cie ludzkie,
Ale niestety! Znikome jest szcze
Îs
/
 cie kon
 skie,
Îs
a jeszcze znikomsze by l oby szcze
 rczy poste
 ry dla wyprostowania z /l amanych
gdyby nie cudotwo
Î p, kto
 w stworzy /l te
ducho
Î instytucje
Î.
Î ci sir Izaak Hanfstaengl
B l ogos l awionej pamie
/
/
pofa l szowa l weksle i umar l z zgryzoty ±
/
/
/
 wiecie z zakwefionym obliczem ±
Tragedia chodzi po s
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Î b l yszcza
Î ce ±
Z
/
 ry wed /l ug zas /l ugi powinien
Pu l kownik, kto
/
 ksie
Î ciem Johannisburgu lub
by l zostac
 lem Indii, zgra /l sie
Î na
wicekro
gie l dzie i og l osi l bankructwo.
/
/
/
Bohaterskiemu koniowi oderwano podkowy
i stopiono je na z l oto, a gdy zabrak l o owsa,
/
/
oddali go za bezcen ± wychud l y by l i melancholijny ±
/
/
pod biczysko pospolitego rozwoziciela jarzyn.
I tum go odkry l .
/
/
/
/
Âc
 , bo kto
Âz
Â, z
Ç z nas mia l by odwage
Î sie
Î przyznac
Çe
Zna l em jego przesz l os
nie jest
 wiadom dziejo
 w ojczystych?!
s
/
 cic
 , aby tak zmarnia /l haniebnie,
Nie mog l em dopus
 nad konie ± o nie! ten rumak nad rumaki,
on, ten kon
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kto
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szed l na nieprzyjaciela ±
/
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Î b l yszcza
Î ce.
Z
 ry nieomal wieszczym krzyczec
 mo
 g /l
On, kto
/
/
 mierci.
g l osem, z
Çe z
Ç ycie jest tylko droga
Î do wspania l ej s
Ç y nadal sprawie publicznej,
Powiedzia l em sobie: Niech s l uz
/
/
 ci /l em go spo /l eczen
 stwu.
i wro
Za chwile
Î , pod szpicruta
Î miss Jane Woodrow,
be
Î dzie jak dawniej, na polu bitwy, ponadmiar
wysokie bra l przeszkody; jak uskrzydlony,
/
 sie
przebijac
Î be
Î dzie przez cztery obre
Î cze na raz,
zre
Î cznie wyrzucanymi kopyty o!
tych szklanych nie uszkodzi baniek.
A kiedy nadejdzie ostateczna jego pora ±
 wiecie z zakwefionym obliczem ±
Tragedia chodzi po s
Panie i panowie!
Panowie i panie!
Â:
Raczcie mi wierzyc
Âz
Nie oddam go pod no
Ç prywatnego hycla,
 re
 oprawca municypalny,
ale sko
Î zedrze zen
 miertne pojawi sie
wspomnienie pos
Î w dziennikach,
krajowych jako i zagranicznych, a wy, obywatele,
sk l adajcie juz
Ç dzisiaj grosz do grosza,
/
aby ta chwila nie spad l a na nie przygotowanych,
/
 my godny wznies
 li mu pomnik,
abys
 nieja
z jas
Î cym na froncie napisem:
Bohaterskiemu Koniowi Wdzie
Î czna Ojczyzna
/
Ç o /l nierze Jej Kro
 lewskiej Mos
 ci guziki maja
Î b l yszcza
Î ce.
Z
OKZZG[PF \PK[Z
OKZZG[PF \PK[Z
\VZX
\GNDN BXK KBHIPFG QGYKBHGZVF ,ZZG[PF GDGF ,(? 2! ) GDGF ZGJYKG
.OKR[ 20 ZGCTM YZ \VZXN C[G (1851) FMGNPF SMN K[KN[F QGBKNGVR N[ G\KKNT OT
FZG[ GDGF ZCKI FHGZVC OKTEGRF GKC\M NT USGRC .G\ZKXK CJKP \B ZCKI FH QPH YZVC
1=C ZGCT ,1820 \R[P < -' @=C NIF FZK[ KXCGY N[ FMGZB
OHKNGCPKSF .\KJGKVF G\ZKXK CJKPN C[IRF { 1 ;*-" ETG <"
OY ,20=F FBPF \K[BZG 19=F FBPF KFN[ N[ FZK[C Z\GKC CG[IF OZHF ,K\VZXF
.GZGE KRCG GDGF N[ \KJRPGZF FZK[N FH\KJRBM FCZ FEKPC
ECMRF EPTPN GVGZKJ \GMHC FMH[ KP ,NGGZR ,(#' 6@" ) N#GGZ&R FE ZZ'D
FZK[F \ZPX NT FRPR (-+ *!) "OKNNGYPF OKZZG[PF" QGETGP BK[R N[
WCGY .\GKV[ QECB N[ \GT[C FH FKF C\M OBG ,CG\MN JKTPF BGF .\VZXC \KJRPGZF
BNN BGF ,1841 \R[P 1 ;&*+ :FBKF \Z\GMF \I\ ZZG[PF N[ TGRXF \GJRGSF
.FZYKTG G\ZKXK \DSV YVS
K\VZXF ZYCPFG ZZG[PF N[ G\PGZ\ ZYKT .((&' -&" #! ) FKKJGD NKVGBK\
GDGF \ZK[N \GEDR\F LG\P GKFG GPY[ OKPZHF QKCN OHKXKJRPGZF QKC ZCTPF CN[C BGF
.19=F FBPF KFN[ N[ \K\VZXF FZK[C OHKXKJ\SBF QGZYKT \B I\KV FKKJGD .GZGE KRCG
.1852 \R[P !A ;*' \KZYKTF GKZK[ \VGSBC [CKD OKKJGKVF GK\GRGZYT \B
Z\GKC CGJF LPSPF QKKET BGF 1874 \R[P 2 ! 0** UKYPF GZGCKI
.G\VGY\ \B FRCFG \GRYKKE ,ZGPGF ,FKRGZKB ,YPGTC JJZ[PF
G\GTP[P \B "FPFGC" D[GPN YKRTF F'HZGP ,(2 ! ) F'HZGP KZRB
+ " ? ) FPFGCF KKIP \GRGP\ \KPGY=KDZJF FNCGRF .OGKF GRKNT \NCGYPF
N[ FCGZ .1 /&B * FZVGBF \NKNTN KRK'XGV GPGY'DN F[P[ 1848 \R[P (/&B *
KRKJNF TCGZC QPBF N[ OKNEF GKKIC FPZEF \B LGVFN ZZG[PF IKNXF FC ,G\ZK[
."FPFGCF KKIP \GRGP\"C FNGNM ,FPGSY FEDBN
FBZRF NMM BGF (1857) TGZF KIZV ,(;&" /!" ) ZNEGC NZ[
.\KCZTPF FZK[F \GENG\C OKPSZGVPF QPG 19=F FBPC Z\GKC TEGRF FZK[F WCGY
FZK[ KZT[ FTC[
FBPC OKK\VZXF OKZZG[PF KNGEDP EIBM ZNEGC NZ[ N[ GEPTP \B \TCGY GH FECGT
FZP F\GB ,-"=F N[ Z\GKC QPBRF GKGJKC BGF ZNEGC .OFC[ NGEDF BN OB ,19=F
.FZCIF KNG[C O[ KB EEGRF ZZG[PF N[ \GTGZV \GPIDCG ZGXT OTHC FGGNPF FZGI[
\KJPZEF G\ZK[N YKRTFN TEK[ QGMRF QGRKPC FBZRF NMM QGPJ G\ZK[ N[ OSYF EGS
.FPZBNP \PDGE OKJSKNGCPKSF DFGRN EGDKRC ,BZGYN ZMR\FN BN[ GN \Z[VBPF
GRRKB FPZBNP ,\NCGYPF FIRFN EGDKRC ,(' -& ""*' ) FPZBNP QVJS
,FRXYFN FH OZH BKCF Z[B [KBF BGF[ YVS QKB \BH OT .K\VZXF OHKNGCPKSF KCB
QGKSRFG ,YGEYEFG ZKCI\F KNNM \ZKC[ .QNZG GB GCPZ ,ZNEGC GHTF[ NMN ZCTP FCZF
NM OF ,\KCKJYKKCGBF Q\GTP[PP NKNM \Y\GRPF \K\ZMF \\ \GTP[P OKNPN YKRTFN
1C.-+ Z\GKC TEGRF GZK[C YFCGP KGJKC KEKN OKBCF FPZBNP N[ GIGZ KZV ONGM
BNPNB OGKF OD CNF \PG[\C \GMHN LK[PP FKF ZK[F OB YVS ONGB ,C! :!
GTGXKCC CNKDBKE N[ JNCFG FRBP ZBGEB N[ GKZGKX ,KSGKCE N[ \TEGRF FYKSGPF
.KYSRK'HKR N[ KHGBGJZKGGF
KP ,BKXPPG TEP [KB FRG[BZCG [BZC FKF SGZY NZ[ ,(;&" ; ) SGZY NZ[
LMC QVGE \BXGK G\ZK[ .UZDGRGVF \BXPFC QGSKEB FGGNB SBPG\ \B Z\KF QKC OKEYF[
\KPGF\F \GRKXZF ZETF (KBYKJP\PF NGZY SKBGNN FPGEC) QBMP ,KR[P YGSKT GN BKF[
ZGPGFF N[ KR[F JGI OD QBMP ."JNIGPF" ZZG[PF N[ \KJSKSKYZRF \GK[KBFG
OKRJKKVF KNGED NT ORPB FRPKK BN O\GMHC .GKZK[ NT OKZG[F \KCKJYKKCGBF FCK[IFG
."OKNNGYPF" \ZK[ N[ TDKKPF UXZC \RRTZP B\IR\B BZGYN YKRTK LB ,G\VGY\ N[
,FKEZB OD ,SGZY NZ[N FPGEC ,(3 2 ) FKEZB FE FKZP FHGI
FBPF KFN[C KGXPF ZZG[PF N[ G\GPEN YFCGP EGDKR BGF ,FCG\MF FNPF HGBGJZKG
ON[GPF KGJKCF FBZRF NMM BGF FKEZB .FZCIF KNG[C TRF -+ *! G\GB ,19=F
OT GP[N FVKF N[ OHKXK\JSBF \B EIBPF ,\K\VZXF FZK[C "SGSRZVF OZH"N Z\GKC
118 N[ WCGYC FKEZB [CKD ,JTPM FEKIKF \KJGKVF G\ZKXK \B .G\ZK[P "KRB"F YG\KR
K[K[F ZG[TF \K[BZC BKFF \TC BGFG ,1893 \R[P 1 (-& \Z\GMF \I\ \GJRGS
.FKPEYBF ZCIG ,QHGBPG ZDGC [KB ,GKKIN
+ *=C WCKY F\GB \PEYGPF G\ZK[C NIF ,(!" ?" ) QNZG NGV
KFN[P \ZIGBPF G\ZKXKN ETG 1874 \R[P 0* "=C ZGCT !
Q\P NTG GKHGZI [GJKN NT UZF BNN NPTF ON[GPF ZZG[PF BGF BGF QNZG ,80=F \GR[
\[ZV .KNJGJSKZBF FRCGPC QMG\FG FZGXF \GFH N[ \KJ\SBF EGSKF \IRFN KCZP KGJKC
\B OKR\GR BN GCPZ ZG\ZB OT \NNPGBF OKSIKF \MZTPG OKBG[RF QGN[M ,GKKI
.GRPH N[ \KJSKNGCPKSF FDNVFF QP EGBP FYGIZF ,\RHGBPF G\ZK[C OFK\G\GB
OKZZG[PF \PK[Z
\IB YVS BNN BGF GCPZ ,(3 6&" .&! 0* ! ) GCPZ ZG\ZB
FZK[F KRV \B \GR[N ZTRF JKNIP 16 NKDC .FZK[F \GENG\ NMC \GPKFEPF \GTVG\F
\GBZN DGFR GCPZ N[ G\CK\M \K[BZ \B .ZYKF GRPHP OKR[ [GN[ LMN CKXYPG \K\VZXF
FBZRF NMM C\M G\GB ,Z\GKC OSZGVPF GZK[ ,1 /! 9@ ,FZGMK[F FRKVSF C
FZK[ KYZV FT[\ N[ WCGY (= DE) OGRFKDC FRGTF .1871 ZCPJVSC
KFN[C C\MR ,FZK[N OGN[ \ZKPB QMB BGF[ .! YZVC OKK\SPF ,QKDGZKSN FHGZVG
\ZPXC OGYP GPXTN IKJCFG FZK[F \HGPN GCGI \B YNKS[ QGGKM ,QM KM FRF .1873
.Y[RC ZISC NKKI F[GTG FYKZVB QGVXN ZKTXF BXGK ,19=F FBPC \KPNGTF FZK[F
eaGB LNPF GFHIP \GMHC ZYKTC TEGRF KZB'H EZVNB ,(."E 3 ) KZB'H EZVNB
\VGSBC SRKM G\ZK[ ZYKT \B .QKGXP ZZG[P OD FKF ,EZGSCBF QGZJBK\ \GCBP BGF[
OKR[ [PI ZGB F\BZ[ ,# <- ! ! :!"" -& OKZK[
OKRM\ N[ QVGE \BXGK FBNMF N[ FBXG\ BGF KZB'H N[ G\ZK[ OSY .1911=C G\GP ZIBN
FRGMPF ,FYKDGNKJRBC GK\GDNVF \B .KRGXKY OHKNPZGV N[ \ZDSP LG\C OKRG\RF OKVZGJP
QP EBKNVF KZK[ ISGRC \KYNJKBF FJRGSF N[ IK[Y ESC BNGM BGF FYKSKVFJV GKVC
{ QMG\FG FZGXF \GFH N[ KNJGJSKZBF QGZYTF \MKVF N[ FH KRGXKY KGJKC .18=F FBPF
.KZB'H N[ GEGIKK BGF
W
FKNJKB
N[ FKZZG[P QKC[ OKJNGCF NT FRPR GNGYSGV ,(= :" ) GNGYSGV GDGB
ONGT O[ GN FRY F\GMHC \KZYKTF G\ZKXK .19=F FBPF N[ FRG[BZF \KXIPC FKNJKB
.F\DN ZKTXF ZJZG KZGSK N[ \RGM\PF KV NT FNCGR ,="* " 3- < BKF
QGBKNGVRP OKYNJKBF GVY\R[ FCHMBF ORKKRT G\ZK[ N[ FCGZ CGZ QMG \TEGRF FNCGRF
FZHIC FKNJKB QGVX \B FZFPC ZSP LB KZJSGBF [GCKMF QP ORPB O\GB ZZIK[[
NT ) -"=F FRPR FZK[C GNGYSGV N[ \GTEGRF GK\GZKXK QKC .FRKG QGJN[N
G\YGV\ .OFK\GZGEN KRKRVBF KBF KXI KNGED \GNKNT \B FRGPF ,1808 \R[P (\GCXPF
QGRDSC FNKF\ KZK[ WCGY ,< \B \NNGM BKFG KEPN FTGRX GNGYSGV N[ \KJGKVF
.KSBNY=GBKR
FMH ,19=F FBPC FKNJKB KZZG[P NGED ,(#* 1- ) KEZVGBN GPGY'D
FZK[N YFCGP EGDKRC[ FECGTF N[C OB KM KJGKVF GRGZ[KM \GMHC YZ BN GEPTPC
\KZKN BKF KEZVGBN N[ G\ZK[ ZYKT ,GRPHC \KYNJKBF FZKXKF \B \RKKVBPF \KPGBNF
\R[C 9 ; \Z\GMF \I\ WCGYC ZGB F\BZ FTGRXF \KJGKVF G\[ZGP CJKP .\PRVGPG
KGBZF QP .ZHMBF GNZGD \B FMCP BGF OFC GKZK[ CJKPP 38 ZZG[PF SRKM GC ,1831
\XZTFP FRFR BN ,EKP\ LGCRFG QCKDF ,ZTGMPF ,FZKTHF FPGYF NTC KEZVGBN[ QKKXN
FZK[ KZT[ FTC[
FECGT .OK[R \CFB CGJZGYN FBNP\R BN[ FYG[\C GKNT GZCT GKKI NMG ,[NIF QKPF
.G\ZK[ \B CJKF FSRZV GH \ZTXP
FNKFF ZGBC FRG[BZG [BZC CXKR K'XGEZY ,(#! ;! ) K'XGEZY FBGHG'D
FZK[F[ ZPGN [K ONGB .\GZVSN (1906 \R[N) NCGR SZV GKR\IN YKRTP[ KCKJPKJNGBF
,NBGJYNJRKBF K'XGEZY N[ GKYGSKT NNMC \KR[P F\KKF JZVC \KZKNF FZK[FG NNMC
.FKRGNGC N[ FJKSZCKRGBC FH OGI\N FZE\Y NTCG \KRKJNF \GZVSF N[ OKZYGIF KZKMCP
K'XGEZYN <- ;*-"=F N[ OKMZMF OK[GN[ LG\P FTCZB YZ[ FECGTF LMN \GET
OKMGZBF \GBGCPF OKSVG\ ECMR YNI FNB OKMZMC ODG ,FZK[N OK[EYGP (1941=1939)
OK[YCP 0* !@ QMG 1866 \R[P < GKZK[P OKXCY KR[ .FZK[F NT \GSPG
K\NCF ZGMKRF TYZ NT FCFBF \GRKET { \KVGZKBF FZK[C FRZEGPF QV OT EEGP\FN
FRGB[N KDNJSGR EGDKRM KYNJKBF ZVMF N[ OKZGBK\ GB ,\K\KK[T\F FMVFPF N[ K[GRB
.ZKTF N[
N[ EPTPC K'XGEZY \B [ZK[ KP ,KNGYSV ,(#@ " ) KNGYSV KRCGK'D
ZMKRF FYNI[ YFCGP QGYKSBNY FKF ,FKRGNGC N[ FJKSZCKRGBC \GZVSN FZE\YF [BZ
N[ GKRC QGZIB" :KGRKMN GKXRGRB'E N[ GKVP FMH F\GMHC FECGT .\KRKJN FCG\M G\ZK[ N[
GKZK[ \VGSB \B OKRKKVBP TCJN FEKDSF QMG OKKSBNYF OKRM\F QMBG ."SGKNKDZKG
K\VZXF OHKNGCPKSF OT ZXYF JZKNVF .1907 \R[P ; ;"@& :\KZYKTF
9" { \IB FMGZB FPBGV JTPN ,FVK FNGT BN 1904 \R[P * KZK[ \VGSBC
,ZGPGFF .\ENGP ZGYKCN FC[G C"FZBN FZDKF[ FIV[P N[ FK\GENG\ \B \ZVSPF
OKMVGF ,F[TPF ZGVKS N[ KJPZEF CKMZPFG \KRYKZPB=GNJKBF FDTF ,KRG[NF YZCF
.ZZG[PF N[ JGKVF \GZKXK CJKPP \IBN GH FPBGV
W
EZVS
BN[ ,[KBF N[ GKNTV ,(3 D- " ) FESRGZVSB FE FSGI
KR[C OM\SP G\ZKXK NGNMPG ,FCK\MN CZ QPH GN GIKRF BN ,ZKTX NKDC G\GP NT ZCEN
D" QMG ,JGYS ZJNGG ISGRC & " \KZGJSKF FNCGR OFC ,ECNC OKTGRX OKMZM
OKRG[ OKZK[ ;QGZKKCN QBG'H QGE \TV[FC (FYRPNSP EKPN\F ) ! "*
\DSV YVS BNN \GKFN FETGR[ ,\IB FZGPD K\NC FZKXK QMG ,=C OKXCGYPF
\ZGEFP) F\DN JSGBV N[ GZGVKS NT SSGCPF (KRJ[F ONGTF ) D" " ! :G\ZKXK
.\GHIP N[ OXPGXP ZVSP QMG ,\[CKF KCIZC CZ OGSZVN BKFF \TC FMH[ (1832
QKC[ KVBZDGKCF QGKPEF OG[P ZYKTC \BH ,"KEZVSF QGZKKCF" G\GRMN OKDFGR OKEZVSF
(& 1" :OKGSP YGVKBC \BH CG\MN OKDBGE ONGB ,OKPKMSP OKJKZCF .OKZZG[PF KR[
./
OKZZG[PF \PK[Z
98 NNGM ZYC N[ G\ZKXK NGNMP ,(#!@ ."E /F! ) ZYC GVNGEB GCJSGD
QMG (1) FHGZVC \GEDB N[ FVGSB ,0* \Z\GMF \I\ WCGYC OKSRGMPF OKZK[
.(; * ") KN[ BNMF B\P OKC\MP :\Z\GMF \I\ \GZVSC \GSP \VGSB
G\GP ZIBN ZGB GBZ FNB OD .OKTGRX OKMZM KR[ K[GYC LB OKSVG\ EIK OD FNB NM
GKKI KPKC QKJGNIN KRGPNB DD \GKNT ZZG[PP ,QMBG .GZMH KZKYGPG OKCGZYF GKEKEK QGPKPC
FRGM\ .G\GP ZIBN \GCZ OKR[ YZ 19=F FBPC \KEZVSF FZK[F KNGEDP EIBN ZYC FKF
FZK[F N[ FK\GNGDS NT TGEKM FRPR GRKB[ ZGPGF [GI BKF G\ZK[ \B \RKKVBPF
IG\V HGZIC GKZK[ \B CG\MN G\GRGMR QMG GH FECGT .\GIKRDFG OKZGSKKF \[GED \KEZVSF
.EZVSC \KRZEGPF FZK[F KCB N[ FZYGK CZ EPTP GN OKYKRTP
OZH KCB \B \GBZN DGFR ,FBGDZYKR EKNK ,GKZEC ,(0! ) GKZE QCGZ
QP YN\SFN [YKC GPSKRZEGPF .SGRBKYGBF KEKX KR[P \BHG ,KZCKBF GPSKRZEGPF
\K\VZXF FZK[F N[ FMZEC \MNNG KEZVSF CFHF ZG\ N[ \JNIGPF FTV[FF
GKZE N[ GKZK[ WCGY ZGB FBGZ 1893 \R[C ,QMBG .BKFF \TC F\RGM GH[ KVM "\KRZEGPF"
JSVKRP QKTPN G\TVGF OT EKKP LVGFF E < * :\Z\GMF \I\
.FKKJGD NKVGBK\ \BZ[FC SGSRZVF OZHP \TV[GP FZK[F ZYKT .GPSKRZEGPF N[ KJGKV
N[ \TZMP FTV[FC OTVF ,; ? D- WCGYF ZGB FBGZ ZG[T WYP
.F[EIF \TC OKKZCKBF OKZZG[PF NGED N[ ECMRF EPTPN FMGH GKZEG ,OHKNGCPKSF
W
FKSGZ
KCB ,CGSGRGPGN ,(&" ?"@& 1*@ ) CGSGRGPGN 'WKCNKSG GNKBMKP
FRGMPF GH ,\KSGZF FZK[F KCB OD \IB FRGTCG \TC BGF ,18=F FBPF [KB ,KSGZF TEPF
G\GB NT \KCZT KZGFZF QMG NBF N[ G\NGED NT ZYGC KZGFZF ,\GPBGVF K\[ .\KRZEGP
NT .FVGY\ F\GBC \KSGZF FZK[F \ZPXC EKP G\GB \GCKXP ,1744=C ZGB \GBGZ B[GRF
FBPIPN FMGH BGF ,OKKVGSGNKV OKZGCKIG \GHIP OD \NNGMF ,\KRGD=CZF G\EGCT NGNMP
FRPR 1755=1754 OKR[C ".GZGEC SRSRZF K[RB NGED" :G\GB FRMPF ZJNGG N[ GKVP
.GP[ NT HBP FKGZYF ,FCYSGP N[ FJKSZCKRGBF KESKKP NT CGSGRGPGN
KPKC FMH QKG'HZE ,(#@" 0*@& &@ ) QKG'HZE 'WKCGRPGZ FNKZCD
FEGCMN \GPBGV N[ FZG[ ZIBN .FKRJKZCC ZXIF ZZG[P N[ FHN FPGEF EPTPN GKKI
:GF[P NCZGSPF O[F \B B[GRF EPTPC FXKZBXF G\GB FMHP FNGEDF FRKZJYK N[
F\NTP EGF N[ FKCZGYP DGIN FSKRMG \GZK\T KRKKRTN FM[NF [BZG K[KB ZKMHP"
ZMGHF ,QG[BZF ZERSMNB ZBXF [ZGV 1796=C FRKZJYK N[ F\GP OT ".FKKR[F FRKZJYK
1802=C G\GB FRPPG QKG'HZE NT G\GSI \B ,ZZG[PF GN [KEYF[ FNKF\F KZK[ \B FCGJN
ESF QP \KSGZF FZK[F YG\KRC BGF QKG'HZE N[ GNTGV ZYKT .GZXIC OKJV[PF Z[N
FZK[ KZT[ FTC[
QKG'HZE FH QCGPC .DZGCZJV JYRSC BKFF \TC FVKMC JNG[F K\VZXF KJSKXKSNYGBKRF
FEKZP KFGH .CGJRGPZN GB QKY[GV ISGRC BN[ ODF ,KSGZF OHKXKJRPGZF WGNI BGF
.CGSGRGPGN \NGMSBP OKKRG[N OK[GEKI N[ OG[KKG \KSBNYGBKRF FKEGHGZVF \GPMSGPC
OZ\ KYSCGYG'H ,(?" .@& 5&!@ ) KYSCGYG'H 'WKCKKZERB KNKSG
.\KNDRBG \KRPZDP \VGP KPGDZ\ N[ FZG[ \GTXPBC KPGYPF OHKXKJRPGZF CGXKTN
KRDCKK C OB OFK\GCYT \B BGXPN F[YK BNG ,FVGY\F \ZK[P KRDZGB YNIN GKF GKPGDZ\
QP GKPGDZ\ .GPXT KYSCGYG'H N[ G\ZK[C GB CGJRGPZNN QGPE C ,QKY[GVN QKDKKRGB
CGXKT NT OF UB GTKV[F ,NDF N[P ZYKTCG ,WZVFG ZTSF \TGR\ N[ OKRYKJZGBK\F
KGJKCN FMRKI ,FRPR FKESKKP NT[ ,(.*) SBPHZB \EGDB .FKSGZC FZK[F \ZGYKC
FRRKBG JTPM KYSCGYG'H N[ G\ZK[ ZYKT .KSGZF OHKXKJRPGZF CGXKTC F\GCK[I CZG ,K[KB
FNN FPBGVF \BH OT .G\VGY\ KRC OKNGEDF OKZZG[PF \NKFC FDGPR BKFG OGKF \ZMGP
.\KSGZF \KJRPGZF FZK[F CJKP NT OKRPR QJKKVF GZK[ QMG YGZ
CGJRPZNG QKY[GV OT EIK ,(: 9@@& (!&@ ) C'XGKJ 'WKCGRCKB ZGEGKV
\K[BZ \B .19=F FBPC \KZKNF \KSGZF FZK[F N[ NGEDF JBZKGGPGKZJF NT C'XGKJ FRPR
\ZESC ,QKY[GV N[ G\MKZTC ,YKRPZCGS \TF C\M KVE NTP F[GT BGF \K\GZVSF GMZE
G\GB FCGSKRE KZK[ ZGHIP :ZGB FBGZ 1864 \R[C .FKRPZDP OKZK[ \Z\GMF \I\ OKZK[
400 FRGP G\ZK[ NGNMP .JTP OSZV C'XGKJ .FCGSKRE FRNK ,GKKI \CFBN [KEYP BGF
OF \GZ[T FPMP Z\GK BN ,ZGYP KZK[ 200=N CGZY LG\P .OGDZ\ O\KXIP ,CGZKYC OKZK[
.\KSGZF \ZGSPF CJKPC \KJGKV \GDFG \KZKN FZK[
CG\MN NIF CGJRGPZN ,7&" G!@& 1*@ 8 CGJRGPZN 'WKCZGK NKBMKP
,OKZK[ OKK\BP FZ[T FRGP[F QC ZKTXF N[ G\GMHN OKVYHR ,1832 \R[C ZCMG ,OEYGP
KRGPNB ZZG[P BGF CGJRGPZN 1837 \R[ ET ,\BH OT .\GHIP F[GN[G \GPBGV Z[T
C\MR[ ZK[ ,(* -) ZZG[PF \GP OT ZZG[PF GPXTN FRGY GPGSZV \B .\KSIK
G\ZKXK \B CGJRGPZN OKN[P 1838 \R[C .CZY GEC QKY[GV N[ KDZJF G\GP ZIBN EKKP
OGYP ZZG[PN FRYP FTKZKF CIZ KVBF ZK[F .GKZGTRC NKI\F F\GB ,QGPE FNGEDF
(# 6&@ ?*) GRRPH ZGCKD QPGZF ZGB FBGZ OKK\R[ WYP .FZK[F \ZPXC
\ECGB LM .G\GPC 27 QC BGFG CZY GEC G\GP \B ZZG[PF BXGP QMP ZIBN \IB FR[G
.KJRPGZF QEKTC Z\GKC \GNGEDF \GIJCFF \IB \KSGZF \GZVSN
DGFR CGSZYRC ,(6" ."@& 6@ ) CGSZYR 'WKCKKSMNB KBNGYKR
1840 \R[C ZGB FBGZ QG[BZF GKZK[ WCGY .\KSGZF FZK[C OHKNBKZF WGNI \B \GBZN
\JK[V US NT EPGTF \T C\M CGSZYR [MGZ 1846 \R[C .OKNKNXG \GPGNI \Z\GMF \I\
QFG \KSGZF \GZVSF NT FNTPC QG[BZ FTV[F EYGPN QF G\GB LVGFG ,@* ,NDZ
,C'XGKJ GKF OFK\GZKXK KZGMKCN FPC [PK[ \TF C\M[ OKZXGKF QKC .\KZISP FINXFN
.GKKIC Z\GKC FZGVF BGF 1873=1864 QKC[ ZG[TF .KGJSNGJG KYSCKKGJSGE ,CKKRDZGJ
OKZZG[PF \PK[Z
,IM[RF ZVMF QGDM K\ZCIF QGGDF \NTC G\ZK[ CJKP \B CGSZYR C\GM FH QPH YZVC
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Le plus haut attentat que puisse faire un homme, (33)
 tait couche
 de fatigue accable
 ; (35)
Booz s'e
Á l'heure e
 tait la
Á sur la gre
Á ve, (43)
Un groupe tout a
Á res? (45)
Qu'avez-vous, qu'avez-vous, mes fre
Á res, (45)
Je revenais du bain, mes fre
à tre..., mais son audace (47)
Oui..., peut-e
à ce! qu'ai-je fait? gra
à ce! gra
à ce! (47)
Gra
Ne dites pas: mourir; dites: naõÃtre. Croyez. (49)
 , cette ancienne romance, (53)
La connais-tu, Dafne
 , la jeune fille (53)
Elle a passe
 ne
 breux, le Veuf, l'inconsole
 , (55)
Je suis le Te
 le soleil fixement (55)
Quiconque a regarde
Á toi, Myrtho, divine enchanteresse, (57)
Je pense a
En passant sur le pont de la Tournelle, un soir (61)
Á se fait la guerre (63)
Au pays ou
Un hippopotame au large ventre (65)
 , Louise, (69)
Avez-vous oublie
 ja
Á la cloche, (71)
L'hiver s'en va; de
 che
 , la le
 sine, (79)
La sottise, l'erreur, le pe
 mon, dans ma chambre haute, (83)
Le De
Mon enfant, ma soeur, (85)
à me cruelle et sourde, (87)
Viens sur mon coeur, a
 de nos e
 te
 s trop courts! (89)
Adieu vive clarte
à tre toujours ivre. Tout est la
Á : (91)
Il faut e
Enfant sorti de (97)
malade au printemps (97)
fils (97)
 e reste
 e (99)
refoule
pas connu (99)
 poque de (99)
il est e
ZGYPF \GV[C \GRG[BZ \GZG[
 f. (101)
pre
à me (101)
le but supre
à lutteuse endormie, (103)
Le soleil, sur le sable, o
 las! et j'ai lu tous les livres. (103)
La chair est triste, he
 tuer. (105)
Ces nymphes, je les veux perpe
à tres a
Á ma chambre: (111)
J'ai trois fene
Á l'aise (111)
Sachant qu'elle est futile, et pour surprendre a
Voici le matin bleu. Ma rose et blonde amie (113)
 dans les rails, engraisse
 de scories, (115)
Enclave
 tiers. Sa simple vie (115)
Il a tout fait, tous les me
 de brocart ou de serge, (119)
Qu'il soit encourtine
Tous deux ils regardaient, de la haute terrasse, (119)
 rieuse aurore, (121)
Le soleil sous la mer, myste
 , (127)
Dans le vieux parc solitaire et glace
Le bruit des cabarets, la fange des trottoirs, (127)
 chiquette (129)
La nuit. La pluie. Un ciel blafard que de
Elle jouait avec sa chatte, (129)
Souvenir, souvenir, que me veux-tu? L'automne (131)
Je ne sais rien de gai comme un enterrement! (131)
Un vieux faune de terre cuite (133)
 des femmes, leur faiblesse, et ces mains pales (133)
Beaute
Il pleure dans mon coeur (135)
Comme je descendais des Fleuves impassibles, (141)
 alite
 e
 tant trop e
 pineuse pour mon grand caracte
Á re, (147)
La re
Quand le front de l'enfant, plein de rouges tourmentes, (149)
 l'aube d'e
 te
 . (151)
J'ai embrasse
à mon Bien ! o
à mon Beau ! Fanfare atroce ou
Á je ne tre
 buche point (153)
o
à tre et vain d'ou
Á l'a
à me est envole
 e, (157)
Vase oliva
 lin e
 crit rit et grimace, livide. (157)
Le ve
à tu de drap d'or frise
 , contemplatif, (159)
Tout ve
 e comme une lorgnette, (161)
Une boõÃte de corned-beef, enchaõÃne
Alfin tu splendi, o Sole, o del creato (171)
Ne piu mai tocchero le sacre sponde (175)
Á della fatal quõÈete (175)
Forse perche
FZK[ KZT[ FTC[
Solcata ho fronte, occhi incavati intenti, (177)
Sempre caro mi fu quest'ermo colle, (183)
Á la notte e senza vento, (183)
Dolce e chiara e
Silvia, rimembri ancora (187)
Or poserai per sempre, (191)
La donzelletta vien dalla campagna, (193)
O graziosa luna, io mi rammento (195)
Oh quei fanali come s'inseguono (201)
L'albero a cui tendevi (205)
Dolce paese, onde portai conforme (207)
Tu parli; e, de la voce a la molle aura (207)
Nevica: l'aria brulica di bianco; (215)
Si muove il cielo, tacito e lontano: (215)
"Ioe, bona cianza!..." "Ghita, state bene!..." (215)
Da un immoto fragor di carriaggi ± (217)
¡Oh! ¡Cruel! ¡Muy cruel!... ¡Ay! yo, entretanto, (227)
Blanca nube de la aurora, (227)
Con diez can
Ä ones por banda, (229)
Me gusta ver el cielo (235)
Saeta que voladora (243)
 n en el a
 ngulo oscuro, (245)
Del salo
 tomos del aire (245)
Los invisibles a
Te vi un punto, y, flotando ante mis ojos, (247)
Fatigada del baile, (247)
Despierta, tiemblo al mirarte: (249)
 n fue un tra
 gico sainete (253)
Nuestra pasio
 es poesõÂa?, dices mientras clavas (253)
¿Que
En la imponente nave (253)
 n las oscuras golondrinas (257)
Volvera
 is bramando (259)
Olas gigantes que os rompe
 rbol, que es apenas sensitivo, (265)
Dichoso el a
 a la barca negra; (265)
El pensador llego
El mar como un vasto cristal azogado (267)
¡Es con voz de la Biblia, o verso de Walt Whitman, (269)
Mes de rosas. Van mis rimas (273)
ZGYPF \GV[C \GRG[BZ \GZG[
»ØæÕ áÒÞÕ áÚàëÒÐÕâ ÔÕÝì; (287)
¿ÕáçØÝÚÐ ÚÐÚ Ò ÜÞàáÚØå ÒÞÛÝÐå, (287)
ÃáâÐ ßàÕÜãÔàëå ÝÐÜ ÓÛÐáïâ: (287)
½Þ ÓÔÕ Ö, ÝÐâãàÐ, âÒÞÙ ×ÐÚÞÝ? (287)
¾ Òë, ÚÞâÞàëå ÑëáâàëÙ ×àÐÚ (289)
ÇâÞ ×ëÑÛÕâ ïáÝëÙ ÝÞçìî Ûãç? (289)
ÁÞÜÝÕÝØÙ ßÞÛÞÝ ÒÐè ÞâÒÕâ (289)
ÇâÞ âë ×ÐÒÞÔØèì ßÕáÝî ÒÞÕÝÝã (293)
¿ÞÙÜÐÛØ ßâØçÚã ÓÞÛÞáØáâã (295)
ÀÕÚÐ ÒàÕÜÕÝ Ò áÒÞÕÜ áâàÕÜÛÕÝìØ (295)
Ï ßÐÜïâÝØÚ áÕÑÕ ÒÞ×ÔÒØÓ çãÔÕáÝëÙ, ÒÕçÝëÙ, (297)
² âÕÝØ ÔÕàÕÒ, ÝÐÔ çØáâëÜØ ÒÞÔÐÜØ (301)
¼ØÛëÙ áÞÝ, ÔãèØ ßÛÕÝØâÕÛì, (303)
¾ÝÐ áØÔÕÛÐ ÝÐ ßÞÛã (311)
¼ÞÛçØ, áÚàëÒÐÙáï Ø âÐØ (311)
ÁàÕÔØ ÓàÞÜÞÒ, áàÕÔØ ÞÓÝÕÙ, (313)
Á ÓÞàë áÚÐâØÒèØáì, ÚÐÜÕÝì ÛÕÓ Ò ÔÞÛØÝÕ. (313)
¿àØàÞÔÐ - áäØÝÚá. ¸ âÕÜ ÞÝÐ ÒÕàÝÕÙ (315)
¾, ÚÐÚ ÝÐ áÚÛÞÝÕ ÝÐèØå ÛÕâ (315)
¿ÞÓØÑ ßÞíâ! - ÝÕÒÞÛìÝØÚ çÕáâØ- (321)
¿ÕçÐÛìÝëÙ ´ÕÜÞÝ, Ôãå Ø×ÓÝÐÝìï, (325)
´ÐÒÝÞ ÞâÒÕàÖÕÝÝëÙ ÑÛãÖÔÐÛ (325)
¸ ÝÐÔ ÒÕàèØÝÐÜØ ºÐÒÚÐ×Ð (327)
¸ ßÕàÕÔ ÝØÜ ØÝÞÙ ÚÐàâØÝë (329)
²ëáÞÚØÙ ÔÞÜ, èØàÞÚØÙ ÔÒÞà (331)
²áÕÓÔÐ ÑÕ×ÜÞÛÒÝÞ ÝÐ ÔÞÛØÝë (331)
ºÛïÝãáì ßÞÛÝÞçÝÞî ×ÒÕ×ÔÞÙ, (333)
² ßÞáÛÕÔÝØÙ àÐ× ÞÝÐ ßÛïáÐÛÐ. (335)
¸ ´ÕÜÞÝ ÒØÔÕÛ... ½Ð ÜÓÝÞÒÕÝìÕ (335)
¸×ÜãçØÒ ÔÞÑàÞÓÞ ÚÞÝï, (337)
¸ ÒÞâ çÐáÞÒÝï ÝÐ ÔÞàÞÓÕ... (339)
·ÐâØåÛÞ ÒáÕ; âÕáÝïáì âÞÛßÞÙ, (341)
½ÕáÕâáï ÚÞÝì ÑëáâàÕÕ ÛÐÝØ. (343)
² áÕÜìÕ ³ãÔÐÛÐ ßÛÐç Ø áâÞÝë, (345)
½Ð ÑÕ××ÐÑÞâÝãî áÕÜìî (345)
FZK[ KZT[ FTC[
ÁÛÞÒÐ ãÜÞÛÚÛØ Ò ÞâÔÐÛÕÝìÕ, (351)
²Þâ ßÐàÐÔÝëÙ ßÞÔêÕ×Ô. ¿Þ âÞàÖÕáâÒÕÝÝëÜ ÔÝïÜ, (355)
Âë ÓàãáâÝÐ, âë áâàÐÔÐÕèì ÔãèÞî: (359)
ÁÚÞàÞ áâÐÝã ÔÞÑëçÕî âÛÕÝìï. (361)
ºÐÚÐï Óàãáâì! ºÞÝÕæ ÐÛÛÕØ (365)
Ï ßàØèÕÛ Ú âÕÑÕ á ßàØÒÕâÞÜ, (365)
ºÞÓÔÐ çØâÐÛÐ âë ÜãçØâÕÛìÝëÕ áâàÞÚØ, (367)
ºÐÚÞÙ âïÖÕÛëÙ, âÕÜÝëÙ ÑàÕÔ! (371)
ÁÚÐÖØâÕ, çâÞ áâÐÛÞáì áÞ ÜÝÞÙ? (373)
ÁàÕÔØ ÜØàÞÒ, Ò ÜÕàæÐÝØØ áÒÕâØÛ (373)
ÂÞ ÑëÛÞ ÝÐ ²ÐÛÛÕÝ-ºÞáÚØ.
(375)
Z ogrodowej altany wojewoda zdyszany (389)
/
Ç owy (393)
Sto lat mija l o, jak Zakon krzyz
Z Maryjenburskiej wiez
Ç y zadzwoniono, (397)
 wiecie; (399)
 ni na s
Nie masz teraz prawdziwej przyjaz
Pewny rabin w Talmudzie ka
Î pia
Î c sie
Î po uszy, (401)
/
 miech ludzki nieszczery (405)
Î cych je
Î ki, s
G l uche cierpia
 j wyniszczony bojem, (411)
Boz
Ç e! zeszlij na lud two
/
Î de
Î , (413)
Ja wam zapa l poety na nici rozprze
 nionych obu spe
 w. (413)
Zwas
Î dzam ze scenicznych progo
/
 cz wam znikne
Sprzed o
Î : ± jak fala, sprzed l odzi ± (417)
 w mych ziemi przez wroga wygnany, (417)
Z ojco
Jeszcze kielich mojej doli (421)
 miecie (427)
Z ogromnej sali wyniesiono s
/
Âz
"Co
Ç nowego?" ± "Despotyzm runa
Î l !... wraz opowiem: (427)
/
Î ±z
Ç smutniejsze zgony? (429)
Ona umar l a!... sa
Nad Kapulettich i Montekich domem (431)
/
/
Î z g l odu ± (433)
By l em wczora w miejscu, gdzie mra
/
Ç sie
Î wali. (437)
Zbudowa l em sobie dom i juz
Panie i Panowie! (449)
\ZICR FKVZDGKNCKC
\ZICR FKVZDGKNCKC
 nichou, P., Le Sacre
 de l'Ecrivain, 1750-1830, Corti, 1973.
Be
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